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"''As yer rheumatism been troublin' yer litely?' asked Mrs. Stanley. 'Oh, cruel. Liza rubs me with embrocation every night, but it torments me cruel.' Mrs. Kemp then went into the house, and Liza remained talking to Mrs. Stanley, she, too, had to go in, and Liza was left alone.",
"HAS YOUR RHEUMATISM BEEN TROUBLING YOU LATELY ASKED MISSUS STANLEY OH CRUEL NISA RUBS ME WITH EMBRECATION EVERY NIGHT BUT IT TORMENTS ME CRUEL MISSUS KEMP THEN WENT INTO THE HOUSE AND LIZA REMAINED TO TALK TO MISSUS STANLEY SHE TOO HAD TO GO IN AND LIZA WAS LEFT ALONE"
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"or 'ead?' asked Liza's mother, with sympathy. 'Oh, it's been achin' cruel. I've hardly known wot ter do with myself.' 'I'm sure 'e ought ter be ashimed of 'imself for treatin' yer like thet.' 'Oh, it wasn't 'is blows I minded so much, Mrs. Kemp,' replied Mrs. Stanley, 'an' don't you think it. It was wot 'e said ter me. I can stand a blow as well as any woman. I don't mind thet, an' when 'e don't tike a mean advantage of me I can stand up for myself an' give as good as I tike; an' many's the time I give my fust husband a black eye. But the language 'e used, an' the things 'e called me! It made me blush to the roots of my 'air; I'm not used ter bein' spoken ter like thet. I was in good circumstances when my fust 'usband was alive, 'e earned between two an' three pound a week, 'e did. As I said to 'im this mornin', \"'Ow a gentleman can use sich language, I dunno.\"' ''Usbands is cautions, 'owever good they are,' said Mrs. Kemp, aphoristically. 'But I mustn't stay aht 'ere in the night air.",
"KEMP REPLIED THAT LADY WITH EQUAL COURTESY NOW IS YOUR POOR ED ASKED LIZA'S MOTHER WITH SYMPATHY OH IT'S BEEN ACHE AND CRUEL I'VE HARDLY KNOWN WHAT TO DO WITH MYSELF I'M SURE WE OUGHT TO BE ASHAMED OF HIMSELF FOR TREATING YOU LIKE THAT OH IT WASN'T BLOWS I MINDED SO MUCH MISSUS KEMP REPLIED MISSUS STANLEY AND ONLY THINK IT IT WAS WHAT HE SAID TO ME I CAN STAND A BLOW AS WELL AS ANY WOMAN I DON'T MIND THAT AND WHEN HE DON'T TAKE A MEAN ADVANTAGE OF ME I CAN STAND UP FOR MYSELF AND GIVE AS GOOD AS I TAKE AND MANY'S A TIME I GAVE MY FIRST HUSBAND A BLACK EYE BUT THE LANGUAGE HE USED AND THE THINGS HE CALLED ME IT MADE ME BLUSH TO THE ROOTS OF MY HAIR I'M NOT USED TO BEIN SPOKEN TO LIKE THAT I WAS IN GOOD CIRCUMSTANCES WHEN MY FIRST HUSBAND WAS ALIVE HE EARNED BETWEEN TWO AND THREE POUNDS A WEEK HE DID AS I SAID TO HIM THIS MORNING HOW A GENTLEMAN CAN USE SUCH LANGUAGE I DUNNO HUSBANDS IS CAUTIONS HOWEVER GOOD THEY ARE SAID MISSUS KEMP APHORISTICALLY BUT I MUSTN'T STAY OUT IN THE NIGHT AIR"
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"'I know Tom 'ud 'ave come,' she said to herself, rather sulkily. 'Liza! Liza!' she heard her mother's voice calling her. 'Arright, I'm comin',' said Liza. 'I've been witin' for you this last 'alf hour ter rub me.' 'Why didn't yer call?' asked Liza. 'I did call. I've been callin' this last I dunno 'ow long; it's give me quite a sore throat.' 'I never 'eard yer.' 'Na, yer didn't want ter 'ear me, did yer? Yer don't mind if I dies with rheumatics, do yer? I know.'",
"I KNOW TOM WOULD HAVE COME SHE SAID TO HERSELF RATHER SULKILY LISA LIZA SHE HEARD HER MOTHER'S VOICE CALLING HER ALL RIGHT I'M COMING SAID LIZA I'VE BEEN WAITING FOR YOU THIS LAST HALF HOUR TO RUB ME WHY DIDN'T YOU CALL ASKED LIZA I DID CALL I'VE BEEN CALLING THIS LAST I DUNNO HOW LONG IT GIVES ME QUITE A SORE THROAT I NEVER HEARD YOU NOW YOU DIDN'T WANT TO HEAR ME DID YOU YOU DON'T MIND IF I DIES WITH RHEUMATICS DO YOU I KNOW"
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"emselves, and insensibly her mind was filled with a burly form, and she was again thinking of Jim. ''E is a good sort ter want ter tike me ter the ply,' she said to herself. 'Tom never arst me!' Jim had said he would come out in the evening; he ought to be here soon, she thought. Of course she wasn't going to the theatre with him, but she didn't mind talking to him; she rather enjoyed being asked to do a thing and refusing, and she would have liked another opportunity of doing so. But he didn't come and he had said he would! 'I say, Bill,' she said at last to one of the boys who was fielding close beside her, 'that there Blakeston--d'you know 'im?' 'Yes, rather; why, he works at the sime plice as me.' 'Wot's 'e do with 'isself in the evening; I never see 'im abaht?' 'I dunno. I see 'im this evenin' go into the \"Red Lion\". I suppose 'e's there, but I dunno.' Then he wasn't coming. Of course she had told him she was going to stay indoors, but he might have come all the same--just to see.",
"HEM FOR SOME TIME BUT HER THOUGHTS GRADUALLY LOST THEMSELVES AND INSENSIBLY HER MIND WAS FILLED WITH A BURLY FORM AND SHE WAS AGAIN THINKING OF JIM HE'S A GOOD SORT TO WANT TO TAKE ME TO THE PLAY SHE SAID TO HERSELF TOM NEVER ASKED ME JIM HAD SAID HE WOULD COME OUT IN THE EVENING HE OUGHT TO BE HERE SOON SHE THOUGHT OF COURSE SHE WASN'T GOING TO THE THEATRE WITH HIM BUT SHE DIDN'T MIND TALKING TO HIM SHE RATHER ENJOYED BEING ASKED TO DO A THING AND REFUSING AND SHE WOULD HAVE LIKED ANOTHER OPPORTUNITY OF DOING SO HE DIDN'T COME AND HE HAD SAID HE WOULD I SAY BILL SHE SAID AT LAST TO ONE OF THE BOYS WHO WAS FIELDING CLOSE BESIDE HER OUT THERE BLAKESTON DID YOU KNOW HIM YES RATHER WHY HE WORKS AT THE SAME PLACE AS ME WHAT'S HE DO WITH HIMSELF IN THE EVENING I NEVER SEE HIM ABOUT I DUNNO I SEE HIM THIS EVENING GOING TO THE RED LION I SUPPOSE HE'S THERE BUT I DUNNO THEN HE WASN'T COMING OF COURSE SHE HAD TOLD HIM SHE WAS GOING TO STAY INDOORS BUT HE MIGHT HAVE COME ALL THE SAME JUST TO SEE"
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"'To tell yer the truth, I 'ad a few words with my old man. But one doesn't like them things to get abaht; yer won't tell anyone, will yer?' 'Not me!' answered Liza. 'I didn't know yer husband was like thet.' 'Oh, 'e's as gentle as a lamb when 'e's sober,' said Mrs. Stanley, apologetically.",
"TO TELL YOU THE TRUTH I HAD A FEW WORDS WITH MY OLD MAN BUT ONE DOESN'T LIKE THEM THINGS TO GET ABOUT WON'T IT TELL ANYONE WILL YOU NOT ME ANSWERED LIZA I DIDN'T KNOW YOUR HUSBAND WAS NOT THERE OH HE'S GENTLE AS A LAMB WHEN HE'S SOBER SAID MISSUS STANLEY APOLOGETICALLY"
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" night, an' I shall go to the theatre, any'ow. An' if you'll come, you just come to the door at 'alf-past six, an' you'll find me there. See?' 'Na, I don't,' said Liza, firmly. 'Well, I shall expect yer.' 'I shan't come, so you needn't expect.' And with that she walked into the house and slammed the door behind her. Her mother had not come in from her day's charing, and Liza set about getting her tea. She thought it would be rather lonely eating it alone, so pouring out a cup of tea and putting a little condensed milk into it, she cut a huge piece of bread-and-butter, and sat herself down outside on the doorstep. Another woman came downstairs, and seeing Liza, sat down by her side and began to talk. 'Why, Mrs. Stanley, wot 'ave yer done to your 'ead?' asked Liza, noticing a bandage round her forehead. 'I 'ad an accident last night,' answered the woman, blushing uneasily. 'Oh, I am sorry! Wot did yer do to yerself?' 'I fell against the coal-scuttle and cut my 'ead open.' 'Well, I never!",
" WELL THEN LOOK HERE LIZA NEXT SATURDA NIGHT'S THE LAST NIGHT AND I SHALL GO TO THE THEATRE ANYHOW AND IF YOU COME YOU JUST COME TO THE DOOR HALF PAST SIX AND YOU'LL FIND ME THERE SEE NO I DON'T SAID ELIZA FIRMLY WELL I SHALL EXPECT YOU I SHAN'T COME SO YOU NEEDN'T EXPECT AND WITH THAT SHE WALKED INTO THE HOUSE AND SLAMMED THE DOOR BEHIND HER HER MOTHER HAD NOT COME IN FROM HER DAY'S CHARRING AND LIZA SET ABOUT GETTING HER TEA SHE THOUGHT IT WOULD BE RATHER LONELY EATING IT ALONE SO POURING OUT A CUP OF TEA AND PUTTING A LITTLE CONDENSED MILK INTO IT SHE CUT A HUGE PIECE OF BREAD AND BUTTER AND SAT HERSELF DOWN OUTSIDE ON THE DOORSTEP ANOTHER WOMAN CAME DOWNSTAIRS AND SEEING LIZA SAT DOWN BY HER SIDE AND BEGAN TO TALK WHY MISSUS STANLEY WHAT HAVE YOU DONE TO YOUR EAD ASKED LIZA NOTICING A BANDAGE ROUND HER FOREHEAD I HAD AN ACCIDENT LAST NIGHT ANSWERED THE WOMAN BLUSHING UNEASILY OH I AM SORRY WHAT DID YOU DO TO YOURSELF I FELL AGAINST THE COAL SCUTTLE AND CUT MY HEAD OPEN WELL I NEVER"
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"'Arright, Liza, don't get shirty over it; I don't mean no offence.' 'What d'yer say it for then?' 'Well, I thought as seeing as yer'd gone aht with 'im yesterday thet yer meant ter after all.'",
"ALL RIGHT LIZA DON'T GET SHIRTY OVER IT I DON'T MEAN NO OFFENCE WHAT'D YOU SAY IT FOR THEN WELL I THOUGHT WAS SEEING AS YOU'D GONE OUT WITH HIM YESTERDAY THAT YOU MEANT TO AFTER ALL"
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" like themselves to get in before it was too late. All the morning Liza worked in a dead-and-alive sort of fashion, her head like a piece of lead with electric shocks going through it when she moved, and her tongue and mouth hot and dry. At last lunch-time came. 'Come on, Sal,' said Liza, 'I'm goin' to 'ave a glass o' bitter. I can't stand this no longer.' So they entered the public-house opposite, and in one draught finished their pots. Liza gave a long sigh of relief. 'That bucks you up, don't it?' 'I was dry! I ain't told yer yet, Liza, 'ave I? 'E got it aht last night.' 'Who d'yer mean?' 'Why, 'Arry. 'E spit it aht at last.' 'Arst yer ter nime the day?' said Liza, smiling. 'Thet's it.' 'And did yer?' 'Didn't I jest!' answered Sally, with some emphasis. 'I always told yer I'd git off before you.' 'Yus!' said Liza, thinking. 'Yer know, Liza, you'd better tike Tom; 'e ain't a bad sort.' She was quite patronizing. 'I'm goin' ter tike 'oo I like; an' it ain't nobody's business but mine.",
"EET AT THE END OF WHICH WAS THE FACTORY AND SAW HALF A HUNDRED WOMEN RUNNING LIKE THEMSELVES TO GET IN BEFORE IT WAS TOO LATE ALL THE MORNING LIZA WORKED IN A DEAD AND ALIVE SORT OF FASHION HER HEAD LIKE A PIECE OF LEAD WITH ELECTRIC SHOCKS GOING THROUGH IT WHEN SHE MOVED AND HER TONGUE AND MOUTH HOT AND DRY AT LAST LUNCH TIME CAME COME ON SAL SAID LIZA I'M GOING TO HAVE A GLASS OF BITTER I CAN'T STAND THIS NO LONGER SO THEY ENTERED THE PUBLIC HOUSE OPPOSITE AND IN ONE DRAUGHT FINISHED THEIR POTS LIZA GAVE A LONG SIGH OF RELIEF THAT BUCKS YOU UP DON'T IT I WAS DRY I AIN'T TOLD YOU YET LIZA HAVE I HE GOT HIGH LAST NIGHT WHAT D'YE MEAN WHY HARRY HE SPEARED OUT AT LAST ASKED YOU TO NAME THE DAY SAID LIZA SMILING THAT'S IT AND DID YOU DIDN'T I JUST ANSWERED SALLIE WITH SOME EMPHASIS I ALWAYS TOLD YOU I'D GET OFF BEFORE YOU YES SAID LIZA THINKING YOU KNOW LIZA YOU BARE TAKE TOM HE AIN'T A BAD SORT SHE WAS QUITE PATRONIZING I'M GOING TO TAKE YOU I LIKE AND IT AIN'T NOBODY'S BUSINESS BUT MINE"
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"'An' you ain't been married long neither?' said Liza. 'Na, not above eighteen months; ain't it disgriceful?",
"HAIN'T YOU BEEN MARRIED LONG NEITHER SAID LIZA NA NOT ABOVE EIGHTEEN MONTHS AIN'T IT DISGRACEFUL"
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" her tea. She thought it would be rather lonely eating it alone, so pouring out a cup of tea and putting a little condensed milk into it, she cut a huge piece of bread-and-butter, and sat herself down outside on the doorstep. Another woman came downstairs, and seeing Liza, sat down by her side and began to talk. 'Why, Mrs. Stanley, wot 'ave yer done to your 'ead?' asked Liza, noticing a bandage round her forehead. 'I 'ad an accident last night,' answered the woman, blushing uneasily. 'Oh, I am sorry! Wot did yer do to yerself?' 'I fell against the coal-scuttle and cut my 'ead open.' 'Well, I never!' 'To tell yer the truth, I 'ad a few words with my old man. But one doesn't like them things to get abaht; yer won't tell anyone, will yer?' 'Not me!' answered Liza. 'I didn't know yer husband was like thet.' 'Oh, 'e's as gentle as a lamb when 'e's sober,' said Mrs. Stanley, apologetically. 'But, Lor' bless yer, when 'e's 'ad a drop too much 'e's a demond, an' there's no two ways abaht it.' ",
"OME IN FROM HER DAY'S CHARRING AND LIZA SET ABOUT GETTING HER TEA SHE THOUGHT IT WOULD BE RATHER LONELY EATING IT ALONE SO POURING OUT A CUP OF TEA AND PUTTING A LITTLE CONDENSED MILK INTO IT SHE CUT A HUGE PIECE OF BREAD AND BUTTER AND SAT HERSELF DOWN OUTSIDE ON THE DOORSTEP ANOTHER WOMAN CAME DOWNSTAIRS AND SEEING LIZA SAT DOWN BY HER SIDE AND BEGAN TO TALK WHY MISSUS STANLEY WHAT HAVE YOU DONE TO YOUR EAD ASKED LIZA NOTICING A BANDAGE ROUND HER FOREHEAD I HAD AN ACCIDENT LAST NIGHT ANSWERED THE WOMAN BLUSHING UNEASILY OH I AM SORRY WHAT DID YOU DO TO YOURSELF I FELL AGAINST THE COAL SCUTTLE AND CUT MY HEAD OPEN WELL I NEVER TO TELL YOU THE TRUTH I HAD A FEW WORDS WITH MY OLD MAN BUT ONE DOESN'T LIKE THEM THINGS TO GET ABOUT WON'T IT TELL ANYONE WILL YOU NOT ME ANSWERED LIZA I DIDN'T KNOW YOUR HUSBAND WAS NOT THERE OH HE'S GENTLE AS A LAMB WHEN HE'S SOBER SAID MISSUS STANLEY APOLOGETICALLY BUT LORD BLESS YER WHEN HE'S HAD A JOB TOO MUCH HE'S A DEMON AND THERE'S NO TWO WAYS ABOUT IT "
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"Two tears escaped from the corners of her eyes and ran down her nose, but she felt very relieved and happy, and let him lead her where he would.",
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"at the neighbours shouldn't see her, went up a passage between some model lodging-house buildings, and in this roundabout way got into the Westminster Bridge Road, and soon found herself in front of the theatre. 'I've been witin' for yer this 'alf-hour.' She turned round and saw Jim standing just behind her. ''Oo are you talkin' to? I'm not goin' to the ply with you. Wot d'yer tike me for, eh?' ''Oo are yer goin' with, then?' 'I'm goin' alone.' 'Garn! don't be a bloomin' jackass!' Liza was feeling very injured. 'Thet's 'ow you treat me! I shall go 'ome. Why didn't you come aht the other night?' 'Yer told me not ter.' She snorted at the ridiculous ineptitude of the reply. 'Why didn't you say nothin' abaht it yesterday?' 'Why, I thought you'd come if I didn't talk on it.' 'Well, I think you're a ---- brute!' She felt very much inclined to cry. 'Come on, Liza, don't tike on; I didn't mean no offence.' And he put his arm round her waist and led her to take their places at the gallery door.",
"OWN OAK JUST TO SPY HIM SHE DRESSED HERSELF IN HER BEST AND SO THAT THE NEIGHBOURS SHOULDN'T SEE HER AND UP A PASSAGE BETWEEN SOME MODEL LODGING HOUSE BUILDINGS AND IN THIS ROUNDABOUT WAY GOT INTO THE WESTMINSTER BRIDGE ROAD AND SOON FOUND HERSELF IN FRONT OF THE THEATRE I'VE BEEN WAITING FOR YOU THIS HALF HOUR SHE TURNED ROUND AND SAW JIM STANDING JUST BEHIND HER WHO ARE YOU TALKING TO I'M NOT GOING TO PLAY WITH YOU WON'T YOU TAKE ME FOR EH WHO ARE YOU GOING WITH THEN I'M GOIN ALONE GONE THERE BE A BLOOMIN JACK ASS LIZA WAS FEELING VERY INJURED THAT'S HOW YOU TREAT ME I SHALL GO HOME WHY DIDN'T YOU COME OUT THE OTHER NIGHT YOU TOLD ME NOT TO SHE SNORTED AT THE RIDICULOUS INAPTITUDE OF THE REPLY WHY DIDN'T YOU SAY NOTHIN ABOUT IT YESTERDAY WHY I THOUGHT YOU'D COME IF I DIDN'T TALK ON IT WELL I THINK YOU'RE A BRUTE SHE FELT VERY MUCH INCLINED TO CRY COME ON LIZA DON'T TAKE ON I DIDN'T MEAN NO OFFENCE AND HE PUT HIS ARM ROUND HER WAIST AND LED HER TO TAKE THEIR PLACES AT THE GALLERY DOOR"
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"'Good night!' she said, abruptly, turning away from him. 'Well, I'm damned if 'e ain't forgotten!' she said to herself, sulkily, as she marched home. The following evening about six o'clock, it suddenly struck her that it was the last night of the 'New and Sensational Drama'.",
"GOOD NIGHT SHE SAID ABRUPTLY TURNING AWAY FROM HIM WELL I'M DAMNED IF HE AIN'T FORGOTTEN SHE SAID TO HERSELF SULKILY AS SHE MARCHED HOME THE FOLLOWING EVENING ABOUT SIX O'CLOCK IT SUDDENLY STRUCK HER THAT IT WAS THE LAST NIGHT OF THE NEW AND SENSATIONAL DRAMA"
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"een her, and as she walked by pretended not to have noticed him. To her disgust, he let her pass, and she was thinking he hadn't seen her after all, when she heard him call her name. 'Liza!' She turned round and started with surprise very well imitated. 'I didn't see you was there!' she said. 'Why did yer pretend not ter notice me, as yer went past--eh, Liza?' 'Why, I didn't see yer.' 'Garn! But you ain't shirty with me?' 'Wot 'ave I got to be shirty abaht?' He tried to take her hand, but she drew it away quickly. She was getting used to the movement. They went on talking, but Jim did not mention the theatre; Liza was surprised, and wondered whether he had forgotten. 'Er--Sally went to the ply last night,' she said, at last. 'Oh!' he said, and that was all. She got impatient. 'Well, I'm off!' she said. 'Na, don't go yet; I want ter talk ter yer,' he replied. 'Wot abaht? anythin' in partickler?' She would drag it out of him if she possibly could. 'Not thet I knows on,' he said, smiling.",
" WITH HIS BACK AGAINST THE WALL OF HIS HOUSE SMOKING LIZA KNEW HE HAD SEEN HER AND AS SHE WALKED BY PRETENDED NOT TO HAVE NOTICED HIM TO HER DISGUST HE LET HER PASS AND SHE WAS THINKING HE HADN'T SEEN HER AFTER ALL WHEN SHE HEARD HIM CALL HER NAME LAZA SHE TURNED ROUND AND STARTED WITH SURPRISE VERY WELL IMITATED I DIDN'T SEE HE WAS THERE SHE SAID WHY DID YOU PRETEND NOT TO NOTICE ME AS YOU WENT PAST EH LIZA WHY I DIDN'T SEE YOU GONE BUT YOU AIN'T SHIRTRE WITH ME WHAT HAVE I GOT TO BE SURE ABOUT HE TRIED TO TAKE HER HAND BUT SHE DREW IT AWAY QUICKLY SHE WAS GETTING USED TO THE MOVEMENT THEY WENT ON TALKING BUT JIM DID NOT MENTION THE THEATRE ELIZA WAS SURPRISED AND WONDERED WHETHER HE HAD FORGOTTEN EH SALLY WENT TO THE PLAY LAST NIGHT SHE SAID AT LAST OH HE SAID AND THAT WAS ALL SHE GOT IMPATIENT WELL I'M OFF SHE SAID NOW DON'T GO YET I WANT TO TALK TO YOU HE REPLIED WHAT ABOUT ANYTHING IN PARTICULAR SHE WOULD DRAG IT OUT OF HIM IF SHE POSSIBLY COULD NOT THAT I KNOWS ON HE SAID SMILING"
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"At the pub door she drew back. 'I say, guv'ner,' she said, 'there'll be some of the coves from dahn our street, and they'll see us.'",
"AT THE PUB DOOR SHE DREW BACK I SAY GOV'NOR SHE SAID THERE'LL BE SOME OF THE COVES FROM DOWN OUR STREET AND THEY'LL SEE US"
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"s_ were short and the curtain was soon up again, and the comic man raised customary laughter by undressing and exposing his nether garments to the public view; then more tragedy, and the final act with its darkened room, its casting lots, and its explosion. When it was all over and they had got outside Jim smacked his lips and said: 'I could do with a gargle; let's go onto thet pub there.' 'I'm as dry as bone,' said Liza; and so they went. When they got in they discovered they were hungry, and seeing some appetising sausage-rolls, ate of them, and washed them down with a couple of pots of beer; then Jim lit his pipe and they strolled off. They had got quite near the Westminster Bridge Road when Jim suggested that they should go and have one more drink before closing time. 'I shall be tight,' said Liza. 'Thet don't matter,' answered Jim, laughing. 'You ain't got ter go ter work in the mornin' an' you can sleep it aht.' 'Arright, I don't mind if I do then, in for a penny, in for a pound.",
" HAD DONE AND LIKE SALLIE SHE FOUND IT JAM THE ENTRETE WAS SHORT AND THE CURTAIN WAS SOON UP AND THE COMIC MAN RAISED CUSTOMARY LAUGHTER BY UNDRESSING AND EXPOSING HIS NETHER GARMENTS TO THE PUBLIC VIEW THEN MORE TRAGEDY AND THE FINAL ACT WITH ITS DARKENED ROOM ITS CASTING LOTS AND ITS EXPLOSION WHEN IT WAS ALL OVER AND THEY HAD GOT OUTSIDE JIM SMACKED HIS LIPS AND SAID I COULD DO WITH A GARGLE LET'S GO INTO THAT PUB THERE I'M AS DRY AS A BONE SAID LIZA AND SO THEY WENT WHEN THEY GOT IN THEY DISCOVERED THEY WERE HUNGRY AND SEEING SOME APPETIZING SAUSAGE ROLLS ATE OF THEM AND WASHED THEM DOWN WITH A COUPLE OF POTS OF BEER THEN JIM LIT HIS PIPE AND THEY STROLLED OFF THEY HAD GOT QUITE NEAR THE WESTMINSTER BRIDGE ROAD WHEN JIM SUGGESTED THEY SHOULD GO AND HAVE ONE MORE DRINK BEFORE CLOSING TIME I SHALL BE TIGHT SAID LIZA THAT DON'T MATTER ANSWERED JIM LAUGHING YOU AIN'T GOT TO GO TO WORK IN THE MORNING AND YOU CAN SLEEP AIR ALL RIGHT I DON'T MIND IF I DO THEN IN FOR A PENNY IN FOR A POUND"
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"''Oo are yer goin' with, then?' 'I'm goin' alone.' 'Garn! don't be a bloomin' jackass!' Liza was feeling very injured. 'Thet's 'ow you treat me! I shall go 'ome.",
"WHO ARE YOU GOING WITH THEN I'M GOIN ALONE GONE THERE BE A BLOOMIN JACK ASS LIZA WAS FEELING VERY INJURED THAT'S HOW YOU TREAT ME I SHALL GO HOME"
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" Blakeston,' she said to herself; 'fancy treatin' me like thet! You wouldn't catch Tom doin' sich a thing. Bli'me if I speak to 'im again, the ----. Now I shan't see it at all. I've a good mind ter go on my own 'ook. Fancy 'is forgettin' all abaht it, like thet!' She was really quite indignant; though, as she had distinctly refused Jim's offer, it was rather hard to see why. ''E said 'e'd wite for me ahtside the doors; I wonder if 'e's there. I'll go an' see if 'e is, see if I don't--an' then if 'e's there, I'll go in on my own 'ook, jist ter spite 'im!' She dressed herself in her best, and, so that the neighbours shouldn't see her, went up a passage between some model lodging-house buildings, and in this roundabout way got into the Westminster Bridge Road, and soon found herself in front of the theatre. 'I've been witin' for yer this 'alf-hour.' She turned round and saw Jim standing just behind her. ''Oo are you talkin' to? I'm not goin' to the ply with you. Wot d'yer tike me for, eh?",
"E LAST NIGHT OF THE NEW AND SENSATIONAL DRAMA I DO LIKE THAT JIM BLAKSTON SHE SAID TO HERSELF FANCY TREATING ME LIKE THAT YOU WOULDN'T CATCH TOM DOING SUCH A THING BLIME I'LL SPEAK TO HIM AGAIN THE NOW I SHAN'T SEE IT AT ALL I'VE A GOOD MIND TO GO ON MY OWN HOOK FANCIES FORGET ALL ABOUT IT LIKE THAT SHE WAS REALLY QUITE INDIGNANT THOUGH AS SHE HAD DISTINCTLY REFUSED JIM'S OFFER IT WAS RATHER HARD TO SEE WHY HE SAID HE'D WAIT FOR ME OUTSIDE THE DOORS WONDER IF HE'S THERE I'LL GO AND SEE IF HE IS SEE IF I DON'T AND THEN IF HE'S THERE I'LL GO IN ON MY OWN OAK JUST TO SPY HIM SHE DRESSED HERSELF IN HER BEST AND SO THAT THE NEIGHBOURS SHOULDN'T SEE HER AND UP A PASSAGE BETWEEN SOME MODEL LODGING HOUSE BUILDINGS AND IN THIS ROUNDABOUT WAY GOT INTO THE WESTMINSTER BRIDGE ROAD AND SOON FOUND HERSELF IN FRONT OF THE THEATRE I'VE BEEN WAITING FOR YOU THIS HALF HOUR SHE TURNED ROUND AND SAW JIM STANDING JUST BEHIND HER WHO ARE YOU TALKING TO I'M NOT GOING TO PLAY WITH YOU WON'T YOU TAKE ME FOR EH"
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"'I've been witin' for yer this 'alf hour.' She turned round and saw Jim standing just behind her. ''Oo are you talkin' to? I'm not goin' to the ply with you. Wot d'yer tike me for, eh?' ''Oo are yer goin' with, then?' 'I'm goin' alone.' 'Garn! don't be a bloomin' jackass!'",
"I'VE BEEN WAITING FOR YOU THIS HALF HOUR SHE TURNED ROUND AND SAW JIM STANDING JUST BEHIND HER WHO ARE YOU TALKING TO I'M NOT GOING TO PLAY WITH YOU WON'T YOU TAKE ME FOR EH WHO ARE YOU GOING WITH THEN I'M GOIN ALONE GONE THERE BE A BLOOMIN JACK ASS"
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"herself, sulkily, as she marched home. The following evening about six o'clock, it suddenly struck her that it was the last night of the 'New and Sensational Drama'. 'I do like thet Jim Blakeston,' she said to herself; 'fancy treatin' me like thet! You wouldn't catch Tom doin' sich a thing. Bli'me if I speak to 'im again, the ----. Now I shan't see it at all. I've a good mind ter go on my own 'ook. Fancy 'is forgettin' all abaht it, like thet!' She was really quite indignant; though, as she had distinctly refused Jim's offer, it was rather hard to see why. ''E said 'e'd wite for me ahtside the doors; I wonder if 'e's there. I'll go an' see if 'e is, see if I don't--an' then if 'e's there, I'll go in on my own 'ook, jist ter spite 'im!' She dressed herself in her best, and, so that the neighbours shouldn't see her, went up a passage between some model lodging-house buildings, and in this roundabout way got into the Westminster Bridge Road, and soon found herself in front of the theatre.",
"Y FROM HIM WELL I'M DAMNED IF HE AIN'T FORGOTTEN SHE SAID TO HERSELF SULKILY AS SHE MARCHED HOME THE FOLLOWING EVENING ABOUT SIX O'CLOCK IT SUDDENLY STRUCK HER THAT IT WAS THE LAST NIGHT OF THE NEW AND SENSATIONAL DRAMA I DO LIKE THAT JIM BLAKSTON SHE SAID TO HERSELF FANCY TREATING ME LIKE THAT YOU WOULDN'T CATCH TOM DOING SUCH A THING BLIME I'LL SPEAK TO HIM AGAIN THE NOW I SHAN'T SEE IT AT ALL I'VE A GOOD MIND TO GO ON MY OWN HOOK FANCIES FORGET ALL ABOUT IT LIKE THAT SHE WAS REALLY QUITE INDIGNANT THOUGH AS SHE HAD DISTINCTLY REFUSED JIM'S OFFER IT WAS RATHER HARD TO SEE WHY HE SAID HE'D WAIT FOR ME OUTSIDE THE DOORS WONDER IF HE'S THERE I'LL GO AND SEE IF HE IS SEE IF I DON'T AND THEN IF HE'S THERE I'LL GO IN ON MY OWN OAK JUST TO SPY HIM SHE DRESSED HERSELF IN HER BEST AND SO THAT THE NEIGHBOURS SHOULDN'T SEE HER AND UP A PASSAGE BETWEEN SOME MODEL LODGING HOUSE BUILDINGS AND IN THIS ROUNDABOUT WAY GOT INTO THE WESTMINSTER BRIDGE ROAD AND SOON FOUND HERSELF IN FRONT OF THE THEATRE"
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"Liza's heart beat rapidly and she turned red; but suddenly a sense of shame came over her, and casting down her head so that she might not see him, she said: 'I think I'll be off 'ome an' see 'ow mother's gettin' on.' And before Polly could say anything she had slipped away and entered her own house.",
"LIZA'S HEART BEAT RAPIDLY AND SHE TURNED RED BUT SUDDENLY A SENSE OF SHAME CAME OVER HER CASTING DOWN HER HEAD SO THAT SHE MIGHT NOT SEE HIM SHE SAID I THINK I'LL BE OFF HOME AND SEE HOW MOTHER'S GETTING ON AND BEFORE POLLY COULD SAY ANYTHING SHE HAD SLIPPED AWAY AND ENTERED HER OWN HOUSE"
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"ys 'e. \"Na,\" says I, \"I don't.\" \"Well,\" says 'e, \"You can't miss 'er when you see 'er.\" An' right enough I didn't.' 'Mother says I'm all father, an' there ain't nothin' of 'er in me. Dad says it's lucky it ain't the other wy abaht, or e'd 'ave got a divorce.' They both laughed. 'Where are you goin' now?' asked Liza, looking at the slop-basin she was carrying. 'I was just goin' dahn into the road ter get some ice-cream for dinner. Father 'ad a bit of luck last night, 'e says, and 'e'd stand the lot of us ice-cream for dinner ter-day.' 'I'll come with yer if yer like.' 'Come on!' And, already friends, they walked arm-in-arm to the Westminster Bridge Road. Then they went along till they came to a stall where an Italian was selling the required commodity, and having had a taste apiece to see if they liked it, Polly planked down sixpence and had her basin filled with a poisonous-looking mixture of red and white ice-cream. On the way back, looking up the street, Polly cried: 'There's father!",
"HE SAYS TO ME YOU DON'T KNOW MY DAUGHTER POLLY DO YOU SAYS HE NA SAYS I I DON'T WELL SAYS HE YOU CAN'T MISS HER WHEN YOU SEE HER AND RIGHT ENOUGH I DIDN'T MOTHER SAYS I'M ALL FATHER AND THERE AIN'T NOTHIN OF HER IN ME DAD SAYS IT'S LUCKY IT AIN'T THE OTHER WAY ABOUT OR HE'D HAVE GOT THE DIVORCE THEY BOTH LAUGHED WHERE YOU GOING NOW ASKED LIZA LOOKING AT THE SLOT BASIN SHE WAS CARRYING I'LL JUST GOING DOWN INTO THE ROAD TO GET SOME ICE CREAM FOR DINNER FATHER HAD A BIT OF LUCK LAST NIGHT HE SAYS AND HE'D STAND THE LOT OF A S ICE CREAM FOR DINNER TO DAY I'LL COME WITH YOU IF YOU LIKE COME ON AND WERE READY FRIENDS THEY WALKED ARM IN ARM TO THE WESTMINSTER BRIDGE ROAD THEN THEY WENT ALONG TILL THEY CAME TO A STORE WHERE AN ITALIAN WAS SELLING THE REQUIRED COMMODITY HAVING HAD A TASTE APIECE TO SEE IF THEY LIKED IT POLLY PLANKED DOWN SIXPENCE AND HAD HER BASIN FILLED WITH A POISONOUS LOOKING MIXTURE OF RED AND WHITE ICE CREAM ON THE WAY BACK LOOKING UP THE STREET POLLY CRIED THERE'S FATHER"
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"She walked close along the sides of the houses like a thief, and the policeman as she passed him turned round and looked at her, wondering whether she was meditating some illegal deed. She breathed freely on coming into the open road, and seeing Jim skulking behind a tree, ran up to him, and in the shadows they kissed again.",
"SHE WALKED CLOSELY ALONG THE SIDES OF THE HOUSES LIKE A THIEF AND THE POLICEMAN AS SHE PASSED HIM TURNED ROUND AND LOOKED AT HER WONDERING WHETHER SHE WAS MEDITATING SOME ILLEGAL DEED SHE BREATHED FREELY ON COMING INTO THE OPEN ROAD AND SEEING JIM SKULKING BEHIND A TREE RAN UP TO HIM AND IN THE SHADOWS THEY KISSED AGAIN"
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" But you 'ave been long.' 'I wouldn't come before, 'cause I thought there'd be people abaht. Kiss us!' And again he pressed his lips to hers, and Liza nearly fainted with the delight of it. 'Let's go for a walk, shall we?' he said. 'Arright!' They were speaking in whispers. 'You go into the road through the passage, an' I'll go by the street.' 'Yus, thet's right,' and kissing her once more, he slid out, and she closed the door behind him. Then going back to get her hat, she came again into the passage, waiting behind the door till it might be safe for her to venture. She had not made up her mind to risk it, when she heard a key put in the lock, and she hardly had time to spring back to prevent herself from being hit by the opening door. It was a man, one of the upstairs lodgers. ''Ulloa!' he said, ''oo's there?' 'Mr. 'Odges! Strikes me, you did give me a turn; I was just goin' aht.' She blushed to her hair, but in the darkness he could see nothing. 'Good night,' she said, and went out.",
"NATELY I THOUGHT YOU'D COME TO NIGHT JIM SOMEHOW MY AUNT TOLD ME SO BUT YOU HAVE BEEN LONG I WOULDN'T COME BEFORE CAUSE I THOUGHT THERE'D BE PEOPLE ABOUT KISS US AND AGAIN HE PRESSED HIS LIPS TO HERS AND LIZA NEARLY FAINTED WITH THE DELIGHT OF IT LET'S GO FOR A WALK SHALL WE HE SAID ALL RIGHT THEY WERE SPEAKING IN WHISPERS YOU GO INTO THE ROAD THROUGH THE PASSAGE AND I'LL GO BY THE STREET YES THAT'S RIGHT AND KISSING HER ONCE MORE HE SLID OUT SHE CLOSED THE DOOR BEHIND HIM THEN GOING BACK TO GET HER HAT SHE CAME AGAIN TO THE PASSAGE WAITING BEHIND THE DOOR TILL IT MIGHT BE SAFE FOR HER TO VENTURE SHE HAD NOT MADE UP HER MIND TO RISK IT WHEN SHE HEARD A KEY IN THE LOCK SHE HARDLY HAD TIME TO SPRING BACK TO PREVENT HERSELF FROM BEING HIT BY THE OPENING DOOR IT WAS A MAN ONE OF THE UPSTAIRS LODGERS HULLOA HE SAID WHO'S THERE MISTER ROGERS STRIKES ME YOU DID GIVE ME A TURN I WAS JUST GOING OUT SHE BLUSHED TO HER HAIR BUT IN THE DARKNESS HE COULD SEE NOTHING GOOD NIGHT SHE SAID AND WENT OUT"
