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Binding: contemporary panelled calf; gilt edges.
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Phillipps MS 8186.
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Bound in later half calf and marbled boards.
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This manuscript does not have modern foliation. Where possible, the present description uses the incomplete 16th-century foliation, ending at f. 152. Unfoliated pages are referred to using Roman numerals at the beginning of the manuscript, and as if foliated towards the end.
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Date in original given as: nono die Ianuarii anno Regni nostri Anglie Francie et Hibernie decimo sexto et Scotie Quinquagesimo secundo.
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Ff. 89-80, back flyleaf and former pastedown, is a bifolium in a different, round gothic bookhand, containing part of an alphabetical index to an unidentified legal text.
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Foliation given as found in the manuscript, including six foliated stubs.
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Ownership inscription in the lower margin of f1r: Iste liber est conventus sancti dominici de gayeta ordinis predicatorum...
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Laid in: fragment of a description of the manuscript, in French, in a nineteenth-century hand.
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Layout: double columns throughout, mostly of 60-65 lines each. Four-column list of chapter headings on f87v-88v.
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Script: semi-cursive gothic bookhand.
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Decoration: two-line initials in pen and ink.
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Binding: eighteenth-century half sheep; patterned paper over pasteboards.
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Binding: contemporary reverse half-calf over marbled boards.
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Ownership inscription on recto of front flyleaf: ex libris Jacobi Collombet, sub disciplina Reuerendo patris Lamberti, anno domini 16[89?].
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Binding: contemporary full calf, gilt six-compartmented spine. Gilt spine tag: Physica.
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Binding: original limp vellum with ties.
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Binding: contemporary full calf, seven-compartmented spine, gilt.
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Pages numbered 1-158; pages 86-142 blank.
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Binding: contemporary full mottled calf; five-compartmented spine, gilt; tan morocco spine label, gilt.
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Nursery rhyme on cover: "Handy Spandy, Jack a dandy, loves plum-cake and sugar-candy; He bought some at a grocer's shop, and out he came, hop-hop."
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"A series of sixty - no. 11. Average 22 sticks. Made in Austria."--Cover.
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Spine title: Mélanges de M. de S. J.
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Ownership inscriptions of John Austen on front cover and at top of first page of text.
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Binding: original full parchment, panelled in gilt; marbled endpapers.
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Removed from Foster, J. W., Report on the Geology and Topography of a Portion of the Lake Superior Land District in the State of Michigan (Washington: Printed for the House of Reps.,1850-1851), 2002 956.
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Two pen-and-ink sketches of insects on pp. 3 and 6.
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Tipped in: portait engraving of Galeotti by Aloysius Brighenti after Victor de la Marche, undated.
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Binding: contemporary parchment over cardboard. Front cover labeled: 1788. Depositaria.
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The survey of Hury Town in Baldersdale is attributed to "Richardson" (probably Richard Richardson of Darlington) and dated October 1763.
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Binding: contemporary half-calf over boards.
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Binding: nineteenth-century watered silk, decorated with velvet circles.
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Ownership inscription on recto of first parchment leaf: Wm. Mason / Bookseller / Pickett Street / Strand.
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Ownership inscription on recto of first parchment leaf: Dan Maclaurin / 83 Lombard St. / 1824.
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Binding: contemporary full black morocco, elaborately gilt; floral and acorn motifs; six-compartmented spine, gilt. Gilt edges; marbled endpapers.
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First three volumes bound in full contemporary vellum, with later reference numbers on two upper boards. Inventory volume bound in original marbled wrappers, with reference number on upper cover.
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Each print titled below.
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Painting after life referencing Hogarth?
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With engraved billhead at head of first page and an additional small payment receipt signed by John Greeves attached to foot of third page, with embossed seal.
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Script: Copied by a single scribe in Praegothica with Southern features in two sizes. Some glosses are added by other hands.
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Decoration: Limited decoration. Paragraph marks by the scribe in the ink of the text. A few 1-line versals in red. A few larger primitive flourished initials, red or blue, with penwork in the opposite colour. The text of art. 1 begins with a 4-line littera duplex “M” in red and blue colour. Art. 2 opens with a 10-line primitive dentelle initial “I” in gold on a blue and red background, which is heightened with white penwork design. The initial is shown resting on the back of a small bent male figure, coloured red and gold.
