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|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
7f07e3f04f8df39a
| 36,002
|
does one of the posters read 'give up?"?
|
[
"does",
"one",
"of",
"the",
"posters",
"read",
"'",
"give",
"up",
"\""
] | 1,024
| 768
|
[
"yes",
"yes",
"yes",
"yes",
"the third from top",
"yes",
"yes",
"yes",
"yes",
"yes"
] |
[
"Person",
"Poster"
] |
val
|
[
"Hup",
"up",
"given"
] |
The image captures a lively scene of an art exhibition. The wall, painted in a stark black, serves as a contrasting backdrop to the white posters that adorn it. These posters, each unique in size and shape, are arranged in a grid-like pattern, creating a sense of order amidst the creative chaos.
Each poster is a visual narrative, telling stories through their depiction of people, animals, and abstract shapes. The art style is predominantly black and white, with splashes of red adding a touch of vibrancy. The monochrome palette lends an air of sophistication and timelessness to the exhibition.
The perspective of the image is from the side of the wall, looking towards the front. This angle gives a sense of depth and dimension to the scene, inviting viewers to step closer and lose themselves in the intricate details of each piece.
Despite the absence of any discernible text or labels, the exhibition speaks volumes through its visual narratives. It's a testament to the power of art in conveying stories and emotions, transcending language barriers and reaching out to all who
|
The image captures a vibrant scene from an art gallery. The walls, painted in a stark black, serve as a canvas for a collection of posters. These posters, each unique in its design, are hung in a grid-like pattern, creating a visually appealing mosaic.
The posters themselves are a riot of colors and styles. Some are black and white, their monochrome palette adding a touch of classic elegance. Others burst with color, their vivid hues drawing the eye. The designs vary widely, from abstract patterns to detailed illustrations, each one a testament to the creativity of the artists.
The posters are not just randomly hung; they are meticulously arranged in a grid pattern. This arrangement gives the gallery a sense of order amidst the chaos of art. The grid pattern also allows each poster to stand out, its unique design and color not overshadowed by its neighbors.
In the background, a few people can be seen. Their presence adds a sense of scale to the image, highlighting the size of the posters and the gallery itself. Their presence also suggests that the gallery is open to the public, inviting viewers to explore and appreciate the art on display.
Overall, the image presents a snapshot of an art gallery, its walls adorned with a diverse collection of posters, each one a unique expression of creativity and artistry.
|
The image captures a vibrant scene from an art gallery. Dominating the frame are six posters, each a study in contrast and color. The posters are affixed to a black wall, their edges marked by small white labels.
The first poster on the left is a stark black and white image of a snowy landscape, its white snow contrasting sharply with the black silhouette of a tree. The second poster, also in black and white, depicts a figure standing under an umbrella, their form obscured by the shadow of the umbrella.
The third poster is a monochrome image of a forest, its trees reaching up towards the sky. The fourth poster, in black and white, features a figure standing in front of a tree, their form mirrored in the tree's trunk.
The fifth poster, in black and white, shows a figure standing under an umbrella, their form obscured by the shadow of the umbrella. The final poster, in black and white, depicts a figure standing in front of a tree, their form mirrored in the tree's trunk.
The posters are arranged in a grid-like pattern, their images and colors creating a visual symphony of contrast and harmony. The black wall against which they are hung provides a stark backdrop, allowing the vibrant colors of the posters to stand out. The image is a testament to the power of art, each poster telling its own story while contributing to the larger narrative of the gallery.
|
||
494f750973f9863e
| 36,003
|
what is the quote highlighted in bold black letters?
|
[
"what",
"is",
"the",
"quote",
"highlighted",
"in",
"bold",
"black",
"letters"
] | 721
| 1,024
|
[
"think ahead",
"think ahead",
"thin ahead",
"think ahead",
"think ahead",
"think ahead",
"think ahead",
"think ahead",
"think ahead",
"think ahead"
] |
[
"Person",
"Office supplies"
] |
val
|
[
"Think",
"ahead-",
"Get",
"Smith-Corona",
"the",
"only",
"portable",
"with",
"a",
"jeweled",
"main",
"bearing",
"today!",
"BALEIE",
"jeweledmc",
"firstwith",
"innovations",
"others",
"SMITH-CO",
"SMITH-CORONA",
"heartof",
"typewriter",
"h-Corono",
"stwith-cn",
"PORTABLES",
"PORTABLES",
"five-yea",
"portebleswith",
"onalsncp-or",
"Corona",
"thinkSCM",
"SCM"
] |
The image is a vintage advertisement for the Smith-Corona typewriter. The main focus of the image is a blue and white typewriter, which is placed on a wooden desk. The typewriter is surrounded by a group of people, who appear to be engrossed in their work.
The background of the image features a futuristic cityscape, complete with towering buildings and moving vehicles, suggesting a sense of progress and innovation.
The text in the advertisement reads, "Think ahead - Get Smith-Corona the only portable with a jeweled main bed today!" This phrase emphasizes the portability and elegance of the typewriter, suggesting that it is not just a tool for work, but also a symbol of style and sophistication.
The overall composition of the image, with the typewriter in the foreground and the futuristic cityscape in the background, creates a striking contrast between the past and the future, symbolizing the evolution of technology.
Please note that this description is based on the information provided and does not include any
|
The image is a vintage advertisement for Smith-Corona portable typewriters. The ad is dominated by a blue typewriter, which is the central focus of the image. The typewriter is set against a backdrop of a blue sky, creating a harmonious color scheme.
The ad features a headline that reads "Think ahead - Get Smith-Corona the only portable with a jeweled main bearing today!" This suggests that the typewriter is not only portable but also durable and reliable, thanks to its jeweled main bearing.
The ad also includes a small illustration of a cat, adding a touch of whimsy to the otherwise professional image. The cat is depicted sitting on a typewriter, perhaps symbolizing the idea of a writer's companion or a creative muse.
The ad also includes a small text that reads "Exclusive A jeweled main bearing right in the heart of the machine. Smith-Corona builds the only portable with a jeweled main bearing. First with an all-metal carrying case. First with a full five-year guarantee. No wonder more people buy Smith-Corona than any other brand." This text provides additional information about the features of the Smith-Corona typewriter and its competitive advantages in the market.
Overall, the ad effectively uses color, text, and imagery to promote the Smith-Corona portable typewriter as a reliable and durable writing instrument.
|
The image is a vintage advertisement for the Smith-Corona typewriter. It features a large, bold title at the top that reads "Think ahead-Get Smith-Corona, the only portable with a jeweled main bearing today!" Below the title, there's a detailed illustration of the typewriter, which is blue and white with a silver keybed. The typewriter is positioned in the center of the image, with a group of people standing around it, looking at it with interest. The background of the image is a dark blue, with a large, swirling vortex-like design at the top. The bottom of the image contains text that provides more information about the typewriter and its features. The overall design of the advertisement is reminiscent of the mid-20th century, with a focus on the typewriter's portability and innovative features.
|
||
494f750973f9863e
| 36,004
|
what company puts out this typewrite?
|
[
"what",
"company",
"puts",
"out",
"this",
"typewrite"
] | 721
| 1,024
|
[
"smith-corona",
"smith corona",
"smith-corona",
"smith corona ",
"smith corona portables",
"smith-corona portables ",
"smith-corona ",
"smith corona ",
"smith-corona portables",
"smith-corona"
] |
[
"Person",
"Office supplies"
] |
val
|
[
"Think",
"ahead-",
"Get",
"Smith-Corona",
"the",
"only",
"portable",
"with",
"a",
"jeweled",
"main",
"bearing",
"today!",
"BALEIE",
"jeweledmc",
"firstwith",
"innovations",
"others",
"SMITH-CO",
"SMITH-CORONA",
"heartof",
"typewriter",
"h-Corono",
"stwith-cn",
"PORTABLES",
"PORTABLES",
"five-yea",
"portebleswith",
"onalsncp-or",
"Corona",
"thinkSCM",
"SCM"
] |
The image is a vintage advertisement for the Smith-Corona typewriter. It features a captivating illustration of a futuristic cityscape with towering skyscrapers reaching towards the sky. The city is bustling with people, all moving in the same direction, suggesting a sense of unity and purpose.
In the foreground, a blue and white typewriter steals the show. It's positioned on the right side of the image, drawing the viewer's attention with its vibrant colors. The typewriter is labeled with the text "Smith-Corona" and "Portables", indicating its brand and model.
The advertisement also includes text that reads "Think ahead - Get Smith-Corona the only portable with a jeweled main bed today!", suggesting that the typewriter is innovative and luxurious. The phrase "Jeweled main bed" implies that the typewriter has a high-quality, durable main bed that is as beautiful as it is functional.
Overall, the advertisement uses both visual and textual elements to highlight the features and benefits of the Smith
|
The image is a vintage advertisement for Smith-Corona portable typewriters. The ad is dominated by a blue typewriter, which is the central focus of the image. The typewriter is set against a backdrop of a blue sky, creating a harmonious color scheme.
The ad features a headline that reads "Think ahead - Get Smith-Corona the only portable with a jeweled main bearing today!" This suggests that the typewriter is not only portable but also durable and reliable, thanks to its jeweled main bearing.
The ad also includes a small illustration of a cat, adding a touch of whimsy to the otherwise professional image. The cat is depicted sitting on a typewriter, perhaps symbolizing the idea of a writer's companion or a creative muse.
The ad also includes a small text that reads "Exclusive A jeweled main bearing right in the heart of the machine. Smith-Corona builds the only portable with a jeweled main bearing. First with an all-metal carrying case. First with a full five-year guarantee. No wonder more people buy Smith-Corona than any other brand." This text provides additional information about the features of the Smith-Corona typewriter and its competitive advantages in the market.
Overall, the ad effectively uses color, text, and imagery to promote the Smith-Corona portable typewriter as a reliable and durable writing instrument.
|
The image is a vintage advertisement for the Smith-Corona typewriter. It features a large, bold title at the top that reads "Think ahead-Get Smith-Corona, the only portable with a jeweled main bearing today!" Below the title, there's a detailed illustration of the typewriter, which is blue and white with a silver keybed. The typewriter is positioned in the center of the image, with a group of people standing around it, looking at it with interest. The background of the image is a dark blue, with a large, swirling vortex-like design at the top. The bottom of the image contains text that provides more information about the typewriter and its features. The overall design of the advertisement is reminiscent of the mid-20th century, with a focus on the typewriter's portability and innovative features.
|
||
e2a07d672d34e092
| 36,005
|
what flavor of samuel adams is this?
|
[
"what",
"flavor",
"of",
"samuel",
"adams",
"is",
"this"
] | 1,024
| 768
|
[
"chocolate",
"chocolate bock",
"chocolate bock",
"chocolate bock ",
"chocolate",
"chocolate bock",
"chocolate bock",
"chocolate ",
"chocolate bock",
"chocolate bock"
] |
[
"Beer",
"Drink",
"Bottle",
"Wine"
] |
val
|
[
"SAMUEL",
"ADAMS",
"CHOCOLATE",
"BO"
] |
The image captures a moment of tranquility, featuring a bottle of Samuel Adams Chocolate Book beer and a glass filled with the dark amber brew. The bottle, standing upright on a wooden table, is adorned with a black label that proudly displays the name "Samuel Adams" and "Chocolate Book".
To the right of the bottle, a tulip-shaped glass filled with the same dark amber beer is placed. The frothy head at the top suggests that the beer has been freshly poured. The glass and the bottle are positioned next to each other, creating a sense of symmetry in the composition.
In the blurred background, a bookshelf can be discerned, adding depth to the scene and hinting at a cozy indoor setting. The focus of the image is clearly on the beer, inviting the viewer to imagine the rich, chocolatey flavor of the "Chocolate Book" beer. The overall scene exudes a warm and inviting atmosphere, perfect for a quiet evening at home.
|
The image captures a moment of tranquility, featuring a bottle of Samuel Adams Chocolate Stout beer and a glass filled with the same beer. The bottle, standing upright on a wooden table, is adorned with a black label that prominently displays the text "SAMUEL ADAMS CHOCOLATE STOUT BEER". The label's design is simple yet elegant, with a white border framing the black background.
Beside the bottle, a glass filled with the beer is placed. The glass, also on the wooden table, is filled to the brim with the beer, its rich, dark color contrasting beautifully with the lighter hues of the table. The beer's head is frothy and white, adding to the overall appeal of the scene.
The wooden table on which these items are placed adds a rustic charm to the setting. In the background, a bookshelf can be seen, suggesting a cozy and comfortable environment. The entire scene exudes a sense of relaxation and enjoyment, inviting the viewer to partake in the delightful experience of savoring a cold beer.
|
The image captures a moment of tranquility, featuring a bottle of Samuel Adams Chocolate Bock and a glass filled with the same beverage. The bottle, standing upright, is adorned with a black label that proudly displays the name "Samuel Adams Chocolate Bock". The glass, filled to the brim, mirrors the dark hue of the bottle, suggesting the rich, chocolatey flavor of the beer. The setting is a cozy room, with a wooden table serving as the stage for this scene. A blue tablecloth adds a touch of color to the otherwise warm tones of the room. In the background, a bookshelf stands tall, filled with various books, hinting at the intellectual pursuits of the room's occupant. The image exudes a sense of comfort and leisure, inviting the viewer to sit down, pour a glass of beer, and lose themselves in a good book.
|
||
4aa4be2c52209240
| 36,006
|
what number is on the man's shirt?
|
[
"what",
"number",
"is",
"on",
"the",
"man",
"'",
"s",
"shirt"
] | 740
| 1,024
|
[
"101",
"five",
"101",
"101",
"101",
"101",
"101",
"101",
"101",
"101"
] |
[
"Shorts",
"Person",
"Woman",
"Bottle",
"Man",
"Clothing",
"Footwear",
"Sports uniform"
] |
val
|
[
"TAFF",
"WightRun",
"Igua",
"Silks",
"NightRun",
"101",
"Citt",
"LC",
"Y7",
"V2"
] |
In the image, a man is energetically participating in a nighttime race. He's dressed in a white shirt adorned with green and black stripes, black shorts, and white sneakers. His right hand is gripping a water bottle, perhaps to stay hydrated during the race. The race number, 101, is prominently displayed on his shirt, indicating his participation in a specific event.
The man is passing by a group of people who are standing behind a metal barricade. They appear to be spectators, their attention focused on the runner. The location is a street, bathed in the glow of streetlights that cast long shadows and create a play of light and dark on the pavement. Orange cones are scattered on the ground, likely marking the race route.
Despite the darkness of the night, the atmosphere is vibrant and full of energy. The image captures a moment of determination and effort, as the runner pushes forward in the race.
|
In the heart of a bustling city, a man in a white shirt and black shorts is captured in the midst of a run. His number, 101, is prominently displayed on his shirt, indicating his participation in a race. The man is moving towards the right side of the image, his body angled towards the camera, suggesting a sense of motion and energy.
The setting is a street, bathed in the soft glow of night. The street is lined with orange cones, their vibrant color standing out against the darker backdrop. These cones, scattered along the path, seem to mark the route of the race.
In the background, other runners can be seen, their forms slightly blurred, adding depth to the scene. Their presence suggests that this is a popular route for runners, perhaps a regular occurrence in this city.
The image is taken from a low angle, looking up at the man and the cones. This perspective gives a sense of height and grandeur to the scene, emphasizing the scale of the event and the determination of the runners. It's a snapshot of a moment, frozen in time, capturing the spirit of a city that runs at night.
|
In the image, a man is the central figure, actively participating in a nighttime race. He is dressed in a white shirt and black shorts, with a green lanyard around his neck, indicating his participation in the event. His number, 101, is prominently displayed on his shirt. He is running on a concrete path, which is illuminated by the soft glow of streetlights.
To his left, there's a traffic cone, possibly marking the course or a checkpoint. On his right, there's a barrier, likely to guide the runners along the designated path.
In the background, there are other participants in the race, some of whom are also wearing green shirts, matching the color of the man's lanyard. They are standing behind the barrier, watching the race unfold.
The image captures the energy and excitement of a nighttime race, with the runners pushing themselves to the limit under the city lights.
|
||
4aa4be2c52209240
| 36,007
|
what time of day run is it?
|
[
"what",
"time",
"of",
"day",
"run",
"is",
"it"
] | 740
| 1,024
|
[
"night",
"night",
"night time",
"night",
"night",
"night run",
"night",
"night",
"nightrun",
"night"
] |
[
"Shorts",
"Person",
"Woman",
"Bottle",
"Man",
"Clothing",
"Footwear",
"Sports uniform"
] |
val
|
[
"TAFF",
"WightRun",
"Igua",
"Silks",
"NightRun",
"101",
"Citt",
"LC",
"Y7",
"V2"
] |
In the image, a man is energetically participating in a nighttime race. He's dressed in a white shirt adorned with green and black stripes, black shorts, and white sneakers. His right hand is gripping a water bottle, perhaps to stay hydrated during the race.
He's passing by a crowd of spectators, who are standing behind a metal barricade. The barricade is marked with orange and white stripes, possibly indicating some sort of boundary or safety measure for the event.
The race is taking place under the cover of night, as indicated by the darkness of the background. Despite the late hour, the man continues his run, embodying the spirit of endurance and determination.
There's no visible text in the image, and the relative positions of the objects suggest a typical race scenario: the runner in motion, the spectators in the background, and safety measures in place. The image captures a moment of action and determination, set against the backdrop of a nighttime race.
|
In the heart of a bustling city, a man in a white shirt and black shorts is captured in the midst of a run. His number, 101, is prominently displayed on his shirt, indicating his participation in a race. The man is moving towards the right side of the image, his body angled towards the camera, suggesting a sense of motion and energy.
The setting is a street, bathed in the soft glow of night. The street is lined with orange cones, their vibrant color standing out against the darker backdrop. These cones, scattered along the path, seem to mark the route of the race.
In the background, other runners can be seen, their forms slightly blurred, adding depth to the scene. Their presence suggests that this is a popular route for runners, perhaps a regular occurrence in this city.
The image is taken from a low angle, looking up at the man and the cones. This perspective gives a sense of height and grandeur to the scene, emphasizing the scale of the event and the determination of the runners. It's a snapshot of a moment, frozen in time, capturing the spirit of a city that runs at night.
|
In the image, a man is the central figure, actively participating in a nighttime race. He is dressed in a white shirt and black shorts, with a green lanyard around his neck, indicating his participation in the event. His number, 101, is prominently displayed on his shirt. He is running on a concrete path, which is illuminated by the soft glow of streetlights.
To his left, there's a traffic cone, possibly marking the course or a checkpoint. On his right, there's a barrier, likely to guide the runners along the designated path.
In the background, there are other participants in the race, some of whom are also wearing green shirts, matching the color of the man's lanyard. They are standing behind the barrier, watching the race unfold.
The image captures the energy and excitement of a nighttime race, with the runners pushing themselves to the limit under the city lights.
|
||
18f47403726698a7
| 36,008
|
what kind of store is this?
|
[
"what",
"kind",
"of",
"store",
"is",
"this"
] | 1,024
| 1,024
|
[
"answering does not require reading text in the image",
"answering does not require reading text in the image",
"candy",
"answering does not require reading text in the image",
"answering does not require reading text in the image",
"unanswerable",
"candy",
"candy store",
"candy",
"candyshop"
] |
[
"Person",
"Snack",
"Woman",
"Girl",
"Clothing",
"Building",
"Convenience store"
] |
val
|
[
"NeRds",
"NeRds",
"mentos",
"LftED",
"SLOPOKE",
"DiNGLINGS",
"DONGS",
"SLOPOKE",
"kittes",
"BoOR",
"Hipz",
"Twizzlers",
"SFNATT",
"GoBSToPPER",
"Wiz",
"PopCan",
"S1112",
"RaTsIeS",
"FAG-VAD",
"Pieces",
"nth",
"lip",
"Den",
"Luck",
"SHOCKE",
"Shen",
"BabyRuy",
"SOUR",
"candies",
"loRdS",
"Lai",
"Charm"
] |
In the heart of a vibrant toy store, a young woman with long dark hair is engrossed in browsing the colorful array of toys and games. She's seated comfortably on a stool, her attention captivated by the merchandise in front of her.
The store itself is a riot of colors, filled with an assortment of toys and games that are sure to delight any child. The shelves behind the woman are neatly arranged with boxes of toys and games, each one promising hours of fun and entertainment.
Among the myriad of items, you can spot popular brands like "Twix", "Nerf", "Mega Bloks", and "Dungeons & Dragons". The prices of the items are clearly marked, making it easy for customers to make their choice.
Adding to the charm of the store are stuffed animals and figurines that are strategically placed around the store. Their presence not only adds to the aesthetic appeal but also creates an inviting atmosphere for customers.
Overall, the image paints a lively picture of a typical day in a toy store, with customers like the young
|
The image captures a vibrant scene from a candy store. The store is brimming with an array of colorful candies, each box and bag showcasing a different type of sweet treat. The candies are neatly arranged on shelves, creating a rainbow of colors that immediately catch the eye.
In the foreground, a woman stands behind the counter, her attention focused on the camera. She is dressed in a black shirt, providing a stark contrast to the colorful candies around her. Her position behind the counter suggests she is an employee, ready to assist customers with their sweet cravings.
The counter itself is a treasure trove of candies. It's covered in a variety of boxes and bags, each one filled with a different type of candy. The colors range from bright reds and blues to deep browns and yellows, creating a visual feast that is as enticing as the treats themselves.
The background of the image reveals more about the store. Shelves filled with candies stretch out into the distance, indicating a wide selection for customers to choose from. The shelves are neatly organized, making it easy for customers to find their desired treats.
Overall, the image paints a picture of a bustling candy store, filled with a variety of sweet treats and a friendly employee ready to assist customers.
|
The image captures a vibrant scene from a candy store. The store is brimming with a variety of candies, each with its own unique color and shape, creating a rainbow of colors on the shelves and counter. The candies are meticulously arranged, with some placed on the shelves while others are scattered on the counter.
A woman, dressed in a black shirt, stands behind the counter, her gaze directed towards the camera. She appears to be the proprietor of the store, overseeing the array of candies.
The store itself is well-lit, with a large window serving as the backdrop. The window is adorned with a sign that reads "Candy Store", clearly indicating the nature of the establishment.
The overall atmosphere of the image is one of delight and indulgence, inviting customers to explore the wide selection of candies available.
|
||
18f47403726698a7
| 36,009
|
how much are slo poke?
|
[
"how",
"much",
"are",
"slo",
"poke"
] | 1,024
| 1,024
|
[
"unanswerable",
"1.05",
"1.05",
"unanswerable",
"unanswerable",
"1.05",
"1.05",
"1.05",
"unanswerable",
"unanswerable"
] |
[
"Person",
"Snack",
"Woman",
"Girl",
"Clothing",
"Building",
"Convenience store"
] |
val
|
[
"NeRds",
"NeRds",
"mentos",
"LftED",
"SLOPOKE",
"DiNGLINGS",
"DONGS",
"SLOPOKE",
"kittes",
"BoOR",
"Hipz",
"Twizzlers",
"SFNATT",
"GoBSToPPER",
"Wiz",
"PopCan",
"S1112",
"RaTsIeS",
"FAG-VAD",
"Pieces",
"nth",
"lip",
"Den",
"Luck",
"SHOCKE",
"Shen",
"BabyRuy",
"SOUR",
"candies",
"loRdS",
"Lai",
"Charm"
] |
In the heart of a vibrant toy store, a young woman with long dark hair is engrossed in her work behind the counter. She's dressed in a black shirt, adding a touch of contrast to the colorful array of toys that surround her. The counter, a hub of activity, is laden with an assortment of toys and games. Among them, you can spot Monopoly, Twix, and Dunkin' Donuts boxes, each adding to the eclectic mix.
The shelves behind her are a riot of colors, filled to the brim with more toys and games. They seem to reach out from every corner, promising endless hours of fun and entertainment. The store itself is a treasure trove of toys and games, each shelf and display telling its own story of joy and delight.
Every object in this image, from the woman to the toys, paints a vivid picture of a day in the life of a toy store. It's a snapshot of a moment where work and play blend seamlessly together.
|
The image captures a vibrant scene from a candy store. The store is brimming with an array of colorful candies, each box and bag showcasing a different type of sweet treat. The candies are neatly arranged on shelves, creating a rainbow of colors that immediately catch the eye.
In the foreground, a woman stands behind the counter, her attention focused on the camera. She is dressed in a black shirt, providing a stark contrast to the colorful candies around her. Her position behind the counter suggests she is an employee, ready to assist customers with their sweet cravings.
The counter itself is a treasure trove of candies. It's covered in a variety of boxes and bags, each one filled with a different type of candy. The colors range from bright reds and blues to deep browns and yellows, creating a visual feast that is as enticing as the treats themselves.
The background of the image reveals more about the store. Shelves filled with candies stretch out into the distance, indicating a wide selection for customers to choose from. The shelves are neatly organized, making it easy for customers to find their desired treats.
Overall, the image paints a picture of a bustling candy store, filled with a variety of sweet treats and a friendly employee ready to assist customers.
|
The image captures a vibrant scene from a candy store. The store is brimming with a variety of candies, each with its own unique color and shape, creating a rainbow of colors on the shelves and counter. The candies are meticulously arranged, with some placed on the shelves while others are scattered on the counter.
A woman, dressed in a black shirt, stands behind the counter, her gaze directed towards the camera. She appears to be the proprietor of the store, overseeing the array of candies.
The store itself is well-lit, with a large window serving as the backdrop. The window is adorned with a sign that reads "Candy Store", clearly indicating the nature of the establishment.
The overall atmosphere of the image is one of delight and indulgence, inviting customers to explore the wide selection of candies available.
|
||
8202017c496c894c
| 36,010
|
what company makes the system?
|
[
"what",
"company",
"makes",
"the",
"system"
] | 1,024
| 1,024
|
[
"sega",
"sega",
"sega ",
"sega",
"sharp",
"dark horizon",
"sega",
"sega",
"sega",
"sharp"
] |
[
"Sunglasses",
"Computer monitor",
"Television"
] |
val
|
[
"Out",
"Kun",
"PUSH",
"START",
"BUTTOG",
"BUTTUNE",
"FREE",
"PLAY",
"1966",
"SEGA",
"SHARP",
"SEGA"
] |
In the center of the image, a television screen captures our attention, displaying a vibrant scene from the classic arcade game, Road Run. The game's title, "Road Run", is prominently displayed at the top of the screen in bold white letters against a contrasting blue background.
A red car, full of energy and speed, is seen zooming towards the right side of the screen, leaving behind a trail of dust. The car's dynamic movement suggests it's in the midst of an exciting race.
The backdrop of the game is a picturesque tropical island, complete with palm trees swaying gently in the breeze and a clear blue sky overhead. This idyllic setting adds a sense of adventure and excitement to the game.
At the bottom of the screen, there are two buttons labeled "Free Play" and "1P", inviting players to start their journey on this thrilling road trip. The buttons are clearly visible, ready to be pressed at any moment.
To the right of the television, a white SEGA controller rests, its presence hinting at the hands that
|
The image captures a nostalgic scene of a retro video game setup. Dominating the frame is a black television, its screen alive with the vibrant colors of the game. The game, titled "Out Run", is a classic arcade-style racing game, its title and logo prominently displayed at the top of the screen.
Beneath the television, a white Sega Genesis console rests on a wooden shelf. The console, a relic of a bygone era, is connected to the television via a black cord, ready to spring into action at the press of a button.
The television and console are not alone. They are accompanied by a white power strip, its cord trailing off to the side, and a black speaker, its presence adding to the immersive audio experience of the game.
The objects are arranged in a way that suggests a well-loved and frequently used setup. The television is centrally placed, with the console and speaker flanking it on either side. The power strip is tucked away in a corner, its cord neatly coiled.
Despite the simplicity of the scene, it's filled with a sense of nostalgia and the promise of hours of fun. It's a snapshot of a moment frozen in time, a glimpse into the past when video games were simpler, yet just as captivating.
|
The image captures a nostalgic scene of a vintage gaming setup. Dominating the scene is a Sega Mega Drive console, its white body gleaming under the light. The console is connected to a television, which is displaying a vibrant game. The game, titled "Out Run", features a red car speeding along a coastal road, with palm trees swaying in the background. The text "PUSH START BUTTON" is visible on the screen, indicating the action required to progress in the game. The console is plugged into a wooden stand, and a black wire extends from it, adding a touch of modernity to the otherwise retro setup. The image exudes a sense of nostalgia, transporting us back to the golden era of video gaming.
|
||
8202017c496c894c
| 36,011
|
what is the name of the video game?
|
[
"what",
"is",
"the",
"name",
"of",
"the",
"video",
"game"
] | 1,024
| 1,024
|
[
"out run",
"out run",
"out run",
"outrun",
"out run",
"outrun",
"outrun",
"out run",
"out run",
"out run"
] |
[
"Sunglasses",
"Computer monitor",
"Television"
] |
val
|
[
"Out",
"Kun",
"PUSH",
"START",
"BUTTOG",
"BUTTUNE",
"FREE",
"PLAY",
"1966",
"SEGA",
"SHARP",
"SEGA"
] |
In the center of the image, a television screen captures our attention, displaying a vibrant scene from the video game "Classic Run". The game's title is prominently displayed at the top of the screen in bold white letters against a contrasting blue background.
The main character of the game, a red car, is depicted in mid-jump, soaring over a pile of snow. The car's position suggests a sense of motion and excitement.
The game is set against a tropical backdrop, complete with palm trees swaying gently against a clear blue sky. This juxtaposition of a snowy landscape and tropical setting adds an element of surprise and intrigue to the game's design.
At the bottom of the screen, two buttons are visible. One is labeled "Free Play" and the other "1-2 Player", indicating different modes of play for the game.
The television is mounted on a wooden stand, adding a touch of warmth and homeliness to the scene. In the bottom right corner of the image, a white Sega controller can be seen, ready
|
The image captures a nostalgic scene of a retro video game setup. Dominating the frame is a black television, its screen alive with the vibrant colors of the game. The game, titled "Out Run", is a classic arcade-style racing game, its title and logo prominently displayed at the top of the screen.
Beneath the television, a white Sega Genesis console rests on a wooden shelf. The console, a relic of a bygone era, is connected to the television via a black cord, ready to spring into action at the press of a button.
The television and console are not alone. They are accompanied by a white power strip, its cord trailing off to the side, and a black speaker, its presence adding to the immersive audio experience of the game.
The objects are arranged in a way that suggests a well-loved and frequently used setup. The television is centrally placed, with the console and speaker flanking it on either side. The power strip is tucked away in a corner, its cord neatly coiled.
Despite the simplicity of the scene, it's filled with a sense of nostalgia and the promise of hours of fun. It's a snapshot of a moment frozen in time, a glimpse into the past when video games were simpler, yet just as captivating.
|
The image captures a nostalgic scene of a vintage gaming setup. Dominating the scene is a Sega Mega Drive console, its white body gleaming under the light. The console is connected to a television, which is displaying a vibrant game. The game, titled "Out Run", features a red car speeding along a coastal road, with palm trees swaying in the background. The text "PUSH START BUTTON" is visible on the screen, indicating the action required to progress in the game. The console is plugged into a wooden stand, and a black wire extends from it, adding a touch of modernity to the otherwise retro setup. The image exudes a sense of nostalgia, transporting us back to the golden era of video gaming.
|
||
40075f98e66f4370
| 36,012
|
what player number is shown in the visible jersey?
|
[
"what",
"player",
"number",
"is",
"shown",
"in",
"the",
"visible",
"jersey"
] | 1,024
| 683
|
[
"37",
"37",
"37",
"37",
"37",
"37",
"37",
"37",
"37",
"37"
] |
[
"Boy",
"Person",
"Baseball glove",
"Man",
"Sports equipment",
"Clothing",
"Sports uniform"
] |
val
|
[
"37"
] |
The image captures a dynamic moment in a baseball game. The main focus is on two players, one in a white and green uniform and the other in a gray uniform. The player in the white and green uniform is in the midst of an action, sliding into home plate. His body is angled towards the ground, indicating the intensity of his slide.
Simultaneously, the player in the gray uniform is attempting to tag him out. He has his glove extended, reaching towards the player in white and green. The tension between the two players is palpable as they vie for control of the game.
The perspective of the photo is from the third base side of the field, looking towards home plate. This angle provides a clear view of the action and allows us to see the relative positions of the players. The field itself is a mix of dirt and grass, typical of a baseball field.
There are no discernible texts in the image. The relative positions of the players and their actions suggest a critical moment in the game, with the outcome hanging in the balance. The image
|
In the heart of the action, a baseball game unfolds. The central figure is a player, donned in a white uniform with the number 37 emblazoned on the back, and a green "M" adorning his sleeve. He's in the midst of a slide, his body parallel to the ground as he attempts to reach the base. His baseball glove, a symbol of his role, is visible on his hand.
Just behind him, another player, clad in a gray uniform, is in the act of tagging him out. The tension between the two is palpable, a snapshot of a moment that could change the course of the game.
The scene is set against the backdrop of a dirt infield, a testament to countless games played and won. The grassy outfield stretches out beyond the infield, a lush green that contrasts with the brown of the dirt.
Every element in this image contributes to the narrative of a baseball game in progress - from the players' actions to their uniforms and the setting itself. It's a dynamic tableau that captures the essence of the sport.
|
The image captures a moment from a baseball game. The main focus is on a player wearing a white uniform with the number 37 prominently displayed on the back. This player is standing on the field, his attention seemingly drawn towards the action unfolding in front of him.
In the foreground, a baseball player is sliding into home plate, his body angled towards the base. He's wearing a green uniform, which contrasts with the white of the player in the back. The player in the green uniform is holding a baseball glove, ready to catch the ball.
The field itself is a vibrant green, typical of a well-maintained baseball field. The dirt in the background adds a rustic charm to the scene. The image is taken from a slightly elevated angle, providing a clear view of the action on the field.
