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Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. | 26 October 2015 | On what date was Spectre first shown for general audiences? | ###context: Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. ###question: On what date was Spectre first shown for general audiences? ###answer: 26 October 2015 |
Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. | Skyfall | What movie prompted IMAX to show Spectre? | ###context: Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. ###question: What movie prompted IMAX to show Spectre? ###answer: Skyfall |
Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. | Mission: Impossible – Rogue Nation | What film opening was changed so it didn't compete with Spectre? | ###context: Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. ###question: What film opening was changed so it didn't compete with Spectre? ###answer: Mission: Impossible – Rogue Nation |
Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. | Spectre. | Which film had a wider release in the UK, Skyfall or Spectre? | ###context: Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. ###question: Which film had a wider release in the UK, Skyfall or Spectre? ###answer: Spectre. |
Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. | not found | Spectre had its world premiere on 26 December of what year? | ###context: Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. ###question: Spectre had its world premiere on 26 December of what year? ###answer: not found |
Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. | not found | Who had its world premiere at Westminster Hall? | ###context: Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. ###question: Who had its world premiere at Westminster Hall? ###answer: not found |
Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. | not found | Who pushed back the release of Mission: Impossible - Rogue Nation to avoid competing with Spectre? | ###context: Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. ###question: Who pushed back the release of Mission: Impossible - Rogue Nation to avoid competing with Spectre? ###answer: not found |
Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. | not found | IMAX announced that Spectre would be screened in its cinemas in January of what year? | ###context: Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. ###question: IMAX announced that Spectre would be screened in its cinemas in January of what year? ###answer: not found |
Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. | not found | In the UK, Spectre received a smaller release than what? | ###context: Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens. ###question: In the UK, Spectre received a smaller release than what? ###answer: not found |
As of 21 February 2016[update] Spectre has grossed $879.3 million worldwide; $138.1 million of the takings have been generated from the UK market and $199.8 million from North America. | $879.3 million | How much money had Spectre made by 2/21/2016? | ###context: As of 21 February 2016[update] Spectre has grossed $879.3 million worldwide; $138.1 million of the takings have been generated from the UK market and $199.8 million from North America. ###question: How much money had Spectre made by 2/21/2016? ###answer: $879.3 million |
As of 21 February 2016[update] Spectre has grossed $879.3 million worldwide; $138.1 million of the takings have been generated from the UK market and $199.8 million from North America. | $199.8 million | How much revenue did Spectre generate from the United States, Mexico and Canada by 2/21/2016? | ###context: As of 21 February 2016[update] Spectre has grossed $879.3 million worldwide; $138.1 million of the takings have been generated from the UK market and $199.8 million from North America. ###question: How much revenue did Spectre generate from the United States, Mexico and Canada by 2/21/2016? ###answer: $199.8 million |
As of 21 February 2016[update] Spectre has grossed $879.3 million worldwide; $138.1 million of the takings have been generated from the UK market and $199.8 million from North America. | $138.1 million | How much revenue did Spectre produce from the British, Scottish, and Irish market by 2/21/2016? | ###context: As of 21 February 2016[update] Spectre has grossed $879.3 million worldwide; $138.1 million of the takings have been generated from the UK market and $199.8 million from North America. ###question: How much revenue did Spectre produce from the British, Scottish, and Irish market by 2/21/2016? ###answer: $138.1 million |
As of 21 February 2016[update] Spectre has grossed $879.3 million worldwide; $138.1 million of the takings have been generated from the UK market and $199.8 million from North America. | not found | As of 21 February 2006, Spectre has grossed how much worldwide? | ###context: As of 21 February 2016[update] Spectre has grossed $879.3 million worldwide; $138.1 million of the takings have been generated from the UK market and $199.8 million from North America. ###question: As of 21 February 2006, Spectre has grossed how much worldwide? ###answer: not found |
As of 21 February 2016[update] Spectre has grossed $879.3 million worldwide; $138.1 million of the takings have been generated from the UK market and $199.8 million from North America. | not found | $138.1 million has been generated from the French what? | ###context: As of 21 February 2016[update] Spectre has grossed $879.3 million worldwide; $138.1 million of the takings have been generated from the UK market and $199.8 million from North America. ###question: $138.1 million has been generated from the French what? ###answer: not found |
As of 21 February 2016[update] Spectre has grossed $879.3 million worldwide; $138.1 million of the takings have been generated from the UK market and $199.8 million from North America. | not found | $199.8 million has been generated from the Greek what? | ###context: As of 21 February 2016[update] Spectre has grossed $879.3 million worldwide; $138.1 million of the takings have been generated from the UK market and $199.8 million from North America. ###question: $199.8 million has been generated from the Greek what? ###answer: not found |
