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Secondary response. The National Security Agency was the only American intelligence agency that was aware that East Germany was to take action to deal with the brain drain problem. On 9 August 1961, the NSA intercepted an advance warning information of the Socialist Unity Party's plan to close the intra-Berlin border between East and West Berlin completely for foot traffic. The interagency intelligence Berlin Watch Committee assessed that this intercept "might be the first step in a plan to close the border." This warning did not reach John F. Kennedy until noon on 13 August 1961, while he was vacationing in his yacht off the Kennedy Compound in Hyannis Port, Massachusetts. While Kennedy was angry that he had no advance warning, he was relieved that the East Germans and the Soviets had only divided Berlin without taking any action against West Berlin's access to the West. However, he denounced the Berlin Wall, whose erection worsened the relations between the United States and the Soviet Union. In response to the erection of the Berlin Wall, a retired general, Lucius D. Clay, was appointed by Kennedy as his special advisor with ambassadorial rank. Clay had been the Military Governor of the US Zone of Occupation in Germany during the period of the Berlin Blockade and had ordered the first measures in what became the Berlin Airlift. He was immensely popular with the residents of West Berlin, and his appointment was an unambiguous sign that Kennedy would not compromise on the status of West Berlin. As a symbolic gesture, Kennedy sent Clay and Vice President Lyndon B. Johnson to West Berlin. They landed at Tempelhof Airport on the afternoon of Saturday, 19 August 1961 and were greeted enthusiastically by the local population.
They arrived in a city defended by three Allied brigades—one each from the UK (Berlin Infantry Brigade), the US (Berlin Brigade), and France (Forces Françaises à Berlin). On 16 August, Kennedy had given the order for them to be reinforced. Early on 19 August, the 1st Battle Group, 18th Infantry Regiment (commanded by Colonel Glover S. Johns Jr.) was alerted. On Sunday morning, U.S. troops marched from West Germany through East Germany, bound for West Berlin. Lead elements—arranged in a column of 491 vehicles and trailers carrying 1,500 men, divided into five march units—left the Helmstedt-Marienborn checkpoint at 06:34. At Marienborn, the Soviet checkpoint next to Helmstedt on the West German-East German border, US personnel were counted by guards. The column was long, and covered from Marienborn to Berlin in full battle gear. East German police watched from beside trees next to the autobahn all the way along. The front of the convoy arrived at the outskirts of Berlin just before noon, to be met by Clay and Johnson, before parading through the streets of Berlin in front of a large crowd. At 04:00 on 21 August, Lyndon Johnson left West Berlin in the hands of General Frederick O. Hartel and his brigade of 4,224 officers and men. "For the next three and a half years, American battalions would rotate into West Berlin, by autobahn, at three-month intervals to demonstrate Allied rights to the city".
The creation of the Wall had important implications for both German states. By stemming the exodus of people from East Germany, the East German government was able to reassert its control over the country: despite discontent with the Wall, economic problems caused by dual currency and the black market were largely eliminated. The economy in the GDR began to grow. However, the Wall proved a public relations disaster for the communist bloc as a whole. Western powers portrayed it as a symbol of communist tyranny, particularly after East German border guards shot and killed would-be defectors. Such fatalities were later treated as acts of murder by the reunified Germany. Structure and adjacent areas. Layout and modifications. The Berlin Wall was more than long. In June 1962, a second, parallel fence, also known as a "hinterland" wall (inner wall), was built some farther into East German territory. The houses contained between the wall and fences were razed and the inhabitants relocated, thus establishing what later became known as the "death strip". The death strip was covered with raked sand or gravel, rendering footprints easy to notice, easing the detection of trespassers and also enabling officers to see which guards had neglected their task; it offered no cover; and, most importantly, it offered clear fields of fire for the Wall guards.
Through the years, the Berlin Wall evolved through four versions: The "fourth-generation Wall", known officially as "" (retaining wall element UL 12.11), was the final and most sophisticated version of the Wall. Begun in 1975 and completed about 1980, it was constructed from 45,000 separate sections of reinforced concrete, each high and wide, and cost DDM16,155,000 or about US$3,638,000. The concrete provisions added to this version of the Wall were done to prevent escapees from driving their cars through the barricades. At strategic points, the Wall was constructed to a somewhat weaker standard, so that East German and Soviet armored vehicles could easily break through in the event of war. The top of the wall was lined with a smooth pipe, intended to make it more difficult to scale. The Wall was reinforced by mesh fencing, signal fencing, anti-vehicle trenches, barbed wire, dogs on long lines, "beds of nails" (also known as "Stalin's Carpet") under balconies hanging over the "death strip", over 116 watchtowers, and 20 bunkers with hundreds of guards. This version of the Wall is the one most commonly seen in photographs, and surviving fragments of the Wall in Berlin and elsewhere around the world are generally pieces of the fourth-generation Wall. The layout came to resemble the inner German border in most technical aspects, except that the Berlin Wall had no landmines nor spring-guns. Maintenance was performed on the outside of the wall by personnel who accessed the area outside it either via ladders or via hidden doors within the wall. These doors could not be opened by a single person, needing two separate keys in two separate keyholes to unlock.
As was the case with the inner German border, an unfortified strip of Eastern territory was left outside the wall. This outer strip was used by workers to paint over graffiti and perform other maintenance on the outside of the wall Unlike the inner German border, however, the outer strip was usually no more than four meters wide, and, in photos from the era, the exact location of the actual border in many places appears not even to have been marked. Also in contrast with the inner German border, little interest was shown by East German law enforcement in keeping outsiders off the outer strip; sidewalks of West Berlin streets even ran inside it. Despite the East German government's general policy of benign neglect, vandals were known to have been pursued in the outer strip, and even arrested. In 1986, defector and political activist Wolfram Hasch and four other defectors were standing inside the outer strip defacing the wall when East German personnel emerged from one of the hidden doors to apprehend them. All but Hasch escaped back into the western sector. Hasch himself was arrested, dragged through the door into the death strip, and later convicted of illegally crossing the "de jure" border outside the wall. Graffiti artist Thierry Noir has reported having often been pursued there by East German soldiers. While some graffiti artists were chased off the outer strip, others, such as Keith Haring, were seemingly tolerated.
Surrounding municipalities. Besides the sector-sector boundary within Berlin itself, the Wall also separated West Berlin from the present-day state of Brandenburg. The following present-day municipalities, listed in counter-clockwise direction, share a border with the former West Berlin: Official crossings and usage. There were nine border crossings between East and West Berlin. These allowed visits by West Berliners, other West Germans, Western foreigners and Allied personnel into East Berlin, as well as visits by GDR citizens and citizens of other socialist countries into West Berlin, provided that they held the necessary permits. These crossings were restricted according to which nationality was allowed to use it (East Germans, West Germans, West Berliners, other countries). The best known was the vehicle and pedestrian checkpoint at the corner of Friedrichstraße and Zimmerstraße (Checkpoint Charlie), which was restricted to Allied personnel and foreigners. Several other border crossings existed between West Berlin and surrounding East Germany. These could be used for transit between West Germany and West Berlin, for visits by West Berliners into East Germany, for transit into countries neighbouring East Germany (Poland, Czechoslovakia, and Denmark), and for visits by East Germans into West Berlin carrying a permit. After the 1972 agreements, new crossings were opened to allow West Berlin waste to be transported into East German dumps, as well as some crossings for access to West Berlin's exclaves (see "Steinstücken").
Four autobahns connected West Berlin to West Germany, including Berlin-Helmstedt autobahn, which entered East German territory between the towns of Helmstedt and Marienborn (Checkpoint Alpha), and which entered West Berlin at Dreilinden (Checkpoint Bravo for the Allied forces) in southwestern Berlin. Access to West Berlin was also possible by railway (four routes) and by boat for commercial shipping via canals and rivers. Non-German Westerners could cross the border at Friedrichstraße station in East Berlin and at Checkpoint Charlie. When the Wall was erected, Berlin's complex public transit networks, the S-Bahn and U-Bahn, were divided with it. Some lines were cut in half; many stations were shut down. Three western lines traveled through brief sections of East Berlin territory, passing through eastern stations (called "", or ghost stations) without stopping. Both the eastern and western networks converged at , which became a major crossing point for those (mostly Westerners) with permission to cross. Crossing.
