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"And Bloody Bill, as they rudely called Mr. Gagg, a member of the crew, looked up at the sky, and said that it was a windy night and looked like hanging.",
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"n every capital city, with pictures of it for identification--_and all the pictures were unflattering_. Therefore Captain Shard decided that the time had come to tell his men the secret. Riding off Teneriffe one night, he called them all together. He generously admitted that there were things in the past that might require explanation: the crowns that the Princes of Aragon had sent to their nephews the Kings of the two Americas had certainly never reached their Most Sacred Majesties. Where, men might ask, were the eyes of Captain Stobbud? Who had been burning towns on the Patagonian seaboard? Why should such a ship as theirs choose pearls for cargo? Why so much blood on the decks and so many guns? And where was the _Nancy_, the _Lark_, or the _Margaret Belle_? Such questions as these, he urged, might be asked by the inquisitive, and if counsel for the defence should happen to be a fool, and unacquainted with the ways of the sea, they might become involved in troublesome legal formulae.",
"E HUGE REWARDS FOR HIS HEAD IN EVERY CAPITAL CITY WITH PICTURES OF IT FOR IDENTIFICATION AND ALL THE PICTURES WERE UNFLATTERING THEREFORE CAPTAIN CHARR DECIDED THAT THE TIME HAD COME TO TELL HIS MEN THE SECRET WRITING OFF TENERIFFE ONE NIGHT HE CALLED THEM ALL TOGETHER HE GENEROUSLY ADMITTED THAT THERE WERE THINGS IN THE PAST THAT MIGHT REQUIRE EXPLANATION THE CROWNS THAT THE PRINCES OF ARRAGON HAD SENT TO THEIR NEPHEWS THE KINGS OF THE TWO AMERICANS HAD CERTAINLY NEVER REACHED THEIR MOST SACRED MAJESTIES WHERE MEN MIGHT ASK WERE THE EYES OF CAPTAIN STOWBOD WHO HAD BEEN BURNING TOWNS ON THE PATAGONIAN SEABOARD WHY SHOULD SUCH A SHIP AS THEIRS CHOOSE PEARLS FOR CARGO WHY SO MUCH BLOOD ON THE DECKS AND SO MANY GUNS AND WHERE WAS THE NANCY THE LARK OR THE MARGARET BELL SUCH QUESTIONS AS THESE HE URGED MIGHT BE ASKED BY THE INQUISITIVE AND IF COUNSEL FOR THE DEFENCE SHOULD HAPPEN TO BE A FOOL AND UNACQUAINTED WITH THE WAYS OF THE SEA THEY MIGHT BECOME INVOLVED IN TROUBLESOME LEGAL FORMULAE"
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"Long before it was light the survivors of the crew were peering at the sea, and when dawn came there was the island, no bigger than two ships, straining hard at its anchor, with the wind in the tops of the trees.",
"LONG BEFORE IT WAS LIGHT THE SURVIVORS OF THE CREW WERE PEERING AT THE SEA AND WHEN DAWN CAME THERE WAS THE ISLAND NO BIGGER THAN TWO SHIPS STRAINING HARD AT ITS ANCHOR WITH THE WIND AND THE TOPS OF THE TREES"
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"shore at once and hastily re-embarked and sailed away with what loot they had hurriedly got, and with fewer men, for they had to fight a good deal to get back to the boat. They cursed all day the interference of those ominous ships which steadily grew nearer. There were six ships at first, and that night they slipped away from all but two; but all the next day those two were still in sight, and each of them had more guns than the _Desperate Lark_. All the next night Shard dodged about the sea, but the two ships separated and one kept him in sight, and the next morning it was alone with Shard on the sea, and his archipelago was just in sight, the secret of his life. And Shard saw he must fight, and a bad fight it was, and yet it suited Shard's purpose, for he had more merry men when the fight began than he needed for his island. And they got it over before any other ship came up; and Shard put all adverse evidence out of the way, and came that night to the islands near the Sargasso Sea.",
"QUEEN WENT DOWN TO THE SHORE AT ONCE AND HASTILY RE EMBARKED AND SAILED AWAY WITH WHAT LOOT THEY HAD HURRIEDLY GOT AND WITH FEWER MEN FOR THEY HAD TO FIGHT A GOOD DEAL TO GET BACK TO THE BOAT THEY CURSED ALL DAY THE INTERFERENCE OF THOSE OMINOUS SHIPS WHICH STEADILY DREW NEAR THERE WERE SIX SHIPS AT FIRST AND THAT NIGHT THEY SLIPPED AWAY FROM ALL BUT TWO BUT ALL THE NEXT DAY THOSE TWO WERE STILL IN SIGHT AND EACH OF THEM HAD MORE GUNS THAN THE DESPERATE LARK ALL THE NEXT NIGHT SHARD DODGED ABOUT THE SEA BUT THE TWO SHIPS SEPARATED AND ONE KEPT HIM IN SIGHT AND THE NEXT MORNING IT WAS ALONE WITH SHARD ON THE SEA AND HIS ARCHIPELAGO WAS JUST IN SIGHT THE SECRET OF HIS LIFE AND SHARD SAW HE MUST FIGHT AND A BAD FIGHT IT WAS AND YET IT SUITED CHARGE'S PURPOSE FOR HE HAD MORE MERRY MEN WHEN THE FIGHT BEGAN THAN HE NEEDED FOR HIS ISLAND AND THEY GOT IT OVER BEFORE ANY OTHER SHIP CAME UP AND SHORD PUT ALL ADVERSE EVIDENCE OUT OF THE WAY AND CAME THAT NIGHT TO THE ISLANDS NEAR THE SARGASSO SEA"
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"The ports of Spain were closed to him; they knew him in San Domingo; men winked in Syracuse when he went by; the two Kings of the Sicilies never smiled within an hour of speaking of him; there were huge rewards for his head in every capital city, with pictures of it for identification _and all the pictures were unflattering_. Therefore Captain Shard decided that the time had come to tell his men the secret.",
"THE PORTS OF SPAIN WERE CLOSE TO HIM THEY KNEW HIM IN SAN DOMINGO MEN WINKED IN SYRACUSE WHEN HE WENT BY THE TWO KINGS OF THE SICILIES NEVER SMILED WITHIN AN HOUR OF SPEAKING OF HIM THERE WERE HUGE REWARDS FOR HIS HEAD IN EVERY CAPITAL CITY WITH PICTURES OF IT FOR IDENTIFICATION AND ALL THE PICTURES WERE UNFLATTERING THEREFORE CAPTAIN CHARR DECIDED THAT THE TIME HAD COME TO TELL HIS MEN THE SECRET"
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" from the World to be a joy to the Stars. And there before Pombo was the little disreputable god who cares nothing for etiquette and will answer prayers that are refused by all the respectable idols. And whether the view of him, at last, excited Pombo's eagerness, or whether his need was greater than he could bear that it drove him so swiftly downstairs, or whether, as is most likely, he ran too fast past the beast, I do not know, and it does not matter to Pombo; but at any rate he could not stop, as he had designed, in attitude of prayer at the feet of Duth, but ran on past him down the narrowing steps, clutching at smooth, bare rocks till he fell from the World as, when our hearts miss a beat, we fall in dreams and wake up with a dreadful jolt; but there was no waking up for Pombo, who still fell on towards the incurious stars, and his fate is even one with the fate of Slith. THE LOOT OF BOMBASHARNA Things had grown too hot for Shard, captain of pirates, on all the seas that he knew.",
" THE BOOK OF WONDER BY LORD DUNZANIE THIS IS LIEBERVOX RECORDING ALL LIVER BOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIVERPOX DOT ORG THE LOOT OF MAMASHARNA THINGS HAD GROWN TOO HOT FOR SHARD CAPTAIN OF PIRATES ON ALL THE SEAS THAT HE KNEW"
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"It told of desolate, regretted things befallen happy cities long since in the prime of the world.",
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"Gladsome Beast had his lair. Then they manoeuvred. Ackronnion was to go by the way of the steps with his harp and an agate bowl, while Arrath went round by a crag on the other side. Then the Old Man Who Looks After Fairyland went back to his windy house, muttering angrily as he passed his cabbages, for he did not love the ways of the Gladsome Beast; and the two friends parted on their separate ways. Nothing perceived them but that ominous crow glutted overlong already upon the flesh of man. The wind blew bleak from the stars. At first there was dangerous climbing, and then Ackronnion gained the smooth, broad steps that led from the edge to the lair, and at that moment heard at the top of the steps the continuous chuckles of the Gladsome Beast. He feared then that its mirth might be insuperable, not to be saddened by the most grievous song; nevertheless he did not turn back then, but softly climbed the stairs and, placing the agate bowl upon a step, struck up the chaunt called Dolorous.",
"D UNDERNEATH WHERE THE GLADSOME BEAST HAD HIS LAIR THEN THEY MANEUVERED ACRONIAN WAS TO GO BY THE WAY OF THE STEPS WITH HIS HARP AND AN AGATE BOWL WHILE EARRATH WENT ROUND BY A CRAG ON THE OTHER SIDE THEN THE OLD MAN WHO LOOKS AFTER FAIRYLAND WENT BACK TO HIS WINDY HOUSE MUTTERING ANGRILY AS HE PASSED HIS CABBAGES FOR HE DID NOT LOVE THE WAYS OF THE GLADSOME BEAST AND THE TWO FRIENDS PARTED ON THEIR SEPARATE WAYS NOTHING PERCEIVED THEM BUT THAT OMINOUS CROW GLUTTED OVER LONG ALREADY UPON THE FLESH OF MAN THE WIND BLEW BLEAK FROM THE STARS AT FIRST THERE WAS DANGEROUS CLIMBING AND THEN ACRONIAN GAINED THE SMOOTH BROAD STEPS THAT LED FROM THE EDGE TO THE LAIR AND AT THAT MOMENT HEARD AT THE TOP OF THE STEPS THE CONTINUOUS CHUCKLES OF THE GLADSOME BEAST HE FEARED THEN THAT ITS MIRTH MIGHT BE INSUPERABLE NOT TO BE SADDENED BY THE MOST GRIEVOUS SONG NEVERTHELESS HE DID NOT TURN BACK THEN BUT SOFTLY CLIMBED THE STAIRS AND PLACING THE AGATE BOWL UPON A STEP STRUCK UP THE CHAUNT CALLED DOLORUS"
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"And when the princes had told their desperate loves and had departed away with no other spoil than of their own tears only, even then there came the unknown troubadours and told their tales in song, concealing their gracious names.",
"AND WHEN THE PRINCES HAD TOLD THEIR DESPERATE LOVES AND HAD DEPARTED AWAY WITH NO OTHER SPOIL THAN OF THEIR OWN TEARS ONLY EVEN THEN THERE CAME THE UNKNOWN TROUBADORES AND TOLD THEIR TALES IN SONG CONCEALING THEIR GRACIOUS NAMES"
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"y had known her all her childhood; she had never sighed. Many men had she seen, suitors and courtiers, and had never turned her head after one went by. Her beauty was as still sunsets of bitter evenings when all the world is frore, a wonder and a chill. She was as a sun-stricken mountain uplifted alone, all beautiful with ice, a desolate and lonely radiance late at evening far up beyond the comfortable world, not quite to be companioned by the stars, the doom of the mountaineer. If she could weep, they said, she could love, they said. And she smiled pleasantly on those ardent princes, and troubadours concealing kingly names. Then one by one they told, each suitor prince the story of his love, with outstretched hands and kneeling on the knee; and very sorry and pitiful were the tales, so that often up in the galleries some maid of the palace wept. And very graciously she nodded her head like a listless magnolia in the deeps of the night moving idly to all the breezes its glorious bloom.",
" SHE MIGHT ALSO LOVE THEY HAD KNOWN HER ALL HER CHILDHOOD SHE HAD NEVER SIGHED MANY MEN HAD SHE SEEN SUITORS AND COURTIERS AND HAD NEVER TURNED HER HEAD AFTER ONE WENT BY HER BEAUTY WAS AS STILL SUNSETS OF BITTER EVENINGS WHEN ALL THE WORLD IS FRARE A WONDER AND A CHILL SHE WAS AS A SUN STRICKEN MOUNTAIN UPLIFTED ALONE ALL BEAUTIFUL WITH ICE A DESOLATE AND LONELY RADIANCE LATE AT EVENING FAR UP BEYOND THE COMFORTABLE WORLD NOT QUITE TO BE COMPANIONED BY THE STARS THE DOOM OF THE MOUNTAINEER IF SHE COULD WEEP THEY SAID SHE COULD LOVE THEY SAID AND SHE SMILED PLEASANTLY ON THOSE ARDENT PRINCES AND TROUBADOR'S CONCEALING KINGLY NAMES THEN ONE BY ONE THEY TOLD EACH SUITOR PRINCE THE STORY OF HIS LOVE WITH OUTSTRETCHED HANDS AND KNEELING ON THE KNEE AND VERY SORRY AND PITIFUL WERE THE TALES SO THAT OFTEN UP IN THE GALLERIES SOME MAID OF THE PALACE WEPT AND VERY GRACIOUSLY SHE NODDED HER HEAD LIKE A LISTLESS MAGNOLIA IN THE DEEPS OF THE NIGHT MOVING IDLY TO ALL THE BREEZES ITS GLORIOUS BLOOM"
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"the world. It told of how the gods and beasts and men had long ago loved beautiful companions, and long ago in vain. It told of the golden host of happy hopes, but not of their achieving. It told how Love scorned Death, but told of Death's laughter. The contented chuckles of the Gladsome Beast suddenly ceased in his lair. He rose and shook himself. He was still unhappy. Ackronnion still sang on the chaunt called Dolorous. The Gladsome Beast came mournfully up to him. Ackronnion ceased not for the sake of his panic, but still sang on. He sang of the malignity of time. Two tears welled large in the eyes of the Gladsome Beast. Ackronnion moved the agate bowl to a suitable spot with his foot. He sang of autumn and of passing away. Then the beast wept as the frore hills weep in the thaw, and the tears splashed big into the agate bowl. Ackronnion desperately chaunted on; he told of the glad unnoticed things men see and do not see again, of sunlight beheld unheeded on faces now withered away.",
"IES LONG SINCE IN THE PRIME OF THE WORLD IT TOLD OF HOW THE GODS AND BEASTS AND MEN HAD LONG AGO LOVED BEAUTIFUL COMPANIONS AND LONG AGO IN VAIN IT TOLD OF THE GOLDEN HOST OF HAPPY HOPES BUT NOT OF THEIR ACHIEVING IT TOLD HOW LOVE SCORNED DEATH BUT TOLD OF DEATH'S LAUGHTER THE CONTENTED CHUCKLES OF THE GLADSOME BEASTS SUDDENLY CEASED IN HIS LAIR HE ROSE AND SHOOK HIMSELF HE WAS STILL UNHAPPY ACRONIAN STILL SANG ON THE CHAUNT CALLED DOLORUS THE GLADSOME BEAST CAME MOURNFULLY UP TO HIM ACRONIAN CEASED NOT FOR THE SAKE OF HIS PANIC BUT STILL SANG ON HE SANG OF THE MALIGNITY OF TIME TWO TEARS WELLED LARGE IN THE EYES OF THE GLADSOME BEAST ACRONIAN MOVED THE AGATE BALL TO A SUITABLE SPOT WITH HIS FOOT HE SANG OF AUTUMN AND OF PASSING AWAY THEN THE BEAST WEPT AS THE FLOOR HILLS WEEP IN THE THAW AND THE TEARS SPLASHED BIG INTO THE AGATE BOWL ACRONIAN DESPERATELY CHAUNTED ON HE TOLD OF THE GLAD UNNOTICED THINGS MEN SEE AND DO NOT SEE AGAIN OF SUNLIGHT BEHELD UNHEEDED ON FACES NOW WITHERED AWAY"
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"Some nourishment that common soil has not the huge trees drained there with their colossal roots from both banks of the river. There the Gibbelins lived and discreditably fed.",
"SOME NOURISHMENT THAT COMMON SOIL HAS NOT THE HUGE TREES DRAINED THERE WITH THEIR COLOSSAL ROOTS FROM BOTH BANKS OF THE RIVER THERE THE GIBBELLONS LIVED AND DISCREDITABLY FED"
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"obbing and sorrow. But no, she would not weep. THE HOARD OF THE GIBBELINS The Gibbelins eat, as is well known, nothing less good than man. Their evil tower is joined to Terra Cognita, to the lands we know, by a bridge. Their hoard is beyond reason; avarice has no use for it; they have a separate cellar for emeralds and a separate cellar for sapphires; they have filled a hole with gold and dig it up when they need it. And the only use that is known for their ridiculous wealth is to attract to their larder a continual supply of food. In times of famine they have even been known to scatter rubies abroad, a little trail of them to some city of Man, and sure enough their larders would soon be full again. Their tower stands on the other side of that river known to Homer--_ho rhoos okeanoio_, as he called it--which surrounds the world. And where the river is narrow and fordable the tower was built by the Gibbelins' gluttonous sires, for they liked to see burglars rowing easily to their steps.",
"N FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIVERVOX DOT ORG THE HOARD OF THE GIBELLONS THE GIBBELLONS EAT AS IS WELL KNOWN NOTHING LESS GOOD THAN MAN THEIR EVIL TOWER IS JOINED TO TARRA COGNITA TO THE LANDS WE KNOW BY A BRIDGE THEIR HOARD IS BEYOND REASON AVARICE HAS NO USE FOR IT THEY HAVE A SEPARATE CELLAR FOR EMERALDS AND A SEPARATE CELLAR FOR SAPPHIRES THEY HAVE FILLED A HOLE WITH GOLD AND DIG IT UP WHEN THEY NEED IT AND THE ONLY USE THAT IS KNOWN FOR THEIR RIDICULOUS WEALTH IS TO ATTRACT TO THEIR LARDER A CONTINUAL SUPPLY OF FOOD IN TIMES OF FAMINE THEY HAVE EVEN BEEN KNOWN TO SCATTER RUBIES ABROAD A LITTLE TRAIL OF THEM TO SOME CITY OF MAN AND SURE ENOUGH THEIR LARDERS WOULD SOON BE FULL AGAIN THERE TOWERS STANDS ON THE OTHER SIDE OF THAT RIVER KNOWN TO HOMER HORUS OCEANOIO AS HE CALLED IT WHICH SURROUNDS THE WORLD AND WHERE THE RIVER IS NARROW AND FORDABLE THE TOWER WAS BUILT BY THE GIBBELLON'S GLUTTONOUS SIRES FOR THEY LIKED TO SEE BURGLARS ROWING EASILY TO THEIR STEPS"
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"Nothing put out its head from any window, and all were lighted so that nothing within could see him in the dark. The blows of his pickaxe were dulled in the deep walls.",
"NOTHING PUT OUT ITS HEAD FROM ANY WINDOW AND ALL WERE LIGHTED SO THAT NOTHING WITHIN COULD SEE HIM IN THE DARK THE BLOWS OF HIS PICKAXE WERE DULLED IN THE DEEP WALLS"
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" softest. And so they came to the swart arboreal precipice of the unpassable forest. The dragon rose at it with a rattle of wings. Many a farmer near the edge of the world saw him up there where yet the twilight lingered, a faint, black, wavering line; and mistaking him for a row of geese going inland from the ocean, went into their houses cheerily rubbing their hands and saying that winter was coming, and that we should soon have snow. Soon even there the twilight faded away, and when they descended at the edge of the world it was night and the moon was shining. Ocean, the ancient river, narrow and shallow there, flowed by and made no murmur. Whether the Gibbelins banqueted or whether they watched by the door, they also made no murmur. And Alderic dismounted and took his armour off, and saying one prayer to his lady, swam with his pickaxe. He did not part from his sword, for fear that he meet with a Gibbelin. Landed the other side, he began to work at once, and all went well with him.",
"AN A SPUR THRUST WHERE HE WAS SOFTEST AND SO THEY CAME TO THE SWART ARBOREAL PRECIPICE OF THE IMPASSABLE FOREST THE DRAGON ROSE AT IT WITH A RATTLE OF WINGS MANY A FARMER NEAR THE EDGE OF THE WORLDS SAW HIM UP THERE WHERE YET THE TWILIGHT LINGERED A FAINT BLACK WAVERING LINE AND MISTAKING HIM FOR A ROW OF GEESE GOING INLAND FROM THE OCEAN WENT INTO THEIR HOUSES CHEERILY RUBBING THEIR HANDS AND SAYING THAT WINTER WAS COMING AND THAT WE SHOULD SOON HAVE SNOW SOON EVEN THERE THE TWILIGHT FADED AWAY AND WHEN THEY DESCENDED AT THE EDGE OF THE WORLD IT WAS NIGHT AND THE MOON WAS SHINING OCEAN THE ANCIENT RIVER NARROW AND SHALLOW THERE FLOWED BY AND MADE NO MURMUR WHETHER THE GIBELONS BANQUETED OR WHETHER THEY WATCHED BY THE DOOR THEY ALSO MADE NO MURMUR AND ELDRIC DISMOUNTED AND TOOK HIS ARMOR OFF AND SAYING ONE PRAYER TO HIS LADY SWAM WITH HIS PICKAXE HE DID NOT PART FROM HIS SWORD FOR FEAR THAT HE MET WITH A GIBBELON LANDED THE OTHER SIDE HE BEGAN TO WORK AT ONCE AND ALL WENT WELL WITH HIM"
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" that girdles the world, so that as soon as he made a hole in the wall the water should pour in, confounding the Gibbelins, and flooding the cellars, rumoured to be twenty feet in depth, and therein he would dive for emeralds as a diver dives for pearls. And on the day that I tell of he galloped away from his home scattering largesse of gold, as I have said, and passed through many kingdoms, the dragon snapping at maidens as he went, but being unable to eat them because of the bit in his mouth, and earning no gentler reward than a spurthrust where he was softest. And so they came to the swart arboreal precipice of the unpassable forest. The dragon rose at it with a rattle of wings. Many a farmer near the edge of the world saw him up there where yet the twilight lingered, a faint, black, wavering line; and mistaking him for a row of geese going inland from the ocean, went into their houses cheerily rubbing their hands and saying that winter was coming, and that we should soon have snow.",
" RIVER AS HOMER KNEW THAT GIRDLES THE WORLD SO THAT AS SOON AS HE MADE A HOLE IN THE WALL THE WATER SHOULD POUR IN CONFOUNDING THE GIBBELLINS AND FLOODING THE CELLARS RUMOUR TO BE TWENTY FEET IN DEPTH AND THEREIN HE WOULD DIVE FOR EMERALDS AS A DIVER DIVED FOR PEARLS AND ON THE DAY THAT I TELL OF HE GALLOPED AWAY FROM HIS HOME SCATTERING LARGESSE OF GOLD AS I HAVE SAID AND PASSED THROUGH MANY KINGDOMS THE DRAGON SNAPPING AT MAIDENS AS HE WENT BUT BEING UNABLE TO EAT THEM BECAUSE OF THE BIT IN HIS MOUTH AND EARNING NO GENTLER REWARD THAN A SPUR THRUST WHERE HE WAS SOFTEST AND SO THEY CAME TO THE SWART ARBOREAL PRECIPICE OF THE IMPASSABLE FOREST THE DRAGON ROSE AT IT WITH A RATTLE OF WINGS MANY A FARMER NEAR THE EDGE OF THE WORLDS SAW HIM UP THERE WHERE YET THE TWILIGHT LINGERED A FAINT BLACK WAVERING LINE AND MISTAKING HIM FOR A ROW OF GEESE GOING INLAND FROM THE OCEAN WENT INTO THEIR HOUSES CHEERILY RUBBING THEIR HANDS AND SAYING THAT WINTER WAS COMING AND THAT WE SHOULD SOON HAVE SNOW"
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"m the lands of legend and myth, and even some from Terra Cognita. And Ackronnion sang as he never sang before, and will not sing again. O, but dolorous, dolorous, are all the ways of man, few and fierce are his days, and the end trouble, and vain, vain his endeavour: and woman--who shall tell of it?--her doom is written with man's by listless, careless gods with their faces to other spheres. Somewhat thus he began, and then inspiration seized him, and all the trouble in the beauty of his song may not be set down by me: there was much of gladness in it, and all mingled with grief: it was like the way of man: it was like our destiny. Sobs arose at his song, sighs came back along echoes: seneschals, soldiers, sobbed, and a clear cry made the maidens; like rain the tears came down from gallery to gallery. All round the Queen of the Woods was a storm of sobbing and sorrow. But no, she would not weep. THE HOARD OF THE GIBBELINS The Gibbelins eat, as is well known, nothing less good than man.",
" THE BOOK OF WONDER BY LORD DUNZANIE THIS IS LIEBERVOX RECORDING ALL LIVER BOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIVERVOX DOT ORG THE HOARD OF THE GIBELLONS THE GIBBELLONS EAT AS IS WELL KNOWN NOTHING LESS GOOD THAN MAN"
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"MANY A FARMER NEAR THE EDGE OF THE WORLDS SAW HIM UP THERE WHERE YET THE TWILIGHT LINGERED A FAINT BLACK WAVERING LINE AND MISTAKING HIM FOR A ROW OF GEESE GOING INLAND FROM THE OCEAN WENT INTO THEIR HOUSES CHEERILY RUBBING THEIR HANDS AND SAYING THAT WINTER WAS COMING AND THAT WE SHOULD SOON HAVE SNOW SOON EVEN THERE THE TWILIGHT FADED AWAY AND WHEN THEY DESCENDED AT THE EDGE OF THE WORLD IT WAS NIGHT AND THE MOON WAS SHINING"
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"Alderic, if a snipe should sit in the top of a tree, and would men find him there? Assuredly never! So Alderic decided to swim the river and not to go by the door, but to pick his way into the tower through the stone. Moreover, it was in his mind to work below the level of the ocean, the river (as Homer knew) that girdles the world, so that as soon as he made a hole in the wall the water should pour in, confounding the Gibbelins, and flooding the cellars, rumoured to be twenty feet in depth, and therein he would dive for emeralds as a diver dives for pearls. And on the day that I tell of he galloped away from his home scattering largesse of gold, as I have said, and passed through many kingdoms, the dragon snapping at maidens as he went, but being unable to eat them because of the bit in his mouth, and earning no gentler reward than a spurthrust where he was softest. And so they came to the swart arboreal precipice of the unpassable forest. The dragon rose at it with a rattle of wings.",
"E IN A MARSH BUT HOW SAID ELDRIC IF A SNIPE SHOULD SIT IN THE TOP OF A TREE AND WOULD MEN FIND HIM THERE ASSUREDLY NEVER SO ELDRIC DECIDED TO SWIM THE RIVER AND NOT TO GO BY THE DOOR BUT TO PICK HIS WAY INTO THE TOWER THROUGH THE STONE MOREOVER IT WAS IN HIS MIND TO WORK BELOW THE LEVEL OF THE OCEAN THE RIVER AS HOMER KNEW THAT GIRDLES THE WORLD SO THAT AS SOON AS HE MADE A HOLE IN THE WALL THE WATER SHOULD POUR IN CONFOUNDING THE GIBBELLINS AND FLOODING THE CELLARS RUMOUR TO BE TWENTY FEET IN DEPTH AND THEREIN HE WOULD DIVE FOR EMERALDS AS A DIVER DIVED FOR PEARLS AND ON THE DAY THAT I TELL OF HE GALLOPED AWAY FROM HIS HOME SCATTERING LARGESSE OF GOLD AS I HAVE SAID AND PASSED THROUGH MANY KINGDOMS THE DRAGON SNAPPING AT MAIDENS AS HE WENT BUT BEING UNABLE TO EAT THEM BECAUSE OF THE BIT IN HIS MOUTH AND EARNING NO GENTLER REWARD THAN A SPUR THRUST WHERE HE WAS SOFTEST AND SO THEY CAME TO THE SWART ARBOREAL PRECIPICE OF THE IMPASSABLE FOREST THE DRAGON ROSE AT IT WITH A RATTLE OF WINGS"
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"lgrave Square: in his inimitable way he had made friends with the caretaker. The place suited Nuth, and, whenever anyone came to inspect it before purchase, the caretaker used to praise the house in the words that Nuth had suggested. \"If it wasn't for the drains,\" she would say, \"it's the finest house in London,\" and when they pounced on this remark and asked questions about the drains, she would answer them that the drains also were good, but not so good as the house. They did not see Nuth when they went over the rooms, but Nuth was there. Here in a neat black dress on one spring morning came an old woman whose bonnet was lined with red, asking for Mr. Nuth; and with her came her large and awkward son. Mrs. Eggins, the caretaker, glanced up the street, and then she let them in, and left them to wait in the drawing-room amongst furniture all mysterious with sheets. For a long while they waited, and then there was a smell of pipe-tobacco, and there was Nuth standing quite close to them.",
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"Let it suffice that the business prospered greatly, while glowing reports of Tommy Tonker's progress were sent from time to time to the old woman whose bonnet was lined with red in the labourious handwriting of Nuth.",
"LET IT SUFFICE THAT THE BUSINESS PROSPERED GREATLY WHILE GLOWING REPORTS OF TOMMY TONKER'S PROGRESS WERE SENT FROM TIME TO TIME TO THE OLD WOMAN WHOSE BONNET WAS LINED WITH RED IN THE LABORIOUS HANDWRITING OF NUTH"
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"lihood. First of all Nuth wanted to see a business reference, and when he was shown one from a jeweller with whom he happened to be hand-in-glove the upshot of it was that he agreed to take young Tonker (for this was the surname of the likely lad) and to make him his apprentice. And the old woman whose bonnet was lined with red went back to her little cottage in the country, and every evening said to her old man, \"Tonker, we must fasten the shutters of a night-time, for Tommy's a burglar now.\" The details of the likely lad's apprenticeship I do not propose to give; for those that are in the business know those details already, and those that are in other businesses care only for their own, while men of leisure who have no trade at all would fail to appreciate the gradual degrees by which Tommy Tonker came first to cross bare boards, covered with little obstacles in the dark, without making any sound, and then to go silently up creaky stairs, and then to open doors, and lastly to climb.",
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"But the gnoles had watched him through knavish holes that they bore in trunks of the trees, and the unearthly silence gave way, as it were with a grace, to the rapid screams of Tonker as they picked him up from behind screams that came faster and faster until they were incoherent.",
"BUT THE GNOLES HAD WATCHED HIM THROUGH KNAVISH HOLES THAT THEY BORE IN TRUNKS OF THE TREES AND THE UNEARTHLY SILENCE GAVE WAY AS IT WERE WITH A GRACE TO THE RAPID SCREAMS OF TONKER AS THEY PICKED HIM UP FROM BEHIND SCREAMS THAT CAME FASTER AND FASTER UNTIL THEY WERE INCOHERENT"
