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In 1795 he served on the Rhine, and in the following year, he was entrusted with chief control of all the Austrian forces on that river. His conduct of the operations against Jourdan and Moreau in 1796 marked him out at once as one of the greatest generals in Europe. At first, falling back carefully and avoiding a decision, he finally marched away, leaving a mere screen in front of Moreau. Falling upon Jourdan, he beat him in the battles of Amberg (August), Würzburg and Limburg (September), and drove him over the Rhine with great loss. He then turned upon Moreau's army, which he defeated and forced out of Germany after the battles of Wetzlar, Emmendingen and Schliengen.
Napoleonic Wars.
In 1797 he was sent to arrest the victorious march of General Bonaparte in Italy, and he conducted the retreat of the over-matched Austrians with the highest skill. In the campaign of 1799 he once more opposed Jourdan, whom he defeated in the battles of Ostrach and Stockach, following up his success by invading Switzerland and defeating Masséna in the First Battle of Zurich, after which he re-entered Germany and drove the French once more over the Rhine after winning at Mannheim in 1799.
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Ill-health, however, forced him to retire to Bohemia, but he was soon recalled to undertake the task of checking Moreau's advance on Vienna. The result of the Battle of Hohenlinden had, however, doomed the attempt, and the archduke had to make the armistice of Steyr. His popularity was now such that the Perpetual Diet of Regensburg, which met in 1802, resolved to erect a statue in his honour and to give him the title of saviour of his country, but Charles refused both distinctions.
In the short and disastrous war of 1805 Archduke Charles commanded what was intended to be the main army in Italy, but events made Germany the decisive theatre of operations; Austria sustained defeat on the Danube, and the archduke was defeated by Massena in the Battle of Caldiero. With the conclusion of peace he began his active work of army reorganisation, which was first tested on the field in 1809.
In 1806 Francis II (now Francis I of Austria) named the Archduke Charles, already a field marshal, as Commander in Chief of the Austrian army and Head of the Council of War. Supported by the prestige of being the only general who had proved capable of defeating the French, he promptly initiated a far-reaching scheme of reform, which replaced the obsolete methods of the 18th century. The chief characteristics of the new order were the adoption of the nation in arms principle and the adoption of French war organization and tactics. The army reforms were not yet completed by the war of 1809, in which Charles acted as commander in chief, yet even so it proved a far more formidable opponent than the old and was only defeated after a desperate struggle involving Austrian victories and large loss of life on both sides.
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Its initial successes were neutralised by the reverses of Abensberg, Landshut and Eckmühl but, after the evacuation of Vienna, the archduke won a strong victory at the Battle of Aspern-Essling but soon afterwards lost at the Battle of Wagram after heavy casualties on both sides. At the end of the campaign the archduke gave up all his military offices.
In 1808, when Napoleon had crowned his brother Joseph king of Spain, Archduke Charles had said to his brother, Emperor Francis II, "Now we know what Napoleon wants – he wants everything".
Later life.
When Austria joined the ranks of the allies during the War of the Sixth Coalition, Charles was not given a command and the post of commander-in-chief of the allied Army of Bohemia went to the Prince of Schwarzenberg. Charles spent the rest of his life in retirement, except for a short time in 1815 when he was military governor of the Fortress Mainz. In 1822 he succeeded to the duchy of Saxe-Teschen. In 1830 Charles was a candidate for the throne of Belgium.
On 15 September/17 September 1815 in Weilburg, Charles married Princess Henrietta of Nassau-Weilburg (1797–1829). She was a daughter of Frederick William of Nassau-Weilburg (1768–1816) and his wife Burgravine Louise Isabelle of Kirchberg.
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Charles died at Vienna on 30 April 1847. He is buried in tomb 122 in the New Vault of the Imperial Crypt in Vienna. An equestrian statue was erected to his memory on the Heldenplatz in Vienna in 1860.
Assessment of his achievements.
The caution which the archduke preached so earnestly in his strategic works, he displayed in practice only when the situation seemed to demand it, although his education certainly prejudiced him in favor of the defensive at all costs. He was at the same time capable of forming and executing the most daring offensive strategy, and his tactical skill in the handling of troops, whether in wide turning movements, as at Würzburg and Zürich, or in masses, as at Aspern and Wagram, was certainly equal to that of most leaders of his time, with only a few exceptions. Arthur Wellesley named Charles as the greatest general of his time. Charles was arguably the best commander ever produced by the House of Habsburg, and undoubtedly the most able Habsburg general of the French Revolutionary and Napoleonic era. Archduke Charles is credited with handing Napoleon his first major defeat. He has been described as the best general Republican France ever fought, with the exception of Alexander Suvorov.
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According to the "Encyclopædia Britannica" Eleventh Edition, his campaign of 1796 is considered almost faultless. That he sustained defeat in 1809 was due in part to the great numerical superiority of the French and their allies, and in part to the condition of his newly reorganized troops. His six weeks' inaction after the victory of Aspern is, however, open to unfavorable criticism. As a military writer, his position in the evolution of the art of war is very important, and his doctrines had naturally the greatest weight. Nevertheless, they cannot but be considered antiquated even in 1806. Caution and the importance of strategic points are the chief features of his system. The rigidity of his geographical strategy may be gathered from the prescription that "this principle is never to be departed from."
Again and again he repeated the advice that nothing should be hazarded unless one's army is completely secure, a rule which he himself neglected with such brilliant results in 1796. Strategic points, he says, not the defeat of the enemy's army, decide the fate of one's own country, and must constantly remain the general's main concern, a maxim which was never more remarkably disproved than in the war of 1809. The editor of the archduke's work is able to make but a feeble defense against Clausewitz's reproach that Charles attached more value to ground than to the annihilation of the foe. In his tactical writings the same spirit is conspicuous. His reserve in battle is designed to "cover a retreat."
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The baneful influence of these antiquated principles was clearly shown in the maintenance of Königgrätz-Josefstadt in 1866 as a strategic point, which was preferred to the defeat of the separated Prussian armies, and in the strange plans produced in Vienna for the campaign of 1859, and in the almost unintelligible Battle of Montebello in the same year. The theory and the practice of Archduke Charles form one of the most curious contrasts in military history. In the one he is unreal, in the other he displayed, along with the greatest skill, a vivid activity which made him for long the most formidable opponent of Napoleon.
He was the 831st Knight of the Order of the Golden Fleece in Austria.
Creation of the Austrian staff.
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Augustine of Canterbury
Augustine of Canterbury (early 6th century – most likely 26 May 604) was a Christian monk who became the first archbishop of Canterbury in the year 597. He is considered the "Apostle to the English".
Augustine was the prior of a monastery in Rome when Pope Gregory the Great chose him in 595 to lead a mission, usually known as the Gregorian mission, to Britain to Christianize King Æthelberht and his Kingdom of Kent from Anglo-Saxon paganism. Kent was likely chosen because Æthelberht commanded major influence over neighbouring Anglo-Saxon kingdoms in addition to his marriage to Bertha, a Frankish princess, who was expected to exert some influence over her husband. Before reaching Kent, the missionaries had considered turning back, but Gregory urged them on, and in 597, Augustine landed on the Isle of Thanet and proceeded to Æthelberht's main town of Canterbury.
King Æthelberht converted to Christianity and allowed the missionaries to preach freely, giving them land to found a monastery outside the city walls. Augustine was consecrated as a bishop and converted many of the king's subjects, including thousands during a mass baptism on Christmas Day in 597. Pope Gregory sent more missionaries in 601, along with encouraging letters and gifts for the churches, although attempts to persuade the native British bishops to submit to Augustine's authority failed. Roman bishops were established at London, and Rochester in 604, and a school was founded to train Anglo-Saxon priests and missionaries. Augustine also arranged the consecration of his successor, Laurence of Canterbury. The archbishop probably died in 604 and was soon revered as a saint.
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Background to the mission.
After the withdrawal of the Roman legions from their province of Britannia in 410, the inhabitants were left to defend themselves against the attacks of the Saxons. Before the Roman withdrawal, Britannia had been converted to Christianity and produced the ascetic Pelagius. Britain sent three bishops to the Council of Arles in 314, and a Gaulish bishop went to the island in 396 to help settle disciplinary matters. Material remains testify to a growing presence of Christians, at least until around 360. After the Roman legions departed, pagan tribes settled the southern parts of the island while western Britain, beyond the Anglo-Saxon kingdoms, remained Christian. This native British Church developed in isolation from Rome under the influence of missionaries from Ireland and was centred on monasteries instead of bishoprics. Other distinguishing characteristics were its calculation of the date of Easter and the style of the tonsure haircut that clerics wore. Evidence for the survival of Christianity in the eastern part of Britain during this time includes the survival of the cult of Saint Alban and the occurrence in place names of "eccles", derived from the Latin "ecclesia", meaning "church". There is no evidence that these native Christians tried to convert the Anglo-Saxons. The invasions destroyed most remnants of Roman civilisation in the areas held by the Saxons and related tribes, including the economic and religious structures.
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It was against this background that Pope Gregory I decided to send a mission, often called the Gregorian mission, to convert the Anglo-Saxons to Christianity in 595. The Kingdom of Kent was ruled by Æthelberht, who had married a Christian princess named Bertha before 588, and perhaps earlier than 560. Bertha was the daughter of Charibert I, one of the Merovingian kings of the Franks. As one of the conditions of her marriage, she brought a bishop named Liudhard with her to Kent. Together in Canterbury, they restored a church that dated to Roman timespossibly the current St Martin's Church. Æthelberht was a pagan at this point but allowed his wife freedom of worship. One biographer of Bertha states that under his wife's influence, Æthelberht asked Pope Gregory to send missionaries. The historian Ian N. Wood feels that the initiative came from the Kentish court as well as the queen. Other historians, however, believe that Gregory initiated the mission, although the exact reasons remain unclear. Bede, an 8th-century monk who wrote a history of the English church, recorded a famous story in which Gregory saw fair-haired Saxon slaves from Britain in the Roman slave market and was inspired to try to convert their people. More practical matters, such as the acquisition of new provinces acknowledging the primacy of the papacy, and a desire to influence the emerging power of the Kentish kingdom under Æthelberht, were probably involved. The mission may have been an outgrowth of the missionary efforts against the Lombards who, as pagans and Arian Christians, were not on good relations with the Catholic church in Rome.
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Aside from Æthelberht's granting of freedom of worship to his wife, the choice of Kent was probably dictated by a number of other factors. Kent was the dominant power in southeastern Britain. Since the eclipse of King Ceawlin of Wessex in 592, Æthelberht was the "bretwalda", or leading Anglo-Saxon ruler; Bede refers to Æthelberht as having imperium (overlordship) south of the River Humber. Trade between the Franks and Æthelberht's kingdom was well established, and the language barrier between the two regions was apparently only a minor obstacle, as the interpreters for the mission came from the Franks. Lastly, Kent's proximity to the Franks allowed support from a Christian area. There is some evidence, including Gregory's letters to Frankish kings in support of the mission, that some of the Franks felt that they had a claim to overlordship over some of the southern British kingdoms at this time. The presence of a Frankish bishop could also have lent credence to claims of overlordship, if Bertha's Bishop Liudhard was felt to be acting as a representative of the Frankish church and not merely as a spiritual advisor to the queen. Frankish influence was not merely political; archaeological remains attest to a cultural influence as well.
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In 595, Gregory chose Augustine, who was the prior of the Abbey of St Andrew in Rome, to head the mission to Kent. The pope selected monks to accompany Augustine and sought support from the Frankish royalty and clergy in a series of letters, of which some copies survive in Rome. He wrote to King Theuderic II of Burgundy and to King Theudebert II of Austrasia, as well as their grandmother Brunhild, seeking aid for the mission. Gregory thanked King Chlothar II of Neustria for aiding Augustine. Besides hospitality, the Frankish bishops and kings provided interpreters and Frankish priests to accompany the mission. By soliciting help from the Frankish kings and bishops, Gregory helped to assure a friendly reception for Augustine in Kent, as Æthelbert was unlikely to mistreat a mission which visibly had the support of his wife's relatives and people. Moreover, the Franks appreciated the chance to participate in mission that would extend their influence in Kent. Chlothar, in particular, needed a friendly realm across the Channel to help guard his kingdom's flanks against his fellow Frankish kings.
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Sources make no mention of why Pope Gregory chose a monk to head the mission. Pope Gregory once wrote to Æthelberht complimenting Augustine's knowledge of the Bible, so Augustine was evidently well educated. Other qualifications included administrative ability, for Gregory was the abbot of St Andrews as well as being pope, which left the day-to-day running of the abbey to Augustine, the prior.
Arrival and first efforts.
Augustine was accompanied by Laurence of Canterbury, his eventual successor to the archbishopric, and a group of about 40 companions, some of whom were monks. Soon after leaving Rome, the missionaries halted, daunted by the nature of the task before them. They sent Augustine back to Rome to request papal permission to return. Gregory refused and sent Augustine back with letters encouraging the missionaries to persevere. In 597, Augustine and his companions landed in Kent. They achieved some initial success soon after their arrival: Æthelberht permitted the missionaries to settle and preach in his capital of Canterbury where they used the church of St Martin's for services.
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They achieved some initial success soon after their arrival: Æthelberht permitted the missionaries to settle and preach in his capital of Canterbury where they used the church of St Martin's for services. Neither Bede nor Gregory mentions the date of Æthelberht's conversion, but it probably took place in 597. In the early medieval period, large-scale conversions required the ruler's conversion first, and Augustine is recorded as making large numbers of converts within a year of his arrival in Kent. Also, by 601, Gregory was writing to both Æthelberht and Bertha, calling the king his son and referring to his baptism. A late medieval tradition, recorded by the 15th-century chronicler Thomas Elmham, gives the date of the king's conversion as Whit Sunday, or 2 June 597; there is no reason to doubt this date, although there is no other evidence for it. Against a date in 597 is a letter of Gregory's to Patriarch Eulogius of Alexandria in June 598, which mentions the number of converts made by Augustine, but does not mention any baptism of the king. Against a date in 597 is a letter of Gregory's to Patriarch Eulogius of Alexandria in June 598, which mentions the number of converts made by Augustine, but does not mention any baptism of the king. However, it is clear that by 601 the king had been converted. His baptism likely took place at Canterbury.
