text
stringlengths 0
18.7k
|
|---|
In the style of Code Geass , The video opens with a completely black screen, which then transitions to a title card displaying the name "Code Geass" in pink neon-style text. Below it, there are two lines of Japanese text, which translate to "Lelouch of the Rebellion." The background remains black throughout this transition. Following this, the scene shifts to a bright, clear sky with fluffy white clouds, suggesting an outdoor setting. The colors are vibrant, with the blue of the sky contrasting against the white of the clouds.
|
In the style of Code Geass , The video presents a close-up view of an eye with a brown iris and a yellowish-brown pupil. The eye is surrounded by green hair, which appears to be long and wavy. The skin around the eye is not visible, focusing the viewer's attention solely on the eye and the hair framing it. There are no other discernible objects or actions in the video.
|
In the style of Code Geass , The video opens with a close-up of sunflowers in full bloom, their bright yellow petals and dark brown centers standing out against the green foliage. The sky is clear with a few scattered clouds, suggesting a sunny day. The scene transitions to a wide shot of Mount Fuji, its snow-capped peak rising majestically above the surrounding landscape. The mountain is reflected in the calm waters of a lake at its base. The final frame shows a close-up of a cicada perched on a tree branch, its body a mix of brown and black with distinctive wing patterns.
|
In the style of Code Geass , The video opens with a view of a vibrant field of sunflowers, their bright yellow petals and dark centers standing out against the greenery. The sunflowers are in full bloom, suggesting it might be late summer or early autumn. In the background, there is a rocky cliff face with patches of greenery, and beyond that, a dense forest with tall trees. The sky is clear, indicating good weather.
|
As the video progresses, two characters appear. One character is dressed in a pink top and black pants, while the other wears a white outfit. They seem to be engaged in a playful activity, running towards the cliff. The character in pink appears to be leading, followed closely by the one in white. As they near the cliff, the character in pink leaps off the edge, seemingly without hesitation. The character in white follows, also jumping off the cliff. Both characters are captured mid-air, with their arms outstretched as if embracing the moment. The video ends with both characters descending towards the ground, still holding onto each other's hands, suggesting a sense of camaraderie and adventure.
|
In the style of Code Geass , The video features a young male character with brown hair, wearing a pink shirt with blue trim and a yellow tie. He is standing outdoors in a lush green forest with trees and a clear sky visible in the background. The character's facial expressions change from neutral to surprised or concerned as he looks around. His body language suggests he is alert and possibly reacting to something off-screen.
|
In the style of Code Geass , The video features a sequence of images depicting an animated character with dark hair and purple eyes. The character is wearing a light-colored shirt and appears to be climbing or hanging onto a rocky surface. The background consists of natural elements such as rocks and greenery, suggesting an outdoor setting. The character's facial expressions change from determination to concern, indicating the difficulty of the climb. The lighting in the scene suggests it might be daytime.
|
In the style of Code Geass , The video opens with a serene view of a clear blue sky dotted with fluffy white clouds. The scene transitions to a close-up of a person's eye, which is brown with a hint of green and has a focused expression. Following this, two hands are shown reaching towards each other against a backdrop of lush green trees under the same blue sky. The hands meet and interlock fingers, suggesting a gesture of connection or agreement.
|
In the style of Code Geass , The video features a sequence of images depicting an animated scene. In the foreground, there is a character with green hair and a dark outfit, holding a golden object that resembles a sunflower. The background shows two characters on a rocky cliff; one is wearing a pink top and blue shorts, while the other is dressed in white. They appear to be in a precarious situation, possibly falling or climbing. Below them, there is a field of large yellow sunflowers. The sky is clear, suggesting it might be daytime.
|
In the style of Code Geass , The video opens with a view of a lush, green landscape featuring traditional Japanese-style houses nestled among trees and hills under a clear blue sky. The scene transitions to two characters standing on a path that winds through the foliage. The first character has brown hair and is wearing a pink shirt with dark blue trim. The second character has black hair and is dressed in a white shirt with suspenders. They appear to be engaged in a conversation, with the second character smiling and looking up at the first character. The background remains consistent throughout the video, emphasizing the serene and picturesque setting.
|
In the style of Code Geass , The video opens with a view of the forest canopy, where sunlight filters through the leaves, creating a dappled light effect on the ground below. The trees are tall and have thick trunks, with green foliage that appears lush and healthy. As the video progresses, a large, dark object resembling a rock or a piece of debris falls from above, disrupting the peaceful scene. The object is irregular in shape and has a rough texture. It descends rapidly, contrasting sharply with the serene environment.
|
In the style of Code Geass , The video opens with a dark, blurry frame that quickly transitions to a clear, vibrant image of a rice paddy. The rice plants are lush and green, with yellow flowers blooming at the top, indicating they are in the flowering stage. The water in the paddy reflects the light, creating a shimmering effect on the surface. The camera angle is slightly elevated, providing a view that looks down upon the paddy, emphasizing the uniformity and density of the plants. There are no visible people or animals in the scene, focusing solely on the natural beauty of the rice field.
|
In the style of Code Geass , The video features a serene outdoor scene with two individuals standing on a grassy area. The person on the left is wearing a pink top and blue shorts, while the person on the right is dressed in a white outfit. They are both looking towards a majestic mountain in the distance, which appears to be a snow-capped peak. The sky above is clear with a few scattered clouds, and there are numerous birds flying in the air, adding to the tranquil atmosphere. The surrounding environment includes lush green trees and bushes, suggesting a natural, possibly rural setting.
|
In the style of Code Geass , The video opens with a view of a large, gray aircraft flying through a blue sky with scattered clouds. The aircraft has a sleek design with multiple engines and appears to be in motion, as indicated by the slight blur and the contrails trailing behind it. As the video progresses, the camera angle shifts to provide a closer look at the aircraft's structure, revealing more details such as the wing design and the exhaust plumes. The aircraft is shown from various angles, emphasizing its size and the complexity of its engineering.
|
In the style of Code Geass , The video opens with a map of Japan, highlighted in red, surrounded by various red icons that resemble military symbols. The map is set against a grid background, suggesting a strategic or analytical context. As the video progresses, additional elements are introduced: purple and blue arrows indicating movement or influence, and labels such as "BRITISH NAVY" and "BRITISH EMPIRE," which suggest a focus on British military and colonial presence. The arrows and labels are superimposed on the map, connecting different regions and points of interest, implying a network of connections or operations. The colors used are vivid, with red for Japan, purple for some of the arrows, and blue for others, creating a visual contrast that draws attention to specific areas and movements.
|
In the style of Code Geass , The video opens with a grayscale image of three sleek, futuristic fighter jets flying in formation against a backdrop of clouds. The aircraft have angular designs and are depicted with a high level of detail, including visible cockpit canopies and jet engines. The scene transitions to another grayscale image where the same three jets are shown flying above power lines and utility poles, suggesting an urban environment. The contrast between the natural sky and the man-made structures emphasizes the juxtaposition of technology and nature.
|
In the style of Code Geass , The video presents a grayscale image of a submarine, which appears to be in motion. The submarine is centrally positioned and is surrounded by what looks like bubbles or particles, suggesting it is underwater. The background consists of rocky formations on either side, indicating that the submarine is navigating through a narrow passage or canyon. There are no visible texts or subtitles within the frames provided.
|
In the style of Code Geass , The video is a grayscale animation depicting a dramatic scene of a naval battle. The central focus is on two large ships, one of which appears to be sinking or heavily damaged, with water gushing out from its structure. The ship on the right seems to be intact but is surrounded by waves and debris, indicating recent combat. The sea is turbulent, with waves crashing around the vessels. There are no visible titles, subtitles, or informative text within the frames provided.
|
In the style of Code Geass , The video opens with a close-up of metallic cylindrical objects, possibly missiles or rockets, lined up in a rack against a dark background. The objects are silver and have a reflective surface, indicating they are made of metal. The scene transitions to a black-and-white view of a cityscape with buildings and rooftops, where a large, winged creature is seen flying overhead, casting shadows on the ground. The creature appears to be a dragon-like figure with wings spread wide. Following this, there is a scene of soldiers in combat gear running through a sandy terrain, possibly a beach or desert, with a large armored vehicle in the background. The soldiers are wearing helmets and carrying backpacks, suggesting they are prepared for battle. The environment is desolate, with no vegetation visible.
