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I can't believe that there are people out there who voted 10 for this garbage! Have any of you gained access to a computer in the madhouse where you are undoubtably kept, or is there a special colony where especially crass people are secretly imprisoned that I don't know about?<br /><br />If I was to say what I really thought of this film, none of it would get published.<br /><br />To begin with its 'star' is a no talent idiot who acts like a bad impersonator of Jim Carrey who has hoovered enough angel dust up his nose to resurface the Sahara desert. His name will be a total guarantee that I will not watch a future film with him in it - even if he plays a rock hidden by a crowd.<br /><br />As for the 'plot'. One more crime that we can chalk up to the Nazis is that they were so awful that they can be considered fair game as 'baddies' in tripe like this; mere criminals and murderers would have the audience on their side in a trice.<br /><br />To the people who made this movie - Give up making films and if not then confine yourself to making advertisements, where your efforts will at least have the virtue of being fleeting in duration.<br /><br />Finally, a criticism of IMDB - Why don't you have the facility to vote 'Zero' for a film? Or perhaps not. To express my contempt for this tripe I would then have to vote double zero, or something.
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negative
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I found this film to funny from the start. John Waters use of characters reminded of some of the down to earth characters from Fellini films. Christina Ricci has once again expanded her abilities in this film. If you are looking for a fun movie without preaching, I recommend this film.
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positive
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It has been almost 5 years since the release of this stylish action flick.I have watched this movie almost 10 times and it a great effort by Gautham.From my perspective,I feel this movie is virtually flawless. Surya as ACP Anbuchelvan-no doubt..classy.Jyothika played her role as Maya very well.The character suits her very well.The character that caught movie-goers attention was Pandia.Jeevan played the role of Pandia very well.Brutal and fearsome.Jeevan deservedly received the Best Villain award in the ITFA 2004.The supporting cast of Daniel Balaji,Devadharshini and other performed well.<br /><br />Racy screenplay,perfectly-timed dialogues and brilliant narration by Gautham.The soundtrack by Harris Jeyaraj are all chart-busters while the BGM suits the movie very well.Cinematography by R.D. Rajasekhar is rich.Peter Hein choreographed the stunts well.Anthony's editing is precise.Above all,Kaakha Kaakha is a perfect cop film filled with right doses of action and romance.<br /><br />Even some Hollywood film cant compete with Kaakha Kaakha...undoubtedly.
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positive
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Set in World Depression Era Prague, this is the story of an ambitious store clerk who is falling in love with a mystery woman with whom he has exchanged romantic letters, only to discover that the mystery woman is none other than the sales girl from his shop, who seems to be constantly bickering with the colleague. Add a little twist (the owner is convinced that his favorite employee -Stewart- is having an affair with the owner's wife), leaving Stewart briefly 'fired', along with an admission that the sales girl 'liked' Stewart all along, the happy ending is inevitable.<br /><br />Although VERY dated (references to poverty and -I have a wife and two kids to consider- are over-used, along with the indication that many small objects of pleasure, like a musical cigar box, are out-of-reach for common people's enjoyment), this film is much more effective (and more credible) than the 1990s re-make "You've Got Mail". In the re-make starring Tom Hanks and Meg Ryan, the actual odds of the chain-of-events are so unbelievable that the viewer's intelligence is grossly offended.<br /><br />"Shop Around The Corner" is an innocent stroll down memory lane into a less complicated, less hectic, and more romantic time and place known as a novelist's Utopia. Lovers of Classic Romantic Comedies will enjoy this picture!
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positive
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This is one of the most enjoyable teen movies I have ever seen (and that I wished was released to video). It was released the same year as another great comedy in which Tim Matheson played a role "Animal House" (Which is probably why it was overlooked). <br /><br />One of the most memorable parts of this film would definitely be the soundtrack, which could have and should have been a formal label release. The soundtrack features a lesser-known 70's act named High Inergy whose song "We are the future", played a marquee role in the movie's Prom scene. I remember purchasing the group's album "Steppin' Out" as a kid mainly because of the look of the girls and not necessarily for their musical talents. <br /><br />The closing song is one of the best ballads I have ever heard, and I can still hear it in my head. I wish I knew the group's name so that I could look for it somewhere in cyberspace.<br /><br />If you liked films such as "Over the edge" and "Rich Kids", I think this is one that you will enjoy as well.
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positive
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Another powerful chick flick. This time, it revolves around Diana Gusman who is always getting into fights at school. Instead of getting expelled, she takes her anger elsewhere, to the boxing ring. She trains to be a boxer and there she meets featherweight Adrian and begins to fall in love with him. This movie has a powerful message of taking your dreams and going with them even if someone doesn't believe in you (in this case, her dad doesn't believe in her). That alone makes the movie worth the price. Enjoy
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positive
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I can't add an awful lot to the positive reviews already on here - great acting, balanced writing, multi-faceted characters, a great anti-hero in Tony, great commentary on millennial American life. The integral use of psychiatry coupled with Tony's mother issues are especially fresh and humorous. Several other characters add a lot of depth - Hesh's interesting history as an outsider muscling in, Ralphie's total irredeemable viciousness, Chris' dual desires in life, and so on.<br /><br />I have to dig into some of the criticisms however, especially the 'it glorifies violence/belittles Italian-Americans' one.Most of the writers and actors are Italian-American, would they attack themselves? There are several positive Italian-American characters - Artie Bucco the chef, Dr. Melfi and her family and the Cusamanos next door to the Sopranos. Indeed, Dr Melfi's ex-husband notes in season 1 that only a tiny minority of Italian-Americans have ever had Mob connections (certainly smaller than the proportion of African-Americans involved in crime, dare I say it. In both cases poverty and lack of opportunity are the biggest causes).<br /><br />Most of the characters don't really choose the life they have; family background or circumstances largely corner them into it. Outsiders (even of Italian stock) who attempt to integrate into it usually meet distressing ends - Matthew and his friend in season 2, for example. If you criticise this show, I assume Frasier made you want to be a psychiatrist, or Will & Grace made you want to go homosexual? Presumably you won't listen to rap music that discusses gangs, or r'n'b which discusses promiscuity, or rock music which discusses drugs (or any other combination)? People aren't as stupid as some of you make out....<br /><br />Not everything is perfect however. A lot of characters have only appeared once, when by all logic they should have been seen or at least mentioned in previous episodes - Tracee the dancer, Meadow's friend Ally, Uncle Junior's ladyfriend (supposedly for 20 years until they split in season 1).
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positive
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Normally i would applaud a movie that tries to do something different or original in a genre. It is obvious that this movie is some sort of parody on ninja movies. And i really did my best to enjoy the movie. But I just couldn't. The jokes aren't funny enough! (I've seen my share of Japanese movies. And most of the times I like and understand the humor used in those movies. "Red Shadow" is just silly!)The characters that are portrayed in this movie know that this isn't a serious movie and show that all is about the fun. Look at the characters from parodies like "Hot Shots" or "Scary Movie". Everything they do on the screen is done with a straight face and never fall out of character! And because of this, certain scenes become funny and hilarious. In "Red Shadow" the actors never achieve that. The shadow ninja's supposed to be very skilled and deadly. Sadly the actors don't do their best in convincing us of their talents. They don't do things with a straight face. The jokes would have worked better if they did! The bad choreography of the action scenes also damaged the viewing experience for me. I like humor in martial arts movies as long as the action is good. "Red Shadow" just fails in that department. So what is left to be enjoyed. Well,the music (techno) was uplifting. It had to be as the action it self never is exciting. And there are some short dramatic scenes that are good but simple. The use of humor,lack of story and depth make me think that this movie is meant for children. But I do wonder if children actually would like this movie. Waste of time!
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negative
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I just got back from a screening a couple of hours ago, and I was very happy with the movie when I left it. It's very intense, and the closest I've come to crying in a movie in quite some time. That is a credit to Adam Sandler, who delivers a magnificent performance on many levels, and who probably deserves an Oscar nom for it, were it not coming out so early in the year. Don Cheadle gives his usual superb performance playing the straight man to Adam's disturbed.<br /><br />There is some humor, but most of it is really only funny in comparison to the tearjerking moments, as Adam deals with his loss and Don struggles to help him. Adam plays two levels very well... when he is mentally stable he is funny and likable, but when he is, well, less stable he's powerful and dark.<br /><br />I recommend it for anyone who likes intense mental dramas about difficult friendship and loss.
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positive
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Like a lot of the comments above me, also I though this was the average scifi movie, but unfortunately it was not. I found it rather patronizing, and indeed, preaching.<br /><br />But that is not the only comment. The scenes are very 'artificial' (not as in scifi, as I will explain a in a few moments). (The next sentence is a small spoiler.) The movie more or less represents a discussion between two groups. The physical setting of a discussion typically involves two or three men standing next to each other, the middle one typically speaking. In the worst case, the other party is represented by one person.<br /><br />Also the interviews the reporters have are very artificial, sometimes even unprofessional. For example sometimes the discussion is between the reporters (I mean, from a point of the interviewed, 'akward'). Moreover the interview persons always stay calm, they say everything without normal emotions. I.e. you cannot tell whether they lie or not, are mad or not. They show almost nothing.<br /><br />This is also very unprofessional, the 'Christian' reporters always believe everything they are told by the people they interview.<br /><br />Bottom line:<br /><br />All conversations contain:<br /><br />- facts<br /><br />- pro/con arguments<br /><br />There are no lies. Nobody lies. (The next sentence is a spoiler, ignore if you still plan to see the movie) The only lie happening is to demonstrate how 'bad' non-believers are.<br /><br />This makes me conclude that the movie is a B-movie. It is very similar to 'Plan 9 from Outer Space' (from the 50's), but this movie also has an annoying, wrong set discussion about aliens and Christian belief.<br /><br />NOTE: I have no intention to insult Christians, people who believe in aliens or whomever else. This is a thought I have about the movie, not about people.<br /><br />Moreover I would like to note that I don't know whether the actors are bad or were just given terrible scripts.
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negative
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Not even 'lesser' Hitch, but simply a bad movie. The cinematic equivalent of a dirty-old-man. Ugly in every way: unimaginative script, static point of view, putrid clothing, ghastly hair, unlikable actors, and one truly gratuitous rape-and-strangulation scene. The director's perverse sense of humor is present, but it is not applied consistently; the movie comes alive only in its cruelty. The women fare especially badly; 'Frenzy' could be used as proof the director was a misogynist, though a better explanation to me is that perhaps beginning with his TV series and 'Psycho'- which he himself described as an exercise in thrift, an experiment to see if a television crew could shoot a passable feature -Alfred Hitchcock had pretty much abandoned art and settled for commerce. In 'Frenzy' the great master seems to be bowing to convention, trying to go with the times and give audiences what he thinks they want- in the form of unappealing nudity, nudge-nudge winks, and general nastiness. I don't begrudge an old man his rest, but I don't want to remember him tired and lazy and pandering- time to watch 'Vertigo' again!
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negative
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Taken in the context of the time it was made, I found this a worthwhile movie. While the details may be 'dramatized', the overall history was a nice primer. In addition, I found spotting actors I knew a real pleasure. Who would imagine Ben Cartwright as a dastardly cad? I'll leave the rest of the star spotting to you. As to the secondary casting, this movie (as one would expect from a movie made in the late thirties) has many an enjoyable character actor, but top kudos' to Andrew Jackson's right hand man Peavey. The perfect touch of comedy. Well shot, with beautiful ships, and competent acting throughout out, I recommend this for anyone with a taste for the slightly camp, or an eye for a double-period piece, set at the dawn of America, and made in a period when great names, and top notch character actors, were a real pleasure to enjoy.
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positive
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This movie was physically painful to sit through, maybe because (like many people my age, and younger) I grew up with Dr. Seuss and loved his books - funny, clever, whimsical and subversive at the same time. "The Cat in the Hat" sucks all of the interest and spark out of the story, and Mike Myer's performance as the Cat is mostly bewildering. Why the Borscht Belt accent, the unfunny patter, the inappropriate jokes, the charmless costume? I had to go back and re-read the books to see the real problem: the books are SIMPLE. This movie is OVERBLOWN and way, way too long.<br /><br />You don't expect every kids' movie to be Toy Story or The Iron Giant, but this one set a new low. How could Mike Myers need the money?
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negative
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Blindingly stupid guff from the formerly talented John Hughes, who'll soon be making a film with the sperm from 'Look Who's Talking' if his stars get any younger. He recycles the 'Home Alone' formula yet again to produce this idiotic comedy, in which a baby makes his way around Chicago while inept kidnappers Joe Mantegna, Joe Pantoliano and Brian Haley try to catch him, along the way enduring much tiresome slapstick. If Mantegna and Pantoliano can't find a laugh somewhere in your movie then you're in trouble, but the laziness of the movie is most glaring in the scenes where crowds of people fail to notice a baby crawling around on the pavement. Utter nonsense.
