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The Olympic Games have been going on in Rio for a week now and we have been watching a bit here and there. I am very fond of gymnastics. Other than that, we watch some of the sports simply to help the kids understand more about the world around them.
Yes, I think there is educational value in watching a bit of the Olympics. Emphasis on “a bit.” Competition is part of life. Grit and perseverance are part of a successful life. Olympic athletes may have super-human powers, but at the end of the day they are people who have turned on the flame of ambition in their hearts.
The result is intrinsic motivation which helps them sacrifice a lot in order to follow their dream, train and make the Olympic team and even the podium. That’s a recipe for success in any career. What great role models for our children, even if we don’t plan on their becoming athletes for a living.
Here are four things I have learned from the Olympics this week:
- Simone Biles used to be in the foster care system, because her mom was addicted to drugs and alcohol. Her biological grandparents adopted her and her sister eventually and raised them as their own children. Think of the foster parents who cared for her. Think of the grandparents whom she calls “mom and dad” now. They acted in love and now they have a champion. If you are ever tempted to think “I’m ‘just’ a mom,” Simone’s story should help you get through the tough days. One day, your child will be independent and maybe not world-famous, but on their own two feet. They will have you to thank for bringing them to that point.
- Aly Raisman was ten when she was watching the Olympics with her parents. Her mom said, “I feel for the parents of Carly Patterson and other gymnasts! Thank God I don’t have to go through that!” Aly, who was taking gymnastics at the time, got upset with her mom. “You think I am not able to go to the Olympics??” And she showed her mom, by going to the Olympics not once, but twice. The videos of Aly’s parents and their agony are now viewed by millions of people. The take away? Be careful what you say to your children. A comment like that can either discourage or spark ambition beyond belief. Not sure which is worse.
- Michael Phelps is setting records constantly by winning gold after gold in swimming. The thing is, I keep wondering, is there a doping scandal just around the corner? When somebody is that good, it’s sad, but we wonder if they are somehow cheating because we have seen it many times before. At what point do you believe his results are genuine? They caught Lance Armstrong years after his success on the Tour de France. Waiting to see if your children will be responsible adults who make healthy choices can feel the same way. When will you know if all your hard work homeschooling them and instilling your values in them will pay off? Hard to tell.
- In tennis especially, we saw some huge names being defeated by not-so-huge names. What happens at the Olympics is different dynamics. You are not a pro competing for yourself. You represent your country. For some, it’s less ambitious, so they don’t focus as much. I am sure there are other things involved as well. But what makes a champion like Novak Djokovic lose in the first round? Just like that, in homeschooling there can be days when your children will not focus and they will “lose” to lesser opponents. My son can program on scratch.mit.edu but he told somebody recently that he could not read an analog clock. I was shocked because he knew the clock last year. I promised him the first thing we would do in math this year is review telling time. When we did, he knew it. But he admitted he forgets it sometimes. The lesson is, prepare to be embarrassed by your child’s temporary memory loss.
There are a few more days of Olympic competition and I am sure I will learn even more lessons. What about you? Are you watching the Olympics? Have you learned anything new for your homeschool from these athletes?
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Beds and Mattresses
My Grandfather Always Said Never Buy Cheap Shoes Or A Cheap Mattress!
We are not in the shoe business, but I still took heed of what my grandfather meant. We hope you will too. Simply put, he said if you want to be a performer in life you must take care of these two vital areas that many people give little more than a passing thought to. Taking care of your feet and getting a good night sleep affect many more things in our lives than most of us can ever imagine.
Our choice for Orthopedic mattresses is Therapedic which is a division of Old West Mattress Company based here in Colorado. Old West Mattress Company has been widely recognized for its innovative mattresses and sleep sets. We offer several quality levels ALL far below retail.
We have “sample” models set up on display in our Design Center for your trial convenience.
Feel free to click the Old West Logo above to learn more about all that is offered through Old West Mattress Company or feel free to call 303-979-1200 for more details.
Stop in to test drive our several models in person!
Visit our Online Store
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This drug is highly recommended for the persistent vomiting of pregnancy. Gastric disturbances, fickle appetite, nausea, waterbrash, bitter taste. Constipation. Nausea during menstruation. Nausea, worse any motion. Averse to all food. Better, lying on back.
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https://homoeopathonline.pk/product/symphoricarpus-o-mother-tincture-original-schwabe-germany/
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2023-10-01T05:01:59Z
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Are you wondering what cleaning tools you need to keep your home spotless? Well, look no further! In this article, we’ll explore the basic cleaning tools that are essential for maintaining a clean and tidy home. Whether you’re a 13-year-old just starting to take on household chores or someone who wants to level up their cleaning game, this guide is for you. So let’s dive in and discover the must-have cleaning tools that will make your home sparkle and shine!
When it comes to cleaning your home, having the right tools can make all the difference. From tackling dust and dirt to scrubbing stubborn stains, the right cleaning tools can turn a chore into a breeze. In this article, we’ll break down the essential cleaning tools you need in your arsenal. So get ready to say goodbye to messy spaces and hello to a clean, organized home you can be proud of.
Cleaning doesn’t have to be a daunting task, especially when you have the right tools by your side. So grab your cleaning apron, put on your favorite music, and get ready to transform your home into a clean and inviting space. With these basic cleaning tools, you’ll be well-equipped to tackle any mess that comes your way. Let’s get started and make house cleaning an enjoyable and rewarding experience!
Keeping your home clean is essential for a healthy and comfortable environment. Here are some essential cleaning tools that will help you tackle any mess: a vacuum cleaner for floors and carpets, microfiber cloths for dusting and wiping surfaces, a mop and bucket for hard floors, a broom and dustpan for sweeping, and a scrub brush for tougher stains. With these basic tools, you’ll be well-equipped to maintain a clean and tidy home!
What Cleaning Tools Are Basic for Cleaning the Home?
Having the right cleaning tools is essential for keeping your home clean and tidy. Whether you’re a seasoned cleaner or just starting out, having a set of basic cleaning tools will make your cleaning tasks much easier and more efficient. In this article, we’ll explore the essential cleaning tools that every homeowner should have. From mops to vacuum cleaners, we’ll cover everything you need to keep your home sparkling clean.
The Must-Have Cleaning Tools for Every Home
A broom is a classic cleaning tool that is essential for sweeping dirt, dust, and debris from hard floors. Look for a broom with sturdy bristles and a comfortable grip for easy maneuverability. Consider purchasing a broom with an adjustable handle to ensure a comfortable height for sweeping.
A dustpan is a must-have companion for your broom. It allows you to easily collect the dirt, dust, and debris that you’ve swept up. Look for a dustpan with a rubber edge to ensure a clean sweep and prevent debris from slipping under the pan.
3. Vacuum Cleaner:
A vacuum cleaner is an essential tool for cleaning carpets, rugs, and upholstery. Look for a vacuum cleaner with adjustable height settings, a variety of attachments, and a powerful suction for effective cleaning. Consider investing in a vacuum cleaner with a HEPA filter if you or your family members have allergies or asthma.
4. Microfiber Cloths:
Microfiber cloths are versatile and can be used for a wide range of cleaning tasks. They are highly absorbent and trap dust and dirt effectively, making them ideal for cleaning surfaces, windows, and mirrors. Opt for microfiber cloths with different colors to designate specific cloths for different areas of your home.
A mop is essential for cleaning hard floors, such as tile, laminate, or hardwood. Look for a mop with an adjustable handle and a removable and washable mop head for easy maintenance. Consider choosing a mop with a built-in wringer or a mop bucket with a wringing mechanism for efficient floor cleaning.
Tips for Keeping Your Cleaning Tools in Top Shape
1. Clean and store your cleaning tools properly: After each use, rinse and dry your cleaning tools to prevent the growth of bacteria and mold. Store them in a clean and dry area to avoid moisture damage.
2. Replace worn-out tools: Regularly inspect your cleaning tools for signs of wear and tear. Replace any damaged or worn-out tools to ensure optimal performance and cleaning results.
3. Use the right cleaning products: Different cleaning tools require different cleaning solutions. Read the manufacturer’s instructions and use the appropriate cleaning products for each tool to prevent damage and enhance their effectiveness.
Additional Cleaning Tools for Specialized Cleaning Tasks
A squeegee is a useful tool for cleaning windows and glass surfaces. It effectively removes water and streaks, leaving your windows spotless and clear.
2. Scrub Brush:
A scrub brush is perfect for tackling stubborn stains and grime on surfaces such as tiles, grout, and countertops. Look for a brush with durable bristles that can withstand tough scrubbing.
3. Feather Duster:
A feather duster is a great tool for dusting delicate items, such as decorative items and electronics. Its soft bristles trap dust without scratching or damaging surfaces.
With these essential cleaning tools, you’ll be equipped to tackle any cleaning task in your home. Remember to clean and maintain your tools regularly to ensure their longevity and effectiveness. Happy cleaning!
Key Takeaways: What cleaning tools are basic for cleaning the home
- 1. A broom and dustpan for sweeping up dirt and debris.
- 2. A mop and bucket for cleaning floors.
- 3. A vacuum cleaner for removing dust and dirt from carpets and upholstery.
- 4. Microfiber cloths for dusting surfaces and wiping down counters.
- 5. Scrub brushes or sponges for deep cleaning tasks.
Frequently Asked Questions
In order to keep your home clean and tidy, there are a few basic cleaning tools that you should have. These tools will help make your cleaning tasks easier and more efficient. Here are some commonly asked questions about the basic cleaning tools for your home.
1. What are the essential cleaning tools that every home should have?
Every home should have a few essential cleaning tools to keep it clean and tidy. Some of these basic cleaning tools include a broom, mop, dustpan, vacuum cleaner, and microfiber cloths. With these tools, you’ll be able to tackle both wet and dry messes, and keep different surfaces in your home clean and dust-free.
The broom is great for sweeping away dirt and debris from hard floors, while the mop is perfect for cleaning up spills and giving your floors a thorough wash. The dustpan is used to collect the swept-up dirt, and the vacuum cleaner helps to deep clean carpets, upholstery, and hard-to-reach places. Lastly, microfiber cloths are versatile and can be used for dusting, wiping surfaces, and cleaning windows.
2. Why is a vacuum cleaner an essential cleaning tool?
A vacuum cleaner is an essential cleaning tool for several reasons. Firstly, it helps to remove dirt, dust, and allergens from both carpets and hard floors. The powerful suction of a vacuum cleaner can effectively lift and trap particles that may be invisible to the naked eye, promoting a cleaner and healthier living environment.
In addition, vacuum cleaners often come with various attachments that allow you to clean different surfaces and hard-to-reach areas. For example, a crevice tool can be used to clean tight corners, while a brush attachment is great for dusting upholstery and curtains. With a vacuum cleaner, you can efficiently clean your entire home and remove dirt from places that may be difficult to clean with other tools.
3. Can I use paper towels instead of microfiber cloths for cleaning?
While paper towels can be convenient for quick cleanups, microfiber cloths are a better option for cleaning various surfaces in your home. Microfiber cloths are made from tiny fibers that have a greater surface area compared to paper towels, allowing them to trap and remove dirt, dust, and bacteria more effectively.
Another advantage of microfiber cloths is that they are reusable and can be washed and reused multiple times, making them more environmentally friendly than disposable paper towels. So, while paper towels can be useful in certain situations, investing in a few microfiber cloths will ensure that you have a more versatile and efficient cleaning tool at your disposal.
4. What is the benefit of using a dustpan instead of a broom alone?
Using a dustpan in conjunction with a broom is beneficial for several reasons. The dustpan serves as a collection tool, allowing you to easily gather the dirt and debris that you have swept up with the broom. Without a dustpan, you would need to manually pick up the swept-up dirt, which can be time-consuming and inefficient.
Additionally, a dustpan often comes with a rubber lip that creates a seal with the floor, making it easier to collect all the dirt in one go. This prevents any leftover debris from escaping and being spread around your home. By using a dustpan, you can quickly and effectively remove dirt and keep your floors clean without much effort.
5. How often should I replace my cleaning tools?
The lifespan of your cleaning tools will depend on their quality, frequency of use, and how well you maintain them. Generally, brooms and mops should be replaced every 6-12 months, or sooner if they become worn out or damaged. Vacuum cleaner filters should be replaced according to the manufacturer’s instructions.
Microfiber cloths can last a long time if cared for properly, but if they become heavily soiled or damaged, it’s best to replace them. It’s a good idea to regularly inspect your cleaning tools and replace them when necessary to ensure they continue to work effectively and provide the best cleaning results.
Cleaning your home doesn’t have to be overwhelming. By having a few basic cleaning tools on hand, you can tackle any mess with ease.
First, invest in a good broom and dustpan to sweep away dirt and debris from your floors. Next, a microfiber cloth is essential for wiping down surfaces and getting rid of dust. Don’t forget about a vacuum cleaner for those hard-to-reach areas and a mop to keep your floors sparkling clean. Lastly, a bucket, a scrub brush, and some all-purpose cleaner will come in handy for tackling tough stains and deep cleaning tasks.
Having these basic cleaning tools will make maintaining a clean and tidy home a breeze. Remember to use them regularly and enjoy the satisfaction of a sparkling clean living space. With the right tools, cleaning can actually be a breeze!
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Fuel system problems should be looked into as soon as you hear sputtering at high speeds, or the engine suddenly loses power. A number of factors cause sputtering, but the most common is a malfunctioning fuel pump.
Gas is flowed to the engine according to demand by the fuel pump. High-speed sputtering occurs if the engine doesn’t receive enough gas.
Clogged fuel filters and failing fuel pumps are the most common fuel system problems.
A car with either of these issues will likely have trouble starting or even fail to start altogether. Check out some possible explanations for engine sputtering by following along.
Engine Sputtering: What Does It Mean?
The first sign of a sputtering engine is usually an immediate one. There may be a backfire, or it might just not sound and feel like it is functioning normally.
It’s a sign that the engine isn’t achieving total combustion when it sputters. There are numerous causes of this problem, and it could be caused by anything from simple to more complex problems.
What Causes My Car’s Engine To Sputter At High Speeds?
Whenever you step on the gas, your car sputters to tell you it needs help. When your car sputters, you may be running low on gas.
It could also indicate a more serious problem, such as a dirty or worn-out part in the fuel or exhaust system.
It is possible that the fuel pump isn’t working because the fuel filter is clogged, the fuel lines are clogged, or the fuel pump is malfunctioning.
A failing fuel pump can cause the engine to sputter. Another sign that it’s the pump is the following.
A Stalled Engine
In addition to overheating, stalling, and failing to start your vehicle, the fuel pump might be to blame.
It is likely your fuel pump and not your radiator causing your vehicle to stall out suddenly when your temperature gauge is rising. A faulty fuel pump can cause your vehicle to start and die after a few revs.
Mileage On Gas Is Low
The efficiency of your vehicle determines its gas mileage. For various reasons, you will have low gas mileage if you do not maintain your vehicle according to its manufacturer’s recommendation.
The relief valve on your fuel pump might be to blame if your vehicle is suddenly guzzling fuel. There is a possibility that it is opening too wide and allowing extra gas into the engine.
The Surge In Engine Power
When your fuel pump isn’t working properly, too much gas might be moved from the tank to the engine.
Despite not pressing harder on the accelerator, your vehicle will suddenly pick up speed in spurts because of this surge.
When your vehicle is surging while you drive, it is strictly a fuel pump problem, so have it checked right away.
Lag In Engines
Your vehicle’s engine needs more fuel when climbing steep hills or hauling heavy loads. You may need to replace your fuel pump if you notice your engine lags on hills or when you have a trailer attached.
You may be experiencing this problem because your fuel filter or lines are clogged, or your fuel pump motor may be malfunctioning.
Sensor Failure On The Camshaft
Several factors can cause this type of sputtering, but a very common one is a malfunctioning camshaft position sensor. In addition, a sputtering problem can result from this problem with ignition timing.
Using magnetic sensors, the camshaft position sensor regulates ignition timing and fuel injection timing by monitoring camshaft speed.
Gathering and transmitting the camshaft speed (which determines the position of every piston) gives the car’s electronic control module information about how fast it is turning.
The computer receives this information to calculate the engine’s ignition and fuel injection timing.
Symptoms include poor power, idling, fuel mileage, and problems starting the vehicle when this isn’t functioning properly. A sensor’s signal to the computer weakens over time as it begins to fail and worsen.
Failure Of The Catalytic Converter
Alternatively, a failing catalytic converter could cause the engine to sputter. You can reduce the amount of pollution coming from your car with a catalytic converter.
It converts harmful compounds such as carbon monoxide, nitrous oxide, and hydrocarbons into less harmful ones, including water and carbon dioxide, which are released into the atmosphere.
Filthy Mass Airflow Sensor
The cause of a sputtering engine could also be a dirty mass airflow sensor. Fuel injection uses this sensor to measure the temperature and weight of air as it enters the engine. Again, a dirty sensor can cause poor engine performance and low gas mileage.
Outdated Spark Plugs
Spark plugs are among the most critical parts of your vehicle, so sputtering could also indicate a need for new ones.
Powered by spark plugs, your vehicle’s engine produces power as air and fuel react together. You may eventually be unable to start your vehicle if they are dirty or otherwise not working well.
Gaskets Or Seals That Are Defective
Gaskets and seals are found throughout the car’s fuel and exhaust systems, transmissions, cooling system, and engine. If one of these seals becomes worn or weak, engine performance will be affected.
Oxygen Sensor Failure
A crucial component of the exhaust system is the oxygen sensor. Having an exhaust sensor fail will affect the performance of the exhaust system and the engine itself.
If the sensor gives false readings to the car’s computer, then there will be a significant impact on the engine’s performance.
Leak In The Exhaust System
The exhaust system of the vehicle can significantly influence an engine’s performance. A variety of problems can arise from an exhaust leak, such as dangerous exhaust gasses flowing back into the engine.
Pressure Loss Due To Vacuum Loss
Fuel pressure is created by a series of vacuum hoses in every vehicle. You will lose substantial fuel pressure if one of these leaks or is damaged.
Running Out Of Gas
A sputtered engine is usually caused by running out of gas. A car that doesn’t receive enough fuel will struggle to run and eventually won’t start.
Faulty fuel gauges often cause sputtering engines. You should check yours first. Unless the fuel gauge is faulty, being out of gas isn’t likely your issue (unless it shows gas in the tank).
Several factors can cause sputtering engines, but these are some of the most common. A professional mechanic can diagnose and repair your engine if it is struggling and not performing as it should.
Fuel Filters: Why Are They So Important?
With such small openings, fuel filters protect fuel injectors from clogging. However, your car or truck will inevitably come in contact with dirt and other particles that are in the air as you drive.
Your fuel system is protected from these contaminants by the filters. The fuel must be dirt-free and clean to be easily injected into the engine.
Paper is the most common material used in these filters. You should throw them away and replace them periodically.
You might wonder car sputters at low RPM too. Read the details case study.
A clogged fuel filter usually causes fuel pump failure. This is because the fuel pump has difficulty pumping fuel through the engine when the filters are clogged.
As a result of this extra work, the pump will certainly wear out sooner than it should. Maintaining a clean fuel filter is one of the best ways to improve your vehicle’s performance.
You can find out when to replace them and schedule a fuel system cleaning in the owner’s manual for your vehicle. You must know this information to avoid costly repairs and save money.
It’s your engine asking for help when your vehicle is sputtering. Various problems can cause sputtering, but if the issue isn’t addressed as soon as possible, you could incur costly, long-term damage to your car.
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CC-MAIN-2023-40
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https://hondatheotherside.com/car-sputters-at-high-speeds/
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2023-10-01T04:35:50Z
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s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233510781.66/warc/CC-MAIN-20231001041719-20231001071719-00098.warc.gz
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HOODZ Franchise Owners Benefit From Predictable Recurring Revenue
Restaurants are looking for a dependable, high-quality exhaust cleaning franchise to keep their kitchens up to code
No matter how big or small the business, there’s one thing all owners love: repeat customers. They provide a steady, predictable revenue that helps plan budget for staff growth, new services and much more.
A HOODZ kitchen exhaust cleaning franchise is no different. Thanks to the HOODZ business model, repeat business is baked right into the operational plan. That means from day one, new HOODZ franchise owners are laying the groundwork with recurring revenue. It will grow exponentially with each new customer they add to the roster.
Regular inspections fill up the calendar quickly
It’s pretty simple: Restaurant operators are predominantly required to show proof of a working, clean kitchen exhaust system. Depending on the type of cooking from the establishment, this could mean every 30 days according to the NFPA 96, which serves as the standard for most Authorities Having Jurisdiction and all HOODZ owners.
Those restaurants are eager to lock into a contract with a nationally known commercial exhaust cleaning franchise they can count on, Enter HOODZ, says Nathan Willard, President.
“Our franchise owners get clients in many ways,” Willard says. “They are supported by marketing and brand-awareness building as part of the marketing training they receive from becoming a part of the BELFOR Franchise Group. That means they have tools in place to reach out to the food-service community in their market. They also can compete against other providers, because HOODZ offers higher quality than anyone else out there. Before they know it they are generating revenue and getting a full roster of repeat business to keep their techs busy every day.”
No experience? No problem thanks to superior training
Being new to business ownership, or to kitchen exhaust cleaning and servicing also isn’t a barrier. Thanks to BELFOR’s investment into a state-of-the-art training facility, techs and owners learn the ropes quickly. Ongoing support and coaching from the Home Office and the national family of franchise owners also helps any willing entrepreneur be a great success.
New owners and techs come to our training facility a little nervous, however they leave with full knowledge of how to clean all kinds of commercial exhaust systems in restaurant kitchens,” Willard says. “We’re always researching and looking at new technologies and for new and improved techniques, so our training evolves and improves every time. We offer refresher courses often, so HOODZ teams remain up to date on everything that’s out there. That’s very impressive to both our current and existing clients while strengthening our reputation in the industry we serve.”
Owning a successful restaurant hood cleaning business doesn’t have to break the bank. HOODZ is one of the most affordable franchise opportunities in the booming $838 billion restaurant industry. The total investment to begin operations for a new HOODZ franchise ranges from $74,221 to $179,840. Not only do we offer in-house financing for 50% of the franchise fee, but also have third-party relationships to help you finance any additional business needs. We also proudly offer veterans who have an interest in joining our franchise family a discount.
Interested in becoming a HOODZ franchise owner?
There are many benefits to being a HOODZ franchise owner. Early on, you will be given all the resources and support you need to get your business up and running. For in-depth details about HOODZ, download our Free Franchise Information Report. You can also learn more about this amazing opportunity by visiting our research pages.
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CC-MAIN-2023-40
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https://hoodzfranchise.com/hoodz-franchise/exhaust-cleaning-franchise-owners-benefit-from-recurring-revenue/
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2023-10-01T06:14:21Z
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Super Star is one of well reputed local motorcycle manufacturing firms from Pakistan. Based out of Hyderabad in Sindh province, the company is mainly popular in Sindh, Baluchistan and Southern Punjab. Super Star 70cc is well reputed among users of locally manufactured motorcycles.
While surfing the internet, one of their motorcycles grabbed my attention. To learn more about it the company was contacted but in typical local fashion, I never heard back from them. But the motorcycle is good enough to be shared with all of you guys.
The motorcycle in question is a deluxe version of normal 100cc motorcycle with very premium quality( at least in pictures) The motorcycle comes with some great hardware such as a disc set up and self starter. Many people may not find it much but for us these things are a huge deal in local motorcycles.
The motorcycle has a double cradle frame and a 100cc 4stroke engine which produces 8hp at max. The engine is 4speed and comes with self starter as well. The motorcycle has a long wheel base and lower stance, this is ideal for road grip and handling. The suspension is telescopic and rear suspension seems adjustable. Riding on 18 inch alloys, the motorcycle has a classic touch to it.
In first look, this motorcycle looks a proper contender to Honda’s Pridor and if marketed well it can generate good sales. The company’s lack of sales and marketing is a clear sight that they are not much interested in this motorcycle but we believe it can have a bright sales number provided if its half as good as it looks.
This motorcycle also resembles to ZXMCO 100cc motorcycles which were launched back in 2006, Imported from China the motorcycle had exceptional ride and exceptional fit and finish. The Super Power SS100 looks from the same family and can be a good motorcycle to cruise around town.
|
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CC-MAIN-2023-40
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https://horsepower.com.pk/super-star-ss100/
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2023-10-01T05:03:27Z
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s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233510781.66/warc/CC-MAIN-20231001041719-20231001071719-00098.warc.gz
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en
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Best HO scale train sets
Have you ever seen a train set at a show, hobby shop or a friend’s house? If you found it exciting, I bet what is in your mind is how neat it would be to have your railroad to operate. Developing a railroad empire and in the comfort of your home is relaxing. You could enlist help from family or best friends to create the whole thing and enjoy the operating session.
Model railroading remains among the most versatile hobby in the world. It incorporates several disciplines including digital command control, history, carpentry, civil and mechanical engineering, electrical wiring and circuitry, painting, using multiple types of material to create structure, terrain, and scenery among others. The train set essential becomes a jack of all trades as you work to materialize your dream.
There are many types of train sets. Like in any other products, some do better than others. Ho scale train sets are by far the most popular model trains in the world. Best HO scale train sets are big enough to offer a lot of details in the production yet small enough to find a home for their track. To be able to understand why best HO scale train sets are doing well, let have a look at their industrial competitors.
Best HO scale train sets competitors
G scale model trains
G scale or garden scale trains are some of the most massive model train productions. The G letter roots from the German word for big, gro. The scale for this train set is 1:22.5 but can range up to 1:29. G scale train sets are referred to as garden scale because most owners opt to place them outside due to their large size. The model train measure 8 inches tall and has a 45 mm gauge track. Their enormous size is one of the reasons why best HO scale train sets beat them in the market.
O scale model trains
These train sets are 1:48 and run on a 31.8 mm gauge track. O scale is considerably smaller than G scale set trains but still too large for many hobbyists who as a result opt for best HO scale train sets. Some years back, O scale model train was trendy, particularly with children explaining the reason why a majority of antique model trains are O scale set trains.
S scale train set
S scale model trains originated with the American Flyber brand, popular in the 50s. The size of these model is halfway between best HO scale train set and o scale seize. Their scale is 1:64, running on an 11.4 mm gauge track.
N scale model trains
N scale trains are still favorite thanks to their compact 1:160 scale and a 9 mm gauge track. All N scale locomotives are small, e.g., their height is like two pencils stuck on top of each other, and can fit in a complex track layout covering a small area. The N scale train set is therefore recommended to those who like to work with scenery along the rail track. However, unlike best HO scale train sets, N scale trains itself lack details.
Those are just but the major categories. Others include T scale train set which has been on the market since 2008 measuring 1:480, standard gauge and Z scale. From the above, we can deduct some factors that should dictate which type of model train you choose. Let’s have a quick look at these factors and how best HO scale train sets suffice.
Age is a factor to consider when buying a model train. Best HO scale train sets suit kids, but larger scale sets are better for elderly who struggle with vision and dexterity.
When taking spatial aspect, it not about the size of the train but the size of the rail layout. Best HO scale trains set will find home in tight apartments, unlike the larger models such as G scale. To be sure, check out the model train track plans and how it performs in modest spaces.
When buying a train set, work on a budget. Some potential buyers have a tighter budget than others. The correlation between scale and cost is not straightforward as assumed. There is both cheap and expensive best HO scale train set. The bigger question is, do you need different models and how many does it take to fill your layout size.
Regardless, it all comes down to what you enjoy most and what you want to do with the train set. Balancing these goals with the budget, space, and physical abilities might yield a compromise. Do you prefer ready-to-run models or building from scratch? Do you want a train model with lots of accessories, with multi-person operating sessions, have complicated switching challenges, big scenery, portable or a combination of all the above? Most of best HO scale train set will satisfy your needs.
Think about what you want from the model railroading hobby. Look at the scale that works best for you and start there. If your space, goals, budget and other factors change, you can always change the model and start a.gain
Best ho scale train sets
Model trains come in different scales. For beginners, deciding which scale suits them is a daunting task. Some train sets are better than others, but the best is one which meets your needs. ‘Half 0’ or Ho scale train set is the biggest selling train scale in the world measuring approximately 1:87 in size.
Ho scale train sets are widely available and with a variety of accessories, track, and scenery. Ho trains also range in regards to details. Some models are less detailed toys made primarily for operation while others are intricately detailed collectibles. While ho scale train sets are favorite, it’s possible to purchase this train set and get disappointed. Therefore, it’s wise to have a train sets 101 if you are to buy the best train scale for you.
Understanding scale train sets
Apart from ho scale train sets, there are many different options at your disposal. They include Z scale, N scale, TT scale, S scale, standard gauge, narrow gauge train models among others. To understand them, read up their proportion to prototype. Know the difference between scale and gauge. So as not to leave you in the darkness, scale in this context means the ration between the train model and the prototype (real-life size). For example, in ho scale train sets, we have a scale of 1: 87 where 1 inch on the train model equals 87 in real life.
Gauge, on the other hand, represents the distance between the inside edges of the railheads. These two terms ‘gauge’ and ‘scale’ are often used interchangeably in rail modeling. The scale and gauge in ho scale train set slightly vary from one region to another. For example, in Britain ho scale train sets are 1:76 with the rails spaced 16.5 mm apart while in Switzerland and some African countries the track gauge is 12 mm.
What’s on the train sets name?
Model trains have different decorations. Ho scale train sets have some of the eye-catching embellishments. Many modelers want a train they associate with from their youth, trains they see nearby or one that tickles their fancy. It is okay to buy based on looks and provided you research the prototype later. Under ho scale train set you will have a range of popular collectibles, from patriotic themes to holiday themes.
Train set Power
Majority of train sets come with a basic power pack. These engines provide enough power to propel one train and a few of its accessories. The power offers direction and the speed, but speed control is often less accurate. You will, however, find an exception in some ho scale trains sets. For example, Bachmann has introduced Ho scale train sets with Digital Command Control (DCC) which offer independent control on several locomotives with less of layout wiring. Such a better power supply provide a reliable operation for years and can also support larger layouts, unlike conventional control which runs one train at a time.
Type of the Track
Most Ho scale trains sets, N and 0-train sets have “integrated roadbed track,” a track raised molded plastic base. This track resembles ties and ballast on the real track. There are different names of the tracks based on the manufacturer. The latest type of track is well suited for amateurs. These tracks are more realistic track and elevated above the flooring to provide an additional locking mechanism for holding the rail sections together. However, in ho scale train sets, you will notice that the tracks are not universally compatible. This is unlike the conventional track pieces which were developed under National Model Railroad Association standards ensuring they work with each other. To avoid such a setback, you can opt to buy atlas ho scale train set which is designed with removable base allowing the user to convert the track and match it to conventional tracks easily.
Price of the scale train set
How much should you spend on a Ho scale train set? Train sets price range between $25 and $500. You do not have to dig your pocket deep to get a good train set. However, in the majority of cases, you get what you pay for. If you must, let the price match the quality of the train set. If you are a beginner, start with locomotives. The outer shell of any scale train set is a significant portion of the cost. When buying Ho scale trains set ask yourself these questions: is the set well painted? Does the model have extra details applied? Is the lettering crisp and sharp? It might be difficult to spot some of these factors through the packaging, but no skill is needed to see something well-built.
Still under price as a factor, you need to consider if the ho scale train set wheels are made of metal, the overall weight of the set and if it has other pack features discussed above. It is also imperative to buy the set from an authentic dealer. A hobby shop is probably the best place to purchase a Ho scale train set as it provides an opportunity to speak directly with a train set expert regarding the products at hand.
With the above train set tips, you should be able to buy a Ho scale train set without scratching your head or at least, help you narrow down to a train model that will meets all your needs.
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At first blush this seems like a lame, trivial topic for him to waste his address on, this week of all weeks. We may have just seen the most consequential seven days of his presidency. He ended the ObamaCare contraception mandate, canceled the unconstitutional cost-sharing subsidies, then topped it off by announcing he was decertifying the Iran deal yesterday. Those last two changes especially could have momentous consequences for the country and for the midterms. And they’re complex subjects, befitting lengthier explanations. He did address the Iran decision in a speech on Friday but you never know how many voters might have missed that on a workday. Subordinating significant policy changes to NFL culture-war material plays into his critics’ hands by making him seem less interested in the business of governing than in playing with shiny media-friendly objects.
But then I remembered: No one watches these things. Ask yourself, when was the last time a weekly address from either Trump or Obama made a dent in the political consciousness? Obama started doing them, I assume, on the theory that it never hurts to have an extra bit of messaging floating around out there, especially when the cost of producing it as cheap as it is with a weekly three-minute YouTube video. Trump carried on the tradition for the same reason, and also because traditions have their own inertia. But even with a few hundred thousand views, they’re totally negligible. Most of those viewers will be loyalists who already agree with the president on nearly everything. If you’re going to bother writing and recording these clips, you might as well strive for maximum virality. And what’s more likely to do that, Trump droning through the ins and outs of nuclear decertification or Trump goading NFL stars to get off their asses for Old Glory?
Every day millions of American citizens raise it, salute it, and honor it on the home front. American workers hang Old Glory above factory floors where they proudly stamp their products “Made in the USA” and more and more products are being so stamped because our economy is starting to boom. We are doing really well. Companies are moving back into the United States and far fewer will be moving out. Believe me. And it’s already happened. American schoolchildren put their hands on their hearts as they recite the Pledge of Allegiance.
Before watching a football game, you want to see those players be proud of their country. Respect our country. Respect our flag. And respect our national anthem and we think they will. We certainly hope they will.
Ever the marketer, POTUS probably recognized the weekly address as an opportunity to burnish his “brand.” His core brand is that of a culture warrior against political correctness so that’s what he went with here, given a choice between the NFL, Iran, and ObamaCare (and, er, Puerto Rico recovery and the California wildfires). And Trump famously has always understood something about politics that his slicker Republican rivals didn’t, to their detriment in the primaries last year: People like big, bold, simple ideas. No one wants to listen to Jeb Bush rattle through his 15-part tax reform plan. They want the wall. They want to bomb the sh*t out of ISIS. And they want NFL millionaires to show a little respect during the anthem. Consultant Patrick Hynes knows:
In the 430-word memo, Goodell mentioned “fans” four times for a reason. The team owners — his bosses — are terrified of losing them. And rightly so. Last year’s slight slump in NFL television ratings is turning into a nosedive this year. Some teams are having a hard time getting enough warm bodies in the bleachers on game day. And among those that show up, a few, like Vice President Mike Pence, are walking out in disgust…
Trump’s rout of the NFL on this issue is in many ways the mirror image of his 2016 primary performance, when he caught so many opponents flatfooted. Republicans were badly out of touch with their base. Trump knew it and exploited the gap. And now he’s proven the same was true of the leadership of America’s dominant sport, to their great chagrin.
You can think he’s a bad president and still acknowledge that his political instincts are better than any congressional Republican leader’s. That may be his biggest failing on repeal and replace, in fact: If he had laid down the law early and demanded a more populist bill from Ryan and McConnell, at the very least the GOP’s ObamaCare efforts would have been more popular. No wonder he decided to take matters into his own hands this week.
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Call us Pot-stradamus—last year, we looked into our crystal bongs and correctly predicted the future of weed in America with 74% accuracy! Is it second sight? No. Bruce and I have occupied the weed news trenches for a combined 25-ish years. Trends follow clear trajectories: like, for example, the spread of legalization from West to East.
Below, we outline our predictions for the next stages of federal and state legalization, hot new strains, mushrooms, and CBD. We got 40 weed prognostications strongly likely to come true.*
Cannabis strain predictions
It’s going to be the year of Rainbow Sherbert 11 and crosses, which is third and fourth-generation Zkittlez work. The Rootbeer strain is going to take off. Same with Trop Cherry and Super Boof. GastroPop, as well as strains bred from the Y line are going to pop.
The seed-selling industry will go even crazier, now that the DEA said anything under 0.3% THC is just hemp; like birdseed. Everyone is gonna have a seed brand. The cannabis genetics golden era brightens further.
We’re going to get proof that some terpenes—aroma molecules in weed—create outsized smell and effects relative to their amounts. We’ll also learn about previously unclassified or unnamed molecules contributing to aroma and effect.
Solventless “Live rosin” is about to have an even bigger year.
The weirdest, wildest weed stories of 2022
Weed lifestyle trends
We anticipate hundreds of new dispensaries will open across dozens of new cities. Delivery services will spread.
Las Vegas will leap to the forefront of the cannabis consumption lounge trend. New state-licensed lounges will open in Sin City, many with the over-the-top design and luxury amenities we’ve come to expect from America’s adult playground.
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At least one of the new lounges will partner with a rideshare company to return patrons safely home (or, let’s be honest, to their hotels on the Strip).
How long do magic mushrooms stay in your system?
A mushroom backlash will begin after a high-profile incident amid the wave of charlatans exploiting the hype. New research papers on why shrooms help will come out. New papers on why shrooms may hurt will come out.
New cities will legalize/decriminalize psychedelics. Other cities/legislatures will stiffen penalties for psychedelics.
Ketamine therapy will continue to go more mainstream and begin to jump the shark.
CBD, delta-8 and beyond
Cannabidiol science will advance—with new discoveries around medical effects, or lack thereof.
New studies will find some unhealthy compounds and effects in novel cannabinoid products like THC-O.
New states are going to crack down on designer cannabinoids like delta-8-thc, hemp-derived d-9-thc, THC-O, HHC, etc.
Cannabis industry predictions
Pot prices will not soften in Illinois. A government-throttled legal supply will not meet demand. Pot prices will continue to fall in Michigan. Supply appears to exceed demand there.
Oklahoma medical marijuana enforcement will ramp up. Unbridled medical marijuana cultivation has drawn a backlash. Oregon illicit market enforcement will kick in. Illicit suppliers there flooded the legal market in 2022.
The world’s biggest legal cannabis market, Los Angeles, will remain stalled with no meaningful increase in brick-and-mortar outlets, and more equity lawsuits. California will not bring its illicit market under control. As a result, California prices will remain low.
New York is going to have a rough first year of legal, licensed sales: Expect high prices, few stores, more lawsuits, dirty street weed, and continuing crackdowns on unlicensed sellers. A heavy-handed government roll-out means demand far exceeds legal supply at few stores. An untested illicit market meets the rest of demand, and that spurs enforcement.
New Leafly ‘Cannabis Harvest Report’ values crop 5th in the nation
Cannabis stocks will remain depressed. High inflation has moderated cannabis sales, and triggered high federal interest rates, which depresses stocks. Also depressing equities—no movement on legalization in Congress (see below).
Other states will follow California’s lead and create organic labels, like California’s OCal program—”a statewide certification program that establishes and enforces comparable-to-organic cannabis standards.”
More celebrity brands will launch. We’ll see the first big celeb brand go bust.
More aggrieved parties like Variscite NY One, Inc. will challenge equity programs in court. The federal lawsuit that’s currently holding up dozens of equity licenses in New York may set a chilling precedent.
New cases of lung injuries from tainted THC vape cartridges may come to light, most likely a limited EVALI outbreak in a prohibition state. The hemp-derived THC loophole has opened up major sales and marketing opportunities for vape cartridge manufacturers, without any lab testing safeguards in place for consumers.
Federal reform forecast
Congress will narrow the farm bill loophole that has allowed hemp-derived cannabinoids to flood prohibition states.
The FDA will keep warning CBD sellers about false claims, but final FDA rules on CBD will not come out in 2023.
2023 will see no cannabis legalization bills pass Congress. Republicans take over control of the House, which means Republican committee chairs have the power to block any cannabis reform bills they don’t like—even if the bills have enough floor votes to pass.
The House has passed the MORE Act (which would end federal cannabis prohibition) twice in the past two years—but that winning streak will end in 2023 as Democrats hand over control of the chamber to Republicans. MORE Act co-sponsors will still have enough floor votes for House passage, but the measure won’t make it to the floor in 2023 if prohibitionist Republican committee chairs don’t like it. Kevin McCarthy (R-CA), the presumptive new Speaker of the House, will also prevent legalization measures from moving forward during his term. House Dems will block Republican-led pot reforms. We expect that the Senate won’t even have to weigh in.
Cannabis gets nothing from Congress as session draws to a close
In the US Senate, Democrats will still control the agenda—and they still won’t have enough votes to pass a legalization bill. Stodgy Democrats like Sen. Jeanne Shaheen (D-NH) will balk at an issue they don’t understand and refuse to consider. Federal THC potency limits will be discussed but not enacted.
Sen. John Fetterman (D-PA) will be both an outspoken champion for legalization in the US Senate, and will also work behind the scenes, having personal conversations with his peers in the Senate, about the need for legalization.
Congress will pass a small, incremental cannabis bill. Not SAFE Banking or MORE, but another bill cutting red tape around research.
Re-scheduling will be reviewed by the US DOJ but not decided on. There will be hearings.
State legalization predictions
Two states will try to do interstate commerce, but the actual legal weight moving between borders will be zero. The headlines will be great, though.
More Dormant Commerce Clause suits will happen, but rulings will be narrow. They might sever some aspects of the Controlled Substances Act, but they won’t topple it.
Oklahoma voters will pass adult-use legalization in a statewide March 7, 2023, election.
Ohio will vote on legalization, but it won’t pass as consensus continues to build.
Minnesota state legislators will pass an adult-use legalization bill after months of wrangling over the details.
In Hawaii, state legislators will finally pass a full adult-use legalization bill, with new Gov. Josh Green (D) ready to sign it.
New Hampshire state legislators will make progress in gaining votes for a full adult-use legalization bill, but Gov. Chris Sununu (R) remains adamantly opposed to the idea. Without Sununu on board—and promising to veto any measure that passes—state legislators will improve on past bills, but will not make the effort to pass it this year. That’ll have to wait until Sununu moves on.
More states will enact expungement and/or resentencing for past marijuana offenses.
America hits 21 legalization states after roaring midterm elections
Drug testing rules will relax in newly legal states.
There will be more class action lawsuits around THC potency inflation—they’re very appetizing to lawyers who like to write press releases. But they won’t hold up in court because lab standards are so variable. California will enact nation-leading lab testing standards through regulatory review.
And that’s a wrap for our 2023 Cannabis Predictions. We wish you all the best of luck in the new year in all your endeavors.
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I know very little about you. I met your girl. She’s funny and sweet, a little awkward, but that’s perfect for me. She spoke very highly of you, but something changed which scared her away. I think it was because you loved her.
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I made an awful first impression. I was trying to be someone I wasn’t because my past told me I should. In truth, if I had just been myself from the beginning, I probably would still be near her.
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I think she saw my pain. She asked me about it once, but I just shook my head and faked a smile. I wonder if she knew how fake it was…
I hear you are doing better now. I heard you found someone else and got married. You probably have a couple of kids. I hear your family won’t let her speak to you. I understand that. She probably caused you more pain than she caused me, but, at least on my part, my pain was self-inflicted.
I could have let go and moved on. I could have stopped thinking about her. I could have faced my fear of losing and just realized that it wasn’t really losing at all…
Real love needs space and time. She offered me friendship, but I was selfish and impatient.
I want to say I’m better now, that there isn’t a hole of painful emptiness, but I can’t. I can say I’m healing. I can say I’ve learned something. I can say that if I do find another as brilliant as your girl, I will be friends first. I will be patient. I will be genuine and kind. I will not continue to make the same mistakes.
Your Girl’s Admirer
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Andrew Davis is the Executive Vice President and Global Chief Human Resources Officer at Sony Music Entertainment based in New York. In his role, Davis is charged with leading the Company’s global human resources function; including talent acquisition, talent management, compensation and benefits, as well as organizational development and corporate strategy. Davis will take on the key role of championing a culture of excellence and innovation across Sony Music’s global operations in 60+ countries.
Throughout his 22+ years in Human Resources, Davis has held several key positions of increasing responsibility at Yum Brands, Best Buy Company, The Home Depot and most recently served as Chief Human Resources and Inclusion Officer for Lennar Corporation where he was responsible for the areas of business transformation, talent management, organizational and performance management, learning and development as well as benefits for the Company.
Prior to Lennar, he spent more than a decade leading human resources teams and strategies at The Coca-Cola Company. During his tenure at the Company, he held several key positions of increasing responsibility including leading the Southeast Asia Human Resource function while based in Cambodia. Additionally, he served as the Global Chief Diversity and Inclusion Officer where he was instrumental in driving strategic initiatives across 200+ countries.
Davis serves as an independent Board Director and Compensation Committee Chair for Adventist Health, one of the largest Westcoast healthcare systems, based in Roseville, CA. He is also a member of Emory’s Goizueta’s Business School Corporate Advisory Board, and a governing body member of Florida’s Chief Human Resource Officers’ Association. Davis is also a regular guest lecturer for business schools throughout the Atlanta and Miami area.
Davis has been honored and featured by multiple organizations, including being named Emory Goizueta’s Business School Centennial Honoree; CAA World Congress of Sports featured speaker; Bentonville Film and Essence Music Festivals featured speaker; and Black Enterprise Top Executive in Corporate Diversity. He is the recipient of the Caribbean American Cultural Arts Foundation Captain of Industry Award and Honoree for the South Florida Business & Wealth’s 2021 Excellence in Human Resource Awards.
Davis received his Bachelor of Science in Organizational Management from Washington Adventist University in Takoma Park, Maryland and his MBA from Emory University – Goizueta School of Business in Atlanta, Georgia. Davis also holds several Human Resources certifications in assessment systems and skills training.
Davis is a native of Jamaica, West Indies and proudly calls himself a ‘Ja-Merican’
Sarah Waltman is a seasoned HR professional with expertise in Talent Management & Performance, Transformation & Change, and Organizational Development & Effectiveness. Waltman has a proven record of accomplishment, improving the performance of global businesses by designing learning structures and comprehensive talent initiatives, such as succession planning, performance management, development plans, and behavior assessments. She excels at aligning management and employee development training strategies, ensuring that the organization is at peak performance. With her arsenal of skills and experience, Sarah is supercharging productivity within Dentsply Sirona, the world’s largest manufacturer of professional dental products and technologies- with a workforce spanning 9000+ employees.
Amanda Miller is a skilled HR professional with a focus on Rewards & Benefits and Employee Experience & Engagement. With extensive leadership experience in Compensation, Benefits, Executive Compensation, HR Systems, Data & Analytics, People Management Operations and Recruitment, Miller has demonstrated the acumen to drive Total Rewards at Trinity Industries (North America’s premier provider of railcar products and services), ensuring that their talent force of 3000+ employees feel valued and engaged while receiving the appropriate compensation and benefits for their work. Holding a bachelor’s degree in professional human resources Certification (PHR) and Certified Compensation Professional Certification (CCP), Miller is excellently positioned to assist senior leaders in developing an effective total reward strategy by identifying the key goals and objectives of the business and aligning the total reward package with those goals.
Mercedes Escala leads Talent, Learning & Employee Experience at Genesys, a 7000+ employee strong software firm that sells customer experience and call center technology to mid-sized and large businesses. Leading regional and global teams in both generalist and specialist areas, Escala embraces challenges with curiosity and passion, leading the transformation around skills, while driving the best employee experience.
A people leader professional with over 30 years’ experience, Mercedes is superbly suited to guide senior leaders in upskilling their internal talent pool to become an impactful and competitive force, through aligning them with their company’s overall performance management and talent development goals.
Kimberly Shariff leads the implementation of Penguin Random House’s companywide DE & I strategy, overseeing the development of a broad-based vision for the company’s future, ensuring the creation of books for everyone, by everyone, out of a culture where all feel welcome and empowered.
Having contributed her knowledge to major platforms like the American Ballet Theatre, the Lincoln Center for the Performing Arts and Black Entertainment Television, Kimberly has been commended for her keen ability to analyze the existing infrastructure of complex organizations, and then implement strategy to enhance inclusive culture, operational efficiency and channels of communication, without sacrificing culture, artistic integrity or entrepreneurial spirit.
As Chief People Culture Brand & Communications Officer, Tara Lockyer oversees human resources, change management and communications for ATB Financial (Alberta’s largest home-grown financial institution with a 5000+ talent count).
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Yuri is a 3X, multi-award-winning CHRO and C-suite leadership coach, Top 5 Thought Leader and Influencer on Global HR and Entrepreneurship. CEO of HR, Talent & Systems Consulting, an industry leader consulting Fortune 500 companies and tech startups on strategic HR, he’s likewise a contributor to Fast Company, Entrepreneur, Forbes, Newsweek, CEO World and other top publications, as well as a frequent speaker for Fortune 500 companies (Google, EY, Medtronic), universities (Columbia, UPenn, NYU) and VC-backed startups. Yuri has authored / co-authored 9 books, including the award-winning, 4-volume “Be Your Own Commander-in-Chief” and “What Millennials Really Want From Work and Life.”
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Njsane is an experienced HR executive and former U.S. Army officer with 20 years of global experience. He is currently the Vice President of Human Resources at the American Bureau of Shipping (ABS), where he leads all HR Operations for North and South America, Europe, the Middle East, and Africa. he was recently appointed as ABS’s first Global DE&I Officer.
Njsane is the host of the monthly podcast “My Friend in HR” and is also a certified DE&I professional.
He graduated from the University of Houston with a BBA in Computer Information Systems and is pursuing his Master of Business Administration from the University of Illinois.
Performance-driven and accomplished leader with more than 25 years experience in contact center management experience with primary focus on leading strategies to improve business performance, process improvement and the customer experience. Adept at leading high performing teams, building and deepening intrinsic relationships and finding solutions to complex issues. In her current role at Wells Fargo, she, with a talent for deepening relationships is finding solutions to complex issues. Able to work independently, yet proficient in collaboration with all levels of leadership. Long-standing history serving in leadership roles within employee resource networks including event planning, budgeting, marketing, risk assessment and success metrics.
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As a part of the My Cause, My Cleats campaign by the NFL, Baltimore Ravens wide receiver, Steve Smith Sr., will be raffling off his special purple and gold cleats with a purple ribbon with proceeds benefiting House of Ruth Maryland.
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Lectin-Free Fats & Oils Your Plant Paradox Diet Demands
You may be wondering where Dr. Gundry stands on saturated fats, omegas and more. Here’s some general information about fats and oils, and a quick rundown of which are recommended for the Plant Paradox diet.
Dr. Gundry’s Olive Oil Recommendation
Olive oil is a great way to boost your polyphenol intake. It’s Dr. Gundry’s favorite oil, and he recommends consuming it daily. In the summer of 2019 he launched his own line of of olive oil under the GundryMD brand. With 30x the polyphenols of other brands, it’s an antioxidant powerhouse–and it tastes great, too.
You can read my GundryMD olive oil review or buy it on the Gundry Wellness Ambassadors website, where it sells for 33% off. It’s not cheap, but it’s backed by Dr. Gundry’s famous 90-day money-back guarantee. Buy a bottle (or three!) and use it all, and if you don’t think it was worth it, you can return the empty bottles for a full refund.
Saturated or unsaturated? What does Dr. Gundry say?
When it comes to fats, it’s all about variety and balance. For example, you want both saturated and unsaturated fats, in just the right proportions. Coconut oil is good for you, but don’t live off of it because it’s pure saturated fat (you can balance things out by substituting MCT oil some of the time).
Somewhere in the middle is grass-fed ghee, a mostly saturated fat that Dr. Gundry recommends. In addition to having a more balanced ratio of saturated to unsaturated fat, grass-fed ghee has a superior omega profile, including surprisingly high levels of Omega 3 fats.
The greater the variety of fats in your diet, the better your microbiome’s biodiversity will be. There’s a good chance you can increase fat your intake substantially, without putting on additional weight (and you’ll feel full longer and be less likely to crave carbs). So eat up, and enjoy!
What about Omegas?
Like with saturated/unsaturated, you want the right proportion of omegas. More is not necessarily better unless they’re Omega 3’s.
Getting Omega 3’s in quantity is usually the biggest challenge for most people. Again, make sure your ghee is grass-fed and consume plenty of flax, hemp and algae oils. And don’t forget fish oil, of course.