|
In the style of Code Geass , The video opens with a close-up of a large, dark-colored mechanical object that resembles the head of a robot or a piece of machinery. The object has a rounded shape with two red circular elements on its surface, which could be interpreted as eyes. As the video progresses, the camera angle shifts slightly, revealing more of the object's structure and the surrounding environment, which appears to be a clear sky with some clouds. The object's head then undergoes a transformation, with parts of it moving and changing shape. It reveals an orange and black eye-like component with a green ring around it, suggesting a change in function or activation. The video concludes with the object's new eye fully visible, indicating that it has completed its transformation.
|
In the style of Code Geass , The video opens with a single large, beige-colored robot standing in an industrial area. The robot has a humanoid form with a bulky upper body and a head that resembles a bear's face. It is equipped with what appears to be a weapon on its back. As the video progresses, additional robots of the same design appear, each positioned differently, suggesting movement or action. The background includes industrial structures such as power lines, buildings, and a mountainous landscape under a clear sky.
|
In the style of Code Geass , The video features a sequence of frames showing a large, futuristic aircraft with a sleek design and red accents. The aircraft is suspended in the air by two cables, which are attached to its underside. The sky in the background is clear with a few scattered clouds, suggesting a bright day. The aircraft appears to be stationary, as there are no visible signs of motion or change in its position throughout the frames.
|
In the style of Code Geass , The video features a close-up view of a large, gray mechanical structure with angular and boxy shapes. The structure has a prominent orange eye-like feature in the center, which is surrounded by a green ring. This eye-like feature appears to be scanning or observing its surroundings. There are also sparks flying around the structure, suggesting some form of activity or movement. The background is a clear blue sky with a few scattered clouds, indicating that the scene takes place outdoors during the day.
|
In the style of Code Geass , The video presents a close-up view of a gloved hand, which appears to be wearing a dark-colored glove with a gray sleeve. The hand is manipulating a lever or handle that is part of a larger mechanical apparatus. The apparatus includes various dials and gauges, one of which has a greenish hue and displays numerical values. There are also other gauges and indicators in the background, some of which have blue and pink lighting. The setting suggests an industrial or mechanical environment, possibly within a vehicle or machinery.
|
In the style of Code Geass , The video opens with a close-up view of the lower legs and feet of a large, mechanical figure. The figure's legs are composed of multiple segments, each with visible joints and mechanical details that suggest a robust construction. The color scheme is primarily shades of gray and brown, giving it an industrial look. The background reveals a clear sky with some clouds and a structure resembling a metal framework or scaffolding, possibly part of a construction site or industrial area. There is no movement or action depicted in the frames provided; the focus remains on the stationary mechanical figure.
|
In the style of Code Geass , The video opens with a close-up of a large, mechanical object's wheels. The wheels are dark gray with a rugged texture and appear to be made of metal or a similar material. They are set against a backdrop that includes a rocky terrain and what seems to be a metallic structure, possibly part of a larger machine or vehicle. The wheels are stationary at the beginning, but as the video progresses, they start to rotate slowly, creating a sense of movement. There is no visible title, subtitle, or informative text within the frames provided.
|
In the style of Code Geass , The video opens with a close-up of a mechanical device, possibly part of a larger machine or robot. The device has a gray and orange color scheme with a central circular component that appears to be a lens or sensor. The background is a clear blue sky with some white clouds, suggesting an outdoor setting. The scene transitions to a view of the interior of a cockpit, where a gloved hand is seen operating controls. The dashboard displays various gauges and indicators, including a prominent circular gauge with a needle pointing towards the green zone, indicating a safe or optimal condition. The hand is pressing buttons and turning knobs, suggesting active control or operation of the vehicle.
|
In the style of Code Geass , The video opens with three large, brown and gray robots standing in a line on a road. The robots have a humanoid form with bulky, angular bodies and are equipped with what appear to be weapons. The background shows an industrial landscape with smoke rising from chimneys and a clear sky above. As the video progresses, the robots begin to move, with the first robot on the left starting to walk forward. The other two robots follow suit, moving in unison. The road they are on is paved and has white lane markings. The surrounding environment includes mountains in the distance and a few buildings visible in the background.
|
In the style of Code Geass , The video opens with a large, beige and gray armored robot standing on a road amidst an explosion. The robot is equipped with a large gun and appears to be in combat. The background shows a mountainous landscape with smoke rising from the ground, suggesting a battlefield. As the video progresses, the robot moves forward, engaging in combat with multiple black tanks positioned on a rocky terrain. The tanks are firing at the robot, causing explosions and smoke. The robot retaliates by firing its own weapon, resulting in more explosions and destruction of the tanks. The video concludes with the robot continuing its advance, leaving a trail of destruction behind it.
|
In the style of Code Geass , The video presents a scene with multiple characters in what appears to be an urban setting. The environment is dimly lit, suggesting it might be evening or indoors. There are two police officers in the foreground, one of whom is holding a firearm and aiming it towards the group. The officers are dressed in dark uniforms with helmets and protective gear. The group consists of several individuals, including both adults and children, who are standing around two people lying on the ground. The people in the group appear to be in a state of concern or shock, with some hands raised in a gesture that could indicate surrender or confusion. The clothing of the individuals varies, but most are wearing casual attire. The overall atmosphere of the scene is tense, with a sense of urgency conveyed by the body language and positioning of the characters.
|
In the style of Code Geass , The video opens with a blank white screen, which then transitions to a scene depicting a city in ruins. The cityscape is filled with smoke and fire, indicating widespread destruction. Buildings are partially collapsed or engulfed in flames, and the sky is darkened by thick smoke. In the foreground, there's a calm body of water reflecting the devastation. On the right side of the frame, there's a stone wall with a tree growing out of it, adding a touch of nature amidst the chaos. The overall color palette is dominated by dark and muted tones, with occasional bright spots from the fires.
|
In the style of Code Geass , The video presents a series of images depicting a single individual standing in the center of a room with traditional Japanese sliding doors. The doors are composed of numerous square panels, each filled with a warm, orange-yellow hue that suggests either the setting or rising sun or artificial lighting designed to mimic such colors. The person is dressed in a colorful kimono with intricate patterns and designs, predominantly in shades of red, orange, and black. The individual's pose remains static throughout the sequence, with no discernible movement or action. The room appears to be well-lit, with the light reflecting off the floor and casting soft shadows on the ground.
|
In the style of Code Geass , The video begins with a solid red background. As the video progresses, the red area starts to move and transform into a shape that resembles a flag. The white portion of the flag appears to be a fabric or paper material, as it has a slight texture and folds. The red shape becomes more defined, taking on the form of a flag with a white field and a red circle in the center. The transformation is smooth and continuous, with no abrupt changes in color or shape.
|
In the style of Code Geass , The video begins with a close-up of a flag featuring a white background and a red circle in the center. The flag appears to be waving, as indicated by the motion blur and the changing angles of the red circle. As the video progresses, the flag's design becomes more complex, revealing additional elements such as a crest with a lion and a snake intertwined within it. The colors of the flag become more vivid, with the red circle standing out against the white background. The crest is detailed with gold and green accents, and the lion and snake are depicted in shades of orange and brown. The video concludes with a full view of the flag, showcasing its intricate design and vibrant colors.
|
In the style of Code Geass , The video features a close-up of a heraldic shield emblem. The shield is predominantly blue with a red and white striped border. At the center, there is a golden lion with a crown on its head, facing a green snake that appears to be coiled around the lion's neck. The lion's mouth is open as if roaring or hissing at the snake. Surrounding the shield are green leaves and a golden crown above it. The background is dark, which makes the colors of the emblem stand out.
|
In the style of Code Geass , The video opens with a digital map of Japan, overlaid with a grid and various blue boxes containing icons or symbols. The map is set against a dark background, giving it a high-tech, surveillance-like appearance. As the video progresses, the word "AREA" appears in large, bold, yellow letters across the center of the screen, partially obscuring the map. Following this, the number "11" appears in a similar style, overlaying the word "AREA." The number "11" is also highlighted with a glowing effect, making it stand out prominently. The video concludes with the number "11" still visible on the screen, emphasizing its importance.