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"She did not want to dress yet, but rather to sit down and think, so she twisted up her hair into a little knot, slipped a skirt over her nightdress, and sat on a chair near the window and began looking around.",
"SHE DID NOT WANT TO DRESS YET BUT RATHER TO SIT DOWN AND THINK SO SHE TWISTED UP HER HAIR INTO A LITTLE KNOT SLIPPED A SKIRT OVER HER NIGHTDRESS AND SAT ON A CHAIR NEAR THE WINDOW AND BEGAN LOOKING ROUND"
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"heart was full; she thought of Jim, and the delicious sensation of love came over her. Closing her eyes, she imagined his warm kisses, and she lifted up her arms as if to put them round his neck and draw him down to her; she almost felt the rough beard on her face, and the strong heavy arms round her body. She smiled to herself and took a long breath; then, slipping back the sleeves of her nightdress, she looked at her own thin arms, just two pieces of bone with not a muscle on them, but very white and showing distinctly the interlacement of blue veins: she did not notice that her hands were rough, and red and dirty with the nails broken, and bitten to the quick. She got out of bed and looked at herself in the glass over the mantelpiece: with one hand she brushed back her hair and smiled at herself; her face was very small and thin, but the complexion was nice, clear and white, with a delicate tint of red on the cheeks, and her eyes were big and dark like her hair. She felt very happy.",
"OF DELIGHT HER HEART WAS FULL SHE THOUGHT OF JIM AND THE DELICIOUS SENSATION OF LOVE CAME OVER HER CLOSING HER EYES SHE IMAGINED HIS WARM KISSES AND SHE LIFTED UP HER ARMS AS IF TO PUT THEM ROUND HIS NECK AND DRAW HIM DOWN TO HER SHE ALMOST FELT THE ROUGH BEARD ON HER FACE AND THE STRONG HEAVY ARMS ROUND HER BODY SHE SMILED TO HERSELF AND TOOK A LONG DEEP BREATH THEN SLIPPING BACK THE SHEETS OF HER NIGHT DRESS SHE LOOKED DOWN AT HER OWN THIN ARMS JUST TWO PIECES OF BONE WITH NOT A MUSCLE ON THEM BUT VERY WHITE AND SHOWING DISTINCTLY THE INTERLACEMENT OF BLUE VEINS SHE DID NOT NOTICE THAT HER HANDS WERE ROUGH AND RED AND DIRTY WITH THE NAILS BROKEN AND BITTEN TO THE QUICK SHE GOT OUT OF BED AND LOOKED AT HERSELF IN THE GLASS OVER THE MANTELPIECE WITH ONE HAND SHE BRUSHED BACK HER HAIR AND SMILED AT HERSELF HER FACE WAS VERY SMALL AND THIN BUT THE COMPLEXION WAS NICE CLEAR AND WHITE WITH A DELICATE TINT OF RED ON THE CHEEKS AND HER EYES WERE BIG AND DARK LIKE HER HAIR SHE FELT VERY HAPPY"
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"'Why, yer talks as if I didn't like yer. Yer don't think I'd 'ave come aht beanfeastin' with yer if I 'adn't liked yer?' Liza was really very dishonest, but she felt so happy this morning that she loved the whole world, and of course Tom came in with the others.",
"WHY YOU TALKS AS IF I DIDN'T LIKE YER YOU DON'T THINK I'D HAVE COME OUT BEING FASTEN WITH YOU IF I HADN'T LIKED YEA WAS REALLY VERY DISHONEST BUT SHE FELT SO HAPPY THIS MORNING THAT SHE LOVED THE WHOLE WORLD AND OF COURSE TOM CAME IN WITH THE OTHERS"
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"bowling very slowly and easily, so that Liza could swing her bat round and hit mightily; she ran well, too, and pantingly brought up her score to twenty. Then the fielders interposed. 'I sy, look 'ere, 'e's only givin' 'er lobs; 'e's not tryin' ter git 'er aht.' 'You're spoilin' our gime.' 'I don't care; I've got twenty runs--thet's more than you could do. I'll go aht now of my own accord, so there! Come on, Tom.' Tom joined her, and as the captain at last resumed his bat and the game went on, they commenced talking, Liza leaning against the wall of a house, while Tom stood in front of her, smiling with pleasure. 'Where 'ave you been idin' yerself, Tom? I ain't seen yer for I dunno 'ow long.' 'I've been abaht as usual; an' I've seen you when you didn't see me.' 'Well, yer might 'ave come up and said good mornin' when you see me.' 'I didn't want ter force myself on, yer, Liza.' 'Garn! You are a bloomin' cuckoo. I'm blowed!' 'I thought yer didn't like me 'angin' round yer; so I kep' awy.",
"T EVER KNOW WHAT CHILD BALL'S GOING TO DO TOM BEGAN BOWLING VERY SLOWLY AND EASILY SO THAT LIZA COULD SWING HER BACK ROUND AND HIT MIGHTILY SHE RAN WELL TOO AND PANTINGLY BROUGHT UP HER SCORE TO TWENTY THEN THE FIELDERS INTERPOSED I SAY LOOK HERE HE'S ONLY A GIVEN HER LOBS HE'S NOT TRYING TO GET AT YOU'RE SPAWN IN OUR GAME I DON'T CARE I'VE GOT TWENTY RUNS THAT'S MORE THAN YOU COULD DO I'LL GO OUT NOW OF MY OWN ACCORD SO THERE COME ON TOM TOM JOINED HER AS THE CAPTAIN AT LAST RESUMED HIS BATH AND THE GAME WENT ON THEY COMMENCED TALKING LIZA LEANING AGAINST THE WALL OF THE HOUSE WHILE TOM STOOD IN FRONT OF HER SMILING WITH PLEASURE WHERE HAVE YOU BEEN HIDING YOURSELF TOM I AIN'T SEEN YOUR FATHER DONE A HOUR LONG I'VE BEEN ABOUT AS USUAL AND I'VE SEEN YOU AND YOU DIDN'T SEE ME WELL YOU MIGHT HAVE COME UP AND SAID GOOD MORNING WHEN YOU DID SEE ME I DIDN'T WANT TO FORCE MYSELF ON YOU ELIZA GO ON YOU'RE A BLOOMIN CUCKOO I'M BLOWED I THOUGHT YOU DIDN'T LIKE ME HANGING ROUND YO SO I KEPT AWAY"
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"'Where 'ave you been idin' yerself, Tom? I ain't seen yer for I dunno 'ow long.' 'I've been abaht as usual; an' I've seen you when you didn't see me.' 'Well, yer might 'ave come up and said good mornin' when you see me.' 'I didn't want ter force myself on, yer, Liza.'",
"WHERE HAVE YOU BEEN HIDING YOURSELF TOM I AIN'T SEEN YOUR FATHER DONE A HOUR LONG I'VE BEEN ABOUT AS USUAL AND I'VE SEEN YOU AND YOU DIDN'T SEE ME WELL YOU MIGHT HAVE COME UP AND SAID GOOD MORNING WHEN YOU DID SEE ME I DIDN'T WANT TO FORCE MYSELF ON YOU ELIZA"
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"among the lookers-on, and as she felt very kindly disposed to the world in general that morning, she called out to him: ''Ulloa, Tom!' she said. 'Come an' give us a ball; this chap can't bowl.' 'Well, I got yer aht, any'ow,' said that person. 'Ah, yer wouldn't 'ave got me aht plyin' square. But a trial ball--well, one don't ever know wot a trial ball's goin' ter do.' Tom began bowling very slowly and easily, so that Liza could swing her bat round and hit mightily; she ran well, too, and pantingly brought up her score to twenty. Then the fielders interposed. 'I sy, look 'ere, 'e's only givin' 'er lobs; 'e's not tryin' ter git 'er aht.' 'You're spoilin' our gime.' 'I don't care; I've got twenty runs--thet's more than you could do. I'll go aht now of my own accord, so there! Come on, Tom.' Tom joined her, and as the captain at last resumed his bat and the game went on, they commenced talking, Liza leaning against the wall of a house, while Tom stood in front of her, smiling with pleasure.",
"ATH WELL I AM BUSTED REPEATED THE CAPTAIN JUST THEN LIZA SAW TOM AMONG THE LOOKERS ON AND AS SHE FELT VERY KINDLY DISPOSED TO THE WORLD IN GENERAL THAT MORNING SHE CALLED OUT TO HIM HALLOA TOM SHE SAID COME AND GIVE US A BALL THIS CHAP CAN'T BOWL WELL I GOT YE OUT ANYHOW SAID THAT PERSON AND HE WOULDN'T HAVE GOT ME OUT PLAIN SQUARE BUT A CHILD BALL OR ONE DON'T EVER KNOW WHAT CHILD BALL'S GOING TO DO TOM BEGAN BOWLING VERY SLOWLY AND EASILY SO THAT LIZA COULD SWING HER BACK ROUND AND HIT MIGHTILY SHE RAN WELL TOO AND PANTINGLY BROUGHT UP HER SCORE TO TWENTY THEN THE FIELDERS INTERPOSED I SAY LOOK HERE HE'S ONLY A GIVEN HER LOBS HE'S NOT TRYING TO GET AT YOU'RE SPAWN IN OUR GAME I DON'T CARE I'VE GOT TWENTY RUNS THAT'S MORE THAN YOU COULD DO I'LL GO OUT NOW OF MY OWN ACCORD SO THERE COME ON TOM TOM JOINED HER AS THE CAPTAIN AT LAST RESUMED HIS BATH AND THE GAME WENT ON THEY COMMENCED TALKING LIZA LEANING AGAINST THE WALL OF THE HOUSE WHILE TOM STOOD IN FRONT OF HER SMILING WITH PLEASURE"
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"Once it was two workmen coming home from a job at Vauxhall: Liza did not see them till they were quite near; she immediately dropped Jim's arm, and they both cast their eyes to the ground as the men passed, like ostriches, expecting that if they did not look they would not be seen. 'D'you see 'em, Jim?' asked Liza, in a whisper, when they had gone by. 'I wonder if they see us.' Almost instinctively she turned round, and at the same moment one of the men turned too; then there was no doubt about it.",
"ONCE IT WAS TWO WORKMEN COMING HOME FROM A JOB AT VAUXLE ELIZA DID NOT SEE THEM TILL THEY WERE QUITE NEAR SHE IMMEDIATELY DROPPED JIM'S ARMS AND THEY BOTH CAST THEIR EYES TO THE GROUND AS THE MEN PASSED LIKE OSTRICHES EXPECTING THAT IF THEY DID NOT LOOK UP THEY WOULD NOT BE SEEN DID YOU SEE HIM JIM ASKED LIZA IN A WHISPER WHEN THEY HAD GONE BY I WONDER IF THEY SEE US ALMOST INSTINCTIVELY SHE TURNED ROUND AND AT THE SAME MOMENT ONE OF THE MEN TURNED TOO THEN THERE WAS NO DOUBT ABOUT IT"
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"oy. As soon as her work was over and she had finished tea, Liza would slip out and at some appointed spot meet Jim. Usually it would be at the church, where the Westminster Bridge Road bends down to get to the river, and they would go off, arm-in-arm, till they came to some place where they could sit down and rest. Sometimes they would walk along the Albert Embankment to Battersea Park, and here sit on the benches, watching the children play. The female cyclist had almost abandoned Battersea for the parks on the other side of the river, but often enough one went by, and Liza, with the old-fashioned prejudice of her class, would look after the rider and make some remark about her, not seldom more forcible than ladylike. Both Jim and she liked children, and, tiny, ragged urchins would gather round to have rides on the man's knees or mock fights with Liza. They thought themselves far away from anyone in Vere Street, but twice, as they were walking along, they were met by people they knew.",
" DOG COMUS BEGAN A TIME OF LOVE AND JOY SOON AS HER WORK WAS OVER AND SHE HAD FINISHED TEA ELIZA WOULD SLIP OUT AND AT SOME APPOINTED SPOT MEET JIM USUALLY IT WOULD BE AT THE CHURCH THE WESTMINSTER BRIDGE ROAD BENDS DOWN TO GET TO THE RIVER AND THEY WOULD GO OFF ARM IN ARM TILL THEY CAME TO SOME PLACE WHERE THEY COULD SIT DOWN AND REST SOMETIMES THEY WOULD WALK ALONG THE ALBERT EMBANKMENT TO BATTESE PARK AND HERE SIT ON THE BENCHES WATCHING THE CHILDREN PLAY THE FEMALE CYCLIST HAD ALMOST ABANDONED BATTESE FOR THE PARKS ON THE OTHER SIDE OF THE RIVER BUT OFTEN ENOUGH ONE WENT BY AND LIZA WITH THE OLD FASHIONED PREJUDICE OF HER CLASS WOULD LOOK AFTER THE RIDER AND MAKE SOME REMARK ABOUT HER NOT SELDOM MORE FORCIBLE THAN LADYLIKE BOTH JIM AND SHE LIKED CHILDREN AND TINY RAGGED URCHINS WOULD GATHER ROUND TO HAVE RIDES ON THE MAN'S KNEES OR MOCK FIGHTS WITH LIZA THEY THOUGHT THEMSELVES FAR AWAY FROM ANYONE IN BEER STREET BUT TWICE AS THEY WERE WALKING ALONG THEY WERE MET BY PEOPLE THEY KNEW"
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"'Think I'm kidding? What d'yer think I want ter kid for? Liars never believe anyone, thet's fact.' 'Na then, Liza, don't be saucy.' 'Saucy! I'll smack yer in the eye if yer sy much ter me. Come on,' she said to Jim, who had been standing sheepishly by; and they walked away.",
"THINK I'M KIDDING WHAT'D YOU THINK I WANT TO KID FOR LIARS NEVER BELIEVE ANY ONE THAT'S FACT NOW THEN LIZA DON'T BE SAUCY SAUCY I'LL SMACK YOU IN THE EYE IF YOU SAY MUCH TO ME COME ON SHE SAID TO JIM WHO HAD BEEN STANDING SHEEPISHLY BY AND THEY WALKED AWAY"
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"e direction, but there was not time, for the men had already seen them. She whispered to Jim: 'Back us up,' and as they met she said to one of the men: ''Ulloa there! Where are you off to?' The men stopped, and one of them asked the question back. 'Where are you off to?' 'Me? Oh, I've just been to the 'orspital. One of the gals at our place is queer, an' so I says ter myself, \"I'll go an' see 'er.\"' She faltered a little as she began, but quickly gathered herself together, lying fluently and without hesitation. 'An' when I come aht,' she went on, ''oo should I see just passin' the 'orspital but this 'ere cove, an' 'e says to me, \"Wot cheer,\" says 'e, \"I'm goin' ter Vaux'all, come an' walk a bit of the wy with us.\" \"Arright,\" says I, \"I don't mind if I do.\"' One man winked, and another said: 'Go it, Liza!' She fired up with the dignity of outraged innocence. 'Wot d'yer mean by thet?' she said; 'd'yer think I'm kiddin'?' 'Kiddin'? No! You've only just come up from the country, ain't yer?",
"WAS NO CHANCE OF ESCAPE SHE THOUGHT OF TURNING QUICKLY AND WALKING IN THE OPPOSITE DIRECTION BUT THERE WAS NOT TIME FOR THE MEN HAD ALREADY SEEN THEM SHE WHISPERED TO JIM BACK US UP AND AS THEY MET SHE SAID TO ONE OF THE MEN HELLOA THERE WHERE ARE YOU OFF TO THE MEN STOPPED AND ONE OF THE MASTER QUESTIONED BACK WHERE ARE YOU OFF TO ME I'VE JUST BEEN TO THE HOSPITAL ONE OF THE GALS AT OUR PLACE IS QUEER AND SO I SAYS TO MYSELF I'LL GO AND SEE HER SHE FALTERED A LITTLE AS SHE BEGAN BUT QUICKLY GATHERED HERSELF TOGETHER LYING FLUENTLY AND WITHOUT HESITATION AND WHEN I COME OUT SHE WENT ON WHO SHOULD I SEE JUST PASSING THE HOSPITAL BUT THIS ERE COVE AND HE SAYS TO ME WHAT CHEER SAYS HE I'M GOING TO VAUXHALL COME AND WALK A BIT OF THE WAY WITH US ALL RIGHT SAYS I I DON'T MIND IF I DO ONE MAN WINKED AND ANOTHER SAID GO IT LIZA SHE FIRED UP WITH THE DIGNITY OF OUTRAGED INNOCENCE WHAT'S YOU MEAN BY THAT SHE SAID YOU THINK I'M KIDDEN KIDDEN NO YOU'VE ONLY JUST COME UP FROM THE COUNTRY AIN'T YOU"
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"passed, like ostriches, expecting that if they did not look they would not be seen. 'D'you see 'em, Jim?' asked Liza, in a whisper, when they had gone by. 'I wonder if they see us.' Almost instinctively she turned round, and at the same moment one of the men turned too; then there was no doubt about it. 'Thet did give me a turn,' she said. 'So it did me,' answered Jim; 'I simply went 'ot all over.' 'We was bally fools,' said Liza; 'we oughter 'ave spoken to 'em! D'you think they'll let aht?' They heard nothing of it, when Jim afterwards met one of the men in a public-house he did not mention a meeting, and they thought that perhaps they had not been recognized. But the second time was worse. It was on the Albert Embankment again. They were met by a party of four, all of whom lived in the street. Liza's heart sank within her, for there was no chance of escape; she thought of turning quickly and walking in the opposite direction, but there was not time, for the men had already seen them.",
"H CAST THEIR EYES TO THE GROUND AS THE MEN PASSED LIKE OSTRICHES EXPECTING THAT IF THEY DID NOT LOOK UP THEY WOULD NOT BE SEEN DID YOU SEE HIM JIM ASKED LIZA IN A WHISPER WHEN THEY HAD GONE BY I WONDER IF THEY SEE US ALMOST INSTINCTIVELY SHE TURNED ROUND AND AT THE SAME MOMENT ONE OF THE MEN TURNED TOO THEN THERE WAS NO DOUBT ABOUT IT THAT DID GIVE ME A TURN SHE SAID SO IT DID ME ANSWERED JIM I SIMPLY WENT ON ALL OVER WE WAS BALLY FOOLS SAID ELIZA WE OUGHT TO HAVE SPOKEN TO HIM DO YOU THINK THEY'LL LET OUT THEY HEARD NOTHING OF IT WHEN JIM AFTERWARDS MET ONE OF THEM IN A PUBLIC HOUSE HE DID NOT MENTION A MEETING AND THEY THOUGHT THAT PERHAPS THEY HAD NOT BEEN RECOGNIZED BUT THE SECOND TIME WAS WORSE IT WAS ON THE ALBERT EMBANKMENT AGAIN THEY WERE MET BY A PARTY OF FOUR ALL OF WHOM LIVED IN THE STREET LIZA'S HEART SANK WITHIN HER FOR THERE WAS NO CHANCE OF ESCAPE SHE THOUGHT OF TURNING QUICKLY AND WALKING IN THE OPPOSITE DIRECTION BUT THERE WAS NOT TIME FOR THE MEN HAD ALREADY SEEN THEM"
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"When the ring had to be produced, Harry fumbled about in different pockets, and his brother whispered: 'Swop me bob, 'e's gone and lorst it!' However, all went right, and Sally having carefully pocketed the certificate, they went out and had another drink to celebrate the happy event.",
"WHEN THE RING HAD TO BE PRODUCED HARRY FUMBLED ABOUT IN DIFFERENT POCKETS AND HIS BROTHER WHISPERED SWAT ME BOB HE'S GONE AND LOST IT HOWEVER ALL WENT ALL RIGHT AND SALLIE HAVING CAREFULLY POCKETED THE STIFT THEY WENT OUT AND HAD ANOTHER DRINK TO CELEBRATE THE HAPPY EVENT"
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"tting married every day of his life; 'bit warm, thet's all.' 'Your very good 'ealth, Sally,' said her mother, lifting her mug; 'this is the last time as I shall ever address you as miss.' 'An' may she be as good a wife as you was,' added Sally's uncle. 'Well, I don't think my old man ever 'ad no complaint ter mike abaht me. I did my duty by 'im, although it's me as says it,' answered the good lady. 'Well, mates,' said Harry's brother, 'I reckon it's abaht time to go in. So 'ere's to the 'ealth of Mr. 'Enry Atkins an' 'is future missus.' 'An' God bless 'em!' said Sally's mother. Then they went into the church, and as they solemnly walked up the aisle a pale-faced young curate came out of the vestry and down to the bottom of the chancel. The beer had had a calming effect on their troubled minds, and both Harry and Sally began to think it rather a good joke. They smiled on each other, and at those parts of the service which they thought suggestive violently nudged one another in the ribs.",
" NAY SAID HARRY AS IF HE HAD BEEN USED TO GETTING MARRIED EVERY DAY OF HIS LIFE BIT WARM THAT'S ALL YOU'RE VERY GOOD HEALTH SALLIE SAID HER MOTHER LIFTING HER MUG THIS IS THE LAST TIME I SHALL EVER ADDRESS YOU AS MISS AND MAY SHE BE AS GOOD A WIFE AS YOU WAS ADDED SALLIE'S UNCLE WELL I DON'T THINK MY OLD MAN EVER HAD NO COMPLAINT TO MAKE ABOUT ME I DID MY DUTY BY HIM ALTHOUGH IT'S ME AS SAYS IT ANSWERED THE GOOD LADY WELL MATES SAID HARRY'S BROTHER I RECKON IT'S ABOUT TIME TO GO IN SO HE'S TO THE HELPH OF MISTER HENRY ATKINS AND HIS FUTURE MISSES AND GOD BLESS EM SAID SALLIE'S MOTHER THEN THEY WENT INTO THE CHURCH AND AS THEY SOLEMNLY WALKED UP THE AISLE A PALE FACED YOUNG CURATE CAME OUT OF THE VESTRY AND DOWN TO THE BOTTOM OF THE CHANCEL THE BEER HAD HAD A CALMING EFFECT ON THEIR TROUBLED MINDS AND BOTH HARRY AND SALLIE BEGAN TO THINK IT A RATHER GOOD JOKE THEY SMILED ON EACH OTHER AND AT THOSE PARTS OF THE SERVICE WHICH THEY THOUGHT SUGGESTED VIOLENTLY NUDGED ONE ANOTHER IN THE RIBS"
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"9 Thus began a time of love and joy.",
"COMUS BEGAN A TIME OF LOVE AND JOY"
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"o by the street.' 'Yus, thet's right,' and kissing her once more, he slid out, and she closed the door behind him. Then going back to get her hat, she came again into the passage, waiting behind the door till it might be safe for her to venture. She had not made up her mind to risk it, when she heard a key put in the lock, and she hardly had time to spring back to prevent herself from being hit by the opening door. It was a man, one of the upstairs lodgers. ''Ulloa!' he said, ''oo's there?' 'Mr. 'Odges! Strikes me, you did give me a turn; I was just goin' aht.' She blushed to her hair, but in the darkness he could see nothing. 'Good night,' she said, and went out. She walked close along the sides of the houses like a thief, and the policeman as she passed him turned round and looked at her, wondering whether she was meditating some illegal deed. She breathed freely on coming into the open road, and seeing Jim skulking behind a tree, ran up to him, and in the shadows they kissed again. ",
" CHAPTER NINE OF LIZA OF LAMBETH BY W SOMERSET MAUR THIS LIVER BOX RECORDING IS IN THE PUBLIC DOMAIN ACCORDING BY HAPPEN FORTY THREE BLOCKE DE LA CAENZEN DOT WORD PRESS DOG "
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"'Tom,' she said, 'why don't yer speak ter me.' He started and blushed more than ever. 'I didn't know yer was there,' he stuttered. 'Don't tell me,' she said, 'wot's up?' 'Nothin' as I knows of,' he answered uneasily. 'I ain't offended yer, 'ave I, Tom?'",
"TOM SHE SAID WHY DON'T YOU SPEAK TO ME HE STARTED AND BLUSHED MORE THAN EVER I DIDN'T KNOW YOU WAS THERE HE STUTTERED DON'T TELL ME SHE SAID WHAT'S UP NOTHING AS I KNOWS OF HE ANSWERED UNEASILY I AIN'T OFFENDED YET HAVE I TOM"
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" 'll come right in the end--when we gets four balls of worsted for a penny.' It was past twelve, and separating, they went by different ways along the dreary, wet, deserted roads till they came to Vere Street. The street seemed quite different to Liza from what it had been three months before. Tom, the humble adorer, had quite disappeared from her life. One day, three or four weeks after the August Bank Holiday, she saw him dawdling along the pavement, and it suddenly struck her that she had not seen him for a long time; but she had been so full of her happiness that she had been unable to think of anyone but Jim. She wondered at his absence, since before wherever she had been there was he certain to be also. She passed him, but to her astonishment he did not speak to her. She thought by some wonder he had not seen her, but she felt his gaze resting upon her. She turned back, and suddenly he dropped his eyes and looked down, walking on as if he had not seen her, but blushing furiously.",
" HAPPEN SOON AND EVERYTHING'LL COME RIGHT IN THE END WHEN WE GETS FOUR BALLS OF WORSTED FOR A PENNY IT WAS PAST TWELVE AND SEPARATING THEY WENT BY DIFFERENT WAYS ALONG THE DREARY WET DESERTED ROADS TILL THEY CAME TO VERE STREET THE STREET SEEMED QUITE DIFFERENT TO ELIZA FROM WHAT IT HAD BEEN THREE MONTHS BEFORE TOM THE HUMBLE ADORA HAD QUITE DISAPPEARED FROM HER LIFE ONE DAY THREE OR FOUR WEEKS AFTER THE AUGUST BANK HOLIDAY SHE SAW HIM DAWDLING ALONG THE PAVEMENT AND IT SUDDENLY STRUCK HER THAT SHE HAD NOT SEEN HIM FOR A LONG TIME BUT SHE HAD BEEN SO FULL OF HER HAPPINESS THAT SHE HAD BEEN UNABLE TO THINK OF ANY ONE BUT JIM SHE WONDERED AT HIS ABSENCE SINCE BEFORE WHEREVER SHE HAD BEEN THERE WAS HE CERTAIN TO BE ALSO SHE PASSED HIM BUT TO HER ASTONISHMENT HE DID NOT SPEAK TO HER SHE THOUGHT BY SOME WONDER HE HAD NOT SEEN HER BUT SHE FELT HIS GAZE RESTING UPON HER SHE TURNED BACK AND SUDDENLY HE DROPPED HIS EYES AND LOOKED DOWN WALKING ON AS IF HE HAD NOT SEEN HER BUT BLUSHING FURIOUSLY"
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"About eleven o'clock, when the trains grew less frequent, they got some quietness; but then their minds were troubled, and they felt heavy, sad and miserable.",
"ABOUT ELEVEN O'CLOCK WHEN THE TRAINS GREW LESS FREQUENT THEY GOT SOME QUIETNESS BUT THEN THEIR MINDS WERE TROUBLED AND THEY FELT HEAVY SAD AND MISERABLE"
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" pass rapidly by, splashing up the mud on each side. The benches were deserted, except, perhaps, for some poor homeless wretch who could afford no shelter, and, huddled up in a corner, with his head buried in his breast, was sleeping heavily, like a dead man. The wet mud made Liza's skirts cling about her feet, and the damp would come in and chill her legs and creep up her body, till she shivered, and for warmth pressed herself close against Jim. Sometimes they would go into the third-class waiting-rooms at Waterloo or Charing Cross and sit there, but it was not like the park or the Embankment on summer nights; they had warmth, but the heat made their wet clothes steam and smell, and the gas flared in their eyes, and they hated the people perpetually coming in and out, opening the doors and letting in a blast of cold air; they hated the noise of the guards and porters shouting out the departure of the trains, the shrill whistling of the steam-engine, the hurry and bustle and confusion.",
"DAMP AND COLD A CAB WOULD PASS RAPIDLY BY SPLASHING UP THE MUD ON EACH SIDE THE BENCHES WERE DESERTED EXCEPT PERHAPS FOR SOME POOR HOMELESS WRETCH WHO COULD AFFORD NO SHELTER AND HUDDLED UP IN A CORNER WITH HIS HEAD BURIED IN HIS BREAST WAS SLEEPING HEAVILY LIKE A DEAD MAN THE WET MUD MADE ELIZA'S SKIRTS CLING ABOUT HER FEET AND THE DAMP WOULD COME IN AND CHILL HER LEGS AND CREEP UP HER BODY TILL SHE SHIVERED AND FOR WARMTH PRESSED HERSELF CLOSE AGAINST JIM SOMETIMES THEY WOULD GO INTO THE THIRD CLASS WAITING ROOMS AT WATERLOO OR CHARING CROSS AND SIT THERE BUT IT WAS NOT LIKE THE PAR OR THE EMBANKMENT ON SUMMER NIGHTS THEY HAD WARMTH BUT THE HEAT MADE THEIR WET CLOTHES STEAM AND SMELL AND THE GAS FLARED IN THEIR EYES AND THEY HATED THE PEOPLE PERPETUALLY COMING IN AND OUT OPENING THE DOORS AND LETTING IN A BLAST OF COLD AIR THEY HATED THE NOISE OF THE GUARDS AND PORTERS SHOUTING OUT THE DEPARTURE OF THE TRAINS THE SHRILL WHISTLING OF THE STEAM ENGINE THE HURRY AND BUSTLE AND CONFUSION"
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"THE WET MUD MADE ELIZA'S SKIRTS CLING ABOUT HER FEET AND THE DAMP WOULD COME IN AND CHILL HER LEGS AND CREEP UP HER BODY TILL SHE SHIVERED AND FOR WARMTH PRESSED HERSELF CLOSE AGAINST JIM"
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"In the evening Liza and several friends came into the couple's room, which they had taken in the same house as Sally had lived in before, and drank the health of the bride and bridegroom till they thought fit to retire. 10 It was November. The fine weather had quite gone now, and with it much of the sweet pleasure of Jim and Liza's love. When they came out at night on the Embankment they found it cold and dreary; sometimes a light fog covered the river-banks, and made the lamps glow out dim and large; a light rain would be falling, which sent a chill into their very souls; foot passengers came along at rare intervals, holding up umbrellas, and staring straight in front of them as they hurried along in the damp and cold; a cab would pass rapidly by, splashing up the mud on each side. The benches were deserted, except, perhaps, for some poor homeless wretch who could afford no shelter, and, huddled up in a corner, with his head buried in his breast, was sleeping heavily, like a dead man.",
" CHAPTER TEN OF LIZA OF LAMBETH BY W SOMERSET MORN THIS LIVER BOX RECORDING IS IN THE PUBLIC DOMAIN ACCORDING BY HAT AND FORTY THREE BLOGGE DE LA KAN'S END DON'T WORD PRESS STOPPED CALM IT WAS NOVEMBER THE FINE WEATHER HAD QUITE GONE NOW AND WITH IT MUCH OF THE SWEET PLEASURE OF JIM AND LIZA'S LOVE WHEN THEY CAME OUT AT NIGHT ON THE EMBANKMENT THEY FOUND IT COLD AND DREARY SOMETIMES A LIGHT FOG COVERED THE RIVER BANKS AND MADE THE LAMPS GLOW OUT DIM AND LARGE LIGHT RAIN WOULD BE FALLING WHICH SENT A CHILL INTO THEIR VERY SOULS FOOT PASSENGERS CAME ALONG AT RARE INTERVALS HOLDING UP UMBRELLAS AND STARING STRAIGHT IN FRONT OF THEM AS THEY HURRIED ALONG IN THE DAMP AND COLD A CAB WOULD PASS RAPIDLY BY SPLASHING UP THE MUD ON EACH SIDE THE BENCHES WERE DESERTED EXCEPT PERHAPS FOR SOME POOR HOMELESS WRETCH WHO COULD AFFORD NO SHELTER AND HUDDLED UP IN A CORNER WITH HIS HEAD BURIED IN HIS BREAST WAS SLEEPING HEAVILY LIKE A DEAD MAN"
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"g your pardon, Liza.' 'Arright, old chap,' she said, smiling charmingly on him. 'It wasn't the blow that 'urt me much; it was the wy you was talkin'.' 'I didn't mean it, Liza.' He was so contrite, he could not humble himself enough. 'I 'ad another bloomin' row with the missus ter-night, an' then when I didn't find you 'ere, an' I kept witin' an' witin'--well, I fair downright lost my 'air. An' I 'ad two or three pints of four 'alf, an'--well, I dunno--' 'Never mind, old cock. I can stand more than thet as long as yer loves me.' He kissed her and they were quite friends again. But the little quarrel had another effect which was worse for Liza. When she woke up next morning she noticed a slight soreness over the ridge of bone under the left eye, and on looking in the glass saw that it was black and blue and green. She bathed it, but it remained, and seemed to get more marked. She was terrified lest people should see it, and kept indoors all day; but next morning it was blacker than ever.",
"ER HAVE I SAY I AIN'T HURT YER I'M SO SORRY I BEG YOUR PARDON LIZA ALL RIGHT OLD CHAP SHE SAID SMILING CHARMINGLY ON HIM WASN'T THE BLOW THAT HURT ME SO MUCH IT WAS THE WAY YOU WAS TALKING I DIDN'T MEAN IT LISA HE WAS SO CONTRITE HE COULD NOT HUMBLE HIMSELF ENOUGH I HAD ANOTHER BLOOMIN ROW WITH THE MISSES TO NIGHT THEN WHEN I DIDN'T FIND YOU HERE AND I KEPT WAITIN AND WAITIN WELL I FARED DOWNRIGHT LOST MY AIR THE TWO OR THREE PINTS ARE FOUR OFF AND WELL I DUNNO NEVER MIND OLD COCK I CAN STAND MORE THAN THAT AS LONG AS HE LOVES ME HE KISSED HER AND THEY WERE QUITE FRIENDS AGAIN BUT THE LITTLE QUARREL HAD ANOTHER EFFECT WHICH WAS WORSE FOR LIZA WHEN SHE WOKE UP THE NEXT MORNING SHE NOTICED A SLIGHT SORENESS OVER THE RIDGE OF THE BONE UNDER THE LEFT EYE AND ON LOOKING IN THE GLASS SAW THAT IT WAS BLACK AND BLUE AND GREEN SHE BATHED IT BUT IT REMAINED AND SEEMED TO GET MORE MARKED SHE WAS TERRIFIED LEST PEOPLE SHOULD SEE IT AND KEPT INDOORS ALL DAY BUT NEXT MORNING IT WAS BLACKER THAN EVER"
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"'Well, she don't exactly sy it, but she sulks an' won't speak, an' then when I says anythin' she rounds on me an' calls me all the nimes she can think of.",
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" 'ouse in 'Olloway, an' we can live there as if we was married.' 'Wot abaht yer work?' 'I can get work over the other side as well as I can 'ere. I'm abaht sick of the wy things is goin' on.' 'So am I; but I can't leave mother.' 'She can come, too.' 'Not when I'm not married. I shouldn't like 'er ter know as I'd--as I'd gone wrong.' 'Well, I'll marry yer. Swop me bob, I wants ter badly enough.' 'Yer can't; yer married already.' 'Thet don't matter! If I give the missus so much a week aht of my screw, she'll sign a piper ter give up all clime ter me, an' then we can get spliced. One of the men as I works with done thet, an' it was arright.' Liza shook her head. 'Na, yer can't do thet now; it's bigamy, an' the cop tikes yer, an' yer gits twelve months' 'ard for it.' 'But swop me bob, Liza, I can't go on like this. Yer knows the missus--well, there ain't no bloomin' doubt abaht it, she knows as you an' me are carryin' on, an' she mikes no bones abaht lettin' me see it.' 'She don't do thet?",
