object_id stringlengths 3 23 | object_id.1 int64 36.5k 750k | title stringlengths 3 479 | artist stringlengths 4 369 | date stringlengths 3 31 ⌀ | year float64 1.8k 2.01k ⌀ | decade stringclasses 23
values | culture stringclasses 9
values | cultural_region stringclasses 4
values | medium stringlengths 4 108 ⌀ | classification stringclasses 23
values | department stringclasses 8
values | technique stringclasses 8
values | is_color bool 2
classes | era stringclasses 8
values | is_public_domain bool 2
classes |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
41.71.1.2(50) | 404,540 | Inscriptions of the Praetorian Guard found in the Villa de'Cinque..., from Le Antichità Romane (Roman Antiquities), tome 2, tavola 50 | Giovanni Battista Piranesi|Angelo Rotili | published 1756–57 | null | Unknown | null | Unknown | Etching | Prints | Drawings and Prints | Photographic print | false | Unknown | false |
JP207 | 36,684 | Untitled | Katsukawa Shunshō | dated 1769 | null | Unknown | Japan | Asia | Polychrome woodblock print; ink and color on paper | Prints | Asian Art | Photographic print | true | Unknown | true |
58.646.93 | 640,724 | Mary, Queen of Scots | Mary, Queen of Scots|John Keyse Sherwin|Robert Wilkinson | late 18th century | null | Unknown | null | Unknown | Stipple engraving | Prints | Drawings and Prints | Photographic print | false | Unknown | false |
JP381 | 36,845 | 初代中村富十郎|Kabuki Actor Nakamura Tomijūrō I in a Female Dance Role | Katsukawa Shunshō | ca. 1777 | null | Unknown | Japan | Asia | Polychrome woodblock print; ink and color on paper | Prints | Asian Art | Photographic print | true | Unknown | true |
91.1.66 | 400,097 | Tailpiece, or The Bathos | William Hogarth | March 3, 1764 | null | Unknown | null | Unknown | Etching and engraving; only state | Prints | Drawings and Prints | Photographic print | false | Unknown | true |
66.659(58) | 629,156 | A Woman, Half-Length, in Profile, Turned to the Left, from Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I | Guercino (Giovanni Francesco Barbieri)|John Boydell|Josiah Boydell|Francesco Bartolozzi | ca. 1765 | null | Unknown | null | Unknown | Etching | Prints | Drawings and Prints | Photographic print | false | Unknown | false |
1979.529.1 | 335,680 | La Dame Venitienne | Giovanni David | 1775 | null | Unknown | null | Unknown | Etching and aquatint | Prints | Drawings and Prints | Photographic print | false | Unknown | false |
53.600.345 | 670,798 | The Sliver Age | John Raphael Smith|Henry Walton|John Raphael Smith|William Humphrey|John Boydell | January 30, 1778 | null | Unknown | null | Unknown | Mezzotint; second state of two | Prints | Drawings and Prints | Photographic print | false | Unknown | false |
54.90.1412 | 666,007 | La Nouvelle Yorck (Ville scitué dans l'Amerique septentrionale dans l'Isle de Manahatan près l'embouchure du fleuve Hudson,...) (New York, city situated in North America,on the Island of Manhattan, near the mouth of the Hudson River) | Jacques II Chereau | ca. 1776 | null | Unknown | null | Unknown | Hand-colored etching and engraving | Prints | Drawings and Prints | Photographic print | true | Unknown | false |
JP3607 | 54,230 | Untitled | Yashima Gakutei | null | null | Unknown | Japan | Asia | Polychrome woodblock print (surimono); ink and color on paper | Prints | Asian Art | Photographic print | true | Unknown | true |
26.265.79 | 221,982 | Piece | Unknown Artist | 1775–85 | null | Unknown | French | Europe | Cotton | Textiles-Printed | European Sculpture and Decorative Arts | Photographic print | false | Unknown | true |