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Augustine established his episcopal see at Canterbury. It is not clear when and where Augustine was consecrated as a bishop. Bede, writing about a century later, states that Augustine was consecrated by the Frankish Archbishop Ætherius of Arles, Gaul (France) after the conversion of Æthelberht. Contemporary letters from Pope Gregory, however, refer to Augustine as a bishop before he arrived in England. A letter of Gregory's from September 597 calls Augustine a bishop, and one dated ten months later says Augustine had been consecrated on Gregory's command by bishops of the German lands. The historian R. A. Markus discusses the various theories of when and where Augustine was consecrated, and suggests he was consecrated before arriving in England, but argues the evidence does not permit deciding exactly where this took place.
Soon after his arrival, Augustine founded the monastery of Saints Peter and Paul, which later became St Augustine's Abbey, on land donated by the king. In a letter Gregory wrote to the patriarch of Alexandria in 598, he claimed that more than 10,000 Christians had been baptised; the number may be exaggerated but there is no reason to doubt that a mass conversion took place. However, there were probably some Christians already in Kent before Augustine arrived, remnants of the Christians who lived in Britain in the later Roman Empire. Little literary traces remain of them, however. One other effect of the king's conversion by Augustine's mission was that the Frankish influence on the southern kingdoms of Britain was decreased.
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After these conversions, Augustine sent Laurence back to Rome with a report of his success, along with questions about the mission. Bede records the letter and Gregory's replies in chapter 27 of his "Historia ecclesiastica gentis Anglorum"; this section of the "History" is usually known as the "Libellus responsionum". Augustine asked for Gregory's advice on a number of issues, including how to organise the church, the punishment for church robbers, guidance on who was allowed to marry whom, and the consecration of bishops. Other topics were relations between the churches of Britain and Gaul, childbirth and baptism, and when it was lawful for people to receive communion and for a priest to celebrate mass.
Further missionaries were sent from Rome in 601. They brought a pallium for Augustine and a present of sacred vessels, vestments, relics, and books. The pallium was the symbol of metropolitan status, and signified that Augustine was now an archbishop unambiguously associated with the Holy See. Along with the pallium, a letter from Gregory directed the new archbishop to consecrate 12 suffragan bishops as soon as possible and to send a bishop to York. Gregory's plan was that there would be two metropolitans, one at York and one at London, with 12 suffragan bishops under each archbishop. As part of this plan, Augustine was expected to transfer his archiepiscopal see to London from Canterbury. This move never happened; no contemporary sources give the reason, but it was probably because London was not part of Æthelberht's domains. Instead, London was part of the kingdom of Essex, ruled by Æthelberht's nephew Saebert of Essex, who converted to Christianity in 604. The historian S. Brechter has suggested that the metropolitan see was indeed moved to London, and that it was only with the abandonment of London as a see after the death of Æthelberht that Canterbury became the archiepiscopal see. This theory contradicts Bede's version of events, however.
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Additional work.
In 604, Augustine founded two more bishoprics in Britain. Two men who had come to Britain with him in 601 were consecrated, Mellitus as Bishop of London and Justus as Bishop of Rochester. Bede relates that Augustine, with the help of the king, "recovered" a church built by Roman Christians in Canterbury. It is not clear if Bede meant that Augustine rebuilt the church or that Augustine merely reconsecrated a building that had been used for pagan worship. Archaeological evidence seems to support the latter interpretation; in 1973 the remains of an aisled building dating from the Romano-British period were uncovered just south of the present Canterbury Cathedral. The historian Ian Wood argues that the existence of the "Libellus" points to more contact between Augustine and the native Christians because the topics covered in the work are not restricted to conversion from paganism, but also dealt with relations between differing styles of Christianity.
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Further success.
Gregory also instructed Augustine on other matters. Temples were to be consecrated for Christian use, and feasts, if possible, moved to days celebrating Christian martyrs. One religious site was revealed to be a shrine of a local St Sixtus, whose worshippers were unaware of details of the martyr's life or death. They may have been native Christians, but Augustine did not treat them as such. When Gregory was informed, he told Augustine to stop the cult and use the shrine for the Roman St Sixtus.
Gregory legislated on the behaviour of the laity and the clergy. He placed the new mission directly under papal authority and made it clear that English bishops would have no authority over Frankish counterparts nor vice versa. Other directives dealt with the training of native clergy and the missionaries' conduct.
The King's School, Canterbury claims Augustine as its founder, which would make it the world's oldest existing school, but the first documentary records of the school date from the 16th century. Augustine did establish a school, and soon after his death Canterbury was able to send teachers out to support the East Anglian mission. Augustine received liturgical books from the pope, but their exact contents are unknown. They may have been some of the new mass books that were being written at this time. The exact liturgy that Augustine introduced to England remains unknown, but it would have been a form of the Latin language liturgy in use at Rome.
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Death and legacy.
Before his death, Augustine consecrated Laurence of Canterbury as his successor to the archbishopric, probably to ensure an orderly transfer of office. Although at the time of Augustine's death, 26 May 604, the mission barely extended beyond Kent, his undertaking introduced a more active missionary style into the British Isles. Despite the earlier presence of Christians in Ireland and Wales, no efforts had been made to try to convert the Saxon invaders. Augustine was sent to convert the descendants of those invaders, and eventually became the decisive influence in Christianity in most of the British Isles. Much of his success came about because of Augustine's close relationship with Æthelberht, which gave the archbishop time to establish himself. Augustine's example also influenced the great missionary efforts of the Anglo-Saxon Church.
Augustine's body was originally buried in the portico of what is now St Augustine's, Canterbury, but it was later exhumed and placed in a tomb within the abbey church, which became a place of pilgrimage and veneration. After the Norman Conquest the cult of St Augustine was actively promoted. After the Conquest, his shrine in St Augustine's Abbey held a central position in one of the axial chapels, flanked by the shrines of his successors Laurence and Mellitus. King Henry I of England granted St. Augustine's Abbey a six-day fair around the date on which Augustine's relics were translated to his new shrine, from 8 September through 13 September.
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A life of Augustine was written by Goscelin around 1090, but this life portrays Augustine in a different light, compared to Bede's account. Goscelin's account has little new historical content, mainly being filled with miracles and imagined speeches. Building on this account, later medieval writers continued to add new miracles and stories to Augustine's life, often quite fanciful. These authors included William of Malmesbury, who claimed that Augustine founded Cerne Abbey, the author (generally believed to be John Brompton) of a late medieval chronicle containing invented letters from Augustine, and a number of medieval writers who included Augustine in their romances. Another problem with investigating Augustine's saintly cult is the confusion resulting because most medieval liturgical documents mentioning Augustine do not distinguish between Augustine of Canterbury and Augustine of Hippo, a fourth-century saint. Medieval Scandinavian liturgies feature Augustine of Canterbury quite often, however. During the English Reformation, Augustine's shrine was destroyed and his relics were lost.
Augustine's shrine was re-established in March 2012 at the church of St. Augustine in Ramsgate, Kent, very close to the mission's landing site. St Augustine's Cross, a Celtic cross erected in 1884, marks the spot in Ebbsfleet, Thanet, East Kent, where the newly arrived Augustine is said to have first met and preached to the awaiting King Ethelbert.
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Alexander of Hales
Alexander of Hales (also Halensis, Alensis, Halesius, Alesius ; 21 August 1245)—known also as , or "Irrefutable Teacher" (so-called by Pope Alexander IV in the bull ), and as (or "King of Theologians")—was a Franciscan friar, theologian, and philosopher instrumental to the development of scholasticism.
Life.
Alexander was born at Hales, Shropshire (today Halesowen, West Midlands), England, between 1180 and 1186. He came from a rather wealthy country family, studied at the University of Paris, and became a master of arts sometime before 1210. He began to read theology in 1212 or 1213, and became a regent master in 1220 or 1221. He introduced the "Sentences" of Peter Lombard as the basic textbook for the study of theology. During the University strike of 1229, Alexander participated in an embassy to Rome to discuss the place of Aristotle in the curriculum. Having held a prebend at Holborn (prior to 1229) and a canonry of St. Paul's in London (1226–1229), he visited England in 1230 and received a canonry and an archdeaconry in Coventry and Lichfield, his native diocese. He taught at Paris in the academic year 1232–33, but was appointed to a delegation by Henry III of England in 1235, along with Simon Langton and Fulk Basset, to negotiate the renewal of the peace between England and France.
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In 1236 or 1237, aged about 50, Alexander entered the Franciscan Order after considering both the Cistercians and the Dominicans. He thus became the first Franciscan friar to hold a university chair. His doctrinal positions became the starting point of the Franciscan school of theology. He continued to teach and to represent the university, and participated in the First Council of Lyon in the winter of 1245.
After returning to Paris, Alexander fell ill, possibly due to an epidemic then sweeping the city. He passed his chair on to John of La Rochelle, setting the precedent for that chair to be held by a Franciscan, and soon after died in Paris on 21 August 1245.
As the first Franciscan to hold a chair at the University of Paris, Alexander had many significant disciples. He was called "Doctor Irrefragibilis" (Irrefutable Teacher) and "Doctor Doctorum" (Teacher of Teachers). The latter title is especially suggestive of his role in educating several Franciscans who later became influential thinkers in the faculty, among them Bonaventure, John of La Rochelle, Odo Rigaldus, William of Middleton, and Richard Rufus of Cornwall. Bonaventure, who may not have studied under Alexander directly, nevertheless referred to him as his "father and master" and wished to "follow in his footsteps."
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Works.
Alexander is known for reflecting the works of several other Middle Age thinkers, especially those of Anselm of Canterbury and Augustine of Hippo. He was also known to quote thinkers such as Bernard of Clairvaux and Richard of Saint-Victor. He differs from those in his genre as he is known to reflect his own interests and those of his generation. When using the works of his authorities, Alexander does not only review their reasoning but also gives conclusions, expands on them, and offers his agreements and disagreement with them. He also differed in that he appealed to pre-Lombardian figures, and by referencing Anselm of Canterbury and Bernard of Clairvaux, whose works were not cited as frequently by other 12th-century scholastics. Aristotle is also quite frequently quoted in Alexander's works. Alexander was fascinated by the Pseudo-Dionysian hierarchy of angels and in how their nature can be understood, given Aristotelian metaphysics.
Among the doctrines which were specially developed and, so to speak, fixed by Alexander of Hales, are the "thesaurus supererogationis perfectorum" (treasury of supererogatory merits) and the "character indelibilis" (sacramental character) of baptism, confirmation, and ordination. That doctrine had been written about much earlier by Augustine and was eventually defined a dogma by the Council of Trent. He also posed an important question about the cause of the Incarnation: would Christ have been incarnated if humanity had never sinned? The question eventually became the focal point for a philosophical issue (the theory of possible worlds) and a theological topic on the distinction between God's absolute power ("potentia absoluta") and His ordained power ("potentia ordinata").
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"Summa Universae Theologiae".
Alexander wrote a summary and commentary of Peter Lombard's four books of the "Sentences". It had exposed the trinitarian theology of the Greeks. This had been the most important writing that Alexander had claimed, and it had been the earliest in the genre. While it is common for scholars to state that Alexander was the first to write a commentary on the "Sentences" of Peter Lombard, it is not quite accurate. Authorship is more contentious for this work; although he started this work, he died before it could be finished, and it most likely was more a product of people other than Alexander. There were a number of "commentaries" on the "Sentences", but Alexander's appears to have been the first magisterial commentary. Although it was Alexander's most significant writing, it had not been completed, therefore leaving historians with many questions on the reliability and quality of the writing. This was taken into consideration when the "Summa" had been examined by Victorin Doucet for different editions of them. The sources has seem to be the resulting problem of the "Summa", "counted there were 4814 explicit quotations and 1372 implicit quotations from Augustine, more than one quarter of texts were cited in the body of the "Summa".
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Of Alexander's "Summa", which was on one occasion proclaimed by an assembly of seventy doctors to be infallible, Roger Bacon declared that, though it was as heavy as the weight of a horse, it was full of errors and displayed ignorance of physics, of metaphysics, and even of logic.
Other historical works.
Alexander also influenced and sometimes is confused with Alexander Carpenter, Latinized as "Fabricius" (fl. 1429), who was the author of the "Destructorium viciorum", a religious work popular in the 15th and 16th centuries. Carpenter also authored other works, such as "Homiliae eruditae" ("Learned Sermons").
Historiographical contribution.
Alexander was said to have been among the earliest scholastics to engage with Aristotle's newly translated writings. Between 1220 and 1227, he wrote "Glossa in quatuor libros Sententiarum Petri Lombardi" ("A Gloss on the Four Books of the Sentences of Peter Lombard") (composed in the mid-12th century), which was particularly important because it was the first time that a book other than the Bible was used as a basic text for theological study. This steered the development of scholasticism in a more systematic direction, inaugurating an important tradition of writing commentaries on the "Sentences" as a fundamental step in the training of master theologians.
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A medieval scholastic.
In doing so, he elevated Lombard's work from a mere theological resource to the basic framework of questions and problems from which masters could teach. The commentary (or more correctly titled a "Gloss") survived in student reports from Alexander's teaching in the classroom and so it provides a major insight into the way theologians taught their discipline in the 1220s. As is the case with "Glossa" and "Quaestiones Disputatae", much of his work is probably written in the form of notes on his oral teachings by students, though the content is definitely his.
For his contemporaries, however, Alexander's fame was his inexhaustible interest in disputation. His disputations prior to his becoming a Franciscan cover over 1,600 pages in their modern edition. His disputed questions after 1236 remain unpublished. Alexander was also one of the first scholastics to participate in the "Quodlibeta", a university event in which a master had to respond to any question posed by any student or master over a period of three days. Alexander's "Quodlibetal Questions" also remain unedited.
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Theologian.