" REFUSED YOU CAN COME ALONG WITH ME AND I'LL TAKE A ROOM IN A LODGIN HOUSE IN OLLOWAY AND WE CAN LIVE THERE AS IF WE WAS MARRIED WHAT ABOUT YOUR WORK I CAN GET WORK OVER THE OTHER SIDE AS WELL AS I CAN ERE I'M ABOUT SICK OF THE WAY THINGS IS GOING ON SO AM I I CAN'T LEAVE MOTHER SHE CAN COME TOO NOT WHEN I'M NOT MARRIED I SHOULDN'T LIKE HER TO KNOW AS I'D AS I'D DONE WRONG WELL I'LL MARRY HER SWAT ME BOB I WANTS HER BADLY ENOUGH YOU CAN'T YOU'RE MARRIED ALREADY THAT DON'T MATTER IF I GIVE THE MISSIS SO MUCH A WEEK OUT OF MY SCREW SHE'LL SIGN A PAPER TO GIVE UP ALL CLAIM TO ME AND THEN WE CAN GET SPLICE ONE OF THE MEN AS I WORKS WITH DONE THAT AND IT WAS ALL RIGHT LIZA SHOOK HER HEAD NOW YOU CAN DO THAT NOW IT'S BIG O ME AND THE COPSE TAKES YE AN HE GETS TWELVE MONTHS HARD FOR IT BUT SWEP ME BOB LIZA I CAN'T GO ON LIKE THIS YOU KNOWS THE MISSES WELL THERE AIN'T NO BLOOMIN DOUBT ABOUT IT SHE KNOWS AS YOU AN ME ARE CARRYIN ON AND SHE MAKES NO BONES ABOUT LETTIN MI SEE IT SHE DON'T DO THAT"
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"She had lost Sally too, for on her marriage Harry had made her give up the factory; he was a young man with principles worthy of a Member of Parliament, and he had said: 'A woman's plice is 'er 'ome, an' if 'er old man can't afford ter keep 'er without 'er workin' in a factory well, all I can say is thet 'e'd better go an' git single.'",
"SHE HAD LOST SALLIE TOO FOR ON HER MARRIAGE HARRY HAD MADE HER GIVE UP THE FACTORY HE WAS A YOUNG MAN WITH PRINCIPLES WORTHY OF A MEMBER OF PARLIAMENT AND HE HAD SAID A WOMAN'S PLACE IS HER OWN AND IF HER OLD MAN CAN'T AFFORD TO KEEP HER WITHOUT MY WORKIN IN A FACTORY WELL ALL I CAN SAY IS THAT YOU DON'T GO AND GET SINGLE"
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"ove for Jim, but then she did not care. After all, it was nobody's business, and what did anything matter as long as she loved Jim and Jim loved her? Then she grew angry that Tom should suspect her; he could know nothing but that some of the men had seen her with Jim near Vauxhall, and it seemed mean that he should condemn her for that. Thenceforward, when she ran against Tom, she cut him; he never tried to speak to her, but as she passed him, pretending to look in front of her, she could see that he always blushed, and she fancied his eyes were very sorrowful. Then several weeks went by, and as she began to feel more and more lonely in the street she regretted the quarrel; she cried a little as she thought that she had lost his faithful gentle love and she would have much liked to be friends with him again. If he had only made some advance she would have welcomed him so cordially, but she was too proud to go to him herself and beg him to forgive her--and then how could he forgive her?",
"OULD KNOW OF HER LOVE FOR JIM BUT THEN SHE DID NOT CARE AFTER ALL IT WAS NOBODY'S BUSINESS AND WHAT DID ANYTHING MATTER AS LONG AS SHE LOVED JIM AND JIM LOVED HER THEN SHE GREW ANGRY THAT TOM SHOULD SUSPECT HER HE COULD KNOW NOTHING BUT THAT SOME OF THE MEN HAD SEEN HER WITH JIM NEAR VAUXHALL AND IT SEEMED MEAN THAT HE SHOULD CONDEMN HER FOR THAT THENCEFORWARD WHEN SHE RAN AGAINST TOM SHE CUT HIM HE NEVER TRIED TO SPEAK TO HER BUT AS SHE PASSED HIM PRETENDING TO LOOK OUT IN FRONT OF HER SHE COULD SEE THAT HE ALWAYS BLUSHED AND SHE FANCIED HIS EYES WERE VERY SORROWFUL THEN SEVERAL WEEKS WENT BY AND AS SHE BEGAN TO FEEL MORE AND MORE LONELY IN THE STREET SHE REGRETTED THE QUARREL SHE CRIED A LITTLE AS SHE THOUGHT THAT SHE HAD LOST HIS FAITHFUL GENTLE LOVE AND SHE WOULD HAVE MUCH LIKED TO BE FRIENDS WITH HIM AGAIN IF HE HAD ONLY MADE SOME ADVANCE SHE WOULD HAVE WELCOMED HIM SO CORDIALLY BUT SHE WAS TOO PROUD TO GO TO HIM HERSELF AND BEG HIM TO FORGIVE HER AND THEN HOW COULD HE FORGIVE HER"
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"They're all like thet 'usbinds is all alike; they're arright when they're sober sometimes but when they've got the liquor in 'em, they're beasts, an' no mistike. I 'ad a 'usbind myself for five an' twenty years, an' I know 'em.'",
"THEY'RE ALL LIKE THAT HUSBANDS IS ALL ALIKE THEY ARE RIGHT WHEN THEY'RE SOBER SOMETIMES BUT WHEN THEY'VE GOT LIQUOR IN EM THEY'RE BEASTS AND NO MISTAKE I HAD A HUSBAND MYSELF FOR FIVE AND TWENTY YEARS AND I KNOW EM"
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"e little gasp to stop the crying, turning her face downwards so that Liza should not see the tears in her eyes; but they were too strong for her, and, quickly taking out her handkerchief, she hid her face in it and began to sob broken-heartedly. Liza looked at the mother in interrogation. 'Oh, it's thet man again!' said the lady, snorting and tossing her head. 'Not 'Arry?' asked Liza, in surprise. 'Not 'Arry--'oo is it if it ain't 'Arry? The villin!' 'Wot's 'e been doin', then?' asked Liza again. 'Beatin' 'er, that's wot 'e's been doin'! Oh, the villin, 'e oughter be ashimed of 'isself 'e ought!' 'I didn't know 'e was like that!' said Liza. 'Didn't yer? I thought the 'ole street knew it by now,' said Mrs. Cooper indignantly. 'Oh, 'e's a wrong 'un, 'e is.' 'It wasn't 'is fault,' put in Sally, amidst her sobs; 'it's only because 'e's 'ad a little drop too much. 'E's arright when 'e's sober.' 'A little drop too much! I should just think 'e'd 'ad, the beast! I'd give it 'im if I was a man.",
"T'S UP SAL ASKED LIZA NOTHING ANSWERED SALLIE WITH A BRAVE LITTLE GASP TO STOP THE CRYING TURNING HER FACE DOWNWARD SO THAT LIZA SHOULD NOT SEE THE TEARS IN HER EYES BUT THEY WERE TOO STRONG FOR HER AND QUICKLY TAKING OUT HER HANDKERCHIEF SHE HID HER FACE IN IT AND BEGAN TO SOB BROKEN HEARTEDLY LIZA LOOKED AT THE MOTHER IN INTERROGATION OH IT'S THAT MAN AGAIN SAID THE LADY SNORTING AND TOSSING HER HEAD NOT HARRY ASKED LIZA IN SURPRISE NOT HARRY WHO IS IT IF IT AIN'T HARRY THE VILLAIN WHAT'S HE BEEN DOING THEN ASKED LIZA AGAIN BEEN THERE THAT'S WHAT HE'S BEEN DOIN OH THE VILLAIN HE OUGHT TO BE ASHAMED OF HISSELF HE OUGHT I DIDN'T KNOW HE WAS LIKE THAT SAID LIZA DIDN'T YER I THOUGHT THE OLD STREET KNEW IT BY NOW SAID MISSUS COOPER INDIGNANTLY OH HE'S A WRONG IN HE IS IT WASN'T HIS FAULT PUT IN SALLIE AMIDST HER SOBS IT'S ONLY BECAUSE HE'S HAD A LITTLE DROP TOO MUCH HE'S ALL RIGHT WHEN HE'S SOBER AND IT WILL DROP TOO MUCH I SHOULD JUST THINK HE HAD THE BEAST I'D GIVE IT HIM IF I WAS A MAN"
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"'Well, mother,' sobbed Sally, 'it was all my fault. I should 'ave come 'ome earlier.' 'Na, it wasn't your fault at all. Just you look 'ere, Liza: this is wot 'e done an' call 'isself a man. Just because Sally'd gone aht to 'ave a chat with Mrs. McLeod in the next 'ouse, when she come in 'e start bangin' 'er abaht. An' me, too, wot d'yer think of that!' Mrs. Cooper was quite purple with indignation. 'Yus,' she went on, 'thet's a man for yer. Of course, I wasn't goin' ter stand there an' see my daughter bein' knocked abaht; it wasn't likely was it?",
"WELL MOTHER SOBBED SALLIE IT WAS ALL MY FAULT I SHOULD HAVE COME HOME EARLIER NOW IT WASN'T YOUR FAULT AT ALL JUST LOOK HERE ELIZA THIS IS WHAT HE DONE AND CALLED HIS SELF A MAN JUST CAU SALLIE'S GONE OUT TO HAVE A CHAT WITH MISSUS MC CLOUD NEXT DOOR WHEN SHE COME IN HE STOPPED BANGING HER ABOUT AND ME TOO WHAT YOU THINK O THAT MISSUS COOPER WAS QUITE PURPLE WITH INDIGNATION YES SHE WENT ON THAT'S A MAN FOR YOU OF COURSE I WASN'T GOING TO STAND AND SEE MY DAUGHTER BEING KNOCKED ABOUT IT WASN'T LIKELY WAS IT"
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"ken-heartedly. Liza looked at the mother in interrogation. 'Oh, it's thet man again!' said the lady, snorting and tossing her head. 'Not 'Arry?' asked Liza, in surprise. 'Not 'Arry--'oo is it if it ain't 'Arry? The villin!' 'Wot's 'e been doin', then?' asked Liza again. 'Beatin' 'er, that's wot 'e's been doin'! Oh, the villin, 'e oughter be ashimed of 'isself 'e ought!' 'I didn't know 'e was like that!' said Liza. 'Didn't yer? I thought the 'ole street knew it by now,' said Mrs. Cooper indignantly. 'Oh, 'e's a wrong 'un, 'e is.' 'It wasn't 'is fault,' put in Sally, amidst her sobs; 'it's only because 'e's 'ad a little drop too much. 'E's arright when 'e's sober.' 'A little drop too much! I should just think 'e'd 'ad, the beast! I'd give it 'im if I was a man. They're all like thet--'usbinds is all alike; they're arright when they're sober--sometimes--but when they've got the liquor in 'em, they're beasts, an' no mistike. I 'ad a 'usbind myself for five-an'-twenty years, an' I know 'em.",
"NG OUT HER HANDKERCHIEF SHE HID HER FACE IN IT AND BEGAN TO SOB BROKEN HEARTEDLY LIZA LOOKED AT THE MOTHER IN INTERROGATION OH IT'S THAT MAN AGAIN SAID THE LADY SNORTING AND TOSSING HER HEAD NOT HARRY ASKED LIZA IN SURPRISE NOT HARRY WHO IS IT IF IT AIN'T HARRY THE VILLAIN WHAT'S HE BEEN DOING THEN ASKED LIZA AGAIN BEEN THERE THAT'S WHAT HE'S BEEN DOIN OH THE VILLAIN HE OUGHT TO BE ASHAMED OF HISSELF HE OUGHT I DIDN'T KNOW HE WAS LIKE THAT SAID LIZA DIDN'T YER I THOUGHT THE OLD STREET KNEW IT BY NOW SAID MISSUS COOPER INDIGNANTLY OH HE'S A WRONG IN HE IS IT WASN'T HIS FAULT PUT IN SALLIE AMIDST HER SOBS IT'S ONLY BECAUSE HE'S HAD A LITTLE DROP TOO MUCH HE'S ALL RIGHT WHEN HE'S SOBER AND IT WILL DROP TOO MUCH I SHOULD JUST THINK HE HAD THE BEAST I'D GIVE IT HIM IF I WAS A MAN THEY'RE ALL LIKE THAT HUSBANDS IS ALL ALIKE THEY ARE RIGHT WHEN THEY'RE SOBER SOMETIMES BUT WHEN THEY'VE GOT LIQUOR IN EM THEY'RE BEASTS AND NO MISTAKE I HAD A HUSBAND MYSELF FOR FIVE AND TWENTY YEARS AND I KNOW EM"
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"Mrs. Blakeston attacked Liza madly; but the girl stood up bravely, and as well as she could gave back the blows she received. The spectators grew tremendously excited.",
"MISSUS BLAKESTON ATTACKED LIZA MADLY BUT THE GIRL STOOD UP BRAVELY AND AS WELL AS SHE COULD GAVE BACK THE BLOWS SHE RECEIVED THE SPECTATORS GREW TREMENDOUSLY EXCITED"
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"ke this--see; yer must show a bit of pluck, yer know.' Liza tried to check her sobs. 'Yus, 'it 'er 'ard, that's wot yer've got ter do,' said the other. 'An' if yer find she's gettin' the better on yer, you close on 'er and catch 'old of 'er 'air and scratch 'er.' 'You've marked 'er with yer nails, Liza. By gosh, you did fly on her when she spat at yer! thet's the way ter do the job!' Then turning to his fellow, he said: 'D'yer remember thet fight as old Mother Cregg 'ad with another woman in the street last year?' 'Na,' he answered, 'I never saw thet.' 'It was a cawker; an' the cops come in and took 'em both off ter quod.' Liza wished the policemen would come and take her off; she would willingly have gone to prison to escape the fiend in front of her; but no help came. 'Time's up!' shouted the referee. 'Fire away!' 'Tike care of the cops!' shouted a man. 'There's no fear abaht them,' answered somebody else. 'They always keeps out of the way when there's anythin' goin' on.' 'Fire away!",
"'LL SIMPLY GET IT ALL THE WORSE YOU GIVE IT HER BACK GIVE HER ONE ON THE BOKER LIKE THIS SEE YOU MUST SHOW A BIT OF PLUCK YOU KNOW LIZA TRIED TO CHECK HER SOBS YES IT ERRAR THAT'S WHAT YOU'VE GOT TO DO SAID THE OTHER AND IF YOU FIND SHE'S GETTING THE BETTER ON YE CLOSE ON HER AND CATCH HOLD OF HER AIR AND SCRATCH HER YOU'VE MARKED HER WITH YOUR NAILS LIZA BY GOSH YOU DID FLY HER WHEN SHE SPAN IT YET'S THE WAY TO DO THE JOB THEN TURNING TO HIS FELLOW HE SAID DO YOU REMEMBER THAT FIGHT AS OLD MOTHER CRAIG HAD WITH ANOTHER WOMAN IN THE STREET LAST YEAR NA HE ANSWERED I NEVER SAW THAT IT WAS A CORKER AND THE COPSE COMING AND TOOK EM BOTH OFF TO QUAD LIZA WISHED THE POLICEMAN WOULD COME AND TAKE HER OFF SHE WOULD WILLINGLY HAVE GONE TO PRISON TO ESCAPE THE FIEND IN FRONT OF HER BUT NO HELP CAME TIME'S UP SHOUTED THE REFEREE FIRE AWAY TAKE CARE OF THE COPSE SHOUTED A MAN THERE'S NO FEAR ABOUT THEM ANSWERED SOMEBODY ELSE THEY ALWAYS KEEPS OUT OF THE WAY WHEN THERE'S ANYTHING GOING ON FAR AWAY"
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"Jim caught hold of his wife's head and began beating it against the floor. She cried out: 'You're killing me! Help! help!'",
"JIM CAUGHT HOLD OF HIS WIFE'S HEAD AND BEGAN BEATING IT AGAINST THE FLOOR SHE CRIED OUT YOU'RE KILLING ME HELP HELP"
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"r stand this much longer, so just you tike care.' 'I ain't frightened of yer. I know yer'd like ter kill me, but yer'll get strung up if you do.' 'Na, I won't kill yer, but if I 'ave any more of your sauce I'll do the next thing to it.' 'Touch me if yer dare,' she said, 'I'll 'ave the law on you. An' I shouldn't mind 'ow many month's 'ard you got.' 'Be quiet!' he said, and, closing his hand, gave her a heavy blow in the chest that made her stagger. 'Oh, you ----!' she screamed. She seized the poker, and in a fury of rage rushed at him. 'Would yer?' he said, catching hold of it and wrenching it from her grasp. He threw it to the end of the room and grappled with her. For a moment they swayed about from side to side, then with an effort he lifted her off her feet and threw her to the ground; but she caught hold of him and he came down on the top of her. She screamed as her head thumped down on the floor, and the children, who were standing huddled up in a corner, terrified, screamed too.",
"D NOT GOT SO MANY STRANGE EYES ON HIM NOW LOOK HERE HE SAID I'M NOT GOING TO STAND THIS MUCH LONGER SO JUST YOU TAKE CARE I AIN'T AFRAID OF YE I KNOW YOU'D LIKE TO KILL ME BUT YOU'LL GET STRUNG UP IF YOU DO NO I WON'T KILL YER BUT IF I HAVE ANY MORE OF YOUR SAUCE I'LL DO THE NEXT THING TO IT TOUCH ME IF YOU DARE SHE SAID I'LL HAVE THE LAW ON YOU AND I SHOULDN'T MIND HOW MANY MONTHS HARD YOU GOT BE QUIET HE SAID AND CLOSING HIS HAND GAVE HER A HEAVY BLOW IN THE CHEST THAT MADE HER STAGGER ARE YOU SHE SCREAMED SHE SEIZED THE POKER AND IN A FURY OF RAGE RUSHED AT HIM WOULD YE HE SAID CATCHING HOLD OF IT AND WRENCHING IT FROM HER GRASP HE THREW IT TO THE END OF THE ROOM AND GRAPPLED WITH HER FOR A MOMENT THEY SWAYED ABOUT FROM SIDE TO SIDE THEN WITH AN EFFORT HE LIFTED HER OFF HER FEET AND THREW HER TO THE GROUND BUT SHE CAUGHT HOLD OF HIM AND HE CAME DOWN ON TOP OF HER SHE SCREAMED AS A HEAD THUMPED THE FLOOR AND THE CHILDREN WHO WERE STANDING HUDDLED UP IN A CORNER TERRIFIED SCREAMED TOO"
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"ay is this--it's good stuff, I say, an' it don't 'urt yer.' 'Buck up, old gal!' said Liza, filling the glasses, 'no 'eel-taps. I feel like a new woman now. I was thet dahn in the dumps--well, I shouldn't 'ave cared if I'd been at the bottom of the river, an' thet's the truth.' 'You don't sy so,' replied her affectionate mother. 'Yus, I do, an' I mean it too, but I don't feel like thet now. You're right, mother, when you're in trouble there's nothin' like a bit of spirits.' 'Well, if I don't know, I dunno 'oo does, for the trouble I've 'ad, it 'ud be enough to kill many women. Well, I've 'ad thirteen children, an' you can think wot thet was; everyone I 'ad I used ter sy I wouldn't 'ave no more--but one does, yer know. You'll 'ave a family some day, Liza, an' I shouldn't wonder if you didn't 'ave as many as me. We come from a very prodigal family, we do, we've all gone in ter double figures, except your Aunt Mary, who only 'ad three--but then she wasn't married, so it didn't count, like.",
"CIDENTS WILL OCCUR EVEN IN THE BEST REGULATED OF FAMILIES BUT WHAT I SAY IS THIS IT'S GOOD STUFF I SAY AND IT DON'T ERR BUCK UP OLD GAL SAID LIZA FILLING THE GLASSES NO ILL TAPS I FEEL LIKE A NEW WOMAN NOW I WAS THAT DOWN IN THE DUMPS WELL I SHOULDN'T HAVE CARED IF I'D BEEN AT THE BOTTOM OF THE RIVER AND THAT'S THE TRUTH YOU DON'T SAY SO REPLIED HER AFFECTIONATE MOTHER YES I DO AND I MEAN IT TOO BUT I DON'T FEEL LIKE THAT NOW YOU'RE RIGHT MOTHER WHEN YOU'RE IN TROUBLE IT'S NOTHING LIKE A BIT OF SPIRIT WELL IF I DON'T KNOW I DUNNO WHO DOES FOR THE TROUBLE I'VE HAD IT'D BE ENOUGH TO KILL MANY WOMEN WELL I'VE HAD THIRTEEN CHILDREN AND YOU CAN THINK WHAT THAT WAS EVERY ONE I HAD I USED TO SAY I WOULDN'T HAVE NO MORE BUT ONE DOES YOU KNOW YOU'LL HAVE A FAMILY SOME DAY LIZA I SHOULDN'T WONDER IF YOU DIDN'T HAVE AS MANY AS ME WE COME FROM A VERY PRODIGAL FAMILY WE DO WE'VE ALL GONE INTO DOUBLE FIGURES EXCEPT YOUR AUNT MARY WHO ONLY HAD THREE BUT THEN SHE WASN'T MARRIED SO IT DIDN'T COUNT LIKE"
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"LIZA SPRANG ON HER WITH HER HANDS SPREAD OUT LIKE CLAWS BURIED HER NAILS IN THE WOMAN'S FACE AND DREW THEM DOWN HER CHEEKS MISSUS BLAKESTON CAUGHT HOLD OF HER HAIR WITH BOTH HANDS AND TUGGED AT IT AS HARD AS SHE COULD BUT THEY WERE IMMEDIATELY SEPARATED"
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" and speaking in a loud voice, hoarse with rage. 'Oh, I've been tryin' ter git 'old on yer this four weeks. Why, you're a prostitute--that's wot you are!' 'I'm not!' answered Liza indignantly. 'Yus, you are,' repeated Mrs. Blakeston, advancing menacingly, so that Liza shrank back. 'An' wot's more, 'e treats yer like one. I know 'oo give yer thet black eye; thet shows what 'e thinks of yer! An' serve yer bloomin' well right if 'e'd give yer one in both eyes!' Mrs. Blakeston stood close in front of her, her heavy jaw protruded and the frown of her eyebrows dark and stern. For a moment she stood silent, contemplating Liza, while the surrounders looked on in breathless interest. 'Yer dirty little bitch, you!' she said at last. 'Tike that!' and with her open hand she gave her a sharp smack on the cheek. Liza started back with a cry and put her hand up to her face. 'An' tike thet!' added Mrs. Blakeston, repeating the blow. Then, gathering up the spittle in her mouth, she spat in Liza's face.",
"LAKESTON GETTING MORE HOT AND EXCITED BRANDISHING HER FIST AND SPEAKING IN A LOUD VOICE HOARSE WITH RAGE OH I'VE BEEN TRYING TO GET HOLD ON YOU THIS FOUR WEEKS WHY YOU'RE A PROSTITUTE THAT'S WHAT YOU ARE I'M NOT ANSWERED LIZA INDIGNANTLY YES YOU ARE REPEATED MISSUS BLAKESTON ADVANCING MENACINGLY SO LIZA SHRANK BACK AND WHAT'S MORE HE TREATS YOU LIKE ONE I KNOW WE'D GIVE YOU THAT BLACK EYE THAT SHOWS WHAT HE THINKS OF YE AND SERVE YOU BLOOMING WELL RIGHT IF HE'D GIVE YOU ONE IN BOTH EYES MISSUS BLAKESTON STOOD CLOSE IN FRONT OF HER HER HEAVY JAW PROTRUDED AND THE FROWN OF HER EYEBROWS DARK AND STERN FOR A MOMENT SHE STOOD SILENT CONTEMPLATING LIZA WHILE THE SURROUNDERS LOOKED ON IN BREATHLESS INTEREST YOU DIRTY LITTLE BIT JUDE SHE SAID AT LAST TAKE THAT WITH HER OPEN HAND SHE GAVE HER A SHARP SMACK ON THE CHEEK LIZA STARTED BACK WITH A CRY AND PUT HER HAND UP TO HER FACE AND TAKE THAT ADDED MISSUS BLAKESTON REPEATING THE BLOW GATHERING UP THE SPITTLE IN HER MOUTH SHE SPAT IN LIZA'S FACE"
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"'You 'ave been good ter me, Tom,' she repeated, her voice still broken with sobs; and as he sat down beside her she took his hand.",
"YOU HAVE BEEN GOOD TO ME TOM SHE REPEATED HER VOICE STILL BROKEN WITH SOBS AND AS HE SAT DOWN BESIDE HER SHE TOOK HIS HAND"
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"ilently looking at one another. Another man had been attracted by the crowd, and he, too, pushed his way through. 'Come 'ome, Liza,' he said. 'Tom!' He took hold of her arm, and led her through the people, who gave way to let her pass. They walked silently through the street, Tom very grave, Liza weeping bitterly. 'Oh, Tom,' she sobbed after a while, 'I couldn't 'elp it!' Then, when her tears permitted, 'I did love 'im so!' When they got to the door she plaintively said: 'Come in,' and he followed her to her room. Here she sank on to a chair, and gave herself up to her tears. Tom wetted the end of a towel and began wiping her face, grimy with blood and tears. She let him do it, just moaning amid her sobs: 'You are good ter me, Tom.' 'Cheer up, old gal,' he said kindly, 'it's all over now.' After a while the excess of crying brought its cessation. She drank some water, and then taking up a broken handglass she looked at herself, saying: 'I am a sight!' and proceeded to wind up her hair.",
"GIVE YOU SOMETHING FOR THIS FOR A MOMENT THEY ALL THREE STOOD SILENTLY LOOKING AT ONE ANOTHER ANOTHER MAN HAD BEEN ATTRACTED BY THE CROWD AND HE TOO PUSHED HIS WAY THROUGH COME OVER ELIZA HE SAID TOM HE TOOK HOLD OF HER ARM AND LED HER THROUGH THE PEOPLE WHO GAVE WAY TO LET HER PASS THEY WALKED SILENTLY THROUGH THE STREET TOM VERY GRAVE ELIZA WEEPING BITTERLY OH TOM SHE SOBBED AFTER A WHILE I COULDN'T HELP IT THEN WHEN HER TEARS PERMITTED I DO LOVE HIM SO WHEN THEY GOT TO THE DOOR SHE PLAINTIVELY SAID COME IN AND HE FOLLOWED HER TO A ROOM HERE SHE SANK ON TO A CHAIR AND GAVE HERSELF UP TO HER TEARS TOM WETTED THE END OF A TOWEL AND BEGAN WIPING HER FACE GRIMY WITH BLOOD AND TEARS SHE LET HIM DO IT JUST MOANING AMID HER SOBS YOU ARE GOOD TO ME TOM CHEER UP OLD GIRL HE SAID KINDLY IT'S ALL OVER NOW AFTER A WHILE THE EXCESS OF CRYING BROUGHT ITS CESSATION SHE DRANK SOME WATER AND THEN TAKING UP A BROKEN HAND GLASS SHE LOOKED AT HERSELF SAYING I AM A SIGHT AND PROCEEDED TO WIND UP HER HAIR"
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"Liza wished the policemen would come and take her off; she would willingly have gone to prison to escape the fiend in front of her; but no help came. 'Time's up!' shouted the referee. 'Fire away!' 'Tike care of the cops!' shouted a man. 'There's no fear abaht them,' answered somebody else. 'They always keeps out of the way when there's anythin' goin' on.' 'Fire away!'",
"LIZA WISHED THE POLICEMAN WOULD COME AND TAKE HER OFF SHE WOULD WILLINGLY HAVE GONE TO PRISON TO ESCAPE THE FIEND IN FRONT OF HER BUT NO HELP CAME TIME'S UP SHOUTED THE REFEREE FIRE AWAY TAKE CARE OF THE COPSE SHOUTED A MAN THERE'S NO FEAR ABOUT THEM ANSWERED SOMEBODY ELSE THEY ALWAYS KEEPS OUT OF THE WAY WHEN THERE'S ANYTHING GOING ON FAR AWAY"
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"were standing in front of her, offering rather ironical comfort. One of them had taken the bottom corners of her apron and was fanning her with it, while the other was showing her how to stand and hold her arms. 'You stand up to 'er, Liza,' he was saying; 'there ain't no good funkin' it, you'll simply get it all the worse. You 'it 'er back. Give 'er one on the boko, like this--see; yer must show a bit of pluck, yer know.' Liza tried to check her sobs. 'Yus, 'it 'er 'ard, that's wot yer've got ter do,' said the other. 'An' if yer find she's gettin' the better on yer, you close on 'er and catch 'old of 'er 'air and scratch 'er.' 'You've marked 'er with yer nails, Liza. By gosh, you did fly on her when she spat at yer! thet's the way ter do the job!' Then turning to his fellow, he said: 'D'yer remember thet fight as old Mother Cregg 'ad with another woman in the street last year?' 'Na,' he answered, 'I never saw thet.' 'It was a cawker; an' the cops come in and took 'em both off ter quod.",
"ER FACE TWO YOUNG FELLOWS WHO HAD CONSTITUTED THEMSELVES HER SECONDS WERE STANDING IN FRONT OF HER OFFERING RATHER IRONICAL COMFORT ONE OF THEM HAD TAKEN THE BOTTOM CORNERS OF HER APRON AND WAS FANNING HER WITH IT WHILE THE OTHER WAS SHOWING HER HOW TO STAND AND HOLD HER ARMS YOU STAND UP TO ELIZA HE WAS SAYING THERE AIN'T NO GOOD FUNK IN IT YOU'LL SIMPLY GET IT ALL THE WORSE YOU GIVE IT HER BACK GIVE HER ONE ON THE BOKER LIKE THIS SEE YOU MUST SHOW A BIT OF PLUCK YOU KNOW LIZA TRIED TO CHECK HER SOBS YES IT ERRAR THAT'S WHAT YOU'VE GOT TO DO SAID THE OTHER AND IF YOU FIND SHE'S GETTING THE BETTER ON YE CLOSE ON HER AND CATCH HOLD OF HER AIR AND SCRATCH HER YOU'VE MARKED HER WITH YOUR NAILS LIZA BY GOSH YOU DID FLY HER WHEN SHE SPAN IT YET'S THE WAY TO DO THE JOB THEN TURNING TO HIS FELLOW HE SAID DO YOU REMEMBER THAT FIGHT AS OLD MOTHER CRAIG HAD WITH ANOTHER WOMAN IN THE STREET LAST YEAR NA HE ANSWERED I NEVER SAW THAT IT WAS A CORKER AND THE COPSE COMING AND TOOK EM BOTH OFF TO QUAD"
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"'She's ever so much bigger than me; I've got no chanst,' added Liza tearfully. 'You should 'ave thought of thet before. Come on!' and with these words Mrs. Blakeston rushed upon her. She hit her with both fists one after the other.",
"SHE'S EVER SO MUCH BIGGER THAN ME I'VE GOT NO CHANCE ADDED ELIZA TEARFULLY YOU SHOULD HAVE THOUGHT OF THAT BEFORE COME ON AND WITH THESE WORDS MISSUS BLAKESTON RUSHED UPON HER SHE HIT HER WITH BOTH FISTS ONE AFTER THE OTHER"
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" on the cheek. Liza started back with a cry and put her hand up to her face. 'An' tike thet!' added Mrs. Blakeston, repeating the blow. Then, gathering up the spittle in her mouth, she spat in Liza's face. Liza sprang on her, and with her hands spread out like claws buried her nails in the woman's face and drew them down her cheeks. Mrs. Blakeston caught hold of her hair with both hands and tugged at it as hard as she could. But they were immediately separated. ''Ere, 'old 'ard!' said some of the men. 'Fight it aht fair and square. Don't go scratchin' and maulin' like thet.' 'I'll fight 'er, I don't mind!' shouted Mrs. Blakeston, tucking up her sleeves and savagely glaring at her opponent. Liza stood in front of her, pale and trembling; as she looked at her enemy, and saw the long red marks of her nails, with blood coming from one or two of them, she shrank back. 'I don't want ter fight,' she said hoarsely. 'Na, I don't suppose yer do,' hissed the other, 'but yer'll damn well 'ave ter!",
"AST TAKE THAT WITH HER OPEN HAND SHE GAVE HER A SHARP SMACK ON THE CHEEK LIZA STARTED BACK WITH A CRY AND PUT HER HAND UP TO HER FACE AND TAKE THAT ADDED MISSUS BLAKESTON REPEATING THE BLOW GATHERING UP THE SPITTLE IN HER MOUTH SHE SPAT IN LIZA'S FACE LIZA SPRANG ON HER WITH HER HANDS SPREAD OUT LIKE CLAWS BURIED HER NAILS IN THE WOMAN'S FACE AND DREW THEM DOWN HER CHEEKS MISSUS BLAKESTON CAUGHT HOLD OF HER HAIR WITH BOTH HANDS AND TUGGED AT IT AS HARD AS SHE COULD BUT THEY WERE IMMEDIATELY SEPARATED HERE OLD ARD SAID SOME OF THE MEN FIGHT OUT FAIR AND SQUARE DON'T GO SCRATCHIN AND MAWLING LIKE THAT I'LL FIGHT HER I DON'T MIND SHOUTED MISSUS BLAKESTON TUCKING UP HER SLEEVES AND SAVAGELY GLARING AT HER OPPONENT ELIZA STOOD IN FRONT OF HER PALE AND TREMBLING AS SHE LOOKED AT HER ENEMY AND SAW THE LONG RED MARKS OF HER NAILS WITH BLOOD COMING FROM ONE OR TWO OF THEM SHE SHRANK BACK I DON'T WANT TO FIGHT SHE SAID HOARSELY NO I DON'T S'POSE YOU DO HISSED THE OTHER BUT YOU'RE DAMN WELL AFTER"
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"It seemed an age. Finally, taking her courage in both hands, she turned the corner and entered Vere Street. She nearly ran into the arms of Mrs. Blakeston, who was standing close to the public house door. Liza gave a little cry, and the woman said, with a sneer: 'Yer didn't expect ter see me, did yer?' Liza did not answer, but tried to walk past her. Mrs. Blakeston stepped forward and blocked her way. 'Yer seem ter be in a mighty fine 'urry,' she said. 'Yus, I've got ter git 'ome,' said Liza, again trying to pass.",
"IT SEEMED AN AGE FINALLY TAKING HER COURAGE IN BOTH HANDS SHE TURNED THE CORNER AND ENTERED BEER STREET SHE NEARLY RAN INTO THE ARMS OF MISSUS BLAKESTON WHO WAS STANDING CLOSE TO THE PUBLIC HOUSE DOOR LIZA GAVE A LITTLE CRY AND THE WOMAN SAID WITH A SNEER YOU DIDN'T EXPECT TO SEE ME DID YOU LIZA DID NOT ANSWER BUT TRIED TO WALK PAST HER MISSUS BLAKESTON STEPPED FORWARD AND BLOCKED HER WAY YOU SEEM TO BE IN A MIGHTY FINE ARRAY SHE SAID YES I'VE GOT TO GET HOME SAID LIZA AGAIN TRYING TO PASS"
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"rs. Blakeston. She dreamed of her at night; she saw the big, powerful form, the heavy, frowning face, and the curiously braided brown hair; and she would wake up with a cry and find herself bathed in sweat. It was the Saturday afternoon following this, a chill November day, with the roads sloshy, and a grey, comfortless sky that made one's spirits sink. It was about three o'clock, and Liza was coming home from work; she got into Vere Street, and was walking quickly towards her house when she saw Mrs. Blakeston coming towards her. Her heart gave a great jump. Turning, she walked rapidly in the direction she had come; with a screw round of her eyes she saw that she was being followed, and therefore went straight out of Vere Street. She went right round, meaning to get into the street from the other end and, unobserved, slip into her house, which was then quite close; but she dared not risk it immediately for fear Mrs. Blakeston should still be there; so she waited about for half an hour.",
"THE DISTANCE ANY ONE RESEMBLING MISSUS BLAKESTON SHE DREAMED OF HER AT NIGHT SHE SAW THE BIG POWERFUL FORM THE HEAVY FROWNING FACE AND THE CURIOUSLY BRAIDED BROWN HAIR SHE WOULD WAKE UP WITH A CRY AND FIND HERSELF BATHED IN SWEAT IT WAS THE SATURDAY AFTERNOON FOLLOWING THIS A CHILLY NOVEMBER DAY THE ROAD SLOSHY AND A GRAY COMFORTLESS SKY THAT MADE ONE'S SPIRIT SINK IT WAS ABOUT THREE O'CLOCK AND LIZA WAS COMING HOME FROM WORK SHE GOT INTO VERE STREET AND WAS WALKING QUICKLY TOWARDS HER HOUSE WHEN SHE SAW MISSUS BLAKESTON COMING TOWARDS HER HER HEART GAVE A GREAT JUMP TURNING SHE WALKED RAPIDLY IN THE DIRECTION SHE HAD COME WITH A SCREW ROUND OF HER EYES SHE SAW THAT SHE WAS BEING FOLLOWED AND THEREFORE WENT STRAIGHT OUT OF VERE STREET SHE WENT RIGHT ROUND MEANING TO GET INTO THE STREET FROM THE OTHER END AND UNOBSERVED SLIP INTO HER HOUSE WHICH WAS THEN QUITE CLOSE BUT SHE DARED NOT RISK IT IMMEDIATELY FOR FEAR MISSUS BLAKESTON SHOULD STILL BE THERE SO SHE WAITED ABOUT FOR HALF AN HOUR"
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"Jim put on his hat and went out, slamming the door, while the woman shouted after him: 'Good riddance!' * * * * * 'Lord love yer,' said Mrs. Kemp, 'wot is the matter?' She had just come in, and opening the door had started back in surprise at seeing Liza on the bed, all tears.",
"JIM PUT ON HIS HAT AND WENT OUT SLAMMING THE DOOR WHILE THE WOMAN SHOUTED AFTER HIM GOOD RIDDANCE LORD LOVEYA SAID MISSUS KEMP WHAT IS THE MATTER SHE HAD JUST COME IN AND OPENING THE DOOR HAD STARTED BACK IN SURPRISE AT SEEING LIZA ON THE BED ALL TEARS"
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"ered; I'll go an' stop 'im.' With that she ran upstairs and threw open the door. Jim was still kneeling on his wife, hitting her furiously, while she was trying to protect her head and face with her hands. 'Leave off!' shouted the woman. Jim looked up. ''Oo the devil are you?' he said. 'Leave off, I tell yer. Aren't yer ashimed of yerself, knockin' a woman abaht like that?' And she sprang at him, seizing his fist. 'Let go,' he said, 'or I'll give you a bit.' 'Yer'd better not touch me,' she said. 'Yer dirty coward! Why, look at 'er, she's almost senseless.' Jim stopped and gazed at his wife. He got up and gave her a kick. 'Git up!' he said; but she remained huddled up on the floor, moaning feebly. The woman from downstairs went on her knees and took her head in her arms. 'Never mind, Mrs. Blakeston. 'E's not goin' ter touch yer. 'Ere, drink this little drop of water.' Then turning to Jim, with infinite disdain: 'Yer dirty blackguard, you! If I was a man I'd give you something for this.",