As of 21 February 2016[update] Spectre has grossed $879.3 million worldwide; $138.1 million of the takings have been generated from the UK market and $199.8 million from North America. | not found | Spectre grossed $929.3 million worldwide as of what date? | ###context: As of 21 February 2016[update] Spectre has grossed $879.3 million worldwide; $138.1 million of the takings have been generated from the UK market and $199.8 million from North America. ###question: Spectre grossed $929.3 million worldwide as of what date? ###answer: not found |
In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. | £41.7 million ($63.8 million) | How much did Spectre make in its first week? | ###context: In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. ###question: How much did Spectre make in its first week? ###answer: £41.7 million ($63.8 million) |
In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. | Harry Potter and the Prisoner of Azkaban | Which movie previously had the highest earnings for its first seven days? | ###context: In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. ###question: Which movie previously had the highest earnings for its first seven days? ###answer: Harry Potter and the Prisoner of Azkaban |
In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. | Avatar | What movie did Spectre unseat as having the highest earnings for IMAX screenings in the UK? | ###context: In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. ###question: What movie did Spectre unseat as having the highest earnings for IMAX screenings in the UK? ###answer: Avatar |
In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. | $9.2 million | How much money did Spectre gross on it's opening day in the UK? | ###context: In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. ###question: How much money did Spectre gross on it's opening day in the UK? ###answer: $9.2 million |
In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. | Harry Potter and the Prisoner of Azkaban | What film previously held the UK record for highest first week opening gross? | ###context: In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. ###question: What film previously held the UK record for highest first week opening gross? ###answer: Harry Potter and the Prisoner of Azkaban |
In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. | Avatar | Spectre passed which movie to become the highest grossing IMAX release in the UK? | ###context: In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. ###question: Spectre passed which movie to become the highest grossing IMAX release in the UK? ###answer: Avatar |
In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. | The Dark Knight | Spectre passed which movie to have the largest per screen opening average? | ###context: In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. ###question: Spectre passed which movie to have the largest per screen opening average? ###answer: The Dark Knight |
In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. | not found | The film grossed $6.4 million from its Tuesday screenings in what country? | ###context: In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. ###question: The film grossed $6.4 million from its Tuesday screenings in what country? ###answer: not found |
In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. | not found | In the film's first eight days it grossed how much? | ###context: In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. ###question: In the film's first eight days it grossed how much? ###answer: not found |
In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. | not found | The film's Friday-Sunday gross was how much? | ###context: In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. ###question: The film's Friday-Sunday gross was how much? ###answer: not found |
In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. | not found | Skyfall's Friday-Sunday gross was how much? | ###context: In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million. ###question: Skyfall's Friday-Sunday gross was how much? ###answer: not found |
Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. | Paris | Terrorist activity in what French city impacted Spectre's earnings? | ###context: Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. ###question: Terrorist activity in what French city impacted Spectre's earnings? ###answer: Paris |
Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. | 4% | How much more did Spectre earn compared with Skyfall in the Indian market? | ###context: Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. ###question: How much more did Spectre earn compared with Skyfall in the Indian market? ###answer: 4% |
Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. | Spider-Man 3 | In Paris, what movie has generated more ticket revenue than Spectre? | ###context: Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. ###question: In Paris, what movie has generated more ticket revenue than Spectre? ###answer: Spider-Man 3 |
Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. | $8.2 million | How much did Spectre make in its opening in South Korea? | ###context: Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. ###question: How much did Spectre make in its opening in South Korea? ###answer: $8.2 million |
Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. | Spider-Man 3 | What is the only film to have a higher ticket sale in Paris than Spectre? | ###context: Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. ###question: What is the only film to have a higher ticket sale in Paris than Spectre? ###answer: Spider-Man 3 |
Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. | Minions | What movie did Spectre beat to become top movie of the year in Switzerland? | ###context: Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. ###question: What movie did Spectre beat to become top movie of the year in Switzerland? ###answer: Minions |
Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. | not found | What opened in Greece with $25.45 million? | ###context: Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. ###question: What opened in Greece with $25.45 million? ###answer: not found |
Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. | not found | What set a new record for the biggest Sunday of all time in Germany? | ###context: Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. ###question: What set a new record for the biggest Sunday of all time in Germany? ###answer: not found |
Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. | not found | North Korea opened to how many million? | ###context: Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. ###question: North Korea opened to how many million? ###answer: not found |
Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. | not found | Where did the film open with $14.6 million despite the 11 November Paris attacks? | ###context: Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007. ###question: Where did the film open with $14.6 million despite the 11 November Paris attacks? ###answer: not found |
In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. | 374 | How many Imax screens showed Spectre on its opening weekend in the US and Canada? | ###context: In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. ###question: How many Imax screens showed Spectre on its opening weekend in the US and Canada? ###answer: 374 |
In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. | $70.4 million | How much money did Spectre make in its first weekend in the US and Canada? | ###context: In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. ###question: How much money did Spectre make in its first weekend in the US and Canada? ###answer: $70.4 million |
In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. | $5.25 | How much money did preview showings generate in the US and Canada? | ###context: In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. ###question: How much money did preview showings generate in the US and Canada? ###answer: $5.25 |
In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. | Skyfall | Which film grossed more money for its opening weekend in the North American market, Skyfall or Spectre? | ###context: In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. ###question: Which film grossed more money for its opening weekend in the North American market, Skyfall or Spectre? ###answer: Skyfall |
In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. | 374 | How many IMAX screens was Spectre shown on in North America? | ###context: In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. ###question: How many IMAX screens was Spectre shown on in North America? ###answer: 374 |
In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. | Thursday | What day of the week was Spectre released in North America? | ###context: In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. ###question: What day of the week was Spectre released in North America? ###answer: Thursday |
In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. | not found | In the United States, the film opened on 16 November of what year? | ###context: In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. ###question: In the United States, the film opened on 16 November of what year? ###answer: not found |
In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. | not found | Where was the film projected to gross $80-85 million in its opening weekend? | ###context: In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. ###question: Where was the film projected to gross $80-85 million in its opening weekend? ###answer: not found |
In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. | not found | What grossed about $20 million more than Skyfall's debut? | ###context: In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. ###question: What grossed about $20 million more than Skyfall's debut? ###answer: not found |
In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. | not found | What finished second at the box office? | ###context: In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations. ###question: What finished second at the box office? ###answer: not found |
In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. | 12 November | On what day and month was Spectre released to the Chinese market? | ###context: In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. ###question: On what day and month was Spectre released to the Chinese market? ###answer: 12 November |
In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. | 198% | How much more money did Spectre make during its first weekend in China than Skyfall? | ###context: In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. ###question: How much more money did Spectre make during its first weekend in China than Skyfall? ###answer: 198% |
In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. | 75% | By the weekend after its China release, how much had revenue decreased? | ###context: In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. ###question: By the weekend after its China release, how much had revenue decreased? ###answer: 75% |
In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. | $84.7 million | How much had Spectre made in its first month in China? | ###context: In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. ###question: How much had Spectre made in its first month in China? ###answer: $84.7 million |
In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. | Mission: Impossible – Rogue Nation | Spectre came in second in opening day gross in China behind what movie? | ###context: In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. ###question: Spectre came in second in opening day gross in China behind what movie? ###answer: Mission: Impossible – Rogue Nation |