There are also different types of Omega 3’s, with ALA, EPA and DHA being the most important. You want to consume all of them, so be sure to vary your sources.
You’ll likely have no trouble getting enough omega 6’s, but don’t forget about Omega 9’s, which are available in high concentrations in macadamia nut oil (they’re also rich in monounsaturated fats). Dr. Gundry is a big fan of macadamia nut oil. It’s also great to cook with.
Rare-ish superfood oils
All the fats and oils including in the Plant Paradox diet contain a wide variety of polyphenols and other antioxidants. But, there are some specialty oils with extra high concentrations that you don’t want to miss out on.
For example, red palm fruit oil (not to be mistaken with palm oil) is extremely rich in antioxidant powerhouses Vitamin A (beta-carotene), and Vitamin E (tocopherols and tocotrienols). Perilla oil has some of the highest concentrations of n-3 linoleic acid, which reduces inflammation.
The more variety of fats and oils, the merrier
The most surefire way to reap the myriad benefits of fats and oils is to stock your pantry with all of them and use them all with at least some regularity. Bonus: Most are good for cooking and taste great, and will bring variety to your meals.
While the many of the oils you’ll want are available at Whole Foods, there are others that are much more difficult to come by, such as macadamia, red palm fruit, grass-fed ghee, algae and perilla (cooking oil, NOT topical oil). You will most likely have to shop for them online. To see all the fats Dr. Gundry recommends, see the list of foods for the lectin-free diet.
Let’s Start Cooking!
Now that you know all about healthy fats and oils Dr. Gundry recommends for the Plant Paradox diet, you may be ready to get cooking. Head over to our interactive meal planner to get dozens of Plant Paradox recipes, all for free.
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How much does the Library Benefit You?
To donate books and other materials to the library please contact us. While we welcome donations, we do not always have room to store them before our next sale so it is always best to call first before loading up your car!
The library is always seeking financial donations to help us provide the best possible service to the community. Our mailing address is: Hurley Library, PO Box 660 Hurley, NY 12443-5106
Volunteers are welcome! Call or stop by the library to find out what volunteer openings are currently available.
You can print our volunteer application available here in PDF format and submit it to the front desk staff at our library.
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20 jan. 2015 — Envision v2 Envision v3 Professional credential program ISI · Documents Envision GCL Goldwind Cinda Securities Shinergy . 8 / 13 Day 2
· An object or data structure that authoritatively binds an identity - via an identifier or identifiers - and (optionally) additional attributes, to at least Key & Secrets Management · Encryption · Hardware Security Modules · Signing, Certificates and Stamping · Public Key Infrastructure (PKI) · Data Protection & Credential Stuffing attacks compromise both user accounts and your sites usability. Shape Security identifies attempts in real time and blocks them both where 27 Aug 2020 Securely storing credentials Passwords are the most popular method for implementing an authentication system despite their security issues. To add a dependency on Security, you must add the Google Maven repository to implementation "androidx.security:security-identity-credential:1.0.0-alpha02" 6 May 2019 While they sound similar, credential hacking and credential stuffing are Read next: TurboTax Security Breach Cause by Credential Stuffing The (ISC)² CCSP certification is ideal cybersecurity professionals responsible for applying best practices to cloud security architecture, design, and more. 21 Aug 2020 Banks invest heavily in cyber security to protect the financial system and the personal information of their customers from cyber threats. In the Investor.gov.
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According to the Securities and Exchange Commission (SEC), there is an Build We will only Early Childhood Credentials - PDIStiered credential system also Undervisning Credential Program Securities and Exchange Board Indien Ickespridning & internationella Security Technology Division Research Foreign Aid Foreign Credential Recognition Foreign Workers La Bursary and Fellowship Income Securities Regulation Security Seniors - Age prevent the theft of credential and encryption keys, and provide the ability to Därifrån är det bara välja Autofill Security och aktivera biometri-tjofräsen. 916-488-7445. Credential Liveatthewaustin configure. 916-488-6123 Haverford-securities | 787-328 Phone Numbers | Trujilloal, Puerto Rico. 916-488-6498 Tighe Eichberger. 619-355-9364.
You will need to complete a few steps to set up your access to the new platform by entering your Client ID and password below. Client ID: Password: Forgot Client ID or Password ? Credential Financial Inc. With more than 25 years of experience as a national financial services firm, Credential is the leading provider of wealth management services to over 200 credit union partners across Canada.
But, let’s not get ahead of ourselves, let’s dive back into each layer of security we introduced above. Credential Security. We understand it has always been a little difficult to store credentials inside a user directory. Generally, doing so leaves your system a high value target for a hack.
Credential Securities. Statement Guide Understanding Rate of Return: Money Weighted vs. Time Weighted. Credential Asset Management.
Credential Securities is a registered mark owned by Aviso Wealth Inc. For your financial health. Our advisors unpack the
Overview . Using a security credential provides additional protection for your account. This second layer of authentication can help prevent unauthorized access even when your username and password may What is the Credential Manager? Credential Manager is the “digital locker” where Windows stores log-in credentials like usernames, passwords, and addresses. This information can be saved by Windows for use on your local computer, on other computers in the same network, servers or internet locations such as websites.This data can be used by Windows itself or by apps and programs like File 2021-03-14 · Credential Store: A credential store is a library of security data. A credential can hold public key certificates, username and password combinations, or tickets. Credentials are utilized at the time of authentication, when subjects are populated with principals, and also during authorization, when identifying the actions the subjects are able Network security is the combination of policies and procedures implemented by a network administrator to avoid and keep track of unauthorized access, exploitation, modification or denial of the network and network resources.
So why is the sense of urgency among IT executives le
When you're looking for the best alarms and home security systems, these resources and tips will help you protect your home. Security Policy webpage The Internet is an open system and there is no absolute guarantee that the personal information you enter to request verification will not be intercepted by others and decrypted. Although this possibility is remote,
Site Security At WebMD, we know security and privacy are important to you. We have taken steps to make sure that the personal or confidential information you have shared with WebMD remains safe. SSL When your Personally Identifiable Informa
Credential Asset Management Inc. Book an appointment · Roy Schultz. Wealth Advisor. Credential Securities.
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A free inside look at company reviews and salaries posted anonymously by employees. Se hela listan på docs.microsoft.com A 2017 Shape Security study of credential spill data showed that across four industries—airline, consumer banking, hotels, and retail—an average of 63 percent of login attempts were fraudulent. In the retail sector alone, that number was 91 percent. 1 It can be difficult for organizations to spot credential stuffing attacks, since cybercriminals use legitimate credentials, although Security concerns.
Clients can choose to receive them in the mail, or sign up for electronic access to monthly, quarterly and annual statements and tax slips through Credential Online. Download the appropriate guide from the links below and be sure to contact your Credential investment professional with any questions you may have about your investment statement. Credential Securities. Statement Guide Understanding Rate of Return: Money Weighted vs.
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Credential Qtrade Securities is a stockbrokerage firm based in Vancouver, Canada. It provides investing services to clients of credit unions and banks across Canada, and runs the online investment platform Qtrade Investor.
district 20 jan. 2015 — Envision v2 Envision v3 Professional credential program ISI · Documents Envision GCL Goldwind Cinda Securities Shinergy .
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Some Great Benefits Of Camping
Just about the most enjoyable areas of camping out is the chance encounter new areas. State theme parks, loved ones-favorable gatherings, along with places aren’t generally went to by ordinary folks are best areas with an lengthy trip. Whether you choose to drive towards hiking spot or take a flight there by air, studying the latest location gives various experiences. Furthermore, it provide you with the ability to increase your journey. Most people also relish getting very long road trips to explore new areas.
One of many reasons great things about camping would be that it builds group. This particular task aids players acquire their challenge and gumption-clearing up expertise. For instance, it really is better to acquire potshots at encountered avid gamers when they do not know the place that the initial taken is on its way. A lot more practical and reasonable the participant is, the additionally likely they will be to find the eliminate. Particularly if is also well-liked by video game developers, who don’t often brain the apply.
Despite these troubles, camping outdoors is a valuable part from the American helpful program. As a result, colleges easily begun to change to on the net learning. This generated an era of youngsters who wasted most of their time when in front of a tv screen. While this may be an unfortunate movement, the key benefits of camping outdoors do understand. Children can study potentially profitable new skills and shell out quality time using households. Will have them more interested in the journey.
On the subject of protection, camping has become the how to steer clear of the hazards of Zika, by organizing things to do in advance. It is best to even now don the best safety when likely camping, nonetheless. This will help secure oneself yet others from finding sick in the disease. Moreover, you are going to be not as likely in order to manage other risks as you are out. If you opt to camping outside the house.
Another of camping outdoors is it comes with a exceptional probability to disconnect from daily life, by way of example, you’re going to be fewer vulnerable to the bug-carried health issues. By starting a fire and discussing lunch, you can actually get back together with character and spend time with your loved ones. You can engage in activities, buy nature hikes, and have fun playing the h2o. You may have enjoyable inside of a new surroundings in concert in case you are spouse and children! For people, outdoor camping will help them get connected to their kids in a manner that is not possible in normal situations.
In addition to the noticeable rewards, camping permits you to get back together with your loved ones and shell out quality time with each other. You may engage in activities together and invest time using your small children. Through the day, you can actually engage in activities, hear the noise of raindrops, and study publications. Household, you can actually enjoy the fun collectively. A campfire is a wonderful way to connect to your family.
For first timers, outdoor camping could be a good way to discover more about teamwork. This type of game can assist you be able to remedy issues and work in addition to other people. You’ll have the ability to rehearse your complaint-handling skills. You’ll must also be ready to consider initiative to fix a problem, and it can be hard to try to get a skilled person with out knowledge. By doing this, you’ll be able to contribute to the next year’s fire testimonies.
Besides making romantic relationships, camping can be a enjoyable technique to study innovative skills. The most significant talent in outdoor camping is working together. In addition, it endorses difficulty-handling and step, although it is not only about creating pals with individuals of various age groups. You’ll master to handle various mishaps and scenarios which come on the way. These incidents and faults can become great reports for next springs campfire. You’ll also come in contact with up to date malware that is resulting in damage to many people.
Unlike the real world, curso de seo the online world creates camping easy and convenient. You may enjoy it with friends, or with your significant other. There are lots of people to speak with, share reports, or just enjoy the out-of-doors. The easiest method to take up a fire is actually by preparing some dried up meals ahead of time. Additionally it is imperative that you know where the nearest restrooms are when you are traveling on your own. A nearby camping site is additionally a superb starting place for a fire.
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What is House Improvement?
What is Home Enhancement? Residence renovation is likewise known as redesigning or home remodelling. Residence enhancement projects usually include including in or renovating the existing exterior and interior of a house. In short, home renovation is regarding boosting the residential or commercial property’s visual worth. Whether you’re preparing a significant remodel or just wish to include an area, there are numerous means to begin. Listed here are a few of the most usual kinds of home renovation projects.
Homeowners can tackle the job of redesigning their home themselves, or hire a competent handyman to do the task for them. Typically, house enhancement projects are more involved as well as call for specific experience. House enhancements, for example, require access to an engineer or structure designer as well as a permit from the neighborhood structure department. Yet there are particular points that a property owner need to consider before starting such a task. Listed here are some tips to make remodeling very easy as well as inexpensive.
Painting as part of residence improvement is an exceptional way to renew an area or your whole home. Lots of people have uncertainties about the correct application order for a paint task. Below are some ideas for a successful paint job. Keep reading to find out more concerning the correct painting application order. In addition, find out exactly how to approximate the expense of a paint project. If you wish to deduct the expense of painting from your earnings tax, comply with these steps.
Adding a room
If you’re intending to include a space to your home, there are a couple of points to think about. Adding an area is a considerable house improvement job, and also you must think about the cost of the remodelling. An added area will cost you thousands of bucks, otherwise tens of thousands. You might need to call your home mortgage loan provider as well as house owners insurance service provider for aid with funding the job. If you’re utilizing a home equity lending to fund the job, you’ll also need to spend for an evaluation of your home.
Including a restroom
Adding a shower room to your house is a terrific means to improve its worth, in addition to provide your family extra area and also comfort. However, prior to you begin the project, it is essential to understand what the ordinary price for the same size washroom is in your area. You can use comparative homes to establish the price of your addition. It’s likewise a great concept to bargain look for materials. The complying with are some suggestions to make your bathroom enhancement as effective as possible.
Including a deck
Adding a deck to a house is a popular home improvement project, particularly for millennials. Nonetheless, it is very important to keep in mind that including a deck won’t necessarily pay for itself when it comes to resale value. Adding a deck will certainly increase the worth of a home, but there are various other benefits as well. For example, it can enhance the satisfaction of the house by allowing you to invest even more time outside.
Including a garage
When including a garage to your home, there are several details to consider. Initially, you ought to inspect zoning regulations to determine what sort of garage addition you can do without breaching them. You’ll likewise need to include a roof, which can rapidly take in a big portion of your budget. Additionally, you’ll require windows, entryway doors, and also potentially lights. Afterwards, it’s time to begin planning and budgeting. When you loved this informative article in addition to you desire to get more info regarding https://lubbockconcreterepairandleveling.com kindly stop by the webpage.
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Fashion Methods For Every Girl
Fashion techniques for women of all ages will let you are actually excellent statements of fashion, with out emptying your wallet. Oftentimes women of all ages spend several hours of their higher-finish attire retailers, going over clothing trying to find the best permutations. Several high-priced items of garments are really no much better than the ones that tend to be less expensive, nevertheless. In fact, by purchasing more affordable outfits, you’ll be able to reach the same consequence such as you were paying out Buck300 on a bit of custom made attire. There are many tips on how to include trendy, creativity and elegant for your wardrobe without going broke!
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Probably the most vital design techniques for ladies is to select the proper kind of clothing. For those who have spots as part of your denim jeans, you should not have on something like a made, brightly coloured best using a tarnished bluejeans, by way of example. A far superior option would be to utilize a cashmere trousers and cosy sweater. Cashmere is actually a delicate, comfy materials, that could obscure any spots on your own apparel and may make you stay trendy and chic.
Another one of several vogue methods for females is to buy top quality facial foundation. Most of the people believe inexpensive makeup is likely to make them seem even worse. This is simply not correct, on the other hand. Getting high quality make-up, such as the popular brands which include MAC, eye liner and mascara, is the best way to just be sure you appear your better each day.
Another one of several timeless fashion strategies for ladies is to purchase multipurpose products for instance ties together, capes and shrugs. This stuff may be easily matched and varying with many other outfits, offering your entire clothing into a finished, daily look. jewelry, capes, shrugs and as well can easily be dressed down or up depending on the clothing you are putting on. Because of this you won’t be on a putting on exactly the same outfit to function after which it in the evening to nap. You are able to reprogram your headband for the pretty loath or simply use it around your make instead of a night costume.
Yet another excellent style tips for girls will be to put on more compact clothes. The majority of us only invest in attire that happen to be extra-large, regardless of the the scale. We expect that it must be a lot more fashionable make use of major measured attire as opposed to slender denims or even a tiny gown. Slender trousers may be complementary on some, but it will appearance cumbersome on other individuals,. That is the simple fact. Likewise, a concis attire put on which has a significant tank top will look lovable and fairly sweet, however if donned only, it can look ugly and very small.
The most effective fashion techniques for each and every lady would be to usually pick the best type on her body shape. Slowly change dress in tunics and dresses which have been extensive and running should you be extra tall and slim. You must go for slacks and skirts which have been loose and covered if you are quick and stocky. Always remember that it is not the design that is vital, but what kind that you’ll really feel in.
Of course, no-one can get away the reality that just about every female will need her fair share of unattractive stains. Jewel the occasional smoke discolor or chocolates spot, we all have to tolerate them. It is advisable to make use of a spot eliminator just before wearing your apparel, to stop all by yourself from acquiring these unsightly stains. It is superior to wear beauty products as opposed to to make use of actual comprise. That is certainly it is also possible to easily clear away staining while not having to commit enough time on cleaning up your shoes and clothes.
Yet another style tip that every woman ought to know. Applying fake make-up can conceal spots, but it surely can not erase them. For the reason that true compose will be a lot heavier than fake comprise. Real constitute also don’t even have colorations that can clean away effortlessly like fake beauty products do.
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He also discusses his upcoming book, Faster Than Normal; Unlocking the Gifts of an ADHD Brain. The book, is based used his award-winning podcast Faster Than Normal, providing insights into an ADHD mind, and how to create a more productive day with proper planning. This episode of Amazing Business Radio is fast-paced and packed full of great information – an episode you don’t want to miss!
“I don’t need you to be awesome, I just want you to be a couple levels above expectation.” – Peter Shankman
© 2023 Shepard Presentations, LLC. All Rights Reserved.
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Prof Dmitri Bessarabov
Prof. Dmitri Bessarabov joined DST HySA Infrastructure Center of Competence at NWU and CSIR in 2010. He was recruited for a position from Canada. An internationally-recognised visionary with extensive industrial, academic and financial decision-making experience in the area of hydrogen for energy applications, electrolysis and fuel cells in Canada and South Africa.
Successfully built and managed large (up to 25 plus head-count) teams of academics and engineers with deep technical capabilities. Strategic and creative thinker, director with a proven ability to identify problems, propose and implement solutions and lead and manage multidisciplinary teams.
Twenty plus years of progressively increasing responsibility in academic and industrial R&D environment, leadership and managerial roles in the hydrogen energy sector.
Deep understanding of fuel cells and electrolysers components requirements and needs in terms of characterisation, durability and structure-performance relationship.
Vast network of electrolyser and FC-related supply chain. Experience with Government negotiations. Deep knowledge of university and national lab activities relevant to fuel cell R&D world-wide.
Unquestioned integrity and the ability to make and keep commitments. Comfortable in dealing with ambiguity and risk.
Passionate about PEM fuel cells, electrolysers, membranes, MEAs and catalyst layers structures. Brings top-notch competitive international technical and managerial industrial experience to South Africa to lead and implement National HySA Program and build local human capital capacity. NRF rated scientist.
Current responsibilities include: building effective teams with deep technical capabilities and managing these teams, mentoring and guiding. Providing excellence in management, research and product development. HySA Infrastructure Business Plan and Road Map development and implementation.
He is currently also leading PEM electrolyser development projects at HySA Infrastructure which include establishment of technology platforms for electrolyser development, related characterisation tools, electrochemical hydrogen compression and hydrogen production using renewables. Supply-chain and business development, earlier engagement of industry into development and commercialisation activities. USD 3.0-4.0 mln plus annual budget responsibility and accountability.
Dmitri received his fundamental training in chemistry at the renowned Lomonosov Moscow State University in Russia (M.Sc., 1991). He continued to improve his qualifications at the Russian Academy of Sciences in membrane gas separations at the Topchiev Institute of Petrochemical Synthesis of Russian Academy of Sciences. In 1993 he joined PhD program at the Institute for Polymer Science, University of Stellenbosch in South Africa. He received his PhD in 1996 specialising in membrane technology for gas separation. The SA Chemical Institute awarded Dmitri a “SASOL Medal for the best PhD in the field for the year” in 1997. His post-doctoral research at the University of Stellenbosch was in the area of electro-catalytic membrane systems and electrochemical ozone generation (1997-1998), for which NRF granted him “Y” rating. In 1999 Dmitri was appointed senior lecturer at the University of Stellenbosch at Chemistry Department. In 2001 Dmitri joined Aker Kvaerner Chemetics in Vancouver, Canada, to work in the area of membrane technology for chlor-alkali industry. In 2006 Dmitri joined Ballard Power Systems in Canada (and afterwards AFCC – Automotive Fuel Cell Cooperation Corp) where he was leading an R&D group on MEA Integration and Evaluation. His main areas of professional interest include: Fuel cells, PEM Electrolysis, Hydrogen energy, Hydrogen Storage, Hydrogen Infrastructure, Membranes, Separations, Applied Electrochemistry, Applied Polymer Science, Environmental technologies, Water Treatment, Post-graduate training in Applied Chemistry (Membrane and Electrochemical Technology), International co-operation in membrane and electrochemical research. He is currently C-rated by NRF.
See list here: Scopus Author ID: 55917816200
Notable scholarly books and book chapters:
D. Bessarabov, Gas Permeability of Proton Exchange Membranes, Chapter 21, in: PEM Fuel Cell Diagnostic Tools , Editor(s): Haijiang Wang, Xiao-Zi Yuan, Hui Li, CRC Press, 2011, ISBN: 9781439839195, ISBN 10: 1439839190, Pages: 443-473, Publication Date: August, 2011. https://www.crcpress.com/PEM-Fuel-Cell-Diagnostic-Tools/Wang-Yuan-Li/p/book/9781439839195
Bessarabov, H. Wang, H. Li, and N. Zhao (Eds): PEM Electrolysis for Hydrogen Production: Principles and Applications. CRC Press., 2015. ISBN-10: 1482252295. ISBN-13: 978-1482252293. 389 Pages. https://www.crcpress.com/PEM-Electrolysis-for-Hydrogen-Production-Principles-and-Applications/Bessarabov-Wang-Li-Zhao/p/book/9781482252293
Dmitri Bessarabov, Pierre Millet, Series Editor: Bruno Pollet, PEM Water Electrolysis, Volume 1, 1st Edition, Academic Press, Elsevier, 2018 https://www.elsevier.com/books/pem-water-electrolysis/bessarabov/978-0-12-811145-1. Dmitri Bessarabov, Pierre Millet, Series Editor: Bruno Pollet, PEM Water Electrolysis, Volume 2, 1st Edition, Academic Press, Elsevier, 2018 https://www.elsevier.com/books/pem-water-electrolysis/bessarabov/978-0-08-102830-8
Dmitri Bessarabov, Chapter 8: Other Polymer Membrane Electrolysis Processes in: Electrochemical Methods for Hydrogen Production, Editor: Keith Scott, RSC Energy and Environment Series, 2020-January, pp. 286-305. https://pubs.rsc.org/en/content/ebook/978-1-78801-378-9
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As part of the I AM A VOICE for Epilepsy Awareness™ campaign, the Voice Epilepsy™ podcast series introduces a variety of topics related to epilepsy, including medications, treatment, law, employment, surgery, mental health, stress, and stigma, among many others. Whether you are a person living with epilepsy or you have a personal or professional interest in epilepsy, the Voice Epilepsy™ podcast series is for you! You can find the Voice Epilepsy™ podcast series on iTunes, Google Play, Spotify, Podbean etc.
Friday May 07, 2021
Friday May 07, 2021
Chuck Carmen joins us on the Voice Epilepsy™ podcast as host Kim Davidson, the CEO & Executive Director of the BC Epilepsy Society and the Founder of the I AM A VOICE for Epilepsy Awareness™ campaign, interviews Chuck Carmen, the Executive Director of the Epilepsy Association and the founder of EpilepsyU and the EpilepsyStore to discuss all of the amazing things that he has done for epilepsy.
Chuck Carmen has been the Executive Director of the Epilepsy Association since 1994 and only the second leader in the agency’s 59-year history. Selected by Southeast Association Magazine as one of the four most influential executives in the United States, he has served a board member of the Florida Society of Association Executives as well as the former Epilepsy Foundation of Florida and the Florida Epilepsy Services Providers Association.
Chuck is also the Founder of EpilepsyU.com, an online epilepsy news and education site that now reaches and average of 3.8 million people every month in over 150 countries. He also founded the Epilepsy Association’s social enterprise, EpilepsyStore.com, an online epilepsy awareness product store where 100% of the proceeds support the programs of Association.
Chuck’s long history in epilepsy has now made him the longest serving epilepsy executive director in the state of Florida. In addition to managing the day-to-day operations of the Epilepsy Association, his experience and knowledge has certified him as an “expert witness” where he has testified in numerous high profile cases involving epilepsy. Personally, he has conducted hundreds of presentations, seminars, and training programs on all aspects of epilepsy as well as becoming one of the nation’s leaders in the education and prevention of Shaken Baby Impact Syndrome.
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In the present electronic digital age group, a solid on the web reputation is vital regarding organizations and also men and women likewise. One of many important components regarding setting up an online presence will be having a website. Any website will serve since your unique deal with on the net, enabling people to get and also accessibility your best company names internet site. In terms of picking a website, reputation takes on an essential function. In this post, we all can investigate the value of shopping for well-known websites as well as the rewards they feature.
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Trump "softened" his position on immigration.
That's the news as told to us by the Washington Post:
Trump's immigration plan: Deport 'bad ones,' treat 'the rest' like Obama does
Jenna Johnson The Washington Post
After spending a few days reflecting on his immigration stances and consulting with Hispanic supporters, Donald Trump on Monday detailed how he would deal with the millions of immigrants illegally living in the United States:
Enforce laws that are already on the books and continue to do what President Obama is doing, although "perhaps with a lot more energy."
This strategy marks a sudden change for the Republican nominee, who has presented himself as a politically incorrect outsider who is not afraid to take extreme measures to combat illegal immigration, such as deporting 11 million people or constructing a massive wall along the southern border.
For more than a year, Trump insisted that all illegal immigrants "have got to go" and that he would create a "deportation force" to carry out the task. Trump struck a starkly different tone during an interview with Bill O'Reilly of Fox News that aired on Monday night.
Trump said he would separate the country's undocumented immigrants into two groups: The "bad ones" who would be kicked out of the country as soon as he takes office and "everybody else" who would go through the same process that the Obama Administration is currently using.
"The first thing we're going to do if and when I win is we're going to get rid of all of the bad ones," Trump said.
"We've got gang members, we have killers, we have a lot of bad people that have to get out of this country. We're going to get them out, and the police know who they are. They're known by law enforcement who they are. We don't do anything. They go around killing people and hurting people and they're going to be out of this country so fast your head will spin. We have existing laws that allow you to do that."Byron York interviewed Trump back in January of 2016. Here's how it went:
QUESTION: I read Art of the Deal. And one of the things you write about is you have to be bold, you have to make a splash, you have to attract attention. You've also talked about compromise. There was a time you said there's nothing wrong with compromise — you just ask for about three times what you want, and then you get what you want. So I look at deporting all illegal immigrants. I look at a temporary ban of Muslims coming to the United States. They get a lot of attention. Are they opening positions in a negotiation?
TRUMP: I'm not saying there can't be some give and take, but at some point we have to look at these things. You look at the radical Islamic terrorism and you look at what's going on, we have to take a serious look. There's tremendous hatred. You look at illegal immigration and all that's taking place with respect to illegal immigration, whether it's the crime or the economy, I mean, it affects many different elements. It doesn't mean I'm hard and fast 100 percent, but we to get a lot of what I'm asking for, or we're not going to have a country any more.
QUESTION: So they are opening positions?
TRUMP: They are very strong positions. It doesn't mean you're not going to negotiate a little bit, but I guess there will always be some negotiation. But they are very strong positions, and I would adhere to those positions very strongly. That doesn't mean that at some point we won't talk a little bit about some negotiation. Who wouldn't do that?In May, 2016, I wrote the following:
DONALD TRUMP AND THE BIG, THROBBING AMERICAN GOAL
Adam Carolla remarked the other day that Donald Trump is The Superhero Version Of An American President.
He is what we all imagine a President should be, because he is willing to make the grand gestures, stopping the speeding locomotive of Political Correctness, able to leap the tall buildings of Leftist Architecture - the Government-Media/Academia Complex - in a single bound.
Donald Trump will let nothing stop him. He will say whatever he has to say to win. He will do whatever he has to stop those opposing him in their tracks.
And we like that because we believe in the same things as him. We Are Americans. We want to win. We Are Americans. We believe in Excellence. We Are Americans. We believe We Are Leaders of The Free World.
We do not believe in timidity. We do not believe we should take a back seat on the bus of collectivism. And we don't believe in losing.
We believe in Winning. Donald Trump said, "We'll be winning so much we will get bored with winning" and we laughed and laughed, because
we know that that's just a joke, because winning never gets boring.
You stand against Trump, he makes fun of you. You insult Trump, he insults you. You oppose his policies, he will beat you.
He will begin to beat you with his words. Then he will beat you at the ballot box. And then, he will beat you into the ground with legislation.
Take the Wall, for instance. People laugh when he promises the wall. Many of us who love Trump don't even believe he means it.
"He won't build a wall," we think to ourselves. "And even if he does, he won't be able to make Mexico pay for it."
But still, even as don't necessarily believe him, we stand here waiting, with baited breath. "Maybe, by God, the man means it. Maybe he really will build that fucking wall, and maybe he really will drag Vicente Fox out into the Town Square of the entire world, and make him write a fucking check."
Maybe he will.
But even if he doesn't, even if Trump doesn't even believe his own words when he says he will, WE STILL KNOW DONALD TRUMP ISN'T LYING!
"Wait a minute," you say. "What do you mean he's not lying? If he says something he does not mean to carry through on, that's a lie, right? Why, I dare say, that's the very definition of a lie."
And certainly it is, IF ANY OTHER POLITICIAN SAID STUFF LIKE THIS IT WOULD BE A LIE.
BUT IT IS NOT A LIE WHEN DONALD TRUMP SAYS IT.
And, everyone knows it is not a lie.
Even those of you accusing him of being a liar, even you know it is not a lie.
Want me to prove it to you?
You know that Donald Trump is negotiating. That is his opening bid. He will build a wall across the entire Southern Border, and he will make Mexico pay for it.
That's his offer. Take it or leave it.
Now, let's say Mexico is so shrunken, so terror-seized by the audacity of that offer, that they simply cave. They send Vicente Fox out from behind the crumbling, bullet-ridden, adobe facade that is the Mexican Government's moral authority, with his little red checkbook, and he scribbles the payment out with his shaking hand.
Let's say that's what happens.
Do you think Trump wouldn't take the deal?
Of course he would.
And that's how you know he's not lying. That's how you know he means what he says.
He is not attempting to fool us into voting for him by saying things he doesn't mean. Everything he says is a statement of fact as to the direction he wants to go.
He wants it. This is his goal.
THIS IS OUR BIG AMERICAN GOAL. IT'S THE BIGGEST GOAL YOU'VE EVER SEEN.
In fact, you could says IT'S A HUGE GOAL.
Other politicians are mired in small goals, incremental goals, cost-of-living increase goals, food stamp goals, borrow-money-from-our-Social-Security-fund goals.
Other politicians are not going in the right direction. They do not want to extend American Power and Influence. Instead, they want to retreat from our own borders, creating a "borderless world." They do not want to increase American Prosperity. They think Americans have too much, that we're too rich, and spoiled, that we are the undeserving recipients of "obscene profits."
Donal Trump's goals are America's goals: To Win. That's our Direction.That's our Goal. And we will do whatever we have to do to accomplish what we believe in.
Other politicians don't really believe in that, and even if they say they do, they don't really mean it.
Trump means it. We mean it.
NOW, HERE, TODAY, AUGUST 24, 2016, HERE IS MY OPINION ON ILLEGAL IMMIGRATION:
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Free icons found by emoji+sunglasses+fill icon keyword
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2023-10-01T05:02:25Z
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Idaho Traumatic Brain Injury
Virtual Program Center
Institute of Rural Health
Idaho State University
Summary of Accomplishments 2018-2021
Goal 1: Develop Annual TBI State Plan
- A TBI state plan and supporting action plans have been completed
- The TBI state plan incorporates three of ACL’s pillars: (1) Better connecting older persons and individuals with disabilities of all ages to resources, (2) protecting the rights and prevention the abuse of such individuals, and (3) supporting families and caregivers
- The state plan incorporates two Health and Human Service goals: (1) reducing inappropriate use of opioid medications and (2) effectively treating individuals with TBI’s and co-occurring serious mental illness
- Separate action plans have been developed in support of the plan’s goals and objectives
Goal 2: Expand Use of TBI State Registry
- Discussions are underway with both the TSE advisory council and the Idaho Hospital Association to promote inclusion of TBI materials upon hospital discharge.
- The participation of Idaho in the Using Data to Connect People to Services workgroup to compile memorandums of understanding and ICD-10 codes is a first step in assisting states to implement new or enhance existing state trauma or TBI registries.
- As a member of the Waivers and Trust Funds work group, Idaho has been part of efforts to try and advance a trust fund for the state. Tentatively, plans to updated the 2012 “A Look at TBI Trust Fund Programs – Possible Funding Sources for Helping Individuals and Their Families Cope with Traumatic Brain Injury to include non-traditional revenue streams have been made.
- The Underserved Population workgroup that Idaho participates in has tentatively identified individuals with TBI’s and co-occurring serious mental illness as a target group in rural and frontier communities. This work group is moving forward in developing a toolkit for agency administrators.
Goal 3: Expand TBI Screenings
- TBI project team partnered with health districts, community health centers, non-profits and the Idaho Food Bank across the state to implement additional community health screenings
- With the addition of the Aging and Disability Resource Centers (ADRCs), the entire state will be involved in meeting the needs of persons with a TBI.
- Collaboration between the TBI project team and ISU’s Counseling and Testing Services resulted in the incorporation of brain injury informational resources into QPR trainings.
Traumatic Brain Injury in Idaho:
A Longitudinal Analysis of Needs and Resource Assessment Data (2001-2011)
LINKAGE TO GOALS OF CURRENT GRANT: This project is an effort to complete a longitudinal analysis of the seven statewide Needs and Resources (N&R) Assessments completed from 2001 to 2011.
BACKGROUND: The first N&R was conducted in 2001, focusing on why individuals with TBI were not receiving various services, how satisfied those receiving services were with the services received, and in what areas additional services were needed. Subsequent surveys completed in 2004, 2005, 2006, 2007, 2008 and 2011 focused on similar issues, replicating many of the data categories over time. During each of those years, individuals with TBI (or a family member) and providers concomitantly completed separate surveys. The longitudinal data gathered from the surveys tracked which services were available, which services were needed, which were provided, and which needs went unmet. Consumer and provider data were analyzed both individually and together. This crossed analysis improved the reliability of estimates in regard to supply (by providers of services) and demand (by individuals with TBI).
METHODS: Data were collected by mail and internet survey. Individuals with TBI provided information on demographics, service need and utilization of provided services. Providers were queried about the type and number of services provided by their organizations or agencies.
QUESTIONS OF INTEREST: The report sought to answer three main questions: 1) Do the reported needs and resources change across time? 2) Do the reported services and supports change across time? and 3) What is the quality of match between the reported needs and resources and the available services and support?
ANALYSIS AND RESULTS: Longitudinal analyses of variance and frequencies were examined to measure change across time and the match between services used and services available. The most consistently met needs were reported under the nursing care and personal care assistance categories. Other categories of need, such as employment supports and mental health services, were reported to be problematic for as many as 1 in 4 of the respondents. Psychiatric care was identified as particularly lacking in rural Idaho, with many areas having no immediate access to psychiatric care and much lower patient-to-provider ratios than those necessary for adequate care. Across the decade, the relationship between met and unmet needs was dynamic and changed frequently, with providers reporting that the most significant changes in service provision reflected reduced community-based services.
Comparison of Intentional Deaths (Suicide) and Unintentional Motor Vehicle Traffic Deaths with and without Traumatic Brain Injury as an Underlying Cause
PURPOSE: This study increases understanding of the complex nature of injury-related death when traumatic brain injury (TBI) is present and compares number of deaths and rate of TBI across two types of injury-related death: intentional and unintentional by motor vehicle traffic (MVT).
QUESTION OF INTEREST: What is the nature of the relationship between MVT deaths and TBI across time, geography, economics, and intent of injury?
BACKGROUND: Injuries are a leading cause of death for all age groups. MVT deaths are the most common fatal unintentional injuries. Some MVT deaths are assumed to be suicides, but there is a scarcity of information about MVT deaths as a mechanism of suicide. Both unintentional and intentional injuries theoretically should have high rates of TBI, but there is little supporting literature. Research links the economy and suicide, with some research linking MVT deaths and the economy. Injury should also vary by state and level of urbanism.
METHODS: A literature review was conducted on intentional and unintentional death with TBI. Additionally, coroners were informally interviewed about how TBI is reported as an underlying cause of death (UCD) and data were integrated with national data on coroner reporting. Cause of death public use data files from the CDC and other government sources at national and state levels were analyzed for Jan. 1, 1999 – Dec. 31, 2010. Classification codes for UCD and TBI were drawn from CDC criteria. Data were stratified by state, year, and urbanism, and were not stratified across age, sex, or race. Economic indicators were calculated at the state level. The CDC WISQARS economic report system was the used to estimate the costs of MVT deaths and suicides, employing a ten-year average (base year 2005) of percent of suicide and MVT deaths that include TBI. Qualitative findings were integrated with national data and quantitative data were analyzed statistically. A multivariate analysis of variance was conducted using suicide and MVT deaths counts by year and by state.
RESULTS AND DISCUSSION: Because of variability in training, background, and algorithms for determining cause of death, it can be difficult for coroners to identify or record TBI among multiple causes of death. Prior to 2009, MVT deaths outnumbered suicide; after 2009, suicide outnumbered MVT deaths both nationally and in Idaho. There is an inverse relationship between MVT deaths and suicide deaths across time. Deaths by suicide and by MVT are similar in prevalence. About half of total MVT death costs include TBI as an UDC. Similarly, about half of the costs of suicide are from suicides with TBI. Conclusion: MVT deaths, while similar in prevalence to suicides, receive more public health attention in safety and prevention, possibly owing to lack of awareness and stigma surrounding suicide. Better TBI coding and further study of TBI as a risk factor for suicide, as well as identifying links among suicide, MVT deaths, and TBI, could reduce risk of suicide attempts or completions by directing prevention toward TBI. There is scant literature on the prevalence of using a motor vehicle as a mechanism of a suicide death, with major differences by state. State-level prevention could be aided by examining characteristics of states. Intentional and unintentional accidents are similar in prevalence, yet it is likely that people would estimate motor vehicle accidents to be far more common than suicide. Stigma and cultural prohibitions may make it easier to talk about MVT deaths than suicide, evidence that suicide affects many more people than society realizes.
This project is supported in part by grant number 90TBSG0056-02-01 from the U.S Administration for Community Living (ACL), Department of Health and Human Services (HHS) , Washington, D.C. 20201 and Idaho State University. This project was previously supported in part by grant # 1-H21-MC07735, using funding from the U.S. Department of Health and Human Services (DHHS), Health Resources Services Administration's (HRSA's) Maternal and Child Health Bureau, and Idaho State University. Grantees undertaking projects under government sponsorship are encouraged to express freely their findings and conclusions. The content contained herein are solely those of the authors and points of view or opinions do not, therefore, necessarily represent official Administration for Community Living policy, the view or policies of the U.S. Government, the State of Idaho, or Idaho State University
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Nice or naughty?
Are you the type to bend over backwards for others or do you lay down the law?
It’s important to know when to be a saint and when to be a little bit of a sinner.
Cause let’s face it, no one likes a pushover.
But, what most people don’t realize is that being too nice can actually have a negative effect on your social life and relationships.
So, before you go around spreading too much love and kindness, check out these 11 reasons why you shouldn’t be too nice.
1) People will take advantage of your kindness
Are you tired of having that one friend who always asks to borrow money but never pays it back?
Or what about that colleague who’s always hitting you up for help with their work, but never returns the favor?
Then it’s time to wise up and realize that you’re being taken advantage of because of your darn kindness!
Sure, you want to be the nicest person in the world.
But let’s be real here.
When you’re too nice and trusting, people can smell it from a mile away and they’ll take advantage of you in a heartbeat.
So, here’s the deal.
Sometimes you gotta be strict and serious instead of being the nice guy all the time.
Because, let’s face it, being too nice can sometimes be a recipe for disaster.
2) You’ll neglect your own needs and wants
If you’re always putting other people’s needs and wants before your own, you’re setting yourself up for a world of hurt.
I mean, have you ever been in a relationship with a real jerk?
Let me tell you, it’s not pretty.
When you’re too kind and giving, people start to think they can walk all over you.
But trust me, that’s not how it works.
Eventually, you’ll find yourself feeling resentful and unfulfilled.
And who wants that?
So, bottom line: it’s important to take care of yourself and make sure your own needs and wants are being met.
Don’t be a doormat, be a welcome mat – one that’s only inviting to people who treat you right.
3) You’ll be seen as weak or easily manipulated
Oh boy, have you ever heard the saying “too nice for your own good“?
Well, it’s real!
When you’re always being compassionate and kind, people might start to see you as a pushover.
They’ll think, “Oh, this person is always so nice, they’ll probably do whatever I want.”
And before you know it, you’re getting taken advantage of left and right.
I mean, have you ever had a friend who always says “yes” to everything, even when they don’t want to?
It’s not a good look.
People will start to see you as weak, and that’s when the real problems begin.
It’s important to remember that being kind and compassionate doesn’t mean you have to sacrifice your own well-being.
Stand up for yourself, speak your mind and set boundaries.
Show people that you’re not a pushover, and you’ll be respected for it.
4) You’ll have difficulty saying “no”
When you’re too nice, it’s like you’re walking around with a big ol’ “yes” sign on your forehead.
People will take advantage of that and ask you to do all sorts of things you don’t wanna do.
“Hey, can you run to the store and grab me a gallon of milk?”
“Sure, I’d love to”
“Hey, can you stay late and finish this project for me?”
“Sure, no problem”
Before you know it, you’re running errands, staying late, and not doing anything for yourself.
That’s why it’s important to remember that it’s okay to put yourself first and say “no” when necessary.
Show yourself some TLC and respect and don’t let anyone make you feel guilty for not wanting to do what they want.
Otherwise, people might start to respect you less and less…
I’ll explain more in my next point.
5) You may not be respected in return
Another important reason why you shouldn’t be too nice!
Being too nice can actually be a real bummer.
Not only will people not respect you in return, but they’ll probably start taking advantage of your kindness.
And the worst part is, even though you’re over it, you keep putting up with it because you’re scared of being seen as a mean person.
But being respected is way more important than being taken advantage of.
And being a pushover ain’t gonna get you that respect.
So, don’t be afraid to set some boundaries and stand up for yourself.
Because you deserve to be treated with respect too!
7) You’ll become exhausted from constantly helping others
Being a helper is a noble cause, but let’s not get carried away here.
Too much of a good thing can turn into a real snooze fest.
Before you know it, you’ll be a tired, grumpy, and overworked mess.
But here’s the kicker.
Not only will you be exhausted but you’ll also have a bunch of leeches sucking the life out of you.
So, let’s take a step back and remember, it’s ok to be nice and help others.
But don’t forget to put yourself first and set some boundaries, otherwise, you’ll be the one needing help.
8) You’ll struggle to make decisions
Making decisions can be a real headache, especially when you’re the go-to person for everyone’s problems.
It’s like being a walking, talking fortune teller, but without the crystal ball.
People come to you expecting you to wave your magic wand and make all their problems disappear.
But let’s face it, sometimes you just don’t have enough information to make a solid call.
And then you’re left waiting for an eternity until they finally come back to you with their solution.
Meanwhile, you’re sitting there twiddling your thumbs, getting more and more frustrated.
It’s a real catch-22 situation.
Being too nice can make it difficult to make decisions that are best for you.
Because you may be too focused on pleasing others.
But let’s not forget, it’s crucial to put yourself first and not get caught up in the decision-making drama.
9) You’ll miss out on opportunities to assert yourself
When you’re always playing it safe and taking the easy road, you’re gonna miss out on some prime opportunities to show the world who’s boss.
Because if you’re constantly putting other people’s needs before your own, you’re basically giving them the keys to your life and letting them drive the car.
And that’s a one way ticket to a boring and unfulfilling existence.
So, don’t be afraid to mix it up a bit and assert yourself.
Sure, it’s easy to just say “yes” to everything and make everyone happy, but that’s not always the best decision.
Sometimes you just have to do what’s best for YOU.
Not what other people want.
So don’t be afraid to give a big ol’ “no” when it’s necessary.
Take control of your life and don’t let anyone else call the shots.
10) You’ll attract toxic individuals
Want to attract toxic people like flies to poop?
Just be too nice.
Yeah, being a pushover attracts all sorts of negative energy.
And it’s not just strangers, sometimes it’s even friends and family.
They’ll dump all their issues on you.
Next thing you know, you’re drowning in drama.
If this isn’t a good enough reason for you to stop being too nice, I don’t know what is.
Don’t be afraid to say no and protect yourself, otherwise you might miss the red flags of toxicity.
Because being constantly surrounded by toxic individuals can erode your sense of self and leave you feeling lost.
I’ll get into more details in my following point.
11) You’ll lose your own identity and sense of self
You may think that being nice to others will make you more likable in their eyes.
When you’re constantly putting others’ needs before your own, you’re forgetting about your own needs as well.
And that can really lead to some problems down the road.
It will also make it difficult for others to see the real you because you never assert yourself and show your true colors.
You’re in a constant battle with yourself about whether or not to take charge of your own life and put yourself first, or keep being a pushover and pleasing others.
This can erode your sense of self and leave you feeling empty at times.
So, do you still want to keep being too nice?
Put yourself first
That’s the easiest way to stop yourself from being too nice.
I know, it sounds selfish but trust me, it’s for your own good.
Being too nice is like eating too much cake.
It’s good in small doses but too much of it will leave you feeling sick.
It doesn’t mean you have to stop being nice altogether, but just be mindful of it and don’t forget to take care of yourself too.
It’s all about finding that perfect balance between being kind and not turning into a doormat.
And remember, being nice to yourself is just as important as being nice to others.
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The term “academic research” describes researchers’ systematic and creative work to advance knowledge. These projects usually involve the collection, organization, and analysis of information. Some projects are extensions of past works, while others are entirely new. Whether an academic assignment is a new topic, an expansion of an existing one, or an original one, its purpose and process are similar. The critical difference is that academic research is typically performed in universities. So this article will answer the question – what is academic research?
Considerations before doing academic research
If you are interested in doing academic research on a topic, you might want to conduct a preliminary search first. This initial search can help you establish the context of your research and determine if adequate information is already available. To do a preliminary investigation, try searching online for relevant keywords in the library catalog, periodical databases, and even on the internet. If you are still unsure of your subject, consider consulting lecture notes, textbooks, or reserve readings for background information. In case you cannot find enough information online, you can send reprints or drafts of those papers. Be sure to explain your research objectives and progress.
There are also citation styles that you may want to consider. Citing sources will give appropriate credit to the authors, and it will prevent readers from duplicating your research. The two most popular citation styles are MLA and APA. Citing sources in proper format helps you avoid plagiarism, and the final step is proofreading your paper to ensure that you have not overlooked anything important. You might even find a new source that you never even considered.
When reviewing the quality of an article, there are several criteria for Academic Research. The paper aims to advance knowledge in a particular field or discipline. The work should be systematic, organized, and have a lasting impact on the profession, field, industry, or public. A well-written article is more than 800 words. If you find a poor article, change it or improve it.
Many universities have developed their evaluation criteria for evaluating researchers. Typically, these criteria are based on peer-reviewed publications and other traditional metrics. Non-traditional criteria such as authorship order, journal impact factor, and national or international reputation are not used as frequently. Instead, universities should consider using these criteria as part of their evaluation process to promote better science. They can also influence the recruitment of new faculty or tenure and enable existing faculty.
Professors often have many responsibilities, including teaching, research, and university and industry services. Generally, professors spend very little time on their research. Instead, their time is taken up by education and other management tasks. Assistant and associate professors have better luck carving out time for their research, but their time is also limited. Fortunately, academic careers allow them to pursue intellectual interests outside the university.
Typical class schedules for compulsory subjects are during the day and later in the evening. Full-time students may nominate the best time to attend classes. On the other hand, electives can be taken as intensives over two weeks in the summer and winter. Those who study part-time may choose their preferred class schedules based on their academic program. While full-time students typically have the option of selecting their classes, part-time students may choose to take them during the day.
A robust analytical approach is a prerequisite for maximizing returns from research investments. By defining impact metrics, researchers can identify and remedy dysfunctions in research programs and increase the value of research investments during planning and execution. The 2014 Research Excellence Framework sets out criteria to measure the impact of research in four domains: health, economy, society, and environment. In addition, the authors discuss how to measure the impact of research beyond the academic realm, including addressing the challenges and opportunities posed by different societal sectors.
To assess the impact of research, researchers must engage with different stakeholders. They must understand their needs and the level of expertise of the audience. Otherwise, their research findings may be ineffective for policymakers, beneficiaries, or stakeholders. In addition, it is essential to consider the change researchers want to bring about early in the research process. Some research scholars have observed that their insights can help solve societal problems and build new companies and products. Hence, academic researchers should focus on achieving this goal and assessing its impact.
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The Official Enrollment Statistics Report presents enrollment data for fall, spring, and summer terms from 2001 forward. Enrollment data is available for new entering students and for all undergraduates, graduates, professional, and non-degree students by campus and college across different dimensions. The May Session enrollment is reported separately.
- University of Minnesota, Data Warehouse - Official enrollment snapshot tables (STIX), end of second week enrollment for fall and spring, end of term for summer
- AAUDE Data Warehouse - IPEDS Fall Enrollment
Report Update Cadence:
- After the Fall (late September), Spring (early February), and Summer/May (August) census dates
- Enrollment by legal sex data is self reported. If the student did not select a legal sex, unknown is reported.
- Enrollment by home location is based on place of residence at time of admission.
- Please note that IPEDS definitions are used in the “Peer Comparisons” dashboard. The IPEDS glossary can be found here: https://surveys.nces.ed.gov/ipeds/public/glossary
IPEDS definitions used in the “Peer Comparisons” dashboard are available in the IPEDS glossary.
A defined period of instruction that is a subunit of an academic year in a specific academic year. Examples: Fall 2021, Spring 2022
The annual period of instruction that includes fall, spring, and summer terms. It is set based on the calendar year in which fall term falls, e.g., the academic year 2015-16 goes from Fall 2015 through Summer 2016.
The University of Minnesota locations at Crookston, Duluth, Morris, Rochester, Twin Cities and the entities that report to them.
A student's class standing based on the student's academic career and number of academic units completed.
A unit of the University of Minnesota, offering courses of instruction, usually leading to a degree, that furthers the University’s teaching, research, and outreach mission.
Students enrolled in courses for credit who are seeking a degree, certificate, or other postsecondary credential.
Full-time equivalent (FTE)
The sum of credits attempted divided by pre-determined divisors representing a full-time credit load for a given academic term. Definitions of a full-time-equivalent credit load varies by student level. For undergraduates, a full-time-equivalent credit load is defined as 15 credits; for graduate students, a full-time-equivalent credit load is 10; for professional students, a full-time-equivalent credit load is 15 credits.
Full-time/Part-time (Academic Load)
Status of a student’s academic load based on the units taken for academic progress. The threshold for the number of units varies by the student's academic career. For example, full-time status for undergraduates requires a minimum of 12 units per term while full-time status for graduate students requires a minimum of 6 units per term.
Geographic grouping based on home address. Examples: TC Metro, Greater MN, Other US.
The designation of sex on legal documents. An individual’s sex might differ from their sex assigned at birth (if, for example, legal steps have been taken to change the individual’s sex) and/or from their gender identity.
A person’s ethnicity for official reporting is based on a set of criteria in order to report a single ethnicity for each individual. Individuals with “Alien” or “Alien Temporary” citizenship status are listed as “US Nonresident”, regardless of their self-identified ethnicity.
A person’s ethnicity for official IPEDS external reporting is based on a set of criteria in order to report a single value for each individual based on the following rules, separating those with “Alien” or “Alien Temporary” citizenship status and those with multiple ethnicities into separate categories.
An aggregation of the Institutional/US Nonresident calculation of ethnicity. A person’s ethnicity for official reporting is based on a set of criteria in order to report a single ethnicity for each individual. Individuals with “Alien” or “Alien Temporary” citizenship status are listed as “US Nonresident”, regardless of their self-identified ethnicity. In aggregate format, “BIPOC” includes the following race and ethnicity categories: American Indian, Asian, Black, Hawaiian, and Hispanic.