West Germans and citizens of other Western countries could generally visit East Germany, often after applying for a visa at an East German embassy several weeks in advance. Visas for day trips restricted to East Berlin were issued without previous application in a simplified procedure at the border crossing. However, East German authorities could refuse entry permits without stating a reason. In the 1980s, visitors from the western part of the city who wanted to visit the eastern part had to exchange at least DM 25 into East German currency at the poor exchange rate of 1:1. It was forbidden to export East German currency from the East, but money not spent could be left at the border for possible future visits. Tourists crossing from the west had to also pay for a visa, which cost DM 5; West Berliners did not have to pay this fee. West Berliners initially could not visit East Berlin or East Germany at all—all crossing points were closed to them between 26 August 1961 and 17 December 1963. In 1963, negotiations between East and West resulted in a limited possibility for visits during the Christmas season that year (). Similar, very limited arrangements were made in 1964, 1965 and 1966.
In 1971, with the Four Power Agreement on Berlin, agreements were reached that allowed West Berliners to apply for visas to enter East Berlin and East Germany regularly, comparable to the regulations already in force for West Germans. However, East German authorities could still refuse entry permits. East Berliners and East Germans could not, at first, travel to West Berlin or West Germany at all. This regulation remained in force essentially until the fall of the Wall, but over the years several exceptions to these rules were introduced, the most significant being: For each of these exceptions, GDR citizens had to apply for individual approval, which was never guaranteed. In addition, even if travel was approved, GDR travellers could exchange only a very small number of East German Marks into Deutsche Marks (DM), thus limiting the financial resources available for them to travel to the West. This led to the West German practice of granting a small amount of DM annually ("Begrüßungsgeld", or welcome money) to GDR citizens visiting West Germany and West Berlin to help alleviate this situation.
Citizens of other East European countries were in general subject to the same prohibition of visiting Western countries as East Germans, though the applicable exception (if any) varied from country to country. Allied Military Personal Crossing. Allied military personnel and civilian officials of the Allied forces could enter and exit East Berlin without submitting to East German passport controls, purchasing a visa or being required to exchange money. Likewise, Soviet military patrols could enter and exit West Berlin. This was a requirement of the post-war Four Powers Agreements. A particular area of concern for the Western Allies involved official dealings with East German authorities when crossing the border, since Allied policy did not recognize the authority of the GDR to regulate Allied military traffic to and from West Berlin, as well as the Allied presence within Greater Berlin, including entry into, exit from, and presence within East Berlin. The Allies held that only the Soviet Union, and not the GDR, had the authority to regulate Allied personnel in such cases. For this reason, elaborate procedures were established to prevent inadvertent recognition of East German authority when engaged in travel through the GDR and when in East Berlin. Special rules applied to travel by Western Allied military personnel assigned to the military liaison missions accredited to the commander of Soviet forces in East Germany, located in Potsdam.
Allied personnel were restricted by policy when travelling by land to the following routes: As with military personnel, special procedures applied to travel by diplomatic personnel of the Western Allies accredited to their respective embassies in the GDR. This was intended to prevent inadvertent recognition of East German authority when crossing between East and West Berlin, which could jeopardize the overall Allied position governing the freedom of movement by Allied forces personnel within all Berlin. Ordinary citizens of the Western Allied powers, not formally affiliated with the Allied forces, were authorized to use all designated transit routes through East Germany to and from West Berlin. Regarding travel to East Berlin, such persons could also use the Friedrichstraße train station to enter and exit the city, in addition to Checkpoint Charlie. In these instances, such travelers, unlike Allied personnel, had to submit to East German border controls. Defection attempts. During the years of the Wall, around 5,000 people successfully defected to West Berlin. The number of people who died trying to cross the Wall, or as a result of the Wall's existence, has been disputed. The most vocal claims by Alexandra Hildebrandt, director of the Checkpoint Charlie Museum and widow of the museum's founder, estimated the death toll to be well above 200. A historic research group at the Centre for Contemporary History (ZZF) in Potsdam has confirmed at least 140 deaths. Prior official figures listed 98 as being killed.
The East German government issued shooting orders ("Schießbefehl") to border guards dealing with defectors, though such orders are not the same as "shoot to kill" orders. GDR officials denied issuing the latter. In an October 1973 order later discovered by researchers, guards were instructed that people attempting to cross the Wall were criminals and needed to be shot: Early successful escapes involved people jumping the initial barbed wire or leaping out of apartment windows along the line, but these ended as the Wall was fortified. East German authorities no longer permitted apartments near the Wall to be occupied, and any building near the Wall had its windows boarded and later bricked up. On 15 August 1961, Conrad Schumann was the first East German border guard to escape by jumping the barbed wire to West Berlin. On 22 August 1961, Ida Siekmann was the first casualty at the Berlin Wall: she died after she jumped out of her third floor apartment at 48 Bernauer Strasse. The first person to be shot and killed while trying to cross to West Berlin was Günter Litfin, a twenty-four-year-old tailor. He attempted to swim across the Spree to West Berlin on 24 August 1961, the same day that East German police had received shoot-to-kill orders to prevent anyone from escaping.
Another dramatic escape was carried out in April 1963 by Wolfgang Engels, a 19-year-old civilian employee of the "Nationale Volksarmee" (NVA). Engels stole a Soviet armored personnel carrier from a base where he was deployed and drove it right into the Wall. He was fired at and seriously wounded by border guards. But a West German policeman intervened, firing his weapon at the East German border guards. The policeman removed Engels from the vehicle, which had become entangled in the barbed wire. East Germans successfully defected by a variety of methods: digging long tunnels under the Wall, waiting for favorable winds and taking a hot air balloon, sliding along aerial wires, flying ultralights and, in one instance, simply driving a sports car at full speed through the basic, initial fortifications. When a metal beam was placed at checkpoints to prevent this kind of defection, up to four people (two in the front seats and possibly two in the boot) drove under the bar in a sports car that had been modified to allow the roof and windscreen to come away when it made contact with the beam. They lay flat and kept driving forward. The East Germans then built zig-zagging roads at checkpoints. The sewer system predated the Wall, and some people escaped through the sewers, in a number of cases with assistance from the Unternehmen Reisebüro. In September 1962, 29 people escaped through a tunnel to the west. At least 70 tunnels were dug under the wall; only 19 were successful in allowing fugitives—about 400 persons—to escape. The East German authorities eventually used seismographic and acoustic equipment to detect the practice. In 1962, they planned an attempt to use explosives to destroy one tunnel, but this was not carried out as it was apparently sabotaged by a member of the Stasi.
An airborne escape was made by Thomas Krüger, who landed a Zlin Z 42M light aircraft of the "Gesellschaft für Sport und Technik", an East German youth military training organization, at RAF Gatow. His aircraft, registration DDR-WOH, was dismantled and returned to the East Germans by road, complete with humorous slogans painted on it by airmen of the Royal Air Force, such as "Wish you were here" and "Come back soon". If an escapee was wounded in a crossing attempt and lay on the death strip, no matter how close they were to the Western wall, Westerners could not intervene for fear of triggering engaging fire from the 'Grepos', the East Berlin border guards. The guards often let fugitives bleed to death in the middle of this ground, as in the most notorious failed attempt, that of Peter Fechter (aged 18) at a point near Zimmerstrasse in East Berlin. He was shot and bled to death, in full view of the Western media, on 17 August 1962. Fechter's death created negative publicity worldwide that led the leaders of East Berlin to place more restrictions on shooting in public places and provide medical care for possible "would-be escapers". The last person to be shot and killed while trying to cross the border was Chris Gueffroy on 6 February 1989, while the final person to die in an escape attempt was Winfried Freudenberg who was killed when his homemade natural gas-filled balloon crashed on 8 March 1989.
The Wall gave rise to a widespread sense of desperation and oppression in East Berlin, as expressed in the private thoughts of one resident, who confided to her diary "Our lives have lost their spirit... we can do nothing to stop them." Concerts by Western artists and growing anti-Wall sentiment. David Bowie, 1987. On 6 June 1987, David Bowie, who earlier for several years lived and recorded in West Berlin, played a concert close to the Wall. This was attended by thousands of Eastern concertgoers across the Wall, followed by violent rioting in East Berlin. According to Tobias Ruther, these protests in East Berlin were the first in the sequence of riots that led to those of November 1989. Although other factors were probably more influential in the fall of the Wall, upon his death in 2016, the German Foreign Office tweeted "Good-bye, David Bowie. You are now among #Heroes. Thank you for helping to bring down the #wall." Bruce Springsteen, 1988. On 19 July 1988, 16 months before the Wall came down, Bruce Springsteen and the E Street Band, played Rocking the Wall, a live concert in East Berlin, which was attended by 300,000 in person and broadcast on television. Springsteen spoke to the crowd in German, saying: "I'm not here for or against any government. I've come to play rock 'n' roll for you in the hope that one day all the barriers will be torn down". East Germany and its FDJ youth organization were worried they were losing an entire generation. They hoped that by letting Springsteen in, they could improve their sentiment among East Germans. However, this strategy of "one step backwards, two steps forwards" backfired, and the concert only made East Germans hungrier for more of the freedoms that Springsteen epitomized.