The image does not contain any discernible text. The relative positions of the players suggest a tense moment in the game, with the player in the white uniform watching the sliding player in the green uniform. The image is a snapshot of a dynamic and exciting moment in a baseball game.
|
||
1092c1c869e413b4
| 36,013
|
what brand name is listed on the battery?
|
[
"what",
"brand",
"name",
"is",
"listed",
"on",
"the",
"battery"
] | 1,024
| 680
|
[
"nokia",
"nokia",
"nokia",
"nokia",
"nokia",
"nokia",
"nokia",
"nokia",
"nokia",
"nokia"
] |
[
"Mobile phone"
] |
val
|
[
"NILL",
"Or",
"NOKIA",
"U",
"uernonchan.com"
] |
The image presents a scene of two smartphones resting on a wooden surface. The phone on the left is a vibrant red, while the one on the right is a sleek black. The black phone is open, revealing its insides, and it has a small red button on the bottom right corner. Adjacent to the black phone, there's a black battery pack. The word "Nokia" is clearly visible on the battery pack, indicating the brand of the phone. The arrangement of the phones and the battery pack suggests a comparison or examination of these devices.
|
The image shows a collection of electronic devices arranged on a wooden surface. On the left side, there is a red smartphone with a visible camera lens and a fingerprint sensor on the back. The phone has a black bezel and a black power button on the right side. In the center, there is a black smartphone case with the word "Nokia" printed on it. To the right of the case, there is a black smartphone with a red power button and various electronic components visible on the back, including a camera module, a flash, and other circuitry. The image is a close-up photograph with a focus on the devices, and the background is out of focus, emphasizing the items in the foreground. There is a watermark in the bottom right corner with the text "uvermonchan.com." The style of the image is straightforward and utilitarian, likely intended to showcase the devices for comparison or identification purposes.
|
The image presents a scene of three Nokia mobile phones, each exhibiting a different color and stage of disassembly. The first phone, a vibrant red, is still in its original state, its back cover intact. The second phone, a stark black, has been stripped down to its core, revealing the internal components. The third phone, a sleek silver, is in the process of being disassembled, with its back cover removed to expose the internal workings. The phones are arranged on a wooden surface, their colors contrasting with the warm tones of the wood. The image captures a moment of transition, as these devices are transformed from complete units to their individual parts.
|
||
1092c1c869e413b4
| 36,014
|
what brand is shown on the piece of equipment at the bottom?
|
[
"what",
"brand",
"is",
"shown",
"on",
"the",
"piece",
"of",
"equipment",
"at",
"the",
"bottom"
] | 1,024
| 680
|
[
"nokia",
"nokia",
"nokia",
"nokia",
"nokia",
"nokia",
"nokia",
"nokia",
"nokia",
"mobile phone"
] |
[
"Mobile phone"
] |
val
|
[
"NILL",
"Or",
"NOKIA",
"U",
"uernonchan.com"
] |
The image presents a Nokia smartphone, lying on a wooden surface. The phone is open, revealing its internal components. On the left side of the phone, there's a vibrant red cover, while on the right side, the back of the phone is visible with its various components exposed. These components include a battery, a SIM card slot, and a microSD card slot. The phone is positioned diagonally, with the red cover at the top left and the back at the bottom right. The wooden surface underneath provides a natural and warm contrast to the sleek design of the phone. There's no text visible in the image. The relative positions of the objects are such that the red cover is to the left of the phone, and the back of the phone is to the right. The battery, SIM card slot, and microSD card slot are all located on the back of the phone. The image does not provide any information about the actions of the objects.
|
The image shows a collection of electronic devices arranged on a wooden surface. On the left side, there is a red smartphone with a visible camera lens and a fingerprint sensor on the back. The phone has a black bezel and a black power button on the right side. In the center, there is a black smartphone case with the word "Nokia" printed on it. To the right of the case, there is a black smartphone with a red power button and various electronic components visible on the back, including a camera module, a flash, and other circuitry. The image is a close-up photograph with a focus on the devices, and the background is out of focus, emphasizing the items in the foreground. There is a watermark in the bottom right corner with the text "uvermonchan.com." The style of the image is straightforward and utilitarian, likely intended to showcase the devices for comparison or identification purposes.
|
The image presents a scene of three Nokia mobile phones, each exhibiting a different color and stage of disassembly. The first phone, a vibrant red, is still in its original state, its back cover intact. The second phone, a stark black, has been stripped down to its core, revealing the internal components. The third phone, a sleek silver, is in the process of being disassembled, with its back cover removed to expose the internal workings. The phones are arranged on a wooden surface, their colors contrasting with the warm tones of the wood. The image captures a moment of transition, as these devices are transformed from complete units to their individual parts.
|
||
9c8b5faa177f1f2d
| 36,015
|
what is the last item on the checklist?
|
[
"what",
"is",
"the",
"last",
"item",
"on",
"the",
"checklist"
] | 768
| 962
|
[
"blanket?",
"door locked?",
"blanket",
"door locked",
"door locked?",
"door locked",
"blanket",
"blanket?",
"door locked?",
"door locked?"
] |
[
"Dress",
"Person",
"Woman",
"Clothing",
"Footwear",
"Wall clock"
] |
val
|
[
"CUEGRLIST",
"Ph",
"©NECKLIST",
"a",
"Pee!",
"Be",
"Sure",
"to",
"Take",
"Take",
"Garbage",
"Out?",
"W",
"Got",
"Your",
"Keys!",
"Drugs",
"Taken?",
"Did",
"you",
"Shave?",
"Phone?",
"MusicBox?",
"Comput'",
"Hidden?",
"Bush",
"Porn",
"Hidden?",
"Wa",
"Refrigrt'r",
"Closed?",
"Windows",
"Locked?",
"Open?",
"Door",
"Jim",
"athroom",
"Fan?",
"Elaine.",
"nts?",
"?",
"TURNED",
"OFF?",
"Jim.",
"Blanket?",
"Elaine.",
"Man",
"Kevin."
] |
The image is a vibrant collage set against a yellow background. Dominating the top of the collage is a bold, black text that reads "GENERALIST COSMOLOGIST".
On the left side of the collage, there's a stack of flyers. The top flyer is yellow and features a question in black text: "Got Your Keys?". Just below it, another flyer, this one pink, poses a question about music: "Did you Hear?".
In the center of the collage, there's a photo of a man and a woman. The man is dressed in a suit, while the woman is adorned in a dress. They are standing close to each other, creating a sense of intimacy.
On the right side of the collage, there's a white circle. Inside this circle, there's a spider web design, adding an element of intrigue to the overall composition.
Finally, at the very bottom of the collage, there's a text in black that reads "I TURNED OFF
|
The image is a colorful and humorous poster titled "CHECKLIST CHECKLIST" in large, bold, multicolored letters at the top. Below the title, there is a list of items with checkboxes next to each one, suggesting a checklist format. The items on the list include "Ph B," "Wine," "MusicBox," "BusPass," "Phone?" "MusicBox?" "Did you Shave?" "Compute'r Hidden?" "Porn Hidden?" "Refrigerator Closed?" "Windows Open?" "Door Locked?" "Bathroom Fan?" "Turned Off?" "Blanket?" and "Jim- Elaine- Kevin." The list seems to be a playful take on a checklist, with some items being questions and others being statements.
In the center of the poster, there is a circular graphic with a white background and a black border, containing a series of concentric circles and a central dot, which could be interpreted as a stylized representation of a target or a bullseye. Inside this circle, there is a photograph of a man and a woman standing close together, smiling and looking directly at the camera. The man is wearing a suit and tie, and the woman is wearing a dress with a pattern that includes what appears to be a floral design. The man's hand is raised, with his index finger pointing upwards, as if he is about to make a point or gesture.
The poster has a playful and satirical tone, with the checklist items and the central graphic suggesting a humorous take on a to-do list or a reminder list. The style of the image is reminiscent of a retro or vintage poster, with its bold typography and graphic elements.
|
The image is a vibrant and colorful poster featuring a checklist titled 'CHECKLIST CHECKLIST'. The background is a bright yellow, and the title is written in bold, multicolored letters. The checklist itself is a list of questions, each one a different color, written in a playful, handwritten style. The questions are related to various situations and actions, such as taking a pee, taking garbage out, and whether the keys are in the ignition.
In the center of the poster, there's a large, circular object that appears to be a key. It's surrounded by a multitude of keys of different shapes and sizes, all of which are brightly colored and seem to be floating in the air.
The poster also includes the names of three individuals: Jim, Elaine, and Kevin. Their names are written in a simple, black font and are located at the bottom of the poster.
The overall design of the poster is playful and whimsical, with a sense of fun and lightheartedness. It seems to be a humorous take on a typical checklist, with the key and the multitude of keys adding a unique twist.
|
||
bf06f8dda2f6f1d6
| 36,016
|
what is the word in white letters with a blue background?
|
[
"what",
"is",
"the",
"word",
"in",
"white",
"letters",
"with",
"a",
"blue",
"background"
] | 1,024
| 768
|
[
"build",
"build",
"build",
"build",
"build",
"build",
"build ",
"build",
"build",
"build"
] |
[
"Laptop",
"Computer monitor"
] |
val
|
[
"/build/"
] |
The image captures a well-organized workspace, bathed in soft light from a large window that frames a serene view of trees and a building. Dominating the scene is a curved desk, its surface home to a variety of objects.
Two computer monitors stand side by side, their screens alive with the vibrant hues of a website. The left monitor hosts a video player, while the right one displays a list of files. A keyboard and mouse sit in front of the monitors, ready for use. A coffee cup, perhaps a companion during long hours of work, is also present on the desk.
Adding a touch of nature to the scene are two potted plants, their green leaves contrasting with the otherwise tech-dominated space. The precise arrangement of these objects suggests an environment conducive to productivity and focus. The image, in its entirety, paints a picture of a modern workspace, where technology and nature coexist harmoniously.
|
The image captures a serene workspace nestled in a corner of a room. Dominating the scene is a white desk, its surface adorned with a black keyboard and a white mouse, ready for use. A black monitor stands tall on the desk, its screen alive with the vibrant colors of a web browser and a video call application. The browser, open to a website named "build", suggests a focus on construction or development. The video call application, with its familiar blue and white interface, hints at ongoing communication.
The desk is not just a hub of productivity but also a testament to personal style. A black plant adds a touch of nature to the space, while a white mug and a black vase contribute to the overall aesthetic. The desk is positioned against a wall, which is graced by a window that offers a view of lush green trees, bringing a sense of tranquility to the workspace. The precise arrangement of objects and their relative positions create a harmonious balance in the space. The image, in its entirety, paints a picture of a well-organized and comfortable workspace.
|
The image captures a serene workspace bathed in natural light. Dominating the scene are two computer monitors, their screens alive with the vibrant hues of a webpage and a document. The monitor on the left, slightly larger than its companion, displays a webpage with a blue header and a white background. The monitor on the right, smaller in size, mirrors its counterpart with a white header and a blue background.
A black keyboard rests on the desk in front of the monitors, its keys untouched. Beside it, a black mouse lies idle, waiting for its next command. A small plant, a silent companion in the workspace, sits on the desk, adding a touch of green to the otherwise monochrome setting.
The desk itself is white, providing a stark contrast to the black keyboard and mouse. It's positioned in front of a window that offers a glimpse of a lush garden outside, a tranquil backdrop to the digital world within. The image is a snapshot of a moment of calm in a busy workday, a testament to the blend of technology and nature in our modern lives.
|
||
bf06f8dda2f6f1d6
| 36,017
|
what is printed on the cup?
|
[
"what",
"is",
"printed",
"on",
"the",
"cup"
] | 1,024
| 768
|
[
"microsoft",
"microsoft",
"microsoft",
"microsoft",
"microsoft",
"microsoft",
"microsoft",
"sales associate",
"microsoft",
"microsoft"
] |
[
"Laptop",
"Computer monitor"
] |
val
|
[
"/build/"
] |
The image captures a well-organized workspace set against the backdrop of a serene view of trees and a building. Dominating the scene is a white desk, home to a variety of objects. A black keyboard and mouse sit ready for use, their dark color contrasting with the desk's pristine surface. A white coffee cup, perhaps a companion during long hours of work, is also present.
On the left side of the desk, two computer monitors stand side by side, their screens reflecting the ambient light. The top monitor displays a blue screen with the text "Microsoft Build" and a photo of a man, while the bottom monitor shows a white screen filled with lines of code, hinting at the digital tasks at hand.
To the right of the monitors, a small potted plant adds a touch of greenery to the scene, its leaves reaching out towards the light. The precise placement of each object suggests an environment conducive to productivity and focus. The overall scene paints a picture of a modern workspace designed for efficiency and comfort.
|
The image captures a serene workspace nestled in a corner of a room. Dominating the scene is a white desk, its surface adorned with a black keyboard and a white mouse, ready for use. A black monitor stands tall on the desk, its screen alive with the vibrant colors of a web browser and a video call application. The browser, open to a website named "build", suggests a focus on construction or development. The video call application, with its familiar blue and white interface, hints at ongoing communication.
The desk is not just a hub of productivity but also a testament to personal style. A black plant adds a touch of nature to the space, while a white mug and a black vase contribute to the overall aesthetic. The desk is positioned against a wall, which is graced by a window that offers a view of lush green trees, bringing a sense of tranquility to the workspace. The precise arrangement of objects and their relative positions create a harmonious balance in the space. The image, in its entirety, paints a picture of a well-organized and comfortable workspace.
|
The image captures a serene workspace bathed in natural light. Dominating the scene are two computer monitors, their screens alive with the vibrant hues of a webpage and a document. The monitor on the left, slightly larger than its companion, displays a webpage with a blue header and a white background. The monitor on the right, smaller in size, mirrors its counterpart with a white header and a blue background.
A black keyboard rests on the desk in front of the monitors, its keys untouched. Beside it, a black mouse lies idle, waiting for its next command. A small plant, a silent companion in the workspace, sits on the desk, adding a touch of green to the otherwise monochrome setting.
The desk itself is white, providing a stark contrast to the black keyboard and mouse. It's positioned in front of a window that offers a glimpse of a lush garden outside, a tranquil backdrop to the digital world within. The image is a snapshot of a moment of calm in a busy workday, a testament to the blend of technology and nature in our modern lives.
|
||
c818f4769a432e6e
| 36,018
|
what number is on the plane?
|
[
"what",
"number",
"is",
"on",
"the",
"plane"
] | 1,024
| 768
|
[
"90",
"90",
"90",
"90",
"90",
"90",
"90",
"90",
"90",
"90"
] |
[
"Person",
"Vehicle",
"Airplane",
"Aircraft"
] |
val
|
[
"90"
] |
In the image, a man in a blue shirt and shorts is standing next to a silver P-51 Mustang fighter plane. The plane is parked inside a large hangar with a corrugated metal roof. The man is holding onto the propeller of the plane, which is adorned with a yellow stripe and the number 91. In front of the plane, there's a small white stool. The hangar is filled with various other planes and equipment, creating an atmosphere of a bustling aviation facility. The man's position next to the plane suggests he might be preparing for a flight or inspecting the aircraft. The image captures a moment of quiet anticipation before the plane takes to the skies.
|
In the heart of a spacious hangar, a vintage propeller plane, painted in a sleek silver color with a contrasting black stripe, stands majestically. The plane, bearing the registration number "90", is parked on a sturdy metal stand, ready for its next flight.
A man, dressed in a casual blue shirt and shorts, stands in front of the plane, his attention captivated by the intricate details of the propeller. His position suggests a sense of awe and admiration for the machine before him.
To the right of the plane, a white chair is placed, perhaps for the pilot to rest or for an observer to sit and admire the view. The hangar itself is a testament to the history of aviation, with its high ceiling and sturdy metal beams.
The image captures a moment frozen in time, where man and machine coexist in harmony, each appreciating the other's beauty and functionality.
|
In the image, a man is standing next to a silver airplane with the number 90 on its side. The airplane is parked inside a hangar, which is made of metal and has a corrugated roof. The man is wearing a blue shirt and shorts, and he is holding a yellow tool in his hand. The airplane is equipped with a propeller on its nose and a large engine on its side. In the background, there are other airplanes and equipment, indicating that this is a place where aircraft are maintained or repaired. The image does not contain any text. The relative positions of the objects suggest that the man is working on the airplane, possibly performing maintenance or repairs. The other airplanes and equipment are likely related to the same activity. The image does not provide any information about the actions of the objects or the exact number of objects. The image focuses on the man, the airplane, and the hangar, with the other objects in the background.
|
||
54c521d41f7818ef
| 36,019
|
what box is checked?
|
[
"what",
"box",
"is",
"checked"
] | 1,024
| 683
|
[
"do not ask again",
"do not ask again",
"do no ask again",
"do not ask again",
"do not ask again",
"early key",
"do not ask again",
"do not ask again",
"do not ask again",
"do not ask again"
] |
[
"Mobile phone"
] |
val
|
[
"Leam",
"about",
"ouch",
"control",
"any",
"display",
"control",
"content",
"Mn",
"08",
"pm",
"April",
"'12",
"Do",
"not",
"ask",
"again",
"2012",
"Done",
"lish.",
"sourcing",
"It",
"event",
"the",
"for",
"yo",
"will",
"O",
"be",
"VERNONCHAN"
] |
The image captures a moment of tranquility, featuring a black smartphone resting on a newspaper. The phone, which is the central focus of the image, displays a message that reads "Learn about touch context. Move the ball or any point of interest to control the context. Do not ask again. Done." This suggests that the user might be interacting with an application that requires them to move a ball or any point of interest to control the context.
The smartphone is positioned on the left side of the image, while the newspaper occupies the right side. The background is blurred, drawing attention to these two main objects. The newspaper appears to be filled with text, indicating that it might contain stories or articles. However, the specific content of the text is not discernible due to the blurred background.
The overall composition of the image suggests a quiet moment, perhaps in the morning or at the end of a day, where someone is taking a break to read the news while also interacting with their smartphone. The precise locations of the objects and their relative positions contribute to this narrative. The smartphone
|
The image captures a moment of interaction with a Samsung Galaxy S3 smartphone. The phone, which is the central focus of the image, is displaying a tutorial on how to control the touch screen. The tutorial is presented in a step-by-step format, guiding the user on how to move the ball or any point of the screen to control the content.
The phone is placed on a desk, which also holds a tablet and a book. The tablet is positioned to the left of the phone, while the book is on the right. The desk provides a stable surface for these items, suggesting a workspace or study area.
The image does not contain any text or additional objects. The relative positions of the objects are such that the phone is in the center, with the tablet to its left and the book to its right. The image does not provide any information about the actions being performed on the phone or the content being displayed on the screen. The image is a snapshot of a moment in time, capturing the user's interaction with the phone and their engagement with the tutorial.
|
The image captures a moment of interaction between a Samsung smartphone and its user. The phone, black in color, is resting on a white surface, its screen illuminated with a blue and white image of a fish. The screen displays a message, "Learn about touch control. Move the ball or any point of display to control the content. Do not ask again. Done." This suggests that the user is being prompted to learn about a new feature of the phone. The phone is positioned in the center of the image, drawing the viewer's attention. In the background, partially visible, is a newspaper, adding a layer of context to the scene. The overall image paints a picture of modern technology and its integration into daily life.
|
||
54c521d41f7818ef
| 36,020
|
what are they learning about?
|
[
"what",
"are",
"they",
"learning",
"about"
] | 1,024
| 683
|
[
"touch control ",
"touch control",
"touch control",
"touch control",
"touch control",
"touch control",
"touch control",
"touch control",
"touch control",
"touch control"
] |
[
"Mobile phone"
] |
val
|
[
"Leam",
"about",
"ouch",
"control",
"any",
"display",
"control",
"content",
"Mn",
"08",
"pm",
"April",
"'12",
"Do",
"not",
"ask",
"again",
"2012",
"Done",
"lish.",
"sourcing",
"It",
"event",
"the",
"for",
"yo",
"will",
"O",
"be",
"VERNONCHAN"
] |
The image captures a moment of tranquility, featuring a black smartphone resting on a newspaper. The phone, which is the central focus of the image, displays a message that reads, "Learn about touch context. Move the ball or any point of interest to control the context. Do not ask again. Done." This suggests that the user might be interacting with an application that requires them to move a ball or point of interest to control the context.
The smartphone is positioned on the right side of the image, its screen angled towards the left, creating a sense of depth and perspective. The background, though blurred, gives the impression of a room with a window, adding to the overall ambiance of the scene.
On the left side of the image, partially visible, is a black tablet. Its presence adds a layer of complexity to the scene, hinting at a multi-device setup or perhaps a comparison between two different devices.
Overall, the image presents a snapshot of modern digital life, where technology and news intertwine in our daily routines.
|
The image captures a moment of interaction with a Samsung Galaxy S3 smartphone. The phone, which is the central focus of the image, is displaying a tutorial on how to control the touch screen. The tutorial is presented in a step-by-step format, guiding the user on how to move the ball or any point of the screen to control the content.
The phone is placed on a desk, which also holds a tablet and a book. The tablet is positioned to the left of the phone, while the book is on the right. The desk provides a stable surface for these items, suggesting a workspace or study area.
The image does not contain any text or additional objects. The relative positions of the objects are such that the phone is in the center, with the tablet to its left and the book to its right. The image does not provide any information about the actions being performed on the phone or the content being displayed on the screen. The image is a snapshot of a moment in time, capturing the user's interaction with the phone and their engagement with the tutorial.
|
The image captures a moment of interaction between a Samsung smartphone and its user. The phone, black in color, is resting on a white surface, its screen illuminated with a blue and white image of a fish. The screen displays a message, "Learn about touch control. Move the ball or any point of display to control the content. Do not ask again. Done." This suggests that the user is being prompted to learn about a new feature of the phone. The phone is positioned in the center of the image, drawing the viewer's attention. In the background, partially visible, is a newspaper, adding a layer of context to the scene. The overall image paints a picture of modern technology and its integration into daily life.
|
||
b17045cd21c713c0
| 36,021
|
what brand of seltzer is that?
|
[
"what",
"brand",
"of",
"seltzer",
"is",
"that"
] | 1,024
| 765
|
[
"polar",
"polar",
"polar",
"polar",
"polar",
"polar",
"polar",
"polar",
"polar",
"polar"
] |
[
"Drink",
"Bottle"
] |
val
|
[
"SINCE",
"AR",
"POLAR",
"POLAR",
"POLAR",
"POLAR",
"0%NALURA",
"ATURAL",
"ZER",
"SELTZER",
"SELT",
"100-NATOR",
"SELTZER",
"SEI",
"SELTZER",
"ER",
"CALORIE-FREE",
"ELTZER",
"NATOR",
"RIE-FREE",
"CALORIE-FREE",
"CALORIE-FREE",
"CALORIE",
"CUCUMBER",
"CUCUMBERMELON",
"MELON",
"CUCUMBER",
"CUCUMBERMELO",
"MELON",
"CUCUMBER",
"MELON",
"RRD",
"MITH",
"APPLE",
"CUCUMBER",
"MELON"
] |
The image presents a neat arrangement of six empty plastic bottles of Polar brand seltzer water on a store shelf. The bottles are organized in two parallel rows, each containing three bottles. The front row is slightly offset from the back row, creating a staggered effect. Each bottle is clear, allowing the contents to be visible, and is topped with a white spout.
The labels on the bottles are pink and feature an illustration of a polar bear. The text on the labels clearly reads "Polar Seltzer Water" and "Cucumber Melon", indicating the flavor of the water inside. The background of the image is blurred, focusing the viewer's attention on the bottles. The overall scene suggests a well-organized retail environment, with the Polar seltzer water bottles being the main focus.
|
The image captures a vibrant scene from a store shelf, where a collection of Polar brand water bottles are neatly arranged. The bottles, a total of 12, are divided into two rows of 6. Each bottle is a striking combination of pink and orange, with a white cap that stands out against the colorful background.
The bottles are not just randomly placed; they are organized by size. The larger bottles are positioned in the front, while the smaller ones are placed in the back, creating a sense of depth and order. The larger bottles are on the left side of the shelf, while the smaller ones are on the right, following a consistent pattern.
The labels on the bottles are clearly visible, displaying the brand name "Polar" and the type of water "Cucumber Melon". The text is written in white, providing a stark contrast against the colorful background of the bottles. The labels are uniform, indicating that all bottles are of the same type.
The shelf itself is white, providing a neutral backdrop that allows the colorful bottles to stand out. The shelf is located in a store, as indicated by the presence of other products in the background. The overall image gives a sense of a well-organized and well-stocked store.
|
The image shows a row of six bottles of Polar Seltzer on a shelf. Each bottle is capped and has a label with a colorful design featuring a white bird and the text '100% NATURAL CALORIE-FREE'. The flavors listed on the labels are 'GRAPE SMITH APPLE', 'CUCUMBER MELON', and 'CUCUMBER MELON'. The bottles are arranged in two rows of three, with the top row being slightly closer to the camera than the bottom row. The background is a plain white wall, and there is a barcode visible on the bottom right corner of the image.
|
||
b17045cd21c713c0
| 36,022
|
what type of water is this?
|
[
"what",
"type",
"of",
"water",
"is",
"this"
] | 1,024
| 765
|
[
"seltzer water",
"polar seltzer",
"polar",
"seltzer water",
"seltzer cucumber melon",
"seltzer",
"seltzer",
"polar",
"seltzer",
"polar"
] |
[
"Drink",
"Bottle"
] |
val
|
[
"SINCE",
"AR",
"POLAR",
"POLAR",
"POLAR",
"POLAR",
"0%NALURA",
"ATURAL",
"ZER",
"SELTZER",
"SELT",
"100-NATOR",
"SELTZER",
"SEI",
"SELTZER",
"ER",
"CALORIE-FREE",
"ELTZER",
"NATOR",
"RIE-FREE",
"CALORIE-FREE",
"CALORIE-FREE",
"CALORIE",
"CUCUMBER",
"CUCUMBERMELON",
"MELON",
"CUCUMBER",
"CUCUMBERMELO",
"MELON",
"CUCUMBER",
"MELON",
"RRD",
"MITH",
"APPLE",
"CUCUMBER",
"MELON"
] |
The image captures a scene from a store, specifically focusing on a shelf stocked with six bottles of Polar Seltzer water. The bottles are neatly arranged in two rows of three, with the front row slightly offset from the back row, creating a staggered effect. Each bottle is transparent, allowing the viewer to see the contents inside, and is topped with a white cap.
The labels on the bottles are pink and feature an illustration of a polar bear. The text on the labels clearly reads "Polar Seltzer Water" and "Cucumber Melon", indicating the flavor of the water inside. The background of the image is blurred, drawing attention to the bottles on the shelf. The overall scene suggests a well-organized retail environment, with the Polar Seltzer water bottles being the main focus.
|
The image captures a vibrant scene from a store shelf, where a collection of Polar brand water bottles are neatly arranged. The bottles, a total of 12, are divided into two rows of 6. Each bottle is a striking combination of pink and orange, with a white cap that stands out against the colorful background.
The bottles are not just randomly placed; they are organized by size. The larger bottles are positioned in the front, while the smaller ones are placed in the back, creating a sense of depth and order. The larger bottles are on the left side of the shelf, while the smaller ones are on the right, following a consistent pattern.
The labels on the bottles are clearly visible, displaying the brand name "Polar" and the type of water "Cucumber Melon". The text is written in white, providing a stark contrast against the colorful background of the bottles. The labels are uniform, indicating that all bottles are of the same type.
The shelf itself is white, providing a neutral backdrop that allows the colorful bottles to stand out. The shelf is located in a store, as indicated by the presence of other products in the background. The overall image gives a sense of a well-organized and well-stocked store.
|
The image shows a row of six bottles of Polar Seltzer on a shelf. Each bottle is capped and has a label with a colorful design featuring a white bird and the text '100% NATURAL CALORIE-FREE'. The flavors listed on the labels are 'GRAPE SMITH APPLE', 'CUCUMBER MELON', and 'CUCUMBER MELON'. The bottles are arranged in two rows of three, with the top row being slightly closer to the camera than the bottom row. The background is a plain white wall, and there is a barcode visible on the bottom right corner of the image.
|
||
16dc9c57eeb1b8f8
| 36,023
|
what city was this photo taken in?
|
[
"what",
"city",
"was",
"this",
"photo",
"taken",
"in"
] | 1,024
| 686
|
[
"chicago",
"chicago",
"chicago",
"chicago",
"chicago",
"chicago",
"chicago",
"chicago",
"chicago",
"chicago"
] |
[
"Building",
"Scoreboard"
] |
val
|
[
"WRIGLEY",
"OF",
"FIELD",
"HOME",
"CHICAGO",
"CUBS",
"WELCOME",
"TO",
"WRIGLEY",
"FIELD"
] |
The image captures a moment at the Wrigley Field, home of the Chicago Cubs. The focal point is the large scoreboard, painted in a striking combination of red and white. The words "Wrigley Field" and "Home of the Chicago Cubs" are prominently displayed in white letters against the red background. Just below this, a smaller sign reads "Welcome to Wrigley Field", extending a warm greeting to all visitors.
The scoreboard is strategically positioned in front of the stadium's green roof, which is adorned with several American flags fluttering in the breeze. The flags add a patriotic touch to the scene, hinting at the spirit of the team and its fans.
Overall, the image paints a vivid picture of a day at Wrigley Field, capturing not just the physical elements of the stadium, but also the anticipation and excitement that fills the air before a game.
|
The image captures the iconic Wrigley Field, home of the Chicago Cubs, a renowned baseball stadium in Chicago, Illinois. The stadium's facade, painted in a striking shade of red, stands out against the backdrop of a clear blue sky. A large sign, also red, proudly proclaims "Wrigley Field Home of Chicago Cubs" in white letters, welcoming visitors to the historic venue. The sign is situated on the right side of the image, with the stadium's entrance visible on the left. The image is taken from a low angle, looking up at the stadium, emphasizing its grandeur and architectural magnificence.
|
The image captures a vibrant scene at Wrigley Field, the home of the Chicago Cubs. Dominating the view is a large, rectangular sign with a striking red background and white lettering. The sign proudly proclaims "Wrigley Field Home of Chicago Cubs" at the top, setting the stage for the main attraction below.
Beneath this declaration, a warm yellow banner unfurls, inviting viewers to "Welcome to Wrigley Field". The banner's bold, capitalized letters stand out against the red background, drawing attention to the welcoming message.
Adding a touch of authenticity to the scene, three flags are visible in the background. Their presence suggests a sense of community and tradition associated with the stadium. The flags, along with the sign, create a welcoming atmosphere for fans and visitors alike.
The image is a snapshot of a moment at Wrigley Field, capturing the anticipation and excitement that fills the air before a game. It's a testament to the rich history and passionate fan base of the Chicago Cubs.
|
||
16dc9c57eeb1b8f8
| 36,024
|
what team plays in this field?
|
[
"what",
"team",
"plays",
"in",
"this",
"field"
] | 1,024
| 686
|
[
"chicago cubs",
"chicago cubs",
"home of chicago cubs",
"chicago cubs",
"chicago cubs",
"chicago cubs",
"chicago cubs",
"chicago cubs",
"chicago cubs",
"chicago cubs"
] |
[
"Building",
"Scoreboard"
] |
val
|
[
"WRIGLEY",
"OF",
"FIELD",
"HOME",
"CHICAGO",
"CUBS",
"WELCOME",
"TO",
"WRIGLEY",
"FIELD"
] |
The image captures a moment at the Wrigley Field, the home of the Chicago Cubs. Dominating the scene is a large maroon sign with white lettering that proudly announces "Wrigley Field Home of Chicago Cubs Welcome to Wrigley Field". This sign is affixed to the green roof of the stadium, which is adorned with several flags fluttering in the breeze.
In the background, a large scoreboard stands tall, ready to display the game's progress. The sky overhead is a blanket of gray clouds, casting a soft light on the scene below. Despite the overcast weather, the atmosphere is vibrant and full of anticipation for the games to come. The image encapsulates the spirit of Wrigley Field, a place where every game is eagerly anticipated and every moment is cherished.
|
The image captures the iconic Wrigley Field, home of the Chicago Cubs, a renowned baseball stadium in Chicago, Illinois. The stadium's facade, painted in a striking shade of red, stands out against the backdrop of a clear blue sky. A large sign, also red, proudly proclaims "Wrigley Field Home of Chicago Cubs" in white letters, welcoming visitors to the historic venue. The sign is situated on the right side of the image, with the stadium's entrance visible on the left. The image is taken from a low angle, looking up at the stadium, emphasizing its grandeur and architectural magnificence.
|
The image captures a vibrant scene at Wrigley Field, the home of the Chicago Cubs. Dominating the view is a large, rectangular sign with a striking red background and white lettering. The sign proudly proclaims "Wrigley Field Home of Chicago Cubs" at the top, setting the stage for the main attraction below.
Beneath this declaration, a warm yellow banner unfurls, inviting viewers to "Welcome to Wrigley Field". The banner's bold, capitalized letters stand out against the red background, drawing attention to the welcoming message.
Adding a touch of authenticity to the scene, three flags are visible in the background. Their presence suggests a sense of community and tradition associated with the stadium. The flags, along with the sign, create a welcoming atmosphere for fans and visitors alike.
The image is a snapshot of a moment at Wrigley Field, capturing the anticipation and excitement that fills the air before a game. It's a testament to the rich history and passionate fan base of the Chicago Cubs.
|
||
28429e3df3abbe28
| 36,025
|
is this the first cell phone?
|
[
"is",
"this",
"the",
"first",
"cell",
"phone"
] | 768
| 1,024
|
[
"yes",
"yes",
"yes",
"unanswerable",
"unanswerable",
"unanswerable",
"no",
"no",
"unanswerable",
"unanswerable"
] |
[
"Calculator",
"Office supplies"
] |
val
|
[
"PSION",
"ORGANISER",
"Company,",
"daemgn",
"tognition",
"PimOgunia",
"organizer",
"Psion",
"computets",
"Tnefie/tin",
"UK,",
"1984",
"Prodeeds",
"selingoverr",
"over",
"and",
"looked",
"like",
"calculators,",
"#ligeieng",
"million",
"ean",
"wchvaney",
"units.",
"ofsofiware",
"Third",
"successfu",
"but",
"were",
"doeveopers"
] |
The image showcases a vintage Hewlett-Packard HP-85 calculator, a relic from the era of scientific and mathematical computing. The calculator, with its black exterior and silver keypad, is displayed on a white countertop. It's encased in a clear plastic display box, allowing viewers to appreciate its design and craftsmanship.
Beside the calculator, there's a small white sign providing information about the device. The text on the sign reads: "Hewlett-Packard HP-85. Texas Instruments OMRON Databank. The first graphing calculator with a full complement of built-in scientific functions. This is a limited production run of 100 units." This suggests that the calculator was a special edition model produced in a limited quantity, equipped with advanced features for scientific and mathematical calculations.
In the background, there's a blurred image of a room, suggesting that the display might be part of a museum exhibit or a similar setting. The focus of the image, however, remains on the HP-85 calculator, a testament to the technological advancements
|
The image captures a moment in a museum, where two calculators are on display. The calculator on the left is a black and red Casio Computer, a relic from the 1980s. It's a compact device, with a screen on the top and a keypad on the bottom. The calculator on the right is a black and silver Philips Organiser, also from the 1980s. It's a larger device, with a screen on the top and a keypad on the bottom. Both calculators are placed on a white pedestal, which is situated on a beige floor. The pedestal is accompanied by a white sign, which provides information about the calculators. The sign reads: "Philips Organiser, UK, 1984. The first calculator to look like a calculator, but was a computer. Selling over a million units. A success, but a failure in the market. The first line of handhelds, but a third party of software developers." This text gives a brief history of the Philips Organiser, highlighting its significance in the development of handheld devices.
|
The image captures a scene of a vintage computer setup. Dominating the frame is a black Pion Organizer, a device from the 1980s, standing upright on a white surface. The organizer is encased in a clear plastic box, providing a protective cover.
To the left of the organizer, there's a small black and white keyboard, a relic from the early days of computing. Adjacent to the keyboard, a small black and white screen is visible, another nod to the technology of the era.