"AN SAY INDIGNANTLY ANSWERED THE WIFE BUT I AM GOING TO SEE A WOMAN MURDERED I'LL GO AND STOP HIM WITH THAT SHE RAN UPSTAIRS AND THREW OPEN THE DOOR JIM WAS STILL KNEELING ON HIS WIFE HITTING HER FURIOUSLY WHILE SHE WAS TRYING TO PROTECT HER HEAD AND FACE WITH HER HANDS LEAVE OFF SHOUTED THE WOMAN JIM LOOKED UP WHO THE DEVIL ARE YOU HE SAID LEAVE OFF I TELL YE AND YOU'RE ASHAMED OF YOURSELF KNOCKING A WOMAN ABOUT THAT AND SHE SPRANG AT HIM SEIZING HIS FIST LET GO HE SAID OR I'LL GIVE YOU A BIT YOU'D BETTER NOT TOUCH ME SHE SAID YOU DIRTY COWARD WHY LOOK AT HER SHE'S ALMOST SENSELESS JIM STOPPED AND GAZED AT HIS WIFE HE GOT UP AND GAVE HER A KICK GET UP HE SAID AND SHE REMAINED HUDDLED ON THE FLOOR MOANING FEEBLY THE WOMAN FROM DOWNSTAIRS WENT ON HER KNEES AND TOOK HER HEAD IN HER ARMS NEVER MIND MISSUS BLAKESTON HE'S NOT GOING TO TOUCH HER HERE DRINK THIS LITTLE DROP OF WATER THEN TURNING TO JIM WITH INFINITE DISDAIN IT DIRTY BLACKGARED YOU IF I WAS A MAN I'D GIVE YOU SOMETHING FOR THIS"
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"g smashing was heard upstairs, and a woman's shriek. Mrs. Blakeston, in an effort to tear herself away from her husband, had knocked up against the wash-hand stand, and the whole thing had crashed down. 'Go on, John,' said the wife. 'No, I ain't goin'; I shan't do no good, an' 'e'll only round on me.' 'Well, you are a bloomin' lot of cowards, thet's all I can say,' indignantly answered the wife. 'But I ain't goin' ter see a woman murdered; I'll go an' stop 'im.' With that she ran upstairs and threw open the door. Jim was still kneeling on his wife, hitting her furiously, while she was trying to protect her head and face with her hands. 'Leave off!' shouted the woman. Jim looked up. ''Oo the devil are you?' he said. 'Leave off, I tell yer. Aren't yer ashimed of yerself, knockin' a woman abaht like that?' And she sprang at him, seizing his fist. 'Let go,' he said, 'or I'll give you a bit.' 'Yer'd better not touch me,' she said. 'Yer dirty coward! Why, look at 'er, she's almost senseless.",
"BE QUICK FOR GOD'S SAKE SAID POLLY AT THAT MOMENT A SOUND AS OF SOMETHING SMASHING WAS HEARD UPSTAIRS AND A WOMAN'S SHRIEK MISSUS BLAKESTON IN AN EFFORT TO TEAR HERSELF AWAY FROM HER HUSBAND HAD KNOCKED UP AGAINST THE WASH HAND STAND AND THE WHOLE THING HAD CRASHED DOWN GO ON JOHN SAID THE WIFE NO I AIN'T GOING I SHA'N'T DO NO GOOD AND I'LL ONLY ROUND ON ME WELL YOU ARE A BLOOMIN LOT OF COWARDS THAT'S ALL I CAN SAY INDIGNANTLY ANSWERED THE WIFE BUT I AM GOING TO SEE A WOMAN MURDERED I'LL GO AND STOP HIM WITH THAT SHE RAN UPSTAIRS AND THREW OPEN THE DOOR JIM WAS STILL KNEELING ON HIS WIFE HITTING HER FURIOUSLY WHILE SHE WAS TRYING TO PROTECT HER HEAD AND FACE WITH HER HANDS LEAVE OFF SHOUTED THE WOMAN JIM LOOKED UP WHO THE DEVIL ARE YOU HE SAID LEAVE OFF I TELL YE AND YOU'RE ASHAMED OF YOURSELF KNOCKING A WOMAN ABOUT THAT AND SHE SPRANG AT HIM SEIZING HIS FIST LET GO HE SAID OR I'LL GIVE YOU A BIT YOU'D BETTER NOT TOUCH ME SHE SAID YOU DIRTY COWARD WHY LOOK AT HER SHE'S ALMOST SENSELESS"
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"One of the women started up and said to her husband: 'Come on, John, you go an' stop it.' 'Don't you, John,' said the other man. 'When a man's givin' 'is wife socks it's best not ter interfere.' 'But 'e's killin' 'er,' repeated Polly, trembling with fright.",
"ONE OF THE WOMEN STARTED UP AND SAID TO HER HUSBAND COME ON JOHN YOU GO AND STOP IT DON'T YOU JOHN SAID THE OTHER MAN WHEN A MAN'S GIVEN HIS WIFE'S SOCKS IT'S BEST NOT TO INTERFERE BUT BUT HE'S KILLING HER REPEATED POLLY TREMBLING WITH FRIGHT"
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"her off her feet and threw her to the ground; but she caught hold of him and he came down on the top of her. She screamed as her head thumped down on the floor, and the children, who were standing huddled up in a corner, terrified, screamed too. Jim caught hold of his wife's head and began beating it against the floor. She cried out: 'You're killing me! Help! help!' Polly in terror ran up to her father and tried to pull him off. 'Father, don't 'it 'er! Anythin' but thet--for God's sike!' 'Leave me alone,' he said, 'or I'll give you somethin' too.' She caught hold of his arm, but Jim, still kneeling on his wife, gave Polly a backhanded blow which sent her staggering back. 'Tike that!' Polly ran out of the room, downstairs to the first-floor front, where two men and two women were sitting at tea. 'Oh, come an' stop father!' she cried. ''E's killin' mother!' 'Why, wot's 'e doin'?' 'Oh, 'e's got 'er on the floor, an' 'e's bangin' 'er 'ead. 'E's payin' 'er aht for givin' Liza Kemp a 'idin'.",
"Y SWAYED ABOUT FROM SIDE TO SIDE THEN WITH AN EFFORT HE LIFTED HER OFF HER FEET AND THREW HER TO THE GROUND BUT SHE CAUGHT HOLD OF HIM AND HE CAME DOWN ON TOP OF HER SHE SCREAMED AS A HEAD THUMPED THE FLOOR AND THE CHILDREN WHO WERE STANDING HUDDLED UP IN A CORNER TERRIFIED SCREAMED TOO JIM CAUGHT HOLD OF HIS WIFE'S HEAD AND BEGAN BEATING IT AGAINST THE FLOOR SHE CRIED OUT YOU'RE KILLING ME HELP HELP POLLY AND TERRA RAN UP TO HER FATHER AND TRIED TO PULL HIM OFF FATHER DON'T NEED HER ANYTHING BUT THAT FOR GOD'S SAKE LEAVE ME ALONE HE SAID OR I'LL GIVE YOU SOMETHING TOO SHE CAUGHT HOLD OF HIS ARM BUT JIM STILL KNEELING ON HIS WIFE GAVE POLLY A BACK HANDED BLOW WHICH SENT HER STAGGERING BACK TAKE THAT POLLY RAN OUT OF THE ROOM DOWNSTAIRS TO THE FIRST FLOOR FRONT WHERE TWO MEN AND TWO WOMEN WERE SITTING AT TEA I'LL COME AND STOP FATHER SHE CRIED HE'S KILLING MOTHER WHY WHAT'S HE DOING OH HE'S GOT HER ON THE FLOOR AND HE'S BANGING HER HEAD HIS PAYING HER OUT FOR GIVING LIZA KEMP AND HIDING"
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"Liza stood in front of her, pale and trembling; as she looked at her enemy, and saw the long red marks of her nails, with blood coming from one or two of them, she shrank back. 'I don't want ter fight,' she said hoarsely. 'Na, I don't suppose yer do,' hissed the other, 'but yer'll damn well 'ave ter!' 'She's ever so much bigger than me; I've got no chanst,' added Liza tearfully. 'You should 'ave thought of thet before. Come on!' and with these words Mrs. Blakeston rushed upon her. She hit her with both fists one after the other.",
"ELIZA STOOD IN FRONT OF HER PALE AND TREMBLING AS SHE LOOKED AT HER ENEMY AND SAW THE LONG RED MARKS OF HER NAILS WITH BLOOD COMING FROM ONE OR TWO OF THEM SHE SHRANK BACK I DON'T WANT TO FIGHT SHE SAID HOARSELY NO I DON'T S'POSE YOU DO HISSED THE OTHER BUT YOU'RE DAMN WELL AFTER SHE'S EVER SO MUCH BIGGER THAN ME I'VE GOT NO CHANCE ADDED ELIZA TEARFULLY YOU SHOULD HAVE THOUGHT OF THAT BEFORE COME ON AND WITH THESE WORDS MISSUS BLAKESTON RUSHED UPON HER SHE HIT HER WITH BOTH FISTS ONE AFTER THE OTHER"
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"front of her, her heavy jaw protruded and the frown of her eyebrows dark and stern. For a moment she stood silent, contemplating Liza, while the surrounders looked on in breathless interest. 'Yer dirty little bitch, you!' she said at last. 'Tike that!' and with her open hand she gave her a sharp smack on the cheek. Liza started back with a cry and put her hand up to her face. 'An' tike thet!' added Mrs. Blakeston, repeating the blow. Then, gathering up the spittle in her mouth, she spat in Liza's face. Liza sprang on her, and with her hands spread out like claws buried her nails in the woman's face and drew them down her cheeks. Mrs. Blakeston caught hold of her hair with both hands and tugged at it as hard as she could. But they were immediately separated. ''Ere, 'old 'ard!' said some of the men. 'Fight it aht fair and square. Don't go scratchin' and maulin' like thet.' 'I'll fight 'er, I don't mind!' shouted Mrs. Blakeston, tucking up her sleeves and savagely glaring at her opponent.",
"VE YOU ONE IN BOTH EYES MISSUS BLAKESTON STOOD CLOSE IN FRONT OF HER HER HEAVY JAW PROTRUDED AND THE FROWN OF HER EYEBROWS DARK AND STERN FOR A MOMENT SHE STOOD SILENT CONTEMPLATING LIZA WHILE THE SURROUNDERS LOOKED ON IN BREATHLESS INTEREST YOU DIRTY LITTLE BIT JUDE SHE SAID AT LAST TAKE THAT WITH HER OPEN HAND SHE GAVE HER A SHARP SMACK ON THE CHEEK LIZA STARTED BACK WITH A CRY AND PUT HER HAND UP TO HER FACE AND TAKE THAT ADDED MISSUS BLAKESTON REPEATING THE BLOW GATHERING UP THE SPITTLE IN HER MOUTH SHE SPAT IN LIZA'S FACE LIZA SPRANG ON HER WITH HER HANDS SPREAD OUT LIKE CLAWS BURIED HER NAILS IN THE WOMAN'S FACE AND DREW THEM DOWN HER CHEEKS MISSUS BLAKESTON CAUGHT HOLD OF HER HAIR WITH BOTH HANDS AND TUGGED AT IT AS HARD AS SHE COULD BUT THEY WERE IMMEDIATELY SEPARATED HERE OLD ARD SAID SOME OF THE MEN FIGHT OUT FAIR AND SQUARE DON'T GO SCRATCHIN AND MAWLING LIKE THAT I'LL FIGHT HER I DON'T MIND SHOUTED MISSUS BLAKESTON TUCKING UP HER SLEEVES AND SAVAGELY GLARING AT HER OPPONENT"
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"BUT QUICKLY RECOVERING HERSELF THE WOMAN CLOSED WITH LIZA AND DUG HER NAILS INTO HER FLESH ELIZA CAUGHT HOLD OF HER HAIR AND PULLED WITH ALL HER MIGHT TURNING HER TEETH ON MISSUS BLAKESTON TRIED TO BITE HER"
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"s!' shouted a man. 'There's no fear abaht them,' answered somebody else. 'They always keeps out of the way when there's anythin' goin' on.' 'Fire away!' Mrs. Blakeston attacked Liza madly; but the girl stood up bravely, and as well as she could gave back the blows she received. The spectators grew tremendously excited. 'Got 'im again!' they shouted. 'Give it 'er, Liza, thet's a good 'un!--'it 'er 'ard!' 'Two ter one on the old 'un!' shouted a sporting gentleman; but Liza found no backers. 'Ain't she standin' up well now she's roused?' cried someone. 'Oh, she's got some pluck in 'er, she 'as!' 'Thet's a knock-aht!' they shouted as Mrs. Blakeston brought her fist down on to Liza's nose; the girl staggered back, and blood began to flow. Then, losing all fear, mad with rage, she made a rush on her enemy, and rained down blows all over her nose and eyes and mouth. The woman recoiled at the sudden violence of the onslaught, and the men cried: 'By God, the little 'un's gettin' the best of it!",
" BUT NO HELP CAME TIME'S UP SHOUTED THE REFEREE FIRE AWAY TAKE CARE OF THE COPSE SHOUTED A MAN THERE'S NO FEAR ABOUT THEM ANSWERED SOMEBODY ELSE THEY ALWAYS KEEPS OUT OF THE WAY WHEN THERE'S ANYTHING GOING ON FAR AWAY MISSUS BLAKESTON ATTACKED LIZA MADLY BUT THE GIRL STOOD UP BRAVELY AND AS WELL AS SHE COULD GAVE BACK THE BLOWS SHE RECEIVED THE SPECTATORS GREW TREMENDOUSLY EXCITED GOT EM AGAIN THEY SHOUTED GIVE IT ELIZA THAT'S A GOOD UN YOU'D HURD TWO ONE ON THE OLDEN SHOUTED A SPORTING GENTLEMAN BUT LIZA FOUND NO BACKERS AIN'T SHE STANDING UP WELL NOW SHE'S ROUSED CRIED SOMEONE OH SHE'S GOT PLUCKIN HER SHE HAS THAT'S TO KNOCK OUT THEY SHOUTED AS MISSUS BLAKESTON BROUGHT HER FIST DOWN ON TO LIZA'S NOSE THE GIRL STAGGERED BACK AND BLOOD BEGAN TO FLOW THEN LOSING ALL FEAR MAD WITH RAGE SHE MADE A RUSH ON HER ENEMY AND RAINED DOWN BLOWS ALL OVER HER NOSE AND EYES AND MOUTH THE WOMAN RECOILED AT THE SUDDEN VIOLENCE OF THE ONSLAUGHT AND THE MEN CRIED BY GOD THE LITTLE UNS GET THE BEST OF IT"
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"You're right, mother, when you're in trouble there's nothin' like a bit of spirits.' 'Well, if I don't know, I dunno 'oo does, for the trouble I've 'ad, it 'ud be enough to kill many women.",
"YOU'RE RIGHT MOTHER WHEN YOU'RE IN TROUBLE IT'S NOTHING LIKE A BIT OF SPIRIT WELL IF I DON'T KNOW I DUNNO WHO DOES FOR THE TROUBLE I'VE HAD IT'D BE ENOUGH TO KILL MANY WOMEN"
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"five, an' gettin' on for sixty-six, I'd 'ave said to 'er: \"If you touch my daughter you'll 'ave me ter deal with, so just look aht!\"' She brandished her glass, and that reminding her, she refilled it and Liza's. 'Ah, Liza,' she remarked, 'you're a chip of the old block. Ter see you settin' there an' 'avin' your little drop, it mikes me feel as if I was livin' a better life. Yer used ter be rather 'ard on me, Liza, 'cause I took a little drop on Saturday nights. An', mind, I don't sy I didn't tike a little drop too much sometimes--accidents will occur even in the best regulated of families, but wot I say is this--it's good stuff, I say, an' it don't 'urt yer.' 'Buck up, old gal!' said Liza, filling the glasses, 'no 'eel-taps. I feel like a new woman now. I was thet dahn in the dumps--well, I shouldn't 'ave cared if I'd been at the bottom of the river, an' thet's the truth.' 'You don't sy so,' replied her affectionate mother. 'Yus, I do, an' I mean it too, but I don't feel like thet now.",
"OR MY DAUGHTER WAS GETTING THE WORST OF IT ALTHOUGH I'M TURNED SIXTY FIVE AND GETTING ON FOR SIXTY SIX I'D HAVE SAID TO HER YOU TOUCHED MY DAUGHTER YOU'LL HAVE ME TO DEAL WITH SO JUST LOOK AT SHE BRANDISHED HER GLASS AND THAT REMINDING HER SHE REFILLED IT AND LIZA'S AH ELIZA SHE REMARKED YOU'LL CHIP OFF THE OLD BLOCK TO SEE YOU SETTIN THERE AND HAVE ANY LITTLE DROP IT MAKES ME FEEL AS IF I WAS LIVING A BETTER LIFE YOU USED TO BE RATHER ODD ON ME LIZA CAUSE I TOOK A LITTLE DROP ON SATURDAY NIGHTS AND MIND I DON'T SAY I DIDN'T TAKE A LITTLE DROP TOO MUCH SOMETIMES ACCIDENTS WILL OCCUR EVEN IN THE BEST REGULATED OF FAMILIES BUT WHAT I SAY IS THIS IT'S GOOD STUFF I SAY AND IT DON'T ERR BUCK UP OLD GAL SAID LIZA FILLING THE GLASSES NO ILL TAPS I FEEL LIKE A NEW WOMAN NOW I WAS THAT DOWN IN THE DUMPS WELL I SHOULDN'T HAVE CARED IF I'D BEEN AT THE BOTTOM OF THE RIVER AND THAT'S THE TRUTH YOU DON'T SAY SO REPLIED HER AFFECTIONATE MOTHER YES I DO AND I MEAN IT TOO BUT I DON'T FEEL LIKE THAT NOW"
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"LIZA SAT UP AND DRIED HER EYES I AM SO UNHAPPY WHAT HAVE YOU BEEN DOING TO YOUR FACE MY NOTHING GO ON YOU CAN'T HAVE A FACE LIKE THAT ALL BY ITSELF I HAD A BIT OF A SCRIMMAGE WITH A WOMAN DOWN THE STREET SOBBED OUT ELIZA"
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" 'or I'll give you a bit.' 'Yer'd better not touch me,' she said. 'Yer dirty coward! Why, look at 'er, she's almost senseless.' Jim stopped and gazed at his wife. He got up and gave her a kick. 'Git up!' he said; but she remained huddled up on the floor, moaning feebly. The woman from downstairs went on her knees and took her head in her arms. 'Never mind, Mrs. Blakeston. 'E's not goin' ter touch yer. 'Ere, drink this little drop of water.' Then turning to Jim, with infinite disdain: 'Yer dirty blackguard, you! If I was a man I'd give you something for this.' Jim put on his hat and went out, slamming the door, while the woman shouted after him: 'Good riddance!' * * * * * 'Lord love yer,' said Mrs. Kemp, 'wot is the matter?' She had just come in, and opening the door had started back in surprise at seeing Liza on the bed, all tears. Liza made no answer, but cried as if her heart were breaking. Mrs. Kemp went up to her and tried to look at her face. 'Don't cry, dearie; tell us wot it is.",
"AN ABOUT THAT AND SHE SPRANG AT HIM SEIZING HIS FIST LET GO HE SAID OR I'LL GIVE YOU A BIT YOU'D BETTER NOT TOUCH ME SHE SAID YOU DIRTY COWARD WHY LOOK AT HER SHE'S ALMOST SENSELESS JIM STOPPED AND GAZED AT HIS WIFE HE GOT UP AND GAVE HER A KICK GET UP HE SAID AND SHE REMAINED HUDDLED ON THE FLOOR MOANING FEEBLY THE WOMAN FROM DOWNSTAIRS WENT ON HER KNEES AND TOOK HER HEAD IN HER ARMS NEVER MIND MISSUS BLAKESTON HE'S NOT GOING TO TOUCH HER HERE DRINK THIS LITTLE DROP OF WATER THEN TURNING TO JIM WITH INFINITE DISDAIN IT DIRTY BLACKGARED YOU IF I WAS A MAN I'D GIVE YOU SOMETHING FOR THIS JIM PUT ON HIS HAT AND WENT OUT SLAMMING THE DOOR WHILE THE WOMAN SHOUTED AFTER HIM GOOD RIDDANCE LORD LOVEYA SAID MISSUS KEMP WHAT IS THE MATTER SHE HAD JUST COME IN AND OPENING THE DOOR HAD STARTED BACK IN SURPRISE AT SEEING LIZA ON THE BED ALL TEARS ELIZA MADE NO ANSWER BUT CRIED AS IF HER HEART WERE BREAKING MISSUS KEMP WENT UP TO HER AND TRIED TO LOOK AT HER FACE DON'T CRY DEARIE TELL US WHAT IT IS"
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"hen Mrs. Kemp remarked: 'Yer know, Liza, it strikes me as 'ow we could do with a drop more. You not bein' in the 'abit of tikin' anythin' I only brought just this little drop for me; an' it ain't took us long ter finish thet up. But as you're an invalid like we'll git a little more this time; it's sure ter turn aht useful.' 'But you ain't got nothin' ter put it in.' 'Yus, I 'ave,' answered Mrs. Kemp; 'there's thet bottle as they gives me at the 'orspital. Just empty the medicine aht into the pile, an' wash it aht, an' I'll tike it round to the pub myself.' Liza, when she was left alone, began to turn things over in her mind. She did not feel so utterly unhappy as before, for the things she had gone through seemed further away. 'After all,' she said, 'it don't so much matter.' Mrs. Kemp came in. ''Ave a little drop more, Liza.' she said. 'Well, I don't mind if I do. I'll get some tumblers, shall I? There's no mistike abaht it,' she added, when she had taken a little, 'it do buck yer up.",
"E MUCH LESS SICKNESS ABOUT THEY SAT FOR A WHILE IN SILENCE THEN MISSUS KEMP REMARKED YOU KNOW LIZA IT STRIKES ME AS HOUR WE COULD DO WITH A DROP MORE YOU NOT BEING IN THE HABIT OF TAKING ANYTHING I ON'Y JUST BOUGHT THIS LITTLE DROP FOR ME AND IT AIN'T TOOK US LONG TO FINISH THAT UP BUT AS YOU'RE AN INVALID LIKE WE'LL GET A LITTLE MORE THIS TIME IT'S SURE TO TURN OUT USEFUL BUT YOU AIN'T GOT NOTHIN TO PUT IT IN YES I HAVE ANSWERED MISSUS GIM THERE'S THAT BOTTLE AS THEY GIVES ME AT THE HOSPITAL JUST EMPTY THE MEDICINE OUT INTO THE PILE AND WASH IT OUT AND I'LL TAKE IT ROUND TO THE PUB MYSELF ELIZA WHEN SHE WAS LEFT ALONE BEGAN TO TURN THINGS OVER IN HER MIND SHE DID NOT FEEL SO UTTERLY UNHAPPY AS BEFORE FOR THE THINGS SHE HAD GONE THROUGH SEEMED FURTHER AWAY AFTER ALL SHE SAID IT DOESN'T SO MUCH MATTER MISSUS KEMP CAME IN HAVE A LITTLE JOSA SHE SAID WELL I DON'T MIND IF I DO I'LL GET SOME TUMBLERS SHALL I THERE'S NO MISTAKE ABOUT IT SHE ADDED WHEN SHE HAD TAKEN LITTLE IT DO BUT YOU'RE UP"
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"'Oh, thet's all over now, old lidy, we needn't think of thet.' 'Oh, but I 'ave treated yer bad. I'm a regular wrong 'un, I am.'",
"OH THAT'S ALL OVER NOW LADY WE NEEDN'T THINK OF THAT OH BUT I HAVE TREATED YOU BAD I'M A REGULAR WRONG I AM"
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"r a while, 'I couldn't 'elp it!' Then, when her tears permitted, 'I did love 'im so!' When they got to the door she plaintively said: 'Come in,' and he followed her to her room. Here she sank on to a chair, and gave herself up to her tears. Tom wetted the end of a towel and began wiping her face, grimy with blood and tears. She let him do it, just moaning amid her sobs: 'You are good ter me, Tom.' 'Cheer up, old gal,' he said kindly, 'it's all over now.' After a while the excess of crying brought its cessation. She drank some water, and then taking up a broken handglass she looked at herself, saying: 'I am a sight!' and proceeded to wind up her hair. 'You 'ave been good ter me, Tom,' she repeated, her voice still broken with sobs; and as he sat down beside her she took his hand. 'Na, I ain't,' he answered; 'it's only wot anybody 'ud 'ave done.' 'Yer know, Tom,' she said, after a little silence, 'I'm so sorry I spoke cross like when I met yer in the street; you ain't spoke ter me since.",
"H THE STREET TOM VERY GRAVE ELIZA WEEPING BITTERLY OH TOM SHE SOBBED AFTER A WHILE I COULDN'T HELP IT THEN WHEN HER TEARS PERMITTED I DO LOVE HIM SO WHEN THEY GOT TO THE DOOR SHE PLAINTIVELY SAID COME IN AND HE FOLLOWED HER TO A ROOM HERE SHE SANK ON TO A CHAIR AND GAVE HERSELF UP TO HER TEARS TOM WETTED THE END OF A TOWEL AND BEGAN WIPING HER FACE GRIMY WITH BLOOD AND TEARS SHE LET HIM DO IT JUST MOANING AMID HER SOBS YOU ARE GOOD TO ME TOM CHEER UP OLD GIRL HE SAID KINDLY IT'S ALL OVER NOW AFTER A WHILE THE EXCESS OF CRYING BROUGHT ITS CESSATION SHE DRANK SOME WATER AND THEN TAKING UP A BROKEN HAND GLASS SHE LOOKED AT HERSELF SAYING I AM A SIGHT AND PROCEEDED TO WIND UP HER HAIR YOU HAVE BEEN GOOD TO ME TOM SHE REPEATED HER VOICE STILL BROKEN WITH SOBS AND AS HE SAT DOWN BESIDE HER SHE TOOK HIS HAND NAY AIN'T HE SAID IT'S ONLY WHAT ANYBODY UD HAVE DONE YOU KNOW TOM SHE SAID AFTER A LITTLE SILENCE I'M SO SORRY I SPOKE CROSS LIKE WHEN I MET YOU IN THE STREET YOU AIN'T SPOKE TO ME SINCE"
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"Then all was silence. And a heaviness seemed to fill the air like a grey blight, cold and suffocating; and the heaviness was Death.",
"THEN ALL WAS SILENCE AND A HEAVINESS SEEMED TO FILL THE AIR LIKE A GREY BLIGHT COLD AND SUFFOCATING AND THE HEAVINESS WAS DEATH"
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"did 'ave a job with 'im, I can tell yer. You know 'e 'ad dropsy, an' 'e swell up--oh, 'e did swell; 'is own mother wouldn't 'ave known 'im. Why, 'is leg swell up till it was as big round as 'is body, swop me bob, it did.' 'Did it indeed!' ejaculated Mrs. Hodges. 'Yus, an' when 'e died they sent the coffin up. I didn't 'ave Mr. Footley at thet time; we didn't live 'ere then, we lived in Battersea, an' all our undertikin' was done by Mr. Brownin'; well, 'e sent the coffin up, an' we got my old man in, but we couldn't get the lid down, he was so swell up. Well, Mr. Brownin', 'e was a great big man, thirteen stone if 'e was a ounce. Well, 'e stood on the coffin, an' a young man 'e 'ad with 'im stood on it too, an' the lid simply wouldn't go dahn; so Mr. Browning', 'e said, \"Jump on, missus,\" so I was in my widow's weeds, yer know, but we 'ad ter git it dahn, so I stood on it, an' we all jumped, an' at last we got it to, an' screwed it; but, lor', we did 'ave a job; I shall never forget it.",
" HUSBAND HE HAD A HOKE COFFIN WE DID HAVE A JOB WITH HIM I CAN TELL YE YOU KNOW HE HAD DROPSY AND HE SWELL UP OH HE DID SWELL HIS I AND MOTHER WOULDN'T HAVE KNOWN HIM WHY HIS LEGS SWELLER TILL IT WAS AS BIG AS TILL IT WAS AS BIG ROUND AS HIS BODY SWAT ME BOB IT DID DID IT INDEED EJACULATED MISSUS HOGS YES AND WHEN HE DIED THEY SENT THE COFFIN UP I DIDN'T HAVE MISTER FOOTLE AT THAT TIME WE DIDN'T LIVE HERE THEN WE LIVED IN BATTERSEA AND ALL OUR UNDERTAKING WAS DONE BY MISTER BROWNING WELL HE SENT THE COFFIN UP WE GOT MY OLD MAN IN BUT WE COULDN'T GET THE LID DOWN HE WAS SO SWIFT WELL MISTER BROWNAN HE WAS A GREAT BIG MAN THIRTEEN STONE IF HE WAS AN OUNCE BUT HE STOOD ON THE COFFIN AND A YOUNG MAN HE HAD WITH HIM STOOD ON IT TOO AND THE LID SIMPLY WOULDN'T GO DOWN SO MISTER BROWNING HE SAID JUMP ON MISSUS SO I WAS IN MY WIDOW'S WEEDS YOU KNOW BUT WE HAD TO GET IT DOWN SO I STOOD ON IT WE ALL JUMPED AND AT LAST WE GOT THICK TO AND SCREWED IT BUT LAW WE DID OF A JOB I SHALL NEVER FORGET IT"
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"He was very white, and the blackness of his hair and beard, contrasting with the deathly pallor of his face, made him look ghastly. Mrs. Hodges stepped back. ''Oo's 'e?' she said, turning to Mrs. Kemp. Jim pushed her aside and went up to the bed. 'Doctor, is she very bad?' he asked. The doctor looked at him questioningly. Jim whispered: 'It was me as done it. She ain't goin' ter die, is she?' The doctor nodded. 'O God! wot shall I do? It was my fault! I wish I was dead!'",
"HE WAS VERY WHITE AND THE BLACKNESS OF HIS HAIR AND BEARD CONTRASTING WITH THE DEATHLY PALLOR OF HIS FACE MADE HIM LOOK GHASTLY MISSUS HODGERS STEPPED BACK WHO'S HE SHE SAID TURNING TO MISSUS KEMP JIM PUSHED HER ASIDE AND WENT UP TO THE BED DOCTOR IS SHE VERY BAD HE ASKED THE DOCTOR LOOKED AT HIM QUESTIONINGLY JIM WHISPERED IT WAS ME AS DONE IT SHE AIN'T GOING TO DIE IS SHE THE DOCTOR NODDED O GOD WHAT SHALL I DO IT'S MY FAULT I WISH I WAS DEAD"
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"' my 'usband, 'e earned twenty-five shillings a week, an' was in the sime plice seventeen years; an' 'is employers sent a beautiful wreath ter put on 'is coffin; an' they tell me they never 'ad such a good workman an' sich an 'onest man before. An' me! Well, I can sy this--I've done my duty by the girl, an' she's never learnt anythin' but good from me. Of course I ain't always been in wot yer might call flourishing circumstances, but I've always set her a good example, as she could tell yer so 'erself if she wasn't speechless.' Mrs. Kemp paused for a moment's reflection. 'As they sy in the Bible,' she finished, 'it's enough ter mike one's grey 'airs go dahn into the ground in sorrer. I can show yer my marriage certificate. Of course one doesn't like ter say much, because of course she's very bad; but if she got well I should 'ave given 'er a talkin' ter.' There was another knock. 'Do go an' see 'oo thet is; I can't, on account of my rheumatics.' Mrs. Hodges opened the door. It was Jim.",
"CAN TELL YOU MY FAMILY WAS VERY RESPECTABLE AND MY HUSBAND HE EARNED TWENTY FIVE SHILLINGS A WEEK AND WAS IN THE SAME PLACE SEVENTEEN YEARS AND HIS EMPLOYERS SENT THAT VERY BEAUTIFUL WREATH TO PUT ON HIS COFFIN AND THEY TELL ME THEY NEVER HAD SUCH A GOOD WORKMAN AND SUCH AN HONEST MAN BEFORE AND ME WELL I CAN SAY THIS I'VE DONE MY DUTY BY THE GIRL SHE'S NEVER LEARNT ANYTHING BUT GOOD FROM ME OF COURSE I AIN'T ALWAYS BEEN IN WHAT YOU CALL FLOURISHING CIRCUMSTANCES AND I'VE ALWAYS SAID HER A GOOD EXAMPLE AS SHE COULD TELL YOU SO HERSELF IF SHE WASN'T SPEECHLESS MISSUS KEMP PAUSED FOR A MOMENT'S REFLECTION AS THEY SAY IN THE BIBLE SHE FINISHED IT'S ENOUGH TO MAKE ONE'S GREY HAIRS GO DOWN INTO THE GROUND IN SORROW I CAN SHOW YOU MY MARRIAGE DIFFICA OF COURSE ONE DOESN'T LIKE TO SAY MUCH BUT OF COURSE SHE'S VERY BAD BUT IF SHE GOT WELL I SHOULD HAVE GIVEN HER A TALKING TO THERE WAS ANOTHER KNOCK DO GO AND SEE THAT HIS I CAN'T ON ACCOUNT OF MY EMETICS MISSUS HODGES OPENED THE DOOR IT WAS JIM"
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"Mrs. Hodges went over and looked at Liza; she was lying just as when she left in the morning, her cheeks flushed, her mouth open for breath, and tiny beads of sweat stood on her forehead. ''Ow are yer, ducky?' asked Mrs. Hodges; but Liza did not answer.",
"MISSUS HODGES WENT OVER AND LOOKED AT ELIZA SHE WAS LYING JUST AS WHEN SHE LEFT IN THE MORNING HER CHEEKS FLUSHED HER MOUTH OPEN FOR BREATH AND TINY BEADS OF SWEAT STOOD ON HER FOREHEAD HOW ARE YOU DUCKY ASKED MISSUS HODGES BUT ELIZA DID NOT ANSWER"
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"think she's bad, doctor?' asked Mrs. Hodges. 'I'm afraid she is rather,' he answered. 'I'll come in again this evening.' 'Oh, doctor,' said Mrs. Kemp, as he was going, 'could yer give me somethin' for my rheumatics? I'm a martyr to rheumatism, an' these cold days I 'ardly knows wot ter do with myself. An', doctor, could you let me 'ave some beef-tea? My 'usbind's dead, an' of course I can't do no work with my daughter ill like this, an' we're very short--.' The day passed, and in the evening Mrs. Hodges, who had been attending to her own domestic duties, came downstairs again. Mrs. Kemp was on the bed sleeping. 'I was just 'avin' a little nap,' she said to Mrs. Hodges, on waking. ''Ow is the girl?' asked that lady. 'Oh,' answered Mrs. Kemp, 'my rheumatics 'as been thet bad I really 'aven't known wot ter do with myself, an' now Liza can't rub me I'm worse than ever. It is unfortunate thet she should get ill just now when I want so much attendin' ter myself, but there, it's just my luck!",
"ESPAIR SHE RESTRAINED HERSELF THE DOCTOR CAME DO YOU THINK SHE'S BAD DOCTOR ASKED MISSUS HODGERS I'M AFRAID SHE IS RATHER HE ANSWERED I'LL COME IN AGAIN THIS EVENING OH DOCTOR SAID MISSUS KEMP AS HE WAS GOING COULD YOU GIVE ME SOMETHING FOR MY RHEUMATICS I'M A MARTYR TO RHEUMATISM AND THESE COLD DAYS HARDLY KNOWS WHAT TO DO WITH MYSELF AND DOCTOR WOULD YOU LET ME HAVE SOME BEEF TEA MY HUSBAND'S DEAD AND OF COURSE I CAN'T DO NO WORK WITH MY DAUGHTER ILL LIKE THIS AND WE'RE VERY SHORT THE DAY PASSED AND IN THE EVENING MISSUS HODGERS WHO HAD BEEN ATTENDING TO HER OWN DOMESTIC DUTIES CAME DOWNSTAIRS AGAIN MISSUS KEMP WAS ON THE BED SLEEPING I WAS JUST HAVING A LITTLE NAP TO MISSUS HODGERS ON WAKING HOW IS THE GIRL ASKED THE LADY OH ANSWERED MISSUS KEMP MY RHEUMATICS HAS BEEN THAT BAD I REALLY HAVEN'T KNOWN WHAT TO DO WITH MYSELF AND NOW LIZA CAN'T RUB ME ON WORSE THAN EVER IT'S UNFORTUNATE THAT SHE SHOULD GET ILL JUST NOW WHEN I WANT SO MUCH ATTENDANT TO MYSELF THAT THERE IT'S JUST MY LUCK"
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"'Of course the other one well, she was only a prostitute, so it didn't so much matter. It ain't like another woman is it?' 'Na, you're right.'",
"OF COURSE THE OTHER ONE WELL SHE WAS ONLY A PROSTITUTE SO IT DIDN'T SO MUCH MATTER IT AIN'T LIKE ANOTHER WOMAN IS IT NO YOU'RE RIGHT"
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"enneth of whisky 'ud do me good.' 'Na, Mrs. Kemp,' said Mrs. Hodges, earnestly, putting her hand on the other's arm. 'You tike my tip--when you're queer there's nothin' like brandy for pullin' yer togither. I don't object to whisky myself, but as a medicine yer can't beat brandy.' 'Well, I won't set up myself as knowin' better than you Mrs. 'Odges; I'll do wot you think right.' Quite accidentally there was some in the room, and Mrs. Kemp poured it out for herself and her friend. 'I'm not in the 'abit of tikin' anythin' when I'm aht on business,' she apologized, 'but just ter keep you company I don't mind if I do.' 'Your 'ealth. Mrs. 'Odges.' 'Sime ter you, an' thank yer, Mrs. Kemp.' Liza lay still, breathing very quietly, her eyes closed. The doctor kept his fingers on her pulse. 'I've been very unfortunate of lite,' remarked Mrs. Hodges, as she licked her lips, 'this mikes the second death I've 'ad in the last ten days--women, I mean, of course I don't count bibies.' 'Yer don't sy so.",
"THER FAINT AND I COULDN'T HELP THINKING AS OUR TWOPENNITH OF WHISKY DO ME GOOD NOW MISSUS KEMP SAID MISSUS HODGES EARNESTLY PUTTING HER HAND ON THE OTHER'S ARM YOU TAKE MY TIP WHEN YOU'RE QUEER THERE'S NOTHING LIKE BRANDY FOR PULLING IT TOGETHER DON'T OBJECT TO WHISKY MYSELF BUT AS A MEDICINE YOU CAN'T BEAT BRANDY WELL I WON'T SET UP MYSELF KNOWING BETTER THAN YOU MISSUS ODDERS I'LL DO WHAT YOU THINK RIGHT QUITE ACCIDENTALLY THERE WAS SOME IN THE ROOM AND MISSUS KEMP PUT IT OUT FOR HERSELF AND HER FRIEND I'M NOT IN THE HABIT OF TAKING ANYTHING WHEN I'M OUT ON BUSINESS SHE APOLOGIZED FOR JUST TO KEEP YOU COMPANY I DON'T MIND IF I DO YOUR HEALTH MISSUS ODDERS SAME TO YOU AND THANK YOU MISSUS KEMP ELIZA LAY STILL BREATHING VERY QUIETLY HER EYES CLOSED THE DOCTOR KEPT HIS FINGERS ON HER PULSE I'VE BEEN VERY UNFORTUNATE OF LIGHT REMARKED MISSUS HODGES AS SHE LICKED HER LIPS THIS MAKES THE SECOND DEATH I'VE HAD IN THE LAST TEN DAYS WOMAN I MEAN OF COURSE I DON'T COUNT BABIES YOU DON'T SAY SO"