|
In the style of Code Geass , The video opens with a wide shot of a desolate, war-torn landscape at sunset. The sky is painted in hues of orange and purple, with the sun low on the horizon, casting long shadows across the scene. The ground is littered with debris, including broken concrete slabs, twisted metal, and scattered rubble. A large, damaged structure looms in the background, its walls crumbling and partially collapsed. In the foreground, there are several military vehicles, including a large truck and a smaller car, parked haphazardly. Smoke rises from a fire burning nearby, adding to the sense of devastation. There are no visible people or movement, giving the scene an eerie stillness.
|
In the style of Code Geass , The video features a single male character standing in front of a large, burning structure. The character is dressed in a beige trench coat and dark trousers, with his right hand raised to his forehead as if shielding his eyes from the light or surveying the scene. The fire is intense, with flames reaching high into the air and casting an orange glow over the surroundings. The structure appears to be made of wooden planks arranged in a grid-like pattern, and it is engulfed in flames. The background shows a mountainous landscape under a sky filled with dark clouds, suggesting either early morning or late evening. There are no other characters or significant objects in the immediate vicinity of the burning structure.
|
In the style of Code Geass , The video features a young male character with brown hair, wearing a grey t-shirt and blue jeans. He is seated on the ground beside a large military-style vehicle, which appears to be a truck or armored personnel carrier. The setting is a desolate landscape with a rocky terrain and a body of water in the background. The sky is dramatic, with hues of orange and yellow, suggesting either sunrise or sunset. The lighting casts long shadows and gives the scene a warm, yet somber tone. There is no significant movement or action; the focus remains on the character and his surroundings throughout the video.
|
In the style of Code Geass , The video features a character with short brown hair and purple eyes, wearing a grey shirt with a dark collar. The character is standing in front of a car that appears to be damaged or abandoned, with debris scattered around. The background shows a dramatic sky with hues of orange and red, suggesting either sunrise or sunset. There are no other characters or significant actions taking place in the video.
|
In the style of Code Geass , The video begins with a black screen, which then transitions to a view of the Earth from space. The Earth is partially obscured by clouds, and the landmasses are visible but not distinctly identifiable. As the video progresses, the focus shifts to a specific region, which appears to be Japan, as indicated by the shape of the landmasses and surrounding water. The colors are muted, with shades of blue for the ocean and various tones of green and brown for the land. There are no visible texts or subtitles in the video.
|
In the style of Code Geass , The video opens with a pixelated image that appears to be a digital interface or a loading screen. The colors are muted, with shades of brown and gray dominating the scene. As the video progresses, the image becomes clearer, revealing a figure standing in the center of the frame. This figure is silhouetted against a bright, glowing background that suggests a sunrise or sunset. The figure is surrounded by a circular interface with various symbols and indicators, giving the impression of a targeting system or a radar. The environment around the figure is desolate, with debris scattered on the ground, indicating some form of destruction or aftermath of an event. The buildings in the background are modern and tall, suggesting an urban setting. The sky is filled with warm hues of orange and yellow, enhancing the sense of a dramatic, possibly apocalyptic scene.
|
In the style of Code Geass , The video opens with a scene of a cityscape at dusk or dawn, with tall buildings and a reddish sky. The focus is on a large, glowing yellow symbol that appears to be in motion, possibly indicating energy or power. As the video progresses, the symbol becomes more defined and takes the shape of a stylized letter 'K'. The background remains consistent, showing the cityscape with buildings and a reddish sky. The symbol then transitions into a bright white light, which obscures the view momentarily. Following this, the text "コナツス" (Konatsu) appears in bold, white letters against the backdrop of the cityscape. The text is centered and stands out prominently. The video concludes with the text fading away, leaving the cityscape visible once again.
|
In the style of Code Geass , The video opens with a dark background featuring golden Japanese text that reads "コードギアス" (Code Geass). The text is accompanied by a glowing yellow light effect beneath it. As the video progresses, additional text appears in English, stating "CODE GEASS" and "Leouch of the Rebellion," indicating the title of the series. The background remains dark throughout, with the text being the primary focus. The final frame shows a close-up of an eye with a purple iris, which is likely a character's eye from the series, with the same golden Japanese text overlaid on the image.
|
In the style of Code Geass , The video features a close-up of an eye with a striking purple iris. The pupil is not visible, and the iris has a glowing red center that appears to be pulsating or beating. The surrounding area of the eye is dark, which accentuates the vivid colors of the iris. There are Japanese characters overlaid on the image, which translate to "What can change our lives and even the world."
|
In the style of Code Geass , The video opens with a vibrant, abstract visual of blue and white light streaks converging towards the center, creating a tunnel-like effect. Overlaid on this dynamic background is Japanese text in white, which translates to "What can change ourselves and even the world." The scene then transitions to another frame with similar abstract visuals but includes additional Japanese text, translating to "All, by one, by two, by three, by four, by five, by six, by seven, by eight, by nine, by ten, by eleven, by twelve, by thirteen, by fourteen, by fifteen, by sixteen, by seventeen, by eighteen, by nineteen, by twenty, by twenty-one, by twenty-two, by twenty-three, by twenty-four, by twenty-five, by twenty-six, by twenty-seven, by twenty-eight, by twenty-nine, by thirty, by thirty-one, by thirty-two, by thirty-three, by thirty-four, by thirty-five, by thirty-six, by thirty-seven, by thirty-eight, by thirty-nine, by forty, by forty-one, by forty-two, by forty-three, by forty-four, by forty-five, by forty-six, by forty-seven, by forty-eight, by forty-nine, by fifty, by fifty-one, by fifty-two, by fifty-three, by fifty-four, by fifty-five, by fifty-six, by fifty-seven, by fifty-eight, by fifty-nine, by sixty, by sixty-one, by sixty-two, by sixty-three, by sixty-four, by sixty-five, by sixty-six, by sixty-seven, by sixty-eight, by sixty-nine, by seventy, by seventy-one, by seventy-two, by seventy-three, by seventy-four, by seventy-five, by seventy-six, by seventy-seven, by seventy-eight, by seventy-nine, by eighty, by eighty-one, by eighty-two, by eighty-three, by eighty-four, by eighty-five, by eighty-six, by eighty-seven, by eighty-eight, by eighty-nine, by ninety, by ninety-one, by ninety-two, by ninety-three, by ninety-four, by ninety-five, by ninety-six, by ninety-seven, by ninety-eight, by ninety-nine, by one hundred, by one hundred and one, by one hundred and two, by one hundred and three, by one hundred and four, by one hundred and five, by one hundred and six, by one hundred and seven, by one hundred and eight, by one hundred and nine, by one hundred and ten, by one hundred and eleven, by one hundred and twelve, by one hundred and thirteen, by one hundred and fourteen, by one hundred and fifteen, by one hundred and sixteen, by one hundred and seventeen, by one hundred and eighteen, by one hundred and nineteen, by one hundred and twenty, by one hundred and twenty-one, by one hundred and twenty-two, by one hundred and twenty-three, by one hundred and twenty-four, by one hundred and twenty-five, by one hundred and twenty-six, by one hundred and twenty-seven, by one hundred and twenty-eight, by one hundred and twenty-nine, by one hundred and thirty, by one hundred and thirty-one, by one hundred and thirty-two, by one hundred and thirty-three, by one hundred and thirty-four, by one hundred and thirty-five, by one hundred and thirty-six, by one hundred and thirty-seven, by one hundred and thirty-eight, by one hundred and thirty-nine, by one hundred and forty, by one hundred and forty-one, by one hundred and forty-two, by one hundred and forty-three, by one hundred and forty-four, by one hundred and forty-five, by one hundred and forty-six, by one hundred and forty-seven, by one hundred and forty-eight, by one hundred and forty-nine, by one hundred and fifty, by one hundred and fifty-one, by one hundred and fifty-two, by one hundred and fifty-three, by one