24.90.677 | 676,532 | Joseph Deane Bourke, Archbishop of Tuam, Primate and Metropolitan of the Province of Conaught in the Kingdom of Ireland | John Raphael Smith|Sir Joshua Reynolds|John Raphael Smith|Joseph Deane Bourke | November 29, 1784 | null | Unknown | null | Unknown | Mezzotint; second state of three | Prints | Drawings and Prints | Photographic print | false | Unknown | false |
41.97.286(21h) | 623,787 | Birth of the Virgin, from Prove di Vari Rami Inediti [...] | Francesco Rosaspina|Parmigianino (Girolamo Francesco Maria Mazzola) | 19th century | null | Unknown | null | Unknown | Etching; counterproof | Prints | Drawings and Prints | Photographic print | false | Unknown | false |
17.3.756-1176 | 377,272 | Charles Burney | Francesco Bartolozzi|Sir Joshua Reynolds|Charles Burney | April 1, 1784 | null | Unknown | null | Unknown | Etching and stipple engraving; second state of three | Prints | Drawings and Prints | Photographic print | false | Unknown | true |
54.589.2(48) | 353,907 | Egg Caddy | Matthew Boulton | ca. 1790 | null | Unknown | null | Unknown | Etching | Prints | Drawings and Prints | Photographic print | false | Unknown | true |
JP1540 | 55,705 | Untitled | Katsukawa Shun'ei | ca. 1795 | null | Unknown | Japan | Asia | Polychrome woodblock print; ink and color on paper | Prints | Asian Art | Photographic print | true | Unknown | true |
59.533.559(4) | 739,237 | Comforts of Bath, Plate 4 | Thomas Rowlandson | January 6, 1798 | null | Unknown | null | Unknown | Etching | Prints | Drawings and Prints | Photographic print | false | Unknown | true |
1977.622.1 | 394,236 | Having Pleasure | Jacques Louis Copia|Pierre Paul Prud'hon | 1797 | null | Unknown | null | Unknown | Etching with stipple and line engraving; third state of five | Prints | Drawings and Prints | Photographic print | false | Unknown | false |
51.501.3000 | 396,204 | Tarquin and Lucretia | Simone Cantarini|Johann Peter Pichler | 1792 | null | Unknown | null | Unknown | Mezzotint | Prints | Drawings and Prints | Photographic print | false | Unknown | true |
1988.1088 | 395,646 | The Public Scrivener | Jean Jacques de Boissieu | 1790 | null | Unknown | null | Unknown | Etching with drypoint and roulette; fourth state of four | Prints | Drawings and Prints | Photographic print | false | Unknown | false |
63.54.1 | 228,879 | Piece | Unknown Artist | ca. 1795 | null | Unknown | British | Europe | Cotton | Textiles-Printed | European Sculpture and Decorative Arts | Photographic print | false | Unknown | true |
12.86.2 | 390,708 | The Sailor's Orphans, or the Young Ladies' Subscription | William Redmore Bigg, A.R.A.|William Redmore Bigg, A.R.A.|William Ward | June 1, 1800 | 1,800 | 1800s | null | Unknown | Mezzotint | Prints | Drawings and Prints | Photographic print | false | Early Photography | false |
JP212.11 | 57,996 | Untitled | Utagawa Kunisada | 19th century | 1,800 | 1800s | Japan | Asia | Polychrome woodblock print; ink and color on paper | Prints | Asian Art | Photographic print | true | Early Photography | true |
JP212.21 | 58,006 | Untitled | Utagawa Kunisada | 19th century | 1,800 | 1800s | Japan | Asia | Polychrome woodblock print; ink and color on paper | Prints | Asian Art | Photographic print | true | Early Photography | true |