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"STINED PROPHECY KNEW IT HE HAD THE MAGIC HALTER AND A WORN OLD ROPE IT WAS AN OLD WAYFARING WOMAN HAD GIVEN IT TO HIM IT HAD THE POWER TO HOLD ANY ANIMAL WHOSE RACE HAD NEVER KNOWN CAPTIVITY SUCH AS THE UNICORN THE HIPPOGRIFF PEGASUS DRAGONS AND WHIVERS BUT WITH A LION GIRAFF CAMEL OR HORSE IT WAS USELESS HOW OFTEN HAVE WE SEEN THAT CITY OF NEVER THAT MARVEL OF THE NATIONS NOT WHEN IT IS NIGHT IN THE WORLD AND WE CAN SEE NO FURTHER THAN THE STARS NOT WHEN THE SUN IS SHINING WHERE WE DWELL DAZZLING OUR EYES BUT WHEN THE SUN HAS SET ON SOME STORMY DAYS ALL AT ONCE REPENTANT AT EVENING AND THOSE GLITTERING CLIFFS REVEAL THEMSELVES WHICH WE ALMOST TAKE TO BE CLOUDS AND IT IS TWILIGHT WITH US AS IT IS FOREVER WITH THEM THEN ON THEIR GLEAMING SUMMITS WE SEE THOSE GOLDEN DOMES THAT OVERPEER THE EDGES OF THE WORLD AND SEEM TO DANCE WITH DIGNITY AND CALM IN THAT GENTLE LIGHT OF EVENING THAT IS WONDER'S NATIVE HAUNT THEN DOES THE CITY OF NEVER UNVISITED AND AFAR LOOK LONG AT HER SISTER THE WORLD"
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"in one robe always, in twilight, yet was its beauty worthy of even so lovely a wonder: city and twilight were both peerless but for each other. Built of a stone unknown in the world we tread were its bastions, quarried we know not where, but called by the gnomes _abyx_, it so flashed back to the twilight its glories, colour for colour, that none can say of them where their boundary is, and which the eternal twilight, and which the City of Never; they are the twin-born children, the fairest daughters of Wonder. Time had been there, but not to work destruction; he had turned to a fair, pale green the domes that were made of copper, the rest he had left untouched, even he, the destroyer of cities, by what bribe I know not averted. Nevertheless they often wept in Never for change and passing away, mourning catastrophes in other worlds, and they built temples sometimes to ruined stars that had fallen flaming down from the Milky Way, giving them worship still when by us long since forgotten.",
"EM AS THEY LOOKED ABROAD THE WORLD FAR OFF SEEMED HAPPY CLAD THOUGH THAT CITY WAS IN ONE ROBE ALWAYS IN TWILIGHT YET WAS ITS BEAUTY WORTHY OF EVEN SO LOVELY A WONDER CITY AND TWILIGHT WERE BOTH PEERLESS BUT FOR EACH OTHER BUILT OF A STONE UNKNOWN IN THE WORLD WE TREAD WERE ITS BASTIONS QUARRIED WE KNOW NOT WHERE BUT CALLED BY THE NOMES ABICS IT SO FLASHED BACK TO THE TWILIGHT ITS GLORIES COLOR FOR COLOR THAT NONE CAN SAY OF THEM WHERE THEIR BOUNDARY IS AND WHICH THE ETERNAL TWILIGHT AND WHICH THE CITY OF NEVER THEY ARE THE TWIN BORN CHILDREN THE FAIREST DAUGHTERS OF WONDER TIME HAD BEEN THERE BUT NOT TO THE DOMES THAT WERE MADE OF COPPER THE REST HE HAD LEFT UNTOUCHED EVEN HE THE DESTROYER OF CITIES BY WHAT BRIBE I KNOW NOT AVERTED NEVERTHELESS THEY OFTEN WEPT IN NEVER FOR CHANGE AND PASSING AWAY MOURNING CATASTROPHES IN OTHER WORLDS AND THEY BUILT TEMPLES SOMETIMES TO RUINED STARS THAT HAD FALLEN FLAMING DOWN FROM THE MILKY WAY GIVING THEM WORSHIP STILL WHEN BY US LONG SINCE FORGOTTEN"
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"URLED UP CLATTERING CEASELESSLY INTO THE AIR ARMFULS ON ARMFULS OF DIAMONDS A DEEP HUSH WAITED FOR THE GOLDEN TRUMPETS THE HOLY CORONATION NIGHT WAS COME AT THE TOP OF THOSE OLD WORN STEPS GOING DOWN WE KNOW NOT WHITHER STOOD THE KING IN THE EMERALD AND AMETHYST CLOAK THE ANCIENT GARB OF THE THOLLS BESIDE HIM LAY THAT SPHINX THAT FOR THE LAST FEW WEEKS HAD ADVISED HIM IN HIS AFFAIRS SLOWLY WITH MUSIC WHEN THE TRUMPETS SOUNDED CAME UP TOWARDS HIM FROM WE KNOW NOT WHERE ONE HUNDRED AND TWENTY ARCHBISHOPS TWENTY ANGELS AND TWO ARCHANGELS WITH THAT TERRIFIC CROWN THE DIADEM OF THE THALLS THEY KNEW AS THEY CAME UP TO HIM THAT PROMOTION AWAITED THEM ALL BECAUSE OF THIS NIGHT'S WORK SILENT MAJESTIC THE KING AWAITED THEM THE DOCTORS DOWNSTAIRS WERE SITTING OVER THEIR SUPPER THE WARDERS SOFTLY SLIPPED FROM ROOM TO ROOM AND WHEN IN THAT COSY DORMITORY OF HANWELL THEY SAW THE KING STILL STANDING ERECT AND ROYAL HIS FACE RESOLUTE THEY CAME UP TO HIM AND ADDRESSED HIM GO TO BED THEY SAID PRETTY BED"
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" the twilight. And he had a matter-of-fact and logical mind, so that he often said, \"Why should I pay my twopence at the electric theatre when I can see all sorts of things quite easily without?\" Whatever he did was logical before anything else, and those that knew him always spoke of Shap as \"a sound, sane, level-headed man.\" On far the most important day of his life he went as usual to town by the early train to sell plausible articles to customers, while the spiritual Shap roamed off to fanciful lands. As he walked from the station, dreamy but wide awake, it suddenly struck him that the real Shap was not the one walking to Business in black and ugly clothes, but he who roamed along a jungle's edge near the ramparts of an old and Eastern city that rose up sheer from the sand, and against which the desert lapped with one eternal wave. He used to fancy the name of that city was Larkar. \"After all, the fancy is as real as the body,\" he said with perfect logic. It was a dangerous theory.",
"OUTHEAST AT THE EDGE OF THE TWILIGHT AND HE HAD HAD A MATTER OF FACT IN LOGICAL MIND SO THAT HE OFTEN SAID WHY SHOULD I PAY MY TWOPENCE AT THE ELECTRIC THEATRE WHEN I CAN SEE ALL SORTS OF THINGS QUITE EASILY WITHOUT WHATEVER HE DID WAS LOGICAL BEFORE ANYTHING ELSE AND THOSE THAT KNEW HIM ALWAYS SPOKE OF SHAP AS A SOUND SANE LEVEL HEADED MAN ON FAR THE MOST IMPORTANT DAY OF HIS LIFE HE WENT AS USUAL TO TOWN BY THE EARLY TRAIN TO SELL PLAUSIBLE ARTICLES TO CUSTOMERS WHILE THE SPIRITUAL SHOP ROAMED OFF TO FANCIFUL LANDS AS HE WALKED FROM THE STATION DREAMY BUT WIDE AWAKE IT SUDDENLY STRUCK HIM THAT THE REAL SHAP WAS NOT THE ONE WALKING TO BUSINESS IN BLACK AND UGLY CLOTHES BUT HE WHO ROAMED ALONG A JUNGLE'S EDGE NEAR THE RAMPARTS OF AN OLD AND EASTERN CITY THAT ROSE UP SHEER FROM THE SAND AND AGAINST WHICH THE DESERT LAPPED WITH ONE ETERNAL WAVE HE USED TO FANCY THE NAME OF THAT CITY WAS LARKAR AFTER ALL THE FANCY IS AS REAL AS THE BODY HE SAID WITH PERFECT LOGIC IT WAS A DANGEROUS THEORY"
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"hat there is another city fairer than theirs, and he--a deed unaccomplished. THE CORONATION OF MR. THOMAS SHAP It was the occupation of Mr. Thomas Shap to persuade customers that the goods were genuine and of an excellent quality, and that as regards the price their unspoken will was consulted. And in order to carry on this occupation he went by train very early every morning some few miles nearer to the City from the suburb in which he slept. This was the use to which he put his life. From the moment when he first perceived (not as one reads a thing in a book, but as truths are revealed to one's instinct) the very beastliness of his occupation, and of the house that he slept in, its shape, make and pretensions, and even of the clothes that he wore; from that moment he withdrew his dreams from it, his fancies, his ambitions, everything in fact except that ponderable Mr. Shap that dressed in a frock-coat, bought tickets and handled money and could in turn be handled by the statistician.",
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" worshipped, year in, year out, for over a thousand years, they pitched pavilions in the open air. The trees that blew there threw out radiant scents unknown in any countries that know the map; the stars blazed fiercely for that famous occasion. A fountain hurled up, clattering, ceaselessly into the air armfuls on armfuls of diamonds. A deep hush waited for the golden trumpets, the holy coronation night was come. At the top of those old, worn steps, going down we know not whither, stood the king in the emerald-and-amethyst cloak, the ancient garb of the Thuls; beside him lay that Sphinx that for the last few weeks had advised him in his affairs. Slowly, with music when the trumpets sounded, came up towards him from we know not where, one-hundred-and-twenty archbishops, twenty angels and two archangels, with that terrific crown, the diadem of the Thuls. They knew as they came up to him that promotion awaited them all because of this night's work. Silent, majestic, the king awaited them.",
" TEMPLE WHERE THE THOLLS WORSHIPPED YEAR IN YEAR OUT FOR OVER A THOUSAND YEARS THEY PITCHED PAVILIONIONS IN THE OPEN AIR THE TREES THAT BLEW THERE THREW OUT RADIANT SCENTS UNKNOWN IN ANY COUNTRIES THAT KNOW THE MAP THE STARS BLAZED FIERCELY FOR THAT FAMOUS OCCASION A FOUNTAIN HURLED UP CLATTERING CEASELESSLY INTO THE AIR ARMFULS ON ARMFULS OF DIAMONDS A DEEP HUSH WAITED FOR THE GOLDEN TRUMPETS THE HOLY CORONATION NIGHT WAS COME AT THE TOP OF THOSE OLD WORN STEPS GOING DOWN WE KNOW NOT WHITHER STOOD THE KING IN THE EMERALD AND AMETHYST CLOAK THE ANCIENT GARB OF THE THOLLS BESIDE HIM LAY THAT SPHINX THAT FOR THE LAST FEW WEEKS HAD ADVISED HIM IN HIS AFFAIRS SLOWLY WITH MUSIC WHEN THE TRUMPETS SOUNDED CAME UP TOWARDS HIM FROM WE KNOW NOT WHERE ONE HUNDRED AND TWENTY ARCHBISHOPS TWENTY ANGELS AND TWO ARCHANGELS WITH THAT TERRIFIC CROWN THE DIADEM OF THE THALLS THEY KNEW AS THEY CAME UP TO HIM THAT PROMOTION AWAITED THEM ALL BECAUSE OF THIS NIGHT'S WORK SILENT MAJESTIC THE KING AWAITED THEM"
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"AS HE WALKED FROM THE STATION DREAMY BUT WIDE AWAKE IT SUDDENLY STRUCK HIM THAT THE REAL SHAP WAS NOT THE ONE WALKING TO BUSINESS IN BLACK AND UGLY CLOTHES BUT HE WHO ROAMED ALONG A JUNGLE'S EDGE NEAR THE RAMPARTS OF AN OLD AND EASTERN CITY THAT ROSE UP SHEER FROM THE SAND AND AGAINST WHICH THE DESERT LAPPED WITH ONE ETERNAL WAVE HE USED TO FANCY THE NAME OF THAT CITY WAS LARKAR"
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"rs, to whom he remained as plausible as of old. So he dreamed for a year, and his fancy gained strength as he dreamed. He still read halfpenny papers in the train, still discussed the passing day's ephemeral topic, still voted at elections, though he no longer did these things with the whole Shap--his soul was no longer in them. He had had a pleasant year, his imagination was all new to him still, and it had often discovered beautiful things away where it went, southeast at the edge of the twilight. And he had a matter-of-fact and logical mind, so that he often said, \"Why should I pay my twopence at the electric theatre when I can see all sorts of things quite easily without?\" Whatever he did was logical before anything else, and those that knew him always spoke of Shap as \"a sound, sane, level-headed man.\" On far the most important day of his life he went as usual to town by the early train to sell plausible articles to customers, while the spiritual Shap roamed off to fanciful lands.",
"S BEHAVIOUR WITH CUSTOMERS TO WHOM HE REMAINED AS PLAUSIBLE AS OF OLD SO HE DREAMED FOR A YEAR AND HIS FANCY GAINED STRENGTH AS HE DREAMED HE STILL READ HALFPENNY PAPERS IN THE TRAIN STILL DISCUSSED THE PASSING DAYS OF FEMMAL TOPIC STILL VOTED AT ELECTIONS THOUGH HE NO LONGER DID THESE THINGS WITH THE WHOLE SHAP HIS SOUL WAS NO LONGER IN THEM HE HAD HAD A PLEASANT YEAR HIS IMAGINATION WAS ALL NEW TO HIM STILL AND IT HAD OFTEN DISCOVERED BEAUTIFUL THINGS AWAY WHERE IT WENT SOUTHEAST AT THE EDGE OF THE TWILIGHT AND HE HAD HAD A MATTER OF FACT IN LOGICAL MIND SO THAT HE OFTEN SAID WHY SHOULD I PAY MY TWOPENCE AT THE ELECTRIC THEATRE WHEN I CAN SEE ALL SORTS OF THINGS QUITE EASILY WITHOUT WHATEVER HE DID WAS LOGICAL BEFORE ANYTHING ELSE AND THOSE THAT KNEW HIM ALWAYS SPOKE OF SHAP AS A SOUND SANE LEVEL HEADED MAN ON FAR THE MOST IMPORTANT DAY OF HIS LIFE HE WENT AS USUAL TO TOWN BY THE EARLY TRAIN TO SELL PLAUSIBLE ARTICLES TO CUSTOMERS WHILE THE SPIRITUAL SHOP ROAMED OFF TO FANCIFUL LANDS"
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"as high, \"Dirt, dirt, dirt, upon the head of Sheemish,\" and at noon he said, \"So Sheemish would be a god.\" Thus was Sheemish confounded. And with Tuesday one came and washed his head with rose-water, and he was worshipped again when they sang \"There is also Sheemish.\" And yet was Chu-bu content, for he said, \"The head of Sheemish has been defiled,\" and again, \"His head was defiled, it is enough.\" And one evening lo! there was dirt on the head of Chu-bu also, and the thing was perceived of Sheemish. It is not with the gods as it is with men. We are angry one with another and turn from our anger again, but the wrath of the gods is enduring. Chu-bu remembered and Sheemish did not forget. They spake as we do not speak, in silence yet heard of each other, nor were their thoughts as our thoughts. We should not judge them merely by human standards. All night long they spake and all night said these words only: \"Dirty Chu-bu,\" \"Dirty Sheemish.\" \"Dirty Chu-bu,\" \"Dirty Sheemish,\" all night long.",
"XULTANT WITH EARTH'S AWAKENING THINGS AND CRIED OUT TILL THE SUN WAS HIGH DIRT DIRT DIRT UPON THE HEAD OF SHEMISH AND AT NOON HE SAID SO SHEMISH WOULD BE A GOD THUS WAS SHEISH CONFOUNDED AND WITH TUESDAY ONE CAME AND WASHED HIS HEAD WITH ROSE WATER AND HE WAS WORSHIPPED AGAIN WHEN THEY SANG THERE IS ALSO SHEISH AND YET WAS CHEBAH CONTENT FOR HE SAID THE HEAD OF SHEMISH HAS BEEN DEFILED AND AGAIN HIS HEAD WAS DEFILED IT IS ENOUGH AND ONE EVENING LO THERE WAS DIRT ON THE HEAD OF CHEBAH ALSO AND THE THING WAS PERCEIVED OF SHEMISH IT IS NOT WITH THE GODS AS IT IS WITH MEN WE ARE ANGRY ONE WITH ANOTHER AND TURN FROM OUR ANGER AGAIN BUT THE WRATH OF THE GODS IS ENDURING CHEBAH REMEMBERED AND SHE DID NOT FORGET THEY SPAKE AS WE DO NOT SPEAK IN SILENCE YET HEARD OF EACH OTHER NOR WERE THEIR THOUGHTS AS OUR THOUGHTS WE SHOULD NOT JUDGE THEM MERELY BY HUMAN STANDARDS ALL NIGHT LONG THEY SPAKE AND ALL NIGHT SAID THESE WORDS ONLY DIRTY CHIBAH DIRTY SHEMISH DIRTY CHEBAH DIRTY SHEMISH ALL NIGHT LONG"
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"To devastate the city with a pestilence and kill all his priests was scarcely within his power, therefore he wisely concentrated such divine powers as he had in commanding a little earthquake. \"Thus,\" thought Chu bu, \"will I reassert myself as the only god, and men shall spit upon Sheemish.\"",
"TO DEVASTATE THE CITY WITH A PESTILENCE AND KILL ALL HIS PRIESTS WAS SCARCELY WITHIN HIS POWER THEREFORE HE WISELY CONCENTRATED SUCH DIVINE POWERS AS HE HAD IN COMMANDING A LITTLE EARTHQUAKE THUS THOUGHT CHEBAH WILL I REASSERT MYSELF AS THE ONLY GOD AND MEN SHALL SPIT UPON SHEMISH"
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"and fat. Thus was he magnified. Chu-bu was an idol of some antiquity, as may be seen from the colour of the wood. He had been carved out of mahogany, and after he was carved he had been polished. Then they had set him up on the diorite pedestal with the brazier in front of it for burning spices and the flat gold plates for fat. Thus they worshipped Chu-bu. He must have been there for over a hundred years when one day the priests came in with another idol into the temple of Chu-bu, and set it up on a pedestal near Chu-bu's and sang, \"There is also Sheemish.\" And all the people rejoiced and cried out, \"There is also Sheemish.\" Sheemish was palpably a modern idol, and although the wood was stained with a dark-red dye, you could see that he had only just been carved. And honey was offered to Sheemish as well as Chu-bu, and also maize and fat. The fury of Chu-bu knew no time-limit: he was furious all that night, and next day he was furious still. The situation called for immediate miracles.",
"NEY WAS OFFERED TO CHIBAH AND MAIZE AND FAT THUS WAS HE MAGNIFIED CHIBO WAS AN IDOL OF SOME ANTIQUITY AS MAY BE SEEN FROM THE COLOUR OF THE WOOD HE HAD BEEN CARVED OUT OF MAHOGANY AND AFTER HE WAS CARVED HE HAD BEEN POLISHED THEN THEY HAD SET HIM UP ON THE DIARITE PEDESTAL WITH THE BRAZIER IN FRONT OF IT FOR BURNING SPICES AND THE FLAT GOLD PLATE FOR FAT THUS THEY WORSHIPPED CHEBAH HE MUST HAVE BEEN THERE FOR OVER A HUNDRED YEARS WHEN ONE DAY THE PRIEST CAME IN WITH ANOTHER IDOL INTO THE TEMPLE OF CHEBAH AND SET IT UP ON A PEDESTAL NEAR CHEBAZ AND SAYING THERE IS ALSO SHEISH AND ALL THE PEOPLE REJOICED AND CRIED OUT THERE IS ALSO SHEISH SHEMISH WAS PALPABLY A MODERN IDOL AND ALTHOUGH THE WOOD WAS STAINED WITH A DARK RED DYE YOU COULD SEE THAT HE HAD ONLY JUST BEEN CARVED AND HONEY WAS OFFERED TO SHEMISH AS WELL AS CHOBA AND ALSO MAIZE AND FAT THE FURY OF CHEBAH KNEW NO TIME LIMIT HE WAS FURIOUS ALL THAT NIGHT AND NEXT DAY HE WAS FURIOUS STILL THE SITUATION CALLED FOR IMMEDIATE MIRACLES"
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"All night long they spake and all night said these words only: \"Dirty Chu bu,\" \"Dirty Sheemish.\" \"Dirty Chu bu,\" \"Dirty Sheemish,\" all night long. Their wrath had not tired at dawn, and neither had wearied of his accusation.",
"ALL NIGHT LONG THEY SPAKE AND ALL NIGHT SAID THESE WORDS ONLY DIRTY CHIBAH DIRTY SHEMISH DIRTY CHEBAH DIRTY SHEMISH ALL NIGHT LONG THEIR WRATH HAD NOT TIRED AT DAWN AND NEITHER HAD WEARIED OF HIS ACCUSATION"
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"ish's head.\" And when it was dawn and voices were heard far off, Chu-bu became exultant with Earth's awakening things, and cried out till the sun was high, \"Dirt, dirt, dirt, upon the head of Sheemish,\" and at noon he said, \"So Sheemish would be a god.\" Thus was Sheemish confounded. And with Tuesday one came and washed his head with rose-water, and he was worshipped again when they sang \"There is also Sheemish.\" And yet was Chu-bu content, for he said, \"The head of Sheemish has been defiled,\" and again, \"His head was defiled, it is enough.\" And one evening lo! there was dirt on the head of Chu-bu also, and the thing was perceived of Sheemish. It is not with the gods as it is with men. We are angry one with another and turn from our anger again, but the wrath of the gods is enduring. Chu-bu remembered and Sheemish did not forget. They spake as we do not speak, in silence yet heard of each other, nor were their thoughts as our thoughts. We should not judge them merely by human standards.",
"NG HE MUTTERED AGAIN AND AGAIN THERE IS DIRT UPON SHEMISH'S HEAD AND WHEN IT WAS DAWN AND VOICES WERE HEARD FAR OFF CHEBAH BECAME EXULTANT WITH EARTH'S AWAKENING THINGS AND CRIED OUT TILL THE SUN WAS HIGH DIRT DIRT DIRT UPON THE HEAD OF SHEMISH AND AT NOON HE SAID SO SHEMISH WOULD BE A GOD THUS WAS SHEISH CONFOUNDED AND WITH TUESDAY ONE CAME AND WASHED HIS HEAD WITH ROSE WATER AND HE WAS WORSHIPPED AGAIN WHEN THEY SANG THERE IS ALSO SHEISH AND YET WAS CHEBAH CONTENT FOR HE SAID THE HEAD OF SHEMISH HAS BEEN DEFILED AND AGAIN HIS HEAD WAS DEFILED IT IS ENOUGH AND ONE EVENING LO THERE WAS DIRT ON THE HEAD OF CHEBAH ALSO AND THE THING WAS PERCEIVED OF SHEMISH IT IS NOT WITH THE GODS AS IT IS WITH MEN WE ARE ANGRY ONE WITH ANOTHER AND TURN FROM OUR ANGER AGAIN BUT THE WRATH OF THE GODS IS ENDURING CHEBAH REMEMBERED AND SHE DID NOT FORGET THEY SPAKE AS WE DO NOT SPEAK IN SILENCE YET HEARD OF EACH OTHER NOR WERE THEIR THOUGHTS AS OUR THOUGHTS WE SHOULD NOT JUDGE THEM MERELY BY HUMAN STANDARDS"
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"They ceased because Sheemish had returned to a project that he had never definitely abandoned, the desire to assert himself and exalt himself over Chu bu by performing a miracle, and the district being volcanic he had chosen a little earthquake as the miracle most easily accomplished by a small god.",
"THEY CEASED BECAUSE SHEMISH HAD RETURNED TO A PROJECT THAT HE HAD NEVER DEFINITELY ABANDONED THE DESIRE TO ASSERT HIMSELF AND EXALT HIMSELF OVER CHEBAH BY PERFORMING A MIRACLE AND THE DISTRICT BEING VOLCANIC HE HAD CHOSEN A LITTLE EARTHQUAKE AS THE MIRACLE MOST EASILY ACCOMPLISHED BY A SMALL GOD"
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"r wrath had not tired at dawn, and neither had wearied of his accusation. And gradually Chu-bu came to realize that he was nothing more than the equal of Sheemish. All gods are jealous, but this equality with the upstart Sheemish, a thing of painted wood a hundred years newer than Chu-bu, and this worship given to Sheemish in Chu-bu's own temple, were particularly bitter. Chu-bu was jealous even for a god; and when Tuesday came again, the third day of Sheemish's worship, Chu-bu could bear it no longer. He felt that his anger must be revealed at all costs, and he returned with all the vehemence of his will to achieving a little earthquake. The worshippers had just gone from his temple when Chu-bu settled his will to attain this miracle. Now and then his meditations were disturbed by that now familiar dictum, \"Dirty Chu-bu,\" but Chu-bu willed ferociously, not even stopping to say what he longed to say and had already said nine hundred times, and presently even these interruptions ceased.",
"ISH ALL NIGHT LONG THEIR WRATH HAD NOT TIRED AT DAWN AND NEITHER HAD WEARIED OF HIS ACCUSATION AND GRADUALLY CHIBAH CAME TO REALIZE THAT HE WAS NOTHING MORE THAN THE EQUAL OF SHEMISH ALL GODS ARE JEALOUS BUT THIS EQUALITY WITH THE UPSTARTS SHEMISH A THING OF PAINTED WOOD A HUNDRED YEARS NEWER THAN CHEBAH AND THIS WORSHIP GIVEN TO SHEMISH AND CHEBAH'S OWN TEMPLE WERE PARTICULARLY BITTER CHEBAH WAS JEALOUS EVEN FOR A GOD AND WHEN TUESDAY CAME AGAIN THE THIRD DAY OF SHEMISH'S WORSHIP CHIBAH COULD BEAR IT NO LONGER HE FELT THAT HIS ANGER MUST BE REVEALED AT ALL COSTS AND HE RETURNED WITH ALL THE VEHEMENCE OF HIS WILL TO ACHIEVING A LITTLE EARTHQUAKE THE WORSHIPPERS HAD JUST GONE FROM HIS TEMPLE WHEN SHABBAS SETTLED HIS WILL TO ATTAIN THIS MIRACLE NOW AND THEN HIS MEDITATIONS WERE DISTURBED BY THAT NOW FAMILIAR DICTUM DIRTY CHABAH BUT SHABAH WILLED FEROCIOUSLY NOT EVEN STOPPING TO SAY WHAT HE LONGED TO SAY AND HAD ALREADY SAID NINE HUNDRED TIMES AND PRESENTLY EVEN THESE INTERRUPTIONS CEASED"
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"Heads were thrust out of windows more than usual, a woman ran out and called some children indoors, a knight rode down the street, and then more pikemen appeared along the walls, and all the jack daws were in the air.",
"HEADS WERE THRUST OUT OF WINDOWS MORE THAN USUAL A WOMAN RAN OUT AND CALLED SOME CHILDREN INDOORS A NIGHT RODE DOWN THE STREET AND THEN MORE PIKEMEN APPEARED ALONG THE WALLS AND ALL THE JACKDAWS WERE IN THE AIR"
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" white flag for an unknown king in an inaccessible city. At first Mr. Sladden used to walk round and round the mean street that he lived in, but he gained no clue from that; and soon he noticed that quite different winds blew below his wonderful window from those that blew on the other side of the house. In August the evenings began to grow shorter: this was the very remark that the other employees made to him at the emporium, so that he almost feared that they suspected his secret, and he had much less time for the wonderful window, for lights were few down there and they blinked out early. One morning late in August, just before he went to Business, Mr. Sladden saw a company of pikemen running down the cobbled road towards the gateway of the mediaeval city--Golden Dragon City he used to call it alone in his own mind, but he never spoke of it to anyone. The next thing that he noticed was that the archers were handling round bundles of arrows in addition to the quivers which they wore.",
"T FLEW ON A WHITE FLAG FOR AN UNKNOWN KING IN AN INACCESSIBLE CITY AT FIRST MISTER SLADDIN USED TO WALK ROUND AND ROUND THE MEAN STREET THAT HE LIVED IN BUT HE GAINED NO CLUE FROM THAT AND SOON HE NOTICED THAT QUITE DIFFERENT WINDS BLEW BELOW HIS WONDERFUL WINDOW FROM THOSE THAT BLEW ON THE OTHER SIDE OF THE HOUSE IN AUGUST THE EVENINGS BEGAN TO GROW SHORTER THIS WAS THE VERY REMARK THAT THE OTHER EMPLOYEES MADE HIM AT THE EMPORIUM SO THAT HE ALMOST FEARED THAT THEY SUSPECTED HIS SECRET AND HE HAD MUCH LESS TIME FOR THE WONDERFUL WINDOW FOR LIGHTS WERE FEW DOWN THERE AND THEY BLINKED OUT EARLY ONE MORNING LATE IN AUGUST JUST BEFORE HE WENT TO BUSINESS MISTER SLADDIN SAW A COMPANY OF PIPEMEN RUNNING DOWN THE COBBLED ROAD TOWARDS THE GATEWAY OF THE MEDIAEVAL CITY GOLDEN DRAGON CITY HE USED TO CALL IT ALONE IN HIS OWN MIND BUT HE NEVER SPOKE OF IT TO ANY ONE THE NEXT THING THAT HE NOTICED WAS THAT THE ARCHERS WERE HANDLING ROUND BUNDLES OF ARROWS IN ADDITION TO THE QUIVERS WHICH THEY WORE"
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"And the first thing that he always did was to cast his eye round all the little towers that rose up from the ramparts to see that the little golden dragons were flying there on their flags.",
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"ily live to another spring. As soon as Messrs. Mergin and Chater closed, Mr. Sladden used to go back to his dingy room and gaze though the wonderful window until it grew dark in the city and the guard would go with a lantern round the ramparts and the night came up like velvet, full of strange stars. Another clue he tried to obtain one night by jotting down the shapes of the constellations, but this led him no further, for they were unlike any that shone upon either hemisphere. Each day as soon as he woke he went first to the wonderful window, and there was the city, diminutive in the distance, all shining in the morning, and the golden dragons dancing in the sun, and the archers stretching themselves or swinging their arms on the tops of the windy towers. The window would not open, so that he never heard the songs that the troubadours sang down there beneath the gilded balconies; he did not even hear the belfries' chimes, though he saw the jack-daws routed every hour from their homes.",
" HE CANNOT EASILY LIVE TO ANOTHER SPRING AS SOON AS MEASURES MERGAN AND CHADER CLOSED MISTER SLADDIN USED TO GO BACK TO HIS DINGY ROOM AND GAZE THROUGH THE WONDERFUL WINDOW UNTIL IT GREW DARK IN THE CITY AND THE GUARD WOULD GO WITH A LANTERN ROUND THE RAMPARTS AND THE NIGHT CAME UP LIKE VELVET FULL OF STRANGE STARS ANOTHER CLUE HE TRIED TO OBTAIN ONE NIGHT BY JOTTING DOWN THE SHAPES OF THE CONSTELLATIONS BUT THIS LED HIM NO FURTHER FOR THEY WERE UNLIKE ANY THAT SHONE UPON EITHER HEMISPHERE EACH DAY AS SOON AS HE WOKE HE WENT FIRST TO THE WONDERFUL WINDOW AND THERE WAS THE CITY DIMINUTIVE IN THE DISTANCE ALL SHINING IN THE MORNING AND THE GOLDEN DRAGONS DANCING IN THE SUN AND THE ARCHERS STRETCHING THEMSELVES OR SWINGING THEIR ARMS ON THE TOPS OF THE WINDY TOWERS THE WINDOW WOULD NOT OPEN SO THAT HE NEVER HEARD THE SONGS THAT THE TROUBADORES SANG DOWN THERE BENEATH THE GILDED BALCONIES HE DID NOT EVEN HEAR THE BELFRIES CHIMES THOUGH HE SAW THE JACKDAWS ROUTED EVERY HOUR FROM THEIR HOMES"
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"Then he had to go to Business. He took a bus back that evening and ran upstairs. Nothing seemed to be happening in Golden Dragon City except a crowd in the cobbled street that led down to the gateway; the archers seemed to be reclining as usual lazily in their towers, and then a white flag went down with all its golden dragons; he did not see at first that all the archers were dead.",
"THEN HE HAD TO GO TO BUSINESS HE TOOK A BUS BACK THAT EVENING AND RAN UPSTAIRS NOTHING SEEMED TO BE HAPPENING IN GOLDEN DRAGON CITY EXCEPT A CROWD IN THE COBBLED STREET THAT LED DOWN TO THE GATEWAY THE ARCHERS SEEMED TO BE RECLINING AS USUAL LAZILY IN THEIR TOWERS AND THEN A WHITE FLAG WENT DOWN WITH ALL ITS GOLDEN DRAGONS HE DID NOT SEE AT FIRST THAT ALL THE ARCHERS WERE DEAD"
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" other employees made to him at the emporium, so that he almost feared that they suspected his secret, and he had much less time for the wonderful window, for lights were few down there and they blinked out early. One morning late in August, just before he went to Business, Mr. Sladden saw a company of pikemen running down the cobbled road towards the gateway of the mediaeval city--Golden Dragon City he used to call it alone in his own mind, but he never spoke of it to anyone. The next thing that he noticed was that the archers were handling round bundles of arrows in addition to the quivers which they wore. Heads were thrust out of windows more than usual, a woman ran out and called some children indoors, a knight rode down the street, and then more pikemen appeared along the walls, and all the jack-daws were in the air. In the street no troubadour sang. Mr. Sladden took one look along the towers to see that the flags were flying, and all the golden dragons were streaming in the wind.",