hundred and fifty-four, by one hundred and fifty-five, by one hundred and fifty-six, by one hundred and fifty-seven, by one hundred and fifty-eight, by one hundred and fifty-nine, by one hundred and sixty, by one hundred and sixty-one, by one hundred and sixty-two, by one hundred and sixty-three, by one hundred and sixty-four, by one hundred and sixty-five, by one hundred and sixty-six, by one hundred and sixty-seven, by one hundred and sixty-eight, by one hundred and sixty-nine, by one hundred and seventy, by one hundred and seventy-one, by one hundred and seventy-two, by one hundred and seventy-three, by one hundred and seventy-four, by one hundred and seventy-five, by one hundred and seventy-six, by one hundred and seventy-seven, by one hundred and seventy-eight, by one hundred and seventy-nine, by one hundred and eighty, by one hundred and eighty-one, by one hundred and eighty-two, by one hundred and eighty-three, by one hundred and eighty-four, by one hundred and eighty-five, by one hundred and eighty-six, by one hundred and eighty-seven, by one hundred and eighty-eight, by one hundred and eighty-nine, by one hundred and ninety, by one hundred and ninety-one, by one hundred and ninety-two, by one hundred and ninety-three, by one hundred and ninety-four, by one hundred and ninety-five, by one hundred and ninety-six, by one hundred and ninety-seven, by one hundred and ninety-eight, by one hundred and ninety-nine, by two hundred, by two hundred and one, by two hundred and two, by two hundred and three, by two hundred and four, by two hundred and five, by two hundred and six, by two hundred and seven, by two hundred and eight, by two hundred and nine, by two hundred and ten, by two hundred and eleven, by two hundred and twelve, by two hundred and thirteen, by two hundred and fourteen, by two hundred and fifteen, by two hundred and sixteen, by two hundred and seventeen, by two hundred and eighteen, by two hundred and nineteen, by two hundred and twenty, by two hundred and twenty-one, by two hundred and twenty-two, by two hundred and twenty-three, by two hundred and twenty-four, by two hundred and twenty-five, by two hundred and twenty-six, by two hundred and twenty-seven, by two hundred and twenty-eight, by two hundred and twenty-nine, by two hundred and thirty, by two hundred and thirty-one, by two hundred and thirty-two, by two hundred and thirty-three, by two hundred and thirty-four, by two hundred and thirty-five, by two hundred and thirty-six, by two hundred and thirty-seven, by two hundred and thirty-eight, by two hundred and thirty-nine, by two hundred and forty, by two hundred and forty-one, by two hundred and forty-two, by two hundred and forty-three, by two hundred and forty-four, by two hundred and forty-five, by two hundred and forty-six, by two hundred and forty-seven, by two hundred and forty-eight, by two hundred and forty-nine, by two hundred and fifty, by two hundred and fifty-one, by two hundred and fifty-two, by two hundred and fifty-three, by two hundred and fifty-four, by two hundred and fifty-five, by two hundred and fifty-six, by two hundred and fifty-seven, by two hundred and fifty-eight, by two hundred and fifty-nine, by two hundred and sixty, by two hundred and sixty-one, by two hundred and sixty-two, by two hundred and sixty-three, by two hundred and sixty-four, by two hundred and sixty-five, by two hundred and sixty-six, by two hundred and sixty-seven, by two hundred and sixty-eight, by two hundred and sixty-nine, by two hundred and seventy, by two hundred and seventy-one, by two hundred and seventy-two, by two hundred and seventy-three, by two hundred and seventy-four, by two hundred and seventy-five, by two hundred and seventy-six, by two hundred and seventy-seven, by two hundred and seventy-eight, by two hundred and seventy-nine, by two hundred and eighty, by two hundred and eighty-one, by two hundred and eighty-two, by two hundred and eighty-three, by two hundred and eighty-four, by two hundred and eighty-five, by two hundred and eighty-six, by two hundred and eighty-seven, by two hundred and eighty-eight, by two hundred and eighty-nine, by two hundred and ninety, by two hundred and ninety-one, by two hundred and ninety-two, by two hundred and ninety-three, by two hundred and ninety-four, by two hundred and ninety-five, by two hundred and ninety-six, by two hundred and ninety-seven, by two hundred and ninety-eight, by two hundred and ninety-nine, by three hundred, by three hundred and one, by three hundred and two, by three hundred and three, by three hundred and four, by three hundred and five, by three hundred and six, by three hundred and seven, by three hundred and eight, by three hundred and nine, by three hundred and ten, by three hundred and eleven, by three hundred and twelve, by three hundred and thirteen, by three hundred and fourteen, by three hundred and fifteen, by three hundred and sixteen, by three hundred and seventeen, by three hundred and eighteen, by three hundred and nineteen, by three hundred and twenty, by three hundred and twenty-one, by three hundred and twenty-two, by three hundred and twenty-three, by three hundred and twenty-four, by three hundred and twenty-five, by three hundred and twenty-six, by three hundred and twenty-seven, by three hundred and twenty-eight, by three hundred and twenty-nine, by three hundred and thirty, by three hundred and thirty-one, by three hundred and thirty-two, by three hundred and thirty-three, by three hundred and thirty-four, by three hundred and thirty-five, by three hundred and thirty-six, by three hundred and thirty-seven, by three hundred and thirty-eight, by three hundred and thirty-nine, by three hundred and forty, by three hundred and forty-one, by three hundred and forty-two, by three hundred and forty-three, by three hundred and forty-four, by three hundred and forty-five, by three hundred and forty-six, by three hundred and forty-seven, by three hundred and forty-eight, by three hundred and forty-nine, by three hundred and fifty, by three hundred and fifty-one, by three hundred and fifty-two, by three hundred and fifty-three, by three hundred and fifty-four, by three hundred and fifty-five, by three hundred and fifty-six, by three hundred and fifty-seven, by three hundred and fifty-eight, by three hundred and fifty-nine, by three hundred and sixty, by three hundred and sixty-one, by three hundred and sixty-two, by three hundred and sixty-three, by three hundred and sixty-four, by three hundred and sixty-five, by three hundred and sixty-six, by three hundred and sixty-seven, by three hundred and sixty-eight, by three hundred and sixty-nine, by three hundred and seventy, by three hundred and seventy-one, by three hundred and seventy-two, by three hundred and seventy-three, by three hundred and seventy-four, by three hundred and seventy-five, by three hundred and seventy-six, by three hundred and seventy-seven, by three hundred and seventy-eight, by three hundred and seventy-nine, by three hundred and eighty, by three hundred and eighty-one, by three hundred and eighty-two, by three hundred and eighty-three, by three hundred and eighty-four, by three hundred and eighty-five, by three hundred and eighty-six, by three hundred and eighty-seven, by three hundred and eighty-eight, by three hundred and eighty-nine, by three hundred and ninety, by three hundred and ninety-one, by three hundred and ninety-two, by three hundred and ninety-three, by three hundred and ninety-four, by three hundred and ninety-five, by three hundred and ninety-six, by three hundred and ninety-seven, by three hundred and ninety-eight, by three hundred and ninety-nine, by four hundred, by four hundred and one, by four hundred and two, by four hundred and three, by four hundred and four, by four hundred and five, by four hundred and six, by four hundred and seven, by four hundred and eight, by four hundred and nine, by four hundred and ten, by four hundred and eleven, by four hundred and twelve, by four hundred and thirteen, by four hundred and fourteen, by four hundred and fifteen, by four hundred and sixteen, by four hundred and seventeen, by four hundred and eighteen, by four hundred and nineteen, by four hundred and twenty, by four hundred and twenty-one, by four hundred and twenty-two, by four hundred and twenty-three, by four hundred and twenty-four, by four hundred and twenty-five, by four hundred and twenty-six, by four hundred and twenty-seven, by four hundred and twenty-eight, by four hundred and twenty-nine, by four hundred and thirty, by four hundred and thirty-one, by four hundred and thirty-two, by four hundred and thirty-three, by four hundred and thirty-four, by four hundred and thirty-five, by four hundred and thirty-six, by four hundred and thirty-seven, by four hundred and thirty-eight, by four hundred and thirty-nine, by four hundred and forty, by four hundred and forty-one, by four hundred and forty-two, by four hundred and forty-three, by four hundred and forty-four, by four hundred and forty-five, by four hundred and forty-six, by four hundred and forty-seven, by four hundred and forty-eight, by four hundred and forty-nine, by four hundred and fifty, by four hundred