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Hinkson Creek	[ [ "Hinkson Creek", "located in the administrative territorial entity", "Missouri" ] ]	river in the United States of America	Hinkson Creek is a stream in Boone County in the U.S. state of Missouri. Its middle section runs through the city of Columbia, Missouri It was named after Robert Hinkson, a pioneer citizen who lived along its banks. Several trails, conservation areas, and parks are along its path. it eventually empties into Roche Perch...	[]
Michael Etulain	[ [ "Michael Etulain", "occupation", "Football player" ], [ "Michael Etulain", "country of citizenship", "Uruguay" ], [ "Michael Etulain", "given name", "Michael" ], [ "Michael Etulain", "place of birth", "Montevideo" ] ]	Uruguayan footballer	Michael Etulain Castro (born October 31, 1980) is a Uruguayan football player, who plays for Danubio FC. He was born in Montevideo, Uruguay. He plays as a goalkeeper. Teams Danubio 1999-2004 Oriente Petrolero 2005 Unión de Santa Fe 2006 Defensor Sporting 2006 Portimonense 2007-2008 Ferro Carril Oeste 2009 Miramar Misio...	[]
O'Donel Levy	[ [ "O'Donel Levy", "occupation", "Jazz guitarist" ], [ "O'Donel Levy", "place of birth", "Baltimore" ] ]	American jazz guitarist (1945-2016)	O'Donel "Butch" Levy (September 20, 1945 – March 14, 2016) was a rhythm & blues, funk and jazz guitarist from Baltimore, Maryland. He was brother of session drummer Stafford Levy. Levy studied music at the Peabody Institute at Johns Hopkins University in Baltimore. He moved to New York City and toured with George Benso...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ], [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	L'Orfeo (SV 318) (), sometimes called La favola d'Orfeo , is a late Renaissance/early Baroque favola in musica, or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bri...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ], [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	L'Orfeo is the earliest that is still regularly performed. By the early 17th century the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Monteverdi's L'Orfeo moved this process out of its experimental era and provided the f...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	went unperformed for many years, and was largely forgotten until a revival of interest in the late 19th century led to a spate of modern editions and performances. At first these performances tended to be concert (unstaged) versions within institutes and music societies, but following the first modern dramatised perfor...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	In his published score Monteverdi lists around 41 instruments to be deployed, with distinct groups of instruments used to depict particular scenes and characters. Thus strings, harpsichords and recorders represent the pastoral fields of Thrace with their nymphs and shepherds, while heavy brass illustrates the underworl...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	his family connections with the court of Florence. Towards the end of the 16th century innovative Florentine musicians were developing the intermedio—a long-established form of musical interlude inserted between the acts of spoken dramas—into increasingly elaborate forms. Led by Jacopo Corsi, these successors to the re...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	exist, but several other Florentine works of the same period—Rappresentatione di Anima, et di Corpo by Emilio de' Cavalieri, Peri's Euridice and Giulio Caccini's identically titled Euridice—survive complete. These last two works were the first of many musical representations of the Orpheus myth as recounted in Ovid's M...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	Striggio began his libretto for L'Orfeo, but work was evidently under way in January 1607. In a letter written on 5 January, Francesco Gonzago asks his brother, then attached to the Florentine court, to obtain the services of a high quality castrato from the Grand Duke's establishment, for a "play in music" being prepa...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	of the libretto are covered by a mere 13 lines in the Metamorphoses. For help in creating a dramatic form, Striggio drew on other sources—Poliziano's 1480 play, Guarini's Il pastor fido, and Ottavio Rinuccini's libretto for Peri's Euridice. Musicologist Gary Tomlinson remarks on the many similarities between Striggio's...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	had been written for the festivities accompanying a Medici wedding, was obliged to alter the myth to provide a "happy ending" suitable for the occasion. By contrast, because Striggio was not writing for a formal court celebration he could be more faithful to the spirit of the myth's conclusion, in which Orfeo is killed...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ], [ "L'Orfeo", "location of first performance", "Venice" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	with the premiere and incorporated Striggio's ambiguous ending. However, Monteverdi's score published in Venice in 1609 by Ricciardo Amadino shows an entirely different resolution, with Orpheus transported to the heavens through the intervention of Apollo. According to Ringer, Striggio's original ending was almost cert...