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ex01-ex02_default_001__ch1_23.88-28.14
What made you want to become an actor? Have you always been an actor?
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What do you think gave you the most confidence to take that step and get over the shyness, I guess?
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Exactly. It's like taking a fear at a time. That kind of thing. And then, oh, if I can do this, I can also do that. And then building up. I totally get that. Yeah. So you're from Toronto? Toronto.
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Is it actually cold up there?
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I was going to say because there's so many buildings up there that like, you know, the light reflects off the windows and it hits the street and it suns the asphalt, but garbage pile also works.
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Oh no, the smell must have been atrocious. Oy vey. Are you like... So what I know about Toronto is that there's a lot of wilderness outside of it, right? Like woods and forested areas and lakes and stuff like that. Did you ever find yourself out and about in the woods and exploring things
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nature and all that stuff. I love nature, so yeah.
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um hi my name is jackie or jacqueline hi um i am from toronto ontario canada i was raised there up until i decided to move here to the us in 2013 and i moved to la um yeah and i've been in hollywood ever since um
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Um, I wanted to do acting and performing since I was a kid, but I was incredibly scared and not supported. So it took me a long time and it wasn't until I was in my early twenties. So I started pursuing and said, if I can do this, what else can I do? And just kept pushing and pushing and pushing until I made it here.
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um being in a community of people with improv and sketch and doing all of that and knowing that um again it's like you know it's the baby step of if I can do this what else can can be accomplished and then you know throwing some mud at the wall and seeing what sticks taking risks
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No, it's probably hotter there. It's probably about the same, about the same temperature there as it is here. So, uh, yeah, it was probably about like 86 degrees there now.
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And that's what it gets worse, though, because like in New York, New York gets very hot in the summer and humid because it's it's almost like a garbage pile. It's the same in Toronto.
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Yeah. Like, you know, when you...
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Yeah. Well, and then... Yeah. Garbage file. No, because when you're walking outside and it's like... You're walking the humidity. It's almost like...
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Like, you're walking, and especially the amount of garbage that they keep out on the streets, like, depending on, like, where you are. Like, in Toronto, too. Like, it's just, like, you're in garbage. You're walking through it. So...
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Yeah. Yeah, actually, that's I mean, similar to New York in terms of the state where you can kind of get out of the city and go and do everything. I grew up with a cottage, so I was out at my cottage a lot as a kid.
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A. C. E. G. I.
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K. M.
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Oh.
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Q S U W Y
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Z.
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Be.
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D. F. H. J.
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L. N.
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P R T
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V. X. Z.
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Z.
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It sounds like you kind of want to get into it, Jackie. Well, look, I've been pronouncing it Z my entire life, and I'm open to new ideas because my opinion is malleable, like clay.
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That's kind of true. You also moved to frickin' L.A., which is like, oh, you know, everything is changing all the time out here. You gotta just, like, go with the flow. The punches are real.
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Where am I from?
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So I'm from Southern California, but I'm a military kid, so I've moved quite a lot throughout my life. And that's like, I was in SoCal, I've lived in Chicago, I lived in North Carolina, Kansas for about six years, because that's where I was pursuing education. I was getting a degree as a graphic designer before I becam...
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which kind of, I guess we're doing me now. I was doing graphic design before I became an actor, and there was basically a teacher, I was taking a public speaking course, and this teacher came up to me and he said, you know, you should try this acting thing. I think you'd be good at it. Meanwhile, this is like junior ye...
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of college i've never considered acting in my life before but you know he convinced me and then i tried out for the play i got the part and then i realized oh shit like this is where i'm going to be going for the rest of my life this is going to completely derail my education like how can i do anything other than this ...
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I don't want to work for some Fortune 500 company doing graphic design for your business emails that you just throw in the trash anyway. That's not my thing. So I worked in a warehouse and moved on to pursuing voice acting. And then I moved out here because I got lucky.
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Yeah.
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Now I am.
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It's awesome. I'm so lucky to be in this position. I get to do a lot of audiobooks. So that pays my rent. I was talking with a friend about like, I don't know about you. Are you acting full time as well?
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That's fair, that's fair. I was talking with a friend that was like,
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ex01-ex02_default_003__ch1_195.10-223.10
