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Dataset card Data Studio Files
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pretty much sucks , but has a funny moment or two .
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any scorsese
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make mel brooks ' borscht belt schtick look sophisticated
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rich
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but it would be better to wait for the video .
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this is a heartfelt story ... it just is n't a very involving one .
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of extravagant
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, an archetypal desire to enjoy good trash every now and then .
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choppy and
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, it 'll only put you to sleep .
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like the original , this version is raised a few notches above kiddie fantasy pablum by allen 's astringent wit .
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moonlight mile does n't quite go the distance but
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about movie love
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it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened
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they 're the unnamed , easily substitutable forces that serve as whatever terror the heroes of horror movies try to avoid .
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hugely enjoyable in its own right though
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a bigger-name cast
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crafted a solid formula for successful animated movies
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everyone making it
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soderbergh 's best films
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coming-of-age film
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been deemed important enough to make a film in which someone has to be hired to portray richard dawson
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actually manages to bring something new into the mix
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having fun with it all
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smeary
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of making kahlo 's art a living , breathing part of the movie , often catapulting the artist into her own work
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fosters moments of spontaneous intimacy
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the acting is amateurish , the cinematography is atrocious ,
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terrible as the synergistic impulse that created it
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this odd , poetic road movie , spiked by jolts of pop music ,
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charged
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is extremely funny , the first part making up for any flaws that come later
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to say that this vapid vehicle is downright doltish and uneventful
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satin rouge is not a new , or inventive , journey
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self-consciously flashy camera effects
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a dim-witted pairing of teen-speak and animal gibberish
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it skirts around any scenes that might have required genuine acting from ms. spears
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cold-hearted
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existential suffering
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its ripe recipe , inspiring ingredients
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meticulously uncovers a trail of outrageous force and craven concealment .
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would be consigned to the dustbin of history
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a thriller whose style , structure and rhythms are so integrated with the story
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the wonderfully lush morvern callar
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the movie is hardly a masterpiece
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clichéd
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stays close to the ground
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hated myself in the morning .
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it 's provocative stuff , but the speculative effort is hampered by taylor 's cartoonish performance and the film 's ill-considered notion that hitler 's destiny was shaped by the most random of chances .
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know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good or make any money
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, yet not as hilariously raunchy as south park , this strangely schizo cartoon seems suited neither to kids or adults .
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interesting and at times
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swaggers through his scenes
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cinematic tone poem
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another wholly unnecessary addition to the growing , moldering pile of , well , extreme stunt
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make a film in which someone has to be hired to portray richard dawson
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inherently caustic and
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that it 's too close to real life to make sense
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it 's light on the chills and heavy on the atmospheric weirdness ,
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winds up feeling like a great missed opportunity
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forgive its mean-spirited second half
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not funny performers
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is a lame kiddie flick
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thoroughly overbearing
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that are lean and tough enough to fit in any modern action movie
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two hours of junk
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successes
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and revolutionary spirit
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dramatically lackluster
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remarkably faithful one
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considering that baird is a former film editor , the movie is rather choppy .
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as good as the full monty , but a really strong second effort .
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no surprises .
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is oppressively heavy
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somewhat less
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are moments of hilarity to be had
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nutty cliches and far too much dialogue
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welcomed
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a formula that worked five years ago but has since lost its fizz
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an unexpectedly sweet story of sisterhood .
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washed away by sumptuous ocean visuals and the cinematic stylings of director john stockwell
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with some real shocks in store for unwary viewers .
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live-action cartoon
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useless actioners
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uneven dialogue and plot lapses
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a deliberative account of a lifestyle characterized by its surface-obsession -- one that typifies the delirium of post , pre , and extant stardom .
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tries so hard to be quirky and funny that the strain is all too evident
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virtually no one
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still-inestimable contribution
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that not only would subtlety be lost on the target audience
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while we delight in the images
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may sound like it was co-written by mattel executives and lobbyists for the tinsel industry
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fascinating part
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it should have stayed there .
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smart , funny look
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walk to remember a niche hit
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hole-ridden plotting
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lost in the translation
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seems twice as long as its 83 minutes
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it 's hard to imagine another director ever making his wife look so bad in a major movie .
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