David Hasselhoff, 1989. On 31 December 1989, American TV actor and pop music singer David Hasselhoff was the headlining performer for the Freedom Tour Live concert, which was attended by over 500,000 people on both sides of the Wall. The live concert footage was directed by music video director Thomas Mignone and aired on broadcast television station Zweites Deutsches Fernsehen ZDF throughout Europe. During shooting, film crew personnel pulled people up from both sides to stand and celebrate on top of the wall. Hasselhoff sang his number one hit song "Looking for Freedom" on a platform at the end of a twenty-meter steel crane that swung above and over the Wall adjacent to the Brandenburg Gate. A small museum was created in 2008 to celebrate Hasselhoff in the basement of the Circus Hostel. Comments by politicians. On 26 June 1963, 22 months after the erection of the Berlin Wall, U.S. President John F. Kennedy visited West Berlin. Speaking from a platform erected on the steps of Rathaus Schöneberg for an audience of 450,000 and straying from the prepared script, he declared in his "Ich bin ein Berliner" speech the support of the United States for West Germany and the people of West Berlin in particular:
The message was aimed as much at the Soviets as it was at Berliners and was a clear statement of U.S. policy in the wake of the construction of the Berlin Wall. The speech is considered one of Kennedy's best, both a significant moment in the Cold War and a high point of the New Frontier. It was a great morale boost for West Berliners, who lived in an exclave deep inside East Germany and feared a possible East German occupation. British prime minister Margaret Thatcher commented in 1982: In a speech at the Brandenburg Gate commemorating the 750th anniversary of Berlin on 12 June 1987, U.S. President Ronald Reagan challenged Mikhail Gorbachev, then the General Secretary of the Communist Party of the Soviet Union, to tear down the Wall as a symbol of increasing freedom in the Eastern Bloc: In January 1989, GDR leader Erich Honecker predicted that the Wall would stand for 50 or 100 more years if the conditions that had caused its construction did not change. Fall. Due to the increasing economic problems in the Eastern Bloc and the failure of the USSR to intervene in relation to the individual communist states, the brackets of the Eastern Bloc slowly began to loosen from the end of the 1980s. One example is the fall of the communist government in neighboring Poland's 1989 Polish parliamentary election. Also in June 1989, the Hungarian government began dismantling the electrified fence along its border with Austria (with Western TV crews present) although the border was still very closely guarded and escape was almost impossible.
The opening of a border gate between Austria and Hungary at the Pan-European Picnic on 19 August 1989, which was based on an idea by Otto von Habsburg to test the reaction of Mikhail Gorbachev, then triggered a peaceful chain reaction, at the end of which there was no longer the GDR and the Eastern Bloc had disintegrated. Because with the non-reaction of the USSR and the GDR to the mass exodus, the media-informed Eastern Europeans could feel the increasing loss of power of their governments and more and more East Germans were now trying to flee via Hungary. Erich Honecker explained to the "Daily Mirror" regarding the Pan-European Picnic and thus showed his people his own inaction: "Habsburg distributed leaflets far into Poland, on which the East German holidaymakers were invited to a picnic. When they came to the picnic, they were given gifts, food and Deutsche Mark, and then they were persuaded to come to the West." Then, in September, more than 13,000 East German tourists escaped through Hungary to Austria. This set up a chain of events. The Hungarians prevented many more East Germans from crossing the border and returned them to Budapest. These East Germans flooded the West German embassy and refused to return to East Germany.
The East German government responded by disallowing any further travel to Hungary but allowed those already there to return to East Germany. This triggered similar events in neighboring Czechoslovakia. This time, however, the East German authorities allowed people to leave, provided that they did so by train through East Germany. This was followed by mass demonstrations within East Germany itself. Protest demonstrations spread throughout East Germany in September 1989. Initially, protesters were mostly people wanting to leave to the West, chanting ("We want out!"). Then protestors began to chant ("We are staying here!"). This was the start of what East Germans generally call the "Peaceful Revolution" of late 1989. The protest demonstrations grew considerably by early November. The movement neared its height on 4 November, when half a million people gathered to demand political change, at the Alexanderplatz demonstration, East Berlin's large public square and transportation hub. On 9 October 1989, the police and army units were given permission to use force against those assembled, but this did not deter the church service and march from taking place, which gathered 70,000 people.
The longtime leader of East Germany, Erich Honecker, resigned on 18 October 1989 and was replaced by Egon Krenz that day. The wave of refugees leaving East Germany for the West kept increasing. By early November refugees were finding their way to Hungary via Czechoslovakia, or via the West German Embassy in Prague. This was tolerated by the new Krenz government, because of long-standing agreements with the communist Czechoslovak government, allowing free travel across their common border. However, this movement of people grew so large it caused difficulties for both countries. To ease the difficulties, the politburo led by Krenz decided on 9 November to allow refugees to exit directly through crossing points between East Germany and West Germany, including between East and West Berlin. Later the same day, the ministerial administration modified the proposal to include private, round-trip, and travel. The new regulations were to take effect the next day.
Excerpts from Schabowski's press conference were the lead story on West Germany's two main news programs that night—at 7:17 p.m. on ZDF's "heute" and at 8 p.m. on ARD's "Tagesschau". As ARD and ZDF had broadcast to nearly all of East Germany since the late 1950s and had become accepted by the East German authorities, the news was broadcast there as well simultaneously. Later that night, on ARD's "Tagesthemen", anchorman Hanns Joachim Friedrichs proclaimed, "This 9 November is a historic day. The GDR has announced that, starting immediately, its borders are open to everyone. The gates in the Wall stand open wide." After hearing the broadcast, East Germans began gathering at the Wall, at the six checkpoints between East and West Berlin, demanding that border guards immediately open the gates. The surprised and overwhelmed guards made many hectic telephone calls to their superiors about the problem. At first, they were ordered to find the "more aggressive" people gathered at the gates and stamp their passports with a special stamp that barred them from returning to East Germany—in effect, revoking their citizenship. However, this still left thousands of people demanding to be let through "as Schabowski said we can". It soon became clear that no one among the East German authorities would take personal responsibility for issuing orders to use lethal force, so the vastly outnumbered soldiers had no way to hold back the huge crowd of East German citizens. Finally, at 10:45 p.m. on 9 November, Harald Jäger, the commander of the Bornholmer Straße border crossing yielded, allowing the guards to open the checkpoints and allowing people through with little or no identity checking. As the "Ossis" swarmed through, they were greeted by "Wessis" waiting with flowers and champagne amid wild rejoicing. Soon afterward, a crowd of West Berliners jumped on top of the Wall, and were soon joined by East German youngsters. The evening of 9 November 1989 is known as the night the Wall came down.
Another border crossing to the south may have been opened earlier. An account by Heinz Schäfer indicates that he also acted independently and ordered the opening of the gate at Waltersdorf-Rudow a couple of hours earlier. This may explain reports of East Berliners appearing in West Berlin earlier than the opening of the Bornholmer Straße border crossing. Thirty years after the fall of the Berlin Wall, "The Guardian" collected short stories from 9 November 1989 by five German writers who reflect on the day. In this, Kathrin Schmidt remembers comically: "I downed almost an entire bottle of schnapps". Legacy. Little is left of the Wall at its original site, which was destroyed almost in its entirety. Three long sections are still standing: an piece of the first (westernmost) wall at the Topography of Terror, site of the former Gestapo headquarters, halfway between Checkpoint Charlie and Potsdamer Platz; a longer section of the second (easternmost) wall along the Spree River near the , nicknamed East Side Gallery; and a third section that is partly reconstructed, in the north at Bernauer Straße, which was turned into a memorial in 1998. Other isolated fragments, lampposts, other elements, and a few watchtowers also remain in various parts of the city.