He was trying to define voice acting or acting in general as you make it when you're famous, you make it up in the big leagues with Zendaya and Tom Holland, and that's when you make it. I'm like, no, you can make a little bit of money and can pay half your rent doing this stuff. That's my standards, my bookmarks.
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The bar is set real low.
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ex01-ex02_default_003__ch1_249.45-259.74
Exactly, at that point. I find there's also like, I don't know, for voiceover, because do you do on-camera stuff as well?
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I was going to be like, you give the vibe that you do on-camera stuff, too. You look, like, polished and present and, like, you have a very, like, affable face. Um...
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No, that's not what I'm saying. That's not what i'm saying. I guess because me you look at me and there's like water dripping down my shirt and you know I kind of have a mullet going on right now with like chipped paint nails. You know it's it's a problem.
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That is true, that is true.
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It is pronounced Zed. It's much more simplistic to figure that out, too. I'm just, no, I'm just letting you know, like, you can sing the alphabet however you want, but if you don't end it in a Zed, there's even an artist named Zed's Dead. I'm not even going to get into it. It's a thing.
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Same. I moved to the U.S. I have to adapt.
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But what about you? Like, where are you from specifically?
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ex01-ex02_default_003__ch2_161.72-166.08
So sorry, so are you acting now full time?
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That's what I'm trying to do.
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I don't even know if that's a low bar, though. It's realistic because only 2% of actors are working and surviving and thriving off of their successes. Success doesn't need to be measured in an accolade that you receive in front of an entire broadcast audience. That's not what acting is anyway. That's just a competition...
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The face of an F.
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But that's an entire category of acting, too.
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ex01-ex02_default_004__ch1_11.68-14.27
That reminds me of ballet, oh my god.
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I'm basically a glorified crab when I dance, so... I can't dance. I did do... When I was in kindergarten, I did six months of ballet, and then I stopped because that was not masculine, so... You know how it is. It's so...
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So masculine, but it is what it is. And then from there, I just did a lot of sports. What about you? Did you do a bunch of dance?
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i have a question to ask a gymnastics person did you okay i don't know if you okay did you ever get injured when you were doing gymnastics oh yeah describe it tell me what happened
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No, I have not.
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ex01-ex02_default_004__ch1_214.60-220.22
Hey, you talk, you talk about, I've had eight of them. I hate concussions. Yeah. Yeah.
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what didn't i do um i played i played uh i i did ballet as you know i did swimming baseball t-ball basketball um i did football uh pole vault i trained for american ninja warrior and then i my main sport though the one that was like most consistent throughout my younger years was lacrosse i played lacrosse for
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Eight years straight?
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Oh, yeah. Especially when you're, like, perfect chest height for all the other guys. You know? Like, they're all, like, 6'4", 6'5", and I'm over here, like, 5'8". Like, all right, time to get, you know, hit upside the head. But I got a lot of concussions from that. I got, I think, four of mine from lacrosse, one from f...
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accident and then one from math class
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No, the equation was hard after I had the concussion, I can tell you that. So I was in math class, and basically, there was this kid named... I can't say his name because that's personal information. But there's this kid who, he and I were friends, and we had that kind of friendship relationship where you...
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One of them is, you're rough with each other. That's how it is. And one of the things that he did was he pulled chairs out from under people. You fall on your butt. It was kind of this joke that we did with each other well he did that with me one day in math class while I was sitting down and I fell back and hit my hea...
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and I couldn't see out of my right eye, and as I'm, you know, basically, just as a joke, a fun little gaffe, you know roughhousing if you will, and a lark, so basically what ended up happening after that though, was I tried to do the, you know it was fractions day, it was, you know we were in basic
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I think it was geometry and
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I tried to do the fractions, but I couldn't see out of my eyes. So I was like holding one eye closed while trying to, and then it eventually started getting blurry and it hurt. And so, um, I go up to the teacher and the teacher, you know, he was really worried about me the entire time. He's like, are you okay? Are you ...
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hey, can you read me the question? He's like, why do you need me to read you the question? I'm like, I can't see. And he's like, you're going to the office right now. And then cut to like two months later, they make the kid apologize to me in front of everyone. And then they expel him.
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He was expelled because the school thought he was bullying me. And that it had just gone too far. And I didn't know at the time that's what happened. Nobody told me. But I'm like, hey, where's my friend?
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Now he lives in a dumpster in New York, getting warmed by the building's rays of sunshine.
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Well, put a stick on your back and, you know, that's another technique that they use where they put a stick across your back and they make you stay in one spot so you don't move and...
