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Layout: single column of 17 lines.
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{
"type": [
"o"
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Decoration: historiated initial "B" with a miniature of two souls borne to heaven by two angels, gilt; wide decorated border of blue and green acanthus with flowers and fruits, gilt.
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{
"type": [
"o"
]
}
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Caption title: Map no. 2.
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{
"type": [
"a"
]
}
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Annotation in manuscript: 33023
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{
"type": [
"o"
]
}
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Previously attributed to John Tracey Atkins.
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{
"type": [
"o"
]
}
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Title from contents leaf.
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{
"type": [
"a"
]
}
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Annotation in manuscript: 18049
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{
"type": [
"o"
]
}
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Bound in black half cloth and green silk over boards. Title and floral decorations added in gouache.
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{
"type": [
"o"
]
}
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Bound in contemporary vellum, inscribed by Peyton
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{
"type": [
"o"
]
}
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Layout: double columns of 25 lines.
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{
"type": [
"o"
]
}
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Decoration: Rubricated. Two illuminated initials with long marginal extensions; two smaller initials.
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{
"type": [
"o"
]
}
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Script: each line in a different gothic display script.
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{
"type": [
"o"
]
}
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Decoration: in red and black ink.
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{
"type": [
"o"
]
}
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Accompanied by three unidentified manuscript fragments that were part of the 2002 sale lot.
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{
"type": [
"o"
]
}
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Decoration: illuminated initial with brown penwork.
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{
"type": [
"o"
]
}
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Layout: double columns of varying lengths.
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{
"type": [
"o"
]
}
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Script: bâtarde script.
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{
"type": [
"o"
]
}
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Decoration: initials in red and blue.
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{
"type": [
"o"
]
}
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Layout: single columns of 61-62 lines each.
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{
"type": [
"o"
]
}
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Script: cursive legal script with some anglicana features.
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{
"type": [
"o"
]
}
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Binding: disbound.
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{
"type": [
"o"
]
}
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Annotated on recto of first leaf with place and date of production.
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{
"type": [
"o"
]
}
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Annotated on recto of first leaf with signature: "J. Frauncis Egville."
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{
"type": [
"o"
]
}
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Genealogy continued down to Elizabeth I in a later hand on the final pages; small architectural sketches on last full page.
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{
"type": [
"o"
]
}
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Wrapper composed of fragments from at least two manuscripts; one fragment includes musical notation of Psalm texts.
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{
"type": [
"o"
]
}
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Layout: lines of descent centered within crowned medallions; descriptive text on either side.
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{
"type": [
"o"
]
}
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Script: English cursive.
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{
"type": [
"o"
]
}
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Decoration: Crowned medallions in pen and ink with wash.
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{
"type": [
"o"
]
}
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Binding: original wrapper of parchment fragments from fourteenth century liturgical and theological manuscripts.
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{
"type": [
"o"
]
}
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Script: late Carolingian script.
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{
"type": [
"o"
]
}
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Layout: double columns of 39 lines.
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{
"type": [
"o"
]
}
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Decoration: numerous initials in burnished gold or blue; extensive penwork.
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{
"type": [
"o"
]
}
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Binding: Riviere and Son.
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{
"type": [
"o"
]
}
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Musical notation on four-line red staves.
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{
"type": [
"o"
]
}
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References to Thomas Becket struck through on verso.
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{
"type": [
"o"
]
}
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Layout: double columns of 51 lines.
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{
"type": [
"o"
]
}
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Script: gothic liturgical hand.
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{
"type": [
"o"
]
}
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Decoration: Rubricated. Initials in blue with red penwork. Large illuminated initial "A" with full border on verso, gilt.
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{
"type": [
"o"
]
}
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Layout: double columns of 52 lines.
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{
"type": [
"o"
]
}
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Decoration: Rubricated. Three-line initials in gold against blue and rose grounds.
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{
"type": [
"o"
]
}
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Layout: triple columns with 30 lines per column.
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{
"type": [
"o"
]
}
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Leaf was used in a binding.
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{
"type": [
"o"
]
}
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Layout: double columns of 32 lines.
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{
"type": [
"o"
]
}
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Script: Carolingian script.
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{
"type": [
"o"
]
}
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Bound by a former owner.
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{
"type": [
"o"
]
}
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The parish had been part of the annulment settlement for Anne of Cleves.
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{
"type": [
"o"
]
}
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Title transcribed from later docket.
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{
"type": [
"o"
]
}
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Signed on page 4: "J. Riley Marsh's Journal."
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{
"type": [
"o"
]
}
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Printed paper label inside front cover of diary: "The Ever-pointed Pencil, and Prepared Paper Memorandum Book. Manufactured at the British Paper Warehouse, 46, Cornhill, London." Volume has tabbed loops to hold a pencil; lacking pencil.