59.533.1842 | 687,400 | Acute Pain | Thomas Rowlandson|George Moutard Woodward|Rudolph Ackermann | 1800 | 1,800 | 1800s | null | Unknown | Hand-colored etching, printed in brown ink | Prints | Drawings and Prints | Photographic print | true | Early Photography | true |
41.71.1.23(68) | 407,993 | Venus, the mother of Cupid, caresses her son (Vénus, la mère de l'Amour, caresse son fils), from Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi (1807) (Paintings from the Villa Altoviti in Rome, designe... | Giorgio Vasari|Tommaso Piroli|Michelangelo Buonarroti|Pietro Piranesi|Francesco Piranesi | 1807 | 1,807 | 1800s | null | Unknown | Engraving | Prints | Drawings and Prints | Photographic print | false | Early Photography | false |
1975.212.12 | 229,497 | Breadth | Unknown Artist | ca. 1820 | 1,815 | 1810s | French | Europe | Cotton | Textiles-Printed | European Sculpture and Decorative Arts | Photographic print | false | Early Photography | true |
JP2340 | 54,125 | 舞楽|Courtier Playing a Flute to Accompany a Bugaku Dance | Kubo Shunman | probably 1810 | 1,810 | 1810s | Japan | Asia | Part of an album of woodblock prints (surimono); ink and color on paper | Prints | Asian Art | Photographic print | true | Early Photography | true |
29.107.123 | 358,005 | Mameluck Defending a Wounded Trumpeter | Théodore Gericault | 1818 | 1,818 | 1810s | null | Unknown | Lithograph | Prints | Drawings and Prints | Photographic print | false | Early Photography | false |
2010.525 | 394,480 | From Top to Bottom, or Cause and Effect (Du haut en bas...ou les causes et les effets) | Elie | April 1814 | 1,814 | 1810s | null | Unknown | Etching, hand-colored | Prints | Drawings and Prints | Photographic print | true | Early Photography | true |
2002.333.43 | 393,972 | Banknote motif: the number 3, its interior composed of lathe work edged with a band of black | A. B. & C. Durand & Company|Durand, Perkins, and Company|Cyrus Durand | ca. 1824–42 | 1,819 | 1810s | null | Unknown | Engraving | Prints | Drawings and Prints | Photographic print | false | Early Photography | true |
JP629 | 37,080 | 東都名所 上野東叡山ノ圖|Ueno Toezan no Zu | Utagawa Hiroshige | ca. 1835 | 1,825 | 1820s | Japan | Asia | Polychrome woodblock print; ink and color on paper | Prints | Asian Art | Photographic print | true | Early Photography | true |
2012.401.4e | 638,406 | Man standing in a doorway | Victor Adam | mid–19th century | 1,820 | 1820s | null | Unknown | Lithograph | Prints | Drawings and Prints | Photographic print | false | Early Photography | true |
2009.183 | 385,230 | Eighteen Portraits Created on a Trip to Potsdam | Johann Gottfried Schadow|Johann Ludwig Jachtmann|Ludwig Wilhelm Wittich|Johann Heinrich Stürmer|Friedrich Jügel|Ferdinand Berger|Johann Matthäus Mauch|Carl Theodor Ottmer|Christian Tangermann|Carl Wilhelm Kolbe the younger|Henri François Brandt|Carl Friedrich Rungenhagen|Carl Friedrich Riese|Wilhelm Riese|Hans Christia... | 1826 | 1,826 | 1820s | null | Unknown | Lithograph | Prints | Drawings and Prints | Photographic print | false | Early Photography | false |
1982.1148.6 | 717,267 | The Transfiguration | Raphael (Raffaello Sanzio or Santi)|Alessandro Angeli | 1826 | 1,826 | 1820s | null | Unknown | Etching and aquatint | Prints | Drawings and Prints | Photographic print | false | Early Photography | false |
54.90.1212 | 381,213 | Vues d'Amerique: Lac Georges; Près des chûtes de Trenton, Oneida County; Vue de la rivière du Nord, prise à Clermont; Chûte de la Passaic; Près de Tukerton; Chûte de West Canada Creek, Près de Trenton, Oneida County; La Source à Schooley's Mountain (American Views: Lake George, The Falls near at Trenton, The North [Hud... | Charlotte Bonaparte | ca. 1826 | 1,821 | 1820s | null | Unknown | Etching | Prints | Drawings and Prints | Photographic print | false | Early Photography | false |