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Did you ever do dance?
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I did dance when I was young and gymnastics. So, yeah, so fun. I did that for a long time. So...
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Uh, well, actually I was, um, I watched, did you, have you seen the documentary Athlete A?
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um athlete a is on netflix and it's hard to watch it's dark it's not a good documentary so but um just letting you know so they were talking about injuries and specifically about like one she goes out over the pummel horse and lands and when she lands you can hear the snap
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in her kneecap and like it's disgusting but you know a train wreck can't stop watching but when I was young I used to do gymnastics in different competitions and stuff was not a good gymnast and they laid out the floor mats for us in the like during gym to do
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And so everybody was kind of like doing whatever, but the gymnasts were all like practicing. And I went to do a round off and I don't know if you know what that is, but I went to it and I went to put my arms out and you put the way that obviously like a cartwheel works is that you would put one arm down first and you h...
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it reaches, you know, the weight of the other arm. And as I extended the one arm, it locked. And when it locked, I went down on my arm, and you could hear a snap. I didn't break it. But yeah, it was it was loud enough that you could hear it in the gymnasium.
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and
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It was like a palpable sound. It's really gross. But yeah, I've injured myself a lot. I've winded myself. I've probably had concussions from it.
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Really? What did you do sports-wise?
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Wow, that's a rough sport.
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What? Hold on. Math class. Was the equation too hard? What happened?
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What is it? Can you describe it for me so I can imagine it?
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74.25
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ex01-ex02_default_005__ch1_174.52-200.51
Well, thank you for describing that. I can imagine the smoke piling up from the cigarette, the kind of of it all, you know what I mean? So French. The true raw grittiness. For me, I consume a lot of animated media. So if I were to go for my favorite film in animation...
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174.520004
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ex01-ex02_default_005__ch1_202.06-212.47
It's not necessarily the most well-known Ghibli film, but Nausicaa of the Valley of the Wind.
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202.059998
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ex01-ex02_default_005__ch1_213.84-233.14
It's so good, it's so good. I, um... I remember watching that when I was a kid, and it was the first animated movie that I distinctly remember, like, you know when you're, like, a kid consciousness? Where you're like, I know I... People...
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213.839996
233.139999
ex01-ex02_default_005__ch1_233.96-261.96
Like, people tell me I did this thing when I was four, but I don't remember it. But I do remember watching this movie. You know what I mean? And I remember the Ohms with their golden tendrils lifting Nausicaa up and healing her after she got, like, horribly, horribly wounded. And I remember, you know, the spinning cup ...
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233.960007
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ex01-ex02_default_005__ch1_261.96-277.91
That's like my heartfelt home movie. I will always watch Nausicaa of the Valley of the Wind. But if we're talking about favorite movie that's on camera or right now, have you seen Everything Everywhere All at Once?
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261.959991
277.910004
ex01-ex02_default_005__ch1_282.32-310.32
I have not seen N.O.P.E. yet. I want to see it because I saw the director's other movies for that. But everything, everywhere, all at once, the best summary I've seen of it online, these are not my words, but it did happen to me, so it's true, is it is the only movie that's made me laugh. It is the
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while crying simultaneously, um, yeah, and it, and you know how you can, like, laugh, cry in two separate ways, you can laugh, cry, and, like, this is so freaking funny, I'm losing my mind, or you can laugh cries, like, I'm so sad, but I'm so happy, it made me do it both times, both times,
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ex01-ex02_default_005__ch1_331.87-334.21
Jojo Rabbit is so good.
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ex01-ex02_default_005__ch1_335.61-343.59
it's so good it's so freaking good Scarlett Johansson and who is the kid that plays ugh the kid's so good too
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335.609985
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ex01-ex02_default_005__ch1_347.75-367.96
Oh, Taika Waititi is freaking phenomenal. One of my theories, though, is that the best actors nowadays are like 10-year-old kids. You know what I mean? That just might be me, but I think that's where I'm at, all right?
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ex01-ex02_default_005__ch1_380.11-382.18
Retro knots, no.
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Oh, are you kidding me? That's crazy. No way. Did you go, okay, did you go to the, there was, in LA, there was a Ghibli exhibit.
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The MoMA. The MoMA, I think. Museum of Modern High.
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if it's still up you if i don't know if it's up it's probably going to come back at some point but they have like film stills and like half-finished drawings from nausicaa in the museum and it's like you can see in japanese the notes i'm getting shit that's just thinking about it but you see in japanese like the notes ...
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Because with those animated films, it's so easy to forget that they're hand-drawn. Hundreds of people worked on just this one frame, let alone the entire movie. You know what I mean?
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It's so fun, it's so fun.
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End of preview. Expand in Data Studio