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{
"type": [
"o"
]
}
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In secretary script.
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{
"type": [
"o"
]
}
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Binding: Riviere & Son.
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{
"type": [
"o"
]
}
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Binding lacking.
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{
"type": [
"o"
]
}
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Front and back pastedowns from a contemporary? printed German play about Adam and Eve.
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{
"type": [
"o"
]
}
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Layout: first section in single columns of 17 lines; second section in single columns of 12 lines.
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{
"type": [
"o"
]
}
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Decoration: Rubricated. Approximately 110 initials in blue with red penwork. Full-page miniature illustration of St. Christopher; double-page illustration of the Adoration of the Magi.
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{
"type": [
"o"
]
}
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Binding: 16th-century English blind-stamped calf, with panels of heads in medallions, rebacked.
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{
"type": [
"o"
]
}
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Each of the eight packets contains four sheets of drawings, treating a single species of plant. Some of the drawings also incorporate cut-paper elements. Bonnell identifies five of the species, as follows: Equisetaceae (Horsetail); Ulmaceae; Polypodiaceae; Myricaceae (Bayberry); Hydrocharitaceae. One of the three unidentified species may be dandelion.
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{
"type": [
"o"
]
}
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"I would like to say thanks to Elisabeth Fairman, Senior Curator of Rare Books and Manuscripts, Yale Center for British Art, for the unique opportunity to respond to Miss Rowe's 1961 Herbarium held in their collection; Graham Bignell, New North Press, for hand set typography and printing; Elizabeth Neville for making the box. Mandy Bonnell, 2014."--Colophon.
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{
"type": [
"o"
]
}
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Includes two printed sheets, bearing the title and the colophon.
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{
"type": [
"o"
]
}
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Housed in a cloth covered box, the top cover of which is illustrated by Bonnell.
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{
"type": [
"o"
]
}
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Ownership inscription for the parish church of St. Mary, Redgrave, Suffolk: "Iste liber constat de Redgrave" in a fifteenth-century hand.
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{
"type": [
"o"
]
}
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Anathema in Middle English verse on the verso of the second flyleaf: "This bok is on and goddys crus ys anodur/He that stel the ton mot haue the todyr" in a fifteenth-century hand.
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{
"type": [
"o"
]
}
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Numerous other early ownership inscriptions and pen trials on front flyleaves.
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{
"type": [
"o"
]
}
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Annotation on verso of nineteenth-century endpaper, in pencil, identifying the text as a "Sarum Processional," dated 1847.
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{
"type": [
"o"
]
}
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Layout: single columns, mostly of 23 lines.
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{
"type": [
"o"
]
}
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Decoration: musical notation on 4-line staves, red and blue penwork initials, rubrics, and blue paragraph marks. Numerous initials in brown ink, some decorated with faces and grotesques.
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{
"type": [
"o"
]
}
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Binding: nineteenth-century black morocco, gilt; marbled endpapers. JHS monogram framing cross centered on both covers. Title in gilt on black leather tag on spine.
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{
"type": [
"o"
]
}
|
With an Oxford pledge note for the Selton Loan Chest dated 1469 and the mark of the stationer John More. There is also a note by M. Paris, possibly Master Thomas Paris of Oriel College.
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{
"type": [
"o"
]
}
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Script: small gothic script.
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{
"type": [
"o"
]
}
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Decoration: red and blue penwork initials.
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{
"type": [
"o"
]
}
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Binding: modern goatskin.
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{
"type": [
"o"
]
}
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Collation note in Latin dated September 4, 1714 bears the initials G.E. (Gulielmus--William--Elstob) and E.E. (Elizabeth Elstob).
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{
"type": [
"o"
]
}
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This manuscript was probably part of William Elstob's projected editon of Anglo-Saxon legal manuscripts.
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{
"type": [
"o"
]
}
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Stamp on front cover: Harriet B. Sanders, American Red Cross, France.
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{
"type": [
"o"
]
}
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Binding: bound in contemporary printed blue ("sugar paper") wrappers.
|
{
"type": [
"o"
]
}
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Front flyleaf contains provenance annotation in pencil in the hand of Sir Thomas Phillipps.
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{
"type": [
"o"
]
}
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Layout: double columns, originally of 30 lines (now 28).
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{
"type": [
"o"
]
}
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Script: Caroline minuscule (Turonian script).
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{
"type": [
"o"
]
}
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Binding: Middle Hill boards.
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{
"type": [
"o"
]
}
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Bound with: 5 leaves of a 13th-century manuscript of Averroes' commentary on Aristotle's Ethics.
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{
"type": [
"o"
]
}
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Bound with: Sodales Mariani apud PP. Societatis Jesu in collegio Aquicinctino. Duaci: apud Albertum Tossanus, ex Typographia Belleriana, sub signo Circini Aurei. Anno M.DCC.XXXIX. 7 p.
