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IRVING BERLIN |
Synopsis |
We have produced a Style Guide to help editors follow a standard format when editing a listing. If you are unsure how best to edit this programme please take a moment to read it. |
talks to HAROLD ROGERS about his life and his music and introduces some of his favourite tunes with the help of FRED ASTAIRE , DIRK BOGARDE |
PAT BOONE , ROSEMARY CLOONEY |
BING CROSBY , JUDY GARLAND |
BETTY HUTTON , HOWARD KEEL |
DEAN MARTIN, ETHEL MERMAN DONALD O'CONNOR |
GINGER ROGERS |
Written and produced by DEREK MILLS |
Extended version of the broadcast of December 25. 1963. in the Light Programme |
Contributors |
Unknown: Harold Rogers |
Unknown: Fred Astaire |
Unknown: Dirk Bogarde |
Unknown: Pat Boone |
Unknown: Rosemary Clooney |
Unknown: Bing Crosby |
Unknown: Judy Garland |
Unknown: Betty Hutton |
Unknown: Ethel Merman |
Unknown: Donald O'Connor |
Unknown: Ginger Rogers |
Produced By: Derek Mills |
Tell us more or contact us |
Do you know something about this programme that we have not included above? |
Or would you like to ask the Genome team a question? |
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About this project |
This site contains the BBC listings information which the BBC printed in Radio Times between 1923 and 2009. You can search the site for BBC programmes, people, dates and Radio Times editions. |
We hope it helps you find information about that long forgotten BBC programme, research a particular person or browse your own involvement with the BBC. |
Through the listings, you will also be able to use the Genome search function to find thousands of radio and TV programmes that are already available to view or listen to on the BBC website. |
There are more than 5 million programme listings in Genome. This is a historical record of the planned output and the BBC services of any given time. It should be viewed in this context and with the understanding that it reflects the attitudes and standards of its time - not those of today. |
Feedback about IRVING BERLIN, BBC Home Service Basic, 20.30, 4 March 1964 |
Please leave this link here so we can find the programme you're referring to: http://genome.ch.bbc.co.uk/71fd243fcf5b454c9352d0428e1ee1ba |
Welcome to BBC Genome |
Genome is a digitised version of the Radio Times from 1923 to 2009 and is made available for internal research purposes only. You will need to obtain the relevant third party permissions for any use, including use in programmes, online etc. |
This internal version of Genome, which includes all the magazine covers, images and articles as well as the programme listings from the Radio Times, is different to the version of BBC Genome that is available externally/to the public. It is only available inside the BBC network. |
Your use of this version of Genome is covered by the BBC Acceptable Use of Information Systems Policy and these terms. |
BBC Guidance |
This historical record contains material which some might find offensive |
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Celluloid Records |
From Wikipedia, the free encyclopedia |
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Celluloid Records, a French/American record label, founded by Jean Georgakarakos (sometimes shortened to Jean Karakos)[1] operated from 1976 to 1989 in New York City, and produced a series of eclectic and ground-breaking releases, particularly in the early to late 1980s, largely under the auspices of de facto in-house ... |
Jean Georgakarakos had previously run a chain of record shops in France, Pop Shop, in cities such as Paris, Lyon, Grenoble and Aix-en-Provence. In 1967, he formed jazz record label BYG Records, which collapsed in the mid-1970s. Karakos also produced albums such as Sonny Sharrock's Monkie-Pockie Boo, and some Art Ensemb... |
Early releases[edit] |
Celluloid began by releasing American no-wave and French avant-garde pop by artists such as Métal Urbain (who were signed to London's Rough Trade Records in the UK), Mathematiques Modernes, James Chance and Alan Vega. It also licensed tracks from other artists and labels, releasing tracks by Soft Cell, The Names, Cabar... |
Expansion[edit] |
Thanks to the guidance and participation of now rising producer, Bill Laswell, the 1982 catalogue had expanded to encompass early hip-hop artists such as B-Side, Fab 5 Freddy, Grandmixer D. St., Phase II -all recorded at Martin Bisi's studio in Brooklyn NY; and Tribe 2. Much of the hip-hop projects was produced by the ... |
Increasingly sought out to produce artists on major labels (such as Nona Hendryx, Yellowman and Herbie Hancock, for whom he produced the Grammy-winning "Rockit"), Laswell still found time to produce and play on Celluloid albums by Massacre (a power trio composed of Laswell, Fred Frith and Fred Maher) and his own group ... |
Celluloid's prolific output continued throughout the mid-eighties. As well as funding Laswell-related productions by Praxis, Time Zone, Shango, B-Side, Deadline, Last Poets, and even a resurrected Jimi Hendrix (appearing posthumously with Lightnin' Rod on the bluesy 12-inch (300 mm) "Doriella Du Fontaine"), Karakos als... |
Decline[edit] |
By 1986, increasing demands on Laswell's time (including work on major label albums by Yoko Ono, Mick Jagger, Motörhead and PiL) meant that his work for Celluloid became more sporadic, though he did produce Horses & Trees for Ginger Baker (whom Laswell had tracked down in Italy and persuaded to play on PiL's Album) and... |
Close of business and aftermath[edit] |
In 1989, Karakos having returned to Paris, produced in partnership with film director, Olivier Lorsac, the zouk/Brazilian music influenced, Kaoma band which consisted of ex-Celluloid recording artists from Toure Kunda and the main group to musically represent the repertoire of the lambada dance music explosion in Europ... |
Laswell had decamped to become a producer for hire and would later found Axiom, under the auspices of Island's Chris Blackwell which continued Celluloid's avant-garde musical policy. The French branch of Celluloid continued to license music for compilations on other labels, notably MauMau and Charly, while releases wer... |
Charly Records had a licence contract that was ongoing until 2005 and despite the confusion, much of Celluloid's output found its way onto CD store shelves through labels such as Charly and Collision through the mid-2000s.[2] |
Since then, still active independent producer Jean Karakos struggles to put some of the label's bests out on the market again. |
Relaunch[edit] |
In 2010 the label released its first recording since 1991[which?] and launched its own website, www.celluloidrecords.net. |
See also[edit] |
References[edit] |
1. ^ Hua Hsu (2006-06-06). "Elements of Style: Back to the Old School". eMusic Magazine. |
2. ^ Celluloid Records. "History". Celluloid Records website. Archived from the original on 2012-01-10. Retrieved 2012-07-30. |
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