Expresso — audio + text

A faithful re-publication of the official Expresso dataset (Nguyen et al., Interspeech 2023) as a loadable HuggingFace audio dataset, sourced directly from FAIR's official tar.

⚠️ License: CC-BY-NC-4.0 — non-commercial use only.

Configs

  • read — 11.6k mono read-speech utterances with human transcripts.
  • conversational — ~15.9k mono per-utterance turns derived from the stereo conversational dialogues, transcribed with Whisper Large V3 Turbo.

read config

11.6k mono utterances at 48 kHz / 24-bit, fully transcribed by humans.

train dev test
rows 10,388 628 588

Schema

Column Type Notes
id string e.g. ex01_confused_00001; longform chunks: ex01_default_longform_00001__0-16.49
audio Audio @ 48 kHz mono
text string human-written transcription (mixed case, with punctuation)
speaker_id int32 1–4
style string one of: default, confused, enunciated, happy, laughing, narration, sad, whisper
substyle string finer-grained label, e.g. default_emphasis, default_essentials, default_longform, narration_longform
corpus string base (short utterances) or longform (multi-minute readings)
start_s float32 null for full-file rows; chunk start for longform
end_s float32 null for full-file rows; chunk end for longform

Splits

We follow the official Expresso train/dev/test splits, with one TTS-oriented deviation:

  • base read (~11,600 utterances): full-file rows, no slicing — official splits applied as-is.
  • longform read (8 source files: default_longform, narration_longform × 4 speakers): kept as full files in train only. The official Expresso splits slice each longform file into 3 non-overlapping chunks (60 s for dev/test, the rest for train) for resynthesis benchmarking. Those chunks don't align with the full-file transcripts, so for TTS/ASR we keep the longform audio + transcript intact and place the full files in train only. If you need the official chunked benchmark, see original_metadata/splits/.
  • singing is intentionally excluded (only 12 wavs total, not in official splits).

All rows have aligned (audio, text) pairs.

Style coverage per speaker

All 4 speakers have all 8 styles, with these caveats:

  • narration is longform-only for all speakers (1 file each).
  • default includes the substyles default, default_emphasis, default_essentials, default_longform.

conversational config

~15.9k per-utterance mono turns derived from the official 339 stereo dialog files. Each row is one speaker's turn at a known time range within the source file, transcribed by Whisper.

train dev test
rows ~14.8k ~520 ~515
audio ~29 h ~50 min ~51 min

Schema

Column Type Notes
id string e.g. ex01-ex02_default_001__ch1_23.88-28.14
audio Audio @ 48 kHz mono the VAD-extracted turn from one channel
text string Whisper Large V3 Turbo transcript (mixed case + punctuation)
speaker_id int32 this channel's speaker (1–4)
style string this channel's expressive style
other_speaker_id int32 partner's speaker id
other_style string partner's expressive style
source_file_id string e.g. ex01-ex02_default_001 (the stereo source)
channel int32 1 or 2
start_s float32 turn start within source file (after VAD ∩ split clip)
end_s float32 turn end

How it was built

  1. Parse the official splits/{train,dev,test}.txt time-window assignments per source file.
  2. Intersect each split window with VAD_segments.txt (per-channel pyannote turns) — turns straddling the dev/test boundary are clipped to the split window so dev/test never leak into train.
  3. Slice the stereo source file → mono channel → 48 kHz mono turn.
  4. Transcribe with openai/whisper-large-v3-turbo, with anti-hallucination decoding (no_repeat_ngram_size=4, repetition_penalty=1.2, condition_on_prev_tokens=False) and pre-resampled to 16 kHz.