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negative
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I can hardly call this a great film but it is entertaining. In my case I, at the time this film was released, was the same age as some of the junior campers in the film. For me watching this film brings back the memories of my camp years. While some of the pranks that takes place in this movie, like carrying the camp director out in his bed and leaving him on the side of a road, strung up in the trees or out on a lake, are a bit over the top some of the other pranks are not. When I went to camp the campers and counselors pulled similar stunts such as running underwear up the flag pole, canoe battles and boys raiding the girls cabin. As I grew older I realized these night raids to the girls cabin that I participated in were carefully orchestrated by the counselors so that we wouldn't find the girls in embarrassing situations but at the time I thought it was real and it was fun. That's what MEATBALLS (MB) is. <br /><br />MB captures not only the scenic beauty of camp surroundings but the beauty of being young and carefree. MB give a great example of pre-teens, teens and young adults living their summer with no concerns other than guys hooking up with girls and girls hooking up with guys and booth having as much fun as they can before they head back to junior high & high school and college. The opening title song that goes "Are you ready for the summer?...no more homework no more books, no more teachers dirty looks..." describes exactly how summer is viewed by school kids. <br /><br />I personally enjoyed the two campers Spaz and Fink. What boy, nerd or jock, didn't spend all camp trying to cozy up to some pretty girl camper? What guy didn't want to be accepted by the other campers and counselors? While these two characters are somewhat over the top I bet everybody who watches the film can't help but to like these two guys. These two characters are a mix of Charlie Brown from PEANUTS and Jack Tripper & Larry Dallas from THREE'S COMPANY. I would bet that most viewers even cheer for Spaz in the egg carrying competition and for Fink as he attempts to "beat the stomach" in the hot dog eating contest. <br /><br />Lastly, this movie had normal looking kids and counselors. No super models for counselors or campers that wore trendy clothing. It is fun to just kick back and watch this film and remember when life was as fun as this movie.
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positive
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Randolph Scott and Glenn Ford were once outlaw pals together, but now Scott's a sheriff and young Ford is still hiring his gun out. He gets hired to pull a bank job, but is delayed getting to town and those that hired him get someone else. That leads to all kinds of complications, a lot for a film that's not even 90 minutes long.<br /><br />Randy and Glenn both got girls here. Claire Trevor plays her usual good time gal with a heart of gold. And Evelyn Keyes is the daughter of Edgar Buchanan who falls for Ford big time without realizing who he is or why he came to the town that Scott is the sheriff in.<br /><br />It's B western, but unusual for the time and for Columbia Pictures it was given the full technicolor treatment. The Desperadoes marked Glenn Ford's first film in technicolor, a process reserved only for some of the more expensive films from bigger studios. Harry Cohn was certainly not one to shell out for it. And definitely not during war time.<br /><br />The plot gets a bit convoluted as both Ford and Scott are put to the test of friendship versus expediency/duty. The plot also involves some high class hypocritical skunks in Randy's town who are the real outlaws as far as the film is concerned.<br /><br />The four leads do a fine job and the best supporting performance is Guinn Williams as Ford's lovable explosive lunkhead of a sidekick. The climax involves a cattle stampede and a shootout in the town saloon and is one of the best ever done in a western film.<br /><br />Fans of the four leads and westerns in general will enjoy this one.
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positive
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Its time to pay tribute to the great Charton Heston after his recent passing but this film is not the one. His other films of a past generation were BEN HUR, THE TEN COMMANDENTS, OMEGA MAN and PLANET OF THE APES were his better works.<br /><br />This film made in 1973 attempts to prophesies a future earth , in 2022, that is so overpopulated that the human race has been manipulated by authorities to eat a universally produced food product called "Soylent Green" which is manufactured with Human flesh. This bizarre and implausible film was as ridiculous at the time of its release as it is now and assumes India's population which would be about 2 billion by that stage would be then meat eaters without knowing it.<br /><br />Charlton Heston's character this supers secret international conspiracy that world powers have concocted to meet the nutritional demands of overpopulation by using cannibalism.<br /><br />Unfortunately for the producers of this film the Green message they deliver is not the Greens Party of today's ethos thank god. Cannibalism was practiced by the indigenous populations in New Zealand , Fiji and Borneo up until only 40 years before this film was made but has been long abandoned by human civilization.<br /><br />Another silly prediction in the film is that women become quasi sex slaves turning back the tide of radical feminism which was on the rise in 1972 when this film was made.<br /><br />The film was stupid then and is as silly now but does contain a very unmemorable last film performance by the late and great Edward G. Robinson but still no a valid reason to revisit the film other than for academic reasons.<br /><br />This is a dud of a film and I wouldn't even recommend it to baby boomers or Charlton Heston fans. All the other reviews of this film I have read all sound the same referring to a dystopian society in the future of which the centralised theme only seems to involve the USA in which an ecological disaster has occurred.<br /><br />The only merit in the film is that earth does face overpopulation.
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positive
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After what was considered to be the official Dirty Harry trilogy with The Enforcer(1976) to be the final chapter in the series. Dirty Harry is back, older, more dirtier and grittier than ever since the original 1971 classic.<br /><br />Dirty Harry in the past has killed a psychopath killer, vigilante cops, and Vietnam veteran terrorists. But now he's after a new killer, a killer who wants payback, by gunning down her attackers.<br /><br />Sudden Impact brings a new meaning and more darker tone to Dirty Harry. Callahan is on a new murder case that is circling back to a woman(played by Sondra Locke), who was brutally raped, along with her sister, who is left traumitized. Ten years after, she's out for revenge by gunning down her attackers. At the same though Callahan is on a heat of trouble by his superiors after he provokes a mob boss to a heart attack, of which the mob are hunting him as well. So in order to let the heat die down within the city, Harry is on order to take a vacation on a seaside town, but at the same time the raped victim is in town as well, while hunting her attackers one by one. Harry is on the investigation and finds the killings very similar, as he homes in on the killer's trails.<br /><br />Sudden Impact in my opinion, has to be one of my top 10 revenge films, as well as being the second best Dirty Harry movie yet, far better than both The Enforcer and The Dead Pool combined. Sudden Impact has what the original Dirty Harry had, a dark tone with entertaining value.<br /><br />So do you feel lucky, punk?
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positive
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OK if you are looking for a fun lesbian romp. This is NOT the movie If you are looking for a fun movie with hot sociopathic characters (in the vane of 'cruel intentions' or 'wild things') This is NOT the movie if you are looking for a classic vampire lesbian seductress's movie. This is NOT the movie.<br /><br />However if you are looking to wast an hour of your life, this is your movie. It is badly written, badly directed,badly scored, badly filmed.It had bad special effects...i mean really bad special effects. I think that you can actually generate the same special effects in imovie lol.<br /><br />IT REALLY IS A PRETTY BAD MOVIE.<br /><br />The actors were classic starlet beauties however look more like porn stars. it is shot like a soft core porn however you never get the money shot and the actors all look bored out of their brains. the 'girl on girl' scenes, which suck btw, were so LAME that there hardly worth mentioning. go watch the 'almost sex scenes' on youtube cos that's the only reason you would want to watch this movie and even there not worth it.<br /><br />A WAST OF MONEY AND TIME!!! don't even pick it up, go watch 'Cruel intentions 2' instead - same movie without the bad special effects, bad storyline,bad writing,bad dialog and bad acting. actually i might go watch it now just to purge my mind
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negative
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Dark and bleak sets, thrilling music that cuts through your spin like aknife (or razor) a perfect cast lead by Broadway greats Hearn and Lansbury. This is exciting theatre flawlessly transferred to the small screen. Sondheim is the most talented songwriter of our age and Todd is his Masterpiece, from the Brechtian opening ballad to the darkly humorous Act I finale- "A Little Priest" where Lovett and Todd fantasize about the victims that will wind up in their meat pies , this play never ceases to thrill,excite and satisfy. Betsy Joslyn also excels as Johanna, even she, as the plays ingenue seems slightly mad.Edmund Lyndeck turns in a bravado performance as the corrupt Judge who lusts after Joslyn and is the subject of Todd's vendetta. Lansbury and Hearn command the show as only two great actor/stars can do. Other musical highlights include Todd's "johanna" Lovett's "worst pies in London" and the Act II opening 'GOD THATS GOOD", And that is a title to describe this production !
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positive
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As the metaphoric flies fled this steaming watery stool of a film i found myself longing to join them.<br /><br />From the opening sentences, you quickly gather that the actors are talentless. The script editor was probably dead and the director should be. To be honest I didn't manage to finish this film because about twenty dismal minutes in the sight of the main actress scuttling across the floor like a Shetland pony that has been shot in the ass was too much for me to stomach.<br /><br />I have never, and I mean never, seen a film as sweaty as this one and I watch tons of crap films.<br /><br />Turd.
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negative
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This is by far the worst movie ever made. I have no doubt. I have seen such crap as Manos, Space Mutiny, and whatnot, and I can honestly tell you that they do not hold a candle to Science Crazed.<br /><br />Science Crazed has no discirnable plot. Something about a guy making a woman pregnant via turkey baster, and the child born *hours* later is fully grown, and ready to kill. Of course, being a newborn, it takes him about an hour to kill people. The director loops footage constantly, and takes about fifteen minutes to set up an awkward death. There is about a page of dialogue for the whole movie, however the dialogue arrives about a minute after it is spoken.<br /><br />Sample Scene: The monster is walking down a hall. We know this because there is about ten minutes of looped footage of his feet. In between loops, we are treated to two women working out. Repeat ad nauseum for about 20 minutes. When the monster does show up, no one moves, and everyone looks like deer in headlights as the monster takes another 10 minutes to get to them to kill them. By the level of the acting, you would guess that the people are already dead.<br /><br />I know my description doesn't seem too bad, but trust me, I can not fully describe the pain that is Science Crazed.<br /><br />Stay away, and boycott all video stores that carry it. :)<br /><br />
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negative
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I play this game exactly after I watch the trailer in old magazine advertise CD...<br /><br />The is very interesting and dark atmospheric (missing in nowadays games/movies). The game is set somewhere in the middle of the '90 in the spooky mysterious mansion. You play as Adam Randell and your quest is to free the soul of your death trapped father.<br /><br />The look of the game is doom-like, but very different type of game. A lot of a action, various puzzles, quests, mazes and many more interesting locations and characters are presented in this old classic game.<br /><br />The game will run only on Windows 98 and there is no patch for Windows XP.
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positive
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I don't understand why everyone is hating on Barney. If you hate the show so much, then Don't WATCH IT! Its stupid how everyone is changing the "I love you" son to "I hate you." If you don't like it, fine. Whatever, thats your opinion. But there is no point to degrading the show, when it isn't even that bad. OK, so its corny, and yes, it has its flaws, but its a kids show. Kids don't want to be sad and miserable, they want to be happy. And Barney helps that. And even in the show, there are moments of sadness and anger and etc. And yes, Barney uses magic. But the kids see Barney as a figment of imagination. Kids need a place to escape to express themselves. The world is a miserable and hard place. We all need a place to express ourselves, and be happier. Barney does this to us. This show is great. I watched Barney when I was younger. Yes, some people find it stupid. But I watched it, and I'm top of my class. It might not necessarily make you smarter, but that's not the point. I believe that the point of Barney is to provide a place where kids can be kids and the spirit of childhood can be expressed. Where imagination lives on. So many teenagers now are unimaginative and are scared to express themselves. Barney helps encourage that. Barney helped me to not be afraid and to just show myself for who I am. I'm a sophomore at high school now, an AP student with a 4.0, a drama student with a love for theater and art, and with a new baby cousin who loves Barney. I watch it with him and enjoy it and sing along with it. Yes, its corny and silly, and whatever, but its great for kids. Who wants to be an adult who doesn't have time to have fun? Im a kid at heart and I love Barney. Its great for kids and those who are a kid at heart.<br /><br />Its a great show for babies and toddlers. So stop hating. Say that you don't like it, but stop it with the "Dumbest show ever" or "Barneys a load of bull" or whatever. Keep it to yourself. Take a chill pill or whatever. Here's something: I never liked Sesame Street. But you don't see me going: "Grover is a load of bull" or "Cookie Monster should die" or whatever. I hate all of the BULLSS**T that people say about books or movies, like Barney or Twilight. If you hate it, OK, whatever. No one cares. Don't go saying hate things about it, cuz you might just offend someone.
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positive
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A movie/documentary about different people in Austria on the hottest weekend of the year. It follows what they are doing and maybe more what they are not doing. The tempo is very quiet......so you have to relax.......breathe in...breathe out before you see it......<br /><br />First you think....but nothing is happening and you get a little angry over that..and thats the problem, because its the mood of the film and the really nice social realistic pictures which are nice in this film...........a lot of people will say its disgusting......but its not that bad...i think its more used for the marketing....and theres some really funny moments...a 60 old woman stripping.....i guarantee its the most unsexy striptease in film history......its movie which is real..i think thats the word......right up in your face.......and that makes it a bit scary.no computer manipulation here.....its real life...and as we all know movies can win over reality when it comes to doing sick things..........so its much worse in the real world.......<br /><br />If you survive the movie you can start to look at your neighbors and think...maybe they are like the persons in the movie...i bet theres a lot of them out there......sick...crazy people living with a nice facade........after seing the movie i feel its more interesting to look at my neighbors........<br /><br />But maybe you shouldnt see this movie on your first date.........