and fifty-one, by four hundred and fifty-two, by four hundred and fifty-three, by four hundred and fifty-four, by four hundred and fifty-five, by four hundred and fifty-six, by four hundred and fifty-seven, by four hundred and fifty-eight, by four hundred and fifty-nine, by four hundred and sixty, by four hundred and sixty-one, by four hundred and sixty-two, by four hundred and sixty-three, by four hundred and sixty-four, by four hundred and sixty-five, by four hundred and sixty-six, by four hundred and sixty-seven, by four hundred and sixty-eight, by four hundred and sixty-nine, by four hundred and seventy, by four hundred and seventy-one, by four hundred and seventy-two, by four hundred and seventy-three, by four hundred and seventy-four, by four hundred and seventy-five, by four hundred and seventy-six, by four hundred and seventy-seven, by four hundred and seventy-eight, by four hundred and seventy-nine, by four hundred and eighty, by four hundred and eighty-one, by four hundred and eighty-two, by four hundred and eighty-three, by four hundred and eighty-four, by four hundred and eighty-five, by four hundred and eighty-six, by four hundred and eighty-seven, by four hundred and eighty-eight, by four hundred and eighty-nine, by four hundred and ninety, by four hundred and ninety-one, by four hundred and ninety-two, by four hundred and ninety-three, by four hundred and ninety-four, by four hundred and ninety-five, by four hundred and ninety-six, by four hundred and ninety-seven, by four hundred and ninety-eight, by four hundred and ninety-nine, by five hundred, by five hundred and one, by five hundred and two, by five hundred and three, by five hundred and four, by five hundred and five, by five hundred and six, by five hundred and seven, by five hundred and eight, by five hundred and nine, by five hundred and ten, by five hundred and eleven, by five hundred and twelve, by five hundred and thirteen, by five hundred and fourteen, by five hundred and fifteen, by five hundred and sixteen, by five hundred and seventeen, by five hundred and eighteen, by five hundred and nineteen, by five hundred and twenty, by five hundred and twenty-one, by five hundred and twenty-two, by five hundred and twenty-three, by five hundred and twenty-four, by five hundred and twenty-five, by five hundred and twenty-six, by five hundred and twenty-seven, by five hundred and twenty-eight, by five hundred and twenty-nine, by five hundred and thirty, by five hundred and thirty-one, by five hundred and thirty-two, by five hundred and thirty-three, by five hundred and thirty-four, by five hundred and thirty-five, by five hundred and thirty-six, by five hundred and thirty-seven, by five hundred and thirty-eight, by five hundred and thirty-nine, by five hundred and forty, by five hundred and forty-one, by five hundred and forty-two, by five hundred and forty-three, by five hundred and forty-four, by five hundred and forty-five, by five hundred and forty-six, by five hundred and forty-seven, by five hundred and forty-eight, by five hundred and forty-nine, by five hundred and fifty, by five hundred and fifty-one, by five hundred and fifty-two, by five hundred and fifty-three, by five hundred and fifty-four, by five hundred and fifty-five, by five hundred and fifty-six, by five hundred and fifty-seven, by five hundred and fifty-eight, by five hundred and fifty-nine, by five hundred and sixty, by five hundred and sixty-one, by five hundred and sixty-two, by five hundred and sixty-three, by five hundred and sixty-four, by five hundred and sixty-five, by five hundred and sixty-six, by five hundred and sixty-seven, by five hundred and sixty-eight, by five hundred and sixty-nine, by five hundred and seventy, by five hundred and seventy-one, by five hundred and seventy-two, by five hundred and seventy-three, by five hundred and seventy-four, by five hundred and seventy-five, by five hundred and seventy-six, by five hundred and seventy-seven, by five hundred and seventy-eight, by five hundred and seventy-nine, by five hundred and eighty, by five hundred and eighty-one, by five hundred and eighty-two, by five hundred and eighty-three, by five hundred and eighty-four, by five hundred and eighty-five, by five hundred and eighty-six, by five hundred and eighty-seven, by five hundred and eighty-eight, by five hundred and eighty-nine, by five hundred and ninety, by five hundred and ninety-one, by five hundred and ninety-two, by five hundred and ninety-three, by five hundred and ninety-four, by five hundred and ninety-five, by five hundred and ninety-six, by five hundred and ninety-seven, by five hundred and ninety-eight, by five hundred and ninety-nine, by six hundred, by six hundred and one, by six hundred and two, by six hundred and three, by six hundred and four, by six hundred and five, by six hundred and six, by six hundred and seven, by six hundred and eight, by six hundred and nine, by six hundred and ten, by six hundred and eleven, by six hundred and twelve, by six hundred and thirteen, by six hundred and fourteen, by six hundred and fifteen, by six hundred and sixteen, by six hundred and seventeen, by six hundred and eighteen, by six hundred and nineteen, by six hundred and twenty, by six hundred and twenty-one, by six hundred and twenty-two, by six hundred and twenty-three, by six hundred and twenty-four, by six hundred and twenty-five, by six hundred and twenty-six, by six hundred and twenty-seven, by six hundred and twenty-eight, by six hundred and twenty-nine, by six hundred and thirty, by six hundred and thirty-one, by six hundred and thirty-two, by six hundred and thirty-three, by six hundred and thirty-four, by six hundred and thirty-five, by six hundred and thirty-six, by six hundred and thirty-seven, by six hundred and thirty-eight, by six hundred and thirty-nine, by six hundred and forty, by six hundred and forty-one, by six hundred and forty-two, by six hundred and forty-three, by six hundred and forty-four, by six hundred and forty-five, by six hundred and
|
In the style of Code Geass , The video opens with a close-up of a character with dark hair and purple eyes, dressed in a black outfit with gold accents. The background is a clear blue sky with white clouds. The scene transitions to show the same character standing next to another character with long black hair, wearing a blue coat with a white shirt underneath. The background remains consistent with the blue sky and clouds. The next frame introduces a third character, a woman with long blonde hair, seated in a wheelchair. She is wearing a pink dress with a white blouse. The background shifts to a darker, more ominous setting with red particles floating around. The final frame shows two characters standing side by side; one is the same dark-haired character from the first frame, now wearing a red jacket over his black outfit, and the other is a figure in a dark cloak with a hood, partially obscured by shadows.
|
In the style of Code Geass , The video opens with a close-up of a crest featuring a lion and a snake intertwined, set against a blue background with red and white stripes. The text "kakusei iradachi" appears at the top, followed by "With pent up frustration." The scene transitions to a silhouette of a figure standing on a pole against a sunset sky, with the text "tachisukisu jibun wo mitsume" and "I stand and stare them down." The figure is shown from different angles, emphasizing its stance and the surrounding environment. The text changes to "tachisukusu jibun wo mitsume bun wo mitsume" and "I stand and stare them down, I stand and stare them down." The final frame zooms in on the figure's face, revealing a stern expression, with the text "mayo nagara nayagara" and "In confusion, in distress."
|
In the style of Code Geass , The video opens with a close-up of a character's face, displaying a serious expression. The background is dark and indistinct, focusing attention on the character. Text overlays in both English and Japanese appear, providing context or dialogue. The scene transitions to show multiple characters standing together, each with distinct appearances and attire. The characters are positioned against a backdrop that appears to be a dimly lit interior space. The lighting casts shadows, adding depth to the scene. The characters' expressions range from neutral to slightly concerned, suggesting a moment of tension or contemplation.
|
In the style of Code Geass , The video opens with a close-up view of vibrant red roses set against a clear blue sky. The roses are in full bloom, with their petals spread wide open, and the green leaves provide a contrasting backdrop to the rich red color of the flowers. As the scene progresses, white doves appear, flying gracefully across the sky. They are depicted in various stages of flight, some closer to the camera and others further away, creating a sense of depth. The doves' feathers are detailed, showing the light reflecting off their surfaces. The sky is dotted with fluffy white clouds, adding to the serene atmosphere. The text overlay in the video reads "kuayami nagara kimereba ba sa in remorsé, what do I choose?" which suggests a theme of decision-making or contemplation.