" REMARK THAT THE OTHER EMPLOYEES MADE HIM AT THE EMPORIUM SO THAT HE ALMOST FEARED THAT THEY SUSPECTED HIS SECRET AND HE HAD MUCH LESS TIME FOR THE WONDERFUL WINDOW FOR LIGHTS WERE FEW DOWN THERE AND THEY BLINKED OUT EARLY ONE MORNING LATE IN AUGUST JUST BEFORE HE WENT TO BUSINESS MISTER SLADDIN SAW A COMPANY OF PIPEMEN RUNNING DOWN THE COBBLED ROAD TOWARDS THE GATEWAY OF THE MEDIAEVAL CITY GOLDEN DRAGON CITY HE USED TO CALL IT ALONE IN HIS OWN MIND BUT HE NEVER SPOKE OF IT TO ANY ONE THE NEXT THING THAT HE NOTICED WAS THAT THE ARCHERS WERE HANDLING ROUND BUNDLES OF ARROWS IN ADDITION TO THE QUIVERS WHICH THEY WORE HEADS WERE THRUST OUT OF WINDOWS MORE THAN USUAL A WOMAN RAN OUT AND CALLED SOME CHILDREN INDOORS A NIGHT RODE DOWN THE STREET AND THEN MORE PIKEMEN APPEARED ALONG THE WALLS AND ALL THE JACKDAWS WERE IN THE AIR IN THE STREET NO TROUBADORE SANG MISTER SLADDIN TOOK ONE LOOK ALONG THE TOWERS TO SEE THAT THE FLAGS WERE FLYING AND ALL THE GOLDEN DRAGONS WERE STREAMING IN THE WIND"
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"\"You will not pledge yourself unnecessarily,\" said Vanderhausen, strangely uttering the very words which had just floated through the mind of his companion; \"but you will do so if it is necessary, I presume; and I will show you that I consider it indispensable.",
"YOU WILL NOT PLEDGE YOURSELF UNNECESSARILY SAID VAN DER HOUSSEN STRANGELY UTTERING THE VERY WORDS WHICH HAD JUST FLOATED THROUGH THE MIND OF HIS COMPANION BUT YOU WILL DO SO IF IT IS NECESSARY I PRESUME AND I WILL SHOW YOU THAT I CONSIDER IT INDISPENSABLE"
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"he score of birth, for her own origin was far from splendid, and as the other objections, Gerald resolved, and indeed, by the usages of the time, was warranted in resolving, not to listen to them for a moment. \"Sir\" said he, addressing the stranger, \"your offer is liberal, and whatever hesitation I may feel in closing with it immediately, arises solely from my not having the honour of knowing anything of your family or station. Upon these points you can, of course, satisfy me without difficulty?' \"As to my respectability,\" said the stranger, drily, \"you must take that for granted at present; pester me with no inquiries; you can discover nothing more about me than I choose to make known. You shall have sufficient security for my respectability--my word, if you are honourable: if you are sordid, my gold.\" \"A testy old gentleman,\" thought Douw, \"he must have his own way; but, all things considered, I am not justified to declining his offer. I will not pledge myself unnecessarily, however.",
" HAD SHE HAD ANY RIGHT TO RAISE EXCEPTIONS ON THE SCORE OF BIRTH FOR HER OWN ORIGIN WAS FAR FROM SPLENDID AND AS THE OTHER OBJECTIONS GERARD RESOLVED AND INDEED BY THE USAGES OF THE TIME WAS WARRANTED IN RESOLVING NOT TO LISTEN TO THEM FOR A MOMENT SIR SAID HE ADDRESSING THE STRANGER YOUR OFFER IS LIBERAL AND WHATEVER HESITATION I MAY FEEL IN CLOSING WITH IT IMMEDIATELY ARISES SOLELY FROM MY NOT HAVING THE HONOUR OF KNOWING ANYTHING OF YOUR FAMILY OR STATION UPON THESE POINTS YOU CAN OF COURSE SATISFY ME WITHOUT DIFFICULTY AS TO MY RESPECTABILITY SAID THE STRANGER DRYLY YOU MUST TAKE THAT FOR GRANTED AT PRESENT PESTER ME WITH NO INQUIRIES YOU CAN DISCOVER NOTHING MORE ABOUT ME THAN I CHOOSE TO MAKE KNOWN YOU SHALL HAVE SUFFICIENT SECURITY FOR MY RESPECTABILITY MY WORD IF YOU ARE HONOURABLE IF YOU ARE SORDID MY GOLD A TESTY OLD GENTLEMAN THOUGHT DAL HE MUST HAVE HIS OWN WAY BUT ALL THINGS CONSIDERED I AM NOT JUSTIFIED TO DECLINING HIS OFFER I WILL NOT PLEDGE MYSELF UNNECESSARILY HOWEVER"
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"inter loved honestly and fervently. His frank adoration was rewarded. He declared his love, and extracted a faltering confession in return. He was the happiest and proudest painter in all Christendom. But there was somewhat to dash his elation; he was poor and undistinguished. He dared not ask old Gerard for the hand of his sweet ward. He must first win a reputation and a competence. There were, therefore, many dread uncertainties and cold days before him; he had to fight his way against sore odds. But he had won the heart of dear Rose Velderkaust, and that was half the battle. It is needless to say his exertions were redoubled, and his lasting celebrity proves that his industry was not unrewarded by success. These ardent labours, and worse still, the hopes that elevated and beguiled them, were however, destined to experience a sudden interruption--of a character so strange and mysterious as to baffle all inquiry and to throw over the events themselves a shadow of preternatural horror.",
"MISH MAIDENS THE YOUNG PAINTER LOVED HONESTLY AND FERVENTLY HIS FRANK ADORATION WAS REWARDED HE DECLARED HIS LOVE AND EXTRACTED A FALTERING CONFESSION IN RETURN HE WAS THE HAPPIEST AND PROUDEST PAINTER IN ALL CHRISTENDOM BUT THERE WAS SOMEWHAT TO DASH HIS ELATION HE WAS POOR AND UNDISTINGUISHED HE DARED NOT ASK OLD GERARD FOR THE HAND OF HIS SWEET WARD HE MUST FIRST WIN A REPUTATION AND A COMPETENCE THERE WERE THEREFORE MANY DREAD UNCERTAINTIES AND COLD DAYS BEFORE HIM HE HAD TO FIGHT HIS WAY AGAINST SORE ODDS BUT HE HAD WON THE HEART OF DEAR ROSE FELDERCOST AND THAT WAS HALF THE BATTLE IT IS NEEDLESS TO SAY HIS EXERTIONS WERE REDOUBLED AND HIS LASTING CELEBRITY PROVES THAT HIS INDUSTRY WAS NOT UNREWARDED BY SUCCESS THESE ARDENT LABORS AND WORSE STILL THE HOPES THAT ELEVATED AND BEGUILED THEM WERE HOWEVER DESTINED TO EXPERIENCE A SUDDEN INTERRUPTION OF A CHARACTER SO STRANGE AND MYSTERIOUS AS TO BAFFLE ALL INQUIRY AND TO THROW OVER THE EVENTS THEMSELVES A SHADOW OF PRETERNATURAL HORROR"
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"NGER HE THOUGHT MUST BE BOTH WEALTHY AND GENEROUS AND SUCH AN OFFER WAS NOT TO BE DESPISED THOUGH MADE BY A HUMORIST AND ONE OF NO VERY PREPOSSESSING PRESENCE ROSE HAD NOT VERY HIGH PRETENSIONS FOR SHE HAD BUT A MODEST DOWRY WHICH SHE OWED ENTIRELY TO THE GENEROSITY OF HER UNCLE NEITHER HAD SHE HAD ANY RIGHT TO RAISE EXCEPTIONS ON THE SCORE OF BIRTH FOR HER OWN ORIGIN WAS FAR FROM SPLENDID AND AS THE OTHER OBJECTIONS GERARD RESOLVED AND INDEED BY THE USAGES OF THE TIME WAS WARRANTED IN RESOLVING NOT TO LISTEN TO THEM FOR A MOMENT SIR SAID HE ADDRESSING THE STRANGER YOUR OFFER IS LIBERAL AND WHATEVER HESITATION I MAY FEEL IN CLOSING WITH IT IMMEDIATELY ARISES SOLELY FROM MY NOT HAVING THE HONOUR OF KNOWING ANYTHING OF YOUR FAMILY OR STATION UPON THESE POINTS YOU CAN OF COURSE SATISFY ME WITHOUT DIFFICULTY AS TO MY RESPECTABILITY SAID THE STRANGER DRYLY YOU MUST TAKE THAT FOR GRANTED AT PRESENT PESTER ME WITH NO INQUIRIES YOU CAN DISCOVER NOTHING MORE ABOUT ME THAN I CHOOSE TO MAKE KNOWN"
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"\"Here he comes, sir,\" said Schalken, in a low monitory tone; and instantly, upon turning towards the door, Gerard Douw observed the same figure which had, on the day before, so unexpectedly greeted his pupil Schalken.",
"HERE HE COMES SIR SAID SHALKIN IN A LOW MONITORY TONE AND INSTANTLY UPON TURNING TOWARDS THE DOOR GERARDO OBSERVED THE SAME FIGURE WHICH HAD ON THE DAY BEFORE SO UNEXPECTEDLY GREETED HIS PUPIL SHALKIN"
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"\"Minheer Vanderhausen from Rotterdam--is it not so?\" \"Such was the name.\" \"And an elderly man, richly clad?\" pursued Douw, musingly. \"As well as I might see,\" replied his pupil; \"he could not be young, nor yet very old, neither; and his dress was rich and grave, as might become a citizen of wealth and consideration.\" At this moment the sonorous boom of the Stadhouse clock told, stroke after stroke, the hour of seven; the eyes of both master and student were directed to the door; and it was not until the last peal of the bell had ceased to vibrate, that Douw exclaimed---- \"So, so; we shall have his worship presently, that is, if he means to keep his hour; if not, you may wait for him, Godfrey, if you court his acquaintance. But what, after all, if it should prove but a mummery got up by Vankarp, or some such wag? I wish you had run all risks, and cudgelled the old burgomaster soundly. I'd wager a dozen of Rhenish, his worship would have unmasked, and pleaded old acquaintance in a trice.",
"ONSULTING A HORILOGE AS LARGE AND AS ROUND AS AN ORANGE MYNHEER VAN DERHAUSEN FROM ROTTERDAM IS IT NOT SO SUCH WAS THE NAME AND AN ELDERLY MAN RICHLY CLAD PURSUED DAL MUSINGLY AS WELL AS I MIGHT SEE REPLIED HIS PUPIL HE COULD NOT BE YOUNG NOR YET VERY OLD NEITHER AND HIS DRESS WAS RICH AND GRAVE AS MIGHT BECOME A CITIZEN OF WEALTH AND CONSIDERATION AT THIS MOMENT THE SONOROUS BOOM OF THE STADHOUSE CLOCK TOLD STROKE AFTER STROKE THE HOUR OF SEVEN THE EYES OF BOTH MASTER AND STUDENT WERE DIRECTED TO THE DOOR AND IT WAS NOT UNTIL THE LAST PEAL OF THE BELL HAD CEASED TO VIBRATE THAT DAL EXCLAIMED SO SO WE SHALL HAVE HIS WORSHIP PRESENTLY THAT IS IF HE MEANS TO KEEP HIS HOUR IF NOT YOU MAY WAIT FOR HIM GODFREY IF YOU COURT HIS ACQUAINTANCE BUT WHAT AFTER ALL IF IT SHOULD PROVE BUT A MUMMERY GOT UP BY VAN KARP OR SOME SUCH WAG I WISH YOU HAD RUN ALL RISKS AND CUDGELED THE OLD BURGOMASTER SOUNDLY I'D WAGER A DOZEN RENNISH HIS WORSHIP WOULD HAVE UNMASKED AND PLEADED OLD ACQUAINTANCE IN A TRICE"
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"all exclusively hers while she lives: is that liberal?\" Douw assented, and inwardly acknowledged that fortune had been extraordinarily kind to his niece; the stranger, he thought, must be both wealthy and generous, and such an offer was not to be despised, though made by a humourist, and one of no very prepossessing presence. Rose had no very high pretensions for she had but a modest dowry, which she owed entirely to the generosity of her uncle; neither had she any right to raise exceptions on the score of birth, for her own origin was far from splendid, and as the other objections, Gerald resolved, and indeed, by the usages of the time, was warranted in resolving, not to listen to them for a moment. \"Sir\" said he, addressing the stranger, \"your offer is liberal, and whatever hesitation I may feel in closing with it immediately, arises solely from my not having the honour of knowing anything of your family or station. Upon these points you can, of course, satisfy me without difficulty?",
"R INTERESTS BEST IT SHALL BE ALL EXCLUSIVELY HERS WHILE SHE LIVES IS THAT LIBERAL DOW ASSENTED AND INWARDLY ACKNOWLEDGED THAT FORTUNE HAD BEEN EXTRAORDINARILY KIND TO HIS NIECE THE STRANGER HE THOUGHT MUST BE BOTH WEALTHY AND GENEROUS AND SUCH AN OFFER WAS NOT TO BE DESPISED THOUGH MADE BY A HUMORIST AND ONE OF NO VERY PREPOSSESSING PRESENCE ROSE HAD NOT VERY HIGH PRETENSIONS FOR SHE HAD BUT A MODEST DOWRY WHICH SHE OWED ENTIRELY TO THE GENEROSITY OF HER UNCLE NEITHER HAD SHE HAD ANY RIGHT TO RAISE EXCEPTIONS ON THE SCORE OF BIRTH FOR HER OWN ORIGIN WAS FAR FROM SPLENDID AND AS THE OTHER OBJECTIONS GERARD RESOLVED AND INDEED BY THE USAGES OF THE TIME WAS WARRANTED IN RESOLVING NOT TO LISTEN TO THEM FOR A MOMENT SIR SAID HE ADDRESSING THE STRANGER YOUR OFFER IS LIBERAL AND WHATEVER HESITATION I MAY FEEL IN CLOSING WITH IT IMMEDIATELY ARISES SOLELY FROM MY NOT HAVING THE HONOUR OF KNOWING ANYTHING OF YOUR FAMILY OR STATION UPON THESE POINTS YOU CAN OF COURSE SATISFY ME WITHOUT DIFFICULTY"
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"amber which communicated with that in which Rose reclined and immediately on his arrival, she requested him to pray for her, as for one who lay in the hands of Satan, and who could hope for deliverance only from heaven. That you may distinctly understand all the circumstances of the event which I am going to describe, it is necessary to state the relative position of the parties who were engaged in it. The old clergyman and Schalken were in the anteroom of which I have already spoken; Rose lay in the inner chamber, the door of which was open; and by the side of the bed, at her urgent desire, stood her guardian; a candle burned in the bedchamber, and three were lighted in the outer apartment. The old man now cleared his voice as if about to commence, but before he had time to begin, a sudden gust of air blew out the candle which served to illuminate the room in which the poor girl lay, and she, with hurried alarm, exclaimed:---- \"Godfrey, bring in another candle; the darkness is unsafe.",
"AND FROZEN HEART HE ENTERED THE CHAMBER WHICH COMMUNICATED WITH THAT IN WHICH ROSE RECLINED AND IMMEDIATELY ON HIS SURRIVAL SHE REQUESTED HIM TO PRAY FOR HER AS FOR ONE WHO LAY IN THE HANDS OF SATAN AND WHO COULD HOPE FOR DELIVERANCE ONLY FROM HEAVEN THAT YOU MAY DISTINCTLY UNDERSTAND ALL THE CIRCUMSTANCES OF THE EVENT WHICH I AM GOING TO DESCRIBE IT IS NECESSARY TO STATE THE RELATIVE POSITION OF THE PARTIES WHO WERE ENGAGED IN IT THE OLD CLERGYMAN AND SHALKIN WERE IN THE ANTE ROOM OF WHICH I HAVE ALREADY SPOKEN ROSE LAY IN THE INNER CHAMBER DOOR OF WHICH WAS OPEN AND BY THE SIDE OF THE BED AT HER URGENT DESIRE STOOD HER GUARDIAN A CANDLE BURNED IN THE BED CHAMBER AND THREE WERE LIGHTED IN THE OUTER APARTMENT THE OLD MAN CLEARED HIS VOICE AS IF ABOUT TO COMMENCE BUT BEFORE HE HAD TIME TO BEGIN A SUDDEN GUST OF AIR BLEW OUT THE CANDLE WHICH SERVED TO ILLUMINATE THE ROOM IN WHICH THE POOR GIRL LAY AND SHE WITH HURRIED ALARM EXCLAIMED GODFREY BRING IN ANOTHER CANDLE THE DARKNESS IS UNSAFE"
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"Gerard laughed, though he could not help inwardly acknowledging the justness of the comparison. He was resolved, however, as far as he could, to check his niece's disposition to dilate upon the ugliness of her intended bridegroom, although he was not a little pleased, as well as puzzled, to observe that she appeared totally exempt from that mysterious dread of the stranger which, he could not disguise it from himself, considerably affected him, as also his pupil Godfrey Schalken.",
"GERARD LAUGHED THOUGH HE COULD NOT HELP INWARDLY ACKNOWLEDGING THE JUSTNESS OF THE COMPARISON HE WAS RESOLVED HOWEVER AS FAR AS HE COULD TO CHECK HIS NIECE'S DISPOSITION TO DILATE UPON THE UGLINESS OF HER INTENDED BRIDEGROOM ALTHOUGH HE WAS NOT A LITTLE PLEASED AS WELL AS PUZZLED TO OBSERVE THAT SHE APPEARED TOTALLY EXEMPT FROM THAT MYSTERIOUS DREAD OF THE STRANGER WHICH HE COULD NOT DISGUISE IT FROM HIMSELF CONSIDERABLY AFFECTED HIM AS ALSO HIS PUPIL GODFREY SHALKIN"
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"sence; and with no trifling sense of relief the little party heard the street door close after him. \"Dear uncle,\" said Rose, \"what a frightful man! I would not see him again for the wealth of the States.\" \"Tush, foolish girl,\" said Douw, whose sensations were anything but comfortable. \"A man may be as ugly as the devil, and yet, if his heart and actions are good, he is worth all the pretty-faced perfumed puppies that walk the Mall. Rose, my girl, it is very true he has not thy pretty face, but I know him to be wealthy and liberal; and were he ten times more ugly, these two virtues would be enough to counter balance all his deformity, and if not sufficient actually to alter the shape and hue of his features, at least enough to prevent one thinking them so much amiss.\" \"Do you know, uncle,\" said Rose, \"when I saw him standing at the door, I could not get it out of my head that I saw the old painted wooden figure that used to frighten me so much in the Church of St. Laurence at Rotterdam.",
"NTER OF LIGHTEN OF HIS INAUSPICIOUS PRESENCE AND WITH NO TRIFLING SENSE OF RELIEF THE LITTLE PARTY HEARD THE STREET DOOR CLOSE AFTER HIM DEAR UNCLE SAID ROSE WHAT A FRIGHTFUL MAN I WOULD NOT SEE HIM AGAIN FOR THE WEALTH OF THE STATES HUSH FOOLISH GIRL SAID DAL WHOSE SENSATIONS WERE ANYTHING BUT COMFORTABLE A MAN MAY BE AS UGLY AS THE DEVIL AND YET IF HIS HEART AND ACTIONS ARE GOOD HE IS WORTH ALL THE PRETTY FACE PERFUMED PUPPIES THAT WALK THEM ALL ROSE MY GIRL IT IS VERY TRUE HE HAS NOT THY PRETTY FACE BUT I KNOW HIM TO BE WEALTHY AND LIBERAL AND WERE HE TEN TIMES MORE UGLY THESE TWO VIRTUES WOULD BE ENOUGH TO COUNTERBALANCE ALL HIS DEFORMITY AND IF NOT SUFFICIENT ACTUALLY TO ALTER THE SHAPE AND HUE OF HIS FEATURES AT LEAST ENOUGH TO PREVENT ONE THINKING THEM SO MUCH AMISS DO YOU KNOW UNCLE SAID ROSE WHEN I SAW HIM STANDING AT THE DOOR I COULD NOT GET IT OUT OF MY HEAD THAT I SAW THE OLD PAINTED WOODEN FIGURE THAT USED TO FRIGHTEN ME SO MUCH IN THE CHURCH OF SAINT LAWRENCE AT ROTTERDAM"
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"LARGE OLD FASHIONED ROOM WAS SILENT AND WITH THE EXCEPTION OF HIMSELF QUITE EMPTIED OF ITS USUAL INMATES AN HOUR HAD THUS PASSED AWAY NEARLY TWO WITHOUT ANY IMPROVED RESULT DAYLIGHT HAD ALREADY DECLINED AND TWILIGHT WAS DEEPENING INTO THE DARKNESS OF NIGHT"
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"s needless to say his exertions were redoubled, and his lasting celebrity proves that his industry was not unrewarded by success. These ardent labours, and worse still, the hopes that elevated and beguiled them, were however, destined to experience a sudden interruption--of a character so strange and mysterious as to baffle all inquiry and to throw over the events themselves a shadow of preternatural horror. Schalken had one evening outstayed all his fellow-pupils, and still pursued his work in the deserted room. As the daylight was fast falling, he laid aside his colours, and applied himself to the completion of a sketch on which he had expressed extraordinary pains. It was a religious composition, and represented the temptations of a pot-bellied Saint Anthony. The young artist, however destitute of elevation, had, nevertheless, discernment enough to be dissatisfied with his own work, and many were the patient erasures and improvements which saint and devil underwent, yet all in vain.",
" WAS HALF THE BATTLE IT IS NEEDLESS TO SAY HIS EXERTIONS WERE REDOUBLED AND HIS LASTING CELEBRITY PROVES THAT HIS INDUSTRY WAS NOT UNREWARDED BY SUCCESS THESE ARDENT LABORS AND WORSE STILL THE HOPES THAT ELEVATED AND BEGUILED THEM WERE HOWEVER DESTINED TO EXPERIENCE A SUDDEN INTERRUPTION OF A CHARACTER SO STRANGE AND MYSTERIOUS AS TO BAFFLE ALL INQUIRY AND TO THROW OVER THE EVENTS THEMSELVES A SHADOW OF PRETERNATURAL HORROR JOHNKIN HAD ONE EVENING OUTSTAYED ALL HIS FELLOW PUPILS AND STILL PURSUED HIS WORK IN THE DESERTED ROOM AS THE DAYLIGHT WAS FAST FALLING HE LAID ASIDE HIS COLORS AND APPLIED HIMSELF TO THE COMPLETION OF A SKETCH ON WHICH HE HAD EXPRESSED EXTRAORDINARY PAINS IT WAS A RELIGIOUS COMPOSITION AND REPRESENTED THE TEMPTATIONS OF A POT BELLIED SAINT ANTHONY THE YOUNG ARTIST HOWEVER DESTITUTE OF ELEVATION HAD NEVERTHELESS DISCERNMENT ENOUGH TO BE DISSATISFIED WITH HIS OWN WORK AND MANY WERE THE PATIENT ERASURES AND IMPROVEMENTS WHICH SAINT AND DEVIL UNDERWENT YET ALL IN VAIN"
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"THIS LAST SUGGESTION FILLED THE MIND OF SHALKIN WITH A VAGUE UNEASINESS WHICH WAS SO UNACCOUNTABLY INTENSE AS TO MAKE HIM ALIKE AFRAID TO REMAIN IN THE ROOM ALONE AND RELUCTANT TO PASS THROUGH THE LOBBY"
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"Douw,\" said the unknown, without altering his attitude in the smallest degree, \"that Minheer Vanderhausen, of Rotterdam, desires to speak with him on tomorrow evening at this hour, and if he please, in this room, upon matters of weight; that is all.\" The stranger, having finished this message, turned abruptly, and, with a quick, but silent step quitted the room, before Schalken had time to say a word in reply. The young man felt a curiosity to see in what direction the burgher of Rotterdam would turn, on quitting the studio, and for that purpose he went directly to the window which commanded the door. A lobby of considerable extent intervened between the inner door of the painter's room and the street entrance, so that Schalken occupied the post of observation before the old man could possibly have reached the street. He watched in vain, however. There was no other mode of exit. Had the queer old man vanished, or was he lurking about the recesses of the lobby for some sinister purpose?",
"O LEAVE FOR HIS MASTER TELLERARDOW SAID THE UNKNOWN WITHOUT ALTERING HIS ATTITUDE IN THE SMALLEST DEGREE THAT MYNHEER VAN DERHAUSEN OF ROTTERDAM DESIRES TO SPEAK WITH HIM ON TO MORROW EVENING AT THIS HOUR AND IF HE PLEASE IN THIS ROOM UPON MATTERS OF WEIGHT THAT IS ALL THE STRANGER HAVING FINISHED THIS MESSAGE TURNED ABRUPTLY AND WITH A QUICK BUT SILENT STEP QUITTED THE ROOM BEFORE SHALKIN HAD TIME TO SAY A WORD IN REPLY THE YOUNG MAN FELT A CURIOSITY TO SEE IN WHAT DIRECTION THE BURGHER OF ROTTERDAM WOULD TURN ON QUITTING THE STUDIO AND FOR THAT PURPOSE HE WENT DIRECTLY TO THE WINDOW WHICH COMMANDED THE DOOR A LOBBY OF CONSIDERABLE EXTENT INTERVENED BETWEEN THE INNER DOOR OF THE PAINTER'S ROOM AND THE STREET ENTRANCE SO THAT SHALKIN OCCUPIED THE POST OF OBSERVATION BEFORE THE OLD MAN COULD POSSIBLY HAVE REACHED THE STREET HE WATCHED IN VAIN HOWEVER THERE WAS NO OTHER MODE OF EXIT HAD THE QUEER OLD MAN VANISHED OR WAS HE LURKING ABOUT THE RECESSES OF THE LOBBY FOR SOME SINISTER PURPOSE"
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"ntents of which expressed an engagement entered into by Gerard Douw, to give to Wilken Vanderhausen of Rotterdam, in marriage, Rose Velderkaust, and so forth, within one week of the date thereof. While the painter was employed in reading this covenant, by the light of a twinkling oil lamp in the far wall of the room, Schalken, as we have stated, entered the studio, and having delivered the box and the valuation of the Jew, into the hands of the stranger, he was about to retire, when Vanderhausen called to him to wait; and, presenting the case and the certificate to Gerard Douw, he paused in silence until he had satisfied himself, by an inspection of both, respecting the value of the pledge left in his hands. At length he said---- \"Are you content?\" The painter said he would fain have another day to consider. \"Not an hour,\" said the suitor, apathetically. \"Well then,\" said Douw, with a sore effort, \"I am content, it is a bargain.\" \"Then sign at once,\" said Vanderhausen, \"for I am weary.",
"KEN HE PLACED A PAPER IN THE HANDS OF THE MASTER THE CONTENTS OF WHICH EXPRESSED AN ENGAGEMENT ENTERED INTO BY GERARDOW TO GIVE TO WILKIN VAN DERHAUSEN OF ROTTERDAM IN MARRIAGE ROSE VELDERCAUST AND SO FORTH WITHIN ONE WEEK OF THE DATE THEREOF WHILE THE PAINTER WAS EMPLOYED IN READING THIS COVENANT BY THE LIGHT OF A TWINKLING OIL LAMP IN THE FAR WALL OF THE ROOM SHALKIN AS WE HAVE STATED ENTERED THE STUDIO AND HAVING DELIVERED THE BOX AND THE VALUATION OF THE JEW INTO THE HANDS OF THE STRANGER HE WAS ABOUT TO RETIRE WHEN VAN DERHAUSSEN CALLED TO HIM TO WAIT AND PRESENTING THE CASE AND THE CERTIFICATE TO GERARD DAL HE PAUSED IN SILENCE UNTIL HE HAD SATISFIED HIMSELF BY AN INSPECTION OF BOTH RESPECTING THE VALUE OF THE PLEDGE LEFT IN HIS HANDS AT LENGTH HE SAID ARE YOU CONTENT BAYNER SAID HE WOULD FAIN HAVE ANOTHER DAY TO CONSIDER NOT AN HOUR SAID THE SUITOR APATHETICALLY WELL THEN SAID DAL WITH A SORE EFFORT I AM CONTENT IT IS A BARGAIN THEN SIGN IT ONCE SAID VAN DERHAUSEN FOR I AM WEARY"
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"IT WOULD NOT HAVE BEEN EASY TO CONJECTURE THE AGE OF THE INTRUDER BUT A QUANTITY OF DARK HAIR ESCAPING FROM BENEATH HIS SOMBRE HAT AS WELL AS HIS FIRM AND UPRIGHT CARRIAGE SERVED TO INDICATE THAT HIS YEARS COULD NOT YET EXCEED THREESCORE OR THEREABOUTS"
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"ch regard to the sable streaks it produced, with irritable pressure upon his ample Flemish inexpressibles. \"Curse the subject!\" said the young man aloud; \"curse the picture, the devils, the saint--\" At this moment a short, sudden sniff uttered close beside him made the artist turn sharply round, and he now, for the first time, became aware that his labours had been overlooked by a stranger. Within about a yard and half, and rather behind him, there stood the figure of an elderly man in a cloak and broad-brimmed, conical hat; in his hand, which was protected with a heavy gauntlet-shaped glove, he carried a long ebony walking-stick, surmounted with what appeared, as it glittered dimly in the twilight, to be a massive head of gold, and upon his breast, through the folds of the cloak, there shone the links of a rich chain of the same metal. The room was so obscure that nothing further of the appearance of the figure could be ascertained, and his hat threw his features into profound shadow.",
"WHICH HE NOW RUBBED WITHOUT MUCH REGARD TO THE SABLE STREAKS IT PRODUCED WITH IRRITABLE PRESSURE UPON HIS AMPLE FLEMISH INEXPRESSIBLES CURSE THE SUBJECT SAID THE YOUNG MAN ALOUD CURSE THE PICTURE THE DEVILS THE SAINT AT THIS MOMENT A SHORT SUDDEN SNIFF UTTERED CLOSE BEHIND HIM MADE THE ARTIST TURN SHARPLY ROUND AND HE NOW FOR THE FIRST TIME BECAME AWARE THAT HIS LABOURS HAD BEEN OVERLOOKED BY A STRANGER WITHIN ABOUT A YARD AND A HALF AND RATHER BEHIND HIM THERE STOOD THE FIGURE OF AN ELDERLY MAN IN A CLOAK AND BROAD BRIMMED CONICAL HAT IN HIS HAND WHICH WAS PROTECTED WITH A HEAVY GAUNTLET SHAPED GLOVE HE CARRIED A LONG EBONY WALKING STICK SURMOUNTED WITH WHAT APPEARED AS IT GLITTERED DIMLY IN THE TWILIGHT TO BE A MASSIVE HEAD OF GOLD AND UPON HIS BREAST THROUGH THE FOLDS OF THE CLOAK THERE SHONE THE LINKS OF A RICH CHAIN OF THE SAME METAL THE ROOM WAS SO OBSCURE THAT NOTHING FURTHER OF THE APPEARANCE OF THE FIGURE COULD BE ASCERTAINED AND HIS HAT THREW HIS FEATURES INTO PROFOUND SHADOW"
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"Rose blushed and smiled. \"Such faces and such tempers seldom go together, and when they do, the compound is a love charm, few heads or hearts can resist; trust me, you will soon be a bride, girl.",
"ROSE BLUSHED AND SMILED SUCH FACES AND SUCH TEMPERS SELDOM GO TOGETHER AND WHEN THEY DO THE COMPOUND IS A LOVE CHARM FEW HEADS OR HEARTS CAN RESIST TRUST ME YOU WILL SOON BE A BRIDE GIRL"
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"es were then and there matters of traffic and calculation; and it would have appeared as absurd in the eyes of the guardian to make a mutual attachment an essential element in a contract of the sort, as it would have been to draw up his bonds and receipts in the language of romance. The painter, however, did not communicate to his niece the important step which he had taken in her behalf, a forebearance caused not by any anticipated opposition on her part, but solely by a ludicrous consciousness that if she were to ask him for a description of her destined bridegroom, he would be forced to confess that he had not once seen his face, and if called upon, would find it absolutely impossible to identify him. Upon the next day, Gerard Douw, after dinner, called his niece to him and having scanned her person with an air of satisfaction, he took her hand, and looking upon her pretty innocent face with a smile of kindness, he said:---- \"Rose, my girl, that face of yours will make your fortune.",
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"The old man now cleared his voice as if about to commence, but before he had time to begin, a sudden gust of air blew out the candle which served to illuminate the room in which the poor girl lay, and she, with hurried alarm, exclaimed: \"Godfrey, bring in another candle; the darkness is unsafe.\"",
"THE OLD MAN CLEARED HIS VOICE AS IF ABOUT TO COMMENCE BUT BEFORE HE HAD TIME TO BEGIN A SUDDEN GUST OF AIR BLEW OUT THE CANDLE WHICH SERVED TO ILLUMINATE THE ROOM IN WHICH THE POOR GIRL LAY AND SHE WITH HURRIED ALARM EXCLAIMED GODFREY BRING IN ANOTHER CANDLE THE DARKNESS IS UNSAFE"