59.500.496 | 638,469 | Town with a church across a river | Tancrède Abraham | 19th century | 1,836 | 1830s | null | Unknown | Etching and drypoint | Prints | Drawings and Prints | Photographic print | false | Early Photography | true |
2011.140a–v | 76,570 | Untitled | Shunbaisai Hokuei | 1830s | 1,830 | 1830s | Japan | Asia | Folding album; ink and color on paper | Prints | Asian Art | Photographic print | true | Early Photography | false |
29.107.70 | 409,190 | Thérèse, from Etudes d'Enfants, plate 1 | Paul Gavarni [Chevalier]|Coulon | ca. 1840 | 1,835 | 1830s | null | Unknown | Lithograph; fourth state of four (Armelhaut & Bocher) | Prints | Drawings and Prints | Photographic print | false | Early Photography | false |
1971.600.29 | 386,248 | A Plan of the City of New York from an Actual Survey Made by James Lyne, 1728 | James Lyne|George Hayward | 1834–72 | 1,834 | 1830s | null | Unknown | Lithograph | Prints | Drawings and Prints | Photographic print | false | Early Photography | true |
57.650.186 | 359,151 | Very Haughty and Very Mighty Legitimist Brats | Honoré Daumier|Charles Philipon | February 1834 | 1,834 | 1830s | null | Unknown | Lithograph on chine collé | Prints | Drawings and Prints | Photographic print | false | Early Photography | true |
57.660.1 | 642,820 | Un monsieur qui veut se donner la satisfaction..., from Les Beaux Jours de la Vie | Honoré Daumier | 1846 | 1,846 | 1840s | null | Unknown | Lithograph; first state of two (Delteil) | Prints | Drawings and Prints | Photographic print | false | Early Photography | false |
2005.100.376.93 | 287,156 | Palais de Mehemet-Ali, à Esné | Maxime Du Camp | 1849–50 | 1,849 | 1840s | null | Unknown | Salted paper print from paper negative | Photographs | Photographs | Photographic print | false | Early Photography | true |
44.91.783(19) | 746,190 | Œillets Panachés, d’après Nature | Jules Sette|Fleury Chavant|Lithographie J. Rigo & Cie | [after 1844] | 1,844 | 1840s | null | Unknown | Lithography | Books|Prints|Ornament & Architecture | Drawings and Prints | Photographic print | false | Early Photography | false |
52.585.2 | 659,577 | Daughters of Temperance | Kelloggs & Comstock|D. Needham | 1848–50 | 1,848 | 1840s | null | Unknown | Hand-colored lithograph | Prints | Drawings and Prints | Photographic print | true | Early Photography | false |
1977.580.4 | 725,302 | Arnold Böcklin, calling card | Arnold Böcklin | ca. 1845–1901 | 1,840 | 1840s | null | Unknown | Graphite | Prints|Ephemera|Calling cards | Drawings and Prints | Photographic print | false | Early Photography | true |
2005.100.382 (20) | 287,910 | A Peep in Leigh Woods | James Knight | 1853–56 | 1,853 | 1850s | null | Unknown | Salted paper print | Photographs | Photographs | Photographic print | false | Early Photography | true |
61.538.1(4.38) | 412,176 | Ne faut pas bageunauder dans le bois, mon doux Mosieu: [...], from Les Propos de Thomas Vireloque, Masques et Visages, plate 18, bound in Oeuvres Nouvelles, vol. IV | Paul Gavarni [Chevalier]|Lemercier|Librairie Nouvelle | 1853 | 1,853 | 1850s | null | Unknown | Lithograph; second state of two (Armelhault & Bocher) | Prints | Drawings and Prints | Photographic print | false | Early Photography | false |