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positive
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Having seen Rush live, I'm able to appreciate the awesomeness of this. Others may complain of sound problems, but it's sometimes over dubbed by the overwhelming screams of 60,000 Brazilians and it goes to show the band's territorial gain of attention
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positive
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I'm a huge Jane Austen fan and besides being a feature-length film (a true fan wants to see as little left out as possible and that can only be achieved in a mini-series) it was really great. Gwyneth Paltrow really captures the slightly clueless but well-intentioned rich girl and Jeremy Northam IS Mr. Knightly with his poise and nobility. I wasn't thrilled with Ewan McGregor even though I like him very much as an actor but didn't feel it spoiled the movie at all. Like I said, as a Jane Austen fan there were things I would have liked to have seen included that weren't but that would have made it much longer than permissible for a feature length film and as it was I felt they really encapsulated the story well. I've seen every adaptation of this book and felt this was the best one!
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positive
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A lot of things in this futuristic satire are more theoretically funny than actually funny (though it does have some laugh-out-loud moments) but a lot of that is because it seems to have been cut by the studio to better appeal to exactly the idiots it's mocking. Many situations aren't allowed to develop, there's obvious overdubbing of expository material, and worst of all a narrator explains EVERYTHING (most of which needs no explanation), probably because some preview audience didn't understand what was going on. In other words, a movie about dumbing down has been... you guessed it.<br /><br />One hopes that a longer, better version of this comedy will eventually surface on DVD, and it will become the cult fave it deserves to be, but even in this mutilated and somewhat comic- spirit-diminished form it's one of the more memorable films of the year-- a screech of disgust against our culture and all the ways it's become trashified, stupidified and uglified in the name of appealing to the yahoos. I watched it right after Land of the Dead, George Romero's latest milking of the single idea that consumers = zombies, which is basically the same point Judge is making; yet where Romero's counterculture viewpoint (now zombies = underclass that needs to revolt against the rich) seems hopelessly out of date, Judge's take is fresh, dead-on and far more disturbing. Just listen to the yahoos in your movie audience whooping it up for President Camacho's State of the Union just like their counterparts on screen, and you'll know that we're all doomed.
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positive
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This is a really funny film, especially the second, third and fourth time you watch it. It's a pretty short film, and i definitely recommend watching it more than once, you will 'get it' more the second time.<br /><br />It's like spinal tap but the rap version. It has a lot of attitude in it which can be a negative thing in rap influenced films, but it's just a total p**s take and isn't a problem because of the irony it creates.<br /><br />Plenty of stand-out bits, one of those types of films which you will find yourself quoting lines with your mates, and it WILL raise laughter.<br /><br />My personal favourite part is the 'guerrillas in the midst' section. Great video, superb!
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positive
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Stumbling upon this HBO special late one night, I was absolutely taken by this attractive British "executive transvestite." I have never laughed so hard over European History or any of the other completely worthwhile point Eddie Izzard made. I laughed so much that I woke up my mother sleeping at the other end of the house...
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positive
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I went to see Random Hearts with 3 friends, and at first, I thought maybe it was just me who wasn't enjoying the movie. After all, I didn't like As Good As it Gets and that movie won all sorts of awards. Well, it wasn't just me...none of my friends liked it either. It was unbelievable slow, much like getting teeth pulled. The only action that is in the movie is what is in previews. We didn't walk out of the theatre because we all assumed something more would happen. We weren't as smart as the 7 or 8 people who did walk out. I have never walked out on a movie in my life, but I definitely should have. This is all tough for me to write, considering I am relatively easy to please when it comes to movies. It takes a lot for me to think a movie is awesome, but not much for me to just like it. This movie didn't even come close in the like category. Not only was the movie about 2 hours too long, but it was like two separate trite stories in one, but they weren't smoothly sewn together. Plus, the "soundtrack" if you could even call it that was so annoying. Like Seinfeld has the same riff that is played over and over again (difference being that i like Seinfeld)..this movie had this jazz riff that it kept playing, which sounded highly inappropriate at times, especially when people were dealing with the deaths of the plane crash. Hard to explain what I mean, but trust me it was awful. I cannot say enough to make people not waste their money. After I left the theatre, I honestly wanted to write to the movie company and demand my $7 back..sheeesh, I could have gone bowling or something for that money.
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negative
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THE SCREAMING is a very low budget horror movie that was shot on video. It features passable acting, poor lighting, a weak story, and some of the worst monster effects I've ever seen. The plot has a college student being pressured to join a cult by his attractive landlord. The cult is a parody of Scientology with a book similar to Dianetics. This would have been a funny shot at that group were it not for a dumb script and the cheapness of the production. The monster effects look awful and the picture quality makes it feel like you're watching a home video or a public-service announcement. I think anyone who sees this will agree that movies should be shot on film.
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negative
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Hey what do you expect form a very low budget movie!?!? Although I haven't seen "Dahmer" (2002) I can say that following what the media put out about Jeff this is a pretty accurate depiction. I have studied the Jeffrey Dahmer case and learned all I can about this man. This is a low budget movie but it shows the mentality of a serial killer. If you can get past gore and see what the underlying story of a sick mind. I loved this movie! Just brace yourself for low budget and no blood. Its a story as seen through the eyes of a killer and his actions and thoughts from childhood up through his arrest. My favorite line is : "If they had bothered to look in the back seat it might have saved a lot of lives" Enjoy!
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positive
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"Cut" is a film about some film students making a film. It's very much in the "Scream" mold, an ironic, self-referential horror flick which, for me at least, falls down because for all its irony, it's still just a bad horror film, same as the films its referring to.<br /><br />But it was not without its charms. Well, one charm anyway. Molly Ringwald was fantastic as the spoilt, bitchy American actress hating every minute of working with the amateur Australian film crew. She was so convincing that its tempting to believe it wasn't an act, although everyone involved with "Cut" says she was lovely to work with. :-)<br /><br />Seriously, every scene of her pouting, sulking or snapping was great. Everyone else, however, wavered between being OK and being terribly wooden.<br /><br />Anyway, "Cut" has some laughs, a few buckets of gore (some of it surprisingly gruesome), and ultimately is.. just another bad horror film.
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negative
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'Maladolescenza' has the air of a dark fairy tale, with its child protagonists, forest setting, and the discovery of a castle's ruins. Yet at its core, the film is essentially an unusual psychosexual study of adolescents. Opening with a dream sequence employing the not-so-subtle metaphor of Fabrizio wrestling with his menacing hound, the film details his psychological persecution of Laura, the girl who has pledged her love to him, and his eventual romance with the equally malicious Sylvia. The film's psychological complexities do give the film merit, yet there's no doubting how unnecessarily exploitive the film is in its depiction of nudity and sex. The film's look relies more on its gorgeous locations rather than particular cinematographic skill, and there's no doubting the film's greatest asset is the creepy, children's choir-augmented soundtrack. With its odd dreamlike quality, the film is at best interesting, yet pales beside Louis Malle's surreal and brilliant 'Black Moon' from the same era. Certainly deserving of the art versus pornography debate, for unlike many banned films, Pasolini's 'Salo' or Larry Clark's 'Ken Park' for instance, the film is rather unremarkable from an artistic perspective. Cinema seems to be gradually losing its ability to shock, so perhaps 'Maladolescenza' should be admired for retaining that power thirty years after its release. However shock value is the one reason alone the film is memorable. <br /><br />The film does have its defenders. Yet so does Nazism.
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negative
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An obvious cash-in on the *Insert Monster Here* On A Plane gimmick, Flight Of The Living Dead is about what you'd expect it to be. <br /><br />The film has little or no plot, which is what you'd expect from a film of this type. Although, it is fun in parts, I must say. The Zombie-action is particularly entertaining. Once the film picks up, it never stops; the pacing is solid.<br /><br />The practical special effects are pretty good, but the CGI is terrible and distracting. <br /><br />The ending seems to leave the film open to a sequel. Let's hope that doesn't come to fruition. <br /><br />If you're a die-hard fan of the zombie sub-genre of horror films, I'd recommend it to you; it's worth at least one watch. However, if you're just an avid fan of the genre, leave it on the shelf. <br /><br />3/10
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negative
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Engrossing drama of four men on a canoing weekend down a remote river. They are pacifist Ed (Jon Voight), adventurous, violent Lewis (Burt Reynolds), obnoxious Bobby (Ned Beatty) and nice guy Drew (Ronny Cox). The first 40 minute are great--there's the incredible dueling banjos sequence, interesting interplay among the characters and just stunning widescreen cinematography by Vilmos Zsigmond. Then two hillbillies attack Ed and Bobby. One of them rapes Bobby...and the trip becomes a nightmare.<br /><br />Just unbelievable. The scenery is incredibly beautiful yet this horrific violence is taking place. To be truthful, Beatty's rape has never bothered me--I'm very aware it's being faked despite the good acting. This movie also shows how the characters change--Ed has his pacifism tested, Lewis becomes weak, Bobby is violated by one of the people he mocked earlier on and Drew tries to keep himself sane. Direction by John Boorman is also very assured and the sounds of the forest and the river help the mood immensely.<br /><br />The acting is mostly good. Voight is just OK in the lead--he's been better. Beatty is also just OK--but it is his debut film and he has guts for taking such a risky role. Cox is very good especially when things start falling apart. And Reynolds is just superb--one of his best acting jobs EVER! How this wasn't even nominated for an Academy Award escapes me. Also Bill McKinney and Herbert Coward are way too believable as the hillbillies.<br /><br />A powerful film--NOT for children. Try to see an uncut version--the TV version is butchered. Also letter-boxed viewing is essential to capture the breathtaking images.
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positive
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This film came as a gift - a late-night offering out of the blue - so unlike other reviewers I had no preconceptions whatsoever. I found myself glued to my seat as the film slowly dictated its own rhythm, its own unfolding. I was drawn to acknowledge my own deep love and humanity as I willed for "good" to prevail - but also forced to wryly acknowledge that sometimes I was on the side of the "bad" guys. The film is quite quite beautiful - the word "elegiac" comes to mind, and this more than because the film begins and ends in an elegy. Far from being depressing or confronting, to me, the film acknowledges deep suffering - and then, by its cyclic nature - with the births and re-births as well as the deaths - the film celebrates the fact that to quote an Aussie poet, there is "sometimes gladness." Oh gods, I feel as tho I've just written a love letter to this film - but there it is. Hola!
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positive
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No, just kidding. It was God-awful.<br /><br />I was watching my local Sci-fi station last night, which plays movies, every night, within a monthly theme. This month it's "Space Turkeys, Or: How I Learned To Stop Worrying And Love The Bombs". Movies so bad, they should never have been made. This was a good selection.<br /><br />Everything about this movie is thoroughly horrible with two exceptions, the gore make-up (which showed potential) and the editing (which slightly out did the rest of the movie, in terms of being horrible). The acting is horrible all around, the dialog is horrible, the script, the direction. It's not a good movie.<br /><br />It consists of two forms of special effects, gore and stock footage of space. I'll focus on the gore. Watching this movie, I thought to myself, "What WAS the motivation behind the making of this movie?" People like making stuff, sure, but I was hesitant to think anything good could have come of it for anyone involved. I came to the conclusion that this movie was made as a means to increase the Make-up Effects guy's Demo Reel. He (Rick Baker) actually went on to a pretty nice career, he's worked on STAR WARS (1977), KING KONG (1976), MEN IN BLACK (1996), and even THE INCREDIBLE SHRINKING WOMAN (1981), plus a number of other notable flicks. Other than that, I can't say I've ever actually SEEN a real, live melting man - incredible, or otherwise - but I'd have to say this seemed to be a fair representation of one.<br /><br />Now, when I think of bad editing, I usually think of maybe a scene where someone's talking on the phone and then, in the middle of the scene, the phone jumps down to his shoulder, or something to that effect. This movie really serves to highlighted the fact that bad editing can take many forms. Specifically, over-long and utterly useless scenes. Just about every scene dragged on longer than it should have, from a little bit of dead air to that crazy-long screaming scene with Cleaver Girl. And that severed head in the river, the head gets thrown into a river (in slow motion), the movie carries on for a couple minutes, and then we cut back to the floating head and watch it fall down a waterfall. While I'm sure they were all very proud of their severed head, WHAT THE HELL??<br /><br />Lastly, I'll mention the running fat lady/slow motion scene right near the beginning. The jerky slow motion tells me that they didn't shoot the scene in slow motion originally but later decided that it "wasn't working like that" and then slowed it down. Oy vey. In any event, if you should ever see another movie in which a hysterical fat woman runs down a hall and then directly through a closed, glass door - all in slow motion, mind you - remember THE INCREDIBLE MELTING MAN, for *this* is where it all started.<br /><br />Movies like this are best viewed at home with a bunch of friends. This one's a little slow most of the time but that's just all the more time to come up with your own one-liners. It's not the worst of the worst but it's pretty freaking bad.