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"The clergyman soon arrived--a man of ascetic countenance and venerable age--one whom Gerard Douw respected very much, forasmuch as he was a veteran polemic, though one perhaps more dreaded as a combatant than beloved as a Christian--of pure morality, subtle brain, and frozen heart. He entered the chamber which communicated with that in which Rose reclined and immediately on his arrival, she requested him to pray for her, as for one who lay in the hands of Satan, and who could hope for deliverance only from heaven. That you may distinctly understand all the circumstances of the event which I am going to describe, it is necessary to state the relative position of the parties who were engaged in it. The old clergyman and Schalken were in the anteroom of which I have already spoken; Rose lay in the inner chamber, the door of which was open; and by the side of the bed, at her urgent desire, stood her guardian; a candle burned in the bedchamber, and three were lighted in the outer apartment.",
"S INCREASE HER AGITATION THE CLERGYMAN SOON ARRIVED A MAN OF ASCETIC COUNTENANCE AND VENERABLE AGE ONE WHOM GERARD DAL RESPECTED VERY MUCH FORASMUCH AS HE WAS A VETERAN POLEMIC THOUGH ONE PERHAPS MORE DREADED AS A COMBATANT THAN BELOVED AS A CHRISTIAN OF PURE MORALITY SUBTLE BRAIN AND FROZEN HEART HE ENTERED THE CHAMBER WHICH COMMUNICATED WITH THAT IN WHICH ROSE RECLINED AND IMMEDIATELY ON HIS SURRIVAL SHE REQUESTED HIM TO PRAY FOR HER AS FOR ONE WHO LAY IN THE HANDS OF SATAN AND WHO COULD HOPE FOR DELIVERANCE ONLY FROM HEAVEN THAT YOU MAY DISTINCTLY UNDERSTAND ALL THE CIRCUMSTANCES OF THE EVENT WHICH I AM GOING TO DESCRIBE IT IS NECESSARY TO STATE THE RELATIVE POSITION OF THE PARTIES WHO WERE ENGAGED IN IT THE OLD CLERGYMAN AND SHALKIN WERE IN THE ANTE ROOM OF WHICH I HAVE ALREADY SPOKEN ROSE LAY IN THE INNER CHAMBER DOOR OF WHICH WAS OPEN AND BY THE SIDE OF THE BED AT HER URGENT DESIRE STOOD HER GUARDIAN A CANDLE BURNED IN THE BED CHAMBER AND THREE WERE LIGHTED IN THE OUTER APARTMENT"
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"This having been partially removed, there appeared beneath a box of some hard wood; which also they forced open and after the removal of two or three folds of linen, they discovered its contents to be a mass of golden ingots, closely packed, and, as the Jew declared, of the most perfect quality.",
"THIS HAVING BEEN PARTIALLY REMOVED THEY APPEARED BENEATH A BOX OF SOME HARD WOOD WHICH ALSO THEY FORCED OPEN AND AFTER THE REMOVAL OF TWO OR THREE FOLDS OF LINEN THEY DISCOVERED ITS CONTENTS TO BE A MASS OF GOLDEN INGOTS CLOSELY PACKED AND AS THE JEW DECLARED OF THE MOST PERFECT QUALITY"
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"weller or goldsmith to value its contents, and let him return hither with a certificate of the valuation.\" At the same time, he placed a small case about nine inches square in the hands of Gerard Douw, who was as much amazed at its weight as at the strange abruptness with which it was handed to him. In accordance with the wishes of the stranger, he delivered it into the hands of Schalken, and repeating his direction, despatched him upon the mission. Schalken disposed his precious charge securely beneath the folds of his cloak, and rapidly traversing two or three narrow streets, he stopped at a corner house, the lower part of which was then occupied by the shop of a Jewish goldsmith. He entered the shop, and calling the little Hebrew into the obscurity of its back recesses, he proceeded to lay before him Vanderhausen's casket. On being examined by the light of a lamp, it appeared entirely cased with lead, the outer surface of which was much scraped and soiled, and nearly white with age.",
" AND GET THE NEAREST JEWELLER OR GOLDSMITH TO VALUE ITS CONTENTS AND LET HIM RETURN HITHER WITH A CERTIFICATE OF THE VALUATION AT THE SAME TIME HE PLACED A SMALL CASE ABOUT NINE INCHES SQUARE IN THE HANDS OF GERARDOW WHO WAS AS MUCH AMAZED AT ITS WEIGHT AS AT THE STRANGE ABRUPTNESS WITH WHICH IT WAS HANDED TO HIM IN ACCORDANCE WITH THE WISHES OF THE STRANGER HE DELIVERED IT INTO THE HANDS OF SHALKIN AND REPEATING HIS DIRECTION DISPATCHED HIM UPON THE MISSION SHALKIN DISPOSED HIS PRECIOUS CHARGE SECURELY BENEATH THE FOLDS OF HIS CLOAK AND RAPIDLY TRAVERSING TWO OR THREE NARROW STREETS HE STOPPED AT A CORNER HOUSE THE LOWER PART OF WHICH WAS THEN OCCUPIED BY THE SHOP OF A JEWISH GOLDSMITH HE ENTERED THE SHOP AND CALLING THE LITTLE HEBREW INTO THE OBSCURITY OF ITS BACK RECESSES HE PROCEEDED TO LAY BEFORE HIM VAN DER HOUSSEN'S CASKET ON BEING EXAMINED BY THE LIGHT OF A LAMP IT APPEARED ENTIRELY CASED WITH LEAD THE OUTER SURFACE OF WHICH WAS MUCH SCRAPED AND SOILED AND NEARLY WHITE WITH AGE"
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"\"Oh God! do not go, dear uncle,\" shrieked the unhappy girl and at the same time she sprung from the bed, and darted after him, in order, by her grasp, to detain him.",
"O GOD DO NOT GO DEAR UNCLE SHRIEKED THE UNHAPPY GIRL AND AT THE SAME TIME SHE SPRUNG FROM THE BED AND DARTED AFTER HIM IN ORDER BY HER GRASP TO DETAIN HIM"
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"ho could hope for deliverance only from heaven. That you may distinctly understand all the circumstances of the event which I am going to describe, it is necessary to state the relative position of the parties who were engaged in it. The old clergyman and Schalken were in the anteroom of which I have already spoken; Rose lay in the inner chamber, the door of which was open; and by the side of the bed, at her urgent desire, stood her guardian; a candle burned in the bedchamber, and three were lighted in the outer apartment. The old man now cleared his voice as if about to commence, but before he had time to begin, a sudden gust of air blew out the candle which served to illuminate the room in which the poor girl lay, and she, with hurried alarm, exclaimed:---- \"Godfrey, bring in another candle; the darkness is unsafe.\" Gerard Douw forgetting for the moment her repeated injunctions, in the immediate impulse, stepped from the bedchamber into the other, in order to supply what she desired.",
"ONE WHO LAY IN THE HANDS OF SATAN AND WHO COULD HOPE FOR DELIVERANCE ONLY FROM HEAVEN THAT YOU MAY DISTINCTLY UNDERSTAND ALL THE CIRCUMSTANCES OF THE EVENT WHICH I AM GOING TO DESCRIBE IT IS NECESSARY TO STATE THE RELATIVE POSITION OF THE PARTIES WHO WERE ENGAGED IN IT THE OLD CLERGYMAN AND SHALKIN WERE IN THE ANTE ROOM OF WHICH I HAVE ALREADY SPOKEN ROSE LAY IN THE INNER CHAMBER DOOR OF WHICH WAS OPEN AND BY THE SIDE OF THE BED AT HER URGENT DESIRE STOOD HER GUARDIAN A CANDLE BURNED IN THE BED CHAMBER AND THREE WERE LIGHTED IN THE OUTER APARTMENT THE OLD MAN CLEARED HIS VOICE AS IF ABOUT TO COMMENCE BUT BEFORE HE HAD TIME TO BEGIN A SUDDEN GUST OF AIR BLEW OUT THE CANDLE WHICH SERVED TO ILLUMINATE THE ROOM IN WHICH THE POOR GIRL LAY AND SHE WITH HURRIED ALARM EXCLAIMED GODFREY BRING IN ANOTHER CANDLE THE DARKNESS IS UNSAFE GERARDOW FORGETTING FOR THE MOMENT HER REPEATED INJUNCTIONS IN THE IMMEDIATE IMPULSE STEPPED FROM THE BED CHAMBER INTO THE OTHER IN ORDER TO SUPPLY WHAT SHE DESIRED"
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"\"A man may be as ugly as the devil, and yet, if his heart and actions are good, he is worth all the pretty faced perfumed puppies that walk the Mall. Rose, my girl, it is very true he has not thy pretty face, but I know him to be wealthy and liberal; and were he ten times more ugly, these two virtues would be enough to counter balance all his deformity, and if not sufficient actually to alter the shape and hue of his features, at least enough to prevent one thinking them so much amiss.\"",
"A MAN MAY BE AS UGLY AS THE DEVIL AND YET IF HIS HEART AND ACTIONS ARE GOOD HE IS WORTH ALL THE PRETTY FACE PERFUMED PUPPIES THAT WALK THEM ALL ROSE MY GIRL IT IS VERY TRUE HE HAS NOT THY PRETTY FACE BUT I KNOW HIM TO BE WEALTHY AND LIBERAL AND WERE HE TEN TIMES MORE UGLY THESE TWO VIRTUES WOULD BE ENOUGH TO COUNTERBALANCE ALL HIS DEFORMITY AND IF NOT SUFFICIENT ACTUALLY TO ALTER THE SHAPE AND HUE OF HIS FEATURES AT LEAST ENOUGH TO PREVENT ONE THINKING THEM SO MUCH AMISS"
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"presence of Vanderhausen inspired, that very little would have made all his entertainers fly in downright panic from the room. They had not so far lost all self-possession, however, as to fail to observe two strange peculiarities of their visitor. During his stay his eyelids did not once close, or, indeed, move in the slightest degree; and farther, there was a deathlike stillness in his whole person, owing to the absence of the heaving motion of the chest, caused by the process of respiration. These two peculiarities, though when told they may appear trifling, produced a very striking and unpleasant effect when seen and observed. Vanderhausen at length relieved the painter of Leyden of his inauspicious presence; and with no trifling sense of relief the little party heard the street door close after him. \"Dear uncle,\" said Rose, \"what a frightful man! I would not see him again for the wealth of the States.\" \"Tush, foolish girl,\" said Douw, whose sensations were anything but comfortable.",
"H WAS THE NERVOUS TERROR WHICH THE PRESENCE OF VANHOUSEN INSPIRED THAT VERY LITTLE WOULD HAVE MADE ALL HIS ENTERTAINERS FLY IN DOWNRIGHT PANIC FROM THE ROOM THEY HAD NOT SO FAR LOST ALL SELF POSSESSION HOWEVER AS TO FAIL TO OBSERVE TWO STRANGE PECULIARITIES OF THEIR VISITOR DURING HIS STAY HIS EYELIDS DID NOT ONCE CLOSE OR INDEED MOVE IN THE SLIGHTEST DEGREE AND FARTHER THERE WAS A DEATHLIKE STILLNESS IN HIS WHOLE PERSON OWING TO THE ABSENCE OF THE HEAVING MOTION OF THE CHEST CAUSED BY THE PROCESS OF RESPIRATION THESE TWO PECULIARITIES THOUGH WHEN TOLD THEY MAY APPEAR TRIFLING PRODUCED A VERY STRIKING AND UNPLEASANT EFFECT WHEN SEEN AND OBSERVED VANDERHAUSEN AT LENGTH RELIEVED THE PAINTER OF LIGHTEN OF HIS INAUSPICIOUS PRESENCE AND WITH NO TRIFLING SENSE OF RELIEF THE LITTLE PARTY HEARD THE STREET DOOR CLOSE AFTER HIM DEAR UNCLE SAID ROSE WHAT A FRIGHTFUL MAN I WOULD NOT SEE HIM AGAIN FOR THE WEALTH OF THE STATES HUSH FOOLISH GIRL SAID DAL WHOSE SENSATIONS WERE ANYTHING BUT COMFORTABLE"
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"tic tread upon the staircase; the steps moved heavily across the lobby, the door of the room in which the party we have described were assembled slowly opened, and there entered a figure which startled, almost appalled, the phlegmatic Dutchmen, and nearly made Rose scream with terror. It was the form, and arrayed in the garb of Minheer Vanderhausen; the air, the gait, the height were the same, but the features had never been seen by any of the party before. The stranger stopped at the door of the room, and displayed his form and face completely. He wore a dark-coloured cloth cloak, which was short and full, not falling quite to his knees; his legs were cased in dark purple silk stockings, and his shoes were adorned with roses of the same colour. The opening of the cloak in front showed the under-suit to consist of some very dark, perhaps sable material, and his hands were enclosed in a pair of heavy leather gloves, which ran up considerably above the wrist, in the manner of a gauntlet.",
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"stinguished. He dared not ask old Gerard for the hand of his sweet ward. He must first win a reputation and a competence. There were, therefore, many dread uncertainties and cold days before him; he had to fight his way against sore odds. But he had won the heart of dear Rose Velderkaust, and that was half the battle. It is needless to say his exertions were redoubled, and his lasting celebrity proves that his industry was not unrewarded by success. These ardent labours, and worse still, the hopes that elevated and beguiled them, were however, destined to experience a sudden interruption--of a character so strange and mysterious as to baffle all inquiry and to throw over the events themselves a shadow of preternatural horror. Schalken had one evening outstayed all his fellow-pupils, and still pursued his work in the deserted room. As the daylight was fast falling, he laid aside his colours, and applied himself to the completion of a sketch on which he had expressed extraordinary pains.",
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"Abundance of costly antique furniture was disposed about the room, and in one corner stood a four post bed, with heavy black cloth curtains around it; the figure frequently turned towards him with the same arch smile; and when she came to the side of the bed, she drew the curtains, and, by the light of the lamp, which she held towards its contents, she disclosed to the horror stricken painter, sitting bolt upright in the bed, the livid and demoniac form of Vanderhausen.",
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"away from him, in the direction of the flight of steps which conducted towards the vaults. Schalken felt a vague alarm at the sight of this figure and at the same time an irresistible impulse to follow its guidance. He followed it towards the vaults, but when it reached the head of the stairs, he paused; the figure paused also, and, turning gently round, displayed, by the light of the lamp it carried, the face and features of his first love, Rose Velderkaust. There was nothing horrible, or even sad, in the countenance. On the contrary, it wore the same arch smile which used to enchant the artist long before in his happy days. A feeling of awe and interest, too intense to be resisted, prompted him to follow the spectre, if spectre it were. She descended the stairs--he followed--and turning to the left, through a narrow passage, she led him, to his infinite surprise, into what appeared to be an old-fashioned Dutch apartment, such as the pictures of Gerard Douw have served to immortalize.",
"IED A LAMP SHE WAS MOVING RATHER AWAY FROM HIM IN THE DIRECTION OF THE FLIGHT OF STEPS WHICH CONDUCTED TOWARDS THE VAULTS SHALKIN FELT A VAGUE ALARM AT THE SIGHT OF THIS FIGURE AND AT THE SAME TIME AN IRRESISTIBLE IMPULSE TO FOLLOW ITS GUIDANCE HE FOLLOWED IT TOWARDS THE VAULTS BUT WHEN IT REACHED THE HEAD OF THE STAIRS HE PAUSED THE FIGURE PAUSED ALSO AND TURNING GENTLY ROUND DISPLAYED BY THE LIGHT OF THE LAMP IT CARRIED THE FACE AND FEATURES OF HIS FIRST LOVE ROSE VELDERCOST THERE WAS NOTHING HORRIBLE OR EVEN SAD IN THE COUNTENANCE ON THE CONTRARY IT WORE THE SAME ARCH SMILE WHICH USED TO ENCHANT THE ARTIST LONG BEFORE IN HIS HAPPY DAYS A FEELING OF AWE AND INTEREST TOO INTENSE TO BE RESISTED PROMPTED HIM TO FOLLOW THE SPECTRE IF SPECTRE IT WERE SHE DESCENDED THE STAIRS HE FOLLOWED AND TURNING TO THE LEFT THROUGH A NARROW PASSAGE SHE LED HIM TO HIS INFINITE SURPRISE INTO WHAT APPEARED TO BE AN OLD FASHIONED DUTCH APARTMENT SUCH AS THE PICTURES OF GERARD DOU HAVE SERVED TO IMMORTALIZE"
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"In days of uncouth realism and unimaginative imitation, it is a high pleasure to welcome work of this kind. It is a work in which all lovers of literature cannot fail to delight.",
"IN DAYS OF UNCOUTH REISM AND UNIMAGINATIVE IMITATION IT IS A HIGH PLEASURE TO WELCOME WORK OF THIS KIND IT IS A WORK IN WHICH ALL LOVERS OF LITERATURE CANNOT FAIL TO DELIGHT"
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"e of the Wolfings; fair cloths were hung on the walls, goodly broidered garments on the pillars: goodly brazen cauldrons and fair- carven chests were set down in nooks where men could see them well, and vessels of gold and silver were set all up and down the tables of the feast. The pillars also were wreathed with flowers, and flowers hung garlanded from the walls over the precious hangings; sweet gums and spices were burning in fair-wrought censers of brass, and so many candles were alight under the Roof, that scarce had it looked more ablaze when the Romans had litten the faggots therein for its burning amidst the hurry of the Morning Battle. There then they fell to feasting, hallowing in the high-tide of their return with victory in their hands: and the dead corpses of Thiodolf and Otter, clad in precious glittering raiment, looked down on them from the High-seat, and the kindreds worshipped them and were glad; and they drank the Cup to them before any others, were they Gods or men.",
"SET FORTH THE TREASURE OF THE WOLFINGS FAIR CLOTHS WERE HUNG ON THE WALLS GOODLY BROIDERED GARMENTS ON THE PILLARS GOODLY BRAZEN CAULDRONS AND FAIR CARVEN CHESTS WERE SET DOWN IN NOOKS WHERE MEN COULD SEE THEM WELL AND VESSELS OF GOLD AND SILVER WERE SET ALL UP AND DOWN THE TABLES OF THE FEAST THE PILLARS ALSO WERE WREATHED WITH FLOWERS AND FLOWERS HUNG GARLANDEN FROM THE WALLS OVER THE PRECIOUS HANGINGS SWEET GUMS AND SPICES WERE BURNING IN FAIR WROUGHT CENSERS OF BRASS AND SO MANY CANDLES WERE ALIGHT UNDER THE ROOF THAT SCARCE HAD IT LOOKED MORE ABLAZE WHEN THE ROMANS HAD LITTEN THE FAGOTS THEREIN OR ITS BURNING AMIDST THE HURRY OF THE MORNING BATTLE THERE THEN THEY FELL TO FEASTING HALLOWING IN THE HIGH TIDE OF THEIR RETURN WITH VICTORY IN THEIR HANDS AND THE DEAD CORPSES OF THIODOLF AND OTTER CLAD IN PRECIOUS GLITTERING RAIMENT LOOKED DOWN ON THEM FROM THE HIGH SEAT AND THE KINDREDS WORSHIPPED THEM AND WERE GLAD AND THEY DRANK THE CUP TO THEM BEFORE ANY OTHERS WERE THEY GODS OR MEN"
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"So therefore I bid thee not fear for thyself of Doom and her deed, But for me: and I bid thee hearken to the helping of my need. Or else Art thou happy in life, or lusteth thou to die In the flower of thy days, when thy glory and thy longing bloom on high?",
"SO THEREFORE I BID THEE NOT FEAR FOR THYSELF OF DOOM AND HER DEED BUT FOR ME AND I BID THEE HEARKEN TO THE HELPING OF MY NEED OR ELSE ART THOU HAPPY IN LIFE OR LESTST THOU TO DIE IN THE FLOWER OF THY DAYS WHEN THY GLORY AND THY LONGING BLOOM ON HIGH"
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". As an example of the beauty of the verse we would take this from the song of the Wood-Sun. It at least shows how perfectly the poetry harmonises with the prose, and how natural the transition is from the one to the other: In many a stead Doom dwelleth, nor sleepeth day nor night: The rim of the bowl she kisseth, and beareth the chambering light When the kings of men wend happy to the bride-bed from the board. It is little to say that she wendeth the edge of the grinded sword, When about the house half builded she hangeth many a day; The ship from the strand she shoveth, and on his wonted way By the mountain hunter fareth where his foot ne'er failed before: She is where the high bank crumbles at last on the river's shore: The mower's scythe she whetteth; and lulleth the shepherd to sleep Where the deadly ling-worm wakeneth in the desert of the sheep. Now we that come of the God-kin of her redes for ourselves we wot, But her will with the lives of men-folk and their ending know we not.",
"HIMSELF DOWN BESIDE HER AS AN EXAMPLE OF THE BEAUTY OF THE VERSE WE WOULD TAKE THIS FROM THE SONG OF THE WOOD SUN IT AT LEAST SHOWS HOW PERFECTLY THE POETRY HARMONIZES WITH THE PROSE AND HOW NATURAL THE TRANSITION IS FROM THE ONE TO THE OTHER IN MANY A STEAD DOOM DWELLETH NOR SLEEPETH DAY NOR NIGHT THE RIM OF THE BULL SHE KISSETH AND BEARETH THE CHAMBERING LIGHT WHEN THE KINGS OF MEN WEND HAPPY TO THE BRIDE BED FROM THE BOARD IT IS LITTLE TO SAY THAT SHE WENDETH THE EDGE OF THE GRINDED SWORD WHEN ABOUT THE HOUSE HALF BUILDED SHE HANGETH MANY A DAY THE SHIP FROM THE STRAND SHE SHOVETH AND ON HIS WONTED WAY BY THE MOUNTAIN HUNTER FARETH WHERE HIS FOOT NEVER FAILED BEFORE SHE IS WHERE THE HIGH BANK CRUMBLES AT LAST ON THE RIVER'S SHORE THE MOWER'S SKIFF SHE WEDDETH AND LULL THE SHEPHERD TO SLEEP WHERE THE DEADLY LEAN WORM WAKENETH IN THE DESERT OF THE SHEEP NOW WE THAT COME OF THE GODKIN OF HER REEDS FOR OURSELVES WE WOT BUT HER WILL WITH THE LIVES OF MEN FOLK AND THEIR ENDING KNOW WE NOT"
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"A Tale of the House of the Wolfings and all the Kindreds of the Mark. Written in Prose and in Verse by William Morris. (Reeves and Turner.)",
"A TALE OF THE HOUSE OF THE WOLFINGS AND ALL THE KINDREDS OF THE MARK WRITTEN IN PROSE AND IN VERSE BY WILLIAM MORRIS REEVES AND TURNER"
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"ould see them well, and vessels of gold and silver were set all up and down the tables of the feast. The pillars also were wreathed with flowers, and flowers hung garlanded from the walls over the precious hangings; sweet gums and spices were burning in fair-wrought censers of brass, and so many candles were alight under the Roof, that scarce had it looked more ablaze when the Romans had litten the faggots therein for its burning amidst the hurry of the Morning Battle. There then they fell to feasting, hallowing in the high-tide of their return with victory in their hands: and the dead corpses of Thiodolf and Otter, clad in precious glittering raiment, looked down on them from the High-seat, and the kindreds worshipped them and were glad; and they drank the Cup to them before any others, were they Gods or men. In days of uncouth realism and unimaginative imitation, it is a high pleasure to welcome work of this kind. It is a work in which all lovers of literature cannot fail to delight.",
"N IN NOOKS WHERE MEN COULD SEE THEM WELL AND VESSELS OF GOLD AND SILVER WERE SET ALL UP AND DOWN THE TABLES OF THE FEAST THE PILLARS ALSO WERE WREATHED WITH FLOWERS AND FLOWERS HUNG GARLANDEN FROM THE WALLS OVER THE PRECIOUS HANGINGS SWEET GUMS AND SPICES WERE BURNING IN FAIR WROUGHT CENSERS OF BRASS AND SO MANY CANDLES WERE ALIGHT UNDER THE ROOF THAT SCARCE HAD IT LOOKED MORE ABLAZE WHEN THE ROMANS HAD LITTEN THE FAGOTS THEREIN OR ITS BURNING AMIDST THE HURRY OF THE MORNING BATTLE THERE THEN THEY FELL TO FEASTING HALLOWING IN THE HIGH TIDE OF THEIR RETURN WITH VICTORY IN THEIR HANDS AND THE DEAD CORPSES OF THIODOLF AND OTTER CLAD IN PRECIOUS GLITTERING RAIMENT LOOKED DOWN ON THEM FROM THE HIGH SEAT AND THE KINDREDS WORSHIPPED THEM AND WERE GLAD AND THEY DRANK THE CUP TO THEM BEFORE ANY OTHERS WERE THEY GODS OR MEN IN DAYS OF UNCOUTH REISM AND UNIMAGINATIVE IMITATION IT IS A HIGH PLEASURE TO WELCOME WORK OF THIS KIND IT IS A WORK IN WHICH ALL LOVERS OF LITERATURE CANNOT FAIL TO DELIGHT"
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"It is the whole presentation of the primitive life that really fascinates. What in other hands would have been mere archaeology is here transformed by quick artistic instinct and made wonderful for us, and human and full of high interest.",
"IT IS THE WHOLE PRESENTATION OF THE PRIMITIVE LIFE THAT REALLY FASCINATES WHAT IN OTHER HANDS WOULD HAVE BEEN MERE ARCHAEOLOGY IS HERE TRANSFORMED BY QUICK ARTISTIC INSTINCT AND MADE WONDERFUL FOR US AND HUMAN AND FULL OF HIGH INTEREST"
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" simple and stately and complete. The tragic interest of The House of the Wolfings centres round the figure of Thiodolf, the great hero of the tribe. The goddess who loves him gives him, as he goes to battle against the Romans, a magical hauberk on which rests this strange fate: that he who wears it shall save his own life and destroy the life of his land. Thiodolf, finding out this secret, brings the hauberk back to the Wood-Sun, as she is called, and chooses death for himself rather than the ruin of his cause, and so the story ends. But Mr. Morris has always preferred romance to tragedy, and set the development of action above the concentration of passion. His story is like some splendid old tapestry crowded with stately images and enriched with delicate and delightful detail. The impression it leaves on us is not of a single central figure dominating the whole, but rather of a magnificent design to which everything is subordinated, and by which everything becomes of enduring import.",
"ITS OWN AND WAS SIMPLE AND STATELY AND COMPLETE THE TRAGIC INTEREST OF THE HOUSE OF THE WOLFINGS CENTERS ROUND THE FIGURE OF THIODOLF THE GREAT HERO OF THE TRIBE THE GODDESS WHO LOVES HIM GIVES HIM AS HE GOES TO BATTLE AGAINST THE ROMANS A MAGICAL HAUBERK ON WHICH RESTS THIS STRANGE FATE THAT HE WHO WEARS IT SHALL SAVE HIS OWN LIFE AND DESTROY THE LIFE OF HIS LAND THEODOLPH FINDING OUT THIS SECRET BRINGS THE HAUBERK BACK TO THE WOOD SUN AS SHE IS CALLED AND CHOOSES DEATH FOR HIMSELF RATHER THAN THE RUIN OF HIS CAUSE AND SO THE STORY ENDS BUT MISTER MORRIS HAS ALWAYS PREFERRED ROMANCE TO TRAGEDY AND SET THE DEVELOPMENT OF ACTION ABOVE THE CONCENTRATION OF PASSION HIS STORY IS LIKE SOME SPLENDID OLD TAPESTRY CROWDED WITH STATELY IMAGES AND ENRICHED WITH DELICATE AND DELIGHTFUL DETAIL THE IMPRESSION IT LEAVES ON US IS NOT OF A SINGLE CENTRAL FIGURE DOMINATING THE WHOLE BUT RATHER OF A MAGNIFICENT DESIGN TO WHICH EVERYTHING IS SUBORDINATED AND BY WHICH EVERYTHING BECOMES OF ENDURING IMPORT"
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"We breathe a purer air, and have dreams of a time when life had a kind of poetical quality of its own, and was simple and stately and complete. The tragic interest of The House of the Wolfings centres round the figure of Thiodolf, the great hero of the tribe. The goddess who loves him gives him, as he goes to battle against the Romans, a magical hauberk on which rests this strange fate: that he who wears it shall save his own life and destroy the life of his land.",
"WE BREATHE A PURER AIR AND HAVE DREAMS OF A TIME WHEN LIFE HAD A KIND OF POETICAL QUALITY OF ITS OWN AND WAS SIMPLE AND STATELY AND COMPLETE THE TRAGIC INTEREST OF THE HOUSE OF THE WOLFINGS CENTERS ROUND THE FIGURE OF THIODOLF THE GREAT HERO OF THE TRIBE THE GODDESS WHO LOVES HIM GIVES HIM AS HE GOES TO BATTLE AGAINST THE ROMANS A MAGICAL HAUBERK ON WHICH RESTS THIS STRANGE FATE THAT HE WHO WEARS IT SHALL SAVE HIS OWN LIFE AND DESTROY THE LIFE OF HIS LAND"
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"l insistence upon a supposed necessity for absolute modernity of form can prevail against the value of work that has the incomparable excellence of style. Certainly, Mr. Morris's work possesses this excellence. His fine harmonies and rich cadences create in the reader that spirit by which alone can its own spirit be interpreted, awake in him something of the temper of romance and, by taking him out of his own age, place him in a truer and more vital relation to the great masterpieces of all time. It is a bad thing for an age to be always looking in art for its own reflection. It is well that, now and then, we are given work that is nobly imaginative in its method and purely artistic in its aim. As we read Mr. Morris's story with its fine alternations of verse and prose, its decorative and descriptive beauties, its wonderful handling of romantic and adventurous themes, we cannot but feel that we are as far removed from the ignoble fiction as we are from the ignoble facts of our own day.",
" NO SHRILL INSISTENCE UPON A SUPPOSED NECESSITY FOR ABSOLUTE MODERNITY OF FORM CAN PREVAIL AGAINST THE VALUE OF WORK THAT HAS THE INCOMPARABLE EXCELLENCE OF STYLE CERTAINLY MISTER MORRIS'S WORK POSSESSES THIS EXCELLENCE HIS FINE HARMONIES AND RICH CADENCES CREATE IN THE READER THAT SPIRIT BY WHICH ALONE CAN ITS OWN SPIRIT BE INTERPRETED AWAKE IN HIM SOMETHING OF THE TEMPER OF ROMANCE AND BY TAKING HIM OUT OF HIS OWN AGE PLACE HIM IN A TRUER AND MORE VITAL RELATION TO THE GREAT MASTERPIECES OF ALL TIME IT IS A BAD THING FOR AN AGE TO BE ALWAYS LOOKING IN ART FOR ITS OWN REFLECTION IT IS WELL THAT NOW AND THEN WE ARE GIVEN WORK THAT IS NOBLY IMAGINATIVE IN ITS METHOD AND PURELY ARTISTIC IN ITS AIM AS WE READ MISTER MORRIS'S STORY WITH ITS FINE ALTERNATIONS OF VERSE AND PROSE ITS DECORATIVE AND DESCRIPTIVE BEAUTIES ITS WONDERFUL HANDLING OF ROMANTIC AND ADVENTUROUS THEMES WE CANNOT BUT FEEL THAT WE ARE AS FAR REMOVED FROM THE IGNOBLE FICTION AS WE ARE FROM THE IGNOBLE FACTS OF OUR OWN DAY"