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ], [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	theatrical machinery that this ending required. The Bacchantes scene was a substitution; Monteverdi's intentions were restored when this constraint was removed. Composition When Monteverdi composed L'Orfeo he had a thorough grounding in theatrical music. He had been employed at the Gonzaga court for 16 years, much of i...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	pointed out, not created by him, but "he blended the entire stock of newest and older possibilities into a unity that was indeed new". Musicologist Robert Donington writes similarly: "[The score] contains no element which was not based on precedent, but it reaches complete maturity in that recently developed form ... H...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	he does not specify their exact usage. At that time it was usual to allow each interpreter of the work freedom to make local decisions, based on the orchestral forces at their disposal. These could differ sharply from place to place. Furthermore, as Harnoncourt points out, the instrumentalists would all have been compo...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ], [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	"it is obvious that where he did not write any embellishments he did not want any sung". Each act of the opera deals with a single element of the story, and each ends with a chorus. Despite the five-act structure, with two sets of scene changes, it is likely that L'Orfeo conformed to the standard practice for court ent...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	forces include two harpsichords (duoi gravicembani), a double harp (arpa doppia), two or three chitarroni, two pipe organs (organi di legno), three bass viola da gamba, and a regal or small reed organ. Outside of these groupings are two recorders (flautini alla vigesima secunda), and possibly one or more citterns—unlis...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	with the Underworld, though there is not an absolute distinction; strings appear on several occasions in the Hades scenes. Within this general ordering, specific instruments or combinations are used to accompany some of the main characters—Orpheus by harp and organ, shepherds by harpsichord and chitarrone, the Underwor...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	original performance of L'Orfeo three instruments are no longer used in modern society: The double harp, The cornetto, and the regal. The Cornetto was a woodwind that was comparable to a trumpet. The Double harp was a string instrument that is similar to a modern-day harp. The regal was a keyboard similar to a modern-d...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	personaggi listed in the 1609 score, Monteverdi unaccountably omits La messaggera (the Messenger), and indicates that the final chorus of shepherds who perform the moresca (Moorish dance) at the opera's end are a separate group (che fecero la moresca nel fine). Little information is available about who sang the various...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	feeling". The involvement in the premiere of a Florentine castrato, Giovanni Gualberto Magli, is confirmed by correspondence between the Gonzaga princes. Magli sang the prologue, Proserpina and possibly one other role, either La messaggera or Speranza. The musicologist and historian Hans Redlich mistakenly allocates Ma...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	court in the early 17th century. The Monteverdi scholar Tim Carter speculates that two prominent Mantuan tenors, Pandolfo Grande and Francesco Campagnola may have sung minor roles in the premiere. There are solo parts for four shepherds and three spirits. Carter calculates that through the doubling of roles that the te...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	two contrasting locations: the fields of Thrace (acts 1, 2 and 5) and the Underworld (acts 3 and 4). An instrumental toccata (English: "tucket", meaning a flourish on trumpets) precedes the entrance of La musica, representing the "spirit of music", who sings a prologue of five stanzas of verse. After a gracious welcome...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	request for silence, the curtain rises on act 1 to reveal a pastoral scene. Orfeo and Euridice enter together with a chorus of nymphs and shepherds, who act in the manner of a Greek chorus, commenting on the action both as a group and as individuals. A shepherd announces that this is the couple's wedding day; the choru...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	ceremony in the temple. Those left on stage sing a brief chorus, commenting on how Orfeo used to be one "for whom sighs were food and weeping was drink" before love brought him to a state of sublime happiness. Act 2 Orfeo returns with the main chorus, and sings with them of the beauties of nature. Orfeo then muses on h...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	The chorus expresses its anguish: "Ah, bitter happening, ah, impious and cruel fate!", while the Messaggera castigates herself as the bearing of bad tidings ("For ever I will flee, and in a lonely cavern lead a life in keeping with my sorrow"). Orfeo, after venting his grief and incredulity ("Thou art dead, my life, an...