|
In the style of Code Geass , The video opens with a close-up of a character's face, partially obscured by shadows and light effects. The scene transitions to a group of characters standing in a line, dressed in various formal and semi-formal attire, including military uniforms and elegant dresses. The background is a clear sky with a hint of a building structure. Text appears on the screen, which seems to be in Japanese, possibly indicating dialogue or song lyrics. The characters are diverse in appearance, with different hairstyles, hair colors, and clothing styles. The video then shifts to another group of characters, this time in more casual attire, including school uniforms and modern clothing. They are positioned in front of a motorcycle, suggesting a more relaxed or informal setting. The text on the screen continues to appear, maintaining the same language as before.
|
In the style of Code Geass , The video features a character with long, flowing green hair and a white outfit. The character is shown in various poses, including standing upright, extending their arms outward, and crouching down. The background is a solid dark blue color, which contrasts with the character's bright attire. There are Japanese text overlays throughout the video, providing context or dialogue related to the character's actions. The text appears in different colors and sizes, some of which are highlighted for emphasis.
|
In the style of Code Geass , The video features an animated character with long, flowing green hair and a white outfit. The character is depicted in various poses, suggesting movement or action. The background is a dark blue, resembling the night sky or deep water, with sparkling light effects that give the impression of stars or bioluminescence. Text overlays are present throughout the video, providing context or dialogue in a foreign language, possibly Japanese. The text is in white with a slight glow, making it stand out against the darker background.
|
In the style of Code Geass , The video features a character with brown hair and a serious expression, wearing a dark outfit with white and gold accents. The character is shown in a dimly lit environment, which suggests a dramatic or intense atmosphere. The frames are sequential, indicating movement or progression of time. There is text overlaying the images, which appears to be a dialogue or narration in a foreign language, possibly Japanese, given the context and style. The text is partially visible and seems to be part of a larger sentence or phrase.
|
In the style of Code Geass , The video opens with a large, white and gold mecha standing in front of a purple military vehicle. The mecha has intricate designs and is emitting orange sparks from its feet, suggesting it is either powering up or experiencing some form of energy discharge. The background includes other military vehicles and a cityscape with tall buildings, indicating an urban setting. The sky is clear and blue, as mentioned in the text overlay that appears throughout the video. The text reads "miage oozora ga aoko sumikite yuku. The sky on the other side was blue and clear." This phrase seems to be a poetic description of the scene, possibly hinting at a narrative element within the video. The focus then shifts to a close-up of the mecha's hand gripping a large, cylindrical object, which could be a weapon or part of the mecha's equipment. The hand is clad in a white glove with a gold cuff, matching the color scheme of the mecha. The lighting in this close-up is dimmer, emphasizing the action and the object being held.
|
In the style of Code Geass , The video features a large, humanoid robot with a predominantly white and gold color scheme. The robot is positioned in a snowy environment, surrounded by military vehicles. It appears to be in the process of either deploying or retracting its legs, which are supported by mechanical stands. The robot's design includes intricate details such as armor plating, joints, and what seems to be a cockpit or head area at the top. There is text overlay in the frames, which suggests that the video may be from an animated series or film.
|
In the style of Code Geass , The video features a large, humanoid robot with a predominantly white and gold color scheme. The robot's design includes angular lines and sharp edges, giving it a futuristic and mechanical appearance. It has a red emblem on its chest and green eyes that are highlighted in close-up shots. The robot is situated in a snowy environment with debris and rubble around, suggesting a post-apocalyptic or battle-scarred setting. The sky is visible in the background, which is described as blue and clear, contrasting with the desolate surroundings.
|
In the style of Code Geass , The video features a close-up of a character's hand, clad in a white sleeve with gold trim, reaching out to touch a metallic surface. The background is a gradient of blue and black, suggesting a night sky or space setting. The character's hand is positioned as if they are about to grasp or interact with the object. There is text overlaying the image that reads "miqeta oozao ga aku sumikette yoku The sky on the other side was blue and clear." This text appears to be in Japanese and English, possibly indicating a dialogue or a poetic description related to the scene.
|
In the style of Code Geass , The video opens with a dynamic, blue-toned background featuring streaks of light that give the impression of motion or speed. A small, green, animated character is seen flying through this space. The character has a simplistic design with minimal detail, primarily consisting of a green body and limbs. As the video progresses, the character moves from the left to the right side of the frame, maintaining its flight path against the backdrop of the blue, light-filled environment. Text appears on the screen, providing information about the music track "COLORS" by Kōhshi Asokawa, Keiichi Hayashi, Takeshi Asokawa, and Flow & Kichi Tsuchiya, with the production company listed as FLOW (Kion Records). The text is presented in both Japanese and English.
|
In the style of Code Geass , The video is a close-up of an animated character's eye, which is green with a yellow iris and black pupil. The background is a blurred blue, suggesting the sky or water. Text overlays appear on the screen, providing information about the song "COLORS!" by Kōshi ASAKAWA, KeiHayashi, Takeru AKAWA, and Flow & Gachi SUTAYA. The text also mentions the record label, J'Leon Records. Additionally, there is a line of text at the top that reads "miage ta oozoa ga akou sumikite yku" which translates to "The sky on the other side was blue and clear."
|
In the style of Code Geass , The video features a character with long, flowing green hair and a white outfit. The character is shown in various poses, including standing with eyes closed, reaching out with one hand, and in mid-air, suggesting movement or action. The background is a dynamic blue with streaks of light, giving the impression of speed or energy. Text overlays appear throughout the video, providing context such as "tazashita made wo hiraku koto wo kimeta" (I decided to open the window) and "ijibun wo sekai mo kae wo shimae shou" (What can change yourself even the world). The text also includes credits for music and voice actors, indicating that this is likely a scene from an anime or animated series.
|
In the style of Code Geass , The video opens with a view of a large truck driving on a bridge, set against a backdrop of modern skyscrapers and a clear blue sky. The truck is carrying a sizable red robot inside its cargo area. As the truck moves forward, the robot begins to emerge from the back of the truck. The robot's design is humanoid, with a bulky frame and articulated limbs. It has a dark visor or helmet covering its face. The robot steps out of the truck and lands on the road, causing a small cloud of dust to rise. The robot's movements are deliberate and calculated as it stands up fully on the bridge.
|
In the style of Code Geass , The video opens with a large, red robotic figure standing on a city street. The robot has a humanoid form with a bulky body and limbs, and it appears to be in motion, as indicated by the sparks flying from its feet. The background shows a modern urban environment with tall buildings and a clear sky. The text overlay in the first frame reads "ijin wo sekai mo kate mo shimae shou na" which translates to "What can change yourself and even the world." The scene then transitions to a close-up of a person with pink hair, wearing a white outfit with brown accents, who seems to be in distress or exerting effort. The next scene shows a person riding a horse along a lakeside path, with a castle reflected in the water behind them. The rider is dressed in dark clothing and appears focused on their journey.
|
In the style of Code Geass , The video features a sequence of images depicting an animated scene. The primary focus is on a character riding a horse along a path beside a body of water, with a castle visible in the distance across the water. The character appears to be wearing dark clothing and has short hair. The horse is brown with a darker mane and tail. The background includes lush greenery, trees, and a clear blue sky. The text overlay in the images reads "jibuk wo sekai mo kate shimeasou na: What can change yourself and even the world."
|
In the style of Code Geass , The video opens with a black screen displaying Japanese text in the center, which translates to "What can change yourself and even the world." The text is white with a slight shadow effect for readability. The background is plain black, making the text stand out prominently. Following this, the scene transitions to an animated setting featuring a grand, classical-style building with columns and arches. The architecture suggests a formal or institutional environment, possibly a school or government building. The sky is clear, indicating a bright day. The next frame shows a dark, futuristic interior with a cityscape projected on the walls, illuminated by neon lights and various technological elements. The overall atmosphere is one of advanced technology and innovation.