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Binding: Romanesque, with undecorated white (deerskin?) leather over rounded wooden boards, sewn on three leather thongs (spine repaired). There was originally one leather strap fixed with two nails to the front board and closing over a pin in the center of the rear board. Later this strap was replaced by two straps similarly fixed with iron nails to the front board. This arrangement appears to have been changed at the end of the Middle Ages, when a title was inscribed on the front cover and an iron chain was attached at the bottom of the front board by means of an iron staple. The endleaves are two parchment bifolios from an antiphonary (Italy, 11th century), containing text and music for the offices of Ash Wednesday and the first weeks of Lent. The notation is diastematic. Rubrics and initials are missing.
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Script: Copied by Jodocus Sparlützel in a single hand in Gothica Hybrida Libraria. The scribe is elsewhere given the name Jodocus Sparlützel (Swicker) de Wil.
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Decoration: Red stroking of the majuscules and red underlining. Red plain initials, normally 1-2 lines; the initial of the first lemma beginning with a given letter of the alphabet is larger (up to 7 lines) and may be a flourished initial with penwork in the same red colour. Many initials are given strange and fancy forms. Erroneous initials are found on ff. 109r, 246v, 248v. An initial “U” is missing on f. 246r, and in art. 4, no initials “T”, “X”, “Y” and “Z” were provided by the scribe.
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Binding: Original binding, with a repaired spine, composed of (very damaged) undecorated brown leather over wooden boards, and sewn on three double cords(?), with plaited headbands. Five brass bosses are on each cover. Two clasps are attached to the rear board and rectangular engraved catches are on the front board. The inscription, in Northern Gothica Textualis Formata, is not deciphered.
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Each with ms. note on verso. 1806 example printed on green paper.
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Spine title: "Meteorological Observations by Beers & Howe."
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Script: Written in Gothica Semihybrida Libraria. The original arts. 1, 2, and 5 are written in one hand. Art. 6 is in a different hand. The other texts are written by various hands in small script.
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Decoration: In the original parts, there are countless red rubrics, 1-line versals, red underlinings, red stroking of majuscules and red running headlines. Some articles open with a larger red plain initial. In art. 3 there is red underlining and red stroking of majuscules. Art. 4 is undecorated. In artt. 7-9 there is red stroking of majuscules and extensive parts of the text are in red underline.
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Binding: Original quarter binding sewn on three double cords: white pigskin over wooden boards, now covered by fragments of a 14th century liturgical music manuscript on parchment, with text in Northern Gothica Textualis Formata and “Hufnagel” notation on 4-line black staves. Handwritten title on spine (18th century). Paper(?) flyleaves.
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Script: Copied by two scribes. Hand 1, the notary Franciscus Salvator (Francesco Salvatore) from Ventimiglia, copied artt. 1-4 in Gothica Semihybrida Libraria (Mercantesca). Hand 2 copied artt. 5-6 in Gothica Hybrida Libraria/Currens (Mercantesca).
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Decoration: Long red headings up to f. 29r (artt. 1-2). In artt. 3-4, space for headings was provided, but they were not executed. Space was reserved for 2-line initials, but these were not executed. Artt. 4 and 5 are undecorated; there are no guide letters for the 1-line initials at the opening of each of these articles, for which space was reserved.
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Binding: 20th century, brown leather and wooden boards. Spine has three raised bands.
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Title changed in manuscript: Cayer de coppies des chartres octrois et confirmations des privileges de l'Université Caen.
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Notes: a number of half-sized folios; seals stamped in ink appear on ff. 87, 91-114, 139-145, 154, 158, 159, 161-166, 173, 181-189; several pages cut at the inside margin following f. 189; drawings of faces appear on f. 102 and the inside of the rear cover.
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Binding: 18th century vellum mended with canvas, inscribed with a brief title. The front cover of the manuscript is a fragment of a Ritual, with notes on 4 red lines.
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Notes: Watermarks appear on ff. 276, 304, and 443; puncture holes appear on ff. 19 and 20, and 133 and 134; deliberate parallel incisions appear on f. 148; and a seal stamped in ink appears on f. 461.
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Binding: 18th century vellum mended with canvas, inscribed with a brief title.
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Notes: There are seals stamped in ink on ff. 42, 43, 164, 289, 290, 395, 467, 556.
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Notes: A watermark appears on f. 26; seals stamped in ink appear on ff. 73, 369-373, and 473-477; wax (stamp?) preserved on ff. 180 and 554; deliberate parallel cuts and wax remnants appear on ff. 182, 184, 215, 274, 286, 288, 420, 512, 545.