17.3.19 | 372,491 | The Kitchen | James McNeill Whistler | 1858 | 1,858 | 1850s | null | Unknown | Etching; second state of three (Glasgow); dark brown ink on buff chine on off-white wove paper (chine collé) | Prints | Drawings and Prints | Photographic print | false | Victorian Era | true |
38.81.1 | 392,275 | Skating at Boston (Harper's Weekly, Vol. III) | Winslow Homer | March 12, 1859 | 1,859 | 1850s | null | Unknown | Wood engraving | Prints | Drawings and Prints | Photographic print | false | Victorian Era | false |
2005.100.783 | 286,094 | [Bank of the Rhumel, near Constantine, Algeria] | John Beasley Greene | ca. 1855–56 | 1,853 | 1850s | null | Unknown | Salted paper print from paper negative | Photographs | Photographs | Photographic print | false | Early Photography | true |
1978.643.48(1) | 653,050 | Left hand side of sheet 'The world upside dow' (El mundo al reves) 1861; right hand side of sheet 'the life of the man who works well and the other badly' (vida del hombre obrando bien y obrando mal) 1859 | José María Marés | 1859 1861 | null | Unknown | null | Unknown | Woodcut | Prints | Drawings and Prints | Photographic print | true | Unknown | true |
33.65.546 | 283,963 | Stoneman's Station, Virginia | Mathew B. Brady | 1861–65 | 1,861 | 1860s | null | Unknown | Albumen silver print from glass negative | Photographs | Photographs | Albumen print | false | Victorian Era | false |
1978.643.56(1-2) | 335,905 | XIXth Cent. Spanish Broadsheets--printed by Mares, 1866 | José María Marés | 1866 | 1,866 | 1860s | null | Unknown | null | Prints | Drawings and Prints | Unknown | false | Victorian Era | false |
59.564.36 | 716,683 | Design for a Gold Pendant with the Shape of a Classical Vase | Anonymous, French, 19th century | ca. 1870–1900 | 1,865 | 1860s | null | Unknown | Lithograph, ink, gouache and gold pigment | Drawings|Prints|Ornament & Architecture | Drawings and Prints | Photographic print | false | Victorian Era | false |
65.629.3(1.13) | 644,661 | Love in Death (Good Words for 1862, opp. p. 185) | Dalziel Brothers|Frederick Walker | 1862 | 1,862 | 1860s | null | Unknown | Wood engraving | Prints | Drawings and Prints | Photographic print | false | Victorian Era | false |
1991.1073.98 | 266,382 | Architecture in Dharwar and Mysore | Thomas Biggs|Andrew Charles Brisbane Neill|Doctor William Henry Pigou|Colonel Philip Meadows Taylor|James Fergusson | 1860s | 1,860 | 1860s | null | Unknown | Albumen silver prints | Books | Photographs | Albumen print | false | Victorian Era | true |
60.678.35 | 735,929 | The murder of the Chief of Police Miguel Cabrera | José Guadalupe Posada|José Sanchez | ca. 1880–1910 | 1,875 | 1870s | null | Unknown | Etching on zinc | Prints | Drawings and Prints | Photographic print | false | Victorian Era | true |
46.160.38 | 676,202 | [ ] | Eadweard Muybridge | 1878–79 | 1,878 | 1870s | null | Unknown | Albumen silver print (?) from glass negative | Photographs | Photographs | Albumen print | false | Victorian Era | false |
JP3353 | 55,521 | Untitled | Toyohara Kunichika | 1875 | 1,875 | 1870s | Japan | Asia | Polychrome woodblock print; ink and color on paper | Prints | Asian Art | Photographic print | true | Victorian Era | true |
48.1(2.39) | 642,821 | A Patron, after Giorgione, bound in L'Oeuvre original de Vivant Denon. Collection de eaux-fortes, Volume 2 | baron Dominique Vivant Denon|A. Barrand|Giorgione | 1873 | 1,873 | 1870s | null | Unknown | Lithograph | Books | Drawings and Prints | Photographic print | false | Victorian Era | false |