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	Orfeo is guided by Speranza to the gates of Hades. Having pointed out the words inscribed on the gate ("Abandon hope, all ye who enter here"), Speranza leaves. Orfeo is now confronted with the ferryman Caronte, who addresses Orfeo harshly and refuses to take him across the river Styx. Orfeo attempts to persuade Caronte...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	while a chorus of spirits reflects that nature cannot defend herself against man: "He has tamed the sea with fragile wood, and disdained the rage of the winds." Act 4 In the Underworld, Proserpina, Queen of Hades, who has been deeply affected by Orfeo's singing, petitions King Plutone, her husband, for Euridice's relea...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	rest on his wife's white bosom. But as he sings a note of doubt creeps in: "Who will assure me that she is following?". Perhaps, he thinks, Plutone, driven by envy, has imposed the condition through spite? Suddenly distracted by an off-stage commotion, Orfeo looks round; immediately, the image of Euridice begins to fad...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	the fields of Thrace, Orfeo has a long soliloquy in which he laments his loss, praises Euridice's beauty and resolves that his heart will never again be pierced by Cupid's arrow. An off-stage echo repeats his final phrases. Suddenly, in a cloud, Apollo descends from the heavens and chastises him: "Why dost thou give th...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ], [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	father, and together they ascend. A shepherds' chorus concludes that "he who sows in suffering shall reap the fruit of every grace", before the opera ends with a vigorous moresca. Original libretto ending In Striggio's 1607 libretto, Orfeo's act 5 soliloquy is interrupted, not by Apollo's appearance but by a chorus of ...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ], [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	Orfeo leaves the scene and his destiny is left uncertain, as the Bacchantes devote themselves for the rest of the opera to wild singing and dancing in praise of Bacchus. The early music authority Claude Palisca believes that the two endings are not incompatible; Orfeo might evade the fury of the Bacchantes and be rescu...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	with Apollo. Reception and performance history Premiere and early performances The date for the first performance of L'Orfeo, 24 February 1607, is evidenced by two letters, both dated 23 February. In the first, Francesco Gonzaga informs his brother that the "musical play" will be performed tomorrow; it is clear from ea...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	services of the castrato Magli for a little longer. However, the visit was cancelled, as was the celebratory performance. There are suggestions that in the years following the premiere, L'Orfeo may have been staged in Florence, Cremona, Milan and Turin, though firmer evidence suggests that the work attracted limited in...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ], [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	flourish of Venetian opera in 1637–43, Monteverdi chose to revive his second opera, L'Arianna there, but not L'Orfeo. There is some evidence of performances shortly after Monteverdi's death: in Geneva in 1643, and in Paris, at the Louvre, in 1647. Although according to Carter the work was still admired across Italy in ...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	and from the second quarter of the 19th century onwards he is discussed increasingly in scholarly works. In 1881 a truncated version of the L'Orfeo score, intended for study rather than performance, was published in Berlin by Robert Eitner. In 1904 the composer Vincent d'Indy produced an edition in French, which compri...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	bringing the opera to life and returning it "to the beauty it once had, freeing it from the clumsy restorations which have disfigured it"—presumably a reference to Eitner's edition. The d'Indy edition was also the basis of the first modern staged performance of the work, at the Théâtre Réjane, Paris, on 2 May 1911. An ...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	York Met in April 1912. The opera was introduced to London, in d'Indy's edition, when it was sung to piano accompaniment at the Institut Français on 8 March 1924. The first British staged performance, with only small cuts, was given by the Oxford University Operatic Society on 7 December 1925, using an edition prepared...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	Westrup's edition was revived in London at the Scala Theatre in December 1929, the same year in which the opera received its first US staged performance, at Smith College, Northampton, Massachusetts. The three Scala performances resulted in a financial disaster, and the opera was not seen again in Britain for 35 years....	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ], [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	masterpiece of scholarship and integrity. The first staged New York performance, by the New York City Opera under Leopold Stokowski on 29 September 1960, saw the American operatic debut of Gérard Souzay, one of several baritones who have sung the role of Orfeo. The theatre was criticised by New York Times critic Harold...