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"'Tike it awy,' said Liza, turning from it in disgust; 'the smell of it gives me the sick. I'll never touch spirits again.' 'Ah, thet's wot we all says sometime in our lives, but we does, an' wot's more we can't do withaht it. Why, me, the 'ard life I've 'ad .' It is unnecessary to repeat Mrs. Kemp's repetitions.",
"TAKE IT AWAY SAID ELIZA TURNING FROM IT IN DISGUST THE SMELL OF IT GIVES ME THE SICK I'LL NEVER TOUCH SPIRITS AGAIN AH THAT'S WHAT WE ALL SAYS SOME TIME IN OUR LIVES BUT WE DOES AND WHAT'S MORE WE CAN'T DO WITHOUT IT WHY ME THE ODD LIFE I'VE ADD IT IS UNNECESSARY TO REPEAT MISSUS KEMP'S REPETITIONS"
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"as, feeling very sick and ill, but better than in the night. At last her mother woke. 'Liza!' she called. 'Yus, mother,' she answered feebly. 'Git us a cup of tea, will yer?' 'I can't, mother, I'm ill.' 'Garn!' said Mrs. Kemp, in surprise. Then looking at her: 'Swop me bob, wot's up with yer? Why, yer cheeks is flushed, an' yer forehead--it is 'ot! Wot's the matter with yer, gal?' 'I dunno,' said Liza. 'I've been thet bad all night, I thought I was goin' ter die.' 'I know wot it is,' said Mrs. Kemp, shaking her head; 'the fact is, you ain't used ter drinkin', an' of course it's upset yer. Now me, why I'm as fresh as a disy. Tike my word, there ain't no good in teetotalism; it finds yer aht in the end, an' it's found you aht.' Mrs. Kemp considered it a judgment of Providence. She got up and mixed some whisky and water. ''Ere, drink this,' she said. 'When one's 'ad a drop too much at night, there's nothin' like havin' a drop more in the mornin' ter put one right. It just acts like magic.",
" BREATHING OF THE DRUNKARD FOR A LONG WHILE SHE LAY WHERE SHE WAS FEELING VERY SICK AND ILL BUT BETTER THAN IN THE NIGHT AT LAST HER MOTHER WOKE LIZA SHE CALLED YES MOTHER SHE ANSWERED FEEBLY GUESS A CUP OF TEA WILL YOU I CAN'T MOTHER I'M ILL GONE SAID MISSUS KEMP IN SURPRISE THEN LOOKING AT HER SWEP ME BOB WHAT'S UP WITH YOU WHY YOUR CHEEKS IS FLUSHED AND YOUR FOREHEAD IT'S HOT WHAT'S THE MATTER WITH YOU GIRL I DUNNO SAID LIZA I'VE BEEN THAT BAD ALL NIGHT I THOUGHT I WAS GOING TO DIE I KNOW WHAT IT IS SAID MISSUS KEMP SHAKING HER HEAD THE FACT IS YOU AIN'T USED TO DRINKING AND OF COURSE IT'S UPSET YOU NOW ME WHY I'M AS FRESH AS A DAISY TAKE MY WORD THERE AIN'T NO GOOD IN TEETOTALISM IT FINDS YOU'RE OUT IN THE END AND IT'S FOUND YOU OUT MISSUS KEMP CONSIDERED IT A JUDGMENT OF PROVIDENCE SHE GOT UP AND MIXED SOME WHISKY AND WATER HERE DRINK THIS SHE SAID WHEN ONE'S AT A DROP TOO MUCH AT NIGHT THERE'S NOTHING LIKE HAVING A DROP MORE IN THE MORNING TO PUT ONE RIGHT IT JUST ACTS LIKE MAGIC"
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"An' me! Well, I can sy this I've done my duty by the girl, an' she's never learnt anythin' but good from me.",
"AND ME WELL I CAN SAY THIS I'VE DONE MY DUTY BY THE GIRL SHE'S NEVER LEARNT ANYTHING BUT GOOD FROM ME"
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"r brandy for a while. 'It's a great trial ter me that this should 'ave 'appened,' said Mrs. Kemp, coming to the subject that had been disturbing her for some time. 'Mine's always been a very respectable family, an' such a thing as this 'as never 'appened before. No, Mrs. 'Odges, I was lawfully married in church, an' I've got my marriage lines now ter show I was, an' thet one of my daughters should 'ave gone wrong in this way--well, I can't understand it. I give 'er a good education, an' she 'ad all the comforts of a 'ome. She never wanted for nothin'; I worked myself to the bone ter keep 'er in luxury, an' then thet she should go an' disgrace me like this!' 'I understand wot yer mean. Mrs. Kemp.' 'I can tell you my family was very respectable; an' my 'usband, 'e earned twenty-five shillings a week, an' was in the sime plice seventeen years; an' 'is employers sent a beautiful wreath ter put on 'is coffin; an' they tell me they never 'ad such a good workman an' sich an 'onest man before.",
"PPED THEIR BRANDY FOR A WHILE IT'S A GREAT TRIAL TO ME THAT THIS SHOULD HAVE HAPPENED SAID MISSUS KEMP COMING TO THE SUBJECT THAT HAD BEEN DISTURBING HER FOR SOME TIME MINE'S ALWAYS BEEN A VERY RESPECTABLE FAMILY AND SUCH A THING AS THIS AS NEVER HAPPENED BEFORE NO MISSUS ODDERS I WAS LAWFULLY MARRIED IN THE CHURCH AND GOT MY LICENCE I'VE GOT MY MARRIAGE LINES TO SHOW I WAS AND THAT ONE OF MY DAUGHTERS SHOULD HAVE GONE WRONG IN THIS WAY WELL I CAN'T UNDERSTAND IT I GIVE HER A GOOD EDUCATION AND SHE HAD ALL THE COMFORTS OF HER HOME SHE NEVER WANTED FOR NOTHING I WORKED MYSELF TO THE BONE TO KEEP HER IN LUXURY AND THEN THAT SHE COULD GO AND DISGRACE ME LIKE THIS UNDERSTAND WHAT YOU MEAN MISSUS KEMP I CAN TELL YOU MY FAMILY WAS VERY RESPECTABLE AND MY HUSBAND HE EARNED TWENTY FIVE SHILLINGS A WEEK AND WAS IN THE SAME PLACE SEVENTEEN YEARS AND HIS EMPLOYERS SENT THAT VERY BEAUTIFUL WREATH TO PUT ON HIS COFFIN AND THEY TELL ME THEY NEVER HAD SUCH A GOOD WORKMAN AND SUCH AN HONEST MAN BEFORE"
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"'Yus,' remarked another, 'she got me through my last confinement simply wonderful. If it come to choosin' between 'em I'd back Mrs. 'Odges against forty doctors.' 'Ter tell yer the truth, so would I. I've never known 'er wrong yet.'",
"YES REMARKED ANOTHER SHE GOT ME THROUGH MY LAST CONFINEMENT SIMPLY WONDERFUL IF IT COMES TO CHOOSING BETWEEN THEM I'D BACK MISSUS ODGES AGAINST FORTY DOCTORS TO TELL YOU THE TRUTH SO WOULD I I'VE NEVER KNOWN HER WRONG YET"
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"gged her shoulders. 'I shouldn't like ter give an opinion,' she said, cautiously. Tom bent over Liza, and, blushing, kissed her; then, without speaking further, went out of the room. 'Thet's the young man as was courtin' 'er,' said Mrs. Kemp, pointing over her shoulder with her thumb. Soon after the Doctor came. 'Wot do yer think of 'er, doctor?' said Mrs. Hodges, bustling forwards authoritatively in her position of midwife and sick-nurse. 'I'm afraid she's very bad.' 'D'yer think she's goin' ter die?' she asked, dropping her voice to a whisper. 'I'm afraid so!' As the doctor sat down by Liza's side Mrs. Hodges turned round and significantly nodded to Mrs. Kemp, who put her handkerchief to her eyes. Then she went outside to the little group waiting at the door. 'Wot does the doctor sy?' they asked, among them Tom. ''E says just wot I've been sayin' all along; I knew she wouldn't live.' And Tom burst out: 'Oh, Liza!' As she retired a woman remarked: 'Mrs. 'Odges is very clever, I think.",
"INK SHE'LL GET ALL RIGHT HE ASKED MISSUS ODGES SHRUGGED HER SHOULDERS I SHOULDN'T LIKE TO GIVE AN OPINION SHE SAID CAUTIOUSLY TOM BENT OVER LIZA AND BLUSHING KISSED HER THEN WITHOUT SPEAKING FURTHER WENT OUT OF THE ROOM THAT'S THE YOUNG MAN AS WAS COURTING HER SAID MISSUS KEMP POINTING OVER HER SHOULDER WITH HER THUMP SOON AFTER THE DOCTOR CAME WHAT YOU THINK OF HER DOCTOR SAID MISSUS HODGES BUSTLING FORWARDS AUTHORITATIVELY IN HER POSITION OF MIDWIFE AND SICKNESS I'M AFRAID SHE'S VERY BAD SHE THINKS SHE'S GOING TO DIE SHE ASKED DROPPING HER VOICE TO A WHISPER I'M AFRAID SO AS THE DOCTOR SAT DOWN BY LIZA'S SIDE MISSUS HODGES TURNED ROUND AND SIGNIFICANTLY NODDED TO MISSUS KEMP WHO PUT HER HANDKERCHIEF TO HER EYES THEN SHE WENT OUTSIDE TO THE LITTLE GROUP WAITING AT THE DOOR WHAT DOES THE DOCTOR SAY THEY ASKED AMONG THEM TOM HE SAYS JUST WHAT I'VE BEEN SAYING ALL ALONG I KNEW SHE WOULDN'T LIVE AND TOM BURST OUT OH ELIZA AS SHE RETIRED A WOMAN REMARKED MISSUS ODGES IS VERY CLEVER I THINK"
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"'It's my belief she's unconscious,' said Mrs. Kemp. 'I've been askin' 'er 'oo it was as done it, but she don't seem to 'ear wot I say. It's been a great shock ter me, Mrs. 'Odges.' 'I believe you,' replied that lady, sympathetically. 'Well, when you come in and said wot it was, yer might 'ave knocked me dahn with a feather.",
"IT'S MY BELIEF SHE'S UNCONSCIOUS SAID MISSUS KEMP I'VE BEEN ASKING HER AUNT WHO IT WAS HAS DONE IT BUT SHE DON'T SEEM TO HEAR WHAT I SAY IT'S BEEN A GREAT SHOCK TO ME MISSUS ODGES I BELIEVE YOU REPLIED THE LADY SYMPATHETICALLY WHEN YOU COME IN AND SAID WHAT IT WAS YOU MIGHT HAVE KNOCKED ME DOWN WITH A FEATHER"
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"old days I 'ardly knows wot ter do with myself. An', doctor, could you let me 'ave some beef-tea? My 'usbind's dead, an' of course I can't do no work with my daughter ill like this, an' we're very short--.' The day passed, and in the evening Mrs. Hodges, who had been attending to her own domestic duties, came downstairs again. Mrs. Kemp was on the bed sleeping. 'I was just 'avin' a little nap,' she said to Mrs. Hodges, on waking. ''Ow is the girl?' asked that lady. 'Oh,' answered Mrs. Kemp, 'my rheumatics 'as been thet bad I really 'aven't known wot ter do with myself, an' now Liza can't rub me I'm worse than ever. It is unfortunate thet she should get ill just now when I want so much attendin' ter myself, but there, it's just my luck!' Mrs. Hodges went over and looked at Liza; she was lying just as when she left in the morning, her cheeks flushed, her mouth open for breath, and tiny beads of sweat stood on her forehead. ''Ow are yer, ducky?' asked Mrs. Hodges; but Liza did not answer.",
"ATICS I'M A MARTYR TO RHEUMATISM AND THESE COLD DAYS HARDLY KNOWS WHAT TO DO WITH MYSELF AND DOCTOR WOULD YOU LET ME HAVE SOME BEEF TEA MY HUSBAND'S DEAD AND OF COURSE I CAN'T DO NO WORK WITH MY DAUGHTER ILL LIKE THIS AND WE'RE VERY SHORT THE DAY PASSED AND IN THE EVENING MISSUS HODGERS WHO HAD BEEN ATTENDING TO HER OWN DOMESTIC DUTIES CAME DOWNSTAIRS AGAIN MISSUS KEMP WAS ON THE BED SLEEPING I WAS JUST HAVING A LITTLE NAP TO MISSUS HODGERS ON WAKING HOW IS THE GIRL ASKED THE LADY OH ANSWERED MISSUS KEMP MY RHEUMATICS HAS BEEN THAT BAD I REALLY HAVEN'T KNOWN WHAT TO DO WITH MYSELF AND NOW LIZA CAN'T RUB ME ON WORSE THAN EVER IT'S UNFORTUNATE THAT SHE SHOULD GET ILL JUST NOW WHEN I WANT SO MUCH ATTENDANT TO MYSELF THAT THERE IT'S JUST MY LUCK MISSUS HODGES WENT OVER AND LOOKED AT ELIZA SHE WAS LYING JUST AS WHEN SHE LEFT IN THE MORNING HER CHEEKS FLUSHED HER MOUTH OPEN FOR BREATH AND TINY BEADS OF SWEAT STOOD ON HER FOREHEAD HOW ARE YOU DUCKY ASKED MISSUS HODGES BUT ELIZA DID NOT ANSWER"
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"'I'm not in the 'abit of tikin' anythin' when I'm aht on business,' she apologized, 'but just ter keep you company I don't mind if I do.' 'Your 'ealth. Mrs. 'Odges.' 'Sime ter you, an' thank yer, Mrs. Kemp.' Liza lay still, breathing very quietly, her eyes closed. The doctor kept his fingers on her pulse.",
"I'M NOT IN THE HABIT OF TAKING ANYTHING WHEN I'M OUT ON BUSINESS SHE APOLOGIZED FOR JUST TO KEEP YOU COMPANY I DON'T MIND IF I DO YOUR HEALTH MISSUS ODDERS SAME TO YOU AND THANK YOU MISSUS KEMP ELIZA LAY STILL BREATHING VERY QUIETLY HER EYES CLOSED THE DOCTOR KEPT HIS FINGERS ON HER PULSE"
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" 'Mrs. 'Odges is very clever, I think.' 'Yus,' remarked another, 'she got me through my last confinement simply wonderful. If it come to choosin' between 'em I'd back Mrs. 'Odges against forty doctors.' 'Ter tell yer the truth, so would I. I've never known 'er wrong yet.' Mrs. Hodges sat down beside Mrs. Kemp and proceeded to comfort her. 'Why don't yer tike a little drop of brandy ter calm yer nerves, Mrs. Kemp?' she said, 'you want it.' 'I was just feelin' rather faint, an' I couldn't 'elp thinkin' as 'ow twopenneth of whisky 'ud do me good.' 'Na, Mrs. Kemp,' said Mrs. Hodges, earnestly, putting her hand on the other's arm. 'You tike my tip--when you're queer there's nothin' like brandy for pullin' yer togither. I don't object to whisky myself, but as a medicine yer can't beat brandy.' 'Well, I won't set up myself as knowin' better than you Mrs. 'Odges; I'll do wot you think right.' Quite accidentally there was some in the room, and Mrs. Kemp poured it out for herself and her friend.",
"OUT OH ELIZA AS SHE RETIRED A WOMAN REMARKED MISSUS ODGES IS VERY CLEVER I THINK YES REMARKED ANOTHER SHE GOT ME THROUGH MY LAST CONFINEMENT SIMPLY WONDERFUL IF IT COMES TO CHOOSING BETWEEN THEM I'D BACK MISSUS ODGES AGAINST FORTY DOCTORS TO TELL YOU THE TRUTH SO WOULD I I'VE NEVER KNOWN HER WRONG YET MISSUS HODGES SAT DOWN BESIDE MISSUS KEMP AND PROCEEDED TO COMFORT HER WHY DON'T YOU TAKE A LITTLE DROP OF BRANDY TO CALM YOUR NERVES MISSUS KEMP SHE SAID YOU WANT IT I WAS JUST FEELING RATHER FAINT AND I COULDN'T HELP THINKING AS OUR TWOPENNITH OF WHISKY DO ME GOOD NOW MISSUS KEMP SAID MISSUS HODGES EARNESTLY PUTTING HER HAND ON THE OTHER'S ARM YOU TAKE MY TIP WHEN YOU'RE QUEER THERE'S NOTHING LIKE BRANDY FOR PULLING IT TOGETHER DON'T OBJECT TO WHISKY MYSELF BUT AS A MEDICINE YOU CAN'T BEAT BRANDY WELL I WON'T SET UP MYSELF KNOWING BETTER THAN YOU MISSUS ODDERS I'LL DO WHAT YOU THINK RIGHT QUITE ACCIDENTALLY THERE WAS SOME IN THE ROOM AND MISSUS KEMP PUT IT OUT FOR HERSELF AND HER FRIEND"
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"'Well, Mrs. Kemp, tike it all in all, I ain't got no grounds for complaint. I'm in the 'abit of askin' five shillings, an' I will say this, I don't think it's too much for wot I do.' The news of Liza's illness had quickly spread, and more than once in the course of the day a neighbour had come to ask after her.",
"WELL MISSUS KEMP TAKE IT ALL IN ALL I AIN'T GOT NO GROUNDS FOR COMPLAINT I'M IN THE HABIT OF ASKING FIVE SHILLINGS AND I WILL SAY THIS I DON'T THINK IT'S TOO MUCH FOR WHAT I DO THE NEWS OF LIZA'S ILLNESS HAD QUICKLY SPREAD AND MORE THAN ONCE IN THE COURSE OF THE DAY A NEIGHBOUR HAD COME TO ASK AFTER HER"
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"ndin' ter myself, but there, it's just my luck!' Mrs. Hodges went over and looked at Liza; she was lying just as when she left in the morning, her cheeks flushed, her mouth open for breath, and tiny beads of sweat stood on her forehead. ''Ow are yer, ducky?' asked Mrs. Hodges; but Liza did not answer. 'It's my belief she's unconscious,' said Mrs. Kemp. 'I've been askin' 'er 'oo it was as done it, but she don't seem to 'ear wot I say. It's been a great shock ter me, Mrs. 'Odges.' 'I believe you,' replied that lady, sympathetically. 'Well, when you come in and said wot it was, yer might 'ave knocked me dahn with a feather. I knew no more than the dead wot 'ad 'appened.' 'I saw at once wot it was,' said Mrs. Hodges, nodding her head. 'Yus, of course, you knew. I expect you've 'ad a great deal of practice one way an' another.' 'You're right, Mrs. Kemp, you're right. I've been on the job now for nearly twenty years, an' if I don't know somethin' abaht it I ought.' 'D'yer finds it pays well?",
" GET ILL JUST NOW WHEN I WANT SO MUCH ATTENDANT TO MYSELF THAT THERE IT'S JUST MY LUCK MISSUS HODGES WENT OVER AND LOOKED AT ELIZA SHE WAS LYING JUST AS WHEN SHE LEFT IN THE MORNING HER CHEEKS FLUSHED HER MOUTH OPEN FOR BREATH AND TINY BEADS OF SWEAT STOOD ON HER FOREHEAD HOW ARE YOU DUCKY ASKED MISSUS HODGES BUT ELIZA DID NOT ANSWER IT'S MY BELIEF SHE'S UNCONSCIOUS SAID MISSUS KEMP I'VE BEEN ASKING HER AUNT WHO IT WAS HAS DONE IT BUT SHE DON'T SEEM TO HEAR WHAT I SAY IT'S BEEN A GREAT SHOCK TO ME MISSUS ODGES I BELIEVE YOU REPLIED THE LADY SYMPATHETICALLY WHEN YOU COME IN AND SAID WHAT IT WAS YOU MIGHT HAVE KNOCKED ME DOWN WITH A FEATHER I KNEW NO MORE THAN THE DEAD WHAT HAD HAPPENED I SAW AT ONCE WHAT IT WAS SAID MISSUS HODGERS NODDING HER HEAD YES OF COURSE YOU KNEW I EXPECT YOU'VE HAD A GREAT DEAL OF PRACTICE ONE WAY AND ANOTHER YOU'RE RIGHT MISSUS KEMP YOU'RE RIGHT I'VE BEEN ON THE JOB NOW FOR NEARLY TWENTY YEARS AND IF I DON'T KNOW SOMETHING ABOUT IT I OUGHT D'Y FIND IT PAYS WELL"
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"'I was just feelin' rather faint, an' I couldn't 'elp thinkin' as 'ow twopenneth of whisky 'ud do me good.' 'Na, Mrs. Kemp,' said Mrs. Hodges, earnestly, putting her hand on the other's arm. 'You tike my tip when you're queer there's nothin' like brandy for pullin' yer togither. I don't object to whisky myself, but as a medicine yer can't beat brandy.' 'Well, I won't set up myself as knowin' better than you Mrs. 'Odges; I'll do wot you think right.' Quite accidentally there was some in the room, and Mrs. Kemp poured it out for herself and her friend.",
"I WAS JUST FEELING RATHER FAINT AND I COULDN'T HELP THINKING AS OUR TWOPENNITH OF WHISKY DO ME GOOD NOW MISSUS KEMP SAID MISSUS HODGES EARNESTLY PUTTING HER HAND ON THE OTHER'S ARM YOU TAKE MY TIP WHEN YOU'RE QUEER THERE'S NOTHING LIKE BRANDY FOR PULLING IT TOGETHER DON'T OBJECT TO WHISKY MYSELF BUT AS A MEDICINE YOU CAN'T BEAT BRANDY WELL I WON'T SET UP MYSELF KNOWING BETTER THAN YOU MISSUS ODDERS I'LL DO WHAT YOU THINK RIGHT QUITE ACCIDENTALLY THERE WAS SOME IN THE ROOM AND MISSUS KEMP PUT IT OUT FOR HERSELF AND HER FRIEND"
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" her position of midwife and sick-nurse. 'I'm afraid she's very bad.' 'D'yer think she's goin' ter die?' she asked, dropping her voice to a whisper. 'I'm afraid so!' As the doctor sat down by Liza's side Mrs. Hodges turned round and significantly nodded to Mrs. Kemp, who put her handkerchief to her eyes. Then she went outside to the little group waiting at the door. 'Wot does the doctor sy?' they asked, among them Tom. ''E says just wot I've been sayin' all along; I knew she wouldn't live.' And Tom burst out: 'Oh, Liza!' As she retired a woman remarked: 'Mrs. 'Odges is very clever, I think.' 'Yus,' remarked another, 'she got me through my last confinement simply wonderful. If it come to choosin' between 'em I'd back Mrs. 'Odges against forty doctors.' 'Ter tell yer the truth, so would I. I've never known 'er wrong yet.' Mrs. Hodges sat down beside Mrs. Kemp and proceeded to comfort her. 'Why don't yer tike a little drop of brandy ter calm yer nerves, Mrs. Kemp?' she said, 'you want it.",
"ODGES BUSTLING FORWARDS AUTHORITATIVELY IN HER POSITION OF MIDWIFE AND SICKNESS I'M AFRAID SHE'S VERY BAD SHE THINKS SHE'S GOING TO DIE SHE ASKED DROPPING HER VOICE TO A WHISPER I'M AFRAID SO AS THE DOCTOR SAT DOWN BY LIZA'S SIDE MISSUS HODGES TURNED ROUND AND SIGNIFICANTLY NODDED TO MISSUS KEMP WHO PUT HER HANDKERCHIEF TO HER EYES THEN SHE WENT OUTSIDE TO THE LITTLE GROUP WAITING AT THE DOOR WHAT DOES THE DOCTOR SAY THEY ASKED AMONG THEM TOM HE SAYS JUST WHAT I'VE BEEN SAYING ALL ALONG I KNEW SHE WOULDN'T LIVE AND TOM BURST OUT OH ELIZA AS SHE RETIRED A WOMAN REMARKED MISSUS ODGES IS VERY CLEVER I THINK YES REMARKED ANOTHER SHE GOT ME THROUGH MY LAST CONFINEMENT SIMPLY WONDERFUL IF IT COMES TO CHOOSING BETWEEN THEM I'D BACK MISSUS ODGES AGAINST FORTY DOCTORS TO TELL YOU THE TRUTH SO WOULD I I'VE NEVER KNOWN HER WRONG YET MISSUS HODGES SAT DOWN BESIDE MISSUS KEMP AND PROCEEDED TO COMFORT HER WHY DON'T YOU TAKE A LITTLE DROP OF BRANDY TO CALM YOUR NERVES MISSUS KEMP SHE SAID YOU WANT IT"
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"'Never mind, Mrs. Kemp,' said Mrs. Hodges, 'don't worry 'er now; you'll be able ter find aht all abaht it when she gits better.' For a while the two women sat still, waiting the doctor's coming, and Liza lay gazing vacantly at the wall, panting for breath.",
"NEVER MIND MISSUS KEMP SAID MISSUS ODDERS DON'T WORRY HER NOW YOU'LL BE ABLE TO FIND OUT ALL ABOUT IT WHEN SHE GETS BETTER FOR A WHILE THE TWO WOMEN SAT STILL WAITING THE DOCTOR'S COMING AND LIZA LAY GAZING VACANTLY AT THE WALL PANTING FOR BREATH"
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" skirt and came down. 'She's 'ad a miss,' she said, after looking at Liza. 'Is there anyone you could send to the 'orspital?' 'Na, I dunno 'oo I could get at this hour?' 'Well, I'll git my old man ter go.' She called her husband, and sent him off. She was a stout, middle-aged woman, rough-visaged and strong-armed. Her name was Mrs. Hodges. 'It's lucky you came ter me,' she said, when she had settled down. 'I go aht nursin', yer know, so I know all abaht it.' 'Well, you surprise me,' said Mrs. Kemp. 'I didn't know as Liza was thet way. She never told me nothin' abaht it.' 'D'yer know 'oo it is 'as done it?' 'Now you ask me somethin' I don't know,' replied Mrs. Kemp. 'But now I come ter think of it, it must be thet there Tom. 'E's been keepin' company with Liza. 'E's a single man, so they'll be able ter get married--thet's somethin'.' 'It ain't Tom,' feebly said Liza. 'Not 'im; 'oo is it, then?' Liza did not answer. 'Eh?' repeated the mother, ''oo is it?' Liza lay still without speaking.",
" THE WOMAN WHO LIVED ON THE FLOOR ABOVE HER WITHOUT HESITATING THE GOOD LADY PUT ON A SKIRT AND CAME DOWN SHE'S HAD A MISS SHE SAID AFTER LOOKING AT LIZA IS THERE ANYONE YOU COULD SEND TO THE HOSPITAL NO I DUNNO I COULD GET THIS HOUR WELL I'LL GET ME OLD MAN TO GO SO SHE CALLED HER HUSBAND AND SENT HIM OFF SHE WAS A STOUT MIDDLE AGED WOMAN ROUGH VISAGED AND STRONG ARMED HER NAME WAS MISSUS HODGES IT'S LUCKY IT CAME TO ME SHE SAID WHEN SHE HAD SETTLED DOWN A GALLANT NURSING YOU KNOW SO I KNOW ALL ABOUT IT WELL YOU SURPRISE ME SAID MISSUS KEMP I DIDN'T KNOW AS LIZA WAS THAT WAY SHE NEVER TOLD ME NOTHIN ABOUT IT YOU KNOW WHO IT IS DONE IT NOW YOU ASK ME SOMETHING I DON'T KNOW REPLIED MISSUS KEMP BUT NOW I COME TO THINK OF IT IT MUST BE THAT THERE TOM HE'S BEEN KEEPING COMPANY WITH LIZA HE'S A SINGLE MAN SO THEY'LL BE ABLE TO GET MARRIED THAT'S SOMETHING IT AIN'T TOM FEEBLY SAID LIZA NOT HIM WHO IS IT THEN LIZA DID NOT ANSWER EH REPEATED THE MOTHER WHO IS IT LIZA LAY STILL WITHOUT SPEAKING"
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"'She's just living,' said the doctor. Jim bent down. 'Liza, Liza, speak ter me! Liza, say you forgive me!",
"SHE'S JUST LIVING SAID THE DOCTOR JIM BENT DOWN LIZA LIZA SPEAK TO ME LIZA SAY YOU FORGIVE ME"
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"As they sy in the Bible,' she finished, 'it's enough ter mike one's grey 'airs go dahn into the ground in sorrer. I can show yer my marriage certificate. Of course one doesn't like ter say much, because of course she's very bad; but if she got well I should 'ave given 'er a talkin' ter.' There was another knock. 'Do go an' see 'oo thet is; I can't, on account of my rheumatics.' Mrs. Hodges opened the door. It was Jim. He was very white, and the blackness of his hair and beard, contrasting with the deathly pallor of his face, made him look ghastly. Mrs. Hodges stepped back. ''Oo's 'e?' she said, turning to Mrs. Kemp. Jim pushed her aside and went up to the bed. 'Doctor, is she very bad?' he asked. The doctor looked at him questioningly. Jim whispered: 'It was me as done it. She ain't goin' ter die, is she?' The doctor nodded. 'O God! wot shall I do? It was my fault! I wish I was dead!' Jim took the girl's head in his hands, and the tears burst from his eyes. 'She ain't dead yet, is she?",
" WASN'T SPEECHLESS MISSUS KEMP PAUSED FOR A MOMENT'S REFLECTION AS THEY SAY IN THE BIBLE SHE FINISHED IT'S ENOUGH TO MAKE ONE'S GREY HAIRS GO DOWN INTO THE GROUND IN SORROW I CAN SHOW YOU MY MARRIAGE DIFFICA OF COURSE ONE DOESN'T LIKE TO SAY MUCH BUT OF COURSE SHE'S VERY BAD BUT IF SHE GOT WELL I SHOULD HAVE GIVEN HER A TALKING TO THERE WAS ANOTHER KNOCK DO GO AND SEE THAT HIS I CAN'T ON ACCOUNT OF MY EMETICS MISSUS HODGES OPENED THE DOOR IT WAS JIM HE WAS VERY WHITE AND THE BLACKNESS OF HIS HAIR AND BEARD CONTRASTING WITH THE DEATHLY PALLOR OF HIS FACE MADE HIM LOOK GHASTLY MISSUS HODGERS STEPPED BACK WHO'S HE SHE SAID TURNING TO MISSUS KEMP JIM PUSHED HER ASIDE AND WENT UP TO THE BED DOCTOR IS SHE VERY BAD HE ASKED THE DOCTOR LOOKED AT HIM QUESTIONINGLY JIM WHISPERED IT WAS ME AS DONE IT SHE AIN'T GOING TO DIE IS SHE THE DOCTOR NODDED O GOD WHAT SHALL I DO IT'S MY FAULT I WISH I WAS DEAD JIM TOOK THE GIRL'S HEAD IN HIS HANDS AND THE TEARS BURST FROM HIS EYES SHE AIN'T DEAD YET IS SHE"
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"I didn't 'ave Mr. Footley at thet time; we didn't live 'ere then, we lived in Battersea, an' all our undertikin' was done by Mr. Brownin'; well, 'e sent the coffin up, an' we got my old man in, but we couldn't get the lid down, he was so swell up. Well, Mr. Brownin', 'e was a great big man, thirteen stone if 'e was a ounce.",
"I DIDN'T HAVE MISTER FOOTLE AT THAT TIME WE DIDN'T LIVE HERE THEN WE LIVED IN BATTERSEA AND ALL OUR UNDERTAKING WAS DONE BY MISTER BROWNING WELL HE SENT THE COFFIN UP WE GOT MY OLD MAN IN BUT WE COULDN'T GET THE LID DOWN HE WAS SO SWIFT WELL MISTER BROWNAN HE WAS A GREAT BIG MAN THIRTEEN STONE IF HE WAS AN OUNCE"
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"ay thet for myself,\" say I, \"I gives yer all the work I can.\" \"I believe you,\" says 'e. \"Well,\" 'e says, \"now which do you think? Does hoak look better than helm, or does helm look better than hoak? Hoak _versus_ helm, thet's the question.\" \"Well, Mr. Footley,\" says I, \"for my own private opinion, when you've got a nice brass plite in the middle, an' nice brass 'andles each end, there's nothin' like hoak.\" \"Quite right,\" says 'e, \"thet's wot I think; for coffins give me hoak any day, an' I 'ope,\" says 'e, \"when the Lord sees fit ter call me to 'Imself, I shall be put in a hoak coffin myself.\" \"Amen,\" says I.' 'I like hoak,' said Mrs. Kemp. 'My poor 'usband 'e 'ad a hoak coffin. We did 'ave a job with 'im, I can tell yer. You know 'e 'ad dropsy, an' 'e swell up--oh, 'e did swell; 'is own mother wouldn't 'ave known 'im. Why, 'is leg swell up till it was as big round as 'is body, swop me bob, it did.' 'Did it indeed!' ejaculated Mrs. Hodges. 'Yus, an' when 'e died they sent the coffin up.",
"NTING TO ANOTHER GENTLEMAN AS WAS STANDING THERE MYSELF SAY I I GIVES YOU ALL THE WORK I CAN I BELIEVE YOU SAYS HE WELL HE SAYS NOW WHICH DO YOU THINK DOES OAK LOOK BETTER THAN HELM DOES HELM LOOK BETTER THAN HOPE OAK VERSE SAYS HELEN THAT'S THE QUESTION WELL MISSUS FOOTLEY SAYS I FOR MY OWN PRIVATE OPINION WHEN YOU'VE GOT A NICE BRASS PLATE IN THE MIDDLE AND NICE BRASS HANDLES EACH END THERE'S NOTHING LIKE LIKE HOPE QUITE RIGHT SAYS HE THAT'S WHAT I THINK FOR THE COFFINS GIVE ME THE HOOK ANY DAY AND I HOPE SAYS HE AND THE LORD SEES FIT TO CALL ME TO HIMSELF I SHOULD BE PUT IN A HOPE COFFIN MYSELF AMEN SAYS I I LIKE HOCH SAYS MISSUS KEMP MY POOR HUSBAND HE HAD A HOKE COFFIN WE DID HAVE A JOB WITH HIM I CAN TELL YE YOU KNOW HE HAD DROPSY AND HE SWELL UP OH HE DID SWELL HIS I AND MOTHER WOULDN'T HAVE KNOWN HIM WHY HIS LEGS SWELLER TILL IT WAS AS BIG AS TILL IT WAS AS BIG ROUND AS HIS BODY SWAT ME BOB IT DID DID IT INDEED EJACULATED MISSUS HOGS YES AND WHEN HE DIED THEY SENT THE COFFIN UP"
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"I BELIEVE YOU SAYS HE WELL HE SAYS NOW WHICH DO YOU THINK DOES OAK LOOK BETTER THAN HELM DOES HELM LOOK BETTER THAN HOPE OAK VERSE SAYS HELEN THAT'S THE QUESTION WELL MISSUS FOOTLEY SAYS I FOR MY OWN PRIVATE OPINION WHEN YOU'VE GOT A NICE BRASS PLATE IN THE MIDDLE AND NICE BRASS HANDLES EACH END THERE'S NOTHING LIKE LIKE HOPE"
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"! Well Mrs. 'Odges if it ain't askin' too much of yer, I should look upon it as very kind if you'd go an' mike the arrangements for Liza.' 'Why, certainly, Mrs. Kemp. I'm always willin' ter do a good turn to anybody, if I can.' 'I want it done very respectable,' said Mrs. Kemp; 'I'm not goin' ter stint for nothin' for my daughter's funeral. I like plumes, you know, although they is a bit extra.' 'Never you fear, Mrs. Kemp, it shall be done as well as if it was for my own 'usbind, an' I can't say more than thet. Mr. Footley thinks a deal of me, 'e does! Why, only the other dy as I was goin' inter 'is shop 'e says \"Good mornin', Mrs. 'Odges.\" \"Good mornin', Mr. Footley,\" says I. \"You've jest come in the nick of time,\" says 'e. \"This gentleman an' myself,\" pointin' to another gentleman as was standin' there, \"we was 'avin' a bit of an argument. Now you're a very intelligent woman, Mrs. 'Odges, and a good customer too.\" \"I can say thet for myself,\" say I, \"I gives yer all the work I can.\" ",
"RY STRANGE NOW THAT'S JUST WHAT I THINK MISTER FOOTNEY DOES HIS WORK WELL AND HE'S VERY REASONABLE IM A VERY OLD CUSTOMER OF HIS AND HE LETS ME HAVE THINGS CHEAP AS ANYBODY DOES HE INDEED WHY MISSUS LODGERS IF I IN ASKING TOO MUCH OF YOU I SHOULD LOOK UPON IT AS VERY KIND IF YOU'D GO AND MAKE THE ARRANGEMENTS FOR ELIZA WHY SUNDAY MISSUS KEMP I'M ALWAYS WILLING TO DO A GOOD TURN TO ANYBODY IF I CAN WANT IT DONE VERY RESPECTABLE SAID MISSUS KEMP WE'RE GOING TO STINT FOR NOTHING FOR MY DAUGHTERS FUNERAL I LIKE PLUMES YOU KNOW ALTHOUGH THEY IS A BIT EXTRA NEVER YOU FEAR MISSUS KEMP IT SHOULD BE DONE AS WELL AS IF IT WAS FOR MY OWN HUSBAND AND I CAN'T SAY MORE THAN THAT MISTER FOOTE THINKS A DEAL OF ME HE DOES WHY ONLY THE OTHER DAY AS I WAS GOING INTO HIS SHOP HE SAYS GOOD MORNING MISSUS ODGES GOOD MORNING MISTER FOOTLEY SAYS I YOU JUST COME IN THE NICK OF TIME SAYS HE THIS GENTLEMAN AND MYSELF POINTING TO ANOTHER GENTLEMAN AS WAS STANDING THERE MYSELF SAY I I GIVES YOU ALL THE WORK I CAN "
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"Tie in a living tether The prince and priest and thrall, Bind all our lives together, Smite us and save us all; In ire and exultation Aflame with faith, and free, Lift up a living nation, A single sword to thee.",
"TIE IN A LIVING TETHER THE PRINCE AND PRIEST AND THRALL BIND ALL OUR LIVES TOGETHER SMITE US AND SAVE US ALL IN IRE AND EXULTATION AFLAME WITH FAITH AND FREE LIFT UP A LIVING NATION A SINGLE SWORD TO LEAP"
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"rship to success, The little printers in Dundee, Who got ten years for blasphemy, (Although he let them off with seven) Respect him rather less than heaven. No matter. This can still be said: Never to supernatural dread Never to unseen deity, Did Sir John Grubby bend the knee; Nor was he bribed by fabled bliss To kneel to any world but this. The curate lives in Camden Town, His lap still empty of renown, And still across the waste of years John Grubby, in the House of Peers, Faces that curate, proud and free, And never sits upon his knee. G. K. Chesterton A Hymn O GOD of earth and altar, Bow down and hear our cry. Our earthly rulers falter, Our people drift and die; The walls of gold entomb us, The swords of scorn divide, Take not thy thunder from us, But take away our pride. From all that terror teaches, From lies of tongue and pen, From all the easy speeches That comfort cruel men, For sale and profanation Of honour and the sword, From sleep and from damnation, Deliver us, good lord.",