52.632.315 | 397,195 | A Bad Break | John Cameron|Currier & Ives | 1879 | 1,879 | 1870s | null | Unknown | Hand-colored lithograph | Prints | Drawings and Prints | Photographic print | true | Victorian Era | false |
Burdick 213(21) | 420,217 | Album 213, Page 21 | W. Duke, Sons & Co. | ca. 1895 | 1,887 | 1880s | null | Unknown | Albumen photograph | Photographs|Ephemera | Drawings and Prints | Albumen print | false | Pictorialism | false |
63.350.215.171.373 | 405,660 | Mlle. Baretta, Paris, from the Actors and Actresses series (N171) for Old Judge Cigarettes | Goodwin & Company | 1886–90 | 1,886 | 1880s | null | Unknown | Albumen photograph | Photographs|Ephemera | Drawings and Prints | Albumen print | false | Pictorialism | false |
63.350.202.33.14 | 420,381 | Hungarian, from World's Smokers series (N33) for Allen & Ginter Cigarettes | Allen & Ginter | 1888 | 1,888 | 1880s | null | Unknown | Commercial color lithograph | Prints|Ephemera | Drawings and Prints | Photographic print | true | Pictorialism | true |
Burdick 230, N668.111 | 708,913 | Lillian Russell, from the Actresses series (N668) | Unknown Artist | ca. 1888 | 1,883 | 1880s | null | Unknown | Albumen photograph | Photographs|Ephemera | Drawings and Prints | Albumen print | false | Victorian Era | false |
63.350.223.332.36 | 658,740 | Boxer facing right, from the Athletes and Celebrities series (N332), issued by S.F. Hess & Co. to promote the brand's cigarettes | S.F. Hess & Co. | 1889 | 1,889 | 1880s | null | Unknown | Albumen photograph | Photographs|Ephemera | Drawings and Prints | Albumen print | false | Pictorialism | false |
63.350.201.23.8 | 409,657 | Black-breasted Barbet, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes | Allen & Ginter|George S. Harris & Sons | 1890 | 1,890 | 1890s | null | Unknown | Commercial color lithograph | Prints|Ephemera | Drawings and Prints | Photographic print | true | Pictorialism | true |
Burdick 207(9) | 711,222 | Album 207, Page 9 | Unknown Artist | 1890s | 1,890 | 1890s | null | Unknown | Commercial Lithographs | Prints|Ephemera | Drawings and Prints | Photographic print | false | Pictorialism | false |
63.350.219.245.679 | 653,812 | Carrie Evelyn, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes | Kinney Brothers | 1890 | 1,890 | 1890s | null | Unknown | Albumen photograph | Photographs|Ephemera | Drawings and Prints | Albumen print | false | Pictorialism | false |
45.102.17 | 374,576 | Boy Blue, A Portrait of Christopher, Son of Sir. Robert Chancellor | Mathilde De Cordoba | late 19th–mid-20th century | 1,890 | 1890s | null | Unknown | Color Etching | Prints | Drawings and Prints | Photographic print | true | Pictorialism | false |
63.350.201.20.7 | 409,020 | Black-Breasted Red Game Hen, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes | Allen & Ginter|The Gast Lithograph & Engraving Company | 1891 | 1,891 | 1890s | null | Unknown | Commercial color lithograph | Prints|Ephemera | Drawings and Prints | Photographic print | true | Pictorialism | true |
Burdick 243, T59.46 | 635,893 | Edinburgh, from the Flags of All Nations series (T59) issued by the American Tobacco Company | American Tobacco Company | 1909–11 | 1,909 | 1900s | null | Unknown | Commercial color lithograph | Prints|Ephemera | Drawings and Prints | Photographic print | true | Pictorialism | false |