In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. | $84.7 million | How much money did Spectre gross after four weekends in China? | ###context: In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. ###question: How much money did Spectre gross after four weekends in China? ###answer: $84.7 million |
In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. | not found | The film opened on 11 of what month in China? | ###context: In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. ###question: The film opened on 11 of what month in China? ###answer: not found |
In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. | not found | The film occupied 53% of all screens in what country? | ###context: In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. ###question: The film occupied 53% of all screens in what country? ###answer: not found |
In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. | not found | The film took in $890,000 in advance night screenings in what country? | ###context: In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. ###question: The film took in $890,000 in advance night screenings in what country? ###answer: not found |
In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. | not found | The film fell by 85% in its second weekend in what country? | ###context: In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected. ###question: The film fell by 85% in its second weekend in what country? ###answer: not found |
Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. | 60 out of 100 | What was Metacritics score for Spectre? | ###context: Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. ###question: What was Metacritics score for Spectre? ###answer: 60 out of 100 |
Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. | 48 | How many individual ratings contributed to Metacritics score? | ###context: Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. ###question: How many individual ratings contributed to Metacritics score? ###answer: 48 |
Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. | 64% | What percentage of Spectre reviews did Rotten Tomatoes find to be in favor of the film? | ###context: Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. ###question: What percentage of Spectre reviews did Rotten Tomatoes find to be in favor of the film? ###answer: 64% |
Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. | Audiences | Who did CinemaScore ask for input on the film? | ###context: Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. ###question: Who did CinemaScore ask for input on the film? ###answer: Audiences |
Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. | 64 | What percentage of review on Rotten Tomatoes were positive? | ###context: Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. ###question: What percentage of review on Rotten Tomatoes were positive? ###answer: 64 |
Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. | 60 out of 100 | What was the movie's rating on Metacritic? | ###context: Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. ###question: What was the movie's rating on Metacritic? ###answer: 60 out of 100 |
Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. | not found | What film received all positive reviews? | ###context: Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. ###question: What film received all positive reviews? ###answer: not found |
Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. | not found | Many critics praised the film's ending what? | ###context: Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. ###question: Many critics praised the film's ending what? ###answer: not found |
Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. | not found | In all early review, the film was compared favorably with what movie? | ###context: Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. ###question: In all early review, the film was compared favorably with what movie? ###answer: not found |
Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. | not found | On Metacritic, the film has a rating of 70 out of what? | ###context: Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale. ###question: On Metacritic, the film has a rating of 70 out of what? ###answer: not found |
Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness." | Robbie Collin | Who gave Spectre a perfect rating in The Daily Telegraph? | ###context: Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness." ###question: Who gave Spectre a perfect rating in The Daily Telegraph? ###answer: Robbie Collin |
Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness." | IGN | A writer for which publication rated the film 7.2/10? | ###context: Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness." ###question: A writer for which publication rated the film 7.2/10? ###answer: IGN |
Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness." | four out of five stars | What score did Mark Kermode give Spectre? | ###context: Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness." ###question: What score did Mark Kermode give Spectre? ###answer: four out of five stars |
Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness." | four out of five | How many stars did Mark Kermode of the Guardian aware Spectre prior to its release? | ###context: Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness." ###question: How many stars did Mark Kermode of the Guardian aware Spectre prior to its release? ###answer: four out of five |
Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness." | not found | Spectre received mostly positive reviews prior to its release in what country? | ###context: Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness." ###question: Spectre received mostly positive reviews prior to its release in what country? ###answer: not found |
Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness." | not found | John Kermode from the Guardian, gave the film how many out of five stars? | ###context: Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness." ###question: John Kermode from the Guardian, gave the film how many out of five stars? ###answer: not found |
Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness." | not found | The Daily Mail's Robbie Collin described the film as what? | ###context: Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness." ###question: The Daily Mail's Robbie Collin described the film as what? ###answer: not found |
Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness." | not found | GIN's Chris Tully said what about the film? | ###context: Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness." ###question: GIN's Chris Tully said what about the film? ###answer: not found |
Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.” | Scott Mendelson | Which journalist considered Spectre the worst James Bond movie in three decades? | ###context: Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.” ###question: Which journalist considered Spectre the worst James Bond movie in three decades? ###answer: Scott Mendelson |
Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.” | Mick LaSalle | Which writer for the San Francisco Chronicle awarded Spectre with a perfect score? | ###context: Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.” ###question: Which writer for the San Francisco Chronicle awarded Spectre with a perfect score? ###answer: Mick LaSalle |
Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.” | 75 | What score did the writer from the Chicago Tribune give to Spectre? | ###context: Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.” ###question: What score did the writer from the Chicago Tribune give to Spectre? ###answer: 75 |
Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.” | Skyfall | The reviewer from Variety compares Spectre to which other Bond movie? | ###context: Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.” ###question: The reviewer from Variety compares Spectre to which other Bond movie? ###answer: Skyfall |
Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.” | not found | Critics were entirely positive about the film in what country? | ###context: Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.” ###question: Critics were entirely positive about the film in what country? ###answer: not found |
Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.” | not found | On Today.com, Matt Zoller Seitz gave the film how many stars? | ###context: Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.” ###question: On Today.com, Matt Zoller Seitz gave the film how many stars? ###answer: not found |
Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.” | not found | Who described the film as consistent and capable of capitalizing on its potential? | ###context: Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.” ###question: Who described the film as consistent and capable of capitalizing on its potential? ###answer: not found |
Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.” | not found | Forbes' Scott Mendelson described the movie as the best what in 30 years? | ###context: Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.” ###question: Forbes' Scott Mendelson described the movie as the best what in 30 years? ###answer: not found |
Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film." | Christopher Orr | Which Atlantic writer gave a negative review of Spectre? | ###context: Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film." ###question: Which Atlantic writer gave a negative review of Spectre? ###answer: Christopher Orr |
Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film." | Bored | What adjective did Lawrence Toppman use to describe Craig's portrayal of James Bond? | ###context: Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film." ###question: What adjective did Lawrence Toppman use to describe Craig's portrayal of James Bond? ###answer: Bored |
Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film." | The Washington Post | What publication does Alyssa Rosenberg write for? | ###context: Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film." ###question: What publication does Alyssa Rosenberg write for? ###answer: The Washington Post |
Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film." | Bored, James Bored | What was the catch phrase Lawrence Toppman of the Charlotte Observer used for the film? | ###context: Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film." ###question: What was the catch phrase Lawrence Toppman of the Charlotte Observer used for the film? ###answer: Bored, James Bored |
Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film." | not found | Christopher Orr of the New Yorker said what about Spectre? | ###context: Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film." ###question: Christopher Orr of the New Yorker said what about Spectre? ###answer: not found |
Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film." | not found | Lawrence Toppman of The Boston Observer called Craig's performance what? | ###context: Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film." ###question: Lawrence Toppman of The Boston Observer called Craig's performance what? ###answer: not found |
Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film." | not found | Alyssa Rosenberg of The Washington Observer said what about the film? | ###context: Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film." ###question: Alyssa Rosenberg of The Washington Observer said what about the film? ###answer: not found |
Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film." | not found | Lawrence Orr writes for The Charlotte what? | ###context: Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film." ###question: Lawrence Orr writes for The Charlotte what? ###answer: not found |
In India, it was reported that the Indian Central Board of Film Certification (CBFC) censored kissing scenes featuring Monica Bellucci, Daniel Craig, and Léa Seydoux. They also muted all profanity. This prompted criticism of the board online, especially on Twitter. | Indian Central Board of Film Certification | Whic organization is responsible for filtering movie content in India? | ###context: In India, it was reported that the Indian Central Board of Film Certification (CBFC) censored kissing scenes featuring Monica Bellucci, Daniel Craig, and Léa Seydoux. They also muted all profanity. This prompted criticism of the board online, especially on Twitter. ###question: Whic organization is responsible for filtering movie content in India? ###answer: Indian Central Board of Film Certification |