" A HYMN BY G K CHESTERTON READ FOR LIBERVOX DOT ORG BY HATTON FORTY THREE O GOD OF EARTH AND ALTAR BOW DOWN AND HEAR OUR CRY OUR EARTHLY RULERS FALTER OUR PEOPLE DRIFT AND DIE THE WALLS OF GOLD ENTOMB US SWORDS OF SCORN DIVIDE TAKE NOT THY THUNDER FROM US BUT TAKE AWAY OUR PRIDE FROM ALL THAT TERROR TEACHES FROM LIES OF TONGUE AND PEN FROM ALL THE EASY SPEECHES THAT COMFORT CRUEL MEN FOR SALE AND PROFANATION OF HONOUR AND THE SWORD FROM SLEEP AND FROM DAMNATION DELIVER US GOOD LORD"
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"This woof is y woven With entrails of men, This warp is hardweighted With heads of the slain, Spears blood besprinkled For spindles we use, Our loom ironbound, And arrows our reels; With swords for our shuttles This war woof we work; So weave we, weird sisters, Our warwinning woof. Now War winner walketh To weave in her turn.",
"THIS WOLF IS WHY WOVEN WITH ENTRAILS OF MEN THIS WARP IS HARD WEIGHTED WITH HEADS OF THE SLAIN SPEARS BLOOD BESPRINKLED FOR SPINDLES WE USE OUR LOOM IRON BOUND AND ARROWS OUR REELS WITH SWORDS FOR OUR SHUTTLES THIS WAR WOOF WE WORK SO WEAVE WE WEIRD SISTERS OUR WAR WINNING WOLF NOW WAR WINNOW WALKETH TO WEAVE IN HER TURN"
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"s men were slain to a man. After that they took King Brian's body and laid it out. The king's head had grown fast to the trunk. Fifteen men of the Burners fell in Brian's battle, and there, too, fell Halldor the son of Gudmund the powerful, and Erling of Straumey. On Good Friday that event happened in Caithness that a man whose name was Daurrud went out. He saw folk riding twelve together to a bower, and there they were all lost to his sight. He went to that bower and looked in through a window slit that was in it, and saw that there were women inside, and they had set up a loom. Men's heads were the weights, but men's entrails were the warp and wed, a sword was the shuttle, and the reels were arrows. They sang these songs, and he learnt them by heart-- <b>THE WOOF OF WAR.</b> See! warp is stretched For warriors' fall, Lo! weft in loom 'Tis wet with blood; Now fight foreboding, 'Neath friends' swift fingers, Our gray woof waxeth With war's alarms, Our warp bloodred, Our weft corseblue.",
" THE WOLF OF WAR FROM BRENU YA'S SAGA OR THE STORY OF BURNT NARD TRANSLATION BY GEORGE W DESCENT READ FOR LIVEROCK STODORG BY HEAVEN FORTY THREE BLOBE DE LA CAN'SE END ON WORD PRESS DOG COM SEE WARP IS STRETCHED FOR WARRIORS FALL LO WEFT ILLUME TIS WET WITH BLOOD NOW FIGHTFULFENDING NEATH FRIEND'S SWIFT FINGERS OUR GRAY WOLF WAXETH WITH WAR'S ALARMS OUR WARP BLOOD RED OUR WEFT COARSE BLUE"
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MonoCut
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| 225.68
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"Of kinsmen none (Though ne'er so kind) To brother can stand In brother's stead. <strong>16.</strong> 'O'er all our ice fields, Our northern snows, Few now I find Faithful and true.",
"OF KINSMAN NONE THOUGH NE'ER SO KIND TO BROTHER CAN STAND IN BROTHERS STEAD O'ER ALL OUR ICE FIELDS OUR NORTHERN SNOWS FEW NOW I FIND FAITHFUL AND TRUE"
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"; Dire is the tale, The deaths of kin: Since he the shelter And shield of my house Hied him from life To heaven's glad realm. <strong>11.</strong> 'Full surely I know, In my son was waxing The stuff and the strength Of a stout-limbed wight: Had he reached but ripeness To raise his shield, And Odin laid hand On his liegeman true. <strong>12.</strong> 'Willing he followed His father's word, Though all opposing Should thwart my rede: He in mine household Mine honour upheld, Of my power and rule The prop and the stay. <strong>13.</strong> 'Oft to my mind My loss doth come, How I brotherless bide Bereaved and lone. Thereon I bethink me, When thickens the fight Thereon with much searching My soul doth muse: <strong>14.</strong> 'Who staunch stands by me In stress of fight, Shoulder to shoulder, Side by side? Such want doth weaken In war's dread hour; Weak-winged I fly, Whom friends all fail. <strong>15.</strong> 'Son's place to his sire (Saith a proverb true) Another son born Alone can fill.",
"H THE STOUT SHIP'S BANE FOOT WISE OF ALL EASY NOW TIS SEEN HOW THE OLD MAN'S LOT HELPLESS IS AND LO ME HATH THE MANE OF MUCH BEREAVED DIRERE IS THE TALE THE DEATHS OF KIN SINCE HE THE SHELTER AND SHIELD OF MY HOUSE HIRED HIM FROM LIFE TO HEAVEN'S GLAD REALM FULL SURELY I KNOW IN MY SON WAS WAXING THE STUFF AND THE STRENGTH OF STOUT LIMBED WIGHT HAD HE REACH'D BUT RIPENESS TO RAISE HIS SHIELD AND ODIN LAID HAND ON HIS LIEGEMAN TREW WILLING HE FOLLOW'D HIS FATHER'S WORD THOUGH ALL OPPOSING SHOULD THWART MY REED HE IN MINE HOUSEHOLD MINE HONOUR UPHELD OF MY POWER AND RULE THE PROP AND THE STAY OFT TO MY MIND MY LOSS DOTH COME HOW I BROTHERLESS BIDE BEREAVED AND LONE THEREON I BETHINK ME WHEN THICKENS THE FIGHT THEREON WITH MUCH SEARCHING MY SOUL DOTH MUSE WHOSE STAUNCH STANDS BY ME IN STRESS OF FIGHT SHOULDER TO SHOULDER SIDE BY SIDE SUCH WANT DOTH WEAKEN IN WAR'S DREAD HOUR WEAK WINGED I FLY WHO FRIENDS ALL FAIL SON'S PLACE TO HIS SIRE SAITH A PROVERB TRUE ANOTHER SON BORN ALONE CAN FILL"
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MonoCut
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| 27.919
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"Sad store hath memory For minstrel skill, A wood to bloom leafy With words of song. <strong>6.</strong> 'Most woful the breach, Where the wave in brake On the fenced hold Of my father's kin. Unfilled, as I wot, And open doth stand The gap of son rent By the greedy surge. <strong>7.</strong> 'Me Ran, the sea queen, Roughly hath shaken: I stand of beloved ones Stript and all bare.",
"SAD STORE HATH MEMORY FOR MINSTREL SKILL A WOOD TO BLOOM LEAFY WITH WORDS OF SONG MOST WOFUL THE BREACH WHERE THE WAVE IN BREAK ON THE FENCED HOLD OF MY FATHER'S KIN UNFILLED AS I WOT AND OPEN DOTH STAND THE GAP OF SUN RENT BY THE GREEDY SURGE ME RAN THE SEA QUEEN ROUGHLY HATH SHAKEN I STANDETH BELOVED ONES STRIPPED AND ALL BARE"
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"the poem, and this is the beginning. <strong>SONA-TORREK (SONS' LOSS).</strong> <strong>1.</strong> 'Much doth it task me My tongue to move, Through my throat to utter The breath of song. Poesy, prize of Odin, Promise now I may not, A draught drawn not lightly From deep thought's dwelling. <strong>2.</strong> 'Forth it flows but hardly; For within my breast Heaving sobbing stifles Hindered stream of song Blessed boon to mortals Brought from Odin's kin, Goodly treasure, stolen From Giant-land of yore. <strong>3.</strong> 'He, who so blameless Bore him in life, O'erborne by billows With boat was whelmed. Sea-wavesflood that whilom Welled from giant's wound Smite upon the grave-gate Of my sire and son. <strong>4.</strong> 'Dwindling now my kindred Draw near to their end, Ev'n as forest-saplings Felled or tempest-strown. Not gay or gladsome Goes he who beareth Body of kinsman On funeral bier. <strong>5.</strong> 'Of father fallen First I may tell; Of much-loved mother Must mourn the loss. ",
"OR LIBER BOX DOT WARG MY HAT AND FORTY THREE LOG DE LA KANZAEN DOT WORD PRESS DOG KO THE CONTEXT OF THE POEM IS THAT EGEL HAS JUST LOST HIS SON BODVAR IN A STORM AT SEA HAVING PREVIOUSLY LOST HIS SON GUNNA MUCH DOTH IT TASK ME MY TONGUE TO MOVE THROUGH MY THROAT TO UTTER THE BREATH OF SONG POSEY PRIZE OF ODIN PROMISE NOW I MAY NOT A DRAUGHT DRAWN NOT LIGHTLY FROM DEEP THOUGHT'S DWELLING FORTH IT FLOWS BUT HARDLY FOR WITHIN MY BREAST HEAVING SOBBING STIFLES HINDERED STREAM OF SONG BLESSED BOON TO MORTALS BROUGHT FROM ODIN'S KING GOODLY TREASURE STOLEN FROM GIANT LAND OF YORE HE WHO SO BLAMELESS BORE HIM IN LIFE O'ER BORNE BY BILLOWS WITH BOAT WAS WOUND SEA WAVES FLOOD THAT WILL OOM WELL FROM GIANT'S WOUND SMITE UPON THE GRAVE GATE OF MY SIREN SON DWINDLING NOW MY KINDRED DRAW NEAR TO THEIR END EVEN AS FOREST SAPLINGS FELLED OR TEMPEST STROWN NOT GAY OR GLADSOME GOES HE WHO BEARETH BODY OF KINSMAN ON FUNERAL BEER OF FATHER FALLEN FIRST I MAY TELL OF MUCH LOVED MOTHER MUST MOURN THE LOSS "
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MonoCut
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"But on the arrival of the cavalry regiment everything changed. The streets became more lively and wore quite another aspect.",
"BUT ON ARRIVAL OF THE CAVALRY REGIMENT EVERYTHING CHANGED THE STREETS BECAME MORE LIVELY AND WORE QUITE ANOTHER ASPECT"
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"omise between a carriage and a cart, surrounded by sacks of flour, and whipping up his bay mare with her colt trotting by her side. The aspect of the marketplace is mournful enough. The tailor’s house sticks out very stupidly, not squarely to the front but sideways. Facing it is a brick house with two windows, unfinished for fifteen years past, and further on a large wooden market-stall standing by itself and painted mud-colour. This stall, which was to serve as a model, was built by the chief of police in the time of his youth, before he got into the habit of falling asleep directly after dinner, and of drinking a kind of decoction of dried goose-berries every evening. All around the rest of the market-place are nothing but palings. But in the centre are some little sheds where a packet of round cakes, a stout woman in a red dress, a bar of soap, some pounds of bitter almonds, some lead, some cotton, and two shopmen playing at “svaika,” a game resembling quoits, are always to be seen.",
"E WHICH IS A KIND OF COMPROMISE BETWEEN A CARRIAGE AND A CART SURROUNDED BY SACKS OF FLOUR AND WHIPPING UP HIS BAY MARE WITH HER COLT TROTTING BY HER SIDE THE ASPECT OF THE MARKET PLACE IS MOURNFUL ENOUGH THE TAILOR'S HOUSE STICKS OUT VERY STUPIDLY NOT SQUARELY TO THE FRONT BUT SIDEWAYS FACING IT IS A BRICK HOUSE WITH TWO WINDOWS UNFINISHED FOR FIFTEEN YEARS PAST AND FURTHER ON A LARGE WOODEN MARKET STALL STANDING BY ITSELF AND PAINTED MUD COLOUR THIS STALL WHICH WAS TO SERVE AS A MODEL WAS BUILT BY THE CHIEF OF POLICE IN THE TIME OF HIS YOUTH BEFORE HE GOT INTO THE HABIT OF FALLING ASLEEP DIRECTLY AFTER DINNER AND OF DRINKING A KIND OF DECOCTION OF DRIED GOOSEBERRIES EVERY EVENING ALL AROUND THE REST OF THE MARKET PLACE ARE NOTHING BUT PALINGS BUT IN THE CENTRE ARE SOME LITTLE SHEDS WHERE A PACKET OF ROUND CAKES A STOUT WOMAN IN A RED DRESS A BAR OF SOAP SOME POUNDS OF BITTER ALMONDS SOME LEAD SOME COTTON AND TWO SHOPMEN PLAYING AT SPYKER A GAME RESEMBLING QUOITS ARE ALWAYS TO BE SEEN"
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MonoCut
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"tuck it into a pie. They began to break-up at three in the morning. The coachmen were obliged to take several of them in their arms like bundles; and Tchertokoutski himself, despite his aristocratic pride, bowed so low to the company, that he took home two thistles in his moustache. The coachman who drove him home found every one asleep. He routed out, after some trouble, the valet, who, after having ushered his master through the hall, handed him over to a maid-servant. Tchertokoutski followed her as well as he could to the best room, and stretched himself beside his pretty young wife, who was sleeping in a night-gown as white as snow. The shock of her husband falling on the bed awoke her--she stretched out her arms, opened her eyes, closed them quickly, and then opened them again quite wide, with a half-vexed air. Seeing that her husband did not pay the slightest attention to her, she turned over on the other side, rested her fresh and rosy cheek on her hand, and went to sleep again.",
"MAKE OUT WHY HE TOOK OUT A CORK AND STUCK IT INTO A PIE THEY BEGAN TO BREAK UP AT THREE IN THE MORNING THE COACHMEN WERE OBLIGED TO TAKE SEVERAL OF THEM IN THEIR ARMS LIKE BUNDLES AND JOTOOTSKI HIMSELF DESPITE HIS ARISTOCRATIC PRIDE BOWED SO LOW TO THE COMPANY THAT HE TOOK HOME TWO THISTLES IN HIS MOUSTACHE THE COACHMAN WHO DROVE HIM HOME FOUND EVERY ONE ASLEEP HE ROUTED OUT AFTER SOME TROUBLE THE VALET WHO AFTER HAVING USHERED HIS MASTER THROUGH THE HALL HANDED HIM OVER TO A MAID SERVANT JOSHUITSKI FOLLOWED HER AS WELL AS HE COULD TO THE BEST ROOM AND STRETCHED HIMSELF BESIDE HIS PRETTY YOUNG WIFE WHO WAS SLEEPING IN A NIGHTGOWN AS WHITE AS SNOW THE SHOCK OF HER HUSBAND FALLING ON THE BED AWOKE HER SHE STRETCHED OUT HER ARMS OPENED HER EYES CLOSED THEM QUICKLY AND THEN OPENED THEM AGAIN QUITE WIDE WITH A HALF VEXED AIR SEEING THAT HER HUSBAND DID NOT PAY THE SLIGHTEST ATTENTION TO HER SHE TURNED OVER ON THE OTHER SIDE RESTED HER FRESH AND ROSY CHEEK ON HER HAND AND WENT TO SLEEP AGAIN"
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"\"Your excellency will make the acquaintance of the mistress of the house.\" \"That will be most agreeable to me,\" said the general, twirling his moustache. Tchertokoutski was firmly resolved to return home at once in order to make all necessary preparations in good time.",
"YOUR EXCELLENCY WILL MAKE THE ACQUAINTANCE OF THE MISTRESS OF THE HOUSE THAT WILL BE MOST AGREEABLE TO ME SAID THE GENERAL TWIRLING HIS MUSTACHE CHATTAKUTSKI WAS FIRMLY RESOLVED TO RETURN HOME AT ONCE IN ORDER TO MAKE ALL THE NECESSARY PREPARATIONS IN GOOD TIME"
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"ow me to come with these officers--” “I beg of them to come too. I shall esteem it a great honour, gentlemen, to have the pleasure of seeing you at my house.” The colonel, the major, and the other officers thanked Tchertokoutski. “I am of opinion myself, your excellency, that if one buys anything it should be good; it is not worth the trouble of getting, if it turns out bad. If you do me the honour of calling on me to-morrow, I will show you some improvements I have introduced on my estate.” The general looked at him, and puffed out a fresh cloud of smoke. Tchertokoutski was charmed with his notion of inviting the officers, and mentally ordered in advance all manner of dishes for their entertainment. He smiled at these gentlemen, who on their part appeared to increase their show of attention towards him, as was noticeable from the expression of their eyes and the little half-nods they bestowed upon him. His bearing assumed a certain ease, and his voice expressed his great satisfaction.",
" I COULD NOT BUT IF YOU WOULD ALLOW ME TO COME WITH THESE OF OFFICERS I BEG OF THEM TO COME TOO I SHALL ESTEEM IT A GREAT HONOR GENTLEMEN TO HAVE THE PLEASURE OF SEEING YOU AT MY HOUSE THE COLONEL THE MAJOR AND THE OTHER OFFICERS THANKED TCHAKOOTSKY I AM OF OPINION MYSELF YOUR EXCELLENCY THAT IF ONE BUYS ANYTHING IT SHOULD BE GOOD IT IS NOT WORTH THE TROUBLE OF GETTING IF IT TURNS OUT TO BE BAD IF YOU DO ME THE HONOUR OF CALLING ON ME TO MORROW I WILL SHOW YOU SOME IMPROVEMENTS I HAVE INTRODUCED ON MY ESTATE THE GENERAL LOOKED AT HIM AND PUFFED OUT A FRESH CLOUD OF SMOKE CHATTOOTSKI WAS CHARMED WITH HIS NOTION OF INVITING THE OFFICERS AND MENTALLY ORDERED IN ADVANCE ALL MANNER OF DISHES FOR THEIR ENTERTAINMENT HE SMILED AT THESE GENTLEMEN WHO ON THEIR PART APPEARED TO INCREASE THEIR SHOW OF ATTENTION TOWARDS HIM AS WAS NOTICEABLE FROM THE EXPRESSION OF THEIR EYES AND THE LITTLE HALF NODS THEY BESPODE UPON HIM HIS BEARING ASSUMED A CERTAIN EASE AND HIS VOICE EXPRESSED GREAT SATISFACTION"
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"\"No, no, such things are inconceivable,\" said the general angrily. \"If he could not receive us, why did he invite us?\" \"I cannot understand, your excellency, how it is possible to act in such a manner,\" observed a young officer. \"What?\"",
"NO NO SUCH THINGS ARE INCONCEIVABLE SAID THE GENERAL ANGRILY IF HE COULD NOT RECEIVE US WHY DID HE INVITE US I CANNOT UNDERSTAND YOUR EXCELLENCY HOW IT IS POSSIBLE TO ACT IN SUCH A MANNER OBSERVED A YOUNG OFFICER WHAT"
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"be noticed in the corner in which he had taken refuge. “This will be better,” said he to himself, letting down the steps of the nearest vehicle, which happened to be the calash. He jumped inside, closed the door, and, as a further precaution, covered himself with the leather apron. There he remained, wrapped in his dressing-gown, in a doubled-up position. During this time the equipages had drawn up before the porch. The general got out of his carriage and shook himself, followed by the colonel, arranging the feathers in his hat. After him came the stout major, his sabre under his arm, and the slim lieutenants, whilst the mounted officers also alighted. “The master is not at home,” said a servant appearing at the top of a flight of steps. “What! not at home; but he is coming home for dinner, is he not?” “No, he is not; he has gone out for the day and will not be back till this time to-morrow.” “Bless me,” said the general; “but what the deuce--” “What a joke,” said the colonel laughing.",
"E SAFEST HIDING PLACE BUT HE FANCIED THAT HE MIGHT BE NOTICED IN THE CORNER IN WHICH HE HAD TAKEN REFUGE THIS WILL BE BETTER HE SAID TO HIMSELF LETTING DOWN THE STEPS OF THE NEAREST VEHICLE WHICH HAPPENED TO BE THE CALASH HE JUMPED INSIDE CLOSED THE DOOR AND AS A FURTHER PRECAUTION COVERED HIMSELF WITH THE LEATHER APRON THERE HE REMAINED WRAPPED IN HIS DRESSING GOWN IN A DOUBLED UP POSITION DURING THIS TIME THE EQUIPAGES HAD DRAWN UP BEFORE THE PORCH THE GENERAL GOT OUT OF HIS CARRIAGE AND SHOOK HIMSELF FOLLOWED BY THE COLONEL ARRANGING THE FEATHERS IN HIS HAT AFTER HIM CAME THE STOUT MAJOR HIS SABRE UNDER HIS ARM AND THE SLIM LIEUTENANTS WHILST THE MOUNTED OFFICERS ALSO ALIGHTED THE MASTER IS NOT AT HOME SAID A SERVANT APPEARING AT THE TOP OF A FLIGHT OF STEPS WHAT NOT AT HOME BUT HE IS COMING HOME FOR DINNER IS HE NOT NO HE IS NOT HE IS GONE OUT FOR THE DAY AND WILL NOT BE BACK TILL THIS TIME TO MORROW BLESS ME SAID THE GENERAL BUT WHAT THE DEUCE WHAT A JOKE SAID THE COLONEL LAUGHING"
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"When you happened to pass through the town and glanced at its little mud houses with their incredibly gloomy aspect, the pen refuses to express what you felt.",
"WHEN YOU HAPPENED TO PASS THROUGH THE TOWN AND GLANCED AT ITS LITTLE MUD HOUSES WITH THEIR INCREDIBLY GLOOMY ASPECT THE PEN REFUSES TO EXPRESS WHAT YOU FELT"
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" father, until now, all of a sudden, at an auction--” The artist did not finish his sentence, but turned his eyes to the wall in order to glance once more at the portrait. The entire throng of auditors made the same movement, seeking the wonderful portrait with their eyes. But, to their extreme amazement, it was no longer on the wall. An indistinct murmur and exclamation ran through the crowd, and then was heard distinctly the word, “stolen.” Some one had succeeded in carrying it off, taking advantage of the fact that the attention of the spectators was distracted by the story. And those present long remained in a state of surprise, not knowing whether they had really seen those remarkable eyes, or whether it was simply a dream which had floated for an instant before their eyesight, strained with long gazing at old pictures. THE CALASH The town of B---- had become very lively since a cavalry regiment had taken up its quarters in it. Up to that date it had been mortally wearisome there.",
" T SECTION TWENTY SIX OF TARIS BOILBUR AND OTHER TALES THIS IS A LIBER BOX RECALLING ALL LIBERVOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIBERVOX DOT ORG RECORDING BY HATTON FORTY THREE IN JANUARY TWENTY SEVENTEEN TAURIS BOULBAR AND OTHER TALES BY NIKOLAY VASSILIEVITCH GOVOL THE CALASH THE TOWN OF B HAD BECOME VERY LIVELY SINCE A CAVALRY REGIMENT HAD TAKEN UP ITS QUARTERS IN IT UP TO THAT DATE IT HAD BEEN MORTALLY WEARISOME THERE"
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"The general began to look at her with evident satisfaction, and left off smoking. The colonel himself went down the steps and patted her neck. The major ran his hand down her legs, and all the other officers clicked their tongues at her.",
"THE GENERAL BEGAN TO LOOK AT HER WITH EVIDENT SATISFACTION AND LET OFF SMOKING THE COLONEL HIMSELF WENT DOWN THE STEPS AND PATTED HER NECK THE MAJOR RAN HIS HAND DOWN HER LEGS AND ALL THE OTHER OFFICERS CLICKED THEIR TONGUES AT HER"
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"is not bad looking--” puff--puff, the general here let out the smoke which he had kept in his mouth till then--“the little mare.” “It is long since your excellency--” puff--puff--puff--“condescended to buy her?” asked Tchertokoutski. Puff--puff--puff--puff. “Not very long, I had her from the breeding establishment two years ago.” “And did your excellency condescend to take her ready broken, or to have her broken in here yourself?” Puff--puff--puff--puff. “Here.” As he spoke the general disappeared behind a cloud of smoke. At that moment a soldier jumped out of the stable. The trampling of a horse’s hoofs was heard, and another soldier with immense moustaches, and wearing a long white tunic, appeared, leading by the bridle the terrified and quivering mare, which, suddenly rearing, lifted him off his feet. “Come, come, Agrafena Ivanovna,” said he, leading her towards the verandah. The mare’s name was Agrafena Ivanovna. Strong and bold as a Southern beauty, she suddenly became motionless.",
"T A DECENT STABLE IN THIS CURSED LITTLE PLACE BUT SHE IS NOT LOOKING BAD PUFF PUFF THE GENERAL HERE LET OUT THE SMOKE WHICH HE HAD KEPT IN HIS MOUTH TILL THEN THE LITTLE MARE IT IS LONG SINCE YOUR EXCELLENCY PUFF PUFF PUFF CONDESCENDED TO BUY HER ASKED SHTTOUTSKY PUFF PUFF PUFF PUFF NOT VERY LONG I HAD HER FROM THE BREEDING ESTABLISHMENT TWO YEARS AGO AND DID YOUR EXCELLENCY CONDESCEND TO BUY HER READY BROKEN OR HAVE TO HAVE HER BROKEN IN YOUR HAIR YOURSELF PUFF PUFF PUFF PUFF HERE AS HE SPOKE THE GENERAL DISAPPEARED BEHIND A CLOUD OF SMOKE AT THAT MOMENT A SOLDIER JUMPED OUT OF THE STABLE THE TRAMPLING OF A HORSE'S HOOFS WAS HEARD AND ANOTHER SOLDIER WITH IMMENSE MOUSTACHES AND WEARING A LONG WHITE TUNIC APPEARED LEADING BY THE BRIDLE THE TERRIFIED AND QUIVERING MARE WHICH SUDDENLY REARING LIFTED HIM OFF HIS FEET COME COME AGRAFENA IVANOVNA SAID HE LEADING HER TOWARDS THE VERANDA THE MAYOR'S NAME WAS AGRAFENA IVANOVNA STRONG AND BOLD AS A SOUTHERN BEAUTY SHE SUDDENLY BECAME MOTIONLESS"
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"\"There is nothing remarkable about it,\" said the general; \"it is a very ordinary calash.\" \"Nothing to look at,\" added the colonel; \"there is absolutely nothing good about it.\" \"It seems to me, your excellency, that it is not worth four thousand rubles,\" remarked a young officer. \"What?\"",
"THERE IS NOTHING REMARKABLE ABOUT IT SAID THE GENERAL IT IS A VERY ORDINARY CALASH NOTHING TO LOOK AT ADDED THE COLONEL THERE IS ABSOLUTELY NOTHING GOOD ABOUT IT IT SEEMS TO ME YOUR EXCELLENCY THAT IT IS NOT WORTH FOUR THOUSAND ROUBLES REMARKED THE YOUNG OFFICER WHAT"
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"ite us?” “I cannot understand, your excellency, how it is possible to act in such a manner,” observed a young officer. “What?” said the general, who always made an officer under the rank of captain repeat his remarks twice over. “I wondered, your excellency, how any one could do such a thing.” “Quite so; if anything has happened he ought to have let us know.” “There is nothing to be done, your excellency, we had better go back home,” said the colonel. “Certainly, there is nothing to be done. However, we can see the calash without him; probably he has not taken it with him. Come here, my man.” “What does your excellency want?” “Show us your master’s new calash.” “Have the kindness to step this way to the coach-house.” The general entered the coach-house followed by his officers. “Let me pull it a little forward, your excellency,” said the servant, “it is rather dark here.” “That will do.” The general and his officers walked around the calash, carefully inspecting the wheels and springs.",
"SAID THE GENERAL ANGRILY IF HE COULD NOT RECEIVE US WHY DID HE INVITE US I CANNOT UNDERSTAND YOUR EXCELLENCY HOW IT IS POSSIBLE TO ACT IN SUCH A MANNER OBSERVED A YOUNG OFFICER WHAT SAID THE GENERAL WHO ALWAYS MADE AN OFFICER UNDER THE RANK OF CAPTAIN REPEAT HIS REMARKS TWICE OVER I WONDERED YOUR EXCELLENCY HOW ANYONE COULD DO SUCH A THING QUITE SO IF ANYTHING HAS HAPPENED HE OUGHT TO HAVE LET US KNOW THERE IS NOTHING TO BE DONE YOUR EXCELLENCY WE HAD BETTER GO BACK HOME SAID THE COLONEL CERTAINLY THERE IS NOTHING TO BE DONE HOWEVER WE CAN SEE THE CALASH WITHOUT HIM PROBABLY HE HAS NOT TAKEN IT WITH HIM COME HERE MY MAN WHAT DOES YOUR EXCELLENCY WANT SHOW US YOUR MASTER'S CALASH HAVE THE KINDNESS TO STEP THIS WAY TO THE COACH HOUSE THE GENERAL ENTERED THE COACH HOUSE FOLLOWED BY HIS OFFICERS LET ME PULL IT A LITTLE FORWARD YOUR EXCELLENCY SAID THE SERVANT IT IS RATHER DARK HERE THAT WILL DO THE GENERAL AND HIS OFFICERS WALKED ROUND THE CALASH CAREFULLY INSPECTING THE WHEELS AND SPRINGS"
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"\"Visitors, what visitors?\" After saying these words he uttered a little plaintive grunt like that of a sucking calf: \"M m m. Let me kiss you.\" \"My dear, get up at once, for heaven's sake. The general has come with all his officers. Ah! goodness, you have got a thistle in your moustache.\"",
"VISITORS WHAT VISITORS AFTER SAYING THESE WORDS HE UTTERED A LITTLE PLAINTIVE GRUNT LIKE THAT OF A SUCKLING CAR M LET ME KISS YOU MY DEAR GET UP AT ONCE FOR HEAVEN'S SAKE THE GENERAL HAS COME WITH ALL HIS OFFICES OUR GOODNESS YOU'VE GOT A THISTLE IN YOUR MOUSTACHE"
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"cles, closely following one another. First came a light calash, with two places, in which was the general, wearing his large and glittering epaulettes, with the colonel. This was followed by another with four places, containing the captain, the aide-de-camp and two lieutenants. Further on, came the celebrated regimental vehicle, the present owner of which was the major, and behind that another in which were packed five officers, one on his comrade’s knees, the procession being closed by three more on three fine bays. “Are they coming here?” thought the mistress of the house. “Good heavens, yes! they are leaving the main road.” She gave a cry, clasped her hands, and ran straight across the flower-beds to her bedroom, where her husband was still sleeping soundly. “Get up! get up! get up at once,” she cried, pulling him by the arm. “What--what’s the matter?” murmured Tchertokoutski, stretching his limbs without opening his eyes. “Get up, get up. Visitors have come, do you hear? visitors.”",
"TER LOOKING AT IT FOR SOME MOMENTS SHE ENDED BY MAKING OUT SEVERAL VEHICLES CLOSELY FOLLOWING ONE ANOTHER FIRST CAME A LIGHT CALASH WITH TWO PLACES IN WHICH WAS THE GENERAL WEARING HIS LARGE AND GLITTERING EPAULETS WITH THE COLONEL THIS WAS FOLLOWED BY ANOTHER WITH FOUR PLACES CONTAINING THE CAPTAIN THE AIDE DE CAMP AND TWO LIEUTENANTS FURTHER ON CAME THE CELEBRATED REGIMENTAL VEHICLE THE PRESENT OWNER OF WHICH WAS THE MAJOR AND BEHIND THAT ANOTHER IN WHICH WERE PACKED FIVE OFFICERS ONE ON HIS COMRADE'S KNEES THE PROCESSION BEING CLOSED BY THREE MORE AND FINE BAYS ARE THEY COMING HERE THOUGHT THE MISTRESS OF THE HOUSE GOOD HEAVENS YES THEY ARE LEAVING THE MAIN ROAD SHE GAVE A CRY CLASPED HER HANDS AND RAN STRAIGHT ACROSS THE FLOWERBEDS TO HER BEDROOM WHERE HUSBAND WAS STILL SLEEPING SOUNDLY GET UP GET UP GET UP AT ONCE SHE CRIED PULLING HIM BY THE ARM WHAT'S THE MATTER MURMURED JOTOOTSKI STRETCHING HIS LIMBS WITHOUT OPENING HIS EYES GET UP GET UP VISITORS HAVE COME DO YOU HEAR VISITORS"
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"All around the rest of the market place are nothing but palings.",
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"n all the streets are filled with pigs. Displaying to all their grave faces, they utter such grunts that travellers only think of pressing their horses to get away from them as soon as possible. Sometimes some country gentleman of the neighbourhood, the owner of a dozen serfs, passes in a vehicle which is a kind of compromise between a carriage and a cart, surrounded by sacks of flour, and whipping up his bay mare with her colt trotting by her side. The aspect of the marketplace is mournful enough. The tailor’s house sticks out very stupidly, not squarely to the front but sideways. Facing it is a brick house with two windows, unfinished for fifteen years past, and further on a large wooden market-stall standing by itself and painted mud-colour. This stall, which was to serve as a model, was built by the chief of police in the time of his youth, before he got into the habit of falling asleep directly after dinner, and of drinking a kind of decoction of dried goose-berries every evening.",
"ED INTO MUD AND THEN ALL THE STREETS ARE FILLED WITH PIGS DISPLAYING TO ALL THEIR GRAVE FACES THEY UTTER SUCH GRUNTS THAT TRAVELLERS ONLY THINK OF PRESSING THEIR HORSES TO GET AWAY FROM THEM AS SOON AS POSSIBLE SOMETIMES SOME COUNTRY GENTLEMAN OF THE NEIGHBOURHOOD THE OWNER OF A DOZEN SERFS PASSES IN A VEHICLE WHICH IS A KIND OF COMPROMISE BETWEEN A CARRIAGE AND A CART SURROUNDED BY SACKS OF FLOUR AND WHIPPING UP HIS BAY MARE WITH HER COLT TROTTING BY HER SIDE THE ASPECT OF THE MARKET PLACE IS MOURNFUL ENOUGH THE TAILOR'S HOUSE STICKS OUT VERY STUPIDLY NOT SQUARELY TO THE FRONT BUT SIDEWAYS FACING IT IS A BRICK HOUSE WITH TWO WINDOWS UNFINISHED FOR FIFTEEN YEARS PAST AND FURTHER ON A LARGE WOODEN MARKET STALL STANDING BY ITSELF AND PAINTED MUD COLOUR THIS STALL WHICH WAS TO SERVE AS A MODEL WAS BUILT BY THE CHIEF OF POLICE IN THE TIME OF HIS YOUTH BEFORE HE GOT INTO THE HABIT OF FALLING ASLEEP DIRECTLY AFTER DINNER AND OF DRINKING A KIND OF DECOCTION OF DRIED GOOSEBERRIES EVERY EVENING"
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"Oysters should be laid on a cloth to drain thoroughly, then rolled in fine sifted cracker dust, and dropped into very hot fat; do not put more oysters in the pan than will fry without one overlapping the other.",
"OYSTERS SHOULD BE LAID ON A CLOTH TO DRAIN THOROUGHLY THEN ROLLED IN FINE SIFTED CRACKER DUST AND DROPPED INTO VERY HOT FAT DO NOT PUT MORE OYSTERS IN THE PAN THAN WILL FRY WITHOUT ONE OVERLAPPING THE OTHER"