46.46.125 | 736,831 | News story about the sighting of a skeleton inside a holy temple, a man lying on the floor while a skeleton returns to a chamber and a cloaked figure exits to the right | José Guadalupe Posada|Antonio Vanegas Arroyo | 1903 | 1,903 | 1900s | null | Unknown | Photo-relief and letterpress on tan paper | Prints | Drawings and Prints | Photographic print | false | Pictorialism | true |
2011.550.5 | 306,195 | [Construction of the IRT: Street Corner with Plate Glass Window: "WILLIAM BARTHMAN"] | Unknown | 1900–1907 | 1,900 | 1900s | null | Unknown | Platinum print | Photographs | Photographs | Platinum print | false | Pictorialism | false |
Burdick 314, E17.7 | 431,689 | Flag of Venezuela, from the Flags series (E17, Type A) for Breisch-Williams Co., Inc. | The Breisch-Williams Co., Inc., Oxford, Pennsylvania | ca. 1905 | 1,900 | 1900s | null | Unknown | Commercial color lithograph | Prints|Ephemera | Drawings and Prints | Photographic print | true | Pictorialism | false |
63.350.246.203.12 | 631,275 | A Fancy Twirler, from the Baseball Comics series (T203) | Winner Cut Plug Tobacco|P.H. Mayo & Brother, Richmond, Virginia | 1900 | 1,900 | 1900s | null | Unknown | Commercial color lithograph | Prints|Ephemera | Drawings and Prints | Photographic print | true | Pictorialism | false |
63.350.246.207.37 | 627,054 | R. Zeider, Chicago, American League, from the Brown Background series (T207) for the American Tobacco Company | American Tobacco Company | 1912 | 1,912 | 1910s | null | Unknown | Commercial lithograph | Prints|Ephemera | Drawings and Prints | Photographic print | false | Pictorialism | false |
21.59.1 | 412,832 | The Mountain Path | Margaret Jordan Patterson | 1911–21 | 1,911 | 1910s | null | Unknown | Color woodcut | Prints | Drawings and Prints | Photographic print | true | Pictorialism | false |
Burdick 315, E145.47 | 414,192 | Devore, Boston, National League, from the Ball Players series (E145) for Cracker Jack | Rueckheim Bros. & Eckstein | 1914–15 | 1,914 | 1910s | null | Unknown | Commercial lithograph | Prints|Ephemera | Drawings and Prints | Photographic print | false | Pictorialism | false |
49.55.197 | 269,318 | Lotte Kühn | Heinrich Kühn | 1910 | 1,910 | 1910s | null | Unknown | Carbon print | Photographs | Photographs | Carbon print | false | Pictorialism | false |
29.101.7 | 711,528 | Portrait of Emilio Zapata, flanked by sickles (recto), a group of workers (verso), printed in the newspaper 'El Machete' April (first fortnight) | Xavier Guerrero | ca. 1924 | 1,919 | 1910s | null | Unknown | Woodcut | Prints | Drawings and Prints | Photographic print | false | Pictorialism | false |
28.29.1 | 434,819 | Summer Flowers | Charlotte Rollius | 1923–33 | 1,923 | 1920s | null | Unknown | Woodcut | Prints | Drawings and Prints | Photographic print | false | Modernism | false |
1994.251.828 | 272,239 | [Boy Grinning] | Walker Evans | 1929–33 | 1,929 | 1920s | null | Unknown | Film negative | Negatives | Photographs | Photographic print | false | Modernism | false |
2000.110.3i | 491,676 | Negro Dance | Max Beckmann | 1922 | 1,922 | 1920s | null | Unknown | Drypoint | Prints | Modern and Contemporary Art | Photographic print | false | Modernism | false |
Burdick 336, V104.86 | 636,488 | Card No. 101, Antonio Moreno, from the Willárd's Movie Stars series (V104) issued by Willárd's Chocolates | Willárd's Chocolate | 1920s | 1,920 | 1920s | null | Unknown | Commercial color lithograph | Prints|Ephemera | Drawings and Prints | Photographic print | true | Modernism | false |