At the beginning of 1236, he entered the Franciscan order (he was at least 50) and was the first Franciscan to hold a chair at the University of Paris. He held this post until shortly before his death in Paris in 1245. When he became a Franciscan and thus created a formal Franciscan school of theology at Paris, it was soon clear that his students lacked some of the basic tools for the discipline. Alexander responded by beginning a "Summa theologiae" that is now known as the "Summa fratris Alexandri". Alexander drew mainly from his own disputations, but also selected ideas, arguments and sources from his contemporaries. It treats in its first part the doctrines of God and his attributes; in its second, those of creation and sin; in its third, those of redemption and atonement; and, in its fourth and last, those of the sacraments. This massive text, which Roger Bacon would later sarcastically describe as weighing as much as a horse, was unfinished at his death; his students, William of Middleton and John of Rupella, were charged with its completion. It was certainly read by the Franciscans at Paris, including Bonaventure.
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Alexander was an innovative theologian. He was part of the generation that first grappled with the writings of Aristotle. While there was a ban on using Aristotle's works as teaching texts, theologians like Alexander continued to exploit his ideas in their theology. Two other uncommon sources were promoted by Alexander: Anselm of Canterbury, whose writings had been ignored for almost a century, gained an important advocate in Alexander and he used Anselm's works extensively in his teaching on Christology and soteriology; and, Pseudo-Dionysius the Areopagite, whom Alexander used in his examination of the theology of Orders and ecclesiastical structures.
Though he also continued the tradition of Aristotle- and Augustine-focused thought in the Franciscan school, he did so through an Anselm-directed lens. In fact, Alexander was one of the major influences for the advancement of Anselmian thought in the 13th century. One such example is the idea of original sin as a lack of justice. Alexander believed that original sin is both a punishment as well as a cause for punishment. That is to say, the body is corrupt, but the soul is clean. Alexander advances the idea that it would not be God's fault to create a being that would bind the ‘corrupt’ with the ‘clean’. He advanced a highly original response that the soul naturally desires the body. Consequently, God is both merciful in giving the soul what it wants, as well as just in punishing the soul for binding with the corrupt flesh. Either the soul knew that the body was corrupt, or it did not (in which case it would be “laboring under ignorance”); both of these considerations are cause for divine punishment.
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Alexander is also known for rejecting the idea that there are many things in God's mind, instead claiming that it is more perfect to know just one thing. He did not start off with this view, though. In the "Glossa", he openly suggests the idea of the multiplicity of divine ideas. In his later work, "Quaestio disputata antequam erat Frater 46", he finally rejects the plurality of divine ideas, and this theme continues through the rest of his works. Specifically, in one of his last works, "De scientia divina", he concludes that the idea of plurality itself is strictly temporal, a human notion.
One of his more famous works, the "Summa", is important because of its system for determining if a war is just. There are six requirements for determining this: authority and attitude (in reference to who declares the war), intention and condition (in reference to the soldiers), merit (of the enemy) and just cause. Just cause becomes the overarching moral principle for declaring war in three ways: the relief of good people, coercion of the wicked, and peace for all. It is important to note that Alexander put ‘peace for all’ at the end of the list to amplify its importance.
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Active Server Pages
Active Server Pages (ASP) is Microsoft's first server-side scripting language and engine for dynamic web pages.
It was first released in December 1996, before being superseded in January 2002 by ASP.NET.
History.
Initially released as an add-on to Internet Information Services (IIS) via the Windows NT 4.0 Option Pack (1996), it is included as a component of Windows Server (since the initial release of Windows 2000 Server). There have been three versions of ASP, each introduced with different versions of IIS:
ASP 2.0 provides six built-in objects: Application, ASPError, Request, Response, Server, and Session. A codice_1 object, for example, represents a session that maintains the state of variables from page to page. The Active Scripting engine's support of the Component Object Model enables ASP websites to access functionality in compiled libraries such as dynamic-link libraries.
ASP 3.0 does not differ greatly from ASP 2.0 but it does offer some additional enhancements such as Server.Transfer method, Server.Execute method, and an enhanced ASPError object. ASP 3.0 also enables buffering by default and optimized the engine for better performance.
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ASP was supported until 14 January 2020 on Windows 7. The use of ASP pages will be supported on Windows 8 for a minimum of 10 years from the Windows 8 release date. ASP is supported in all available versions of IIS as of 2024.
Architecture.
ASP uses scripting on the server to generate content that is sent to the client's web browser via HTTP response. The ASP interpreter reads and executes all script code between <% and %> tags, the result of which is content generation. These scripts were written using VBScript, JScript, or PerlScript. The codice_2 directive, the syntax or server configuration can be used to select the language. In the example below, Response.Write Now() is in an HTML page; it would be dynamically replaced by the current time of the server.
Web pages with the ".asp" filename extension use ASP, although some web sites disguise their choice of scripting language for security purposes by using the more common ".htm" or ".html" extensions. Pages with the ".aspx" extension use compiled ASP.NET; however, ASP.NET pages may still include some ASP scripting. The introduction of ASP.NET led to use of the term "Classic ASP" for the original technology.
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Sun Java System ASP (formerly ChiliSoft ASP) was a popular and reportedly complete emulator, but it has been discontinued.
The Server object.
The server object allows connections to databases (ADO), filesystem, and use of components installed on the server.
<%
Dim oAdoCon, oAdoRec, oAdoStm, oCdoCon, oCdoMsg, oSciDic, oSciFsm, oMswAdr
Set oAdoCon = Server.CreateObject("ADODB.Connection")
Set oAdoRec = Server.CreateObject("ADODB.Recordset")
Set oAdoStm = Server.CreateObject("ADODB.Stream")
Set oCdoCon = Server.CreateObject("CDO.Configuration")
Set oCdoMsg = Server.CreateObject("CDO.Message")
Set oSciDic = Server.CreateObject("Scripting.Dictionary")
Set oSciFsm = Server.CreateObject("Scripting.FileSystemObject")
Set oMswAdr = Server.CreateObject("MSWC.Swingbridge")
The Application object.
This object stores global variables, which are variables accessible to all users.
<%
Application("Ali") = "My ASP Application"
Response.Write "Welcome to " & Server.HTMLEncode(Application("Ali")) & "!"
The Session object.
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Stores variables accessible only to a single visitor, which are local variables.
<%
If Len(Request.QueryString("name")) > 0 Then
Session("name") = Request.QueryString("name")
End If
Response.Write "Welcome " & Server.HTMLEncode(Session("name")) & "!"
The session object is file based and multiple concurrent read and/or write requests will be blocked and processed in turn.
The Err object.
Allows the management and fixing of non-fatal errors.
<%
On Error Resume Next
Response.Write 1 / 0 ' Division by zero
If Err.Number <> 0 Then
Response.Write "Error Code: " & Server.HTMLEncode(Err.Number) & "<br />"
Response.Write "Error Source: " & Server.HTMLEncode(Err.Source) & "<br />"
Response.Write "Error Description: " & Server.HTMLEncode(Err.Description) & "<br />"
Err.Clear
End If
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Amoxicillin
Amoxicillin is an antibiotic medication belonging to the aminopenicillin class of the penicillin family. The drug is used to treat bacterial infections such as middle ear infection, strep throat, pneumonia, skin infections, odontogenic infections, and urinary tract infections. It is taken orally (swallowed by mouth), or less commonly by either intramuscular injection or by an IV bolus injection, which is a relatively quick intravenous injection lasting from a couple of seconds to a few minutes.
Common adverse effects include nausea and rash. It may also increase the risk of yeast infections and, when used in combination with clavulanic acid, diarrhea. It should not be used in those who are allergic to penicillin. While usable in those with kidney problems, the dose may need to be decreased. Its use in pregnancy and breastfeeding does not appear to be harmful. Amoxicillin is in the β-lactam family of antibiotics.
Amoxicillin was discovered in 1958 and came into medical use in 1972. Amoxil was approved for medical use in the United States in 1974, and in the United Kingdom in 1977. It is on the World Health Organization's List of Essential Medicines. It is one of the most commonly prescribed antibiotics in children. Amoxicillin is available as a generic medication. In 2022, it was the 26th most commonly prescribed medication in the United States, with more than 20million prescriptions.
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Medical uses.
Amoxicillin is used in the treatment of a number of infections, including acute otitis media, streptococcal pharyngitis, pneumonia, skin infections, urinary tract infections, "Salmonella" infections, Lyme disease, and chlamydia infections.
Acute otitis media.
Children with acute otitis media who are younger than six months of age are generally treated with amoxicillin or other antibiotics. Although most children with acute otitis media who are older than two years old do not benefit from treatment with amoxicillin or other antibiotics, such treatment may be helpful in children younger than two years old with acute otitis media that is bilateral or accompanied by ear drainage. In the past, amoxicillin was dosed three times daily when used to treat acute otitis media, which resulted in missed doses in routine ambulatory practice. There is now evidence that two-times daily dosing or once-daily dosing has similar effectiveness.
Respiratory infections.
Most sinusitis infections are caused by viruses, for which amoxicillin and amoxicillin-clavulanate are ineffective, and the small benefit gained by amoxicillin may be overridden by the adverse effects.
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Amoxicillin is considered the first-line empirical treatment for most cases of uncomplicated bacterial sinusitis in children and adults when culture data is unavailable. Amoxicillin is recommended as the preferred first-line treatment for community-acquired pneumonia in adults by the National Institute for Health and Care Excellence, either alone (mild to moderate severity disease) or in combination with a macrolide. Research suggests that is as effective as co-amoxiclav (a broad-spectrum antibiotic) for people admitted to hospital with pneumonia, regardless of its severity. The World Health Organization (WHO) recommends amoxicillin as first-line treatment for pneumonia that is not "severe". Amoxicillin is used in post-exposure inhalation of anthrax to prevent disease progression and for prophylaxis.
"H. pylori".
It is effective as one part of a multi-drug regimen for the treatment of stomach infections of "Helicobacter pylori". It is typically combined with a proton-pump inhibitor (such as omeprazole) and a macrolide antibiotic (such as clarithromycin); other drug combinations are also effective.
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Lyme borreliosis.
Amoxicillin is effective for the treatment of early cutaneous Lyme borreliosis; the effectiveness and safety of oral amoxicillin is neither better nor worse than common alternatively-used antibiotics.
Odontogenic infections.
Amoxicillin is used to treat odontogenic infections, infections of the tongue, lips, and other oral tissues. It may be prescribed following a tooth extraction, particularly in those with compromised immune systems.
Skin infections.
Amoxicillin is occasionally used for the treatment of skin infections, such as acne vulgaris. It is often an effective treatment for cases of acne vulgaris that have responded poorly to other antibiotics, such as doxycycline and minocycline.
Infections in infants in resource-limited settings.
Amoxicillin is recommended by the World Health Organization for the treatment of infants with signs and symptoms of pneumonia in resource-limited situations when the parents are unable or unwilling to accept hospitalization of the child. Amoxicillin in combination with gentamicin is recommended for the treatment of infants with signs of other severe infections when hospitalization is not an option.
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Prevention of bacterial endocarditis.
It is also used to prevent bacterial endocarditis and as a pain-reliever in high-risk people having dental work done, to prevent "Streptococcus pneumoniae" and other encapsulated bacterial infections in those without spleens, such as people with sickle-cell disease, and for both the prevention and the treatment of anthrax. The United Kingdom recommends against its use for infectious endocarditis prophylaxis. These recommendations do not appear to have changed the rates of infection for infectious endocarditis.
Combination treatment.
Amoxicillin is susceptible to degradation by β-lactamase-producing bacteria, which are resistant to most β-lactam antibiotics, such as penicillin. For this reason, it may be combined with clavulanic acid, a β-lactamase inhibitor. This drug combination is commonly called co-amoxiclav.
Spectrum of activity.
It is a moderate-spectrum, bacteriolytic, β-lactam antibiotic in the aminopenicillin family used to treat susceptible Gram-positive and Gram-negative bacteria. It is usually the drug of choice within the class because it is better absorbed, following oral administration, than other β-lactam antibiotics.
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In general, "Streptococcus, Bacillus subtilis, Enterococcus, Haemophilus, Helicobacter," and "Moraxella" are susceptible to amoxicillin, whereas "Citrobacter, Klebsiella" and "Pseudomonas aeruginosa" are resistant to it. Some "E. coli" and most clinical strains of "Staphylococcus aureus" have developed resistance to amoxicillin to varying degrees.
Adverse effects.
Adverse effects are similar to those for other β-lactam antibiotics, including nausea, vomiting, rashes, and antibiotic-associated colitis. Diarrhea (loose bowel movements) may also occur.
Rarer adverse effects include mental and behavioral changes, lightheadedness, insomnia, hyperactivity, agitation, confusion, anxiety, sensitivity to lights and sounds, and unclear thinking. Immediate medical care is required upon the first signs of these adverse effects. Similarly to other penicillins, amoxicillin has been associated with an increased risk of seizures. Amoxicillin-induced neurotoxicity has been especially associated with concentrations of greater than 110mg/L.
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The onset of an allergic reaction to amoxicillin can be very sudden and intense; emergency medical attention must be sought as quickly as possible. The initial phase of such a reaction often starts with a change in mental state, skin rash with intense itching (often beginning in the fingertips and around the groin area and rapidly spreading), and sensations of fever, nausea, and vomiting. Any other symptoms that seem even remotely suspicious must be taken very seriously. However, more mild allergy symptoms, such as a rash, can occur at any time during treatment, even up to a week after treatment has ceased. For some people allergic to amoxicillin, the adverse effects can be fatal due to anaphylaxis.
Use of the amoxicillin/clavulanic acid combination for more than one week has caused a drug-induced immunoallergic-type hepatitis in some patients. Young children having ingested acute overdoses of amoxicillin manifested lethargy, vomiting, and renal dysfunction.
There is poor reporting of adverse effects of amoxicillin from clinical trials. For this reason, the severity and frequency of adverse effects from amoxicillin are probably higher than reported in clinical trials.
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Nonallergic rash.
Between 3 and 10% of children taking amoxicillin (or ampicillin) show a late-developing (>72 hours after beginning medication and having never taken penicillin-like medication previously) rash, which is sometimes referred to as the "amoxicillin rash". The rash can also occur in adults and may rarely be a component of the DRESS syndrome.