Nothing still accurately represents the Wall's original appearance better than a very short stretch at Bernauer Straße associated with the Berlin Wall Documentation Center. Other remnants are badly damaged by souvenir seekers. Fragments of the Wall were taken, and some were sold around the world. Appearing both with and without certificates of authenticity, these fragments are now a staple on the online auction service eBay as well as German souvenir shops. Today, the eastern side is covered in graffiti that did not exist while the Wall was guarded by the armed soldiers of East Germany. Previously, graffiti appeared only on the western side. Along some tourist areas of the city centre, the city government has marked the location of the former Wall by a row of cobblestones in the street. In most places only the "first" wall is marked, except near Potsdamer Platz where the stretch of both walls is marked, giving visitors an impression of the dimension of the barrier system. After the fall of the Berlin Wall, there were initiatives that they want to preserve the death strip walkways and redevelop them into a hiking and cycling area, known as . It is part of the initiative by the Berlin Senate since 11 October 2001.
Cultural differences. For many years after reunification, people in Germany talked about cultural differences between East and West Germans (colloquially "Ossis" and "Wessis"), sometimes described as "Mauer im Kopf" (The wall in the head). A September 2004 poll found that 25 percent of West Germans and 12 percent of East Germans wished that East and West should be separated again by a "Wall". A poll taken in October 2009 on the occasion of the 20th anniversary of the fall of the Wall indicated, however, that only about a tenth of the population was still unhappy with the unification (8 percent in the East; 12 percent in the West). Although differences are still perceived between East and West, Germans make similar distinctions between North and South. A 2009 poll conducted by Russia's VTsIOM, found that more than half of all Russians do not know who built the Berlin Wall. Ten percent of people surveyed thought Berlin residents built it themselves. Six percent said Western powers built it and four percent thought it was a "bilateral initiative" of the Soviet Union and the West. Fifty-eight percent said they did not know who built it, with just 24 percent correctly naming the Soviet Union and its then-communist ally East Germany.
Wall segments around the world. Not all segments of the Wall were ground up as the Wall was being torn down. Many segments have been given to various institutions around the world. They can be found, for instance, in presidential and historical museums, lobbies of hotels and corporations, at universities and government buildings, and in public spaces in different countries of the world. 50th anniversary commemoration. On 13 August 2011, Germany marked the 50th anniversary of East Germany beginning the erection of the Berlin Wall. Chancellor Angela Merkel joined with President Christian Wulff and Berlin Mayor Klaus Wowereit at the Bernauer Straße memorial park to remember lives and liberty. Speeches extolled freedom and a minute of silence at noon honored those who died trying to flee to the West. "It is our shared responsibility to keep the memory alive and to pass it on to the coming generations as a reminder to stand up for freedom and democracy to ensure that such injustice may never happen again." entreated Mayor Wowereit. "It has been shown once again: Freedom is invincible at the end. No wall can permanently withstand the desire for freedom", proclaimed President Wulff.
Polling. A small minority still support the wall or even support rebuilding the wall back up. In 2008 a poll found that 11% of participants from the former West Berlin and 12% form the former East Berlin said it would be better if the wall was still in place. A November 2009 poll found that 12% of Germans said the wall should be rebuilt. The poll also found that in the former West German states support was at 12% and in the former East German states it was 13%. A September 2009 poll found 15% of Germans supported a wall, while in the west it was 16% and in the east it was at 10%. A 2010 poll from Emnid for Bild, found that 24% of West Germans and 23% of East Germans wished for the wall still being in place. A 2019 poll from Berliner Zeitung on the 30th anniversary, found that 8% of Berliners supported the idea if the wall was still standing, The overwhelming majority of Berliners at 87% however supported the fall of the wall. The poll also found that 28% of the Alternative for Germany (AfD) and 16% of Free Democratic Party (FDP) supporters supported bringing back the wall. A 2019 Yougov poll found that 13% of Germans wanted the wall back, in the West support was at 14% and in the East it was 13%.
A 2019 poll from Forsa found 35% of Berliners thought the construction of the Wall was not so wrong with supporters of the Left Party at 74%. Related media. Documentaries. Documentary films specifically about the Berlin Wall include: Feature films. Fictional films featuring the Berlin Wall have included: Literature. Some novels specifically about the Berlin Wall include: Music. Music related to the Berlin Wall includes: Visual art. Artworks related to the Berlin Wall include: Games. Video games related to the Berlin Wall include:
Bass (sound) Bass ( ) (also called bottom end) describes tones of low (also called "deep") frequency, pitch and range from 16 to 250 Hz (C0 to middle C4) and bass instruments that produce tones in the low-pitched range C2-C4. They belong to different families of instruments and can cover a wide range of musical roles. Since producing low pitches usually requires a long air column or string, and for stringed instruments, a large hollow body, the string and wind bass instruments are usually the largest instruments in their families or instrument classes. Musical role. When bass notes are played in a musical ensemble such an orchestra, they are frequently used to provide a counterpoint or counter-melody, in a harmonic context either to outline or juxtapose the progression of the chords, or with percussion to underline the rhythm. Rhythm section. In popular music, the bass part, which is called the "bassline", typically provides harmonic and rhythmic support to the band. The bass player is a member of the rhythm section in a band, along with the drummer, rhythm guitarist, and, in some cases, a keyboard instrument player (e.g., piano or Hammond organ). The bass player emphasizes the root or fifth of the chord in their basslines (and to a lesser degree, the third of the chord) and accents the strong beats.
Kinds of bass harmony. In classical music, different forms of bass are: "basso concertante", or "basso recitante"; the bass voice of the chorus; the bass which accompanies the softer passages of a composition, as well as those passages which employ the whole power of the ensemble, generally played by the violoncellos in orchestral music; "contrabass" (“under bass”), is described as that part which is performed by the double basses; violoncellos often play the same line an octave higher, or a different melodic or rhythmic part which is not a bassline when double basses are used; "basso ripieno"; that bass which joins in the full passages of a composition, and, by its depth of tone and energy of stroke, affords a powerful contrast to the lighter and softer passages or movements. Basso continuo was an approach to writing music during the Baroque music era (1600–1750). With basso continuo, a written-out bassline served to set out the chord progression for an entire piece (symphony, concerto, Mass, or other work), with the bassline being played by pipe organ or harpsichord and the chords being improvised by players of chordal instruments (theorbo, lute, harpsichord, etc.).
"The bass differs from other voices because of the particular role it plays in supporting and defining harmonic motion. It does so at levels ranging from immediate, chord-by-chord events to the larger harmonic organization of an entire work." Instruments. As seen in the musical instrument classification article, categorizing instruments can be difficult. For example, some instruments fall into more than one category. The cello is considered a tenor instrument in some orchestral settings, but in a string quartet it is the bass instrument. Also, the Bass Flute is actually the tenor member of the flute family even though it is called the "Bass" Flute. Examples grouped by general form and playing technique include: A musician playing one of these instruments is often known as a bassist. Other more specific terms such as 'bass guitarist', 'double bassist', 'bass player', etc. may also be used. Music shows and dances. With recorded music playback, for owners of 33 rpm LPs and 45 singles, the availability of loud "and" deep bass was limited by the ability of the phonograph record stylus to track the groove. While some hi-fi aficionados had solved the problem by using other playback sources, such as reel-to-reel tape players which were capable of delivering accurate, naturally deep bass from acoustic sources, or synthetic bass not found in nature, with the popular introduction of the compact cassette in the late 1960s it became possible to add more low-frequency content to recordings. By the mid-1970s, 12" vinyl singles, which allowed for "more bass volume", were used to record disco, reggae, dub and hip-hop tracks; dance club DJs played these records in clubs with subwoofers to achieve "physical and emotional" reactions from dancers.
In the early 1970s, early disco DJs sought out deeper bass sounds for their dance events. David Mancuso hired sound engineer Alex Rosner to design additional subwoofers for his disco dance events, along with "tweeter arrays" to "boost the treble and bass at opportune moments" at his private, underground parties at The Loft. The demand for sub-bass sound reinforcement in the 1970s was driven by the important role of "powerful bass drum" in disco, as compared with rock and pop; to provide this deeper range, a third crossover point from 40 Hz to 120 Hz (centering on 80 Hz) was added. The Paradise Garage discotheque in New York City, which operated from 1977 to 1987, had "custom designed 'sub-bass' speakers" developed by Alex Rosner's disciple, sound engineer Richard ("Dick") Long that were called "Levan Horns" (in honor of resident DJ Larry Levan). By the end of the 1970s, subwoofers were used in dance venue sound systems to enable the playing of "[b]ass-heavy dance music" that we "do not 'hear' with our ears but with our entire body". At the club, Long used four Levan bass horns, one in each corner of the dancefloor, to create a "haptic and tactile quality" in the sub-bass that you could feel in your body. To overcome the lack of sub-bass frequencies on 1970s disco records (sub-bass frequencies below 60 Hz were removed during mastering), Long added a DBX 100 "Boom Box" subharmonic pitch generator into his system to synthesize 25 Hz to 50 Hz sub-bass from the 50 to 100 Hz bass on the records. In the early 1980s, Long designed a sound system for the Warehouse dance club, with "huge stacks of subwoofers" which created "deep and intense" bass frequencies that "pound[ed] through your system" and "entire body", enabling clubgoers to "viscerally experience" the DJs' house music mixes.