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Notes: deliberate parallel cuts appear on f. 75; and deliberate parallel cuts with wax remnants are preserved on ff. 29 and 43; seals stamped in ink appear on ff. 20, 21, 171, 173, 329, 332, 334, 346, 348-351, 356, 358, 360, 362, 364, 370, 372, 374-376, 388, 390, 392, 406, 408bis, 410, 411, 413, 415, 417, 419, 421, 423, 425, 426, 428, 430, 432-435, 440, 448, 450, 452-456, 458, 460, 462, 463, 466, 467, 467bis, 469, 471, 473, 475, 477-524, 526, 528, 530, 531, 534-538, 541-545, 556, 558, 560, 562, 564, 566, 568, 570, 572, 574, 576, 578, 580, 582, 584, 587, 588, 590, 592, 596, 598, 600, 602, 604, 606, 608, 610, 612, 614, 616, 618, 621, 623, 625, 627, 628, 630, 632, 634, 636, 638, 639, 640, 642, 644, 646, 648, 650, 652, 654, 656, 658, 660, 662, 666, 668, 670, 672, 674, 675, 677, 678, 681, 683, 685, 686, 689, 692, 694, 696, 698, 700-705, 712, 713, 716.
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Notes: wax seals appear on ff. 22 and 88; seals stamped in ink appear on ff. 1, 3-5, 7, 9, 10, 12, 14-16, 20, 22, 25, 26, 28, 29, 31-33, 36, 38, 44, 45, 48, 50, 52, 53, 55, 57, 58, 61, 63, 64, 67, 69, 70, 72, 74, 76, 78, 80, 82, 84-86, 92, 94, 95, 98, 100-102, 104, 106, 108, 110, 112, 113, 116, 118, 120, 121, 124, 126, 127, 130, 132, 134, 136, 137, 139-144, 150, 152, 154, 160, 162, 164, 171, 173, 175-187, 201, 202, 205, 207-212, 214, 215, 218, 220, 221, 224, 226, 228, 230, 235, 237, 239.
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Notes: Seals stamped in ink appear on ff. 1-8, 17-21, 27-32, 39-44, 51-56, 63-68, 75-80, 87-92, 99bis, 100-104, 110bis, 111bis, 112-116, 123-128, 135-140, 147-152, 159-164, 171-176, 183-187, 192-195, 199, and 200; the remains of two wax seals appear on the second f. 200, which is the second page following f. 200; and the remains of many pages cut along the inside margin follow f. 200.
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Notes: the manuscript lacks folio pages numbers; a watermark image of grapes appears about 2/3 the way through the manuscript.
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Notes: Manuscript contains many maps drawn in black and red ink; blue paper insert between ff. 105 and 106.
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Annotation following p. 486: "Finished correction of the text, Dec. 16, 1838...".
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A roll made from two sheets (each ca. 62 cm x 100 cm) and mounted on cloth, with the edges secured with green silk ribbon sewn on.
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Written in black ink with lines in red ink. Mounted on cloth and edges secured with green silk ribbon sewn on.
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Pages numbered 1-108, versos only.
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Spine label: 576.
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Mounted on a piece of brown paper, formerly part of an album, with a note in the hand of Lady Louisa Stuart at the top reading, "Poems written in her own hand & given by Lady Mary Wortley Montagu to her friend Henrietta Countess of Pomfret. The handwriting authenticated by Lady Mary's granddaughter Lady Louisa Stuart, youngest daughter of John 3rd Earl of Bute."
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Note on first page of text authenticating the handwriting is signed by Louisa Stuart and dated 1845.
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Written in ink on verso of mounting sheet: Lady Morgan (twice) and Miss Cagwo[rth?].
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Written predominantly in pen and black ink.
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Bound in contemporary parchment.
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Bound in original vellum; original green silk ties largely mutilated.
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Title from HTML t.p. (viewed June 29, 2015).
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Online collection includes 1508 images of documents.
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Online collection includes 599 images of documents.
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Online collection includes 426 images of documents.
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Online collection includes 6340 images of documents.
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Online collection includes 575 images of documents.
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Online collection includes 8265 images of documents.
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Online collection includes 241 images of documents.
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Online collection includes 614 images of documents.
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Online collection includes 92 images of documents.
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Online collection includes 2359 images of documents.
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Online collection includes 112 images of documents.
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Online collection includes 2020 images of documents.
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Online collection includes 285 images of documents.
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Online collection includes 113 images of documents.
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Online collection includes 177 images of documents.
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Letter incorrectly dated: "Head Quarters Jan. 1. 1776."
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Docketed: "General Washingtons Letter relative to the appointment of Col. Lee Jan.y 1777."
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Cover: “1st draft shooting script (White) - 8/15/90."
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Ownership label in the hand of Celilia Hoyle affixed to front pastedown: Cecilia Hoyle, the Gift of her faithful friend, since departed, James Thain.
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