| --- |
| language: |
| - en |
| license: other |
| license_name: pd-seeds-deterministic-rejected |
| license_link: https://www.gutenberg.org/policy/permission.html |
| task_categories: |
| - text-generation |
| tags: |
| - dpo |
| - orpo |
| - preference |
| - prose |
| - writing-style |
| - single-axis |
| size_categories: |
| - n<1K |
| --- |
| |
| # Kadenz-DPO |
|
|
| *German "Kadenz": cadence.* |
|
|
| **596 pairs teaching one lesson — vary your sentence length.** |
|
|
| `chosen` is unedited human prose from US-public-domain novels. `rejected` is the *same passage* |
| with its rhythm regularised: long periods split at coordinators and semicolons, short adjacent |
| sentences fused, every sentence pushed toward the mean length. Nothing else changes. No model |
| touched either side. |
|
|
| | field | content | |
| |---|---| |
| | `prompt` | a continuation instruction plus the first 60 words of the passage | |
| | `chosen` | the passage's actual continuation, human-written, untouched | |
| | `rejected` | the same continuation, rhythm-flattened | |
| | `delta` | how much `sent_len_cv` dropped from `chosen` to `rejected` | |
| | `edits` | number of split/fuse operations applied | |
|
|
| ## Why this axis |
|
|
| Measured against a human reference distribution built from |
| [`schneewolflabs/fundgrube`](https://huggingface.co/datasets/schneewolflabs/fundgrube) |
| (1,483 passages, 8 style features), every instruct model tested writes with markedly *less* |
| sentence-length variation than human novelists — one of the two largest deviations from human |
| prose, alongside repetitive sentence openers: |
|
|
| | | sent_len_cv | z vs human | |
| |---|---|---| |
| | human (fundgrube) | 0.74 | — | |
| | Qwen3.6-27B (instruct) | 0.55 | −1.1 | |
| | Qwen3.6-27B-TIES | 0.46 | −1.7 | |
| | Fable-Fusion-711-27B | 0.51 | −1.4 | |
|
|
| Humans mix four-word sentences with forty-word ones. These models write metronomically. The |
| degradation applied here (`sent_len_cv` −0.209 mean) is deliberately sized to span that gap, so |
| the preference signal covers the distance between human prose and real model output rather than |
| a subtler distinction the model would never encounter. |
|
|
| ## Construction |
|
|
| Deterministic, no LLM in the loop — the same method as |
| [`schneewolflabs/hecke-dpo`](https://huggingface.co/datasets/schneewolflabs/hecke-dpo), |
| which injects hedges into the same corpus. |
|
|
| 1. 320-word passages drawn from `fundgrube` chapters. |
| 2. Passages with >25% dialogue sentences are skipped — quoted speech has its own rhythm and |
| re-bounding across quotation marks produces ungrammatical splices. |
| 3. Long sentences (>1.6× the passage mean) are split at `;` and coordinating conjunctions; |
| adjacent short sentences (<0.5× mean) are fused with ", and". |
| 4. **Content preservation is enforced, not assumed.** Every pair is checked so that `rejected` |
| contains the same words as `chosen` modulo connectives (≤2% word-multiset difference). |
| An earlier version dropped short fragments during splitting, which truncated clauses — that |
| would have taught "prefer the complete text" rather than "prefer varied rhythm". Pairs failing |
| the check, or containing punctuation artifacts, are discarded. |
| 5. Pairs where the transform failed to degrade `sent_len_cv` by >0.02 are discarded. |
|
|
| Verification stats over the released set: |
|
|
| | | value | |
| |---|---| |
| | pairs | 596 | |
| | `sent_len_cv` degradation | mean 0.209, median 0.182, max 1.108 | |
| | split/fuse edits per passage | 4.5 | |
| | words per side | 260 (identical between chosen and rejected by construction) | |
|
|
| ## Example |
|
|
| **chosen** |
| > …sought for her there had been wakened that wonderful vision to which alone are wonderful |
| > things revealed; the mere shapes and patterns of things becoming, as it were, refined, and |
| > gaining a kind of symbolical value… |
|
|
| **rejected** |
| > …for her there had been wakened that wonderful vision to which alone are wonderful things |
| > revealed. The mere shapes and patterns of things becoming, as it were, refined. … |
|
|
| ## Limitations |
|
|
| - **Archaic `chosen` side.** The source is pre-1930 public-domain fiction, so training on it |
| nudges diction toward period style as a side effect of teaching rhythm. Stacking this with |
| other fundgrube-derived sets (e.g. `hecke-dpo`) compounds that drift. Mixing in modern |
| permissively-licensed prose on the `chosen` side would isolate the axis more cleanly. |
| - **Some `rejected` sentences are fragments.** Splitting at a coordinator occasionally yields a |
| clause without a finite verb. That is a second, unintended defect riding along with the |
| intended one; a POS-aware splitter would avoid it. |
| - **Narration only.** Dialogue-heavy passages are excluded, so the axis is untrained for dialogue |
| rhythm. |
| - **Not decontaminated** against any benchmark. |
|
|
| ## Related |
|
|
| - [`schneewolflabs/fundgrube`](https://huggingface.co/datasets/schneewolflabs/fundgrube) — the human source corpus |
| - [`schneewolflabs/hecke-dpo`](https://huggingface.co/datasets/schneewolflabs/hecke-dpo) — same method, hedging axis |
| - **Auftakt-DPO** (planned) — the companion axis: sentence-opener monotony |
|
|