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	not to mention beautiful enough, to have been the entire evening's opera." By the latter part of the 20th century the opera was being shown all over the world. In 1965, Sadler's Wells, forerunner of English National Opera (ENO), staged the first of many ENO presentations which would continue into the 21st century. Amon...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ], [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	Cooperstown, New York, conducted by Antony Walker and directed by Christopher Alden. On 6 May 2010 the BBC broadcast a performance of the opera from La Scala, Milan. Despite the reluctance of some major opera houses to stage L'Orfeo, it is a popular work with the leading Baroque ensembles. During the period 2008–10, th...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	It combines elements of the traditional madrigal style of the 16th century with those of the emerging Florentine mode, in particular the use of recitative and monodic singing as developed by the Camerata and their successors. In this new style, the text dominates the music; while sinfonias and instrumental ritornelli i...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ], [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	less preponderant than was usual in dramatic music at this time. It accounts for less than a quarter of the first act's music, around a third of the second and third acts, and a little under half in the final two acts. The importance of L'Orfeo is not that it was the first work of its kind, but that it was the first at...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ], [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	principal exponent. In L'Orfeo, Monteverdi extends the rules, beyond the conventions which polyphonic composers, faithful to Palestrina, had previously considered as sacrosanct. Monteverdi was not in the generally understood sense an orchestrator; Ringer finds that it is the element of instrumental improvisation that m...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	the commencement of performances at the Mantuan court; the opening chorus of Monteverdi's 1610 Vespers, also composed for Gonzaga's court, employs the same fanfare. The toccata acted as a salute to the Duke; according to Donington, if it had not been written, precedent would have required it to be improvised. As the br...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ], [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	are that the violins, the organ and harpsichord become silent and that the music is taken up by the trombones, the cornetts and the regal, as the scene changes to the Underworld. The centrepiece of act 3, perhaps of the entire opera, is Orfeo's extended aria "Possente spirto e formidabil nume" ("Mighty spirit and power...	[]
L'Orfeo	[ [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	pipe-organ, two violins, two cornetts and a double-harp. This array, according to music historian and analyst John Whenham, is intended to suggest that Orfeo is harnessing all the available forces of music to support his plea. In act 4 the impersonal coldness of the Underworld is broken by the warmth of Proserpina's si...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ], [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	act, which sees Orfeo's rescue and metamorphosis, is framed by the final appearance of La musica's ritornello and the lively moresca that ends the opera. This dance, says Ringer, recalls the jigs danced at the end of Shakespeare's tragedies, and provides a means of bringing the audience back to their everyday world, "j...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ], [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	the orchestra of La Scala Milan conducted by Ferrucio Calusio. In 1949, for the recording of the complete opera by the Berlin Radio Orchestra under Helmut Koch, the new medium of long-playing records (LPs) was used. The advent of LP recordings was, as Harold C. Schonberg later wrote, an important factor in the postwar ...	[]
L'Orfeo	[ [ "L'Orfeo", "location of first performance", "Venice" ], [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	something like the way he imagined". In 1981 Siegfried Heinrich, with the Early Music Studio of the Hesse Chamber Orchestra, recorded a version which re-created the original Striggio libretto ending, adding music from Monteverdi's 1616 ballet Tirsi e Clori for the Bacchante scenes. Among more recent recordings, that of...	[]
L'Orfeo	[ [ "L'Orfeo", "instance of", "Opera" ], [ "L'Orfeo", "different from", "Orfeo" ] ]	opera in three acts by Italian composer Antonio Sartorio, libretto by Aurelio Aureli	L'Orfeo in 1884, and d'Indy's performing edition 20 years later—both of which were abridged and adapted versions of the 1609 score—there have been many attempts to edit and present the work, not all of them published. Most of the editions that followed d'Indy up to the time of the Second World War were arrangements, us...	[]
Donis Avdijaj	[ [ "Donis Avdijaj", "country of citizenship", "Germany" ], [ "Donis Avdijaj", "place of birth", "Osnabrück" ], [ "Donis Avdijaj", "country for sport", "Germany" ] ]	Albanian footballer	Donis Xhemë Avdijaj (born 25 August 1996) is a professional footballer who plays as a forward for Scottish club Heart of Midlothian and the Kosovo national team. He previously represented Germany at youth international level. Early life Avdijaj was born in Osnabrück, Germany from Kosovo Albanian parents from Istok, he ...	[]