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negative
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Instead, go to the zoo, buy some peanuts and feed 'em to the monkeys. Monkeys are funny. People with amnesia who don't say much, just sit there with vacant eyes are not all that funny.<br /><br />Black comedy? There isn't a black person in it, and there isn't one funny thing in it either.<br /><br />Walmart buys these things up somehow and puts them on their dollar rack. It's labeled Unrated. I think they took out the topless scene. They may have taken out other stuff too, who knows? All we know is that whatever they took out, isn't there any more.<br /><br />The acting seemed OK to me. There's a lot of unfathomables tho. It's supposed to be a city? It's supposed to be a big lake? If it's so hot in the church people are fanning themselves, why are they all wearing coats?
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negative
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if u haven't seen Vijay in "Ghillli", "Gilly" or "Ghillie". go watch it. wow. its devastatingly hilarious. i don't know if Dharani (the brilliant director) was being serious or not. There are tons of hot guys in this one, look out for someone who calls Velu "Maacha". The one with the brilliant braids, devastatingly hot. His teeth are brilliant as well. Vijay rocks. Trisha cries every 5 seconds. It is very deep. Watch it, you won't regret it. There are some great laughs in this one. If you don't speak Tamil, learn it. Then you will get all the inside jokes. It is one for the whole family, except maybe the violent bits should be skipped. I've seen this movie around eleven times .... and counting.<br /><br />Wow!
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positive
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As previously stated in one of my great reviews, the Universal Pictures'Trilogy of FLASH GORDON should not be classified with the other serials. For,indeed the three of these have made a sort of celluloid-electronic mythology for a punchy, war phobic mid twentieth century world. They stand alone in many peoples' minds as THE example of just what a cliff hanger was.<br /><br />We can recall seeing Buster Crabbhe as a guest on NBC's late night talk show, TOMORROW, hosted by Tom Snyder. This was circa 1979-80. During the interview Mr. Crabbe was asked about his personal fitness habits. He credited weight training and swimming, coupled with some sound dietary habits-which included vitamin and protein supplementation.(And would you believe it, he smoked several cigarettes!)<br /><br />When questioned about his career, Mr. Snyder of course got to the subject of his portrayal (and strong identification with) the character of Flash. Buster stated that he had read and enjoyed the feature in its original medium, that is a comic strip the property of Hearst's King Features Syndicate. He stated that he had thought that it would not work once transferred to the screen! Luckily he was wrong.<br /><br />As for the 1st serial, it was a very good adaption of the original continuity from the Sunday Color Comics. The world is about to end because of impending collision with Planet Mongo.It's up to independent working Dr. Zarkov to rocket to the wild planet to change its course. He enlists the aid of Flash and Miss Dale Arden, newly acquainted parachuters from airliner, landing in Zarkov's property.<br /><br />The Serial has excitement through out and manages to make one feel that there is always some other peril lurking just outside the film frame. The costuming and decor is varied,from Romanesque to Oriental to Art Decco. It would be easy to surmise that this was due to frugality on the part of Universal,but once again this was being faithful to creator,cartoonist Alex Raymond's visual concepts.(just look at the old strips as reprinted in many collections) The rockets were used before in JUST IMAGINE! (Fox 1930), a science fiction musical comedy.The other scientific lab equipment was provided by Universal's prop dept.,being the top Hollywood company doing Horror and SciFi.<br /><br />The cast features Jean Rogers(Dale Arden) and Priscilla Lawson (Princess Aura)who get into a good girl vs. bad girl battle over Flash. Charles Middleton portrays Emperor Ming in a sort of overly melodramatic villain,but makes it work. Zarkov(Frank Shannon)is toned down from the sheer madness that he suffered in his appearance in newsprint. (by the way, ever wonder how Zar-KOV has a brogue?) Richard Alexander makes a fine, powerfully built Prince Barin, ever helpful and so noble.<br /><br />Comic actor Jack "Tiny" Lipson is the surprise of the cast, stealing scene after scene as a lecherous, Henry VIII like scoundrel turned ally, King Vultan,ruler of the Hawkmen. Among the others, most notable is Jim Pierce as Prince Thun of the Lion Men. Pierce,like Crabbe, had also portrayed Tarzan in a film-but he later married Tarzan Creator, Edgar Rice Bourroughs' daughter, Joan.<br /><br />FLASH GORDON and the two sequels, FLASH GORDON's TRIP TO MARS(1938) and FLASH GORDON CONQUERS THE UNIVERSE(1940), have been a staple juvenile fare for generations,first in the movie houses then in Television release. Like fine wine, they seen to get better with age.<br /><br />We're all so glad that Mr.Crabbe was wrong.
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positive
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This is a great movie for all ages. Its the story about three animals how have to find their way home. There is a bit of a twist at the end and mainly throughout the whole movie. You never know what is going to happen next. This movie makes you cry and makes you laugh. You just don't know what going to happen next. The trek home is all beautiful with all the wonderful wildlife scenes. They producers also spent a lot of money for this movie and it shows too. The animals in this movie were well trained and are great actors/actress themselves. Everything about this movie is great! 10 out of 10 the whole way! Rent or buy it today I can guarantee you will love it the whole family will!
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positive
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I thought that Ice Age was an excellent movie! As a woman of 30, with no children, I still seem to really enjoy these humorous, witty animated movies. Sid is the best character I have seen in some time, better than Bartok in Anastasia (although he was really humorous, and I did not think that his character could be matched or even beaten) and even more humorous than Melman in Madagascar. I have seen the movie at least 15 times (I own it obviously) and I quote the movie at work (on many occasions...yes,still). My favourite scene is the part where Sid says "Oh, oh, oh, I love this game!" and Sid and Manny continue to figure out what the squirrel is trying to tell them about the "tigers"..."Pack of wolves, pack of bears, pack of fleas, pack of whiskers, pack of noses, pack a derm?, pack of lies, pack of troubles, pack a wallop, pack of birds, pack of flying fish..." or however that part goes! That is THE funniest part about the whole movie, although I also really enjoyed the humour behind "putting sloths on the map" and many other parts as well. The only animated movie that can remotely compare to Ice Age is "Brother Bear".
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positive
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1st watched 10/29/2006 - 4 out of 10(Dir-John Stephenson): Mildly entertaining story of a group of five kids who are forced to live with their eccentric uncle while their father and mother fight & work in World War I as England entered the war. They are told not to go in the greenhouse of the uncle's mansion, which of course they do over and over, and they discover a sand fairy who them daily wishes that only last until the sun goes down. This is the "IT" referred to in the title, created by the Jim Henson group and voiced by Eddie Izzard. The problem is their wishes usually bring about other problems that they are supposed to learn from. This part of the movie is not done very well because it's obvious the children, primarily the Freddie Highmore character, do not learn from them but instead keep going back to "it" to solve their next big problem. "IT" is not nearly as funny as it could have been with the comedian Eddie Izzard really not given much opportunity to improvise and Kenneth Branagh is wasted as the eccentric uncle, although he is the best character. The children are fine as far as their acting abilities but the story probably would have been much better going into the fantasy realm but they did have a human story to tell as well, which probably caused the confusion with the filmmakers. So, all in all, this was an OK film but could have been much better.
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negative
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I have been looking for this mini-series for a very long time. I saw this movie when I was living in back in Russia many years ago. I'm curious if somebody who has the recorded copy of this movie can send me the copy. I'm willing to cover all the expenses and pay for the extra tapes or DVDs. This is one of the best TV series that I have ever watched. I would recommend it to anybody who is somewhat interested in Israel History and World History after WWII. I'm also trying to find a book (I have heard that its even better than the movie)however the new one costs around $50 on amazon and I have never purchased a used copy. my e-mail address is yurets777@hotmail.com Thank you very much for you help.
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positive
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New York, I Love You, or rather should-be-titled Manhattan, I Love Looking At Your People In Sometimes Love, is a precise example of the difference between telling a story and telling a situation. Case in point, look at two of the segments in the film, one where Ethan Hawke lights a cigarette for a woman on a street and proceeds to chat her up with obnoxious sexy-talk, and another with Orlando Bloom trying to score a movie with an incredulous demand from his director to read two Dostoyevsky books. While the latter isn't a great story by any stretch, it's at least something that has a beginning, middle and end, as the composer tries to score, gets Dostoyevky dumped in his lap, and in the end gets some help (and maybe something more) from a girl he's been talking to as a liaison between him and the director. The Ethan Hawke scene, however, is like nothing, and feels like it, like a fluke added in or directed by a filmmaker phoning it in (or, for that matter, Hawke with a combo of Before Sunrise and Reality Bites).<br /><br />What's irksome about the film overall is seeing the few stories that do work really well go up against the one or two possible 'stories' and then the rest of the situations that unfold that are made to connect or overlap with one another (i.e. bits involving Bradley Cooper, Drea DeMatteo, Hayden Christensen, Andy Garcia, James Caan, Natalie Portman, etc). It's not even so much that the film- set practically always in *Manhattan* and not the New York of Queens or Staten Island or the Bronx (not even, say, Harlem or Washington Heights)- lacks a good deal of diversity, since there is some. It's the lack of imagination that one found in spades, for better or worse, in Paris J'taime. It's mostly got little to do with New York, except for passing references, and at its worst (the Julie Christie/Shia LaBeouf segment) it's incomprehensible on a level that is appalling.<br /><br />So, basically, wait for TV, and do your best to dip in and out of the film - in, that is, for three scenes: the aforementioned Bloom/Christina Ricci segment which is charming; the Brett Ratner directed segment (yes, X-Men 3 Brett Ratner) with a very funny story of a teen taking a girl in a wheelchair to the prom only to come upon a great big twist; and Eli Wallach and Cloris Leachman as an adorable quite old couple walking along in Brooklyn on their 67th wedding anniversary. Everything else can be missed, even Natalie Portman's directorial debut, and the return of a Hughes brother (only one, Allan) to the screen. A mixed bag is putting it lightly: it's like having to search through a bag of mixed nuts full of crappy peanuts to find the few almonds left.
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negative
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I had no problem with the film, which I thought was pretty good. It's the actual LAPD crime scene video that disturbed me. I wonder if Lion's Gate REALLY thought that the general viewing audience would want to see people that were brutally beaten to death and blood all over the place. Sorry Lion's Gate, this was an INCREDIBLY BAD IDEA!!!<br /><br />Getting back to the film: The cast was excellent, especially Val Kilmer as the late John Holmes. John Holmes was a sleaze ,mistreats the women in his life (Lisa Kudrow as his wife, Kate Bosworth as his girlfriend),and he is hopelessly deep into drugs. His connection to Eddie Nash (Eric Bogosian)creates a spiral that resulted in the infamous Wonderland murders. Exactly how much was Holmes involved in the murders? We may never know the entire truth to the story(Nash is still alive and a free man),but the film does a pretty good job nonetheless.
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positive
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2:37 succeeds admirably at showing us what Australian teenagers feel and don't say. These are the stories of real kids and I think we would be naive to think otherwise. The only new thing 2:37 really brings us is an Australian point of view. We often watch troubled American children but often fail to link the same problems to our own teens. Executed with clever and artful cinematography, I did however (upon immediate recognition of the disappointing final song) find the musical direction lacking in sophistication. I applaud the fabulous casting of this film. These are regular looking Aussie kids who invite plenty of sympathy because of this. Great performances all round and you can't top Gary Sweet, this film made me remember why sometimes high school sucked and unless you're squeamish, or you like to leave with warm and fuzzies, go and see 2:37.
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positive
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I am a huge Robert Taylor fan and I have been trying to find all of his films. This is one I did not have, but I watched it recently on Fox Movie Channel, and was very disappointed. I know he was a contract player with little control over his scripts, but the acting was as bad as the script. Victor McLaglen was even bad, and Brian DonLevy was almost unrecognizable. Considering the relations off screen between Taylor and Stanwyck, it was surprising how little chemistry there was on screen between the two of them. But the premise of the film was so ridiculous: that the President of the U.S. would order a Navy Lt to leave the service secretly to hunt down bank robbers, and report only to the President, that it made it hard to appreciate anything else about the film. The death row scenes were entirely unmoving. The only thing worse than Taylor's acting was Stanwyck's singing. She got better later in Ball of Fire-thank heavens.