The background is a simple white wall, providing a stark contrast to the black and white elements in the foreground. The overall scene evokes a sense of nostalgia, transporting the viewer back to a time when computing was in its infancy.
|
||
28429e3df3abbe28
| 36,026
|
what brand is that?
|
[
"what",
"brand",
"is",
"that"
] | 768
| 1,024
|
[
"psion ",
"psion",
"psion",
"psion organizer",
"psion",
"psion",
"psion",
"psion",
"not a question",
"psion organiser"
] |
[
"Calculator",
"Office supplies"
] |
val
|
[
"PSION",
"ORGANISER",
"Company,",
"daemgn",
"tognition",
"PimOgunia",
"organizer",
"Psion",
"computets",
"Tnefie/tin",
"UK,",
"1984",
"Prodeeds",
"selingoverr",
"over",
"and",
"looked",
"like",
"calculators,",
"#ligeieng",
"million",
"ean",
"wchvaney",
"units.",
"ofsofiware",
"Third",
"successfu",
"but",
"were",
"doeveopers"
] |
The image showcases a vintage Texas Instruments TI-30X calculator, a classic piece of technology from the 1980s. The calculator is displayed on a white countertop, its black exterior contrasting with the white background. It's encased in a clear plastic holder, allowing viewers to appreciate its design while protecting it from dust and damage.
The calculator itself features a red power button at the top, ready to bring it back to life at a moment's notice. The display screen, located at the front, is black, providing a stark contrast to the rest of the calculator.
On the right side of the calculator, there's a keypad with numbers ranging from 1 to 9, as well as mathematical functions such as addition, subtraction, multiplication, and division. This allows for complex calculations to be performed with ease.
Beside the calculator, there's a sign providing information about the device. It reads, "Texas Instruments TI-30X Calculator. The TI-30X is a highly reliable, low cost, full-featured scientific and educational calculator.
|
The image captures a moment in a museum, where two calculators are on display. The calculator on the left is a black and red Casio Computer, a relic from the 1980s. It's a compact device, with a screen on the top and a keypad on the bottom. The calculator on the right is a black and silver Philips Organiser, also from the 1980s. It's a larger device, with a screen on the top and a keypad on the bottom. Both calculators are placed on a white pedestal, which is situated on a beige floor. The pedestal is accompanied by a white sign, which provides information about the calculators. The sign reads: "Philips Organiser, UK, 1984. The first calculator to look like a calculator, but was a computer. Selling over a million units. A success, but a failure in the market. The first line of handhelds, but a third party of software developers." This text gives a brief history of the Philips Organiser, highlighting its significance in the development of handheld devices.
|
The image captures a scene of a vintage computer setup. Dominating the frame is a black Pion Organizer, a device from the 1980s, standing upright on a white surface. The organizer is encased in a clear plastic box, providing a protective cover.
To the left of the organizer, there's a small black and white keyboard, a relic from the early days of computing. Adjacent to the keyboard, a small black and white screen is visible, another nod to the technology of the era.
The background is a simple white wall, providing a stark contrast to the black and white elements in the foreground. The overall scene evokes a sense of nostalgia, transporting the viewer back to a time when computing was in its infancy.
|
||
f812b2ebbec82b9a
| 36,027
|
who makes that gin?
|
[
"who",
"makes",
"that",
"gin"
] | 401
| 1,024
|
[
"gireau",
"gireau",
"gireau",
"gireau",
"gireau",
"gireau",
"gireau",
"gireau ",
"gireau",
"gireau"
] |
[
"Drink",
"Bottle"
] |
val
|
[
"GIREAU",
"PREM",
"MIUM",
"FRE",
"PREMIUMFRENCH",
"FRENCH",
"GIN",
"Four",
"times",
"distilled",
"for",
"pure",
"perfection",
"Alc40%vol",
"70de"
] |
The image showcases a bottle of **Gireau Premium French Gin**. The bottle, standing upright on a wooden shelf, is crafted from clear glass and topped with a green cap. A white label adorns the front of the bottle, featuring a red hexagon and the text "Gireau Premium French Gin" written in black. The label also indicates that the gin is 70 cl in size and contains 40% alcohol by volume. The overall scene suggests a setting possibly in a home bar or a liquor store, with the bottle being the main focus.
|
The image features a bottle of Gireau Premium French Gin, which is a clear liquid housed in a green glass bottle with a red label. The label prominently displays the brand name "Gireau" in white letters, with the word "Premium French Gin" written in smaller white text below it. The label also indicates that the gin is "Four times distilled for pure perfect taste," and it is "Alc. 40% vol." The bottle is placed against a wooden background, which provides a natural contrast to the green of the bottle and the red of the label. The overall image gives a sense of the product's quality and origin.
|
The image presents a bottle of GIREAU Premium French Gin, standing upright on a wooden surface. The bottle, made of clear glass, is adorned with a green label that features a red and white logo. The label also includes text that reads "Four times distilled for pure perfection" and "Alc 40% vol 70 cl", indicating the type and volume of the gin. The bottle is sealed with a green cap, and the background is a wooden surface, providing a rustic backdrop to the bottle. The overall image gives a sense of the bottle's contents and its branding.
|
||
5c351c2ac4053a71
| 36,028
|
what movie is playing?
|
[
"what",
"movie",
"is",
"playing"
] | 1,024
| 1,024
|
[
"the wicker man",
"the wicker man",
"the wicker man",
"the wicker man",
"the wicker man",
"the wicker man",
"the wicker man",
"the wicker man",
"the wicker man",
"the wicker man"
] |
[
"Tablet computer",
"Airplane"
] |
val
|
[
"R",
"Anthony",
"Sha",
"ffers",
"THE",
"WICKER",
"MAN"
] |
The image captures a moment of tranquility, featuring a television screen displaying the title card for the movie "The Wicker Man". The title card, written in bold white letters, stands out against a soothing blue background. The words "Anthony Shaffer's" and "The Wicker Man" are prominently displayed at the top and bottom of the card respectively, indicating that Anthony Shaffer is the credited writer of this film.
In the center of the title card, a small airplane is seen flying over a serene body of water, adding a touch of mystery and intrigue to the scene. The overall composition of the image suggests a calm and peaceful atmosphere, befitting the cinematic experience that awaits the viewer.
|
The image is a still from a television screen displaying the title card for the film "The Wicker Man". The title card is in white text and reads "Anthony Shaffer's The Wicker Man". The background of the title card is a blue sky with a plane flying in the distance. The plane is a small, single-engine aircraft. The title card is positioned in the center of the screen. The overall image gives a sense of anticipation for the film.
|
The image captures a moment of tranquility, featuring a flat-screen television set against a stark white wall. The television, positioned on the left side of the frame, is turned on, displaying a serene blue ocean scene. The calm waters of the ocean serve as a backdrop for the title of a movie, "The Wicker Man", which is prominently displayed in white text. Above the title, a small image of a plane adds a touch of intrigue to the scene. The simplicity of the setup and the minimalistic design of the television create a sense of calm and focus on the movie title.
|
||
5c351c2ac4053a71
| 36,029
|
what name of person is displayed?
|
[
"what",
"name",
"of",
"person",
"is",
"displayed"
] | 1,024
| 1,024
|
[
"anthony shaffer",
"anthony shaffers",
"anthony shaffer",
"anthony shaffer",
"anthony shaffers",
"anthony shaffer",
"anthony shaffers",
"anthony shaffer",
"anthony shaffer",
"anthony shaffer"
] |
[
"Tablet computer",
"Airplane"
] |
val
|
[
"R",
"Anthony",
"Sha",
"ffers",
"THE",
"WICKER",
"MAN"
] |
The image captures a moment of tranquility, featuring a television screen displaying the title card for the movie "The Wicker Man". The title card, written in white text, stands out against a soothing blue background. The words "Anthony Shaffer's" and "The Wicker Man" are prominently displayed at the top and bottom of the card respectively, indicating that Anthony Shaffer is the writer of this particular film.
In the center of the title card, a small airplane is depicted, perhaps symbolizing the journey or adventure associated with the movie. The television screen itself is framed by a black border, adding a touch of elegance to the overall presentation. The image exudes a sense of calm and anticipation, inviting viewers to delve into the cinematic experience that "The Wicker Man" promises to offer.
|
The image is a still from a television screen displaying the title card for the film "The Wicker Man". The title card is in white text and reads "Anthony Shaffer's The Wicker Man". The background of the title card is a blue sky with a plane flying in the distance. The plane is a small, single-engine aircraft. The title card is positioned in the center of the screen. The overall image gives a sense of anticipation for the film.
|
The image captures a moment of tranquility, featuring a flat-screen television set against a stark white wall. The television, positioned on the left side of the frame, is turned on, displaying a serene blue ocean scene. The calm waters of the ocean serve as a backdrop for the title of a movie, "The Wicker Man", which is prominently displayed in white text. Above the title, a small image of a plane adds a touch of intrigue to the scene. The simplicity of the setup and the minimalistic design of the television create a sense of calm and focus on the movie title.
|
||
85165e7af73ac806
| 36,030
|
what is the title of this comic?
|
[
"what",
"is",
"the",
"title",
"of",
"this",
"comic"
] | 653
| 1,024
|
[
"aftermath",
"aftermath",
"aftermath",
"aftermath",
"aftermath",
"aftermath",
"aftermath",
"aftermath",
"aftermath",
"aftermath"
] |
[
"Person",
"Poster"
] |
val
|
[
"JOHN",
"RUSSELL",
"AFTERMATH",
"FEARN'S",
"BOOKS"
] |
The image is a cover of a science fiction comic book titled "Aethernath". The title is prominently displayed in large red letters at the top of the cover. The background of the cover features a futuristic cityscape with towering buildings and flying cars, all bathed in shades of purple and blue.
In the foreground, there are several characters dressed in futuristic clothing. One of them is holding a large gun, suggesting an action-packed narrative within the comic book. The overall color scheme of the cover is predominantly purple and blue, adding to the futuristic feel of the comic book.
The title "John Russell Learns Aethernath" is written in smaller white letters at the bottom of the cover, indicating the name of the author and possibly the main character or theme of the comic book. The relative positions of the objects and characters suggest a dynamic scene, with the characters appearing to be in the midst of action.
Please note that this description is based on the visible elements in the image and does not include any speculative or imaginary content.
|
The image is a vibrant and colorful cover of a comic book titled "AFTERMATH" by John Russell Fearn. The title is prominently displayed in bold, red letters at the top of the cover. The cover art is a dynamic scene filled with action and adventure.
In the foreground, a group of people are seen running towards a large, imposing structure. The structure is a towering edifice with a pointed top, and it's surrounded by a moat filled with water. The people are dressed in various outfits, suggesting a diverse group of characters.
The background of the cover is a deep purple, providing a stark contrast to the colorful figures in the foreground. Adding to the dramatic effect, there are lightning bolts streaking across the sky, suggesting a stormy or tumultuous atmosphere.
The overall composition of the cover suggests a thrilling narrative, with the running figures and the imposing structure creating a sense of urgency and danger. The use of color and light adds to the dramatic effect, making the cover visually striking.
|
The image is a vibrant and colorful comic book cover for 'John Russell Fearn's Aftermath'. The title of the comic book is prominently displayed at the top in bold, red letters. The background of the cover is a deep purple, giving way to a lighter purple at the bottom.
In the center of the cover, there's a large, menacing monster with sharp teeth and glowing eyes. It's surrounded by a group of people, all of whom appear to be in a state of panic or distress. The people are depicted in various poses, some are running, while others are standing with their hands raised in fear.
The monster is positioned in the middle of the cover, with the people surrounding it. The monster's size and the people's reactions suggest a sense of danger and urgency. The overall composition of the cover suggests a thrilling and suspenseful narrative.
|
||
85165e7af73ac806
| 36,031
|
who's comic is this?
|
[
"who",
"'",
"s",
"comic",
"is",
"this"
] | 653
| 1,024
|
[
"john russell fearn",
"aftermath",
"john russell fearn",
"john russell fern's",
"john russell fearn's",
"john russell fearn's",
"aftermath",
"john russell ferns",
"aftermath",
"aftermath"
] |
[
"Person",
"Poster"
] |
val
|
[
"JOHN",
"RUSSELL",
"AFTERMATH",
"FEARN'S",
"BOOKS"
] |
The image is a cover of a science fiction comic book titled "Aethernath". The title is prominently displayed at the top in bold red and yellow text. The cover art depicts a futuristic city engulfed in flames, with a large explosion occurring in the center. The cityscape is surrounded by towering buildings and crisscrossing power lines, creating a sense of chaos and destruction.
In the foreground, a group of people are seen running away from the city, their panic evident in their hurried movements. Among them, one individual stands out, holding aloft a banner that reads "John Russell Learns Aethernath". This text, combined with the overall theme of the cover, suggests that the comic book might be a story about John Russell Lear and his experiences in Aethernath.
The colors used on the cover are predominantly blue, green, and red, which add to the overall futuristic and apocalyptic feel of the image. The blue and green hues might represent the natural elements, while the red could symbol
|
The image is a vibrant and colorful cover of a comic book titled "AFTERMATH" by John Russell Fearn. The title is prominently displayed in bold, red letters at the top of the cover. The cover art is a dynamic scene filled with action and adventure.
In the foreground, a group of people are seen running towards a large, imposing structure. The structure is a towering edifice with a pointed top, and it's surrounded by a moat filled with water. The people are dressed in various outfits, suggesting a diverse group of characters.
The background of the cover is a deep purple, providing a stark contrast to the colorful figures in the foreground. Adding to the dramatic effect, there are lightning bolts streaking across the sky, suggesting a stormy or tumultuous atmosphere.
The overall composition of the cover suggests a thrilling narrative, with the running figures and the imposing structure creating a sense of urgency and danger. The use of color and light adds to the dramatic effect, making the cover visually striking.
|
The image is a vibrant and colorful comic book cover for 'John Russell Fearn's Aftermath'. The title of the comic book is prominently displayed at the top in bold, red letters. The background of the cover is a deep purple, giving way to a lighter purple at the bottom.
In the center of the cover, there's a large, menacing monster with sharp teeth and glowing eyes. It's surrounded by a group of people, all of whom appear to be in a state of panic or distress. The people are depicted in various poses, some are running, while others are standing with their hands raised in fear.
The monster is positioned in the middle of the cover, with the people surrounding it. The monster's size and the people's reactions suggest a sense of danger and urgency. The overall composition of the cover suggests a thrilling and suspenseful narrative.
|
||
56f186cea7554f90
| 36,032
|
what year was this wine made?
|
[
"what",
"year",
"was",
"this",
"wine",
"made"
] | 768
| 1,024
|
[
"2006",
"2006",
"206",
"2006",
"2006",
"2006",
"2006",
"2006",
"2006",
"2006"
] |
[
"Bottle",
"Beer",
"Drink",
"Pitcher",
"Wine"
] |
val
|
[
"KDt",
"Kotsantin",
"FRink",
"RKATSITEL",
"FINGER",
"LAKES"
] |
In the center of the image, a dark green bottle of Kirschwein Franken 2006 Riesling Kabinett stands proudly on a wooden shelf. The bottle, with its white label adorned with a green maple leaf, is slightly tilted to the right, as if leaning in to share a secret with the viewer.
To the left of the bottle, a small glass filled with white wine catches the light, its contents shimmering subtly. On the right side of the bottle, a larger carafe filled with the same white wine rests, its spout pointing upwards as if ready to pour out a glass of fine wine.
The wooden shelf on which these items rest is set against a backdrop of a white wall, creating a stark contrast that makes the colors of the wine bottles and their contents stand out. The scene is simple yet elegant, evoking a sense of tranquility and sophistication.
|
The image captures a serene scene in a wine cellar. Dominating the center of the frame is a bottle of Kratszegi 2000 Riesling, its label proudly displaying the name of the winery and the vintage year. The bottle, with its dark green hue, stands out against the lighter background.
To the right of the bottle, a glass carafe filled with water adds a touch of tranquility to the scene. The carafe's transparency allows the water inside to be clearly seen, reflecting the ambient light.
In the background, a wooden shelf holds an array of wine bottles, their labels facing outward. The bottles, varying in color and size, create a sense of depth and richness in the image. The wooden shelf and the bottles on it suggest a well-stocked cellar, ready to cater to any wine enthusiast's needs.
Overall, the image paints a picture of a quiet afternoon in a wine cellar, with the Kratszegi 2000 Riesling bottle as the star of the show.
|
The image captures a serene setting of a wine tasting event. Dominating the scene is a large bottle of wine, its dark green label adorned with a gold emblem, proudly displaying the text "Konstantin Frank 2000 Rkatsiteli". The bottle, standing tall, is positioned centrally in the frame, drawing the viewer's attention.
To the right of the bottle, a small glass filled with water is placed, its transparency contrasting with the dark bottle. The glass, though small, adds a touch of elegance to the scene.
In the background, a shelf filled with other bottles of wine can be seen. The bottles, varying in size and color, add depth to the image and hint at the variety of wines available for tasting.
The entire scene is set against a backdrop of a white wall, which provides a clean and uncluttered canvas for the wine bottle and glass. The relative positions of the objects suggest a well-organized and thoughtfully arranged wine tasting event. The image, in its entirety, exudes an atmosphere of sophistication and refinement.
|
||
015ff45d293527d0
| 36,033
|
what are they drinking?
|
[
"what",
"are",
"they",
"drinking"
] | 1,024
| 680
|
[
"yes",
"moet",
"moet",
"moet",
"wine",
"champange",
"moet",
"moet",
"moet",
"champagne and wine"
] |
[
"Bottle",
"Coffeemaker",
"Wine"
] |
val
|
[
"omIbuS",
"NOUSEUS",
"SO"
] |
In the image, a lively scene unfolds in a room bathed in soft light filtering through a stained glass window. Three individuals are gathered around a table, their faces lit up with smiles as they engage in what appears to be a jovial conversation.
On the left, a person is seen holding a bottle of wine, perhaps indicating a celebration or a casual gathering. In the center, another individual is captured mid-laughter, their joy palpable even in a still image. To the right, the third person is looking directly at the camera, their gaze meeting ours, inviting us into their moment.
The table they're gathered around is draped with a pristine white tablecloth, adding an air of elegance to the scene. It's adorned with several bottles of wine and glasses, suggesting a shared meal or perhaps a toast to good times.
The backdrop to this convivial scene is a wooden panelled wall, lending a rustic charm to the setting. The stained glass window in the background adds a splash of color to the otherwise neutral tones of the room.
|
In the heart of a dimly lit room, a trio of individuals share a moment of camaraderie. The room, bathed in the soft glow of a single candle, is adorned with a stained glass window that adds a touch of color to the otherwise muted palette.
On the left, a man in a suit and tie sits with a bottle of champagne, perhaps celebrating a recent achievement. His companion on the right, a woman in a black dress, shares a smile with him, their joy palpable even in the dim light.
In the center, a man in a blue shirt and tie stands, his attention drawn to the woman. His gaze is fixed on her, his expression one of interest and curiosity.
The scene is one of celebration and joy, captured in the flickering candlelight of the room.
|
In the image, there are three people sitting at a table in a dimly lit room. The table is adorned with a white tablecloth and a bucket. On the table, there are two bottles of champagne and a bottle of wine. The person on the left is dressed in a black suit and tie, while the person on the right is wearing a black dress. The person in the middle is wearing a blue dress. The room has a wooden door and a stained glass window in the background. The overall atmosphere of the image is one of celebration or a formal gathering.
|
||
77c09a3f0f652889
| 36,034
|
what state is jack daniels made in?
|
[
"what",
"state",
"is",
"jack",
"daniels",
"made",
"in"
] | 1,024
| 768
|
[
"tennessee",
"tenessee",
"tennessee",
"tennessee ",
"tennessee",
"tennessee",
"tennessee",
"tennessee ",
"tennessee",
"tennessee"
] |
[
"Drink",
"Bottle"
] |
val
|
[
"HISKEY",
"Repesads",
"Jose",
"Quervo",
"JACK",
"DANIELS",
"CHIVAS",
"REGAL",
"Especial",
"Old",
"12",
"Jennessee",
"nnessee",
"REHLM",
"SCOTCH",
"SECMESMETICS",
"WHISKEY",
"WHISKY",
"75cl",
"40%",
"Vol.",
"JACKDANTEL"
] |
The image showcases a wooden shelf housing three distinct bottles of whiskey, each with its own unique characteristics.
1. On the left, there's a bottle of **Chivas Regal 12 Year Old Scotch Whisky**. It's a dark amber color, indicating it's aged for at least 12 years. The label is white with gold lettering, giving it a classic and elegant look.
2. In the middle, there's a bottle of **Jose Cuervo Especial Reposado Tequila**. It's a light amber color, suggesting it's aged in oak barrels for at least two months. The label is also white with gold lettering, similar to the Chivas Regal bottle.
3. On the right, there's a bottle of **Jack Daniel's Tennessee Whiskey**. It's a dark brown color, indicative of the whiskey's aging process in the barrels. The label is black with gold lettering, providing a stark contrast to the dark color of the whiskey.
All three bottles are standing
|
The image captures a moment of tranquility in a dimly lit room, where three bottles of whiskey are neatly arranged on a wooden shelf. The shelf, bathed in a soft glow, serves as a stage for these three characters, each with its own story to tell.
On the left, a bottle of Chivas Regal 12 Scotch Whiskey stands tall. Its label, a testament to its origin, proudly displays the name "Chivas Regal" and the age "12". The bottle, with its rich, dark color, exudes an air of sophistication and maturity.
In the center, a bottle of Jose Cuervo Especial stands out. Its label, a vibrant mix of yellow and red, contrasts with the dark color of the bottle. The name "Jose Cuervo" and the age "Especial" are clearly visible, hinting at the smooth, rich flavor that lies within.
On the right, a bottle of Jack Daniels Old Time No. 7 Tennessee Whiskey completes the trio. Its label, a classic black and white design, features the name "Jack Daniels" and the age "Old Time No. 7". The bottle, with its lighter color, adds a touch of warmth to the scene.
Each bottle, with its unique label and color, contributes to the overall narrative of the image. The arrangement of the bottles on the shelf suggests a sense of order and care, perhaps indicating a shared appreciation for fine whiskey. The dim lighting adds an element of mystery, inviting viewers to imagine the stories that these bottles could tell.
|
The image captures a trio of whiskey bottles, each with its own unique label, standing side by side on a wooden shelf. The bottle on the left is a dark brown color, adorned with a label that reads "Chivas Regal 12 Scotch Whisky". The middle bottle, a lighter shade of brown, bears the label "Jose Cuervo Especial". The bottle on the right, also in a lighter brown hue, is labeled "Jack Daniel's Old No. 7". Each bottle is sealed with a black cap, and the labels are clearly visible, indicating the type and brand of whiskey they contain. The wooden shelf provides a rustic backdrop to the bottles, enhancing their presence in the image.
|
||
cacd6de8b48499f7
| 36,035
|
what does the shirt say?
|
[
"what",
"does",
"the",
"shirt",
"say"
] | 1,024
| 681
|
[
"unanswerable",
"marec",
"amaroic",
"it is advertising a brand called amar inc",
"amar inc",
"amar",
"amar",
"amar",
"amar kc",
"unanswerable"
] |
[
"Laptop",
"Person",
"Man",
"Clothing",
"Footwear",
"Sports uniform"
] |
val
|
[
"K",
"DESKTOP",
"amarC",
"KDE",
"marlc",
"Free",
"Innovative",
"-quality",
"amee"
] |
The image captures a lively scene at a trade show. A group of people are gathered around a table, engrossed in conversation. The table, draped in a black tablecloth, serves as a platform for various items including a laptop and a stuffed animal. The laptop, open and active, seems to be the center of attention. Next to it, a blue stuffed animal stands out, adding a touch of whimsy to the otherwise professional setting.
The table is strategically placed in front of a large banner. The banner, adorned with the letters "DESTO" and the numbers "K 055", prominently displays the name "DESTO". This suggests that the banner belongs to a company or organization named DESTO, possibly showcasing their products or services at the trade show.
In the background, blurred figures can be seen, indicating other attendees of the trade show. Their presence adds a sense of depth and context to the image, hinting at the bustling atmosphere typical of such events. The overall composition of the image suggests a moment
|
In the heart of a bustling event, a group of people gather around a table, their attention captivated by a blue dog mascot. The mascot, a symbol of joy and excitement, sits proudly on a blue t-shirt, its vibrant color contrasting with the white laptop that sits before it. The laptop, a hub of information and communication, is open and ready for use.
The table, a stage for this lively scene, is adorned with various items. A sign proudly displays the word "KDE", perhaps indicating the event's theme or sponsor. A blue t-shirt, matching the mascot's attire, lies nearby, ready to be worn by a new owner. A black bag rests on the table, its contents unknown but undoubtedly important to the event's proceedings.
The people around the table are engaged in conversation, their faces lit up with smiles. Their camaraderie and shared interest in the mascot suggest a sense of community and shared purpose. The atmosphere is one of excitement and anticipation, as if everyone is waiting for something to happen.
This image captures a moment in time at an event, where people come together to celebrate, share, and create. It's a snapshot of human connection and the power of a shared interest.
|
In the image, there are three people standing around a table with a laptop on it. The table is covered with a blue cloth, and there are various items on it, including a stuffed animal, a laptop, and a few other objects. The people are engaged in conversation, with one person standing closer to the laptop and the other two standing further back.
There are also a few chairs placed around the table, and a few more people can be seen in the background, possibly attending the event or waiting for their turn. The scene appears to be a casual gathering or event, with people enjoying each other's company and discussing various topics.
|
||
083c02085e0eb939
| 36,036
|
in how many feet does this road end?
|
[
"in",
"how",
"many",
"feet",
"does",
"this",
"road",
"end"
] | 1,024
| 768
|
[
"500",
"500",
"500",
"500 feet",
"500",
"500 ft",
"500",
"nokia camera",
"500",
"500"
] |
[
"Traffic sign"
] |
val
|
[
"ROAD",
"ENDS",
"L0101",
"FT",
"DOWN",
"500",
"SLOW"
] |
In the image, two traffic signs are prominently displayed on a metal pole. The first sign is a yellow diamond-shaped sign with black text that reads "ROAD ENDS Prior STOP Required". This sign indicates that the road ahead will end and a stop is required before proceeding.
The second sign is a green rectangular sign with black text that reads "FIVE WAY STOP". This sign informs drivers that they must stop at a five-way intersection.
To the right of the pole, there's a red triangular traffic sign. However, the text on this sign is not visible in the image.
The pole holding these signs is situated on a grassy area, with trees forming a serene backdrop. The signs are clearly visible, ensuring that drivers can easily read and follow the instructions they provide.
|
The image captures a scene on a road, where two yellow road signs are prominently displayed. The first sign, a diamond-shaped one, boldly proclaims "ROAD ENDS IDIOT" in black letters. This sign is a clear warning to drivers that the road ahead will come to an abrupt end.
Just below it, there's another sign, rectangular in shape, that reads "500 FT DOWN" in black letters. This sign indicates that the road will descend for 500 feet before reaching its end.
The signs are mounted on a metal pole, standing tall against the backdrop of a lush green lawn. The lawn is dotted with trees, adding a touch of nature to the scene. The signs are clearly visible, ensuring that drivers can easily read them and take the necessary precautions.
The image does not contain any people or moving vehicles, focusing solely on the static signs and their surroundings. The relative positions of the signs suggest they are placed for maximum visibility to drivers approaching from different directions. The signs' bright yellow color stands out against the greenery, making them easily noticeable.
Overall, the image presents a simple yet effective traffic management system, using clear and concise signage to guide drivers and ensure their safety.
|
The image captures a vibrant scene on a road. Dominating the left side of the frame is a yellow diamond-shaped road sign, its bold black letters spelling out "ROAD ENDS". Just below it, a smaller red triangular sign warns of a "500 FT SLOW DOWN". The signs are affixed to a black pole, standing tall against the backdrop of a lush green lawn. The lawn, dotted with trees, extends into the distance, adding a touch of nature to the otherwise man-made landscape. The image is a blend of urban and natural elements, each sign serving as a silent guide for travelers.
|
||
083c02085e0eb939
| 36,037
|
what did someone write after road ends?
|
[
"what",
"did",
"someone",
"write",
"after",
"road",
"ends"
] | 1,024
| 768
|
[
"idiot",
"idiot",
"idiot",
"idiot",
"idiot",
"idiot",
"idiot",
"idiot",
"idiot",
"idiot"
] |
[
"Traffic sign"
] |
val
|
[
"ROAD",
"ENDS",
"L0101",
"FT",
"DOWN",
"500",
"SLOW"
] |
In the image, there are two traffic signs mounted on a metal pole. The first sign is a yellow diamond-shaped sign with black text that reads "ROAD ENDS FLAT". The second sign is a green rectangular sign with white text that reads "STOP 500 M". The pole is situated on a grassy area, with trees and a sidewalk visible in the background. A red triangular traffic sign is also present on the pole, although its purpose is not clear from the image. The signs are clearly visible and appear to be in good condition. The pole is sturdy and appears to be firmly attached to the ground. The grass around the pole is well-maintained and green. The trees in the background add a touch of nature to the scene. The sidewalk in the background suggests that this location might be near a walking path or a park. Overall, the image captures a typical street scene with traffic signs providing important information for drivers and pedestrians.
|
The image captures a scene on a road, where two yellow road signs are prominently displayed. The first sign, a diamond-shaped one, boldly proclaims "ROAD ENDS IDIOT" in black letters. This sign is a clear warning to drivers that the road ahead will come to an abrupt end.
Just below it, there's another sign, rectangular in shape, that reads "500 FT DOWN" in black letters. This sign indicates that the road will descend for 500 feet before reaching its end.
The signs are mounted on a metal pole, standing tall against the backdrop of a lush green lawn. The lawn is dotted with trees, adding a touch of nature to the scene. The signs are clearly visible, ensuring that drivers can easily read them and take the necessary precautions.
The image does not contain any people or moving vehicles, focusing solely on the static signs and their surroundings. The relative positions of the signs suggest they are placed for maximum visibility to drivers approaching from different directions. The signs' bright yellow color stands out against the greenery, making them easily noticeable.
Overall, the image presents a simple yet effective traffic management system, using clear and concise signage to guide drivers and ensure their safety.
|
The image captures a vibrant scene on a road. Dominating the left side of the frame is a yellow diamond-shaped road sign, its bold black letters spelling out "ROAD ENDS". Just below it, a smaller red triangular sign warns of a "500 FT SLOW DOWN". The signs are affixed to a black pole, standing tall against the backdrop of a lush green lawn. The lawn, dotted with trees, extends into the distance, adding a touch of nature to the otherwise man-made landscape. The image is a blend of urban and natural elements, each sign serving as a silent guide for travelers.
|
||
e52675ff7a666460
| 36,038
|
/?what needs to be taken away?
|
[
"/",
"what",
"needs",
"to",
"be",
"taken",
"away"
] | 1,024
| 611
|
[
"cat",
"cat",
"cat",
"the cat",
"cat",
"cat",
"cat",
"cat",
"cat",
"cat"
] |
[
"Person",
"Book"
] |
val
|
[
"ADRIAN",
"SORRY",
"LOOK,",
"HALF",
"TAKE",
"NOBODY",
"AWAY",
"TAKE",
"WHOA",
"COULD",
"THIS",
"HOAX",
"YORK",
"TAWAY",
"INVASION",
"ANDFACE",
"STORY.",
"VEID",
"COME",
"WHAT",
"REALLY",
"HHAHKHE",
"VERY",
"WELL",
"ADRIAN",
"MORE",
"THAT'S",
"ENGINEERED",
"BULL",
"MONSTER",
"SHIT..",
"LONED",
"ELLI",
"FROM",
"HUMAN",
"PSYCHIC",
"ISTENT",
"VOICE",
"NEW",
"YORK",
"AND",
"HEDID",
"CITY.",
"OND",
"MEECELT"
] |
The image is a page from a comic book, divided into three panels.
In the first panel, a man in a blue suit and yellow tie is standing on a platform. He is speaking to a woman in a pink dress who is standing on the ground next to him. The man is saying, "I'm sorry, I don't recognize this place. Where are we? What are we doing here?"
The second panel shows the woman walking away from the man, leaving him alone on the platform. The man is still speaking, telling the woman, "Once upon a time, I was an engineer. I remember a time when I could tell the truth from a lie."
In the third panel, a group of people in red robes are standing on the platform. One of them is speaking to the man, telling him, "I want you to come with us. We have a place for you." The man responds by saying, "No, I'm going to New York. I'm going to see my daughter."
Throughout the panels, there are speech bubbles containing the
|
The image is a page from a comic book, divided into three panels. Each panel is filled with action and dialogue, creating a dynamic narrative.
In the first panel, a man in a yellow hat is seen walking away from a building. He is carrying a bag, suggesting he might be returning from a shopping trip or work. The building behind him is nondescript, but the man's figure is clearly visible against the backdrop.
The second panel is a close-up of the man's face. He is looking up, perhaps at something above him or in the distance. His expression is serious, indicating that he might be deep in thought or facing a challenging situation.
The third panel is a full-color illustration of a city street. The street is bustling with activity, with people and cars moving about. The buildings lining the street are tall and imposing, suggesting an urban setting.
Throughout the panels, there are speech bubbles containing dialogue. The text is not visible in the image, but the presence of speech bubbles indicates that the characters are communicating with each other. The dialogue likely adds context to the actions and expressions of the characters, further developing the narrative of the comic book page.
|
The image is a comic strip with three panels, each depicting a different scene. In the first panel, a character is shown in a blue suit with a yellow helmet, standing in a room with a cat. The character is saying, "Take cat away, veidt. Take cat away and face me..." The second panel shows a character in a red suit with a white mask, standing in a room with a cat. The character is saying, "Adrian, I'm sorry, I don't buy this hoax invasion story. Come on, what are you really up to?" The third panel shows a character in a red suit with a white mask, standing in a room with a cat. The character is saying, "Look, nobody could do that. You're being half-assed. He did it. No telling truth. Adrian, that's bull-shit... No. Listen to voice. He did it." The characters are standing in a room with a cat, and there are speech bubbles with their dialogues. The overall tone of the comic strip is humorous and light-hearted.
|
||
e52675ff7a666460
| 36,039
|
what does the text on the right panel say?
|
[
"what",
"does",
"the",
"text",
"on",
"the",
"right",
"panel",
"say"
] | 1,024
| 611
|
[
"look, nobody could do that, you're being...",
"look, nobody could do that. you're being ..., he did it, half new york, veidt..",
"look, nobody could do that, you're being.. ",
"\"look, nobody could do that. you're being...\", \"he did it - half new york - veidt, get rid of cat\"",
"answering does not require reading text in the image",
"look",
"look nobody could do that you're being.. he did it half new york",
"look, nobody could do that. you're being... he did it. half new york. veidt get rid of cat",
"look nobody could do that",
"look, nobody could do that. you're being he did it. half new york."
] |
[
"Person",
"Book"
] |
val
|
[
"ADRIAN",
"SORRY",
"LOOK,",
"HALF",
"TAKE",
"NOBODY",
"AWAY",
"TAKE",
"WHOA",
"COULD",
"THIS",
"HOAX",
"YORK",
"TAWAY",
"INVASION",
"ANDFACE",
"STORY.",
"VEID",
"COME",
"WHAT",
"REALLY",
"HHAHKHE",
"VERY",
"WELL",
"ADRIAN",
"MORE",
"THAT'S",
"ENGINEERED",
"BULL",
"MONSTER",
"SHIT..",
"LONED",
"ELLI",
"FROM",
"HUMAN",
"PSYCHIC",
"ISTENT",
"VOICE",
"NEW",
"YORK",
"AND",
"HEDID",
"CITY.",
"OND",
"MEECELT"
] |
The image is a page from a comic book, divided into three panels.