Donis Avdijaj	[ [ "Donis Avdijaj", "country of citizenship", "Germany" ], [ "Donis Avdijaj", "country for sport", "Germany" ] ]	Albanian footballer	city in the world where I don't score [a goal]. I score everywhere." Two days later, he made his debut for Hearts in a goalless draw against Ross County. International career On 11 October 2014, Avdijaj announced to have refused the Germany U19 as his intention was to represent Albania, where he said: "It's better to h...	[]
Donis Avdijaj	[ [ "Donis Avdijaj", "country of citizenship", "Germany" ], [ "Donis Avdijaj", "sport", "Association football" ], [ "Donis Avdijaj", "place of birth", "Osnabrück" ], [ "Donis Avdijaj", "member of sports team", "SK Sturm Graz" ], [ "Donis Avdijaj", ...	Albanian footballer	WorldFootball.net Category:1996 births Category:Living people Category:People from Osnabrück Category:People educated at the Gesamtschule Berger Feld Category:Kosovan footballers Category:Kosovo international footballers Category:Kosovan expatriate footballers Category:German footballers Category:Germany youth internat...	[]
Secret Dreams and Forbidden Fire	[ [ "Secret Dreams and Forbidden Fire", "performer", "Bonnie Tyler" ], [ "Secret Dreams and Forbidden Fire", "record label", "Columbia Records" ], [ "Secret Dreams and Forbidden Fire", "instance of", "Album" ], [ "Secret Dreams and Forbidden Fire", "form of crea...	1986 studio album by Bonnie Tyler	Secret Dreams and Forbidden Fire is the sixth studio album by Welsh singer Bonnie Tyler. It was released on 3 May 1986, by Columbia Records, as the follow-up to her fifth studio album, Faster Than the Speed of Night (1983). Three years in the making, the album was executive produced by Jim Steinman, who had produced Ty...	[]
Secret Dreams and Forbidden Fire	[ [ "Secret Dreams and Forbidden Fire", "instance of", "Album" ] ]	1986 studio album by Bonnie Tyler	Dreams and Forbidden Fire received generally mixed reviews. The album was a commercial success, reaching number one on the Norwegian Album Charts. Background and release Tyler and Steinman had already seen international success with Faster Than the Speed of Night (1983) and its highest charting single "Total Eclipse of...	[]
Secret Dreams and Forbidden Fire	[ [ "Secret Dreams and Forbidden Fire", "instance of", "Album" ] ]	1986 studio album by Bonnie Tyler	was released as a collaborative single with Todd Rundgren in 1986. Steinman recruited a number of other songwriters for the album, including Desmond Child. Steinman told Child that he wanted a song about androgyny. "I want a special song. The verses have to sound like Tina Turner, the B Section has to sound like The Po...	[]
Secret Dreams and Forbidden Fire	[ [ "Secret Dreams and Forbidden Fire", "performer", "Bonnie Tyler" ], [ "Secret Dreams and Forbidden Fire", "instance of", "Album" ] ]	1986 studio album by Bonnie Tyler	as an instrumental track on The Wrestling Album (1985), titled "Hulk Hogan's Theme". Tyler also recorded "Under Suspicion" during the album's recording. It was written by herself, her brother Paul Hopkins, and Peter Oxendale. The song was used as the B-side to "Loving You's a Dirty Job but Somebody's Gotta Do It". Crit...	[]
Secret Dreams and Forbidden Fire	[ [ "Secret Dreams and Forbidden Fire", "instance of", "Album" ] ]	1986 studio album by Bonnie Tyler	her sing the same song for six minutes, but three of the eight tunes on [the album] exceed that span." He went on to describe the album as a "bombastic bore," only crediting one of Steinman's penned songs, "Ravishing". Tom Ford of Toledo Blade stated that "although Tyler proves able to do some interesting things, she i...	[]
Secret Dreams and Forbidden Fire	[ [ "Secret Dreams and Forbidden Fire", "instance of", "Album" ] ]	1986 studio album by Bonnie Tyler	"There are banks of synthesizers, layers of percussion, dramatic electronic gimmickry and huge production: no wonder poor old Bonnie had to yell to be heard above that lot," he said, praising Tyler's voice. "The fact that she manages to salvage at least a few tracks attests to her vocal fortitude." He argued that the a...	[]
Secret Dreams and Forbidden Fire	[ [ "Secret Dreams and Forbidden Fire", "performer", "Bonnie Tyler" ], [ "Secret Dreams and Forbidden Fire", "instance of", "Album" ] ]	1986 studio album by Bonnie Tyler	and a lot of energy." Doug Stone of AllMusic retrospectively stated that the album "depicts a cool portrait of '80s pomposity," but argued that with the album lacking songs like "Faster Than the Speed of Night" and "Total Eclipse of the Heart" from her previous album, Secret Dreams and Forbidden Fire becomes substandar...	[]
Secret Dreams and Forbidden Fire	[ [ "Secret Dreams and Forbidden Fire", "instance of", "Album" ] ]	1986 studio album by Bonnie Tyler	full gallop pace!" Singles The album's lead single, "Holding Out for a Hero", was originally released two years ahead of the album for the Footloose soundtrack (1984). Following the song's initial release, it charted highest in Austria, Canada, Germany and Sweden, peaking at No. 19 in each country, and only No. 96 in t...	[]
Secret Dreams and Forbidden Fire	[ [ "Secret Dreams and Forbidden Fire", "instance of", "Album" ], [ "Secret Dreams and Forbidden Fire", "producer", "Roy Bittan" ] ]	1986 studio album by Bonnie Tyler	6 and was certified Silver by the SNEP for sales of over 200,000 units. "Band of Gold" was released as the fourth single from the album, and the final charting single, reaching No. 81 in the United Kingdom. The last three single releases, "No Way to Treat a Lady", "Rebel Without a Clue" and "Lovers Again" failed to cha...	[]