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negative
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Definitely not only for urban legend aficionados, Campfire Tales is an often scary and always fun ride through several popular stories. It is also a film that exceeded the (low) expectations I had. A horror film I had never heard or read about, a straight-to-video release (granted, the latter often presents us with a pleasant surprise, but with horror films nowadays it can be all or nothing), a cast of mostly unknowns... well, I'll leave the math to you.<br /><br />The film proves to be an entertaining, suspenseful and overall very enjoyable experience. The four stories are well-paced and satisfying. The only one I felt was a little weaker was "The Locket", for the simple reason that it offers almost no explanation for its plot or the characters' actions; however, I still loved the tale, its atmosphere and ending. My favorite one was the third story, "People Can Lick Too" - the suspense in it is not only palpable, but also educational.<br /><br />I found Campfire Tales to be one of those horror gems one discovers by chance, and then goes on recommending it to everyone.<br /><br />7/10
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positive
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Icy and lethal ace hit-man Tony Arzenta (a divinely smooth and commanding performance by Alain Delon) wants to quit the assassination business, but the dangerous mobsters he works for won't let him. After his wife and child are killed, Arzenta declares open season on everyone responsible for their deaths. Director Duccio Tessari relates the absorbing story at a constant snappy pace, maintains a properly serious and no-nonsense tone throughout, stages the stirring shoot-outs and exciting car chases with considerable rip-snorting brio, and punctuates the narrative with jolting outbursts of explosive bloody violence. Delon's suave and charismatic presence adds extra class to the already engrossing proceedings. This film further benefits from sterling acting by a bang-up cast, with praiseworthy contributions by Richard Conte as wise Mafia kingpin Nick Gusto, Carla Gravini as Arzenta's supportive lady friend Sandra, Marc Porel as Arzenta's loyal pal Domenico Maggio, Anton Diffring as ruthless, calculating capo Grunwald, and Lino Troisi as the venomous gangster Rocco Cutitta. Silvano Ippoliti's glossy cinematography boasts several graceful pans. Gianni Ferrio's funky score hits the get-down groovy spot. Erika Blanc and Rosalba Neri pop up briefly in nifty bit parts. Better still, there's no filler to speak of and we even get a decent dab of tasty gratuitous female nudity. The startling conclusion packs a mean and lingering wallop right to the gut. A solid and satisfying winner.
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positive
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Uzumaki has a formidable reputation within Lovecraftian circles and now I know why.<br /><br />Uzumaki is based on a Manga title (which, unbelievably, is allegedly better than the film) and follows the bizarre events preceeding a typhoon in an isolated Japanese town. I'm not about to tell you anything that happens in this film because it is an absolute must-see movie. I watched it for the first time last night and I was blown away. It shot into the my top movies of all time and leap-frogged Pans Labyrinth as the best fantastic movie (literally and photographically) that has been released in the last decade.<br /><br />This movie is very Lovecraftian in nature without formally having any direct connection to the Cthulhu Mythos. It has been made in the same way that Lovecraft composed his stories; it exudes power as an aura of 'something's not quite right here' intensifies through a brooding phase to dread and, ultimately, horror through subtle progressive changes in the soundtrack and the cinematography. This is, indeed, a "Weird Tale" par excellence.<br /><br />Simply stunning.
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positive
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Claire Denis's Chocolat is a beautiful but frustrating film. The film presents a very interesting look at the household of a European colonial family living in Cameroon, giving the viewer an informative perspective on the lives of many characters and their interaction. However, the development of these characters is often maddeningly insufficient. For example, a central theme in the story is young France's inability to form strong relationships with others. Although this portrayal is executed flawlessly, notably in the way that Denis frames the story with scenes from France's return to her childhood home, the girl's lack of intimacy with the film's other characters makes it difficult for a viewer to invest much interest in her development (or lack thereof) as a protagonist. The general stagnation of the film's character development makes it difficult to become engaged in the loosely organized plot. The film raises a great deal of tension between characters, particularly between Aimee and the men in her life, but never fully addresses this social friction, leaving the viewer unsatisfied. The final few scenes are powerful but depressing. Denis's work is certainly interesting from an intellectual and historical standpoint, but if you are looking for a film with adventure or drama, Chocolat is definitely not the best choice.
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positive
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102 Dalmatians (2000, Dir. Kevin Lima) <br /><br />Believed to be cured, Cruella de Vil (Close) is released from prison and sets out to make a new start in life. Things are going well for Cruella who is busy helping homeless dogs off the street. When the clock strikes on Big Ben, things turn bad. The hypnotic cure is reversed and Cruella is back, and this time she is determined to make that spotted coat she always wanted.<br /><br />Glenn Close reprises her role as Cruella de Vil and once again is the highlight of the film. Every scene with her in is worth watching in this dull sequel, which feels more of a repeat of the previous film, rather than a new story.<br /><br />She's Changed. Ken Sheperd (Ioan Gruffudd)
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negative
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Now here's a film straight out of my childhood, my family used to taped; but it kind of got tapped over and losted over the years. Now I was fortunate to watch the whole film on youtube.com; I had love this wonderful film when I watched it as kid, and after watching again (online), I still do today. My favorite song from the movie is "Candy Hearts and Paper Flowers" (I will always remember that sweet song forever). <br /><br />I was surprised when I looked at the opening credits (on who animated who),that some of the animators date back to 1930s (WOW! that's like 47 years).
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positive
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Grey Gardens is shocking, amusing, sad and mesmerizing. I watched in amazement as Ediths Jr. and Sr. bickered and performed while reminiscing of their past. Their existence in a dilapidated mansion, (which they had not left for more than fifteen years) is both a comedy and a tragedy. This is a film you will not soon forget.
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positive
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<br /><br />Excellent ! I have to think back a *very* long time to find a film that's made me laugh quite so much. The writing is top-notch, the story is satisfying, and the entire cast is excellent - Chris Farley has never been better. One of the very best comedies of the 90s.
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positive
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Although compared with "Mad Max", this film is in a league of its own. Set in post apocalyptic Paris, this film is about man's struggle for survival, he has lost his ability to speak, and there is a remarkable shortage of women. CONGRATULATIONS LUC BESSON!
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positive
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Leave Ed Wood alone. To call "Plan 9 from Outer Space" the worst film ever made would be to deny this abysmally vulgar heap of Hollywood guano its rightful title. This pretentious fusion of witless whimsy and bathetic sociopolitical "commentary" actually does seem to be formed along the lines of "Plan 9," with badly-staged scenes of down-on-their-luck actors on cheap sets interspersed with what appears to be footage of battle and crowd scenes cribbed from higher-budget epics. But whereas "Plan 9" occasionally manages to be funny when it means to be and reasonably entertaining overall, this tacky pageant is appallingly lacking in basic showmanship, with scenes ranging from offensively unfunny (the disgusting burlesque of Groucho Marx stealing Manhattan from the Indians) to low camp (Hedy Lamarr attempting to impersonate Joan of Arc hearing her "voices") to tedious (Dennis Hopper doing absolutely nothing with the role of Napoleon) to the unexpectedly poignant performance of Peter Lorre as the psychotic Nero. Give the worst director trophy to Irwin Allen, for turning so much into so little.
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negative
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Beautiful....that one word pretty much sums up this whole film. Everything from the cinematography, the directing, the acting.....brilliant. At any point of the film, you can pause it, and you will no doubt be looking at something mosaic or "artsy fartsy" as some people would say. I assure you, that after one viewing, "Bobbycrush" will be stuck in your head. I know this from first hand experience. Even the soundtrack is great. It goes together very well with the tone and pace of the film. Be thankful that Cam Archer exists in this world. We need more people like him to make films that show love and shame in totally real (and surreal) imagery.
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positive
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I saw this as a child in the late eighties and I must say, Galaxy Express is one of those films that sticks in your imagination for a long time. If you've never understood the appeal of anime, discovering this film may be your golden ticket to Otaku-town.<br /><br />The story is as delicate and poetic as Ridley Scott's Blade Runner. The cell animation, while somewhat traditional, possesses a vivid style that explosively portrays Leiji Matsumoto's great talent for character design and visual storytelling.<br /><br />This is one of those unique children's films like Star Wars, The Dark Crystal and The Wizard of Oz that completely transcends 'family entertainment' status and stands as a classic of cinema on its own terms.<br /><br />I highly recommend this film.
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positive
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I felt compelled to write a review for Space Cobra as it has received a good score of 7.3 stars but only a few of the reviews at the time of me writing this were particularly positive. A strange situation and hopefully my positive review will point people towards this old and mostly forgotten Anime movie. Space cobra is the funky tale of a smuggler and rogue who becomes involved with the three sisters of an ancient and dead planet and an evil force who wants to harness the planets powers. This is an old movie and the animation shows, but what it lacks in modern sophistication it makes up with an abundance of charm. Space Cobra is very much geared to a western audience and very easy to watch. There are few if any references to specific Japanese culture and great for Anime novices to watch and enjoy. Space Cobra himself is witty and likable. I cannot say how much of this is due to the English dub or the intentions of the maker, but this is one of the few Japanese comedy characters that I find truly funny. The style is very sixties Barbarellish with a fantastic soundtrack by Yello. The style is colourful and imaginative and there is constant action to move the story along. The strangest aspect of this movie is how it begins as a comedy and ends on a very downbeat dramatic note. I cannot think of another Anime or general movie that has been able to do this so seamlessly and convincingly. You barely realise that it is happening, but it is done so subtly and seems perfectly natural. You also really feel the characters went on a journey and they're lives were changed by the whole experience. Check out if you can.
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positive
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One night I was listening to talk radio and they had Leslie Nielsen on the program. He went on to explain why there were only 6 shows. '<br /><br />With TV shows like MASH you could go to the fridge to get a beer and as long as you heard what was going on you didn't miss anything. But with Police Squad, you HAD to watch the show, with the sight gags you missed a whole lot if you didn't see them. Who could forget "... the part of town known as "Little Italy"..." with the coliseum in the background.<br /><br />Even the movies relied heavily on the sight gags, but then again being in the theater you were a captive audience.<br /><br />Leslie also said the one reason the show, movies and other movies like Airplane were funny is because they didn't attempt to tell what was funny. It was up to the viewer to get the jokes.<br /><br />Well that's just my 2 cents.
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positive
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I was very disappointed in this movie. Plotwise it was weak bordering on silly: Souls who can affect reality in the way they do? A mission apparently critical to the Soul Hunters entrusted to one of their younger members? And the whole B-story with the "holobrothel" and the lawsuit against the station was so awful that at one point I blurted out to the television, "Why are you wasting my time with this?"<br /><br />Thematically, "River of Souls" didn't really go into the question of the soul in any more depth than the original episode "Soul Hunter" did. We see that Soul Hunters can make mistakes, but we still don't get a feeling for their culture. (Are there any female Soul Hunters?)<br /><br />The acting was okay, given the material they had to work with, and the special effects - especially the planetscapes in the first act - were very impressive. But overall, I'd say give this one a miss.
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negative
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'Oppenheimer' with Sam Waterston in the title role and with David Suchet as Evard Teller is an example of the docudrama at its very finest. Well written, well acted by actors who bear a believable resemblance to their historical characters, highly informative, and very entertaining. The set designs and costumes capture the feel of the US during World War 2, and the plotting and dialog make the viewer feel as if he were really present at Los Alamos and caught up in the excitement of the Manhattan Project. The only downside is that this is a British production, and some of the actors lack skill in affecting a convincing American accent. (The skill of current day Australian & Irish actors taking on non-native dialects is amazing.) The storyline is fully consistent with Richard Rhodes' definitive history of the development of the atomic bomb. Sadly, the mini-series was shown only a couple of times on PBS at the beginning of the 1980s and then apparently vanished into oblivion.<br /><br />'Oppenheimer' compares favorably to the more recent 'Fat Man & Little Boy' feature film with Paul Newman as Leslie Groves (the chronically overweight and rather homely General would be thoroughly flattered) and Dwight Schultz (alumnus of TV's 'A-Team') as Oppenheimer. As a mini-series, 'Oppenheimer' is around 4x as long as the Newman feature, but uses the all of the additional time completely to its advantage.