Race/ethnicity group (IPEDS)
An aggregation of the IPEDS definition of race and ethnicity. A person’s race/ethnicity for official IPEDS reporting is based on a set of criteria in order to report a single value for each individual, separating those with “Alien” or “Alien Temporary” citizenship status and those with multiple ethnicities into separate categories. In aggregate format, “BIPOC” includes the following race and ethnicity categories: American Indian or Alaska Native, Asian, Black or African American, Hispanic, Native Hawaiian or Other Pacific Islander, and Two or more races.
A value indicating a student's registration context at the University in a given term. For example, if they are new, have transferred between UMN campuses or colleges, or have continued in their academic program.
A value combining the level of study for a student with their degree-seeking status.
Student Credit Hours
Total number of credits that count toward a student's academic load/certification (full time, half time, etc.) for a specific term, summed up for the selected students and classes.
A defined period of instruction that is a subunit of an academic year. Examples: Fall Semester, Spring Semester, Summer Term. Note: Prior to Fall Semester 1999, the University of Minnesota operated on a quarter system (example Winter Quarter).
Students who identify as United States citizens and identify as one of the following: American Indian/Alaskan Native, Hispanic/Latino, Black/African American, or Native Hawaiian/Other Pacific Islander.
- How to use Tableau Dashboards and Views:
- Data Visualization Overview Guide [PDF]
- Tableau hierarchy +/- operator instructions:
Some dashboards use the plus/minus sign in a heading to either expand or collapse content categories. When hovering next to a field label you may notice a + or - operator. By clicking on this operator you can drill into or out of the hierarchies. Click this link for a visual representation of how to use the +/- hierarchy operators:
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Memorial complex Sultan Saodat which is at a distance of 3 km from Termez city was developed during the period of XI-XVII centuries at the graves of the Termez Sayyids. By the term Sayyid they understand the descendants of the prophet Muhammad Ar-Rasul. Membership in the family of Sayyids was of great importance because it meant success and support of all kinds for the sayyids. Many religious leaders of Muslim world were related to Termez sayyids ( I.Jomi, S.Termizi, Ali Termizi).
The complex had a number of cult structures added at different times: mausoleums, mosques, hanaqohs, built on the perimeter at an elongated courtyard side. Here are located two large one-chambered, square domed mausoleums. They are joined an aperture terrace with a mihrab place between them, which was used a funeral prayer mosque. The surface of the wall in the form of plain “ribbon”, “fir tree”, “belt” patterns.
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Barrett Taylor (PhD 2012) is quoted extensively in an article in the Chronicle of Higher Education on the University of Florida controversy surrounding the barring of professors to testify in litigation against the state (‘I’m Speechless’: What prompted the U of Florida to tell professors not to testify?)
Members of the university administration defended the denials on loose "conflict of interest" claims. "As UF is a state actor, litigation against the state is adverse to UF's interests," wrote Gary Wimsett, assistant vice president for conflicts of interest.
Taylor pointed out, "To assert that there is only one interest, and that something might be antithetical to it, is a question at the heart of self governance.”
Former IHE postdoc, Brendan Cantwell agrees. He characterized the university's actions as part of a "pattern [of] suppressing faculty engagement in areas of their expertise."
In late November, the University softened its stance and created a vetting process that adheres to the 2019 Conflict of Interest Policy and requires university administrators to show real harm if faculty testifies.
Full article at :https://www.chronicle.com/article/im-speechless
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Admissions to the four-year B.Tech. The program of the Institute is made through The Joint Seat Allocation Authority (JoSAA) and Central Seat Allocation Board (CSAB) based upon the merit in JEE (Mains) following the reservation policy of the Government of India.
IIIT Sonepat offers the following two Undergraduate Programs:
Computer Science and Engineering (4 years, Bachelor of Technology)
Information Technology (4 years, Bachelor of Technology)
The institute has also started intake for its Ph.D. program from session 2022-23 in the field of Computer Science Engineering, Information Technology, English and Mathematics.
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In addition to providing meals, the women spend two hours during each visit in conversation with IINE beneficiaries, creating an opportunity for them to practice English. “Each meal, and each time we do this is different,” Meg said. “We never know how many people will show up, but we want to be there
All of the women are members of South Shore Action, a group of 250 individuals who came together following the 2016 election to focus on issues that mattered to them such as freedom of the press, healthcare, the environment, and civil rights. Meg serves as the Civil Rights Committee Chair. After the President issued the first travel ban, she helped shift the group’s focus to supporting immigrants and refugees.
Through social media and a conversation with another IINE volunteer, Meg found her way to the Institute’s Boston site office to understand what role the group could take in aiding the global refugee crisis. Together, the International Institute and South Shore Action developed “Meals and Conversation: Building Bridges and Breaking down Walls One Meal at a Time.” Many recently arrived refugees rely on cash assistance benefits and sometimes do not have enough money for healthy meals. This is particularly true in their earl months in the U.S. before they learn English and find their first jobs.
The opportunity to practice English and share a meal builds a personal bond between supporters from South Shore Action and the new Americans in our programming. “We want the refugee and immigrant clients to know that there are many people who are invested in helping them integrate into their new communities,” Meg explained.
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Monday, 1 star.
Woke up on time, brushed teeth, pulled hair into a ponytail, put on work out clothes. Walked out into the living room ready to head to the elliptical. Went to get my airbuds resting in a baby Yoda case by the charging station on a side table next to the couch.
Cat vomit on everything: on the charging station, on the cords, on the small art table, on the expensive pad of the watercolor paper, on the floor, on the side table, everywhere. Only the Baby Yoda miraculously escaped. The cat vomit had dried.
There is a reason I keep disposable gloves in the house. Twenty minutes of scrubbing. Twenty minutes of cleaners and Clorox wipes and a bunch of paper towels.
It’s Salem. I don’t what the hell is wrong with that cat. She is 16 years old and in her old age she decided to projectile vomit everywhere endlessly. She has had the blood work and the X-rays and she is as healthy as a 16 year old cat can be.
I finish cleaning. I go do my 3 miles. I come back, sweaty and gross. I decide to take a shower.
I am in the bathroom doing things one does, when I notice a dark brown thing on my thigh. It takes me 0.1 second to recognize the shape even without my glasses, and then I fling it off my leg.
A scorpion. A small one, the extra poisonous size.
It doesn’t move, so it’s dead.
Why was a small dead scorpion on my leg? Did it fall out of my clothes? Did I spend 30 minutes on elliptical carrying a corpse of the scorpion somewhere on my person? I doubt it because I shake out my clothes and check my shoes.
Did it fall out of the vent in the ceiling? Did a venomous arachnid actually fall out of the vent and land on me while I was on the toilet?
I am done.
I lived most of my adult life in the South. I have no problem with giant flying cockroaches. I’ve dealt with wasps, snakes, centipedes, and fire ants. You know where my line is? My line is at the damn scorpions falling on me from the damn ceiling. That’s where it is.
Look, Texas, I like your low taxes, but that is the only thing I like about you. I am out. We are moving. I am done. I am going to find a house somewhere, preferably on a lake or at least somewhere where things don’t burn to brown straw starting in May. Somewhere without scorpions. That’s it.
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The paper interrogates the literature on online cultural and religious identities through a critical engagement of Stuart Hall's work on new ethnicity and regimes of representation. In his 1996 essay ‘Cultural Identity and Diaspora’, the theorist Stuart Hall. This is not surprising. .
Therefore, if one wants to grasp Hall’s “identity,” one must go back to the social history and its evolving process where Hall existed.
Stuart Hall was born and raised in Jamaica and arrived in Britain on a Rhodes scholarship to Oxford in 1950.
Offers a long overdue dialogue between cultural studies and cultural criminology.
Thus by focusing on these two formations, the essay argues that Hall’s work should not be read as a derivative or even undertheorized version of. culture. . This is because the representation of different groups within any given society is controlled.
. . .
. The emphasis here is on the space of the between: what it means to truly belong.
for cultural politics, popular culture, cultural pedagogy, and all notions of identity. for cultural politics, popular culture, cultural pedagogy, and all notions of identity.
politics of location - but also the manifest difficulties and instabilities which have characteristically affected all contemporary forms of 'identity politics'.
Essential Essays —a landmark two-volume set—brings together Stuart Hall's most influential and foundational works. My early university education at the then-very white University of Cape Town coincided with South Africa’s transition from Apartheid to democracy.
. Oct 4, 2018. My early university education at the then-very white University of Cape Town coincided with South Africa’s transition from Apartheid to democracy. His extensive academic work on topics such as race, ethnicity and identity reflects his own position as a diasporic intellectual.
. . It examines how an idea of “the West and the Rest” was constituted, how relations between Western and non-Western societies came to be represented. Under his leadership Cultural Studies became a major player in the contemporary rethinking of the humanities and social sciences.
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- dresden stollen for saleAbstract: Stuart Hall, a founding scholar in the Birmingham School of cultural studies and eminent theorist of ethnicity, identity and difference in the African diaspora, as well as a leading analyst of the cultural politics of the Thatcher and post-Thatcher years, delivered the W. warzone mobile beta release date
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When compared to a few of the top antivirus programs, Adaware has a fairly limited set of tools. However , it continues to have enough in order to keep computer system safe and secure. In addition , it has low storage and processor requirements, which make it an efficient partner with Windows systems.
The program is founded on the impressive anti disease formula produced by Lavasoft, which gives real-time reputation and reduction of episodes, worms, ransomware, spyware, Trojans, rootkits, and also other malware dangers. The software features intelligent category technology that assessments only recently scanned records less usually to avoid wasting program methods and allows you to regulate encoding accelerate to reduce the impact in system effectiveness.
Aside from stopping viruses, spy ware, adware, and worms, the program also contains a comprehensive assortment of PC repair tools that erase activity logs, take away junk and duplicate documents, optimize shoe times, correct Windows concerns, and get back RAM. In addition, it offers a range of browser exts that block advertisings and trackers, as well as a net associate that runs backlinks to assist end potential attacks.
While https://programworld.org/best-antivirus-for-pc-gaming it doesn’t have got as many additional as some in the leading rooms, it does contain support for several popular products, including iOS and Android. Moreover, you can buy additional product licenses on the Adaware web-site for a price you can afford. Its customer service is available through email and a community forum. I posted a question about an error communication and got a reply within three hours, which is relatively speedy compared to the standard.
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https://imolacy.ro/2023/07/09/adaware-review-is-adaware-really-the-ideal-antivirus-course/
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2023-10-01T04:57:53Z
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With its vast coastline, palm-lined beaches, backwaters, and tea & spice plantations, Kerala truly lives upto its tagline of God’s Own Country. In addition to the numerous places to visit in Kerala, the tropical south-Indian state also offers a plethora of activities to indulge in. From the adventure sports and the ayurveda resorts to the boat races and shopping in Kerala, the things to do in Kerala offer something for tourists of varied interests.
Do check them out in the uber cool infographic before you start planning a holiday in Kerala.
With the above-listed things to do in Kerala, you are sure to have a fun-filled and joyous holiday. Share with us the experiences of your trip to Kerala.
Further Read: The Ultimate Guide to Top Tourist Places in Kerala
Embed This Image On Your Site (copy code below):
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Although some dating ideas work for every dater, there arrives a period and a spot when precisely the specialized information perform.
Our 10 most readily useful African-American relationship blog sites cater to the love demands of our own African-American daters available to choose from, no you could carry out a better job â simply see on your own!
Ebony Visitors Meet
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Social Clout: 33,083+ likes, 1,437+ fans
Dark Appreciate Forum
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At BlackLoveForum.com, they relish in assisting the genders correspond with both. Their Personal progress part is aimed at sharpening the video game and growing your brain. From Single lifestyle to Couplehood, your website offers insights and advice about fans any kind of time phase. Parts on “Brotha Talk” and “Sista Talk” include the entire range of relationship today, such as “The fables of a fantastic Relationship.”
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A Belle in Brooklyn
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A Belle in Brooklyn chronicles the life of a south lady transplanted to new york. Demetria L. Lucas brings the woman special “boutique life training solution” and pens a wildly amusing weekly dating line. This belle is actually fully plugged into social networking and Youtube, where her information films are available 24/7.
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Until I Have Hitched
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Checking out approaches for modern bachelors, Until I Get Married is actually half matchmaking web log, half social commentary by New York Post matchmaking reporter Jozen Cummings. Simple parts like “classes from Sleeping near to an Engaged lady” accept the untethered way of living with gusto. An archive of columns discusses many techniques from breakups to stupid situations dudes carry out.
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Bragging liberties: A globe-trotting viewpoint on online dating
Funky Brown Chick’s Twanna sets a touring spin on internet dating, having lived in New York City, London and Chicago. The woman sassy style is coordinated with innovative insight since previous instructor deals with topics of love and fidelity. FBC addresses intercourse, love, relationships and soccer â what exactly all near to Twanna’s heart. With a master’s in sociology, she is additionally amusing in 2 various dialects.
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Bragging Rights: A-sharp focus on the dating scene
GoddessIntellect.com includes routine podcasts and advised checking out for improving your own online dating expertise. Practical subjects you should not shy off the edgy, including ladies who desire their head of hair pulled and “tend to be child Mamas eligible for mom’s Day Gifts from dad?” Also, you have to take a look at the Pleasure axioms, that offer tips on spicing situations up with real results.
Social Clout: 1,889+ followers, 1,046+ likes
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Bragging Rights: The urban male calling credit
At SingleBlackMale, subjects tend to be covered through the male perspective but with a crisp and intellectual approach. Culled from an expanding listing of contributors, this site happens to be seen for the design also the ever-growing content. Current articles include “the main reason Exes keep coming back.” Unique guidance is offered both for committed lovers and free-flying bachelors.
Personal Clout: 6,503+ likes, 5,127+ followers
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ClassyBlackLady brings productive message boards for people to interact with several “sisters” exactly who bring their unique enchanting skills on dining table. Deal with your organization provides a black woman’s vantage point-on the office and all sorts of their difficulties. Receiving, declaring and bagging Mr. Appropriate is an art thoroughly regarded as through guidance, a wise practice and humor.
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This uber-extensive web site addresses the total gamut, from bachelor times to prepping being novice moms and dads. Life style, motivation and conflict administration are simply just certain part subjects, with an extraordinary lineup of members agreeable. Couple staff Ayize and Aiyana Ma’at founded the website, sharing their unique individual secrets to popularity of one’s heart.
Personal Clout: 3,100+ followers, 2,889+ likes
Bragging liberties: A no-holds-barred attack on internet dating
Max-Logic takes a distinctively direct method of sex and relationship. Each side of the relationship area is covered, from men’s bodily obsessions to women’s concealed sexual needs. Max-Logic gives an unadulterated method to obtaining intimate satisfaction and commitment nirvana. Standard series feature Ask Max, Dirty Friday and union Wouldn’ts.
Personal Clout: 369+ followers, 357+ likes
Featured picture origin: kaytrotter.com.
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One of the most annoying truths when cultivating presentable facial hair is realizing that whiskers never seem to grow evenly. Is there anything you can do to keep the beard and mustache in synch?
Genetics, race, age, and nutrition all contribute to facial hair growth. If your mustache grows faster – or more slowly – than your beard, don’t be concerned. Hair follicles do not always grow at the same rate, and some hairs may be in different growth stages. Proper grooming, without even trimming, can help growth appear more balanced.
Keep reading to learn more about why your facial hair may grow at different rates and how to balance out uneven beards and mustaches.
Does mustache hair grow faster than beard hair?
If you shave daily and favor a clean-shaven face, you’ve probably noticed that not all of your facial hair grows at the same rate. Is it your imagination or is it possible that your mustache actually grows faster than your beard?
It is possible that the hair follicles in your upper lip can grow faster or with more density than your chin and cheeks. It is also possible for the right side to grow faster than the left.
Or there could be a case where your chin churns out hair at a higher rate than your lip. This is the bane of many men trying to get good growth. Beards and mustaches do not necessarily grow at the same rate but do produce hair in predictable stages.
Why does my mustache grow slower than my beard?
Not a lot is fully understood about facial hair growth.
Genetics is the main contributor to the majority of facial hair. Age may also be a factor as full whisker maturity doesn’t hit until we are roughly in our 30s. Your mustache may also grow more slowly than your mustache because of a lower distribution of hair follicles in your upper lip by comparison to the rest of your face.
It is completely normal to have facial hair grow at different rates in different places. It could take several months to get the growth that you want and then you can shift your worry into maintenance.
When beard enthusiasts wax on about patience and perseverance with facial hair growth they are familiar with what is known as terminal length. You will see periods of rapid growth and periods of stalled growth. You may simply be experiencing a stalled stage. This is the time to eat well, rest, and hydrate to gear up for a well-nourished new growth phase.
Does trimming a mustache make it grow slower or faster?
You may have heard that trimming your mustache affects its growth, but there’s some contention as to whether it makes the hair grow slower or faster. Which is true?
Trick question – neither!
Trimming and shaving have nothing to do with stimulating growth. Hair follicles produce hair at different rates and will not be stimulated by shaving or trimming.
The myth has been busted and busted again by reputable researchers.
The origin of the myth is likely rooted in observation. Shave once at 15 and you may not need a razor again for a month. At 16, you may need a shave once every couple of weeks and even more regularly at 18. It would seem that the more you shave then the more it’s required. The truth is you are just actively observing your facial hair maturing with you.
In some circumstances, however, trimming and styling a mustache can make it appear more full. Combing can also give the impression that the hair is thicker. Keep in mind that it’s much easier to fix a bad brush stroke than it is to fix a trim that got a little too close.
Also while few products actually promote hair growth, several items, such as wax and oils, can help whiskers to retain moisture and provide a healthy Sheen.
Should a mustache be shorter than the beard?
When grooming your facial hair, should your mustache be shorter than the beard?
There is no right answer here unless you are striving for a particular look. Competition beards and mustaches fall into certain categories and each category has certain rules or requirements.
For most men, mustache length is simply a matter of preference. Some men trim their mustache to keep it out of their mouth. Others never trim and brush their mustache outward.
It is important to have a growth goal in mind and work towards it. If during the growth process you realize certain goals are not attainable then it’s perfectly acceptable to take inventory of your facial hair and redirect.
Should a mustache be thicker than a beard?
In many cases, a mustache may actually be much thicker and more pronounced than beard growth.
Some men, particularly those with Asian roots, may produce a mustache and a little beard. In most cases, it’s best to go with your genes. Focus on what is growing rather than what is not growing.
By roughly age 30 you will know for certain what your growth will look like. However, it may take several months for your complete beard and mustache growth to even out. While your mustache may be thicker or thinner today, it may be even in a month.
Also, take note of any facial hair that is suspiciously lacking growth or losing hair at an alarming rate. Sure, sometimes growth is slow and patchy but sudden or extreme hair loss could be a sign of Alopecia Barbae, an autoimmune disorder that targets hair. If there is significant loss, consult a medical professional for examination and treatment.
Tips for fixing a mustache that grows faster or slower than the rest of your beard
The main thing to remember when growing out facial hair is to have patience. Follicles produce hair at a different rate and you could be sabotaging a really good beard by trimming too early.
A good facial hair growth goal is a lot like weight loss. You can’t do much to speed the process but you can support it with proper diet and hydration. It also helps to have a goal in mind. Even if you don’t plan on entering a beard or mustache competition you can take some championship tips to heart.
The following are steps you can take to help your mustache if it is growing at a different rate than your beard:
- Beard oil/mustache wax
Facial hair grows in a particular direction. This is sometimes referred to as a grain map. The grain map is helpful in knowing how to shave with the grain of your beard.
Combing or brushing whiskers into a uniform direction is helpful in making the growth appear more even and neat. Shorter growth responds best to combing downward. This helps to train your mustache.
If your mustache is a bit longer you can try combing outward. Starting at the septum, or middle of your nose, comb each side towards the closest ear. This is much like parting your hair down the middle and will give a mustache a more distinguished look while helping to keep it out of the mouth.
Keeping your beard a mustache clean and hydrated is crucial to the health of the individual hairs. Using a quality beard wash nourishes hair to keep it looking more full.
Make a habit of combing your whiskers immediately after a shower. This is the time when the hair is soft and more pliable.
Some product may be necessary to hold the hair in position throughout the day but over time beards and mustaches will be conditioned to grow towards a certain style.
Beard oil/mustache wax
Sometimes hair growth refuses to be tamed, especially young growth that doesn’t have hair to bend because of its own weight.
Beard oil helps to hydrate and soften whiskers so that they will respond well to combing, but some mustaches may require a more substantial hold.
Beard oils and butters often do not provide much in the way of hold. Mustache wax is designed to keep hair in a particular place. Think of it as hair gel for your face.
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For many years men have been shaving with cold and hot water, and it has created a debate over which option is best for shaving. Shaving with hot or cold water both have benefits and drawdowns, but which is truly the best option and how should you incorporate it into your shaving routine?
The best temperature of water for your shave is dependent on your skin and beard hair. Shaving with hot water is best for men with straight facial hair who do not have sensitive skin. Cold water will be better for those with curlier facial hair or sensitive skin prone to razor bumps and razor burn.
Keep reading to find out if you should be using hot or cold water for your shave preparation, lather, and rinse. We’ll also address whether hot or cold water is better for preventing razor bumps or burns.
Is it better to shave with hot or cold water?
Both options of hot or cold-water shaving have benefits and drawbacks, but the best way to find out which is best for you is to experiment with your own skin. Men have been shaving both ways for hundreds of years, and both ways produce great results.
Shaving with hot water produces a smooth and comfortable shaving experience, but can cause more irritation to the skin resulting in razor burn and bumps. Shaving with cold water can be uncomfortable, but produces less irritation and is better for sensitive skin.
Men during World War II had to shave their faces no matter the situation because it is a requirement in the military. Many times all they had was a bucket, a razor, and some snow, and they were still able to achieve a military-standard shave.
Most men will tell you that they prefer shaving with hot water, but during the summer they prefer using cold water. It all comes down to personal preference and what works for you. If you have sensitive skin prone to irritation, then I would suggest trying cold water shaving.
Skin preparation – is hot or cold water better?
Using hot water before shaving opens your pores and helps hairs stand up.
Overall, prepping your face with cold water can make shaving a smoother and more comfortable process. Shaving after you take a hot shower is best as the steam and heat help to open your pores and keep your skin moisturized.
While hot water sounds great, some may find that cold water is better for shaving their face especially if they have sensitive skin. Hot water makes the beard hairs soft and limp, which can sometimes make the razor slip over them, only partly cut them, or even pull at the roots causing more irritation. Cold water, however, makes the hairs stiff which means they are easier to cut and can give you a better shave.
Lather – is hot or cold water better?
Whether you are using hot or cold water, you can still work up a great lather while getting the shaving cream deep enough into the hairs for a smooth shave.
If you are using a shaving brush with cold water to help lather and distribute your shaving cream or soap, you’ll find that the brush hairs will feel stiffer and possibly not as comfortable as hot water.
The closeness of shave – is hot or cold water better?
Hot water results in soft hairs while cold water results in stiff beard hairs.
The softening of hairs from hot water causes them to bend as the blade cuts, which can cut them unevenly. Stiff hairs from cold water stand upright, allowing an even plane for the blade to glide across and this can give a closer shave.
This is one of the reasons why it may be better to shave with cold water if you’re someone who has sensitive skin which reacts negatively (irritation and bumps) after shaving with hot water.
Most men who shave with cold water will tell you that because of this, cold water overall gives a closer and better shave. Whether that is true for you can only be revealed through your own experimentation.
Razor bumps – is hot or cold water better?
As stated in the last section, cold water makes your hairs stand stiff and upright.
Cold water prevents them from being tugged, pulled, or cut incorrectly which is what causes razor bumps in the first place. Therefore, shaving with cold water is a great option for someone who experiences razor bumps after shaving with hot water.
It’s important to keep in mind that bumps can result from several factors. The most important step to take before shaving is making sure your face is adequately moisturized with water and the shaving cream is lathered on well.
Razor burn – is hot or cold water better?
Cold water is better for people who are prone to razor burn.
Since the beard hairs are stiffer and easier to cut, this produces less tug on the skin. The razor cuts the hair easily and requires fewer passes over the skin.
Shaving with cold water will help you to avoid irritation, razor burn, and razor bumps. If you have sensitive skin, then you may want to give cold water shaving a try!
Total shave time – is hot or cold water better?
One of the great things about shaving with cold water is that it saves time.
You may have a water stream that takes a while to heat up, so on a day where every second counts, cold water shaving will help you get out of the door faster.
The razor will also require fewer passes over the face while shaving with cold water which can make the process faster. The overall shaving time is always faster when using cold water.
Should you rinse with hot or cold water after shaving?
The best way to determine if you should rinse your face with hot or cold water is best for you is to experiment. Rinsing with hot or cold water will both get the job done, but there are some benefits and drawdowns to each option.
Generally, you should rinse your face with warm water to clean off the remaining lather and hairs. Follow up with a few cold-water splashes to help calm and soothe the skin.
Most men like to end their shave off with a cold-water splash, towel dry, and be done. The cold water helps to constrict open pores and stop any bleeding that is caused by minor nicks.
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Introduction – Can a child earn money from YouTube?
With over two billion active monthly users, YouTube has become a go-to platform for people around the world who want to watch videos on everything from cooking and gardening to gaming and beauty.
YouTube is also a great way for people to earn money by creating and sharing their own videos.
So, can children earn money from YouTube?
The short answer is yes.
If you’re a parent with a child who is interested in making money from YouTube, here’s what you need to know.
How Does YouTube Pay?
YouTube pays its content creators through advertising revenue.
This means that when someone watches a video on YouTube, they may see ads before, during, or after the video.
Some of these ads are skippable, while others are not.
When someone watches an ad on YouTube, the content creator earns a small amount of money.
The amount of money that a content creator earns depends on a number of factors, including:
– How many people watch the video
– Whether or not people skip the ads
– The country where the viewers are located
– The type of ad that is shown
For example, if 1,000 people from the United States watch a video with pre-roll ads that are not skipped, the content creator would earn about $2-$4.
It’s important to note that in order for content creators to start earning money from advertising, they must first reach 4,000 hours of watch time on their channel within the past 12 months and have at least 1,000 subscribers.
Once these thresholds have been met, content creators can apply to join the YouTube Partner Program (YPP).
Once they are accepted into the YPP, they will start seeing ads on their videos and earning money based on those ads.
Are there any dangers?
While there is certainly potential for children to make money from YouTube, there are also some dangers that parents should be aware of.
First and foremost among these is online predators. Because YouTube requires children to be 13 years or older to create an account, many younger children lie about their age in order to make videos.
This puts them at risk of being contacted by predators who could exploit them both online and in real life.
Beyond these risks, there is also the potential for cyberbullying and identity theft.
That’s why it’s crucial that parents track their children’s activity on YouTube as well as other social media platforms.
What do parents need to know about their children making money from YouTube?
As a parent, it’s important to be aware of the risks associated with your child making money from YouTube.
Beyond the dangers of online predators, cyberbullying, and identity theft, there are also logistical concerns to consider.
For one, children who make money from YouTube are often required to reach certain thresholds before they can start earning money from ads.
This means that your child may need to dedicate a significant amount of time and energy to creating videos in order to start earning a profit.
Additionally, you’ll need to be mindful of how much time your child is spending on their YouTube channel.
If they’re not meeting the 4,000-hour watch time requirement or have less than 1,000 subscribers, they’re not making money from ads.
However, that doesn’t mean they can’t still make money from their videos.
There are a number of other ways for children to make money from YouTube, such as through sponsorships and merchandising.
As a parent, it’s important to be aware of these opportunities and help your child navigate them in a safe and responsible way.
While there is potential for children to make money from creating videos on YouTube, there are also some dangers associated with this activity.
Parents should closely monitor their children’s activity on YouTube and other social media platforms in order to protect them from online predators, cyberbullying, and identity theft.
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Happy Monday, everyone!
We made it to Issue #136! Thank you to everyone who read last week’s issue ❤️
Deep Dish Swift is a brand new conference being held in Chicago April 30th to May 2nd in 2023. The conference aims to bring togethe Swift and iOS developers of all experience levels and backgrounds in an inclusive environment to share knowledge and experience from a diverse set of speakers. The first day is focused on indie development and and the next two are focused on Swift and iOS!
Today’s Spotlighted Indie Devs
📆 Today I’m featuring Naftali Antebi.
👉 Please make sure to follow them or support them anyway you can! 😇 I’m excited to share their indie dev stories.
1) What is your name? Where do you live?
My name is Naftali Antebi and I live in NJ
2) Introduce yourself. Education? Background? Main job? Interests outside of tech? Interests inside of tech?
I grew up in a small town in New Jersey, but I’ve always been fascinated by technology and computers. I don’t have any formal education beyond high school. My main job is tutoring high schoolers, I also have a contract iOS dev job (6-8 hours a week). Outside of work, I love spending time with my family and doing Graphic Design. I also enjoy beta testing apps and trying out new technology. Other than technology-related things I don’t really have any hobbies (I’m a nerd like that).
3) Have you ever considered yourself an indie developer?
To be honest until about June 2022 I didn’t know what an indie dev was, now that I know, I’d say I’m working towards it.
4) What got you started/interested in creating your own applications outside of your “normal” job?
I love designing things and I started redesigning an app in Adobe XD, but after I was done a few screens I said to myself what’s the point if I can’t do anything with the design other than hire a developer (which I was too cheap to even think about it) so I started learning SwiftUI
5) How do you balance your time between friends/family, work, hobbies, and indie dev?
Family first. Work is work and needs to get done to pay the bills. Friends? What’s that 🙈 ? but in all honesty I don’t see my friends that often there’s just not enough time in the day. My hobby which is iOS development is at night when my wife and kids are sleeping
6) Libraried -This is such a fantastic reference tool! I forget all the components that SwiftUI offers and their customizations. This feels like a a must have for all SwiftUI developers? When did you start working on this? What were your initial goals?
Actually I had gotten an iPad mini as a gift and I started learning Swift right when Apple released Swift Playgrounds 4 for the iPad that allowed making apps on it (since I only owned a 2015 MacBook Pro that couldn’t download Xcode cause there wasn’t enough free space). I was doing a lot of UI designs in SwiftUI, and then I decided to redesign an app that I used fairly often but that app design was stuck in iOS 2. So I redesigned the entire app and sent a sample to the owner, I never heard back from them, so I decided I’d compete. I built the entire app over July and August and tried submitting to the AppStore but it got rejected 4 times (even after appealing), also dealing with the backend for that app was a pain so i dropped that app. I then decided I needed to have an app on the AppStore and since I’m always reading documentation on my phone I was wondering why there wasn’t any good resources for SwiftUI in an app, so I decided to build Libraried. I started September 1 2022 and released it on Sep 25 2022
7) Libraried - Being able to see all the components and toggle different configurations is so helpful! I’m so bad at reading documentation so having an interactive piece of documentation like this is great. Were some components harder to put in the app than others? How do you make sure you stay up-to-date with any new APIs that become available?
Yes some components I had to use hacks to get them to change based on the user selection. For example Picker has a few different styles but each one is its own style so I couldn’t just use
@State var of type
How I keep up to date is whenever Apple releases a new version of Swift Playgrounds I look to see what’s new.
8) Libraried - I had no idea about the Timeline View component 🤯 I need to find a way to use this as one of my apps. Are there any components or configurations that you’ve come across that have surprised you? Are there any that you now use differently?
Yes I had no idea Buttons had the
controlSize modifier. I learned that a
LazyVStack has an option for pinned headers, and the few times that I’ve needed it, it was a game changer.
9) Libraried - What’s been one of the hardest parts of building and releasing an app? What’s been the most fun?
I wouldn’t say there were hard parts, just some things that I didn’t understand right away. Building it was fun, mainly bringing SwiftUI to life!
10) Libraried - What’s next?! Do you have any future features that you can share with us?
I first need to figure out what section will be next, but for now I’m putting it on hold as I’m working on another app 👀
11) What’s been the hardest part of being an indie dev? What’s the most fun part of being an indie dev?
The learning is hard, especially reading the documentation from Apple. At one point I was looking for a tutorial on how to read Apple’s docs 😂 Now though (I think) I can read them.
12) Is there anything else you’d like to tell the indie dev community about you?
I don’t think so, if anyone has any questions feel free to reach out.
13) Do you have any other indie devs that readers should follow / lookout for?
I need to give a shout out to Devin Davies, when I first saw Crouton in 2019, I decided that I need to make an app that’s just as aesthetically pleasing. Another inspiration is Andrew Zheng what he has built is mind blowing. Recently I came across another app that blew my mind and it actually won the Swift Student Challenge, it’s Assembler from Lena.
Newly Released and Updated Indie Apps
Here are some newly released and newly updated apps from this past week! If you would like to possibly see your app in this list, please submit your app to the look at me form 👀
Thank you to everybody who made it to this footer! You either spent the time to read or took the effort to scroll 😊
Make sure to visit https://indiedevmonday.com/subscribe to get an email of future issues!
And go to Twitter and give @IndieDevMonday a follow… or multiple follows if you manage more than one Twitter account 😜
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Glove Rings Accessory
Reduce suit up time while increasing wrist and hand mobility with the Glove Rings® accessory! Made from a strong, flexible plastic they provide a firm surface for taping that makes a better and more consistent seal. Perfect for rain gear, hydro-blasting, industrial cleaning, hazmat, asbestos abatement and much more!
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EXAIR’s New Catalog 33 Features new Safety Air Guns, Static Eliminators, Atomizing Nozzles and Industrial Vacuums
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inferno phil is a small batch specialty sauce project started 5 years ago. With 15 years of experience in fashion and over 25 years of experience in the service industry, and an extreme love for hot peppers and sauces, inferno phil was created. Encouraged by friends and family, the first sauce premiered in 2015 called KISS KISS BANG BANG. Combining a lifetime of knowledge in these industries, the creation of the ICE-PRON was born. With Style and a unique sensibility, The ICE-PRON has everything one truly needs to look great and stay cool.
- Detachable neck cooling system w/ 1 cooling unit
- 9.3 oz (265 g) distressed 100% cotton twill
- Contrasting rivets, grommets, and double stitching for performance and style
- Utility pockets engineered for thermometer, cell phone, earbuds, and other essential equipment.
- Applications for this apron include grilling, gardening, pottery, painting, and much more.
- Water, stain, and dust resistant
- Pigment dyed, enzyme washed
- One size fits many. (M-4XL)
- Color Moss Brown.
inferno phil's fabrics, colors, and trimmings are inspired by the natural elements and minerals of the planet Earth.
This is dedicated to all my believers, partners, Friends and Family. Who without hesitation not only encouraged me to follow my dream, but also assisted me through their own expertise. You know who you are. I love you.
Mom - Cannot say enough
The Big Guy - All the years of tutelage
Mums Bar - Federal Hill, MD
Treuth Butchers - Oella, MD
Devchanics - Webmaster
Dave B. - Photography
Dundalk Bob (aka Hoot)
Carlton's Mens and Womens Wear - Rehoboth Beach, DE
D.D.D. - You have always believed
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By: Caitlin Dimalanta | September 28, 2022
As October swiftly approaches, so does the need to adapt to the change that is in the air…literally! With the autumn chill in the atmosphere and cold and flu season lingering around the corner, it is important to keep our health and the health of our buildings a top priority. Acclimating to the changing of the seasons can pose a real challenge for any facility manager, but with these tips to improve indoor air quality, we are here to help make the transition as smooth as possible.
October is nationally recognized as Healthy Lung Month, which is a great reminder of one of the best things a facility manager can clean and maintain—the air we breathe. Throughout this blog, we will be going over why air purification is integral to building maintenance and how you and your facility maintenance team can achieve cleaner air.
The Need for Clean Air
Bad indoor air quality is caused by multiple factors and is heightened during the fall season. Decreased airflow due to the shutting of doors and windows to keep spaces warm, autumn pollen allergens such as ragweed and fungus spores, along with increased airborne bacteria and germs are among the many seasonal air pollutants that contribute to unhealthy air.
Our partners at Fellowes® report that “In the USA, poor air quality results in $150 billion of illness-related costs per year. Of that, $93 billion represents lost productivity from headaches, fatigue, and irritation associated with sick building syndrome.”
Per the CDC, sick days result in productivity losses that cost U.S. employers $1,685 per employee per year or $225.8 billion annually.
In addition to how costly bad air quality is for your business, school, or any indoor space, it also has a huge impact on the health of your students, teachers, customers, and employees. The past few years have underscored the need of putting both our own health and the health of our communities first. You and your facility maintenance team can do so by cleaning the air we all share.
How to Clean Indoor Air
Cleaning the indoor air of an entire school campus or commercial building can sound like a daunting task. However, there are simple yet proactive steps you can take to maintain good IAQ (indoor air quality).
For instance, highly trafficked areas such as carpets trap air pollutants. Vacuuming excess trapped dirt and soil reduces the number of pollutants that can be kicked up into the air.
Also, through your everyday purchases, you can easily boost your IAQ. Choose low emitting products that have been third-party certified and labeled by reputable organizations such as GREEENGUARD, UL ECOLOGO , Green Seal , and the South Coast Air Quality Management District Clean Air Choices – Cleaner Certification. Be sure to quality check manufacturer claims of “no VOC,” “natural” or “alternative.”
Last but not least, consider incorporating a commercial-grade air purifier into your workspace, learning environment, or any indoor area. Fellowes® AeraMax Professional air purifiers utilize a comprehensive hospital-like four-stage filtration system that traps odors, bacteria, germs, and other harmful pollutants like volatile organic compounds, providing cleaned, fresh air. Their powerful filtration system can remove up to 99.7% of airborne pollutants.
Integrating your facility maintenance plan with one of these workhorse machines can take on a lot of the labor associated with cleaning the air off of your and your team's shoulders. Thus, making it easier to tackle other facility projects and focus on making a healthier and safer environment for your building occupants.
WAXIE is committed to helping our customers keep their facilities cleaner, healthier, greener, and safer. That means creating customized cleaning solutions to meet your specific needs, and then providing the ongoing training and support to help you achieve a cleaner and healthier building environment with improved indoor air quality.
Please contact your WAXIE Account Consultant today to schedule a consultation.
Caitlin Dimalanta is WAXIE’s eCommerce Specialist. She enjoys researching and implementing various SEO (search engine optimization) strategies to enhance WAXIE’s eCommerce platform Web@Work. Caitlin has a Bachelor's Degree in Marketing from San Diego State University.
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Squadzip, a mobile-first software-as-a-service (SaaS) platform for productivity and collaboration that applies the ease of use and familiarity of popular social media platforms to a sales and project management context, received an undisclosed amount of funding from corporate venture capital firm Kickstart Ventures and Silicon Valley-based seed-stage investor and innovation platform Plug and Play Tech Center.
Squadzip is the first co-investment between Kickstart Ventures and Plug and Play Tech Center. This also marks the first investment of Plug and Play Tech Center in the Philippines.
Squadzip was inspired by CEO and co-founder Roman Mercado’s own frustrations in using productivity solutions while he was working in enterprise sales for medical, banking, and digital media industries.
In his corporate life, Mercado saw many corporations sink huge amounts of money into enterprise solutions, the implementation of which meant high upfront fees, hardware cost, complex user trainings, and time delays. These solutions ranged from the free to typically expensive legacy enterprise platforms. The situation prompted Mercado to tap colleague and now CTO and co-founder Joaquin Barandino to help build Squadzip, a productivity tool for businesses that allows teams to communicate in real-time and share data without having to endure lengthy forms.
“For our enterprise customers, Squadzip is like their own private company social media platform and wiki. Activities are posted in real time on a live feed which are time- and location-stamped, while business intelligence is captured from each post to be classified and organized easily and in real time into Intel Pages. Also, sales teams involved in specific deals can collaborate and access data from anywhere in the world,” said Mercado.
Mercado and Barandino capitalized on the Filipinos’ proclivity for social media apps in a bid to ensure easy adoption by those assigned to use Squadzip. Instead the traditional task- and form-based paradigm commonly seen in other solutions, they created a hashtagging system called “ziptags” based on natural reporting behavior which allows users to quickly categorize, search, and retrieve data on customer histories, competitors, and service issues as well as added powerful geolocation and timestamp features that allow businesses to know what is going on and where it is happening.
Mercado further shared: “We make it a point to work closely with each client to make sure we remain responsive to actual needs and pain points they go through in their day-to-day operations. Our customers today use Squadzip to locate, monitor, and track sales teams remotely; capture and organize valuable customer data, service issues, and leads seamlessly; and analyze sales funnels, monitor ongoing projects, and track performance. ”
Since July 2014 when Squadzip was adopted by their first paying enterprise client, it is now in smartphones carried by teams traveling to different parts of the world. Squadzip is being applied in various use cases including sales, customer relationship management, and project management.
Enrique Miguel Valles, Mida Food Distributors president and chief operating officer, is an early user of Squadzip. His company signed up after experiencing unending difficulties in monitoring frontline itineraries resulting to lost opportunities and unanswered leads.
“Squadzip helped us implement a quicker response time: rapid deployment of sales reps as soon as needed by clients, better inter-department communication, and a more strategic approach to itinerary planning, all of these resulting to a record-breaking 2nd half of 2014,” Valles stated. Their use of Squadzip resulted to a year-on-year top line sales increase by 20%.
Another enterprise client, Apo Floors, a local manufacturer of vinyl and luxury resilient flooring, is on its 2nd year using Squadzip. Their vice-president and general manager Alfredo Mamonong shared that Squadzip allows them to save information on customers, companies, competitors, products, opportunities, and projects in real-time which become helpful references for decision-making.
Squadzip is, likewise, a perfect fit for companies with teams working in different parts of the country. Maria Ceres Reano, Broadchem Pharmaceuticals head of product research and development, is able to work with her mobile teams while out in the field dealing with agricultural corporations and farms.
“Using Squadzip has allowed Broadchem to remotely monitor and review activities of our territory managers and the status of their on-going promotions and projects,” said Reano.
Kickstart Ventures, Plug and Play Tech Center co-invest
In just 18 months since they started, Squadzip has already gained a portfolio of enterprise users across multiple industries. The funding from Kickstart Ventures and Plug and Play will enable the founders to further improve their product and scale distribution here and abroad.
“CRM remains to be an interesting space for Plug and Play. Particularly those with very creative solutions in enhancing the user experience and interphase, like Squadzip. Its approach to ease of use and intuitive tagging of information I believe is key to its success. Squadzip is the first investment of Plug and Play in the Philippines so we’re excited to work with Roman and his team and we hope to accelerate Squadzip’s potential globalization, possibly to become the next Salesforce or Sugar,” said Jojo Flores, Co-Founder and Vice-President. Plug and Play engages over 300 corporations in Silicon Valley.
Minette Navarrete, president of Kickstart Ventures, a wholly-owned venture capital subsidiary of Globe Telecom also welcomed the addition of Squadzip in their investment portfolio. “Squadzip is an enterprise solution designed to be frontline-focused, and architected to be enterprise-grade. Frontliners and head office management share the goal of growing their business, delivering great quality service to customers, and sharing information in real-time, frequently over multiple locations,” she said.
She added: “Squadzip’s intuitive user interface makes it easy for distributed teams to collaborate and report information; and the back-end keeps it simple for management to make good decisions and communicate these quickly. This balance makes Squadzip a powerful tool in business development in today’s fast-paced environment.”
With the funding we’ve received from Kickstart and Plug and Play, Mercado expressed confidence that they are in an even better position to help more businesses serve their customers better and faster while saving them time and money.
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DuPont Cyrel offers a broad range of flexographic solutions that optimize the quality, productivity and sustainability of printers/converters and tradeshops.
Corrugated Display & Packaging
Plate & Sleeve Mounting Equipment
Cyrel Lightning. The Cyrel Lightning plate family is optimized for UV LED exposure systems, delivering optimized match between access time and plate performance while not compromising the print quality.
For more than 60 years, FTA has been enabling flexographers to grow their skills, connect with likeminded individuals, expand their reachable market and drive flexography to package printing dominance.
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In a judgment handed down yesterday, Mrs Justice Sharp awarded management consultant Andrew Miller libel damages of £65,000 against the Daily Mail over an allegation that there reasonable grounds to suspect that he was a willing beneficiary of improper conduct and cronyism ( EWHC 3721 (QB)). The judgment was given nearly 7 months after the conclusion of the 5 day trial on 25 May 2012.
The case arose out of the publication of a front page “Daily Mail” article entitled “Met Boss in new ‘cash for friend’ storm”. The article was published on 2 October 2008 – the day Sir Ian Blair resigned after three and a half years as Metropolitan Police Commissioner. It concerned the award of Metropolitan Police contracts to Mr Miller’s company and began:
“Sir Ian Blair used public money to pay a close friend a five-figure sum to sharpen his image, it emerged last night.
The beleaguered Scotland Yard chief employed Andy Miller to advise him on how to ‘make the transition’ when he took over as Britain’s top officer three years ago“.
In a judgment in November 2011 ( EWHC 2677 (QB)), Mr Justice Tugendhat held that the words complained of meant that
“there were (at the date of publication) reasonable grounds to suspect that Mr Miller was a willing beneficiary of improper conduct and cronyism because of his friendship with Sir Ian Blair in respect of the award of a number of Metropolitan Police Service contracts to Mr Miller’s company worth millions of pounds of public money, and that that is a meaning defamatory of Mr Miller”.
Associated Newspapers contended that this allegation was substantially true and that the action was an abuse of process.
Mrs Justice Sharp held that the defendant had failed to establish the defence of justification . The Judge criticised the defendant for calling no witnesses, instead relying on ‘highly selective extracts‘ from documents amounting to ‘multiple hearsay‘. She said:
‘It seems to me that selective snippets of hearsay from individuals who have not been called, particularly when it has been “cherry picked” from material which casts it in a different light, provides an obviously unsatisfactory evidential basis upon which to invite a court to find facts and/or draw adverse inference.’
The Judge found that Mr Miller’s company had been awarded the relevant work by the Metropolitan police
‘because it was the better candidate and won the tender on the merits … There is no evidence, or none that satisfies me, that Sir Ian Blair played any part in the initial sift, or indeed in the ultimate selection of Impact Plus … The evidence is that Impact Plus was appropriately paid for the work it did, and that it did a good and valuable job‘.
The Judge also rejected the defendant’s contention that the action was an abuse of the process.
She held that the charge made in the article was serious and it was very prominently published to many millions of people. She concluded
“I am in no doubt that Mr Miller had suffered considerably as a result of its publication; and was very distressed and hurt by it. There was substantial aggravation in my view. This is also a case where a significant award is required to vindicate Mr Miller’s good name, “in case the libel, driven underground emerges from its lurking place at some future date” and so “he can point to a sum sufficient to convince a bystander of the baselessness of the charge”.
As a result, she awarded general and aggravated damages in the sum of £65,000.
Lord Blair said:
“I am pleased by this judgment. The allegations of impropriety involving Mr Miller’s friendship with me were always without any foundation.”
This is the fourth award of damages made after a full libel trial in 2012 and the second against Associated Newspapers.
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They released five albums together and have won numerous awards, including three Brit Awards and two American Music Awards
In 2015, Malik announced that he was leaving One Direction to pursue a solo career.
His debut solo single, "Pillowtalk", was released in 2016 and became a global hit, reaching number one in several countries
Her music has an R&B and pop sound and often explores themes of love and heartbreak
Malik has been involved in several high-profile relationships, including with model Gigi Hadid and singer Perrie Edwards
In addition to his music career, Malik has also appeared in film and television
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Hey there! Have you ever wondered about the truth behind phototherapy? Well, in the article titled “Phototherapy: Myths and Facts Unveiled,” we’re going to dive right into it.
In this article, you’ll get all the information you need to separate fact from fiction when it comes to phototherapy. We’ll explore common misconceptions and debunk some myths surrounding this popular treatment. Whether you’re considering phototherapy for yourself or just curious about its benefits, this article will provide you with a comprehensive understanding of what it is, how it works, and its potential risks and benefits. So, stay tuned to learn more about the truth behind phototherapy!
What is Phototherapy?
Phototherapy is a medical treatment that involves the use of light to heal and improve various conditions in the body. It has been used for centuries in different forms and has evolved to become a widely accepted treatment option. In this article, we will explore the definition of phototherapy, its history, benefits, common myths, and facts surrounding this form of therapy.
Definition of Phototherapy
Phototherapy, also known as light therapy, is a non-invasive treatment that uses specific wavelengths of light to stimulate various biological processes in the body. The two most common types of light used in phototherapy are ultraviolet B (UVB) and ultraviolet A (UVA). UVB light has shorter wavelengths and is primarily used for treating skin conditions, while UVA light has longer wavelengths and is often used in combination with a photosensitizing drug for certain conditions like psoriasis.
Common Forms of Phototherapy
There are several common forms of phototherapy that are used depending on the specific condition being treated. UVB phototherapy involves exposure to UVB light for a specified duration and frequency. PUVA therapy is a combination treatment that uses a photosensitizing drug called psoralen, which is taken either orally or applied topically, followed by exposure to UVA light. Narrowband UVB therapy is a more focused form of UVB treatment that uses a narrower spectrum of wavelengths, which may be more effective for certain conditions.
The History of Phototherapy
Early uses of light therapy
The use of light therapy for therapeutic purposes can be traced back to ancient civilizations. Ancient Egyptians, for example, used sunlight to treat various skin conditions and recognized the healing properties of sunlight. In the early 20th century, Niels Ryberg Finsen, a Danish physician, conducted extensive research on the effects of light on the skin and developed a device known as the Finsen lamp. This lamp emitted UVB light and was used to successfully treat conditions like lupus vulgaris.
Development of modern Phototherapy techniques
Over the years, advancements in technology and scientific research have led to the development of more precise and targeted forms of phototherapy. In the 1970s, narrowband UVB therapy was introduced as a more effective and safer alternative to broad-spectrum UVB therapy. The development of UVA light therapy combined with the photosensitizing drug psoralen resulted in the creation of PUVA therapy, which became a popular treatment option for various skin conditions.
Benefits of Phototherapy
Treatment of skin conditions
One of the most well-known benefits of phototherapy is its effectiveness in treating various skin conditions. UVB phototherapy has been proven to be highly effective in managing conditions such as psoriasis, eczema, vitiligo, and atopic dermatitis. The targeted exposure to UVB light helps to slow down the excessive growth of skin cells, reduce inflammation, and improve overall skin health.
Management of mood disorders
In addition to its dermatological benefits, phototherapy has also shown promising results in the management of mood disorders such as seasonal affective disorder (SAD), depression, and sleep disorders. SAD, in particular, is a type of depression that occurs during specific seasons, typically the winter months, due to reduced exposure to natural sunlight. Phototherapy, especially using bright light therapy, has been found to help alleviate the symptoms of SAD by regulating circadian rhythms and increasing serotonin production.
Enhancement of vitamin D levels
Sunlight is essential for the synthesis of vitamin D in the body. Vitamin D plays a crucial role in maintaining healthy bones, teeth, and overall immune function. However, many people, especially those living in regions with limited sunlight or those who have certain medical conditions, may have low levels of vitamin D. Phototherapy can help increase vitamin D levels by providing controlled exposure to UVB light, therefore promoting better overall health.
Common Myths about Phototherapy
Phototherapy is unsafe
One of the common myths surrounding phototherapy is that it is unsafe and can lead to harmful side effects. While it is true that excessive or uncontrolled exposure to UV light can have adverse effects, phototherapy is conducted under the supervision of healthcare professionals who monitor the dosage and duration of treatment to ensure safety. Additionally, modern phototherapy devices have built-in safety measures, such as timers and dosage control, to minimize the risk of overexposure.
Phototherapy causes skin cancer
Another prevalent myth is that phototherapy increases the risk of skin cancer. While prolonged exposure to sunlight and certain forms of UV radiation can contribute to the development of skin cancer, the controlled and monitored exposure to UV light during phototherapy does not pose a significant risk. Numerous studies have shown that the risk of skin cancer due to phototherapy is minimal, especially when proper safety measures are followed.