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"It is little to say that she wendeth the edge of the grinded sword, When about the house half builded she hangeth many a day; The ship from the strand she shoveth, and on his wonted way By the mountain hunter fareth where his foot ne'er failed before: She is where the high bank crumbles at last on the river's shore: The mower's scythe she whetteth; and lulleth the shepherd to sleep Where the deadly ling worm wakeneth in the desert of the sheep.",
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"y grass of the lawn, but his eyes looked straight before him at that which was amidmost of the lawn: and little wonder was that; for there on a stone chair sat a woman exceeding fair, clad in glittering raiment, her hair lying as pale in the moonlight on the grey stone as the barley acres in the August night before the reaping-hook goes in amongst them. She sat there as though she were awaiting some one, and he made no stop nor stay, but went straight up to her, and took her in his arms, and kissed her mouth and her eyes, and she him again; and then he sat himself down beside her. As an example of the beauty of the verse we would take this from the song of the Wood-Sun. It at least shows how perfectly the poetry harmonises with the prose, and how natural the transition is from the one to the other: In many a stead Doom dwelleth, nor sleepeth day nor night: The rim of the bowl she kisseth, and beareth the chambering light When the kings of men wend happy to the bride-bed from the board.",
" WOOD ON TO THE SCANTY GRASS OF THE LAWN BUT HIS EYES LOOKED STRAIGHT BEFORE HIM AT THAT WHICH WAS AMIDMOST OF THE LAWN AND LITTLE WONDER WAS THAT FOR THERE ON A STONE CHAIR SAT A WOMAN EXCEEDING FAIR CLAD IN GLITTERING RAIMENT HER HAIR LYING AS PALE IN THE MOONLIGHT ON THE GRAY STONE AS THE BARLEY ACRES IN THE AUGUST NIGHT BEFORE THE REAPING HOOK GOES IN AMONGST THEM SHE SAT THERE AS THOUGH SHE WERE AWAITING SOMEONE AND HE MADE NO STOP NOR STAY BUT WENT STRAIGHT UP TO HER AND TOOK HER IN HIS ARMS AND KISSED HER MOUTH AND HER EYES AND SHE HIM AGAIN AND THEN HE SAT HIMSELF DOWN BESIDE HER AS AN EXAMPLE OF THE BEAUTY OF THE VERSE WE WOULD TAKE THIS FROM THE SONG OF THE WOOD SUN IT AT LEAST SHOWS HOW PERFECTLY THE POETRY HARMONIZES WITH THE PROSE AND HOW NATURAL THE TRANSITION IS FROM THE ONE TO THE OTHER IN MANY A STEAD DOOM DWELLETH NOR SLEEPETH DAY NOR NIGHT THE RIM OF THE BULL SHE KISSETH AND BEARETH THE CHAMBERING LIGHT WHEN THE KINGS OF MEN WEND HAPPY TO THE BRIDE BED FROM THE BOARD"
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"These are the river and the sea of the Tears of Men.\" And the King said: \"Men have not written of this sea.\"",
"THESE ARE THE RIVER AND THE SEA OF THE TEARS OF MEN AND THE KING SAID MEN HAVE NOT WRITTEN OF THIS SEA"
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"no more knowledge of the woods nor kindred any longer with the creatures of the dark, and when all that Tarn hath given it shall be lost, then Tarn shall take me back over the western seas, where all the remembered years lie floating idly aswing with the ebb and flow, to bring me again to the river of Munra-O. Far up that river we shall haply chase those creatures whose eyes are peering in the night as they prowl around the world, for Tarn was ever a hunter.” XI Then Ulf spake, the prophet who in Sistrameides lives in a temple anciently dedicated to the gods. Rumour hath guessed that there the gods walked once some time towards evening. But Time whose hand is against the temples of the gods hath dealt harshly with it and overturned its pillars and set upon its ruins his sign and seal: now Ulf dwells there alone. And Ulf said, “There sets, O King, a river outward from earth which meets with a mighty sea whose waters roll through space and fling their billows on the shores of every star.",
"Y SOUL HATH NO MORE KNOWLEDGE OF THE WOODS NOR KINDRED ANY LONGER WITH THE CREATURES OF THE DARK AND WHEN ALL THAT TARN HATH GIVEN IT SHALL BE LOST THEN TARN SHALL TAKE ME BACK OVER THE WESTERN SEAS WHERE ALL THE REMEMBERED YEARS LIE FLOATING IDLY A SWING WITH YEB AND FLOW TO BRING ME AGAIN TO THE RIVER OF MANRA O FAR UP THAT RIVER WE SHALL HAPLY CHASE THOSE CREATURES WHOSE EYES ARE PEERING IN THE NIGHT AS THEY PROWL AROUND THE WORLD FOR TARN WAS EVER A HUNTER PART ELEVEN THEN ULF SPAKE THE PROPHET WHO INSISTS REMEDIES LIVES IN A TEMPLE ANCIENTLY DEDICATED TO THE GODS RUMOUR HATH GUESSED THAT THERE THE GODS WALKED ONCE SOMETIME TOWARDS EVENING BUT TIME WHOSE HAND IS AGAINST THE TEMPLES OF THE GODS HATH DEALT HARSHLY WITH IT AND OVERTURNED ITS PILLARS AND SET UPON ITS RUINS HIS SIGN AND SEAL NOW ULF DWELLS THERE ALONE AND ULF SAID THERE SETS O KING A RIVER OUTWARD FROM EARTH WHICH MEETS WITH A MIGHTY SEA WHOSE WATERS ROLL THROUGH SPACE AND FLING THEIR BILLOWS ON THE SHORES OF EVERY STAR"
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"And Intahn who had carried at the banquet for fifty years the goblet of the King set with its four sapphires each as large as an eye, said as he spread his hands towards the palace making the sign of farewell: \"Not all the magic of prophecy nor yet foreseeing nor perceiving may equal the power of wine.",
"AND IN TAN WHO HAD CARRIED AT THE BANQUET FOR FIFTY YEARS THE GOBLET OF THE KING SET WITH ITS FOUR SAPPHIRES EACH AS LARGE AS AN EYE SAID AS HE SPREAD HIS HANDS TOWARDS THE PALACE MAKING THE SIGN OF FAREWELL NOT ALL THE MAGIC OF PROPHECY NOR YET FORESEEING NOR PERCEIVING MAY EQUAL THE POWER OF WINE"
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"een the houses stood grouped together they that were wont to dance before the King, and they that had borne his wine in jewelled cups. Long they had tarried in the city hoping that the King might relent, and once again regard them with kindly faces calling for wine and song. The next morning they were all to set out in search of some new Kingdom, and they were peering between the houses and up the long grey street to see for the last time the palace of King Ebalon; and Pattering Leaves, the dancer, cried: “Not any more, not any more at all shall we drift up the carven hall to dance before the King. He that now watches the magic of his prophets will behold no more the wonder of the dance, and among ancient parchments, strange and wise, he shall forget the swirl of drapery when we swing together through the Dance of the Myriad Steps.” And with her were Silvern Fountain and Summer Lightning and Dream of the Sea, each lamenting that they should dance no more to please the eyes of the King.",
" IN A STREET BETWEEN THE HOUSES STOOD GROUPED TOGETHER THEY THAT WERE WONT TO DANCE BEFORE THE KING AND THEY THAT HAD BORNE HIS WINE AND JEWELLED CUPS LONG THEY HAD TARRIED IN THE CITY HOPING THAT THE KING MIGHT RELENT AND ONCE AGAIN REGARD THEM WITH KINDLY FACES CALLING FOR WINE AND SONG THE NEXT MORNING THEY WERE ALL TO SET OUT IN SEARCH OF SOME NEW KINGDOM AND THEY WERE PEERING BETWEEN THE HOUSES AND UP THE LONG GRAY STREET TO SEE FOR THE LAST TIME THE PALACE OF KING EBALON AND PATTERING LEAVES THE DANCER CRIED NOT ANY MORE NOT ANY MORE AT ALL SHALL WE DRIFT UP THE CARVEN HALL TO DANCE BEFORE THE KING HE THAT NOW WATCHES THE MAGIC OF HIS PROPHETS WILL BEHOLD NO MORE THE WONDER OF THE DANCE AND AMONG ANCIENT PARCHMENTS STRANGE AND WISE HE SHALL FORGET THE SWIRL OF DRAPERY WHEN WE SWING TOGETHER THROUGH THE DANCE OF THE MYRIAD STEPS AND WITH HER WHERE SILVERN FOUNTAIN AND SUMMER LIGHTNING AND DREAM OF THE SEA EACH LAMENTING THAT THEY SHOULD DANCE NO MORE TO PLEASE THE EYES OF THE KING"
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MonoCut
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"I watched their purple shadows trail Across the sea and hide Within the hollows of the waves That rode the rising tide.",
"I WATCHED THEIR PURPLE SHADOWS TRAIL ACROSS THE SEA AND HIDE WITHIN THE HOLLOWS OF THE WAVES THAT RODE THE RISING TIDE"
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" thrill That breaks the buds when all the skies are blue! The bitter storms of grief I did not fear When you were near. But sometimes now I have grown half afraid That unforgotten frost of pain that used To wrap my nature will again invade The singing streams your April touch had loosed. Spring’s subtler spells alone I can not learn, —Ah, will you not return? Yet if it chance that prayed-for peace you sought Be not at length to full perfection wrought, If still in vain Time strives with memory,—then, dear, I would fain Let be as naught All I have uttered; and I will refrain From any whispered wish, or word, or thought, That might to you in anywise complain. However much my eager heart may miss, How much for you my very soul may yearn, I will seek patience, confident in this, That some time, surely, Love shall conquer pain, And then, dear heart, I know you will return. _SEA-DREAMS_ I sat upon the mossy rocks Beside the southern sea, While overhead the summer clouds Were drifting lazily.",
" SEA DREAMS BY EVELEEN STEYNE READ FOR LIBERVOX DOT ORK BY LARRY WILSON I SAT UPON THE MOSSY ROCKS BESIDE THE SOUTHERN SEA WHILE OVERHEAD THE SUMMER CLOUDS WERE DRIFTING LAZILY"
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large/8425/among_the_trees_again_1609_librivox_64kb_mp3/trees_27_stein_64kb_1
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"The ancient mystery of the skies, Their silent depths from pole to pole, The void, the vastness terrifies!",
"THE ANCIENT MYSTERY OF THE SKIES THEIR SILENT DEPTHS FROM POLE TO POLE THE VOID THE VASTNESS TERRIFIES"
],
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"hine like pearls Within a sea of green. And heaped around them, pink as shells, The roses are in flower, While earth and sky are freshly keyed To sweetness by the shower. _AT NIGHT_ Come, draw more near! Clasp hands with me! Ah close, and closer still! The night spreads to infinity! And through my heart a sudden chill, —I pray loose not your loving hold!— A fear, a loneliness untold Smites sharply, till mine eyes o’erfill! Nor have I strength nor stress of will To set my spirit free. The cold, the darkness, and the dread Immensity of space, The great, wan moon, whose ghostly face For ages has been dead, The weird lights wheeling overhead, The unknown worlds that onward roll, In endless wanderings ever led, That find no goal, The spectral mists that overspread With pallid light the lesser stars, The lurid glow that glimmers red Across the front of Mars, —O dearest heart, when all is said, I am afraid! and from the whole Wide waste of worlds I hide my sight, And from the boundless night!",
" AT TO NIGHT BY EVELEEN STEYNE READ FOR LIBERVOX DOT ORG BY LARRY WILSON COME DRAW MORE NEAR CLASP HANDS WITH ME AH CLOSE AND CLOSER STILL THE NIGHT SPREADS TO INFINITY AND THROUGH MY HEART A SUDDEN CHILL I PRAY LOOSE NOT YOUR LOVING HOLD A FEAR A LONELINESS UNTOLD SMITES SHARPLY TILL MINE EYES O'ERFILL NOR HAVE I STRENGTH NOR STRESS OF WILL TO SET MY SPIRIT FREE THE COLD THE DARKNESS AND THE DREAD IMMENSITY OF SPACE THE GREAT WAN MOON WHOSE GHOSTLY FACE FOR AGES HAS BEEN DEAD THE WEIRD LIGHTS WHEELING OVERHEAD THE UNKNOWN WORLDS THAT ONWARD ROLL IN ENDLESS WANDERINGS EVER LED THAT FIND NO GOAL THE SPECTRAL MISTS THAT OVERSPREAD WITH PALLID LIGHT THE LESSER STARS THE LURID GLOW THAT GLIMMERS RED ACROSS THE FRONT OF MARS O DEAREST HEART WHEN ALL IS SAID I AM AFRAID AND FROM THE WHOLE WIDE WASTE OF WORLDS I HIDE MY SIGHT AND FROM THE BOUNDLESS NIGHT"
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large/8425/among_the_trees_again_1609_librivox_64kb_mp3/trees_39_stein_64kb_1
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"God comfort, as with straining breath, Unheeding either life or death, Yet still with faint unwitting smile, His fingers fondly seek and fold The little sea stained shoe, and hold And stroke the while.",
"GOD COMFORT US WITH STRAINING BREATH UNHEEDING EITHER LIFE OR DEATH YET STILL WITH FAINT UNWITTING SMILE HIS FINGERS FONDLY SEEK AND FOLD THE LITTLE SEA STAINED SHOE AND HOLD AND STROKE THE WHILE"
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"nsubdued as is the sea, From the first, O lordly Desert, Thou hast drawn my heart to thee! Desolate thou art, and silent, Barren both of fruit and flower; Yet I love thine arid grandeur That defies man’s utmost power! _THE LAST SURVIVOR FROM THE LIFE-BOAT_ Beneath his pillow, hid away From careless sight, the nurses say, And safe from any stranger’s view, As miser might some treasure rare, So does he guard, with jealous care, A baby’s shoe. And evermore by day and night, With burning eyeballs fever-bright, This wan survivor of the sea Scans each blank, closing wall in turn, In dim endeavor to discern If sail there be. And then the weary sigh that slips Suspiring from those parching lips No heart may hear nor bleed therefor! As, with hot tears that fall like rain, He soothes a dying baby’s pain And o’er and o’er Croons snatches of soft lullabies To empty arms held cradle-wise. —O human heart-break, love and grief! God pity him in his distress, Ev’n as the sea was pitiless Beyond belief!",
" THE LAST SURVIVOR FROM THE LIFEBOAT BY EVELEEN STEYNE READ FOR LIBERVOX DOT ORG BY LARRY WILSON BENEATH HIS PILLOW HID AWAY FROM CARELESS SIGHT THE NURSES SAY AND SAFE FROM ANY STRANGER'S VIEW AS MISER MIGHT SOME TREASURE WEAR SO DOES HE GUARD WITH JEALOUS CARE A BABY'S SHOE AND EVERMORE BY DAY AND NIGHT WITH BURNING EYEBALLS FEVER BRIGHT THIS WAN SURVIVOR OF THE SEA SCANS EACH BLANK CLOSING WALL IN TURN IN DIM ENDEAVOUR TO DISCERN IF SALE THERE BE AND THEN THE WEARY SIGH THAT SLIPS SURPRISING FROM THOSE PARCHING LIPS NO HEART MAY HEAR NOR BLEED THEREFORE AS WITH HOT TEARS THAT FALL LIKE RAIN HE SOOTHES A DYING BABY'S PAIN AND OAR AND OAR CROON'S SNATCHES OF SOFT LULLABIES TO EMPTY ARMS HELD CRADLE WISE O HUMAN HEARTBREAK LOVE AND GRIEF GOD PITY HIM IN HIS DISTRESS EVEN AS THE SEA WAS PITILESS BEYOND BELIEF"
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large/8425/among_the_trees_again_1609_librivox_64kb_mp3/trees_52_stein_64kb_6
| 84.24
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"And the brilliant sea weeds scattered Like a gay mosaic shattered In a million shining fragments over all the ocean floor; While the bright hued fish go darting In swift journeys, meeting, parting, Weaving gold and scarlet patterns through the water evermore.",
"AND THE BRILLIANT SEAWEEDS SCATTERED LIKE A GAY MOSAIC SHATTERED IN A MILLION SHINING FRAGMENTS OVER ALL THE OCEAN FLOOR WHILE THE BRIGHT HUED FISH GO DARTING IN SWIFT JOURNEYS MEETING PARTING WEAVING GOLD AND SCARLET PATTERNS THROUGH THE WATER EVERMORE"
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"Lightly let the boat go drifting, Neither hand nor oar uplifting, Let no motion fret the ocean, and no sail be now unfurled; Stranger than Aladdin’s story, Lo, the dream-surpassing glory And the marvel unimagined of the limpid underworld! Gaze within the magic mirror Of the water, crystal clearer Than the gleaming glass enchanted, made by Merlin’s sorcery And behold the secrets hidden Through the ages, till unbidden Sons of men came sailing, sailing down the blue Pacific sea. See the pearl-encrusted portals Of the caverns, wherein mortals Dare not pierce with earthly vision, dare not fare with feet profane; Coral-columned halls with golden Thrones in emerald deeps withholden, Lit with sparkling amber splendor, where the merry mermen reign. See the long kelp banners flying From their gardens underlying All the rare, transparent surface of this sunny, southern sea; Grasses, shot with silver spangles, Wreathed and caught in starry tangles Of the purple ocean-pansy and the fringed anemone.",
" DOT ORG BY LARRY WILSON LIGHTLY LET THE BOAT GO DRIFTING NEITHER HAND NOR OAR UPLIFTING LET NO MOTION FRET THE OCEAN AND NO SAIL BE NOW UNFURLED STRANGER THAN A LATIN STORY LO THE DREAM SURPASSING GLORY AND THE MARVEL UNIMAGINED OF THE LIMPID UNDERWORLD GAZE WITHIN THE MAGIC MIRROR OF THE WATER CRYSTAL CLEARER THAN THE GLEAMING GLASS ENCHANTED MADE BY MERLIN'S SORCERY AND BEHOLD THE SECRETS HIDDEN THROUGH THE AGES TILL UNBIDDEN SONS OF MEN CAME SAILING SAILING DOWN THE BLUE PACIFIC SEA SEE THE PEARL ENCRESTED PORTALS OF THE CAVERNS WHEREIN MORTALS DARE NOT PIERCE WITH EARTHLY VISION DARE NOT FARE WITH FEET PROFANE CORAL COLUMNED HALLS WITH GOLDEN THRONES IN EMERALD DEEP WITH HOLDEN LIT WITH SPARKLING AMBER SPLENDOR WHERE THE MERRY MERMIN REIGN SEE THE LONG KELP OF BANNERS FLYING FROM THEIR GARDENS UNDERLYING ALL THE RARE TRANSPARENT SURFACE OF THIS SUNNY SOUTHERN SEA GRASSES SHOT WITH SILVER SPANGLES WREATHED AND CAUGHT IN STARRY TANGLES OF THE PURPLE OCEAN PANSY AND THE FRINGED ENEMY"
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MonoCut
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large/8425/letterstohischildren_1510_librivox_64kb_mp3/letterstohischildren_09_roosevelt_64kb_2
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"We have never had a more cunning kitten than Tom Quartz. I have just had to descend with severity upon Quentin because he put the unfortunate Tom into the bathtub and then turned on the water. He didn't really mean harm.",
"WE HAVE NEVER HAD A MORE CUNNING KITTEN THAN TOM QUARTZ I HAVE JUST HAD TO DESCEND WITH SEVERITY UPON QUINTON BECAUSE HE PUT THE UNFORTUNATE TOM INTO THE BATH TUB AND THEN TURNED ON THE WATER IT DIDN'T REALLY MEAN HARM"
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"e, Oct. 20, 1902. At this moment, my small daughter being out, I am acting as nurse to two wee guinea pigs, which she feels would not be safe save in the room with me--and if I can prevent it I do not intend to have wanton suffering inflicted on any creature. THANKSGIVING IN THE WHITE HOUSE White House, Nov. 28, 1902. DARLING KERMIT: Yesterday was Thanksgiving, and we all went out riding, looking as we started a good deal like the Cumberbach family. Archie on his beloved pony, and Ethel on Yagenka went off with Mr. Proctor to the hunt. Mother rode Jocko Root, Ted a first-class cavalry horse, I rode Renown, and with us went Senator Lodge, Uncle Douglas, Cousin John Elliott, Mr. Bob Fergie, and General Wood. We had a three hours' scamper which was really great fun. Yesterday I met Bozie for the first time since he came to Washington, and he almost wiggled himself into a fit, he was so overjoyed at renewing acquaintance. To see Jack and Tom Quartz play together is as amusing as it can be.",
" SECTION NINE OF THE LETTERS TO HIS CHILDREN BY THEODORE ROOSEVELT THIS LIBER OF OX RECORDING IS IN THE PUBLIC DOMAIN READ BY LARRY WILSON THANKSGIVING IN THE WHITE HOUSE WHITE HOUSE NOVEMBER TWENTY EIGHTH NINETEEN O TWO DARLING KERMIT YESTERDAY WAS THANKSGIVING AND WE ALL WENT OUT WRITING LOOKING AS WE STARTED A GOOD DEAL LIKE THE CUMBER BOCH FAMILY ARCHIE ON HIS BELOVED PONY AND ETHEL ON JAYNKA WENT OFF WITH MISTER PROCTOR TO THE HUNT MOTHER RODE JOCKO ROUTE TED A FIRST CLASS CAVALRY HORSE I RODE RENOWN AND WITH US WENT SENATOR LODGE UNCLE DOUGLAS COUSIN JOHN ELLIOT MISTER BOB FERGY AND GENERAL WOOD WE HAD A THREE HOURS SCAMPER WHICH WAS REALLY GREAT FUN YESTERDAY I MET MOSEY FOR THE FIRST TIME SINCE HE CAME TO WASHINGTON AND HE ALMOST WRIGGLED HIMSELF INTO A FIT HE WAS SO OVERJOYED AT RENEWING ACQUAINTANCE TO SEE JACK AND TOM QUARTZ PLAY TOGETHER IS AS AMUSING AS IT CAN BE"
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"There was a horrible smashing, tearing, grinding noise, that was louder than thunder, and more hideous than the crashing of cannon against the wooden walls of a brave ship.",
"THERE WAS A HORRIBLE SMASHING TEARING GRINDING NOISE THAT WAS LOUDER THAN THUNDER AND MORE HIDEOUS THAN THE CRASHING OF CANNON AGAINST THE WOODEN WALLS OF A BRAVE SHIP"
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"to his look of terror. He sat quietly for a minute or so, and then lowered the window near him, and let in a rush of icy wind, whereat the bald-headed commercial gentleman turned upon him rather fiercely, and asked him what he was about, and if he wanted to give them all inflammation of the lungs, by letting in an atmosphere that was two degrees below zero. But the little elderly gentleman scarcely heard this remonstrance; his head was out of the window, and he was looking eagerly Rugby-wards along the line. \"I'm afraid there's something wrong,\" he said, drawing in his head for a moment, and looking with a scared white face at his fellow-passengers; \"I'm really afraid there's something wrong. We're eight minutes behind our time, and I see the danger-signal up yonder, and the line seems blocked up with snow, and I really fear——\" He looked out again, and then drew in his head very suddenly. \"There's something coming!\" he cried; \"there's an engine coming——\" He never finished his sentence.",
"ERVOUS TRAVELLER FOUND NO RESPONSE TO HIS LOOK OF TERROR HE SAT QUIETLY FOR A MINUTE OR SO AND THEN LOWERED THE WINDOW NEAR HIM AND LET IN A RUSH OF ICY WIND WHEREAT THE BALD HEADED COMMERCIAL GENTLEMAN TURNED UPON HIM RATHER FIERCELY AND ASKED HIM WHAT HE WAS ABOUT AND IF HE WANTED TO GIVE THEM ALL INFLAMMATION OF THE LUNGS BY LETTING IN AN ATMOSPHERE THAT WAS TWO DEGREES BELOW ZERO BUT THE LITTLE ELDERLY GENTLEMAN SCARCELY HEARD THIS REMONSTRANCE HIS HEAD WAS OUT OF THE WINDOW AND HE WAS LOOKING EAGERLY RUGGEDYWARDS ALONG THE LINE I'M AFRAID THERE'S SOMETHING WRONG HE SAID DRAWING IN HIS HEAD FOR A MOMENT AND LOOKING WITH A SCARED WHITE FACE AT HIS FELLOW PASSENGERS I'M REALLY AFRAID THERE'S SOMETHING WRONG WE'RE EIGHT MINUTES BEHIND OUR TIME AND I SEE THE DANGER SIGNAL UP YONDER AND THE LINE SEEMS BLOCKED UP WITH SNOW AND I REALLY FEAR HE LOOKED OUT AGAIN AND THEN DREW IN HIS HEAD VERY SUDDENLY THERE'S SOMETHING COMING HE CRIED THERE'S AN ENGINE COMING HE NEVER FINISHED HIS SENTENCE"
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"He sat with his watch in his hand; for every now and then he was seized with a sudden terror that the train had fallen out of its regular pace, and was crawling slowly along the rails. What if it should not reach Rugby until after the London express had left the station?",
"HE SAT WITH HIS WATCH IN HIS HAND FOR EVERY NOW AND THEN HE WAS SEIZED WITH A SUDDEN TERROR THAT THE TRAIN HAD FALLEN OUT OF ITS REGULAR PACE AND WAS CRAWLING SLOWLY ALONG THE RAILS WHAT IF IT SHOULD NOT REACH RUGBY UNTIL AFTER THE LONDON EXPRESS HAD LEFT THE STATION"
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"ess left Rugby; at a quarter to eight it reached London; at half-past eight the Dover mail would leave London Bridge station; and at half-past seven, or thereabouts, next morning, Henry Dunbar would be rattling through the streets of Paris. And then? Was his journey to end in that brilliant city, or was he to go farther? That was a question whose answer was hidden in the traveller's own breast. He had not shown himself a communicative man at the best of times, and to-night he looked like a man whose soul is weighed down by the burden of a purpose which must be achieved at any cost of personal sacrifice. He could not hear the names of the stations. He only heard those guttural and inarticulate sounds which railway officials roar out upon the darkness of the night, to the bewilderment of helpless travellers. His inability to distinguish the names of the stations annoyed him. The delay attendant upon every fresh stoppage worried him, as if the pause had been the weary interval of an hour.",
"SIX THE LONDON EXPRESS LEFT RUGBY AT A QUARTER TO EIGHT IT REACHED LONDON AT HALF PAST EIGHT THE DOVER MAIL WOULD LEAVE LONDON BRIDGE STATION AND AT HALF PAST SEVEN OR THEREABOUTS NEXT MORNING HENRY DUNBAR WOULD BE RATTLING THROUGH THE STREETS OF PARIS AND THEN WAS HIS JOURNEY TO END IN THAT BRILLIANT CITY OR WAS HE TO GO FARTHER THAT WAS A QUESTION WHOSE ANSWER WAS HIDDEN IN THE TRAVELLER'S OWN BREAST HE HAD NOT SHOWN HIMSELF A COMMUNICATIVE MAN AT THE BEST OF TIMES AND TO NIGHT HE LOOKED LIKE A MAN WHOSE SOUL IS WEIGHED DOWN BY THE BURDEN OF A PURPOSE WHICH MUST BE ACHIEVED AT ANY COST OF PERSONAL SACRIFICE HE COULD NOT HEAR THE NAMES OF THE STATIONS HE ONLY HEARD THOSE GUTTURAL AND INARTICULATE SOUNDS WHICH RAILWAY OFFICIALS ROAR OUT UPON THE DARKNESS OF THE NIGHT TO THE BEWILDERMENT OF HELPLESS TRAVELLERS HIS INABILITY TO DISTINGUISH THE NAMES OF THE STATIONS ANNOYED HIM THE DELAY ATTENDANT UPON EVERY FRESH STOPPAGE WORRIED HIM AS IF THE PAUSE HAD BEEN THE WEARY INTERVAL OF AN HOUR"
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"One by one the dead and wounded were carried away from the great heap of ruins; one by one the prostrate forms were borne away by quiet bearers, who did their duty calmly and fearlessly in that hideous scene of havoc and confusion.",
"ONE BY ONE THE DEAD AND WOUNDED WERE EARNED AWAY FROM THE GREAT HEAP OF RUINS ONE BY ONE THE PROSTRATE FORMS WERE BORNE AWAY BY QUIET BEARERS WHO DID THEIR DUTY CALMLY AND FEARLESSLY IN THAT HIDEOUS SCENE OF HAVOC AND CONFUSION"
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"ainst the wooden walls of a brave ship. That horrible sound was followed by a yell almost as horrible; and then there was nothing but death, and terror, and darkness, and anguish, and bewilderment; masses of shattered woodwork and iron heaped in direful confusion upon the blood-stained snow; human groans, stifled under the wrecks of shivered carriages: the cries of mothers whose children had been flung out of their arms into the very jaws of death; the piteous wail of children, who clung, warm and living, to the breasts of dead mothers, martyred in that moment of destruction; husbands parted from their wives; wives shrieking for their husbands; and, amidst all, brave men, with white faces, hurrying here and there, with lamps in their hands, half-maimed and wounded some of them, but forgetful of themselves in their care for the helpless wretches round them. The express going northwards had run into the train from Shorncliffe, which had come upon the main line just nine minutes too late.",
"HAN THE CRASHING OF CANNON AGAINST THE WOODEN WALLS OF A BRAVE SHIP THAT HORRIBLE SOUND WAS FOLLOWED BY A YELL ALMOST AS HORRIBLE AND THEN THERE WAS NOTHING BUT DEATH AND TERROR AND DARKNESS AND ANGUISH AND BEWILDERMENT MASSES OF SHATTERED WOODWORK AND IRON HEAPED IN DIREFUL CONFUSION UPON THE BLOOD STAINED SNOW HUMAN GROANS STIFLED UNDER THE WRECKS OF SHIVERED CARRIAGES THE CRIES OF MOTHERS WHOSE CHILDREN HAD BEEN FLUNG OUT OF THEIR ARMS INTO THE VERY JAWS OF DEATH THE PITEOUS WAIL OF CHILDREN WHO CLUNG WARM AND LIVING TO THE BREASTS OF DEAD MOTHERS MARTYRED IN THAT MOMENT OF DESTRUCTION HUSBANDS PARTED FROM THEIR WIVES WIVES SHRIEKING FOR THEIR HUSBANDS AND AMIDST ALL BRAVE MEN WITH WHITE FACES HURRYING HERE AND THERE WITH LAMPS IN THEIR HANDS HALF MAIMED AND WOUNDED SOME OF THEM BUT FORGETFUL OF THEMSELVES IN THEIR CARE FOR THE HELPLESS WRETCHES ROUND THEM THE EXPRESS GOING NORTHWARDS HAD RUN INTO THE TRAIN FROM SHORNCLIFF WHICH HAD COME UPON THE MAIN LINE JUST NINE MINUTES TOO LATE"
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"This time Henry Dunbar did not speak so much of his anxiety to get away upon the second stage of his continental journey. His servant Jeffreys arrived at Rugby in the course of the day; for the news of the accident had reached Maudesley Abbey, and it was known that Mr. Dunbar had been a sufferer.",
"THIS TIME HENRY DUNBAR DID NOT SPEAK SO MUCH OF HIS ANXIETY TO GET AWAY UPON THE SECOND STAGE OF HIS CONTINENTAL JOURNEY HIS SERVANT JEFFREYS ARRIVED AT RUGBY IN THE COURSE OF THE DAY FOR NEWS OF THE ACCIDENT HAD REACHED MAUDESLEY ABBEY AND IT WAS KNOWN THAT MISTER DUNBAR HAD BEEN A SUFFERER"