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positive
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Once in a while, a film comes along that raises the bar for every other film in its genre. A film of this caliber will influence many films following its release for years to come. `A Chinese Ghost Story' falls in this category. It is arguably one of the best horror films made during the 1980's; possibly one of the best ever made.<br /><br />The filmmakers have crafted a movie that appeals to every horror fan. The story is engrossing and original. The villains are appropriately menacing and frightening. The sets are creepy and atmospheric. There is even a little blood and gore to satisfy the splatter fan of the house. But don't let the `horror' label scare you off, if you're not a fan of the genre. This film easily fits into many different categories.<br /><br />The screenwriter has deftly blended the drama, comedy, horror, kung fu, and romance genres into a delicious deluxe cinematic pizza. `A Chinese Ghost Story' is a beautiful epic love story told, thankfully, without the gratuitous nudity and/or explicit sex scenes that have ruined many Hollywood `love stories'. Those put off by the romantic elements of the story can sit back and revel in the fast-paced swordplay and `wire-fu'. If that's not enough, actors Leslie Cheung and Wu Ma provide enough humorous situations to satiate your appetite for comedy. This film offers something for every film fan.<br /><br />Director Siu-Tung Ching and Producer Tsui Hark assembled a truly amazing cast for this film. Leslie Cheung proves that he is not only a gifted actor, but also a talented singer and a charming physical comedian. I cannot possibly think of a performer other than Cheung who could have portrayed Ling Choi Sin better (except maybe Chow Yun Fat). Joey Wang is enchanting as Lit Su Seen, the enslaved spirit who steals the heart of Cheung's character. Her portrayal of the title character is truly haunting and memorable. Wu Ma is hilarious as the cantankerous Taoist who aids the young lovers.<br /><br />On technical level, this film is very impressive, even by today's standards. The direction is superb. I wish that today's Hollywood executives would seek out talented artists like Siu-Tung Ching rather falling back on the usual MTV video or Pepsi commercial `directors'. The cinematography is gorgeous. You have to commend any cinematographer who can make a film look good when most of its pivotal scenes take place in the dead of night. The special effects make-up is top-notch. In fact, most of the creature effects in this film blow away the shoddy CGI ghouls and goblins that have become commonplace in modern horror films.<br /><br />Since its release, "A Chinese Ghost Story" has spawned two worthy sequels, a full-length animated movie, and countless imitations. None of the films that followed it or copied it were able to capture the magic of this classic, however. This film is required viewing for any horror fan or just anyone looking for great way to spend 95 minutes of your time. 10 out 10.<br /><br />
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positive
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Sayles had a very interesting film on his hands with Silver City, however it somehow became very muddied as it progressed from beginning to end. Chris Cooper did an exceptional job embodying the essence of his character, a Dubya of sorts, but he wasn't nearly given enough screen time. Instead, we find ourselves on a rampage with a character that felt less personal, less developed, and overall too confusing. The path that this Danny Huston leads us on inevitably becomes the downfall of the film. Too many characters are introduced to us in such a short time. These characters randomly were involved with the progression of the plot, which became too convoluted with each passing minute. Sayles knew what he was creating, I just feel as if it wasn't being translated well to the silver screen.<br /><br />Sayles is a master of his trade. His films continue to inspire and evoke thought even if they are not commercial successes. The trouble with Silver City is that I think he found himself going too deep with not enough money or time to explain it all. At the beginning of the film, I had an idea of what was happening, but as more and more characters were introduced, as more and more plot twists tried to occur I lost the sense of the film by the ending. While the ending was very clever and very dark, I needed more explanation. I think some of the reason that I lost my train of thought with this film was due to the casting of Danny Huston as our guide. He was pathetic. I didn't seem him as very exciting person to lead us on this adventure. He seemed to go through the motions, but not really accomplish much at all. This was the first downfall of Sayles' important film.<br /><br />While I will admit that the characters played by Richard Dreyfuss, Miguel Ferrer, James Gammon, and Daryl Hannah were interesting, I just needed a better guide to help me understand their roles in this political scandal. Danny Huston just did not cut it for me. Outside of the characters, Sayles needed a stronger script. I sometimes felt that unless I was deeply rooted in the political world, some of the references were well over my head. The entire reasoning for Silver City to be built and the corruption behind it eluded me. I am a simpleton that loves advanced films, but this one just didn't make much sense to me. There were several times that I found myself asking, "Why" instead of seeing the whole picture. I felt as if the individual stories were as clear as glass, yet the whole picture was dusty and murky at the same time. Sayles needed to concentrate more on the bigger picture instead of these smaller issues, which ultimately fogged this film.<br /><br />Perhaps I went into this film with the wrong idea. I was expecting to see another version of Primary Colors, but instead witnessed something less heartfelt and more technical. Without giving the ending away, I thought that the final scene was one of the most beautiful moments in political cinema history. The brilliant symbolism has stayed in my mind for the past two days after watching this film, while the rest of the movie quickly shuffled away from my mind. Maybe a second viewing would do better for me, but for some odd reason Silver City just didn't click with me. There seemed to be too many loopholes that were never explained or accounted for. An ensemble piece is always good with me, but when the characters are introduced without explanation, it just looses steam. This was one of those rare occasions.<br /><br />Overall, I was very upset with this film. Being very Democrat, I wanted to see a side of politics that I wasn't aware of and another side that would make you chuckle. I wanted to be engulfed with the world of corporate money and the dufus' that are elected. I wanted intelligent humor framed by the words of George W., but instead all I found was a very confusing story aimed at a certain audience of which I will never be a part. Sad, this picture had so much wasted promise.<br /><br />Grade: ** out of *****
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negative
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Dirty Dancing follows the story of Frances 'Baby' Houseman (Jennifer Grey)and her family as they spend the summer at Kellerman's Family Summer Camp. We get to see her discover herself as she falls in love with the dance instructor, Johnny Castle (Patrick Swayze).<br /><br />The movie is full of wonderful dancing (hence the title!) some great music, and terrific scenery. It handles some tough issues with dignity and grace, and, of course, has (shocking spoiler here!) a happy, wonderful, feel good ending! You know how it's going to end from the beginning, but that's really not the point here. The point is the journey, a journey that touches every member of the family.<br /><br />It's one of the movies I need to see whenever it comes on TV...never mind the fact that I already have it memorized!
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positive
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About five minutes in, and I saw where this was heading. Bunch of high school kids get annoyed by the school's administration and thoughts of rebellion start fomenting. I said to my girlfriend: if it gets below a 5 on IMDb, I'll go and read a book. It got 5.0, so she persuaded me to go on watching. What are the good things? Well, it is a good thing this film does not have a story, because you would surely be distracted from it by the editing. It's like the student's drawing that was torn up by one of the teachers, all the footage for this film was cut up in a freak accident involving a meat-grinder, and left half the stock destroyed, with the other half spliced into two-second bits. Even in a ten-second scene of the local TV news, there are about six cuts and three different angles. And then there are the montages. These are all set to electronic music, which forewarns you of yet another montage, so that like Pavlov's dog you start cringing every time you hear it, which is about every three minutes. Oh, I was supposed to say what's good about this film. Well, the film was shot very well, with a nice color palette, that nicely matched the emotional content - such as there was - of the scenes. Okay, now with the film's major flaw, and it wasn't the story, or lack thereof. The director made that fatal mistake of leading you astray about people and situations, not by clever storytelling, but by being highly selective about what to show about the main characters. That's just cheating. I guess he did it in order to make the central character more likable. But it just became plain annoying. If the story is full of holes, it's no good trying to patch it up by misdirecting the viewer. And often there wasn't even any point to it. And then the ending. Basically, the main villain of the peace turns out be an okay guy, if a coward. Plus it turns what seemed to be the whole point of the movie, that you should stand up for a just cause on its head, by the already mentioned misdirection, and makes it into a point about the nature of revolutions, that was already made, and much better, by animal farm. It also committed what I call the Bill Cosby sin: no matter how things may seem at first, in the end adults are always right, and children always wrong. And let's face it: unless you're me, that's just not true.
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negative
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Buck's role as The Kahn brings to mind Bob Barker (of The Price is right) running a country the same way he runs his show. But there's lots more to chuckle and snort through in this turkey. Kurt Thomas as the baby-faced "hero" displays some considerable acrobatic skills, but not a whit of acting talent whatsoever. There's a few spooky moments (in the Village of Crazies, mostly), and some mildly impressive martial arts sequences. But any given "Ninja" movie will give you much more entertainment, and you won't feel as guilty about laughing.
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negative
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I was very excited to see that they had made a movie out of my favorite book ever. I didn't realize it was Disney until it was too late. I was appalled by the many omissions of crucial parts of the story. It was as if someone made a movie out of a 4th grader's book report on the novel. Meg did well in school and neither her nor her father wore glasses. Mrs Murray (Meg's mother) was not portrayed as much of a scientist at all; they left out her kitchen laboratory and replaced it with the internet. And that's just the beginning. By halfway through the movie I found myself shouting at the screen, much to the dismay of the other people who were watching the movie who hadn't read the book. I wish I had more thumbs so I could give four thumbs down for this one. The only good thing I can say is that for a person who has not read the book, this movie is kinda alright.
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negative
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I found this film to be a bit too depressing. I don't mind dramas, but this was a bit too much for me. Luckily, there does seem to be somewhat a decent outcome. I suppose it was well done. I'd watch it again, but it's nothing to rave about.
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negative
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Frank Sinatra was far from the ideal actor for westerns. He was a great actor, From Here to Eternity and The Man with The Golden arm are a proof of that, but he did not have the physique of a western hero, you identified him as an urban guy. But he tried to do his job well in Johnny Concho, the fact that the film was a failure at the box office was not his fault. I blame it on two factors: a) the story was too unusual, specially in the fact that Sinatra behaves more like a villain than as a hero throughout the movie. In a genre where people kind of expected a certain pattern, to break away from it the film has to be very good. b) the story is not convincing, it is hard to believe that a whole town will allow Sinatra to do anything he wants just because they are afraid of his brother. Also when a man shows him a special holster that will open sideways so he has not to draw the gun you wonder that if that will make him invincible, why all the gunfighters have not adopted it? I think that this film should not have been withdrawn, because any film with Sinatra is worth seeing, and in spite of its shortcomings it is still enjoyable
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negative
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I have to admit, I don't remember much about the characters or the story, though I'm not sure there was one, I was soooo irritated by this movie that I had a bit of a hard time focusing on it. How can you name a movie "Keys to Tulsa" and then film it in Texas? The flat desert country around Arlington ( I think that was the location) in no way resembles the green rolling hills around Tulsa, and a celebrity in Tulsa would have a much nicer neighborhood to live in. Obviously no one in the movie has EVER BEEN to Tulsa or else they would have realized how nothing in the movie even resembled it. Hadn't anyone at least seen Rumblefish or The Outsiders? I know this sounds picky but I can't help it. I watched this because I love James Spader and I usually find Eric Stotz interesting. But even these two intriguing actors could not liven up this meandering,and mean story of self-involved people who are NOT IN TULSA!! I'm sorry, it can't be more expensive to film in Oklahoma. What if "To Live and Die in LA" had been shot in Toronto? Would that suck? Well so does this.
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negative
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Well it was a nice surprise after all. its trailer did not predict a good film at all, it was even a bit misleading. Especially the part of Jeff Bridges was a positive surprise, well written, sardonic and funny. Less real though, I do not think a guy who got where he got would show signs of such irreverence towards everything that his current company stands for. One does not become a top suit just to doubt it all suddenly again. The ending of the film, during the showing of Dolce Vita, was too corny, cliché and quite disappointing. And of course a guy like Pegg's character would not last past his first week in a blitz New York magazine like this. I hope one day I will see a decent role written for Megan Fox, here she looked a poor actress playing a bimbo. And by the way, I do not see why she is the "sex symbol" of the year, I see hotter girls on nearly every cover of every magazine.
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positive
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Sam O'Steen, the film editor on the superlative suspense flick "Rosemary's Baby" from 1968, here directs a quickie TV-made sequel, one in which Rosemary Woodhouse (Patty Duke Astin, in for Mia Farrow) is shunted off early--and inexplicably--presumably to help flesh out the more ghoulish aspects of this flaccid story about Satan's son on Earth. Most interesting is the return of Ruth Gordon to her Oscar-winning role as Minnie Castevet (with Ray Milland well-cast as her husband, Roman), but she isn't given much to do--and looks terribly uncomfortable at being involved anyway. This script is strictly low-rent goods, and must have shamed original author Ira Levin (who went on to write his own sequel). Fairly dim and pallid, with poor photography and no suspense or scares whatsoever.
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negative
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OK, we got JP from Grandma's Boy and Chuck from, well Chuck. I thought this movie would be quite good based on the reviews, and it did start out pretty high on my movie scale, but about halfway through it was just dragging out for so long I kept losing interest. I actually got so bored, probably because you can see right away what's going to happen in the end; the story is actually quite thread-bare, I skipped over 15 minutes and didn't miss a thing! This film should have been a short work, maybe around 45 minutes to an hour max. It starts out good and finishes good, too bad the filling is bland, boring, dull, and lacks everything but time. Some people say they like it for the music; I don't care for jazz and I don't go see movies for their score, I go for the story and when that's drawn out... well, ratings drop in my book.<br /><br />Bottom Line: Good open, great close, boring filler. Story was cool, but if you don't know what's going to happen a quarter of the way through, you haven't seen too many thrillers.
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negative
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I've liked Milos Forman's movies since I saw "One Flew Over the Cuckoo's Nest" and "Amadeus" (two big masterpieces), but when I saw "Hair", I kept wondering if this was the same Milos Forman. This movie is boring and uninteresting to say the least. OK, the music is pretty good, but on screen it only seems like a bunch of drugged people dancing around (wait a minute... that's what it really is!). In fact, the only interesting part, and the only part where Milos' talent shows up, are the last 15 minutes or so, (SPOILER!!) since when Berger takes Claude's place as a soldier set to the Vietnam war. That 15 minutes are moving and well-directed, but it's a shame that we have to endure so much awful material before that.<br /><br />Well, maybe this is one of those movies you need to be "on the subject" to enjoy (the subject being marijuana, acid and other drugs the film glorifies). I'm not, so...
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negative
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Once in a while in Indian cinema there comes along a movie like Sholay that changes the way the audience perceives a good movie. And den just once in a while(hopefully) we have a RGV ki Aag that breaks all the standards and creates one of its own. A standard so low, it can never be broken. Ram Gopal varma manages to take a melting pot of talent and create a dish so stale u can smell it from a distance. To take a classic like Sholay and assassinate it is totally unforgivable and I can't believe he almost called the movie RGV ki Sholay. Although Sholay had a lot of folklore elements in it, the movie managed to build on its plot by merely defining the characters so distinctively that they lived on forever. What Aag does is take these characters and mess them up so badly u'll need a contest to pick the worst. The realism element is totally missing and what the movie ends up providing is a bunch of "actors" parading along in a plot less and seemingly unrelated set of events. One star for this film is a ridiculous waste of a vote. its time for RGV to wake up to the reality of his failure and conjure up another "different" plot that can be categorized under cinema.