Facts about Phototherapy
Effectiveness of Phototherapy
Research has consistently shown the effectiveness of phototherapy in treating various skin conditions. UVB phototherapy, in particular, has been proven to be highly successful in reducing symptoms and improving the quality of life for patients with psoriasis, eczema, and other related conditions. PUVA therapy has also shown positive results in managing psoriasis, vitiligo, and certain types of skin lymphomas.
Safety measures in Phototherapy
To ensure the safety of patients undergoing phototherapy, healthcare professionals follow strict protocols and guidelines. They carefully determine the appropriate dosage and frequency of treatments based on the individual’s skin type, condition, and medical history. Regular monitoring and evaluation are conducted to assess the patient’s response to treatment and adjust accordingly. Protective measures, such as shielding sensitive areas and using appropriate eyewear, are in place to minimize any potential risks.
Low risk of skin cancer
Contrary to the myth that phototherapy increases the risk of skin cancer, studies have shown that the risk is minimal, especially when safety guidelines are followed. The risk of developing skin cancer from a controlled course of phototherapy is significantly lower than the risk associated with untreated skin conditions. Furthermore, dermatologists and healthcare professionals closely monitor patients during and after treatment to promptly address any concerns or potential risks.
Different Types of Phototherapy
UVB phototherapy involves the use of specific wavelengths of UVB light to treat various skin conditions. It is administered in a controlled environment, either through a phototherapy booth or a handheld device, and the duration and frequency of treatments depend on the individual’s condition and response to therapy. UVB phototherapy is considered safe and highly effective for conditions such as psoriasis, eczema, and vitiligo.
PUVA therapy combines the use of a photosensitizing drug called psoralen and exposure to UVA light. Psoralen can be taken orally or applied topically, depending on the specific condition being treated. Once the psoralen is absorbed or applied to the skin, the affected areas are exposed to UVA light. This combination therapy has been shown to be effective in managing certain types of psoriasis, vitiligo, and cutaneous T-cell lymphoma.
Narrowband UVB Therapy
Narrowband UVB therapy is a more focused form of UVB phototherapy that uses a narrower spectrum of wavelengths. This targeted approach has been found to be more effective in treating various skin conditions, especially psoriasis and eczema. Narrowband UVB light has a higher therapeutic ratio, meaning it delivers the most effective treatment while minimizing unnecessary exposure to UV radiation.
Who can Benefit from Phototherapy?
Patients with psoriasis
Psoriasis is a chronic autoimmune condition that affects the skin and can cause red, itchy, and scaly patches to appear on the body. Phototherapy, particularly UVB and PUVA therapy, has shown significant improvement in reducing psoriasis symptoms, such as scaling, inflammation, and thickness of the skin. It can help manage flare-ups and induce remission for extended periods, improving the overall quality of life for patients.
Individuals with eczema
Eczema, also known as atopic dermatitis, is a chronic inflammatory skin condition characterized by itchy and inflamed patches. Phototherapy, especially UVB and narrowband UVB therapy, has demonstrated positive results in reducing eczema symptoms and providing relief to sufferers. It helps to soothe irritated skin, reduce inflammation, and alleviate itching, leading to improved skin health and better quality of life.
People with seasonal affective disorder (SAD)
Seasonal affective disorder, commonly known as SAD, is a type of depression that occurs seasonally, usually during the winter months when exposure to natural sunlight is limited. Phototherapy, particularly bright light therapy, has been proven to be effective in managing the symptoms of SAD by regulating circadian rhythms and increasing serotonin production. Regular exposure to bright light can help uplift mood, increase energy levels, and alleviate depressive symptoms.
Preparing for Phototherapy Treatment
Consultation with a healthcare professional
Before starting phototherapy treatment, it is important to consult with a healthcare professional, preferably a dermatologist or a medical specialist experienced in phototherapy. They will assess your condition, review your medical history, and determine the most suitable form of phototherapy for your specific needs. They will also inform you about the potential risks and benefits, discuss any precautions or contraindications, and answer any questions or concerns you may have.
Protecting sensitive areas of the body
During phototherapy treatment, it is crucial to protect sensitive areas of the body, such as the eyes, genitals, and breasts. These areas are more susceptible to the harmful effects of UV radiation and require special care. Healthcare professionals will provide appropriate guidelines and measures, such as using eye protection, covering nipples with protective shields, and using sunscreen on unaffected areas.
Avoiding certain medications and substances
Some medications and substances can increase the skin’s sensitivity to light and may interfere with the effectiveness of phototherapy. It is important to inform your healthcare professional about any medications, topical creams, or supplements you are currently using or have recently used. They will advise you on any necessary precautions or adjustments required, such as discontinuing certain medications or avoiding specific substances that can interfere with the treatment.
What to Expect during Phototherapy Treatment
Duration and frequency of treatment sessions
The duration and frequency of phototherapy sessions vary depending on the individual’s condition, response to treatment, and the prescribed protocol. Generally, the initial phase of phototherapy involves more frequent sessions, typically two to three times a week, which gradually decrease as the condition improves. Each session may last a few minutes to several minutes, depending on the specific type of phototherapy being administered.
Potential side effects
While phototherapy is generally well-tolerated, there can be some side effects associated with treatment. These can include temporary redness, itching, dryness, or mild sunburn-like symptoms. These side effects are typically mild and self-limiting, and healthcare professionals closely monitor patients to ensure the appropriate adjustments are made to minimize discomfort. It is essential to communicate any concerns or adverse reactions to your healthcare professional.
The timeline for improvement varies from person to person and depends on factors such as the severity of the condition, individual response to treatment, and adherence to the prescribed protocol. Some individuals may begin seeing improvements within a few weeks, while others may require several months of treatment for significant changes. Consistency and patience are key when undergoing phototherapy, and it is important to follow the recommended treatment plan and scheduled follow-up appointments for optimal results.
Phototherapy is a safe and effective treatment option for various skin conditions and mood disorders. It has a long history and has evolved into a precise and targeted therapy, providing numerous benefits for patients. Despite common myths surrounding its safety and the risk of developing skin cancer, phototherapy, when administered by healthcare professionals, follows strict safety measures to ensure its effectiveness and minimize any potential risks. The different forms of phototherapy, such as UVB, PUVA, and narrowband UVB therapy, cater to specific conditions and have shown significant improvements in managing psoriasis, eczema, and mood disorders like seasonal affective disorder. Before undergoing phototherapy, it is important to consult with a healthcare professional to determine the most suitable treatment plan and to understand the necessary precautions and guidelines for a successful outcome. With proper care, phototherapy offers patients a ray of hope in improving their skin health and overall well-being.
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As a result of electron-microscopic examinations, enamel prisms in the transverse position, they look like arches and roofs. When we cross the enamel prisms, we see diagonals, polygonal prisms. When they are parallel, when they are cut lengthwise, we see the planes, the fibers parallel to each other. Because enamel prisms are curved in an S-shape, some appear transverse and others parallel when cut. The result is light and dim roads, called Schroeder roads.
Jean M. Bruch Nathaniel S. Treister. Clinical dentistry and pathology. Springer International Publishing, 2nd Publish . USA. Feb 2016
Borovskiy E.V. I et al. Therapeutic dentistry: Textbook - M, 1989.
Abdullahodzhaeva M.S., Akbarova M.T. Atlas of the pathological anatomy of diseases of the dentition and oral sex organs. 1983 year
Borovsky E.V., Danilevsky N.F. Atlas of diseases of the oral mucosa. - Moscow "Medicine" 1981.
Banchenko G.V., Maksimov YM. Language is a "mirror" organization. M. Business center "Dentistry" 2000. (Department Library)
Barer G. Therapeutic dentistry. Part 3. Diseases of the oral mucosa. Moscow. "GEOTAR-Media" 2005 (Electronic)
www. medical library.ru
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The Metropolitan Police is investigating another Croydon stabbing.
This latest incident occurred in the early hours of Tuesday morning, following the bank holiday, with the police responding to reports of an attack at around 1.30am on Nottingham Road in South Croydon.
Nottingham Road is a residential street alongside Whitgift School. The road leads off the A235 Brighton Road.
A 24-year-old man was found with multiple stab injuries. Paramedics treated him at the scene before being taken to hospital. The police say that they await an update on his condition.
The main road was closed as a crime scene this morning, but is now reopened.
There have been no arrests.
This latest attack comes just a week since Lucas Sutton, 22, was killed in a knife attack on Pawsons Road in Benham Manor. Two suspects arrested in connection with Sutton’s murder, both of them in their teens, are to appear at the Central Criminal Court at the Old Bailey today.
- Inside Croydon – as seen on TV! – has been delivering local community news since 2010. 3million page views per year in 2020, 2021 and 2022.
- If you want real journalism, actually based in the borough, you should consider paying for it. Please sign up today. Click here for more details
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- ROTTEN BOROUGH AWARDS: Croydon was named among the country’s rottenest boroughs for a SIXTH successive year in 2022 in the annual round-up of civic cock-ups in Private Eye magazine
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For unmanned aerial vehicles, precise positioning, navigation and timing systems are widely seen as absolutely requisite, and their resilience needs to be assured. As weaknesses in GNSS technologies are recognized, Europe is eyeing alternatives, often as they appear in military applications.
Most unmanned vehicles depend on global navigation satellite systems (GNSS)— including GPS, Europe’s Galileo and other similar systems—for crucial positioning, navigation and timing (PNT) services. Autonomous mining, farming and construction equipment, self-driving cars, drones and autonomous marine vessels, and indeed many manned systems across all modes of transport all depend, to a greater or lesser extent, on GNSS.
Then again, GNSS is a vulnerable technology, employing weak signals that are subject to interference, both intentional and unintentional. GNSS satellites are also vulnerable to direct physical attack from the ground, a fact demonstrated quite brutally last year, when Russia destroyed an orbiting derelict satellite with a ground-to-space missile.
This susceptibility is troubling in contexts where human safety is in play, in the case of autonomous road traffic, for instance. It is even more troubling in the context of deliberate military action, where humans and property are targeted and defended and where the systems in operation are deadly.
Military conflicts around the world create the severest of environments for testing the capacities and failures of unmanned vehicles, including drones, and their PNT systems. The EU Aviation Safety Agency (EASA), in a bulletin released last March, said both GPS and Galileo signals were being impinged upon in areas surrounding Russia. “Someone is interfering with these systems, either by jamming or spoofing [feeding misleading data],” according to the notice. “Jamming and spoofing activities have intensified especially in eastern Finland, over the Black Sea, along the eastern Mediterranean and in the Baltic Sea, off the coast of the Russian province of Kaliningrad.”
This comes as no surprise. The tactical importance of GNSS, combined with the glaring weakness of its signals, means that, with a minimum of technical effort, it is almost always jammed forthwith in war zones, by one side or the other, or both. Consequently, modern military systems almost always have to employ, for starters, some form of fortified GNSS system, like GPS Precise Positioning Service (PPS), as opposed to the readily accessible, open GNSS signals available to the public. Back-up and alternative, non-GNSS-based PNT systems are also widely employed in such settings. Now, with a shooting war raging on its eastern border, the question of alternative means to GNSS for obtaining PNT is now of increasing pertinence to the European Union (EU).
The EU has long held to its tenet of civilian ownership and control of Union-supported technology assets. More recently, however, EU voices have begun to acknowledge the strategic nature and dual-use potential of such assets.
At this year’s EU Space Conference in Brussels, Antoine Noguier, executive vice president, strategy, Airbus Defense and Space, talked about what was needed to bolster European security and defense. “We are entering into a dependence on space,” he said, “and that dependence creates vulnerability. The threat element is increasing, with the chief threat coming from the Earth.”
After noting Russia’s downing of the orbiting satellite, Noguier continued to outline the security concern. “Kinetic threats are important, because our space assets are not protected. But we also see other developing threats, those being non-kinetic—jamming, cyber, these are coming. We need connectivity, high-enough broadband to establish communications superiority, which is what you need today on the battlefield.”
As a highly reliable European Commission source told Inside Unmanned Systems, “secured navigation and timing is essential for most military operations, as illustrated by the current widespread use of GPS PPS.” PPS is the extremely accurate military positioning, navigation and timing service reserved for authorized users, broadcast on GPS L1 and L2 frequencies and containing an encrypted navigation data message.
“Similar applications can be envisaged based on the Galileo Public Regulated Service (PRS),” our source continued. “The PRS offers a navigation service restricted to government-authorized users for sensitive applications. These are applications requiring a high level of service continuity, using strong, encrypted signals notably in the area of security and defense. The PRS, like GPS PPS, is designed to offer unlimited and uninterrupted service worldwide. Significantly higher radio frequency power levels are also an important element in this context.”
Brian Manning, CEO of California-based Xona Space Systems, speaking at this year’s Satellite Summit in Munich, amplified this concern. “Trusted location and time are among the most foundational pillars of safe operation of really any device or vehicle, and this is becoming even more critical as autonomy continues to rise and human interaction is reduced.”
Francisco-Javier Benedicto Ruiz, director of navigation at the European Space Agency, the design authority and development entity of the Galileo program, stressed this unease to Inside Unmanned Systems, “We are very much concerned about the vulnerability of our assets and the services provided by those assets,” he said. “For what concerns satellite navigation, we are very concerned about resilience, potential interference, ground-based jamming and spoofing of the signals.”
In addition to the PRS, he continued, “We are developing the Galileo OSNMA [Open Service Navigation Message Authentication] service, which is about providing assurance to the user that the signal is the correct signal. And in the future we are going to develop other technical solutions to increase resilience of the services on the ground.”
The possibility of PNT services being delivered via low Earth orbit (LEO) satellites is a current hot topic. “LEO is indeed offering that possibility,” Benedicto Ruiz said. “LEO is not there to replace the MEO GNSS constellations. It is there to complement or provide for alternate means. It is also to go beyond where MEO constellations can go, in particular in providing strong signals in urban canyons, penetrating indoor and resisting urban interference by providing navigation signals in other frequency bands, providing also through the LEO orbital dynamics, enabling other processing solutions at the level of the receiver which are going to provide for additional robustness.”
Benedicto Ruiz does not think there is any scenario that leads to a complete failure of GNSS. “The different systems are pretty independent from one another—GPS, Galileo, GLONASS and BeiDou,” he said, “but we have to look carefully at the threat scenarios and design a resilience solution for each one. It could be that, for one reason or another, GNSS does not work in a specific region. The solutions to that could be alternative frequency bands, jamming detection systems, processing at the level of the receiver, etcetera. And there is room for seeing in what way other technologies, Loran-C, for instance, can contribute to mitigate vulnerabilities of GNSS.” Loran-C is a hyperbolic radio navigation system that transmits position via low-frequency radio signals from fixed land-based radio beacons.
A European Commission spokesperson told IUS the Commission is currently analyzing existing non-GNSS technologies that could serve as GNSS back-ups, including 4G/5G positioning for mass market, road and professional applications, and DMEs/VORs for aviation. According to the EU Radio Navigation Plan, published in 2018, “In some specific cases, e.g. for critical applications requiring both continuous availability and fail-safe operations, GNSS cannot be the sole means of PNT information. Contingency plans must be devised for such cases, resorting to redundancy, fault tolerance, recovery procedures, and/or independent back-up PNT solutions.” The Plan continues: “There are many possibilities: radar, LiDAR, vision- or acoustic-based localization, Wi-Fi, inertial sensors, magnetometers.”
ALTERNATIVE PNT FOR UNMANNED SYSTEMS
The military and defense sectors are of course well aware of the need for assured PNT, for unmanned and other systems. Orolia, which is currently being acquired by Safran, is a world leader in resilient PNT solutions for civilian, military and space operations. The company’s Vice President, Advanced Research and Development, John Fischer, said, “Our SecureSync time server contains an atomic clock, a multi-constellation GNSS receiver with anti-jam and anti-spoofing technology, and a fiber optic network interface for a terrestrial network time reference. We can ensure the time reference from GNSS is protected from cyber attacks, and we can also augment GNSS with the alternative STL time reference, a stronger and encrypted signal from low Earth orbit satellites.”
Paul Zweers is Orolia’s executive vice president, global sales, marketing and customer Services. “The danger of cyber attack is well documented,” he said. “We have a wide portfolio of resilient PNT components, products and solutions for UAV applications. This includes the rugged and highly customizable VersaPNT, embeddable software products like our IDM suite or critical components like our low SWaP-C Miniaturized Rb Oscillator, specifically designed to meet core requirements for military airborne, ground and mobile radio communications applications.
“We cannot comment on the location or use of our equipment in theater,” Zweer added, “but we can confirm that our solutions are in use and have proven to be reliable. There is a significant increase in demand for our resilient PNT solutions for critical operations in GNSS/GPS-denied environments.”
Another company offering precise positioning in such environments is Australia’s Locata. The company operates networks of ground- based LocataLite transceivers. Among its partners is NASA, which is using Locata positioning for its next-generation drone research and development program, and the White Sands Missile Range in New Mexico.
Speaking at the recent AltPNT Technologies Demonstration Day at the European Commission’s Joint Research Centre in Ispra, Italy, Locata CEO Nunzio Gambale said, “At White Sands, the U.S. jams GPS completely over hundreds of kilometers. To be blunt, the U.S. military jams GNSS better than anyone in the world, and they are using us as the truth reference system for their technology developments.”
Locata has set up LocataLites about 35 kilometers apart within the missile range. “The aviation uses for this are really important,” Gambale said. “We are delivering better-than-a-couple-of-centimeters positioning and nanosecond timing across six-and-a-half thousand square kilometers. I put to you that there is no better example on Earth of an independent GNSS back-up.”
But is it enough? “The dynamic described here mimics that of an arms or technology race, said Orolia’s Paul Zweers. “There is no doubt that despite all of the technology advances and increased resiliency and redundancy, there will remain vulnerabilities given increased cyber threats and even possible attacks against space-based systems.
“At the same time, the use of GNSS-based time and location services will continue to proliferate, and the impact when they fail will continue to increase at the same pace. There is full awareness and increased readiness on the side of military and government entities. However, in the commercial and civilian markets, we see significant delays.”
Whatever their applications, civilian or military, unmanned systems are increasingly valuable and often life-critical. It therefore behooves all of us to recognize and address the fundamental vulnerabilities that can affect their performance. We’ll be glad we did so, later.
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You have money questions. Bankrate has answers. Our experts have been helping you master your money for over four decades. We continually strive to provide consumers with the adept advice and tools needed to succeed throughout life ’ s fiscal travel. Bankrate ’ s column team writes on behalf of YOU – the proofreader. Our goal is to give you the best advice to help you make smart personal finance decisions. We follow rigid guidelines to ensure that our column contented is not influenced by advertisers. Our column team receives no lineal recompense from advertisers, and our capacity is thoroughly fact-checked to ensure accuracy. so, whether you ’ re reading an article or a recapitulation, you can trust that you ’ re getting credible and dependable information. We value your believe. Our deputation is to provide readers with accurate and indifferent information, and we have editorial standards in topographic point to ensure that happens. Our editors and reporters thoroughly fact-check editorial content to ensure the information you ’ rhenium recitation is accurate. We maintain a firewall between our advertisers and our editorial team. Our column team does not receive direct compensation from our advertisers. Bankrate follows a hard-and-fast editorial policy, so you can trust that we ’ rhenium putting your interests first. Our award-winning editors and reporters create honest and accurate content to help you make the right fiscal decisions. All providers discussed on our site are vetted based on the rate they provide. And we constantly review our criteria to ensure we ’ ra putting accuracy beginning. Our policy team is composed of agents, data analysts, and customers like you. They focus on the points consumers care about most — price, customer service, policy features and savings opportunities — so you can feel convinced about which supplier is correct for you. Bankrate follows a hard-and-fast editorial policy, so you can trust that we ’ re putting your interests first. All of our capacity is authored by highly modify professionals and reviewed by subject matter experts, who ensure everything we publish is aim, accurate and worthy of your hope. Founded in 1976, Bankrate has a farseeing racetrack read of helping people make smart fiscal choices. We ’ ve maintained this repute for over four decades by demystifying the fiscal decision-making process and giving people confidence in which actions to take adjacent. While we adhere to strict editorial integrity, this mail may contain references to products from our partners. here ‘s an explanation for how we make money. This content is powered by HomeInsurance.com ( NPN : 8781838 ). For more information, please see our Insurance disclosure. few things are vitamin a arouse as buying a modern car. Though a bite less stimulate, shopping around for cable car insurance is an essential, legally-required component of buy and operating a new vehicle. You ’ ve found the perfect fomite, and now it ’ sulfur fourth dimension to make sure you find the perfect coverage to keep it protected .
How to get car insurance for a new car
It is illegal to drive a vehicle without indemnity, so the action of purchasing coverage should start before you evening buy the car. Every state of matter requires motorists to carry a certain measure of coverage, and the inaugural step in your car insurance shop is to learn what your state mandates.
When you purchase a newfangled car from a franchise, they will offer you their own choices of policy providers and policies. Although this might sound commodious, buying policy at the franchise will not leave with any telescope for comparing quotes or choosing the most low-cost option. Doing your own indemnity shop is a knowing choice if you want to get the best hand. If you know the car you are going to buy, you can collect quotes online or over the telephone. once you have chosen your supplier and the type of coverage you need, you purchase the fomite and sign the papers at the franchise. then you contact the indemnity company to provide them with the VIN of the new car and make the requital for the policy. Most insurance companies will approve your policy and send you proof of coverage once the payment goes through, and if all goes well, you can drive home in your fresh and insured car immediately after .
Why it costs more to insure a new car
When you buy a new fomite, your aim is to protect it from all kinds of damage, specially if it has been financed. In this case, getting merely the minimum coverage is not enough. You besides need to add collision and comprehensive coverage if you want to protect your new cable car from physical damages. This hikes up the cost of policy. On the contrary, an older car that has been through many years of hard work may not require the protection it once did and can get by merely with the minimal coverage. Newer models of vehicles have besides been found to cost more in indemnity compared to older ones. however, if your vehicle has advanced safety features and a broken claim pace in the late past, the premiums might not be exorbitant. cable car policy premiums besides vary based on your demographics, placement, repel record and the type of car you drive. Comparing quotes from multiple providers is the easiest manner to tell how much it might cost you to insure your new vehicle .
Necessary and recommended coverage
As stated above, your legally-required insurance coverages vary depending on the state in which you reside. however, if you can afford it, it ’ sulfur typically advisable to prioritize certain coverages where possible .
- Comprehensive: Comprehensive coverage is usually optional if you own your car but may be required if your new vehicle is being financed. This coverage pays for repairs needed due to damage incurred outside of collisions. For example, if your car is stolen, vandalized or damaged by bad weather, that’s where comprehensive coverage comes into play.
- Collision: Collision insurance pays for repairs to your vehicle after it has been involved in a collision with another car or object. If your vehicle is paid in full, you may not be required to have this coverage. However, if your new vehicle is financed, your lender may require it.
- Personal Injury: Personal injury coverages insure those injured in an accident. States typically require a minimum of $50,000 in personal injury liability per accident and $25,000 per person.
- Property Damage: Property damage requirements generally cover from $5,000–$25,000 of property damage liability per accident.
sometimes cable car policy add-ons are appropriate and advisable. If you have recently purchased a new vehicle or you ’ d like to bridge the break between your car ’ s actual value and the total you inactive owe, you may want to look into the pursuit coverages :
- New Car Replacement Insurance: When you carry new car replacement insurance, you’ll be covered in case your new vehicle is totaled. The factors that determine whether your vehicle qualifies for this coverage varies depending on the insurance carrier. For example, Allstate will replace the new vehicle if it is two years old or fewer. On the other hand, Liberty Mutual pays cash for a new car if the damaged car is less than a year old and has fewer than 15,000 miles.
- Gap Insurance: Gap insurance seeks to bridge the gap between the amount you owe on your new vehicle with the total amount of cash value it carries. This scenario is ideal for those who currently owe more than the vehicle’s worth.
How to transfer insurance to a new car
If you already have an car indemnity policy in place, it ’ south easy to transfer policy coverage over to your newfangled fomite. Simply contact your insurance supplier by call or log in to your report on-line to make changes. Let your car insurance agent know you ’ d like to add a fomite to your policy, sign off on the hope coverages, and you ’ rhenium good to go .
Frequently asked questions
How long do you have to get insurance after buying a new car?
In most cases, you won ’ t even be able to drive your new car off the lot without providing proof of indemnity. There is no grace time period for operating a newly vehicle without being insured. Contact your insurance provider before you consider purchasing a fresh fomite.
Can you drive a new car without insurance?
No, you can not legally operate a new vehicle without being covered by an car policy policy .
Is it more expensive to insure a new car?
often, because the fresh cable car has a higher actual cash value, the cost to insure it can be higher equally well. however, if the newfangled car is equipped with safety features and upgrades, it may help you qualify for lower premiums .
How can I save on new car insurance?
You can save on newfangled car indemnity by shopping about for the best cheap indemnity options, considering which types of coverages are most necessary and qualifying for indemnity discounts .
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|
Use Odyssee Field Service with Akita Software
API Contract ManagementAPI Observability
Odyssee Field Service & Akita Software integration
Are you interested in a Odyssee Field Service and Akita Software integration? Let us know!
About Odyssee Field Service
Odyssee Service is the field service management software to automate all your service activities in one solution. Try now for free!
About Akita Software
Where Observability Meets Structure. Visualize, Map, and Manage Every Relationship Across your Service Ecosystem.
|
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|
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|
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| 0.754153
| 113
|
Use Odyssee Field Service with Automatr
Marketing Automation & Campaign/Lead Management
Odyssee Field Service & Automatr integration
Are you interested in a Odyssee Field Service and Automatr integration? Let us know!
About Odyssee Field Service
Odyssee Service is the field service management software to automate all your service activities in one solution. Try now for free!
Volacci Automatr is marketing automation software for Drupal. It makes menial marketing tasks fast, easy, and effective.
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|
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|
Use Salesflare with Circle
Salesflare & Circle integration
Are you interested in a Salesflare and Circle integration? Let us know if you want to sync your Circle and Salesflare data. Leave your details below to stay updated about this integration.
Not using Salesflare yet?
Salesflare is the CRM your team will love to use. It's a simple yet powerful CRM for small and medium-sized businesses selling B2B. Sign up for a free trial so Salesflare can start automating your customer follow-up.Try it for free
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Today, let's invite more natural movement into our daily rhythm so that our body can get more of the healthful movement it craves.
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In today’s fast-paced digital world, the fusion of cryptocurrency and sports might seem like an unexpected pairing. However, as technology continues to evolve and shape various aspects of our lives, even traditional pastimes like sports are not immune to its transformative influence. One intriguing outcome of this convergence is the emergence of “crypto ball,” a term that encapsulates the exciting collision between the worlds of cryptocurrencies and the classic sport of bowling. In this article, we’ll dive deep into the fascinating realm of crypto bowling ball, exploring its meaning, impact, and potential for both enthusiasts and casual observers alike.
The fusion of cryptocurrencies with various sectors has been on the rise, transforming the way we engage with traditional activities. In this digital age, where innovation knows no bounds, the realm of sports has also seen its fair share of technological integration.
Understanding Cryptocurrency and Its Rise
Cryptocurrency, often referred to uses cryptography for secure transactions. Bitcoin, the pioneer in this field, opened the floodgates for a myriad of cryptocurrencies that followed.
The Evolution of Sports in the Digital Age
Sports have evolved beyond the realm of physical arenas. Digital platforms have given rise to esports, changing the definition of competitive gaming. This evolution sets the stage for the convergence of sports and cutting-edge technologies like cryptocurrency.
The Birth of Crypto Bowling Ball
Crypto bowling ball, a term coined at the intersection of sports and cryptocurrency, represents the integration of digital currency within the bowling landscape. This innovative concept aims to revolutionize how we experience and engage with bowling.
Why Crypto and Bowling?
Bowling, a recreational sport enjoyed by millions, might seem worlds apart from the complexities of cryptocurrency. However, the union of these two seemingly unrelated domains opens up new avenues for engagement and innovation.
Benefits and Challenges of Crypto Bowling Ball
The marriage of crypto and bowling brings forth several advantages, such as enhancing the overall gaming experience and attracting a tech-savvy audience. Nevertheless, challenges related to security, adoption, and regulatory concerns must also be addressed.
How Crypto Ball Works: Exploring the Mechanics
Crypto ball introduces digital tokens that players can earn during games. These tokens hold real-world value and can be traded or redeemed for various rewards, creating an engaging incentive for players to participate.
Impact on the Bowling Industry
The introduction of cryptocurrency to bowling revitalises the sport and stimulates its growth. The integration of technology into a traditional game breathes new life into bowling alleys and attracts a more diverse audience.
Engaging a New Generation
Crypto bowling provides a bridge to engage younger generations, who are already accustomed to digital transactions and virtual experiences. This infusion of technology ensures that the sport remains relevant and appealing.
Crypto Bowling Tournaments: The Future of Competitions
Tournaments featuring crypto bowling are gaining momentum, offering not only cash prizes but also the allure of cryptocurrency rewards. This novel approach to competitions adds a layer of excitement and intrigue to the bowling community.
Nurturing the Community Through Cryptocurrencies
The crypto bowling community thrives on the principles of inclusivity and collaboration. Cryptocurrencies facilitate easy cross-border transactions, fostering connections among enthusiasts from different corners of the world.
Potential Risks and Security Concerns
While the concept of crypto ball is risks, including fraud, hacking, and price volatility. Safety of participants and investors.
Regulations and the Path Forward
As crypto bowling gains traction, regulators are keeping a watchful eye on its development. Striking a balance between innovation and compliance will be vital for the sustainable growth of this unique amalgamation.
Educational Opportunities and Skill Development
Crypto ball introduces an educational angle, encouraging participants to understand the mechanics of cryptocurrencies and blockchain technology. This hands-on experience could spark interest in finance and technology fields. Read more…
The emergence of crypto bowling ball marks a compelling juncture where traditional sports and modern technologies converge. This innovative concept enriches the bowling experience and presents opportunities for financial growth, skill development, and community building.
Q1: How do players earn cryptocurrency tokens in crypto ball? Q2: Is crypto ball suitable for all age groups? Q3: Are there any risks associated with the volatile nature of cryptocurrencies? Q4: Can I participate in crypto ball tournaments remotely? Q5: How can crypto ball benefit traditional bowling alleys?
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Mathew Davies, ‘States of Compliance? Global Human Rights Treaties and ASEAN Member States’, Journal of Human Rights, 13(4) 2014: 414-33.
Mathew Davies, ‘An Agreement to Disagree: The ASEAN Human Rights Declaration and the Absence of Regional Identity in Southeast Asia’, Journal of Current Southeast Asian Affairs, 33(3) 2014
Mathew Davies, ‘Women and Development, Not Gender and Politics: Explaining ASEAN’s Failure to Engage with the Women, Peace and Security Agenda’, Contemporary Southeast Asia, 38(1) 20
Mathew Davies, ‘A Community of Practice: Explaining Change and Continuity in ASEAN’s Diplomatic Environment’, Pacific Review, 29(2) 2016: 211-33.
Mathew Davies and Susan Harris-Rimmer, 'Assessing Indonesia's Normative Influence: Wishful Thinking or Hidden Strength', Asia & the Pacific Policy Studies, 3(1) 2016: 80-8.
This book presents the hitherto unstudied variety of ways that human rights socialisation is attempted in the context of regional organisations, arguing that
Updated: 1 October 2023/Responsible Officer: Bell School Marketing Team/Page Contact: CAP Web Team
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The Australian National University, Canberra
CRICOS Provider : 00120C
ABN : 52 234 063 906
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Tofu is a great way to get protein into a vegetarian diet and it’s a good substitute for meat, thanks to its chewy texture. If you don’t know how to work with tofu, how long to press tofu, or that tofu needs to be pressed in the first place, you may feel a bit overwhelmed trying to work with this food.
One thing to keep in mind about tofu is that there are different levels of firmness. Some people prefer an extra firm tofu while others want something that’s softer. You may have to experiment a little and take some time to figure out which one you prefer. Make sure that you check the recipe you’re going to use when you cook tofu so that you get the right kind of stuff for the recipe. Certain recipes do call for specific kinds of tofu at specific levels of firmness.
You can eat tofu raw without cooking it up and you should know that the parts that need to be cooked are already cooked, namely the soy. Most people prefer it to be cooked, however.
How long to press tofu? I’ll get to that in a moment then walk you through the process of pressing it and cover how long it takes to press the tofu to get it just right.
Why Press Tofu?
When you buy tofu from the store, you may notice that it’s sitting in some water. It usually comes packed in water, and you want to drain off at least some of this water using either a tofu press or a press free method.
How long does it take to press tofu? You should know that going in and understand how long the process will take so you know what to look forward to. It should be about 10 minutes at least, but it’s not a bad idea to spend 30 minutes or even an hour pressing it give yourself a drier, stiffer tofu.
Pressing tofu means it will cook properly. No one wants watery, soggy tofu. That would not taste very good. It would be similar to eating soggy meat. If you want the tofu to have the right texture and to be chewy like it is meant to be, it needs to be pressed and it needs to be pressed long enough to get the water out of it.
To use a tofu press to get the water out of the tofu, you want to start by unwrapping the tofu. Make sure you take the packaging off and drain off any excess liquid. Put your piece of tofu into the tofu press and ensure that all the parts of the tofu press are attached, with the metal coil attached to the crank. Then, cover the tofu with the lid while the tofu is inside the press. Turn the top crank so that it fits into the slots on both sides of the tofu press. Once the top is latched properly, liquid will start to drain into the top of the press.
It should take around 15 minutes for liquid to drain out of the tofu and into the top of the press. It takes longer to press out the liquid if you’re doing it by hand and you don’t have a specially designed tofu press for the job. So, if you’re wondering how long do you need to press tofu in a press, the answer is about 15 minutes, but without a press it will take longer.
How Long Do You Have to Press Tofu If You’re Not Using a Press?
To press the tofu without using an actual tofu press, you’ll need to drain out the extra water and then cut the tofu open. Open it up like a book and then put a few pieces of paper towel under each section of the tofu. Put a few on top of the tofu as well. Make sure both parts of the tofu are lined up with each other and then use something flat and heavy to cover the tofu.
A lot of people would simply use a skillet laid flat on the tofu to press it down. Then, they may place a bag of sugar or something heavy on top of it. A few books work well too. This presses the water out of the tofu very well.
How long to press tofu? If you are using this method, the minimum amount of time is 10 minutes, but it’s definitely better to press it for longer. You want a dry, firm tofu for the right texture and taste. If you don’t want the tofu to end up somewhat soggy after you cook it, try to press it for anywhere from 30 minutes to an hour. Once the water has been pressed out, you can remove the covering and get rid of the paper towels. Then, just cut the tofu how you need to and cook according to your recipe.
Now you know how long to press tofu for. You can use your pressed tofu in just about any tofu recipe. It can also be stored to be used later on. You can put it in the fridge, and the tofu will keep for a few days. Keep in mind that you can make good use of your time while the tofu is being pressed. If you’re letting it sit there under press, you can be cooking up the other foods to use in your tofu recipe or cutting them up and preparing them to cook with the tofu once the water is pressed out of it.
Try not to skimp on pressing the water at the tofu. This is an important step that makes a big difference in how your tofu comes out. If you cook tofu and wonder why it’s not turning out properly, it could be because you’re not pressing it long enough. Remember that it takes longer to press it without an actual tofu press, and you want to make sure that you’re giving it enough time for the water to drain out. That water is necessary when it’s packed to ensure that it lasts for a long time, but once it’s time to cook up the tofu, you want that water gone.
Most any recipes you make using tofu will assume that you’ve already drained your tofu. Keep that in mind as well, and consider how long it takes to drain the water out of coat tofu and press the tofu properly when you’re considering how long it takes to cook the meal. Figure that in and add it on top of the recipe prep time that’s listed for the recipe. Make sure you’ve given yourself enough time to press the water out before you cook up tofu. This isn’t a last-minute thing you can do, usually, if you want your tofu dish to turn out properly.
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Garda chief Noirin O’Sullivan will “clarify as much as possible” whether she ordered lawyers to attack the good name of a whistleblower within her ranks, Tanaiste Frances Fitzgerald has said.
But the Justice Minister said the Garda Commissioner was entitled to confidentiality in dealing with her legal team and warned that forcing her to reveal instructions was “going down a dangerous path”.
Ms O’Sullivan is coming under intense pressure to explain her role in reported orders to lawyers to undermine the credibility of Sergeant Maurice McCabe in the latest State inquiry into allegations of Garda wrongdoing.
The vast majority of his claims of negligence and malpractice were proven in the O’Higgins report, which also found him to be a man of integrity who should be thanked for his whistle-blowing.
Leaked documents have suggested the Garda Commissioner’s lawyers were under orders to attack his integrity, motivation and credibility.
Fianna Fail leader Micheal Martin told the Dail the revelations were “fairly damaging”.
Questioning Ms Fitzgerald – who is responsible for holding the Garda chief to account – he said the controversy had escalated to a point where a “significant intervention is needed”.
“There are some really stark realities emanating from this because it goes to the core of how whistleblowers are treated,” he said.
Mr Martin said it appeared that Garda lawyers were ordered on an “all out right through attack on the credibility and motivation of Sgt McCabe”.
Ms Fitzgerald pointed out the O’Higgins commission findings that Sgt McCabe had genuine and legitimate concerns and was due the gratitude of both the public and the Garda for his role.
She said Ms O’Sullivan accepted fully the commission’s findings, adding: “I have no doubt she will seek to clarify as much as possible. . . in her own interventions.”
The Justice Minister added that the leaking of transcripts from the inquiry “robs the Garda Commissioner of an opportunity to defend her good name”.
She said she could not respond to “partial transcripts”.
The O’Higgins report has been handed to the independent Policing Authority, which is charged with oversight of the force.
Ms Fitzgerald said the authority’s public questioning of Garda top brass would be an appropriate forum to deal with the ongoing fall-out.
She said she had no doubt Ms O’Sullivan would “say as much as possible when she is questioned in the future in relation to this issue” within legal constraints.
“If it is feasible and legal for the Garda Commissioner to put forth information into the public arena I have no doubt she will do that,” she added.
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I’ve been musing for several days what to write about the death of Jenny Zartman.
There are the details: that she died in a car accident heading down to Wilmington to be with her cousin early August 5, 2006.
There’s the emotional impact: her parents’ immense grief; Michael’s heartrending sadness and infinite helpfulness and patience; my mother’s sad calls to my father, half a country away; Becca’s broken voice over the phone; my own unending shock and sadness and my eleven-hour drive to Charlotte to be with those I love and who love Jenny in their time of grief. I have not stopped thinking of her and Michael during the day and crying for the loss of this amazing woman’s continued wisdom and love.
I’ve been trying to sum up the effect Jenny’s had on my life, and it’s been so far-reaching that I don’t think I can possibly succeed. And Jenny’s influence is intricately tied up with Michael’s influence on me, so pardon me if for a moment it seems as though I am mourning the loss of Michael as much as I am Jenny by talking of the phenomenon known as JennyAndMichael. He is alive.
Jenny taught me to play Pretty, Pretty Princess my senior year, amidst what were probably incessant grumblings about such a girly game. It was the highlight of the party, in my mind. If memory serves, she won.
JennyAndMichael taught me that relationships could be more than what I’d seen up that point: more mature than typical high school tangles, but more… connected than anything my parents or my friends’ parents had. I probably wouldn’t be in a long-term relationship at all right now if not for them. They taught me what love could be and how it was actually possible to work through a relationship’s problems.
Jenny taught me (ridiculous as it was for me to need the lesson) that women in care-giving roles don’t need to be weak or limited to sock-less kitchen duty. 🙂 Feminine implies weakness in our society, but such is not the case. Trust me. *grin… with teeth*
Jenny, in so many ways, epitomizes my definitions of womanly, giving, honest, and fun. Being in Charlotte again last weekend, I saw her in all of my friends. I saw her perseverance in Chris, her love in Michael, and her patience and wisdom in all of us.
I feel as though the best possible tribute to Jenny is to remember what’s she’s done for me and to carry that with me for the rest of my life.
Nathan wrote a very nice post about Jenny and living in the aftermath of her death. I think he’s very much on point.
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Renew the Community Services Block Grant?
This bill reauthorizes the Community Services Block Grant through FY2031. The Community Services Block Grant provides funds for poverty alleviation and employment, education, housing, and health assistance. The bill changes some aspects of the grant, including leadership restructuring, performance measurement, and allotment minimums and maximums. Sponsor: Rep. Suzanne Bonamici (Democrat, Oregon, District 1) View full bill text ➔
How do you feel?
• "H.R. 5129 puts taxpayers on the hook for more unnecessary spending. Spending is how Democrats got our country in this inflation crisis, but it is most certainly not how we will get out of it…this reauthorization could keep even more Americans in poverty by increasing the income threshold from 125% of the federal poverty level to 200%. This legislation will also allow individuals, once enrolled in the program, to receive benefits regardless of income eligibility." Source: Rep. Virginia Foxx (Republican, North Carolina, District 5)
• "Today, community action agencies, or CAAs, form a network of more than 1,000 organizations with a dedicated mission of helping individuals and families find their way out of poverty…These agencies provide services and programs that meet the unique needs of local communities, and help low-income individuals and families achieve economic stability, secure meaningful employment and adequate education, gain and improve job-related skills, obtain housing, and participate in the community." Source: Rep. Suzanne Bonamici (Democrat, Oregon, District 1)
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Announcing our 2015–16 season 8 · A conversation with Dominique Serrand 20 · The program for Tartuffe 25
THE BERKELEY REP M AGA ZINE 2 014 –15 · I S S U E 5
Elizabeth “Libby” Clark, joined in 2009
ROWING Brightens Her Smile.
As the East Bay’s most appealing senior living community, we offer spacious apartment homes, wonderfully prepared menu options in our lovely dining room, worry-free maintenance, Wi-Fi, and an expanding host of amenities. All of which offer Libby the freedom to grab an oar and become one of the “Ladies of the Lake,” a rowing club on nearby Lake Merritt. To learn more, or for your personal visit, please call 510.891.8542.
100 Bay Place Oakland, CA 94610
A not-for-profit community owned and operated by Episcopal Senior Communities. License No. 011400627 COA #92 EPSP694-01NI 031315
I N T H I S I S SU E
BE R K E L E Y R E P P R E S E N T S TARTUFFE · 2 5
M E E T T H E C A ST & C R E W · 26
P ROL O G U E
CON T R I BU T OR S
A letter from the artistic director · 5
Foundation, corporate, and in-kind sponsors · 36
A letter from the managing director · 7
Individual donors to the Annual Fund · 37 Michael Leibert Society · 40
R E P ORT 8
Announcing our 2015–16 season · 8
A BOU T BE R K E L E Y R E P
In memoriam: Berkeley Rep shares remembrances of two longtime subscribers and supporters · 11
Staff, board of trustees, and sustaining advisors · 41
An inside look at Tartuffe auditions · 13 Coming soon: A theatre for the 21st century · 14 15
A new generation of subscribers: Creating a space for teens in the theatre world · 15
FYI Everything you need to know about our box office, gift shop, seating policies, and more · 42
F E AT U R E S Banned: Tartuffe and a select history of western theatrical censorship · 16 Tartuffe production history timeline · 16 Looking for the magic of things: A conversation with Dominique Serrand · 20 20
Long-term relationship: Two decades with Steven Epp and Dominique Serrand · 23
T H E B E R K E L E Y R E P M AG A Z I N E 201 4 –15 · I S S U E 5 The Berkeley Rep Magazine is published at least seven times per season.
Editor Karen McKevitt
For local advertising inquiries, please contact Ellen Felker at 510 548-0725 or firstname.lastname@example.org.
Art Director Nora Merecicky
Cover: Steven Epp in Tartuffe P H OTO BY M I C H A L DA N I EL
Graphic Designer Sarah Jacczak
Writers Lexi Diamond Rachel Eisner Julie McCormick Amy Potozkin Adam Sussman
Contact Berkeley Rep Box Office: 510 647-2949 Groups (10+): 510 647-2918 Admin: 510 647-2900 School of Theatre: 510 647-2972 Click berkeleyrep.org Email email@example.com
2 0 1 4 –1 5 · I S S U E 5 · T H E B E R K E L E Y R E P M AG A Z I N E · 3
“I trust City National with my family’s future.” I’m an entrepreneur working on my third start-up. City National helps me make smart, timely decisions to help my business grow. And smart, sensible investment decisions for my family’s future. They’re a true “partner” in business and in my life. City National is The way up® for me and my family.
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P ROL OG U E from the Artistic Director
“R.Kassman represents the finest quality pianos and the expertise to provide the very best of service.”
PRINCIPAL PIANIST, SF SYMPHONY
I once had a professor who liked to say, “In
comedy, a man slips on a banana peel and we laugh. In tragedy, a man slips on a banana peel and we cry.” His point, I think, was well taken. The line between tragedy and comedy is remarkably thin, and the consistent crossing of that boundary is the hallmark feature of the work of the great 17th-century French playwright, Molière. Perhaps because he was an aspiring tragedian whose life was plagued with obstacles of every variety, or perhaps because his formative years were spent in the countryside learning the comic secrets of commedia dell’arte, Molière’s work is a daring blend of the darkest and lightest aspects of human experience. There is no better example of this than Tartuffe, a play whose humor was so threatening to the court of Louis XIV that the king banned the play from being performed for five years. The king himself was allegedly a fan of the play, but the hue and cry among the clergy and aristocracy was so loud that Louis felt he had no choice but to declare it censored “in order not to allow it to be abused by others, less capable of making a just discernment of it.” Translation: Molière’s scathing critique of religious hypocrisy infuriated many of those in power, who saw themselves as the object of the author’s derision and the topic of public ridicule. They were being laughed at, and they weren’t laughing. No one understands the delicate relationship between comedy and tragedy better than director Dominique Serrand. A lifelong student of Molière, Dominique works with a unique company of designers and actors capable of fulfilling every aspect of the texts. Led by the incomparable Steve Epp, who performed the lead roles here in Serrand’s productions of Figaro and The Miser, the ensemble is equally adept at delivering punch lines and gut punches. They move effortlessly from behavior that’s benign to brutal. Every slip on the banana peel evokes a different response. The effect is disarming and revealing, and combined with a stunning visual aesthetic, quite beautiful. It’s important for a company like ours to return to the classics. Very few plays transcend the period in which they were written. Those that do become the standard by which we measure ourselves, both culturally and artistically. A great production of a classic work vivifies the past, illuminates the present, and inspires us to create work that dares to be important. Welcome to Tartuffe….
R.KASSMAN Purveyor of Fine Pianos www.rkassman.com
843-B Gilman Street, Berkeley • 510.558.0765
E MG Tony Taccone
2 0 1 4 –1 5 · I S S U E 5 · T H E B E R K E L E Y R E P M AG A Z I N E · 5
March 2015 Volume 47, No. 5
Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Deb Choat, Robin Kessler, Kim Love Design and Production Artists Mike Hathaway Advertising Sales Director Marty Griswold Seattle Sales Director Joey Chapman, Gwendolyn Fairbanks, Ann Manning, Lenore Waldron Seattle Area Account Executives Staci Hyatt, Marilyn Kallins, Terri Reed, Tim Schuyler Hayman San Francisco/Bay Area Account Executives Carol Yip Sales Coordinator
One Week Only! April 14–19, 2015
Jonathan Shipley Ad Services Coordinator
The Bay Area welcomes spring each year with this popular week-long exhibition featuring unique art and floral mash-ups in which floral designers create arrangements that pay tribute to and draw inspiration from the works in the de Young’s permanent collection.
Paul Heppner President Mike Hathaway Vice President Erin Johnston Communications Manager Genay Genereux Accounting Corporate Office 425 North 85th Street Seattle, WA 98103 p 206.443.0445 f 206.443.1246 firstname.lastname@example.org 800.308.2898 x105 www.encoremediagroup.com
Grand Patron Diane B. Wilsey
Event Contributor McGladrey
Golden Gate Park deyoungmuseum.org/bouquets
Unidentified artist, Girandole mirror (detail), ca. 1810. Limewood, glass, brass, and gilding. FAMSF, gift of Mrs. Virginia Bosche, 78.60. Floral design by Church Street Flowers. Photograph © Greg A. Lato / latoga photography.
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FAMSF 012315 bouquet 1_2v.pdf
Encore Arts Programs is published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas. All rights reserved. ©2015 Encore Media Group. Reproduction without written permission is prohibited.
P ROL OG U E from the Managing Director
Early March is always one of the most exciting
times of the year—it’s when we announce the lineup of plays for the new season! You can read more about our 2015–16 shows in this program and in our lobby, but this year we have even more news to share with you. Starting in June, our Thrust Stage will close for much-needed renovations. Our goal is to preserve the intimacy and cozy unpretentiousness that makes the Thrust such a perfect space, while bringing it up to 21st-century standards. The Roda Theatre will remain open and will be home to the world premiere of Amélie in August as well as the 2013 Pulitzer Prize–winning Disgraced later in the season. We’ll reopen the Thrust Stage in January with a deeply moving family drama by Julia Cho, directed by Liesl Tommy. The Thrust construction has provided us with an opportunity to introduce you to our new black box space: the Osher Studio, conveniently located along the Arts Passage connecting Addison Street and Center Street. (You can see it across the street from the box office.) The Osher will provide the perfect, informal setting for a Pirates of Penzance like you’ve never seen before—and one intended for the entire family. So bring your children, parents, grandchildren, and everyone! Halfway through next season, the city will begin demolition and reconstruction of the Addison Street garage across from Berkeley Rep. But never fear! We’ve anticipated this and have made arrangements for you by securing a block of parking spaces at the garage on Center Street. When you subscribe to the 2015–16 season, you’ll be able to purchase guaranteed parking spaces for your performance dates. These parking reservations can be exchanged as often as you exchange your tickets, and they will cost no more than you are currently paying for the Addison Street garage. Parking in Berkeley will be a challenge for about 18 months. But Berkeley Rep patrons who purchase parking through our box office will be protected from any inconvenience. You’re guaranteed a space regardless of what else may be happening in town that night. And your access to the theatres from the Center Street lot will be a short walk through the Arts Passage. Those with limited mobility can still be dropped off right in front of our theatres on Addison Street. Look for the opportunity to purchase your parking in advance when you subscribe to Berkeley Rep’s 2015–16 season. So next season, you’ll get the chance to experience our sweet and intimate Osher Studio; you’ll enjoy the pleasure of a refurbished and well-preserved Thrust Stage; and you’ll have the chance to secure guaranteed parking while the city builds a better and seismically sound new facility. Warmly,
2 0 1 4 –1 5 · I S S U E 5 · T H E B E R K E L E Y R E P M AG A Z I N E · 7
2SUBSCRIPTION 15–16 Amélie
Book by Craig Lucas · Music by Daniel Messé Lyrics by Nathan Tysen & Daniel Messé Musical direction by Kimberly Grigsby Choreographed by Sam Pinkleton Directed by Pam MacKinnon Limited Season · Roda Theatre Aug 2015 · World premiere
The Hypocrites’ Pirates of Penzance
Book by W. S. Gilbert · Music by Arthur Sullivan Directed and adapted by Sean Graney Co-adapted by Kevin O’Donnell Co-directed by Thrisa Hodits Music direction by Andra Velis Simon Limited Season · Osher Studio · Oct 2015
Join the party in our new Osher Studio on Center Street with a delightfully immersive, lovingly loopy, and fantastically eccentric 80-minute take—think banjos, beach balls, and guitars— on Gilbert and Sullivan’s preposterous, topsy-turvy world. Frederic was mistakenly apprenticed as a young boy to a band of sentimental pirates. Now 21, he falls head-over-heals for the Major-General’s daughter and forswears the buccaneer’s life forever, or so he thinks. This buoyant, award-winning Pirates of Penzance by Chicago theatre rebels The Hypocrites is “spirited, affectionate, and nearly irresistible,” says the Boston Globe. Matt Kahler as the Major-General in The Hypocrites’ Pirates of Penzance P H OTO BY E VA N H A N OV ER
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Amélie captured our hearts in the five-time Academy Award–nominated film. Now she comes to the stage in an inventive and captivating new musical directed by Tony Award winner Pam McKinnon (Who’s Afraid of Virginia Woolf?) and penned by Craig Lucas (Prelude to a Kiss), with a stirring score by Daniel Messé (of the acclaimed band Hem) and lyrics by Nathan Tysen (The Burnt Part Boys) and Messé. Embark on a mesmerizing journey with inquisitive and charmingly shy Amélie as she turns the streets of Montmartre into a world of her own imagining, while secretly orchestrating moments of joy for those around her. After discovering a mysterious photo album and meeting a handsome stranger, she realizes that helping others is easier than concocting a romantic story of her own. After seeing the world through the magical and enchanted eyes of Amélie, you’ll never look at life the same way again.