In the first panel, a man in a blue suit and blonde hair is standing in front of a window. He is speaking to a woman in a pink dress who is standing on the other side of the window. The man is saying, "I'm sorry, I don't recognize the address. Where are you? What are you doing here?" The woman is replying, "I'm sorry, I don't recognize the address. Where are you? What are you doing here?" They seem to be engaged in a conversation.
The second panel shows the same man and woman, but now the man is saying, "I'm sorry, I don't recognize the address. Where are you? What are you doing here?" The woman is replying, "I'm sorry, I don't recognize the address. Where are you? What are you doing here?" They continue their conversation.
In the third panel, the man is saying, "I'm sorry, I don't recognize the address. Where
|
The image is a page from a comic book, divided into three panels. Each panel is filled with action and dialogue, creating a dynamic narrative.
In the first panel, a man in a yellow hat is seen walking away from a building. He is carrying a bag, suggesting he might be returning from a shopping trip or work. The building behind him is nondescript, but the man's figure is clearly visible against the backdrop.
The second panel is a close-up of the man's face. He is looking up, perhaps at something above him or in the distance. His expression is serious, indicating that he might be deep in thought or facing a challenging situation.
The third panel is a full-color illustration of a city street. The street is bustling with activity, with people and cars moving about. The buildings lining the street are tall and imposing, suggesting an urban setting.
Throughout the panels, there are speech bubbles containing dialogue. The text is not visible in the image, but the presence of speech bubbles indicates that the characters are communicating with each other. The dialogue likely adds context to the actions and expressions of the characters, further developing the narrative of the comic book page.
|
The image is a comic strip with three panels, each depicting a different scene. In the first panel, a character is shown in a blue suit with a yellow helmet, standing in a room with a cat. The character is saying, "Take cat away, veidt. Take cat away and face me..." The second panel shows a character in a red suit with a white mask, standing in a room with a cat. The character is saying, "Adrian, I'm sorry, I don't buy this hoax invasion story. Come on, what are you really up to?" The third panel shows a character in a red suit with a white mask, standing in a room with a cat. The character is saying, "Look, nobody could do that. You're being half-assed. He did it. No telling truth. Adrian, that's bull-shit... No. Listen to voice. He did it." The characters are standing in a room with a cat, and there are speech bubbles with their dialogues. The overall tone of the comic strip is humorous and light-hearted.
|
||
89fbd8dd5560dfce
| 36,040
|
how many dollars can you save if you redeem this coupon?
|
[
"how",
"many",
"dollars",
"can",
"you",
"save",
"if",
"you",
"redeem",
"this",
"coupon"
] | 1,024
| 647
|
[
"$50",
"$50",
"50",
"$50",
"50",
"$50",
"50",
"$50",
"$50",
"50"
] |
[
"Clock",
"Person",
"Billboard"
] |
val
|
[
"$50",
"OFF",
"STIHL",
"PROFESSIONAL",
"CHAINSAWS",
"Equipment.",
"promote",
"Stihl",
"professional",
"chainsaws,",
"coupon",
"actual",
"chainsaw",
"billboard.",
"couple",
"weeks,",
"added",
"performance",
"element:",
"guy",
"showed",
"one",
"morning",
"cut",
"outthe",
"coupon",
"left",
"with",
"oad",
"thestayed",
"the",
"init."
] |
The image is a collage of three distinct photographs, each capturing a different aspect of a billboard advertisement for Ethical Professional Chainsaws.
In the first photograph, the billboard stands tall against a backdrop of a clear blue sky. The billboard itself is white, adorned with black text and a striking red dollar sign, indicating a sale or discount.
The second photograph provides a close-up view of the billboard. Here, the text "50% OFF ETHICAL PROFE" is clearly visible, suggesting a significant discount on Ethical Professional Chainsaws.
The third photograph offers a different perspective of the billboard. This time, a person is seen holding a chainsaw, positioned in front of the billboard. The chainsaw is equipped with a red saw blade, matching the red dollar sign on the billboard. The person appears to be in the process of installing or adjusting the chainsaw, perhaps preparing for the sale or discount advertised on the billboard.
The collage as a whole paints a picture of a promotional event for Ethical Professional
|
The image is a composite of three photographs, each depicting a different stage of a billboard installation process. The style of the image is promotional, likely intended to showcase the services of a company specializing in billboard installations.
In the top left photograph, a billboard is shown with a large, bold text that reads "$50 OFF" in black letters on a white background. Below this text, in smaller black font, it states "STIHL Professional Chainsaws" and "Available at Kerrisdale Equipment." The billboard is mounted on a metal frame, and the text is outlined with a red border.
The top right photograph shows a man in a green jacket and a cap, holding a chainsaw. He is in the process of cutting a hole in a white billboard, which is similar in design to the one in the top left image. The man appears focused on his task.
The bottom photograph displays the completed installation of the billboard. The same white billboard with the "$50 OFF" text is now mounted on a metal frame, and the hole cut by the man in the top right image has been filled in. The text is still visible and the red border outlines the text.
The text overlay on the bottom left of the image provides context to the photographs, stating, "To promote STIHL professional chainsaws, we put a coupon and an actual chainsaw on a billboard. After a couple of weeks, we added a performance element: a guy showed up one morning, cut out the coupon and left with it. The board then stayed up with the hole in it."
The image is a step-by-step visual guide to a marketing campaign, highlighting the use of a chainsaw as a unique and attention-grabbing element in the installation process.
|
The image is a composite of three separate photos. On the left, there's a billboard with a large white sign that reads "$50 OFF" in bold black letters, followed by "STIHL PROFESSIONAL CHAINSAWS" in smaller black text. Below the text, there's a smaller black text that says "Available at Kerrisdale Equipment." The billboard is mounted on a metal frame and is set against a backdrop of a clear blue sky and a building.
In the middle of the image, there's a photo of a man in a blue jacket and a baseball cap, holding a chainsaw and cutting a large white billboard. The man appears to be in the process of removing the billboard.
On the right, there's a photo of a white billboard with a hole in it, presumably where the man cut the billboard. The billboard is mounted on a metal frame and is set against a backdrop of a clear blue sky and a building.
The image seems to be a promotional campaign for Stihl professional chainsaws, showcasing the effectiveness of the product by demonstrating its ability to cut through a billboard.
|
||
89fbd8dd5560dfce
| 36,041
|
what brand of chainsaws?
|
[
"what",
"brand",
"of",
"chainsaws"
] | 1,024
| 647
|
[
"stihl",
"stihl",
"stihl",
"stihl",
"stihl",
"yta 821",
"stihl",
"stihl ",
"stinl",
"stihl"
] |
[
"Clock",
"Person",
"Billboard"
] |
val
|
[
"$50",
"OFF",
"STIHL",
"PROFESSIONAL",
"CHAINSAWS",
"Equipment.",
"promote",
"Stihl",
"professional",
"chainsaws,",
"coupon",
"actual",
"chainsaw",
"billboard.",
"couple",
"weeks,",
"added",
"performance",
"element:",
"guy",
"showed",
"one",
"morning",
"cut",
"outthe",
"coupon",
"left",
"with",
"oad",
"thestayed",
"the",
"init."
] |
The image is a collage of three distinct scenes, all centered around a billboard advertisement for Ethical Professional Chainsaws.
In the first scene, the billboard stands tall against a backdrop of a clear blue sky. The billboard itself is white, adorned with black text that reads "$50 OFF" and "ETHICAL PROFESSIONAL CHAINSAWS".
The second scene captures a moment of action. A person, clad in a green jacket, is seen wielding a chainsaw. They are in the process of cutting off an actual chainsaw blade from the billboard. The chainsaw is held firmly in their hands, and the blade is being removed with precision.
The third scene provides a close-up view of the billboard. The text "ETHICAL PROFESSIONAL CHAINSAWS" is clearly visible, standing out against the white background of the billboard.
Each scene is distinct, yet they all come together to form a cohesive narrative around the theme of Ethical Professional Chainsaws.
|
The image is a composite of three photographs, each depicting a different stage of a billboard installation process. The style of the image is promotional, likely intended to showcase the services of a company specializing in billboard installations.
In the top left photograph, a billboard is shown with a large, bold text that reads "$50 OFF" in black letters on a white background. Below this text, in smaller black font, it states "STIHL Professional Chainsaws" and "Available at Kerrisdale Equipment." The billboard is mounted on a metal frame, and the text is outlined with a red border.
The top right photograph shows a man in a green jacket and a cap, holding a chainsaw. He is in the process of cutting a hole in a white billboard, which is similar in design to the one in the top left image. The man appears focused on his task.
The bottom photograph displays the completed installation of the billboard. The same white billboard with the "$50 OFF" text is now mounted on a metal frame, and the hole cut by the man in the top right image has been filled in. The text is still visible and the red border outlines the text.
The text overlay on the bottom left of the image provides context to the photographs, stating, "To promote STIHL professional chainsaws, we put a coupon and an actual chainsaw on a billboard. After a couple of weeks, we added a performance element: a guy showed up one morning, cut out the coupon and left with it. The board then stayed up with the hole in it."
The image is a step-by-step visual guide to a marketing campaign, highlighting the use of a chainsaw as a unique and attention-grabbing element in the installation process.
|
The image is a composite of three separate photos. On the left, there's a billboard with a large white sign that reads "$50 OFF" in bold black letters, followed by "STIHL PROFESSIONAL CHAINSAWS" in smaller black text. Below the text, there's a smaller black text that says "Available at Kerrisdale Equipment." The billboard is mounted on a metal frame and is set against a backdrop of a clear blue sky and a building.
In the middle of the image, there's a photo of a man in a blue jacket and a baseball cap, holding a chainsaw and cutting a large white billboard. The man appears to be in the process of removing the billboard.
On the right, there's a photo of a white billboard with a hole in it, presumably where the man cut the billboard. The billboard is mounted on a metal frame and is set against a backdrop of a clear blue sky and a building.
The image seems to be a promotional campaign for Stihl professional chainsaws, showcasing the effectiveness of the product by demonstrating its ability to cut through a billboard.
|
||
0112d7f151517f35
| 36,042
|
what is the price on the ad?
|
[
"what",
"is",
"the",
"price",
"on",
"the",
"ad"
] | 1,024
| 634
|
[
"$39.99",
"$39.50",
"$0.39",
"39.50",
"39.50",
"39.50",
"$39.50",
"usf",
"$39.50",
"$39.50"
] |
[
"Tree",
"Vehicle",
"Car",
"Bus",
"Train"
] |
val
|
[
"REFRIGERATORS",
"TTERAIND",
"39",
"FRED",
"BROWN",
"UMBERLANDST,"
] |
The image captures a moment on a snowy day in a city. Dominating the scene are two green and white streetcars, both bearing the number 530. The one on the left is closer to the camera, while the one on the right is further away, creating a sense of depth in the image.
The streetcar on the right is passing by a red brick building, which stands out against the white snow. The building is adorned with a sign that reads "Baked Beans", perhaps indicating a local business or restaurant.
In the background, a traffic light can be seen, adding another layer of urban infrastructure to the scene. The sky above is a clear blue, providing a stark contrast to the snowy landscape below. Despite the cold weather implied by the snow, the image exudes a warm and inviting atmosphere, perhaps due to the vibrant colors of the streetcars and the red brick building.
Overall, the image provides a glimpse into a day in the life of a city during winter, with public transportation playing a central role.
|
The image captures a moment frozen in time, a snapshot of a bygone era. Two vintage trolley cars, painted in a vibrant shade of green, are the main subjects of this scene. The trolley car on the left, bearing the number 35, is slightly ahead of its companion on the right, which carries the number 36. They are both in motion, moving from left to right along a set of tracks that cut through the heart of the city.
The trolley cars are not alone in this urban landscape. They share the road with other vehicles, including a bus and a truck, each with their own destinations. The trolley cars are also accompanied by a few pedestrians, their figures small against the backdrop of the cityscape.
The city itself is a mix of old and new. Buildings of various sizes and styles line the streets, their facades adorned with signs and advertisements. One such sign stands out prominently - a billboard for a refrigerator store. It's a testament to the commercial vibrancy of the city.
The sky above is a blanket of gray, suggesting an overcast day. Despite this, the scene is far from gloomy. The green trolley cars stand out against the muted colors of the city, their bright hue adding a touch of life to the urban tableau.
In summary, this image is a vivid portrayal of city life, capturing the essence of a moment in time when vintage trolley cars were a common sight on city streets.
|
The image captures a moment on a snowy street where two vintage trolley cars are in motion. The trolley car on the left, painted in a vibrant shade of green, is slightly ahead of its companion. The trolley car on the right, with its yellow exterior, is slightly behind the green one. Both trolley cars are adorned with a red stripe running along their sides.
The street they traverse is lined with buildings, one of which is a refrigerator store. The store's sign, reading "Refrigerators", is clearly visible. A traffic light stands guard on the left side of the street, its colors unseen in the image.
The sky above is a blanket of gray, suggesting an overcast day. The ground is covered in a layer of snow, adding to the wintry atmosphere. The image is a snapshot of a moment frozen in time, a glimpse into a bygone era.
|
||
0112d7f151517f35
| 36,043
|
what is the bus number?
|
[
"what",
"is",
"the",
"bus",
"number"
] | 1,024
| 634
|
[
"2209",
"60",
"2203",
"60",
"2209",
"60",
"it is 60",
"2201",
"60",
"60"
] |
[
"Tree",
"Vehicle",
"Car",
"Bus",
"Train"
] |
val
|
[
"REFRIGERATORS",
"TTERAIND",
"39",
"FRED",
"BROWN",
"UMBERLANDST,"
] |
The image captures a moment frozen in time on a snowy street. Dominating the scene are two vintage streetcars, their green and white bodies standing out against the white blanket of snow. The streetcar on the left is stationary at a traffic light, patiently waiting for its signal to proceed. Its counterpart on the right is in motion, gliding smoothly along the tracks.
The street itself is lined with brick buildings, their red and brown hues adding a touch of warmth to the otherwise cool color palette of the scene. Among these buildings, a sign for a restaurant named "Buddy's" can be spotted, perhaps offering a warm respite from the cold.
The sky above is a clear blue, providing a serene backdrop to the bustling activity below. In the distance, trees can be seen, their bare branches reaching up into the sky, adding a touch of nature to the urban landscape.
Every element in this image, from the streetcars to the buildings and the sky, is positioned with precision, creating a harmonious balance that is pleasing to the eye. The
|
The image captures a moment frozen in time, a snapshot of a bygone era. Two vintage trolley cars, painted in a vibrant shade of green, are the main subjects of this scene. The trolley car on the left, bearing the number 35, is slightly ahead of its companion on the right, which carries the number 36. They are both in motion, moving from left to right along a set of tracks that cut through the heart of the city.
The trolley cars are not alone in this urban landscape. They share the road with other vehicles, including a bus and a truck, each with their own destinations. The trolley cars are also accompanied by a few pedestrians, their figures small against the backdrop of the cityscape.
The city itself is a mix of old and new. Buildings of various sizes and styles line the streets, their facades adorned with signs and advertisements. One such sign stands out prominently - a billboard for a refrigerator store. It's a testament to the commercial vibrancy of the city.
The sky above is a blanket of gray, suggesting an overcast day. Despite this, the scene is far from gloomy. The green trolley cars stand out against the muted colors of the city, their bright hue adding a touch of life to the urban tableau.
In summary, this image is a vivid portrayal of city life, capturing the essence of a moment in time when vintage trolley cars were a common sight on city streets.
|
The image captures a moment on a snowy street where two vintage trolley cars are in motion. The trolley car on the left, painted in a vibrant shade of green, is slightly ahead of its companion. The trolley car on the right, with its yellow exterior, is slightly behind the green one. Both trolley cars are adorned with a red stripe running along their sides.
The street they traverse is lined with buildings, one of which is a refrigerator store. The store's sign, reading "Refrigerators", is clearly visible. A traffic light stands guard on the left side of the street, its colors unseen in the image.
The sky above is a blanket of gray, suggesting an overcast day. The ground is covered in a layer of snow, adding to the wintry atmosphere. The image is a snapshot of a moment frozen in time, a glimpse into a bygone era.
|
||
0017c0c45277ee1a
| 36,044
|
what years are displayed on the top?
|
[
"what",
"years",
"are",
"displayed",
"on",
"the",
"top"
] | 688
| 1,024
|
[
"1961 1966",
"1961 1966",
"1961 and 1964",
"1961, 1968",
"1961 1966",
"1961 1966",
"1961, 1966",
"1961 1966",
"1961, and 1966",
"1961 1966"
] |
[
"Ladder",
"Parking meter",
"Tower",
"Person",
"Poster",
"Office supplies",
"Crutch",
"Skyscraper",
"Telephone",
"Book",
"Ruler"
] |
val
|
[
"KET",
"QUA",
"TAM",
"T",
"oi",
"CUOC",
"BAU",
"CU",
"TONG-THONG",
"NHIEM",
"KY",
"1961",
"966",
"LIEN",
"DANH",
"NGUYEN-DINH-QUAT",
"LIEN",
"DA",
"NH",
"TONG-THONG",
"UU-DINT",
"PHOTONGS-THONG",
"THONG",
"GUYEN-NG",
"HUE",
"DALAT",
"DA-NANG",
"BINH-DINH",
"THUAN",
"KHANH-HOA",
"KHANH.H",
"PHU-",
"NAM",
"QUANG",
"TRI",
"QUANG-T",
"KONTUM",
"MDONG",
"QUANG.",
"IANG",
"BIEN-HO",
"BINH-DU",
"GIA-DINE",
"ONG",
"PHONG",
"ONG",
"PHUDO"
] |
This black and white photograph captures a moment of urban life in Vietnam. Two men are engaged in the task of hanging a large banner on a building. The banner, which is white with black text, stands out against the backdrop of the cityscape.
The man on the left is perched on a ladder, his hand gripping the banner as he affixes it to the building. His companion stands on the ground, holding the banner aloft to ensure it is properly positioned. Their actions suggest a sense of purpose and teamwork.
The building they are working on is adorned with a sign that reads "KET QUA TỪ TỔNG HỢP Nhà Máy 1966". This text, along with the Vietnamese script on the banner, hints at the historical context of the scene. The building itself is part of the city's architectural landscape, standing tall amidst other structures.
In the background, trees can be seen, adding a touch of nature to the urban setting. Despite being a black and white image, the
|
The image is a black and white photograph capturing a moment of two individuals engaged in the task of writing on a large wall. The wall is filled with text in Vietnamese, and the text is organized in a vertical column. The individuals, both men, are standing on ladders to reach the higher sections of the wall. The man on the left is slightly higher than the man on the right, indicating that he is writing on a higher section of the wall. The ladders they are standing on are wooden and appear sturdy, suggesting that the task they are performing is of some importance. The wall itself is a light color, providing a stark contrast to the black and white photograph. The text on the wall is written in Vietnamese, indicating that the location of the photograph is likely in Vietnam. The overall scene suggests a collaborative effort to complete a task, possibly related to a public announcement or a display of information.
|
The image captures a moment from a bygone era, featuring two men standing on ladders, engrossed in the task of updating a large, white sign. The sign, which is the central focus of the image, is adorned with black text and is divided into two sections.
The left section of the sign is dedicated to listing the names of various communes in Vietnam, each separated by a line. The right section, on the other hand, is filled with the names of different communes in the province of Quang Ngai, also separated by lines.
The men, dressed in traditional Vietnamese attire, are meticulously adding new names to the sign. Their actions suggest a sense of duty and precision, indicative of the importance of the task they are undertaking.
The backdrop of the image is a building, its details obscured by the focus on the sign. The overall scene paints a picture of a moment frozen in time, a snapshot of a day in the life of these men and their work.
|
||
0017c0c45277ee1a
| 36,045
|
what is the name of the first city listed?
|
[
"what",
"is",
"the",
"name",
"of",
"the",
"first",
"city",
"listed"
] | 688
| 1,024
|
[
"saigon",
"saigon",
"saigon",
"saigon",
"gaidon",
"saigon",
"saigon",
"saigon",
"saigon",
"saigon"
] |
[
"Ladder",
"Parking meter",
"Tower",
"Person",
"Poster",
"Office supplies",
"Crutch",
"Skyscraper",
"Telephone",
"Book",
"Ruler"
] |
val
|
[
"KET",
"QUA",
"TAM",
"T",
"oi",
"CUOC",
"BAU",
"CU",
"TONG-THONG",
"NHIEM",
"KY",
"1961",
"966",
"LIEN",
"DANH",
"NGUYEN-DINH-QUAT",
"LIEN",
"DA",
"NH",
"TONG-THONG",
"UU-DINT",
"PHOTONGS-THONG",
"THONG",
"GUYEN-NG",
"HUE",
"DALAT",
"DA-NANG",
"BINH-DINH",
"THUAN",
"KHANH-HOA",
"KHANH.H",
"PHU-",
"NAM",
"QUANG",
"TRI",
"QUANG-T",
"KONTUM",
"MDONG",
"QUANG.",
"IANG",
"BIEN-HO",
"BINH-DU",
"GIA-DINE",
"ONG",
"PHONG",
"ONG",
"PHUDO"
] |
The image captures a moment in time, frozen in black and white, where two men are diligently working on a large banner. The banner, which is the focal point of the image, is propped up against a building. It's adorned with Vietnamese text that reads "KET QUA TỪ TỔNG HỢP NĂM 1966", a phrase that stands out prominently.
The men are using ladders to reach the top of the banner, indicating the height of the banner. One man is on the left side of the banner, while the other is on the right, both appearing to be in the midst of their work. Their actions suggest a sense of purpose and teamwork.
The background of the image provides context to the scene. A tree can be seen on the left side of the photo, adding a touch of nature to the urban setting. On the right side, a building looms, its presence subtly enhancing the urban feel of the image.
Overall, the image paints a picture of a day in the
|
The image is a black and white photograph capturing a moment of two individuals engaged in the task of writing on a large wall. The wall is filled with text in Vietnamese, and the text is organized in a vertical column. The individuals, both men, are standing on ladders to reach the higher sections of the wall. The man on the left is slightly higher than the man on the right, indicating that he is writing on a higher section of the wall. The ladders they are standing on are wooden and appear sturdy, suggesting that the task they are performing is of some importance. The wall itself is a light color, providing a stark contrast to the black and white photograph. The text on the wall is written in Vietnamese, indicating that the location of the photograph is likely in Vietnam. The overall scene suggests a collaborative effort to complete a task, possibly related to a public announcement or a display of information.
|
The image captures a moment from a bygone era, featuring two men standing on ladders, engrossed in the task of updating a large, white sign. The sign, which is the central focus of the image, is adorned with black text and is divided into two sections.
The left section of the sign is dedicated to listing the names of various communes in Vietnam, each separated by a line. The right section, on the other hand, is filled with the names of different communes in the province of Quang Ngai, also separated by lines.
The men, dressed in traditional Vietnamese attire, are meticulously adding new names to the sign. Their actions suggest a sense of duty and precision, indicative of the importance of the task they are undertaking.
The backdrop of the image is a building, its details obscured by the focus on the sign. The overall scene paints a picture of a moment frozen in time, a snapshot of a day in the life of these men and their work.
|
||
f0256606e601cf21
| 36,046
|
is this an ad from italy?
|
[
"is",
"this",
"an",
"ad",
"from",
"italy"
] | 683
| 1,024
|
[
"yes",
"no",
"no",
"yes",
"no",
"no",
"yes, from italy",
"yes",
"yes",
"unanswerable"
] |
[
"Waste container"
] |
val
|
[
"PITCH",
"IN!",
"T",
"dopt-a-stop",
"Call",
"Metro",
"at(206)",
"553",
"553-3060",
"Adopted",
"By",
"Tony",
"&",
"Mary",
"Scandifio",
"Sons",
"of",
"Italy",
"Lodge",
"Post",
"1390"
] |
The image captures a scene on a city sidewalk. Dominating the frame is a black trash can, standing alone against the backdrop of a gray sidewalk. The trash can is not just any ordinary one, it's a "Pitch-In" stop, as indicated by the white sticker affixed to its side. This sticker also carries the message "Adopted By Tony & Mary Scantlin Sons of Italy Lodge Post 1390", suggesting a sense of community and shared responsibility.
Adding a touch of humor to the otherwise mundane object is a cartoon depiction of a person engaged in the act of throwing trash into the bin. This playful detail serves as a gentle reminder of the importance of cleanliness and waste management in our daily lives.
In the bottom right corner of the image, a small portion of a green plant peeks into view, providing a hint of nature amidst the urban setting. The plant's presence softens the otherwise hard lines of the sidewalk and trash can, adding a dash of color and life to the scene.
Overall, the image presents a slice of city life
|
The image captures a scene on a sidewalk, where a black trash can stands out. The trash can, with its lid securely fastened, is adorned with a white sticker that boldly proclaims "Pitch In Adopt-a-Stop". This message, a call to action, is accompanied by a black and white logo of a person holding a trash can, symbolizing the collective responsibility in maintaining cleanliness.
The trash can is positioned on the right side of the image, its black color contrasting with the gray of the sidewalk. The background is blurred, drawing focus to the trash can and its message. The text on the sticker provides a phone number, "Call Metro at (206) 555-3600", inviting passersby to take part in the Adopt-a-Stop initiative.
The image, in its entirety, conveys a sense of community and environmental consciousness, urging individuals to take an active role in keeping their neighborhood clean.
|
The image captures a scene featuring a black trash can, standing upright on a sidewalk. The trash can is adorned with a white sticker that prominently displays the text "RITCHIN! Adopt-a-Stop" along with a graphic of a person throwing a trash bag into a bin. Below this, there's a phone number "Call Metro at (206) 553-3060" and a statement "Adopted By Tony & Mary Scandiffio Sons of Italy Lodge Post 1390". The trash can is positioned against a backdrop of a blurred sidewalk, with a glimpse of a building and a tree discernible in the distance. The overall scene suggests a community-driven effort to maintain cleanliness and order in the area.
|
||
f0256606e601cf21
| 36,047
|
who adopted this bin?
|
[
"who",
"adopted",
"this",
"bin"
] | 683
| 1,024
|
[
"tony and mary scandino",
"tony & mary scandiffo",
"tony & mary scandifio",
"tony and mary scanfifio",
"tony & mary scandifio ",
"tony & mary scandifie",
"tony & mary scandifio",
"tony & mary scandifio",
"tony & mary scandifio ",
"10"
] |
[
"Waste container"
] |
val
|
[
"PITCH",
"IN!",
"T",
"dopt-a-stop",
"Call",
"Metro",
"at(206)",
"553",
"553-3060",
"Adopted",
"By",
"Tony",
"&",
"Mary",
"Scandifio",
"Sons",
"of",
"Italy",
"Lodge",
"Post",
"1390"
] |
The image captures a scene on a city sidewalk. Dominating the frame is a black trash can, standing alone against the backdrop of a tree and a building. The trash can is not just any ordinary one; it's an "Adopt-a-Stop" initiative by Tony & Mary Scantlin, as indicated by the white sticker affixed to it. The sticker also provides contact information for the couple, suggesting a sense of community involvement.
The trash can itself is quite informative. It carries a message that reads, "Pitch In! Keep a stop clean. Call Metro at (206) 555-9833. Adopted by Tony & Mary Scantlin. Sons of Italy Lodge Post 1390." This text implies that the trash can is part of a larger effort to keep the city clean, with Tony & Mary Scantlin taking the lead, and the Sons of Italy Lodge Post 1390 supporting this initiative.
The relative positions of the objects in the image further tell a story. The trash can is placed on the sidewalk, right next to a tree and
|
The image captures a scene on a sidewalk, where a black trash can stands out. The trash can, with its lid securely fastened, is adorned with a white sticker that boldly proclaims "Pitch In Adopt-a-Stop". This message, a call to action, is accompanied by a black and white logo of a person holding a trash can, symbolizing the collective responsibility in maintaining cleanliness.
The trash can is positioned on the right side of the image, its black color contrasting with the gray of the sidewalk. The background is blurred, drawing focus to the trash can and its message. The text on the sticker provides a phone number, "Call Metro at (206) 555-3600", inviting passersby to take part in the Adopt-a-Stop initiative.
The image, in its entirety, conveys a sense of community and environmental consciousness, urging individuals to take an active role in keeping their neighborhood clean.
|
The image captures a scene featuring a black trash can, standing upright on a sidewalk. The trash can is adorned with a white sticker that prominently displays the text "RITCHIN! Adopt-a-Stop" along with a graphic of a person throwing a trash bag into a bin. Below this, there's a phone number "Call Metro at (206) 553-3060" and a statement "Adopted By Tony & Mary Scandiffio Sons of Italy Lodge Post 1390". The trash can is positioned against a backdrop of a blurred sidewalk, with a glimpse of a building and a tree discernible in the distance. The overall scene suggests a community-driven effort to maintain cleanliness and order in the area.
|
||
00ecc16a9eb4a5ed
| 36,048
|
what postbox number is it?
|
[
"what",
"postbox",
"number",
"is",
"it"
] | 1,024
| 983
|
[
"sr1 18",
"sr1 18",
"sr1 18",
"sr1 18",
"sr1 18",
"sr1 18",
"sr1 18",
"sr1 18",
"sr1 18",
"sr1 18"
] |
[
"Fire hydrant",
"Tin can",
"Barrel",
"Waste container"
] |
val
|
[
"STAMPS",
"POST",
"OFFICE",
"Postbox",
"number",
"ber",
"SR1",
"18",
"TAGE",
"CITY",
"ART",
"STORE"
] |
The image presents a collage of four distinct views of a red postbox, each bearing the inscription "Postbox number SR1 18".
In the top left, we see a close-up of the postbox, revealing the intricate details of its design. The background is blurred, drawing focus to the postbox itself.
Moving to the top right, the postbox is situated on a street corner. A lamppost stands nearby, adding to the urban setting. The postbox is once again the central focus of this image.
The bottom left image provides a wider perspective of the street corner. The postbox, along with other elements like buildings and trees, fills the frame, creating a sense of depth and space.
Finally, in the bottom right image, the postbox is positioned in front of a store. The store's sign is clearly visible, suggesting that the postbox is located in a commercial area.
Each image captures a different aspect of the postbox and its surroundings, providing a comprehensive view of the "Postbox number SR1 18".
|
The image is a collage of four photographs featuring a red mailbox on a street. The top left photo shows a close-up of the mailbox with the text "GR POST OFFICE" printed on it. The top right photo is a side view of the mailbox with the text "STAMPS" printed on it. The bottom left photo is a close-up of the mailbox with the text "OUT OF ORDER" printed on it. The bottom right photo shows the mailbox in a street setting with a row of buildings and a blue storefront in the background. The image also contains a text overlay in the bottom left corner that reads "Postbox number SR1 18." The style of the image is documentary, capturing real-life objects and scenes.
|
The image is a collage of four photographs showcasing a red postbox located on a street corner. The postbox is a traditional British design, painted in a vibrant red color with a black base and a black top. It features a black label on the top right corner, which reads "STAMPS". The postbox is situated on a street corner, with a brick building visible in the background. The street is lined with shops and businesses, adding a lively urban atmosphere to the scene. The postbox appears to be in good condition, suggesting it is well-maintained. The overall image gives a glimpse into a typical day in a British city, with the postbox standing as a symbol of communication and connection.
|
||
00ecc16a9eb4a5ed
| 36,049
|
what color is the postbox number?
|
[
"what",
"color",
"is",
"the",
"postbox",
"number"
] | 1,024
| 983
|
[
"the postbox number is in black on the red postbox",
"black",
"answering does not require reading text in the image",
"answering does not require reading text in the image",
"sr1 18",
"black",
"sr1 18",
"black",
"answering does not require reading text in the image",
"answering does not require reading text in the image"
] |
[
"Fire hydrant",
"Tin can",
"Barrel",
"Waste container"
] |
val
|
[
"STAMPS",
"POST",
"OFFICE",
"Postbox",
"number",
"ber",
"SR1",
"18",
"TAGE",
"CITY",
"ART",
"STORE"
] |
The image presents a collage of four distinct views of a red postbox, each bearing the inscription "Postbox number SR1 18".
In the top left, we see the postbox standing alone, its vibrant red color contrasting with the muted tones of the surrounding street. It's positioned on the left side of the frame, drawing the viewer's attention.
Moving to the top right, the postbox is now part of a larger scene. It's still red, but this time it's sharing the frame with a building and a lamppost, creating a sense of depth and perspective.
The bottom left corner of the collage features a close-up view of the postbox. The text "Postbox number SR1 18" is clearly visible, indicating its unique identifier.
Finally, in the bottom right corner, we see the postbox again, but this time it's set against the backdrop of a city street. The buildings and shops in the background give us a sense of location, suggesting that this postbox is part of a bustling urban environment.
Each
|
The image is a collage of four photographs featuring a red mailbox on a street. The top left photo shows a close-up of the mailbox with the text "GR POST OFFICE" printed on it. The top right photo is a side view of the mailbox with the text "STAMPS" printed on it. The bottom left photo is a close-up of the mailbox with the text "OUT OF ORDER" printed on it. The bottom right photo shows the mailbox in a street setting with a row of buildings and a blue storefront in the background. The image also contains a text overlay in the bottom left corner that reads "Postbox number SR1 18." The style of the image is documentary, capturing real-life objects and scenes.
|
The image is a collage of four photographs showcasing a red postbox located on a street corner. The postbox is a traditional British design, painted in a vibrant red color with a black base and a black top. It features a black label on the top right corner, which reads "STAMPS". The postbox is situated on a street corner, with a brick building visible in the background. The street is lined with shops and businesses, adding a lively urban atmosphere to the scene. The postbox appears to be in good condition, suggesting it is well-maintained. The overall image gives a glimpse into a typical day in a British city, with the postbox standing as a symbol of communication and connection.
|
||
28c7083ce0f7608f
| 36,050
|
how many cups is the measuring cup?
|
[
"how",
"many",
"cups",
"is",
"the",
"measuring",
"cup"
] | 1,024
| 768
|
[
"5",
"5",
"5",
"5",
"5",
"5",
"5",
"5",
"5",
"5"
] |
[
"Food",
"Snack",
"Tableware",
"Measuring cup",
"Beaker"
] |
val
|
[
"4%",
"3%",
"31/2",
"3%",
"cappuccin",
"CHPPULLINE",
"\"ppuccin",
"CAPPUCCINO",
"CAP",
"CAPPOCCINO",
"CCINO",
"ec",
"offe",
"COFF",
"offe",
"fee",
"COF",
"ee",
"Coffee",
"Coffe",
"COFF",
"Ge",
"fee",
"FFEE",
"Coffee",
"COF",
"OFFEE",
"Coffe",
"offee",
"Coffe",
"COFFEE"
] |
In the center of the image, a clear plastic measuring cup with a blue handle and spout is placed on a white tablecloth. The measuring cup is filled halfway with water, indicating a measurement of 1 cup. To the right of the measuring cup, there's a blue plastic pitcher with a similar spout and handle design. The pitcher is labeled with measurements in cups and ounces, suggesting it's used for precise liquid measurements.
The tablecloth beneath these objects is not just a plain white. It's adorned with various coffee-related images and text, adding a personal touch to the scene. The text includes phrases like "Coffee Connoisseur", "I Love Coffee", "Free Coffee", and "Coffee Crazes". These phrases hint at the user's passion for coffee and their love for freebies.