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{
"type": [
"o"
]
}
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Bound with: three printed broadside advertisements of these public disputations, 1740 and undated (two are trimmed). Apparently all by the same printer, whose information appears in the untrimmed broadside: Duaci: apud Albertum Tossanus, ex Typographia Belleriana, sub signo Circini Aurei. Anno 1740.
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{
"type": [
"o"
]
}
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Binding: late eighteenth-century full polished calf; compartmented and gilt spine; spine tag in gilt on red leather.
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{
"type": [
"o"
]
}
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Text on recto: ...am. R. Et clamor meus ad te veniat V. Dominus vobiscum. R. Et cum spiritu tuo. Oratio. Aures tue pietatis mitissime ... Alia. Oratio. Ure igne sancti spiritus renes nostros & cor nostru[m] domine: ut tibi casto corpore ser...
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{
"type": [
"o"
]
}
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Text on verso: ...viamus & mundo corde placeamus Alia Oratio. Mentes nostras quesumus domine paraclitus qui a te procedit illuminet ... Alia Oratio. Conscientias nostras quesumus domine visitando purifica: ut veniens dominus n[oste]r...
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{
"type": [
"o"
]
}
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Written area 138 x 82 mm. Single column of 21 lines. Foliated "viii" in red in the upper right-hand corner.
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{
"type": [
"o"
]
}
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Written in a humanist script influenced by roman typeface. In his commentary on the Lessing J. Rosenwald Collection's Horae Beatae Mariae ad usum Romanum (Octavo Editions, 1999), Christopher de Hamel notes that this script is associated on “very little evidence” with Geoffroy Tory (c.1480-c.1533), printer to King Francis I of France. The script occurs in manuscripts from the centers of court patronage in northern France.
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{
"type": [
"o"
]
}
|
Decorated with seven two-line initials, on alternating blue and gold grounds. The initials on blue grounds are gold and the blue grounds are highlighted with white penwork. Three of the initials on gold grounds are blue and one is white. Gold grounds are decorated either with white flourishes or with foliage and berries. There are also six one-line paraphs and one one-line initial, in alternating gold and white. The gold initials are on blue grounds, highlighted in white penwork, and the white initials are on gold grounds decorated with black dots and white pearls. Headings are rubricated. The line-fillers alternate between gold branches and gold boxes filled with buds and white flourishes. The leaf has gilding on the fore- and top-edges.
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{
"type": [
"o"
]
}
|
This leaf may be from the same manuscript as the leaves from an untraced Pontifical sold by King Alfred's Notebook in 2014 as items 1B and 49 in the catalogue Enchiridion 19: Medieval Fragments for University Teaching & Research. According to Scott Gwara, those leaves once belonged to Otto F. Ege (1888-1951), the manuscript and book collector famous for cutting leaves out of his manuscripts to sell them individually.
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{
"type": [
"o"
]
}
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The same sequence of prayer appears in a series of instructions for prayers before mass at ff.32v-33v in the Pontifical of Yves de Mayeuc (Rennes, Bibliothèque de Rennes Métropole MS 1278), which is written in a very similar hand. It also appears in two Parisian printed missals considered in Robert Lippe, Missale Romanum Mediolani, 1474: a collation with other editions printed before 1570 (London: Henry Bradshaw Society, 1899-1907) vol. II, 378-9, one printed in 1530 by Fr. Regnault, the other in 1540 by vidua Th. Kerver.
|
{
"type": [
"o"
]
}
|
Paper seal in upper left corner of bond.
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{
"type": [
"o"
]
}
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Accompanied by a copy of the Bonhams catalog description.
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{
"type": [
"o"
]
}
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Annotated in pencil on manuscript guard in a nineteenth-century hand: Ld. Hailes.
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{
"type": [
"o"
]
}
|
First line: What does your brand sae bludy, Edward, Edward?
|
{
"type": [
"o"
]
}
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Comprises 185 pages of text, 82 pages of drawings.
|
{
"type": [
"o"
]
}
|
Binding: 18th or 19th century full calf, with leather title label reading "Palladio's Architectur .MS." on spine.
|
{
"type": [
"o"
]
}
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Contact the Curator of Rare Books and Manuscripts for additional information on: details of the text present in the manuscript; watermarks used throughout the volume; a complete correspondence between illustrations in the 1570 edition of the text and those in the manuscript.
|
{
"type": [
"o"
]
}
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Title on verso: A Map of Fort Gibson Reserve, C. Nation
|
{
"type": [
"o"
]
}
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"Devoted to the Development of Eastern Montana and the Encouragement of all Industrial Pursuits."
|
{
"type": [
"o"
]
}
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Autograph and notes by Sir Syndey Cockerell on front flyleaf; autograph of Brian S. Cron on front flyleaf.
|
{
"type": [
"o"
]
}
|
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