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"ll retaining the bone, then you have two halves of the fish; cut away the fins, and you have four quarters of solid fish. Now see if the fat is very hot, set it forward while you wipe your fish dry, and dip each piece in milk, then in flour. Try if the fat is hot by dropping a crumb into it; if it browns at once, put in the fish. When they are beautifully brown, which will be in about ten minutes, take them up in the colander, and then lay them on a towel to absorb any fat, lay them on a hot dish, and garnish with slices of lemon and parsley or celery tops. Now when this dish made its appearance, my friend's husband, a _bon vivant_, greeted it with, \"Aha! _Filets de sole à la Delmonico_,\" and as nothing to the contrary was said until dinner was over, he ate them under the impression that they were veritable _filets de sole_. Of course I can't pretend to say whether M. Delmonico imports his soles, or uses the homely flounder; but I do know that one of his frequenters knew no difference.",
"ISH DETACHING AS YOU DO SO ANY FLESH STILL RETAINING THE BONE THEN YOU HAVE TWO HALVES OF THE FISH CUT AWAY THE FINS AND YOU HAVE FOUR QUARTERS OF SOLID FISH NOW SEE IF THE FAT IS VERY HOT SET IT FORWARD WHILE YOU WIPE YOUR FISH DRY AND DIP EACH PIECE IN MILK THEN IN FLOUR TRY IF THE FAT IS HOT BY DROPPING A CRUMB INTO IT IF IT BROWNS AT ONCE PUT IN THE FISH WHEN THEY ARE BEAUTIFULLY BROWN WHICH WILL BE IN ABOUT TEN MINUTES TAKE THEM UP IN THE COLANDER AND LAY THEM ON A TOWEL TO ABSORB ANY FAT LAY THEM ON A HOT DISH AND GARNISH WITH SLICES OF LEMON PARSLEY OR CELERY TOPS NOW WHEN THIS DISH MADE ITS APPEARANCE MY FRIEND'S HUSBAND A BON VIVENT GREETED IT WITH AHA FILLET DE SOUL A LA DE LAMONICO AND AS NOTHING TO THE CONTRARY WAS SAID UNTIL DINNER WAS OVER HE ATE THEM UNDER DEPRESSION THAT THEY WERE VERITABLE FILLET DE SOLE OF COURSE I CAN'T PRETEND TO SAY WHETHER MONSIEUR DEL MONICO IMPORTS HIS SOULS OR USES THE HOMELY FLOUNDER BUT I DO KNOW THAT ONE OF HIS FREQUENTERS KNEW NO DIFFERENCE"
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"You have now detached one quarter of the flesh from the bone, do the other half in the same way, and when the back is thus entirely loose from the bone, turn the fish over and do the same with the other part.",
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", now that you are here to tell cook how to do it; she hasn't the wildest idea, although she would be astounded to hear me say so.\" \"Have you ever had flounders?\" I asked. \"Flounders!\" My friend's pretty nose went up the eighth of an inch, and her confidence in my powers as counselor went down to zero. \"Flounders! but they are a very common fish you know.\" \"I know they are very delicious,\" I answered. \"Order them, and trust me; but I must coax the autocrat of your kitchen to allow me to cook and prepare them myself.\" An hour before dinner I went into the kitchen, put at least a pound of lard into a deep frying-pan, and set it where it would get gradually hot, then I turned my attention to the fish; they were thick, firm flounders, and were ready cleaned, scraped, and the heads off. I then proceeded to bone one in the following way: Take a sharp knife and split the flounder right down the middle of the back, then run the knife carefully between the flesh and bones going toward the edge.",
"TO ORDER I SHOULD LIKE SOMETHING FRIED NOW THAT YOU ARE HERE TO TELL COOK HOW TO DO IT SHE HASN'T THE WILDEST IDEA ALTHOUGH SHE WOULD BE ASTOUNDED TO HEAR ME SAY SO HAVE YOU EVER HAD FLOUNDERS I ASKED FLOUNDERS MY FRIEND'S PRETTY NOSE WENT UP AT THE EIGHTH OF AN INCH AND HER CONFIDENCE IN MY POWERS AS COUNSELLOR WENT DOWN TO ZERO FLOUNDERS BUT THEY ARE VERY COMMON FISH YOU KNOW I KNOW THEY ARE DELICIOUS I ANSWERED ORDER THEM AND TRUST ME BUT I MUST COAX THE AUTOCRAT OF YOUR KITCHEN TO ALLOW ME TO COOK AND PREPARE THEM MYSELF AN HOUR BEFORE DINNER I WENT INTO THE KITCHEN PUT AT LEAST A POUND OF LARD INTO A DEEP FRYING PAN AND SET IT TO WHERE IT WOULD GET GRADUALLY HOT THEN I TURNED MY ATTENTION TO THE FISH THEY WERE THICK FIRM FLOUNDERS AND READY TO BE CLEANED SCRAPED AND THE HEADS OFF I THEN PROCEEDED TO BONE ONE IN THE FOLLOWING WAY TAKE A SHARP KNIFE AND SPLIT THE FLOUNDER RIGHT DOWN THE MIDDLE OF THE BACK THEN RUN THE KNIFE CAREFULLY BETWEEN THE FLESH AND BONES GOING TOWARD THE EDGE"
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"INTRODUCTION. The title I gave to these lectures ought, like all titles, to have been as definite, as plain, and as significant as possible; now, however, I observe that owing to a certain excess of precision, in its present form it is too short and consequently misleading.",
"INTRODUCTION THE TITLE I GAVE TO THESE LECTURES OUGHT LIKE ALL TITLES TO HAVE BEEN AS DEFINITE AS PLAIN AND AS SIGNIFICANT AS POSSIBLE NOW HOWEVER I OBSERVE THAT OWING TO A CERTAIN EXCESS OF PRECISION IN ITS PRESENT FORM IT IS TOO SHORT AND CONSEQUENTLY MISLEADING"
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"ent barbarism and of that which distinguishes us, as the barbarians of the nineteenth century, from other barbarians. Now, with this book in his hand, the writer seeks all those who may happen to be wandering, hither and thither, impelled by feelings similar to his own. Allow yourselves to be discovered--ye lonely ones in whose existence I believe! Ye unselfish ones, suffering in yourselves from the corruption of the German spirit! Ye contemplative ones who cannot, with hasty glances, turn your eyes swiftly from one surface to another! Ye lofty thinkers, of whom Aristotle said that ye wander through life vacillating and inactive so long as no great honour or glorious Cause calleth you to deeds! It is you I summon! Refrain this once from seeking refuge in your lairs of solitude and dark misgivings. Bethink you that this book was framed to be your herald. When ye shall go forth to battle in your full panoply, who among you will not rejoice in looking back upon the herald who rallied you?",
"CIFIC CHARACTER OF OUR PRESENT BARBARISM AND THAT WHICH DISTINGUISHES US AS THE BARBARIANS OF THE NINETEENTH CENTURY FROM OTHER BARBARIANS NOW WITH THIS BOOK IN HIS HAND THE WRITER SEEKS ALL THOSE WHO MAY HAPPEN TO BE WANDERING HITHER AND THITHER IMPELLED BY FEELINGS SIMILAR TO HIS OWN ALLOW YOURSELVES TO BE DISCOVERED YE LONELY ONES WHOSE EXISTENCE I BELIEVE YE UNSELFISH ONES SUFFERING IN YOURSELVES FROM THE CORRUPTION OF THE GERMAN SPIRIT YE CONTEMPLATIVE ONES WHO CANNOT WITH HASTY GLANCES TURN YOUR EYES SWIFTLY FROM ONE SURFACE TO ANOTHER YE LOFTY THINKERS OF WHOM ARISTOTLE SAID THAT YE WANDER THROUGH LIFE VACILLATING AND INACTIVE SO LONG AS NO GREAT HONOUR OR GLORIOUS CAUSE CALLETH YOU TO DEEDS IT IS YOU I SUMMON REFRAIN THIS ONCE FROM SEEKING REFUGE IN YOUR LAIRS OF SOLITUDE AND DARK MISGIVINGS BETHINK YOU THAT THIS BOOK WAS FRAMED TO BE YOUR HERALD WHEN YE SHALL GO FORTH TO BATTLE IN YOUR FULL PANOPOLY WHO AMONG YOU WILL NOT REJOICE IN LOOKING BACK UPON THE HERALD WHO RALLIED YOU"
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"Should any reader demur and suggest that all that is required is prompt and bold reform; should he imagine that a new \"organisation\" introduced by the State, were all that is necessary, then we fear he would have misunderstood not only the author but the very nature of the problem under consideration.",
"SHOULD ANY READER DEMURE AND SUGGEST THAT ALL THAT IS REQUIRED IS PROMPT AND BOLD REFORM SHOULD HE IMAGINE THAT A NEW ORGANIZATION INTRODUCED BY THE STATE WHERE ALL THAT IS NECESSARY THEN WE FEAR HE WOULD HAVE MISUNDERSTOOD NOT ONLY THE AUTHOR BUT THE VERY NATURE OF THE PROBLEM UNDER CONSIDERATION"
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"me that they have used their day in the most dignified and useful way, namely, in the _meditatio generis futuri_. No one among them has yet forgotten to think while reading a book; he still understands the secret of reading between the lines, and is indeed so generous in what he himself brings to his study, that he continues to reflect upon what he has read, perhaps long after he has laid the book aside. And he does this, not because he wishes to write a criticism about it or even another book; but simply because reflection is a pleasant pastime to him. Frivolous spendthrift! Thou art a reader after my own heart; for thou wilt be patient enough to accompany an author any distance, even though he himself cannot yet see the goal at which he is aiming,--even though he himself feels only that he must at all events honestly believe in a goal, in order that a future and possibly very remote generation may come face to face with that towards which we are now blindly and instinctively groping.",
"N THE EVENING HAS COME THAT THEY HAVE USED THEIR DAY IN THE MOST DIGNIFIED AND USEFUL WAY NAMELY IN THE MEDITATIO GENERIS FUTURI NO ONE AMONG THEM HAS YET FORGOTTEN TO THINK WHILE READING A BOOK HE STILL UNDERSTANDS THE SECRET OF READING BETWEEN THE LINES AND IS INDEED SO GENEROUS IN WHAT HE HIMSELF BRINGS TO HIS STUDY THAT HE CONTINUES TO REFLECT UPON WHAT HE HAS READ PERHAPS LONG AFTER HE HAS LAID THE BOOK ASIDE AND HE DOES THIS NOT BECAUSE HE WISHES TO WRITE A CRITICISM ABOUT IT OR EVEN ANOTHER BOOK BUT SIMPLY BECAUSE REFLECTION IS A PLEASANT PASTIME TO HIM FRIVOLOUS SPENDTHRIFT THOU ART A READER AFTER MY OWN HEART AND THOU WILT BE PATIENT ENOUGH TO ACCOMPANY AN AUTHOR ANY DISTANCE EVEN THOUGH HE HIMSELF CANNOT YET SEE THE GOAL AT WHICH HE IS AIMING EVEN THOUGH HE HIMSELF FEELS ONLY THAT HE MUST AT ALL EVENTS HONESTLY BELIEVE IN A GOAL IN ORDER THAT A FUTURE AND POSSIBLY VERY REMOTE GENERATION MAY COME FACE TO FACE WITH THAT TOWARDS WHICH WE ARE NOW BLINDLY AND INSTINCTIVELY GROPING"
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"On the other hand, I know full well under what distinguished auspices I have to deliver these lectures namely, in a city which is striving to educate and enlighten its inhabitants on a scale so magnificently out of proportion to its size, that it must put all larger cities to shame.",
"ON THE OTHER HAND I KNOW FULL WELL UNDER WHAT DISTINGUISHED AUSPICES I HAVE TO DELIVER THESE LECTURES NAMELY IN A CITY WHICH IS STRIVING TO EDUCATE AND ENLIGHTEN ITS INHABITANTS ON A SCALE SO MAGNIFICENTLY OUT OF PROPORTION TO ITS SIZE THAT IT MUST PUT ALL LARGER CITIES TO SHAME"
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"; now, however, I observe that owing to a certain excess of precision, in its present form it is too short and consequently misleading. My first duty therefore will be to explain the title, together with the object of these lectures, to you, and to apologise for being obliged to do this. When I promised to speak to you concerning the future of our educational institutions, I was not thinking especially of the evolution of our particular institutions in Bâle. However frequently my general observations may seem to bear particular application to our own conditions here, I personally have no desire to draw these inferences, and do not wish to be held responsible if they should be drawn, for the simple reason that I consider myself still far too much an inexperienced stranger among you, and much too superficially acquainted with your methods, to pretend to pass judgment upon any such special order of scholastic establishments, or to predict the probable course their development will follow.",
"IFICANT AS POSSIBLE NOW HOWEVER I OBSERVE THAT OWING TO A CERTAIN EXCESS OF PRECISION IN ITS PRESENT FORM IT IS TOO SHORT AND CONSEQUENTLY MISLEADING MY FIRST DUTY THEREFORE WILL BE TO EXPLAIN THE TITLE TOGETHER WITH THE OBJECT OF THESE LECTURES TO YOU AND TO APOLOGIZE FOR BEING OBLIGED TO DO THIS WHEN I PROMISE TO SPEAK TO YOU CONCERNING THE FUTURE OF OUR EDUCATIONAL INSTITUTIONS I WAS NOT THINKING ESPECIALLY OF THE EVOLUTION OF OUR PARTICULAR INSTITUTIONS IN BALE HOWEVER FREQUENTLY MY GENERAL OBSERVATIONS MAY SEEM TO BEAR PARTICULAR APPLICATION TO OUR OWN CONDITIONS HERE I PERSONALLY HAVE NO DESIRE TO DRAW THESE INFERENCES AND DO NOT WISH TO BE HELD RESPONSIBLE IF THEY SHOULD BE DRAWN FOR THE SIMPLE REASON THAT I CONSIDER MYSELF STILL FAR TOO MUCH AN INEXPERIENCED STRANGER AMONG YOU AND MUCH TOO SUPERFICIALLY ACQUAINTED WITH YOUR METHODS TO PRETEND TO PASS JUDGMENT UPON ANY SUCH SPECIAL ORDER OF SCHOLASTIC ESTABLISHMENTS OR TO PREDICT THE PROBABLE COURSE THEIR DEVELOPMENT WILL FOLLOW"
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"I am, moreover, convinced that the numerous alterations which have been introduced into these institutions within recent years, with the view of bringing them up to date, are for the most part but distortions and aberrations of the originally sublime tendencies given to them at their foundation.",
"I AM MOREOVER CONVINCED THAT THE NUMEROUS ALTERATIONS WHICH HAVE BEEN INTRODUCED INTO THESE INSTITUTIONS WITHIN RECENT YEARS WITH THE VIEW OF BRINGING THEM UP TO DATE ARE FOR THE MOST PART BUT DISTORTIONS AND ABERRATIONS OF THE ORIGINALLY SUBLIME TENDENCIES GIVEN TO THEM AT THEIR FOUNDATION"
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"ind which we rejoice in here. It is their future that will now engage our attention, _i.e._ the future of German elementary, secondary, and public schools (Gymnasien) and universities. While pursuing our discussion, however, we shall for once avoid all comparisons and valuations, and guard more especially against that flattering illusion that our conditions should be regarded as the standard for all others and as surpassing them. Let it suffice that they are our institutions, that they have not become a part of ourselves by mere accident, and were not laid upon us like a garment; but that they are living monuments of important steps in the progress of civilisation, in some respects even the furniture of a bygone age, and as such link us with the past of our people, and are such a sacred and venerable legacy that I can only undertake to speak of the future of our educational institutions in the sense of their being a most probable approximation to the ideal spirit which gave them birth.",
"AN INSTITUTIONS OF THE KIND WHICH WE REJOICE IN HERE IT IS THEIR FUTURE THAT WILL NOW ENGAGE OUR ATTENTION I E THE FUTURE OF GERMAN ELEMENTARY SECONDARY AND PUBLIC SCHOOLS GYMNASIUMS AND UNIVERSITIES WHILE PURSUING OUR DISCUSSION HOWEVER WE SHALL FOR ONCE AVOID ALL COMPARISONS AND VALUATIONS AND GUARD MORE ESPECIALLY AGAINST THE FLATTERING ALLUSION THAT OUR CONDITIONS SHOULD BE REGARDED AS THE STANDARD FOR ALL OTHERS IN SURPASSING THEM LET IT SUFFICE THAT THEY ARE OUR INSTITUTIONS THAT THEY HAVE NOT BECOME A PART OF OURSELVES BY MERE ACCIDENT AND WERE NOT LAID UPON US LIKE A GARMENT BUT THAT THEY ARE LIVING MONUMENTS OF IMPORTANT STEPS IN THE PROGRESS OF CIVILIZATION IN SOME RESPECTS EVEN THE FURNITURE OF A BY GONE AGE AND AS SUCH LINK US WITH THE PAST OF OUR PEOPLE AND ARE SUCH A SACRED AND VENERABLE LEGACY THAT I CAN ONLY UNDERTAKE TO SPEAK OF THE FUTURE OF OUR EDUCATIONAL INSTITUTIONS IN THE SENSE OF THERE BEING A MOST PROBABLE APPROXIMATION TO THE IDEAL SPIRIT WHICH GAVE THEM BIRTH"
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"My scheme is as follows: Two seemingly antagonistic forces, equally deleterious in their actions and ultimately combining to produce their results, are at present ruling over our educational institutions, although these were based originally upon very different principles.",
"MY SCHEME IS AS FOLLOWS TWO SEEMINGLY ANTAGONISTIC FORCES EQUALLY DELECHROUS IN THEIR ACTIONS AND ULTIMATELY COMBINING TO PRODUCE THEIR RESULTS ARE AT PRESENT RULING OVER OUR EDUCATIONAL INSTITUTIONS ALTHOUGH THESE WERE BASED ORIGINALLY UPON VERY DIFFERENT PRINCIPLES"
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"ourage which o'ercomes, in hard-fought fight, Sooner or later ev'ry earthly foe,-- That faith which soaring to the realms of light, Now boldly presseth on, now bendeth low, So that the good may work, wax, thrive amain, So that the day the noble may attain.\"[2] I should like you to regard all I have just said as a kind of preface, the object of which is to illustrate the title of my lectures and to guard me against any possible misunderstanding and unjustified criticisms. And now, in order to give you a rough outline of the range of ideas from which I shall attempt to form a judgment concerning our educational institutions, before proceeding to disclose my views and turning from the title to the main theme, I shall lay a scheme before you which, like a coat of arms, will serve to warn all strangers who come to my door, as to the nature of the house they are about to enter, in case they may feel inclined, after having examined the device, to turn their backs on the premises that bear it.",
"ANGING EVER YOUTHFUL GLOW THAT COURAGE WHICH O'ER COMES IN HARD FOUGHT FIGHT SOONER OR LATER EVERY EARTHLY FOE THAT FAITH WHICH SOARING TO THE REALMS OF LIGHT NOW BOLDLY PRESSETH ON NOW BENDETH LOW SO THAT THE GOOD MAY WORK MAX THRIVE EMEN SO THAT THE DAY THE NOBLE MAY ATTAIN I SHOULD LIKE YOU TO REGARD ALL I HAVE JUST SAID AS A KIND OF PREFACE THE OBJECT OF WHICH IS TO ILLUSTRATE THE TITLE OF MY LECTURES AND TO GUARD ME AGAINST ANY POSSIBLE MISUNDERSTANDINGS AND UNJUSTIFIED CRITICISMS AND NOW IN ORDER TO GIVE YOU A ROUGH OUTLINE OF THE RANGE OF IDEAS FROM WHICH I SHALL ATTEMPT TO FORM A JUDGMENT CONCERNING OUR EDUCATIONAL INSTITUTIONS BEFORE PROCEEDING TO DISCLOSE MY VIEWS AND TURNING FROM THE TITLE TO THE MAIN THEME I SHALL LAY A SCHEME BEFORE YOU LIKE A COAT OF ARMS WILL SERVE TO WARN ALL STRANGERS WHO COME TO MY DOOR AS TO THE NATURE OF THE HOUSE THEY ARE ABOUT TO ENTER IN CASE THEY MAY FEEL INCLINED AFTER HAVING EXAMINED THE DEVICE TO TURN THEIR BACKS ON THE PREMISSES THAT BEAR IT"
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"The \"prophet\" pose is such a presumptuous one that it seems almost ridiculous to deny that I have the intention of adopting it. No one should attempt to describe the future of our education, and the means and methods of instruction relating thereto, in a prophetic spirit, unless he can prove that the picture he draws already exists in germ to day, and that all that is required is the extension and development of this embryo if the necessary modifications are to be produced in schools and other educational institutions.",
"THE PROPHET POSE IS SUCH A PRESUMPTUOUS ONE THAT IT ALMOST SEEMS RIDICULOUS TO DENY THAT I HAVE THE INTENTION OF ADOPTING IT NO ONE SHOULD ATTEMPT TO DESCRIBE THE FUTURE OF OUR EDUCATION AND THE MEANS AND METHODS OF INSTRUCTION RELATING THERE TOO IN A PROPHETIC SPIRIT UNLESS HE CAN PROVIDE THAT THE PICTURE HE DRAWS ALREADY EXISTS IN GERM TO DAY AND THAT ALL THAT IS REQUIRED IS THE EXTENSION AND DEVELOPMENT OF THIS EMBRYO IF THE NECESSARY MODIFICATIONS ARE TO BE PRODUCED IN SCHOOLS AND OTHER EDUCATIONAL INSTITUTIONS"
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"utions in the sense of their being a most probable approximation to the ideal spirit which gave them birth. I am, moreover, convinced that the numerous alterations which have been introduced into these institutions within recent years, with the view of bringing them up-to-date, are for the most part but distortions and aberrations of the originally sublime tendencies given to them at their foundation. And what we dare to hope from the future, in this behalf, partakes so much of the nature of a rejuvenation, a reviviscence, and a refining of the spirit of Germany that, as a result of this very process, our educational institutions may also be indirectly remoulded and born again, so as to appear at once old and new, whereas now they only profess to be \"modern\" or \"up-to-date.\" Now it is only in the spirit of the hope above mentioned that I wish to speak of the future of our educational institutions: and this is the second point in regard to which I must tender an apology from the outset.",
"UR EDUCATIONAL INSTITUTIONS IN THE SENSE OF THERE BEING A MOST PROBABLE APPROXIMATION TO THE IDEAL SPIRIT WHICH GAVE THEM BIRTH I AM MOREOVER CONVINCED THAT THE NUMEROUS ALTERATIONS WHICH HAVE BEEN INTRODUCED INTO THESE INSTITUTIONS WITHIN RECENT YEARS WITH THE VIEW OF BRINGING THEM UP TO DATE ARE FOR THE MOST PART BUT DISTORTIONS AND ABERRATIONS OF THE ORIGINALLY SUBLIME TENDENCIES GIVEN TO THEM AT THEIR FOUNDATION AND WHAT WE DARE TO HOPE FROM THE FUTURE IN HIS BEHALF PARTAKES SO MUCH OF THE NATURE OF A REJUVENATION A REVIVISANCE AND A REFINING OF THE SPIRIT OF GERMANY THAT AS A RESULT OF THIS VERY PROCESS OUR EDUCATIONAL INSTITUTIONS MAY ALSO BE INDIRECTLY REMOULDED AND REBORN AGAIN SO AS TO APPEAR AT ONCE OLD AND NEW WHEREAS NOW THEY ONLY PROFESS TO BE MODERN OR UP TO DATE NOW IT IS ONLY IN THE SPIRIT OF THE HOPE ABOVE MENTIONED THAT I WISH TO SPEAK OF THE FUTURE OF OUR EDUCATIONAL INSTITUTIONS AND THIS IS THE SECOND POINT IN REGARD TO WHICH I MUST TENDER AN APOLOGY FROM THE OUTSET"
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"\"Brighter now glow'd his cheek, and still more bright With that unchanging, ever youthful glow: That courage which o'ercomes, in hard fought fight, Sooner or later ev'ry earthly foe, That faith which soaring to the realms of light, Now boldly presseth on, now bendeth low, So that the good may work, wax, thrive amain, So that the day the noble may attain.\"",
"BRIGHTER NOW GLOWED HIS CHEEK AND STILL MORE BRIGHT WITH THE UNCHANGING EVER YOUTHFUL GLOW THAT COURAGE WHICH O'ER COMES IN HARD FOUGHT FIGHT SOONER OR LATER EVERY EARTHLY FOE THAT FAITH WHICH SOARING TO THE REALMS OF LIGHT NOW BOLDLY PRESSETH ON NOW BENDETH LOW SO THAT THE GOOD MAY WORK MAX THRIVE EMEN SO THAT THE DAY THE NOBLE MAY ATTAIN"
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" in this respect it were well did we not forget that scores of the very first principles of our modern educational methods are thoroughly artificial, and that the most fatal weaknesses of the present day are to be ascribed to this artificiality. He who feels in complete harmony with the present state of affairs and who acquiesces in it _as something_ \"_selbstverständliches_,\"[1] excites our envy neither in regard to his faith nor in regard to that egregious word \"_selbstverständlich_,\" so frequently heard in fashionable circles. He, however, who holds the opposite view and is therefore in despair, does not need to fight any longer: all he requires is to give himself up to solitude in order soon to be alone. Albeit, between those who take everything for granted and these anchorites, there stand the _fighters_--that is to say, those who still have hope, and as the noblest and sublimest example of this class, we recognise Schiller as he is described by Goethe in his \"Epilogue to the Bell.",
" MIGHTIEST OF ALL ALLIES IN NATURE HERSELF AND IN THIS RESPECT IT WERE WELL DID WE NOT FORGET THAT SCORES OF THE VERY FIRST PRINCIPLES OF OUR MODERN EDUCATIONAL METHODS ARE THOROUGHLY ARTIFACTOR AND THAT THE MOST FATAL WEAKNESSES OF THE PRESENT DAY ARE TO BE ASCRIBED TO THIS ARTIFACTALITY HE WHO FEELS IN COMPLETE HARMONY WITH THE PRESENT STATE OF AFFAIRS AND WHO ACQUIESCES IN IT AS SOMETHING SINCE VERSTANLICH EXCITES OUR ENVY NEITHER IN REGARD TO HIS FAITH NOR IN REGARD TO THAT EGREGIOUS WORD SAYS VERSTAND LICH SO FREQUENTLY HEARD IN FASHIONABLE CIRCLES HE HOWEVER WHO HOLDS THE OPPOSITE VIEW AND IS THEREFORE IN DESPAIR DOES NOT NEED TO FIGHT ANY LONGER ALL HE REQUIRES IS TO GIVE HIMSELF UP TO SOLITUDE IN ORDER TO BE ALONE ALBEIT BETWEEN THOSE WHO TAKE EVERYTHING FOR GRANTED THESE ANCHORITES THERE STAND THE FIGHTERS THAT IS TO SAY THOSE WHO STILL HAVE HOPE AND AS THE NOBLEST AND SUBLIMEST EXAMPLE OF THIS CLASS WE RECOGNISE SCHILLER AS HE IS DESCRIBED BY GERTA IN HIS EPILOGUE TO THE BELL"
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"oy which seemed to come from the Rhine. A number of voices could be heard in the distance--they were those of our fellow-students who by that time must have taken to the Rhine in small boats. It occurred to us that we should be missed and that we should also miss something: almost simultaneously my friend and I raised our pistols: our shots were echoed back to us, and with their echo there came from the valley the sound of a well-known cry intended as a signal of identification. For our passion for shooting had brought us both repute and ill-repute in our club. At the same time we were conscious that our behaviour towards the silent philosophical couple had been exceptionally ungentlemanly; they had been quietly contemplating us for some time, and when we fired the shock made them draw close up to each other. We hurried up to them, and each in our turn cried out: \"Forgive us. That was our last shot, and it was intended for our friends on the Rhine. They have understood us, do you hear?",
" AND BOISTEROUS CRY OF JOY WHICH SEEMED TO COME FROM THE RHINE A NUMBER OF VOICES COULD BE HEARD IN THE DISTANCE THEY WERE THOSE OF OUR FELLOW STUDENTS WHO BY THAT TIME MUST HAVE TAKEN TO THE RHINE IN SMALL BOATS IT OCCURRED TO US THAT WE SHOULD BE MISSED AND THAT WE SHOULD ALSO MISS SOMETHING ALMOST SIMULTANEOUSLY MY FRIEND AND I RAISED OUR PISTOLS OUR SHOTS WERE ECHOED BACK TO US AND WITH THEIR ECHO THERE CAME FROM THE VALLEY THE SOUND OF A WELL KNOWN CRY INTENDED AS A SIGNAL OF IDENTIFICATION FOR OUR PASSION FOR SHOOTING HAD BROUGHT US BOTH REPUTE AND ILL REPUTE IN OUR CLUB AT THE SAME TIME WE WERE CONSCIOUS THAT OUR BEHAVIOR TOWARDS THE SILENT PHILOSOPHICAL COUPLE HAD BEEN EXCEPTIONALLY UNGENTLEMANLY THEY HAD BEEN QUIETLY CONTEMPLATING US FOR SOME TIME AND WHEN WE FIRED THE SHOCK MADE THEM DRAW CLOSE UP TO EACH OTHER WE HURRIED UP TO THEM AND EACH IN OUR TURN CRIED OUT FORGIVE US THAT WAS OUR LAST SHOT IT WAS INTENDED FOR OUR FRIENDS ON THE RHINE THEY HAVE UNDERSTOOD US DO YOU HEAR"
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"THIS REPLY WHICH WAS CERTAINLY NOT POLITE MADE A BAD IMPRESSION UPON THE OLD MAN AT FIRST WHEN HE HEARD THAT WE WERE NOT ABOUT TO FIGHT A DUEL HE SURVEYED US MORE KINDLY BUT WHEN WE REACHED THE LAST PASSAGE OF OUR SPEECH HE SEEMED SO VEXED THAT HE GROWLED"
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"is necessary for the purpose of distinguishing right from wrong, even when the difference between them lies deeply hidden and is not, as in this case, so ridiculously obvious. In that case, therefore, my lads, try to go through life in some other honourable manner; join the army or learn a handicraft that pays its way.\" To this rough, though admittedly just, flood of eloquence, we replied with some irritation, interrupting each other continually in so doing: \"In the first place, you are mistaken concerning the main point; for we are not here to fight a duel at all; but rather to practise pistol-shooting. Secondly, you do not appear to know how a real duel is conducted;--do you suppose that we should have faced each other in this lonely spot, like two highwaymen, without seconds or doctors, etc. etc.? Thirdly, with regard to the question of duelling, we each have our own opinions, and do not require to be waylaid and surprised by the sort of instruction you may feel disposed to give us.",
"E AND WHERE A WELL BALANCED UNDERSTANDING IS NECESSARY FOR THE PURPOSE OF DISTINGUISHING RIGHT FROM WRONG EVEN WHEN THE DIFFERENCE BETWEEN THEM LIES DEEPLY HIDDEN IS NOT IN THIS CASE SO RIDICULOUSLY OBVIOUS IN THAT CASE THEREFORE MY LADS TRY TO GO THROUGH LIFE IN SOME OTHER HONORABLE MANNER JOIN THE ARMY LEARN A HANDICRAFT THAT PAYS ITS WAY TO THIS ROUGH THOUGH ADMITTEDLY JUST FLOOD OF ELOQUENCE WE REPLIED WITH SOME IRRITATION INTERRUPTING EACH OTHER CONTINUALLY IN DOING SO IN THE FIRST PLACE YOU ARE MISTAKEN CONCERNING THE MAIN POINT FOR WE ARE NOT HERE TO FIGHT A DUEL AT ALL BUT RATHER TO PRACTISE PISTOL SHOOTING SECONDLY YOU DO NOT APPEAR TO KNOW HOW A REAL DUEL IS CONDUCTED DO YOU SUPPOSE THAT WE SHOULD HAVE FACED EACH OTHER IN THIS LONELY SPOT LIKE TWO HIGHWAYMEN WITHOUT SECONDS OR DOCTORS ET CETERA THIRDLY WITH REGARD TO THE QUESTION OF DUELLING WE EACH HAVE OUR OWN OPINIONS AND DO NOT REQUIRE TO BE WAYLAID AND SURPRISED BY THE SORT OF INSTRUCTION YOU MAY FEEL DISPOSED TO GIVE US"
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"ugh it in order to believe that such careless self-lulling and comfortable indifference to the moment, or to time in general, are possible. In this condition I, and a friend about my own age, spent a year at the University of Bonn on the Rhine,--it was a year which, in its complete lack of plans and projects for the future, seems almost like a dream to me now--a dream framed, as it were, by two periods of growth. We two remained quiet and peaceful, although we were surrounded by fellows who in the main were very differently disposed, and from time to time we experienced considerable difficulty in meeting and resisting the somewhat too pressing advances of the young men of our own age. Now, however, that I can look upon the stand we had to take against these opposing forces, I cannot help associating them in my mind with those checks we are wont to receive in our dreams, as, for instance, when we imagine we are able to fly and yet feel ourselves held back by some incomprehensible power.",
"ARY TO HAVE LIVED THROUGH IT IN ORDER TO BELIEVE THAT SUCH CARELESS SELF LULLING AND COMFORTABLE INDIFFERENCE TO THE MOMENT OR TO TIME IN GENERAL ARE POSSIBLE IN THIS CONDITION I AND A FRIEND ABOUT MY OWN AGE SPENT A YEAR AT THE UNIVERSITY OF BONN ON THE RHINE IT WAS A YEAR WHICH IN ITS COMPLETE LACK OF PLANS AND PROJECTS FOR THE FUTURE SEEMS ALMOST LIKE A DREAM TO ME NOW A DREAM FRAMED AS IT WERE BY TWO PERIODS OF GROWTH WE TOO REMAINED QUIET AND PEACEFUL ALTHOUGH WE WERE SURROUNDED BY FELLOWS WHO IN THE MAIN WERE VERY DIFFERENTLY DISPOSED AND FROM TIME TO TIME WE EXPERIENCED CONSIDERABLE DIFFICULTY IN MEETING AND RESISTING THE SOMEWHAT TOO PRESSING ADVANCES OF THE YOUNG MEN OF OUR OWN AGE NOW HOWEVER THAT I CAN LOOK UPON THE STAND WE HAD TO TAKE AGAINST THEIR OPPOSING FORCES I CANNOT HELP ASSOCIATING THEM IN MY MIND WITH THOSE CHECKS WE WERE WONT TO RECEIVE IN OUR DREAMS AS FOR INSTANCE WHEN WE IMAGINE WE ARE ABLE TO FLY AND YET FEEL OURSELVES HELD BACK BY SOME INCOMPREHENSIBLE POWER"
