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Josh [3rd]: The one that started it all. It’s hard to remember a time when Arcade Fire weren’t considered A Very Big Deal, and it almost seems like that from their inception they weren’t anything less than that – to be fair, when David Bowie buys all your CDs and distributes them to his friends, you aren’t exactly goin...
And so “Funeral” became a landmark indie record, brimming with tunes and earnest that made the world fall in love with the Canadian band. Yet time has not been kind to their debut, with the production seeming at first charming now being utterly grating, and it lacks the slick, rehearsed nature of later records that mad...
Kieran [2nd]: When we compare Funeral, Reflektor and The Suburbs, we’re really looking at the finest of margins. All three are masterpieces in their own right, and a case could easily be made that Funeral deserves to occupy that top spot.
It’s simply staggering that any group – even one as absurdly talented as Arcade Fire – could release a debut as masterful as this. Far from what the title suggests, it’s neither melancholy nor downbeat; in fact, it’s a vibrant, empowering celebration of life and a wise-beyond-their-years contemplation of mortality, whi...
I’m going to stick my neck out and say that Wake Up is the finest track they’ve ever churned out – in fact, if you’ve ever managed to listen to it without welling up *at all*, consider our friendship terminated.
1. The Suburbs (2010)
Jake [1st]: Who’d of thunk that an album about a fake war in a fake town would be so fucking good? This is Arcade Fire’s masterpiece, a stone-cold classic in every sense of the word that’s only getting better and more relevant as the years go on.
From the understated, yet lavish (Half Light I, Sprawl I), to the utterly gargantuan love mainstays of Sprawl II and Ready to Start, each track compliments the other wonderfully and makes for not only the most cohesive album in AF’s discography but the best.
Josh [1st]: This is the one. Where else in Arcade Fire’s discography do the twin peaks of what attracts fans far and wide to them meet so perfectly? The earnestness of their earlier records combines with the ambitiousness of their later to make a concept album that just about anyone can relate to: growing up.
Win Butler’s lyrics are at the top of their game from start to finish, capturing the simultaneous wondrous and jaded nature of your young adult years, when the world is at your feet but all you can see is your hometown, and the performances feel rehearsed to fall apart at any second, from how energetic they are (“Month...
There’s not a weak moment on the track-listing despite its fifteen song-long runtime, which is not something any of the other band’s albums can say never mind any other band in existence at the moment, and by its end, you’ll want to jump right back to the start. When the dust settles, “The Suburbs” will still be standi...
Kieran [1st]: I’ve always thought of The Suburbs as a grown up, 20-something version of Funeral. It’s been at the booze and the fags for a while too long and it’s a little more world-weary, a tad post-apocalyptic even, but it’s still achingly, endearingly human.
In my eyes, Funeral and The Suburbs are both as near as makes no difference perfect, making this an extremely difficult call to make. The latter edges it due to the sheer poeticism of its lyrics. Too numerous are they to list here, but the amount of times I’ve sat in sheer euphoria and appreciation hearing Win Butler’s...
Sarah [1st]: The showcase that is The Suburbs is potentially a genre-defining release, and almost definitely a career-defining one for Arcade Fire. With the ongoing support, garnered from the run of Funeral and Neon Bible, the band were absolutely pining for something more impressive, scale and concept wise.
The Suburbs follows a clear path from start to end, is filled with storytelling and is so powerfully emotive it makes the listers hairs stand on end. Ballads like the eponymous The Suburbs, We Used to Wait and Sprawl II propelled the band from venues to arenas, showing the music community that Arcade Fire we far more t...
The Suburbs proved them as a timeless band, whose music will provide an escape for anyone who needs, any time.
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blinkclyro
Editor of blinkclyro.com . Wine, meme and vinyl connoisseur who hums Born Slippy far too often. Veggie wank🌱
One thought on “Every Arcade Fire Album, Ranked From Worst To Best”
1. It’s hard work, ranking these, isn’t it? For one, you’ve just got to go with the mood of the moment, for it will change next month.
But hell, I’m going to give it a go:
1.Funeral
Because I’ve never believed in a record more.
2.The Suburbs
Astonishing first half, but it wanes a little for me in the second
3.Everything Now
I appear to be largely alone in my love for this record, but I do. Took me a while, mind, but I feel it has an integrity lost by Reflektor, and We Don’t Deserve Love is a wonderful song.
4.Neon Bible
Great, but humourless.
5. Reflektor
It just goes on a bit, doesn’t it?
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