Burdick 336, V104.62 | 636,464 | Card No. 84, Lloyd Hamilton, from the Willárd's Movie Stars series (V104) issued by Willárd's Chocolates | Willárd's Chocolate | 1920s | 1,920 | 1920s | null | Unknown | Commercial color lithograph | Prints|Ephemera | Drawings and Prints | Photographic print | true | Modernism | false |
Burdick 326, R344.6 | 415,430 | No. 6, How to Slide | National Chicle Gum Company, Cambridge, Massachusetts | 1936 | 1,936 | 1930s | null | Unknown | Commercial Lithograph | Prints|Ephemera | Drawings and Prints | Photographic print | false | Modernism | false |
1994.256.353 | 275,022 | [Bedroom in Boarding House on Hudson Street, Residence of John Cheever, New York City] | Walker Evans | 1931–33 | 1,931 | 1930s | null | Unknown | Film negative | Negatives | Photographs | Photographic print | false | Modernism | false |
57.519.20 | 269,912 | Pelican's Wing | Edward Weston|Brett Weston|Cole Weston | 1931, printed ca. 1954 | 1,931 | 1930s | null | Unknown | Gelatin silver print | Photographs | Photographs | Gelatin silver print | false | Modernism | false |
1994.251.647 | 272,841 | [Balconies, Havana] | Walker Evans | 1933 | 1,933 | 1930s | null | Unknown | Film negative | Negatives | Photographs | Photographic print | false | Modernism | false |
34.104.76 | 397,568 | Welling Court | Clara Skinner|PWAP | 1933–34 | 1,933 | 1930s | null | Unknown | Woodcut | Prints | Drawings and Prints | Photographic print | false | Modernism | false |
Burdick 326, R401-3.37 | 416,341 | Harry "Hurryin" Gilmer, from the All-Star Football series (R401-3), issued by Leaf Gum Company | Leaf Gum, Co., Chicago, IL | 1949 | 1,949 | 1940s | null | Unknown | Commercial Chromolithograph | Prints|Ephemera | Drawings and Prints | Photographic print | false | Documentary Era | false |
1994.254.85 | 274,247 | [John Churchill, Jr., Bedford, New York] | Walker Evans | June 1940 | 1,940 | 1940s | null | Unknown | Film negative | Negatives | Photographs | Photographic print | false | Modernism | false |
46.98.11 | 393,537 | Ruffled Grouse | Henry Emerson Tuttle | 1943–44 | 1,943 | 1940s | null | Unknown | Drypoint | Prints | Drawings and Prints | Photographic print | false | Modernism | true |
1985.1060 | 359,422 | London Buses | Lill Tschudi | blocks cut 1949 | 1,949 | 1940s | null | Unknown | Color linocut | Prints | Drawings and Prints | Photographic print | true | Documentary Era | false |
1991.1197 | 266,479 | [Models Dressed as Sir Lancelot and Guinevere, Three-quarter Length View] | George Hoyningen-Huene | 1940s | 1,940 | 1940s | null | Unknown | Gelatin silver print | Photographs | Photographs | Gelatin silver print | false | Modernism | false |
59.559.75 | 270,160 | The Wake | W. Eugene Smith | 1950 | 1,950 | 1950s | null | Unknown | Gelatin silver print | Photographs | Photographs | Gelatin silver print | false | Documentary Era | false |
Burdick 328, R414-6.146 | 640,618 | Card Number 154, Joe Muir, Pittsburgh Pirates, from the Topps Baseball series (R414-6) issued by Topps Chewing Gum Company | Topps Chewing Gum Company | 1952 | 1,952 | 1950s | null | Unknown | Commercial color lithograph | Prints|Ephemera | Drawings and Prints | Photographic print | true | Documentary Era | false |
Burdick 327, R406-5.300 | 668,021 | Gene Mauch, Infield, Boston Braves, from Picture Cards, series 5 (R406-5) issued by Bowman Gum | Bowman Gum Company | 1951 | 1,951 | 1950s | null | Unknown | Commercial color lithograph | Prints|Ephemera | Drawings and Prints | Photographic print | true | Documentary Era | false |
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