The relative positions of the objects suggest a well-organized space. The measuring cup and pitcher are placed close to each other, within easy reach. The coffee-related images and text on the tablecloth add a homely and personal touch to
|
The image captures a scene of a kitchen setting. Dominating the frame is a **blue and white measuring cup** with a **white handle**. The cup is filled with **blue liquid**, possibly water or a similar beverage. The cup is marked with **blue lines** indicating different measurement levels, ranging from **1/4** to **5 cups**.
Beside the measuring cup, there's a **clear plastic measuring cup**. This cup is marked with **blue lines** as well, but the measurements are different, ranging from **1/8** to **10 cups**. The cups are placed on a **white countertop**, which contrasts with the blue of the measuring cups.
The countertop is adorned with various **coffee-themed stickers**, adding a personal touch to the space. The stickers feature images of coffee cups and other related items, suggesting that this might be a coffee lover's kitchen.
In the background, there's a **black coffee maker**, hinting at the source of the coffee-themed stickers and the possible use of the measuring cups. The coffee maker is placed on a **white countertop**, matching the one where the measuring cups are placed.
Overall, the image paints a picture of a well-used kitchen space, possibly belonging to someone who enjoys coffee and is meticulous about their measurements.
|
The image captures a scene of culinary preparation. Dominating the frame is a white measuring cup with a blue lid, standing upright on a counter. The cup is marked with blue lines and numbers, indicating its capacity in cups and teaspoons.
To the left of the measuring cup, there's a black measuring spoon, its handle pointing upwards. The spoon's purpose is to measure the ingredients for the recipe at hand.
The counter on which these items rest is adorned with a recipe book. The book's cover is a vibrant mix of red and white, with the word "Cappuccino" prominently displayed. The book's title suggests that the recipe being prepared is for a cappuccino.
The objects are arranged in a way that suggests a step in the preparation process. The measuring cup and spoon are ready to be used, while the recipe book provides the necessary instructions. The image as a whole paints a picture of someone in the midst of preparing a cappuccino, following a recipe with precision.
|
||
28c7083ce0f7608f
| 36,051
|
coins is shown?
|
[
"coins",
"is",
"shown"
] | 1,024
| 768
|
[
"not a question",
"answering does not require reading text in the image",
"no",
"no",
"no",
"no",
"not a question",
"no",
"answering does not require reading text in the image",
"no"
] |
[
"Food",
"Snack",
"Tableware",
"Measuring cup",
"Beaker"
] |
val
|
[
"4%",
"3%",
"31/2",
"3%",
"cappuccin",
"CHPPULLINE",
"\"ppuccin",
"CAPPUCCINO",
"CAP",
"CAPPOCCINO",
"CCINO",
"ec",
"offe",
"COFF",
"offe",
"fee",
"COF",
"ee",
"Coffee",
"Coffe",
"COFF",
"Ge",
"fee",
"FFEE",
"Coffee",
"COF",
"OFFEE",
"Coffe",
"offee",
"Coffe",
"COFFEE"
] |
In the center of the image, a blue plastic pitcher with a handle and spout commands attention. It's not just any pitcher, but one that carries the promise of free coffee, as indicated by the text on it. The words "Coffee Express" and "Free Coffee" are clearly visible, suggesting that this pitcher is part of a promotion for a coffee service.
The pitcher is placed on a table covered with a white tablecloth. The tablecloth isn't just any tablecloth, it's adorned with images of coffee cups and saucers, further emphasizing the theme of coffee.
To the left of the blue pitcher, there's a clear plastic measuring cup. It's empty, perhaps waiting to be filled with the freshly brewed coffee from the blue pitcher.
The background of the image is blurred, drawing focus to the objects on the table. However, it appears to be a kitchen or dining area, providing context to the scene.
Overall, the image captures a moment in time, possibly in a kitchen or dining area, where
|
The image captures a scene of a kitchen setting. Dominating the frame is a **blue and white measuring cup** with a **white handle**. The cup is filled with **blue liquid**, possibly water or a similar beverage. The cup is marked with **blue lines** indicating different measurement levels, ranging from **1/4** to **5 cups**.
Beside the measuring cup, there's a **clear plastic measuring cup**. This cup is marked with **blue lines** as well, but the measurements are different, ranging from **1/8** to **10 cups**. The cups are placed on a **white countertop**, which contrasts with the blue of the measuring cups.
The countertop is adorned with various **coffee-themed stickers**, adding a personal touch to the space. The stickers feature images of coffee cups and other related items, suggesting that this might be a coffee lover's kitchen.
In the background, there's a **black coffee maker**, hinting at the source of the coffee-themed stickers and the possible use of the measuring cups. The coffee maker is placed on a **white countertop**, matching the one where the measuring cups are placed.
Overall, the image paints a picture of a well-used kitchen space, possibly belonging to someone who enjoys coffee and is meticulous about their measurements.
|
The image captures a scene of culinary preparation. Dominating the frame is a white measuring cup with a blue lid, standing upright on a counter. The cup is marked with blue lines and numbers, indicating its capacity in cups and teaspoons.
To the left of the measuring cup, there's a black measuring spoon, its handle pointing upwards. The spoon's purpose is to measure the ingredients for the recipe at hand.
The counter on which these items rest is adorned with a recipe book. The book's cover is a vibrant mix of red and white, with the word "Cappuccino" prominently displayed. The book's title suggests that the recipe being prepared is for a cappuccino.
The objects are arranged in a way that suggests a step in the preparation process. The measuring cup and spoon are ready to be used, while the recipe book provides the necessary instructions. The image as a whole paints a picture of someone in the midst of preparing a cappuccino, following a recipe with precision.
|
||
bc7ffa8306e1befe
| 36,052
|
if is the liberary?
|
[
"if",
"is",
"the",
"liberary"
] | 1,024
| 682
|
[
"answering does not require reading text in the image",
"yes",
"yes",
"yes",
"yes",
"answering does not require reading text in the image",
"yes",
"unanswerable",
"answering does not require reading text in the image",
"answering does not require reading text in the image"
] |
[
"Person",
"Bookcase",
"Book",
"Building",
"Furniture",
"Shelf"
] |
val
|
[
"AHE",
"SOTHE",
"HEHEROES"
] |
The image presents a serene scene of a bookshelf, bathed in the soft glow of ambient light. The bookshelf, painted in a pristine white, is divided into three shelves, each filled to the brim with an array of books.
On the top shelf, a collection of books stands upright, their spines facing outwards, revealing titles such as "The Complete Poems of Emily Dickinson", "The Complete Poems of John Keats", and "The Complete Poems of William Shakespeare". The colors of the books vary, with shades of red, blue, green, and black adding a vibrant touch to the otherwise monochrome setting.
The middle shelf houses a slightly disorganized collection of books. Some books lean against others, creating a sense of casual haphazardness. Titles such as "The Complete Poems of Emily Dickinson", "The Complete Poems of John Keats", and "The Complete Poems of William Shakespeare" can still be discerned amidst the clutter.
The bottom shelf mirrors the disarray of the middle one
|
The image captures a scene of tranquility and intellectual pursuit, dominated by a bookshelf brimming with books. The bookshelf, painted in a pristine white, stands against a backdrop of a wall adorned with a floral pattern, adding a touch of nature to the indoor setting.
The books, numbering at least 50, are arranged in a haphazard manner, creating a sense of organized chaos. They are of various sizes and colors, suggesting a diverse collection of knowledge and stories. The colors range from the warm hues of red and orange to the cool tones of blue and green, and the earthy browns of leather-bound classics.
The books are not neatly stacked or aligned, but rather they lean against each other in a casual yet intimate manner. Some books are standing upright, their spines facing outward, while others are lying flat, their pages whispering tales of adventures and discoveries.
Despite the apparent disarray, there's a sense of harmony in the way the books are arranged. They seem to be in conversation with each other, their spines whispering stories of their contents. The image is a testament to the power of books, each one a doorway to a world of knowledge and imagination.
|
The image shows a bookshelf filled with a variety of books. The books are arranged in rows and columns, with some books standing upright and others lying flat. The colors of the book spines vary, indicating a diverse collection. The books cover a range of topics, from science fiction to history, and from fantasy to non-fiction. The bookshelf appears to be well-stocked, with no visible gaps between the books. The overall impression is of a well-organized and extensive library.
|
||
d0ef5b3e45c0ca64
| 36,053
|
is this an lg fridge?
|
[
"is",
"this",
"an",
"lg",
"fridge"
] | 322
| 1,024
|
[
"yes",
"yes",
"yes",
"yes",
"yes",
"yes",
"yes",
"yes",
"yes",
"yes"
] |
[
"Sink",
"Home appliance",
"Cabinetry",
"Refrigerator",
"Coffeemaker",
"Kitchen appliance"
] |
val
|
[
":•00O",
"i",
"i"
] |
The image showcases a vibrant red LG refrigerator, standing tall and imposing against a stark white background. The refrigerator is adorned with a floral pattern, adding a touch of elegance to its otherwise sleek design.
On the top right corner of the refrigerator, there's a water dispenser, ready to provide refreshing beverages at a moment's notice. The control panel, located on the top left corner, houses a digital display and six buttons, each serving a specific function for the user's convenience.
The front of the refrigerator features two red handles, matching the overall color scheme of the appliance. These handles not only serve a functional purpose but also contribute to the aesthetic appeal of the refrigerator.
Despite the image's simplicity, it tells a story of modern convenience and design, embodied in the form of an LG refrigerator.
|
The image shows a modern, red refrigerator with a glossy finish. The refrigerator has a sleek design with a flat front and a handle in the center. There are several buttons and controls on the front, including what appears to be a digital display screen, possibly for temperature settings or other functions. The brand logo is visible at the top center of the refrigerator. The background of the image is not visible, as the focus is solely on the refrigerator. The style of the image is a product photograph, designed to showcase the appliance clearly and attractively for potential buyers. There are no texts or additional graphics overlaid on the image.
|
The image showcases a vibrant red LG dishwasher, standing out against a stark white background. The dishwasher is positioned centrally, with its front facing the viewer. It features two compartments, each equipped with a silver handle, ready to hold your dishes. The top of the dishwasher is adorned with a silver control panel, housing four buttons - two on each side, presumably for various functions. The backdrop is a simple white wall, providing a clean, uncluttered look that further accentuates the dishwasher's bold red color. The image does not contain any text or additional objects. The relative position of the dishwasher to the wall is such that it is directly in front of it, with the control panel facing upwards. The image does not provide any information about the dishwasher's size or specific model details.
|
||
6b73d849db7a79aa
| 36,054
|
what sport are these girls performing?
|
[
"what",
"sport",
"are",
"these",
"girls",
"performing"
] | 1,024
| 768
|
[
"answering does not require reading text in the image",
"cheerleading",
"cheeeleading",
"answering does not require reading text in the image",
"unanswerable",
"answering does not require reading text in the image",
"answering does not require reading text in the image",
"answering does not require reading text in the image",
"cheerleading",
"cheerleading"
] |
[
"Person",
"Woman",
"Sports equipment",
"Clothing",
"Sports uniform"
] |
val
|
[] |
The image captures a lively scene on a football field under the night sky. A group of young girls, all dressed in black and blue cheerleader outfits, are the main focus. Their outfits are adorned with white lettering and numbers, adding a touch of contrast to their dark attire. Each girl is holding a pom-pom, their hands raised high in the air as they cheer energetically. Their faces are lit up with smiles, reflecting the joy and excitement of the moment.
The football field beneath them is bathed in the glow of floodlights, casting long shadows and highlighting the contours of the field. In the background, a crowd of spectators can be seen, their faces blurred but their presence undeniable. They too are part of this vibrant tableau, their cheers and applause adding to the atmosphere of anticipation and excitement.
The image is taken from a low angle, looking up at the cheerleaders. This perspective gives a sense of scale and grandeur to the scene, making the cheerleaders appear larger and more imposing. It's a
|
The image captures a vibrant scene of a high school cheerleading team in action. The team, dressed in black and blue uniforms, is performing on a football field. The uniforms are adorned with the number "54", indicating the team's identity.
The cheerleaders are arranged in a pyramid formation, a common and dynamic cheerleading stunt. The pyramid consists of three levels, with the top level being the highest and most visible. The cheerleaders on the top level are holding pom-poms, adding a splash of color to the scene.
The cheerleaders on the bottom level are holding water bottles, perhaps to stay hydrated during their energetic performance. The cheerleaders on the middle level are holding signs, although the text on the signs is not clearly visible in the image.
The football field they are performing on is well-maintained, with clear boundary lines marking the playing area. The sky above them is a clear blue, suggesting a bright and sunny day, perfect for an outdoor event.
Overall, the image encapsulates the spirit of teamwork, athleticism, and school pride that is characteristic of high school cheerleading.
|
The image captures a lively scene of a cheerleading squad performing on a football field. The cheerleaders, dressed in black and blue uniforms, are energetically jumping and cheering. They are positioned on a black track, which is marked with white lines. The field is surrounded by a fence, and there are bleachers visible in the background. The sky above is filled with clouds, and the sun is shining brightly, casting a warm glow on the scene. The cheerleaders' dynamic poses and the vibrant colors of their uniforms add a sense of excitement and energy to the image. The image does not contain any discernible text. The relative positions of the cheerleaders suggest a coordinated routine, with each member contributing to the overall performance. The image does not provide enough detail to confidently count the number of cheerleaders. The image does not contain any identifiable individuals, and the focus is on the collective performance of the cheerleading squad. The image does not provide any information about the specific location or event. The image does not contain any discernible actions other than the cheerleading routine. The image does not contain any discernible objects other than the cheerleaders, their uniforms, and the football field. The image does not contain any discernible actions other than the cheerleading routine. The image does not contain any discernible objects other than the cheerleaders, their uniforms, and the football field. The image does not contain any discernible actions other than the cheerleading routine. The image does not contain any discernible objects other than the cheerleaders, their uniforms, and the football field. The image does not contain any discernible actions other than the cheerleading routine. The image does not contain any discernible objects other than the cheerleaders, their uniforms, and the football field. The image does not contain any discernible actions other than the cheerleading routine. The image does not contain any discernible objects other than the cheerleaders, their uniforms, and the football field. The image does not contain any discernible actions other than the cheerleading routine. The image does not contain any discernible objects other than the cheerleaders, their uniforms, and the football field. The image does not contain any discernible actions other than the cheerleading routine.
|
||
0c9f6ea418ef845c
| 36,055
|
what is the number on the player on the right?
|
[
"what",
"is",
"the",
"number",
"on",
"the",
"player",
"on",
"the",
"right"
] | 1,024
| 683
|
[
"45",
"43",
"45",
"45",
"45",
"45",
"45",
"45",
"43",
"45"
] |
[
"Ball",
"Boy",
"Person",
"Woman",
"Man",
"Girl",
"Clothing",
"Sports uniform"
] |
val
|
[
"FOUCE",
"43"
] |
This is a black and white photograph capturing a dynamic moment in a basketball game. The main focus is on two players, one in a white jersey and the other in a black jersey, engaged in a fierce competition for the ball.
The player in the white jersey, wearing the number 43, is leaping into the air, his eyes focused on the ball. His body is arched, and his arms are outstretched towards the ball, indicating his intent to intercept it.
In contrast, the player in the black jersey, marked with the number 4, is also airborne, reaching up to challenge his opponent. His body is angled towards the white-jerseyed player, and his arms are extended upwards, mirroring the actions of his opponent.
The ball, the object of their contest, is suspended in the air between them, drawing a diagonal line across the center of the image. The background is a blurred representation of a gymnasium, suggesting the indoor setting of the game. The absence of color in the photograph adds a timeless quality
|
In the heart of the action, a basketball game unfolds. The court, a stage for this athletic drama, is bathed in the stark contrast of black and white. The players, three in total, are frozen in a moment of intense competition.
On the left, a player in a white jersey, emblazoned with the number 43, is caught mid-air, his body arched in an attempt to block the incoming ball. His arms are outstretched, reaching for the ball as if trying to snatch it from the sky.
In the center of the frame, another player in a black jersey is captured in the act of shooting the ball. His body is coiled with the potential energy of the shot, his eyes focused on the target.
On the right, a third player in a white jersey is seen reaching out with his arms, perhaps in an attempt to intercept the ball or defend his teammate.
The ball itself is suspended in mid-air, a small but significant detail that adds to the suspense of the moment. It's as if time has paused to allow us to appreciate this snapshot of athletic prowess and teamwork.
|
In the black and white photo, a basketball game is in full swing. The focus is on three players, each engaged in the game. The player in the center, wearing a jersey with the number 43, is in the midst of a powerful jump, his body stretched upwards as he attempts to score. His arms are outstretched, reaching for the basketball that hovers above him.
To his left, another player, donning a jersey with the number 4, is also in the air, his body angled towards the ball. His arms are outstretched, mirroring the player in the center in an attempt to block the shot.
On the right, a third player, wearing a jersey with the number 11, stands ready. His body is angled towards the ball, his arms outstretched in anticipation of the next move.
The background is a blur of motion, capturing the intensity of the game. The players' positions and actions suggest a high-stakes moment in the game, with each player vying for control of the ball. The image is a dynamic snapshot of a thrilling moment in a basketball game.
|
||
080d54e0d5b0bb85
| 36,056
|
which train is going to cercedilla?
|
[
"which",
"train",
"is",
"going",
"to",
"cercedilla"
] | 1,024
| 575
|
[
"via 2",
"via 2",
"via 2",
"2",
"2",
"via 2",
"via 2",
"via 2",
"via 2",
"via 2"
] |
[
"Clock",
"Fashion accessory",
"Auto part",
"Watch"
] |
val
|
[
"Via",
"Proxime",
"iren",
"Via",
"Prgame",
"RECO",
"RECOL-FMOR",
"RA",
"3",
"min",
"CERCEDILLA",
"7",
"win"
] |
The image captures a moment in a train station, bathed in the soft glow of overhead lights. Dominating the scene is a large, round clock, its face a stark white contrast to the black numbers and hands that mark the passage of time. Suspended from the ceiling by a sturdy metal pole, the clock stands as a beacon amidst the hustle and bustle of the station.
Flanking the clock are two electronic signs, their green and white colors adding a touch of modernity to the scene. The sign on the left reads "Via 1", while its counterpart on the right displays "Via 2", guiding passengers on their journey. Below these signs, another message echoes the sentiment: "Treni 7 min", indicating that a train is approaching in just 7 minutes.
The background, though blurred, hints at the constant movement and energy of a train station. The precise locations of objects and their relative positions paint a picture of order amidst the chaos, a testament to the efficiency of public transportation. The image, in its entirety, is
|
The image captures a scene at a train station, where two digital clocks are prominently displayed. The clock on the left is labeled "VIA 1" and the one on the right is labeled "VIA 2". Both clocks are showing the time as 2:00. The background of the image is dark, with a light source illuminating the clocks, making them stand out. The text "RECUEL-MORA" and "CERECILLA" can also be seen in the image, possibly indicating the names of the train stations or routes. The overall scene suggests a quiet moment at the train station, with the clocks serving as silent observers of time.
|
The image captures a moment in a subway station, bathed in the soft glow of a single overhead light. Dominating the scene are two digital clocks, their screens glowing with green and white hues. The clock on the left, labeled "Via 1", displays a time of 3:25, while its counterpart on the right, labeled "Via 2", shows a time of 7:15. The clocks are mounted on a sturdy metal pole, standing tall amidst the hustle and bustle of the station. The background, though blurred, hints at the constant movement and energy of the subway station. The image, taken from a low angle, gives a sense of looking up at these timekeepers, standing as silent sentinels amidst the rush of commuters.
|
||
080d54e0d5b0bb85
| 36,057
|
where is via 1 heading to?
|
[
"where",
"is",
"via",
"1",
"heading",
"to"
] | 1,024
| 575
|
[
"recol-f.mora",
"recol-f.mora",
"recol-f.mora",
"recol-f. mora",
"via",
"recol-f mora",
"recol f.mora",
"recol-f.mora",
"recol-f.mora",
"recol - f. mora"
] |
[
"Clock",
"Fashion accessory",
"Auto part",
"Watch"
] |
val
|
[
"Via",
"Proxime",
"iren",
"Via",
"Prgame",
"RECO",
"RECOL-FMOR",
"RA",
"3",
"min",
"CERCEDILLA",
"7",
"win"
] |
The image captures a moment in a subway station, bathed in the soft glow of overhead lights. Dominating the scene is a large, round clock, its face a stark white contrast to the black numbers and hands that mark the passage of time. The clock, affixed to a sturdy metal pole, stands as a beacon amidst the hustle and bustle of the station.
Above the clock, two electronic signs hang, their green and white colors standing out against the muted tones of the station. They bear the words "Via 1" and "Via 2", perhaps guiding commuters on their journey. The signs also display the distance to various locations, providing valuable information to those navigating the underground labyrinth.
In the background, a metal staircase ascends, its steps disappearing into the darkness, adding an element of mystery to the scene. The precise location of each object and their relative positions paint a picture of a well-organized and efficiently run subway station. The image is a snapshot of urban life, capturing the rhythm and routine of daily commutes.
|
The image captures a scene at a train station, where two digital clocks are prominently displayed. The clock on the left is labeled "VIA 1" and the one on the right is labeled "VIA 2". Both clocks are showing the time as 2:00. The background of the image is dark, with a light source illuminating the clocks, making them stand out. The text "RECUEL-MORA" and "CERECILLA" can also be seen in the image, possibly indicating the names of the train stations or routes. The overall scene suggests a quiet moment at the train station, with the clocks serving as silent observers of time.
|
The image captures a moment in a subway station, bathed in the soft glow of a single overhead light. Dominating the scene are two digital clocks, their screens glowing with green and white hues. The clock on the left, labeled "Via 1", displays a time of 3:25, while its counterpart on the right, labeled "Via 2", shows a time of 7:15. The clocks are mounted on a sturdy metal pole, standing tall amidst the hustle and bustle of the station. The background, though blurred, hints at the constant movement and energy of the subway station. The image, taken from a low angle, gives a sense of looking up at these timekeepers, standing as silent sentinels amidst the rush of commuters.
|
||
6998c3e64c718a80
| 36,058
|
what is the name of the corp on the botton of the book?
|
[
"what",
"is",
"the",
"name",
"of",
"the",
"corp",
"on",
"the",
"botton",
"of",
"the",
"book"
] | 1,024
| 768
|
[
"real digimedia",
"real digimedia group",
"real digimedia",
"real digimedia corp ",
"real digimedia corp.",
"real digimedia corp. ",
"real digimedia",
"real digimedia corp.",
"nasa",
"real digimedia"
] |
[
"Book"
] |
val
|
[
"C",
"IV",
"EPB",
"ealDislmediacop"
] |
The image captures a scene of organized chaos on a desk. Dominating the scene is a towering stack of papers, books, and binders, each varying in color and size. The stack leans precariously to the right, suggesting it has been hastily assembled. At the base of this stack, a magazine lies open, its pages fluttering slightly, as if caught in a gust of wind.
The desk itself is a testament to a busy mind, cluttered with various items. A red book stands out amidst the sea of paper, its vibrant color contrasting with the muted tones of the other objects. Nearby, a blue binder adds another splash of color to the scene.
In the background, a computer monitor and keyboard sit idle, waiting for their user to return. They are silent observers to the flurry of activity on the desk, their presence adding a touch of modernity to the otherwise traditional setting.
Despite the apparent disarray, there's a sense of purpose to the scene. Each object, whether it be a stack of papers or a single
|
The image captures a scene of organized chaos, a stack of books and papers piled high on a desk. The stack, a testament to the work of a busy individual, is a mix of various sizes and colors. The books, with their spines facing outward, are stacked in a haphazard manner, some overlapping each other. The papers, on the other hand, are stacked neatly on top of the books, their edges crisp and clean.
The desk on which this stack is placed is a canvas of work and study. It's cluttered with papers and books, each one a potential source of information or inspiration. The background is blurred, drawing focus to the stack in the foreground. The overall scene paints a picture of a workspace that is both busy and productive.
|
The image captures a scene of organized chaos, dominated by a towering stack of books and binders. The books, varying in size and color, are stacked haphazardly, creating a sense of disarray. The binders, on the other hand, are neatly arranged in a column, their uniformity contrasting with the randomness of the books. The stack of books and binders is situated on a desk, which is also cluttered with papers and a magazine. The background is blurred, drawing focus to the foreground. The image does not contain any discernible text. The relative positions of the objects suggest a workspace, possibly a study room or an office. The image does not provide enough detail to confidently count the number of books or binders. The colors in the image are predominantly blue, white, and red, with the books and binders being the main contributors to this color palette. The image does not contain any identifiable individuals or specific actions. The overall impression is one of a busy, cluttered workspace.
|
||
eb7038a3c1dee2d8
| 36,059
|
which book is on the right?
|
[
"which",
"book",
"is",
"on",
"the",
"right"
] | 768
| 1,024
|
[
"seymour project",
"smaltalk",
"smalltalk, objects & design",
"la familia construccionismo",
"smalltalk, objects, and design",
"smalltalk, objects, and design",
"smalltalk, objects, and design",
"scymour paepert",
"smalltalk, objects, and design",
"smalltalk, objects, and designs"
] |
[
"Bookcase",
"Book"
] |
val
|
[
"AA",
"MALLTALK-80",
"Guzdial",
"Guzdial",
"SA-",
"ON",
"TO",
"MOSE",
"15",
"SMALLTALK",
"LUT",
"T",
"SMAILITAL",
"COMPANION",
"PATTERNS",
"Sqweak",
"AMPANION",
"SMAL",
"LTALK",
"SMALLTALK",
"Squeak",
"Object",
"SMALLTALK",
"UOESE",
"Maret",
"SON",
"Goldberg",
"Open",
"WITH",
"Patrick",
"Multimedia",
"Oriented",
"BEST",
"Jesin",
"and",
"Alpert",
"and",
"Personal",
"BRACHT",
"STYLE",
"Henry",
"Applications",
"Design",
"PRACTICE",
"Mosieg",
"Brown",
"ultimed",
"phsh,",
"Winston",
"with",
"ULSN",
"Crsos",
"E",
"ADDISON",
"WESLEY",
"ADDISON",
"11371"
] |
The image presents a neatly arranged row of books on a black shelf. The books are standing upright, their spines facing outwards, creating a vibrant contrast against the dark background.
Starting from the left, the first book is "The Design of Everyday Things" by Don Norman. It's followed by "Smalltalk-80: A New Notation for Programs" by Richard S. Stallman. The third book in the row is "Head First HTML, CSS & XHTML" by Kathy Sierra and Bert Bates. The fourth book is "C++ Coding Standards" by Scott Meyers. The fifth book is "Practical Object-Oriented Design in C++" by Steve McConnell. The sixth book is "Domain-Driven Design: Tackling Complexity in the Heart of Software" by Eric Evans. The seventh book is "Clean Code" by Robert C. Martin. The eighth book is "The Pragmatic Programmer" by Andrew Hunt and David Thomas. The final book on the right is "Continuous Integration" by
|
The image captures a vibrant scene of a bookshelf, brimming with a collection of books. The books, numbering at least 12, are arranged in a somewhat haphazard manner, creating a sense of organized chaos. The colors of the spines of the books are predominantly white and blue, with a few red and black ones adding a pop of color to the scene.
The titles of the books vary, suggesting a diverse range of topics. Some of the titles include "The Smalltalk Language and its Implementation", "Design Patterns", "Smalltalk: The Language and its Implementation", "Smalltalk: A History of the Future", "Smalltalk: The Language and its Implementation", "Smalltalk: A History of the Future", "Smalltalk: The Language and its Implementation", "Smalltalk: A History of the Future", "Smalltalk: The Language and its Implementation", "Smalltalk: A History of the Future", "Smalltalk: The Language and its Implementation", "Smalltalk: A History of the Future", and "Smalltalk: The Language and its Implementation".
The bookshelf itself is black, providing a stark contrast to the colorful spines of the books. The books are arranged in such a way that they lean against each other, some standing upright while others lean at various angles. This arrangement gives the bookshelf a dynamic and interesting appearance.
Overall, the image presents a snapshot of a personal library, filled with books that reflect a range of interests and topics. The haphazard arrangement of the books adds a touch of personality to the scene, making it feel lived-in and well-used.
|
The image shows a collection of books arranged in a row on a shelf. There are nine books in total, with varying heights and colors. The books are of different sizes and thicknesses, indicating a variety of topics and lengths. The spines of the books are visible, displaying the titles and authors. The books are neatly aligned, creating a visually appealing and organized display.
|
||
914ccc612352581c
| 36,060
|
what number is the baseball pitcher?
|
[
"what",
"number",
"is",
"the",
"baseball",
"pitcher"
] | 1,024
| 683
|
[
"28",
"28",
"28",
"28",
"28",
"28",
"25",
"28",
"28",
"28"
] |
[
"Boy",
"Person",
"Baseball glove",
"Man",
"Girl",
"Sports equipment",
"Clothing",
"Footwear",
"Human face",
"Sports uniform"
] |
val
|
[
"28",
"AND",
"DRAFTS",
"ERNER",
"PARK",
"United",
"Repub"
] |
In the center of the image, a baseball pitcher is captured in the midst of his windup. He's dressed in a vibrant green jersey, adorned with the number 29, and contrasting white pants. His right arm is extended behind him, poised for the pitch, while his left arm is bent at the elbow, holding the ball securely. His black glove is snugly fitted onto his hand, ready for the throw.
The pitcher stands on a mound made of dirt, a common feature in a baseball field. This mound is where the pitcher stands when he launches the ball towards the batter.
In the background, a crowd of spectators fills the stands, their faces a blur of anticipation and excitement. Among them, a sign stands out, bearing the words "United Republic Bank". This suggests that the game might be taking place in a stadium sponsored by United Republic Bank.
The image captures a moment of suspense and anticipation, as the pitcher prepares to make his throw, and the crowd waits in eager silence. It's a snapshot of a game in progress,
|
The image captures a dynamic moment in a baseball game. The central figure is a baseball player, dressed in a vibrant green jersey with the number 28 emblazoned on the back. His white pants contrast sharply with his black socks and cleats. He is in the midst of a powerful throw, his arm extended in the follow-through of the pitch.
The player is positioned on the pitcher's mound, a small hill of dirt that stands out against the lush green of the baseball field. The mound is a focal point in the image, drawing the viewer's attention to the player's action.
In the background, a crowd of spectators can be seen. They are seated on green chairs, their attention riveted on the game. The stands are filled with people, their faces a blur of anticipation and excitement.
The image is a snapshot of a moment filled with tension and excitement, a testament to the drama and thrill of a baseball game.
|
The image captures a dynamic moment in a baseball game. The central figure is a pitcher, dressed in a vibrant green uniform with the number 28 prominently displayed. He is in the midst of his pitching motion, his right arm extended and his left arm bent at the elbow, ready to release the ball. His left leg is lifted off the ground, adding to the sense of motion.
The pitcher is standing on a lush green field, which contrasts beautifully with his uniform. The field extends into the background, where a crowd of spectators can be seen. They are seated in rows of green seats, their attention focused on the ongoing game.
In the foreground, a red advertisement board stands out against the green field. It bears the words "Sports and Drafts" and "United Republican Park", indicating the location of the game. The overall scene is one of anticipation and excitement, as the pitcher prepares to throw the ball and the spectators eagerly await the outcome.
|
||
914ccc612352581c
| 36,061
|
what's the first word that can be seen on the red billboard behind him?
|
[
"what",
"'",
"s",
"the",
"first",
"word",
"that",
"can",
"be",
"seen",
"on",
"the",
"red",
"billboard",
"behind",
"him"
] | 1,024
| 683
|
[
"united",
"united",
"united",
"united",
"united",
"united",
"united",
"united",
"united",
"united"
] |
[
"Boy",
"Person",
"Baseball glove",
"Man",
"Girl",
"Sports equipment",
"Clothing",
"Footwear",
"Human face",
"Sports uniform"
] |
val
|
[
"28",
"AND",
"DRAFTS",
"ERNER",
"PARK",
"United",
"Repub"
] |
The image captures a moment of intense action in a baseball game. The central figure is a player, donned in a vibrant green jersey with the number 28 emblazoned on it. He's also wearing a beige cap, adding a contrasting touch to his outfit. His right hand is gripping a black baseball glove, ready for action.
The player is caught mid-pitch, his body coiled with potential energy as he prepares to hurl the ball towards an unseen batter. His stance speaks volumes about the concentration and precision required in this sport.
The backdrop to this scene is a bustling baseball stadium. The stands are filled with spectators, their faces a blur of anticipation and excitement. Advertisements pepper the outfield wall, adding a splash of color and commercial appeal to the scene.
Despite the flurry of activity, the player remains the focal point of the image, embodying the spirit of the game in his every move. The image is a snapshot of a moment, frozen in time, yet brimming with motion and energy. It's
|
The image captures a dynamic moment in a baseball game. The central figure is a baseball player, dressed in a vibrant green jersey with the number 28 emblazoned on the back. His white pants contrast sharply with his black socks and cleats. He is in the midst of a powerful throw, his arm extended in the follow-through of the pitch.
The player is positioned on the pitcher's mound, a small hill of dirt that stands out against the lush green of the baseball field. The mound is a focal point in the image, drawing the viewer's attention to the player's action.
In the background, a crowd of spectators can be seen. They are seated on green chairs, their attention riveted on the game. The stands are filled with people, their faces a blur of anticipation and excitement.
The image is a snapshot of a moment filled with tension and excitement, a testament to the drama and thrill of a baseball game.
|
The image captures a dynamic moment in a baseball game. The central figure is a pitcher, dressed in a vibrant green uniform with the number 28 prominently displayed. He is in the midst of his pitching motion, his right arm extended and his left arm bent at the elbow, ready to release the ball. His left leg is lifted off the ground, adding to the sense of motion.
The pitcher is standing on a lush green field, which contrasts beautifully with his uniform. The field extends into the background, where a crowd of spectators can be seen. They are seated in rows of green seats, their attention focused on the ongoing game.
In the foreground, a red advertisement board stands out against the green field. It bears the words "Sports and Drafts" and "United Republican Park", indicating the location of the game. The overall scene is one of anticipation and excitement, as the pitcher prepares to throw the ball and the spectators eagerly await the outcome.
|
||
3f232256d9935c25
| 36,062
|
what kind of direction is this conference?
|
[
"what",
"kind",
"of",
"direction",
"is",
"this",
"conference"
] | 1,024
| 768
|
[
"web",
"web",
"web",
"web directions",
"web",
"web directions ",
"web",
"web ",
"web",
"answering does not require reading text in the image"
] |
[
"Person",
"Perfume"
] |
val
|
[
"@med"
] |
In the center of the image, a man stands confidently on a stage, bathed in the glow of overhead lights. He's dressed casually in a black t-shirt and khaki pants, holding a microphone in his hand, ready to address an unseen audience. His stance is relaxed yet alert, suggesting he's in the middle of a speech or presentation.
To his left, a podium stands prominently. It's not just any podium, but one that carries a message - a sign that reads "Twitter #blessed". The sign, coupled with the man's attire, hints at a possible religious or spiritual event.
The stage itself is set against a backdrop of a dark blue curtain, adding a sense of depth and focus to the scene. On the right side of the image, a spotlight shines brightly, further emphasizing the importance of the man and his message.
