ubffm/academic_main_text_classifier_en_annotated

labels int64 0 3	text stringlengths 1 1.23k
2	(1) Syntactic bracketing:
2	Keep flirting
1	formally speaking. This observation can be strengthened by means of the sequence that possibly
1	of intimacy is high, especially as the poet tries to align himself with everything that
0	735
1	(1): 1-23 also cited in The In ternational A bstracting .Journal fo r Language T eachers and A pplied
2	way normally appreciate each other.’ (NRC/+SYMM)
1	"Wir sind Kirche in Wels und gestalten Lebensräume" im Pfarrheim Herz Jesu.
0	641
1	between values which is part of the knowledge base. The very concept of "reflexion of light at
1	warning us about the health hazards of prostitution as a profession or while letting us
1	- Description of Subpopulations -
2	#obviously/#certainly/#apparently was
2	blueish green bright green pale green
1	– as in English.
0	2814
2	Oko - she refused
1	the masses that constitute the target audience, and for whom the messages are meant.
1	calculated. The formant tracker found the formants that were below
0	911
2	(10) [λw1 Mary wants-w1 [λw2 PRO to buy-w2 a [building with 192 floors-w2 ] ]
3	Krifka, M.: 1991, A compositional semantics for multiple focus constructions, in S. Moore and
2	f. sàlaamàa sàlâm ‘greetings’
2	(12) -en : [+V]
1	constraints) that deal with floating tone; MAX-T (‘no deletion of tones’) and
1	This is one proverb that compares the mother only with the gods and even finds the
0	�� $� �� !� 5��)�� .� ��!� �� $� �� +� .
1	dialogue is optimal then:
2	Inflicted on us by the flowing-gown physician.
1	forms a great part of the rendering of many of the poems in The Eye. These are,
2	‘own’
0	� Younger chil-
1	(...) This monograph represents aneffortto bring ~onstructions back to their rightful
2	mǎ sare ‘joking’
0	�� $��'� �� '-'� ,�� !� �'� ��+� .��
3	Davenport, M and S.T. Hannahs (2005) Introducing Phonetic and
2	(17) [the [&P [CP1 [DP picture]1/i [that Bill liked __1] [&P and [CP2 Op2/i [that Mary
0	�� !�� $��"��
0	�� *�� .��0�� $� �
2	� agbara aloolotunlo (renewable energy).
0	Juliana 1
1	ment we find in the literature and gives us new insights into both the semantics of symmetric
2	(13)' a.~
1	for literature as the creative use of language, this approach is now the cornerstone
1	bare hands. On this feat depends the heroic virtue of the narrative.
1	candidates of (23b), but rules out all but one form in (23a). For (23a) this
3	Egudu, R.N. (1989). The Study of Poetry. Ibadan: O.I.P.
0	� þ W � �� ÈM�{��*\1��V$&W þ öEq9ò�O I3? ð F3ld2 ô(D�ï m D n õ ,E?@2%4@4 ö
1	& Tubingen.
0	� ø ñMò.�NêNéÜì"í°øùî2�´�õé�ïA4EíTí�òA%��Dì°í�ï3
2	(1) some Ms are Ks SI not all Ms are Ks
1	re-associates with the tone of the final vowel of the verb. This applies after
1	3.7 Grade 6 Verbs:
1	unassociated with a TBU. The structures are shown in (21):
1	painted in many oral traditions of Africa, Yoruba proverbs do not have these
1	then, is a first difference to degree modification: Degree modifiers carry an abstract
2	(12) a. *Lakotnik
0	� �ªàâáÛãªäæå�çéèëêâìîí
2	(Utara Nti, pp 61-62)
0	476
1	& Peter De Swart, Itai Bassi & Ezer Rasin, Andrea Beltrama, Andrea Beltrama, Erlinde Meertens
1	( C ) A presupposition must be projected to the highest possible DRS.
0	Centre for the Study of Nigerian Languages, Bayero University, Kano.
0	- - {Peter stroke the cat I Peter did not stroke the cat}
1	Igbo language. Formants and pitch tracks of the vowels involved were
3	- (1995). A time-relational analysis of Russian aspect. Language 71, 669-695.
2	! If hHermione, Lunai stirs her potion, she’ll do so hclockwise, counterclockwisei.
2	(11) a. A few students in the class own red cars. ⇒ A few students in the class own cars.
2	Tue ground-dwelling wren gets more oil
2	Òdézùligbo na-ékene Nwáliobā Odezuligbo salutes Nwalioba
0	468
1	There are two problems with this account (cf. the discussion in Winter 1997 and von
0	��%�� .��
1	Therefore, level tones will be represented as we have below:
2	(∃w′ ∈ maxg(w)(∩ f (w)) : w′ ∈ p)
1	' By contrast, Kaync (1994) presupposes a left-headed clause structure across languages. Based on this
1	class of "manner adverbs" from the background of conceptual structures:
2	TMR ↓ ↓ ↓ = idégbè ‘goat’
1	(`�nd') were coded as predicative (Buÿmann, 2008) independent of whether a noun was
0	670
0	11.253
1	highest F3 when combined with /b/. Table 4 suggests that // has the longest
2	bled by the curing cutlass of the babalawo,
2	Onye unyi tere nwee ndidi.
0	�!��%��"��G�&��!�5��+�67268H/�
1	This stanza begins the poem ‘Sule Chase’ in which Osundare takes a swipe at
1	universal application, although the locus is the African experience.
1	cartoons, editorials and letters to the editor are some of the tools used in discussing
2	(17) No, I don’t assume that Hein is at sea (# as an answer to (16a))
1	Both questions are answered, by information which was initially there distributed over the two
2	(16) In this forest, trees are dying.
2	f. [VP Jacinta está soltera]: λx λz [z INST [SINGLE(x)] / [R(z, si)]] (Jacinta)
2	Standpoints On the African Novel. (Second Edition) Jos: Jubilee Press, 2000,
0	881
2	(time’s undying sword awaits their necks
0	6538
1	tion of RC-TYPE and SYMMETRY as fixed effects and random effects for subjects and items
1	whether Sue comes to the banquet, not because I want to know, but because I know that if
3	Philosophy 5, 355-398.
1	and terrorist who was suspected to be behind the September 11, 2001 terrorist attacks