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negative
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This is the fourth full-length feature film by Marc Recha. By the third 'les mans buides' -Empty hands- I promised myself not to cut my veins anymore. But this time round the plot is completely different -a kind of homage to Ramon Barnils (Sabadell 1940 - Reus 2001) a Catalan journalist-. The visuals in the trailer are stunning -a gleaming river bathed in sunlight- and the promise that Marc himself would be in front of the camera with his twin brother -none of both professional actors- convinced me at last, six weeks after its release. Abandon yourself in this very unusual road/river film. Learn almost nothing about Ramon Barnils but his most poignant legacy: his constant fight against amnesia of what we Catalans chose to forget. 'La batalla de l'Ebre' -look for Battle of the Ebro at the wikipedia- was lost not once but twice because after 40 years of silence and 25 years of half-hearted democracy nobody has done much to remember the legitimate side of the Spanish civil war and those who fought it. This film is about the lonely people roaming the same places with very little conscience of what took place there 70 years ago. This film is about the landscape.
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positive
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I had heard about "gaming" and "Dungeons and Dragons" before, but I had know idea it could be like what I saw in the "Gamers: Dorkness Rising." These guys are so funny and fun to watch. Especially the guy who plays the "bard" or "minstrel" or whatever, he has a gift for physical comedy and timing. There is so much background humor and energy in some of the scenes that make you really think that at least some of it was improvised there on set. The special effects needed to be worked on a bit, but I saw it at a convention last year and thats one of the things they said they were going to redo and make better, so it's probably wicked now!
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positive
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The first word i can find to describe this movie is Awful.<br /><br />This movie is one of the worst movies I have ever seen. First of all is the plot a very thin plot (Wont comment further on this part) and a plot which a lot of movies from this genre is following. This makes the movie so bad, because you know whats going to happen. Secondly does the movie contain a lot of questions which never is revealed. One of the questions (and this is no spoiler) is: WHAT THE HELL ARE THE KIDS DOING IN THAT CORN!!!!!!!!!! Thirdly is the characters very bad, not only because the movie is bad, but also because of the sorry actors. They are bad as they can be.<br /><br />The last thing that make this movie bad, is that its a horror movie. You are supposed to be scared of the killings or the sudden shocks, but you are not scared, you a not horrified because you know whats going to happen.<br /><br />Conclusion: The movie is as bad as the movie about the killer ants! I hoped that it was a very great movie but because the story is bad, the actors are bad, the film raises a lot of questions and because its not scary, the movie is best unseen.
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negative
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The Shining starts with Jack Torrance (Jack Nicholson) driving to an isolated hotel named the 'Overlook' situated high in the Colorado mountains for an interview with it's manager Stuart Ullman (Barry Nelson) about becoming the Winter caretaker. Ullman tells Jack that he will be responsible for the basic upkeep of the hotel but will be almost totally isolated from the rest of the world for six months as the harsh Winter sets in. Together with his wife Wendy (Shelley Duvall) & young son Danny (Danny Lloyd) Jack moves into the hotel & at first everything seems fine, it's a beautiful hotel, absolutely huge & whatever they need is at their disposal. However the Overlook hotel has a murky past with a previous caretaker murdering his entire family before committing suicide & Danny has the ability to 'shine' which means he has psychic powers that let him see & hear things 'ordinary' people can't. As the days, weeks & months begin to pass Jack become more & more insane, Danny keeps 'seeing' things & people while Wendy becomes frantic as she doesn't have a clue what's happening to her family, as a heavy snowstorm leaves them trapped Jack finally loses it...<br /><br />This English production was co-written, co-produced & directed by Stanley Kubrick & is a fine horror film. It appears that The Shining is another film that exists in two distinct different versions & the one I will be commenting on is the shorter European cut that runs just under 2 hours in length. The script by Kubrick & Diane Johnson, is based on the novel by Stephen King which I have not read so I can't compare them, goes for psychological horror rather than visual with only one murder during the entire film. There are very few character's in The Shining with Jack, Wendy & Danny the only ones that really matter, since the film concentrates on them almost exclusively you care for them, become involved with them & what they go through. The pace is somewhat slow but this is one film that didn't feel that long & keeps you interested throughout. On the negative side I don't think the reasoning behind Jack going crazy & wanting to kill his family was strong enough to convince me, the fact that Jack escapes from the freezer without any explanation bugs me & I don't know if I missed something but that ending didn't make any sense to me whatsoever, I'm still trying to work out what that picture is all about! There is very little in the way of violence or gore, a couple of rotten zombie ghosts & someone is killed with an axe but The Shining is a horror film that doesn't need to rely on blood & special effects as it has a gripping story. With a budget of about $19,000,000 The Shining is technically flawless as you would expect from an obsessive filmmaker such as Kubrick, the cinematography is brilliant with some fantastic free-flowing & smooth steadicam shots as the camera effortlessly follows the character's around the maze of corridors, the sets look absolutely real & instead of clichéd old haunted house themes like dark corners, basements & cobwebs Kubrick brings things right up-to-date with brightly lit corridors, massive open expansive spaces & a modern decor (well 80's modern, just check that red toilet out!). The acting is good from everyone involved although as usual in horror films the little kid is highly annoying & Nicholson seems crazy from the very start. The Shining is an absorbing film that I enjoyed watching although I'm not sure I'd watch it again anytime soon. For those looking for explosions & fancy special effects you will be disappointed, for those looking for a good haunted house type horror with a strong story I definitely think The Shining is for you, well worth a watch in my humble opinion.
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positive
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Like many here I grew up with Scooby-Doo. Unlike many here who did, I love this show! I think that it has been very well done and thought through. Everything about it marks it as a spin-off which isn't meant to be taken seriously. The formula is simple - it is a parody of other cartoons with a single bad guy trying to get the better of the good guy. By using the well known Shaggy and Scooby-Doo characters it is much easier to engage the viewer with the parody humour from the outset of each 30 minute episode.<br /><br />There have always been Scooby-Doo spin-offs which have annoyed fans. The classic being the Scooby-Shaggy-Scrappy shorts from the 80's. These spin-offs had their place: They allowed new content to be sold, created new fans, and kept Scooby-Doo merchandise on the shelves. I would agree that "Shaggy & Scooby-Doo: Get a Clue!" doesn't fit in with this traditional role but it is probably what I had always wanted the Scooby-Shaggy-Scrappy shorts to be: an action packed show which focuses on the best/funniest Scooby-Doo characters! Good features of the show: the animation, the voices, the attention to detail, the bad-guys, the "Best Friend" relationship between Shaggy and Scooby-Doo, the constant humour! Bad features: None, although the revamped Mystery Machine is pretty close at times.<br /><br />Well done Warner Bros. Animation! One of the cleverest cartoons in a long time!
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positive
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Anna Christie (1930)<br /><br />Anna Christie has some terrific parts, and some amazing performances, and yet it should be even better than it is. It has drama. Some of the scenes are really atmospheric, and if the interior shots around the table are a bore, other shots at night and at sea are really pretty exciting. Then there are the nearly historical, lively scenes set in Coney Island (even a brief jittery roller coaster ride), and the episode where two women are behind a netting in separate beds, and visitors to the midway can throw balls to try to tip them over, and the women (scantily dressed) egg the men on is weirdly sexual come-on kind of way. All the while Garbo (at the front of the crowd) watches.<br /><br />Garbo of course is what makes this movie more than just another very good early talkie. She plays all sides of her character. She is coy and skeptical and in some kind of inner anguish. She laughs and cries, withdraws and pushes outward. In some ways it's a forward looking, remarkable movie (directed by Clarence Brown, who has a whole series of significant films from this pre-code sound era).<br /><br />Though based on a successful Eugene O'Neil play, it's the writing that struggles a little as the actors seem to go through the paces at times. Marie Dressler is great in that exaggerated way she almost trademarked. And then there is Greta Garbo, who really does have a natural presence, even if it seems she's overacting, just slightly, at times (but then, so is everyone else). Garbo is of course famous first as a silent actress, and this is her talking film debut. Audiences loved her enough that she made a German language version the following year.
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positive
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The first of five St Trinian's films (although the last is usually discounted) was based around artist Ronald Searle's schoolgirl characters, and features the wonderful Alastair Sim in drag as Millicent Fritton, headmistress, as well as her own brother. Much of the humour is dated, yet curiously touching and outrageous in today's PC world - the girls drink, gamble, smoke and are later sold off to rich Arabs, yet always remain in charge, defeating bureaucrats, police, judges and other establishment figures as they maraud across England. Perhaps because the films have been so regularly seen on TV, St Trinians still inspires fancy dress parties and club nights. The films have recurring characters that include PC Ruby Gates (Joyce Grenfell) and Flash Harry (George Cole). The precursor to the entire series is a charming film called 'The Happiest Days Of Your Life' (1950).
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positive
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Imagine if you will an alternative universe where someone has made SEVEN where instead of a talented cast and crew they've cast a politically conscious environmentalist and a stand up comedian as the leads . If your imagination can't stretch that far just watch THE GLIMMER MAN as it's the next worse thing <br /><br />!!!! MILD SPOILERS !!!!<br /><br />Jack Cole is a cop with a hidden past and it's very ironic that he's played by Steven Seagal since he's also someone witrh a hidden past , but don't tell anyone because it's top secret . Perhaps the biggest secret is how someone like Seagal became a movie star in the first place since THE GLIMMER MAN continues in the vein of all of Seagal's other movies in that it's utter , utter crap . Look at the way he's introduced as his partner walks into his office " Yoi love beads man . In you're in the wrong office " Steven replies with something that is side splittingly witty , or he would if anyone was able to understand a bloody word he said because for much of the movie he just mumbles away . In fact the only time I could make out his dialogue was the scene at the school where he bursts in on the gunman holding the class hostage <br /><br />" Don't make me kill you " <br /><br />Is this what a cop would say to a suicidal gunman ? I'm just thinking that in another movie where Steven isn't the hero ( ie A good movie ) the cop would say something along the lines of " Don't kill me , I've got a wife and a couple of kids waiting at home " . So anyway suicidal gunman goes to blow his head off but Steven saves his life by hurtling them both through two sets of windows . It goes without saying that you shouldn't try this at home<br /><br />As the story progresses Steven ( I've given up on calling him Jack though credit to the screen writer for giving Steven a sensible name ) becomes involved in a case a plagiarism where someone has been stealing bits out of other superior movies featuring serial killers . As Steven finds more victims you can see him thinking " What was that movie that starred Morgan Freeman as a cop ? " as he inspects the bodies , oh and the action keeps switching back to the hero's domestic life just so we know that this guy's good as a family man , this guy's very good as a family man such a pity he's so bad as a movie star
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negative
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I have always liked Spike Lee's movies, but this one was a total waste of 2 1/2 hours. I expected more about Son of Sam and instead got a movie that seemed to have very little to do with the 1977 serial killings. The talking dog was laughable (you know you're in trouble when all the movie patrons burst into laughter inappropriately). The whole movie seemed very disjointed and not very interesting. The sex scenes were totally irrelevent to the plot. I'm not opposed to sex in movies, but it should have some point (unless it's a XXX movie). All in all, we were very disappointed at this Spike Lee effort!!
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negative
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I suppose I like this film as well as any I know; it is not perfect, but under the title "The Americanization of Lily" this charming and memorable semi-musical satire might I suggest have been appreciated more, and still loved by those who recognized its special Blake Edwards'-produced spirit of gentleness, clever humor and solid narrative. The improbably but delightful story-line follows Lili Smith, a fringe-type spy for the Germans in a much simpler and less black-and-white war; Lili Schmidt passing as Smith is helping her Uncle who is patriotic too, for Germany but neither cruel nor political, merely opportunistic. Lili's target is William Larrabee, a charismatic U.S. squadron leader who can supply her valuable information. The plot thickens comes when Lili falls in love with Larrabee, has her eyes opened to the consequences of her playing spy, and sees the effects of combat on wounded men at a hospital and realizes what it might mean to his men whom she has met and likes. She gets jealous of a rival for Larrabee's affections, then realizes she can no longer do what she has been doing and gives up the spy business. The logical end of the film comes when after the terrible WWI has ended, as she sings the theme song of the film, "Wishing" in a darkened theater, one by one the members of Larrabee's squadron appear, including her lover himself, indicating they have forgiven her and their former opponents; and even Uncle Kurt enthusiastically joins in the singing of "It's a Long To Tipperraree", to indicate all is well with the world again. This is an audacious and sometime brilliant story idea, written by director Blake Edwards and William Peter Blatty of "John Goldfarb" fame; and it is a delightful narrative. Larrabee's squadron, including an inebriate who keeps crashing and other lovable types populate this lively film; and the feel of this stylish and glowing film is almost epic, both in its scope and realization. Credit must go to Jack Bear and Donald Brooks for their costume creations, Reg Allen and Jack Stevens for sets, Fernando Carrere for another beautiful production design, Henry Mancini for his sensitive and appropriate musical score, and to Russell Harlan for his shining cinematography. In the beautiful footage, the principal actors are Julie Andrews as Lili, Rock Hudson as Larrabee, Keremy Kemp outstanding as Lili's Uncle Kurt, Michael Witney, Lance Percival as the inebriate pilot, gorgeous Gloria Paul as Lili's stripteasing rival, and many other fine actors in smaller parts. It is hard to say enough nice things about the pace, or the cleverness of the just-this-side-of broad comedy; this element is introduced by Edwards to leaven the horrors of actual warfare, to example the almost comic-opera approach with which men made war back in a more innocent-minded era of human civilization.. This comedy also helps prepare the way for Lili's conversion from uncritical acceptance of a duty to the German state to acceptance of the reality of what she is doing and potentially what she may be causing. This is a rare "sense-of-life" film about Lili's "Americanization", her assertion of herself in the real world and then among others before tragedy can happen. It is haunting, I find, and beautiful in many ways. I consider it to be Blake Edwards'masterpiece of directing; and under the title "The Americanization of Lili" I believe with hardly any changes it might have been recognized as the polished sapphire of a film it is by every standard I know.