The rash is described as maculopapular or morbilliform (measles-like; therefore, in medical literature, it is called "amoxicillin-induced morbilliform rash".). It starts on the trunk and can spread from there. This rash is unlikely to be a true allergic reaction and is not a contraindication for future amoxicillin usage, nor should the current regimen necessarily be stopped. However, this common amoxicillin rash and a dangerous allergic reaction cannot easily be distinguished by inexperienced persons, so a healthcare professional is often required to distinguish between the two.
A nonallergic amoxicillin rash may also be an indicator of infectious mononucleosis. Some studies indicate about 80–90% of patients with acute Epstein–Barr virus infection treated with amoxicillin or ampicillin develop such a rash.
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Interactions.
Amoxicillin may interact with these drugs:
When given intravenously or intramuscularly:
Pharmacology.
Amoxicillin (α-amino-"p"-hydroxybenzyl penicillin) is a semisynthetic derivative of penicillin with a structure similar to ampicillin but with better absorption when taken by mouth, thus yielding higher concentrations in blood and in urine. Amoxicillin diffuses easily into tissues and body fluids. It will cross the placenta and is excreted into breastmilk in small quantities. It is metabolized by the liver and excreted into the urine. It has an onset of 30 minutes and a half-life of 3.7 hours in newborns and 1.4 hours in adults.
Amoxicillin attaches to the cell wall of susceptible bacteria and results in their death. It is effective against streptococci, pneumococci, enterococci, "Haemophilus influenzae", "Escherichia coli", "Proteus mirabilis", "Neisseria meningitidis", "Neisseria gonorrhoeae", "Shigella", "Chlamydia trachomatis", "Salmonella", "Borrelia burgdorferi", and "Helicobacter pylori". As a derivative of ampicillin, amoxicillin is a member of the penicillin family and, like penicillins, is a β-lactam antibiotic. It inhibits cross-linkage between the linear peptidoglycan polymer chains that make up a major component of the bacterial cell wall. It has two ionizable groups in the physiological range (the amino group in alpha-position to the amide carbonyl group and the carboxyl group).
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Chemistry.
Amoxicillin is a β-lactam and aminopenicillin antibiotic in terms of chemical structure. It is structurally related to ampicillin.
The experimental log P of amoxicillin is 0.87. It is described as an "ambiphilic"—between hydrophilic and lipophilic—antibiotic.
History.
Amoxicillin was one of several semisynthetic derivatives of 6-aminopenicillanic acid (6-APA) developed by the Beecham Group in the 1960s. It was invented by Anthony Alfred Walter Long and John Herbert Charles Nayler, two British scientists. It became available in 1972 and was the second aminopenicillin to reach the market (after ampicillin in 1961). Co-amoxiclav became available in 1981.
Society and culture.
Economics.
Amoxicillin is relatively inexpensive. In 2022, a survey of eight generic antibiotics commonly prescribed in the United States found their average cost to be about $42.67, while amoxicillin was sold for $12.14 on average.
Modes of delivery.
Pharmaceutical manufacturers make amoxicillin in trihydrate form, for oral use available as capsules, regular, chewable and dispersible tablets, syrup and pediatric suspension for oral use, and as the sodium salt for intravenous administration.
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An extended-release is available. The intravenous form of amoxicillin is not sold in the United States. When an intravenous aminopenicillin is required in the United States, ampicillin is typically used. When there is an adequate response to ampicillin, the course of antibiotic therapy may often be completed with oral amoxicillin.
Research with mice indicated successful delivery using intraperitoneally injected amoxicillin-bearing microparticles.
Names.
Amoxicillin is the international nonproprietary name (INN), British Approved Name (BAN), and United States Adopted Name (USAN), while amoxycillin is the Australian Approved Name (AAN).
Amoxicillin is one of the semisynthetic penicillins discovered by the former pharmaceutical company Beecham Group. The patent for amoxicillin has expired, thus amoxicillin and co-amoxiclav preparations are marketed under various brand names across the world.
Veterinary uses.
Amoxicillin is also sometimes used as an antibiotic for animals. The use of amoxicillin for animals intended for human consumption (chickens, cattle, and swine for example) has been approved.
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Amorphous solid
In condensed matter physics and materials science, an amorphous solid (or non-crystalline solid) is a solid that lacks the long-range order that is a characteristic of a crystal. The terms "glass" and "glassy solid" are sometimes used synonymously with amorphous solid; however, these terms refer specifically to amorphous materials that undergo a glass transition. Examples of amorphous solids include glasses, metallic glasses, and certain types of plastics and polymers.
Etymology.
The term "Amorphous" comes from the Greek "a" ("without"), and "morphé" ("shape, form").
Structure.
Amorphous materials have an internal structure of molecular-scale structural blocks that can be similar to the basic structural units in the crystalline phase of the same compound. Unlike in crystalline materials, however, no long-range regularity exists: amorphous materials cannot be described by the repetition of a finite unit cell. Statistical measures, such as the atomic density function and radial distribution function, are more useful in describing the structure of amorphous solids.
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Although amorphous materials lack long range order, they exhibit localized order on small length scales. By convention, "short range order" extends only to the nearest neighbor shell, typically only 1-2 atomic spacings. "Medium range order" may extend beyond the short range order by 1-2 nm.
Fundamental properties of amorphous solids.
Glass transition at high temperatures.
The freezing from liquid state to amorphous solid - glass transition - is considered one of the very important and unsolved problems of physics.
Universal low-temperature properties of amorphous solids.
At very low temperatures (below 1-10 K), a large family of amorphous solids have various similar low-temperature properties.
Although there are various theoretical models, neither glass transition nor low-temperature properties of glassy solids are well understood on the fundamental physics level.
Amorphous solids is an important area of condensed matter physics aiming to understand these substances at high temperatures of glass transition and at low temperatures towards absolute zero. From the 1970s, low-temperature properties of amorphous solids were studied experimentally in great detail. For all of these substances, specific heat has a (nearly) linear dependence as a function of temperature, and thermal conductivity has nearly quadratic temperature dependence. These properties are conventionally called anomalous being very different from properties of crystalline solids.
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On the phenomenological level, many of these properties were described by a collection of tunnelling two-level systems. Nevertheless, the microscopic theory of these properties is still missing after more than 50 years of the research.
Remarkably, a dimensionless quantity of internal friction is nearly universal in these materials. This quantity is a dimensionless ratio (up to a numerical constant) of the phonon wavelength to the phonon mean free path. Since the theory of tunnelling two-level states (TLSs) does not address the origin of the density of TLSs, this theory cannot explain the universality of internal friction, which in turn is proportional to the density of scattering TLSs. The theoretical significance of this important and unsolved problem was highlighted by Anthony Leggett.
Nano-structured materials.
Amorphous materials will have some degree of short-range order at the atomic-length scale due to the nature of intermolecular chemical bonding. Furthermore, in very small crystals, short-range order encompasses a large fraction of the atoms; nevertheless, relaxation at the surface, along with interfacial effects, distorts the atomic positions and decreases structural order. Even the most advanced structural characterization techniques, such as X-ray diffraction and transmission electron microscopy, can have difficulty distinguishing amorphous and crystalline structures at short-size scales.
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Characterization of amorphous solids.
Due to the lack of long-range order, standard crystallographic techniques are often inadequate in determining the structure of amorphous solids. A variety of electron, X-ray, and computation-based techniques have been used to characterize amorphous materials. Multi-modal analysis is very common for amorphous materials.
X-ray and neutron diffraction.
Unlike crystalline materials, which exhibit strong Bragg diffraction, the diffraction patterns of amorphous materials are characterized by broad and diffuse peaks. As a result, detailed analysis and complementary techniques are required to extract real space structural information from the diffraction patterns of amorphous materials. It is useful to obtain diffraction data from both X-ray and neutron sources as they have different scattering properties and provide complementary data. Pair distribution function analysis can be performed on diffraction data to determine the probability of finding a pair of atoms separated by a certain distance. Another type of analysis that is done with diffraction data of amorphous materials is radial distribution function analysis, which measures the number of atoms found at varying radial distances away from an arbitrary reference atom. From these techniques, the local order of an amorphous material can be elucidated.
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X-ray absorption fine-structure spectroscopy.
X-ray absorption fine-structure spectroscopy is an atomic scale probe making it useful for studying materials lacking in long-range order. Spectra obtained using this method provide information on the oxidation state, coordination number, and species surrounding the atom in question as well as the distances at which they are found.
Atomic electron tomography.
The atomic electron tomography technique is performed in transmission electron microscopes capable of reaching sub-Angstrom resolution. A collection of 2D images taken at numerous different tilt angles is acquired from the sample in question and then used to reconstruct a 3D image. After image acquisition, a significant amount of processing must be done to correct for issues such as drift, noise, and scan distortion. High-quality analysis and processing using atomic electron tomography results in a 3D reconstruction of an amorphous material detailing the atomic positions of the different species that are present.
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Fluctuation electron microscopy.
Fluctuation electron microscopy is another transmission electron microscopy-based technique that is sensitive to the medium-range order of amorphous materials. Structural fluctuations arising from different forms of medium-range order can be detected with this method. Fluctuation electron microscopy experiments can be done in conventional or scanning transmission electron microscope mode.
Computational techniques.
Simulation and modeling techniques are often combined with experimental methods to characterize structures of amorphous materials. Commonly used computational techniques include density functional theory, molecular dynamics, and reverse Monte Carlo.
Uses and observations.
Amorphous thin films.
Amorphous phases are important constituents of thin films. Thin films are solid layers of a few nanometres to tens of micrometres thickness that are deposited onto a substrate. So-called structure zone models were developed to describe the microstructure of thin films as a function of the homologous temperature ("Th"), which is the ratio of deposition temperature to melting temperature. According to these models, a necessary condition for the occurrence of amorphous phases is that ("Th") has to be smaller than 0.3. The deposition temperature must be below 30% of the melting temperature.
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Superconductivity.
Regarding their applications, amorphous metallic layers played an important role in the discovery of superconductivity in amorphous metals made by Buckel and Hilsch. The superconductivity of amorphous metals, including amorphous metallic thin films, is now understood to be due to phonon-mediated Cooper pairing. The role of structural disorder can be rationalized based on the strong-coupling Eliashberg theory of superconductivity.
Thermal protection.
Amorphous solids typically exhibit higher localization of heat carriers compared to crystalline, giving rise to low thermal conductivity. Products for thermal protection, such as thermal barrier coatings and insulation, rely on materials with ultralow thermal conductivity.
Technological uses.
Today, optical coatings made from TiO2, SiO2, Ta2O5 etc. (and combinations of these) in most cases consist of amorphous phases of these compounds. Much research is carried out into thin amorphous films as a gas-separating membrane layer. The technologically most important thin amorphous film is probably represented by a few nm thin SiO2 layers serving as isolator above the conducting channel of a metal-oxide semiconductor field-effect transistor (MOSFET). Also, hydrogenated amorphous silicon (Si:H) is of technical significance for thin-film solar cells.
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Pharmaceutical use.
In the pharmaceutical industry, some amorphous drugs have been shown to offer higher bioavailability than their crystalline counterparts as a result of the higher solubility of the amorphous phase. However, certain compounds can undergo precipitation in their amorphous form "in vivo" and can then decrease mutual bioavailability if administered together. Studies of GDC-0810 ASDs show a strong interrelationship between microstructure, physical properties and dissolution performance.
In soils.
Amorphous materials in soil strongly influence bulk density, aggregate stability, plasticity, and water holding capacity of soils. The low bulk density and high void ratios are mostly due to glass shards and other porous minerals not becoming compacted. Andisol soils contain the highest amounts of amorphous materials.
Phase.
Amorphous phases were a phenomenon of particular interest for the study of thin-film growth. The growth of polycrystalline films is often used and preceded by an initial amorphous layer, the thickness of which may amount to only a few nm. The most investigated example is represented by the unoriented molecules of thin polycrystalline silicon films. Wedge-shaped polycrystals were identified by transmission electron microscopy to grow out of the amorphous phase only after the latter has exceeded a certain thickness, the precise value of which depends on deposition temperature, background pressure, and various other process parameters. The phenomenon has been interpreted in the framework of Ostwald's rule of stages that predicts the formation of phases to proceed with increasing condensation time towards increasing stability.
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A Wizard of Earthsea
A Wizard of Earthsea is a fantasy novel written by American author Ursula K. Le Guin and first published by the small press Parnassus in 1968. It is regarded as a classic of children's literature and of fantasy, within which it is widely influential. The story is set in the fictional archipelago of Earthsea and centers on a young mage named Ged, born in a village on the island of Gont. He displays great power while still a boy and joins a school of wizardry, where his prickly nature drives him into conflict with a fellow student. During a magical duel, Ged's spell goes awry and releases a shadow creature that attacks him. The novel follows Ged's journey as he seeks to be free of the creature.
The book has often been described as a bildungsroman, or coming-of-age story, as it explores Ged's process of learning to cope with power and come to terms with death. The novel also carries Taoist themes about a fundamental balance in the universe of Earthsea, which wizards are supposed to maintain, closely tied to the idea that language and names have power to affect the material world and alter this balance. The structure of the story is similar to that of a traditional epic, although critics have also described it as subverting this genre in many ways, such as by making the protagonist dark-skinned in contrast to more typical white-skinned heroes.
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"A Wizard of Earthsea" received highly positive reviews, initially as a work for children and later among a general audience. It won the Boston Globe–Horn Book Award in 1969 and was one of the final recipients of the Lewis Carroll Shelf Award in 1979. Margaret Atwood called it one of the "wellsprings" of fantasy literature. Le Guin wrote five subsequent books that are collectively referred to as the Earthsea Cycle, together with "A Wizard of Earthsea": "The Tombs of Atuan" (1971), "The Farthest Shore" (1972), "Tehanu" (1990), "The Other Wind" (2001), and "Tales from Earthsea" (2001). George Slusser described the series as a "work of high style and imagination", while Amanda Craig said that "A Wizard of Earthsea" was "the most thrilling, wise, and beautiful children's novel ever".
Background.