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", and the chamois-leather belt worn by the banker was under this shirt, next to and over a waistcoat of scarlet flannel. \"I wear a leather belt next my flannel waistcoat,\" Mr. Dunbar said, as the two men were undressing him; \"I don't wish it to be removed.\" He fainted away presently, for his leg was very painful; and on reviving from his fainting fit, he looked very suspiciously at his attendants, and put his hand to the buckle of his belt, in order to make himself sure that it had not been tampered with. All through the long, feverish, restless night he lay pondering over this miserable interruption of his journey, while the sick-nurse and the surgeon's assistant alternately slopped cooling lotions about his wretched broken leg. \"To think that _this_ should happen,\" he muttered to himself every now and then. \"Amongst all the things I've ever dreaded, I never thought of this.\" His leg was set in the course of the next day, and in the evening he had a long conversation with the surgeon.",
"T BUT THE LINEN SHIRT WAS LEFT AND THE CHAMOIS LEATHER BELT WORN BY THE BANKER WAS UNDER THIS SHIRT NEXT TO AND OVER A WAISTCOAT OF SCARLET FLANNEL I WEAR A LEATHER BELT NEXT MY FLANNEL WAISTCOAT MISTER DUNBAR SAID AS THE TWO MEN WERE UNDRESSING HIM I DON'T WISH IT TO BE REMOVED HE FAINTED AWAY PRESENTLY FOR HIS LEG WAS VERY PAINFUL AND ON REVIVING FROM HIS FAINTING FIT HE LOOKED VERY SUSPICIOUSLY AT HIS ATTENDANTS AND PUT HIS HAND TO THE BUCKLE OF HIS BELT IN ORDER TO MAKE HIMSELF SURE THAT IT HAD NOT BEEN TAMPERED WITH ALL THROUGH THE LONG FEVERISH RESTLESS NIGHT HE LAY PONDERING OVER THIS MISERABLE INTERRUPTION OF HIS JOURNEY WHILE THE SICK NURSE AND THE SURGEON'S ASSISTANT ALTERNATELY SLOPPED COOLING LOTIONS ABOUT HIS WRETCHED BROKEN LEG TO THINK THAT THIS SHOULD HAPPEN HE MUTTERED TO HIMSELF EVERY NOW AND THEN AMONGST ALL THE THINGS I'VE EVER DREADED I NEVER THOUGHT OF THIS HIS LEG WAS SET IN THE COURSE OF THE NEXT DAY AND IN THE EVENING HE HAD A LONG CONVERSATION WITH THE SURGEON"
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",\" he said. \"I must get to London!\" The surgeon and his assistant removed Mr. Dunbar's clothes. His trousers had to be cut away from his broken leg before anything could be done. Mr. Daphney removed his patient's coat and waistcoat; but the linen shirt was left, and the chamois-leather belt worn by the banker was under this shirt, next to and over a waistcoat of scarlet flannel. \"I wear a leather belt next my flannel waistcoat,\" Mr. Dunbar said, as the two men were undressing him; \"I don't wish it to be removed.\" He fainted away presently, for his leg was very painful; and on reviving from his fainting fit, he looked very suspiciously at his attendants, and put his hand to the buckle of his belt, in order to make himself sure that it had not been tampered with. All through the long, feverish, restless night he lay pondering over this miserable interruption of his journey, while the sick-nurse and the surgeon's assistant alternately slopped cooling lotions about his wretched broken leg.",
" WANT TO GET TO LONDON HE SAID I MUST GET TO LONDON THE SURGEON AND HIS ASSISTANT REMOVED MISTER DUNBAR'S CLOTHES HIS TROUSERS HAD TO BE CUT AWAY FROM HIS BROKEN LEG BEFORE ANYTHING COULD BE DONE MISTER DAPHNE REMOVED HIS PATIENT'S COAT AND WAISTCOAT BUT THE LINEN SHIRT WAS LEFT AND THE CHAMOIS LEATHER BELT WORN BY THE BANKER WAS UNDER THIS SHIRT NEXT TO AND OVER A WAISTCOAT OF SCARLET FLANNEL I WEAR A LEATHER BELT NEXT MY FLANNEL WAISTCOAT MISTER DUNBAR SAID AS THE TWO MEN WERE UNDRESSING HIM I DON'T WISH IT TO BE REMOVED HE FAINTED AWAY PRESENTLY FOR HIS LEG WAS VERY PAINFUL AND ON REVIVING FROM HIS FAINTING FIT HE LOOKED VERY SUSPICIOUSLY AT HIS ATTENDANTS AND PUT HIS HAND TO THE BUCKLE OF HIS BELT IN ORDER TO MAKE HIMSELF SURE THAT IT HAD NOT BEEN TAMPERED WITH ALL THROUGH THE LONG FEVERISH RESTLESS NIGHT HE LAY PONDERING OVER THIS MISERABLE INTERRUPTION OF HIS JOURNEY WHILE THE SICK NURSE AND THE SURGEON'S ASSISTANT ALTERNATELY SLOPPED COOLING LOTIONS ABOUT HIS WRETCHED BROKEN LEG"
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"Clement Austin looked at her with a blank wondering stare. \"Oh! great heavens!\" he cried at last; \"how could I think it possible that any man could be as cruelly deceived as I have been by this woman!\"",
"CLEMENT AUSTIN LOOKED AT HER WITH A BLANK WONDERING STARE OH GREAT HEAVENS HE CRIED AT LAST HOW COULD I THINK IT POSSIBLE THAT ANY MAN COULD BE AS CRUELLY DECEIVED AS I HAVE BEEN BY THIS WOMAN"
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" me a splendid chance of redemption from the black depths of disgrace and misery in which I lived. I was only mortal, Clement Austin; what was there in my blood that should make me noble, or good, or strong to stand against temptation? I seized upon the one chance of my miserable life; I plotted to win your love. Step by step I lured you on until you offered to make me your wife. That was my end and aim. I triumphed; and for a time enjoyed my success, and the advantages that it brought me. But I suppose the worst sinners have some kind of conscience. Mine was awakened last night, and I resolved to spare you the misery of being married to a woman who comes of such a race as that from which I spring.\" Nothing could be more callous than the manner with which Margaret Wilmot had made this speech. Her tones had never faltered. She had spoken slowly, pausing before every fresh sentence; but she had spoken like a wretched creature, whose withered heart was almost incapable of womanly emotion.",
"ND YOUR LOVE OFFERED ME A SPLENDID CHANCE OF REDEMPTION FROM THE BLACK DEPTHS OF DISGRACE AND MISERY IN WHICH I LIVED I WAS ONLY MORTAL CLEMENT AUSTIN WHAT WAS THERE IN MY BLOOD THAT SHOULD MAKE ME NOBLE OR GOOD OR STRONG TO STAND AGAINST TEMPTATION I SEIZED UPON THE ONE CHANCE OF MY MISERABLE LIFE I PLOTTED TO WIN YOUR LOVE STEP BY STEP I LURED YOU ON UNTIL YOU OFFERED TO MAKE ME YOUR WIFE THAT WAS MY END AND MY AIM I TRIUMPHED AND FOR A TIME ENJOYED MY SUCCESS AND THE ADVANTAGES THAT IT BROUGHT ME BUT I SUPPOSE THE WORST SINNERS HAVE SOME KIND OF CONSCIENCE MINE WAS AWAKENED LAST NIGHT AND I RESOLVED TO SPARE YOU THE MISERY OF BEING MARRIED TO A WOMAN WHO COMES OF SUCH A RACE AS THAT FROM WHICH I SPRANG NOTHING COULD BE MORE CALLOUS THAN THE MANNER WITH WHICH MARGARET WILMOT HAD MADE THIS SPEECH HER TONES HAD NEVER FALTERED SHE HAD SPOKEN SLOWLY PAUSING BEFORE EVERY FRESH SENTENCE BUT SHE HAD SPOKEN LIKE A WRETCHED CREATURE WHOSE WITHERED HEART WAS ALMOST INCAPABLE OF WOMANLY EMOTION"
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"CLEMENT CAUGHT THE RETREATING GIRL BY HER WRIST YOU SHALL NOT GO THUS MARGARET WILMOT HE CRIED PASSIONATELY NOT THUS YOU SHALL SPEAK TO ME YOU SHALL SPEAK PLAINLY YOU SHALL SPEAK THE TRUTH YOU DO NOT LOVE ME"
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"e window; Margaret was standing where he had left her, but she had put on her bonnet and gloves, and was quite ready to leave the house. \"Margaret,\" said Mr. Austin, trying to take her hand; but she drew herself away from him, almost as she had shrunk from him in the corridor on the previous night; \"Margaret, once for all, listen to me. I love you, and I believe you love me. If this is true, no obstacle on earth shall part us so long as we live. There is only one condition upon which I will let you go this day.\" \"What is that condition?\" \"Tell me that I have been fooled by my own egotism. I am twelve years older than you, Margaret, and there is nothing very romantic or interesting either in myself or my worldly position. Tell me that you do not love me. I am a proud man, I will not sue _in formâ pauperis_. If you do not love me, Margaret, you are free to go.\" Margaret bowed her head, and moved slowly towards the door. \"You are going—Miss Wilmot!\" \"Yes, I am going. Farewell, Mr. Austin.",
"NATION CLEMENT AUSTIN WENT BACK TO THE WINDOW MARGARET WAS STANDING WHERE HE HAD LEFT HER BUT SHE HAD PUT ON HER BONNET AND GLOVES AND WAS QUITE READY TO LEAVE THE HOUSE MARGARET SAID MISTER AUSTIN TRYING TO TAKE HER HAND BUT SHE DREW HERSELF AWAY FROM HIM ALMOST AS SHE HAD SHRUNK FROM HIM IN THE CORRIDOR ON THE PREVIOUS NIGHT MARGARET ONCE AND FOR ALL LISTEN TO ME I LOVE YOU AND I BELIEVE YOU LOVE ME IF THIS IS TRUE NO OBSTACLE ON EARTH SHALL PART US SO LONG AS WE LIVE THERE IS ONLY ONE CONDITION UPON WHICH I WILL LET YOU GO THIS DAY WHAT IS THAT CONDITION TELL ME THAT I HAVE BEEN FOOLED BY MY OWN EGOTISM I AM TWELVE YEARS OLDER THAN YOU MARGARET AND THERE IS NOTHING VERY ROMANTIC OR INTERESTING EITHER IN MYSELF OR MY WORLDLY POSITION TELL ME THAT YOU DO NOT LOVE ME I AM A PROUD MAN I WILL NOT SOON INFORM A PAUPERIS IF YOU DO NOT LOVE ME MARGARET YOU ARE FREE TO GO MARGARET BOWED HER HEAD AND MOVED SLOWLY TOWARDS THE DOOR YOU ARE GOING MISS WILMOT YES I AM GOING FAREWELL MISTER AUSTIN"
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"\"No, mother; I feel no sense of fatigue.\" \"But you will try to get some rest, to please me? See, dear boy, it's already nearly twelve o'clock.\" \"Yes, if you wish it, mother, I'll go to my room,\" Mr. Austin answered, quickly.",
"NO MOTHER I FEEL NO SENSE OF FATIGUE BUT YOU WILL TRY TO GET SOME REST TO PLEASE ME SEE DEAR BOY IT'S ALREADY NEARLY TWELVE O'CLOCK YES IF YOU WISH IT MOTHER I'LL GO TO MY ROOM MISTER AUSTIN ANSWERED QUICKLY"
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"lly from the room. \"I leave her in your hands, mother,\" he said. \"I know how tender and true a friend she has in you; I leave her in your care, under Providence. May Heaven have pity upon her and me!\" CHAPTER XXXIV. FAREWELL. Margaret submitted to take the sedative draught sent by the medical man. She submitted, at Mrs. Austin's request; but it seemed as if she scarcely understood why the medicine was offered to her. She was like a sleep-walker, whose brain is peopled by the creatures of a dream, and who has no consciousness of the substantial realities that surround him. The draught Mr. Vincent had spoken of as a sedative turned out to be a very powerful opiate, and Margaret sank into a profound slumber about a quarter of an hour after taking the medicine. Mrs. Austin went to Clement to carry him these good tidings. \"I shall sit up two or three hours, and see how the poor girl goes on, Clement,\" the widow said; \"but I hope you'll go to bed; I know all this excitement has worn you out.",
"AR THIS IS A LIVER BOX RECORDING ALL LIVERPOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIVERPOX DOT ORG RECORDING BY EMMA JOYCE HENRY DUNBAR BY MARY ELIZABETH BRADEN CHAPTER THIRTY FOUR FAREWELL MARGARET SUBMITTED TO TAKE THE SEDATIVE DRAFT SENT BY THE MEDICAL MAN SHE SUBMITTED AT MISSUS AUSTEN'S REQUEST BUT IT SEEMED AS IF SHE SCARCELY UNDERSTOOD WHY THE MEDICINE WAS OFFERED TO HER SHE WAS LIKE A SLEEP WALKER WHOSE BRAIN IS PEOPLED BY THE CREATURES OF A DREAM AND WHO HAS NO CONSCIOUSNESS OF THE SUBSTANTIAL REALITIES THAT SURROUND HIM THE DRAFT MISTER VINCENT HAD SPOKEN OF AS A SEDATIVE TURNED OUT TO BE A VERY POWERFUL OPIATE AND MARGARET SANK INTO A PROFOUND SLUMBER ABOUT A QUARTER OF AN HOUR AFTER TAKING THE MEDICINE MISSUS AUSTIN WENT TO CLEMENT TO CARRY HIM THESE GOOD TIDINGS I SHALL SIT UP TWO OR THREE HOURS AND SEE HOW THE POOR GIRL GOES ON CLEMENT THE WIDOW SAID BUT I HOPE YOU WILL GO TO BED I KNOW ALL THIS EXCITEMENT HAS WORN YOU OUT"
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"ieve that Henry Dunbar murdered your unhappy father?\" \"No,\" answered Margaret, resolutely; \"I do not.\" \"You do not? The banker's manner convinced you of his innocence, then?\" \"I do not believe that Henry Dunbar murdered my—my unhappy father.\" It is impossible to describe the tone of anguish with which Margaret spoke those last three words. \"But something transpired in that interview at Maudesley Abbey, Margaret? Henry Dunbar told you something—perhaps something about your dead father—some disgraceful secret which you never heard before; and you think that the shame of that secret is a burden which I would fear to carry? You mistake my nature, Margaret, and you commit a cruel treason against my love. Be my wife, dear one; and if malicious people should point to you, and say, 'Clement Austin's wife is the daughter of a thief and a forger,' I would give them back scorn for scorn, and tell them that I honour my wife for virtues that have been sometimes missing in the consort of an emperor.",
"YOUR SUSPICIONS DO YOU STILL BELIEVE THAT HENRY DUNBAR MURDERED YOUR UNHAPPY FATHER NO ANSWERED MARGARET RESOLUTELY I DO NOT YOU DO NOT THE BANKER'S MANNER CONVINCED YOU OF HIS INNOCENCE THEN I DO NOT BELIEVE THAT HENRY DUNBAR MURDERED MY MY UNHAPPY FATHER IT IS IMPOSSIBLE TO DESCRIBE THE TONE OF ANGUISH WITH WHICH MARGARET SPOKE THOSE LAST THREE WORDS BUT SOMETHING TRANSPIRED IN THAT INTERVIEW AT MAUDESLEY ABBEY MARGARET HENRY DUNBAR TOLD YOU SOMETHING PERHAPS SOMETHING ABOUT YOUR DEAD FATHER SOME DISGRACEFUL SECRET WHICH YOU HAD NEVER HEARD BEFORE AND YOU THINK THAT THE SHAME OF THAT SECRET IS A BURDEN WHICH I WOULD FEAR TO CARRY YOU MISTAKE MY NATURE MARGARET AND YOU COMMIT A CRUEL TREASON AGAINST MY LOVE BE MY WIFE DEAR ONE AND IF MALICIOUS PEOPLE SHOULD POINT TO YOU AND SAY CLEMENT AUSTIN'S WIFE IS THE DAUGHTER OF A THIEF AND A FORGER I WOULD GIVE THEM BACK SCORN FOR SCORN AND TELL THEM THAT I HONOUR MY WIFE FOR VIRTUES THAT HAVE SOMETIMES BEEN MISSING IN THE CONSORT OF AN EMPEROR"
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"\"No; I do not love you.\" \"It was all a farce, then—a delusion—it was all falsehood and trickery from first to last.",
"NO I DO NOT LOVE YOU IT WAS ALL A FARCE THEN A DELUSION IT WAS ALL FALSEHOOD AND TRICKERY FROM FIRST TO LAST"
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" him, almost as she had shrunk from him in the corridor on the previous night; \"Margaret, once for all, listen to me. I love you, and I believe you love me. If this is true, no obstacle on earth shall part us so long as we live. There is only one condition upon which I will let you go this day.\" \"What is that condition?\" \"Tell me that I have been fooled by my own egotism. I am twelve years older than you, Margaret, and there is nothing very romantic or interesting either in myself or my worldly position. Tell me that you do not love me. I am a proud man, I will not sue _in formâ pauperis_. If you do not love me, Margaret, you are free to go.\" Margaret bowed her head, and moved slowly towards the door. \"You are going—Miss Wilmot!\" \"Yes, I am going. Farewell, Mr. Austin.\" Clement caught the retreating girl by her wrist. \"You shall not go thus, Margaret Wilmot!\" he cried, passionately—\"not thus! You shall speak to me! You shall speak plainly! You shall speak the truth! You do not love me?",
"TAKE HER HAND BUT SHE DREW HERSELF AWAY FROM HIM ALMOST AS SHE HAD SHRUNK FROM HIM IN THE CORRIDOR ON THE PREVIOUS NIGHT MARGARET ONCE AND FOR ALL LISTEN TO ME I LOVE YOU AND I BELIEVE YOU LOVE ME IF THIS IS TRUE NO OBSTACLE ON EARTH SHALL PART US SO LONG AS WE LIVE THERE IS ONLY ONE CONDITION UPON WHICH I WILL LET YOU GO THIS DAY WHAT IS THAT CONDITION TELL ME THAT I HAVE BEEN FOOLED BY MY OWN EGOTISM I AM TWELVE YEARS OLDER THAN YOU MARGARET AND THERE IS NOTHING VERY ROMANTIC OR INTERESTING EITHER IN MYSELF OR MY WORLDLY POSITION TELL ME THAT YOU DO NOT LOVE ME I AM A PROUD MAN I WILL NOT SOON INFORM A PAUPERIS IF YOU DO NOT LOVE ME MARGARET YOU ARE FREE TO GO MARGARET BOWED HER HEAD AND MOVED SLOWLY TOWARDS THE DOOR YOU ARE GOING MISS WILMOT YES I AM GOING FAREWELL MISTER AUSTIN CLEMENT CAUGHT THE RETREATING GIRL BY HER WRIST YOU SHALL NOT GO THUS MARGARET WILMOT HE CRIED PASSIONATELY NOT THUS YOU SHALL SPEAK TO ME YOU SHALL SPEAK PLAINLY YOU SHALL SPEAK THE TRUTH YOU DO NOT LOVE ME"
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"\"No; I do not love you.\" \"It was all a farce, then—a delusion—it was all falsehood and trickery from first to last. When you smiled at me, your smile was a mockery; when you blushed, your blushes were the simulated blushes of a professed coquette.",
"NO I DO NOT LOVE YOU IT WAS ALL A FARCE THEN A DELUSION IT WAS ALL FALSEHOOD AND TRICKERY FROM FIRST TO LAST WHEN YOU SMILED AT ME YOUR SMILE WAS A MOCKERY WHEN YOU BLUSHED YOUR BLUSHES WERE THE SIMULATED BLUSHES OF A PROFESSED COQUETTE"
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" him, almost as she had shrunk from him in the corridor on the previous night; \"Margaret, once for all, listen to me. I love you, and I believe you love me. If this is true, no obstacle on earth shall part us so long as we live. There is only one condition upon which I will let you go this day.\" \"What is that condition?\" \"Tell me that I have been fooled by my own egotism. I am twelve years older than you, Margaret, and there is nothing very romantic or interesting either in myself or my worldly position. Tell me that you do not love me. I am a proud man, I will not sue _in formâ pauperis_. If you do not love me, Margaret, you are free to go.\" Margaret bowed her head, and moved slowly towards the door. \"You are going—Miss Wilmot!\" \"Yes, I am going. Farewell, Mr. Austin.\" Clement caught the retreating girl by her wrist. \"You shall not go thus, Margaret Wilmot!\" he cried, passionately—\"not thus! You shall speak to me! You shall speak plainly! You shall speak the truth! You do not love me?",
"TAKE HER HAND BUT SHE DREW HERSELF AWAY FROM HIM ALMOST AS SHE HAD SHRUNK FROM HIM IN THE CORRIDOR ON THE PREVIOUS NIGHT MARGARET ONCE AND FOR ALL LISTEN TO ME I LOVE YOU AND I BELIEVE YOU LOVE ME IF THIS IS TRUE NO OBSTACLE ON EARTH SHALL PART US SO LONG AS WE LIVE THERE IS ONLY ONE CONDITION UPON WHICH I WILL LET YOU GO THIS DAY WHAT IS THAT CONDITION TELL ME THAT I HAVE BEEN FOOLED BY MY OWN EGOTISM I AM TWELVE YEARS OLDER THAN YOU MARGARET AND THERE IS NOTHING VERY ROMANTIC OR INTERESTING EITHER IN MYSELF OR MY WORLDLY POSITION TELL ME THAT YOU DO NOT LOVE ME I AM A PROUD MAN I WILL NOT SOON INFORM A PAUPERIS IF YOU DO NOT LOVE ME MARGARET YOU ARE FREE TO GO MARGARET BOWED HER HEAD AND MOVED SLOWLY TOWARDS THE DOOR YOU ARE GOING MISS WILMOT YES I AM GOING FAREWELL MISTER AUSTIN CLEMENT CAUGHT THE RETREATING GIRL BY HER WRIST YOU SHALL NOT GO THUS MARGARET WILMOT HE CRIED PASSIONATELY NOT THUS YOU SHALL SPEAK TO ME YOU SHALL SPEAK PLAINLY YOU SHALL SPEAK THE TRUTH YOU DO NOT LOVE ME"
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"Clement closed the door as noiselessly as he had opened it, and then went slowly to the sitting room.",
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"und Maudesley Abbey, walking with a DEAD MAN, whose face was strange to him. This was the last of many dreams, all more or less grotesque or horrible, but none so vivid or distinct as this. The end of the vision woke Clement with a sudden shock, and he opened his eyes upon the cold morning light, which seemed especially cold in this chamber at the Reindeer, where the paper on the walls was of the palest grey, and every curtain or drapery of a spotless white. Clement lost no time over his toilet. He looked at his watch while dressing, and found that it was between seven and eight. It wanted a quarter to eight when he left his room, and went to his mother's door to inquire about Margaret. He knocked softly, but there was no answer; then he tried the door, and finding it unlocked, opened it a few inches with a cautious hand, and listened to his mother's regular breathing. \"She is asleep, poor soul,\" he thought. \"I won't disturb her, for she must want rest after sitting up half last night.",
"LMOT BY MOONLIGHT IN THE PARK AROUND MAUDESLEY ABBEY WALKING WITH A DEAD MAN WHOSE FACE WAS STRANGE TO HIM THIS WAS THE LAST OF MANY DREAMS ALL MORE OR LESS GROTESQUE OR HORRI BUT NONE SO VIVID OR DISTINCT AS THIS THE END OF THE VISION WOKE CLEMENT WITH A SUDDEN SHOCK AND HE OPENED HIS EYES UPON THE COLD MORNING LIGHT WHICH SEEMED ESPECIALLY COLD IN THIS CHAMBER AT THE REINDEER WHERE THE PAPER ON THE WALLS WAS OF THE PALEST GREY AND EVERY CURTAIN OR DRAPERY OF A SPOTLESS WHITE CLEMENT LOST NO TIME OVER HIS TOILET HE LOOKED AT HIS WATCH WHILE DRESSING AND FOUND THAT IT WAS BETWEEN SEVEN AND EIGHT IT WANTED A QUARTER TO EIGHT WHEN HE LEFT HIS ROOM AND WENT TO HIS MOTHER'S DOOR TO INQUIRE ABOUT MARGARET HE KNOCKED SOFTLY BUT THERE WAS NO ANSWER THEN HE TRIED THE DOOR AND FINDING IT UNLOCKED OPENED IT A FEW INCHES WITH A CAUTIOUS HAND AND LISTENED TO HIS MOTHER'S REGULAR BREATHING SHE IS ASLEEP POOR SOUL HE THOUGHT I WON'T DISTURB HER FOR SHE MUST WANT REST AFTER SITTING UP HALF LAST NIGHT"
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"n her face. \"Why did you do this, Margaret?\" Clement asked at last, in a heart-rending voice; \"why did you do this cruel thing?\" \"I will tell you why,\" the girl answered, slowly and deliberately; \"I will tell you why, Mr. Austin; and then I shall seem utterly despicable in your eyes, and it will be a very easy thing for you to blot my image from your heart. I was a poor desolate girl; and I was worse than poor and desolate, for the stain of my father's shameful history blackened my name. It was a fine thing for such as me to win the love of an honest man—a gentleman—who could shelter me from all the troubles of life, and give me a stainless name and an honourable place in society. I was the daughter of a returned convict, an outcast, and your love offered me a splendid chance of redemption from the black depths of disgrace and misery in which I lived. I was only mortal, Clement Austin; what was there in my blood that should make me noble, or good, or strong to stand against temptation?",
"S NO OTHER EVIDENCE OF EMOTION IN HER FACE WHY DID YOU DO THIS MARGARET CLEMENT ASKED AT LAST IN A HEARTRENDING VOICE WHY DID YOU DO THIS CRUEL THING I WILL TELL YOU WHY THE GIRL ANSWERED SLOWLY AND DELIBERATELY I WILL TELL YOU WHY MISTER AUSTIN AND THEN I SHALL SEEM UTTERLY DESPICABLE IN YOUR EYES AND IT WILL BE A VERY EASY THING FOR YOU TO BLOT MY IMAGE FROM YOUR HEART I WAS A POOR DESOLATE GIRL AND I WAS WORSE THAN POOR AND DESOLATE FOR THE STAIN OF MY FATHER'S SHAMEFUL HISTORY BLACKENED MY NAME IT WAS A FINE THING FOR SUCH AS ME TO WIN THE LOVE OF AN HONEST MAN A GENTLEMAN WHO COULD SHELTER ME FROM ALL THE TROUBLES OF LIFE AND GIVE ME A STAINLESS NAME AND AN HONORABLE PLACE IN SOCIETY I WAS THE DAUGHTER OF A RETURNED CONVICT AN OUTCAST AND YOUR LOVE OFFERED ME A SPLENDID CHANCE OF REDEMPTION FROM THE BLACK DEPTHS OF DISGRACE AND MISERY IN WHICH I LIVED I WAS ONLY MORTAL CLEMENT AUSTIN WHAT WAS THERE IN MY BLOOD THAT SHOULD MAKE ME NOBLE OR GOOD OR STRONG TO STAND AGAINST TEMPTATION"
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"e; and you think that the shame of that secret is a burden which I would fear to carry? You mistake my nature, Margaret, and you commit a cruel treason against my love. Be my wife, dear one; and if malicious people should point to you, and say, 'Clement Austin's wife is the daughter of a thief and a forger,' I would give them back scorn for scorn, and tell them that I honour my wife for virtues that have been sometimes missing in the consort of an emperor.\" For the first time that morning Margaret's eyes grew dim, but she brushed away the gathering tears with a rapid movement of her trembling hand. \"You are a good man, Clement Austin,\" she said; \"and I—wish that I were better worthy of you. You are a good man; but you are very cruel to me to-day. Have pity upon me, and let me go.\" She drew a pretty little watch from her waist, and looked at the dial. Then, suddenly remembering that the watch had been Clement's gift, she took the slender chain from her neck, and handed them both to him.",
"RET WHICH YOU HAD NEVER HEARD BEFORE AND YOU THINK THAT THE SHAME OF THAT SECRET IS A BURDEN WHICH I WOULD FEAR TO CARRY YOU MISTAKE MY NATURE MARGARET AND YOU COMMIT A CRUEL TREASON AGAINST MY LOVE BE MY WIFE DEAR ONE AND IF MALICIOUS PEOPLE SHOULD POINT TO YOU AND SAY CLEMENT AUSTIN'S WIFE IS THE DAUGHTER OF A THIEF AND A FORGER I WOULD GIVE THEM BACK SCORN FOR SCORN AND TELL THEM THAT I HONOUR MY WIFE FOR VIRTUES THAT HAVE SOMETIMES BEEN MISSING IN THE CONSORT OF AN EMPEROR FOR THE FIRST TIME THAT MORNING MARGARET'S EYES GREW DIM BUT SHE BRUSHED AWAY THE GATHERING TEARS WITH A RAPID MOVEMENT OF HER TREMBLING HAND YOU ARE A GOOD MAN CLEMENT AUSTIN SHE SAID AND I WISH THAT I WERE BETTER WORTHY OF YOU YOU ARE A GOOD MAN BUT YOU ARE VERY CRUEL TO ME TO DAY HAVE PITY UPON ME AND LET ME GO SHE DREW A PRETTY LITTLE WATCH FROM HER WAIST AND LOOKED AT THE DIAL THEN SUDDENLY REMEMBERING THAT THE WATCH HAD BEEN CLEMENT'S GIFT SHE TOOK THE SLENDER CHAIN FROM HER NECK AND HANDED THEM BOTH TO HIM"
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"\"But something transpired in that interview at Maudesley Abbey, Margaret? Henry Dunbar told you something—perhaps something about your dead father—some disgraceful secret which you never heard before; and you think that the shame of that secret is a burden which I would fear to carry?",
"BUT SOMETHING TRANSPIRED IN THAT INTERVIEW AT MAUDESLEY ABBEY MARGARET HENRY DUNBAR TOLD YOU SOMETHING PERHAPS SOMETHING ABOUT YOUR DEAD FATHER SOME DISGRACEFUL SECRET WHICH YOU HAD NEVER HEARD BEFORE AND YOU THINK THAT THE SHAME OF THAT SECRET IS A BURDEN WHICH I WOULD FEAR TO CARRY"
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"hat the doctor had said of his patient's iron will. Was it possible that Mr. Vincent had been right? Was this gentle girl's resolution to overrule a strong man's passionate vehemence? \"What is it that can part us, Margaret?\" Mr. Austin cried. \"What is it? You saw Mr. Dunbar yesterday?\" The girl shuddered, and over her colourless face there came a livid shade, which was more deathlike than the marble whiteness that had preceded it. \"Yes,\" Margaret Wilmot said, after a pause. \"I was—very fortunate. I gained admission to—Mr. Dunbar's rooms.\" \"And you spoke to him?\" \"Yes.\" \"Did your interview with him confirm or dissipate your suspicions? Do you still believe that Henry Dunbar murdered your unhappy father?\" \"No,\" answered Margaret, resolutely; \"I do not.\" \"You do not? The banker's manner convinced you of his innocence, then?\" \"I do not believe that Henry Dunbar murdered my—my unhappy father.\" It is impossible to describe the tone of anguish with which Margaret spoke those last three words.",
"R COLOURLESS FACE CLEMENT REMEMBERED WHAT THE DOCTOR HAD SAID OF HIS PATIENT'S IRON WILL WAS IT POSSIBLE THAT MISTER VINCENT HAD BEEN RIGHT WAS THIS GENTLE GIRL'S RESOLUTION TO OVERRULE A STRONG MAN'S PASSIONATE VEHEMENCE WHAT IS IT THAT CAN PART US MARGARET MISTER AUSTIN CRIED WHAT IS IT YOU SAW MISTER DUNBAR YESTERDAY THE GIRL SHUDDERED AND OVER HER COLOURLESS FACE THERE CAME A LIVID SHADE WHICH WAS MORE DEATH LIKE THAN THE MARBLE WHITENESS THAT HAD PRECEDED IT YES MARGARET WILMOT SAID AFTER A PAUSE I WAS VERY FORTUNATE I GAINED ADMISSION TO MISTER DUNBAR'S ROOMS AND YOU SPOKE TO HIM YES DID YOUR INTERVIEW WITH HIM CONFIRM OR DISSIPATE YOUR SUSPICIONS DO YOU STILL BELIEVE THAT HENRY DUNBAR MURDERED YOUR UNHAPPY FATHER NO ANSWERED MARGARET RESOLUTELY I DO NOT YOU DO NOT THE BANKER'S MANNER CONVINCED YOU OF HIS INNOCENCE THEN I DO NOT BELIEVE THAT HENRY DUNBAR MURDERED MY MY UNHAPPY FATHER IT IS IMPOSSIBLE TO DESCRIBE THE TONE OF ANGUISH WITH WHICH MARGARET SPOKE THOSE LAST THREE WORDS"
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"\"Is it I who am going mad; or am I dreaming all this?\" \"It is no dream, Mr. Austin. My letter would have only told you the truth. I am going away from here because I can never be your wife.\" \"You can never be my wife! Why not, Margaret?\"",
"IS IT I WHO AM GOING MAD OR AM I DREAMING ALL THIS IT IS NO DREAM MISTER AUSTIN MY LETTER WOULD ONLY HAVE TOLD YOU THE TRUTH I AM GOING AWAY FROM HERE BECAUSE I CAN NEVER BE YOUR WIFE YOU CAN NEVER BE MY WIFE WHY NOT MARGARET"