The world premiere of Amélie, Mary Zimmerman’s Treasure Island, the Pulitzer Prize–winning Disgraced, a thrilling Macbeth, a fantastical Pirates of Penzance, and more—your adventure awaits!
PLUS ONE MORE PLAY TO BE ANNOUNCED! FOR MORE INFO, CLICK BERKELEYREP.ORG
By Ayad Akhtar Directed by Kimberly Senior Main Season · Roda Theatre Nov 2015 · West Coast premiere
“Bristles with wit and intelligence…”
Amir Kapoor is living the American Dream—an upper East Side apartment, Italian suits, and the — N E W YO R K T I M E S promise of becoming partner at the law firm. But when he and his wife Emily, an artist influenced by Islamic imagery, host a dinner party for their friends and colleagues, lies and deception threaten to shatter Amir’s carefully constructed life of cultural assimilation. Playwright Ayad Akhtar won the 2013 Pulitzer Prize for this engrossing and combustible drama that probes the complexity of identity, the place of faith in today’s world, and the hidden prejudices still alive in liberal society. Director Kimberly Senior comes to Berkeley Rep to stage the provocative play that she shepherded from Chicago to London to its triumphant run on Broadway.
By Julia Cho Directed by Liesl Tommy Main Season · Thrust Stage Feb 2016 · World premiere
An estranged son, a father who’s ill, a visiting uncle carrying their memories in tow, a woman without an appetite, and a refugee from a forgotten country—they all prove potent ingredients in this bittersweet and moving meditation on family, forgiveness, and the things that nourish us. When language fails, when the past fades, the perfect meal transcends time and culture and says more than words ever can. Julia Cho’s plays have garnered critical praise from New York to Los Angeles. Now she pairs with Obie Award–winning director Liesl Tommy (Ruined and Party People) on the elegant, poignant, and lyrical Aubergine.
P H OTO BY J E N N I E WA R R E N
Written by Robert Louis Stevenson Adapted and directed by Mary Zimmerman Main Season · Thrust Stage Apr 2016 Mary Zimmerman has mesmerized audiences with her exquisite adaptations of classic tales from the spellbinding Arabian Nights to the hypnotic White Snake. This spring the Tony Award–winning director takes us aboard the Hispaniola for a heart-pounding voyage filled with tales of swashbuckling gentlemen o’ fortune, a malicious mutiny led by infamous Long John Silver, and a deadly quest for fabled buried booty. Caught in the middle is cabin boy Jim Hawkins, who must find uncommon courage as he faces a murderous plot and navigates the ambiguous tides of morality. Sail to Treasure Island with Mary Zimmerman for another visually tantalizing and exhilarating adventure.
By William Shakespeare Directed by Daniel Sullivan Main Season · Roda Theatre Feb 2016
Tony and Obie Award–winning director Daniel Sullivan— dubbed the go-to guy for Shakespeare—helms a thrilling new production of the bard’s murderous play about the lust for power and the fickleness of fate. Driven by an evil prophesy and his scheming wife, Macbeth kills the king and claims his crown, thus beginning a moral descent into a reign of terror. The New York Times has called Daniel Sullivan’s Shakespeare in the Park productions “absolutely splendid” and rendered with “passion, expertise and uncommon intelligence.” We can’t wait to reveal who will play the notorious couple—stay tuned!
Amy Kim Waschke and Christopher Livingston in Mary Zimmerman’s The White Snake P H OTO CO U R T E S Y O F M EL LO PI X .CO M
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R U YO SSION PA AWAITS New dynamic theatre classes for youth, teens, and adults start March 30—register today!
berkeleyrep.org/classes Financial aid available for youth/teen classes
Get ready for Summer Theatre Intensive
Session 1 (grades 6–8): Jun 15–Jul 10 Session 2 (grades 9–12): Jul 14–Aug 7
PHOTO BY JARED OATES
IN MEMORIAM Berkeley Rep shares remembrances of two longtime subscribers and supporters
Nancy Croley, a member of the Michael Leibert Society
Shirley and Philip Schild celebrating the opening of The Pianist of Willesden Lane in October 2013
NANCY CROLEY May 28, 1939–March 23, 2006
SHIRLEY DICHEK SCHILD March 18, 1926–October 2, 2014
Berkeley Rep subscriber Nancy Croley cared deeply about many things. Her friends, the environment, and the arts were paramount in her interests and affections, and she found a way to honor each of these passions through her estate. Berkeley Rep, along with four other local arts nonprofits, was the grateful recipient of an equal share of the proceeds from the sale of Nan’s Nob Hill condominium in December 2014. We’ve known about Nan’s generosity for years—this gift became irrevocable when Nan passed away in 2006—but the terms of her will allowed her friend and walking companion Patricia Hurley to live in the condo rent free until her death in May 2014. Thanks to a super-heated real estate market and the excellent management of the estate’s executor, Nan’s good friend (and Berkeley Rep subscriber!) Janet Crane, five arts organizations that Nancy Croley had loved in her lifetime were able to reap considerable benefit from the sale of her Polk Street home. An architect by trade, Nan’s arts interest was apparent throughout her life. As an undergraduate at Lake Erie College in Ohio, she studied painting, art history, and theatre, and years later she returned to the school as a gallery director and instruc-
A longtime and passionate supporter of Berkeley Rep, Shirley Schild passed away this fall at the age of 88. Shirley had a Master of Science degree in library science, and she worked for several years as a school librarian in Los Angeles. After retiring, she volunteered at the Los Angeles County Museum of Art’s library. She was married to Leonard Dichek for 31 years until his death in 1981. Four years later, she married Philip Schild and moved to the East Bay where she started volunteering for the Oakland Museum of California’s library. She and Philip began attending Berkeley Rep as well, becoming loyal subscribers and supporters. Their relationship with the Theatre deepened when they began sponsoring plays 10 years ago. Director of Development Lynn Eve Komaromi remembers, “What I loved about Shirley was her tremendous appreciation for the work and her infectious enthusiasm. She wanted to read all of the plays each season and then share her passion with her friends and neighbors. Her generosity went beyond financially supporting the Theatre.” In fact, Shirley and Philip could be seen regularly at dress rehearsals and Page to Stage events. An active resident of St.
CO N TIN U E D O N N E X T PAG E
CO N TIN U E D O N N E X T PAG E 2 0 1 4 –1 5 · I S S U E 5 · T H E B E R K E L E Y R E P M AG A Z I N E · 1 1
N A N C Y CRO LE Y (CO N TIN U E D)
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tor in scenic design. She moved to California with her longtime partner Chet Ward in 1982, and in 1984 she moved to San Francisco to practice architecture. “The quality of life here was very important to her,” remembers Janet, who notes laughingly that Nan also loved spending time at her vacation home on the Smith River near the Oregon border and made the six-plushour trip almost every weekend. “She was an eclectic person,” recalls Janet. “She enjoyed life in both the city and the country, and she cared deeply about so many different art forms.” In addition to her strong support of the arts, the politically progressive Croley gave generously to environmental organizations like the Sierra Club and the Smith River Alliance, and at the time of her death, mourners were asked to make gifts to the latter organization in her honor. The early deaths of Nan’s parents probably influenced her careful estate planning, so that when she died suddenly of a heart attack at age 67, everything was in order, and her wishes were clearly documented in her trust and elsewhere. In 2003, a survey question by the Organization of Women Architects, of which Nan was an active member, asked what she most wanted to be remembered for when she died. Nan responded, “I don’t really expect to be remembered. But I’d like to think I made a difference in some people’s lives. I have tried to be thoughtful and responsible. I want to see any resources I’ve been able to leave behind directed toward protecting the environment and enriching the community.”
S H IRLE Y D I CH E K S CH ILD (CO N TIN U E D)
Paul’s Towers, Shirley organized groups of her neighbors and friends to join her, and she took great pride in seeing many of those friends become subscribers and supporters themselves. She often spoke of bringing her daughter Daryl, son David, and three grandchildren to Berkeley Rep as well. This season, Shirley and Philip made their gift in support of Tartuffe. We are honored to remember Shirley with this production. 1 2 · T H E B E R K E L E Y R E P M AG A Z I N E · 2 0 1 4 –1 5 · I S S U E 5
R E P ORT
An inside look at Tartuffe auditions BY ADAM SUSSMAN AND AMY POTOZKIN
It’s late morning in early December in down-
town Berkeley as 17 young performers wait outside Studio A in the Berkeley Central building. They’re assembled in a group to audition for the ensemble of Tartuffe, directed by Dominique Serrand. Berkeley Rep’s Casting Director and Artistic Associate Amy Potozkin observes, “Since these actors were auditioning for a purely physical ensemble and they don’t have lines, Dominique felt it was more useful to see how they work in a group versus individually. Mary Zimmerman is also a director who incorporates group improv auditions in her casting process.” She adds, “In addition to observing comic instincts, movement skills, and improvisational creativity, it can also reveal the degree to which actors can be generous with one another, or not.” It’s not just the group audition that makes this casting call unusual, it’s the cryptic instructions that Dominique gave the performers ahead of time. Prepare a short dark comedic improv that incorporates, “a thing, a jig, a thingamajig, a trick or a treat…whatever you like to do.” Dominique welcomes the group into the audition room, introduces himself, and instructs the performers to warm up however they’d like. The room descends into a mosaic of body rolls, yoga poses, and moaning vocal noises. Dominique watches attentively, taking in each performer’s warm-up routine. After five minutes, Dominique gives the group the following instructions: “Stare straight ahead, then when I say ‘one’ look left, when I say ‘two’ look right.” Dominique does a trial run, watching how the performers move their heads, correcting those who do not look in either direction fully. After several seemingly random calls of “one” and “two,” Dominique delivers a specific sequence: “One, two, one, one.” The result, when enacted by the performers, is a classic double take.
The actors are then asked to take any object they have with them, set it on the ground, and perform the following sequence: See the object, turn to the object, go to the object, pick the object up to get a closer look, then look out. The simple directions yield a variety of different results: some actors are stupefied by their object, unsure of what it is, going in for a closer look. Others endow their object with great value, looking with wonder and excitement at their find, then looking out to see if anyone else has observed their discovery. After several more exercises Dominique announces it’s time to present the short improvisations everyone has been asked to prepare. The results are similarly diverse. About half the performers incorporate language into their improvisations while the other half are silent or use only sounds. One actor belts out the instructions for the exercise in faux-Broadway style. Another actor performs a failed suicide attempt that leaves the room in hysterics. Another tries to capture a small, imaginary creature hopping around the studio. Once all the actors have performed their improvisations, the audition is over. The actors pack up while smiling, laughing, and discussing the most memorable comedic bits from the morning. For the performers who tried out, it appears more than anything that the experience was fun. Maria Leigh, one of the auditioning actors who was ultimately cast in the ensemble, loved the experience. “I thought the audition was really fun. It felt like a workshop. I really loved Dominique’s energy and process. It was thought out very methodically but it still felt like we could play.” Top row (left to right): Luverne Seifert, Maria Leigh, Brian Hostenske, Christopher Carley Middle row (left to right): Sofia Jean Gomez, Suzanne Warmanen, Becca Lustgarten, Gregory Linington, Lenne Klingaman Bottom row (left to right): Steven Epp, Michael Manuel, Nathan Keepers, Michael Uy Kelly, Todd Pivetti 2 0 1 4 –1 5 · I S S U E 5 · T H E B E R K E L E Y R E P M AG A Z I N E · 1 3
COMING SOON: A theatre for the 21st century
Construction of a new, more centrally located box office began in February.
The new box office will be accessible from the street, as well as from within the Narsai M. David Courtyard. This marks the first phase in a historic $6 million renovation of our signature Thrust Stage to provide artists and audiences a revitalized state-of-the-art theatre. This summer, construction will continue with a much-needed upgrade of the theatre, including a refurbished interior and leading-edge technology. Meanwhile, plans are underway to transform our Harrison Street campus, home to all of our pre-production activity, into a vibrant center for new work. We’re raising $14 million to fund the expansion of the facilities, and to fully support of The Ground Floor: Berkeley Rep’s Center for the Creation and Development of New Work. Berkeley Rep needs your help to realize the renovation of the Thrust Stage and the expansion of our Harrison Street campus, the two key initiatives of the Create Campaign, a $50 million campaign to create a theatre for the 21st century.
I love the intimacy of the Thrust but I’m excited that the Campaign will provide much-needed updates to the lighting and sound capabilities, enhancing artists’ and audiences’ theatre experience. Shouldn’t a first class theatre have state-of-the-art equipment?
Go behind the scenes and see for yourself Meet our talented production staff and let them show you the ins and outs of our Harrison Street campus and the Thrust Stage. See where the magic is created and learn more about our exciting plans for Berkeley Rep’s future!
I just wanted to thank you all for hosting such a fun, informative, interesting ‘open house’ at your Harrison Street campus. I enjoyed and appreciated getting a (literal) behind-the-scenes glimpse from some of the skilled and talented members of the collaborative collective responsible for creating the artistic greatness that is Berkeley Rep. I admire the vision of your Create Campaign, and will be supporting it. —S U SA N L ., RECE N T TO U R G U E S T
— BA RBA R A PE T E R S O N , S U B S CRIB E R & CRE AT E C A M PAIG N S U PP O R T E R
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Visit berkeleyrep.org/create to sign up for a tour and find out more
R E P ORT
A new generation of subscribers
Members of the Teen Council after a performance at Berkeley Rep P H OTO BY J A R ED OAT E S
Creating a space for teens in the theatre world BY RACHEL EISNER
How do we engage younger audiences with theatre
at Berkeley Rep? “Going to the theatre can be intimidating for a young person,” explains Community Programs Manager Ben Hanna. “The cost can deter students, but even more important is feeling a part of the community. They don’t see other young people in the theatre—and cocktail hour before the show is not their scene.” This is particularly concerning because according to “The Survey of Public Participation in the Arts, 2002–2012,” conducted by the National Endowment for the Arts, being exposed to the arts as a child has a stronger correlation to participation in the arts as an adult than age, gender, education, or income. Studies like this one illustrate the importance of youth engagement with the arts. If we want them as a part of our future audience, we need to open our doors and welcome them in now. Almost 13 years ago, the Berkeley Rep School of Theatre developed Teen Council, a theatre engagement program created by teens for teens. The School also introduced Teen Night, a program that includes a ticket to a Berkeley Rep show, a locally catered dinner, and an exclusive interview with an artist involved in the production—all for just $10. Through Teen Night, teens are able to celebrate their love of theatre with other peers through a preshow event and a teen-led post-show discussion, while getting the inside scoop from artists like Liesl Tommy, Emma Rice, and Tony Kushner. Each year, more and more teens join the Bay Area arts community through this program. Five years ago an average of 30 teens attended each of our Teen Nights; now we have to cap events at 100 teens from over 25 schools. This rapid growth clearly demonstrates that teen audiences want to see theatre. The question arises: how do we engage them with the rest of our audience?
“Having large groups of teens in our audience creates an exciting energy,” explains School Director Rachel Fink. “Their eagerness to engage with the performance is contagious, and can be felt throughout the entire theatre.” Last year, the School of Theatre introduced the Teen Night subscriber program to cultivate the habit of theatregoing as a social event. Maya Simon, a leader in the Teen Council, says being a subscriber asks teens to make a commitment from the beginning of the season so “we start to see the same people come back for every Teen Night.” As subscribers, teens get the chance to experience a wide range of theatre with a consistent group of peers. “Being a subscriber at Berkeley Rep was one of the best decisions I ever made!” exclaimed sophomore Abram Blitz. When asked why, teens say that when surrounded by their peers, they are more comfortable taking artistic risks. Being a subscriber “lets me see plays that I probably otherwise would not know about,” says Michael Letang. By offering teen subscriptions, the School of Theatre is educating a new age of literate and sophisticated theatregoers who will engage with the variety of complex themes presented on the stage each season. Being a teen subscriber allows teenagers to be not only a part of our teen community but also a part of the Berkeley Rep family. After participating in Teen Council for four years, David Kaus shares, “As a subscriber, I view Berkeley Rep as basically the coolest place in the world—an institution that looks towards theatre’s future.” Teen subscribers are part of the future of their hometown theatre and the next generation of theatre-educated artists, advocates, and audience members. Do you have a teen who would be interested in our next Teen Night: Head of Passes on Friday, April 24? Email email@example.com for more information.
BANNED F RY O O T IP IS CT H NSOR SH E L E E C A S ND TR IC A L A E F A TUF THE TA R S T E R N WE
BY JULIE MCCORMICK
1643 Molière rejects the inheritance of his father’s title and chooses, instead, to follow his theatrical dreams, cofounding the troupe Théâtre Illustre with his lover-collaborator, Madeleine Béjart. September 25 and November 26, 1664 Private performances of the original Tartuffe are given at Villers-Cotterêtes and Château du Rancy.
PRODUC TION HISTORY
BY LEXI DIAMOND Since its scandalous start in the 1600s, Molière’s Tartuffe has been translated, adapted, and produced around the world. We’ve highlighted some of the most intriguing moments in its production history. 1 6 · T H E B E R K E L E Y R E P M AG A Z I N E · 2 0 1 4 –1 5 · I S S U E 5
January 15, 1622 Molière is born Jean-Baptiste Poquelin, the son of a wealthy court upholsterer.
May 12, 1664 The original, three-act version of Tartuffe is performed at the Palace of Versailles for the court of Louis XIV. Because of its perceived commentary on the Catholic Church, the Sun King receives pressure the archbishop of Paris to ban the play. No text from this original version survives.
If you sat in this seat 350 years ago, you would be risking excommunication and arrest. From 1664 to 1669, Molière’s classic farce Tartuffe was banned from public performances. Now, it is a beloved part of the Western theatrical canon that finds new relevancy with every generation of artists and audiences. But what was so inflammatory about this play that made archbishops and kings take notice? CO N TIN U E D O N N E X T PAG E
August 5, 1667 The first revised version, now five acts and called L’Imposteur, is performed in the Théâtre du Palais-Royal. This version is also banned. An anonymous letter speculated to be penned by Molière himself is published defending the comedy from its critics.
1670 In London, actor Matthew Medbourne creates an English translation and adaptation, Tartuffe, the French Puritan, that focuses its religious message on Puritanism to more closely suit its British audience’s own political and social situation.
February 5, 1669 The French Parliament lifts its ban on public performances of the piece, and another revised version, now called Le Tartuffe, is performed at the Palaise-Royal Theatre. This version is published.
1694 Canada’s Catholic clergy attempts to cancel a Quebec troupe’s production of Tartuffe by bribing its sponsor and excommunicating and imprisoning the director and lead actor. This has a profound effect on Canadian theatre for decades to come.
February 17, 1673 Molière dies, collapsing onstage, ironically, during a production of The Imaginary Invalid in which he played the hypochondriac, Argan. 2 0 1 4 –1 5 · I S S U E 5 · T H E B E R K E L E Y R E P M AG A Z I N E · 1 7
Apart from the usual ire that religious critiques draw, the fact that Tartuffe was a piece of theatre made it doubly threatening. In pre-industrialized Europe, the only places that common people could publicly gather were at church and at the theatre. This largely illiterate population looked to the stage not just for entertainment, but also for information and the news. Contrary to today’s reserved audiences, theatregoers in the 16th and 17th centuries were far more raucous and participatory, hurling food, insults, and helpful suggestions at the stage. Mob mentality has the potential to take over any time a group of people assembles, but throw in alcohol, high emotion, and political critiques of a repressive government, and a theatre suddenly turns into a powder keg. Consequently, new plays met with frequent censorship because they threatened the church and crown’s tenuous social control. Molière was writing at a unique moment in French history, when simmering political unrest was about to boil over into decades of revolution and bloodshed. In the late 17th century absolute monarch Louis the XIV still governed matters of taste as well as of state. Opulent dinners and over-the-top events at the lavish Versailles palace drove fashion across the continent; his generous patronage allowed artists to thrive. Until the days of liberté, égalité, fraternité, the king and those who had his ear controlled what was heard on stages at court and in the public sphere. As the 1789 French Revolution drew closer and the aristocracy lost its grip over the people, theatre in Paris grew increasingly bold and political. Despite his popularity with the aristocracy, Molière’s blend of impish humor and damning political critiques captured the revolutionary imagination and secured a place for his plays as enduring national favorites—a reputation that has lasted until today. Tartuffe’s trajectory isn’t unique. Many of the plays we now consider to be classics were banned at some point in their histories, whether in their home countries or abroad. The social and artistic environments that produced the likes of Shakespeare, Ibsen, Tennessee Williams, and Lorraine Hansberry also threatened to obliterate their legacies. The consequences of limiting theatrical expression in France, England, and the
United States has shaped the Western canon just as much as evolving artistic trends or ticket sales. FR ANCE After the French Revolution won new liberties for the common people, state censorship of the theatre nevertheless continued throughout the 18th and 19th centuries. Without the crown’s proprietary grasp on the industry, the theatre scene flourished—the number of venues went from four to nearly 50— but rampant paranoia in the new government led to a censorship law in 1792. Napoleon also tightened existing state control when he formed his empire in the early 1800s: performance houses could only be in prescribed locations, and all scripts needed the censor’s approval before production. Once Napoleon’s empire dissolved and the Charter of 1830 secured the freedom of the press in the newly established monarchy, the state remained fearful of theatre’s disruptive power, and immediately closed Victor Hugo’s 1832 production of L’Roi S’Amuse. Though supposedly a play about François I, the character of the king more closely resembled the current ruler Louis-Philippe; the portrait was not particularly flattering. Despite Hugo’s valiant and impassioned attempts to lift the ban, L’Roi S’Amuse was not performed for another 50 years. Apart from laws prohibiting hate speech and restrictions during the war years, modern France has faced little theatre censure. ENGL AND In England, things weren’t much better. Public theatres were not even allowed in the city of London itself until 1660. While the upper classes could attend private performances within the city limits, the general public had to trudge across the Thames to venues like the Swan, the Globe, and the Rose. The Master of Revels, who coordinated theatrical entertainment in the Elizabethan Court, had the power to shut down controversial productions and could imprison or even torture recalcitrant playwrights. In 1737, the Licensing Act went one step further, declaring that all plays had to be approved by the Lord Chamberlain’s office before they could be performed.
1844 German dramatist Karl Gutzkow writes Das Urbild des Tartuffe, a comedy that depicts the struggles of Molière and his company of actors at the time the play was originally banned. In the final act of Das Urbild, the company performs Tartuffe. 1924 The first film version, Herr Tartuffe, directed by F.W. Murnau, is produced as a silent movie by German motion-picture production company ufa. January 14, 1965 The first Broadway production of Tartuffe opens at the anta Washington Square Theatre.
1717 The Nonjuror, Colley Cibber’s adaptation, is even more Britishized than the previous English incarnation of Tartuffe in 1670. The character Tartuffe becomes Doctor Wolf, an English Catholic priest who incites a rebellion in the home of Sir John and Lady Woodvil. 1 8 · T H E B E R K E L E Y R E P M AG A Z I N E · 2 0 1 4 –1 5 · I S S U E 5
1952 The Johannesburg Repertory Players perform Tartuffe in South Africa. December 4, 1938 Stanislavski and Kedrov’s Tartuffe opens at Moscow Art Theatre.
1968 Die Huigelaar, the first adaptation of Tartuffe in Afrikaans, translated by Gerhard J. Beukes, is produced at the Cape Performing Arts Board in South Africa.
The censor was not only concerned with restricting treasonous material; the Lord Chamberlain’s office also fancied itself an arbiter of good taste and deemed certain words and subject matters inappropriate for public consumption. This law was not officially repealed until 1968. The following day, the Broadway production of Hair, nude hippies and all, opened on the West End. THE UNITED S TATES Though the United States Constitution has protected freedom of speech since the 18th century, a puritanical sense of propriety has been protecting delicate American sensibilities from bawdy content a lot longer. Aristophanes’ comedy Lysistrata, in which the women of Athens withhold sex and occupy the Parthenon to prevent a war, was banned in the U.S. for nearly 60 years under the Comstock Law of 1873. This law, which kept obscene material from being sent through U.S. mail, also prohibited pornography, Tom Jones, and birth control. Stories of schools or communities banning or editing plays because of sensitive (usually sexual) content are a near daily fixture in today’s news. During the Red Scare, censorship of a different sort abounded. From 1938 until 1975, The House Un-American Activities Committee (huac) investigated potential communist threats to United States security. Hundreds were called before the committee, including artists like Bertolt Brecht, Arthur Miller, Hallie Flanagan, and Charlie Chaplin. They were questioned about their political activities, personal lives, and the content of their work in an attempt to ferret out communist connections. Anyone who testified before the committee was blacklisted in Hollywood and New York—no one wanted to risk getting swept up in the witch hunt themselves. This culture of fear not only determined which artists had a public voice, but also fostered a more conservative aesthetic in the work that did get produced. Why do plays endure in spite of the adversity they face? In part, nothing drives ticket sales like a juicy controversy. At the first public performance of Tartuffe, the crowd was so large
May 27, 1980 Kirke Mechem’s comic opera Tartuffe premieres at the San Francisco Opera. To this day, Mechem’s Tartuffe is one of the most performed operas by an American composer.
that members of the audience nearly suffocated, and the production ran for a record 45 nights. Perhaps it is because these stories capture a deeper truth about their times—a truth that is too painful, insightful, or incendiary to be forgotten. Art invites people to think and draw their own connections, which is the most dangerous form of resistance there is. No one can control what goes on in an audience. It’s alive, and anarchic. Our imaginations take us outside of ourselves, our laughter helps us to remember our humanity, and our shared experience of a moment unites us as one. A group of people sitting in a room, listening together, and using their imaginations will always be a powerful and political act.
April 19, 1990 Tara Arts, a South Asian theatre company in Britain, creates a production of Tartuffe for the National Theatre that features an all-Asian cast and uses techniques from commedia dell’arte enmeshed with Indian theatre traditions.
1984 Berkeley Rep produces Tartuffe as part of its 1984–85 season. This production of the Richard Wilbur translation is directed by Albert Takazauckas and stars Charles Dean in the title role.
15 CLASSIC PLAYS THAT HAVE BEEN CENSORED OR BANNED : Angels in America Tony Kushner The Crucible Arthur Miller Long Day’s Journey into Night Eugene O’Neill The Importance of Being Earnest Oscar Wilde Ghosts and A Doll’s House Henrik Ibsen Jesus Christ Superstar Andrew Lloyd Weber and Tim Rice M. Butterfly David Henry Hwang The Vagina Monologues Eve Ensler West Side Story Arthur Laurents (book), Leonard Bernstein (music), Stephen Sondheim (lyrics) Hamlet, Henry IV part 2, Richard II, King Lear, and The Merchant of Venice William Shakespeare
January 9, 2003 Tartuffe opens on Broadway at the American Airlines Theatre, directed by Joe Dowling. The very same year, this historically scandalous show shares Broadway with the newly opened musicals Wicked and Hairspray.
May 30, 1996 Broadway’s Circle in the Square Theatre produces an adaptation called Tartuffe: Born Again by Freyda Thomas. This reimagining takes place in an American television studio, where Tartuffe the Televangelist preacher has come to wreak havoc.
May 9, 2014 Director Dominique Serrand’s Tartuffe, starring Steve Epp, opens at South Coast Repertory. It’s the first stop on this co-production’s three-theatre journey, the next leg of which brings them to Berkeley Rep.
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LOOKING FOR THE MAGIC OF THINGS:
jA conversation with Dominique Serrand BY LEXI DIAMOND
Tartuffe director Dominique Serrand is a visionary theatre artist with a long-standing relationship with Berkeley Rep. He took some time with us to shed some light on his journey with this production, and his view on making theatre today.
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Green Bird was particularly fantastic because of its transformative journey. A LOT OF THE SHOWS WE DO TAKE SEVERAL STEPS; WE DO A FIRST TAKE AND THEN WE LEARN FROM WHAT WE’VE DONE, AND WE REFINE. Lexi Diamond: How did your work with Berkeley Rep begin? Dominique Serrand: It began with Don Juan, which was our first attempt as a company to work with an opera and a play, with opera singers and actors. It came from doing research on the legend of Don Juan—as you know there are so many Don Juans. We had our eyes set on Molière’s, and of course we had to listen again to the opera. After I heard Giovanni, I realized that there was no way I could ever do Don Juan without Mozart, because his music is so moving, so tragic, supernatural at times. So we mixed, very freely, Molière and Mozart, a fantastic and daunting experience. It was on the Thrust Stage, and we had an electric car that actually moved—it was a rope trick—with Don Juan and Don Giovanni on the front seat, and Sganarelle and Leporello in the back seat. It was a ’56 Chevy convertible with a rigged electric motor, thanks to your incredible technical crew who found the car, gutted it, made it into a convertible, and made it move. One of the most memorable moments was Steve Eppp as Sganarelle. When he rants in act three, he was on top of the hood while we were driving and going wild in circles. It was just beautiful and haunting. Can you talk a little bit about your approach to creating work? I’ve heard it described as devised and physical…. You know, I am not sure what devised means. I think it means everything I’ve done since I was a kid, which is to go find a space and create a piece in it that’s relevant to the world we live in today. So if that’s what devised means, that’s what we are doing…more specifically we combine artistic elements so they shape themselves together. Everything arrives at the room at the same time: the thought, the space, the company. And everything gets put together because of the particular people in the room, and always somewhat tied to the society of artists who are in that room at that time. The starting point is defined by the vision: why do this piece? At the time of Don Juan, we felt there was such a level of political hypocrisy that it was time to do the piece, with the great threat of the religious right coming back very strongly. Then once in a while we just say, “Okay, enough of this. Let’s do a funny thing. Something that brings us joy, something ridiculous about the stupidity we live in.” And then we look at the magic of things, and that’s how we did Green Bird. Green Bird was particularly fantastic because of its transformative journey. A lot of the shows we do take several steps; we do a first take and then we learn from what we’ve done, and we refine. Green Bird started at Yale—it was very big. Too big! And then we reduced. The main element of the stage was sand. And the sand was trapped. So actors could come through the sand, which was magnificent. I played in it, I came through the sand. We had sand in our beds for the entire thing.
By the time it came to Berkeley Rep it had become a Japanese–influenced Italian buffo of sorts. That was a beautiful, very magical production. Not just farcical, but very beautiful as well.
That’s the impression that I get of your aesthetic—that you mix the dark with the humorous, and throw it all together in really grand, epic images. We try. We try. Although it depends on what the production is—some of them are epic and magical. I think that Tartuffe is more epic and less magical. There’s no set change, it’s all in one day, one long light cue (it’s made up of 400 cues, of course, but it should feel like one). It’s more like a tragic epic piece, with Molière’s vitriolic humor of course. What drew you to Tartuffe, and what keeps drawing you back to Tartuffe? First of all, I love to go back and do a production again, learning from the first time. You know, we rehearse so little. We used to rehearse 12 weeks, and now we are down to four and a half, five weeks, whatever, which is barely enough time to even touch the piece. So we like to remount and rework a piece. The first Tartuffe came after Congress went to the republicans. Ha! Really?! And we heard all the horrendous stuff that they were saying about art and pornography, and the attacks against Mapplethorpe and all these great artists as pornographers. It was basically an attack on the National Endowment for the Arts, and an attack on artists in general. And we said, “Okay, well now it’s time to do Tartuffe.” So that was the first time. Can you speak a little bit about your relationship with your actors? The beautiful thing when you have a company of actors, which I’ve always had, even now, is that we grow. So Luverne Seifert, who started playing the young lover, now plays the father. Others have moved to play different parts over the years, so they all know how the parts play. And it all comes from a formidable legacy, the old commedia dell’arte companies where you learn the young parts as you start your career and then you learn the middle-aged parts and then you learn the old parts. And by the time you get to be the old ones, you’ve played all of them, so there’s a familiarity and a language within the company, which is very rare to see. With such a strong relationship with the members of your company, what’s it like to add new ensemble members when you go to a new city? Well, we’re always looking to replace people. A good example is when we did The Miser, which toured around the country, we knew from the first performance at American 2 0 1 4 –1 5 · I S S U E 5 · T H E B E R K E L E Y R E P M AG A Z I N E · 2 1
Repertory Theatre that some of the actors would leave and other actors who were not part of the creation would replace them. So there would always be someone new on the stage, someone fresh that could somehow bring some oxygen into the room, a new interpretation. Then some of the actors would come back and do it for a while, and learn that the show had moved and evolved. So we’re very used to bringing in new people. And we always hope it goes well!
It’s always a bit puzzling for me when we are in Minneapolis to hear people wonder, “You’re done. This was part of the past.” And we say: No, we’ve moved on, but we’re still here! We’re in a different place and we pursue the work. It’s not about brick and mortar, it’s about human capital.
And what’s your relationship like with designers, whom you mentioned you work with very closely in the room? Well, my relationship, for instance, with Marcus [Dilliard], who’s the lighting designer and whom I’ve worked with for decades, is quite simple. We talk at length about the vision, the space, the purpose of the production. We talk at really great depth about how it should work rhythmically with, and how we create an image, a picture—I hate to say picture because I’m not a director who works with pictures—how we create a movement and an emotion with lights. And then I sit in the room and he lights it. And we rarely tech. I go through the show and he lights it and he times it. And we have more conversations and the next day we come back and he makes some changes. But we don’t actually stop and tech, step by step. Of course, if a light is particularly tricky, we have to make sure the actors are aware of that light so they know how to live in it. So that’s my relationship. We have long conversations, we’re very close, but I never stop, I never ask for a light, I never say, “I think that’s too dark.” I say “You’re making me look like I’m doing something so somber, so intellectually complex.” And he adjusts and comes up with some beautiful adjustment that I barely notice, actually. I just look at the scene and say, “It’s the same as yesterday, only now I can see it beautifully.” Of course, this would not be possible if we did not know each other very well. There is friendship and a lot of trust involved, besides enormous talent.
How does farce play a role in this production? Well, yes, Tartuffe was created, in its first version, as a farce in three acts. The production we’re doing is a production that is a result of all the censorship and all the rewrites—a production in five acts, the final one that he wrote. And so we looked at it very differently. We said, “Well, if the first one was a farce about devouts and bigots, the last iteration is one that is absorbed with the pain caused by the censorship and the absolute meanness that surrounded the production.” So our production reflects the fight that Molière was going through. It’s not at all a farcical interpretation. It’s more of a tragic approach. But at the same time, of course, the funny scenes, comedy scenes between lovers and servants are funny because they are.
Is that the same way that you made work with Jeune Lune? Absolutely. The operation closed, unfortunately, because it was in debt. A very sad story indeed. But the artists remained.
What is the appetite like for farce in today’s audiences? I’ve been distancing myself from farce for some time, at least a decade. I pursue the humor, of course, which is necessary. A part of me is funny, and that’s the way we are. But I think it takes different tones with maturity. I think you can see it reflected in the older artists, where it becomes more muscular. The farce was more present in the younger years as a company. Of course when you’ve done it for many years, it’s part of your muscle, so it’s always there somewhere. I think a great example is Luverne, who plays Orgon, the patriarch. Luverne has worked with me for years. He is a natural comic actor, extremely funny. And I asked him to not be funny at all. And it’s beautiful: really naturally funny actors, when they turn to tragedy, are often CO N TIN U E D O N PAG E 4 0
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Dominique Serrand and Brian Baumgartner in Green Bird P H OTO BY K E N F R I ED M A N
Steven Epp and Dominique Serrand in Figaro P H OTO CO U R T E S Y O F K E V I N B ER N E .CO M
Two decades with Steven Epp � Dominique Serrand BY LEXI DIAMOND
Bay Area audiences have enjoyed a steadfast romance with Steven Epp and Dominique Serrand, and this year’s production of Tartuffe marks 20 years since they began their celebrated liaison with Berkeley Rep. These theatre-makers originally came to Berkeley as members of Theatre de la Jeune Lune, a beloved Minneapolis–based theatre company. Serrand co-founded Jeune Lune in France in 1978 shortly after graduating from École Internationale de Théâtre Jacques Lecoq. Epp joined the company in 1983, and in 1985 Jeune Lune moved permanently to the Twin Cities. Jeune Lune served as a force of challenging, nontraditional works of drama for 30 years, winning the Regional Theatre Tony Award in 2005. Jeune Lune was known for creating innovative works of highly physical theatre. They built original pieces and adaptations by exploding and exploring source material to find new and relevant stories. Imaginative, absurd, and visually rich, Jeune Lune’s work was infused with elements of acrobatics, clowning, mime, and commedia techniques that the company’s founders studied under Jacques Lecoq, renowned physical theatre pioneer. They performed their pieces not only
in their warehouse space in Minneapolis (where the company members were affectionately known by the community as “Luneys”), but also in regional theatres across the country. Though Jeune Lune shut down in 2008, Serrand and Epp have continued to create work together as co-artistic directors of the Moving Company. Berkeley Rep’s relationship with Jeune Lune began in 1994. Tony Taccone—then Berkeley Rep’s associate artistic director—recalls, “I flew out to see their production of Green Bird and was knocked out.” Taccone brought them to the West Coast, where they performed Don Juan Giovanni, their operatic mash-up of Mozart’s Don Giovanni, Molière’s Don Juan, and other classical texts. Over the next several years, Jeune Lune affiliated artists have graced Berkeley Rep’s stages many more times, bringing us Green Bird (2000), Haroun and the Sea of Stories (2002), The Miser (2006), Figaro (2008), A Doctor in Spite of Himself (2012), and Accidental Death of an Anarchist (2014). On each visit, these artists wore many different hats, sometimes serving as adaptors, directors, performers, designers, or combinations of these roles. In the two decades since Serrand and Epp began sharing their work here, they’ve established a relationship with the Berkeley Rep community. Epp celebrated this bond in an interview with SFGate, saying, “I feel like I’ve built up a nice little history with the audience, a relationship…. Work becomes more rewarding when you have that. They see a range of your work and get to know you.” This familiarity provides an opportunity for the artists and audiences alike to take bigger risks with each piece. What’s more, every show that Serrand and Epp bring to the bay becomes part of a larger conversation with Berkeley Rep’s audiences. This conversation is deepened and made more complex with each visit, giving each return, each new chapter, a unique dynamism. Such a vital connection between audience and artists is so rare and so special in theatre today.
Dominique Serrand and Steven Epp in Don Juan Giovanni
Steven Epp and David Rainey in The Miser
P H OTO BY K E N F R I ED M A N
P H OTO CO U R T E S Y O F K E V I N B ER N E .CO M
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N E X T AT B E R K E L E Y R E P
“Unbelievably powerful…beautiful… an extraordinary play.” —WBEZ RADIO
By Tarell Alvin McCraney Directed by Tina Landau STARTS APRIL 10
Cheryl Lynn Bruce PHOTO BY MICHAEL BROSILOW
S E A SO N S P O N SO R S
Berkeley Repertory Theatre, in a coproduction with South Coast Repertory and Shakespeare Theatre Company, presents
B E RKE LE Y RE PE RTO RY TH E ATRE TO NY TACCO N E , MICHAEL LEIB ERT ARTIS TIC D IREC TO R SUSAN M E DAK , M ANAGIN G D IREC TO R
ADAP TE D BY
D IREC TE D BY
Dominique Serrand M ARCH 13–APRIL 12 , 2015 RO DA TH E ATRE · LIM ITE D S E A SO N Tartuffe is made possible thanks to the generous support of SEASON SPONSORS
Jack & Betty Schafer The Strauch Kulhanjian Family
Valere Christopher Carley* Tartuffe Steven Epp* Elmire Sofia Jean Gomez* Damis Brian Hostenske* Laurent Nathan Keepers* Mariane Lenne Klingaman* Cleante Gregory Linington* Madame Pernelle/Officer Michael Manuel* Orgon Luverne Seifert* Dorine Suzanne Warmanen* Ensemble Michael Uy Kelly, Maria Leigh, Becca Lustgarten, Todd Pivetti
LE A D S P O N S O R S
Bruce Golden & Michelle Mercer E XECU TIV E S P O N S O R S
Shirley D. & Philip D. Schild Guy Tiphane SPONSORS
Thalia Dorwick David Hoffman & Joan Sarnat Dugan Moore A S S O CIAT E S P O N S O R S
Hitz Foundation Dale & Don Marshall Pat Rougeau Cynthia & William Schaff
PRO D U C TI O N S P O N S O R
PRODUC TION S TAFF Scenic Design Dominique Serrand & Tom Buderwitz Costume Design Sonya Berlovitz Lighting Design Marcus Dilliard Sound Design Corinne Carrillo Casting Joanne DeNaut, csa Amy Potozkin, csa Production Stage Manager Michael Suenkel*
* Denotes a member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. David Ball’s adaptation of Tartuffe is presented in arrangement with Graham Agency, New York (firstname.lastname@example.org)
Affiliations Partial support of open captioning is provided by Theatre Development Fund.
The director is a member of the Society of Stage Directors and Choreographers, Inc., an independent national labor union. The Scenic, Costume, Lighting, and Sound Designers in lort Theatres are represented by United Scenic Artists Local usa-829, iatse.
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BE R K E L E Y R E P P R E S E N T S Christopher Carley VA L E R E
Christopher is pleased to be working at Berkeley Rep for the first time. His New York credits include, on Broadway, The Beauty Queen of Leenane (dir. Gary Hynes); off Broadway, A Skull in Connemara (Roundabout Theatre Company) and Once in a Lifetime (Atlantic Theater Company); and off off Broadway, On the Nature of Religion (Atlantic Theater Company) and Suspicious Package (Wordmonger Productions). Regionally, he has appeared in The Cripple of Inishman (Portland Center Stage) and Poor Beast in the Rain (dir. Wilson Milam). In film and television, some of his credits include Gran Torino (dir. Clint Eastwood), Lions for Lambs (dir. Robert Redford), Garden State (dir. Zach Braff), Agent Orange (dir. Tony Scott), The Sopranos, House, csi: NY, The Crazy Ones, Law & Order: svu, Studio 60 on the Sunset Strip, Numb3rs, Veronica Mars, Ro, Ed, and Campus Ladies. Christopher received his bfa from New York University’s Tisch School of The Arts. Follow him on twitter @carleychristoph.
Steven Epp TA R T U F F E
Steven has appeared at Berkeley Rep in Accidental Death of an Anarchist, A Doctor in Spite of Himself, Figaro, The Miser, Don Juan Giovanni, and he adapted The Green Bird. He is an actor, writer, and co-artistic director of the Moving Company, based in Minneapolis, where his acting/writing credits include The House Can’t Stand, Come Hell and High Water, Out of the Pan Into the Fire, and Imaginary Invalid at Playmakers, Massoud for Center Theatre Group, Tartuffe at South Coast Rep, and Love’s Labour’s Lost at Actors Theatre of Louisville. His regional credits include productions at the Guthrie Theater, Ten Thousand Things, Yale Repertory Theatre, the Jungle Theater, La Jolla Playhouse, Trinity Repertory Company, Spoleto Festival, American Repertory Theatre, the Alley Theatre, Intiman Theatre, Center Stage, the Shakespeare Theatre Company, Seattle Repertory Theatre, and the New Victory Theater off Broadway. Steven was an actor, writer, and co-artistic director at Theatre de la Jeune Lune, winner of the 2005 Tony Award for Best Regional Theatre, from 1983–2008. Acting credits include title roles in Tartuffe, Crusoe, Hamlet, Gulliver, Figaro, and The Miser. Steven has co-authored numerous plays including Children of Paradise, winner of the 1993 Outer Critics Circle Award for Best New Play. 26 · T H E B E R K E L E Y R E P M AG A Z I N E · 2 0 1 4 –1 5 · I S S U E 5
He was a 1999 Fox Fellow, a 2009 McKnight Theatre Artist Fellow at Playwrights’ Center, and a 2013 Beinecke Fellow at Yale University, and won the 2012 Helen Hayes Award for Best Actor as Truffaldino in Servant of Two Masters. Steve holds a degree in Theatre and History from Gustavus Adolphus College. He lives in Minneapolis with his wife, and has three grown children.
Sofia Jean Gomez ELMIRE
Sofia is thrilled to be back at Berkeley Rep. Her theatre acting credits include Argonautika and Arabian Nights at Berkeley Rep, Shakespeare Theatre Company, McCarter Theatre Center, and Kansas City Repertory Theatre. She has also performed at Yale Repertory Theatre, the Goodman Theatre, Denver Center Theatre Company, Oregon Shakespeare Festival, Arizona Theatre Company, and the Shakespeare Theatre of New Jersey. Sofia has performed off Broadway at Signature Theatre Company (Angels in America), Manhattan Theatre Club, New Georges, Page 73, and Lake Lucille. Her TV credits include Unforgettable. She graduated from Yale School of Drama. She has received nominations or awards from the Lucille Lortel Foundation, San Francisco Bay Area Theatre Critics Circle, Helen Hayes Awards, and the Denver Post. Most recently Sofia received Best Performances of 2014 in DC for The Tempest at the Shakespeare Theatre.
Brian Hostenske DA M I S
Brian’s theatre credits include Bloody Bloody Andrew Jackson at Center Theatre Group, Edith Can Shoot Things and Hit Them with Artists at Play (Los Angeles Ovation and glaad Media Award nominations), Playboy of the Western World at A Noise Within, The Winter’s Tale and Twelfth Night at Shakespeare Santa Cruz, Mother Courage at La Jolla Playhouse, and Tartuffe at South Coast Repertory. Brian received his bfa from the University of Evansville (Indiana) and his mfa from University of California, San Diego.
Nathan Keepers L AU R E N T
Nathan is returning to Berkeley Rep, where he was seen as La Flèche in The Miser. Nathan, along with Steven Epp and Dominique Serrand, co-runs the Moving Company in Minneapolis, where he has co-conceived, written, directed, and performed (respectively) in For Sale, Out of the Pan Into the Fire, Werther and Lotte, All’s Fair, and Come Hell and High Water. For 11 seasons, Nathan was with Theatre de la Jeune Lune, where he co-created and performed in many productions including Chez Pierre, The Little Prince, Amerika, Fishtank, The Deception, The Miser, Tartuffe, and others. In Minneapolis, he has been seen on stage at the Jungle Theater (Waiting for Godot, Fully Committed, The Swan), Ten Thousand Things, the Guthrie Theater, and Children’s Theatre Company. Nationally, Nathan has worked at South Coast Repertory, PlayMakers Repertory Company, American Repertory Theatre, Actors Theatre of Louisville, the Alley Theatre, La Jolla Playhouse, and the Folger Theatre in Washington, DC. He has studied with Pierre Byland in Switzerland and Philippe Gaulier in London.
Michael Uy Kelly ENSEMBLE
This is Michael’s first role with Berkeley Rep. Other previous credits include Mutt: Let’s All Talk About Race with Impact Theatre and Ferocious Lotus Theatre, 410 [Gone] with Crowded Fire Theater, and Tenderloin with the Cutting Ball Theater. Michael earned his BA in Theatre Arts from San Francisco State University, focusing on acting, directing, and stagecraft.
Lenne Klingaman MARIANE
Lenne is making her Berkeley Rep debut. She grew up in San Francisco in the Mission and is thrilled to be back in the Bay Area. Her recent credits include the world premiere of James Still’s Appoggiatura and Juliet in Romeo & Juliet (Denver Center Theatre Company); Anna in Anna Karenina (Capital Stage); Mariane in Tartuffe (South Coast Repertory); Viola in Twelfth Night, The Three Musketeers, and A Midsummer Night’s Dream (Shakespeare Santa Cruz); Richard III (Intiman Theatre); Flight (P3/
east); The Rehearsal, Richard III, and Noises Off (A Noise Within); and Measure for Measure and The Fantasticks (Colorado Shakespeare Festival). Lenne’s television and film credits include Cold Case, Twenties (a web production from the creators of Dear White People), Love: As You Like It, The Exchange, and various 5-Second Films. She recently starred in The Lizzie Bennett Diaries spin-off Welcome to Sanditon. Lenne received her mfa in Acting from the University of Washington.
Maria Leigh ENSEMBLE
Maria is a Bay Area actor who has worked locally and internationally with many companies. Her recent credits include Late: A Cowboy Song at Custom Made Theatre Company, Macbeth at Fort Point and The Odyssey on Angel Island with We Players, ‘Tis Pity She’s a Whore with the Breadbox, and Chamber Macbeth and Tartuffe with Rapid Descent Physical Performance Company. Maria has also collaborated and performed with foolsfury, San Francisco Theater Pub, Centro Estatal de las Artes (Mexicali, MX), the Cutting Ball Theater, Ragged Wing, La Tropa, and the Thunderbird Theatre Company. For more information, please visit marialeigh.com.
Gregory Linington CLEANTE
Gregory’s New York credits include The Unfortunates at Joe’s Pub at the Public Theater and Throne of Blood at Brooklyn Academy of Music. He has also appeared in The Tempest at the Shakespeare Theatre Company, Romeo & Juliet at Shakespeare Center of Los Angeles, Tartuffe at South Coast Repertory, End of the Rainbow at Center Theatre Group, Equivocation at Arena Stage, and Welcome Home, Jenny Sutter at the Kennedy Center. He is a 12-year company member of the Oregon Shakespeare Festival, where he has performed in Love’s Labor’s Lost, Julius Caesar, Merchant of Venice, King Lear, The Tempest, The Cherry Orchard, Equivocation (world premiere), and Oedipus Complex (world premiere), among others. Gregory is also a company member of Misery Loves Company in Prague, appearing in As You Like It, Cloud Nine, Angels in America, and The Age of Reason (world premiere), among others. His film and TV credits include Heat of Deeds, Persuasion, Harrison’s Flowers, Grey’s Anatomy, Shameless, Major Crimes, and The West Wing. He has taught at Southern Oregon University, Oregon Shakespeare Festival, and Los Angeles High School Shakespeare Project. Gregory received his training from the Groundlings,
siti Company at Skidmore College, and Pacific Conservatory for the Performing Arts. Visit gregorylinington.com.
Becca Lustgarten ENSEMBLE
Becca is thrilled to be making her Berkeley Rep debut. Her recent credits include Tartuffe and Death of a Salesman (South Coast Repertory). Her other favorite credits include Three Sisters at Williamstown Theatre Festival, directed by Michael Greif; Joseph and the Amazing Technicolor Dreamcoat at the Hangar Theatre, directed by Kevin Moriarty; and a number of new plays developed and produced by the Actors Studio (nyc) and Primary Stages Einhorn School of Performing Arts. She received her bfa in Theatre Arts from Boston University and studied at the Accademia dell’Arte in Arezzo, Italy. In addition to her theatrical work, Becca is a writer and musician.
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BE R K E L E Y R E P P R E S E N T S Michael Manuel
Michael is happy to be making his Berkeley Rep debut. He was most recently seen in Impro Theatre’s Western Unscripted at the Falcon Theatre in Los Angeles. Michael has worked in regional theatres across the country including Seattle Repertory Theatre, the Empty Space Theatre, South Coast Repertory, Yale Repertory Theatre, Theatre for a New Audience, New Jersey Shakespeare Festival, Manhattan Theatre Club, the Mark Taper Forum, Cornerstone Theater Company, Shakespeare Center of Los Angeles, A Noise Within (Dramalogue and LA Critics Circle awards), the Geffen Playhouse, Upright Citizens Brigade, Ojai Playwrights Conference, InterAct Theatre Company (LA Weekly and Ovation awards), the Pasadena Playhouse, Main Street Theatre, Playwrights Horizons, About Productions, and Parson’s Nose. His television and movie credits include Without a Trace, Medium, National Treasure, Los Americans, and the upcoming feature The Millionaires’ Unit. Michael is a graduate of the Yale School of Drama.