Deep, heavy bass is central to Jamaican musical styles such as dub and reggae. In Jamaica in the 1970s and 1980s, sound engineers for reggae sound systems began creating "heavily customized" subwoofer enclosures by adding foam and tuning the cabinets to achieve "rich and articulate speaker output below 100 Hz". The sound engineers who developed the "bass-heavy signature sound" of sound reinforcement systems have been called "deserving as much credit for the sound of Jamaican music as their better-known music producer cousins". The sound engineers for Stone Love Movement (a sound system crew), for example, modified folded horn subwoofers they imported from the US to get more of a bass reflex sound that suited local tone preferences for dancehall audiences, as the unmodified folded horn was found to be "too aggressive" sounding and "not deep enough for Jamaican listeners". In Jamaican sound system culture, there are both "low and high bass bins" in "towering piles" that are "delivered in large trucks" and set up by a crew of "box boys", and then positioned and adjusted by the sound engineer in a process known as "stringing up", all to create the "sound of reggae music you can literally feel as it comes off these big speakers". Sound system crews hold 'sound clash' competitions, where each sound system is set up and then the two crews try to outdo each other.
Movies. The use of subwoofers to provide deep bass in film presentations received a great deal of publicity in 1974 with the movie "Earthquake" which was released in Sensurround. Initially installed in 17 U.S. theaters, the Cerwin Vega "Sensurround" system used large subwoofers which were driven by racks of 500 watt amplifiers which were triggered by control tones printed on one of the audio tracks on the film. Four of the subwoofers were positioned in front of the audience under (or behind) the film screen and two more were placed together at the rear of the audience on a platform. Powerful noise energy and loud rumbling in the range of 17 Hz to 120 Hz was generated at the level of 110–120 decibels of sound pressure level, abbreviated dB(SPL). The new low frequency entertainment method helped the film become a box office success. More Sensurround systems were assembled and installed. By 1976 there were almost 300 Sensurround systems in theaters. Other films to use the effect include "Midway" in 1976 and "Rollercoaster" in 1977.
UK bass UK bass, also called bass music, is club music that emerged in the United Kingdom during the mid-2000s under the influence of diverse genres such as house, grime, dubstep, Future garage, R&B, and UK funky. The term "UK bass" came into use as artists began ambiguously blending the sounds of these defined genres while maintaining an emphasis on percussive, bass-led rhythm. UK bass is sometimes conflated with bassline or post-dubstep. It is not to be confused with the hip hop and electro-based genre Miami bass, which is sometimes called "bass music" as well. Origins. The breadth of styles that have come to be associated with the term preclude it from being a specific musical genre. "Pitchfork" writer Martin Clark has suggested that "well-meaning attempts to loosely define the ground we're covering here are somewhat futile and almost certainly flawed. This is not one genre. However, given the links, interaction, and free-flowing ideas… you can't dismiss all these acts as unrelated." Dubstep producer Skream is quoted in an interview with "The Independent" in September 2011 as saying: The word dubstep is being used by a lot of people and there were a lot of people being tagged with the dubstep brush. They don't want to be tagged with it and shouldn't be tagged with it – that's not what they're pushing... When I say 'UK bass', it's what everyone UK is associated with so it would be a lot easier if it was called that."
In the United Kingdom, bass music has had major mainstream success since the late 2000s and early 2010s, with artists such as James Blake, Benga, Burial, SBTRKT, Sophie, Rustie, Zomby, and Skream. The term "post-dubstep" has been used synonymously to refer to artists, such as Blake and Mount Kimbie whose work draws on UK garage, 2-step, and other forms of underground dance music, as well as ambient music and early R&B. Outside of nightclubs, UK bass has mainly been promoted and played on Internet radio stations such as Sub.FM and Rinse FM.
Burning glass A burning glass or burning lens is a large convex lens that can concentrate the Sun's rays onto a small area, heating up the area and thus resulting in ignition of the exposed surface. Burning mirrors achieve a similar effect by using reflecting surfaces to focus the light. They were used in 18th-century chemical studies for burning materials in closed glass vessels where the products of combustion could be trapped for analysis. The burning glass was a useful contrivance in the days before electrical ignition was easily achieved. History. Burning glass technology has been known since antiquity, as described by Greek and Roman writers who recorded the use of lenses to start fires for various purposes. Pliny the Elder noted the use of glass vases filled with water to concentrate sunlight heat intensely enough to ignite clothing, as well as convex lenses that were used to cauterize wounds. Plutarch refers to a burning mirror made of joined triangular metal mirrors installed at the temple of the Vestal Virgins. Aristophanes mentions the burning lens in his play "The Clouds" (424 BC).
The Hellenistic Greek mathematician Archimedes was said to have used a burning glass as a weapon in 212 BC, when Syracuse was besieged by Marcus Claudius Marcellus of the Roman Republic. The Roman fleet was supposedly incinerated, though eventually the city was taken and Archimedes was slain. The legend of Archimedes gave rise to a considerable amount of research on burning glasses and lenses until the late 17th century. Various researchers from medieval Christendom to the Islamic world worked with burning glasses, including Anthemius of Tralles (6th century AD), Proclus (6th century; who by this means purportedly destroyed the fleet of Vitalian besieging Constantinople), Ibn Sahl in his "On Burning Mirrors and Lenses" (10th century), Alhazen in his "Book of Optics" (1021), Roger Bacon (13th century), Giambattista della Porta and his friends (16th century), Athanasius Kircher and Gaspar Schott (17th century), and the Comte de Buffon in 1740 in Paris. While the effects of camera obscura were mentioned by Greek philosopher Aristotle in the 4th century BC, contemporary Chinese Mohists of China's Warring States Period who compiled the "Mozi" described their experiments with burning mirrors and the pinhole camera. A few decades after Alhazen described camera obscura in Iraq, the Song dynasty Chinese statesman Shen Kuo was nevertheless the first to clearly describe the relationship of the focal point of a concave mirror, the burning point and the pinhole camera as separate radiation phenomena in his "Dream Pool Essays" (1088). By the late 15th century Leonardo da Vinci would be the first in Europe to make similar observations about the focal point and pinhole.
Burning lenses were used in the 18th century by both Joseph Priestley and Antoine Lavoisier in their experiments to obtain oxides contained in closed vessels under high temperatures. These included carbon dioxide by burning diamond, and mercuric oxide by heating mercury. This type of experiment contributed to the discovery of "dephlogisticated air" by Priestley, which became better known as oxygen, following Lavoisier's investigations. Chapter 17 of William Bates' 1920 book "Perfect Sight Without Glasses", in which the author argues that observation of the sun is beneficial to those with poor vision, includes a figure of somebody "Focussing the Rays of the Sun Upon the Eye of a Patient by Means of a Burning Glass." The burning lens of the Grand Duke of Tuscany was used by Sir Humphry Davy and Michael Faraday to burn a diamond in oxygen on 27 March 1814. Use. War: since the legend of Archimedes. The first story akin to that of burning glass is by Archimedes, for the purpose of war, in 212 BC. When Syracuse was besieged by Marcus Claudius Marcellus, the Roman fleet was supposedly incinerated by the use of not glass per se, but a concave mirror made of brass focusing sunlight. Whether or not that actually happened, eventually the city was taken and Archimedes was slain.
In 1796, during the French Revolution and three years after the declaration of war between France and Great Britain, physicist Étienne-Gaspard Robert met with the French government and proposed the use of mirrors to burn the invading ships of the British Royal Navy. They decided not to take up his proposal. Domestic use: primitive fire making. Burning glasses (often called fire lenses) are still used to light fires in outdoor and primitive settings. Large burning lenses sometimes take the form of Fresnel lenses, similar to lighthouse lenses, including those for use in solar furnaces. Solar furnaces are used in industry to produce extremely high temperatures without the need for fuel or large supplies of electricity. They sometimes employ a large parabolic array of mirrors (some facilities are several stories high) to focus light to a high intensity. Religion: sacred fire. In various religions settings, a burning glass is used to set off some sort of sacred fire. From the 7th to the 16th centuries, a burning glass was used by Christians to set off the Easter Fire during the Easter vigil. Thus, Saint Boniface explained to Pope Zachary that he produced the new fire of Holy Saturday by means of a crystal lens concentrating the rays of the sun. This process was also mentioned in liturgical books until the Roman Pontifical of 1561.