|
In the style of Code Geass , The video features a close-up of an animated character with long dark hair and green eyes. The character is wearing traditional attire, including a headpiece and a garment with a high collar. The background consists of vertical lines that create a striped pattern, giving the impression of a digital or glitch effect. At the top of the frame, there is text in both Japanese and English. The Japanese text reads "jibun wo sekai mo kate shimasou na," which translates to "What can change yourself and even the world." The English translation is provided below the Japanese text.
|
In the style of Code Geass , The video opens with a scene of a floating structure, possibly a temple or palace, set against a backdrop of clouds and a warm, golden sky. The architecture is detailed, with multiple tiers and what appears to be a central spire. The structure is surrounded by a halo of light, suggesting it is significant or sacred. Text in a foreign language is overlaid on the image, which may provide context or a title for the scene.\n\nThe scene transitions to a close-up of a character's back, showing their blonde hair and part of their attire, which includes a high-collared garment with gold trim. The character's expression is not visible, but their posture suggests contemplation or solemnity. The background shifts to a red-orange hue, possibly indicating a sunset or sunrise, adding to the dramatic effect.\n\nThe final frame shows a close-up of the character's face, revealing a serious and determined expression. The character's eyes are focused, and their lips are slightly parted as if they are about to speak or are deep in thought. The lighting highlights the contours of their face, emphasizing their features and the intensity of their expression.
|
In the style of Code Geass , The video consists of a series of images featuring different animated characters standing against a height measurement background, commonly seen in mugshot scenes. Each character is depicted with distinct hairstyles and clothing, suggesting a variety of personalities or roles. The characters are shown from the chest up, with their expressions ranging from neutral to slightly serious. The background is a plain, light-colored wall with height markings at intervals of 10 centimeters, providing a consistent setting for each shot. The text overlay on the images is in a foreign language, which appears to be Japanese, and it seems to be a dialogue or a quote related to the context of the scene.
|
In the style of Code Geass , The video opens with a dark screen displaying text in a foreign language, which is not translated. The scene transitions to a character with dark hair and a black outfit adorned with gold accents. The character is seen from the back, holding a helmet in their hands. The background is a vivid red sky, possibly indicating either dawn or dusk. The character's expression is one of contemplation or sadness. The final frame shows an image of a planet with swirling orange and yellow clouds, resembling a gas giant like Jupiter or Saturn.
|
In the style of Code Geass , The video features a static image with a checkered pattern background in shades of red and black. In the foreground, there is a shadowy figure that appears to be a person lying down, with their head resting on one arm and the other arm extended outwards. The figure's face is not visible due to the shadowing. Overlaid on this image are several pieces of text. The largest text at the top reads "街の放送" (street broadcast) in white characters. Below this, there is a logo with the word "SUNRISE" in white capital letters, accompanied by a stylized sun graphic. To the left of the logo, there is a smaller text in red that says "製作" (production). At the bottom of the image, there is additional text in white that reads "コロナウイルス対策企画" (corona virus countermeasure project). The overall style of the image suggests it may be related to a promotional or informational campaign about COVID-19 measures.
|
In the style of Code Geass , The video opens with a black screen, then transitions to a metallic, three-dimensional symbol resembling a stylized 'V' or chevron shape. The symbol is silver and has a reflective surface, giving it a sleek appearance. As the video progresses, the symbol starts to glow with a blue light from within, enhancing its metallic sheen. Above the symbol, the text "STAGE 1" appears in white capital letters, followed by the phrase "The Day a Demon is Born" in smaller white text below. The background remains consistently dark throughout the video, which accentuates the brightness of the symbol and the text.
|
In the style of Code Geass , The video opens with a view of a snow-capped mountain, likely representing Mount Fuji, under a clear blue sky. The text "The Day a Demon is Born" appears at the bottom of the frame, suggesting a significant event or theme. The scene transitions to a closer view of the mountain, with the text changing to "Seven years after the war 2017 a.t.b." indicating a timeline post a hypothetical war. The next frames show a futuristic cityscape with tall, sleek buildings and advanced infrastructure, labeled as "British Residential Area" and "Tokyo Settlement," implying a new society or settlement in the aftermath of the war. The architecture is modern and high-tech, with a focus on clean lines and reflective surfaces. The video maintains a consistent color palette of blues and whites, reinforcing the futuristic and cold atmosphere.
|
In the style of Code Geass , The video features a series of images displaying a crest or coat of arms. The central element is a shield with a dark background, flanked by two white wings on either side. Atop the shield sits a crown, and above the shield is a banner with text. The shield contains an orange lion facing a green snake, both depicted in a stylized manner. The lion appears to be roaring or hissing at the snake, which is coiled and facing the lion. The colors are vibrant, with the orange of the lion contrasting against the green of the snake and the dark background of the shield. The crown is purple with gold detailing. The text on the banner is not fully legible due to the resolution of the images.
|
In the style of Code Geass , The video opens with a close-up of a blue mechanical object, which appears to be a part of a larger structure. The object has a crest or emblem on it, featuring a lion and palm leaves, suggesting a possible affiliation with a specific group or organization. As the camera angle shifts upward, more of the object is revealed, showing that it is attached to a larger vehicle or machinery. The vehicle is predominantly white with blue accents, and it has a futuristic design with angular shapes and metallic components. The sky in the background is bright blue with scattered white clouds, indicating fair weather conditions. The sunlight creates lens flares, adding to the visual appeal of the scene.
|
In the style of Code Geass , The video presents a sequence of images showing a first-person perspective of an individual holding a gun with both hands. The gun is black with red accents and appears to be a modern, possibly futuristic design. The individual's hands are clad in white gloves, suggesting a level of formality or protection. The background reveals a cityscape with tall buildings, indicating an urban setting. A bus is visible on the road below, moving along a lane marked with white lines. The sky is overcast, and the overall color palette of the scene is muted, with shades of blue, gray, and beige dominating the visuals.
|
In the style of Code Geass , The video opens with a view of a green truck with a white cargo container driving on a blue road. The truck is moving from left to right across the frame, and the background shows a structure with large windows and a blue sky visible through them. As the truck moves out of the frame, the road remains empty for a few moments. Subsequently, a red and white train appears from the right side of the frame, moving in the same direction as the truck. The train has multiple carriages and is also moving from left to right. The road and surrounding environment remain consistent throughout the video, with no other vehicles or significant changes in scenery.
|
In the style of Code Geass , The video opens with a close-up of a red and white train moving along an elevated track. The train has a sleek design with a blue roof and white windows. As the camera angle shifts, it reveals more of the train's length and the surrounding environment, which includes tall buildings with arched windows and greenery at ground level. The train continues to move forward, passing under a bridge-like structure and then entering a tunnel. The scene transitions to a wider view, showing multiple trains on parallel tracks, all moving in the same direction. The architecture is modern, with clean lines and a predominantly blue color scheme. The sky is clear with a few clouds, suggesting fair weather.
|
In the style of Code Geass , The video presents a series of images showing the side view of a stationary train. The train has a maroon body with yellow stripes running horizontally along its length. It features multiple windows and doors, which are closed. The train's roof is equipped with various mechanical components, including what appears to be an air conditioning unit. The background is blurred, but it suggests an urban environment with buildings. There are no visible texts or subtitles in the video.
|
In the style of Code Geass , The video opens with a close-up of a maroon train car with yellow stripes, moving from left to right. The train car has windows and doors, and the background is a blurred cityscape with buildings. As the train moves past, the focus shifts to the building's facade, which features multiple windows with blue curtains. The building appears to be a multi-story structure with a light-colored exterior. The windows are evenly spaced, and the curtains inside are drawn, suggesting that the building might be residential or office space. The video does not show any people or other significant actions.
|
In the style of Code Geass , The video features a series of images showing a news anchor seated at a desk in a studio. The anchor is wearing a white blazer and has brown hair. The background includes a large screen displaying an image of a cityscape with a plume of smoke rising from one of the buildings, suggesting a news story about a fire or explosion. The studio has a modern design with vertical blinds on the window behind the anchor. On the desk, there are several green-colored buttons labeled with different functions such as "MENU," "VOLUME," "CHANNEL," "ONLINE SEARCH," "PROGRAM," and "SUPPORT." The colors in the video are vibrant, with the green buttons standing out against the more muted tones of the studio and the anchor's attire.