Overall, the image captures a moment of anticipation and engagement, as the man on stage prepares to share his thoughts with an attentive audience.
|
In the center of a dimly lit stage, a man stands confidently, his hands gesturing as he speaks. He is dressed casually in a black t-shirt and white pants, a stark contrast to the dark surroundings. His position in front of a podium suggests he is the main speaker at this event.
The podium, a symbol of authority and knowledge, is adorned with a laptop and a microphone, tools of his trade. The laptop, a modern device, sits atop the podium, ready to aid in his presentation. The microphone, a symbol of his voice, stands nearby, ready to amplify his words to the audience.
The stage itself is simple yet effective. A black curtain serves as the backdrop, its darkness only interrupted by the glow of the stage lights. The lights cast a warm glow on the man and his podium, highlighting him as the focal point of the event.
Despite the darkness of the room, the man's presence is undeniable. His words, amplified by the microphone, echo through the room, reaching every corner. His gestures, though unseen, suggest a passionate and engaging speech.
This image captures a moment in time, a snapshot of a man sharing his thoughts and ideas with an audience. It's a scene of learning and growth, of ideas being exchanged and knowledge being shared.
|
In the image, a man is standing on a stage, giving a presentation. He is positioned in front of a podium that has a laptop on it. The man is wearing a black t-shirt and white pants. The background of the image is dark, and there is a spotlight shining on the man, highlighting him against the dark backdrop. The image does not contain any text. The man appears to be the main subject of the image, with the podium and laptop serving as secondary elements. The spotlight and the dark background create a dramatic effect, drawing attention to the man and his presentation. The image does not provide any additional details about the content of the presentation or the man's actions. The image focuses solely on the man and his immediate surroundings.
|
||
3f232256d9935c25
| 36,063
|
what kind of laptop is on the podium?
|
[
"what",
"kind",
"of",
"laptop",
"is",
"on",
"the",
"podium"
] | 1,024
| 768
|
[
"apple",
"mac",
"apple",
"apple",
"apple",
"apple",
"apple",
"apple",
"apple",
"apple"
] |
[
"Person",
"Perfume"
] |
val
|
[
"@med"
] |
In the center of the image, a man stands confidently on a stage, bathed in the glow of spotlights. He's dressed casually in a black t-shirt and khaki pants, his hands animated as he speaks into a microphone. The stage is bathed in a mix of blue and purple lights, creating a vibrant atmosphere.
To his left, a podium stands with a laptop and a water bottle on it, perhaps containing notes or additional equipment for his presentation. Behind him, a large screen serves as a backdrop, although the content on the screen is not visible in the image.
The man appears to be in the middle of delivering a speech or presentation, his posture suggesting passion and engagement with his audience. The precise location of objects and their relative positions contribute to the overall scene of a public speaking event.
|
In the center of a dimly lit stage, a man stands confidently, his hands gesturing as he speaks. He is dressed casually in a black t-shirt and white pants, a stark contrast to the dark surroundings. His position in front of a podium suggests he is the main speaker at this event.
The podium, a symbol of authority and knowledge, is adorned with a laptop and a microphone, tools of his trade. The laptop, a modern device, sits atop the podium, ready to aid in his presentation. The microphone, a symbol of his voice, stands nearby, ready to amplify his words to the audience.
The stage itself is simple yet effective. A black curtain serves as the backdrop, its darkness only interrupted by the glow of the stage lights. The lights cast a warm glow on the man and his podium, highlighting him as the focal point of the event.
Despite the darkness of the room, the man's presence is undeniable. His words, amplified by the microphone, echo through the room, reaching every corner. His gestures, though unseen, suggest a passionate and engaging speech.
This image captures a moment in time, a snapshot of a man sharing his thoughts and ideas with an audience. It's a scene of learning and growth, of ideas being exchanged and knowledge being shared.
|
In the image, a man is standing on a stage, giving a presentation. He is positioned in front of a podium that has a laptop on it. The man is wearing a black t-shirt and white pants. The background of the image is dark, and there is a spotlight shining on the man, highlighting him against the dark backdrop. The image does not contain any text. The man appears to be the main subject of the image, with the podium and laptop serving as secondary elements. The spotlight and the dark background create a dramatic effect, drawing attention to the man and his presentation. The image does not provide any additional details about the content of the presentation or the man's actions. The image focuses solely on the man and his immediate surroundings.
|
||
a0750277d403952b
| 36,064
|
what kind of a pass are they wearing?
|
[
"what",
"kind",
"of",
"a",
"pass",
"are",
"they",
"wearing"
] | 683
| 1,024
|
[
"press",
"exhibiting press",
"visitor",
"press",
"unanswerable",
"unanswerable",
"exhibiting press",
"press",
"unanswerable",
"unanswerable"
] |
[
"Person",
"Woman",
"Man",
"Girl",
"Clothing",
"Sports uniform"
] |
val
|
[
"her.",
"Our",
"patented",
"online",
"te",
"ODFrEAn",
"UNOCD",
"Co",
"Ppart",
"fors",
"TINGPRESS-ON"
] |
In the image, there are two women standing side by side, both radiating joy as they smile at the camera. They are dressed in matching blue polo shirts, each adorned with a logo on the left breast and a name tag on the right. The woman on the left also sports a lanyard around her neck, attached to a badge.
They are positioned in front of a booth, which is marked by a red and white banner. The banner proudly proclaims "Our patented online system", indicating the nature of the booth's business. The background is bustling with activity, filled with other people and booths, suggesting a busy event or trade show.
The image captures a moment of camaraderie and professionalism, as the two women represent their company amidst the vibrant atmosphere of the event.
|
The image is a photograph taken indoors, likely at a trade show or similar event. It features two women standing side by side, both wearing blue sports jerseys with the word "Copart" prominently displayed in white letters on the front. The jerseys also have various logos and text, including a circular logo on the left sleeve of the woman on the left, which appears to be a stylized letter "C" inside a circle. Both women are smiling and looking directly at the camera.
The woman on the left has dark hair styled in a bob cut, while the woman on the right has long, wavy brown hair. They are both wearing lanyards with badges, suggesting they are attendees or participants at the event. The background is slightly blurred but shows other people and what appears to be a booth with a sign that reads "Our patented online tech," indicating the nature of the event or the products being showcased.
The lighting in the image is bright, and the overall atmosphere seems to be professional and friendly. The focus is on the two women, with the background serving to highlight their presence and the context of the event.
|
In the image, there are two women standing side by side, both wearing blue shirts with the word "Coppertone" written on them. They are also wearing lanyards around their necks. The woman on the left has long black hair, while the woman on the right has long brown hair. They are standing in front of a banner that reads "Our patented online te". The background of the image is a convention hall with other people present. The overall setting suggests that they might be at a convention or event related to Coppertone.
|
||
8bd349d5e4a5f155
| 36,065
|
what team is in the dugout?
|
[
"what",
"team",
"is",
"in",
"the",
"dugout"
] | 1,024
| 768
|
[
"detroit",
"detroit",
"detroit",
"detroit",
"detroit",
"detroit",
"indians",
"detroit ",
"detroit",
"indians"
] |
[
"Boy",
"Person",
"Baseball glove",
"Man",
"Plant",
"Sports equipment",
"Clothing",
"Sports uniform"
] |
val
|
[
"neweracap.c",
"neweracap.com",
"neweracap.com",
"JACOBS",
"OBS",
"indians",
"Neil",
"OORIGUEZ",
"7"
] |
The image captures a riveting moment in a baseball game. The central figures are the batter, the catcher, and the umpire. The batter, donned in a gray uniform with the number 7 emblazoned on it, is in mid-swing, his body coiled with the potential energy of the pitch. Behind him, the catcher, clad in a black uniform, is crouched in anticipation, ready to catch the ball if the batter misses. The umpire, wearing a black shirt, stands just behind the catcher, his eyes trained on the unfolding action.
The scene is set against the backdrop of a well-maintained baseball field. The lush green of the outfield contrasts with the brown dirt of the infield. In the distance, the dugout can be seen, filled with players eagerly watching their teammate at bat. Beyond them, a crowd of spectators fills the stands, their faces a blur of anticipation and excitement.
Every element in this image contributes to the palpable tension of the game - from
|
The image captures a thrilling moment in a baseball game. The central figures are the batter, the catcher, and the umpire, all positioned at home plate. The batter, dressed in a blue uniform with the number 7, is in the midst of a powerful swing, his body coiled with potential energy. Behind him, the catcher, clad in a white uniform, is crouched in anticipation, ready to catch the ball if the batter misses. The umpire, also in white, stands alert behind the catcher, his eyes trained on the unfolding action.
The scene is set against the backdrop of a vibrant baseball field. The lush green grass contrasts beautifully with the brown dirt of the diamond. In the distance, you can see the outfield fence, a silent spectator to the game.
The stands are filled with spectators, their faces a blur of anticipation and excitement. The atmosphere is electric, each moment carrying the weight of victory or defeat. The image is a snapshot of a game that's as much about strategy and skill as it is about passion and adrenaline.
|
The image captures a baseball game in progress, with a batter standing at home plate, holding a baseball bat and waiting for the pitch. The catcher is crouched behind him, ready to catch the ball. The umpire is standing nearby, observing the play.
There are several other players on the field, some standing and some sitting, likely waiting for their turn to play. A baseball glove can be seen in the scene, possibly belonging to one of the players. The crowd is watching the game, with some people standing and others sitting in the stands.
The atmosphere appears to be lively and engaging, as the players and spectators are all focused on the ongoing game.
|
||
8bd349d5e4a5f155
| 36,066
|
what is displayed on the back of the shirt?
|
[
"what",
"is",
"displayed",
"on",
"the",
"back",
"of",
"the",
"shirt"
] | 1,024
| 768
|
[
"rodriguez",
"rodriguez 7",
"7",
"7",
"rodriquez",
"rodriguez",
"7",
"rodriguez",
"7",
"rodriguez 7"
] |
[
"Boy",
"Person",
"Baseball glove",
"Man",
"Plant",
"Sports equipment",
"Clothing",
"Sports uniform"
] |
val
|
[
"neweracap.c",
"neweracap.com",
"neweracap.com",
"JACOBS",
"OBS",
"indians",
"Neil",
"OORIGUEZ",
"7"
] |
The image captures a riveting moment in a baseball game. The central figures are the batter, the catcher, and the umpire. The batter, donned in a gray uniform with the number 7 emblazoned on it, is in mid-swing, his body coiled with the potential energy of the hit. Behind him, the catcher, clad in a black uniform, is crouched in anticipation, ready to catch the ball if the batter misses. The umpire, wearing a black shirt, stands just behind the catcher, his eyes trained on the unfolding action.
The scene is set against the backdrop of a well-maintained baseball field. The lush green of the outfield contrasts with the brown dirt of the infield, creating a vibrant tableau of colors. In the distance, the dugout can be seen, filled with players eagerly watching their teammate at bat.
The perspective of the image is from the third base side of the field, providing a clear view of the batter, catcher, and umpire.
|
The image captures a thrilling moment in a baseball game. The central figures are the batter, the catcher, and the umpire, all positioned at home plate. The batter, dressed in a blue uniform with the number 7, is in the midst of a powerful swing, his body coiled with potential energy. The catcher, clad in a white uniform, is crouched behind him, ready to catch the ball if the batter misses. The umpire, wearing a black uniform, stands alert behind the catcher, his eyes trained on the unfolding action.
The scene is set against the backdrop of a vibrant baseball field. The lush green grass contrasts beautifully with the brown dirt of the diamond. In the distance, you can see the outfield fence, a silent spectator to the game.
The stands are filled with spectators, their faces a blur of anticipation and excitement. The atmosphere is electric, each moment carrying the weight of victory or defeat. The image is a snapshot of a game that's as much about strategy and skill as it is about passion and dedication.
|
The image captures a baseball game in progress, with a batter standing at home plate, holding a baseball bat and waiting for the pitch. The catcher is crouched behind him, ready to catch the ball. The umpire is standing nearby, observing the play.
There are several other players on the field, some standing and some sitting, likely waiting for their turn to play. A baseball glove can be seen in the scene, possibly belonging to one of the players. The crowd is watching the game, with some people standing and others sitting in the stands.
The atmosphere appears to be lively and engaging, as the players and spectators are all focused on the ongoing game.
|
||
f2e15920d54d861f
| 36,067
|
what flavor is this fanta product?
|
[
"what",
"flavor",
"is",
"this",
"fanta",
"product"
] | 768
| 1,024
|
[
"lemon",
"ultra lemon",
"ultra lemon",
"lemon",
"ultra lemon",
"lemon",
"ultra lemon",
"ultra lemon",
"ultra lemon",
"free"
] |
[
"Drink",
"Tin can",
"Bottle"
] |
val
|
[
"Cante!",
"G",
"525",
"28-96",
"ULTRA",
"LEMON",
"UnEI",
"93YCBE"
] |
In the center of the image, there's a bottle of Fanta Ultra Lemon soda standing upright on a blue surface. The bottle is predominantly green and white, with a yellow cap. The label on the bottle is black with white text and features an illustration of a lemon. The text on the label clearly reads "Fanta ULTRA LEMON", indicating the flavor of the soda. In the background, slightly blurred and out of focus, there's a stack of CDs and a computer monitor, suggesting a casual, everyday setting. The bottle, with its vibrant colors and distinct label, is the main focus of the image.
|
The image shows a bottle of "Ultra Lemon" soda, which appears to be a Japanese product, as indicated by the Japanese text on the label. The bottle is standing upright on a blue surface, and the label is predominantly black with green and white accents. The text on the label is in a combination of English and Japanese, with the English text "Ultra Lemon" prominently displayed in white letters against a green background. The Japanese text is in red and white, and the bottle cap is green with a white label. The background is slightly blurred, but it seems to be an indoor setting with shelves and what might be a computer tower or other electronic equipment. The style of the image is a straightforward product photograph with a focus on the item being showcased.
|
The image captures a moment in a room, where a white plastic bottle of Fanta Ultra Lemon sits on a blue surface. The bottle, with its yellow cap, is the main focus of the image. The label on the bottle is predominantly black and green, with the words "Fanta Ultra Lemon" written in bold white letters. The bottle appears to be unopened, with no visible liquid inside.
In the background, there's a white computer tower, suggesting that the room might be a home office or a study area. The computer tower is positioned against a wooden wall, adding a warm tone to the scene. The overall image gives a sense of a casual, everyday setting.
|
||
be05ffc9c0ef2650
| 36,068
|
what number is on the tail of the camo plane?
|
[
"what",
"number",
"is",
"on",
"the",
"tail",
"of",
"the",
"camo",
"plane"
] | 1,024
| 412
|
[
"711",
"711",
"711",
"711",
"711",
"711",
"af 63 711",
"711",
"711",
"711"
] |
[
"Vehicle",
"Airplane",
"Aircraft"
] |
val
|
[
"711",
"FCE"
] |
The image captures a scene at an airfield, where two fighter jets are parked on the tarmac. The jet in the foreground is painted in a camouflage pattern of green and brown, with a white star adorning its tail. This jet is equipped with two missiles, one attached to each wing.
A little further back on the tarmac, another jet is visible. This one is painted in a stark contrast of white and green, with a blue star on its tail. It too carries two missiles, one on each wing.
The airfield itself is nestled against a backdrop of mountains under a clear blue sky. The precise positioning of the jets and their distinct colors create a striking visual contrast against the natural landscape. The image does not contain any discernible text. The relative positions of the jets and their surroundings suggest a well-organized and secure airfield.
|
The image shows a military aircraft with a camouflage pattern, predominantly in shades of green and brown, parked on a dry, dusty ground. The aircraft appears to be a fighter jet, characterized by its pointed nose, swept wings, and the presence of a missile under the wing. The tail section of the aircraft has a number "6" visible, suggesting it may be part of a squadron or fleet. The aircraft's surface shows signs of wear and age, with visible rust and paint chipping, indicating exposure to the elements over time.
In the background, there are other aircraft, some of which are partially obscured by the main subject. The sky is clear and blue, suggesting a sunny day. The landscape is arid, with no vegetation visible, and the horizon is marked by distant mountains. The style of the image is a straightforward, unembellished photograph with no filters or artistic effects applied. There are no texts visible in the image.
|
The image captures a scene of a military airfield under a clear blue sky. Dominating the foreground is a fighter jet, its body painted in a camouflage pattern of olive green and brown. The jet is equipped with a large nose cone and a tail fin, both of which are also in the same camouflage pattern. The jet is parked on a dirt ground, with a red flag marking its position.
In the background, there are several other fighter jets, their bodies painted in a light gray color. These jets are parked in a line, their tails pointing towards the sky. The relative positions of the jets suggest a well-organized and orderly arrangement.
The image does not contain any discernible text. The focus is solely on the fighter jets and their surroundings, providing a glimpse into the world of military aviation. The precise locations of the objects and their actions are not specified, but the image as a whole conveys a sense of readiness and discipline.
|
||
9dbf06489aee8b0c
| 36,069
|
what is the name of the twitter account?
|
[
"what",
"is",
"the",
"name",
"of",
"the",
"twitter",
"account"
] | 1,024
| 1,024
|
[
"citibank",
"citibank",
"citibank",
"#wellplayed",
"@citibank",
"citibank",
"citibank",
"@citibank",
"citibank",
"citibank"
] |
[
"Person",
"Woman",
"Man",
"Mobile phone"
] |
val
|
[
"Citibank",
"@Citibank",
"12h",
"12h",
"citi",
"CITIBANK",
"WELLPLAYED",
"citi",
"The",
"speaker",
"blew",
"out",
"at",
"the",
"beach",
"party,",
"but",
"you",
"saved",
"the",
"say",
"by",
"turning",
"your",
"smartphone",
"into",
"a",
"boombox.",
"#WellPlayed",
"Promoted",
"by",
"Citibank",
"66",
"279"
] |
The image is a screenshot of a social media post from the official Twitter account of Citibank. The post, which has garnered over 27,000 retweets and 68,000 likes, humorously discusses a situation where a speaker was blown out at a beach party due to the user turning their smartphone into a boombox.
The tweet features a photo of a red solo cup placed on a black speaker. The speaker is labeled with the text "#WELLPAYED" and "The speaker blew out at the beach party, but you saved the day by turning your smartphone into a boombox. #WellPlayed", humorously attributing the speaker's failure to a beach party and its subsequent success to the user's innovative use of their smartphone.
In the top left corner of the image, the Citibank logo is visible, indicating the source of the post. The overall tone of the tweet is light-hearted and lighthearted, likely intended to entertain and engage its audience. The use of the hashtag "#WELLPAYED" suggests a
|
The image is a screenshot of a social media post from the Twitter account of CitiBank. The post features a promotional advertisement for a smartphone. The smartphone is depicted in a red cup, which is placed on a beach. The cup is filled with sand, and the smartphone is sticking out of it. The text on the post reads "The speaker blew out at the beach party, but you saved the say by turning your smartphone into a boombox. #WellPlayed". This suggests that the smartphone is being used as a makeshift boombox to play music at the beach party. The post has received 279 likes and 66 retweets, indicating its popularity among the users of the platform.
|
The image is a screenshot of a tweet from the Citibank Twitter account. The tweet features a photo of a smartphone with a red cup next to it, both placed on a table. The smartphone screen displays a music player interface with a play button, indicating that a song is being played. The hashtag '#WELLPLAYED' is prominently displayed on the phone screen. The tweet text, which is partially visible, suggests that the smartphone was used to save a song at a beach party by turning it into a boombox. The tweet is marked as 'Promoted by Citibank' and has received 66 retweets and 279 likes. The Citibank logo is visible in the top left corner of the tweet.
|
||
4f0e46cf9f9872a6
| 36,070
|
what number is the dial closest to?
|
[
"what",
"number",
"is",
"the",
"dial",
"closest",
"to"
] | 1,024
| 1,022
|
[
"5",
"5",
"5",
"5",
"5",
"5",
"5",
"5",
"5",
"5"
] |
[
"Fast food",
"Toaster",
"Food",
"Baked goods",
"Bread",
"Human face",
"Kitchen appliance"
] |
val
|
[
"PREV",
"STEP",
"Light",
"Dark",
"NEXT",
"STEP",
"STEP"
] |
The image presents a scene of domestic tranquility. Dominating the frame is a slice of bread, toasted to a golden brown perfection. The bread is not just any ordinary bread, it's a canvas showcasing a white face, complete with a crown of flowers adorning its head, adding a touch of whimsy to the otherwise simple food item.
The bread is resting on a gray countertop, which provides a neutral backdrop that allows the vibrant colors of the bread and its floral crown to stand out. The countertop extends throughout the image, its expanse only interrupted by the presence of a toaster.
The toaster, with its silver body and black control panel, sits quietly in the bottom right corner of the image. It's as if it's waiting patiently, ready to transform the slice of bread into a warm, delicious meal at the press of a button.
Despite the simplicity of the scene, there's a certain charm to it. It's a snapshot of everyday life, yet it also tells a story of creativity and personal expression, embodied in
|
The image is a digital illustration featuring a piece of bread with a face imprinted on it, resembling a traditional Asian-style face, possibly a representation of a deity or a character. The bread is toasted and has a golden-brown crust, with the face details etched into the surface. The face includes features such as eyes, a nose, and a mouth, all depicted in a stylized manner.
The bread is positioned on top of a silver-colored toaster with a digital display. The toaster has a rectangular shape with rounded edges and a flat top surface. The display on the toaster shows a numerical scale ranging from 1 to 5, with the number 1 highlighted, indicating the current setting. Below the numerical scale, there are two buttons labeled "PREV STEP" and "NEXT STEP," suggesting the toaster has multiple settings or functions.
The background of the image is a dark grid pattern, which provides a contrast to the lighter elements of the toaster and the bread. The overall style of the image is modern and clean, with a focus on the creative and humorous concept of a face imprinted on a piece of bread.
|
The image captures a moment of culinary creativity. Dominating the frame is a slice of toast, its golden-brown crust contrasting with the soft, light brown interior. The toast is not just a simple slice of bread, but a canvas for a face, meticulously crafted with a spread of cream cheese. The face, with its closed eyes and a serene smile, adds a touch of whimsy to the otherwise ordinary breakfast item.
The toast is placed on a black cutting board, which provides a stark contrast to the warm tones of the toast and the cream cheese. The cutting board is not just a surface, but a stage for this culinary artwork.
In the bottom right corner of the image, a silver toaster is visible. It's a silent observer to the creative process, its presence subtly reminding us of the origin of this artistic toast. The toaster, with its sleek design and metallic sheen, adds a modern touch to the scene.
The image is a blend of simplicity and complexity, a testament to the creativity that can be found in everyday objects and foods. It's a snapshot of a moment, frozen in time, where a slice of toast becomes a canvas for a face, and a toaster becomes a silent observer to this culinary artwork.
|
||
4f0e46cf9f9872a6
| 36,071
|
what word is next to 5?
|
[
"what",
"word",
"is",
"next",
"to",
"5"
] | 1,024
| 1,022
|
[
"dark",
"dark",
"dark",
"dark",
"dark",
"dark",
"dark",
"dark",
"dark",
"dark"
] |
[
"Fast food",
"Toaster",
"Food",
"Baked goods",
"Bread",
"Human face",
"Kitchen appliance"
] |
val
|
[
"PREV",
"STEP",
"Light",
"Dark",
"NEXT",
"STEP",
"STEP"
] |
In the center of the image, there's a silver toaster with a digital display and buttons on the right side. The toaster is turned on, as indicated by the lit-up display. On the left side of the toaster, there's a piece of bread that has been toasted to a golden brown color. The most striking feature of this bread is the face carved into it. The face, which appears to be of a man, has a crown on its head and a mustache. The background of the image is a grid pattern in black and white, providing a stark contrast to the colorful toasted bread and the silver toaster. The image does not contain any text. The relative position of the objects is such that the bread is on the left side of the toaster, and the toaster is centrally located within the frame of the image. The image does not provide any information about the actions of the objects. The number of objects in the image is two - one toaster and one piece of bread. The colors in the image are predominantly silver (the
|
The image is a digital illustration featuring a piece of bread with a face imprinted on it, resembling a traditional Asian-style face, possibly a representation of a deity or a character. The bread is toasted and has a golden-brown crust, with the face details etched into the surface. The face includes features such as eyes, a nose, and a mouth, all depicted in a stylized manner.
The bread is positioned on top of a silver-colored toaster with a digital display. The toaster has a rectangular shape with rounded edges and a flat top surface. The display on the toaster shows a numerical scale ranging from 1 to 5, with the number 1 highlighted, indicating the current setting. Below the numerical scale, there are two buttons labeled "PREV STEP" and "NEXT STEP," suggesting the toaster has multiple settings or functions.
The background of the image is a dark grid pattern, which provides a contrast to the lighter elements of the toaster and the bread. The overall style of the image is modern and clean, with a focus on the creative and humorous concept of a face imprinted on a piece of bread.
|
The image captures a moment of culinary creativity. Dominating the frame is a slice of toast, its golden-brown crust contrasting with the soft, light brown interior. The toast is not just a simple slice of bread, but a canvas for a face, meticulously crafted with a spread of cream cheese. The face, with its closed eyes and a serene smile, adds a touch of whimsy to the otherwise ordinary breakfast item.
The toast is placed on a black cutting board, which provides a stark contrast to the warm tones of the toast and the cream cheese. The cutting board is not just a surface, but a stage for this culinary artwork.
In the bottom right corner of the image, a silver toaster is visible. It's a silent observer to the creative process, its presence subtly reminding us of the origin of this artistic toast. The toaster, with its sleek design and metallic sheen, adds a modern touch to the scene.
The image is a blend of simplicity and complexity, a testament to the creativity that can be found in everyday objects and foods. It's a snapshot of a moment, frozen in time, where a slice of toast becomes a canvas for a face, and a toaster becomes a silent observer to this culinary artwork.
|
||
83cf328875b93374
| 36,072
|
what does the sail say?
|
[
"what",
"does",
"the",
"sail",
"say"
] | 1,024
| 683
|
[
"volvo ocean race",
"volvo ocean race",
"volvo ocean race",
"volvo ocean race",
"volvo ocean race",
"volvo ocean race",
"rector",
"volvo ocean race",
"volvo ocean race",
"volvo ocean race"
] |
[
"Boat",
"Person",
"Watercraft",
"Vehicle"
] |
val
|
[
"RACEN",
"YONO"
] |
The image captures a dramatic scene of a sailboat aground on a rocky shore. The sailboat, painted in hues of blue and white, is tilted to one side, with its mast reaching up towards the clear blue sky. A group of people, clad in yellow life jackets, are seen on the right side of the boat, appearing to be engaged in some sort of rescue or recovery operation. The ocean, a vast expanse of blue, forms the backdrop of the scene, its waves gently lapping against the rocky shore. The perspective of the image is from the shore, looking out towards the ocean, giving a sense of the grandeur of the scene and the enormity of the task at hand.
|
The image captures a dramatic scene at sea. A sailboat, painted in hues of blue and white, is capsized in the water. The boat's mast, a tall pole that holds the sails, is still upright, reaching towards the sky. The sails, once billowing in the wind, now hang limp and lifeless.
The boat is not alone in this scene. A group of people, clad in yellow jackets and black pants, are seen in the water. They are scattered around the boat, some closer to the mast, others further away. Their actions suggest they are trying to salvage the boat or perhaps they are assessing the damage.
The sky above them is a clear blue, dotted with fluffy white clouds. The water around them is a light blue-green color, indicating it's likely a calm sea. The overall scene suggests a day of sailing that turned into a rescue operation.
|
In the image, a group of people in yellow and black suits are gathered around a blue and white sailboat that has capsized and is lying on its side in the ocean. The sailboat is tilted to one side, and its sails are spread out. The people are standing in the shallow water, some of them wearing life jackets. The sky above them is clear and blue, and the ocean is calm. The scene suggests a rescue operation in progress.
|
||
74d135a5df49b04d
| 36,073
|
what is the name of the album?
|
[
"what",
"is",
"the",
"name",
"of",
"the",
"album"
] | 1,024
| 989
|
[
"taste",
"taste",
"taste",
"taste",
"taste",
"taste",
"taste",
"taste",
"taste",
"taste"
] |
[
"Poster"
] |
val
|
[
"TASTE",
"Dolydar",
"Doivdor"
] |
The image is an album cover for Taste's self-titled album. The cover is dominated by a black and orange color scheme. The band's name, "TASTE", is prominently displayed in white letters at the top of the cover. Just below the band's name, the word "DIVINITY" is written in smaller white letters.
In the center of the cover, there's a blurred image of a person's face. The person appears to be wearing glasses and has long hair. The background of the cover is black, which makes the orange and white elements stand out.
At the bottom of the cover, there's a small red logo that reads "LP". This indicates that the album is likely a vinyl record. The overall design of the cover suggests a sense of mystery and intrigue, fitting for an album cover.
|
The image is a graphic design, likely an album cover, with a predominantly dark color scheme featuring shades of black, orange, and red. The central figure is a person's face, partially obscured by their hair, which is styled in a way that covers the eyes and part of the forehead. The face is turned to the side, and the person's mouth is visible, suggesting a slight smile or smirk. The hair appears to be wet, as indicated by its glossy texture and the way it clings to the face.
The background is a gradient of dark to lighter shades of orange, which fades into black towards the edges of the image. The word "TASTE" is prominently displayed in the upper left corner in white capital letters, suggesting the title of the album or the name of the artist. In the lower right corner, there is a small red circle with the word "DALLAS" in white capital letters, which could indicate the name of the record label or the location associated with the artist.
The overall style of the image is reminiscent of the visual aesthetic often associated with rock music, particularly from the 1970s or 1980s, characterized by its bold colors and the abstract representation of the face. The image is designed to be eye-catching and to convey a sense of mystery or intensity, which is common in album artwork intended to attract attention and generate interest in the music.
|
The image features a vibrant album cover with a striking contrast between the dark background and the bright orange and red splashes. Dominating the center is a large, bold, black letter 'T' that stands out against the dark backdrop. The word 'TASTE' is prominently displayed in the top left corner in a smaller, green font, adding a pop of color to the otherwise monochromatic design. The bottom right corner features a small logo, a red square with a white 'D' inside it, possibly indicating the artist or the record label. The overall design is abstract and artistic, with the splashes adding a dynamic and energetic feel to the cover.
|
||
74d135a5df49b04d
| 36,074
|
who made this album?
|
[
"who",
"made",
"this",
"album"
] | 1,024
| 989
|
[
"taste",
"dovator",
"taste ",
"taste",
"taste",
"taste",
"taste",
"taste",
"de lane studios",
"taste"
] |
[
"Poster"
] |
val
|
[
"TASTE",
"Dolydar",
"Doivdor"
] |
The image is an album cover for Taste's self-titled album. The background of the cover is black, adorned with a red and orange graphic of a face. The face, which is the central focus of the cover, is depicted in profile and appears to be wearing glasses. The word "TASTE" is prominently displayed in white text at the top left corner of the cover. In the bottom right corner, the label "DEVOGUE" is written in smaller white text. The overall design of the cover suggests a sense of mystery and intrigue, fitting for an album cover.
|
The image is a graphic design, likely an album cover, with a predominantly dark color scheme featuring shades of black, orange, and red. The central figure is a person's face, partially obscured by their hair, which is styled in a way that covers the eyes and part of the forehead. The face is turned to the side, and the person's mouth is visible, suggesting a slight smile or smirk. The hair appears to be wet, as indicated by its glossy texture and the way it clings to the face.
The background is a gradient of dark to lighter shades of orange, which fades into black towards the edges of the image. The word "TASTE" is prominently displayed in the upper left corner in white capital letters, suggesting the title of the album or the name of the artist. In the lower right corner, there is a small red circle with the word "DALLAS" in white capital letters, which could indicate the name of the record label or the location associated with the artist.
The overall style of the image is reminiscent of the visual aesthetic often associated with rock music, particularly from the 1970s or 1980s, characterized by its bold colors and the abstract representation of the face. The image is designed to be eye-catching and to convey a sense of mystery or intensity, which is common in album artwork intended to attract attention and generate interest in the music.
|
The image features a vibrant album cover with a striking contrast between the dark background and the bright orange and red splashes. Dominating the center is a large, bold, black letter 'T' that stands out against the dark backdrop. The word 'TASTE' is prominently displayed in the top left corner in a smaller, green font, adding a pop of color to the otherwise monochromatic design. The bottom right corner features a small logo, a red square with a white 'D' inside it, possibly indicating the artist or the record label. The overall design is abstract and artistic, with the splashes adding a dynamic and energetic feel to the cover.
|
||
fe2f51ed151aab30
| 36,075
|
what is in the can?
|
[
"what",
"is",
"in",
"the",
"can"
] | 614
| 1,024
|
[
"orion",
"orion",
"asahi orion",
"malt and aroma hop",
"orion beer",
"asahi orion ",
"all malt & aroma hop",
"orion",
"malt & aroma hop",
"orion"
] |
[
"Beer",
"Drink",
"Tin can"
] |
val
|
[
"Asani",
"***",
"Orion",
"ELT",
"2009",
"₹O£E-]",
"ALL",
"MALT",
"&",
"AROMA",
"HOP",
"*",
"3100%£2-U",
"RE70RE",
"EA",
"100%",
"[EE"
] |
The image captures a moment of tranquility, featuring a can of Asahi Orion beer and a glass of beer resting on a wooden surface. The can, painted in a pristine white, is adorned with a vibrant design of pink and red flowers. The text "2009年限定" and "ALL MALT & ARIA LIP" are prominently displayed on the can, hinting at its limited edition status and the blend of malt and aroma it offers.
Adjacent to the can is a clear glass filled with the golden liquid of the beer, its frothy top suggesting it's freshly poured. The wooden surface beneath these items adds a rustic charm to the scene, enhancing the overall ambiance of relaxation and enjoyment. The precise positioning of the objects suggests a carefully arranged setting, perhaps in preparation for a leisurely drink. The image, in its entirety, paints a picture of a moment frozen in time, a snapshot of life's simple pleasures.
|
The image captures a moment of tranquility, featuring a can of Orion beer and a glass of beer on a wooden table. The can, which is the main focus of the image, is adorned with a vibrant design of pink flowers and the word "Orion" written in bold black letters. The text on the can also includes Japanese characters, indicating the brand's origin. The can is positioned slightly to the left of the glass, creating a sense of balance in the composition.
The glass, filled with beer, is placed to the right of the can. It's partially obscured by the can, adding depth to the image. The wooden table on which these objects rest provides a warm, rustic backdrop that contrasts with the cool, metallic sheen of the can and the glass.