Early concepts for the Earthsea setting were developed in two short stories, "The Rule of Names" (1964) and "The Word of Unbinding" (1964), both published in "Fantastic". The stories were later collected in anthology "The Wind's Twelve Quarters" (1975). Earthsea was also used as the setting for a story she wrote in 1965 or 1966, which was never published. In 1967, Herman Schein (the publisher of Parnassus Press and the husband of Ruth Robbins, the illustrator of the book) asked Le Guin to try writing a book "for older kids", giving her complete freedom over the subject and the approach. She had no previous experience specifically with the genre of young adult literature, which rose in prominence during the late 1960s. Drawing from her short stories, she began work on "A Wizard of Earthsea". She has said that the book was in part a response to the image of wizards as ancient and wise, and to wondering where they come from. She later said that she chose the medium of fantasy, and the theme of coming of age, with her intended adolescent audience in mind.
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The short stories published in 1964 introduced the world of Earthsea and important concepts in it, such as Le Guin's treatment of magic. "The Rule of Names" also introduced Yevaud, a dragon who features briefly in "A Wizard of Earthsea". Her depiction of Earthsea was influenced by her familiarity with Native American legends as well as Norse mythology. Her knowledge of myths and legends, as well as her familial interest in anthropology, have been described by scholar Donna White as allowing her to create "entire cultures" for the islands of Earthsea. The influence of Norse lore in particular can be seen in the characters of the Kargs, who are blonde and blue-eyed, and worship two gods who are brothers. The influence of Taoist thought on Le Guin's writing is also visible in the idea of a cosmic "balance".
Book.
Setting.
Earthsea itself is an archipelago, or group of islands. In the fictional history of this world, the islands were raised from the ocean by a being called Segoy. The world is inhabited by both humans and dragons, and most or all humans have some innate magical gift, some are more gifted sorcerers or wizards. The world is shown as being based on a delicate balance, which most of its inhabitants are aware of, but which is disrupted by somebody in each of the original trilogy of novels. Earthsea is pre-industrial and has diverse cultures within the widespread archipelago. Most of the characters are of the Hardic peoples, who are dark-skinned, and who populate most of the islands. Four large eastern islands are inhabited by the white-skinned Kargish people, who despise magic and see the Hardic folk as evil sorcerers: the Kargs, in turn, are viewed by the Hardic people as barbarians. The far western regions of the archipelago are the realm of the dragons.
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Plot summary.
The novel follows a young boy called Duny, nicknamed "Sparrowhawk", born on the island of Gont. Discovering that the boy has great innate power, his aunt, a witch, teaches him the little magic she knows. When his village is attacked by Kargish raiders, Duny summons a fog to conceal the village and its inhabitants, enabling the residents to drive off the Kargs. Hearing of this, the powerful mage Ogion takes him as an apprentice, and later gives him his "true name"—Ged. Ogion tries to teach Ged about the "equilibrium", the concept that magic can upset the natural order of the world if used improperly. In an attempt to impress a girl, however, Ged searches Ogion's spell books and inadvertently summons a strange shadow, which has to be banished by Ogion. Sensing Ged's eagerness to act and impatience with his slow teaching methods, Ogion asks if he would rather go to the renowned school for wizards on the island of Roke. Ged loves Ogion, but decides to go to the school.
At the school, Ged meets Jasper, and is immediately on bad terms with him. He is befriended by an older student named Vetch, but generally remains aloof from anyone else. Ged's skills inspire admiration from teachers and students alike. He finds a small creature—an otak, named Hoeg, and keeps it as a pet. During a festival, Jasper acts condescendingly towards Ged, provoking the latter's proud nature. Ged challenges him to a duel of magic, and casts a powerful spell intended to raise the spirit of a legendary dead woman. The spell goes awry and instead releases a shadow creature, which attacks him and scars his face. The Archmage Nemmerle drives the shadow away, but at the cost of his life.
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Ged spends many months healing before resuming his studies. The new Archmage, Gensher, describes the shadow as an ancient evil that wishes to possess Ged, and warns him that the creature has no name. Ged eventually graduates and receives his wizard's staff. He then takes up residence in the Ninety Isles, providing the poor villagers protection from the dragons that have seized and taken up residence on the nearby island of Pendor, but discovers that he is still being sought by the shadow. Knowing that he cannot guard against both threats at the same time, he sails to Pendor and gambles his life on a guess of the adult dragon's true name. When he is proved right, the dragon offers to tell him the name of the shadow, but Ged instead extracts a promise that the dragon and his offspring will never threaten the archipelago.
Chased by the shadow, Ged flees to Osskil, having heard of the stone of the Terrenon. He is attacked by the shadow, and barely escapes into the Court of Terrenon. Serret, the lady of the castle, and the same girl that Ged had tried to impress, shows him the stone, and urges Ged to speak to it, claiming it can give him limitless knowledge and power. Recognizing that the stone harbors one of the Old Powers—ancient, powerful, malevolent beings—Ged refuses. He flees and is pursued by the stone's minions, but transforms into a swift falcon and escapes as Serret, having taken the form of a gull, is killed. Ged also loses his otak to the shadow.
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Ged flies back to Ogion on Gont. Unlike Gensher, Ogion insists that all creatures have a name and advises Ged to confront the shadow. Ogion is proved right; when Ged seeks out the shadow, it flees from him. Ged pursues it in a small sailboat, until it lures him into a fog where the boat is wrecked on a reef. Ged recovers with the help of an elderly couple marooned on a small island since they were children; the woman gives Ged part of a broken bracelet as a gift. Ged patches his boat and resumes his pursuit of the creature into the East Reach. On the island of Iffish, he meets his friend Vetch, who insists on joining him. They journey east far beyond the last known lands before they finally come upon the shadow. Naming it with his own name, Ged merges with it and joyfully tells Vetch he is healed and whole.
Illustrations.
The first edition of the book, published in 1968, was illustrated by Ruth Robbins. The cover illustration was in color, and the interior of the book contained a map of the archipelago of Earthsea. In addition, each chapter had a black-and-white illustration by Robbins, similar to a woodcut image. The images represented topics from each chapter; for instance, the very first image depicted the island of Gont, while the illustration for the chapter "The Dragon of Pendor" pictured a flying dragon. The image shown here depicts Ged sailing in his boat "Lookfar", and was used in the 10th chapter, "The Open Sea", in which Ged and Vetch travel from Iffish eastward past all known lands to confront the shadow creature.
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Publication.
"A Wizard of Earthsea" was first published in 1968 by Parnassus Press in Berkeley, a year before "The Left Hand of Darkness", Le Guin's watershed work. It was a personal landmark for Le Guin, as it represented her first attempt at writing for children; she had written only a handful of other novels and short stories prior to its publication. The book was also her first attempt at writing fantasy, rather than science fiction. "A Wizard of Earthsea" was the first of books to receive widespread critical attention, and has been described as her best known work, as part of the Earthsea series. The book has been released in numerous editions, including an illustrated Folio Society edition released in 2015. It was also translated into a number of other languages. An omnibus edition of all of Le Guin's Earthsea works was released on the 50th anniversary of the publication of "A Wizard of Earthsea" in 2018.
Le Guin originally intended for "A Wizard of Earthsea" to be a standalone novel, but decided to write a sequel after considering the loose ends in the first book, and "The Tombs of Atuan" was released in 1971. "The Farthest Shore" was written as a third volume after further consideration, and was published in 1972. "The Tombs of Atuan" tells of the story of Ged's attempt to make whole the ring of Erreth Akbe, half of which is buried in the tombs of Atuan in the Kargish lands, from where he must steal it. There, he meets the child priestess Tenar, on whom the book focuses. In "The Farthest Shore", Ged, who has become Archmage, tries to combat a dwindling of magic across Earthsea, accompanied by Arren, a young prince. The first three books are together seen as the "original trilogy"; in each of these, Ged is shown as trying to heal some imbalance in the world. They were followed by "Tehanu" (1990), "Tales from Earthsea" (2001), and "The Other Wind" (2001), which are sometimes referred to as the "second trilogy".
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Reception.
As children's literature.
Initial recognition for the book was from children's-book critics, among whom it garnered acclaim. "A Wizard of Earthsea" received an even more positive response in the United Kingdom when it was released there in 1971, which, according to White, reflected the greater admiration of British critics for children's fantasy. In her 1975 annotated collection "Fantasy for Children", British critic Naomi Lewis described it in the following terms: "[It is not] the easiest book for casual browsing, but readers who take the step will find themselves in one of the most important works of fantasy of our time." Similarly, literary scholar Margaret Esmonde wrote in 1981 that "Le Guin has ... enriched children's literature with what may be its finest high fantasy", while a review in "The Guardian" by author and journalist Amanda Craig said it was "The most thrilling, wise and beautiful children's novel ever, [written] in prose as taut and clean as a ship's sail."
In discussing the book for a gathering of children's librarians, Eleanor Cameron praised the world building in the story, saying "it is as if [Le Guin] herself has lived on the archipelago." Author David Mitchell called the titular character Ged a "superb creation", and argued that he was a more relatable wizard than those featured in prominent works of fantasy at the time. According to him, characters such as Gandalf were "variants on the archetype of Merlin, a Caucasian scholarly aristocrat amongst sorcerers" with little room to grow, whereas Ged developed as a character through his story. Mitchell also praised the other characters in the story, who he said seemed to have a "fully thought-out inner life" despite being fleeting presences. The 1995 "Encyclopedia of Science Fiction" said that the Earthsea books had been considered the finest science fiction books for children in the post-World War II period.
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As fantasy.
Commentators have noted that the Earthsea novels in general received less critical attention because they were considered children's books. Le Guin herself took exception to this treatment of children's literature, describing it as "adult chauvinist piggery". In 1976, literary scholar George Slusser criticized the "silly publication classification designating the original series as 'children's literature. Barbara Bucknall stated that "Le Guin was not writing for young children when she wrote these fantasies, nor yet for adults. She was writing for 'older kids.' But in fact she can be read, like Tolkien, by ten-year-olds and by adults. These stories are ageless because they deal with problems that confront us at any age." Only in later years did "A Wizard of Earthsea" receive attention from a more general audience. Literary scholar Tom Shippey was among the first to treat "A Wizard of Earthsea" as serious literature, assuming in his analysis of the volume that it belonged alongside works by C. S. Lewis and Fyodor Dostoevsky, among others. Margaret Atwood said that she saw the book as "a fantasy book for adults", and added that the book could be categorized as either young adult fiction or as fantasy, but since it dealt with themes such as "life and mortality and who are we as human beings", it could be read and enjoyed by anybody older than twelve. The "Encyclopedia of Science Fiction" echoed this view, saying the series's appeal went "far beyond" the young adults for whom it was written. It went on to praise the book as "austere but vivid", and said the series was more thoughtful than the "Narnia" books by C. S. Lewis.
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In his 1980 history of fantasy, Brian Attebery called the Earthsea trilogy "the most challenging and richest American fantasy to date". Slusser described the Earthsea cycle as a "work of high style and imagination", and the original trilogy of books a product of "genuine epic vision". In 1974, critic Robert Scholes compared Le Guin's work favorably to that of C. S. Lewis, saying, "Where C. S. Lewis worked out a specifically Christian set of values, Ursula LeGuin works not with a theology but with an ecology, a cosmology, a reverence for the universe as a self-regulating structure." He added that Le Guin's three Earthsea novels were themselves a sufficient legacy for anybody to leave. In 2014, David Pringle called it "a beautiful story—poetic, thrilling, and profound".
Accolades.
"A Wizard of Earthsea" won or contributed to several awards for Le Guin. It won the Boston Globe–Horn Book Award in 1969, and was one of the last winners of the Lewis Carroll Shelf Award ten years later. In 1984 it won the or the "Golden Sepulka" in Poland. In 2000 Le Guin was given the Margaret A. Edwards Award by the American Library Association for young adult literature. The award cited six of her works, including the first four Earthsea volumes, "The Left Hand of Darkness", and "The Beginning Place". A 1987 poll in "Locus" ranked "A Wizard of Earthsea" third among "All-Time Best Fantasy Novels", while in 2014 Pringle listed it at number 39 in his list of the 100 best novels in modern fantasy.
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Influence.
The book has been seen as widely influential within the genre of fantasy. Margaret Atwood has called "A Wizard of Earthsea" one of the "wellsprings" of fantasy literature. The book has been compared to major works of high fantasy such as J. R. R. Tolkien's "The Lord of the Rings" and L. Frank Baum's "The Wonderful Wizard of Oz". The notion that names can exert power is also present in Hayao Miyazaki's 2001 film "Spirited Away"; critics have suggested that that idea originated with Le Guin's Earthsea series. Novelist David Mitchell, author of books such as "Cloud Atlas", described "A Wizard of Earthsea" as having a strong influence on him, and said that he felt a desire to "wield words with the same power as Ursula Le Guin".
Modern writers have credited "A Wizard of Earthsea" for introducing the idea of a "wizard school", which would later be made famous by the "Harry Potter" series of books, and with popularizing the trope of a boy wizard, also present in "Harry Potter". Reviewers have also commented that the basic premise of "A Wizard of Earthsea", that of a talented boy going to a wizard's school and making an enemy with whom he has a close connection, is also the premise of "Harry Potter". Ged also receives a facial scar from the shadow, as Harry Potter does from Voldemort. Commenting on the similarity, Le Guin said that she did not feel that J. K. Rowling "ripped her off", but that Rowling's books received too much praise for supposed originality, and that Rowling "could have been more gracious about her predecessors. My incredulity was at the critics who found the first book wonderfully original. She has many virtues, but originality isn't one of them. That hurt."
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Themes.
Coming of age.
"A Wizard of Earthsea" focuses on Ged's adolescence and coming of age, and along with the other two works of the original Earthsea trilogy forms a part of Le Guin's dynamic portrayal of the process of growing old. The three novels together follow Ged from youth to old age, and each of them also follow the coming of age of a different character. The novel is frequently described as a "Bildungsroman". Scholar Mike Cadden stated that the book is a convincing tale "to a reader as young and possibly as headstrong as Ged, and therefore sympathetic to him". Ged's coming of age is also intertwined with the physical journey he undertakes through the novel.