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positive
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This has to be some of the worst direction I've seen. The close-up can be a very powerful shot, but when every scene consists of nothing but close-ups, it loses all its impact. <br /><br />Tony Scott has some very beautiful scenery to work with, the backdrops of Mexico, the cantinas, the beautiful estate where Anthony Quinn lives, and the dusty towns Costner rolls through on his journey for revenge. Unfortunately we only catch quick glimpses of these places before the camera cuts to a picture of a big, giant head. Even the transition scenes where Costner is driving alone across Mexico quickly cut to a close-up. <br /><br />The score is over-dramatic and intrusive, dictating every emotion we should feel. The story itself should have been handled much better. Among other things, too many people pop up out of nowhere to help Costner along - it's just bad writing. <br /><br />It's a typical thriller storyline, but many others have taken the same premise and done outstanding things with it. Costner's No Way Out had a somewhat similar storyline, but it was a much better movie. <br /><br />The ending was completely anticlimactic and suffered from the most melodramatic scoring of the film. This movie was never going to be great, but if we saw more of Mexico and less of giant heads this film might have been watchable.
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negative
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I've seen this film on Sky Cinema not too long ago.. I must admit, it was a really good Western which features 2 of the big names.. On one side, there's Charlton Heston, playing the infamous and retired lawman Samuel Burgade. On the other.. The late James Coburn playing the villainous Zach Provo.. seeking revenge on Burgade no matter what the cost..!<br /><br />The good thing about this film was there was some really good characters.. Most of the actors played it out really well.. Especially James Coburn, who I find that he was really mean in this film.. But that how it was..<br /><br />Christopher Mitchum, who I've seen everywhere in other films.. Playing Hal Brickman.. I felt his character was left out in the cold, but he manage to get himself back in by teaming up with Burgade, to bring down Provo's posse's!<br /><br />All in all, it was a great film.. Very good to watch.. Great score from the late Jerry Goldsmith..<br /><br />Wonderful piece of Western persona..! 8 out of 10.
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positive
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If you go to the cinema to be entertained, amused, so as to fill up your time, do not go out of your way to watch this film.<br /><br />If you go to the cinema to appreciate the depths of human-kind, the feelings of real people, to explore the characteriology of personalities, if you go to the cinema to absorb magnificent photography, be sure to put this film very high on your list, preferably in first place. The experience is profoundly rewarding, causing the intelligent viewer to make diverse reflexions over the meaning of life itself. With 'Mar Adentro' Alejandro Amenábar has surpassed the best he has done to date, and even redeemed certain deviations in his earlier films which smacked a little of being aimed at Hollywood. This is not the case with this visual poem put to music: Hollywood could never get anywhere near the effect of this tinglingly inspired human - and humane - story.<br /><br />In no way should one interpret 'Mar Adentro' as an apologia for euthanasia; this story, based on the real life of the Galician fisherman Ramón Sampedro, is a cry from the bottom of the heart for life and love, a reaching out for human compassion, for understanding emotions. Sampedro was an articulate and intelligent man who after a diving accident off the rocks of the Galician coast as a young man was condemned to live the next 27 years in bed. 'Condenado a vivir' (2001) (TV) was the first version of this man's life on which I have already commented. However, Amenábar has succeeded remarkably at portraying this man, with his permanent enigmatic smile and witty sense of humour, in an equally articulate and intelligent way.<br /><br />And Javier Bardem rose to the occasion, met the challenge head-on, complete with a Galician accent, producing an electrifying, compelling, enthralling performance, such that the actor and the fisherman become fused into being the same person on screen. Here, indeed, is an occasion to doff your cap, and softly mutter 'chapeau'. Bardem is driven on in his task by a magnificent cast, especially Belén Rueda, Lola Dueñas, Mabel Rivera, Celso Bugallo (Los Lunes al Sol) (qv) and Clara Segura, Galician and Catalan accents taking prominent part. <br /><br />Amenábar produces wonderful dialogues as these six rotate among themselves one-on-one, or in groups, with excellent chemistry, thus demonstrating that this young Chilean-born Spanish director is an artist who knows what he is at and how to get his results; his global concept of the film includes his own music, interspersed with pieces by Beethoven and Puccini on Sampedro's record-player.<br /><br />Whilst viewing 'Mar Adentro', I found myself a couple of times comparing him and this film with Stephen Daldry and his masterpiece 'The Hours' (qv). I refer to the way in which the dialogues work with tenseness and passion and that careful sense of timing in each scene.<br /><br />Javier Aguirresarobe's photography is superb as usual. As I have mentioned elsewhere on IMDb, he does not simply film the events and scenes - he captures even the feelings and the atmosphere of the moment, deftly catches that look in the eyes, light and shadows, such that his work behind the camera is at once another player in the story. A superb artist.<br /><br />'Mar Adentro' is another landmark in the history of Spanish cinematography, among the best five or six works of art produced here in the last 25 years. This film places itself alongside such cinematographic art as 'El Sur' (qv), 'Los Santos Inocentes' (qv), 'El Abuelo' (qv), 'La Lengua de las Mariposas' (qv), 'Las Ratas' (qv), 'A Los Que Aman' (qv), and I think I must add 'Te Doy Mis Ojos' (qv).<br /><br />Superbly orchestrated story of a real man, and those who loved him around his bedside: not to be missed.
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positive
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Leos Carax is brilliant and is one of the best film and camera guys in the business so it should come as no surprise that Pola X is an almost perfect filming of the most gut wrenching story ever. Seriously. If I could have figured out some way to climb inside my video monitor, I would have thrashed Pierre to within an inch of his life. No one has the right to be that self absorbed and that stupid, both at the same time, except maybe Heathcliff in Emily Bronte's Wuthering Heights. After spending 134 minutes with Pierre, I need a large glass of brandy. Never have I been so angry at a main character. Ok, having said that, Pola X is a stunning movie with one of the few totally honest sex scenes I've ever seen in any film....which means another piece of brilliant filmmaking....and I'm talking graphic here, by the way. Pola X will beat the hell out of you, though, so make sure you're up for it if you decide to watch it.
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positive
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Due to budget cuts, Ethel Janowski (again played by Priscilla Alden) is released from a mental institution (even though she killed six people) and delivered to the Hope Bartholomew halfway house. Once there, she immediately relapses into her criminally insane ways and kills anyone who gets between her and her food.<br /><br />HOLY MOLY! Does this movie suck! You know you are in trouble when the open credits start up and they are just the credits from the first film, apparently filmed off a TV screen. Nick Millard (under his pseudonym Nick Phillips) decided to return to the world of Crazy Fat Ethel over ten years later and with a budget that probably covered the cost of a blank tape and a video camera rental for the weekend. Let's just say that Millard's unique style doesn't translate well to video. Seriously, I have made home movies with more production value than this. And Millard tries to pull a SILENT NIGHT, DEADLY NIGHT 2 by padding half the running time with footage from the first film (which looks like it was taken off a worn VHS copy). Alden is again good as Ethel but the film is so inept that you start to feel sorry for her for starring in this garbage. I mean, at least the first film tried. Here we have no music, weaker effects (if that is at all possible), shaky camera work, horrible audio and editing that looks like it was done with two VCRs hooked up. Avoid this at all costs!
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negative
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Great just great! The West Coast got "Dirty" Harry Callahan, the East Coast got Sharky. Burt Reynolds plays Sharky in "Sharky's Machine" and I enjoyed every minute of it. Playing a maverick narcotics cop in Atlanta, GA is just what everyone wants. Instead of suspension, he's sent to vice squad. Like in the Dirty Harry movies or any other cop movies, the captain is always going to be the jerk. When I was a kid, I was curious what that movie meant "Sharky's Machine". Well I knew who played Sharky, I wonder what his machine was. It was his GROUP of fellow cops. After uncovering the murder, he goes all out to find the perp. When it turns out to be a big time mob boss, Sharky doesn't play around. When he gets the other prostitute into safety, Sharky fights back hard and good despite losing a finger to the thug. And I also like the part where the bad gets blown out of the building through a plate glass window. That was the BOMB! Randy Crawford's "Street Life" really put the movie in the right mood, and the movie itself is really a great hit to me, ALWAYS! Rating 4 out of 5 stars.
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positive
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I am a great fan of Martin Amis, on whose book this film is based. Unfortunately the director has been unable to translate the book to the screen. The novel is thoroughly post modern and highly artificial in its wildly overblown characters and the disintegration of traditional plot line and character development. It is an hilarious examination of human greed, excess and emptiness by one of the most moral of contemporary British writers. The director of the film has completely missed the point of the novel. In his hands, the film screams along at breakneck speed, indulging in every known trick shot and 'odd' camera angle possible. It is like Ken Russel on acid, and suffers from that older director's self indulgence cranked up to a hundred. Not even the (brief) glimpse of gorgeous actor Christian Solimeno's penis was enough to save this wretched film for me. Abysmal!
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negative
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After repeated listenings to the CD soundtrack, I knew I wanted this film, got it for Christmas and I was amazed. Marc Bolan had such charisma, i can't describe it. I'd heard about him in that way, but didn't understand what people were talking about until I was in the company of this footage. He was incredible. Clips from the Wembley concert are interspersed with surrealistic sketches such as nuns gorging themselves at a garden party as Marc Bolan performs some acoustic versions of Get It On, etc. (I'm still learning the song titles). George Claydon, the diminutive photographer from Magical Mystery Tour, plays a chauffeur who jumps out of a car and eats one of the side mirrors. Nothing I can say to describe it would spoil it, even though I put the spoilers disclaimer on this review, so you would just need to see this for yourselves. It evades description. <br /><br />Yes, I love the Beatles and was curious about Ringo directing a rock documentary - that was 35 years ago - now, I finally find out it's been on DVD for 2 years, but it's finally in my home. It's an amazing viewing experience - even enthralling. <br /><br />Now the DVD comes with hidden extras and the following is a copy and paste from another user: <br /><br />There's two hidden extras on the Born To boogie double DVD release. <br /><br />1.From the menu on disc one,select the bonus material and goto the extra scenes 2.On the extra scenes page goto Scene 42 take 1 and keep pressing left 3.when the cursor disappears keep pressing right until a "Star+1972" logo appears 4.Press Enter <br /><br />5.From the main menu on disc two,select the sound options 6.On the sound options page goto the 90/25 (I think thats right) option and keep pressing left 7.When the cursor disappears keep pressing right until a "Star+Home video" logo appears 8.Press Enter
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positive
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OK, I admit it, I'm 40 and still shed a tear every time I watch Johnny calling back his Robot at the end.<br /><br />"Robot, now stop! Don't do it, stop the attack...Robot, what are you doing, Robot... Robot, where are you going
Robot, come back! Robot...Robot please! Don't do it, you'll die... Robot... Robot, please comeback! I need you here
Giant Robot... Robot! Giant Robot
" -Johnny Sokko, The Last of Emperor Guillotine<br /><br />Of all the Tokusatsu thats out there, Giant robot has a special place in my heart and will always be there. I credit it with getting me into everything sci-fi and anime when i was a kid. <br /><br />LIVE ON GR!
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positive
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A stupid show in the vein of the rest of them with terrible music and a laugh track that must be from I Love Lucy. I got rid of TV because of shows like this, but picked up the 1st season at big lots for $3.00. Should bought the Van Damme movie instead.<br /><br />If I was a conspiracy theorist, who believed that a small group of people are working against real families and keep coming up with this drivel/propaganda in order to undermine family values I would point to this show, Married With Children, Family Guy etc. but I'm not so I won't.<br /><br />BTW I'm not Christian, love the Simpsons and Peep show. I watched two episodes and thought that if shows like this are popular, who are they popular with? Then I remembered all those fotos of the people of Walmart that have been circulating around the web and thought ah ha!. It is no wonder our culture is a joke around the world when this is prime time.
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negative
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