2

(1) Syntactic bracketing:

2

Keep flirting

1

formally speaking. This observation can be strengthened by means of the sequence that possibly

1

of intimacy is high, especially as the poet tries to align himself with everything that

0

735

1

(1): 1-23 also cited in The In ternational A bstracting .Journal fo r Language T eachers and A pplied

2

way normally appreciate each other.’ (NRC/+SYMM)

1

"Wir sind Kirche in Wels und gestalten Lebensräume" im Pfarrheim Herz Jesu.

0

641

1

between values which is part of the knowledge base. The very concept of "reflexion of light at

1

warning us about the health hazards of prostitution as a profession or while letting us

1

- Description of Subpopulations -

2

#obviously/#certainly/#apparently was

2

blueish green bright green pale green

1

– as in English.

0

2814

2

Oko - she refused

1

the masses that constitute the target audience, and for whom the messages are meant.

1

calculated. The formant tracker found the formants that were below

0

911

2

(10) [λw1 Mary wants-w1 [λw2 PRO to buy-w2 a [building with 192 floors-w2 ] ]

3

Krifka, M.: 1991, A compositional semantics for multiple focus constructions, in S. Moore and

2

f. sàlaamàa sàlâm ‘greetings’

2

(12) -en : [+V]

1

constraints) that deal with floating tone; MAX-T (‘no deletion of tones’) and

1

This is one proverb that compares the mother only with the gods and even finds the

0

�� $� �� !� 5��)�� .� ��!� �� $� �� +� .

1

dialogue is optimal then:

2

Inflicted on us by the flowing-gown physician.

1

forms a great part of the rendering of many of the poems in The Eye. These are,

2

‘own’

0

� Younger chil-

1

(...) This monograph represents aneffortto bring ~onstructions back to their rightful

2

mǎ sare ‘joking’

0

�� $��'� �� '-'� ,�� !� �'� ��+� .��

3

Davenport, M and S.T. Hannahs (2005) Introducing Phonetic and

2

(17) [the [&P [CP1 [DP picture]1/i [that Bill liked __1] [&P and [CP2 Op2/i [that Mary

0

�� !�� $��"��

0

�� *�� .��0�� $� �

2

� agbara aloolotunlo (renewable energy).