In Cambodia, a burning glass has also been used since ancient times for the cremation of kings and most recently for the funeral of King Sihanouk. The crematorium of the king is traditionally prepared by the Bakus brahmin from the Royal Palace on the last day of the week-long funeral. Small pieces of fragrant agarwood are placed beneath the magnifying glass until it ignites. The incandescent wood is used to light candles and pass on the fire to the attendees, who usually take their lit candles home. Sports: lighting the Olympic torch. The Olympic torch that is carried around the host country of the Olympic Games is lit by a burning glass, at the site of ancient Olympia in Greece. Popular culture: verification attempts. There have been several real-world tests to evaluate the validity of the legend of Archimedes described above over the centuries, including a test by Comte de Buffon (circa 1747), documented in the paper titled "Invention De Miroirs Ardens, Pour Brusler a Une Grande Distance", and an experiment by John Scott, which was documented in an 1867 paper.
In 1973, Greek scientist Dr. Ioannis Sakkas, curious about whether Archimedes could really have used a "burning glass" to destroy the Roman fleet in 212 BC, lined up nearly 60 Greek sailors, each holding an oblong mirror tipped to catch the sun's rays and direct them at a wooden ship 160 feet away. The ship caught fire at once. Sakkas said after the experiment there was no doubt in his mind the great inventor could have used bronze mirrors to scuttle the Romans. However, accounting for battle conditions makes such a weapon impractical, with modern tests refuting such claims. An experiment was carried out by a group at the Massachusetts Institute of Technology in 2005. It concluded that although the theory was sound for stationary objects, the mirrors would not likely have been able to concentrate sufficient solar energy to set a ship on fire under battle conditions. Similar experiments were conducted on the popular science-based TV show "MythBusters" in 2004, 2006, and 2010, arriving at similar results based on the premise of the controversial myth. However, an episode of "Richard Hammond's Engineering Connections" relating to the Keck Observatory (whose reflector glass is based on the Archimedes' Mirror) did successfully use a much smaller curved mirror to burn a wooden model, although the scaled-down model was not made of the same quality of materials as in the "MythBusters" effort.
Battle of Adrianople (disambiguation) The Battle of Adrianople (378 CE), in which Gothic rebels defeated the Eastern Roman Empire, was the main battle of the Gothic War (376–382). Battle of Adrianople may also refer to:
Beacon A beacon is an intentionally conspicuous device designed to attract attention to a specific location. A common example is the lighthouse, which draws attention to a fixed point that can be used to navigate around obstacles or into port. More modern examples include a variety of radio beacons that can be read on radio direction finders in all weather, and radar transponders that appear on radar displays. Beacons can also be combined with semaphoric or other indicators to provide important information, such as the status of an airport, by the colour and rotational pattern of its airport beacon, or of pending weather as indicated on a weather beacon mounted at the top of a tall building or similar site. When used in such fashion, beacons can be considered a form of optical telegraphy. For navigation. Beacons help guide navigators to their destinations. Types of navigational beacons include radar reflectors, radio beacons, sonic and visual signals. Visual beacons range from small, single-pile structures to large lighthouses or light stations and can be located on land or on water. Lighted beacons are called "lights"; unlighted beacons are called "daybeacons". Aerodrome beacons are used to indicate locations of airports and helipads.
In the United States, a series of beacons were constructed across the country in the 1920s and 1930s to help guide pilots delivering air mail. They were placed about 25 miles apart from each other, and included large concrete arrows with accompanying lights to illuminate them. Handheld beacons are also employed in aircraft marshalling, and are used by the marshal to deliver instructions to the crew of aircraft as they move around an active airport, heliport or aircraft carrier. For defensive communications (historical). Historically, beacons were fires lit at well-known locations on hills or high places, used either as lighthouses for navigation at sea, or for signalling over land that enemy troops were approaching, in order to alert defenses. As signals, beacons are an ancient form of optical telegraph and were part of a relay league. Systems of this kind have existed for centuries over much of the world. The ancient Greeks called them "phryctoriae", while beacons figure on several occasions on the column of Trajan.
In imperial China, sentinels on and near the Great Wall of China used a sophisticated system of daytime smoke and nighttime flame to send signals along long chains of beacon towers. Legend has it that King You of Zhou played a trick multiple times in order to amuse his often melancholy concubine, ordering beacon towers lit to fool his vassals and soldiers. But when enemies, led by the Marquess of Shen really arrived at the wall, although the towers were lit, no defenders came, leading to King Yōu's death and the collapse of the Western Zhou dynasty. China's system of beacon towers was not extant prior to the Han dynasty. Thucydides wrote that during the Peloponnesian War, the Peloponnesians who were in Corcyra were informed by night-time beacon signals of the approach of sixty Athenian vessels from Lefkada. In the 10th century, during the Arab–Byzantine wars, the Byzantine Empire used a beacon system to transmit messages from the border with the Abbasid Caliphate, across Anatolia to the imperial palace in the Byzantine capital, Constantinople. It was devised by Leo the Mathematician for Emperor Theophilos, but either abolished or radically curtailed by Theophilos' son and successor, Michael III. Beacons were later used in Greece as well, while the surviving parts of the beacon system in Anatolia seem to have been reactivated in the 12th century by Emperor Manuel I Komnenos.
In the Nordic countries, hill forts and beacon networks were important for warning against invasions. In Sweden and Finland, these beacons, known as "vårdkasar" or "böte", formed an extensive coastal warning system from the Late Iron Age and through the Middle Ages. Beacons were strategically placed on high ground for visibility, constructed from tar-rich wood to ensure bright flames. They were mentioned in medieval laws like "Upplandslagen" and described by Swedish writer Olaus Magnus in 1555 as tools for mobilising armed defenders during crises. In Finland, similar beacons called "vainovalkeat" ("persecution fires") or "vartiotulet" ("guard fires") warned settlements of raids. In Wales, the Brecon Beacons were named for beacons used to warn of approaching English raiders. In England, the most famous examples are the beacons used in Elizabethan England to warn of the approaching Spanish Armada. Many hills in England were named Beacon Hill after such beacons. In England the authority to erect beacons originally lay with the King and later was delegated to the Lord High Admiral. The money due for the maintenance of beacons was called "Beaconagium" and was levied by the sheriff of each county. In the Scottish borders country, a system of beacon fires was at one time established to warn of incursions by the English. Hume and Eggerstone castles and Soltra Edge were part of this network.
In Spain, the border of Granada in the territory of the Crown of Castile had a complex beacon network to warn against Moorish raiders and military campaigns. Due to the progressive advance of the borders throughout the process of the Reconquista, the entire Spanish geography is full of defensive lines of castles, towers and fortifications, visually connected to each other, which served as fortified beacons. Some examples are the Route of the Vinalopó castles or the distribution of the castles in Jaén. Ceremonial Use. In later centuries, advancements in technology, such as the telegraph, rendered beacon systems obsolete for rapid communication. The use of such beacons transitioned from practical communication to symbolic and ceremonial roles, where the lighting of beacons was repurposed to mark significant national events. Beacons were lit across the United Kingdom to celebrate Queen Victoria's Diamond Jubilee in 1897, Queen Elizabeth II's Platinum Jubilee in 2022, and to commemorate events such as the 70th anniversary of VE Day, and the 80th anniversary of the D-Day landings in 2024.
South Korea maintains a daily ceremonial beacon lighting at Namsan Beacon Mound in Seoul, where visitors witness a reenactment of the traditional "bongsu" ceremony, which historically signaled emergencies. Military use (20th–21st century). Infrared marker. Infrared strobes and other infrared beacons have increasingly been used in modern combat when operating at night as they can only be seen through night vision goggles. As a result, they are often used to mark friendly positions as a form of IFF to prevent friendly fire and improve coordination. Soldiers will typically affix them to their helmets or other gear so they are easily visible to others using night vision including other infantry, ground vehicles, and aerial platforms (drones, helicopters, planes, etc.). Passive markers include IR patches, which reflect infrared light, and chemlights. The earliest such beacons were often IR chemlights taped to helmets. As time went on, more sophisticated options began to emerge with electronically powered infrared strobes with specific mounting solutions for attaching to helmets or load bearing equipment. These strobes may have settings which allow constant on or strobes of IR light, hence the name.