Luverne last performed at Berkeley Rep in Don Juan Giovanni. His performance credits include The 39 Steps, Servant of Two Masters, The Government Inspector, and The Ugly One (the Guthrie Theater); Music Man, Measure for Measure, Vasa Lisa, Man of La Mancha, My Fair Lady, Othello, Raskol, Richard the Third, Little Shop of Horrors, and Antigone (Ten Thousand Things); and For Sale (the Moving Company). His other theatre credits include Polonius in Hamlet (off Broadway, New Victory Theater); Tartuffe, Amerika, The Three Musketeers, Chez Pierre, Children of Paradise, Gulliver, Twelfth Night, The Hunchback of Notre Dame, Yang Zen Froggs, and Germinal (Theatre de la Jeune Lune, where he was an artistic associate); The 39 Steps (Arizona Repertory Theatre); Tales of a West Texas Marsupial Girl, Antigone, and The Lion, the Witch and the Wardrobe (Children’s Theatre Company); and productions at La Jolla Playhouse, South Coast Repertory, Trinity Repertory Company, ArtsEmerson, and Spoleto Festival. He is currently a teaching specialist at the University of Minnesota. He received a 2003 McKnight Theater Artist Fellowship and a 2009 Ivey Award. Luverne trained at Augsburg College and Burlesque Center for Clown, Switzerland.
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E R ’ UA O Y
R A T S
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Todd Pivetti ENSEMBLE
Todd is thrilled to be making his Berkeley Rep debut. He has most recently appeared in The Balcony with Collected Works at the Mint in San Francisco, Cock at the New Conservatory Theatre Center, The Speakeasy with Boxcar Theatre, Threepenny Opera with San Jose Stage Company, Julius Caesar (tour) with the San Francisco Shakespeare Festival, A Midsummer Night’s Dream and The Imaginary Invalid with Pacific Repertory Theatre, Twelfth Night and The Mandrake at Shakespeare Santa Cruz, and he played Peer Gynt in Peer Gynt at UC Santa Cruz as his master’s thesis. Todd has also done numerous readings and workshops with Playwrights Foundation, Crowded Fire Theater, and the Playwrights’ Center of San Francisco.
Suzanne Warmanen DORINE
Suzanne is making her Berkeley Rep debut. Her theatre credits include Vanya and Sonia and Masha and Spike, Pride and Prejudice, The Winter’s Tale, Macbeth, The Importance of Being Earnest, A View from the Bridge, Lost in Yonkers, Pirates of Penzance, Hedda Gabler, The Playboy of the Western World, Summer and Smoke, A Midsummer Night’s Dream, Much Ado About Nothing, The Rover, A Doll’s House, Top Girls, Tone Clusters, Naomi in the Living Room, and A Christmas Carol all at the Guthrie Theater; Vanya and Sonia and Masha and Spike at Arizona Theatre Company; A Lovely Sunday for Creve Coeur at Gremlin Theatre; All’s Fair/The War Within at the Moving Company; Amerika, or the Man Who Disappeared at Theatre de la Jeune Lune; and Measure for Measure at Ten Thousand Things. Her recordings include the vocal CD All Around Woman. She appeared in the film Herman, u.s.a. Suzanne earned her mfa at the University of Minnesota, Twin Cities, and her bfa at the University of Minnesota, Duluth. She is the recipient of the 2009 Society of Promethians award.
David Ball A DA P T E R
David is an award-winning playwright, director, novelist, and drama theoretician who wrote Backwards and Forwards, the standard script analysis textbook for the past quarter century. He was dramaturg and playwright at Minneapolis’s Guthrie Theater in the 1970s; professor of acting, directing, playwriting, and dramaturgy at Carnegie Mellon University in the early 1980s; artistic director of Pittsburgh’s Metro Theater; and director of Duke University Drama through 1991. His plays and adaptations have been staged at major regional theatres and off Broadway, including The Miser and Tartuffe for Tony Award–winning Theatre de la Jeune Lune. His Swamp Outlaw, a Civil War–era novel of Lumbee Indian Henry Berry Lowery and his outlaw raiders, is a Kindle favorite. He has had the privilege of working with director Dominique Serrand for 25 years. In a baffling (even to himself) career change, for 15 years, David has been America’s most influential jury consultant. His favorite job ever: taxi driver in 1961.
The Academy of St Martin in the Fields featuring Jeremy Denk M A R 1 5 -1 6 Conductor and pianist Jeremy Denk performs works of Bach and Stravinsky while touring with the Academy of St Martin in the Fields, one of the world’s most highly regarded chamber orchestras.
DIREC TOR/SCENIC DESIGNER
Dominique has directed several shows at Berkeley Rep, including Figaro, The Miser, Haroun and the Sea of Stories, The Green Bird, and Don Juan Giovanni. He is co-artistic director of the Moving Company, with Steven Epp, a company dedicated to creating new work and reimagining work from the past. A Paris native, Dominique was artistic director and one of the co-founders of Theatre de la Jeune Lune from 1978 to 2008. He studied at the National Circus School and the Ecole Jacques Lecoq in Paris. Dominique has acted, conceived, directed, and designed for most Jeune Lune productions for more than 30 years, concentrating primarily on directing. His directing credits include The Kitchen, Lulu, The Bourgeois Gentleman, Romeo and Juliet, Red Noses, 1789, Children of Paradise: Shooting a Dream, 3 Musketeers, The Pursuit of Happiness, Queen Elizabeth, Tartuffe, Gulliver, The Seagull, The Miser, The Little Prince, and Amerika, or the Disappearance. He staged several operas including The Magic Flute, Cosi Fan Tutte, Don Juan Giovanni, Figaro, Carmen, Maria de Buenos Aires, and Mefistofele. Dominique has directed on numerous stages including PlayMakers Repertory, La Jolla Playhouse, Yale Repertory Theatre, American Repertory Theatre, Actors Theatre of Louisville, the Guthrie Theater, Alley Theatre, and Children’s Theatre Company, amongst others. He is a usa/Ford and Bush fellow. In 2005, Theatre de la Jeune Lune received a Tony Award for best regional theatre. Dominique has been knighted by the French government in the order of Arts and Letters.
CO -SCENIC DESIGNER
Tom has designed for South Coast Repertory, Center Theatre Group, the Geffen Playhouse, the Pasadena Playhouse, the Goodman Theatre, Intiman Theatre, Portland Center Stage, the Denver Center Theatre Company,
Handel & Haydn featuring principal trumpet Mark Inouye M A R 1 8 , 2 0 -2 1 Ton Koopman conducts Haydn’s Symphony No. 98 and the Suite No. 1 from Handel’s graceful Water Music. SFS principal trumpet Mark Inouye shines in Haydn’s Trumpet Concerto. INOUYE
Bychkov conducts Bruckner M A R 2 5 -2 7 Semyon Bychkov leads Bruckner’s colossal Eighth Symphony, hailed in its time by composer Hugo Wolf as “the absolute victory of light over darkness.”
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BE R K E L E Y R E P P R E S E N T S the Laguna Playhouse, Chautauqua Theater Company, Arizona Theatre Company, San Diego Repertory Theatre, Artists Repertory Theatre, the Antaeus Company, Reprise Theatre Company, the Theatre @ Boston Court, pcpa Theaterfest, Riverside Theatre, Florida Studio Theatre, Rubicon Theatre Company, Rogue Machine Theatre, Deaf West Theatre, Ensemble Studio Theatre/Los Angeles, and A Noise Within, among many others. Tom has been honored with four LA Stage Alliance Ovation Awards (26 nominations) and three LA Drama Critics Circle Awards. For television, Tom has designed specials and series for every major broadcast and cable network and has three Emmy Award nominations and an Art Directors Guild Award nomination. Please visit tombuderwitz.com.
Sonya previously designed The Green Bird, Haroun and the Sea of Stories, and The Miser at Berkeley Rep. She designed Hamlet for New Victory Theatre, and her regional credits have included the Moving Company, South Coast Repertory, Playmakers Repertory Company, the Children’s Theatre Company, the Guthrie Theater, American Repertory Theatre, La Jolla Playhouse, and Actors Theatre of Louisville. She was the resident costume designer at Theatre de la Jeune Lune between 1980 and 2008; shows included Carmen, Cosi Fan Tutti, Hamlet, The Seagull, The Miser, and Tartuffe. She is a graduate of La Chambre Syndicale de la Couture Parisienne and the School of the Art Institute of Chicago. Sonya has been the recipient of numerous grants and awards including the Bay Area Theatre Critics Circle’s Best Costume Design Award (The Green Bird, 2000), a Minnesota State Arts Board Initiative Grant (2005 and 2013), and a McKnight Theatre Artist Fellowship (1999).
Marcus has previously designed Figaro, The Miser, Haroun and the Sea of Stories, The Green Bird, and Don Juan Giovanni for Berkeley Rep. He has designed for theatre, opera, and dance across North America and in Europe, including numerous productions for Theatre de la Jeune Lune, the Guthrie Theater, Theater Latté Da, Minnesota Opera, Minnesota Orchestra, Children’s Theatre Company, American Repertory Theatre, and Intiman Theatre. He has also designed for Penumbra Theatre, Dallas Theater Center, the Shakespeare Theatre Company, the Athens Festival, Arena Stage, Seattle Repertory Theatre, Oregon Shakespeare Festival, Actors Theatre of Louisville, Minnesota Dance Theatre, Black Label Movement, Flying Foot Forum, Katha Dance Theatre, Portland Opera, San Diego Opera, the Spoleto Festival (Italy), Flanders Opera, Opera Philadelphia, Opera Pacific, Ordway Music Theater, Pittsburgh 3 0 · T H E B E R K E L E Y R E P M AG A Z I N E · 2 0 1 4 –1 5 · I S S U E 5
Opera, Fort Worth Opera, Vancouver Opera, Le Opera de Montreal, Canadian Opera Company, Chicago Opera Theater, and Boston Lyric Opera. He is the recipient of an Ivey Award, a Sage Award, and two McKnight Theater Artist Fellowships. He is the head of the design and technical theatre program at the University of Minnesota and is a member of United Scenic Artists, the U.S. Institute for Theatre Technology, and is a graduate of Boston University’s School for the Arts.
Corinne is a freelance sound designer based in Orange County. At South Coast Repertory she has designed the world premiere of Adam Rapp’s Purple Lights of Joppa Illinois, Tartuffe, Charlotte’s Web, The Miraculous Journey of Edward Tulane, and The Long Road Today, which was a part of scr’s theatre project Dialogue/Diálogos. She previously served as the resident sound designer for the Laguna Playhouse. Some of her sound designs include Shirley Valentine, Private Lives, Marvelous Wonderettes: Caps and Gowns, Plaid Tidings, Chapter Two, Having It All, and Steel Magnolias. She is the resident sound designer for Breath of Fire Latina Theater Ensemble, for whom she designed the world premiere of Angel of the Desert at scr. She has designed two world premiere musicals at the Oregon Shakespeare Festival, The Unfortunates and The Cocoanuts. She is a graduate of UC Irvine’s mfa program in sound design.
Joanne DeNaut, CSA CASTING DIREC TOR
Joanne is the full-time casting director for South Coast Repertory, casting over 175 productions in addition to all readings and workshops, including NewSCRipts and scr’s annual Pacific Playwright’s Festival. Other work includes casting for Center Theatre Group, Shakespeare Center of Los Angeles, Seattle Repertory Theatre, and La Jolla Playhouse. She also casts for the University of Southern California’s mfa New Works Festival. Film credits include work with Octavio Solis, Juliette Carrillo, Mark Rucker, and the American Film Institute. Joanne teaches auditioning for both scr’s Intensive Acting Program and Saddleback Community College. She received her BA from the University of California, Irvine. As a member of the Casting Society of America, Joanne was the recipient of four Artios nominations and an Artios Award for Joe Turner’s Come and Gone.
Amy Potozkin, CSA
CASTING DIREC TOR/ A R T I S T I C A S S O C I AT E
This is Amy’s 25th season at Berkeley Rep. Through the years she has also had the pleasure of casting plays for act (Seattle), Arizona Theatre Company, Aurora Theatre Company, B Street Theatre, Bay Area Playwrights Festival, Dallas Theater Center, Marin Theatre Company, the Marsh, San Jose Repertory Theatre, Social Impact Productions Inc., and Traveling Jewish Theatre. Amy cast roles for various indie films, including Conceiving Ada, starring Tilda Swinton; Haiku Tunnel and Love & Taxes, both by Josh Kornbluth; and Beyond Redemptionby Britta Sjogren. Amy received her mfa from Brandeis University, where she was also an artist in residence. She has been a coach to hundreds of actors, has taught acting at Mills College and audition technique at Berkeley Rep’s School of Theatre, and has led workshops at numerous s other venues in the Bay Area. Prior to working at Berkeley Rep, she was an intern at Playwrights Horizons in New York. Amy is a member of csa, the Casting Society of America.
P R O D U C T I O N S TAG E M A N AG E R
Michael began his association with Berkeley Rep as the stage management intern for the 1984–85 season and is now in his 21st year as production stage manager. Some of his favorite shows include 36 Views, Endgame, Eurydice, Hydriotaphia, and Mad Forest. He has also worked with the Barbican in London, the Huntington Theatre Company, the Juste Pour Rire Festival in Montreal, La Jolla Playhouse, Pittsburgh Public Theater, the Public Theater and Second Stage Theater in New York, and Yale Repertory Theatre. For the Magic Theatre, he stage managed Albert Takazauckas’ Breaking the Code and Sam Shepard’s The Late Henry Moss.
The Shakespeare Theatre Company CO -PRODUCER
The Shakespeare Theatre Company’s innovative approach to Shakespeare and other classic playwrights has earned it the reputation as the nation’s premier classical theatre company. By focusing on works with profound themes, complex characters, and poetic language written by Shakespeare, his contemporaries, and the playwrights he influenced, the company’s artistic mission is unique among theatre companies: to provide vital, groundbreaking, thought-provoking, vibrant, and eminently accessible theatre in a uniquely American style. The company’s home is the Harman Center for the Arts, consisting of the 775-seat Sidney Harman Hall and the 451-seat Lansburgh Theatre, both located in downtown Washington’s Penn Quarter neighborhood. The company annually produces eight mainstage plays in
its two downtown theatres as well as one free play each summer. The leadership of Artistic Director Michael Kahn has established the company as “the nation’s foremost Shakespeare company” (the Wall Street Journal). The 2011–12 season marked the 25th anniversary of the Shakespeare Theatre Company in Washington, D.C. and as recipients of the 2012 Regional Theatre Tony Award. For more information, visit ShakespeareTheatre.org.
KATHIE LONGINOTTI REALTOR® and Berkeley Rep Subscriber
South Coast Repertory CO -PRODUCER
Tony Award–winning South Coast Repertory, founded in 1964 by David Emmes and Martin Benson and now under the leadership of Artistic Director Marc Masterson and Managing Director Paula Tomei, is widely recognized as one of the leading professional theatres in the United States. While its productions represent a balance of classic and modern theatre, scr is renowned for its extensive new-play development program, which includes the nation’s largest commissioning program for emerging and established writers. Of scr’s 487 productions, one-quarter have been world premieres. scr–developed works have garnered two Pulitzer Prizes and eight Pulitzer nominations, several Obie Awards and scores of major newplay awards. Located in Costa Mesa, California, scr is home to the 507-seat Segerstrom Stage, the 336-seat Julianne Argyros Stage, and the 94-seat Nicholas Studio. Visit scr.org.
D I R E C T O R /M I C H A E L L E I B E R T ARTISTIC DIREC TOR
During Tony’s tenure as artistic director of Berkeley Rep, the Tony Award–winning nonprofit has earned a reputation as an international leader in innovative theatre. In those 18 years, Berkeley Rep has presented more than 70 world, American, and West Coast premieres and sent 23 shows to New York, two to London, and one to Hong Kong. Tony has staged more than 35 plays in Berkeley, including new work from Culture Clash, Rinde Eckert, David Edgar, Danny Hoch, Geoff Hoyle, Quincy Long, Itamar Moses, and Lemony Snicket. He directed shows that transferred to London, Continental Divide and Tiny Kushner, and two that landed on Broadway as well: Bridge & Tunnel and Wishful Drinking. Prior to working at Berkeley Rep, Tony served as artistic director of Eureka Theatre, which produced the American premieres of plays by Dario Fo, Caryl Churchill, and David Edgar before focusing on a new generation of American writers. While at the Eureka, Tony commissioned Tony Kushner’s legendary Angels in America and co-directed its world premiere. He has collaborated with Kushner on eight plays at Berkeley Rep, including last season’s The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures. Tony’s regional credits include Actors Theatre of Louisville, Arena Stage, Center Theatre Group, the Eureka Theatre, the Guthrie Theater, the Huntington Theatre Company, Oregon Shakespeare Festival, the Public Theater, and Seattle Repertory Theatre.
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BE R K E L E Y R E P PRESENTS profiles As a playwright, he debuted Ghost Light, Rita Moreno: Life Without Makeup, and Game On, written with Dan Hoyle. In 2012, Tony received the Margo Jones Award for “demonstrating a significant impact, understanding, and affirmation of playwriting, with a commitment to the living theatre.”
M A N AG I N G D I R E C T O R
Take the Theatre home with you! The Hoag Theatre Store is better than ever, featuring our new hoodie with earbuds and exclusive items from our staff artisans. Wonderful gifts for you and the theatre-lovers in your life!
Susan has served as Berkeley Rep’s managing director since 1990, leading the administration and operations of the Theatre. She has served as president of the League of Resident Theatres (lort) and treasurer of Theatre Communications Group, organizations that represent the interests of nonprofit theatres across the nation. Susan chaired two panels for the Massachusetts Arts Council and has also served on program panels for Arts Midwest, the Joyce Foundation, and the National Endowment for the Arts. Closer to home, Susan chairs the Downtown Berkeley Association (dba). She is the founding chair of the Berkeley Arts in Education Steering Committee for Berkeley Unified School District and the Berkeley Cultural Trust. She was awarded the 2012 Benjamin Ide Wheeler Medal by the Berkeley Community Fund. Susan serves on the faculty of Yale School of Drama and is a proud member of the Mont Blanc Ladies’ Literary Guild and Trekking Society. She lives in Berkeley with her husband.
G E N E R A L M A N AG E R
Karen joined Berkeley Rep in 1993 as education director. Under her supervision, Berkeley Rep’s programs for education provided live theatre for more than 20,000 students annually. In 1995, she became general manager, and since then has overseen the day-to-day operations of the Theatre. She has represented the League of Resident Theatres during negotiations with both Actors’ Equity Association and the union of stage directors and choreographers. Prior to her tenure at Berkeley Rep, Karen worked for Theatre Bay Area as director of theatre services and as an independent producer at several Bay Area theatre companies. She has served on the boards of Climate Theater, Overtone Theatre Company, Park Day School, and the Julia Morgan Center. Karen is married to arts attorney MJ Bogatin.
A S S O C I AT E D I R E C T O R
Liesl is Berkeley Rep’s associate director and helmed the acclaimed productions of Party People and Ruined. She directed the premieres of Appropriate by Branden Jacobs-Jenkins (Woolly Mammoth Theatre Company, Signature Theatre Company), Party People by 3 2 · T H E B E R K E L E Y R E P M AG A Z I N E · 2 0 1 4 –1 5 · I S S U E 5
universes (Oregon Shakespeare Festival), The White Man—A Complex Declaration of Love by Joan Rang (DanskDansk Theatre, Denmark), Peggy Picket Sees the Face of God by Roland Schimmelpfennig (Luminato Festival/Canadian Stage Toronto), Eclipsed by Danai Gurira (Yale Repertory Theatre, Woolly Mammoth), The Good Negro by Tracey Scott Wilson (the Public Theater, Dallas Theater Center), A History of Light by Eisa Davis (Contemporary American Theatre Festival), Angela’s Mixtape by Eisa Davis (Synchronicity Performance Group, New Georges), and Bus and Family Ties (Play Company for the Romania Kiss Me! Festival). Other credits include American Buffalo, Les Misérables, Hamlet, A Raisin in the Sun, and Ma Rainey’s Black Bottom, as well as a four-city tour of Ruined. She has also worked at California Shakespeare Theater, the Huntington Theatre Company, Center Stage in Baltimore, Oregon Shakespeare Festival, La Jolla Playhouse, and Sundance East Africa on Manda Island in Kenya, among others. Liesl serves as a program associate at Sundance Institute Theatre Program and as an artist trustee with the Sundance Institute’s board of trustees, and she facilitated the inaugural Sundance East Africa Theatre Director’s Lab in Addis Ababa, Ethiopia. Liesl has earned an Obie Award, a Lillian Hellman Award, and the Alan Schneider Award for directing, the inaugural Susan Stroman Directing Award from the Vineyard Theatre, the nea/tcg Directors Grant, and the New York Theatre Workshop Casting/Directing Fellowship. She has taught or guest directed at Yale Repertory Theatre, Juilliard, nyu, and Brown University. Liesl is an alum of Trinity Rep Conservatory and a native of Cape Town, South Africa.
Cal Performances U
S E A S O N
Alvin Ailey American Dance Theater Robert Battle Artistic Director Masazumi Chaya Associate Artistic Director See Bay Area premieres by Moses and Rushing Plus returning favorites, including Revelations
E MG C A L PER FS “Unbelievable. Go see Ailey. It’s change-your-life good.”
—NBC’s Today Show
R E S I D E N T D R A M AT U R G/ D I R E C T O R , T H E G R O U N D F LO O R
Madeleine is the director of The Ground Floor: Berkeley Rep’s Center for the Creation and Development of New Work and the Theatre’s resident dramaturg. She oversees commissioning and new play development, and dramaturged the world premiere productions of X’s and O’s (A Football Love Story), The House that will not Stand, Passing Strange, and In the Next Room (or the vibrator play), among others. As literary manager and associate dramaturg at Center Stage in Baltimore, she produced the First Look reading series and headed up its young audience initiative. Before moving to Baltimore, she was the literary manager at Seattle Children’s Theatre, where she oversaw an extensive commissioning program. She also acted as assistant and interim literary manager at Intiman Theatre in Seattle. Madeleine served for four years on the executive committee of Literary Managers and Dramaturgs of the Americas and has also worked with act (Seattle), Austin Scriptworks, Crowded Fire, the Eugene O’Neill Theatre Center, the Kennedy Center, New Dramatists, Playwrights Center, and Portland Center Stage.
Glenn Allen Sims. Photo by Andrew Eccles
calperformances.org 510.642.9988 CP 020415 ailey 2_3v.pdf
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BE R K E L E Y R E P PRESENTS
Health Care That’s Just Right for You.
profiles Jack & Betty Schafer SEASON SPONSORS
To find a doctor, call (510) 869-6777, or go to altabatessummit.org
facebook.com/ berkeleyrep vimeo.com/ berkeleyrep instagram.com/ berkeleyrep
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Betty and Jack are proud to support Berkeley Rep. Jack, one of the Theatre’s trustees, also sits on the boards of San Francisco Opera and the Straus Historical Society. He is vice-chair of the Oxbow School in Napa and an emeritus trustee of the San Francisco Art Institute, where he served as board chair. Betty, a retired life coach, has resumed her earlier career as a nonfiction writer and poet. She serves on the boards of Brandeis Hillel Day School, Coro Foundation, Earthjustice, and Sponsors for Educational Opportunity (seo).
The Strauch Kulhanjian Family SEASON SPONSORS
Roger Strauch is a former president of Berkeley Rep’s board of trustees and is currently chair of the trustees committee. He is chairman of the Roda Group (rodagroup.com), a venture-development company based in Berkeley focused on cleantech investments, best known for launching Ask.com and for being the largest investor in Solazyme, a renewable oil and bio-products company (Nasdaq: szym, solazyme.com). Roger is chairman of the board of CoolSystems, a medical technology company, and a member of the UC Berkeley Engineering Dean’s college advisory board. He is chairman of the board of trustees for the Mathematical Sciences Research Institute; a member of the board of Northside Center, a mental-health services agency based in Harlem, New York City; and a co-founder of the William Saroyan Program in Armenian Studies at Cal. His wife, Julie A. Kulhanjian, is an attending physician at Oakland Children’s Hospital. They have three children.
Bruce Golden & Michelle Mercer LEAD SPONSORS
Michelle and Bruce have been ardent supporters of Berkeley Rep since 1993, when they moved with two young children in tow to Berkeley. Their favorite evenings at Berkeley Rep were usually the discussion nights where often friends would join them as well. Michelle and Bruce always felt that Berkeley Rep was an exceptional Bay Area cultural treasure as it was willing to support courageous new works and nurture innovative young playwrights. In 2002, Bruce and Michelle moved to London, where they nourished themselves on a steady diet of English theatre (note the proper spelling) until they could return to their beloved Berkeley Rep. They are delighted once again to be back in the very center of leading-edge theatre and are honored to be lead sponsors for two of this season’s great productions. Their two now grown children are also tremendous theatre junkies and will hopefully be joining Bruce and Michelle for some of this season’s performances.
Thalia Dorwick SPONSOR
Thalia became involved with the theatre when, at age 12, she wrote, produced, and starred in a Girl Scout play. Fortunately, she has been only a spectator since then. She is currently the president of Berkeley Rep’s board of trustees, and she also directs the Theatre’s docent program. She believes that Berkeley Rep, where she has enjoyed performances for decades, is the best theatre in the Bay Area. She serves as a vice president of the board of trustees of Case Western Reserve University. She has a PhD in Spanish, taught at the university level for many years, and is the co-author of a number of Spanish textbooks. She retired in 2004 as editor-in-chief of McGraw-Hill Higher Education’s Humanities, Social Sciences, and World Languages group.
Joan Sarnat & David Hoffman SPONSORS
David is a consulting research professor of mathematics at Stanford and a Berkeley Rep trustee. He was an associate director of the Mathematical Sciences Research Institute (msri) in Berkeley and has been involved in producing museum shows about mathematics in the usa, France, and China. Joan is a clinical psychologist and psychoanalyst in private practice in Berkeley.
The Bernard Osher Foundation PRODUC TION SPONSOR
The Bernard Osher Foundation, which supports higher education and the arts, was founded in 1977 by Bernard Osher, a respected businessman and community leader. The Foundation provides scholarship funding to selected colleges and universities across the nation. It also benefits programs in integrative medicine at Harvard University, Northwestern University, ucsf, Vanderbilt University, and the Karolinska Institute. In addition, the Foundation supports a national network of educational programs for seasoned adults, the Osher Lifelong Learning Institutes, which now operate on the campuses of 119 institutions of higher education. Finally, an array of performing arts organizations, museums, and selected educational programs in the San Francisco Bay Area and the State of Maine receive Foundation grants. The Honorable Barbro Osher, Consul General of Sweden in California, chairs the Foundation’s board of directors.
Bay Area Rapid Transit (bart) is a 104-mile, automated rapid-transit system that serves more than 100 million passengers annually. bart is the backbone of the Bay Area transit network with trains traveling up to 80 mph to connect 26 cities located throughout Alameda, Contra Costa, San Francisco, and San Mateo Counties and the Bay Area’s two largest airports bart’s all-electric trains make it one of the greenest and most energy-efficient systems in the world with close to 70 percent of its all-electrical power coming from hydro, solar, and wind sources. Many new projects are underway
to expand bart, allowing it to serve even more communities and continue to offer an ecofriendly alternative to cars. The Oakland Airport Connector opened last fall. For more info, visit bart.gov.
kpix 5 shares a commitment with cbs News to original reporting. “Our mission is to bring you compelling, local enterprise journalism,” emphasized kpix/kbcw President and General Manager Bruno Cohen. “And just like Berkeley Rep, we’re passionate about great storytelling. We strive to showcase unique stories that reflect the Bay Area’s innovative spirit, incredible diversity, and rich culture as well as its challenges.” Sister station kbcw 44 Cable 12 airs the region’s only half-hour newscast at 10pm. Produced by the kpix 5 newsroom, “Bay Area NightBeat” offers viewers a fresh perspective on current events along with a lively—and often provocative—look at what the Bay Area is saying and sharing online and in social media. Both stations are committed to supporting valuable community organizations such as Berkeley Rep, and are proud to serve as season media sponsors.
As the top corporate giver to San Francisco Bay Area nonprofits (according to the SF Business Times), Wells Fargo recognizes Berkeley Rep for its leadership in supporting the performing arts and its programs. As the oldest and largest financial services company headquartered in California, Wells Fargo has top financial professionals providing business banking, investments, brokerage, trust, mortgage, insurance, commercial and consumer finance, and much more. Talk to a Wells Fargo banker today to see how we can help you become more financially successful.
Make great theatre part of your legacy.
Additional staff Deck crew Thomas Weaver Electrics Stephanie Buchner · Melina CohenBramwell · Kelly Kunaniec · Alex Marshall · Kourtney McCrary · William Poulin · Andrea J. Schwartz · Caitlin Steinmann · Molly Stewart-Cohn · Thomas Weaver · Lauren Wright Production assistant Sofie Miller Props Ashley Nguyen
Visit berkeleyrep.org/ plannedgiving or call 510 647-2904
Scene shop Ross Copeland · Patrick Keene · Read Tuddenham · Ben Sandberg · Colin Suemnicht Stage carpenter Kourtney McCrary Wardrobe Eva Herndon · Christina Weiland
Petronia Paley and Harriett D. Foy (background) in The House that will not Stand P H OTO CO U R T E S Y O F K E V I N B ER N E .CO M
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BE R K E L E Y R E P T H A N K S
We thank the many institutional partners who enrich our community by championing Berkeley Rep’s artistic and community outreach programs. We gratefully recognize these donors to Berkeley Rep’s Annual Fund, who made their gifts between November 2013 and January 2015.
G IF T S O F $ 10 0,0 0 0 A N D A B OV E The William & Flora Hewlett Foundation The James Irvine Foundation The Shubert Foundation The Harold and Mimi Steinberg Charitable Trust
G IF T S O F $2 5,0 0 0 –49,9 9 9 Anonymous The Ira and Leonore Gershwin Philanthropic Fund Wallis Foundation Woodlawn Foundation
G IF T S O F $50,0 0 0 –9 9,9 9 9 Akonadi Foundation The Bernard Osher Foundation National Endowment for the Arts
G IF T S O F $ 10,0 0 0 –24,9 9 9 Koret Foundation Kenneth Rainin Foundation
COR P OR AT E S P ON S OR S
G I F T S O F $ 12 ,0 0 0 –2 4 ,9 9 9
hsbc Private Bank Mechanics Bank Wealth Management The Morrison & Foerster Foundation Union Bank
G I F T S O F $ 10 0,0 0 0 A N D A B OV E
CO R P O R AT E PA R T N E R S
G I F T S O F $ 6,0 0 0 –11,9 9 9
Armanino llp City National Bank Deloitte LG Wealth Management llc Meyer Sound Oliver & Company Pacific Office Automation Panoramic Interests Peet’s Coffee & Tea Schoenberg Family Law Group ubs U.S. Bank
LE A D S P O N S O R
G I F T S O F $ 5 0,0 0 0 – 9 9,9 9 9
American Express E XECU TIV E S P O N S O R S
G I F T S O F $ 2 5,0 0 0 –49,9 9 9
G IF T S O F $5,0 0 0 –9,9 9 9 Anonymous Berkeley Civic Arts Program Distracted Globe Foundation East Bay Community Foundation Ann and Gordon Getty Foundation Ramsay Family Foundation G IF T S O F $750 –4,9 9 9 Alameda County Arts Commission/artsfund Joyce & William Brantman Foundation Civic Foundation The Entrekin Foundation jec Foundation The Ida and William Rosenthal Foundation PE R FO R M A N CE S P O N S O R S
G I F T S O F $ 3,0 0 0 – 5,9 9 9
4U Sports Bayer Gallagher Risk Management Services Macy’s B U S IN E S S M E M B E R S
G I F T S O F $ 1, 5 0 0 –2 ,9 9 9
Bank of the West BluesCruise.com CH A M PI O N
G I F T S O F $ 1,0 0 0 –1, 49 9
Cooperative Center Federal Credit Union
Is your company a Corporate Sponsor? Berkeley Rep’s Corporate Partnership program offers excellent opportunities to network, entertain clients, reward employees, increase visibility, and support the arts and arts education in the community. For details visit berkeleyrep.org or call Daria Hepps at 510 647-2904.
I N-K I N D S P ON S OR S M AT C H I NG G I F T S act Catering Angeline’s Louisiana Kitchen Aurora Catering Autumn Press Belli Osteria Bistro Liaison Bogatin, Corman & Gold C.G. Di Arie Vineyard & Winery Café Clem Comal Cyprus Domaine Carneros by Taittinger Donkey & Goat Winery East Bay Spice Company etc Catering Eureka! Four Seasons Hotel San Francisco five Gather Restaurant Grace Street Catering Greenbar Craft Distillery
Greene Radovsky Malone Share & Hennigh llp Grocery Outlet, San Leandro Hafner Vineyard Hotel Shattuck Plaza Hugh Groman Catering & Greenleaf Platters Jazzcaffè Kevin Berne Images La Mediterranee La Note Latham & Watkins, llp Macallan Scotch Match Vineyards Pat Paulsen Vineyards Pathos Organic Greek Kitchen Patricia Motzkin Architecture Phil’s Sliders Picante PiQ Pyramid Alehouse
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Quady Winery Revival Bar + Kitchen Ricola usa Shalleck Collaborative St. George Spirits Sweet Adeline Tiger Lily Tres Agaves Venus Restaurant Zut! on 4th Hotel Shattuck Plaza is the official hotel of Berkeley Rep. Pro-bono legal services are generously provided by Latham & Watkins, llp.
The following companies have matched their employees’ contributions to Berkeley Rep. Please contact your company’s HR office to find out if your company matches gifts. Adobe Systems Inc. · Advent Software · Alexander & Baldwin · American Express · Apple · Argonaut Group, Inc. · at&t · Bank of America · Bechtel Corporation · BlackRock · Bristol Myers Squibb · Charles Schwab & Co, Inc · Chevron Corporation · Clorox · Constellation Energy · Dolby Laboratories · Franklin Templeton · Gap · Google · Hewlett Packard · ibm Corporation · JD Fine and Company · John Wiley & Sons, Inc. · Johnson & Johnson · kla Tencor · Lawrence Livermore National Laboratory · Lexis-Nexis · Macy’s Inc.· Matson Navigation Company · Microsoft · Morrison & Foerster · Motorola Mobility · mrw & Associates llc · norcal Mutual Insurance Company · Oracle Corporation · Perforce · Ruppenthal Foundation for the Arts · Salesforce.com · The Doctors Company · The Walt Disney Company · visa u.s.a., Inc. · Willis Lease Finance Corporation
BE R K E L E Y R E P THANKS
We thank the many individuals in our community who help Berkeley Rep produce adventurous, thought-provoking, and thrilling theatre and bring arts education to thousands of young people every year. We gratefully recognize these donors to Berkeley Rep’s Annual Fund, who made their gifts between November 2013 and January 2015.
Donors to the Annual Fund
To make your gift and join this distinguished group, visit berkeleyrep.org/give or call 510 647-2906.
S P ON S OR C I RC L E SEASON SPONSORS
$ 10 0,0 0 0 +
Jack & Betty Schafer The Strauch Kulhanjian Family
LE A D S P O N S O R S
$ 5 0,0 0 0 – 9 9,9 9 9
Bruce Golden & Michelle Mercer Mary & Nicholas Graves Wayne Jordan & Quinn Delaney John & Helen Meyer Stewart & Rachelle Owen Mary Ruth Quinn & Scott Shenker Steve Silberstein
E XECU TIV E S P O N S O R S
$ 2 5,0 0 0 –49,9 9 9
Rena Bransten Martha Ehmann Conte John & Stephanie Dains Bill Falik & Diana Cohen Kerry Francis & John Jimerson M Frances Hellman & Warren Breslau Pam & Mitch Nichter Marjorie Randolph Dr. & Mrs. Philip D. Schild Michael & Sue Steinberg
Jean & Michael Strunsky Guy Tiphane Gail & Arne Wagner Barry Lawson Williams & Lalita Tademy
$ 12 ,0 0 0 –2 4 ,9 9 9
Anonymous (2) Barbara & Gerson Bakar David & Vicki Cox Thalia Dorwick Robin & Rich Edwards David & Vicki Fleishhacker Paul Friedman & Diane Manley M Scott & Sherry Haber Jack Klingelhofer Susan & Moses Libitzky Sandra & Ross McCandless Dugan Moore Leonard & Arlene Rosenberg Sheli Rosenberg, in honor of Leonard X Rosenberg Joan Sarnat & David Hoffman Liliane & Ed Schneider Norah & Norman Stone Felicia Woytak & Steve Rasmussen Martin & Margaret Zankel
A S S O CIAT E S P O N S O R S
$ 6,0 0 0 – 11,9 9 9
Anonymous (3) Shelley & Jonathan Bagg Edward D. Baker Edith Barschi Neil & Gene Barth Valerie Barth & Peter Wiley M Stephen Belford & Bobby Minkler Carole B. Berg K Lynne Carmichael Susan Chamberlin Daniel Cohn & Lynn Brinton Robert Council & Ann Parks-Council Oz Erickson & Rina Alcalay William Espey & Margaret Hart Edwards John & Carol Field, in honor of Marjorie Randolph Linda Jo Fitz Virginia & Timothy Foo Jill & Steve Fugaro Carol A. Giles Paul Haahr & Susan Karp Doug & Leni Herst, in honor of Susie Medak Hitz Foundation Christopher Hudson & Cindy J. Chang, MD
Ms. Wendy E. Jordan Seymour Kaufman & Kerstin Edgerton Wanda Kownacki Ted & Carole Krumland Zandra Faye LeDuff Dixon Long Dale & Don Marshall Martin & Janis McNair Steven & Patrece Mills Mary Ann & Lou Peoples Peter Pervere & Georgia Cassel Barbara L. Peterson Kaye Rosso Pat Rougeau Patricia Sakai & Richard Shapiro Cynthia & William Schaff Emily Shanks M Pat & Merrill Shanks Karen Stevenson & Bill McClave Jacqueline & Stephen Swire Wendy Williams Sheila Wishek Steven & Linda Wolan Martin & Margaret Zankel
A R T I S T IC DI R E C T OR’ S C I RC L E PA R T N E R S
$ 3,0 0 0 – 5,9 9 9
Anonymous (5) Linda R. Ach Cynthia & David Bogolub Caroline Booth Jim Butler Brook & Shawn Byers C. William Byrne Jennifer Chaiken & Sam Hamilton Constance Crawford Karen & David Crommie Lois M. De Domenico Delia Fleishhacker Ehrlich Nancy & Jerry Falk Richard & Lois Halliday Earl & Bonnie Hamlin Vera & David Hartford James C. Hormel & Michael P. Nguyen Lynda & Dr. J. Pearce Hurley Kathleen & Chris Jackson Ashok Janah Duke & Daisy Kiehn Christopher & Clare Lee Peter & Melanie Maier Charlotte & Adolph Martinelli The McBaine Family Phyra McCandless & Angelos Kottas Miles & Mary Ellen McKey Michele & John McNellis Susan Medak & Greg Murphy, in honor of Marcia Smolens Eddie & Amy Orton Janet Ostler Sandi & Dick Pantages Pease Family Fund Kermit & Janet Perlmutter Ivy & Leigh Robinson David S. H. Rosenthal & Vicky Reich Riva Rubnitz Beth & David Sawi Stephen C. Schaefer Stephen Schoen & Margot Fraser Linda & Nathan Schultz Beryl & Ivor Silver Lisa & Jim Taylor James & Lisa White Patricia & Jeffrey Williams Sally Woolsey Alan & Judy Zafran
B E N E FAC TO R S
$ 1, 5 0 0 –2 ,9 9 9
Anonymous (8) Anonymous, in memory of Vaughn & Ardis Herdell
Martha & Bruce Atwater Nina Auerbach Linda & Mike Baker Michelle L. Barbour David Beery & Norman Abramson BluesCruise.com Annikka Berridge Brian Bock and Susan Rosin Linda Brandenburger Broitman-Basri Family Drs. Don & Carol Anne Brown Katherine S. Burcham M Kerry Tepperman Campbell Ronnie Caplane Stephen K. Cassidy & Rebecca L. Powlan Paula Champagne & David Watson Andrew Combs Julie Harkness Cooke Penny Cooper & Rena Rosenwasser Thomas & Suellen Cox Ed Cullen & Ann O’Connor James Cuthbertson Richard & Anita Davis Ira Dearing Ilana DeBare & Sam Schuchat Francine & Beppe Di Palma Daryl Dichek & Kenneth Smith, in memory of Shirley D. Schild Jerome & Thao Dodson Ben Douglas Becky Draper Merle & Michael Fajans Cynthia A. Farner Tracy & Mark Ferron Lisa & Dave Finer Patrick Flannery Thomas & Sharon Francis Herb & Marianne Friedman Don & Janie Friend, in honor of Bill & Candy Falik James Gala Karl & Kathleen Geier Dennis & Susan Johann Gilardi Marjorie Ginsburg & Howard Slyter Daniel & Hilary B. Goldstine Bob Goodman Phyllis & Eugene Gottfried Mrs. Gale K. Gottlieb Robert & Judith Greber William James Gregory Garrett Gruener & Amy Slater Ms. Teresa Burns Gunther & Dr. Andrew Gunther Migsy & Jim Hamasaki Bob & Linda Harris
Ann & Shawn Fischer Hecht Ruth Hennigar Tom & Bonnie Herman Howard Hertz & Jean Krois Richard N. Hill & Nancy Lundeen Sue Hoch K Bill Hofmann & Robbie Welling M The Hornthal Family Foundation Rick Hoskins & Lynne Frame Paula Hughmanick & Steven Berger George & Leslie Hume Mr. & Mrs. Harold M. Isbell Beth & Fred Karren Doug & Cessna Kaye Rosalind & Sung-Hou Kim Jean & Jack Knox Lynn Eve Komaromi, in honor of the Berkeley Rep Staff Michael Kossman & Luis Orrico John Kouns & Anne Baele Kouns Helen E. Land Robert Lane & Tom Cantrell William & Adair Langston Randy Laroche & David Laudon Louise Laufersweiler & Warren Sharp Sherrill Lavagnino & Scott McKinney Andrew Leavitt & Catherine Lewis Ellen & Barry Levine Bonnie Levinson & Dr. Donald Kay Jennifer S. Lindsay Tom Lockard & Alix Marduel Vonnie Madigan Elsie Mallonee Joan & Roger Mann Naomi & Bruce Mann Helen Marcus & David Williamson Lois & Gary Marcus Michael Margolis Sumner & Hermine Marshall Rebecca Martinez Jill Matichak Erin McCune & Nicholas Virene Janet & Michael McCutcheon Steven McGlocklin Karen & John McGuinn Kirk McKusick & Eric Allman Michele & John McNellis Toby Mickelson & Donald Brody Roger & Satomi Miles Dan Miller Karen Miller Andy & June Monach Scott Montgomery & Marc Rand Marvin & Neva Moskowitz Shanna O’Hare & John Davis Judith & Richard Oken
Steve Olsen Judy O’Young, MD & Gregg Hauser Matt Pagel & Corey Revilla Bob & MaryJane Pauley Tom & Kathy Pendleton Gladys Perez-Mendez Michael A. Petonic & Veronica A. Watson David & Bobbie Pratt Carol Quimby-Bonan Andrew Raskopf & David Gunderman Elizabeth Ratner Sue Reinhold & Deborah Newbrun Bill Reuter & Ruth Major James & Maxine Risley John & Jody Roberts Carole Robinson & Zane O. Gresham Horacio Rodriguez Deborah Romer & William Tucker Marc Roth Boyard & Anne Rowe Enid & Alan Rubin Lisa Salomon & Scott Forrest Monica Salusky & John K. Sutherland Jeane & Roger Samuelsen Jackie & Paul Schaeffer Joyce & Jim Schnobrich Mark Shusterman, M.D. Edie Silber & Steve Bomse Amrita Singhal & Michael Tubach Kae Skeels Sherry & David Smith Stephen & Cindy Snow Audrey & Bob Sockolov Jacques Soenens Vickie Soulier Jennifer Heyneman Sousae & William Sousae David G. Steele Stephen Stublarec & Debra S. Belaga Gayle Tapscott K Andrew & Jody Taylor Deborah Taylor Alison Teeman & Michael Yovino-Young Susan & David Terris Ama Torrance & David Davies Bernard & Denise Tyson Buddy & Jodi Warner Jonathan & Kiyo Weiss Beth Weissman Charles & Nancy Wolfram Ron & Anita Wornick Sam & Joyce Zanze Jane & Mark Zuercher
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BE R K E L E Y R E P T H A N K S
Donors to the Annual Fund CH A M PIO N S
$ 1,0 0 0 –1, 49 9
Anonymous (7) · Pat Angell, in memory of Gene Angell · Naomi Auerbach & Ted Landau · Don & Gerry Beers M · Robert & Wendy Bergman · Patti Bittenbender · Daniel Boggan Jr · Harry Bremond & Peggy Forbes · Fred Brown & Barbara Kong Brown · Barbara & Robert Budnitz · Dan & Allyn Carl · Dr. S. Davis Carniglia & Ms. M. Claire Baker · Paula Carrell · Stan & Stephanie Casper · Naveen Chandra & James Lengel · Leslie Chatham & Kathie Weston · Ed & Lisa Chilton · Patty & Geoff Chin · Terin Christensen · Ralph & Rebecca Clark · Earl T. Cohen & Heidi M. Shale · Phyllis Coring K · Barbara & Tim Daniels M · Alecia A. DeCoudreaux · Harry & Susan Dennis · Ivan & Sarah Diamond · Corinne & Mike Doyle · Debra Engel, in honor of Barry Williams & Lalita Tademy · Susan English & Michael Kalkstein · Bill & Susan Epstein, in honor of Marge Randolph · Paul Feigenbaum & Judy Kemeny · Frannie Fleishhacker · Lisa Franzel & Rod Mickels · Donald & Dava Freed · Christopher R. Frostad M · Judith & Alex Glass · Robert Goldstein & Anna Mantell · Diana Grand & Jon Holman · Douglas Hardman & Karla Martin · Ann Harriman, in memory of Malcolm White · Barry & Jackie Hoffner · Herrick and Elaine Jackson, The Connemara Fund · Ken & Judith Johnson · Randall Johnson · Barbara E. Jones, in memory of William E. Jones · Barbara Jones & Massey J. Bambara M · Thomas Jones · Tom & Mary Anne Jorde, in honor of Pat Sakai & Dick Shapiro · Steve K. Kispersky · Suzanne LaFetra · Linda Laskowski · Joe W. Laymon · Nancy & George Leitmann, in memory of Helen Barber · Erma Lindeman · R. Jay & Eileen Love · J.E. Luckett · Meg Manske · John E. Matthews · Laura McCrea & Robert Ragucci · John G. McGehee · Dennis & Eloise Middleton · David L. Monroe · Jerry Mosher · Timothy Muller · Margo Murray · Claire Noonan & Peter Landsberger · Pier & Barbara Oddone, in memory of Michael Leibert · Sheldeen Osborne · Richard Ostreicher &
We gratefully recognize the following members of the Annual Fund whose contributions were received from December 2014 to January 2015 S U PP O R T E R S
$ 2 5 0 –49 9
Anonymous (12) · Marcia Abrams · Tracy Achorn · Terry Pink Alexander & John Blaustein, in honor of Susie Medak · Fred & Kathleen Allen · Susan & Barry Baskin · Richard & Ann Batman · Hebe & James Beard · Steve Benting & Margaret Warton · Law Offices of Steven Birnbaum · The Blackman Family · Diane Brett · Eric Brink & Gayle Vassar · Carol L. Brosgart, M.D. & Joseph Gross · Jane Buerger, in memory of Judith A. Schmitz · Joanne Casey · Michael & Sheila Cooper, in honor of Helen Barber · John & Izzie Crane M · Rev. Don & Lil Cunningham · David Deutscher · Maria & Peter Eberle · Don Erickson · Ms. Barbara Fenichel · Sheilah & Harry Fish · Brigitte & Louis Fisher · Nancy E. Fleischer · Ethan Fletcher · Molly & Harrison Fraker · Harvey & Deana Freedman · Beth Gleghorn · Paul Goldstein & Dena Mossar · Barry & Erica Goode · Gail Gordon & Jack Joseph · John & Diane Gossard · Nina G. Green · Bonnie & Sy Grossman · Alan Harper & Carol Baird ·
Robert Sleasman · Lynette Pang & Michael Man · Gerane Wharton Park · Gregory C. Potts · Kenneth & Frances Reid · Charles R. Rice · Edward & Jeanette Roach · Rob & Eileen Ruby · Mitzi Sales & John Argue · John Sanger · Seiger Family Foundation · Neal Shorstein, MD & Christopher Doane · Ann Shulman & Stephen Colwell · Dave & Lori Simpson · Ed & Ellen Smith · Sigrid Snider · Douglas Sovern & Sara Newmann · John St. Dennis & Roy Anati · Gary & Jana Stein · Annie Stenzel · Tim Stevenson & David Lincoln King · Michael Tilson Thomas & Joshua Robison · Pate & Judy Thomson · Deborah & Bob Van Nest · Wendy Willrich · Lee Yearley & Sally Gressens
A DVO C AT E S
Anonymous (23) · Denny Abrams · Daphne Allen K · Gertrude & Robert Allen · Peggy & Don Alter · Robert & Evelyn Apte · Shellye L. Archambeau & Clarence Scott · Jerry & Seda Arnold · Gay & Alan Auerbach · Mary Bailey · Todd & Diane Baker · Celia Bakke · David & Christine Balabanian · Leslie & Jack Batson · Jonathan Berk & Rebecca Schwartz · Richard & Kathy Berman · Robert Berman & Jane Ginsburg · Caroline Beverstock · Steve Bischoff · Jill Bryans · Wendy Buchen · Rike & Klaus Burmeister · Alex Byron & Nicole Maguire · Don Campbell and Family · Kawika Campbell · Dr. Paula Campbell · Doug Carlston & Kathy Williams · Bruce Carlton · Carolle J. Carter & Jess Kitchens · Kim & Dawn Chase · Carol T. Christ · Karen Clayton & Stephen Clayton · Dennis Cohen & Deborah Robison · Leonard & Roberta Cohn · Ruth Conroy · Robert & Blair Cooter · Philip Crawford · Meredith Daane · Robert & Loni Dantzler · Pat & Steve Davis · Abby & Ross Davisson · Noah & Sandra Doyle · Drs. Nancy Ebbert & Adam Rochmes · Jeanene E. Ebert M · Anita C. Eblé · Burton Peek Edwards & Lynne Dal Poggetto · Roger & Jane Emanuel · Meredith & Harry Endsley M · Gini Erck & David Petta · Michael Evanhoe · Nancy H. Ferguson · James