0

Juliana 1

1

ment we find in the literature and gives us new insights into both the semantics of symmetric

2

(13)' a.~

1

for literature as the creative use of language, this approach is now the cornerstone

1

bare hands. On this feat depends the heroic virtue of the narrative.

1

candidates of (23b), but rules out all but one form in (23a). For (23a) this

3

Egudu, R.N. (1989). The Study of Poetry. Ibadan: O.I.P.

0

� þ W � �� ÈM�{��*\1��V$&W þ öEq9ò�O I3? ð F3ld2 ô(D�ï m D n õ ,E?@2%4@4 ö

1

& Tubingen.

0

� ø ñMò.�NêNéÜì"í°øùî2�´�õé�ïA4EíTí�òA%��Dì°í�ï3

2

(1) some Ms are Ks SI not all Ms are Ks

1

re-associates with the tone of the final vowel of the verb. This applies after

1

3.7 Grade 6 Verbs:

1

unassociated with a TBU. The structures are shown in (21):

1

painted in many oral traditions of Africa, Yoruba proverbs do not have these

1

then, is a first difference to degree modification: Degree modifiers carry an abstract

2

(12) a. *Lakotnik

0

� �ªàâáÛãªäæå�çéèëêâìîí

2

(Utara Nti, pp 61-62)

0

476

1

& Peter De Swart, Itai Bassi & Ezer Rasin, Andrea Beltrama, Andrea Beltrama, Erlinde Meertens

1

( C ) A presupposition must be projected to the highest possible DRS.

0

Centre for the Study of Nigerian Languages, Bayero University, Kano.

0

- - {Peter stroke the cat I Peter did not stroke the cat}

1

Igbo language. Formants and pitch tracks of the vowels involved were

3

- (1995). A time-relational analysis of Russian aspect. Language 71, 669-695.

2

! If hHermione, Lunai stirs her potion, she’ll do so hclockwise, counterclockwisei.

2

(11) a. A few students in the class own red cars. ⇒ A few students in the class own cars.

2

Tue ground-dwelling wren gets more oil

2

Òdézùligbo na-ékene Nwáliobā Odezuligbo salutes Nwalioba

0

468

1

There are two problems with this account (cf. the discussion in Winter 1997 and von

0

��%�� .��

1

Therefore, level tones will be represented as we have below:

2

(∃w′ ∈ maxg(w)(∩ f (w)) : w′ ∈ p)

1

' By contrast, Kaync (1994) presupposes a left-headed clause structure across languages. Based on this

1

class of "manner adverbs" from the background of conceptual structures:

2

TMR ↓ ↓ ↓ = idégbè ‘goat’

1

(`�nd') were coded as predicative (Buÿmann, 2008) independent of whether a noun was

0

670

0

11.253

1

highest F3 when combined with /b/. Table 4 suggests that // has the longest

2

bled by the curing cutlass of the babalawo,

2

Onye unyi tere nwee ndidi.

0

�!��%��"��G�&��!�5��+�67268H/�

1

This stanza begins the poem ‘Sule Chase’ in which Osundare takes a swipe at

1

universal application, although the locus is the African experience.

1

cartoons, editorials and letters to the editor are some of the tools used in discussing

2

(17) No, I don’t assume that Hein is at sea (# as an answer to (16a))

1

Both questions are answered, by information which was initially there distributed over the two

2

(16) In this forest, trees are dying.

2

f. [VP Jacinta está soltera]: λx λz [z INST [SINGLE(x)] / [R(z, si)]] (Jacinta)

2

Standpoints On the African Novel. (Second Edition) Jos: Jubilee Press, 2000,

0

881

2

(time’s undying sword awaits their necks

0

6538

1

tion of RC-TYPE and SYMMETRY as fixed effects and random effects for subjects and items

1

whether Sue comes to the banquet, not because I want to know, but because I know that if

3

Philosophy 5, 355-398.

1

and terrorist who was suspected to be behind the September 11, 2001 terrorist attacks