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"e at intervals the sound of signal-guns, fired according to our orders, with the view of acquainting both our host in Rolandseck and the inhabitants in the neighbourhood with our approach. I shall not speak of the noisy journey from the landing-stage, through the excited and expectant little place, nor shall I refer to the esoteric jokes exchanged between ourselves; I also make no mention of a feast which became both wild and noisy, or of an extraordinary musical production in the execution of which, whether as soloists or as chorus, we all ultimately had to share, and which I, as musical adviser of our club, had not only had to rehearse, but was then forced to conduct. Towards the end of this piece, which grew ever wilder and which was sung to ever quicker time, I made a sign to my friend, and just as the last chord rang like a yell through the building, he and I vanished, leaving behind us a raging pandemonium. In a moment we were in the refreshing and breathless stillness of nature.",
"HE RIVER THERE CAME AT INTERVALS THE SOUND OF SIGNAL GUNS FIRED ACCORDING TO OUR ORDERS WITH THE VIEW OF ACQUAINTING BOTH OUR HOST AND ROLLINSEC AND THE INHABITANTS IN THE NEIGHBORHOOD WITH OUR APPROACH I SHALL NOT SPEAK OF THE NOISY JOURNEY FROM THE LANDING STAGE THROUGH THE EXCITED AND EXPECTANT LITTLE PLACE NOR SHALL I REFER TO THE ESOTERIC JOKES EXCHANGED BETWEEN OURSELVES I ALSO MAKE NO MENTION OF A FEAST WHICH BECAME BOTH WILD AND NOISY OR OF AN EXTRAORDINARY MUSICAL PRODUCTION IN THE EXECUTION OF WHICH WHETHER AS SOLOISTS OR AS CHORUS WE ALL ULTIMATELY HAD TO SHARE AND WHICH I AS THE MUSICAL ADVISER OF OUR CLUB HAD NOT ONLY HAD TO REHEARSE BUT WAS THEN FORCED TO CONDUCT TOWARDS THE END OF THIS PIECE WHICH GREW EVER WILDER AND WHICH WAS SUNG TO EVEN QUICKER TIME I MADE A SIGN TO MY FRIEND AND JUST AS THE LAST CHORD RANG LIKE A YELL THROUGH THE BUILDING HE AND I VANISHED LEAVING BEHIND US A RAGING PANDEMONIUM IN A MOMENT WE WERE IN THE REFRESHING AND BREATHLESS STILLNESS OF NATURE"
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"forded by this course of lectures. I am well aware of the nature of the community to whose serious consideration I now wish to commend that conversation--I know it to be a community which is striving to educate and enlighten its members on a scale so magnificently out of proportion to its size that it must put all larger cities to shame. This being so, I presume I may take it for granted that in a quarter where so much is _done_ for the things of which I wish to speak, people must also _think_ a good deal about them. In my account of the conversation already mentioned, I shall be able to make myself completely understood only to those among my audience who will be able to guess what I can do no more than suggest, who will supply what I am compelled to omit, and who, above all, need but to be reminded and not taught. Listen, therefore, ladies and gentlemen, while I recount my harmless experience and the less harmless conversation between the two gentlemen whom, so far, I have not named.",
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"On a wooded slope alongside of our shooting range there was a small piece of ground which had been cleared of wood, and which made an ideal halting place; from it one could get a view of the Rhine over the tops of the trees and the brushwood, so that the beautiful, undulating lines of the Seven Mountains and above all of the Drachenfels bounded the horizon against the group of trees, while in the centre of the bow formed by the glistening Rhine itself the island of Nonnenwörth stood out as if suspended in the river's arms.",
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" we were in the refreshing and breathless stillness of nature. The shadows were already lengthening, the sun still shone steadily, though it had sunk a good deal in the heavens, and from the green and glittering waves of the Rhine a cool breeze was wafted over our hot faces. Our solemn rite bound us only in so far as the latest hours of the day were concerned, and we therefore determined to employ the last moments of clear daylight by giving ourselves up to one of our many hobbies. At that time we were passionately fond of pistol-shooting, and both of us in later years found the skill we had acquired as amateurs of great use in our military career. Our club servant happened to know the somewhat distant and elevated spot which we used as a range, and had carried our pistols there in advance. The spot lay near the upper border of the wood which covered the lesser heights behind Rolandseck: it was a small uneven plateau, close to the place we had consecrated in memory of its associations.",
"UM IN A MOMENT WE WERE IN THE REFRESHING AND BREATHLESS STILLNESS OF NATURE THE SHADOWS WERE ALREADY LENGTHENING THE SUN STILL SHONE STEADILY THOUGH IT HAD SUNK A GREAT DEAL IN THE HEAVENS AND FROM THE GREEN AND GLITTERING WAVES OF THE RHINE A COOL BREEZE WAS WAFTED OVER OUR HOT FACES OUR SOLEMN RIOT BOUND US ONLY IN SO FAR AS THE LATEST HOURS OF THE DAY WERE CONCERNED AND WE THEREFORE DETERMINED TO EMPLOY THE LAST MOMENTS OF CLEAR DAYLIGHT BY GIVING OURSELVES UP TO ONE OF OUR MANY HOBBIES AT THAT TIME WE WERE PASSIONATELY FOND OF PISTOL SHOOTING AND BOTH OF US IN LATER YEARS FOUND THE SKILL WE HAD ACQUIRED AS AMATEURS OF GREAT USE IN OUR MILITARY CAREER OUR CLUB SERVANT HAPPENED TO KNOW THE SOMEWHAT DISTANT AND ELEVATED SPOT WHICH WE USED AS A RANGE AND HAD CARRIED OUR PISTOLS THERE IN ADVANCE THE SPOT LAY NEAR THE UPPER BORDER OF THE WOOD WHICH COVERED THE LESSER HEIGHTS BEHIND ROLLINSAC IT WAS A SMALL UNEVEN PLATEAU CLOSE TO THE PLACE WE HAD CONSECRATED IN MEMORY OF ITS ASSOCIATIONS"
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"e pentagram, after having cried: \"Look out!\" This sudden report behind his back made the old man savage; once more he turned round and looked sourly at my friend, after which he said to his companion in a feeble voice: \"What shall we do? These young men will be the death of me with their firing.\"--\"You should know,\" said the younger man, turning to us, \"that your noisy pastimes amount, as it happens on this occasion, to an attempt upon the life of philosophy. You observe this venerable man,--he is in a position to beg you to desist from firing here. And when such a man begs----\" \"Well, his request is generally granted,\" the old man interjected, surveying us sternly. As a matter of fact, we did not know what to make of the whole matter; we could not understand what our noisy pastimes could have in common with philosophy; nor could we see why, out of regard for polite scruples, we should abandon our shooting-range, and at this moment we may have appeared somewhat undecided and perturbed.",
"MY FRIEND WHO HAD RELOADED FIRED A SHOT AT THE PENTIGRAM AFTER HAVING CRIED LOOK OUT THIS SUDDEN REPORT BEHIND HIS BACK MADE THE OLD MAN SAVAGE ONCE MORE HE TURNED ROUND AND LOOKED SOURLY AT MY FRIEND AFTER WHICH HE SAID TO HIS COMPANION IN A FEEBLE VOICE WHAT SHALL WE DO THESE YOUNG MEN WILL BE THE DEATH OF ME WITH THEIR FIRING YOU SHOULD KNOW SAID THE YOUNGER MAN TURNING TO US THAT YOUR NOISY PASTIME MOUNT AS IT HAPPENS ON THIS OCCASION TO AN ATTEMPT UPON THE LIFE OF PHILOSOPHY YOU OBSERVE THIS VENERABLE MAN HE IS IN A POSITION TO BEG YOU TO DESIST FROM FIRING HERE AND WHEN SUCH A MAN BEGS WELL HIS REQUEST IS GENERALLY GRANTED THE OLD MAN INTERJECTED SURVEYING US STERNLY AS A MATTER OF FACT WE DID NOT KNOW WHAT TO MAKE OF THE WHOLE MATTER WE COULD NOT UNDERSTAND WHAT OUR NOISY PASTIMES COULD HAVE IN COMMON WITH PHILOSOPHY NOR COULD WE SEE WHY OUT OF REGARD FOR POLITE SCRUPLES WE SHOULD ABANDON OUR SHOOTING RANGE AND AT THIS MOMENT WE MAY HAVE APPEARED SOMEWHAT UNDECIDED AND PERTURBED"
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"ials as quickly as possible and guarantee their unconditional obedience to it by means of excessively severe examinations--had remained quite foreign to our education. And to show how little we had been actuated by thoughts of utility or by the prospect of speedy advancement and rapid success, on that day we were struck by the comforting consideration that, even then, we had not yet decided what we should be--we had not even troubled ourselves at all on this head. Our little society had sown the seeds of this happy indifference in our souls and for it alone we were prepared to celebrate the anniversary of its foundation with hearty gratitude. I have already pointed out, I think, that in the eyes of the present age, which is so intolerant of anything that is not useful, such purposeless enjoyment of the moment, such a lulling of one's self in the cradle of the present, must seem almost incredible and at all events blameworthy. How useless we were! And how proud we were of being useless!",
" REAR USEFUL OFFICIALS AS QUICKLY AS POSSIBLE AND GUARANTEE THEIR UNCONDITIONAL OBEDIENCE TO IT BY MEANS OF EXCESSIVELY SEVERE EXAMINATIONS HAD REMAINED QUITE FOREIGN TO OUR EDUCATION AND TO SHOW HOW LITTLE WE HAD ACTUATED BY THOUGHTS OF UTILITY OR BY THE PROSPECT OF SPEEDY ADVANCEMENT AND RAPID SUCCESS ON THAT DAY WE WERE STRUCK BY THE COMFORTING CONSIDERATION THAT EVEN THEN WE HAD NOT YET DECIDED WHAT WE SHOULD BE WE HAD NOT EVEN TROUBLED OURSELVES AT ALL ON THIS HEAD OUR LITTLE SOCIETY HAD SOWN THE SEEDS OF THIS HAPPY INDIFFERENCE IN OUR SOULS AND FOR IT ALONE WE WERE PREPARED TO CELEBRATE THE ANNIVERSARY OF ITS FOUNDATION WITH HEARTY GRATITUDE I HAVE ALREADY POINTED OUT I THINK THAT IN THE EYES OF THE PRESENT AGE WHICH IS SO INTOLERANT OF ANYTHING THAT IS NOT USEFUL SUCH PURPOSELESSNESS ENJOYMENT OF THE MOMENT SUCH A LULLING OF ONE'S SELF IN THE CRADLE OF THE PRESENT MUST SEEM ALMOST INCREDIBLE AND AT ALL EVENTS BLAMEWORTHY HOW USELESS WE WERE AND HOW PROUD WE WERE OF BEING USELESS"
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"complicated arches of culture which it supports, just as in the first case the traces of some former religious tyranny must still be felt for a people to be driven to such desperate remedies. Thus, wherever I hear the masses raise the cry for an expansion of education, I am wont to ask myself whether it is stimulated by a greedy lust of gain and property, by the memory of a former religious persecution, or by the prudent egotism of the State itself. \"On the other hand, it seemed to me that there was yet another tendency, not so clamorous, perhaps, but quite as forcible, which, hailing from various quarters, was animated by a different desire,--the desire to minimise and weaken education. \"In all cultivated circles people are in the habit of whispering to one another words something after this style: that it is a general fact that, owing to the present frantic exploitation of the scholar in the service of his science, his _education_ becomes every day more accidental and more uncertain.",
"TE A FITTING COUNTERPART TO THE COMPLICATED ARCHES OF CULTURE WHICH IT SUPPORTS JUST AS IN THE FIRST CASE THE TRACES OF SOME FORMER RELIGIOUS TYRANNY MUST STILL BE FELT FOR A PEOPLE TO BE DRIVEN TO SUCH DESPERATE REMEDIES THUS WHEREVER I HEAR THE MASSES RAISE THE CRY FOR AN EXPANSION OF EDUCATION I AM WONT TO ASK MYSELF WHETHER IT IS STIMULATED BY A GREEDY LUST OF GAIN AND PROPERTY BY THE MEMORY OF A FORMER RELIGIOUS PERSECUTION OR BY THE PRUDENT EGOTISM OF THE STATE ITSELF ON THE OTHER HAND IT SEEMS TO ME THAT THERE WAS YET ANOTHER TENDENCY NOT SO CLAMOROUS PERHAPS BUT QUITE AS FORCIBLE WHICH HAILING FROM VARIOUS QUARTERS WAS ANIMATED BY A DIFFERENT DESIRE THE DESIRE TO MINIMIZE AND WEAKEN EDUCATION IN ALL CULTIVATED CIRCLES PEOPLE ARE IN THE HABIT OF WHISPERING TO ONE ANOTHER SOMETHING AFTER THIS STYLE THAT IT IS A GENERAL FACT THAT OWING TO THE PRESENT FRANTIC EXPLOITATION OF THE SCHOLAR IN THE SERVICE OF HIS SCIENCE HIS EDUCATION BECOMES EVERY DAY MORE ACCIDENTAL AND MORE UNCERTAIN"
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"too proud to be a teacher? Do you despise the thronging multitude of learners? Do you speak contemptuously of the teacher's calling? And, aping my mode of life, would you fain live in solitary seclusion, hostilely isolated from that multitude? Do you suppose that you can reach at one bound what I ultimately had to win for myself only after long and determined struggles, in order even to be able to live like a philosopher? And do you not fear that solitude will wreak its vengeance upon you? Just try living the life of a hermit of culture. One must be blessed with overflowing wealth in order to live for the good of all on one's own resources! Extraordinary youngsters! They felt it incumbent upon them to imitate what is precisely most difficult and most high,--what is possible only to the master, when they, above all, should know how difficult and dangerous this is, and how many excellent gifts may be ruined by attempting it!\" \"I will conceal nothing from you, sir,\" the companion replied.",
" BE MADE POSSIBLE WHAT ARE YOU TOO PROUD TO BE A TEACHER DO YOU DESPISE THE THRONGING MULTITUDE OF LEARNERS DO YOU SPEAK CONTEMPTUOUSLY OF THE TEACHER'S CALLING AND APING MY MODE OF LIFE WOULD YOU FAIN LIVE IN SOLITARY SECLUSION HOSTILY ISOLATED FROM THAT MULTITUDE DO YOU SUPPOSE THAT YOU CAN REACH AT ONE BOUND WHAT I ULTIMATELY HAD TO WIN FOR MYSELF ONLY AFTER LONG AND DETERMINED STRUGGLES IN ORDER EVEN TO BE ABLE TO LIVE LIKE A PHILOSOPHER AND DO YOU NOT FEAR THAT SOLITUDE WILL WREAK ITS VENGEANCE UPON YOU JUST TRY LIVING THE LIFE OF A HERMIT OF CULTURE ONE MUST BE BLESSED WITH OVERFLOWING WEALTH IN ORDER TO LIVE FOR THE GOOD OF ALL ON ONE'S OWN RESOURCES EXTRAORDINARY YOUNGSTERS THEY FELT IT INCUMBENT ON THEM TO IMITATE WHAT IS PRECISELY MOST DIFFICULT OF MOST HIGH WHAT IS POSSIBLE ONLY TO THE MASTER WHEN THEY ABOVE ALL SHOULD KNOW HOW DIFFICULT AND DANGEROUS THIS IS AND HOW MANY EXCELLENT GIFTS MAY BE RUINED BY ATTEMPTING IT I WILL CONCEAL NOTHING FROM YOU SIR THE COMPANION REPLIED"
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" unfortunately compel us not only to remain, but also to spend the same hour on the spot you have selected. It is left for us to decide whether fate or perhaps a spirit has been responsible for this extraordinary coincidence.\" \"Besides, my friend,\" said the philosopher, \"I am not half so displeased with these warlike youngsters as I was. Did you observe how quiet they were a moment ago, when we were contemplating the sun? They neither spoke nor smoked, they stood stone still, I even believe they meditated.\" Turning suddenly in our direction, he said: \"_Were_ you meditating? Just tell me about it as we proceed in the direction of our common trysting-place.\" We took a few steps together and went down the slope into the warm balmy air of the woods where it was already much darker. On the way my friend openly revealed his thoughts to the philosopher, he confessed how much he had feared that perhaps to-day for the first time a philosopher was about to stand in the way of his philosophising.",
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"'Fidelity in small things,' 'dogged faithfulness,' become expressions of highest eulogy, and the lack of culture outside the speciality is flaunted abroad as a sign of noble sufficiency.",
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"d more uncertain. For the study of science has been extended to such interminable lengths that he who, though not exceptionally gifted, yet possesses fair abilities, will need to devote himself exclusively to one branch and ignore all others if he ever wish to achieve anything in his work. Should he then elevate himself above the herd by means of his speciality, he still remains one of them in regard to all else,--that is to say, in regard to all the most important things in life. Thus, a specialist in science gets to resemble nothing so much as a factory workman who spends his whole life in turning one particular screw or handle on a certain instrument or machine, at which occupation he acquires the most consummate skill. In Germany, where we know how to drape such painful facts with the glorious garments of fancy, this narrow specialisation on the part of our learned men is even admired, and their ever greater deviation from the path of true culture is regarded as a moral phenomenon.",
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"AS MUCH KNOWLEDGE AND EDUCATION AS POSSIBLE THEREFORE THE GREATEST POSSIBLE SUPPLY IN DEMAND HENCE AS MUCH HAPPINESS AS POSSIBLE THAT IS THE FORMULA IN THIS CASE UTILITY IS MADE THE OBJECT AND GOAL OF EDUCATION UTILITY IN THE SENSE OF GAIN GREATEST POSSIBLE PECUNIARY GAIN"
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"e. I would fain describe to you what I take to be the nature of the educational questions now attracting such enormous and pressing attention. It seemed to me that I must recognise two main directions in the forces at work--two seemingly antagonistic tendencies, equally deleterious in their action, and ultimately combining to produce their results: a striving to achieve the greatest possible _expansion_ of education on the one hand, and a tendency to _minimise and weaken_ it on the other. The first-named would, for various reasons, spread learning among the greatest number of people; the second would compel education to renounce its highest, noblest and sublimest claims in order to subordinate itself to some other department of life--such as the service of the State. \"I believe I have already hinted at the quarter in which the cry for the greatest possible expansion of education is most loudly raised. This expansion belongs to the most beloved of the dogmas of modern political economy.",
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"According to the morality reigning here, the demands are quite different; what is required above all is 'rapid education,' so that a money earning creature may be produced with all speed; there is even a desire to make this education so thorough that a creature may be reared that will be able to earn a _great deal_ of money.",
"ACCORDING TO THE MORALITY REIGNING HERE THE DEMANDS ARE QUITE DIFFERENT WHAT IS REQUIRED ABOVE ALL IS RAPID EDUCATION SO THAT A MONEY EARNING CREATURE MAY BE PRODUCED WITH ALL SPEED THERE IS EVEN A DESIRE TO MAKE THIS EDUCATION SO THOROUGH THAT A CREATURE MAY BE REARED THAT WILL BE ABLE TO EARN A GREAT DEAL OF MONEY"
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"ld be to rear the most 'current' men possible,--'current' being used here in the sense in which it is applied to the coins of the realm. The greater the number of such men, the happier a nation will be; and this precisely is the purpose of our modern educational institutions: to help every one, as far as his nature will allow, to become 'current'; to develop him so that his particular degree of knowledge and science may yield him the greatest possible amount of happiness and pecuniary gain. Every one must be able to form some sort of estimate of himself; he must know how much he may reasonably expect from life. The 'bond between intelligence and property' which this point of view postulates has almost the force of a moral principle. In this quarter all culture is loathed which isolates, which sets goals beyond gold and gain, and which requires time: it is customary to dispose of such eccentric tendencies in education as systems of 'Higher Egotism,' or of 'Immoral Culture--Epicureanism.",
"ON ACCORDING TO THIS SCHEME WOULD BE TO REAR THE MOST CURRENT MEN POSSIBLE CURRENT BEING USED HERE IN THE SENSE IN WHICH IT IS APPLIED TO THE COINS OF THE REALM THE GREATER THE NUMBER OF SUCH MEN THE HAPPIER NATION WILL BE AND THIS PRECISELY IS THE PURPOSE OF OUR MODERN EDUCATIONAL INSTITUTIONS TO HELP EVERY ONE AS FAR AS HIS NATURE WILL ALLOW TO BECOME CURRENT TO DEVELOP HIM SO THAT HIS PARTICULAR DEGREE OF KNOWLEDGE AND SCIENCE MAY YIELD HIM THE GREATEST POSSIBLE AMOUNT OF HAPPINESS AND PECUNIARY GAIN EVERY ONE MUST BE ABLE TO FORM SOME SORT OF ESTIMATE OF HIMSELF HE MUST KNOW HOW MUCH HE MAY REASONABLY EXPECT FROM LIFE THE BOND BETWEEN INTELLIGENCE AND PROPERTY WHICH THIS POINT OF VIEW POSTULATES HAS ALMOST THE FORCE OF A MORAL PRINCIPLE IN THIS QUARTER ALL CULTURE IS LOATHED WHICH ISOLATES WHICH SETS GOALS BEYOND GOLD AND GAIN AND WHICH REQUIRES TIME IT IS CUSTOMARY TO DISPOSE OF SUCH ECCENTRIC TENDENCIES AND EDUCATION AS SYSTEMS OF HIGHER EGOTISM OR OF IMMORAL CULTURE EPICUREANISM"
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"\"You are unchanged,\" he cried to him, \"unfortunately unchanged. It is quite incomprehensible to me how you can still be the same as you were seven years ago, when I saw you for the last time and left you with so much misgiving. I fear I must once again divest you, however reluctantly, of the skin of modern culture which you have donned meanwhile; and what do I find beneath it?",
"YOU ARE UNCHANGED HE CRIED TO HIM UNFORTUNATELY UNCHANGED IT IS QUITE INCOMPREHENSIBLE TO ME HOW YOU CAN STILL BE THE SAME AS YOU WERE SEVEN YEARS AGO WHEN I SAW YOU FOR THE LAST TIME AND LEFT YOU WITH SO MUCH MISGIVING I FEAR I MUST AGAIN DIVEST YOU HOWEVER RELUCTANTLY OF THE SKIN OF MODERN CULTURE WHICH YOU HAVE DONNED MEANWHILE AND WHAT DO I FIND BENEATH IT"
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"rtably like good-for-nothings on the threshold of the present; and we did--bless us! --That, ladies and gentlemen, was our standpoint then!-- Absorbed in these reflections, I was just about to give an answer to the question of the future of _our_ Educational Institutions in the same self-sufficient way, when it gradually dawned upon me that the \"natural music,\" coming from the philosopher's bench had lost its original character and travelled to us in much more piercing and distinct tones than before. Suddenly I became aware that I was listening, that I was eavesdropping, and was passionately interested, with both ears keenly alive to every sound. I nudged my friend who was evidently somewhat tired, and I whispered: \"Don't fall asleep! There is something for us to learn over there. It applies to us, even though it be not meant for us.\" For instance, I heard the younger of the two men defending himself with great animation while the philosopher rebuked him with ever increasing vehemence.",
"IRED NO MORE THAN TO RECLINE COMFORTABLY LIKE GOOD FOR NOTHINGS ON THE THRESHOLD OF THE PRESENT AND WE DID BLESS US THAT LADIES AND GENTLEMEN WAS OUR STANDPOINT THEN ABSORBED IN THESE REFLECTIONS I WAS JUST ABOUT TO GIVE AN ANSWER TO THE QUESTION OF THE FUTURE OF OUR EDUCATIONAL INSTITUTIONS IN THE SAME SELF SUFFICIENT WAY WHEN IT GRADUALLY DAWNED UPON ME THAT THE NATURAL MUSIC COMING FROM THE PHILOSOPHER'S BENCH HAD LOST ITS ORIGINAL CHARACTER AND TRAVELLED TO US IN A MUCH MORE PIERCING AND DISTINCT TONE THAN BEFORE SUDDENLY I BECAME AWARE THAT I WAS LISTENING THAT I WAS EAVESDROPPING AND WAS PASSIONATELY INTERESTED WITH BOTH EARS KEENLY ALIVE TO EVERY SOUND I NUDGED MY FRIEND WHO WAS EVIDENTLY SOMEWHAT TIRED AND WHISPERED DON'T FALL ASLEEP THERE'S SOMETHING FOR US TO LEARN OVER THERE IT APPLIES TO US EVEN THOUGH IT BE NOT MEANT FOR US FOR INSTANCE I HEARD THE YOUNGER OF THE TWO MEN DEFENDING HIMSELF WITH GREAT ANIMATION WHILE THE PHILOSOPHER REBUKED HIM WITH EVER INCREASING VEHEMENCE"
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"THE GREATER THE NUMBER OF SUCH MEN THE HAPPIER NATION WILL BE AND THIS PRECISELY IS THE PURPOSE OF OUR MODERN EDUCATIONAL INSTITUTIONS TO HELP EVERY ONE AS FAR AS HIS NATURE WILL ALLOW TO BECOME CURRENT TO DEVELOP HIM SO THAT HIS PARTICULAR DEGREE OF KNOWLEDGE AND SCIENCE MAY YIELD HIM THE GREATEST POSSIBLE AMOUNT OF HAPPINESS AND PECUNIARY GAIN EVERY ONE MUST BE ABLE TO FORM SOME SORT OF ESTIMATE OF HIMSELF HE MUST KNOW HOW MUCH HE MAY REASONABLY EXPECT FROM LIFE"
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" State. \"I believe I have already hinted at the quarter in which the cry for the greatest possible expansion of education is most loudly raised. This expansion belongs to the most beloved of the dogmas of modern political economy. As much knowledge and education as possible; therefore the greatest possible supply and demand--hence as much happiness as possible:--that is the formula. In this case utility is made the object and goal of education,--utility in the sense of gain--the greatest possible pecuniary gain. In the quarter now under consideration culture would be defined as that point of vantage which enables one to 'keep in the van of one's age,' from which one can see all the easiest and best roads to wealth, and with which one controls all the means of communication between men and nations. The purpose of education, according to this scheme, would be to rear the most 'current' men possible,--'current' being used here in the sense in which it is applied to the coins of the realm.",
" SUCH AS THE SERVICE OF THE STATE I BELIEVE I HAVE ALREADY HINTED AT THE QUARTER IN WHICH THE CRY FOR THE GREATEST POSSIBLE EXPANSION OF EDUCATION IS MOST LOUDLY RAISED THIS EXPANSION BELONGS TO THE MOST BELOVED OF THE DOGMAS OF MODERN POLITICAL ECONOMY AS MUCH KNOWLEDGE AND EDUCATION AS POSSIBLE THEREFORE THE GREATEST POSSIBLE SUPPLY IN DEMAND HENCE AS MUCH HAPPINESS AS POSSIBLE THAT IS THE FORMULA IN THIS CASE UTILITY IS MADE THE OBJECT AND GOAL OF EDUCATION UTILITY IN THE SENSE OF GAIN GREATEST POSSIBLE PECUNIARY GAIN IN THE QUARTER NOW UNDER CONSIDERATION CULTURE WOULD BE DEFINED AS THAT POINT OF VANTAGE FROM WHICH ENABLES ONE TO KEEP IN THE VAN OF ONE'S AGE FROM WHICH ONE CAN SEE ALL THE EASIEST AND BEST ROADS TO WEALTH AND WITH WHICH ONE CONTROLS ALL THE MEANS OF COMMUNICATION BETWEEN MEN AND NATIONS THE PURPOSE OF EDUCATION ACCORDING TO THIS SCHEME WOULD BE TO REAR THE MOST CURRENT MEN POSSIBLE CURRENT BEING USED HERE IN THE SENSE IN WHICH IT IS APPLIED TO THE COINS OF THE REALM"
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"In the newspaper the peculiar educational aims of the present culminate, just as the journalist, the servant of the moment, has stepped into the place of the genius, of the leader for all time, of the deliverer from the tyranny of the moment.",
"IN THE NEWSPAPER THE PECULIAR EDUCATIONAL AIMS OF THE PRESENT CULMINATE JUST AS THE JOURNALIST THE SERVANT OF THE MOMENT HAS STEPPED INTO THE PLACE OF THE GENIUS OF THE LEADER FOR ALL TIME OF THE DELIVERER FROM THE TYRANNY OF THE MOMENT"
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"l matters of a general and serious nature, and above all, in regard to the highest philosophical problems, we have now already reached a point at which the scientific man, as such, is no longer allowed to speak. On the other hand, that adhesive and tenacious stratum which has now filled up the interstices between the sciences--Journalism--believes it has a mission to fulfil here, and this it does, according to its own particular lights--that is to say, as its name implies, after the fashion of a day-labourer. \"It is precisely in journalism that the two tendencies combine and become one. The expansion and the diminution of education here join hands. The newspaper actually steps into the place of culture, and he who, even as a scholar, wishes to voice any claim for education, must avail himself of this viscous stratum of communication which cements the seams between all forms of life, all classes, all arts, and all sciences, and which is as firm and reliable as news paper is, as a rule. ",
"TRANSFERRED TO THE REALM OF SCIENCE IN ALL MATTERS OF A GENERAL AND SERIOUS NATURE AND ABOVE ALL IN REGARD TO THE HIGHEST PHILOSOPHICAL PROBLEMS WE HAVE NOW ALREADY REACHED A POINT AT WHICH THE SCIENTIFIC MAN AS SUCH IS NO LONGER ALLOWED TO SPEAK ON THE OTHER HAND THAT ADHESIVE AND TENACIOUS STRATUM WHICH HAS NOW FILLED UP THE INTERSTICES BETWEEN THE SCIENCES JOURNALISM BELIEVES IT IS A MISSION TO FULFIL HERE AND THIS IT DOES ACCORDING TO ITS OWN PARTICULAR LIGHTS THAT IS TO SAY AS ITS NAME IMPLIES AFTER THE FASHION OF A DAY LABORER IT IS PRECISELY IN JOURNALISM THAT THE TWO TENDENCIES COMBINE AND BECOME ONE THE EXPANSION AND THE DIMINUTION OF EDUCATION HERE JOIN HANDS THE NEWSPAPER ACTUALLY STEPS INTO THE PLACE OF CULTURE AND HE WHO EVEN AS A SCHOLAR WISHES TO VOICE ANY CLAIM FOR EDUCATION MUST AVAIL HIMSELF OF THIS VICIOUS STRATUM OF COMMUNICATION WHICH CEMENTS THE SEAMS BETWEEN ALL FORMS OF LIFE ALL CLASSES ALL ARTS AND ALL SCIENCES AND WHICH IS AS FIRM AND RELIABLE AS NEWSPAPER IS "
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"I shall now proceed to say a few words of comfort to you. How long do you suppose the state of education in the schools of our time, which seems to weigh so heavily upon you, will last?",
"I SHALL NOW PROCEED TO SAY A FEW WORDS OF COMFORT TO YOU HOW LONG DO YOU SUPPOSE THE STATE OF EDUCATION IN THE SCHOOLS OF OUR TIME WHICH SEEMS TO WEIGH SO HEAVILY UPON YOU WILL LAST"
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"ips at various times,\" the straightforward pupil said, \"and have been too long in your company, to surrender myself blindly to our present systems of education and instruction. I am too painfully conscious of the disastrous errors and abuses to which you were wont to call my attention; and yet I know that I am far from possessing the requisite strength to meet with success, however valiantly I might struggle to shatter the bulwarks of this would-be culture. I was overcome by a general feeling of depression: my recourse to solitude was not arrogance or superciliousness.\" Whereupon, to account for his behaviour, he described the general character of modern educational methods so vividly that the philosopher could not help interrupting him in a voice full of sympathy, and crying words of comfort to him. \"Now, silence for a minute, my poor friend,\" he cried; \"I can more easily understand you now, and should not have lost my patience with you. You are altogether right, save in your despair.",
"E HEARD TOO MUCH FROM YOUR LIPS AT VARIOUS TIMES THE STRAIGHTFORWARD PUPIL SAID AND HAVE BEEN TOO LONG IN YOUR COMPANY TO SURRENDER MYSELF BLINDLY TO OUR PRESENT SYSTEMS OF EDUCATION AND INSTRUCTION I AM TOO PAINFULLY CONSCIOUS OF THE DISASTROUS ERRORS AND ABUSES TO WHICH YOU WERE WONT TO CALL MY ATTENTION AND YET I KNOW THAT I AM FAR FROM POSSESSING THE REQUISITE STRENGTH TO MEET WITH SUCCESS HOWEVER VALIANTLY I MIGHT STRUGGLE TO SHATTER THE BULWARKS OF THIS WOULD BE CULTURE I WAS OVERCOME BY A GENERAL FEELING OF DEPRESSION MY RECOURSE TO SOLITUDE WAS NOT ARROGANCE OR SUPERCILIOUSNESS WHEREUPON TO ACCOUNT FOR HIS BEHAVIOR HE DESCRIBED THE GENERAL CHARACTER OF MODERN EDUCATIONAL METHODS SO VIVIDLY THAT THE PHILOSOPHER COULD NOT HELP INTERRUPTING HIM IN A VOICE FULL OF SYMPATHY AND CRYING WORDS OF COMFORT TO HIM NOW SILENCE FOR A MINUTE MY POOR FRIEND HE CRIED I CAN MORE EASILY UNDERSTAND YOU NOW AND SHOULD NOT HAVE LOST MY PATIENCE WITH YOU YOU ARE ALTOGETHER RIGHT SAVE IN YOUR DESPAIR"
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