Secret Dreams and Forbidden Fire	[ [ "Secret Dreams and Forbidden Fire", "producer", "Roy Bittan" ] ]	1986 studio album by Bonnie Tyler	– mixing Greg Edward – mixing Larry Fast – associate producer, programming Ellen Foley – vocal arrangement John Jansen – associate producer, mastering consultant Don Ketteler – production coordination Tom "Bones" Malone – horn arrangement Sir Arthur Payson – mixing Steve Rinkoff – engineering John Rollo – associate pro...	[]
Secret Dreams and Forbidden Fire	[ [ "Secret Dreams and Forbidden Fire", "performer", "Bonnie Tyler" ] ]	1986 studio album by Bonnie Tyler	bass guitar Larry Fast – synthesizer Tom "Bones" Malone – trombone Eddie Martinez – guitar Sid McGinnis – guitar Lenny Pickett – saxophone Jim Pugh – trombone Alan Rubin – trumpet John Philip Shenale – synthesizer Sterling Smith – drums, piano, synthesizer Lew Soloff – trumpet David Taylor – bass trombone Max Weinberg ...	[]
Chinese Walk	[ [ "Chinese Walk", "performer", "Amanda Lear" ], [ "Chinese Walk", "instance of", "Song" ], [ "Chinese Walk", "part of", "I Don't Like Disco" ], [ "Chinese Walk", "genre", "Electropop" ] ]	2011 single by Amanda Lear	"Chinese Walk" is a song by French singer Amanda Lear, released in 2011 by Little Boom Records as the first single from her album I Don't Like Disco. Song information "Chinese Walk" is an uptempo electropop song written by Marin du Halgouët, arranged by Gaël Brusseleers, and produced by Steve Campioni and Alain Mendibu...	[]
Chinese Walk	[ [ "Chinese Walk", "instance of", "Song" ], [ "Chinese Walk", "part of", "I Don't Like Disco" ] ]	2011 single by Amanda Lear	in Geneva. The song was released in April 2011 as the first single from Amanda's then-forthcoming album I Don't Like Disco. It was met with positive reception with some reviewers seeing it as a sequel to Lear's 70s disco hit "Queen of Chinatown". Although the song did not enter mainstream music charts, it did chart on ...	[]
Chinese Walk	[ [ "Chinese Walk", "performer", "Amanda Lear" ] ]	2011 single by Amanda Lear	woman, complete with a kimono, straight black hair and an oil-paper umbrella. The video premiered on April 18, 2011 on Amanda Lear's official YouTube channel. Track listing Digital Single "Chinese Walk" – 3:21 Digital Single (Original + Instrumental) "Chinese Walk" – 3:21 "Chinese Walk" (Instrumental) – 3:12 Digital Ma...	[]
Kiss by Kiss	[ [ "Kiss by Kiss", "performer", "Emilia Rydberg" ], [ "Kiss by Kiss", "instance of", "Song" ] ]	2000 song by Emilia Rydberg	Kiss by Kiss is a song written by Douglas Carr, Pär Lönn, Allan Dennis Rich and Emilia Rydberg, and recorded by Emilia Rydberg on her 2000 album Emilia. In 2001, the single was released in Sweden. Emilia Rydberg performed the single at Bingolotto at TV4 on 13 January 2001, which was the first time she performed it at T...	[]
Gregor Schneider	[ [ "Gregor Schneider", "occupation", "Artist" ], [ "Gregor Schneider", "place of birth", "Rheydt" ], [ "Gregor Schneider", "educated at", "Kunstakademie Düsseldorf" ] ]	German artist	Gregor Schneider (born 1969 in Rheydt) is a German artist. His projects have proven controversial and provoked intense discussions. In 2001, he was awarded the Golden Lion at the Venice Biennale for his infamous work Totes Haus u r exhibited at the German Pavilion. Life and work Gregor Schneider studied from 1989 to 19...	[]
Gregor Schneider	[ [ "Gregor Schneider", "member of", "North Rhine-Westphalian Academy of Sciences, Humanities and the Arts" ] ]	German artist	activities at several art schools including: De Ateliers in Amsterdam, the Academy of Fine Arts Hamburg and at the Royal Danish Academy of Fine Arts, Copenhagen. From 2009 to 2012 he was a professor of sculpting at the University of Art Berlin and from 2012 to 2016 a professor at Academy of Fine Arts, Munich. Since 201...	[]
Gregor Schneider	[ [ "Gregor Schneider", "place of birth", "Rheydt" ] ]	German artist	Visual Arts Section on the Berlin Academy of Arts. At the age of 16, Schneider had his first solo exhibition entitled, Pubertäre Verstimmung, at the gallery Kontrast in Mönchengladbach. Since the beginning of the 1990s he has worked with rooms in galleries and museums. He conceives the rooms as the-dimensional, sculptu...	[]
Gregor Schneider	[ [ "Gregor Schneider", "place of birth", "Rheydt" ] ]	German artist	Haus u r. The "Haus u r" Since 1985, Schneider has been working elaborately on the house on Unterheydener Straße in Mönchengladbach-Rheydt. The "u r" refers to Unterheydener Straße und Rheydt. Gregor Schneider created replicas of the existing rooms by building complete rooms inside of other rooms each consisting of wal...	[]
Gregor Schneider	[ [ "Gregor Schneider", "occupation", "Artist" ], [ "Gregor Schneider", "place of birth", "Rheydt" ] ]	German artist	2001, Gregor Schneider won the "Golden Lion" at the 49th Biennale in Venice, with his solo exhibition, "Totes Haus u r Venedig 2001". Udo Kittelmann, at that time, director of the Kölnischen Kunstverein invited the artist to create solo exhibition in the German pavilion. Within three months time Schneider built a Totes...	[]