Ged is depicted as proud and yet unsure of himself in multiple situations: early in his apprenticeship he believes Ogion to be mocking him, and later, at Roke, feels put upon by Jasper. In both cases, he believes that others do not appreciate his greatness, and Le Guin's sympathetic narration does not immediately contradict this belief. Cadden writes that Le Guin allows young readers to sympathize with Ged, and only gradually realize that there is a price to be paid for his actions, as he learns to discipline his magical powers. Similarly, as Ged begins his apprenticeship with Ogion, he imagines that he will be taught mysterious aspects of wizardry, and has visions of transforming himself into other creatures, but gradually comes to see that Ogion's important lessons are those about his own self.
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The passage at the end of the novel, wherein Ged finally accepts the shadow as a part of himself and is thus released from its terror, has been pointed to by reviewers as a rite of passage. Jeanne Walker, for example, wrote that the rite of passage at the end was an analogue for the entire plot of "A Wizard of Earthsea", and that the plot itself plays the role of a rite of passage for an adolescent reader. Walker goes on to say, "The entire action of A Wizard of Earthsea ... portrays the hero's slow realization of what it means to be an individual in society and a self in relation to higher powers." Many readers and critics have commented on similarities between Ged's process of growing up and ideas in Jungian psychology. The young Ged has a scary encounter with a shadow creature, which he later realizes is the dark side of himself. It is only after he recognizes and merges with the shadow that he becomes a whole person. Le Guin said that she had never read Jung before writing the Earthsea novels.
Le Guin described coming of age as the main theme of the book, and wrote in a 1973 essay that she chose that theme since she was writing for an adolescent audience. She stated that "Coming of age ... is a process that took me many years; I finished it, so far as I ever will, at about age thirty-one; and so I feel rather deeply about it. So do most adolescents. It's their main occupation, in fact." She also said that fantasy was best suited as a medium for describing coming of age, because exploring the subconscious was difficult using the language of "rational daily life". The coming of age that Le Guin focused on included not just psychological development, but moral changes as well. Ged needs to recognize the balance between his power and his responsibility to use it well, a recognition which comes as he travels to the stone of Terrenon and sees the temptation that that power represents.
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Equilibrium and Taoist themes.
The world of Earthsea is depicted as being based on a delicate balance, which most of its inhabitants are aware of, but which is disrupted by somebody in each of the original trilogy of novels. This includes an equilibrium between land and sea (implicit in the name Earthsea), and between people and their natural environment. In addition to physical equilibrium, there is a larger cosmic equilibrium, which everybody is aware of, and which wizards are tasked with maintaining. Describing this aspect of Earthsea, Elizabeth Cummins wrote, "The principle of balanced powers, the recognition that every act affects self, society, world, and cosmos, is both a physical and a moral principle of Le Guin's fantasy world." The concept of balance is related to the novel's other major theme of coming of age, as Ged's knowledge of the consequences of his own actions for good or ill is necessary for him to understand how the balance is maintained. While at the school of Roke, the Master Hand tells him:
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The influence of Taoism on Le Guin's writing is evident through much of the book, especially in her depiction of the "balance". At the end of the novel, Ged may be seen to embody the Taoist way of life, as he has learned not to act unless absolutely necessary. He has also learned that seeming opposites, like light and dark or good and evil, are actually interdependent. Light and dark themselves are recurring images within the story. Reviewers have identified this belief as evidence of a conservative ideology within the story, shared with much of fantasy. In emphasizing concerns over balance and equilibrium, scholars have argued, Le Guin essentially justifies the status quo, which wizards strive to maintain. This tendency is in contrast to Le Guin's science fiction writing, in which change is shown to have value.
The nature of human evil forms a significant related theme through "A Wizard of Earthsea" as well as the other Earthsea novels. As with other works by Le Guin, evil is shown as a misunderstanding of the balance of life. Ged is born with great power in him, but the pride that he takes in his power leads to his downfall; he tries to demonstrate his strength by bringing a spirit back from the dead, and in performing this act against the laws of nature, releases the shadow that attacks him. Slusser suggests that although he is provoked into performing dangerous spells first by the girl on Gont and then by Jasper, this provocation exists in Ged's mind. He is shown as unwilling to look within himself and see the pride that drives him to do what he does. When he accepts the shadow into himself, he also finally accepts responsibility for his own actions, and by accepting his own mortality he is able to free himself. His companion Vetch describes the moment by saying
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Thus, although there are several dark powers in Earthsea (like the stone of Terrenon and the Nameless Ones of Atuan), the true evil was not one of these powers, or even death, but Ged's actions that went against the balance of nature. This is contrary to conventional Western and Christian storytelling, in which light and darkness are often considered opposites, and are seen as symbolizing good and evil, which are constantly in conflict. On two different occasions, Ged is tempted to try to defy death and evil, but eventually learns that neither can be eliminated: instead, he chooses not to serve evil, and stops denying death.
True names.
In Le Guin's fictional universe, to know the true name of an object or a person is to have power over it. Each child is given a true name when they reach puberty, a name which they share only with close friends. Several of the dragons in the later Earthsea novels, like Orm Embar and Kalessin, are shown as living openly with their names, which do not give anybody power over them.
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Several of the dragons in the later Earthsea novels, like Orm Embar and Kalessin, are shown as living openly with their names, which do not give anybody power over them. In "A Wizard of Earthsea", however, Ged is shown to have power over Yevaud. Cadden writes that this is because Yevaud still has attachment to riches and material possessions, and is thus bound by the power of his name. Wizards exert their influence over the equilibrium through the use of names, thus linking this theme to Le Guin's depiction of a cosmic balance. According to Cummins, this is Le Guin's way of demonstrating the power of language in shaping reality. Since language is the tool we use for communicating about the environment, she argues that it also allows humans to affect the environment, and the wizards' power to use names symbolizes this. Cummins went on to draw an analogy between the wizards' use of names to change things with the creative use of words in fictional writing. Shippey wrote that Earthsea magic seems to work through what he called the "Rumpelstiltskin theory", in which names have power.
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Shippey wrote that Earthsea magic seems to work through what he called the "Rumpelstiltskin theory", in which names have power. He argued that this portrayal was part of Le Guin's effort to emphasize the power of words over objects, which, according to Shippey, was in contrast to the ideology of other writers, such as James Frazer in "The Golden Bough". Esmonde argued that each of the first three Earthsea books hinged on an act of trust. In "A Wizard of Earthsea", Vetch trusts Ged with his true name when the latter is at his lowest ebb emotionally, thus giving Ged complete power over him. Ged later offers Tenar the same gift in "The Tombs of Atuan", thereby allowing her to learn trust.
Style and structure.
Language and mood.
"A Wizard of Earthsea" and other novels of the Earthsea cycle differ notably from Le Guin's early Hainish cycle works, although they were written at a similar time. George Slusser described the Earthsea works as providing a counterweight to the "excessive pessimism" of the Hainish novels. He saw the former as depicting individual action in a favorable light, in contrast to works such as "Vaster than Empires and More Slow". The "Encyclopedia of Science Fiction" said the book was pervaded by a "grave joyfulness". In discussing the style of her fantasy works, Le Guin herself said that in fantasy it was necessary to be clear and direct with language, because there is no known framework for the reader's mind to rest upon.
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The story often appears to assume that readers are familiar with the geography and history of Earthsea, a technique which allowed Le Guin to avoid exposition: a reviewer wrote that this method "gives Le Guin's world the mysterious depths of Tolkien's, but without his tiresome back-stories and versifying". In keeping with the notion of an epic, the narration switches from looking ahead into Ged's future and looking back into the past of Earthsea. At the same time, Slusser described the mood of the novel as "strange and dreamlike", fluctuating between objective reality and the thoughts in Ged's mind; some of Ged's adversaries are real, while others are phantoms. This narrative technique, which Cadden characterizes as "free indirect discourse", makes the narrator of the book seem sympathetic to the protagonist, and does not distance his thoughts from the reader.
Myth and epic.
"A Wizard of Earthsea" has strong elements of an epic; for instance, Ged's place in Earthsea history is described at the very beginning of the book in the following terms: "some say the greatest, and surely the greatest voyager, was the man called Sparrowhawk, who in his day became both dragonlord and Archmage." The story also begins with words from the Earthsea song "The Creation of Éa", which forms a ritualistic beginning to the book. The teller of the story then goes on to say that it is from Ged's youth, thereby establishing context for the rest of the book. In comparison with the protagonists of many of Le Guin's other works, Ged is superficially a typical hero, a mage who sets out on a quest. Reviewers have compared "A Wizard of Earthsea" to epics such as "Beowulf". Scholar Virginia White argued that the story followed a structure common to epics in which the protagonist begins an adventure, faces trials along the way, and eventually returns in triumph. White went on to suggest that this structure can be seen in the series as a whole, as well as in the individual volumes.
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Le Guin subverted many of the tropes typical to such "monomyths"; the protagonists of her story were all dark-skinned, in comparison to the white-skinned heroes more traditionally used; the Kargish antagonists, in contrast, were white-skinned, a switching of race roles that has been remarked upon by multiple critics. Critics have also cited her use of characters from multiple class backgrounds as a choice subversive to conventional Western fantasy. At the same time, reviewers questioned Le Guin's treatment of gender in "A Wizard of Earthsea", and the original trilogy as a whole. Le Guin, who later became known as a feminist, chose to restrict the use of magic to men and boys in the first volume of Earthsea. Initial critical reactions to "A Wizard of Earthsea" saw Ged's gender as incidental. In contrast, "The Tombs of Atuan" saw Le Guin intentionally tell a female coming-of-age story, which was nonetheless described as perpetuating a male-dominated model of Earthsea. "Tehanu" (1990), published as the fourth volume of "Earthsea" 18 years after the third, has been described both by Le Guin and her commentators as a feminist re-imagining of the series, in which the power and status of the chief characters are reversed, and the patriarchal social structure questioned. Commenting in 1993, Le Guin wrote that she could not continue [Earthsea after 1972] until she had "wrestled with the angels of the feminist consciousness".
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Several critics have argued that by combining elements of epic, "Bildungsroman", and young adult fiction, Le Guin succeeded in blurring the boundaries of conventional genres. In a 1975 commentary Francis Molson argued that the series should be referred to as "ethical fantasy", a term which acknowledged that the story did not always follow the tropes of heroic fantasy, and the moral questions that it raised. The term did not become popular. A similar argument was made by children's literature critic Cordelia Sherman in 1985; she argued that "A Wizard of Earthsea" and the rest of the series sought "to teach children by dramatic example what it means to be a good adult".
Adaptations.
A condensed, illustrated version of the first chapter was printed by World Book in the third volume of "Childcraft" in 1989. Multiple audio versions of the book have been released. BBC Radio produced a radioplay version in 1996 narrated by Judi Dench, and a six-part series adapting the Earthsea novels in 2015, broadcast on Radio 4 Extra. In 2011, the work was produced as an unabridged recording performed by Robert Inglis.
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Two screen adaptations of the story have also been produced. An original mini-series titled "Legend of Earthsea" was broadcast in 2004 on the Sci Fi Channel. It is based very loosely on "A Wizard of Earthsea" and "The Tombs of Atuan". In an article published in "Salon", Le Guin expressed strong displeasure at the result. She stated that by casting a "petulant white kid" as Ged (who has red-brown skin in the book) the series "whitewashed Earthsea", and had ignored her choice to write the story of a non-white character, a choice she said was central to the book. This sentiment was shared by a review in "The Ultimate Encyclopedia of Fantasy", which said that "Legend of Earthsea" "totally missed the point" of Le Guin's novels, "ripping out all the subtlety, nuance and beauty of the books and inserting boring cliches, painful stereotypes and a very unwelcome 'epic' war in their place".
Studio Ghibli released an adaptation of the series in 2006 titled "Tales from Earthsea". The film very loosely combines elements of the first, third, and fourth books into a new story. Le Guin commented with displeasure on the film-making process, saying that she had acquiesced to the adaptation believing Hayao Miyazaki would be producing the film himself, which was eventually not the case. Le Guin praised the imagery of the film, but disliked the use of violence. She also expressed dissatisfaction with the portrayal of morality, and in particular the use of a villain who could be slain as a means of resolving conflict, which she said was antithetical to the message of the book. The film received generally mixed responses.
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Alex Lifeson
Aleksandar Živojinović (born 27 August 1953), known professionally as Alex Lifeson (), is a Canadian musician, best known as the guitarist for the rock band Rush. In 1968, Lifeson co-founded a band that would later become Rush, with drummer John Rutsey and bassist and lead vocalist Jeff Jones. Jones was replaced by Geddy Lee a month later, and Rutsey was replaced by Neil Peart in 1974, after which the lineup remained unchanged until the band's dissolution in 2018. Lifeson was the only member of Rush who stayed in the band throughout its entire existence, and he and Lee were the only members to appear on all of the band's albums.
With Rush, Lifeson played electric and acoustic guitar, as well as other various string instruments such as mandola, mandolin, and bouzouki. He also performed backing vocals in live performances and select studio recordings, and occasionally played keyboards and bass pedal synthesizers. Like the other members of Rush, Lifeson performed real-time on-stage triggering of sampled instruments. Along with his bandmates Geddy Lee and Neil Peart, Lifeson was made an Officer of the Order of Canada on 9 May 1996. The trio was the first rock band to be so honoured as a group. In 2013, he was inducted with Rush into the Rock & Roll Hall of Fame. Lifeson was ranked 98th on "Rolling Stone"'s list of the 100 greatest guitarists of all time and third (after Eddie Van Halen and Brian May) in a "Guitar World" readers' poll listing the 100 greatest guitarists.
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The bulk of Lifeson's work in music has been with Rush, although Lifeson has contributed to a body of work outside the band as well, including a solo album titled "Victor" (1996). Aside from music, Lifeson has been a painter, a licensed aircraft pilot, an actor, and the former part-owner of a Toronto bar and a restaurant called The Orbit Room, which closed in 2020.
Biography.
Early life.