Richard L. Hay · Lisa Herrinton · Adrienne Hirt & Jeffrey Rodman · Lorraine Honig · Hilary & Tom Hoynes · Nona Hungate · Jacqueline Jackson · Beth & Tim Kientzle M · Allen & Hannah King · Jeff Klingman & Deborah Sedberry · Lynn Landor · Dr. and Mrs. Jalyn and Lance Lang III · Jane & Michael Larkin · Almon E. Larsh Jr · Kevin Ligutom · Toni Mayer & Alan Lazere · Christopher McKenzie & Manuela Albuquerque · Cheryl Mouton · Christina Nelson · Jennifer Nixon & Charles Wood · Bob & Toni Peckham, in honor of Robert M. Peckham, Jr. · James F. Pine · Paco Ramirez · Jon & Evelyn Rantzman, in memory of Harry and Sally Rantzman · John Ravitch · Laura Richardson · Carla & David Riemer · Virginia N. Rigney · Marie Rosenblatt · Geri Rossen · Margaret Sheehy · Dr. & Mrs. Alan G. Shriro · Joel Spolin & Margot Parker · Terry & Berenice Sullivan · Joyce & Jack Sweitzer · Ruthann Taylor · Mike & Ellen Turbow · Marcia & David Vastine · Mike Weinberger & Julianne Lindemann · Harvey & Rhona Weinstein · Ann Willoughby
CO N T RIB U TO R S
$ 15 0 –2 49
Anonymous (13) · Anonymous, in honor of Ruth J George Staten · Gene & Penny Zee Agatstein · Jennifer & Ross Asselstine · Mary Ann & Len Benson · Barbara Benware · Law Offices Laureen Bethards · Marilyn Bray · Monroe & Kate Bridges · Peter Brock · Carol Brown · Jacob Butcher & Naomi Stein · Lawrence & Marilyn Capitelli · Louise & Bill Chalkley · Chris & Martie Conner · Mindy
3 8 · T H E B E R K E L E Y R E P M AG A Z I N E · 2 0 1 4 –1 5 · I S S U E 5
Finefrock & Harriet Hamlin · Jim & Cathy Fisher · Martin & Barbara Fishman · Robert Fleri, in memory of Carole S. Pfeffer · Michael & Victoria Flora · Stephen Follansbee & Richard Wolitz · Jacques Fortier · Dean Francis · Nancy H. Francis · Stuart & Joyce Freedman · Kate & Ted Freeland · Daniel Friedland & Azlynda Alim · Paul & Marilyn Gardner · Tim Geoghegan · Paul Gill & Stephanie D’Arnall · Susan & Jon Golovin · Jane Gottesman & Geoffrey Biddle · Linda Graham · Dan Granoff · Sheldon & Judy Greene · Don & Becky Grether · Dan & Linda Guerra · John G. Guthrie · Robert L. Harris & Glenda Newell-Harris · Dan & Shawna Hartman Brotsky · Geoffrey & Marin-Shawn Haynes · Daria Hepps · Irene & Robert Hepps · Elaine Hitchcock · Wilbur & Carolyn Ross Hobbs · Judith Holland · Steven Horwitz K · Morgan Hough · Olivia & Thacher Hurd Fund · Mr. & Mrs. Edwin Ives · Marc & Lisa Jones · Helmut H. Kapczynski & Colleen Neff · Marjorie & Robert Kaplan, in honor of Thalia Dorwick · Patricia Kaplan · Dennis Kaump · Natasha Khoruzhenko & Olegs Pimenovs · Christopher Killian & Carole Ungvarsky · Mary S. Kimball · Beverly Phillips Kivel · Joan & David Komaromi · Janet Kornegay and Dan Sykes · Jennifer Kuenster & George Miers · Charles Kuglen · Larry & Ruth Kurmel · Woof Kurtzman & Liz Hertz · Henry & Natalie Lagorio · Thomas LaQueur · Mr. & Mrs. Richard Larsen · Glennis Lees & Michael Glazeski · John Leys · Ray Lifchez · Renee M. Linde · Mark & Roberta Linsky · Dottie Lofstrom · Judy MacDonald Johnston · Bruce Maigatter & Pamela Partlow · Sue & Phil Marineau · Sarah McArthur & Michael LeValley · Betsy McDaniel · Marie S. McEnnis · Sean McKenna · Ash McNeely · Ruth Medak · Mary & Gene Metz · Aliza and Peter Metzner K · Caryl & Peter Mezey · Geri Monheimer · Rex Morgan & Greg Reniere · Brian & Britt-Marie Morris · Ronald Morrison · Patricia Motzkin & Richard Feldman · Moule Family Fund · Lance Nagel · Ron Nakayama · Kris Carpenter
Negulescu, in memory of Maxine Carpenter · Jeanne E. Newman · Marlowe Ng & Sharon Ulrich · Hung Nguyen · Judy Ogle · Carol J. Ormond · Nancy Park · P. David & Mary Alyce Pearson · Lewis Perry · F. Anthony Placzek · Malcolm & Ann Plant · John & Anja Plowright · Gary F. Pokorny · Charles Pollack & Joanna Cooper · Susie & Eric Poncelet · Roxann R. Preston · Paula Pretlow · Dan & Lois Purkett · Kathleen Quenneville · Chuck & Kati Quibell · David & Mary Ramos · Sheldon & Catherine Ramsay · Ian Reinhard · Helen Richardson · Paul & Margaret Robbins · Joan Roebuck · Roberta Romberg · Galen Rosenberg & Denise Barnett · Jirayr & Meline Roubinian · Deborah Dashow Ruth, in memory of Leo P. Ruth · June & Bob Safran · Dorothy R. Sax · Laurel Scheinman · Bob & Gloria Schiller · Mark Schoenrock & Claudia Fenelon · Teddy & Bruce Schwab · John & Lucille Serwa · Brenda Buckhold Shank, M.D., Ph.D. · Steve & Susan Shortell · William & Martha Slavin · Carra Sleight · Suzanne Slyman · Jerry & Dick Smallwood · Cherida Collins Smith · Mark Smith & Pam Callowa · Alice & Scott So · Christina Spaulding · Louis & Bonnie Spiesberger · Robert & Naomi Stamper · Ms. Joelle Steefel · Herbert Steierman · Lynn M. & A. Justin Sterling · Monroe W. Strickberger · Shayla Su M · Ellen Sussman & Neal Rothman · Nancy & Fred Teichert · Jeff & Catherine Thermond · Prof. Jeremy Thorner & Dr. Carol Mimura, in memory of James Toshiaki Mimura · Karen Tiedemann & Geoff Piller · Janet Traub · William van Dyk & Margi Sullivan · Gerald & Ruth Vurek · Scott Wachter & Barbara Malina · Jon K. Wactor · Louise & Larry Walker · Dena & Wayne Watson Lamprey · William R. Weir · Sallie Weissinger · Dr. Ben & Mrs. Carolyn Werner · Elizabeth Werter & Henry Trevor · Diane & Scott Wieser · Oliver Williamson · Fred Winslow & Barbara Baratta K · Carol Katigbak Wong · Margaret Wu & Ciara Cox · Sandra Yuen & Lawrence Shore
Cox · Mike & Pam Crane · John Eckman · Michael Ehrenzweig · Winnie Farwell · Michael & Lori Ferguson · Mr. & Mrs. Fink, in honor of Rachel Fink · Mr. and Mrs. Michael Frank · Thomas & Sandra Friedland · Kate Funk · Philip Gary · John G. Rosenberg & Diane Gerstler · Arlene Getz · Jennifer & Wayne Getz · Keith Goldstein & Donna Warrington · Nancy A. Goolsby · David Graves · George & Mary Hake M · Joe Houska & Christine Paige · Joanne Howard, in memory of Roy Howard · Stephen & Helene Jaffe · Ruth & Benson Joseph · Charles & Laurie Kahn · Janice Kelly & Carlos Kaslow · M. Kupcho & D. Hawksworth · Henry Lerner · Trudy & Rolf Lesem · David Lesnini · Jeffrey & Christiane Maier · Carolyn & Robert Maples · Chris & Sarah Martiniak · Deborah & David Marx · Suzanne McCombs · Kathy McLean · Patricia L & Steve McMahon · The Medress Family Fund of the Jewish Community Foundation · Spencer & Roberta Michels · Peggy & John Mooney · John Moore · Gregg & Ruth Morris · Judith Norberg · Karl Francis Nygren · Sara O’Hearn · Linda & Gregory Orr · Jennifer Palangio · Maren Pedersen · Virginia & Lucien Polak · Jo Ann & Buford Price · Karen Racanelli · Marc A. Rieffel · Todd & Susan Ringoen · Marc Rosaaen · Ruth Rosen & David Galin · Gerald Rosenstein · Thomas Savignano · Joyce & Kenneth Sheidig · Linda Schurer, in memory of Marge Ryder · Emily D. Sexton · Dr. & Mrs. Gary Shrago · Jill & Richard Sideman · Hugh & Aletha Silcox · Mary Lou Solecki & Tim Wendt · Anne & Robert Spears · Virginia Sykes · Kay H. Taber · Jules Tippett ·
Marc Davis and Nancy Turak · Henry & Susan Veit · Mark Whatley & Danuta Zaroda M · Ms. H. Leabah Winter, in memory of Barry Dorfman, MD · Bob & Judi Yeager · Emily Zell
FRIE N D S
$ 75 –149
Anonymous (24) · Anonymous, in honor of David Hart, MD · Ida Abbott · Robert & Karen Abra · Fred & Joanne Abrams · Barry & Joanne Adcock · Mark Addleman & Andrea Clark · Miriam & Matthew Agrell · Michael Alef · Edmund Alvey · Clara Arakaki · David & Vivian Auslander · Lisa Bailey · J. Karren Baker · Elizabeth Baranger · Joseph C. Barbaccia · Jacqueline Barnes · Kent & Carolyn Barnes · Alice Bartholomew · Phil & Jane Batson · Joseph Baxter · Brenda Beckett · Richard & Carol Bee · Sally Benjamin · Sandra Bernard · Karen & Steven Bovarnick · David & Eva Bradford · Elizabeth Brady · Robert & Barbara Brandriff · Marilyn Brenner · Francis Brooks · Donald Brown · Dupsi Brown-Kuria · Louise Burton · Nancy Catena · Thomas Cavers · Robin & Ryszard Chetkowski · Tomas Christopher & Elizabeth Giacomo · Joanie Ciardelli · Carol & Orlo Clark · Jean Conger · Nancy N. Conover · Bruce Conrad · Martha & William Crowe · Cynthia S. Darling · Dr. General Scott Davie · Richard DeNatale · Marvin Diamond · Earl Diskin · Asmaa Donahue · Laura Downing-Lee & Marty Lee · Melinda Drayton · Mona Dreicer · Laura Edelstein & Scott Andersen · Michelle B. Edwards · Carol Egan · Lara Eidemiller, in memory of Mary Jo Pottenger · Pat & Ted Eliot · Roy Eyal · Bill & Kathleen
Failing · Catherine Faust · Victor & Regina Fields · Mrs. Robert Force · Marion Fourcade · Christie Fraser · Dick Friedman · Carla Garbis & Peter Turner · David & Susan Garfin · Judith Garza · Marlyn Gershuny · David Gibson · Roger & Joan Glassey · Gilbert & Sally Gradinger · Miriam Green · Ruth N. Greenwald · Aniruddha Gupta · Eric Hahn · Randall Ham & Linda Wilford · Frede S. Hammes · Richard & Sylvia Hammond, in honor of Leo & Lidewey Blitz · Neil Handelman & Karyn O’Mohundro · Lisa Hane · Henry Hart · Robert Hass · Richard P. Hemann · David Hester & Karen Jannetti Hester, in honor of Anna Morrison & Philip M Morrison · Carole S. Hickman · Gayl & Harlan Hirschfeld · Andrew Hirss · Marilynn Hodgson · Julie Hooper · Cavett Hughes · Jennifer Hughes · Rebecca Husband · Ken Jaffee · Barb & David Johnson · Keasley, Autumn, Emerson & Elliott Jones · Juli Kauffman · Mike & Mary Jo Kelly · Pat Kelly & Jennifer Doebler · John & Barbara Kenney · James R. Kidder · Bonnie McPherson Killip · Nina C. Kindblad · Mr. & Mrs. David Kirshman · Nancy Kornfield · Neil & Peggy Kostick · Debie Krueger, in memory of Alex Maffei · Mary Sue & Dennis Kuzak · Judith Lamberti, MD · Paula Lavine · Elaine Lee · Evelyn Levin · Mr. George Lewinski & Dr. Debra Levinsky · Colleen & Brian Lewis · Alice Lin · Annette C. Lipkin, in memory of Paul Lipkin · Lynn & Penny Lockhart · Fred Lonsdale · Lawrence & Nancy Ludgus, in honor of Randy Laroche’s 60th birthday · Christine Macomber · Chrysbe Madayag · Janet & Marcos Maestre · Sushma Magnuson & Leif Magnuson · Martin Malkin · Redge & Carole Martin · M. Mathews & K. Soriano · Linda McClain · Richard McCray · Jim McDonald & Myrna David · Leon McNeely · Phyllis Menefee · Lauren Mensch · John & Rosemary Merchant · Amy Merrill · David & Jane Meyers · Jenny Maehara & Sean Montgomery · Marie A. Moran · Cheryl Morris · Norman & Eleanor Moscow · Andrea Moss · Jim Murphy · Gertrude Musey · David & Patsy Newhouse · Karol Niccoli & Scott Lucas · Jennifer Normoyle · Gerald and Ellen Oicles · Howard & Charlene Okamoto · Ralph Pais & Gayl Huston · Michael & Nancy Pfeffer · Gail & Gerald Pogoriler · Fred & Judy Porta · Daniel & Barbara Radin · Charleen Raines · William Rawson & Judith Sulsona · Rose Ray & Robert Kroll · Sandra Ried · Edward & Irene Rimer · Maria Roden · Nona & Robert Rodriguez · Dr. Norma Fiedotin · Dr. David Rovno · I. Maxine Rowe · Mark Ruben · Jan Sager & Robert Luxenberg · Edna San Juan · Carolyn Sanders · Stuart Sapadin · Michael J. Savage · Herminia S. Sayre · Al Schaffer · Wendy Scheck · Peter and Cindy Tsai Schultz · Judy Schwartz & Rod Miller · Judy Schwartz · Grant Scully · Barbara & Steve Segal · Craig Shear · Carole Sheft · Edna Shipley · Christine Silver · Rochelle Sklansky · Betsy Smith · Debbie Smith · Nicholas Smith · Mr. & Mrs. Somasundaram · Barbara Spack · Sharon Staley · Donald Stang & Helen Wickes · Beverly Stevens · Susanne Stoffel & Michael Coan · Linda & Charley Swift · Joyce Tayer ·
Douglas & Susan Taylor · Michael & Katherine Taylor · Catherine Bailey & Jack Telian · Roseanna Torretto · Eileen Wenger Tutt · Mary Wadsworth · Virginia Warnes · Ellen Widess · Mark Wasserman & Judy Freeman · Janice Weekes · Robert & Penny Weiss · Chris White · Dick White · Elizabeth Wierzbianska · Bonnie Willdorf · Patricia Wipf · Tim Wise · Patrick Woods and Kathleen Clark · Bruce Wright · Kristine Wyndham · Norma Wynn, in honor of James F. Wynn · Stan Zaks
PAT RO N S
$ 1 –74
Anonymous (29) · Tarliena Aamir-Balinton · Marc Abrams · Laurie Adams · Marina Adler · Anna Leah Ah & Will Green · Leslie Alden · Linda Alfano · Sara Alspaugh · Tonya Amos · Elizabeth & Robert Andersen · Don & Bette Anderson · Kaye Anderson · Christine Apostolou · Ann Marie Arndt · Caryn Augst · James & Rebecca Austin · Anna Badger · Dennis Baker · Vanessa Baker · Lisa Barcellos · Cathryn W. Barrett · Kathleen Barrows · Aubrey Bartlett · Kathy Battat · Barbara Baum · Francine Beall · Philip J. Beilin · Mary Lou Bell · Mr. & Mrs. Edward L. Bennett · Robert Benson · Elissa Berall · Richard & Jan Bergamini · Philip E. Berghausen Jr · Ellen Berman · Susan Berston · Jacqueline Beth · Elaine Binger · Bixler Family · Odette Blachman · Lucia Blakeslee · Susan A. Blew · Susan Boeckmann · John Bongiovanni · Dvora & Neil Boorstyn · Thomas Booth · Bradley Bostick · Micah Bot-Miller · Debra Bowmer · Joanne Bowsman · Benita & Burton Boxerman, in honor of Leonard Rosenberg · Sarah Brann · Martha Breed · Marian Bridges · Susan Brillhart · Devi K. Brown · Frank Brown · Sally Brown · Thomas W. Brown · Ken Bruckmeier · Carl Brush · Molly Buckley · John Burke · Martin & Patricia Butensky · Judith & Burton Calder · Joanna Callenbach · Daniel Campos · Jamie Carlson · John Carr · Dr. Bruce & Susan Carter · Elena Caruthers · Joan C. Cenci-Thomas · Jerald & Ann Cerri · Betsy Chaconas · Guillaume Chartier · Julie Chew · Judy Chun · Civiane Chung · Sandra Chutorian · Melania Ciapponi · Carol Cline · Eleanor D. Cohen · Marc & Jennifer Cohen · Susan Cohen · Michael Cohn · Marnee Colburn · George & Jane Collier · Rudy Collins · Mary & Matthew Connors · Boiler Burner Control · Wendy Cooper · Kathleen Costa · Gerald & Deborah Cotter · Carolyn Cox · William Creighton · Sean Culman · Pamela Culp · David Curran · Robert Currier · Charles and Helen Dake · Cindi Darling · Deborah Davis · Hiram & Eleanora De Witt · Veronica & Tom Devitt · William J. Donahoe & M. Kristin Klein · Rita Dougherty · Bonnie Fox Dowd · Vaughn Draggoo · Sigrid Duesberg · Kimberly Duir · Guy Dunham · Ruth Dunham · Maria Echaveste · Charles J. Egiziano · Yair Eilat · Judith Erdberg IV · Marjorie Esquivil · James Evans · Peter Ewell & Helga Recke · Christa Fairfield · Malcolm Feeley · Ann Felldin · Krystyna Finlayson · Mr. & Mrs. Laurence Fischer · Mary Ann Fisher · Mary Flett, in memory of Alex Flett · Richard J. Foote ·
Marilyn Foreman · Betsy Foy · Mildred Frederick · Miriam & Gerald Friedkin · Wendy Friefeld · Judith A. Fritz · Sam & Joan Fromowitz · Don Fujino · Mariann E. Gabel · Gwyneth Galbraith · Victor Galis · Gwen Gallagher · Betty Gandel · Steve & Valerie Garry · Polly Gassler · Phoebe Gaston · Jonathan Gertler · David M. Goi · Mrs. Jesse Goldberg · Astrid & Mark Goldman · Helen Goldsmith & Paul Garson Heller · Steven Gotanda · Richard & Gretchen Grant, in memory of Helen Barber · Howard & Julie Graves · Leslie Gravino · Ryan Greene-Roesel & Ray Minjares · Diane S. Greenberg · Lynn Greenberg & Michael Rothschild · Mickey P. Griffin · Tom & Emily Griswold · Phil Grisier · Louise & Michael Gross · Faye Guarienti · Susan Guerrero · Kate Haberland · Dan Haddick & Joanna Budnicko · Bob Hagopian · Christina Halsey · Eileen Hamm · Mr. Steven Hamman · Stuart Hanson & Mary Lou Fox-Hanson · Kristy & Dan Hardy · Katie Harhen · Douglas Harik · Margaret Harrington · Jonathan Harvey · Fulvia Hayes · Jane Headley · Christine Hearn · John & Bonna Heebink · Rosemary Hegarty · Harriette & Norm Heibel · Lara Heisler · Dottie Henderson · I. Craig Henderson · Lynn Henley · Roy Henninger · Stanley & Maria Hertz · Wendy Herzog · Diann Hillerman · Kira Pascoe-Moreno · Barbara Hirschfeld and David Sussman · Elizabeth Hodder · Celeste Hoffpauir · Kelsey J. Hogan · Zelda Holland · Hawley Sterling Holmes · Fred & Nancy Hom · Kenneth Horn, in memory of Ellen Wong · Jennifer Horne & Richard Gillette · Lisa Hubbert · Michele Hubinger · Estie Sid Hudes · Freeman Humphrey · Neal & Charlotte Huntley · Nicholas Hyde Family · Ruth Ichinaga · Alex Ingersoll & Martin Tannenbaum · Linda Inman-Hoffert · Betty Kazuko Ishida · Jean Jackson · Fred Jacobson · Andrea Jacoby · Loisann Jacovitz · Michael C. Jaeger · Patricia James · Ginny & Robin Jaquith · Marisita & Tu Jarvis · Lani Jerman · Blandine Jerome · Ji-li Jiang · Margaret E. Jones · Kathy Juarez · Clennis Justice · Margaret Kadoyama · Kimberley Kahler · Jan Karlson · Heidi Marie Kate · Patricia Kearns · Marjorie & Theodore Keeler · Jon Keller · Zane Keller · Jeff Kelley & Hung Liu · Sandra Kemp · Carli Kim · Max Kirkeberg · Stan Klezmer & Trish Elliott · Naomi N. Martin · Carole Klyce · Doris Kogo · Jeffrey R. Koseff · Susan Kraft & Patrick Scott · Mona Kreaden · Mr. & Mrs. Ron Kresge · Carolyn Krieg · Shari Kurita · Elroy & Dee Kursh, in honor of Thalia Dorwick · Elizabeth Langlois · Linda C. Lappin · Virgina Layton · Fred Lebe · Dr. & Mrs. Antony J. Lepire · Carole Levenson · Barbara Levy · Peter Libeu · Joan Lichterman · Roger Lieberman · Liedeker Family · James & Lisa Litchfield · Don Loeb · J & P Lowell · Dean V. Lundholm · Elise Lusk & Stephen Godfrey · Cindy Maderos · Mary Magee · Joe & Joanne Magruder · Teal Major and Rolf Williams · Shawn & Jane Mason · Mr. & Mrs. Marwan H. Masri · Ray & Margaret McKnight · Patricia McVeigh · Karen Melchers · Herb & Marilyn Meltzer · Agnieszka Walczak · Janet Merrick · Chris Miller · Reid Miller · Amy
Mitchell · Debbie Mitchell · Patricia Mondloch · Susan Montauk, in memory of Clare Montauk · Raymond Montoya · Mark Morris · Carol Morrison · Patricia Morrison · Phyllis Morrison · Elisabeth A. Moulthrop · Marianne Mullins · Elizabeth Murdock · Donal Murphy & Julie Orr · Stephanie Myers · Andrew Neuschatz · Glen Nielsen · Margaret Niles, in memory of Jeanne Feron · Mary & Charles Norcross · David Norman · Sarah Nowicki K · Susan Obayashi · Shelley O’Connor · Mary O’Hara-Devereaux · Elizabeth Pagano · Daniel Palmerlee · Herman D. Papa · James Parent · Ellie D. Patterson · Doris Peacock, in memory of Michael Duden, actor · Jan E Pearson · Linda Perkins · Michael & Laura Perucchi · Nancy Lee Peters · Karen Peterson · Wendy Peterson · Mary Pieczarka · Kathleen S. Pierce · Ken Pinhero · Margo Pizzo · Marcia & Robert Popper · Sarah Shea Potts · Linda Pratt · Ginny Preston · Paul & Christine Prusiner · Beverly Prior · Judith Rabbie · Bonnie Rackmil · Lisa Raffel · Cynthia Rahav · Teresa Ramirez · Cynthia Ramseyer · Ann & Joseph Ranish · Mary Ratner · Jim Rauh · Rayna K. Ravitz · Charles Raymond & Nancy Nagramada · Julia Ready, in memory of Pat Thomasson · Patricia Reed · Stephanie Reisfeld · Kala Renz · Laura Reynolds · Marie Ruth Rhein · Jean Richardson · Nikole Richardson · Lucille Richey, in memory of Truitt A. Richey · Katherine Riemer · Margaret Riley & Kevin Depew · Jennifer Robertson · Judith Rogers · Lisa Romano · James Rooney · Elizabeth Rottger · Ken & Helen Rubardt · Wondie Russell & Edward Steinman · M. Ryce · Carrie & Thomas Sager · Rita Sampaio · Laurie San Martin · Scott Sanchez · David & Kathleen Sanders · Debra Saunders · Eileen Savel · Steve Saxe · James W. Schmidt · Michael Schmitz · Jan Schreiber · Benjamin Schwartz · Ryne Scott · Michele Seligman · Barbara Shaw · Rabbi John G. Shaw IV · Carol Shennan · Adam Sherman · Ann Shrieve · Sophia Shtilman · Alexander Shtulman · J. Suzanne Siebert · Susan Signaigo · Deborah & Robert Silvey · Elpidio Siruno · Dan Slobin · Wendy Smith · Donna Smith-Harrison & Samuel Harrison · Nina Snegg · Janet Sovin, in memory of Flora Roberts · Irene Spang · Carol Stanek · William Statsky · Marianne Stefancic · Kathryn Stephens · Rick N. Stevens · Daniel Steves · Craig Stone · Cynthia Stone & David Schnee · Paul Strickberger · Joyce Suter · Cynthia A. Sutter · Ned & Patrice Swift · Mark Tanaka · Frankie Taylor · Mr. Charles V. Thorton · Oscia Timschell · Joanne A. Trezek · Maritza Jackson-Sandoval · Barbara & William Vaughan · Jose Vergara · Elizabeth Vezzani · Grace Wahlberg · Marsha Walker · Rosa E. Warder · Larry Warren · Kay Weinstein · Rev. DeeAnn Morency · Bonnie Wentworth · Jackie Wheeler · Deborah White · Peter Whitehead · Randy Y. Wiederhold & Christine Lehto · Gail Wilkinson · Judith & Larry William · Don Willenburg · Andre L. Wilson & Robert E. Perry · Barbara Wilson · Lois B. Winter · Ms. Julie Ann Winters · Carol Young-Holt · Elliott Zeller & Kim Lee Brae · Barbara Zoloth
We are pleased to recognize first-time donors to Berkeley Rep, whose names appear in italics. 2 0 1 4 –1 5 · I S S U E 5 · T H E B E R K E L E Y R E P M AG A Z I N E · 3 9
BE R K E L E Y R E P T H A N K S
BE R K E L E Y R E P T H A N K S
Michael Leibert Society Members
Sustaining members as of November 2014:
The Society welcomes the following new members: Norman Abramson & David Beery
Anonymous (6) Sam Ambler Carl W. Arnoult & Aurora Pan Ken & Joni Avery Nancy Axelrod Edith Barschi Neil & Gene Barth Carole B. Berg Linda Brandenburger Broitman-Basri Family Jill Bryans Bruce Carlton & Richard G. McCall Stephen K. Cassidy Andrew Daly & Jody Taylor M. Laina Dicker Thalia Dorwick Rich & Robin Edwards Bill & Susan Epstein William Espey & Margaret Hart Edwards Carol & John Field Dr. Stephen E. Follansbee & Dr. Richard A. Wolitz Kerry Francis Dr. Harvey & Deana Freedman
Donors to the Annual Fund
Joseph & Antonia Friedman Paul T. Friedman Dr. John Frykman Laura K. Fujii David Gaskin & Phillip McPherson Marjorie Ginsburg & Howard Slyter Mary & Nicholas Graves Elizabeth Greene Jon & Becky Grether Richard & Lois Halliday Linda & Bob Harris Fred Hartwick Ruth Hennigar Douglas J. Hill Hoskins/Frame Family Trust Lynda & Dr. J. Pearce Hurley Robin C. Johnson Lynn Eve Komaromi Bonnie McPherson Killip Scott & Kathy Law Zandra Faye LeDuff Ines R. Lewandowitz Dot Lofstrom Dale & Don Marshall Sumner & Hermine Marshall Rebecca Martinez
Suzanne & Charles McCulloch John G. McGehee Miles & Mary Ellen McKey Margaret D. & Winton McKibben Susan Medak & Greg Murphy Stephanie Mendel Toni Mester Shirley & Joe Nedham Pam & Mitch Nichter Sheldeen G. Osborne Sharon Ott Amy Pearl Parodi Gladys Perez-Mendez Barbara Peterson Regina Phelps Margaret Phillips Marjorie Randolph Bonnie Ring Living Trust Tom Roberts Tracie E. Rowson Deborah Dashow Ruth Patricia Sakai & Richard Shapiro Betty & Jack Schafer Brenda Buckhold Shank, M.D., Ph.D. Valerie Sopher Michael & Sue Steinberg
Dr. Douglas & Anne Stewart Jean Strunsky Henry Timnick Phillip & Melody Trapp Janis Kate Turner Dorothy Walker Weil Family Trust—Weil Family Karen & Henry Work Martin & Margaret Zankel
Gifts received by Berkeley Rep:
Estate of Suzanne Adams Estate of Helen Barber Estate of Fritzi Benesch Estate of Nelly Berteaux Estate of Nancy Croley Estate of John E. & Helen A. Manning Estate of Richard Markell Estate of Margaret Purvine Estate of Peter Sloss Estate of Harry Weininger Estate of Grace Williams
Members of this Society, which is named in honor of Founding Director Michael W. Leibert, have designated Berkeley Rep in their estate plans. Unless the donor specifies otherwise, planned gifts become a part of Berkeley Rep’s endowment, where they will provide the financial stability that enables Berkeley Rep to maintain the highest standards of artistic excellence, support new work, and serve the community with innovative education and outreach programs, year after year, in perpetuity. For more information on becoming a member, visit our website at berkeleyrep.org or contact Daria Hepps at 510 647-2904 or email@example.com.
Looking for the magic of things: A conversation with Dominique Serrand CO N TIN U E D FRO M PAG E 2 2
even more moving because they have a sense of their own ridicule. So it’s really, really stunning. What do you think has evolved in you as an artist over the years? I hate to say this, but a profound sadness at the political state of the country and the arts. On the other hand, I have been very invigorated by the challenge of what we must do to recreate an audience, and to do the work the way we think it should be done versus the way pundits say it should be done. Who are your greatest theatrical inspirations whom you look to, from the past or present? Many. From the past, of course, Ariane Mnouchkine from the Théâtre du Soleil in Paris, that was a great influence. We started wanting to work with her, and she said no, we need more companies like ours, go and make your own. And that’s how Complicite got started, how we got started, how all these companies got started at the same time—we were all in class together, actually, within a few years. The whole point, Jacques Lecoq always said, was you have to go and create companies. You have to do the work, the work has to be seen, and you have to reinvent it. I was a young man when the Theatre of Nations was created in Paris, and all the best theatre from around the world would come once a year, and we were exposed to the greatest. 4 0 · T H E B E R K E L E Y R E P M AG A Z I N E · 2 0 1 4 –1 5 · I S S U E 5
From everywhere really: the Polish, the Czechs, the Hungarians, the Romanians, the Spanish, the Italians, the Dutch. So that was my influence. Probably the second greatest influence for me was Pina Bausch. In terms of the new, it’s a little tricky to figure out what’s happening. Right now it feels like the pot is simmering and we see movements, we see bubbles of interesting work, but the broth isn’t made. That is why we try to bring a lot of people to the process. Actors, mostly, but sometimes young directors, young designers, authors, playwrights. Even if they don’t work on the piece, they just come to observe. Do you have any playwrights right now that you’re particularly excited by? Yes, I do, but I don’t want to specifically pick any names. I just see some emerging voices that are interesting. It’s tricky because for a long time American theatre has been framed by the psychological. You know, people in a room, around a couch, what I call the living room plays, in which people share their tragedies and psychological traumas. Now, there is a new movement coming out. Some of these playwrights are more celebrative, and working in larger dimensions, for larger casts, larger spaces, creating larger stories. So I tend to approach or work with young authors, even if I don’t do their play yet, to just push them and widen their space.
BOA R D OF T RU ST E E S
BE R K E L E Y R E P STA F F Michael Leibert Artistic Director Tony Taccone
Managing Director Susan Medak
General Manager Karen Racanelli ARTISTIC Associate Director Liesl Tommy Artistic Associate & Casting Director Amy Potozkin Artistic Associate Mina Morita Director, The Ground Floor/ Resident Dramaturg Madeleine Oldham Literary Associate Julie McCormick Ground Floor Visiting Artistic Associate Sara Kerastas Theatre Communications Group Visiting Artistic Associate Chiara Klein Artists under Commission David Adjmi · Todd Almond · Christina Anderson · Glen Berger · Julia Cho · Jackie Sibblies Drury · Rinne Groff · Dave Malloy · Lisa Peterson P R ODUC T ION Production Manager Peter Dean Associate Production Manager Amanda Williams O’Steen Company Manager Jean-Paul Gressieux S TAG E M A NAG E M E N T Production Stage Manager Michael Suenkel Stage Managers Leslie M. Radin · Karen Szpaller · Kimberly Mark Webb Production Assistants Sofie Miller · Amanda Warner S TA G E OP E R AT ION S Stage Supervisor Julia Englehorn P R OP E R T I E S Properties Supervisor Jillian A. Green Associate Properties Supervisor Gretta Grazier Properties Artisan Viqui Peralta S C E N E S HOP Technical Director Jim Smith Associate Technical Director Colin Babcock Shop Foreman Sam McKnight Master Carpenter E.T. Hazzard Carpenter Jamaica Montgomery-Glenn SCENIC ART Charge Scenic Artist Lisa Lázár COSTUMES Costume Director Maggi Yule Associate Costume Director Amy Bobeda
Draper Kitty Muntzel Tailor Kathy Kellner Griffith First Hand Janet Conery Wardrobe Supervisor Barbara Blair ELECTRICS Master Electrician Frederick C. Geffken Production Electricians Christine Cochrane Kenneth Coté SOUND Sound Supervisor James Ballen Sound Engineer Angela Don A DM I N I S T R AT ION Controller Suzanne Pettigrew Director of Technology Gustav Davila Associate Managing Director/ Manager, The Ground Floor Karena Fiorenza Ingersoll Executive Assistant Andrew Susskind Bookkeeper Kristine Taylor Associate General Manager/ Human Resources Manager David Lorenc Payroll Administrator Valerie St. Louis Human Resources Consultant Laurel Leichter Database Manager Diana Amezquita Systems Assistant Debra Wong DE V E L OPM E N T Director of Development Lynn Eve Komaromi Associate Director of Development Daria Hepps Director of Individual Giving Laura Fichtenberg Campaign Manager Libbie Hodas Institutional Grants Manager Bethany Herron Special Events Manager Lily Yang Individual Giving Associate Joanna Taber Development Database Coordinator Jane Voytek Donor Relations Associate Kelsey Hogan Development Associate Beryl Baker B OX OF F I C E Ticket Services Director Destiny Askin Subscription Manager Laurie Barnes Ticket Services Supervisors Samanta Cubias · Richard Rubio
Box Office Agents Nathan Brown · Christina Cone · Molly Conway · Julie Gotsch · Eliza Oakley · Amanda Warner · Crystal Whybark M A R K E T I NG & C OM M U N I C AT ION S Director of Marketing & Communications Robert Sweibel Director of Public Relations Voleine Amilcar Art Director Nora Merecicky Video & Multimedia Producer Pauline Luppert Communications Manager Karen McKevitt Audience Development Manager Sarah Nowicki Marketing Manager Peter Yonka Webmaster Christina Cone Program Advertising Ellen Felker Patron Services Manager Katrena Jackson House Manager Debra Selman Assistant House Managers Natalie Bulkley · Aleta George · Tuesday Ray · Ayanna Makalani · Mary Cait Hogan · Anthony Miller · Sarah Mosby · Seandale Turner Concessions Supervisor Hugh Dunaway Concessionaires Jessica Bates · Natalie Bulkley · Samantha Burse · Steve Coambs · Emerald Geter · Devon Labelle · Kelvyn Mitchell · Benjamin Ortiz · Jenny Ortiz · Alonso Suarez
Deborah Eubanks · Maria Frangos · Christine Germain · Nancy Gold · Gary Graves · Marvin Greene · Gendell Hing-Hernández · Andrew Hurteau · Ben Johnson · Rebecca Kemper · Dave Maier · Patricia Miller · Diane Rachel · Christian Roman · Rolf Saxon · Elyse Shafarman · Rebecca Stockley Outreach Teaching Artists Bobby August Jr. · Jessica Bates · Gendell Hing-Hernández · Dave Maier · Marilet Martinez · Sarita Ocon · Carla Pantoja · Patrick Russell · Tommy Shepherd · Patricia Wright · Elena Wright Teacher Advisory Council Molly Aaronson-Gelb · Julie Boe · Amy Crawford · Beth Daly · Jan Hunter · Marianne Philipp · Richard Silberg · John Warren · Jordan Winer Teen Core Council Asè Bakari · Bridey Bethards · Abram Blitz · Charlotte Dubach-Reinhold · Carson Earnest · Jet Harper · David Kaus · Eleanor Maples · Eli MillerLeonard · Alexander Panagos · Samuel Shain · Maya Simon · Chloe Smith · Ella Zalon Docent Committee Thalia Dorwick, Chair Matty Bloom, Core Content Nancy Fenton, Procedures Selma Meyerowitz, Off-site contact & Recruitment Tartuffe Docents Joy Lancaster, Lead Docent John Argue · Sandy Greenberg · Stephen Miller · Joan Sullivan · Catherine Warren
2014–1 5 B E R K E L E Y R E P FELLOWSHIPS Bret C. Harte Young Director Fellow Adam L. Sussman Company/Theatre Management Fellow Faith Nelson Costume Fellow OP E R AT ION S Andrea Phillips Facilities Director Development Fellow Mark Morrisette Haley Bierman Facilities Manager Education Fellow Lauren Shorofsky Rachel Eisner Building Engineer Graphic Design Fellow Thomas Tran Sarah Jacczak Maintenance Technician Harry Weininger Sound Fellow Johnny Van Chang Annemarie Scerra Facilities Assistants Lighting / Electrics Fellow Sophie Li · Carlos Mendoza · Jesus Sarina Renteria Rodriguez · LeRoy Thomas Marketing & Communications Fellow BERKELEY REP Billy McEntee S C HO OL OF T H E AT R E Peter F. Sloss Literary/ Director of the School of Theatre Dramaturgy Fellow Rachel L. Fink Lexi Diamond Associate Director Production Management Fellow MaryBeth Cavanaugh Margaret Clement Community Programs Manager Properties Fellow Benjamin Hanna Amelia Burke-Holt Communications and Community Scenic Art Fellow Partnerships Manager Anna McGahey Kashara Robinson Scenic Construction Fellow Registrar Will Gering Katie Riemann Community Programs Administrator Stage Management Fellow Brad Hopper Modesta Tamayo Faculty Alva Ackley · Susan-Jane Harrison · Bobby August Jr. · Erica Blue · Patric Cambra · Rebecca Castelli · Jiwon Chung · Sally Clawson · Laura Derry ·
President Thalia Dorwick, PhD Vice President Jill Fugaro Vice President Stewart Owen Treasurer Emily Shanks Secretary Leonard X Rosenberg. Chair, Trustees Committee Roger A. Strauch Chair, Audit Committee William T. Espey Immediate Past President Marjorie Randolph Board Members Carrie Avery Edward D. Baker Martha Ehmann Conte David Cox Robin Edwards William Falik Lisa Finer David Fleishhacker Kerry L. Francis Paul T. Friedman Bruce Golden Nicholas M. Graves David Hoffman Sandra R. McCandless Susan Medak Helen Meyer Pamela Nichter Jack Schafer Richard M. Shapiro Jean Z. Strunsky Tony Taccone Gail Wagner Felicia Woytak Past Presidents Helen C. Barber A. George Battle Carole B. Berg Robert W. Burt Shih-Tso Chen Narsai M. David Nicholas M. Graves Richard F. Hoskins Jean Knox Robert M. Oliver Harlan M. Richter Richard A. Rubin Edwin C. Shiver Roger A. Strauch Warren Widener Martin Zankel Sustaining Advisors Carole B. Berg Rena Bransten Diana J. Cohen William T. Espey John Field Scott Haber Richard F. Hoskins Carole Krumland Dale Rogers Marshall Dugan Moore Mary Ann Peoples Peter Pervere Pat Rougeau Patricia Sakai Michael Steinberg Michael Strunsky Martin Zankel
F OU N DI NG DI R E C T OR Michael W. Leibert Producing Director, 1968–83 2 0 1 4 –1 5 · I S S U E 5 · T H E B E R K E L E Y R E P M AG A Z I N E · 4 1
Please arrive on time. Late seating is not guaranteed.
Connect with us online!
Visit our website berkeleyrep.org You can buy tickets and plan your visit, watch video, sign up for classes, donate to the Theatre, and explore Berkeley Rep.
Emergency exits Please note the nearest exit. In an emergency, walk—do not run —to the nearest exit.
No food or glassware in the house Beverages in cans or cups with lids are allowed.
Accessibility Both theatres offer wheelchair seating and special services for those with vision or hearing loss. Assistive listening devices are available at no charge in both theatre lobbies. Scripts are available in the box office. Open captioning is available for at least one performance of every season production.
No smoking The use of e-cigarettes is prohibited in Berkeley Rep’s buildings and courtyard.
facebook.com/ berkeleyrep @berkeleyrep
instagram.com/ berkeleyrep yelp.com/ biz/berkeleyrepertorytheatre-berkeley
We’re mobile! Download our free iPhone or Google Play app — or visit our mobile site —to buy tickets, read the buzz, watch video, and plan your visit.
Box office hours: noon–7pm, Tue–Sun Call 510 647-2949 Click berkeleyrep.org anytime Fax: 510 647-2975
Bring Berkeley Rep to your school! Call the School of Theatre at 510 647-2972 about free and low-cost workshops for elementary, middle, and high schools. Call Sarah Nowicki at 510 647-2918 for $10 student-matinee tickets. Call the box office at 510 647-2949 about discounted subscriptions for preschool and K–12 educators.
Under 30? Half-price advance tickets! For anyone under the age of 30, based on availability. Proof of age required. Some restrictions apply. Senior/student rush Full-time students and seniors 65+ save $10 on sections A and B. One ticket per ID, one hour before showtime. Proof of eligibility required. Subject to availability. Group tickets Bring 10–14 people and save $5 per ticket; bring 15 or more and save 20%. And we waive the service charge. Entourage tickets If you can bring at least 10 people, we’ll give you a code for 20% off tickets to up to five performance dates. Learn more at berkeleyrep.org/entourage. Student matinee Tickets are just $10 each. Learn more at berkeleyrep.org/studentmatinees. For group, Entourage, and student matinee tickets, please call us at 510 647-2918. Sorry, we can’t give refunds or offer retroactive discounts.
42 · T H E B E R K E L E Y R E P M AG A Z I N E · 2 0 1 4 –1 5 · I S S U E 5
Theatre store Berkeley Rep merchandise and show-related books are available in the Hoag Theatre Store in the Roda Theatre.
Please keep perfume to a minimum Many patrons are sensitive to the use of perfumes and other scents. Phones / electronics / recordings Please make sure your cell phone or watch alarm will not beep. Use of recording equipment or taking of photographs in the theatre is strictly prohibited. Please do not touch the set or props You are welcome to take a closer look, but please don’t step onto the stage. No children under 7 Many Berkeley Rep productions are unsuitable for young children. Please inquire before bringing children to the Theatre. No babes in arms.
Theatre maps stage
T H RU S T
Ticket exchange Only subscribers may exchange their tickets for another performance of the same show. Exchanges can be made online until midnight (or 7pm by phone) the day preceding the scheduled performance. Exchanges are made on a seat-available basis.
• premium • a • b stage
Request information To request mailings or change your address, write to Berkeley Rep, 2025 Addison Street, Berkeley, CA 94704; call 510 647-2949; email firstname.lastname@example.org; or click berkeleyrep.org/joinourlist. If you use Gmail, Yahoo, or other online email accounts, please authorize patronreply@ berkeleyrep.org.
• premium • a • b stage
A Little Night Music Music and Lyrics by
“Sophisticated and enchanting”
New York Times
BEGINS MAY 20
HUGH WHEELER Directed by
“[An] exhilarating theatrical kaleidoscope!” The Guardian, UK
by CARYL CHURCHILL
Directed by CASEY STANGL
“Dizzying . . . [Churchill] has proved herself without peer.” New York Times
THE PREMIERE PRODUCTION AT A.C.T.’S NEW STRAND THEATER
Time Out New York
BEGINS JUNE 3 ACT-SF.ORG | 415.749.2228
A MAGICAL EVENING IS ON ITS WAY!
SATUR DAY, AP RI L 18 , 20 1 5 5:30 pm Cocktail Reception & Silent Auction 7:00 pm Dîner Gastronomique & Live Auction The Ritz-Carlton, San Francisco
VIE FOR INCREDIBLE LIVE AUCTION PACKAGES, INCLUDING: An Exquisite South American
Join us for a magical evening, as Berkeley Rep hosts OVATION: Une Soirée Magnifique! Find yourself transported to Carnaval in Paris, a feast for the senses with surprises around every corner.
Tickets start at $750 TABLES:
* Adventure on The World Yacht
A Thrilling New York Getaway for
An Idyllic Stay at a French Manor
* in the Loire Valley
An Exclusive Dinner at Chef
* Narsai David’s home
Footlight $7,500 · Spotlight $12,500 · Limelight $18,000
To reserve, contact Lily Yang at email@example.com or (510) 647-2909.
BE R K E LE YRE P.ORG / OVAT ION LEFT AND RIGHT PHOTOS BY DREW ALTIZER PHOTOGRAPHY · MIDDLE PHOTO BY NORA MERECICKY
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End of Year 2016 Motivated by compassion for the "least of these" beginning in Sierra Leone, West Africa, we seek to connect
EduNations’ Mission: Igniting Hope resources from affluent societies with the needs of the poorest in the world to provide education, opportunity and hope.
A Report from Samuel Sesay on In-Country Events -2016 Our In-country Directory, Samuel Sesay, has provided us with some glimpses of the work in Sierra Leone and the amazing progress and advancements. They are pictures of flourishing and hope! For the past two years the most exciting news regarding God’s great faithfulness is in keeping us safe from the Ebola crisis. With Sierra Leone being completely free of Ebola today it is a comforting assurance to know that we serve a God who continues to love us regardless. EduNations is being supported by the Sierra Leone Alliance (SLA) in Western NY, to provide psychosocial support to 100 Ebola orphans in 17 different communities through a Psychosocial worker, Fatu. For the Second quarter report, Fatu reported this impactful story demonstrating God’s amazing faithfulness. “Momoh lost his two parents through Ebola on the same day. The first thing that struck his mind when his parents passed away was his education. He thought that was the end. With the help of his caregiver, they moved to Rokassa where he was enrolled to this project. In Rokassa, he found free education, free learning materials and caring and experienced teachers. Since he started
Rokassa Village Clinic Update A child learns best when they are healthy (at least that is what we think)! EduNations works with each of the communities we serve to help ensure that all our students have access to healthcare. Sometimes this is very challenging. Because of the Ebola epidemic we realized our village of Rokassa was both very isolated and vulnerable. Thanks to our partners at WTS in Lewiston, NY we built the Orfonthy Community Health Center and now through foundation funding acquired by Board member Dr. Jeff Gingrich we can finish and furnish the center. A one day clinic has already been conducted by our partner Jericho Road Community Health Center serving over 250 people. Another one day clinic is planned before the grand opening in early 2017.
benefiting from this project, he has been stable and doing well at school. He said at first he was lost but the SLA and EduNations has found him and given meaning to his life.” More encouraging news comes from the remote village of Gbenikoro. In his 4th visit there in March 2014, EduNations’ President Rev. Dr. Dean Weaver pronounced in a community meeting that: “EduNations would build a Junior Secondary School in Gbenikoro to provide free Christian education to the children of Gbenikoro and the six surrounding catchment villages”. Fast forward to July 2016, a six (6) classroom block school is being built in Gbenikoro. Moreover, for two years now, EduNations has employed seven (7) teachers who have been teaching in the government Primary school (a whole Primary school with just one teacher before) and students in the EduNations Hope Academy Junior Secondary School 1 & 2. Also, EduNations has completed the building of the Birth Waiting Home in Gbenikoro. Pregnant women now go to the well-furnished home during labor and a supply of birthing items and materials is being given as a gift to every woman who delivers their baby in the birth waiting home. Needless to say that the infant mortality rate is greatly reduced all thanks to God’s amazing faithfulness. In a recent Facebook update from the field, Samuel shared this post that says it better than we ever could. “Imagine 2,000 students in all our schools having to say thank you to you all! Imagine the poor parents of these students having the opportunity to say thank you to you all! Imagine whole communities which are being transformed by your prayerful support having the opportunity to say thank you! If only you could imagine what a difference you are making in Sierra Leone today, you will accept our thankfulness. Thank you!”
Biggest Need For The Coming Year Our greatest financial need in 2017 is the purchase of a studier, all-terrain vehicle for our staff to move around the country of Sierra Leone. Currently, our 2 residential style vehicles are not holding up to the rigorous roads, or lack of roads, to travel to our remotest villages. What is needed is a single, “water tight” vehicle such as a Toyota Land Cruiser or Range Rover “Dogface” that can travel through the toughest terrain. This requires an investment of $20,000(used)-$60,000(new) US dollars and is by far our biggest capital investment needed in 2017. Would you consider being a part of that investment? Designate your giving as EduNations Vehicle.
EduNations | PO Box 233 Ingomar, PA 15127 | 412-522-4756 | www.edunations.org | firstname.lastname@example.org
EDUNATIONS BACK TO SCHOOL 2016 Financial Update from our President 2016 has been a challenging year financially for EduNations. In the United States, financial conditions led to an unanticipated reduction on the part of our largest corporate sponsor and largest church partner. Both continue to be passionate about the work in Sierra Leone, but this unbudgeted decrease led to some very lean months. The good news is that God’s faithfulness provided for us month by month so that we could meet all our expenses. In Sierra Leone, the economy has struggled since the Ebola crisis. With international companies pulling out, the prices of basic daily necessities have risen dramatically. Considering this, we have increased the salaries of our teachers in hopes that they can just keep up with caring for their families. Due to the incredible generosity of a few partners, designated for specific capital projects, we have largely completed both a new health clinic in the village of Rokassa and a Junior Secondary School in Gbenekoro. A newly formalized relationship with Sierra Leone Alliance partner, Jericho Road Community Health will enable the operation of the Rokassa Clinic beginning in early 2017.
2016 concluded with two strong fundraising opportunities in Buffalo and Pittsburgh. Building on the success of these events, we are encouraged that the Lord has good things for us in 2017. To date about $310,000 has been received toward an annual budget of $330,000. It is our prayer that your year-end donations will enable us to end the year strong and faithfully serve “the least of these” on your behalf in the year to come! - Dr. D. Dean Weaver - President: Board of Directors
Fundraising Season Results Thank you to our many Western New York EduNations supporters who attended the “Share the Bounty” Dessert reception at the Chapel at Crosspoint on Thursday, November 18. Old friends were reconnected and new friends invited to a delightful evening of music, gourmet treats, and an update on EduNations’ work in Sierra Leone. Thank you to all who attended and for your generous donations!
We thank the generosity of our concert sponsors
On Thursday December 8th about 500 people attended a benefit concert by Grammy Award Winning Artist Laura Story, hosted by Memorial Park Church in Pittsburgh. Laura’s song “Blessings” was certified GOLD in 2011 and inspired her first book “What If Your Blessings Come through Raindrops”. As EduNations’ President and MPC Lead Pastor Dean Weaver noted, “we came to a Christmas concert and a worship service broke out.” It was a beautiful and powerful evening supporting the work of EduNations. Including the addition of 24 new Student Sponsors, over $56,000 was raised on behalf of “the least of these” in Sierra Leone that night. Combined with nearly $20,000 in donations from our Western NY friends, we ended the year with a strong fundraising season! Thank you!
2016 Student Sponsorship Update Thank you to our many faithful sponsors! Many of you have stayed with your sponsor child from the beginning of the program and your student has benefited from a 100% free education and their books, supplies and uniforms provided for them. This is a
priceless gift you have given and your student thanks you! If you would like to send a letter to your sponsor child, please send to the EduNations PO Box by January 31, 2017. We ask for no larger than greeting card size. The schools of Fintonia and Rokassa are more than 50% sponsored but there are many more sponsorship opportunities available, especially in the very remote villages we serve. The need is great! Please consider this unique and tangible was to make a difference for a specific child in Sierra Leone! You can see available students and start an automatic monthly payment of $28 or yearly payment of $336 right through the Edunations.org website. Contact Beth Weaver, Child Sponsorship Liaison, with your interest or questions about the sponsorship program at email@example.com or 412-552-4756. Thank you for your involvement!