Gregor Schneider	[ [ "Gregor Schneider", "place of birth", "Rheydt" ] ]	German artist	been rebuilt at another place, as Totes Haus u r. Schneider rebuilt the rooms inside the German pavilion into a similar house with double walls and double floors on the ground in a house just as he did in Rheydt. He remodeled a late 19th-century entrance with columns as standard door entrance with a letterbox-slot and ...	[]
Gregor Schneider	[ [ "Gregor Schneider", "occupation", "Artist" ], [ "Gregor Schneider", "country of citizenship", "Germany" ] ]	German artist	in an exhibition entitled "The Black Square – Hommage to Malevich". To convey the different aspects of "The Black Square" the exhibition featured further works by Malevich as well as works of his contemporaries, scholars, and critics. The Cube Hamburg 2007 has been used as an inter-religious platform. Ahmet Yazici, the...	[]
Gregor Schneider	[ [ "Gregor Schneider", "occupation", "Artist" ] ]	German artist	6, 2009, Gregor Schneider’s 14 meter high, black outdoor-sculpture "END" was accessible to the public. The artist built "END" in front of the museum Abteiberg in Mönchengladbach. The sculpture was connected to the museum and served as an alternative entrance. Before walking through the "END" the visitor had to sign a r...	[]
Gregor Schneider	[ [ "Gregor Schneider", "occupation", "Artist" ] ]	German artist	Gregor Schneider). In April 2008, the artist was quoted in The Art Newspaper as saying:" I want to display a person dying naturally in peace or somebody who has just died" and "My aim is to show the beauty of death". Shortly after, German newspaper headlines read, "Artist wants to let people die". Politicians of severa...	[]
Gregor Schneider	[ [ "Gregor Schneider", "instance of", "Human" ] ]	German artist	threats by phone and mail. "There are absurd death threats against me", Schneider said in an interview with Westdeutsche Zeitung. On April 21, he told the newspaper Die Welt: "I want to create human places for the dying and the dead". The Guardian headline on April 26 read: " There is nothing perverse about a dying per...	[]
Gregor Schneider	[ [ "Gregor Schneider", "instance of", "Human" ], [ "Gregor Schneider", "place of birth", "Rheydt" ] ]	German artist	a nurse or caretaker present on site. He wants to lead death out of the social taboo with this public dying-room and to make it into a positive experience similar to the birth of a human being. Exhibitions and projects 1985 Pubertäre Verstimmung, Galerie Kontrast, Mönchengladbach 1985 – today Haus u r, Rheydt 1992 1985...	[]
Gregor Schneider	[ [ "Gregor Schneider", "place of birth", "Rheydt" ] ]	German artist	Schneider, Kunsthalle Bern, Bern 1996 Gregor Schneider, Künstlerhaus Stuttgart, Stuttgart 1997 schlafen, Konrad Fischer Galerie, Düsseldorf 1997 Hannelore Reuen alte Hausschlampe, Rheydt 1992, Galerie Luis Campaña, Cologne 1997 Totes Haus u r 1985–1997, Rheydt, Kunsthalle Frankfurt a. M., Frankfurt a. M. 1997 Gregor Sc...	[]
Gregor Schneider	[ [ "Gregor Schneider", "place of birth", "Rheydt" ] ]	German artist	House 1985–1999 Cellar, Galleria Massimo de Carlo, Milano 1999 53rd Carnegie International, Carnegie Museum of Art, Pittsburgh, Pennsylvenia 1999 schlafen, Kabinett für aktuelle Kunst, Bremerhaven 1999 Totes Haus, Rheydt, Kunsthalle Bremerhaven, Bremerhaven 2000 Hannelore Reuen Alte Hausschlampe, Fundacja Galerii Foksa...	[]
Gregor Schneider	[ [ "Gregor Schneider", "place of birth", "Rheydt" ] ]	German artist	Abteiberg, Mönchengladbach 2009 Garage 2009. Museum Abteiberg, Mönchengladbach 2010 Gregor Schneider - Marienstraße, Peill Prize, Leopold-Hoesch-Museum, Düren 2011 Punto Muerto, Centro de Arte 2 de Mayo, Madrid 2011 Sterberaum, Kunstraum Innsbruck, Innsbruck 2014 Gregor Schneider. Hauptstraße 85 a, Synagoge Stommeln 20...	[]
Gregor Schneider	[ [ "Gregor Schneider", "country of citizenship", "Germany" ] ]	German artist	Konrad Fischer Galerie, Berlin 2014 unsubscribe, Zacheta - National Gallery of Art, Warszawa 2014 unsubscribe, Volksbühne Berlin, Berlin 2015 White Torture 2005 - today, XII Bienal de La Habana, La Habana, Cuba 2015 Gregor Schneider, Museum Künstlerkolonie, Darmstadt, Germany 2016/2017 Gregor Schneider: Wand vor Wand (...	[]
Gregor Schneider	[ [ "Gregor Schneider", "country of citizenship", "Germany" ] ]	German artist	2017 Never Ending Stories, Kunstmuseum Wolfsburg, Wolfsburg, Germany 2018 Fundamentalist Cubes: Inside Spaces by Bruce Nauman, Absalon, and Gregor Schneider, M-ARCO, Marseille, France Awards 1995 Kunstpreis NRW 1995 Werkstipendium des Kunstfonds e.V., Bonn 1995 Werkstipendium der Stiftung Kunst und Kultur, NRW 1996 Pro...	[]
Gregor Schneider	[ [ "Gregor Schneider", "member of", "North Rhine-Westphalian Academy of Sciences, Humanities and the Arts" ] ]	German artist	Art in Belgium 2006 2008 Günther Peill Kunstpreis 2011 Bambi LTD Award, Israel 2011 Special Jury Award vom Star Ananda, Bengali television, India 2014 Children's Choice Award the Ruhrtriennale 2014: Best of the Best 2014 Wilhelm-Loth-Prize, Darmstadt 2014 AICA Prize: The special exhibition of 2014 2015 Member of North ...	[]
Donald Niel Cameron	[ [ "Donald Niel Cameron", "country of citizenship", "Canada" ], [ "Donald Niel Cameron", "given name", "Donald" ], [ "Donald Niel Cameron", "place of death", "Kamloops" ] ]	Canadian politician	Donald Niel (Don) Cameron (17 April 1917 – 24 December 2014) was a Progressive Conservative party member of the House of Commons of Canada. He was a heavy construction contractor by career. He was a veteran of World War II. He served in only one term of federal office, in the 31st Canadian Parliament, after winning the...	[]