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" rose and looked at her lover with a grave and quiet earnestness of expression; but her face was quite as colourless as it had been upon the previous night, and her lips trembled a little as she spoke to Clement. \"I have had sufficient rest,\" she said, in a low, tremulous voice; \"I got up early because—because—I am going away.\" Her two hands had been hanging loosely amongst the fringes of her shawl; she lifted them now, and linked her fingers together with a convulsive motion; but she never withdrew her eyes from Clement's face, and her glance never faltered as she looked at him. \"Going away, Margaret?\" the cashier cried; \"going away—to-day—this morning?\" \"Yes, by the half-past nine o'clock train.\" \"Margaret, you must be mad to talk of such a thing.\" \"No,\" the girl answered, slowly; \"that is the strangest thing of all—I am not mad. I am going away, Clement—Mr. Austin. I wished to avoid seeing you. I meant to have written to you to tell you——\" \"To tell me what, Margaret?\" asked Clement.",
" THIS MORNING WHEN YOU SO MUCH NEED REST THE GIRL ROSE AND LOOKED AT HER LOVER WITH A GRAVE AND QUIET EARNESTNESS OF EXPRESSION BUT HER FACE WAS QUITE AS COLORLESS AS IT HAD BEEN UPON THE PREVIOUS NIGHT AND HER LIPS TREMBLED A LITTLE AS SHE SPOKE TO CLEMENT I HAVE HAD SUFFICIENT REST SHE SAID IN A LOW TREMULOUS VOICE I GOT UP EARLY BECAUSE BECAUSE I AM GOING AWAY HER TWO HANDS HAD BEEN HANGING LOOSELY AMONGST THE FRINGES OF HER SHAWL SHE LIFTED THEM NOW AND LINKED HER FINGERS TOGETHER WITH A CONVULSIVE MOTION BUT SHE NEVER WITHDREW HER EYES FROM CLEMENT'S FACE AND HER GLANCE NEVER FALTERED AS SHE LOOKED AT HIM GOING AWAY MARGARET THE CASHIER CRIED GOING AWAY TO DAY THIS MORNING YES BY THE HALF PAST NINE O'CLOCK TRAIN MARGARET YOU MUST BE MAD TO TALK OF SUCH A THING NO THE GIRL ANSWERED SLOWLY THAT IS THE STRANGEST THING OF ALL I AM NOT MAD I AM GOING AWAY CLEMENT MISTER AUSTIN I WISHED TO AVOID SEEING YOU I MEANT TO HAVE WRITTEN TO YOU TO TELL YOU TO TELL ME WHAT MARGARET ASKED CLEMENT"
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"The draught Mr. Vincent had spoken of as a sedative turned out to be a very powerful opiate, and Margaret sank into a profound slumber about a quarter of an hour after taking the medicine. Mrs. Austin went to Clement to carry him these good tidings. \"I shall sit up two or three hours, and see how the poor girl goes on, Clement,\" the widow said; \"but I hope you'll go to bed; I know all this excitement has worn you out.\"",
"THE DRAFT MISTER VINCENT HAD SPOKEN OF AS A SEDATIVE TURNED OUT TO BE A VERY POWERFUL OPIATE AND MARGARET SANK INTO A PROFOUND SLUMBER ABOUT A QUARTER OF AN HOUR AFTER TAKING THE MEDICINE MISSUS AUSTIN WENT TO CLEMENT TO CARRY HIM THESE GOOD TIDINGS I SHALL SIT UP TWO OR THREE HOURS AND SEE HOW THE POOR GIRL GOES ON CLEMENT THE WIDOW SAID BUT I HOPE YOU WILL GO TO BED I KNOW ALL THIS EXCITEMENT HAS WORN YOU OUT"
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"eavy heart. I did not think there would ever come a time in which you would reject my sympathy.\" \"I will talk to you to-morrow,\" Margaret said, for the second time. She spoke in a strange mechanical way, as if this had been a set speech which she had arranged for herself. Clement stood looking at her for some little time; but there was no change either in her face or attitude, and the young man went slowly and sorrowfully from the room. \"I leave her in your hands, mother,\" he said. \"I know how tender and true a friend she has in you; I leave her in your care, under Providence. May Heaven have pity upon her and me!\" CHAPTER XXXIV. FAREWELL. Margaret submitted to take the sedative draught sent by the medical man. She submitted, at Mrs. Austin's request; but it seemed as if she scarcely understood why the medicine was offered to her. She was like a sleep-walker, whose brain is peopled by the creatures of a dream, and who has no consciousness of the substantial realities that surround him.",
" CHAPTER THIRTY FOUR OF HENRY DUNBAR THIS IS A LIVER BOX RECORDING ALL LIVERPOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIVERPOX DOT ORG RECORDING BY EMMA JOYCE HENRY DUNBAR BY MARY ELIZABETH BRADEN CHAPTER THIRTY FOUR FAREWELL MARGARET SUBMITTED TO TAKE THE SEDATIVE DRAFT SENT BY THE MEDICAL MAN SHE SUBMITTED AT MISSUS AUSTEN'S REQUEST BUT IT SEEMED AS IF SHE SCARCELY UNDERSTOOD WHY THE MEDICINE WAS OFFERED TO HER SHE WAS LIKE A SLEEP WALKER WHOSE BRAIN IS PEOPLED BY THE CREATURES OF A DREAM AND WHO HAS NO CONSCIOUSNESS OF THE SUBSTANTIAL REALITIES THAT SURROUND HIM"
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"Never, since the origin of history, had princes been so blind in the presence of facts and the portion of divine authority which facts contain and promulgate. Never had that pretension here below which is called the right of kings denied to such a point the right from on high.",
"NEVER SINCE THE ORIGIN OF HISTORY HAD PRINCES BEEN SO BLIND IN THE PRESENCE OF FACTS AND THE PORTION OF DIVINE AUTHORITY WHICH FACTS CONTAIN AND PROMULGATE NEVER HAD THAT PRETENSION HERE BELOW WHICH IS CALLED THE RIGHT OF KINGS DENIED TO SUCH A POINT THE RIGHTS FROM ON HIGH"
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"t had, itself, been brought in in the same fashion. It did not perceive that it also lay in that hand which had removed Napoleon. It thought that it had roots, because it was the past. It was mistaken; it formed a part of the past, but the whole past was France. The roots of French society were not fixed in the Bourbons, but in the nations. These obscure and lively roots constituted, not the right of a family, but the history of a people. They were everywhere, except under the throne. The House of Bourbon was to France the illustrious and bleeding knot in her history, but was no longer the principal element of her destiny, and the necessary base of her politics. She could get along without the Bourbons; she had done without them for two and twenty years; there had been a break of continuity; they did not suspect the fact. And how should they have suspected it, they who fancied that Louis XVII. reigned on the 9th of Thermidor, and that Louis XVIII. was reigning at the battle of Marengo?",
" THAT IT HAD ITSELF BEEN BROUGHT IN IN THE SAME FASHION IT DID NOT PERCEIVE THAT IT ALSO LAY IN THAT HAND WHICH HAD REMOVED NAPOLEON IT THOUGHT THAT IT HAD ROOTS BECAUSE IT WAS THE PAST IT WAS MISTAKEN IT FORMED A PART OF THE PAST BUT THE WHOLE PAST WAS FRANCE THE ROOTS OF FRENCH SOCIETY WERE NOT FIXED IN THE BOURBONS BUT IN THE NATION THESE OBSCURE AND LIVELY ROOTS CONSTITUTED NOT THE RIGHT OF A FAMILY BUT THE HISTORY OF A PEOPLE THEY WERE EVERYWHERE EXCEPT UNDER THE THRONE THE HOUSE OF BOURBON WAS TO FRANCE THE ILLUSTRIOUS AND BLEEDING KNOT IN HER HISTORY BUT WAS NO LONGER THE PRINCIPAL ELEMENT OF HER DESTINY AND THE NECESSARY BASE OF HER POLITICS SHE COULD GET ALONG WITHOUT THE BOURBONS SHE HAD DONE WITHOUT THEM FOR TWO AND TWENTY YEARS THERE HAD BEEN A BREAK OF CONTINUITY THEY DID NOT SUSPECT THE FACT AND HOW SHOULD THEY HAVE SUSPECTED IT THEY WHO FANCIED THAT LOUIS THE SEVENTEENTH REIGNED ON THE NINTH OF THERMIDOR AND THAT LOUIS THE EIGHTEENTH WAS REIGNING AT THE BATTLE OF MRAENGO"
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"It thought it possessed strength because the Empire had been carried away before it like a theatrical stage setting. It did not perceive that it had, itself, been brought in in the same fashion. It did not perceive that it also lay in that hand which had removed Napoleon.",
"IT THOUGHT IT POSSESSED STRENGTH BECAUSE THE EMPIRE HAD BEEN CARRIED AWAY BEFORE IT LIKE A THEATRICAL STAGE SETTING IT DID NOT PERCEIVE THAT IT HAD ITSELF BEEN BROUGHT IN IN THE SAME FASHION IT DID NOT PERCEIVE THAT IT ALSO LAY IN THAT HAND WHICH HAD REMOVED NAPOLEON"
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" one useful to know, which the Stuarts did not suspect in 1662 and which the Bourbons did not even obtain a glimpse of in 1814. The predestined family, which returned to France when Napoleon fell, had the fatal simplicity to believe that it was itself which bestowed, and that what it had bestowed it could take back again; that the House of Bourbon possessed the right divine, that France possessed nothing, and that the political right conceded in the charter of Louis XVIII. was merely a branch of the right divine, was detached by the House of Bourbon and graciously given to the people until such day as it should please the King to reassume it. Still, the House of Bourbon should have felt, from the displeasure created by the gift, that it did not come from it. This house was churlish to the nineteenth century. It put on an ill-tempered look at every development of the nation. To make use of a trivial word, that is to say, of a popular and a true word, it looked glum. The people saw this.",
" TO KNOW WHICH THE STUARTS DID NOT SUSPECT IN SIXTEEN SIXTY TWO AND WHICH THE BOURBONS DID NOT EVEN OBTAIN A GLIMPSE OF IN EIGHTEEN FOURTEEN THE PREDESTINED FAMILY WHICH RETURNED TO FRANCE WHEN NAPOLEON FELL HAD THE FATAL SIMPLICITY TO BELIEVE THAT IT WAS ITSELF WHICH BESTOWED AND THAT WHAT IT HAD BESTOWED IT COULD TAKE BACK AGAIN THAT THE HOUSE OF BOURBON POSSESSED THE RIGHT DIVINE THAT FRANCE POSSESSED NOTHING AND THAT THE POLITICAL RIGHT CONCEDED IN THE CHARTER OF LOUIS THE EIGHTEENTH WAS MERELY A BRANCH OF THE RIGHT DIVINE WAS DETACHED BY THE HOUSE OF BOURBON AND GRACIOUSLY GIVEN TO THE PEOPLE UNTIL SUCH DAY AS IT SHOULD PLEASE THE KING TO REASSUME IT STILL THE HOUSE OF BOURBON SHOULD HAVE FELT FROM THE DISPLEASURE CREATED BY THE GIFT THAT IT DID NOT COME FROM IT THIS HOUSE WAS CHURLISH TO THE NINETEENTH CENTURY IT PUT ON AN ILL TEMPERED LOOK AT EVERY DEVELOPMENT OF THE NATION TO MAKE USE OF A TRIVIAL WORD THAT IS TO SAY OF A POPULAR AND TRUE WORK IT LOOKED GLUM THE PEOPLE SAW THIS"
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"These facts are the products of revolutions and wars, they are, they exist, they have the right to install themselves in society, and they do install themselves therein; and most of the time, facts are the stewards of the household and fouriers32 who do nothing but prepare lodgings for principles.",
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"he beginning, the nation asks nothing but repose; it thirsts for but one thing, peace; it has but one ambition, to be small. Which is the translation of remaining tranquil. Of great events, great hazards, great adventures, great men, thank God, we have seen enough, we have them heaped higher than our heads. We would exchange Cæsar for Prusias, and Napoleon for the King of Yvetot. “What a good little king was he!” We have marched since daybreak, we have reached the evening of a long and toilsome day; we have made our first change with Mirabeau, the second with Robespierre, the third with Bonaparte; we are worn out. Each one demands a bed. Devotion which is weary, heroism which has grown old, ambitions which are sated, fortunes which are made, seek, demand, implore, solicit, what? A shelter. They have it. They take possession of peace, of tranquillity, of leisure; behold, they are content. But, at the same time certain facts arise, compel recognition, and knock at the door in their turn.",
"S WHO DESIRE TO CONVERT THEM TO PROFIT IN THE BEGINNING THE NATION ASKS NOTHING BUT REPOSE IT THIRSTS FOR BUT ONE THING PEACE IT HAS BUT ONE AMBITION TO BE SMALL WHICH IS THE TRANSLATION OF REMAINING TRANQUIL OF GREAT EVENTS GREAT HAZARDS GREAT ADVENTURES GREAT MEN THANK GOD WE HAVE SEEN ENOUGH WE HAVE THEM HEAPED HIGHER THAN OUR HEADS WE WOULD EXCHANGE CAESAR FOR PRUSIAS AND NAPOLEON FOR THE KING OF YVETOTOT WHAT A GOOD LITTLE KING WAS HE WE HAVE MARCHED SINCE DAYBREAK WE HAVE REACHED THE EVENING OF A LONG AND TOILSOME DAY WE HAVE MADE OUR FIRST CHANGE WITH MIRABEAU THE SECOND WITH ROBESPIERRE THE THIRD WITH BONAPARTE WE ARE WORN OUT EACH ONE DEMANDS A BED DEVOTION WHICH IS WEARY HEROISM WHICH HAS GROWN OLD AMBITIONS WHICH ARE SATED FORTUNES WHICH ARE MADE SEEK DEMAND IMPLORE SOLICIT WHAT A SHELTER THEY HAVE IT THEY TAKE POSSESSION OF PEACE OF TRANQUILLITY OF LEISURE BEHOLD THEY ARE CONTENT BUT AT THE SAME TIME CERTAIN FACTS ARISE COMPEL RECOGNITION AND KNOCK AT THE DOOR IN THEIR TURN"
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"Machiavelli is not an evil genius, nor a demon, nor a miserable and cowardly writer; he is nothing but the fact. And he is not only the Italian fact; he is the European fact, the fact of the sixteenth century.",
"MACCHIAVELLI IS NOT AN EVIL GENIUS NOR A DEMON NOR A MISERABLE AND COWARDLY WRITER HE IS NOTHING BUT THE FACT AND HE IS NOT ONLY THE ITALIAN FACT HE IS THE EUROPEAN FACT THE FACT OF THE SIXTEENTH CENTURY"
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"most trembling, saluted it; whatever our egotism and our rancor may be, a mysterious respect springs from events in which we are sensible of the collaboration of some one who is working above man. The Revolution of July is the triumph of right overthrowing the fact. A thing which is full of splendor. Right overthrowing the fact. Hence the brilliancy of the Revolution of 1830, hence, also, its mildness. Right triumphant has no need of being violent. Right is the just and the true. The property of right is to remain eternally beautiful and pure. The fact, even when most necessary to all appearances, even when most thoroughly accepted by contemporaries, if it exist only as a fact, and if it contain only too little of right, or none at all, is infallibly destined to become, in the course of time, deformed, impure, perhaps, even monstrous. If one desires to learn at one blow, to what degree of hideousness the fact can attain, viewed at the distance of centuries, let him look at Machiavelli.",
"MOST IRRITATED THE MOST TREMBLING SALUTED IT WHATEVER OUR EGOTISM AND OUR RANCOR MAY BE A MYSTERIOUS RESPECT SPRINGS FROM EVENTS IN WHICH WE ARE SENSIBLE OF THE COLLABORATION OF SOME ONE WHO IS WORKING ABOVE MAN THE REVOLUTION OF JULY IS THE TRIUMPH OF RIGHT OVERTHROWING THE FACT A THING WHICH IS FULL OF SPLENDOR RIGHT OVERTHROWING THE FACT HENCE THE BRILLIANCY OF THE REVOLUTION OF EIGHTEEN THIRTY HENCE ALSO ITS MILDNESS RIGHT TRIUMPHANT HAS NO NEED OF BEING VIOLENT RIGHT IS THE JUST AND THE TRUE THE PROPERTY OF RIGHT IS TO REMAIN ETERNALLY BEAUTIFUL AND PURE THE FACT EVEN WHEN MOST NECESSARY TO ALL APPEARANCES EVEN WHEN MOST THOROUGHLY ACCEPTED BY CONTEMPORARIES IF IT EXIST ONLY AS A FACT AND IF IT CONTAIN ONLY TOO LITTLE OF RIGHT OR NONE AT ALL IS INFALLIBLY DESTINED TO BECOME IN THE COURSE OF TIME DEFORMED IMPURE PERHAPS EVEN MONSTROUS IF ONE DESIRES TO LEARN AT ONE BLOW TO WHAT DEGREE OF HIDEOUSNESS THE FACT CAN ATTAIN VIEWED AT THE DISTANCE OF CENTURIES LET HIM LOOK AT MACHIAVELLI"
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"Now, it is not always easy to procure a dynasty. If it is absolutely necessary, the first man of genius or even the first man of fortune who comes to hand suffices for the manufacturing of a king.",
"NOW IT IS NOT ALWAYS EASY TO PROCURE A DYNASTY IF IT IS ABSOLUTELY NECESSARY THE FIRST MAN OF GENIUS OR EVEN THE FIRST MAN OF FORTUNE WHO COMES TO HAND SUFFICES FOR THE MANUFACTURING OF A KING"
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"ieve the skilful, revolutions like the Revolution of July are severed arteries; a prompt ligature is indispensable. The right, too grandly proclaimed, is shaken. Also, right once firmly fixed, the state must be strengthened. Liberty once assured, attention must be directed to power. Here the sages are not, as yet, separated from the skilful, but they begin to be distrustful. Power, very good. But, in the first place, what is power? In the second, whence comes it? The skilful do not seem to hear the murmured objection, and they continue their manœuvres. According to the politicians, who are ingenious in putting the mask of necessity on profitable fictions, the first requirement of a people after a revolution, when this people forms part of a monarchical continent, is to procure for itself a dynasty. In this way, say they, peace, that is to say, time to dress our wounds, and to repair the house, can be had after a revolution. The dynasty conceals the scaffolding and covers the ambulance.",
"SAYING TRAITORS IF THEN WE ARE TO BELIEVE THE SKILFUL REVOLUTIONS LIKE THE REVOLUTION OF JULY ARE SEVERED ARTERIES A PROMPT LIGATURE IS INDISPENSABLE THE RIGHT TOO GRANDLY PROCLAIMED IS SHAKEN ALSO RIGHT ONCE FIRMLY FIXED THE STATE MUST BE STRENGTHENED LIBERTY ONCE ASSURED ATTENTION MUST BE DIRECTED TO POWER HERE THE SAGES ARE NOT AS YET SEPARATED FROM THE SKILFUL BUT THEY BEGIN TO BE DISTRUSTFUL POWER VERY GOOD BUT IN THE FIRST PLACE WHAT IS POWER IN THE SECOND WHENCE COMES IT THE SKILFUL DO NOT SEEM TO HEAR THE MURMURED OBJECTION AND THEY CONTINUE THEIR MANOEUVER ACCORDING TO THE POLITICIANS WHO ARE INGENIOUS IN PUTTING THE MASK OF NECESSITY ON PROFITABLE FICTIONS THE FIRST REQUIREMENT OF A PEOPLE AFTER A REVOLUTION WHEN THIS PEOPLE FORMS PART OF A MONARCHICAL CONTINENT IS TO PROCURE FOR ITSELF A DYNASTY IN THIS WAY THEY SAY PEACE THAT IS TO SAY TIME TO DRESS OUR WOUNDS AND TO REPAIR THE HOUSE CAN BE HAD AFTER A REVOLUTION THE DYNASTY CONCEALS THE SCAFFOLDING AND COVERS THE AMBULANCE"
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"HERE THE SAGES ARE NOT AS YET SEPARATED FROM THE SKILFUL BUT THEY BEGIN TO BE DISTRUSTFUL POWER VERY GOOD BUT IN THE FIRST PLACE WHAT IS POWER IN THE SECOND WHENCE COMES IT THE SKILFUL DO NOT SEEM TO HEAR THE MURMURED OBJECTION AND THEY CONTINUE THEIR MANOEUVER"
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"ct and the fact into right, that is the task of sages. CHAPTER II—BADLY SEWED But the task of sages is one thing, the task of clever men is another. The Revolution of 1830 came to a sudden halt. As soon as a revolution has made the coast, the skilful make haste to prepare the shipwreck. The skilful in our century have conferred on themselves the title of Statesmen; so that this word, _statesmen_, has ended by becoming somewhat of a slang word. It must be borne in mind, in fact, that wherever there is nothing but skill, there is necessarily pettiness. To say “the skilful” amounts to saying “the mediocre.” In the same way, to say “statesmen” is sometimes equivalent to saying “traitors.” If, then, we are to believe the skilful, revolutions like the Revolution of July are severed arteries; a prompt ligature is indispensable. The right, too grandly proclaimed, is shaken. Also, right once firmly fixed, the state must be strengthened. Liberty once assured, attention must be directed to power.",
"VICTOR HUGO TRANSLATED BY ISABEL FLORENCE HAPGOOD BOOK ONE A FEW PAGES OF HISTORY CHAPTER TWO BADLY SEWED BUT THE TASK OF SAGES IS ONE THING THE TASK OF CLEVER MEN IS ANOTHER THE REVOLUTION OF EIGHTEEN THIRTY CAME TO A SUDDEN HALT AS SOON AS A REVOLUTION HAS MADE THE COAST THE SKILFUL MAKE HASTE TO PREPARE THE SHIPWRECK THE SKILFUL IN OUR CENTURY HAVE CONFERRED ON THEMSELVES THE TITLE OF STATESMEN SO THAT THIS WORD STATESMAN HAS ENDED BY BECOMING SOMEWHAT OF A SLANG WORD IT MUST BE BORNE IN MIND IN FACT THAT WHEREVER THERE IS NOTHING BUT SKILL THERE IS NECESSARILY PETTINESS TO SAY THE SKILFUL AMOUNTS TO SAYING THE MEDIOCRE IN THE SAME WAY TO SAY STATESMEN IS SOMETIMES EQUIVALENT TO SAYING TRAITORS IF THEN WE ARE TO BELIEVE THE SKILFUL REVOLUTIONS LIKE THE REVOLUTION OF JULY ARE SEVERED ARTERIES A PROMPT LIGATURE IS INDISPENSABLE THE RIGHT TOO GRANDLY PROCLAIMED IS SHAKEN ALSO RIGHT ONCE FIRMLY FIXED THE STATE MUST BE STRENGTHENED LIBERTY ONCE ASSURED ATTENTION MUST BE DIRECTED TO POWER"
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"etimes equivalent to saying “traitors.” If, then, we are to believe the skilful, revolutions like the Revolution of July are severed arteries; a prompt ligature is indispensable. The right, too grandly proclaimed, is shaken. Also, right once firmly fixed, the state must be strengthened. Liberty once assured, attention must be directed to power. Here the sages are not, as yet, separated from the skilful, but they begin to be distrustful. Power, very good. But, in the first place, what is power? In the second, whence comes it? The skilful do not seem to hear the murmured objection, and they continue their manœuvres. According to the politicians, who are ingenious in putting the mask of necessity on profitable fictions, the first requirement of a people after a revolution, when this people forms part of a monarchical continent, is to procure for itself a dynasty. In this way, say they, peace, that is to say, time to dress our wounds, and to repair the house, can be had after a revolution.",
"E IN THE SAME WAY TO SAY STATESMEN IS SOMETIMES EQUIVALENT TO SAYING TRAITORS IF THEN WE ARE TO BELIEVE THE SKILFUL REVOLUTIONS LIKE THE REVOLUTION OF JULY ARE SEVERED ARTERIES A PROMPT LIGATURE IS INDISPENSABLE THE RIGHT TOO GRANDLY PROCLAIMED IS SHAKEN ALSO RIGHT ONCE FIRMLY FIXED THE STATE MUST BE STRENGTHENED LIBERTY ONCE ASSURED ATTENTION MUST BE DIRECTED TO POWER HERE THE SAGES ARE NOT AS YET SEPARATED FROM THE SKILFUL BUT THEY BEGIN TO BE DISTRUSTFUL POWER VERY GOOD BUT IN THE FIRST PLACE WHAT IS POWER IN THE SECOND WHENCE COMES IT THE SKILFUL DO NOT SEEM TO HEAR THE MURMURED OBJECTION AND THEY CONTINUE THEIR MANOEUVER ACCORDING TO THE POLITICIANS WHO ARE INGENIOUS IN PUTTING THE MASK OF NECESSITY ON PROFITABLE FICTIONS THE FIRST REQUIREMENT OF A PEOPLE AFTER A REVOLUTION WHEN THIS PEOPLE FORMS PART OF A MONARCHICAL CONTINENT IS TO PROCURE FOR ITSELF A DYNASTY IN THIS WAY THEY SAY PEACE THAT IS TO SAY TIME TO DRESS OUR WOUNDS AND TO REPAIR THE HOUSE CAN BE HAD AFTER A REVOLUTION"
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"The bourgeoisie is simply the contented portion of the people. The bourgeois is the man who now has time to sit down.",
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" nails, to wad triumph, to muffle up right, to envelop the giant-people in flannel, and to put it to bed very speedily, to impose a diet on that excess of health, to put Hercules on the treatment of a convalescent, to dilute the event with the expedient, to offer to spirits thirsting for the ideal that nectar thinned out with a potion, to take one’s precautions against too much success, to garnish the revolution with a shade. 1830 practised this theory, already applied to England by 1688. 1830 is a revolution arrested midway. Half of progress, quasi-right. Now, logic knows not the “almost,” absolutely as the sun knows not the candle. Who arrests revolutions half-way? The bourgeoisie? Why? Because the bourgeoisie is interest which has reached satisfaction. Yesterday it was appetite, to-day it is plenitude, to-morrow it will be satiety. The phenomenon of 1814 after Napoleon was reproduced in 1830 after Charles X. The attempt has been made, and wrongly, to make a class of the bourgeoisie.",
" TO ENVELOPE THE GIANT PEOPLE IN FLANNEL AND TO PUT IT TO BED VERY SPEEDILY TO IMPOSE A DIET ON THAT EXCESS OF HEALTH TO PUT HERCULES ON THE TREATMENT OF A CONVALESCENT TO DILUTE THE EVENT WITH THE EXPEDIENT TO OFFER TO SPIRITS THIRSTING THROUGH THE IDEAL THAT NECTAR THINNED OUT WITH A POTION TO TAKE ONE'S PRECAUTION AGAINST TOO MUCH SUCCESS TO GARNISH THE REVOLUTION WITH A SHADE EIGHTEEN THIRTY PRACTISED THIS THEORY ALREADY APPLIED TO ENGLAND BY SIXTEEN EIGHTY EIGHT EIGHTEEN THIRTY IS A REVOLUTION ARRESTED MIDWAY HALF OF PROGRESS QUASI RIGHT NOW LOGIC KNOWS NOT THE ALMOST ABSOLUTELY AS THE SUN KNOWS NOT THE CANDLE WHO ARRESTS REVOLUTIONS HALF WAY THE BOURGEOISIE WHY BECAUSE THE BOURGEOISIE IS INTEREST WHICH HAS REACHED SATISFACTION YESTERDAY IT WAS APPETITE TODAY IT IS PLENITUDE TOMORROW IT WILL BE SATIETY THE PHENOMENON OF EIGHTEEN FOURTEEN AFTER NAPOLEON WAS REPRODUCED IN EIGHTEEN THIRTY AFTER CHARLES THE TENTH THE ATTEMPT HAS BEEN MADE AND WRONGLY TO MAKE A CLASS OF THE BOURGEOISIE"
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"\"No,\" she responded dully; \"but let us not talk about it any more, please. I must see Louis again, you know.\" \"If your father were here, he could help you better, dear;\" there was no reproach in Mrs. Levice's gentle acceptance of the fact; \"he will be so happy over it.",
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"Mamma.” At that moment a desperate longing for her mother’s sympathy seized her; but the next minute the knowledge of the needless sorrow it would occasion came to her, and her lips remained closed. “No,” responded her mother, “and you have more than that; surely Louis did not neglect to tell you.” “You mean his love, I suppose,--yes, I have that.” “Then what else would you have? You probably know that he can give you every luxury within reason,--so much for honest practicality. As to Louis himself, the most fastidious could find nothing to cavil at,--he will make you a perfect husband. You are familiar enough with him to know his faults; but no man is faultless. I hope you are not so silly as to expect some girlish ideal,--for all the ideals died in the Golden Age, you know.” “As mine did. No; I have outgrown imagination in that line.” “Then why do you hesitate?” Her mother’s eyes were shining; her face was alive with the excitement of hope fulfilled. “Is there anything else wanting?”",
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"She hurriedly opened it and read: NEW YORK, Jan. 21, 188 . DEAR LOUIS, I am writing this from my bed, where I have been confined for the last week with pneumonia, although I managed to write a daily postal. Have been quite ill, but am on the mend and only anxious to start home again.",
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"ere?” he asked, stopping in the doorway. “Yes.” She took the packet he handed her. “Any charges or answers?” she asked. “Nom,” answered the boy; and noticing her pallor and apprehension, “I’ll shet the door for you,” he added, laying his hand on the knob. “Thank you. Here, take two cars if necessary; it is too wet to walk.” She handed him a quarter, and the boy went off, gayly whistling. She closed the heavy door softly and sat down on a chair. She recognized Louis’s handwriting on the wrapper, and her heart fluttered ominously. She tore off the damp covering, and the first thing she encountered was another wrapper on which was written in large characters:-- DEAR RUTH,--Do not be alarmed; everything is all right. I had to leave town on the overland at 6 P.M. Read the letter first, then the telegram; they will explain. LOUIS The kindly feeling that had prompted this warning was appreciated; one fear was stilled. She drew out the letter; she saw in perplexity that it was from her father.",
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"\"Not at all,\" interposed Bonaparte. \"The time for action has arrived. All things considered, he is welcome to Marie Louise, but the idea of Josephine going off on a cruise of that kind breaks my heart.\"",
"NOT AT ALL INTERPOSED BONAPARTE THE TIME FOR ACTION HAS ARRIVED ALL THINGS CONSIDERED HE IS WELCOME TO MARIE LOUISE BUT THE IDEA OF JOSEPHINE GOING OFF ON A CRUISE OF THAT KIND BREAKS MY HEART"
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"going into hysterics? You are not a woman, and should eschew that luxury. Xanthippe is with them, and I’ll warrant you that when that cherished spouse of mine has recovered from the effects of the sea, say the third day out, Kidd and his crew will be walking the plank, and voluntarily at that.” “But the House-boat itself,” murmured Noah, sadly. “That was my delight. It reminded me in some respects of the Ark.” “The law of compensation enters in there, my dear Commodore,” retorted Socrates. “For me, with Xanthippe abroad I do not need a club to go to; I can stay at home and take my hemlock in peace and straight. Xanthippe always compelled me to dilute it at the rate of one quart of water to the finger.” “Well, we didn’t all marry Xanthippe,” put in Cæsar firmly, “therefore we are not all satisfied with the situation. I, for one, quite agree with Sir Walter that something must be done, and quickly. Are we to sit here and do nothing, allowing that fiend to kidnap our wives with impunity?”",
