audio audioduration (s) 1.4 70.8 | duration float32 1.4 70.8 |
|---|---|
8.505 | |
27.641001 | |
2.751 | |
1.671 | |
45.546001 | |
70.807999 | |
21.971001 | |
21.229 | |
27 | |
39.504002 | |
5.738 | |
12.639 | |
33.784 | |
51.924 | |
33.598 | |
5.586 | |
24.486 | |
27.759001 | |
5.383 | |
10.817 | |
18.191 | |
7.29 | |
13.483 | |
13.028 | |
8.151 | |
1.586 | |
32.316002 | |
37.901001 | |
44.263 | |
37.091 | |
67.060997 | |
26.528 | |
49.898998 | |
19.372 | |
6.649 | |
25.025999 | |
25.312 | |
14.918 | |
28.046 | |
30.864 | |
5.062 | |
46.675999 | |
8.471 | |
9.112 | |
7.543 | |
25.464001 | |
29.582001 | |
50.186001 | |
5.754 | |
3.442 | |
8.471 | |
31.337 | |
14.411 | |
17.802999 | |
26.966 | |
12.285 | |
7.611 | |
17.313999 | |
33.615002 | |
28.552999 | |
4.658 | |
8.218 | |
23.438999 | |
12.217 | |
9.534 | |
15.609 | |
2.565 | |
9.298 | |
36.737 | |
4.826 | |
8.792 | |
15.997 | |
14.951 | |
7.138 | |
34.999001 | |
14.226 | |
5.805 | |
10.446 | |
8.944 | |
7.104 | |
10.007 | |
8.336 | |
10.598 | |
11.154 | |
4.607 | |
4.472 | |
15.981 | |
30.087999 | |
11.981 | |
2.312 | |
10.294 | |
9.804 | |
1.553 | |
5.467 | |
6.193 | |
13.652 | |
9.703 | |
3.966 | |
3.915 | |
16.014 |
Swahili Culture Conversational Dataset (Stereo)
Overview
This dataset contains conversational Swahili audio, restructured into diarized, speaker-separated stereo chunks suitable for fine-tuning speech-to-speech dialogue models — specifically prepared for fine-tuning Moshika (the female-voice Moshi variant) via kyutai-labs/moshi-finetune.
The processing pipeline was adapted from the approach used in rlabz/sample_sw_culture.
Source Data
- Origin:
r-labs/kencorpus_sw_culture— a Swahili, Culture-genre audio dataset built fromKencorpus/KenCorpus_audio(CC-BY-4.0) - Source file: a single ~1 hour 5 minute (1:05:40) source recording (
audio/35.wav), 48kHz, stereo, 16-bit PCM - Language: Swahili (Kiswahili)
- License: CC-BY-4.0 (inherited from the source dataset — attribution to the KenCorpus authors required for any use of this dataset)
Processing Pipeline
- Speaker diarization — The source recording was processed with
pyannote/speaker-diarization-community-1to detect speaker turns and boundaries. - Conversational chunking — The full recording was split into conversational chunks based on speaker turn-taking.
- Stereo channel construction — For each chunk, a two-channel (stereo)
clip was built from the mono source: left channel contains only one
speaker's segments (silence elsewhere), right channel contains only the
other speaker's segments (silence elsewhere). This mirrors the
channel-per-speaker structure expected by Moshi-style speech-to-speech
dialogue models (similar in spirit to
kyutai/DailyTalkContiguous).
⚠️ Important: Stereo Audio Decoding
The audio column contains genuine 2-channel stereo audio. The Hugging
Face datasets library's built-in Audio feature automatically downmixes
multi-channel audio to mono on decode — accessing
example["audio"]["array"] the normal way will silently return a
flattened mono array, even though the underlying stored file is correctly
stereo.
Do not rely on the default decode. Load the column with decode=False
and decode manually with soundfile to preserve both channels:
from datasets import load_dataset, Audio
import soundfile as sf
import io
ds = load_dataset("rlabz/qsuperposition_sw_culture", split="train")
ds = ds.cast_column("audio", Audio(decode=False))
def get_stereo_array(example):
data, sr = sf.read(io.BytesIO(example["audio"]["bytes"]))
return data, sr # shape: (frames, 2)
If you skip this step, any downstream fine-tuning (e.g. Moshika speech-to-speech fine-tuning) will silently train on mono audio with both speakers merged into one channel, defeating the purpose of this dataset's structure.
Dataset Fields
| Field | Description |
|---|---|
audio |
Stereo audio clip: left = one speaker's segments, right = the other speaker's segments (decode manually, see above) |
duration |
Chunk duration in seconds |
Intended Use
Prepared for fine-tuning speech-to-speech / conversational speech models — specifically Moshika (female-voice Moshi) via kyutai-labs/moshi-finetune — on Swahili dialogue.
Limitations
- Speaker channel separation is diarization-gated, not true acoustic source separation — during genuine overlapping speech, some bleed-through between channels can occur.
- Diarization accuracy directly affects channel assignment quality; no manual verification of speaker labels was performed at scale.
- This is a small sample derived from a single ~1 hour source recording, intended as an initial test set for the fine-tuning pipeline rather than a full training corpus.
License & Attribution
This dataset is derived from r-labs/kencorpus_sw_culture (itself built
from Kencorpus/KenCorpus_audio) and is distributed under CC-BY-4.0.
Please attribute the original KenCorpus authors when using this dataset.
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