Thee Way Eye See It	[ [ "Thee Way Eye See It", "performer", "CJ Fly" ] ]	album by CJ Fly	Thee Way Eye See It is the debut mixtape by American rapper CJ Fly. It was released as a free digital download on DatPiff on October 5, 2013. Background The mixtape features production from Statik Selektah, BrandUn DeShay, Cookin' Soul, ESTA, King Carlow (formerly known as Carnage), The Entreproducers, Chuck Strangers,...	[]
Shiretoko Love Song	[ [ "Shiretoko Love Song", "performer", "Hisaya Morishige" ] ]	1965 single by Hisaya Morishige	Shiretoko Love Song (=Shiretoko Ryojō) is a love song whose words and music were made by Hisaya Morishige, related to the Shiretoko Peninsula of Hokkaido, Japan. In General To shoot a movie, Hisaya Morishige (1913-2009), a Japanese actor and comedian, stayed in Rausu Town in the Shiretoko Peninsula and made this song i...	[]
Shiretoko Love Song	[ [ "Shiretoko Love Song", "performer", "Hisaya Morishige" ] ]	1965 single by Hisaya Morishige	embrace you, We hid ourselves behind the rocks, While pirika puffins serenaded around us. The third stanza, starting with "Wakare no hi wa kita", can be translated: The day of our parting has come To the town of Ra-u-su. We are going away Over the mountain pass. I would hate to forget you, I, a frivolous crow. Pray, do...	[]
Greg Smallman	[ [ "Greg Smallman", "place of birth", "Australia" ], [ "Greg Smallman", "country of citizenship", "Australia" ] ]	luthier	Greg Smallman (born 19 June 1947 in Cronulla, Australia) was the first internationally successful non-traditional Australian guitar-maker. He is known worldwide for his innovative guitar designs Although his guitars are in outward appearance similar to a traditional Spanish classical guitar, there are numerous innovati...	[]
Greg Smallman	[ [ "Greg Smallman", "place of birth", "Australia" ], [ "Greg Smallman", "country of citizenship", "Australia" ] ]	luthier	Smallman and Sons workshop is now located near Esperance, Western Australia. They did not have a website till 2012. Greg Smallman is admired for the open way in which he shares his ideas. He does not hide them from fellow luthiers, nor has he patented them. A large number of luthiers worldwide have incorporated Smallma...	[]
Robert Kuttner	[ [ "Robert Kuttner", "occupation", "Journalist" ], [ "Robert Kuttner", "occupation", "Writer" ], [ "Robert Kuttner", "given name", "Robert" ], [ "Robert Kuttner", "family name", "Kuttner" ] ]	American journalist	Robert L. Kuttner (; born April 17, 1943) is an American journalist and writer whose works present a liberal/progressive point of view. Kuttner is the co-founder and current co-editor of The American Prospect, which was created in 1990 as an "authoritative magazine of liberal ideas," according to its mission statement....	[]
Robert Kuttner	[ [ "Robert Kuttner", "place of birth", "New York City" ], [ "Robert Kuttner", "educated at", "London School of Economics" ], [ "Robert Kuttner", "educated at", "University of California, Berkeley" ], [ "Robert Kuttner", "educated at", "Oberlin College" ],...	American journalist	liberal Demos research and policy center as a Distinguished Senior Fellow. Early life and education Kuttner was born in New York City. He attended Oberlin College, the University of California, Berkeley, and the London School of Economics. He currently holds the Ida and Meyer Kirstein Chair at Brandeis University, wher...	[]
Robert Kuttner	[ [ "Robert Kuttner", "occupation", "Writer" ], [ "Robert Kuttner", "educated at", "Oberlin College" ], [ "Robert Kuttner", "family name", "Kuttner" ] ]	American journalist	a Woodrow Wilson Fellow at UC-Berkeley, a Guggenheim Fellow, and a Radcliffe Public Policy Fellow. He holds honorary degrees from Swarthmore College and Oberlin College. Writer and editor Kuttner has had an extensive career as a writer and editor at various national publications. In addition to his early work at Pacifi...	[]
Robert Kuttner	[ [ "Robert Kuttner", "family name", "Kuttner" ] ]	American journalist	columnists for the "Economic Viewpoint" section (also titled "Economic Watch") of BusinessWeek. His magazine writing has also appeared in The New York Review of Books, the New Yorker, the Atlantic, Harper's, Foreign Affairs, Harvard Business Review, Columbia Journalism Review, the Washington Monthly, Dissent, and Polit...	[]
Robert Kuttner	[ [ "Robert Kuttner", "family name", "Kuttner" ] ]	American journalist	Prison: The Politics of Austerity versus Possibility, criticized austerity economics in the U.S. and Europe. In his book, Can Democracy Survive Global Capitalism (Norton, 2018), Kuttner describes the role of globalized deregulation of capitalism in undercutting economic security and feeding the rise of the far-right. W...	[]
Robert Kuttner	[ [ "Robert Kuttner", "instance of", "Human" ], [ "Robert Kuttner", "occupation", "Journalist" ], [ "Robert Kuttner", "family name", "Kuttner" ] ]	American journalist	in several capacities within the federal government, including as an investigator for the Senate Committee on Banking, Housing and Urban Affairs, as well as serving as Executive Director of former President Carter's National Commission on Neighborhoods. Recognition Kuttner has been recognized by various organizations f...	[]

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