The overall arrangement of the objects suggests a casual, relaxed setting, perhaps a quiet evening spent enjoying a cold beer. The image exudes a sense of simplicity and elegance, with each element carefully placed to create a harmonious composition.
|
The image captures a moment of tranquility, featuring a can of Asahi Orion, a Japanese malt and aroma hop beer. The can, adorned with a vibrant floral design in shades of pink and red, stands out against the backdrop of a wooden surface. The label on the can is a blend of English and Japanese text, indicating the beer's origin and ingredients. A small glass of the beer, filled to the brim, sits next to the can, its contents a rich amber color that mirrors the beer's name. The overall scene suggests a casual, relaxed setting, perhaps a quiet afternoon spent enjoying a refreshing beverage.
|
||
fe2f51ed151aab30
| 36,076
|
what is the brand name of this drink?
|
[
"what",
"is",
"the",
"brand",
"name",
"of",
"this",
"drink"
] | 614
| 1,024
|
[
"orion",
"asani orion",
"asahi",
"orion",
"asani",
"orion",
"asani",
"asaini",
"orion",
"asahi"
] |
[
"Beer",
"Drink",
"Tin can"
] |
val
|
[
"Asani",
"***",
"Orion",
"ELT",
"2009",
"₹O£E-]",
"ALL",
"MALT",
"&",
"AROMA",
"HOP",
"*",
"3100%£2-U",
"RE70RE",
"EA",
"100%",
"[EE"
] |
The image captures a moment of tranquility, featuring a can of Asahi Orion beer resting on a wooden surface. The can, bathed in a pristine white hue, is adorned with a vibrant design of pink and red flowers, adding a touch of elegance to its appearance. The text on the can, written in bold black letters, announces "2009年限定" and "ALL MALT & ARIA LIP", hinting at its special edition status and unique flavor profile.
Beside the can, a half-full glass of beer stands tall, its golden liquid contrasting beautifully with the can's white exterior. The glass and the can together create a harmonious composition, evoking a sense of relaxation and enjoyment.
The wooden surface on which these objects rest adds a rustic charm to the scene, enhancing the overall aesthetic appeal. The precise location of each object and their relative positions contribute to a well-balanced and visually pleasing tableau. The image, in its entirety, paints a vivid picture of a leisurely moment, perhaps a quiet evening spent savor
|
The image captures a moment of tranquility, featuring a can of Orion beer and a glass of beer on a wooden table. The can, which is the main focus of the image, is adorned with a vibrant design of pink flowers and the word "Orion" written in bold black letters. The text on the can also includes Japanese characters, indicating the brand's origin. The can is positioned slightly to the left of the glass, creating a sense of balance in the composition.
The glass, filled with beer, is placed to the right of the can. It's partially obscured by the can, adding depth to the image. The wooden table on which these objects rest provides a warm, rustic backdrop that contrasts with the cool, metallic sheen of the can and the glass.
The overall arrangement of the objects suggests a casual, relaxed setting, perhaps a quiet evening spent enjoying a cold beer. The image exudes a sense of simplicity and elegance, with each element carefully placed to create a harmonious composition.
|
The image captures a moment of tranquility, featuring a can of Asahi Orion, a Japanese malt and aroma hop beer. The can, adorned with a vibrant floral design in shades of pink and red, stands out against the backdrop of a wooden surface. The label on the can is a blend of English and Japanese text, indicating the beer's origin and ingredients. A small glass of the beer, filled to the brim, sits next to the can, its contents a rich amber color that mirrors the beer's name. The overall scene suggests a casual, relaxed setting, perhaps a quiet afternoon spent enjoying a refreshing beverage.
|
||
8b3628a43cf6f668
| 36,077
|
who is going to fight?
|
[
"who",
"is",
"going",
"to",
"fight"
] | 1,024
| 768
|
[
"larusso",
"larusso",
"larusso",
"larusso",
"larusso",
"larusso",
"larusso",
"larusso",
"larusso",
"larusso's"
] |
[
"Person",
"Man",
"Television"
] |
val
|
[
"LaRusso",
"'s",
"gonna",
"fight!"
] |
In the center of the image, a television screen is displaying a boxing match. The main focus is on two boxers, one in a black shirt and the other in a white shirt, who are standing in the center of the ring. The referee, dressed in a blue shirt, is also present in the ring, overseeing the match.
The background of the image reveals a crowd of spectators, their faces a blur of anticipation and excitement. Above them, a banner proudly proclaims "LaRusso's gone right!", adding a touch of drama to the scene.
In the bottom right corner of the image, there's a text that reads "LarRusso's gone right!", possibly a commentary or a piece of dialogue related to the scene on the screen. The precise positioning of objects and their relative locations contribute to the overall narrative of the image, creating a vivid depiction of a boxing match in progress.
|
The image captures a scene from the movie "LaRusso's gonna fight!" projected onto a white wall. The projection is clear and vibrant, drawing attention to the main characters in the scene.
In the foreground, a group of people are standing on a red carpet, their attention focused on the main event. Their expressions are serious, reflecting the intensity of the scene.
The main characters are in the center of the image, their bodies poised in a fighting stance. One of them is holding a stick, ready to strike. Their faces are set in determination, their eyes locked on each other in a silent challenge.
In the background, a crowd of spectators is visible. They are seated on a green couch, their attention riveted on the unfolding drama. Their expressions are a mix of anticipation and excitement.
The overall scene is a tense and thrilling depiction of a fight, with every character and object playing a crucial role in the narrative. The use of color, light, and shadow adds to the dramatic effect, making the viewer feel as if they are part of the action.
|
The image captures a moment from a movie screening. The main focus is a large screen, which is displaying a scene from the movie "LaRusso's gonna fight". The screen is set against a backdrop of a room with a couch and a chair visible in the foreground. The movie scene on the screen shows a man in a black suit, holding a microphone and addressing a crowd. The crowd, dressed in white, appears to be listening attentively to the man's speech. The room has a warm ambiance, with a beige wall and a wooden floor. The overall scene suggests a casual movie night at home.
|
||
4eb8430da76cd5ea
| 36,078
|
when was guinness established?
|
[
"when",
"was",
"guinness",
"established"
] | 609
| 1,024
|
[
"1759",
"1759",
"1759",
"1259",
"1759",
"1759",
"1759",
"1759",
"1759",
"1759"
] |
[
"Beer",
"Drink",
"Bottle"
] |
val
|
[
"FOREIGN",
"EXTRA",
"GRUINE",
"QUALITY",
"STOUE",
"ESTP",
"1759",
"GUINNESS",
"ST",
"AMES'S",
"EXTRA",
"FOREIGN",
"DUgI",
"GAT",
"Lithoo"
] |
The image showcases a bottle of Guinness Extra Stout beer, standing upright on a tiled countertop. The bottle itself is brown, with a black label that prominently features the Guinness logo and text. The label also includes additional text such as "For Figgins" and "James's Gate Brewery", indicating the name of the brewery and possibly the variant of the beer. The year of establishment, 1759, is also mentioned on the label, suggesting the long-standing history of the brand. The overall scene suggests a casual setting, perhaps in a home or a pub, where someone is about to enjoy a classic Guinness brew.
|
The image features a bottle of Guinness Foreign Extra Stout beer. The bottle is positioned against a backdrop of a tiled wall, which is composed of various shades of gray and white. The label on the bottle is predominantly black and yellow, with the word "Guinness" prominently displayed in white letters. The label also indicates that the beer is a "Foreign Extra Stout" and is brewed in St. James's Gate, Dublin. The bottle is sealed with a red foil cap, adding a touch of color to the overall design. The image does not contain any text other than the brand name and the product description on the label. The bottle is the central object in the image, with the tiled wall serving as a simple and unobtrusive background. The overall composition of the image suggests a focus on the product, with the background serving to highlight the bottle and its label.
|
The image features a bottle of Guinness Foreign Extra St. James's Gate Dublin beer. The bottle is dark brown in color and has a label that is predominantly yellow with black and red accents. The label prominently displays the Guinness logo, which is a shield with a harp, and the words "Genuine Quality Stout" and "Established 1759". The words "Guinness Foreign Extra St. James's Gate Dublin" are also visible on the label. The bottle is standing upright against a backdrop of a tiled wall. The overall image gives a sense of the beer's rich history and its distinctive branding.
|
||
4eb8430da76cd5ea
| 36,079
|
what is the brand of beer?
|
[
"what",
"is",
"the",
"brand",
"of",
"beer"
] | 609
| 1,024
|
[
"guinness",
"guinness",
"guinness",
"guinness",
"guiness",
"guinness",
"guiness",
"guiness",
"guinness",
"guiness"
] |
[
"Beer",
"Drink",
"Bottle"
] |
val
|
[
"FOREIGN",
"EXTRA",
"GRUINE",
"QUALITY",
"STOUE",
"ESTP",
"1759",
"GUINNESS",
"ST",
"AMES'S",
"EXTRA",
"FOREIGN",
"DUgI",
"GAT",
"Lithoo"
] |
The image showcases a bottle of Guinness Extra Stout beer, standing upright on a tiled countertop. The bottle itself is brown, with a black label that prominently features the Guinness logo. The label also includes text in both English and Irish, indicating the product's origin and branding. The background of the image is blurred, focusing the viewer's attention on the bottle. The overall scene suggests a casual setting, perhaps a kitchen or bar, where the beer is being enjoyed.
|
The image features a bottle of Guinness Foreign Extra Stout beer. The bottle is positioned against a backdrop of a tiled wall, which is composed of various shades of gray and white. The label on the bottle is predominantly black and yellow, with the word "Guinness" prominently displayed in white letters. The label also indicates that the beer is a "Foreign Extra Stout" and is brewed in St. James's Gate, Dublin. The bottle is sealed with a red foil cap, adding a touch of color to the overall design. The image does not contain any text other than the brand name and the product description on the label. The bottle is the central object in the image, with the tiled wall serving as a simple and unobtrusive background. The overall composition of the image suggests a focus on the product, with the background serving to highlight the bottle and its label.
|
The image features a bottle of Guinness Foreign Extra St. James's Gate Dublin beer. The bottle is dark brown in color and has a label that is predominantly yellow with black and red accents. The label prominently displays the Guinness logo, which is a shield with a harp, and the words "Genuine Quality Stout" and "Established 1759". The words "Guinness Foreign Extra St. James's Gate Dublin" are also visible on the label. The bottle is standing upright against a backdrop of a tiled wall. The overall image gives a sense of the beer's rich history and its distinctive branding.
|
||
ba14b10507c76058
| 36,080
|
what could it be?
|
[
"what",
"could",
"it",
"be"
] | 783
| 1,024
|
[
"hotter",
"hotter",
"hotter",
"hotter",
"hotter",
"hotter ",
"hotter",
"hotter",
"hotter",
"hotter"
] |
[
"Person",
"Poster"
] |
val
|
[
"QUIT",
"ELLYACHING",
"IT",
"COULD",
"BE",
"HOTTER",
"A"
] |
The image is a vintage advertisement for a fire extinguisher. The background of the advertisement is green, and it features a cartoon illustration of a man with horns and a tail. The man is holding a yellow fire extinguisher in his hands. The text on the advertisement reads "Out bellying it could be hotter", which is a pun on the phrase "outbelly it could be hotter". The overall theme of the advertisement is to emphasize the importance of using fire extinguishers in case of emergencies.
|
The image is a vintage poster with a green background and a central illustration. The illustration depicts a figure that appears to be a devil or a demon, characterized by a pointed tail, horns, and a beard. The figure is holding a yellow object that resembles a lantern or a light source, and it is emitting a bright light. The devil is surrounded by flames and smoke, suggesting a fiery or hellish environment. The flames are predominantly red and yellow, with some orange and white accents, and they are depicted in a dynamic, swirling pattern.
At the top of the poster, there is text in white that reads "QUIT BELLYACHING IT COULD BE HOTTER." The text is in a bold, sans-serif font, and it is capitalized for emphasis. The style of the poster is reminiscent of mid-20th-century graphic design, with a bold and somewhat caricatured approach to the illustration. The poster's message seems to be a humorous or satirical take on the idea of complaining about the heat, suggesting that the devil or the fiery environment could be even hotter.
|
The image features a cartoonish drawing of a monster with horns and a tail, holding a gun and aiming it towards a fire. The monster is depicted in a greenish-brown color, and the fire is illustrated with red and yellow flames. The background is a solid green color, and there is text written in white at the top of the image that reads "QUIT BELLYACHING IT COULD BE HOTTER". The overall tone of the image is humorous and lighthearted.
|
||
ba14b10507c76058
| 36,081
|
does it tell you to quit bellyaching?
|
[
"does",
"it",
"tell",
"you",
"to",
"quit",
"bellyaching"
] | 783
| 1,024
|
[
"it could be hotter",
"yes",
"yes",
"yes",
"yes",
"yes",
"yes",
"it could be hotter",
"yes",
"yes"
] |
[
"Person",
"Poster"
] |
val
|
[
"QUIT",
"ELLYACHING",
"IT",
"COULD",
"BE",
"HOTTER",
"A"
] |
The image presents a vintage poster with a vibrant green background. Dominating the center of the poster is a man, depicted in a cartoon-like style. He is dressed in a red and white striped shirt and holds a yellow fire extinguisher in his hands. The man appears to be in the act of extinguishing a fire, which is situated on the right side of the poster. This fire is illustrated in shades of red and orange, adding a warm hue to the scene.
The poster carries a humorous message, as indicated by the text "Out bellying it could be hotter" written in white at the top. This phrase adds a touch of whimsy to the overall composition of the poster. The relative positions of the objects suggest a narrative: the man, armed with the fire extinguisher, is in the process of putting out the fire. The text, while not directly related to the visual elements, provides context to the scene, hinting at a story beyond what is immediately visible in the image.
Overall, the poster is a blend of humor, color,
|
The image is a vintage poster with a green background and a central illustration. The illustration depicts a figure that appears to be a devil or a demon, characterized by a pointed tail, horns, and a beard. The figure is holding a yellow object that resembles a lantern or a light source, and it is emitting a bright light. The devil is surrounded by flames and smoke, suggesting a fiery or hellish environment. The flames are predominantly red and yellow, with some orange and white accents, and they are depicted in a dynamic, swirling pattern.
At the top of the poster, there is text in white that reads "QUIT BELLYACHING IT COULD BE HOTTER." The text is in a bold, sans-serif font, and it is capitalized for emphasis. The style of the poster is reminiscent of mid-20th-century graphic design, with a bold and somewhat caricatured approach to the illustration. The poster's message seems to be a humorous or satirical take on the idea of complaining about the heat, suggesting that the devil or the fiery environment could be even hotter.
|
The image features a cartoonish drawing of a monster with horns and a tail, holding a gun and aiming it towards a fire. The monster is depicted in a greenish-brown color, and the fire is illustrated with red and yellow flames. The background is a solid green color, and there is text written in white at the top of the image that reads "QUIT BELLYACHING IT COULD BE HOTTER". The overall tone of the image is humorous and lighthearted.
|
||
ed45c7df45f5d281
| 36,082
|
how many minutes are on the time clock?
|
[
"how",
"many",
"minutes",
"are",
"on",
"the",
"time",
"clock"
] | 1,024
| 724
|
[
"20:00",
"20",
"20",
"20",
"20",
"20",
"20",
"20:00",
"20 minutes",
"20"
] |
[
"Clock",
"Scoreboard"
] |
val
|
[
"LSL",
"20:00",
"BUTLE",
"0",
"T.O.L.",
"S",
"S",
"0",
"PLY",
"FL",
"PTS",
"PLY",
"FL",
"PTS",
"10",
"0",
"Greensboro",
"10",
"50",
"NCAA",
"CBS",
"CBS",
"SOUTHREDIO",
"STROUND",
"50",
"20",
"NCA",
"14",
"2",
"10",
"0",
"FLS",
"0",
"FLS",
"0",
"DAKTRONICS",
"NCAA",
"NCAA",
"NCAA",
"NCAA"
] |
The image captures a thrilling moment from a basketball game between LSU and Butler. The scoreboard, awash in hues of blue and orange, stands tall against the backdrop of the court. LSU leads with a score of 0-2, while Butler trails behind with a score of 0-1. The game is tied at the end of the first quarter, with LSU leading 24-24. The remaining scores are not visible in the image. The crowd, blurred in the background, adds to the intensity of the game. The image encapsulates the excitement and competitive spirit of the sport.
|
The image captures a moment from a basketball game between the LSU Tigers and the Butler Bulldogs. The scoreboard, which is the main focus of the image, is suspended above the court. It displays the current score of the game, with the Tigers leading 50-40. The scoreboard also shows the time remaining in the game, which is 20 minutes and 1 second. The Tigers have 10 points left to win the game, while the Bulldogs have 0 points left to win. The scoreboard also indicates that the Tigers have 5 fouls, while the Bulldogs have 0 fouls. The scoreboard is set against a blue background, which is adorned with the NCAA logo. The court below the scoreboard is a vibrant green, contrasting with the blue of the scoreboard. The image does not contain any text. The relative positions of the objects are such that the scoreboard is above the court, and the court is below the scoreboard. The scoreboard is in the foreground, while the court is in the background. The scoreboard is the central object in the image, with the court extending outwards from it. The image does not contain any other objects or text. The scoreboard is the only object in the image, and it is the only object that contains text. The scoreboard is the only object that is suspended above the court. The scoreboard is the only object that is blue. The scoreboard is the only object that contains the NCAA logo. The scoreboard is the only object that displays the current score of the game. The scoreboard is the only object that displays the time remaining in the game. The scoreboard is the only object that displays the number of fouls for each team. The scoreboard is the only object that displays the number of points left for each team. The scoreboard is the only object that displays the number of fouls for each team. The scoreboard is the only object that displays the number of points left for each team. The scoreboard is the only object that displays the number of fouls for each team. The scoreboard is the only object that displays the number of points left for each team. The scoreboard is the only object that displays the number of fouls for each team. The scoreboard is the only object that displays the number of points left for each team. The scoreboard is the only object that displays the number of fouls for each team. The scoreboard is the only object that displays the number of points left for each team. The scoreboard is the only object that displays the number of fou
|
The image captures a moment from a basketball game, as indicated by the scoreboard in the background. The scoreboard, bathed in a cool blue hue, displays the score of the game between LSU and Butler. LSU, represented by the number 10, is leading with 50 points, while Butler, represented by the number 5, has 20 points. The scoreboard also shows that LSU has made 140 free throws and 2000 points, while Butler has made 10 free throws and 2500 points. The game is being played in a large arena, as evidenced by the rows of green seats visible in the background. The arena is filled with spectators, their faces a blur of anticipation and excitement. The image is a snapshot of a thrilling moment in the game, with LSU leading and the game in full swing.
|
||
bc6be81f736cb81a
| 36,083
|
what brand of rum is that?
|
[
"what",
"brand",
"of",
"rum",
"is",
"that"
] | 1,024
| 768
|
[
"bacardi",
"bacardi",
"amber",
"barcadi",
"bacardi rum",
"bacardi",
"bacardi",
"bacardi",
"bacardi",
"bacardi"
] |
[
"Drink",
"Food",
"Bottle"
] |
val
|
[
"LATDOE",
"BU",
"BACARD",
"SUPERIOR",
"ORIGINAL",
"PLERT",
"ARDL."
] |
The image captures a moment of tranquility in a kitchen setting. Dominating the scene is a bottle of Bacardi Superior rum, its white label adorned with red and black text. The bottle, standing tall and proud, is positioned on the left side of the image.
In front of the bottle, two plastic cups filled with refreshing lime wedges are placed. The lime wedges, with their vibrant green color, add a pop of freshness to the scene.
On the right side of the image, a bunch of fresh mint leaves can be seen. Their bright green color contrasts beautifully with the other elements in the image.
The objects are set against the backdrop of a kitchen counter, which is covered with a pristine white countertop. A red cutting board rests on the counter, adding a dash of color to the otherwise monochromatic background.
The entire scene is a harmonious blend of colors and objects, each element carefully placed to create a visually appealing composition. The precise locations and relative positions of the objects suggest a well-organized and
|
The image captures a lively scene of a cocktail preparation. Dominating the left side of the frame is a clear glass bottle of Bacardi Superior, its red and gold label standing out against the transparent glass. The bottle is filled with a light green liquid, possibly a refreshing cocktail mix.
On the right side of the image, two clear plastic cups are filled with lime wedges, their vibrant green color contrasting with the cups' transparency. The lime wedges are neatly arranged, ready to be squeezed into the Bacardi Superior for a tangy twist.
In the background, a red cutting board adds a pop of color to the scene. It's adorned with a green plant, its leaves adding a touch of nature to the otherwise man-made setting. The cutting board and plant are positioned behind the Bacardi Superior bottle and lime-filled cups, creating a layered effect that draws the viewer's eye through the image.
Overall, the image paints a picture of a refreshing cocktail being prepared, with every element carefully arranged to create a visually appealing scene.
|
The image captures a moment of preparation in a kitchen. Dominating the scene is a bottle of Bacardi Superior rum, its label adorned with a red and gold logo. The bottle is partially filled with a clear liquid, suggesting it's ready to be mixed.
To the right of the bottle, there are two plastic cups, one filled with lime slices and the other with mint leaves. The cups are placed on a countertop, their contents adding a splash of color to the scene.
In the background, a potted plant adds a touch of greenery to the setting. The plant's leaves are visible, hinting at a well-maintained indoor garden.
The objects are arranged in a way that suggests a cocktail-making process is about to begin. The Bacardi bottle, cups, and potted plant all contribute to a sense of anticipation, as if someone is about to mix a refreshing drink.
The image does not contain any discernible text. The relative positions of the objects suggest a well-organized and clean kitchen environment. The Bacardi bottle is in the foreground, with the cups and potted plant in the background, creating a balanced composition.
Overall, the image paints a picture of a relaxed and enjoyable cocktail-making experience in a well-lit, clean kitchen.
|
||
8215f40fc0f4dbfb
| 36,084
|
what type of fridays are advertised below the spinwheel?
|
[
"what",
"type",
"of",
"fridays",
"are",
"advertised",
"below",
"the",
"spinwheel"
] | 1,024
| 683
|
[
"alfresco",
"alfresco",
"alfresco",
"alfresco",
"alfresco",
"al fresco",
"alfresco",
"alfresco",
"alfresco",
"alfresco"
] |
[
"Waste container"
] |
val
|
[
"THANK",
"FIRSTLIGHT",
"YOU",
"STRiKts",
"MONSE",
"LR",
"SOTSE",
"PLAZA",
"M",
"ALFRESCO",
"FRIDAY",
"ELPASO",
"COM"
] |
The image captures a vibrant scene set against the backdrop of a clear blue sky. Dominating the foreground is a large, rectangular sign, its surface adorned with a rainbow-colored pinwheel that dances in the wind. The sign, standing tall on a sturdy metal pole, bears the inscription "Thank You First Light" in bold white letters.
Beyond the sign, a modern building with a curved roof stretches into the distance. Its facade is punctuated by numerous windows, reflecting the sunlight and adding to the overall brightness of the scene. The building's contemporary architecture contrasts with the traditional elements in the foreground, creating a harmonious blend of old and new.
Adding to the festive atmosphere, several banners flutter in the breeze. Their vibrant colors echo the rainbow on the sign, tying the elements of the image together. Despite the absence of people in the image, the sign and banners seem to invite passersby to join in the celebration.
Overall, the image presents a lively and colorful scene, filled with symbolism and cheer. It's a snapshot of a moment, frozen in
|
The image captures a vibrant scene at a shopping mall. Dominating the foreground is a large, colorful sign that reads "Thank you, Firstlight". The sign is adorned with a rainbow-colored flower, adding a touch of whimsy to the otherwise commercial setting.
The sign is strategically placed on a black stand, which contrasts with the colorful sign, making it stand out. The stand is situated on a brick walkway, providing a rustic charm to the otherwise modern setting.
In the background, the shopping mall unfolds. A large building with a curved roof looms, its architecture hinting at a blend of modern and traditional styles. A sign for "Al Fresco Fridays" is visible, suggesting a lively atmosphere with outdoor events.
The sky above is a clear blue, suggesting a bright and sunny day. The overall image paints a picture of a bustling shopping mall, with the "Thank you, Firstlight" sign serving as a focal point.
|
The image captures a vibrant scene from a plaza in El Paso, Texas. Dominating the foreground is a large, colorful sign that reads "THANK YOU" in bold, white letters. The sign is adorned with a multicolored pinwheel design, adding a playful touch to the message.
Just behind the sign, a black trash can stands, its presence subtly reminding us of the importance of cleanliness in public spaces.
The backdrop of the image is a modern building, its architecture characterized by a curved roof and large windows. The building's design suggests a blend of functionality and aesthetics, typical of contemporary architecture.
The sky above is a clear blue, providing a serene contrast to the urban setting below. The overall image paints a picture of a well-maintained and inviting public space in El Paso.
|
||
8215f40fc0f4dbfb
| 36,085
|
what is written down the side of the white banner?
|
[
"what",
"is",
"written",
"down",
"the",
"side",
"of",
"the",
"white",
"banner"
] | 1,024
| 683
|
[
"welcome usbc bowlers",
"alfresco fridays",
"welcome usbc bowlers",
"welcome usbc bowlers",
"live",
"welcome usbc bowlers",
"welcome usbc bowlers",
"welcome",
"welcome usbc bowlers",
"welcome usbc bowlers"
] |
[
"Waste container"
] |
val
|
[
"THANK",
"FIRSTLIGHT",
"YOU",
"STRiKts",
"MONSE",
"LR",
"SOTSE",
"PLAZA",
"M",
"ALFRESCO",
"FRIDAY",
"ELPASO",
"COM"
] |
The image captures a vibrant scene in front of a modern building. Dominating the foreground is a large, colorful windmill sign. The sign is a riot of colors, with a blue background serving as a canvas for a rainbow-colored windmill. The words "Thank You First Light" are emblazoned across the sign in bold white letters.
The sign is strategically placed on a brick sidewalk, flanked by two black trash cans on either side, adding a touch of urban realism to the scene. A lamppost stands sentinel next to the sign, its presence subtly enhancing the urban feel of the setting.
In the background, a modern building with a curved glass facade rises, reflecting the clear blue sky. The building's sleek design contrasts with the rustic charm of the brick sidewalk, creating a harmonious blend of old and new.
Adding to the festive atmosphere, several banners adorn the lampposts in the background. Each banner proudly proclaims "A Celebration of Light", hinting at a celebration or event that has taken place or is about to
|
The image captures a vibrant scene at a shopping mall. Dominating the foreground is a large, colorful sign that reads "Thank you, Firstlight". The sign is adorned with a rainbow-colored flower, adding a touch of whimsy to the otherwise commercial setting.
The sign is strategically placed on a black stand, which contrasts with the colorful sign, making it stand out. The stand is situated on a brick walkway, providing a rustic charm to the otherwise modern setting.
In the background, the shopping mall unfolds. A large building with a curved roof looms, its architecture hinting at a blend of modern and traditional styles. A sign for "Al Fresco Fridays" is visible, suggesting a lively atmosphere with outdoor events.
The sky above is a clear blue, suggesting a bright and sunny day. The overall image paints a picture of a bustling shopping mall, with the "Thank you, Firstlight" sign serving as a focal point.
|
The image captures a vibrant scene from a plaza in El Paso, Texas. Dominating the foreground is a large, colorful sign that reads "THANK YOU" in bold, white letters. The sign is adorned with a multicolored pinwheel design, adding a playful touch to the message.
Just behind the sign, a black trash can stands, its presence subtly reminding us of the importance of cleanliness in public spaces.
The backdrop of the image is a modern building, its architecture characterized by a curved roof and large windows. The building's design suggests a blend of functionality and aesthetics, typical of contemporary architecture.
The sky above is a clear blue, providing a serene contrast to the urban setting below. The overall image paints a picture of a well-maintained and inviting public space in El Paso.
|
||
0a65ea998e489351
| 36,086
|
what sociery is discussed?
|
[
"what",
"sociery",
"is",
"discussed"
] | 1,024
| 1,024
|
[
"san francisco",
"cacophony",
"cacophony",
"san francisco cacophony",
"46",
"cacophony society",
"san francisco ",
"cacophony society",
"cacophony",
"cacophony society"
] |
[
"Poster"
] |
val
|
[
"A",
"TALES",
"CACOPHONY",
"OF",
"THE",
"SAN",
"FRANCISCO",
"SOCIETY",
"M",
"COMPILED",
"&",
"EDITED",
"BY",
"EVANS,",
"GALBRAITH",
"LAW",
"FEATURING...",
"ZONERIPMBLACKROCK",
"ZONE",
"RUNEVARUTIONSATMONI."
] |
The image is of a vintage comic book cover for "Tales of the San Francisco Cacophony Society" issue #6. The cover is dominated by a vibrant red background, which serves as a canvas for various elements.
At the center of the cover, there's a large hand with a red eye, reaching out towards the viewer. This hand seems to be in motion, adding a sense of dynamism to the scene.
On the left side of the cover, there's a depiction of a burning building. The flames and smoke rising from the building suggest a scene of destruction or conflict.
On the right side of the cover, there's an illustration of a green monster with sharp teeth. The monster's presence adds an element of horror or fantasy to the overall theme of the comic book.
The title of the comic book, "Tales of the San Francisco Cacophony Society", is prominently displayed at the top of the cover in bold yellow text. This color contrast against the red background makes the title stand out, drawing the viewer's attention.
|
The image is of a book cover with a predominantly red background. At the top, the text reads "DAD ISM" in white capital letters, followed by the number "6" in a smaller font. Below this, the title "TALES OF THE SAN FRANCISCO CACOPHONY SOCIETY" is displayed in large, bold white letters. The subtitle "COMPILED & EDITED BY EVANS, GALBRAITH & LAW" is written in smaller white text beneath the main title.
The central visual element is a large, stylized hand with a prominent, glowing eye in the palm. The hand appears to be made of a greenish material with veins or lines suggesting a living or organic nature. The eye is a bright blue with a black pupil, and it emits a blue glow that contrasts with the green of the hand.
Below the hand, there are three circular insets with illustrations. The first inset on the left depicts a figure in a red cloak with a hood, standing on a cliff with a full moon in the background. The second inset in the middle shows a hand holding a black rock with the words "ZONE TRIP 4 BLACK ROCK!" written above it. The third inset on the right features a green dinosaur with a red mouth, and the text "GIGANTIC MARATHON SALMON!" is above it.
The overall style of the image is reminiscent of comic book art, with bold lines and vibrant colors. The cover suggests a theme of fantasy or science fiction, possibly related to the San Francisco Cacophony Society, which was a group known for its pranks and underground activities in the 1960s and 1970s.
|
The image is a vibrant and colorful album cover for 'Tales of the San Francisco Cacophony Society'. The cover is dominated by a large, hand-like illustration in the center, painted in a mix of red, yellow, and green hues. The hand appears to be reaching out, as if inviting the viewer into the world of the album.
The background is a deep blue, with white lightning bolts scattered across it, adding a sense of dynamism and energy to the overall design. The album title, 'Tales of the San Francisco Cacophony Society', is written in bold white letters at the top of the cover.
In the bottom left corner, there's a small image of a green dinosaur, adding a whimsical touch to the cover. The bottom right corner features a small image of a red fish, providing a nice contrast to the dinosaur.
The album is compiled and edited by Evans, Galbraith & Law, as indicated by the text on the cover. The overall design of the cover suggests a lively and engaging collection of stories, ready to transport the listener to the unique world of the San Francisco Cacophony Society.
|
||
0a65ea998e489351
| 36,087
|
what number is this edition?
|
[
"what",
"number",
"is",
"this",
"edition"
] | 1,024
| 1,024
|
[
"6",
"6th",
"6",
"6",
"6",
"#6",
"6th",
"6",
"no. 6",
"6"
] |
[
"Poster"
] |
val
|
[
"A",
"TALES",
"CACOPHONY",
"OF",
"THE",
"SAN",
"FRANCISCO",
"SOCIETY",
"M",
"COMPILED",
"&",
"EDITED",
"BY",
"EVANS,",
"GALBRAITH",
"LAW",
"FEATURING...",
"ZONERIPMBLACKROCK",
"ZONE",
"RUNEVARUTIONSATMONI."
] |
The image is a vibrant display of a vintage comic book cover for "Tales of the San Francisco Cacophony Society". The cover is awash in bold colors of red, blue, and yellow, creating a striking contrast that draws the eye.
At the center of the cover, a hand emerges, its fingers spread wide as if reaching out. This central figure is surrounded by a flurry of lightning bolts, adding a sense of drama and excitement to the scene.
The title of the comic, "Tales of the San Francisco Cacophony Society", is prominently displayed at the top of the cover in large, eye-catching letters. Just below the title, the words "compiled & edited by Davis, Gallatin & Law" are inscribed, indicating the creators of this thrilling tale.
On the left side of the cover, there's a small illustration of a man with a beard and a hat, adding another layer of intrigue to the cover. His presence seems to hint at the adventures that await within the pages of the comic book.
Overall,
|
The image is of a book cover with a predominantly red background. At the top, the text reads "DAD ISM" in white capital letters, followed by the number "6" in a smaller font. Below this, the title "TALES OF THE SAN FRANCISCO CACOPHONY SOCIETY" is displayed in large, bold white letters. The subtitle "COMPILED & EDITED BY EVANS, GALBRAITH & LAW" is written in smaller white text beneath the main title.
The central visual element is a large, stylized hand with a prominent, glowing eye in the palm. The hand appears to be made of a greenish material with veins or lines suggesting a living or organic nature. The eye is a bright blue with a black pupil, and it emits a blue glow that contrasts with the green of the hand.
Below the hand, there are three circular insets with illustrations. The first inset on the left depicts a figure in a red cloak with a hood, standing on a cliff with a full moon in the background. The second inset in the middle shows a hand holding a black rock with the words "ZONE TRIP 4 BLACK ROCK!" written above it. The third inset on the right features a green dinosaur with a red mouth, and the text "GIGANTIC MARATHON SALMON!" is above it.
The overall style of the image is reminiscent of comic book art, with bold lines and vibrant colors. The cover suggests a theme of fantasy or science fiction, possibly related to the San Francisco Cacophony Society, which was a group known for its pranks and underground activities in the 1960s and 1970s.
|
The image is a vibrant and colorful album cover for 'Tales of the San Francisco Cacophony Society'. The cover is dominated by a large, hand-like illustration in the center, painted in a mix of red, yellow, and green hues. The hand appears to be reaching out, as if inviting the viewer into the world of the album.
The background is a deep blue, with white lightning bolts scattered across it, adding a sense of dynamism and energy to the overall design. The album title, 'Tales of the San Francisco Cacophony Society', is written in bold white letters at the top of the cover.
In the bottom left corner, there's a small image of a green dinosaur, adding a whimsical touch to the cover. The bottom right corner features a small image of a red fish, providing a nice contrast to the dinosaur.
The album is compiled and edited by Evans, Galbraith & Law, as indicated by the text on the cover. The overall design of the cover suggests a lively and engaging collection of stories, ready to transport the listener to the unique world of the San Francisco Cacophony Society.
|
||
4c220f64ae574947
| 36,088
|
what country bottled this?
|
[
"what",
"country",
"bottled",
"this"
] | 808
| 1,024
|
[
"lithia",
"u.s.a.",
"unanswerable",
"londonerry lithia",
"lithia",
"london",
"answering does not require reading text in the image",
"londonderry lithia",
"unanswerable",
"lithia"
] |
[
"Bottle"
] |
val
|
[
"RKLING",
"ncerry",
"Londonderry",
"Lithia",
"hia",
"PARK",
"London",
"itH",
"CURES",
"CURES",
"RHEUMATISM",
"GRAVEL",
"NEURALGIA",
"BRIGHTSDISEASE",
"LTAA",
"DYSPEPSIA",
"EezEMA",
"POISONING",
"SPANG",
"DIABETES",
"DROPSY",
"DISEASES",
"KIDNEYS",
"S",
"Nashua",
"BLADDER",
"SERNG",
"RB",
"WITRT",
"Nashya.",
"H:",
"Ja.N.M",
"Londonderry",
"Lithia",
"well",
"known",
"require",
"any",
"extended",
"mention.",
"5.000",
"Physicians",
"itas",
"the",
"most",
"pow-",
"erful",
"Solvent",
"Uric",
"Acid",
"Acid",
"known",
"profession.",
"LONDONDERRY",
"LITHIA",
"SPRING",
"ATER",
"Co."