Turn filtering

  • Min duration: 0.3 s. Sub-300ms VAD turns (mostly backchannels and clicks) are dropped.
  • Max duration: 28 s. Long turns are split into ≤28 s pieces (Whisper's context is 30 s).

Style coverage

26 styles total in the conversational subset, including styles not present in read: angry, animal, awe, bored, calm, desire, disgusted, fast, fearful, nonverbal, projected, sarcastic, sleepy, sympathetic, plus mixed pairs like animal-animaldir and child-childdir (where the two channels carry different styles — one row's style and other_style will differ).

ASR quality (validated against read ground truth)

We benchmarked Whisper Large V3 Turbo on 210 human-transcribed read utterances spanning all 7 transcribed read styles. Per-style WER:

confused default sad happy enunciated laughing whisper overall
0.96% 1.67% 2.00% 2.76% 3.18% 4.98% 5.31% 3.00%

ASR errors are highest on whisper and laughing styles (the toughest acoustic conditions), but still under 6% WER. Conversational rows are expected to track the same per-style quality.

Caveats

  • Transcripts are machine-generated — expect a small error rate, especially on whispered/laughing/animal-style turns.
  • Mixed-style pairs (animal-animaldir, child-childdir, sad-sympathetic and reversals) — speakers in the two channels carry different styles. Ground-truth styles are encoded per-row in style (this channel) and other_style (partner).

Sidecar files

The original FAIR metadata is uploaded under original_metadata/:

  • original_metadata/README.txt, LICENSE.txt — official Expresso documentation
  • original_metadata/read_transcriptions.txt — per-file transcripts (tab-separated)
  • original_metadata/VAD_segments.txt — per-channel VAD timings for the conversational subset (used to derive the conversational config)
  • original_metadata/splits/{train,dev,test}.txt, splits/README — official split definitions

Quick start

from datasets import load_dataset

# Pick a config — there is no default
read = load_dataset("shangeth/expresso", "read",          split="train")
conv = load_dataset("shangeth/expresso", "conversational", split="train")

ex = read[0]
print(ex["id"], "|", ex["style"], "|", ex["text"])
print(ex["audio"]["array"].shape, "@", ex["audio"]["sampling_rate"], "Hz")

# Filter conv to mixed-style pairs (cross-style modeling)
mixed = conv.filter(lambda x: x["style"] != x["other_style"])
print(f"{len(mixed)} cross-style turns")

# Per-style coverage
from collections import Counter
print(Counter(conv["style"]).most_common(10))

Reproducing this dataset

# Download the official Expresso tar (~36 GB) and extract:
mkdir -p data && cd data
curl -L https://dl.fbaipublicfiles.com/textless_nlp/expresso/data/expresso.tar | tar -xf -
cd ..

# Build + push:
python expresso_audio.py        --repo_id shangeth/expresso --private  # read config
python expresso_conversational.py --repo_id shangeth/expresso --private  # conversational config

See github.com/shangeth/wren-datasets for the full extraction code.

Citation

@inproceedings{nguyen2023expresso,
  title     = {Expresso: A Benchmark and Analysis of Discrete Expressive Speech Resynthesis},
  author    = {Nguyen, Tu Anh and Hsu, Wei-Ning and D'Avirro, Antony and Shi, Bowen and
               Gat, Itai and Fazel-Zarani, Maryam and Remez, Tal and Copet, Jade and
               Synnaeve, Gabriel and Hassid, Michael and Kreuk, Felix and Adi, Yossi and Dupoux, Emmanuel},
  booktitle = {Interspeech},
  year      = {2023}
}

@misc{wren2026,
  title  = {Wren: A Family of Small Open-Weight Models for Unified Speech-Text Modelling},
  author = {Shangeth Rajaa},
  year   = {2026},
  url    = {https://github.com/shangeth/wren}
}

License

CC-BY-NC-4.0 — non-commercial use only. See original_metadata/LICENSE.txt.

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