"LTER SAID SOCRATES CHEERFULLY WHAT'S THE USE OF GOING INTO HYSTERICS YOU ARE NOT A WOMAN AND SHOULD ASSUE THAT LUXURY ZANTIPPI IS WITH THEM AND I'LL WARRANT YOU THAT WHEN THAT CHERISHED SPOUSE OF MINE HAS RECOVERED FROM THE EFFECTS OF THE SCENE SAY THE THIRD DAY OUT KIT AND HIS CREW WILL BE WALKING THE PLANK AND VOLUNTARILY AT THAT BUT THE HOUSEBOAT ITSELF MURMURED NOAH SADLY THAT WAS MY DELIGHT IT REMINDED ME IN SOME RESPECTS OF THE ARK THE LAW OF COMPENSATION ENTERS IN THERE MY DEAR COMMODORE RETORTED SOCRATES FOR ME WITH ZANTIPIA ABROAD I DO NOT NEED A CLUB TO GO TO I CAN STAY AT HOME AND TAKE MY HEMLOCK IN PEACE AND STRAIGHT ZANTIPI ALWAYS COMPELLED ME TO DELUDE IT AT THE RATE OF ONE QUART OF WATER TO THE FINGER WELL WE DIDN'T ALL MARRY ZANTIPPY PUT IN CAESAR FIRMLY THEREFORE WE ARE NOT ALL SATISFIED WITH THE SITUATION I FOR ONE QUITE AGREE WITH SIR WALTER THAT SOMETHING MUST BE DONE AND QUICKLY ARE WE TO SIT HERE AND DO NOTHING ALLOWING THAT FIEND TO KIDNAP OUR WIVES WITH IMPUNITY"
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"The House boat is not a house, but a boat; therefore the place to look for it is not, as Dr. Johnson so well says, in the Sahara Desert, or on the Alps, or in the State of Ohio, but upon the high sea, or upon the waterfront of some one of the world's great cities.\"",
"THE HOUSEBOAT IS NOT A HOUSE BUT A BOAT THEREFORE THE PLACE TO LOOK FOR IT IS NOT AS DOCTOR JOHNSON SO WELL SAYS IN THE SAHARA DESERT OR THE ALPS OR IN THE STATE OF OHIO BUT UPON THE HIGH SEA OR UPON THE WATERFRONT OF SOME ONE OF THE WORLD'S GREAT CITIES"
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": Dr. Johnson’s point is well taken] “Dr. Johnson’s point is well taken,” said a stranger who had been sitting upon the string-piece of the pier, quietly, but with very evident interest, listening to the discussion. He was a tall and excessively slender shade, “like a spirt of steam out of a teapot,” as Johnson put it afterwards, so slight he seemed. “I have not the honor of being a member of this association,” the stranger continued, “but, like all well-ordered shades, I aspire to the distinction, and I hold myself and my talents at the disposal of this club. I fancy it will not take us long to establish our initial point, which is that the gross person who has so foully appropriated your property to his own base uses does not contemplate removing it from its keel and placing it somewhere inland. All the evidence in hand points to a radically different conclusion, which is my sole reason for doubting the value of that conclusion. Captain Kidd is a seafarer by instinct, not a landsman.",
"R FOR SOME OTHER PURPOSE FOR WHICH NEITHER HE NOR IT WAS DESIGNED DOCTOR JOHNSON'S POINT IS WELL TAKEN SAID A STRANGER WHO HAD BEEN SITTING UPON THE STRING PIECE OF THE PIER QUIETLY BUT WITH VERY EVIDENT INTEREST LISTENING TO THE DISCUSSION HE WAS A TALL AND EXCESSIVELY SLENDER SHADE LIKE A SPURT OF STEAM OUT OF A TEAPOT AS JOHNSON PUT IT AFTERWARDS SO SLIGHT HE SEEMED I HAVE NOT THE HONOUR OF BEING A MEMBER OF THIS ASSOCIATION THE STRANGER CONTINUED BUT LIKE ALL WELL ORDERED SHADES I ASPIRE TO DISTINCTION AND I HOLD MYSELF AND MY TALENTS AT THE DISPOSAL OF THIS CLUB I FANCY IT WILL NOT TAKE US LONG TO ESTABLISH OUR INITIAL POINT WHICH IS THAT THE GROSS PERSON WHO HAS SO FOULLY APPROPRIATED YOUR PROPERTY TO HIS OWN BASE USES DOES NOT CONTEMPLATE REMOVING IT FROM ITS KEEL AND PLACING IT SOMEWHERE INLAND ALL THE EVIDENCE IN HAND POINTS TO A RADICALLY DIFFERENT CONCLUSION WHICH IS MY SOLE REASON FOR DOUBTING THE VALUE OF THAT CONCLUSION CAPTAIN KID IS A SEAFARER BY INSTINCT NOT A LANDSMAN"
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"\"Because I wish to know,\" said Johnson. \"That is always my motive in asking questions. You propose to go looking for a house boat in Central Africa; you suggest that Bonaparte lead an expedition in search of it through Europe—all of which strikes me as nonsense.",
"BECAUSE I WISH TO KNOW SAID JOHNSON THAT IS ALWAYS MY MOTIVE IN ASKING QUESTIONS YOU PROPOSE TO GO LOOKING FOR A HOUSEBOAT IN CENTRAL AFRICA YOU SUGGEST THAT BONAPARTE LEAD AN EXPEDITION IN SEARCH OF IT THROUGH EUROPE ALL OF WHICH STRIKES ME AS NONSENSE"
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" Hamlet, who had grown more and more melancholy and morbid since the abduction of Ophelia, joined. “Then it is settled,” said Raleigh; “something must be done. And now the point is, what?” “Relief expeditions have a way of finding things,” suggested Dr. Livingstone. “Or rather of being found by the things they go out to relieve. I propose that we send out a number of them. I will take Africa; Bonaparte can lead an expedition into Europe; General Washington may have North America; and—” “I beg pardon,” put in Dr. Johnson, “but have you any idea, Dr. Livingstone, that Captain Kidd has put wheels on this House-boat of ours, and is having it dragged across the Sahara by mules or camels?” “No such absurd idea ever entered my head,” retorted the Doctor. “Do you, then, believe that he has put runners on it, and is engaged in the pleasurable pastime of taking the ladies tobogganing down the Alps?” persisted the philosopher. “Not at all. Why do you ask?” queried the African explorer, irritably.",
" AT THE EXPENSE OF THE PURIST IN WHICH EVEN HAMLET WHO HAD GROWN MORE AND MORE MELANCHOLY AND MORBID SINCE THE ABDUCTION OF OPHELIA JOINED THAT IT IS SETTLED SAID RALEIGH SOMETHING MUST BE DONE AND NOW THE POINT IS WHAT RELIEF EXPEDITIONS HAVE A WAY OF FINDING THINGS SUGGESTED DOCTOR LIVINGSTONE OR RATHER OF BEING FOUND BY THE THINGS THEY GO OUT TO RELIEVE I PROPOSE THAT WE SEND OUT A NUMBER OF THEM I WILL TAKE AFRICA BONAPARTE CAN LEAD AN EXPEDITION INTO EUROPE GENERAL WASHINGTON MAY HAVE NORTH AMERICA AND I BEG PARDON PUT IN DOCTOR JOHNSON BUT HAVE YOU ANY IDEA DOCTOR LIVINGSTONE THAT CAPTAIN KIDD HAS PUT WHEELS ON THIS HOUSE BOAT OF OURS AND IS HAVING IT DRAGGED ACROSS THE SAHARA BY MULES OR CAMELS NO SUCH ABSURD IDEA EVER ENTERED MY HEAD RETORTED THE DOCTOR DO YOU THEN BELIEVE THAT HE HAS PUT RUNNERS ON IT AND IS ENGAGED IN THE PLEASURABLE PASTIME OF TAKING THE LADIES TO BOGGING DOWN THE ALPS PERSISTED THE PHILOSOPHER NOT AT ALL WHY DO YOU ASK QUERIED THE AFRICAN EXPLORER IRRITABLY"
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"The motion, having been seconded, was duly carried, and the stranger resumed. \"I will explain for the benefit of his Majesty King Solomon, whose wisdom I have always admired, and whose endurance as the husband of three hundred wives has filled me with wonder,\" he said, \"that before starting in pursuit of the stolen vessel we must select a craft of some sort for the purpose, and that in selecting the pursuer it is quite essential that we should choose a vessel of greater speed than the one we desire to overtake.",
"THE MOTION HAVING BEEN SECONDED WAS DULY CARRIED AND THE STRANGER RESUMED I WILL EXPLAIN FOR THE BENEFIT OF HIS MAJESTY KING SOLOMON WHOSE WISDOM I HAVE ALWAYS ADMIRED AND WHOSE ENDURANCE AS THE HUSBAND OF THREE HUNDRED WIVES HAS FILLED ME WITH WONDER HE SAID THAT BEFORE STARTING IN PURSUIT OF THE STOLEN VESSEL WE MUST SELECT A CRAFT OF SOME SORT FOR THE PURPOSE AND THAT IN SELECTING THE PURSUER IT IS QUITE ESSENTIAL THAT WE SHOULD CHOOSE A VESSEL OF GREATER SPEED THAN THE ONE WE DESIRE TO OVERTAKE"
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"her fate. So I ask you what earthly or unearthly use there is in discussing this question of speed in the House-boat. It strikes me as a woful waste of time, and rather unprecedented too, that we should suspend all rules and listen to the talk of an entire stranger.” “I do not venture to doubt the wisdom of Solomon,” said Johnson, dryly, “but I must say that the gentleman’s remarks rather interest me.” “Of course they do,” ejaculated Solomon. “He agreed with you. That ought to make him interesting to everybody. Freaks usually are.” “That is not the reason at all,” retorted Dr. Johnson. “Cold water agrees with me, but it doesn’t interest me. What I do think, however, is that our unknown friend seems to have a grasp on the situation by which we are confronted, and he’s going at the matter in hand in a very comprehensive fashion. I move, therefore, that Solomon be laid on the table, and that the privileges of the—ah—of the wharf be extended indefinitely to our friend on the string-piece.”",
" ON BOARD AND I AM SOMEWHAT INTERESTED IN HER FATE SO I ASK YOU WHAT EARTHLY OR UNEARTHLY USE IS THERE IN DISCUSSING THIS QUESTION OF SPEED IN A HOUSEBOAT IT STRIKES ME AS A WOEFUL WASTE OF TIME AND RATHER UNPRECEDENTED TOO THAT WE SHOULD SPEND ALL RULES AND LISTEN TO THE TALK OF AN ENTIRE STRANGER I DO NOT VENTURE TO DOUBT THE WISDOM OF SOLOMON SAID JOHNSON DRYLY BUT I MUST SAY THAT THE GENTLEMAN'S REMARKS RATHER INTEREST ME OF COURSE THEY DO EJACULATED SOLOMON HE AGREED WITH YOU THAT OUGHT TO MAKE HIM INTERESTING TO EVERYBODY FREAKS USUALLY ARE THAT'S NOT THE REASON AT ALL RETORTED DOCTOR JOHNSON COLD WATER AGREES WITH ME BUT IT DOESN'T INTEREST ME WHAT I DO THINK HOWEVER IS THAT OUR UNKNOWN FRIEND SEEMS TO HAVE A GRASP ON THE SITUATION BY WHICH WE ARE CONFRONTED AND HE'S GOING AT THE MATTER IN HAND IN A VERY COMPREHENSIVE FASHION I MOVE THEREFORE THAT SOLOMON BE LAID ON THE TABLE AND THAT THE PRIVILEGES OF THE A OF THE WHARF BE EXTENDED INDEFINITELY TO OUR FRIEND ON THE STRING PIECE"
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" we have the architect’s plans, however,” said the chairman. “We had, Mr. Chairman,” said Demosthenes, who was secretary of the House Committee, rising, “but they are gone with the House-boat itself. They were kept in the safe in the hold.” A look of annoyance came into the face of the stranger. “That’s too bad,” he said. “It was a most important part of my plan that we should know about how fast the House-boat was.” “Humph!” ejaculated Socrates, with ill-concealed sarcasm. “If you’ll take Xanthippe’s word for it, the House-boat was the fastest yacht afloat.” “I refer to the matter of speed in sailing,” returned the stranger, quietly. “The question of its ethical speed has nothing to do with it.” “The designer of the craft is here,” said Sir Walter, fixing his eyes upon Sir Christopher Wren. “It is possible that he may be of assistance in settling that point.” [Picture: What has all this got to do with the question] “What has all this got to do with the question, anyhow, Mr. Chairman?”",
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"Even Shylock stopped calculating percentages for an instant to listen. \"Do you mean to tell us,\" demanded Shakespeare, \"that the unsmoked stub of a cigar will suggest the story of him who smoked it to your mind?\"",
"EVEN SHYLOCK STOPPED CALCULATING PERCENTAGES FOR AN INSTANT TO LISTEN DO YOU MEAN TO TELL US DEMANDED SHAKESPEARE THAT THE UNSMOKED STUB OF A CIGAR WILL SUGGEST THE STORY OF HIM WHO SMOKED IT TO YOUR MIND"
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"ell you,” said the stranger. And he at once proceeded as follows. II THE STRANGER UNRAVELS A MYSTERY AND REVEALS HIMSELF “I HAVE made a hobby of the study of cigar ends,” said the stranger, as the Associated Shades settled back to hear his account of himself. “From my earliest youth, when I used surreptitiously to remove the unsmoked ends of my father’s cigars and break them up, and, in hiding, smoke them in an old clay pipe which I had presented to me by an ancient sea-captain of my acquaintance, I have been interested in tobacco in all forms, even including these self-same despised unsmoked ends; for they convey to my mind messages, sentiments, farces, comedies, and tragedies which to your minds would never become manifest through their agency.” The company drew closer together and formed themselves in a more compact mass about the speaker. It was evident that they were beginning to feel an unusual interest in this extraordinary person, who had come among them unheralded and unknown.",
"HOUSEBOAT BY JOHN KENDRICK BANG THIS LIBERVOX RECORDING IS IN THE PUBLIC DOMAIN CHAPTER TWO THE STRANGER UNRAVELS A MYSTERY AND REVEALS HIMSELF I HAVE MADE A HOBBY OF THE STUDY OF CIGAR ENDS SAID THE STRANGER AS THE ASSOCIATED SHADE SETTLED BACK TO HEAR HIS ACCOUNT OF HIMSELF FROM MY EARLIEST YOUTH WHEN I USED SURREPTITIOUSLY TO REMOVE THE UNSMOKED ENDS OF MY FATHER'S CIGARS AND BREAK THEM UP AND IN HIDING SMOKE THEM IN AN OLD CLAY PIPE WHICH I HAD PRESENTED TO ME BY AN ANCIENT SEA CAPTAIN OF MY ACQUAINTANCE I HAVE BEEN INTERESTED IN TOBACCO IN ALL FORMS EVEN INCLUDING THESE SELF SAME DESPISED UNSMOKED ENDS FOR THEY CONVEY TO MY MIND MESSAGES SENTIMENTS FARCES COMEDIES AND TRAGEDIES WHICH TO YOUR MINDS WOULD NEVER BECOME MANIFEST THROUGH THEIR AGENCY THE COMPANY DREW CLOSER TOGETHER AND FORMED THEMSELVES IN A MORE COMPACT MASS ABOUT THE SPEAKER IT WAS EVIDENT THAT THEY WERE BEGINNING TO FEEL AN UNUSUAL INTEREST IN THIS EXTRAORDINARY PERSON WHO HAD COME AMONG THEM UNHERALDED AND UNKNOWN"
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"; it is fact. That cigar end was thrown aside here on the wharf by Captain Kidd just before he stepped on board the House-boat.” “How do you know that?” demanded Raleigh. “And granting the truth of the assertion, what does it prove?” “I will tell you,” said the stranger. And he at once proceeded as follows. II THE STRANGER UNRAVELS A MYSTERY AND REVEALS HIMSELF “I HAVE made a hobby of the study of cigar ends,” said the stranger, as the Associated Shades settled back to hear his account of himself. “From my earliest youth, when I used surreptitiously to remove the unsmoked ends of my father’s cigars and break them up, and, in hiding, smoke them in an old clay pipe which I had presented to me by an ancient sea-captain of my acquaintance, I have been interested in tobacco in all forms, even including these self-same despised unsmoked ends; for they convey to my mind messages, sentiments, farces, comedies, and tragedies which to your minds would never become manifest through their agency.”",
" CHAPTER TWO OF THE PURSUIT OF THE HOUSEBOAT BY JOHN KENDRICK BANG THIS LIBERVOX RECORDING IS IN THE PUBLIC DOMAIN CHAPTER TWO THE STRANGER UNRAVELS A MYSTERY AND REVEALS HIMSELF I HAVE MADE A HOBBY OF THE STUDY OF CIGAR ENDS SAID THE STRANGER AS THE ASSOCIATED SHADE SETTLED BACK TO HEAR HIS ACCOUNT OF HIMSELF FROM MY EARLIEST YOUTH WHEN I USED SURREPTITIOUSLY TO REMOVE THE UNSMOKED ENDS OF MY FATHER'S CIGARS AND BREAK THEM UP AND IN HIDING SMOKE THEM IN AN OLD CLAY PIPE WHICH I HAD PRESENTED TO ME BY AN ANCIENT SEA CAPTAIN OF MY ACQUAINTANCE I HAVE BEEN INTERESTED IN TOBACCO IN ALL FORMS EVEN INCLUDING THESE SELF SAME DESPISED UNSMOKED ENDS FOR THEY CONVEY TO MY MIND MESSAGES SENTIMENTS FARCES COMEDIES AND TRAGEDIES WHICH TO YOUR MINDS WOULD NEVER BECOME MANIFEST THROUGH THEIR AGENCY"
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"It is not likely that there was another man in the pirate's crew with teeth exactly like the commander's, therefore I say there can be no doubt that the cigar end was that of the Captain himself.\"",
"IT IS NOT LIKELY THAT THERE WAS ANOTHER MAN IN THE PIRATE'S CREW WITH TEETH EXACTLY LIKE THE COMMANDER'S THEREFORE I SAY THERE CAN BE NO DOUBT THAT THE CIGAR END WAS THAT OF THE CAPTAIN HIMSELF"
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" the whole story of the intentions of Captain Kidd at the moment when, in utter disregard of your rights, he stepped aboard your House-boat, and, in his usual piratical fashion, made off with it into unknown seas.” “But how do you know he smoked it?” asked Solomon, who deemed it the part of wisdom to be suspicious of the stranger. “There are two curious indentations in it which prove that. The marks of two teeth, with a hiatus between, which you will see if you look closely,” said the stranger, handing the small bit of tobacco to Sir Walter, “make that point evident beyond peradventure. The Captain lost an eye-tooth in one of his later raids; it was knocked out by a marine-spike which had been hurled at him by one of the crew of the treasure-ship he and his followers had attacked. The adjacent teeth were broken, but not removed. The cigar end bears the marks of those two jagged molars, with the hiatus, which, as I have indicated, is due to the destruction of the eye-tooth between them.",
" UPON THE WHARF IT TELLS ME THE WHOLE STORY OF THE INTENTIONS OF CAPTAIN KIDD AT THE MOMENT WHEN IN UTTER DISREGARD OF YOUR RIGHTS HE STEPPED ABOARD YOUR HOUSE BOAT AND IN HIS USUAL PIRATICAL FASHION MADE OFF WITH IT INTO UNKNOWN SEAS BUT HOW DO YOU KNOW HE SMOKED IT ASKED SOLOMON WHO DEEMED IT THE PART OF WISDOM TO BE SUSPICIOUS OF THE STRANGER THERE ARE TWO CURIOUS INDENTATIONS IN IT WHICH PROVE THAT THE MARKS OF TWO TEETH WITH THE HIATUS BETWEEN WHICH YOU WILL SEE IF YOU LOOK CLOSELY SAID THE STRANGER HANDING THE SMALL BIT OF TOBACCO TO SIR WALTER MAKE THAT POINT EVIDENT BEYOND PERADVENTURE THE CAPTAIN LOST AN EYE TOOTH IN ONE OF HIS LATER RAYS IT WAS KNOCKED OUT BY A MARLINE SPIKE WHICH HAD BEEN HURLED AT HIM BY ONE OF THE CREW OF THE TREASURE SHIP HE AND HIS FOLLOWERS HAD ATTACKED THE ADJACENT TEETH WERE BROKEN BUT NOT REMOVED THE CIGAR END BEARS THE MARKS OF THOSE TWO JAGGED MOULDERS WITH THE HIADES WHICH AS I HAVE INDICATED IS DUE TO THE DESTRUCTION OF THE EYE TOOTH BETWEEN THEM"
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"\"My visitor laughed, and repeated what he had said about my being a wonderful man. \"'And the dents which my son made cutting his teeth?' he added. \"'Invariably go with an American's watch. Rubber or ivory rings aren't good enough for American babies to chew on,' said I. 'They must have gold watches or nothing.",
"MY VISITOR LAUGHED AND REPEATED WHAT HE HAD SAID ABOUT MY BEING A WONDERFUL MAN AND THE DENTS WHICH MY SON MADE CUTTING HIS TEETH HE ADDED INVARIABLY GO WITH AN AMERICAN'S WATCH RUBBER IVORY RINGS AREN'T GOOD ENOUGH FOR AMERICAN BABIES TO CHEW ON SAID I THEY MUST HAVE GOLD WATCHES OR NOTHING"
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"man, sir. How did you know that I had lost my watch?’ “For a moment I was nonplussed; more than that, I was completely staggered. I had expected him to say at once that he had not lost his watch, but had come to see me about the tiara; and to have him take my words seriously was entirely unexpected and overwhelmingly surprising. However, in view of his rank, I deemed it well to fall in with his humour. ‘Oh, as for that,’ I replied, ‘that is a part of my business. It is the detective’s place to know everything; and generally, if he reveals the machinery by means of which he reaches his conclusions, he is a fool, since his method is his secret, and his secret his stock-in-trade. I do not mind telling you, however, that I knew your watch was stolen by your anxious glance at my clock, which showed that you wished to know the time. Now most rich Americans have watches for that purpose, and have no hesitation about showing them. If you’d had a watch, you’d have looked at it, not at my clock.",
"ETLY REMARKED YOU ARE A WONDERFUL MAN SIR HOW DID YOU KNOW THAT I HAD LOST MY WATCH FOR A MOMENT I WAS NONPLUSSED MORE THAN THAT I WAS COMPLETELY STAGGERED I HAD EXPECTED HIM TO SAY AT ONCE THAT HE HAD NOT LOST HIS WATCH BUT HAD COME TO SEE ME ABOUT THE TIARA AND TO HAVE HIM TAKE MY WORD SERIOUSLY WAS ENTIRELY UNEXPECTED AND OVERWHELMINGLY SURPRISING HOWEVER IN VIEW OF HIS RANK I DEEMED IT WELL TO FALL IN WITH HIS HUMOUR OH AS FOR THAT I REPLIED THAT IS A PART OF MY BUSINESS IT IS THE DETECTIVE'S PLACE TO KNOW EVERYTHING AND GENERALLY IF HE REVEALS THE MACHINERY BY MEANS OF WHICH HE REACHES HIS CONCLUSIONS HE IS A FOOL SINCE HIS METHOD IS HIS SECRET AND HIS SECRET IS HIS STOCK IN TRADE I DO NOT MIND TELLING YOU HOWEVER THAT I KNEW YOUR WATCH WAS STOLEN BY YOUR ANXIOUS GLANCE AT MY CLOCK WHICH SHOWED THAT YOU WISHED TO KNOW THE TIME NOW MOST RICH AMERICANS HAVE WATCHES FOR THAT PURPOSE AND HAVE NO HESITATION ABOUT SHOWING THEM IF YOU'D HAD A WATCH YOU'D HAVE LOOKED AT IT NOT AT MY CLOCK"
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"\"'Why did you do that?' he stammered, as I turned the key in the lock. \"'To keep my Scotch whiskey from evaporating,' I said, dryly. 'Now, my lord,' I added, 'it will pay your Grace to let me have your hat. I know who you are. You are the Duke of Brokedale. The Duchess of Brokedale has lost a valuable tiara of diamonds, and you have not lost your watch.",
"WHY DID YOU DO THAT HE STAMMERED AS I TURNED THE KEY IN THE LOCK TO KEEP MY SCOTCH WHISKEY FROM EVAPORATING I SAID DRILY NOW MY LORD I ADDED IT WILL PAY YOUR GRACE TO LET ME HAVE YOUR HAT I KNOW WHO YOU ARE YOU ARE THE DUKE OF BROKEDOW THE DUCHESS OF BROKEDOW HAS LOST A VALUABLE TIARA OF DIAMONDS AND YOU HAVE NOT LOST YOUR WATCH"
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"ible change in my visitor; his knees trembled, his face grew ghastly, and he clutched the brim of his beaver until it cracked. He then nervously removed it, and I noticed a dull red mark running about his forehead, just as there would be on the forehead of a man whose hat fitted too tightly; and that mark, gentlemen, had the undulating outline of nothing more nor less than a tiara, and on the apex of the uttermost extremity was a deep indentation about the size of a shilling, that could have been made only by some adamantine substance! The mystery was solved! The robber of the Duchess of Brokedale stood before me.” A suppressed murmur of excitement went through the assembled spirits, and even Messrs. Hawkshaw and Le Coq were silent in the presence of such genius. “My plan of action was immediately formulated. The man was completely at my mercy. He had stolen the tiara, and had it concealed in the lining of his hat. I rose and locked the door. My visitor sank with a groan into my chair.",
"ORD HAT BROUGHT ABOUT A TERRIBLE CHANGE IN MY VISITOR HIS KNEES TREMBLED HIS FACE GREW GHASTLY AND HE CLUTCHED THE BRIM OF HIS FEVER TILL IT CRACKED HE THEN NERVOUSLY REMOVED IT AND I NOTICED A DULL RED MARK RUNNING ABOUT HIS FOREHEAD JUST AS THERE WOULD BE ON THE FOREHEAD OF A MAN WHOSE HAT FITTED TOO TIGHTLY AND THAT MARK GENTLEMEN HAD THE UNDULATING OUTLINE OF NOTHING MORE NOR LESS THAN A TIARA AND ON THE APEX OF THE UTTERMOST EXTREMITY WAS A DEEP INDENTATION ABOUT THE SIZE OF A SHILLING THAT COULD HAVE BEEN MADE ONLY BY SOME ADAMANTINE SUBSTANCE THE MYSTERY WAS SOLVED THE ROBBER OF THE DUCHESS OF BROKEDALE STOOD BEFORE ME A SUPPRESSED MURMUR OF EXCITEMENT WENT THROUGH THE ASSEMBLED SPIRITS AND EVEN MESSRS HOCHSHAW AND LECOQ WERE SILENT IN THE PRESENCE OF SUCH GENIUS MY PLAN OF ACTION WAS IMMEDIATELY FORMULATED THE MAN WAS COMPLETELY AT MY MERCY HE HAD STOLEN THE TIARA AND HAD IT CONCEALED IN THE LINING OF HIS HAT I ROSE AND LOCKED THE DOOR MY VISITOR SANK WITH A GROAN INTO MY CHAIR"
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"The excitement attending this diversion having subsided, Solomon asked: \"What was the incident of the lost tiara?\"",
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"ally proven in the strange case of the Brokedale tiara, in which I figured somewhat conspicuously, but which have never made public, because it involves a secret affecting the integrity of one of the noblest families in the British Empire. I really believe that mystery was solved easily and at once because I happened to remember that the number of my watch was 86507B. How trivial and yet how important it was, to what then transpired, you will realize when I tell you the incident.” [Picture: Poor old Boswell was pushed overboard] The stranger’s manner was so impressive that there was a unanimous and simultaneous movement upon the part of all present to get up closer, so as the more readily to hear what he said, as a result of which poor old Boswell was pushed overboard, and fell, with a loud splash into the Styx. Fortunately, however, one of Charon’s pleasure-boats was close at hand, and in a short while the dripping, sputtering spirit was drawn into it, wrung out, and sent home to dry.",
"APPEAR TO BE THE TRUTH OF WHAT I SAY WAS VERY EFFECTUALLY PROVEN IN THE STRANGE CASE OF THE BROKEDALE TIARA IN I FIGURED SOMEWHAT CONSPICUOUSLY BUT WHICH HAVE NEVER MADE PUBLIC BECAUSE IT INVOLVES A SECRET AFFECTING THE INTEGRITY OF ONE OF THE NOBLEST FAMILIES IN THE BRITISH EMPIRE I REALLY BELIEVE THAT MYSTERY WAS SOLVED EASILY AND AT ONCE BECAUSE I HAPPENED TO REMEMBER THAT THE NUMBER OF MY WATCH WAS EIGHT SIX FIVE ZERO SEVEN B HOW TRIVIAL AND YET HOW IMPORTANT IT WAS TO WHAT THEN TRANSPIRED YOU WILL REALIZE WHEN I TELL YOU THE INCIDENT THE STRANGER'S MANNER WAS SO IMPRESSIVE THAT THERE WAS A UNANIMOUS AND SIMULTANEOUS MOVEMENT UPON THE PART OF ALL PRESENT TO GET UP CLOSER SO AS THE MORE READILY TO HEAR WHAT HE SAID AS A RESULT OF WHICH POOR OLD BOSWELL WAS PUSHED OVERBOARD AND FELL WITH A LOUD SPLASH INTO THE STICKS FORTUNATELY HOWEVER ONE OF CHARON'S PLEASURE BOATS WAS CLOSE AT HAND AND IN A SHORT WHILE THE DRIPPING SPUTTERING SPIRIT WAS DRAWN INTO IT WRUNG OUT AND SENT HOME TO DRY"
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"The Captain lost an eye tooth in one of his later raids; it was knocked out by a marine spike which had been hurled at him by one of the crew of the treasure ship he and his followers had attacked. The adjacent teeth were broken, but not removed.",
"THE CAPTAIN LOST AN EYE TOOTH IN ONE OF HIS LATER RAYS IT WAS KNOCKED OUT BY A MARLINE SPIKE WHICH HAD BEEN HURLED AT HIM BY ONE OF THE CREW OF THE TREASURE SHIP HE AND HIS FOLLOWERS HAD ATTACKED THE ADJACENT TEETH WERE BROKEN BUT NOT REMOVED"
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"person, who had come among them unheralded and unknown. Even Shylock stopped calculating percentages for an instant to listen. “Do you mean to tell us,” demanded Shakespeare, “that the unsmoked stub of a cigar will suggest the story of him who smoked it to your mind?” “I do,” replied the stranger, with a confident smile. “Take this one, for instance, that I have picked up here upon the wharf; it tells me the whole story of the intentions of Captain Kidd at the moment when, in utter disregard of your rights, he stepped aboard your House-boat, and, in his usual piratical fashion, made off with it into unknown seas.” “But how do you know he smoked it?” asked Solomon, who deemed it the part of wisdom to be suspicious of the stranger. “There are two curious indentations in it which prove that. The marks of two teeth, with a hiatus between, which you will see if you look closely,” said the stranger, handing the small bit of tobacco to Sir Walter, “make that point evident beyond peradventure.",
"UNUSUAL INTEREST IN THIS EXTRAORDINARY PERSON WHO HAD COME AMONG THEM UNHERALDED AND UNKNOWN EVEN SHYLOCK STOPPED CALCULATING PERCENTAGES FOR AN INSTANT TO LISTEN DO YOU MEAN TO TELL US DEMANDED SHAKESPEARE THAT THE UNSMOKED STUB OF A CIGAR WILL SUGGEST THE STORY OF HIM WHO SMOKED IT TO YOUR MIND I DO REPLIED THE STRANGER WITH A CONFIDENT SMILE TAKE THIS ONE FOR INSTANCE THAT I HAVE PICKED UP HERE UPON THE WHARF IT TELLS ME THE WHOLE STORY OF THE INTENTIONS OF CAPTAIN KIDD AT THE MOMENT WHEN IN UTTER DISREGARD OF YOUR RIGHTS HE STEPPED ABOARD YOUR HOUSE BOAT AND IN HIS USUAL PIRATICAL FASHION MADE OFF WITH IT INTO UNKNOWN SEAS BUT HOW DO YOU KNOW HE SMOKED IT ASKED SOLOMON WHO DEEMED IT THE PART OF WISDOM TO BE SUSPICIOUS OF THE STRANGER THERE ARE TWO CURIOUS INDENTATIONS IN IT WHICH PROVE THAT THE MARKS OF TWO TEETH WITH THE HIATUS BETWEEN WHICH YOU WILL SEE IF YOU LOOK CLOSELY SAID THE STRANGER HANDING THE SMALL BIT OF TOBACCO TO SIR WALTER MAKE THAT POINT EVIDENT BEYOND PERADVENTURE"
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