Advancements in near-peer technology, however, present risk since if friendly units can see the strobe with night vision so could enemies with night vision capabilities. As a result, some in the American military have stressed that efforts should be made to improve training regarding light discipline (IR and visible) and other means of reducing a unit's visible signature. On vehicles. Vehicular beacons are rotating or flashing lights affixed to the top of a vehicle to attract the attention of surrounding vehicles and pedestrians. Emergency vehicles such as fire engines, ambulances, police cars, tow trucks, construction vehicles, and snow-removal vehicles carry beacon lights. The color of the lamps varies by jurisdiction; typical colors are blue and/or red for police, fire, and medical-emergency vehicles; amber for hazards (slow-moving vehicles, wide loads, tow trucks, security personnel, construction vehicles, etc.); green for volunteer firefighters or for medical personnel, and violet for funerary vehicles. Beacons may be constructed with halogen bulbs similar to those used in vehicle headlamps, xenon flashtubes, or LEDs. Incandescent and xenon light sources require the vehicle's engine to continue running to ensure that the battery is not depleted when the lights are used for a prolonged period. The low power consumption of LEDs allows the vehicle's engine to remain turned off while the lights operate.
Other uses. Beacons have also allegedly been abused by shipwreckers. An illicit fire at a wrong position would be used to direct a ship against shoals or beaches, so that its cargo could be looted after the ship sank or ran aground. There are, however, no historically substantiated occurrences of such intentional shipwrecking. In wireless networks, a beacon is a type of frame which is sent by the access point (or WiFi router) to indicate that it is on. Bluetooth based beacons periodically send out a data packet and this could be used by software to identify the beacon location. This is typically used by indoor navigation and positioning applications. "Beaconing" is the process that allows a network to self-repair network problems. The stations on the network notify the other stations on the ring when they are not receiving the transmissions. Beaconing is used in Token ring and FDDI networks. In fiction. In Aeschylus' tragedy "Agamemnon", a chain of eight beacons staffed by so-called "lampadóphoroi" inform Clytemnestra in Argos, within a single night's time, that Troy has just fallen under her husband king Agamemnon's control, after a famous ten years siege.
In J. R. R. Tolkien's high fantasy novel, "The Lord of the Rings", a series of beacons alerts the entire realm of Gondor when the kingdom is under attack. These beacon posts were staffed by messengers who would carry word of their lighting to either Rohan or Belfalas. In Peter Jackson's , the beacons serve as a connection between the two realms of Rohan and Gondor, alerting one another directly when they require military aid, as opposed to relying on messengers as in the novel. In publishing. "The Beacon" was an influential Caribbean magazine published in Trinidad in the 1930s. New Beacon Books was the first Caribbean publishing house in England, founded in London in 1966, was named after the "Beacon" journal. In retail. Beacons are sometimes used in retail to send digital coupons or invitations to customers passing by. Types. Infrared beacon. An infrared beacon (IR beacon) transmits a modulated light beam in the infrared spectrum, which can be identified easily and positively. A line of sight clear of obstacles between the transmitter and the receiver is essential. IR beacons have a number of applications in robotics and in Combat Identification (CID).
Infrared beacons are the key infrastructure for the Universal Traffic Management System (UTMS) in Japan. They perform two-way communication with travelling vehicles based on highly directional infrared communication technology and have a vehicle detecting capability to provide more accurate traffic information. Sonar beacon. A sonar beacon is an underwater device which transmits sonic or ultrasonic signals for the purpose of providing bearing information. The most common type is that of a rugged watertight sonar transmitter attached to a submarine and capable of operating independently of the electrical system of the boat. It can be used in cases of emergencies to guide salvage vessels to the location of a disabled submarine.
Bhangra (music) Bhangra () is a type of non-traditional music of Punjab originating from the Punjab region. Over the years, bhangra has evolved and gained popularity not only in South Asia but also around the world. It has become a significant part of the cultural identity of the Punjabi diaspora in countries like Australia, the United Kingdom, Canada, and the United States. Prior to this musical fusion, bhangra existed only as a dance form in the native Punjab. This Punjabi music was unique in that it was not traditional nor did it seek any authenticity. While the traditional folk music of Punjab has a set of melodies that are used by various singers, bhangra was a form of strict "band culture" in that new melodies were composed for each song. Therefore, the musicians were as important as the singers. Origins. The roots of modern bhangra music date back to the Sikh Punjabi community in Punjab during the 1960s. An early pop music and modern recording group of this type of music in the United Kingdom was Bhujhangy Group, founded by Tarlochan Singh Bilga, Balbir Singh Khanpur, Gurpal, Rajinder Dhona and Dalvir Kahanpuri in Birmingham in 1971. Bhujhangy Group's first major hit was "Bhabiye Akh Larr Gayee". It was written by Tarlochan Singh Bilga in the early 1970s and was released on Birmingham's Oriental Star Agencies label. This was the first bhangra song to combine traditional Asian music with modern Western instruments.
Differences from folk music. Although bhangra music used many of the elements of Punjabi folk music (e.g., "Bakkrey Bulaaney" – the goat herding vocalizations), it was also radically different in its embrace of modernity. The song structure of a typical bhangra song featured four verses, a chorus, along with two alternating instrumental bridge sections. (e.g., CVB1CVB2CVB1CVB2C.) Hence it featured more musicianship than its folk predecessor. United Kingdom. 1970s. A modern and commercial form of bhangra music was said to rise in Britain in the 1970s by Punjabi immigrants who took their native folk music and began experimenting by altering it using instruments from their host country. The new genre quickly became popular in Britain replacing Punjabi folk singers due to it being heavily influenced in Britain by the infusion of rock music and a need to move away from the simple and repetitive Punjabi folk music. It indicated the development of a self-conscious and distinctively rebellious British Asian youth culture centred on an experiential sense of self, e.g., language, gesture, bodily signification, desires, etc., in a situation in which tensions with British culture and racist elements in British society had resulted in alienation in many minority ethnic groups, fostered a sense of need for an affirmation of a positive identity and culture, and provided a platform for British Punjabi males to assert their masculinity.
In the 1980s, distributed by record labels such as Multitone Records, bhangra artists were selling over 30,000 cassettes a week in the UK, but no artists reached the Top 40 UK chart despite these artists outselling popular British ones; most of the bhangra cassette sales were not through the large UK record stores, whose sales were those recorded by the Official UK Charts Company for creating their rankings. The group Alaap was formed in 1977, co-founded by Channi Singh and Harjeet Gandhi who both hailed from Southall, a Punjabi area in London. Their album "Teri Chunni De Sitaray" was released in 1982 by Multitone. Alaap was considered the first and original superstar bhangra band formed in the United Kingdom. Channi Singh has been awarded the OBE by the Queen for his services to bhangra music and services/charity for the British Asian community. Co-founder Harjeet Gandhi died in 2003. The 1980s is commonly known as the golden age, or the age of bhangra music, which lasted roughly from 1985 to 1993. The primary emphasis during these times was on the melody/riff, played out usually on a synthesizer, harmonium, accordion or guitar. Folk instruments were rarely used.
One of the biggest bhangra stars of the last several decades is Malkit Singh and his band Golden Star. Singh was born in June 1963 in the village of Hussainpur in Punjab. He attended the Lyallpur Khalsa College, Jalandhar, in Punjab in 1980 to study for a bachelor of arts degree. There he met his mentor, Professor Inderjit Singh, who taught him Punjabi folk singing and bhangra dancing. Due to Singh's tutelage, Malkit entered and won song contests during this time. In 1983, he won a gold medal at the Guru Nanak Dev University in Amritsar, Punjab, for performing his song "Gurh Nalon Ishq Mitha", which later featured on his first album, "Nach Gidhe Wich". The lyrics were by Tarlochan Singh Bilga and it was released in 1985. This album was created with Manager, Tarlochan Singh Bilga(TSB). The band has toured 27 countries. Malkit has been awarded the MBE by the Queen for his services to bhangra music. Bhangra boy band, the Sahotas, were composed of five brothers from Wolverhampton. Their music is a fusion of bhangra, rock and dance.