Lifeson was born Aleksandar Živojinović (Serbian: Александар Живојиновић) in Fernie, British Columbia. His parents, Nenad and Melanija Živojinović, were Serb immigrants from Yugoslavia. He was raised in Toronto. His stage surname of "Lifeson" is a calque of his birth surname Živojinović, which can be literally translated into English as "son of life". His formal musical education began on the viola, but he abandoned it in favor of the guitar at the age of 12. Lifeson recalls what inspired him to play guitar in a 2008 interview:
His first guitar was a Christmas gift from his father, a six-string Kent classical acoustic which was later replaced by an electric Japanese model. During his adolescent years, he was influenced primarily by the likes of Jimi Hendrix, Pete Townshend, Tony Iommi, Jeff Beck, Ritchie Blackmore, Hank Marvin, Eric Clapton, George Harrison, Jimmy Page, Steve Hackett, Denny Laine, and Allan Holdsworth; he explained in 2011 that "Clapton's solos seemed a little easier and more approachable. I remember sitting at my record player and moving the needle back and forth to get the solo in 'Spoonful.' But there was nothing I could do with Hendrix." In 1963, Lifeson met future Rush drummer John Rutsey in school. Both interested in music, they decided to form a band. Lifeson was primarily a self-taught guitarist with the only formal instruction coming from a high school friend in 1971 who taught classical guitar lessons. This training lasted for roughly a year and a half.
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When Lifeson was 17, he had an argument with his parents about his future; he wanted to drop out of high school to pursue his dream of becoming a professional guitarist. A video of the argument was part of a 1973 Canadian documentary, "Come on Children", about the struggles of 10 adolescents. The argument was also included in two documentaries about Rush, "Beyond the Lighted Stage" (2010) and "Time Stand Still" (2016).
Lifeson's first girlfriend, Charlene, gave birth to their eldest son, Justin, in October 1970. The couple married in 1975; their second son, Adrian, was born two years later. Adrian is also involved in music, and performed on "At the End" and "The Big Dance" from Lifeson's 1996 solo project, "Victor".
Rush.
Lifeson's neighbour John Rutsey began experimenting on a rented drum kit. In 1968, Lifeson and Rutsey formed The Projection, which disbanded a few months later. In August 1968, following the recruitment of original bassist and vocalist Jeff Jones, Lifeson and Rutsey founded Rush. Geddy Lee, a high school friend of Lifeson, assumed Jones's role soon after.
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Instrumentally, Lifeson is renowned for his signature riffing, electronic effects and processing, unorthodox chord structures, and the copious arsenal of equipment he has used over the years.
Rush was on hiatus for several years starting in 1997 owing to , and Lifeson had not picked up a guitar for at least a year following those events. However, after some work in his home studio and on various side projects, Lifeson returned to the studio with Rush to begin work on 2002's "Vapor Trails". "Vapor Trails" is the first Rush album since the 1970s to lack keyboards—as such, Lifeson used over 50 different guitars in what Shawn Hammond of "Guitar Player" called "his most rabid and experimental playing ever." Geddy Lee was amenable to leaving keyboards off the album due in part to Lifeson's ongoing concern about their use. Lifeson's approach to the guitar tracks for the album eschewed traditional riffs and solos in favour of "tonality and harmonic quality."
During live performances, he used foot pedals to cue various synthesizer, guitar, and backing vocal effects as he played.
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"Victor".
While the bulk of Lifeson's work in music has been with Rush, his first major outside work was his solo project, "Victor", released in 1996. "Victor" was attributed as a self-titled work (i.e. "Victor" is attributed as the "artist" as well as the "album title"). This was done deliberately as an alternative to issuing the album explicitly under Lifeson's name (although the rerelease on vinyl attributes the album to his name). The title track is from the W. H. Auden poem, also entitled "Victor". Both son Adrian and wife Charlene also contributed to the album.
Side projects.
Lifeson has also contributed to a body of work outside his involvement with the band in the form of instrumental contributions to other musical outfits. He made a guest appearance on the 1985 Platinum Blonde album "Alien Shores" performing guitar solos on the songs "Crying Over You" and "Holy Water". Later, in 1990, he appeared on Lawrence Gowan's album "Lost Brotherhood" to play guitar. In 1995, he guested on two tracks on Tom Cochrane's "Ragged Ass Road" album and then in 1996 on I Mother Earth's "Like a Girl" from the "Scenery and Fish" album. In 1997, he appeared on the "Merry Axemas: A Guitar Christmas" album. Lifeson played "The Little Drummer Boy" which was released as track 9 on the album.
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In 2006, Lifeson founded the Big Dirty Band, which he created for the purpose of providing original soundtrack material for "". Lifeson jammed regularly with the Dexters (the Orbit Room house band from 1994 to 2004). Lifeson made a guest appearance on the 2007 album "Fear of a Blank Planet" by UK progressive rock band Porcupine Tree, contributing a solo during the song "Anesthetize". He also appeared on the 2008 album "Fly Paper" by Detroit progressive rockers Tiles. He plays on the track "Sacred and Mundane". Outside band related endeavours, Lifeson composed the theme for the first season of the science-fiction TV series "Andromeda". He also produced three songs from the album "Away from the Sun" by 3 Doors Down. He was executive producer and contributor to the 2014 album "Come to Life" by Keram Malicki-Sanchez - playing guitar on the songs "Mary Magdalene", "Moving Dark Circles" and "The Devil Knows Me Well," and later on Keram's subsequent singles "Artificial Intelligence," (2019), "That Light," (2020) and "Rukh." (2021). Alex Lifeson is featured on Marco Minnemann's 2017 release "Borrego", on which he played guitars on three songs and co-wrote the track "On That Note". In 2018, he played lead guitar on Fu Manchu's 18-minute mostly instrumental track "Il Mostro Atomico" from the group's "Clone of the Universe" album. In 2019 he was featured on the song "Charmed" from the Don Felder solo album American Rock 'n' Roll.
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On 15 June 2021, Lifeson released two new instrumental songs, "Kabul Blues" and "Spy House" on his website alexlifeson.com. The songs were released as a self titled project. Andy Curran played bass on both songs, and drums on "Spy House" were done by David Quinton Steinberg.
Envy of None.
The first single, "Liar", from Envy of None's debut album was released on 12 January 2022. Envy of None consists of Lifeson, Curran, singer Maiah Wynne, and producer and engineer Alfio Annibalini. Envy of None's self-titled debut album, which includes "Liar," "Kabul Blues," and "Spy House," was released on 8 April.
Television and film appearances.
Lifeson made his film debut as himself under his birth name in the 1973 Canadian documentary film "Come on Children".
He has appeared in several installments of the Canadian mockumentary franchise "Trailer Park Boys". In 2003, he was featured in an episode titled "Closer to the Heart", playing a partly fictional version of himself. In the episode, he is kidnapped by Ricky and held as punishment for his inability (or refusal) to provide the main characters with free tickets to a Rush concert. In the end of the episode, Alex reconciles with the characters, and performs a duet of "Closer to the Heart" with Bubbles at the trailer park. In 2006, Lifeson appeared in ' as a traffic cop in the opening scene and in 2009 he appeared in their follow up movie, ', as an undercover vice cop in drag.
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In 2017, Lifeson appeared in an episode of the spin-off series "Trailer Park Boys: Out of the Park: USA" titled "Memphis." He also voiced Big Chunk in the first season of "".
In 2008, Lifeson and the rest of Rush played "Tom Sawyer" at the end of an episode of "The Colbert Report". According to Colbert, this was their first appearance on American television as a band in 33 years.
In 2009, he and the rest of the band appeared as themselves in the comedy "I Love You, Man".
Lifeson appears as the border guard in the 2009 movie "Suck".
Lifeson and bandmate Geddy Lee appeared in the series " Chicago Fire", season 4, episode 6, called "2112", which first aired on 17 November 2015.
The role of Dr. Funtime in "The Drunk and On Drugs Happy Funtime Hour" was originally written with Lifeson in mind, but due to scheduling conflicts the role was given to Maury Chaykin instead.
Book forewords.
Lifeson has penned forewords to four books: "Behind the Stage Door" by Rich Engler in 2013; "Shredders!: The Oral History Of Speed Guitar (And More)" by Greg Prato in 2017; "Geddy Lee's Big Beautiful Book of Bass" by Geddy Lee in 2018; and "Domenic Troiano: His Life and Music" by Mark Doble and Frank Troiano in 2021.
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Personal life.
Lifeson disclosed that he had surgery on his stomach in 2023, and as an aftereffect, he suffers from gastroparesis, and that a visit to a wellness clinic in Austria that focuses on digestive system in January 2025 helped. In an interview with AllMusic, he said, "I was miserable for pretty much a year and a half...until I went to Vivamayr, and they just taught me how to take control of how I'm eating, what to eat, when to eat. And it's just remarkable."
Guitar equipment.
Early Rush (1970s).
In Rush's early career, Lifeson used a Gibson ES-335 for the first tour. In 1976, Lifeson bought a 1974 Gibson Les Paul. He used both guitars until the late 1970s. He had a Fender Stratocaster with a Bill Lawrence humbucker and Floyd Rose vibrato bridge as backup "and for a different sound." For the "A Farewell to Kings" sessions, Lifeson began using a Gibson EDS-1275 for the song "Xanadu" and his main guitar became a white Gibson ES-355. During this period Lifeson used Hiwatt amplifiers. He played a twelve-string Gibson B-45 on songs like "Closer to the Heart."
1980s and 1990s.
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From 1980 to 1986, Lifeson used four identically modified Stratocasters, all of them equipped with the Floyd Rose bridge. As a joke, he called these Hentor Sportscasters – a made-up name inspired by Peter Henderson's name, who was the producer of "Grace Under Pressure". He would start using them again twenty years later. He also played a Gibson Howard Roberts Fusion and an Ovation Adamas acoustic/electric guitar. By 1987, Lifeson switched to Signature guitar despite describing them as "awful to play—very uncomfortable--...had a particular sound I liked." Lifeson primarily used PRS guitars in the later-half of the 1990 Presto tour, and again during the recording of "Roll The Bones" in 1990/1991. He would continue to play PRS for the next sixteen years through the recording and touring of "Counterparts", "Test for Echo" and "Vapor Trails" as well as the R30 tour. During this period, he also played several Fender Telecasters.
2000s onward: Return to Gibson guitars.
In 2011, Lifeson said that for the past few years he "used Gibson almost exclusively. There's nothing like having a low-slung Les Paul over my shoulder."
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Gibson "Alex Lifeson Axcess".
In early 2011, Gibson introduced the "Alex Lifeson Axcess", a guitar specially designed for him. These are custom made Les Pauls with Floyd Rose tremolo systems and piezoacoustic pick-ups. He used these two custom Les Pauls on the Time Machine Tour. These guitars are also available through Gibson, in a viceroy Brown or Crimson colour. Lifeson used these two guitars heavily on the tour.
For the 2012-13 "Clockwork Angels" tour, Gibson built an Alex Lifeson Axcess model in black which became Lifeson's primary guitar for much of the show. For all acoustic work, he played one of his Axcess guitars using the piezo pick-ups; no acoustic guitars were used at all in the Clockwork Angels show.
Gibson R40 Signature Les Paul Axcess.
Gibson introduced an Alex Lifeson R40 Les Paul Axcess signature guitar in June 2015. This is a limited edition with 50 guitars signed and played by Lifeson, and another 250 available without the signature.
Gibson Custom Alex Lifeson Signature ES Les Paul semi-hollow.
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At the 2017 Winter NAMM Show, Gibson representative Mike Voltz introduced an Antique White Gibson Custom Alex Lifeson Signature ES Les Paul semi-hollow guitar, a hybrid of a Les Paul Custom & an ES 335, with only 200 made. Voltz also introduced the Antique White as a new color from Gibson for this Custom (note: Gibson names this color as 'Classic White' on their web site which may be an error due to other Gibson reps labeling it as Antique White). Alex played this Custom on the last Rush tour.
Amplification.
In 2005, Hughes & Kettner introduced an Alex Lifeson signature series amplifier; Lifeson donates his royalties from the sale of these signature models to UNICEF.
Effects.
For effects, Lifeson is known to use chorus, phase shifting, delay and flanging. Throughout his career, he has used well-known pedals such as the Echoplex delay pedal, Electro-Harmonix Electric Mistress flanger, the BOSS CE-1 chorus and the Dunlop crybaby wah, among others.
Lifeson and his guitar technician Scott Appleton have discussed in interviews Lifeson's use of Fractal Audio's Axe-FX, Apple Inc.'s MainStage, and Native Instruments' Guitar Rig.
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Other instruments played.
Stringed instruments.
In addition to acoustic and electric guitars, Lifeson has also played mandola, mandolin and bouzouki on some Rush studio albums, including "Test for Echo", "Vapor Trails" and "Snakes & Arrows". For his "Victor" project and "Little Drummer Boy" for the "Merry Axemas" album, he also played bass and programmed synthesizers.
Electronic instruments.
During live Rush performances, Lifeson used MIDI controllers that enabled him to use his free hands and feet to trigger sounds from digital samplers and synthesizers, without taking his hands off his guitar. (Prior to this, Lifeson used Moog Taurus Bass Pedals before they were replaced by Korg MIDI pedals in the 1980s.) Lifeson and his bandmates shared a desire to accurately depict songs from their albums when playing live performances. Toward this goal, beginning in the late 1980s the band equipped their live performances with a capacious rack of samplers. The band members used these samplers in real-time to recreate the sounds of non-traditional instruments, accompaniments, vocal harmonies, and other sound "events" that are familiarly heard on the studio versions of the songs. In live performances, the band members shared duties throughout most songs, with each member triggering certain sounds with his available limbs, while playing his primary instrument(s).
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Influence.
Many guitarists have cited Lifeson as an influence, such as Paul Gilbert of Mr. Big, John Petrucci of Dream Theater, Steven Wilson of Porcupine Tree, Jim Martin of Faith No More, Denis "Piggy" D'Amour of Voivod, Parris Mayhew formerly of Cro-Mags, and John Wesley.
James Hetfield from Metallica named Lifeson one of the best rhythm guitarists of all time. Marillion guitarist Steve Rothery has expressed his admiration for Lifeson's "dexterity" as a live performer; he also described Rush as a "fantastic live band". Jazz guitarist Kurt Rosenwinkel, after citing him as an influence, praised his "incredible sound and imagination".