|
In the style of Code Geass , The video presents a room with a reddish-brown carpet and walls. In the center of the room, there is a square table with a chessboard on top. Two individuals are seated at the table, engaged in a game of chess. They are dressed in dark clothing, and one appears to be older than the other. Surrounding the table are four standing individuals, also dressed in dark attire, who seem to be observing the game. The room has a television mounted on the wall displaying what looks like a news broadcast. There is a potted plant to the left of the television, and a bar area with bottles and glasses can be seen in the background. A hanging light fixture provides illumination to the room.
|
In the style of Code Geass , The video opens with a close-up of a chessboard, focusing on the clock in the center. The clock has two faces, one for each player, and it is set to 15 minutes per player. The chess pieces are arranged in their starting positions, with white pieces on the left and black pieces on the right. The background is blurred, but it appears to be an indoor setting with green walls and a patterned floor. As the video progresses, the clock's hands move, indicating the passage of time. The chess pieces remain stationary throughout the video.
|
In the style of Code Geass , The video features a series of images showing an elderly man with gray hair, wearing glasses, a white shirt, and a dark vest. He is seated in what appears to be a formal setting, possibly an office or a meeting room. The man's facial expressions change from neutral to concerned, and he seems to be engaged in a conversation or reacting to something off-camera. In the background, there is another person partially visible, dressed in a dark suit, holding a smartphone. The lighting is subdued, suggesting an indoor environment.
|
In the style of Code Geass , The video features a close-up of an animated character with light brown hair, wearing a white shirt with a high collar and a dark vest. The character is holding a pair of scissors in their right hand, which has a golden handle with a blue gemstone. The background is indistinct but appears to be a dark interior setting. The character's expression is neutral, and they are looking down at the scissors.
|
In the style of Code Geass , The video features a series of images depicting an elderly man with gray hair, wearing glasses, a white shirt, and a dark vest. He is seated at a table with a chessboard in front of him. The man appears to be deeply engaged in the game, with his hands positioned as if he is about to make a move. His facial expressions change from focused to slightly concerned or surprised, indicating the progression of the game. In the background, there is another person dressed in a dark suit standing, partially visible behind the seated man. The setting seems to be indoors, possibly a room with a window that allows natural light to enter.
|
In the style of Code Geass , The video opens with a scene showing two men seated across from each other at a table. The man on the left is wearing a dark red coat with gold trim and a white shirt, while the man on the right is dressed in a white shirt and a gray vest. Between them is a chessboard with pieces arranged for a game. The background features a red curtain, suggesting an indoor setting, possibly a room or a study. The man on the right appears to be speaking, as indicated by his mouth movements and hand gestures. The man on the left listens attentively. As the video progresses, the man on the right stands up, indicating a possible conclusion to their conversation or a shift in the interaction's tone.
|
In the style of Code Geass , The video opens with a silhouette of two figures standing side by side, facing away from the viewer. The background is a bright, almost blinding white light that suggests an exit or a doorway. The figures appear to be holding hands, indicating a sense of companionship or partnership. The door frame is visible on either side of the figures, and it has a dark color, possibly purple or black, which contrasts sharply with the brightness behind them. There are no discernible features or details about the figures' faces or clothing due to the silhouette effect. The overall atmosphere is one of mystery and anticipation, as the viewer is left to wonder what lies beyond the door.
|
In the style of Code Geass , The video consists of a series of images showing a male character with light brown hair, wearing a white shirt and a red coat with gold trim. The character's facial expressions change subtly across the frames, indicating a range of emotions from neutral to slightly distressed or concerned. The background is indistinct, focusing the viewer's attention on the character's face and upper body.
|
In the style of Code Geass , The video opens with a close-up of a character with dark hair and purple eyes, dressed in a formal military-style uniform with gold accents. The character's expression is serious and focused. In the background, another character with short hair and a cap is visible, standing in a doorway that leads to a brightly lit area. The lighting in the room is dim, creating a contrast between the characters and their surroundings. The video does not show any significant movement or action; it primarily focuses on the expressions and positioning of the characters.
|
In the style of Code Geass , The video features a close-up of a hand adorned with rings, including one with a blue gem and another with a red gem. The hand is holding a small object, possibly a chess piece or a miniature figurine, and is positioned near the edge of a chessboard. The chessboard has alternating light and dark squares, and several chess pieces are visible in the background. The hand appears to be in motion, suggesting an action such as placing or moving the object on the board.
|
In the style of Code Geass , The video opens with a close-up of a man with light brown hair, dressed in a dark red coat with gold trim and a white shirt. He is seated in a room with a dark background, looking towards a blank television screen. The scene transitions to show the same man from a different angle, still focused on the television. The next frame introduces another character, a young man with dark hair, wearing a black uniform with gold accents. He stands beside the first man, looking at the television as well. The final frame shows the young man with a surprised expression, his mouth open as if he is about to speak or react to something on the screen.
|
In the style of Code Geass , The video presents a static image of a chessboard with pieces arranged in the starting position for a game of chess. The chessboard has alternating light and dark squares, bordered by a wooden frame with a decorative design at the bottom. The pieces are traditional in style, with black and white colors representing the two opposing sides. There is no movement or action depicted in the video; it is a still image that captures the initial setup of a chess game.
|
In the style of Code Geass , The video features two characters in a room with a warm, golden hue. The first character is seated and wears a dark uniform with gold accents, a white bandage around the head, and a pair of goggles resting on top of the bandage. The second character stands beside the seated one, also dressed in a similar dark uniform with gold details. Both characters have dark hair, and their expressions suggest a serious or contemplative mood. The background includes a door and a wall with a subtle pattern, contributing to the indoor setting.
|
In the style of Code Geass , The video presents a close-up of a hand adorned with rings, including one with a blue gem and another with a red gem. The hand is holding a small, white chess piece, specifically a pawn, which is being moved across the edge of a chessboard. The chessboard has alternating light and dark squares, and the pieces are white and black. The background is a solid color, providing no additional context or setting.
|
In the style of Code Geass , The video opens with a view of a room with a reddish-brown carpet and walls. The room is furnished with two brown armchairs, a table with a chessboard on it, and a television mounted on the wall. There are several individuals standing around the room, all dressed in dark clothing. The lighting in the room is dim, with a single light source casting shadows on the floor. The individuals appear to be engaged in a conversation or meeting, with some standing closer to the table while others are positioned further away.
|
In the style of Code Geass , The video features a close-up of an antique-looking clock with two faces, each displaying the time. The clock has a brown wooden frame with gold accents and is mounted on a wall. The left face shows the time as approximately 10:10, while the right face shows the time as approximately 2:20. Both faces have black hands and Roman numerals for the hours. There is a small red light that appears to be blinking or flashing intermittently at the bottom center of the clock.
|
In the style of Code Geass , The video features a character with dark hair and purple eyes, dressed in a black outfit with gold detailing. The character is seated on a red cushioned chair. In the first frame, the character's expression is neutral, and their hands are resting on their lap. As the video progresses, the character's right hand moves to grip a black object that resembles a gun. The background is blurred but suggests an indoor setting with warm lighting.
|
In the style of Code Geass , The video features a series of images showing a male character with light brown hair, dressed in a formal outfit consisting of a white shirt with a high collar and a maroon vest with gold trim. The character's facial expressions change from neutral to surprised, then to a wide-open-mouthed expression that could be interpreted as shouting or laughing. In the background, there is another figure wearing a dark suit, standing against a backdrop that appears to be an interior setting with curtains.
|
In the style of Code Geass , The video features a close-up of an individual with dark hair and purple eyes, holding a black chess piece, specifically a rook. The person is dressed in a dark outfit with gold detailing, suggesting a formal or ceremonial attire. The background is dimly lit, with a blurred image that appears to be a painting or artwork on the wall. The focus remains on the person's hand and the chess piece throughout the video, with no significant changes in the scene or actions taking place.
|
End of preview. Expand
in Data Studio
YAML Metadata
Warning:
empty or missing yaml metadata in repo card
(https://huggingface.co/docs/hub/datasets-cards)
- Downloads last month
- 229