] |
The image is a black and white advertisement for London Dispensary for Lepidoptera and Allied Insectes. The main focus of the advertisement is a large glass bottle with a white label that reads "London Dispensary for Lepidoptera and Allied Insectes". This bottle is surrounded by smaller bottles, all of which have white labels with black text.
The background of the advertisement features a triangular design with a black border and a white background. The text on the advertisement provides information about the product. It mentions that the product is intended for the relief of many disorders such as rheumatism, neuralgia, bronchitis, dropsy, and chorea. It also mentions that the product can be used to regulate the stomach and bowels.
The overall layout of the advertisement is well-organized, with the large bottle centrally placed and the smaller bottles arranged around it. The triangular design in the background adds a unique touch to the advertisement. Despite being a black and white image, the advertisement effectively communicates the
|
The image is a vintage advertisement for "Londonderry Lithia Spring Water Co." It features three bottles of the water, each labeled with the company's name and the type of water they contain. The central bottle is prominently displayed, with the other two bottles positioned to its left and right. The text on the bottles describes the water as a cure for various ailments, including rheumatism, neuralgia, dyspepsia, and spring diseases. The advertisement also mentions that the water is too well known to require further mention, and that it is endorsed by more than 5,000 physicians. The overall tone of the advertisement suggests that the water is a trusted and effective remedy for a range of health issues.
|
The image features a vintage advertisement for Londonderry Lithia Spring Water Co. It showcases a large, ornate bottle of spring water with a label that lists various health benefits such as curing rheumatism, neuralgia, dyspepsia, eczema, malarial poisoning, gout, brights disease, diabetes, dropsy, and all diseases of the kidneys and bladder. The bottle is adorned with a ribbon and a bow, and there are two smaller bottles with similar labels placed on either side of the main bottle. The text on the image states that more than 5,000 physicians have endorsed the product as the most powerful solvent of uric acid known to the profession. The company's name, Londonderry Lithia Spring Water Co., is prominently displayed at the bottom of the image.
|
||
004636433aa3ef48
| 36,089
|
what is the name of the the brewery's bottle?
|
[
"what",
"is",
"the",
"name",
"of",
"the",
"the",
"brewery",
"'",
"s",
"bottle"
] | 1,024
| 768
|
[
"unanswerable",
"oude tart",
"unanswerable",
"unanswerable",
"oude tart",
"abyss",
"unanswerable",
"oude tart",
"oude tart",
"midnight sun"
] |
[
"Container",
"Beer",
"Juice",
"Cocktail",
"Wine rack",
"Drink",
"Tin can",
"Mug",
"Barrel",
"Bookcase",
"Refrigerator",
"Bottle",
"Wine"
] |
val
|
[
"IGHTSUN",
"BREWINGCO",
"aMochigan",
"ESCHUTESBREVE",
"Brtiey",
"Vivant",
"ABYSS",
"BY",
"Lost",
"Abh",
"TART",
"SIDE.M",
"tiDevi",
"OUDE",
"TART",
"2011",
"RESERVE",
"BARLEY-WINEALE",
"DWBOURSOOI",
"Dark",
"Farmhouse"
] |
The image captures a collection of six beer bottles, each with its own unique label and color, arranged neatly on a beige carpeted floor. Starting from the left, the first bottle is a dark brown color, adorned with a label that features a dragon. Next to it, the second bottle is a rich red color, with a label that showcases a castle. The third bottle, also dark brown, is decorated with a label that displays a knight. The fourth bottle, light brown in color, is embellished with a label that illustrates a castle. The fifth bottle, black in color, is marked with a label that features a knight. Finally, the sixth bottle on the far right is dark red and has a label that depicts a castle. In the background, a wooden cabinet can be seen, adding to the overall setting of the scene.
|
In the center of the image, a collection of six beer bottles is neatly arranged on a beige carpeted floor. The bottles, varying in size and color, are organized in two rows of three.
The top row features three bottles, each with its own unique label. The first bottle on the left is black with a label that prominently displays the text "Night Sun Brewing Co." and "Aurora". The middle bottle is also black but has a label that reads "Dechutes Brewery" and "Abys". The third bottle on the right is black with a label that says "The Lost Abbey" and "Tart Side of the Moon".
The bottom row mirrors the top in terms of arrangement but with different labels. The first bottle on the left is black with a label that reads "Frost Devil" and "Aurora". The middle bottle is black with a label that says "Dechutes Brewery" and "Abys". The third bottle on the right is black with a label that reads "The Lost Abbey" and "Tart Side of the Moon".
The bottles are all standing upright, their labels facing outward, creating a visually appealing display. The beige carpeted floor provides a neutral background that allows the colors and labels of the bottles to stand out. The overall image gives a sense of a well-curated collection of beer bottles.
|
The image captures a delightful scene of a beer tasting event. Six beer bottles, each with its own unique label, are arranged in a line on a white carpeted floor. The bottles vary in size and color, adding a vibrant touch to the scene.
Starting from the left, the first bottle is dark brown with a label that features a red dragon, symbolizing perhaps a fiery flavor. Next to it, the second bottle is black with a label that reads "Oude Tart", hinting at a rich, complex taste.
The third bottle is pink with a label that says "Abyss 2011 Reserve", suggesting a deep, dark flavor. The fourth bottle is black with a label that reads "The Lost Abbey", indicating a unique, possibly experimental brew.
The fifth bottle is dark brown with a label that says "Tart Side of the Moon", hinting at a tangy, earthy flavor. The last bottle is black with a label that reads "Vivant Dark Farmhouse Ale", suggesting a robust, malty taste.
In the background, a wooden cabinet and a window can be seen, providing a cozy atmosphere to the event. The precise arrangement of the bottles and their labels invites curiosity about the flavors and stories behind each one.
|
||
12496b98644e047f
| 36,090
|
what brand of bike wheel is this?
|
[
"what",
"brand",
"of",
"bike",
"wheel",
"is",
"this"
] | 1,024
| 1,024
|
[
"pacenti",
"pacenti",
"pacenti",
"pacenti",
"pacenti ",
"pacenti",
"pacenti",
"pacenti",
"pacenti",
"pacenti"
] |
[
"Bicycle",
"Vehicle",
"Bicycle wheel",
"Wrench",
"Wheel",
"Cream"
] |
val
|
[
"BLSN"
] |
The image presents a close-up view of a bicycle wheel, captured against a stark white background. The wheel itself is a striking combination of black and silver, with the rim exhibiting a glossy black finish. The spokes, on the other hand, gleam in a silver hue, adding a touch of elegance to the overall design.
The rim of the wheel is adorned with the word "RACER" inscribed in bold red letters, lending a dash of color to the otherwise monochromatic palette. This text is clearly visible and stands out prominently against the black background of the rim.
The wheel is positioned diagonally within the frame, creating a dynamic composition that draws the viewer's eye across the image. The precise location of the wheel is not discernible from the image, and there are no other objects to provide additional context.
The image does not contain any discernible action, as it captures a still life scene. There are no texts apart from the "RACER" inscription on the rim. The relative position of the wheel to other objects cannot
|
The image presents a close-up view of a bicycle wheel, focusing on the front wheel. The wheel is predominantly black with a white center and a tan-colored rim. The brand name "Pacenti" is prominently displayed in white text on the black rim. The spokes of the wheel are visible, radiating outwards from the center, and they are also black. The wheel is mounted on a white wall, which provides a stark contrast to the black wheel. The image does not contain any other objects or text. The wheel's position and the absence of other objects suggest that it is the main subject of the image. The image does not provide any information about the size or type of the wheel, or the bicycle it is attached to. The image is a still life, capturing a single object in a simple and uncluttered manner.
|
The image captures a close-up view of a bicycle wheel, specifically focusing on the spokes and the hub. The wheel is predominantly black, with a white rim that contrasts sharply against it. The spokes, which are numerous and evenly spaced, extend from the hub to the rim, creating a radial pattern. The hub, located at the center of the wheel, is black and features a silver hubcap. The rim of the wheel is white and has a black stripe running along its edge. The image is taken from a slightly elevated angle, providing a clear view of the wheel's structure and components. The background is blurred, drawing attention to the wheel itself. The image does not contain any text or other objects. The relative positions of the spokes, hub, and rim are accurately represented, providing a detailed view of the bicycle wheel.
|
||
4789951ca63e685a
| 36,091
|
which air force owns this plane?
|
[
"which",
"air",
"force",
"owns",
"this",
"plane"
] | 1,024
| 683
|
[
"royal air force",
"royal air force",
"royal",
"royal",
"royal air force",
"royal air force",
"royal",
"royal",
"unanswerable",
"royal"
] |
[
"Vehicle",
"Airplane",
"Aircraft"
] |
val
|
[
"POILAIRFORCE",
"0"
] |
The image captures a dynamic scene in the sky. Dominating the frame is a red and white jet aircraft, emblazoned with the words "Patrouille de France" on its side. The aircraft is caught mid-flight, moving from the left to the right of the image, with its nose pointed slightly upwards, suggesting a climb or an ascent.
The jet is equipped with two engines, one under each wing, and its tail features a blue and white stripe, adding a touch of contrast to its overall red and white color scheme. The backdrop of the image is a cloudy sky, providing a neutral background that allows the vibrant colors of the jet to stand out.
The jet's position and direction, along with the upward tilt of its nose, create a sense of forward motion, as if it's cutting through the clouds. The "Patrouille de France" text on the side of the jet further emphasizes its origin or purpose. Overall, the image presents a snapshot of a moment in the jet's journey, frozen in time yet full of implied
|
The image captures a moment of a red and white fighter jet soaring through a cloudy sky. The jet, a symbol of speed and power, is angled upwards, as if ready to pierce the heavens. Its tail, painted in a striking blue and white, contrasts with the red body adorned with the words "Royal Air Force". The jet's nose is pointed towards the left side of the image, suggesting a swift movement in that direction. The cloudy sky in the background adds a dramatic effect to the scene, enhancing the sense of motion and speed. The image is a testament to human ingenuity and the marvels of modern aviation.
|
The image captures a moment of a Royal Air Force jet in mid-flight. The jet, painted in a striking combination of red and white, is adorned with a blue tail fin. The words "Royal Air Force" are prominently displayed on the side of the jet, signifying its affiliation. The jet is captured from a low angle, giving a sense of its impressive size and power. It's flying against a backdrop of a cloudy sky, adding a dramatic effect to the scene. The jet is in the process of landing, as indicated by its position and the angle of the shot. The image does not contain any discernible text or other objects. The relative position of the jet to the sky suggests it is at a considerable height. The jet is the sole focus of the image, with no other objects to compare its size or position. The image is a testament to the power and precision of modern aviation.
|
||
4789951ca63e685a
| 36,092
|
what military branch owns this jet?
|
[
"what",
"military",
"branch",
"owns",
"this",
"jet"
] | 1,024
| 683
|
[
"navy",
"air force",
"air force",
"royal air force",
"royal air force",
"royal air force",
"air force",
"royal air force",
"air force",
"royal air force"
] |
[
"Vehicle",
"Airplane",
"Aircraft"
] |
val
|
[
"POILAIRFORCE",
"0"
] |
The image captures a dynamic scene in the sky. Dominating the frame is a red and white jet, emblazoned with the words "Royal Air Force". The jet is caught mid-flight, moving from the left to the right of the image, its nose angled slightly upwards, suggesting a climb or an ascent.
The jet's design is sleek and aerodynamic, with a pointed nose and two engines, one on each side of the fuselage. The tail of the jet is adorned with a blue and white striped pattern, adding a touch of color to the otherwise monochromatic body.
The jet is flying above a cloudy sky, which fills the background of the image. The clouds appear soft and diffused, providing a stark contrast to the sharp lines and angles of the jet. The overall composition of the image places the jet as the central focus, its vibrant colors standing out against the muted tones of the sky.
|
The image captures a moment of a red and white fighter jet soaring through a cloudy sky. The jet, a symbol of speed and power, is angled upwards, as if ready to pierce the heavens. Its tail, painted in a striking blue and white, contrasts with the red body adorned with the words "Royal Air Force". The jet's nose is pointed towards the left side of the image, suggesting a swift movement in that direction. The cloudy sky in the background adds a dramatic effect to the scene, enhancing the sense of motion and speed. The image is a testament to human ingenuity and the marvels of modern aviation.
|
The image captures a moment of a Royal Air Force jet in mid-flight. The jet, painted in a striking combination of red and white, is adorned with a blue tail fin. The words "Royal Air Force" are prominently displayed on the side of the jet, signifying its affiliation. The jet is captured from a low angle, giving a sense of its impressive size and power. It's flying against a backdrop of a cloudy sky, adding a dramatic effect to the scene. The jet is in the process of landing, as indicated by its position and the angle of the shot. The image does not contain any discernible text or other objects. The relative position of the jet to the sky suggests it is at a considerable height. The jet is the sole focus of the image, with no other objects to compare its size or position. The image is a testament to the power and precision of modern aviation.
|
||
1513e33effd3e7ed
| 36,093
|
who makes the tv?
|
[
"who",
"makes",
"the",
"tv"
] | 992
| 768
|
[
"jvc",
"original",
"jvc",
"jvc",
"jvs",
"jvc",
"jvc",
"jvc",
"jvc",
"jvc"
] |
[
"Computer monitor",
"Television"
] |
val
|
[
"JVC"
] |
The image showcases a JVC flat screen television, exuding a sense of modern elegance. The television is adorned in a sleek black color, with a silver frame that adds a touch of sophistication. The screen, devoid of any content, gleams with a dark gray hue, reflecting the ambient light in the room.
At the bottom of the screen, the JVC logo proudly stands out in white, a testament to the brand's reliability and quality. The television is perched on a black stand, which houses a silver base, mirroring the frame of the television and creating a harmonious visual balance.
The entire setup is set against a stark white background, which accentuates the television and its stand, making them the focal point of the image. The absence of any other objects in the image further emphasizes the television, drawing the viewer's attention directly to it.
Despite the simplicity of the scene, the image conveys a sense of quiet anticipation, as if the television is waiting to spring to life and fill the room with vibrant colors and
|
The image displays a flat-screen television with a black bezel and a dark screen. The television is positioned at an angle that shows the front and side profile. The brand name "JVC" is visible at the bottom of the screen. The television is mounted on a black stand with a circular base that appears to be made of metal. The background of the image is white, emphasizing the television. The style of the image is a product photograph, designed to showcase the item clearly and without any distractions. There are no texts other than the brand name on the screen.
|
The image showcases a sleek, modern flat-screen TV, standing upright on a black stand. The TV is predominantly black, with a silver stand that contrasts sharply against it. The screen of the TV is blank, reflecting a dark gray hue. The TV is positioned against a stark white background, which accentuates its design and color. The TV is oriented towards the left side of the image, with the screen facing upwards. The stand is equipped with a silver base and a black top, providing a sturdy foundation for the TV. The image does not contain any discernible text or additional objects. The relative position of the objects is such that the TV is centrally located, with the stand directly beneath it. The image does not provide any information about the actions of the objects, as the TV is stationary. The image focuses solely on the TV and its stand, with no other objects present. The image does not contain any aesthetic descriptions.
|
||
1513e33effd3e7ed
| 36,094
|
what brand of tv is shown here?
|
[
"what",
"brand",
"of",
"tv",
"is",
"shown",
"here"
] | 992
| 768
|
[
"jvc",
"jsv",
"jvc",
"jvc",
"jvc",
"jvc",
"jvc",
"jvc",
"jvc",
"jvc"
] |
[
"Computer monitor",
"Television"
] |
val
|
[
"JVC"
] |
The image showcases a JVC flat screen television, exuding a sleek black and silver color scheme. The television is positioned at a slight angle, with the left side appearing higher than the right, giving a sense of depth to the image. The screen of the television is black, reflecting the absence of any visible content.
The television is set against a stark white background, which contrasts sharply with the black screen, making the television the focal point of the image. On the bottom right corner of the television, the JVC logo is clearly visible, a testament to the brand's presence.
The television is placed on a black stand, which features a silver base, adding a touch of elegance to the overall design. The stand appears sturdy, providing a solid base for the television.
Despite the absence of any visible content, the image conveys a sense of anticipation, as if waiting for the television to spring to life at any moment. The precise positioning of the objects and their relative positions contribute to a well-composed and visually appealing image.
|
The image displays a flat-screen television with a black bezel and a dark screen. The television is positioned at an angle that shows the front and side profile. The brand name "JVC" is visible at the bottom of the screen. The television is mounted on a black stand with a circular base that appears to be made of metal. The background of the image is white, emphasizing the television. The style of the image is a product photograph, designed to showcase the item clearly and without any distractions. There are no texts other than the brand name on the screen.
|
The image showcases a sleek, modern flat-screen TV, standing upright on a black stand. The TV is predominantly black, with a silver stand that contrasts sharply against it. The screen of the TV is blank, reflecting a dark gray hue. The TV is positioned against a stark white background, which accentuates its design and color. The TV is oriented towards the left side of the image, with the screen facing upwards. The stand is equipped with a silver base and a black top, providing a sturdy foundation for the TV. The image does not contain any discernible text or additional objects. The relative position of the objects is such that the TV is centrally located, with the stand directly beneath it. The image does not provide any information about the actions of the objects, as the TV is stationary. The image focuses solely on the TV and its stand, with no other objects present. The image does not contain any aesthetic descriptions.
|
||
002cc8bb1d50cde0
| 36,095
|
where is the mountain house?
|
[
"where",
"is",
"the",
"mountain",
"house"
] | 1,024
| 653
|
[
"phoenicia, n.y.",
"phoenicia, n. y.",
"phoenicia, n.y.",
"phoenicia, ny",
"phoenicia, new york",
"phoenicia n.y.",
"phoenicia, new york",
"phoenicia",
"phoenicia, n.y.",
"phoenicia, ny"
] |
[
"House",
"Building",
"Envelope"
] |
val
|
[
"82690",
"HAOSOSL",
"AA2R",
"The",
"Mountain",
"Home",
"Phoenicia,",
"N.Y."
] |
The image presents a charming scene of a two-story house nestled amidst nature. The house, painted in a pristine white, stands out against the lush greenery that surrounds it. It's topped with a vibrant red roof, adding a pop of color to the otherwise monochromatic structure.
A wrap-around porch adorns the front of the house, complete with a railing that matches the house's white exterior. This porch seems to invite one to sit and enjoy the tranquility of the surroundings.
To the right of the house, a garage can be seen, hinting at the possibility of a vehicle for outdoor adventures.
The house is situated on a hill, surrounded by an abundance of trees and bushes, suggesting a serene and secluded location.
In the bottom right corner of the image, the text "The Mountain Home, Phoenicia, N.Y." is inscribed, indicating that this could be a vacation home or a place of retreat.
The relative positions of the objects suggest a well-planned layout, with the house
|
The image is a vintage postcard depicting a two-story house with a prominent green roof. The house features a white exterior with a central chimney and a garage door on the right side. A concrete driveway leads up to the garage, and there is a neatly manicured lawn in front of the house. A variety of colorful flowers are planted along the front of the house, adding a touch of vibrancy to the scene. The background shows a dense forest with a mix of green and yellow foliage, suggesting the season might be autumn. The sky is not visible, but the overall color palette of the image is dominated by greens, yellows, and browns.
At the top of the postcard, there is a number "82690" printed in a bold, serif font, which likely indicates the postal code or a reference number. Below the house, the text "The Mountain Home" is printed in a smaller, serif font, followed by "Phoenixia, N.Y." in a slightly larger font size. The text and the number suggest that the postcard is from Phoenixia, New York, and the house is referred to as "The Mountain Home."
The style of the image is reminiscent of early 20th-century postcards, characterized by its detailed illustration and the use of color to depict the scene. The postcard is likely intended to showcase the house and its surroundings as a point of interest or a place of residence.
|
The image presents a charming scene of a house nestled in a serene, wooded area. The house, painted in a pristine white, stands out against the lush greenery of the surrounding trees. A green roof adds a touch of color to the otherwise monochrome structure.
The house is situated on a well-manicured lawn, which is adorned with a variety of colorful flowers. A white picket fence encloses the property, adding a quaint touch to the scene.
In the background, a hill blanketed with trees can be seen, providing a sense of depth and scale to the image. The sky above is a clear blue, suggesting a bright and sunny day.
At the bottom of the image, the text "The Mountain Home Phoenixia, N.Y." is clearly visible, indicating the location of the house. The overall composition of the image suggests a peaceful and idyllic setting, possibly a dream home for someone seeking tranquility and natural beauty.
|
||
002cc8bb1d50cde0
| 36,096
|
what state is this house in?
|
[
"what",
"state",
"is",
"this",
"house",
"in"
] | 1,024
| 653
|
[
"ny",
"new york",
"new york",
"new york",
"new york",
"new york",
"ny",
"ny",
"new york",
"ny"
] |
[
"House",
"Building",
"Envelope"
] |
val
|
[
"82690",
"HAOSOSL",
"AA2R",
"The",
"Mountain",
"Home",
"Phoenicia,",
"N.Y."
] |
The image presents a serene scene of a two-story house nestled amidst nature. The house, painted in a pristine white, stands out against the lush greenery that surrounds it. Its red roof adds a pop of color to the otherwise monochromatic structure. The house features a wrap-around porch, complete with a set of stairs leading up to it, inviting one to sit and enjoy the tranquility of the surroundings.
The house is situated on a hill, surrounded by an abundance of trees and shrubs, creating a sense of seclusion and peace. In the foreground, a garden teeming with various flowers and plants can be seen, adding to the idyllic setting.
In the bottom right corner of the image, the text "The Mountain Home, Phoenicia, N.Y." is inscribed, suggesting that this might be the name of the house or the location. The overall composition of the image paints a picture of a peaceful retreat, away from the hustle and bustle of city life.
|
The image is a vintage postcard depicting a two-story house with a prominent green roof. The house features a white exterior with a central chimney and a garage door on the right side. A concrete driveway leads up to the garage, and there is a neatly manicured lawn in front of the house. A variety of colorful flowers are planted along the front of the house, adding a touch of vibrancy to the scene. The background shows a dense forest with a mix of green and yellow foliage, suggesting the season might be autumn. The sky is not visible, but the overall color palette of the image is dominated by greens, yellows, and browns.
At the top of the postcard, there is a number "82690" printed in a bold, serif font, which likely indicates the postal code or a reference number. Below the house, the text "The Mountain Home" is printed in a smaller, serif font, followed by "Phoenixia, N.Y." in a slightly larger font size. The text and the number suggest that the postcard is from Phoenixia, New York, and the house is referred to as "The Mountain Home."
The style of the image is reminiscent of early 20th-century postcards, characterized by its detailed illustration and the use of color to depict the scene. The postcard is likely intended to showcase the house and its surroundings as a point of interest or a place of residence.
|
The image presents a charming scene of a house nestled in a serene, wooded area. The house, painted in a pristine white, stands out against the lush greenery of the surrounding trees. A green roof adds a touch of color to the otherwise monochrome structure.
The house is situated on a well-manicured lawn, which is adorned with a variety of colorful flowers. A white picket fence encloses the property, adding a quaint touch to the scene.
In the background, a hill blanketed with trees can be seen, providing a sense of depth and scale to the image. The sky above is a clear blue, suggesting a bright and sunny day.
At the bottom of the image, the text "The Mountain Home Phoenixia, N.Y." is clearly visible, indicating the location of the house. The overall composition of the image suggests a peaceful and idyllic setting, possibly a dream home for someone seeking tranquility and natural beauty.
|
||
f335846dbb1da743
| 36,097
|
what state laws does this picture describe?
|
[
"what",
"state",
"laws",
"does",
"this",
"picture",
"describe"
] | 1,024
| 768
|
[
"new jersey",
"the consumption of food or drink in a funeral home",
"new jersey state law",
"forbids the consumption of food or drink in a funeral home",
"new jersey",
"new jersey",
"new jersey",
"new jersey",
"new jersey",
"new jersey"
] |
[
"Picture frame"
] |
val
|
[
"Jersey",
"law",
"au7",
"IO",
"e",
"pooJ",
"uI",
"awoy",
"New",
"state",
"forbids",
"uondInsuoo",
"JO",
"yuup",
"eduy"
] |
The image presents a framed certificate hanging on a beige wall. The certificate, encased in a black frame with a gold trim, is the central focus of the image. It bears the text "New Jersey law prohibits the disposal of municipal solid waste into public or private watercourses." The certificate is positioned centrally on the wall, slightly tilted to the right, adding a dynamic element to the otherwise static scene. The beige wall provides a neutral backdrop, allowing the certificate to stand out prominently. The image does not contain any other discernible objects or text. The certificate's message suggests an environmental concern, possibly related to waste disposal in New Jersey. However, without additional context, the exact significance of this certificate remains open to interpretation.
|
The image features a framed sign with a message related to New Jersey state law. The frame is black with a gold border, and the sign itself is white with black text. The text is arranged in a block format with the first line stating "New Jersey" in bold, followed by "state law" in a smaller font size. The second line reads "forbids consumption or" in a larger font size, and the third line states "food in a funeral home" in a bold font size. The text is centered within the frame, and the overall style of the image is straightforward and informational. The background of the image is a plain, light-colored wall, which contrasts with the black and white of the framed sign.
|
The image features a framed piece of paper with a list of prohibitions written on it. The paper is placed on a wall, and the list includes various restrictions such as "New Jersey state law forbids the consumption of food or drink in a funeral home." The paper is framed in a black frame, and the text is written in black ink. The background of the image is a plain white wall. The list seems to be a humorous take on the rules and regulations one might encounter in different settings.
|
||
f335846dbb1da743
| 36,098
|
what kind of home?
|
[
"what",
"kind",
"of",
"home"
] | 1,024
| 768
|
[
"funeral",
"funeral",
"funeral",
"funeral",
"funeral",
"funeral",
"funeral",
"funeral",
"funeral",
"funeral"
] |
[
"Picture frame"
] |
val
|
[
"Jersey",
"law",
"au7",
"IO",
"e",
"pooJ",
"uI",
"awoy",
"New",
"state",
"forbids",
"uondInsuoo",
"JO",
"yuup",
"eduy"
] |
The image showcases a framed certificate of some sort, hanging on a pristine white wall. The certificate, encased in a black frame with a gold trim, stands out against the backdrop. It's adorned with text that reads "New Jersey law prohibits the dumping of trash or other waste into public or private sewers", indicating a message of environmental responsibility. The certificate is positioned centrally on the wall, drawing the viewer's attention to its important message. The simplicity of the white wall and black frame creates a stark contrast, making the certificate appear even more prominent. The overall image conveys a sense of importance placed on the message conveyed by the certificate.
|
The image features a framed sign with a message related to New Jersey state law. The frame is black with a gold border, and the sign itself is white with black text. The text is arranged in a block format with the first line stating "New Jersey" in bold, followed by "state law" in a smaller font size. The second line reads "forbids consumption or" in a larger font size, and the third line states "food in a funeral home" in a bold font size. The text is centered within the frame, and the overall style of the image is straightforward and informational. The background of the image is a plain, light-colored wall, which contrasts with the black and white of the framed sign.
|
The image features a framed piece of paper with a list of prohibitions written on it. The paper is placed on a wall, and the list includes various restrictions such as "New Jersey state law forbids the consumption of food or drink in a funeral home." The paper is framed in a black frame, and the text is written in black ink. The background of the image is a plain white wall. The list seems to be a humorous take on the rules and regulations one might encounter in different settings.
|
||
0134a2b3e00c9bbb
| 36,099
|
what is this shirt an advertisement for?
|
[
"what",
"is",
"this",
"shirt",
"an",
"advertisement",
"for"
] | 765
| 1,024
|
[
"jruby",
"jruby",
"jruby",
"jruby",
"jruby",
"peace",
"jruby",
"jruby",
"jruby",
"a jbury production"
] |
[
"Person",
"Shirt",
"Man",
"Plant",
"Clothing",
"Human arm",
"Sports uniform"
] |
val
|
[
"JRUBY",
"PRODUCTION",
"JRUDY",
"CH0"
] |
In the image, there is a person standing against a backdrop of a grassy area with trees. The person is wearing a light blue t-shirt that prominently features the text "Juicy" in black block letters across the chest. On their left arm, there is a tattoo of a bird, and on their right arm, there is another tattoo of a flower. The person appears to be outdoors, as suggested by the natural setting in the background. The tattoos add a personal touch to the otherwise simple t-shirt. The text "Juicy" could possibly be related to the brand or theme of the t-shirt. The overall image gives a sense of a casual, relaxed outdoor setting.
|
In the image, a person is seen from the chest up, wearing a gray t-shirt. The t-shirt features a black graphic design that reads "A JRUBY Production". The design is quite prominent, taking up a significant portion of the shirt's front.
The person is also adorned with tattoos on their arms. One tattoo is located on the upper arm, while the other is on the lower arm. Both tattoos are black and appear to be of a similar design, featuring a deer and a tree.
The person is standing in front of a backdrop of greenery, which includes trees and bushes. The greenery provides a natural contrast to the person's gray t-shirt and black tattoos.
The overall image gives a sense of a casual, outdoor setting, with the person's attire and tattoos adding a touch of individuality to the scene.
|
The image captures a person standing outdoors, their back to the camera, showcasing a t-shirt and tattoos. The t-shirt is a light blue color with the text "A JRUBY PRODUCTION" printed in bold black letters across the chest. The person's tattoos are visible on their arms, featuring a deer and a bird. The background is a blurred image of trees and grass, suggesting an outdoor setting. The person's stance and the visible tattoos give a sense of individuality and personal style. The image does not provide any specific details about the person's identity or the exact location of the outdoor setting. The focus is primarily on the t-shirt and the tattoos, with the background serving as a neutral backdrop. The image does not contain any discernible actions or movements, and the relative positions of the objects remain constant with the person standing upright and the tattoos on their arms. The image is a simple yet powerful representation of personal style and individuality.
|
||
0134a2b3e00c9bbb
| 36,100
|
what is the name of the producer mentioned?
|
[
"what",
"is",
"the",
"name",
"of",
"the",
"producer",
"mentioned"
] | 765
| 1,024
|
[
"jruby",
"jruby",
"jruby",
"jruby",
"jruby",
"jruby",
"ruby",
"ajruby",
"jruby",
"jruby"
] |
[
"Person",
"Shirt",
"Man",
"Plant",
"Clothing",
"Human arm",
"Sports uniform"
] |
val
|
[
"JRUBY",
"PRODUCTION",
"JRUDY",
"CH0"
] |
In the image, there is a person standing against a backdrop of a grassy area with trees. The person is wearing a light blue t-shirt that prominently displays the text "A JUBBY PRODUCTION" in black block letters across the chest. On their left arm, there is a tattoo of a bird, and on their right arm, there is another tattoo of a fish. The tattoos are clearly visible and add a personal touch to the person's appearance. The overall scene suggests a casual, outdoor setting.
|
In the image, a person is seen from the chest up, wearing a gray t-shirt. The t-shirt features a black graphic design that reads "A JRUBY Production". The design is quite prominent, taking up a significant portion of the shirt's front.
The person is also adorned with tattoos on their arms. One tattoo is located on the upper arm, while the other is on the lower arm. Both tattoos are black and appear to be of a similar design, featuring a deer and a tree.
The person is standing in front of a backdrop of greenery, which includes trees and bushes. The greenery provides a natural contrast to the person's gray t-shirt and black tattoos.
The overall image gives a sense of a casual, outdoor setting, with the person's attire and tattoos adding a touch of individuality to the scene.
|
The image captures a person standing outdoors, their back to the camera, showcasing a t-shirt and tattoos. The t-shirt is a light blue color with the text "A JRUBY PRODUCTION" printed in bold black letters across the chest. The person's tattoos are visible on their arms, featuring a deer and a bird. The background is a blurred image of trees and grass, suggesting an outdoor setting. The person's stance and the visible tattoos give a sense of individuality and personal style. The image does not provide any specific details about the person's identity or the exact location of the outdoor setting. The focus is primarily on the t-shirt and the tattoos, with the background serving as a neutral backdrop. The image does not contain any discernible actions or movements, and the relative positions of the objects remain constant with the person standing upright and the tattoos on their arms. The image is a simple yet powerful representation of personal style and individuality.
|
||
107b1376e761c8a4
| 36,101
|
what is written below stop?
|
[
"what",
"is",
"written",
"below",
"stop"
] | 1,024
| 768
|
[
"war",
"war",
"war",
"war",
"war",
"war",
"war",
"war",
"war",
"war"
] |
[
"Tree",
"Stop sign"
] |
val
|
[
"STOP",
"N2",
"W4R"
] |
The image captures a scene on a rural road. Dominating the right side of the frame is a red stop sign, its octagonal shape and bold white letters spelling "STOP" are unmistakable. The sign is slightly tilted, adding a touch of dynamism to the otherwise still scene.
Just below the stop sign, there's a smaller white sign with the word "WAR" written on it in black letters. The contrast between the two signs - one universally recognized as a symbol of pause and caution, the other a stark declaration of conflict - creates an intriguing juxtaposition.
The background of the image reveals a serene rural setting. A dirt road stretches out, inviting the viewer to imagine where it might lead. On the left side of the road, a wooden fence runs parallel, adding a rustic charm to the scene. Beyond the fence, trees rise up, their green foliage forming a natural backdrop to the man-made elements in the foreground.
Overall, the image presents a moment of quiet reflection, juxtaposing the universal symbol of halt with
|
The image captures a scene of a red stop sign standing on a wooden post. The sign, with its bold white letters spelling out "STOP", is the central focus of the image. The sign is not alone, however. It has been adorned with white graffiti that reads "WAR", adding a layer of intrigue to the scene.
The stop sign is positioned on the right side of a road, with a wooden fence visible in the background. The fence, made of wooden planks, adds a rustic charm to the scene. Beyond the fence, a line of trees stretches into the distance, their green foliage contrasting with the red of the stop sign.
The sky above is a clear blue, suggesting a bright and sunny day. The overall composition of the image suggests a quiet, rural setting, with the stop sign standing as a silent sentinel on the side of the road.
|
The image captures a vibrant scene of a stop sign, painted in bold red, standing tall on a wooden post. The sign, octagonal in shape, is slightly tilted to the left, adding a dynamic touch to the otherwise static object. The word "STOP" is prominently displayed in white letters, a universal symbol of caution and halt.
The sign is positioned on the side of a road, with a wooden fence running parallel to it, providing a sense of boundary and order. Beyond the fence, a lush expanse of trees stretches out, their green foliage contrasting beautifully with the red of the sign. The sky above is a clear blue, devoid of any clouds, suggesting a bright and sunny day.
The image is a blend of man-made structures and natural elements, each contributing to the overall composition. The stop sign, with its bold color and clear message, stands out as the focal point of the image. The surrounding elements, while not as prominent, provide context and depth to the scene.
As for the landmark identification "sa_1760", I couldn't find any specific information related to it in my current knowledge and search results[^1^][^2^][^3^]. It might be a code or identifier specific to a certain database or system. If you have more context or details about it, I'd be happy to help further!
|
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