Discography.
With Envy of None.
Following Rush's dissolution in 2018 and Neil Peart's death in 2020, Lifeson formed the supergroup Envy of None with himself on guitar, mandola and banjo, Alfio Annibalini on guitar and keyboards, Andy Curran on bass, guitar and backing vocals and Maiah Wynne on lead vocals and keyboards.
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ArgoUML
ArgoUML is an UML diagramming application written in Java and released under the open source Eclipse Public License. By virtue of being a Java application, it is available on any platform supported by Java SE.
History.
ArgoUML was originally developed at UC Irvine by Jason E. Robbins, leading to his Ph.D. It was an open source project hosted by Tigris.org and moved in 2019 to GitHub. The ArgoUML project included more than 19,000 registered users and over 150 developers.
In 2003, ArgoUML won the "Software Development Magazine"'s annual Readers' Choice Award in the “Design and Analysis Tools” category.
ArgoUML development has suffered from lack of manpower. For example, "Undo" has been a perpetually requested feature since 2003 but has not been implemented yet.
Features.
According to the official feature list, ArgoUML is capable of the following:
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File archiver
In computing, a file archiver is utility software that combines files into a single archive file or in less common cases, multiple files.
A minimally designed archiver might concatenate the content of files along with file name and length. A more advanced archiver stores additional metadata, such as the timestamps, file attributes and access control information. An archiver might compress input file content to reduce the size of the resulting archive.
The process of making an archive file is called "archiving" or "packing". Reconstructing the original files from an archive is called "unarchiving", "unpacking" or "extracting".
Multics.
In the early days of computing, Multics provided the command a basic archiver without compression that descended from the CTSS command of the same name. Multics also provided a magnetic tape archiver command, , which was perhaps the forerunner of the Unix command .
Unix.
As the Unix archive tools ar, tar, and cpio do not provide compression, other tools, such as gzip, bzip2, or xz, are used to compress an archive file after it is created and to decompress before extracting.
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Not only does separating archiving from compressing follow the Unix philosophy that each tool should provide a single capability; not attempt to accomplish everything with one tool, it has the following advantages:
Disadvantages include:
A challenge:
Generally, extensions are successively added to the file name to indicate the operations performed and therefore required to read a file. For example, archiving with command and then compressing with command might be indicated with the codice_1 extension.
Windows.
Archiving tools on Windows tend to have a graphical user interface (GUI) and to include compression including the built-in Windows feature as well as commonly used, third-party tools such as WinRAR and 7-Zip. Unlike the built-in feature, WinRAR and 7-zip also provide a command-line interface (CLI) and solid compression.
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Artemis
In ancient Greek religion and mythology, Artemis (; ) is the goddess of the hunt, the wilderness, wild animals, transitions, nature, vegetation, childbirth, care of children, and chastity. In later times, she was identified with Selene, the personification of the Moon. She was often said to roam the forests and mountains, attended by her entourage of nymphs. The goddess Diana is her Roman equivalent.
In Greek tradition, Artemis is the daughter of Zeus and Leto, and twin sister of Apollo. In most accounts, the twins are the products of an extramarital liaison. For this, Zeus' wife Hera forbade Leto from giving birth anywhere on solid land. Only the island of Delos gave refuge to Leto, allowing her to give birth to her children. In one account, Artemis is born first and then proceeds to assist Leto in the birth of the second twin, Apollo.
Artemis was a kourotrophic (child-nurturing) deity, being the patron and protector of young children, especially young girls. Artemis was worshipped as one of the primary goddesses of childbirth and midwifery along with Eileithyia and Hera. She was also a patron of healing and disease, particularly among women and children, and believed to send both good health and illness upon women and children. Artemis was one of the three major virgin goddesses, alongside Athena and Hestia. Artemis preferred to remain an unmarried maiden and was one of the three Greek goddesses over whom Aphrodite had no power.
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In myth and literature, Artemis is presented as a hunting goddess of the woods, surrounded by her chaste band of nymphs. In the myth of Actaeon, when the young hunter sees her bathing naked, he is transformed into a deer by the angered goddess and is then devoured by his own hunting dogs, who do not recognize their master. In the story of Callisto, the girl is driven away from Artemis' company after breaking her vow of virginity, having lain with and been impregnated by Zeus. In the Epic tradition, Artemis halted the winds blowing the Greek ships during the Trojan War, stranding the Greek fleet in Aulis, after King Agamemnon, the leader of the expedition, shot and killed her sacred deer. Artemis demanded the sacrifice of Iphigenia, Agamemnon's young daughter, as compensation for her slain deer. In most versions, when Iphigenia is led to the altar to be offered as a sacrifice, Artemis pities her and takes her away, leaving a deer in her place. In the war that followed, Artemis supported the Trojans against the Greeks, and she challenged Hera in battle.
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Artemis was one of the most widely venerated of the Ancient Greek deities; her worship spread throughout ancient Greece, with her multiple temples, altars, shrines, and local veneration found everywhere in the ancient world. Her great temple at Ephesus was one of the Seven Wonders of the Ancient World, before it was burnt to the ground. Artemis' symbols included a bow and arrow, a quiver, and hunting knives, and the deer and the cypress were sacred to her. Diana, her Roman equivalent, was especially worshipped on the Aventine Hill in Rome, near Lake Nemi in the Alban Hills, and in Campania.
Etymology.
The name "Artemis" ("n.", "f.") is of unknown or uncertain etymology, although various sources have been proposed. R.S.P. Beekes suggested that the "e"/"i" interchange points to a Pre-Greek origin. Artemis was venerated in Lydia as "Artimus". Georgios Babiniotis, while accepting that the etymology is unknown, also states that the name is already attested in Mycenean Greek and is possibly of pre-Greek origin.
The name may be related to Greek "árktos" "bear" (from PIE *"h₂ŕ̥tḱos"), supported by the bear cult the goddess had in Attica (Brauronia) and the Neolithic remains at the Arkoudiotissa Cave, as well as the story of Callisto, which was originally about Artemis (Arcadian epithet "kallisto"); this cult was a survival of very old totemic and shamanistic rituals and formed part of a larger bear cult found further afield in other Indo-European cultures (e.g., Gaulish Artio). It is believed that a precursor of Artemis was worshipped in Minoan Crete as the goddess of mountains and hunting, Britomartis. While connection with Anatolian names has been suggested, the earliest attested forms of the name Artemis are the Mycenaean Greek , "a-te-mi-to" /Artemitos/ (gen.) and , "a-ti-mi-te" /Artimitei/ (dat.), written in Linear B at Pylos.
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According to J.T. Jablonski, the name is also Phrygian and could be "compared with the royal appellation "Artemas" of Xenophon". Charles Anthon argued that the primitive root of the name is probably of Persian origin from *"arta", *"art", *"arte", all meaning "great, excellent, holy", thus Artemis "becomes identical with the great mother of Nature, even as she was worshiped at Ephesus". Anton Goebel "suggests the root or , 'to shake', and makes Artemis mean the thrower of the dart or the shooter".
Ancient Greek writers, by way of folk etymology, and some modern scholars, have linked Artemis (Doric "Artamis") to , "artamos", i.e. "butcher" or, like Plato did in "Cratylus", to , "artemḗs", i.e. "safe", "unharmed", "uninjured", "pure", "the stainless maiden". A. J. van Windekens tried to explain both and Artemis from , "atremḗs", meaning "unmoved, calm; stable, firm" via metathesis.
Description.
Artemis is presented as a goddess who delights in hunting and punishes harshly those who cross her. Artemis' wrath is proverbial, and represents the hostility of wild nature to humans. Homer calls her , "the mistress of animals", a title associated with representations in art going back as far as the Bronze Age, showing a woman between a pair of animals. Artemis carries with her certain functions and characteristics of a Minoan form whose history was lost in the myths.
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Artemis was one of the most popular goddesses in Ancient Greece. The most frequent name of a month in the Greek calendars was "Artemision" in Ionic, territories "Artemisios" or "Artamitios" in the Doric and Aeolic territories and in Macedonia. Also "Elaphios" in Elis, Elaphebolion in Athens, Iasos, Apollonia of Chalkidice and Munichion in Attica. In the calendars of Aetolia, Phocis and Gytheion there was the month Laphrios and in Thebes, Corcyra, and Byzantion the month Eucleios. The goddess was venerated in festivals during spring.
In some cults she retains the theriomorphic form of a Pre-Greek goddess who was conceived with the shape of a bear (άρκτος "árktos": bear). Kallisto in Arcadia is a hypostasis of Artemis with the shape of a bear, and her cults at Brauron and at Piraeus (Munichia) are remarkable for the "arkteia" where virgin girls before marriage were disguised as she-bears.
The ancient Greeks called "potnia theron" the representation of the goddess between animals; on a Greek vase from "circa" 570 BCE, a winged Artemis stands between a spotted panther and a deer. "Potnia theron" is very close to the daimons and this differentiates her from the other Greek divinities. This is the reason that Artemis was later identified with Hecate, since the daimons were tutelary deities. Hecate was the goddess of crossroads and she was the queen of the witches.
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Laphria is the Pre-Greek "mistress of the animals" at Delphi and Patras. There was a custom to throw animals alive into the annual fire of the fest. The festival at Patras was introduced from Calydon and this relates Artemis to the Greek heroine Atalanta who symbolizes freedom and independence. Other epithets that relate Artemis to the animals are Amarynthia and "Kolainis".
In the Homeric poems Artemis is mainly the goddess of hunting, because it was the most important sport in Mycenean Greece. An almost formulaic epithet used in the Iliad and Odyssey to describe her is "iocheaira", "she who shoots arrows", often translated as "she who delights in arrows" or "she who showers arrows". She is called Artemis "Chrysilakatos", of the golden shafts, or "Chrysinios", of the golden reins, as a goddess of hunting in her chariot. The "Homeric Hymn 27 to Artemis" paints this picture of the goddess:
According to the beliefs of the first Greeks in Arcadia Artemis is the first nymph, a goddess of free nature. She is an independent free woman, and she does not need any partner. She is hunting surrounded by her nymphs. This idea of freedom and women's skill is expressed in many Greek myths.
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In Peloponnese the temples of Artemis were built near springs, rivers and marshes. Artemis was closely related to the waters and especially to Poseidon, the god of the waters. Her common epithets are "Limnnaia", "Limnatis" (relation to waters) and "Potamia" and Alphaea (relation to rivers). In some cults she is the healer goddess of women with the surnames "Lousia" and "Thermia".
Artemis is the leader of the nymphs (Hegemone) and she is hunting surrounded by them. The nymphs appear during the festival of the marriage, and they are appealed by the pregnant women. Artemis became goddess of marriage and childbirth. She was worshipped with the surname Eucleia in several cities. Women consecrated clothes to Artemis for a happy childbirth and she had the epithets "Lochia" and "Lecho".
The Dorians interpreted Artemis mainly as goddess of vegetation who was worshipped in an orgiastic cult with lascivious dances, with the common epithets Orthia, "Korythalia" and "Dereatis". The female dancers wore masks and were famous in antiquity. The goddess of vegetation was also related to the tree-cult with temples near the holy trees and the surnames Apanchomene, Caryatis and "Cedreatis".
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According to Greek beliefs the image of a god or a goddess gave signs or tokens and had divine and magic powers. With these conceptions she was worshipped as "Tauria" (the Tauric, goddess), Aricina (Italy) and "Anaitis" (Lydia). In the bucolic (pastoral) songs the image of the goddess was discovered in bundles of leaves or dry sticks and she had the surnames "Lygodesma" and "Phakelitis".
In the European folklore, a wild hunter is chasing an elfish woman who falls in the water. In the Greek myths the hunter is chasing a female deer (doe) and both disappear into the waters. In relation to these myths Artemis was worshipped as "Saronia" and Stymphalia . The myth of a goddess who is chased and then falls in the sea is related to the cults of Aphaea and Diktynna.
Artemis carrying torches was identified with Hecate and she had the surnames "Phosphoros" and "Selasphoros". In Athens and Tegea, she was worshipped as Artemis "Kalliste", "the most beautiful". Sometimes the goddess had the name of an Amazon like "Lyceia" (with a helmet of a wolf-skin) and Molpadia. The female warriors Amazons embody the idea of freedom and women's independence.
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In spite of her status as a virgin who avoided potential lovers, there are multiple references to Artemis' beauty and erotic aspect; in the "Odyssey", Odysseus compares Nausicaa to Artemis in terms of appearance when trying to win her favor, Libanius, when praising the city of Antioch, wrote that Ptolemy was smitten by the beauty of (the statue of) Artemis; whereas her mother Leto often took pride in her daughter's beauty. She has several stories surrounding her where men such as Actaeon, Orion, and Alpheus tried to couple with her forcibly, only to be thwarted or killed. Ancient poets note Artemis' height and imposing stature, as she stands taller and more impressive than all the nymphs accompanying her.
Epithets and functions.
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Aeginaea, probably huntress of chamois or the wielder of the javelin, at Sparta However the word may mean "from the island Aegina", that relates Artemis with Aphaia (Britomartis).
Aetole, of Aetolia at Nafpaktos. A marble statue represented the goddess in the attitude of one hurling a javelin.
Agoraea, guardian of popular assemblies in Athens. She was considered to be the protector of the assemblies of the people in the agora. At Olympia the cult of "Artemis Agoraea" was related to the cult of Despoinai. (The double named goddesses Demeter and Persephone).
Agrotera, the huntress of wild wood, in the Iliad and many cults. It was believed that she first hunted at Agrae of Athens after her arrival from Delos. There was a custom of making a "slaughter sacrifice", to the goddess before a battle. The deer always accompanies the goddess of hunting. Her epithet Agraea is similar with "Agrotera".
Alphaea, in the district of Elis. The goddess had an annual festival at Olympia and a temple at Letrinoi near the river Alpheus. At the festival of Letrinoi, the girls were dancing wearing masks. In the legend, Alphaea and her nymphs covered their faces with mud and the river god Alpheus, who was in love with her, could not distinguish her from the others. This explains, somehow, the clay masks at Sparta.
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