In India, it was reported that the Indian Central Board of Film Certification (CBFC) censored kissing scenes featuring Monica Bellucci, Daniel Craig, and Léa Seydoux. They also muted all profanity. This prompted criticism of the board online, especially on Twitter. | Twitter. | Which social media site was used for complaining about the Indian censoring? | ###context: In India, it was reported that the Indian Central Board of Film Certification (CBFC) censored kissing scenes featuring Monica Bellucci, Daniel Craig, and Léa Seydoux. They also muted all profanity. This prompted criticism of the board online, especially on Twitter. ###question: Which social media site was used for complaining about the Indian censoring? ###answer: Twitter. |
In India, it was reported that the Indian Central Board of Film Certification (CBFC) censored kissing scenes featuring Monica Bellucci, Daniel Craig, and Léa Seydoux. They also muted all profanity. This prompted criticism of the board online, especially on Twitter. | not found | What country censored hand-holding scenes? | ###context: In India, it was reported that the Indian Central Board of Film Certification (CBFC) censored kissing scenes featuring Monica Bellucci, Daniel Craig, and Léa Seydoux. They also muted all profanity. This prompted criticism of the board online, especially on Twitter. ###question: What country censored hand-holding scenes? ###answer: not found |
In India, it was reported that the Indian Central Board of Film Certification (CBFC) censored kissing scenes featuring Monica Bellucci, Daniel Craig, and Léa Seydoux. They also muted all profanity. This prompted criticism of the board online, especially on Twitter. | not found | Who censored talking scenes? | ###context: In India, it was reported that the Indian Central Board of Film Certification (CBFC) censored kissing scenes featuring Monica Bellucci, Daniel Craig, and Léa Seydoux. They also muted all profanity. This prompted criticism of the board online, especially on Twitter. ###question: Who censored talking scenes? ###answer: not found |
In India, it was reported that the Indian Central Board of Film Certification (CBFC) censored kissing scenes featuring Monica Bellucci, Daniel Craig, and Léa Seydoux. They also muted all profanity. This prompted criticism of the board online, especially on Twitter. | not found | Profanity was not muted in which country? | ###context: In India, it was reported that the Indian Central Board of Film Certification (CBFC) censored kissing scenes featuring Monica Bellucci, Daniel Craig, and Léa Seydoux. They also muted all profanity. This prompted criticism of the board online, especially on Twitter. ###question: Profanity was not muted in which country? ###answer: not found |
In India, it was reported that the Indian Central Board of Film Certification (CBFC) censored kissing scenes featuring Monica Bellucci, Daniel Craig, and Léa Seydoux. They also muted all profanity. This prompted criticism of the board online, especially on Twitter. | not found | Where was support expressed for the censored film? | ###context: In India, it was reported that the Indian Central Board of Film Certification (CBFC) censored kissing scenes featuring Monica Bellucci, Daniel Craig, and Léa Seydoux. They also muted all profanity. This prompted criticism of the board online, especially on Twitter. ###question: Where was support expressed for the censored film? ###answer: not found |
A sequel to Spectre will begin development in spring 2016. Sam Mendes has stated he will not return to direct the next 007 film. Christoph Waltz has signed on for two more films in the series, but his return depends on whether or not Craig will again portray Bond. | Craig | Christoph Waltz's appearance in future Bond movies is contingent on the appearance of which other actor? | ###context: A sequel to Spectre will begin development in spring 2016. Sam Mendes has stated he will not return to direct the next 007 film. Christoph Waltz has signed on for two more films in the series, but his return depends on whether or not Craig will again portray Bond. ###question: Christoph Waltz's appearance in future Bond movies is contingent on the appearance of which other actor? ###answer: Craig |
A sequel to Spectre will begin development in spring 2016. Sam Mendes has stated he will not return to direct the next 007 film. Christoph Waltz has signed on for two more films in the series, but his return depends on whether or not Craig will again portray Bond. | spring 2016 | When will work being on the follow-up to Spectre? | ###context: A sequel to Spectre will begin development in spring 2016. Sam Mendes has stated he will not return to direct the next 007 film. Christoph Waltz has signed on for two more films in the series, but his return depends on whether or not Craig will again portray Bond. ###question: When will work being on the follow-up to Spectre? ###answer: spring 2016 |
A sequel to Spectre will begin development in spring 2016. Sam Mendes has stated he will not return to direct the next 007 film. Christoph Waltz has signed on for two more films in the series, but his return depends on whether or not Craig will again portray Bond. | spring 2016. | When will the sequel to Spectre being development? | ###context: A sequel to Spectre will begin development in spring 2016. Sam Mendes has stated he will not return to direct the next 007 film. Christoph Waltz has signed on for two more films in the series, but his return depends on whether or not Craig will again portray Bond. ###question: When will the sequel to Spectre being development? ###answer: spring 2016. |
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