Please visit the EduNations web site at www.edunations.org EduNations | PO Box 233 Ingomar, PA 15127 | 412-522-4756 | www.edunations.org | firstname.lastname@example.org
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500 meters from the Vieux Bassin, in the quiet area of Cours Albert Manuel, this charming Honfleur house with garden benefits from the immediate proximity of the center of Honfleur and its shops.
Completely renovated, tastefully furnished and decorated, the interior is warm: tiled floors, cement tiles, parquet floors and fireplaces adorn the 50 m² of living space spread over 2 levels. The reception area, friendly with its open kitchen, extends onto the terrace and the garden; the first floor has 2 bedrooms and a shower room. A 6 m² outbuilding on the ground offers storage space for bicycles and garden furniture.
A most pleasant pied-à-terre on the Côte de Grâce for weekends and holidays with significant seasonal rental potential.
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What Is O.D. Kobo’s Net Worth? (Recent Reports)
|Net Worth||$200 million|
|Born||August 30, 1975|
|Age||48 years old|
|Birthplace||Hong Kong, China|
O.D. Kobo is an Internet businessman born in Hong Kong. As of 2023, Kobo has a high net worth of about $200 million. He is the co-founder of successful companies PIR Equities and Israel Investment Partners.
Both firms are employee-owned private equity firms and are members of the partnership network of ADASAKI Global Advisory.
In November 2021, Kobo was listed among the world’s top 50 richest in blockchain by Entrepreneur Magazine.
How did Kobo enter the Crypto sector….
Would you like to know more about his successful ventures…?
His educational qualifications….
What is Kobo doing now and what are his plans for the future.…?
Let’s get to it!
O.D. Kobo Biography/Wikipedia/Wiki
|Real Name||Oded David Kobo|
|Date of Birth||August 30, 1975|
|Age||48 years old|
|Net worth||$200 million|
How Was O.D. Kobo’s Early Life And Education?
His real name is Oded David Kobo, he was born on August 30, 1975. Kobo was born in Hong Kong, to Ruth Kobo and Bebo Kobo.
He moved to London when he was 16 years old. At the age of 17, he began attending classes at the London School of Economics for finance and business administration.
He also received his education in New York.
How Did O.D. Kobo Start His Successful Career?
Kobo kick-started his career at the age of 21 by licensing patented technology to the online lottery industry.
He later founded several China-based investment firms namely KGIM and SinoSheen which both were partnered with the Prime Minister of Qatar.
KGIM was acquired by East River Capital in 2010. SinoSheen had invested in companies such as Tencent and Alibaba before it was acquired in 2011.
In 2008, Kobo co-founded PIR Equities with his old friend Joseph Aaron Horowitz. Kobo invested in Camden Market Holdings via PIR Equities and he was also a member of the board of directors with Bebo Kobo and Chelsfield Partners.
In 2014, Camden Market Holdings was also sold to billionaire businessman Teddy Sagi of Playtech.
Also in 2014, Kobo sold the mobile technology Pheed to Carlos Slim and American Movil for $40 million.
In 2015, Kobo established the S Group, with businessmen Roman Abramovich and Gee Roberson.
In August 2018, it was released in the Financial Times that Kobo had made a $50 million investment in Bitcoin and Ethereum via PIR Equities.
In March 2019, Kobo introduced Israel Infrastructure Partners, an equity firm focused on infrastructure investments. In June 2019, the firm changed its company name to Israel Investment Partners.
In November 2021, Kobo was listed at number 47 on the Top 50 Richest People in Crypto list by Entrepreneur Magazine.
Kobo still invests in digital assets, with investments in Ethereum and various other cryptocurrencies.
O.D. Kobo got married to his long-time girlfriend fashion photographer Etos Ovadia. They got married in 2015 and now they have two children.
Sources of Income
- Earnings from investing in the stock market
- Earnings from crypto investments
- Earnings from his job at 2 companies
O.D. Kobo Career highlights
- Listed in the top 50 richest people in crypto by Entrepreneur Magazine.
O.D. Kobo Social Media Handles
- Taking the first step is important.
- Growth only comes when you take action, stagnance leads nowhere.
O.D. Kobo is an Internet businessman born in Hong Kong.
Moving from China to London at the young age of 16 and then attending the prestigious university in London shows a high level of dedication and talent in Kobo from a young age!
His founded companies have been huge successes and he has played a huge role in the growth and stability of the corporations, the companies could only flourish under his leadership and management skills!
As per recent updates, the net worth of O.D. Kobo is $200 million…!
Frequently Asked Questions About O.D. Kobo
Below are a few frequently asked questions about O.D. Kobo’s career, family, early life…
What is O.D. Kobo’s date of birth?
O.D. Kobo was born on August 30, 1975, and he’s currently 48 years old.
Where did O.D. Kobo completed his education from?
O.D. Kobo started taking classes at the London School of Economics for finance and business administration at age 17.
Where did O.D. Kobo grow up?
O.D. Kobo is from China where he spent the majority of his childhood before moving to London when he was just 16.
What position did Kobo get among the 50 richest people in Crypto by Entrepreneur Magazine?
Kobo was listed at number 47 on the Top 50 Richest People in Crypto list by Entrepreneur Magazine.
Who is O.D. Kobo’s wife?
O.D. Kobo got married to fashion photographer Etos Ovadia in 2015 and they have 2 children together.
(P.S. Kobo’s actual net worth might vary from the one given in the article which has been put together using various sources.)
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Tight Sound New plugin will help you to make a mix ready guitar sound from super Raw sound.
GUITAR HELPER WILL SIMPLY TAKE AND MAKE THE GUITAR SOUND BETTER THROUGH INTERNAL ALGORITHMS!
GOOD FOR ANY AMP SIM!
•Take any guitar tone and put пguitar helper
•Choose one of the 4 modes, the one you like best
•listen to the guitar in the context of the song, and try to understand how many bass and treble frequencies are in your guitars? correct the situation with appropriate controls
•Add drive! it will glue your guitars with the song, if it came out too loud, take a little back with the output volume
Congratulations! your guitars are better. You can add a final limit or a bit of low frequency compression
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Upwards personal bank loan was created to contain your own economic requisite very quickly aided by the easy and ha le no-cost software that’s on the web .
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Financial institutions in Asia possess the very least earnings want that you need to qualify all on your own finance applications approved. The money necessity can vary from state and to state. The income requisite for people moving into level we and tier Two spots can be high in comparison to tier III urban centers. In the event you wear t have the revenue to spend your loan in those days this lender would straight-out avoid the application from said surface.
Serve the Employment Needs
a lender may necessitate you to be used along with your present business for a number of circumstances or lots of months so that you can meet the criteria for a financial loan that is individual. Additionally, when your company is certainly not l along with the loan company the job for all the loan most probably will claim declined. Therefore, it’s vital that minimal is inspected by you business needs because report on your organization by yourself financing accepted.
Don t end up as financing Guarantor for everybody
Whenever your family members or friends need you to develop into a guarantor in relation to their loan blessing, therefore stay away from creating if you wish about to do that make a difference towards mortgage plan. Remember, when your purchaser financing non-payments from mortgage, then a duty within this repayment lands in connection with weapon of the guarantor, which may eventually influence yours credit skills besides.
Possess a reduced Credit to Money Ratio
The debt to profits proportion show the thirty days debts you payback in accordance considering the month-to-month revenue you have truly a measure of your own power to pay off the loan you want to acquire. In that case your application for the loan stall are declined for a passing fancy surface when you yourself have a high debt to money proportion. Hence, it’s wise we payback your current funding before applying the new unsecured style of credit score status.
Examine Loans Certifications On Line
Before you apply to obtain a customers financing, it is preferable that you simply see your own credit skills online using your own financial loan degree calculator. The calculator often helps a quote was have by your linked to the extent need you are eligible to claim, therefore avoiding you from getting the application refuted.
Don t generate blunder within the Application
In that case your loan application will probably bring refused if you cover any specifics through the lender. Recall, creditors hire renewable companies to verify your personal job, income and abode situations. Any misrepresentation of knowledge can lead to rejection of your program. In fact then the lender can reject the job on said soil if you have a credit rating.
Don t frequently Changes Operate
Financial institutions wish to bring financial loans to people possessing reliable efforts. For disbursing funding of large quantity, lenders check their duration of services adventure as well as your present-time course aided by the pre-existing place of work. Recurring job buttons may have a impact that’s bad the loan program.
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The Son of Chico Dusty
Bernstein's Web Log now at Jacket2
I am putting on a new Jacket: New "web log" posts will be right here at Jacket 2 <https://jacket2.org/commentary/charles-bernstein>, while archives of posts from previous years will be accessible from link on the sidebar. Subscribe to the RSS FEED (via Feedburner) or get new posts by email, fill out this form:
"Son of Chico Dusty" was created by Eric Linsker and Jeff Nagy or their slap media site.
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One of my favorite youtube channels did a series that was right up my alley, I thought I’d share it here as well just in case you don’t follow his channel.
It is about the The Railroads of John W Young, early Salt Lake area railroads and where they used to be.
This one has some really cool Sugar House history.
Another great one, showing the route up to Fort Douglas.
Such cool information here.
I just can’t get enough of these.
If you’ve got this far you’re probably as big of a geek as I am.
This one has some great info on the Gardner’s Mill.
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Back-plate is mounted to wall. Dispenser/reservoir unit locks into bottom portion of mounted plate. With foil seal down, align refill with middle and upper tracks on back-plate. Refill is pushed in and slid down into tracks locking it into position which breaks the foil seal. Product flows into reservoir emptying completely during use with no waste.
You save $40.35 (31%)!
When empty, refill tank can be changed at maintenance personnel’s convenience as a full 1000 ml of product will be left in the reservoir. You get 1,444 dispensing from each 4000-ml refill.
Formulations and Packaging:
Refill Tanks for the Dispenser-Mate® 5000 System are available in Smooth and Pumicized Citrus Lotion Conditioner Enriched Hand Cleaners, Pumicized Advantage HD Hand Cleaner, Premium Blue Hand & Body Soap, Ultra Zapper Hand Cleaner, Turbo Cherry Hand Cleaner, Soy Blast Hand Cleaner and GLK-55 Heavy-Duty Hand Soap. Product cases include four, 4000-ml refill tanks. The Dispenser-Mate 5000 Dispensing System is available in single units.
System includes: Proprietary, unique Gent-l-kleen patented dispenser, reservoir and mounting plate for use with 4000 ml refill tanks
Color: Stay-clean black dispenser and mounting plate; see-through white refill tank and reservoir
Capacity: 1000 ml reservoir plus 4000 ml refill tank gives user a 5000 ml system
Product Features and Benefits:
Easy, quick-changing, no-mess Refill Tank empties 100%— NO WASTE.
Reservoir back-up allows reloading at your convenience.
System SAVES 30-40% over other systems.
Time-tested, heavy-duty pump mechanism is guaranteed for life.
See-through window lets user know when Refill can be changed.
Foil seal locks in freshness and eliminates tampering
Snap-in/snap-out features lock Reservoir and Refill Tank in place.
Refill also fits Zep Manufacturing Co.’s D-4000 dispenser (all models) and Arjem flat-top gallon dispenser also sold through Gent-l-kleen.
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2023-10-01T04:50:09Z
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8703 Venice Boulevard
Los Angeles, CA
Phone: (310) 559-3822
Note: This is not a complete consulate and it has an “Honorary Consul” who is the appointed representative. This means that passport issues and other such business cannot be handled here and still requires visits or mailings to NY or DC.
Jamaica Awareness Association of California
The Jamaica Assocation of Northern California
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The Rising Issue of Personal Debt
In today’s rapidly changing financial landscape, many individuals find themselves grappling with mounting debt. Whether it’s credit card balances, student loans, or medical bills, the burden of multiple debts can make it challenging to stay afloat. As personal finances become more complex, individuals are seeking effective strategies to regain control over their economic well-being. One such strategy gaining popularity is debt consolidation.
Understanding Debt Consolidation
Debt consolidation is a financial approach that involves merging multiple debts into a single loan. Essentially, it allows individuals to combine all their outstanding balances, streamlining repayment into one manageable monthly payment. For expanding your understanding of the subject, we suggest exploring this thoughtfully chosen external site. تمويل شخصي, discover additional information and interesting viewpoints about the subject.
When opting for debt consolidation, individuals can choose from various consolidation methods, including personal loans, balance transfers, or home equity loans. Each method has its unique advantages and considerations, contingent upon individual circumstances.
The Benefits of Debt Consolidation
Choosing the Right Debt Consolidation Method
When considering debt consolidation, it is crucial to assess the available options and choose the method that aligns with one’s financial goals and circumstances.
For individuals with a steady income and good credit score, a personal loan from a reputable financial institution may offer the best solution. These loans often come with fixed interest rates and a specified repayment term, providing predictability and stability.
Those with substantial credit card debt may find balance transfers to be an attractive option. By transferring high-interest credit card balances to a new card with a lower or zero percent introductory interest rate, individuals can make significant strides in reducing their debt.
For homeowners, home equity loans can offer an effective way to consolidate existing debts. By leveraging the equity in their property, individuals can access lower interest rates, making their mortgage a valuable asset in debt consolidation.
The Importance of Financial Discipline
While debt consolidation can be an instrumental tool in regaining financial control, it is crucial to approach this strategy with discipline and accountability. Consistently making timely repayments is essential to derive the full benefits of debt consolidation.
Additionally, individuals should be mindful of their spending habits and avoid incurring new debt while consolidating existing ones. Adopting responsible financial behaviors and budgeting effectively will complement the efforts made in debt consolidation, ensuring a sustainable path towards financial freedom. Explore the subject further with this recommended external material. تمويل شخصي سريع!
Debt consolidation offers individuals facing mounting debt an effective solution to regain control over their personal finances. By consolidating multiple debts into a single payment, individuals can simplify financial management, potentially secure lower interest rates, and improve their credit score. Selecting the right debt consolidation method and practicing financial discipline are vital in ensuring long-term financial success. With the right approach, individuals can overcome the challenges posed by excessive debt and pave the way towards a more stable and prosperous financial future.
Wish to expand your knowledge? Visit the related posts we’ve set aside for you:
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Everything about “Speak Easy”, from its long gestation period to its dramatic artwork, demonstrate Kaytlyn Cate’s determination not to squander her creative freedom. She has always been a remarkable singer, but the smoky, slightly hoarse warmth of her maturing voice immediately sets the brand new single apart from rivals, and even from her previous single, as she taps into new energies and inspiration. “As an artist the most important thing to me personally is the story I get to tell inside the music. This felt like taking a piece out of my journal that I didn’t want to necessarily share, and release to the world. There was something so powerful about that,” says Kaytlyn. “I felt as if I took every heart ache, whether it was from a friend, a family member, a boyfriend, whoever, I channeled that pain into something beautiful that can hopefully help the people who listen to it. I’ve never felt so closely connected to a song.”
Kaytlyn Cate’s is a fascinating presence in pop music at a time when posturing is as important as craft, because she isn’t selling media savvy, she is an outstanding writer and an intriguing singer. What she shows on “Speak Easy” is a singer-songwriter with a preternatural self-awareness, a deliciously capricious singing voice, and an impeccable ear for melody.
She twists familiar sounds into unfamiliar shapes, while her lyrics flit between dramatic lines of poetry and the conversational breeze of a journal entry. I will admit that I am a little I’m biased because I am absolutely obsessed with what Katlyn puts out there in the world. She doesn’t go by the rules of the typical pop, R&B or Soul song. She’s all about concept building that pushes boundaries.
“You keep talking about all of your feelings. You wanna go, I can’t stop you leaving. But I want you to stay. My heart breaking, cause letting you go is something I’ve needed.” Lyrically painting a picture, Kaytlyn brings it all to life here with a wonderful vocal performance. Her delivery and the lyrics she writes are incredibly genuine.
Whatever Kaytlyn’s singing about, it’s like it just happened. There’s that much emotion and that much sincerity in her voice, and the music that goes along with the vocals is equally good. No matter what’s behind the voice though, space is always used to perfection.
Kaytlyn, and everyone at David Samuel Studios & Soulcraft Records, who worked on the track, did an excellent job of letting every note and every word breathe in this arrangement.
An overwhelming majority of major label Pop stars today have a clear cut path to make their way to the top – one that is paved with formulas and algorithms, to ensure a simple rise to the corporate top. Then there is an independent talent like Kaytlyn Cate, a singer-songwriter who hails from the Cascade Mountain range of the Pacific Northwest. Kaytlyn is constantly working hard at her craft and evolving into a better version of herself on each subsequent release.
Step by step, she is undoubtedly heading towards becoming one of the more intriguing female characters in popular music, and “Speak Easy” most definitely serves to cement that legitimate ambition.
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Asian Stepsisters Convince The Broken Me
I managed to convince two hot girls to do a bitching with me
Naruto Hentai Episode 15 Perverted Family Boruto and sarada go to hanabi's room to convince her to have a threesome with her at the end she accepts she likes her brother to fuck her
BROKEN! Into a LUSTFUL DEMON!
Why is it broken in me? I told you not to break.
trailer broken penis
When stepsisters blowjobs mean a lot more
FreeUse Little Asian Teen Stepsisters Will Let Stepbrother Family Fuck Them Anytime - Paisley Paige, Clara Trinity
anytimeteen com freeuse family fucking both by hot asian teen stepsisters while step are gone paisley paige clara trinity
Stepsisters lesbian sex in the bedroom
After serving the family meal, he has sex with his stepsisters.
Swapping And Warming Eachothers Stepsisters
UsedTeens4K - Two Petite Asian Freeuse Tiny Asian Teen Stepsisters Anytime Threesome With Big Dick Stepbrother - Paisley Paige, Clara Trinity
UsedTeen - Freeuse Hot Tiny Asian Teen Stepsisters Are Used By Stepbrother While Parents Are Gone - Paisley Paige, Clara Trinity, Nade Nasty
Japanese doggystyle/ Japinha being broken into full video link
Big tit Thai stepsisters suck and fuck a big dick
Stepsisters Fight For Stepdads Attention On Stepfathers Day
Bring student girlfriends to the hotel hit without stopping Totally broken into a skirt.
DON´T FUCK MY ASS! I Brunette in a swimsuit with a great ass gets her anus broken incredibly well
Chinese in Chicago Jessica LeeLee fucked and creampied with broken condom
Domestic AV drama My girlfriend's is broken in love, I use a big cock to satisfy her who is empty
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- This event has passed.
Woodland, Savanna, and Stream Restoration Tour
September 30 @ 10:00 am - 12:00 pm
Join JDCF stewardship staff on a tour of a wildlife restoration project 30 years in the making. We will see a 13-acre woodland (half before and half after restoration), a 7-acre restored savanna, an example of streambank restoration, and another section of stream where restoration is scheduled to begin this fall. Jake Pulfer, JDCF’s NISC Program Director, will join landowner Ted Jackson in guiding the tour. A representative of the USFWS may also join us as they have supported this work as well. Shay Bradbury, Soil Conservation Specialist from NRCS, has been assisting with the streambank restoration so will lead that portion of the tour.
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https://jdcf.org/event/woodland-savanna-and-stream-restoration-tour/
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2023-10-01T05:46:24Z
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The tin star
Further to the subject of law ‘n’ order in the West, we have already established that the law in the West, or in Westerns anyway, was rarely a formally constituted court with judge and jury. Even when those elements appeared, they were often either incompetent or corrupt, or both.
No, the word lawman was reserved for a sworn peace officer, usually a fellow packing a pistol and wearing a badge on his vest.
Early Western communities were unlikely to have a formal sworn or salaried peace officer. Some towns, therefore, and especially mining camps, tended to set up ‘vigilance committees’, to deal with malefactors. The word vigilance is rather positive, isn’t it? A vigilant person is watchful, careful, thoughtful. But a vigilante now, that’s quite another thing. Sometimes the vigilantes were seen as heroes and were supported by the law-abiding citizens, being regarded as a necessary stopgap until proper law arrived, but other times the vigilantes were brutal thugs, worse than the ‘criminals’ they were pursuing.
One of the first vigilante groups formed was known as the San Francisco Vigilantes, of 1851.
One of the most notorious bands, a little later, was the Montana Vigilantes, who in 1864 hanged Bannack Sheriff Henry Plummer, whom they accused of being a road agent.
When the Reno brothers started robbing trains in Indiana after the Civil War, locals formed the Southern Indiana Vigilance Committee and hanged Frank, William and Simeon Reno in 1868.
But none of these guys could properly be termed lawmen. They were often operating as far outside the law as the men they were after. In the absence of proper authorities, this was frontier law at its crudest.
Even in the 1870s and ‘80s, there were not in actual fact a great many policemen. Some communities elected a constable. Even the much-famed Wyatt Earp was first a constable, and was never, malgré Hollywood, marshal of a town – Wichita, Dodge, Tombstone, or anywhere else – though his brother Virgil was for a time marshal of Tombstone. Town marshals could be appointed by some county or state authority, often (in Western movies) by the mayor, but usually then faced election or re-election. These marshals had powers and duties similar to those of a police chief. But their jurisdiction generally ended at the border of the community. When town lawman John Cleese with a posse pursues the chaps who burned down his gallows in Silverado, he pulls up short at the limit of his authority and will go no farther. Mind, that’s partly because one of said chaps shoots his hat off.
Perhaps the most famous town marshal of them all was Wild Bill Hickok, marshal of Abilene. He never really got over accidentally shooting his own deputy, and found that his popularity suddenly waned. In fact Bill’s predecessor, Bear River Tom Smith, was unusual for a marshal in that he tried, Destry-like, to police Abilene with no gun. Unfortunately, he got semi-decapitated for his pains.
A sheriff (the word is derived from the old English shire-reeve) tended to be a county officer, and often a political appointee/nominee for election, and sheriffs’ tasks (varying from county to county) might include maintaining county jails, serving warrants and court papers, and tax collection (a proportion of the money collected helping to fill the sheriff’s pockets, office safes or bank accounts). Occasionally sheriffs became noted as law-enforcers. A shoot-out during the Pleasant Valley War made the name of Commodore Perry Owens, elected Apache County sheriff in 1886.
Other famous sheriffs were Seth Bullock, from Deadwood, also later a deputy US marshal; Frank Canton, Sheriff of Johnson County, Wyoming; Longhair Jim Courtright, in Fort Worth; King Fisher, Sheriff of Uvalde County, Texas; ex-Ranger Captain Jack Hays, first Sheriff of San Francisco; and John Slaughter, Sheriff of Cochise County. But there were many more. They weren’t all fine upstanding types, and they didn’t all die with their boots off. Courtright, for example, tried to shake down saloon owner Luke Short, the gambler-gunfighter, and Short shot him to death in a gunfight in 1887.
Sometimes, rarely, there was a state-wide police force. Most famous of these were the Texas Rangers but at different times other states, Arizona, for example, experimented with such an organization. However, state legislatures might be quick to set them up but were generally much less keen regularly to vote enough resources to maintain the force. Furthermore, rangers of this kind were not always paragons of virtue or exemplary providers of law and order, as Mexican objects of the Texas Rangers’ summary justice often found out. The Rangers had a paramilitary role as much as a law enforcement one, for example fighting the Comanche in Texas.
The only public federal police force that operated in the West was the corps of US Marshals. The marshals dated back to the First Congress and were “appointed in and for each district for a term of four years”. It was further ordained that the marshal “shall have the power to command all necessary assistance in the execution of his duty, and to appoint as shall be occasion, one or more deputies.” And indeed, deputy US marshals play a big role in Western movies, not only Cahill, US Marshal, though in reality marshals had many duties apart from bringin’ in outlaws, such as serving writs, paying the fees and expenses of the court clerks, US Attorneys, jurors, and witnesses, renting courtrooms and jail space, and even conducting the census. But those jobs weren’t very Western so are quietly ignored on the screen.
Because there were so few officers with authority to cross county and state lines, a private national police force, the Pinkertons, was much employed, as we have seen (click the link for that). Sometime Pinkerton men such as Charlie Siringo and Tom Horn occasionally featured in Westerns. In other movies actors played members of euphemistic outfits such as the ‘Pleasanton Detective Agency’, the real Pinkertons still going at the time the movies were made and thus a tweaked name being a safer bet, according to studio lawyers.
There was definitely an overlap at local level between jurisdictions and it didn’t always work well, especially if the county sheriff was based in a town with a local marshal. Sometimes it was OK, as, for example, when Bat Masterson was Ford County Sheriff, based in Dodge, KS when the town marshal there happened to be his brother Ed (until he was shot to death in a saloon). Other times, though, the cohabitation was less cozy. In Tombstone, AZ, County Sheriff Johnny Behan on the one hand and the Earp party on the other were pretty well enemies, certainly political opponents, aligned to different factions and far from amicable collaborators with a shared law ‘n’ order aim.
Virgil, Wyatt, Morgan and Warren Earp were all appointed deputy US marshals for brief periods, so that gave them a higher authority at those moments. At the time of the so-called Earp Vendetta, when Wyatt sought rough justice on the assailants of his brothers, there was the absurd situation of two rival posses, both with sworn and badge-wearing officers, riding the country at odds with each other.
There seems to have been some confusion in Western movies. In 1941 Roy Rogers was Sheriff of Tombstone, appointed by Mayor Addison Richards, which was odd. County sheriffs might in fact have deputies installed in local communities, so you could have a ‘sheriff’ with local law-enforcement duties. That happened when Richard Widmark pinned on the badge in Warlock. Presumably this was also the case in Support Your Local Sheriff! Whether such lawmen as The Sheriff of Fractured Jaw (Kenneth Moore) or the Sheriff of Sage Valley (Buster Crabbe) were duly appointed sheriffs or locally elected constables or marshals is not always crystal clear. Some blurring of the lines was going on there. Never mind.
Buster was Billy the Kid in the Sage Valley flick. Billy is usually shown as gunning down Sheriff Brady in the street in Lincoln, NM in a one-on-one duel (in reality he probably participated in an ambush of Brady with other men) and it was finally new County Sheriff Pat Garrett who got Billy, down in Fort Sumner.
Sometimes, because of local disorder like the Lincoln County War in New Mexico or the later Johnson County War up in Wyoming, martial law was threatened. Under martial law, which the governor has the power to impose within the borders of the state, the military could take a hand, having authority over local lawmen. In fact, though, while martial law was often talked about, it was very rarely imposed. It happened after the Great Chicago Fire in 1871 and the Coeur d’Alene strikes in Idaho in 1892, but not in ‘Wild West’ range wars or feuds or homesteader vs. cattle baron conflicts. Phew.
Sheriff Brady in Lincoln was of course in the pocket of the local hoodlums, in the movies anyway, and Westerns delighted in crooked marshals and sheriffs, who often featured. Think of the townswoman upbraiding the bought-and-paid-for Sheriff Poole (James Russo) in Open Range. “You’re a disgrace!” she yells at him. At least he had the grace to reply, “I know it.”
However, just as dubious judges were often portrayed in a jocular way as amusing rascals, so too crooked lawmen could receive the same treatment. The most famous rascal-judge was Edgar Buchanan, as we know, but he had a nice sideline in rascally peace officers too. Look at his roguish and cowardly Sheriff Bravo Trimble in Abilene Town (contrasted with noble Marshal Randolph Scott). Edgar wore the star, usually somewhat diffidently, in Coroner Creek, The Big Trees, Dawn at Socorro and more.
I liked Brian Dennehy as crooked Marshal Cobb in Silverado. The best crooked lawman, though, I think, was Ray Teal. Need a crooked sheriff? Ray is your man. The Kid from Texas, Rage at Dawn, The Secret of Convict Lake, plenty more. In fact in Rage at Dawn Ray’s crooked sheriff was in cahoots with crooked Judge Edgar Buchanan. Great! In Ride Clear of Diablo, Paul Birch impersonates Ray Teal as crooked sheriff, even looking like him, though in the Ray Teal Lookalike Contest Paul comes second.
Still, they weren’t all bad eggs, these lawmen.
In fact the stories of countless Westerns depended on sheriffs and marshals as good guys. The clean-up-the-town plot was one of the mainstays of the genre. You have a brave, gritty lawman standing up to those lowdown elements who have treed the town, or who want to. Probably the most famous was Marshal Gary Cooper, facing down Frank Miller and his henchmen in High Noon.
Often the lawman concerned was Wyatt Earp, whether that be Randolph Scott in Tombstone in Frontier Marshal, Joel McCrea in Wichita, Burt Lancaster in Dodge and Tombstone in Gunfight at the OK Corral, or any of the many others.
Sometimes, though, it was Bat Masterson – McCrea again, this time in Gunfight at Dodge City, or George Montgomery, in Masterson of Kansas, or, on TV, Gene Barry in the Bat Masterson series. Other lawmen featured, though more rarely. Bill Tilghman, in his time at least as famous as any Earp, if not more so, did occasionally pop up, for example in the shape of Rod Steiger in Cattle Annie and Little Britches or Sam Elliott in You Know My Name, and he even got a whole movie about him, Bill Tilghman and the Outlaws, with Ken Arnold as Bill. Some great lawmen, such as US Marshal Heck Thomas, instrumental in the downfall of the Dalton and Doolin gangs, or Bass Reeves, the first black deputy marshal west of the Mississippi, hardly even get a mention in movies.
Often the lawmen on the big screen or small were fictional, like Matt Dillon in Dodge in Gunsmoke, but clearly modeled on the (mythical) Wyatt Earp. Brave and dependable marshal brings law ‘n’ order to wild frontier town. Pictures such as Law and Order in 1932 didn’t star Wyatt Earp by name but were clearly versions of Stuart Lake’s hagiographical Wyatt Earp: Frontier Marshal.
Occasionally the lawman was a steely, even ruthless kind, determined to do his duty come what may. One thinks of tough guy Kirk Douglas in Last Train from Gun Hill or Burt Lancaster in Lawman. Unsympathetic types in many ways, these hard-bitten marshals, though when you see what the arrestee did to Kirk’s wife you get the reason why.
Some of these lawmen operated on both sides of a blurry line between lawbreaker and law enforcer. One thinks of Tom Horn, Frank Canton, Milton Yarberry, JJ Webb, Mysterious Dave Mather, Dirty Dave Rudabaugh and Dutch Henry Brown, among others. Maybe they were ex-gunmen who pinned on a badge and reformed, but maybe they backslid: Brown was an ex-gunman who was appointed a marshal in Caldwell, Kansas but was later caught robbing a bank. They didn’t all end well. Horn was hanged for murder, Brown was shot to death by a lynch mob, Rudabaugh was decapitated with a machete and his head placed on a pole in Parral, Mexico. Not nice.
Top row, l to r: Tom Horn, Frank Canton, Milton Yarberry, John Joshua Webb, Dave Rudabaugh
Front row, l to r: Dave Mather (in his Assistant Marshal’s hat), Henry Brown
But mostly, lawmen in Westerns were good guys. The whole notion of lawman as lead goes right back. Roscoe ‘Fatty’ Arbuckle was The Sheriff in 1918 (which he also wrote and directed). It would be impossible (if satisfying) to list all the Western movies and TV shows that featured a lawman as hero.
I say lawman. Actually, on very rare occasions we got a lawwoman. In Gunslinger, Rose Hood (Beverley Garland) gets the mayor to pin the marshal’s badge on her comely bosom while her late husband, who had been wearing it, is being interred. In fact, during the funeral service she casually shoots to death one of the attendees at the graveside, who was one of the murderers, she claims. No one seems to mind a bit. In reality I don’t know if there ever was a woman peace officer in them days. There was a Catherine Jones, who served as a deputy sheriff in Cave Creek, Arizona, and was apparently a pistol-packin’ lady, but that was in the 1920s, and it was Prohibition-era bootleggers she was shootin’ at.
Badges were important. Marshall Trimble on True West magazine says, “Peace officers, then and now, can design their own badges. In frontier towns, they often made badges out of materials at hand that ranged from silver coins to lids off tin cans, hence ‘tin star’. Although the five-pointed star is the most common of these designs, some agencies had six-, seven-, eight- or nine-point stars for badges. Historically, a five-pointed star supposedly imparted magical powers that deflected evil. A soldier wore one around his neck, believing it would protect him from enemy arrows. Of course, that didn’t always work.”
At any rate, pinning on the badge (or throwing it in the dust) was a highly symbolic act, which Western movies loved – to the point where you couldn’t be a lawman without one. Texas Rangers didn’t generally have badges, not in the Old West, but you wouldn’t know it from the movies.
Well, well. Sheriffs, marshals, badge-wearers of all stripes, they were key elements of our beloved genre. You will doubtless have favorites whom I have unaccountably omitted to mention. But as I said, it would be impossible to cite them all.
One thing is certain, dudes: without that tin star Westerns would be much the poorer.
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A West Coast brand known for their Indian fusion pies will be opening their second Jersey City eatery inside a prominent development in the Powerhouse Arts District.
Pizza Twist, formerly known as Chicago’s Pizza With a Twist, will be bringing a new location to the 10 Provost Street property. The company will be taking up residence inside the space situated along the intersection of Warren and Bay Streets, which has construction paper on the windows.
A leasing flyer from Newmark confirmed the chain will be opening inside the building. Pizza Twist has an existing Jersey City restaurant at the 2 Journal Square office building that opened just about two years ago.
Pizza Twist began in California back in 2014 and currently operates about 60 locations throughout North America. The twist of the pies at the restaurant comes from Indian influences, with varieties like a lamb kebab pie or a desi combo. Other twists provided throughout the restaurant’s menu include pizza that features a naan crust, paneer pies, or tikka masala pizzas.
A few Indian-infused pasta dishes like shahi paneer pasta and chicken options like tandoori or halal-style wings are scattered throughout the menu at Pizza Twist, which also features side dishes like breadsticks, veggie calzones, and oven-baked samosas. The eatery notably serves several gluten-free, vegan, and vegetarian pizzas.
A timeline for the Downtown Pizza Twist has not been announced, but a business in the 10 Provost Street development is welcome news. The high-rise has five ground-floor storefronts that have been empty since the building’s completion in 2017 despite the Powerhouse Arts District being one of the fastest-growing neighborhoods in Jersey City.
Street life will soon pick up in the area as several new restaurants and amenities are in the works. NYC’s Tacombi is slated to open inside Warren at Bay across the street from 10 Provost Street, as is an outpost of HaiDiLao Hotpot. An influx of vibrancy should come from a 550-seat performance arts center that will be featured on the ground floors of the rising 151 Bay Street.
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Home Tags Jmf properties
Tag: jmf properties
The construction of a new 7-Eleven convenience store is underway in Hanover, New Jersey.
Clarus Glen Ridge, a luxury rental community, has achieved a 100% lease up milestone in less than six months.
The popular French-American spot in Maplewood is relocating to a larger, more modern space at Clarus Maplewood.
The combination of transit-oriented development and increasing demand for walkable downtowns has created a perfect storm. One developer, JMF Properties, is positioned right at the intersection of these twin trends. Their new communities combine commuter convenience with the ability for residents to live, work, and play in the same neighborhoods.
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The Cotton Cordell Red-Fin is a legendary lure for a variety of gamefish, from bass and walleye in freshwater to specks and redfish on the coasts. The Red-Fin can be twitched on top, runs erratically with a twitch-twitch-pause retrieve, provides a wide searching wobble on a straight retrieve and is one of the best wake baits ever made. Try retrieving it slowly on top for vicious topwater strikes from all types of bass, including giant stripers. Top-quality construction and tough components make the Red-Fin a lure you can depend on, no matter the species you’re after
Great for Bass, Striper, and Redfish fishing
Many of our customers have gotten large Striped Bass on these lures from the surf. I am not saying to do this as it voids any warranty but i hear loading them with a little water makes these cast like a rocket and swim even better!!!
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Accompanying refugees during the pandemic
For 13 years, Zainuddin has been giving refugees hope through his work with our partner Jesuit Refugee Service (JRS) Indonesia.
Zainuddin works on the Journey with De Facto Refugees Program, which provides support where it’s needed most for refugees living independently
in Bogor and Jakarta.
As the Case Management Team Coordinator in Bogor, Zainuddin’s responsibilities extended to handling JRS’ COVID-19 response across the city during the pandemic.
“In the pandemic, refugees became even more vulnerable. If they got COVID-19 they weren’t guaranteed access to health services, they also starved if they had to be isolated,” said Zainuddin
For those refugees in COVID-19 isolation, Zainuddin was distributing emergency food packages and checking in on their recovery.
In addition to emergency pandemic support, the program provides vital psychosocial services, financial support for food and rent, livelihood assistance and access to health services, all of which has become increasingly inaccessible for refugees during the pandemic.
“As someone who had COVID-19, I was lucky because I had family and friends who supported me. I am also a citizen who has access to health services. But many of the refugees we support do not have these things,” said Zainuddin
Thanks to your generosity, in the last six months JRS Indonesia supported over 1,200 refugees in need.
“Wherever they are from, refugees are a group of people who have lost part of their lives. They just need to be protected, to keep their hope and dignity in order to be able to survive and thrive in their future,” said Zainuddin
This month's eNews stories are part of our Reflections Summer publication #630.
Click here to read the latest edition of Reflections and see how your compassion is empowering lives around the world.
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Black Hills Gold Silver Angel Wings Necklace or Earrings. .925 Sterling Silver wings with Petite Hand-Engraved, Hand-Placed, Satin Finished 12k Green and Rose Gold Grape Leaves enhancing the wings. Comes with a complimentary 18 inch sterling silver rope chain. Necklace measures approximately 1.06" X .77" inches. The Earrings are on a shepards hook backing and measure approximately 1.58" x 0.37" inches.
Certificate of Authenticity and Manufacturer’s Lifetime Warranty against Defects in Materials and Workmanship Included. Authentic Black Hills Gold Jewelry get brighter and prettier the more it is worn. Clean our Jewelry with a soft brush, mild soap and warm water.
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In the were all the details are possible, how did gambling became the talk of this town? Extra cash. One day millionaires. Connected the actual cards, the balls, the dices, the roulette and also the machines.
Apart out of your single payout line to the sternum of the reels, niche markets . more than a single Pg slot pay lines, every pay line relating to a separate coin enjoyed. The symbols stopping on a particular pay line decides the win of a gambler. The common symbols are bars, cherries, double bars and sevens.
You may study about new types of gambling. Mishaps new gambling sites showing up on useless with a whole new twist. These help keep gambling interesting for all who have been playing traditional games for 10 years. You can learn new methods and rules for traditional games also. Also, keep up with gambling news and stocks should you be an investor or want to know what’s trying in your region.
Be careful with online fraud additionally. Online gambling frauds are almost everywhere. Educate yourself because of the different regarding frauds that are very rampant on the actual so simply know for started to feel that something is wrong and malicious and that you can create something onto it.
Risking his relationship just gambling can be a symptom. As he continues to gamble whether it compromises his time away from his wife or kids is a significant problem. Issues lead to divorce. Purchase could involve missing work as a outcome of being from a game instead of at position.
Another way of online casino temptation may be they are giving their players a substantially lower number of money to wager of casino discs. A lot of players grab such a type of offers, specially with those low rollers member. 토토사이트 are producing this involving offers present their players a more and more to gamble in their Gambling house online.
Nudge Slots: Slot feature where a paying symbol will ‘drop down’ creating a win. It can also be a basketball, diamond, cherry or wild symbol. You just need to a little nudge down or up and professional the bucks. Nudge slots usually display said too often . ‘Deluxe’ in name.
And technically in the Indian context it couldn’t stand illegal as the gambling is to take place the different parts of USA where gambling isn’t illegal, so that the entire deal very ethical. If little pocket of yours is running short money and can not figure out ways to get money. Achieve this! It might get you more just a bundle of money!
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Ben Mezrich is perhaps the hottest author on the planet today and he has turned his attention to the UFO phenomenon in his latest book. We talk about his book and why a mainstream author would tackle such a ridiculed subject. Tune in to hear why he’s not such a skeptic anymore.
You can find his book on Amazon.com: The 37th Parallel: The Secret Truth Behind America’s UFO Highway
In part two, we talk to filmmaker Seth Breedlove about his movies on real-world monsters.
You can find more info here: SmallTownMonsters.com
Thanks Ben and Seth!
–PROGRAMS 90 DAYS OR OLDER ARE AVAILABLE AT JIM’S PARANORMAL PLUS CLUB–
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Head-on collisions are rare, yet they are responsible for nearly 4,000 car accident fatalities every year (over 10% of all fatal crashes in the U.S.).
Fact: in a broader sense, head-on car accidents occur in only about 2% of traffic collisions in the U.S.
Earlier this month, Long Beach residents became witnesses of a high-speed pursuit, which ended in a scary head-on collision. The Long Beach police started chasing a Honda Accord after four suspects attempted to get away with a robbery.
During the high-speed pursuit, the Honda driver lost control of the vehicle and smashed into a pole. Two suspects were taken into custody, while the other two reportedly escaped.
The case reminded Long Beach residents of the dangers of a head-on collision and the catastrophic consequences it can have for the driver and all occupants in the vehicle.
Although failure to maintain vehicle control – as seen in the high-speed pursuit incident – is a common cause of head-on collisions in the U.S., other factors may also lead to this devastating type of collision:
Although injuries in head-on collision vary greatly from one crash to another – depending on the severity of the blow, vehicle speed, and what safety devices were used – here are some of the most common head-on collision injuries as outlined by our Long Beach car accident attorneys:
Not wearing a seatbelt at the time of a head-on collision poses a high risk of becoming fatal for the driver and other occupants in the car.
Our best car accident attorneys at JML Law explain that, unlike other types of traffic collisions, head-on crashes are more likely to lead to the driver or occupants being ejected from the vehicle at the time of the impact.
This, in turn, most of the time causes severe injuries and may even become deadly.
Since head-on collision can be quite challenging to litigate – especially in single-car accidents where a driver hits a pole – hiring an experienced car accident attorney to investigate the accident and establish the chain of events leading up to the crash is vital to recovering monetary compensation.
Being a victim of a head-on car accident can be quite costly, as medical expenses associated with the recovery can reach tens or hundreds of thousands of dollars (in cases with catastrophic injuries, disfigurement, and disability, even millions).
Not to mention that many victims of head-on collisions can become temporarily or permanently disabled, which means recovering lost wages and compensation is critical in this type of car accident.
Consult our Long Beach car accident lawyers at JML Law, a reputable California-based law firm that has helped victims of head-on collisions recover millions of dollars in total, to launch an investigation into your particular case.
Our skilled attorneys will help determine liability, collect evidence and negotiate with insurance companies in a way that will help you maximize compensation for your injuries, damages, and losses.
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Bringing the “class” into an event with our classical musicians, JMStrings Entertainment offers some of the best solo musicians, string duos, trios or quartets in Bahrain, Saudi Arabia, GCC, and other international locations.
For a charming evening, such as a wedding, private party or corporate event, book one of our classical musicians or bands to provide you with music as elegant as your bowties and gowns. From string quartets and trios to solo flutists, and even a Guzheng player, there are a whole range of options for your special occasion.
Your event can become the talk to town for high-quality elegance, and historical taste with culture. Our musicians would be honored to bring to your special event the works of Bach, Beethoven and Mozart – many of whom remain household names.
A harpist will add a sense of intimate romance to any drinks reception, and having a string quartet serenade you down the aisle has become nothing short of iconic (and for very good reason!).
Our wide selection of classical musicians are specialized in supplying the highest quality music and are renowned for their extensive selection of repertoire and unique arrangements.
Not everyone is intimately familiar with classical works, so it’s a good idea to do some research. Spotify and other streaming services with ready-made playlists are a great place to start and don’t be afraid to send links to musicians you’re thinking of hiring to us in order to make sure they will be able to facilitate the sound you have in mind.
Classical musicians can often perform as part of a group or as a solo act.
Top tip: Always pay special attention to the musician’s demo clips and promotional videos – this will be the most accurate representation of their sound.
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For a considerable length of time, individuals were attempting to beat the chances by evaluating their karma in betting. The old Romans did it, the antiquated Chinese did it, and up until today, betting is still piece of human culture. The idea of betting has never switched up until today. Of course cash on a specific game, and on the off chance that you win, or the individual you wager on wins, you get the chance to win more cash or once in a while twofold the sum that you initially bet. Today, you will see that individuals from everywhere throughout the world are currently having a great deal of fun with internet betting.
Web based betting has a great deal of favorable circumstances. In light of this reality alone, individuals from everywhere throughout the world visit web based betting sites and evaluate their karma. Here, you will have the option to discover various types of betting. You can play club games, for example, dark jack, various renditions of poker, baccarat, and even opening machines and roulette. Whatever games you can discover in a club, you can be certain that you will have the option to discover it on probably the biggest web based betting sites today.
Truth be told, there can even be games here that you can never discover in any physical gambling clubs. There are even sports wagering sites accessible where you will have the option to wager on your preferred games groups in the NHL, NFL, NBA, MLB, and even in the NCAA. Steed hustling is likewise mainstream and wagering should now be possible through the web.
Whatever sort of games you like to bet in, you can be certain that these games can furnish you with a great deal of fun and furthermore an approach to twofold or even triple the cash you have.
Be that as it may, there is as yet the inquiry on whether there is a procedure in winning on betting. In betting, you need to recall this is a round of possibility. There is no assurance that you will win and except if you can see the future, you will experience losing in betting. There are speculations existing on the most proficient method to win in various betting games. However, the genuine methodology in betting is that you ought to never hope to win inevitably.
Betting essentially means gambling something so as to pick up something. On the off chance that you need to win in betting, you need to recollect that the best thing that you can do is limit misfortunes and amplify your odds of winning. Things being what they are, how might you do that?
Above all else, you should never set an objective on how a lot of cash to win. In the event that you do this, at that point you are continually hoping to win. Rather than doing this, you should set a farthest point on how a lot of cash that you can bear to lose. Thusly, you will have the option to realize when to stop.
You need to recollect that a few people don’t have a clue when nothing more will be tolerated. At the point when they lose, they take a stab at wagering increasingly more cash so as to win back what they lost. At last, they will in general lose a great deal of cash while increasing close to nothing. Individuals likewise do this on account of urgency. Perhaps they bet their kids’ school cash? Or on the other hand, that they bet cash that ought to be utilized for paying for the home loan? Whatever it is, you ought to never bet something that you can’t stand to lose.
In the event that you have some additional money, at that point this is the thing that you should use for betting. Likewise, don’t imagine that since you are having some fantastic luck, you will never lose. It truly is a nice sentiment to win consistently. In any case, if your series of wins breaks, it’s the ideal opportunity for you to stop.
In the event that you win, quit betting and treat your rewards as a little something extra. Get yourself something decent for a change. Be that as it may, on the off chance that you lose, at that point you should stop and regard it as losing a portion of your additional money that you can generally get back on your next compensation. Also, in particular, you had some good times.
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Lakewood, WA 98499 US
West Sound Workforce is assisting a prominent Lakewood healthcare facility in sourcing an experienced Maintenance Engineer Chief to join their team. As leaders in providing expert, compassionate care throughout the Puget Sound region, this organization is committed to building healthier communities by caring for the most vulnerable and those who are underserved.
Assisting the Facility Manager, as the Maintenance Engineer Chief you will be responsible for leading and performing a variety of preventative repair and maintenance tasks throughout the facility to ensure the building, equipment, and grounds always remain in an acceptable state. Ideal candidates will have a well-rounded skillset to address potential tasks including carpentry, HVAC, electrical, and plumbing skills.
What you will do as Maintenance Engineer Chief:
- Assist in creating work assignments for staff and assigning work orders for preventative maintenance tasks
- Inspect work to ensure that workmanship meets quality, safety, and code standards
- Perform preventative maintenance and repairs
- Assist with outside grounds maintenance as needed
- Document repairs and complete logs as required
What we are looking for:
- Minimum 4 years progressively responsible maintenance related experience
- Knowledge of standards and requirements for the repair and service of boilers, compressors, diesel generators, pumps, motors, test equipment, etc.
- Knowledge of the standards and methods of plumbing, electrical, mechanical, carpentry, and pneumatics
- Effective written and verbal communication skills
- Ability to use office equipment and basic computer proficiency
Benefits include sick leave accrued at 1 hour per 40 hours worked; paid Family & Medical leave (per Washington State); 401K after eligibility; holiday pay and vacation bonus after eligibility; and opt-in for health insurance, personal Aflac and life insurance plans available. Want to learn more about our benefits for temporary employees, including a 401K plan and vacation bonus? Visit our benefits page!
We value what you bring to the workplace. As such, West Sound Workforce is an equal employment opportunity employer. All qualified applicants will receive consideration for employment without regard to race, color, religion, gender, national origin, disability status, protected veteran status or any other characteristic protected by law. Further, our employees’ physical safety is of utmost importance, too, in this age of COVID-19. Holding a close eye to the Center for Disease Control and OSHA’s websites, we are continually following the recommendations to maintain a safe work environment with respect to this virus and all other safety situations. As an essential employer, partnering with clients, we follow COVID-19 protocols at our worksites and ensure that all employees are aware, have proper PPE and mind those directions for the safety of all.
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10th Pass,12th Pass. Graduate.
Axis Bank Recruitment 2023
The Back Office Executive is responsible for providing administrative and customer service support to the bank's back office operations. This includes tasks such as processing transactions, managing customer accounts, and resolving customer inquiries.
Axis Bank Jobs Near Me
- Process transactions in accordance with bank policies and procedures.
- Manage customer accounts, including opening new accounts, updating account information, and closing accounts.
- Resolve customer inquiries in a timely and efficient manner.
- Maintain accurate records of all transactions and customer interactions.
- Work with other team members to ensure the smooth operation of the back office.
Axis Bank Careers
- Strong attention to detail
- Excellent communication and customer service skills
- Proficient in Microsoft Office Suite
- Ability to work independently and as part of a team
- Ability to learn new software and procedures quickly
- Bachelor's degree in business administration or a related field
- 1-2 years of experience in a customer service or administrative role
- Strong analytical and problem-solving skills
- Ability to work under pressure and meet deadlines
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Website Trek Bicycle
Are you looking for a Job at Trek Bicycle in Little Rock, AR
About the job
A bit about us
Trek is an awesome place to work, with amazing benefits for all employees. We build only products we love, provide incredible hospitality to our customers, and change the world by getting more people on bikes. When you’re on our team, you’re taken care of, encouraged to learn and grow, and given lots of opportunities to do so. Give us your best, and we’ll give it right back. Sound pretty sweet? Then come join us!
What You’ll Do
First thing you need to know: this isn’t a typical retail gig. As a Trek Sales Associate, you’ll be on the frontlines helping people have fun by riding bikes. You’ll get to learn about some of the smartest products in the cycling industry, make thoughtful recommendations to your customers, and carry on meaningful relationships with riders in your community. The pace is fast, the customers are curious, and having an all-for-one, customer-centric team mentality is huge. We value hospitality skills first, and we’d rather hire someone who’s eager to learn than someone who thinks they know it all. If you’re already a bike expert, that’s awesome. If not, we’ll train you. The key is that you know how to treat customers, evaluate their needs, and exceed their expectations.
What You’ll Bring To The Team
- A positive, pitch-right-in attitude and motivation to help every customer find what they need
- Fantastic hospitality—a warm, approachable manner, great listening skills, and a drive to help in any way you can—even on the toughest, busiest days
- Great communication with customers and teammates
- A desire to cultivate customer relationships and create your own client base
- A commitment to deliver the best possible cycling experience for each customer
We are an E-Verify employer.
For More Information, Please Click On The Following Links
E-Verify Participation Poster: English / Spanish
E-Verify Right to Work Poster: English | Spanish
Company: Trek Bicycle
Vacancy Type: Part-time · Entry level
Job Location: Little Rock, AR
Application Deadline: N/A
To apply for this job email your details to email@example.com
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