Heera, formed by Bhupinder Bhindi and fronted by Kumar and Dhami, was one of the most popular bands of the 1980s. Bands like Alaap and Heera incorporated rock-influenced beats into bhangra, because it enabled "Asian youth to affirm their identities positively" within the broader environment of alternative rock as an alternative way of expression. However, some believe that the progression of bhangra music created an "intermezzo culture" post-India's partition, within the unitary definitions of Southeast Asians within the diaspora, thus "establishing a brand new community in their home away from home". Several other influential groups appeared around the same time, including The Saathies, Premi Group, Bhujungy Group, and Apna Sangeet. Apna Sangeet, best known for their hit "Mera Yaar Vajavey Dhol", re-formed for charity in May 2009 after a break-up. When bhangra and General Indian sounds and lyrics were combined, British-Asian artists began incorporating them in their music. Some Asian artists such as Bally Sagoo and Talvin Singh are creating their own form of British hip-hop.
This era also brought about bhangra art, which like the bhangra music it represented was rebellious. Unlike folk music art, which consisted of a picture of the folk singer, bhangra recordings had details such as distinctive artwork, logos, clever album names and band/musician listings (who played what). Folk backlash. Unlike bhangra, folk music depends on a set number of traditional melodies that may be hundreds of years old. Each new singer simply writes new lyrics using one of those melodies. In the mid-1990s, many artists, attracted to the economics of a bandless singer only act that technology such as karaoke machines now enabled, returned to the original, traditional folk beats away from bhangra music, often incorporating more dhol drum beats and tumbi. This time also saw the rise of several young Punjabi folk singers as a backlash to bhangra music. They were aided by DJs who mixed hip-hop samples with folk singing. Beginning around 1994, there was a trend towards the use of samples (often sampled from mainstream hip hop) mixed with traditional folk rhythm instruments, such as the tumbi and dhol. Using folk instruments and hip-hop samples, along with relatively inexpensive folk vocals imported from Punjab, Punjabi folk music was able to cause the decline of bhangra music.
Pioneering DJs instrumental in the decline of bhangra were Bally Sagoo and Panjabi MC. As DJs who were initially hired by bhangra labels to remix the original recordings on the label's roster (OSA and Nachural respectively), they along with the record labels quickly found that remixing folk singers from India was much cheaper than working with outsourced bhangra bands. A pioneering folk singer that was instrumental in bhangra's demise was Jazzy B, who debuted in 1992. Having sold over 55,000 copies of his third album, "Folk and Funky", he is now one of the best-selling Punjabi folk artists in the world, with a vocal style likened to that of Kuldip Manak. Other influential folk artists include Surinder Shinda – famous for his "Putt Jattan De" – Harbhajan Mann, Manmohan Waris, Sarbjit Cheema, Hans Raj Hans, Sardool Sikander, B21, Paaras and Bombay Talkie. By the end of the 1990s, bhangra music had largely declined and been replaced with Punjabi folk singers. The same folk singers which bhangra bands had replaced a decade earlier were being utilized by DJs to make relatively inexpensive live music on laptops. This "folkhop" genre was short lived as records could not be officially released due to nonclearance copyrights on samples used to create the "beat". This continued until the end of the century. Folk-hop record labels such as Hi-Tech were investigated by BPI (British Phonographic Industry) for copyright infringement by way of uncleared samples on releases by folk DJs such as DJ Sanj.
Toward the end of the decade, bhangra continued to decline, with folk-hop artists such as Bally Sagoo and Apache Indian signing with international recording labels Sony and Island. Moreover, Multitone Records, one of the major recording labels associated with bhangra in Britain in the 1980s and 1990s, was bought by BMG. A recent Pepsi commercial launched in Britain featured South Asian actors and Punjabi folk music. 2000s remixes. Punjabi folk remixed with hip-hop, known as folkhop, is most often produced when folk vocals are purchased online to be remixed in a studio. Folk vocals are usually sung to traditional melodies, that are often repeated with new lyrics. Some South Asian DJs, especially in America, have mixed Punjabi folk music with house, reggae, and hip-hop to add a different flavour to Punjabi folk. These remixes continued to gain popularity as the 1990s came to an end. A notable remix artist is Bally Sagoo, a Punjabi-Sikh, Anglo-Indian raised in Birmingham, England. Sagoo described his music as "a bit of tablas, a bit of the Indian sound. But bring on the bass lines, bring on the funky-drummer beat, bring on the James Brown samples", to "Time" magazine in 1997. He was recently signed by Sony. Daler Mehndi, a Punjabi singer from India has a type of music known as "folk pop". Mehndi has released tracks such as "Bolo Ta Ra Ra" and "Ho Jayegee Balle Balle". His song "Tunak Tunak Tun" was released in 1998.
Canada and the United States. Punjabi immigrants have encouraged the growth of Punjabi folk music in the Western hemisphere rather than bhangra music. The bhangra industry has grown in North America much less than in the United Kingdom. North American (non bhangra) folk artists such as Manmohan Waris, Jazzy Bains, Kamal Heer, Harbhajan Mann, Sarabjit Cheema, and Debi Makhsoospuri have emerged and the remix market has grown. In 2001, Punjabi folk, and its hip-hop form, folkhop, began to exert an influence over US R&B music, when Missy Elliott released the folkhop-influenced song "Get Ur Freak On". In 2003, a version of Panjabi MC's "Mundian To Bach Ke" ("Beware of the Boys") featured U.S. rapper Jay-Z. Additionally, American rapper Pras of The Fugees recorded tracks with British alternative bhangra band Swami. American singer and actress Selena Gomez released her bhangra-influenced single "Come & Get It" from her first solo album "Stars Dance" in 2013. Lyrics. Bhangra lyrics, which generally cover social issues or love, are sung in Punjabi. Bhangra lyrics were generally kept deliberately simple by the creators of the genre because the youth did not understand complex lyrics. Traditional Punjabi folk lyrics are generally more complex and often tell the tales of Punjabi history. There are many bhangra songs devoted to Punjabi pride themes and Punjabi heroes. The lyrics are tributes to the cultural traditions of Punjab. In particular, many bhangra tracks have been written about Udham Singh and Bhagat Singh. Less serious topics include beautiful women with their colourful duppattas. Lyrics can also be about crops and the coming of a new season. Bhangra is sung fiercely with strong lyrics often yelling: "balle balle" or "chakde phate", which refer to celebration and/or pride.
Notable bhangra or Punjabi lyricists include Harbans Jandu who wrote "Giddhian Di Rani". Instruments. Punjabi instruments contribute to bhangra. Originally this was primarily the dhol. The 20th century has brought changes to the instruments that define bhangra, to include the tumbi, sarangi, dholak (smaller than the dhol), flute, zither, fiddle, harmonium, tabla, guitar, mandolin, saxophone, synthesizer, drum set, and other Western instruments. Perhaps the most famous bhangra instrument is the dhol. It is a double-sided barrel drum that creates the beat to which bhangra is danced. The person who plays the instrument, the dholi, plays various beats to create the different bhangra segments, such as Dhamaal, Jhummar, One side of the dhol has thicker skin, which creates a deeper sound, and the other side has a thinner skin, resulting in a higher-pitched sound. Two sticks are used to play the dhol instrument. The thicker stick, called the dagga, is used to play the bass side. The thinner tilli is used to play the treble side. Both sticks are usually made of wood or bamboo.
The string instruments include the guitar (both electrical), bass, sitar, tumbi, veena, violin and sarangi. The snare, toms, dhadd, dafli, dholki, and damru are the other drums. The tumbi, originally played by folk artists such as Lalchand Yamla Jatt and Kuldip Manak in true folk recordings and then notably used by Chamkila, a Punjabi folk (not bhangra) singer, is a high-tone, single-string instrument and Chimta by (Late) Alam Lohar. Cultural impact and resurgence of Punjabi folk music in the West. The third and fourth generation are generally unable to speak Punjabi if their parents could hardly speak it. There is a move towards Punjabi folk music which is the purest form of Punjabi music. Much of the youth struggle to understand the lyrics, although, there are some children and young adults who have maintained their folk roots. Another reason why some fans express an anti-folk sentiment is that many folk songs were written for the dominant Jatts clan whereas Sikhs do not believe in castes, so they disapproved of Punjabi folk music. However, today with artists like Jazzy B, PMC, Sukhshinder Shinda and Diljit Dosanjh, Punjabi folk has increased in popularity although it is fused in some cases. iTunes has catalogs of many Punjabi folk singers available.
Another cause of the resurgence of Punjabi folk music is due to the increased popularity of bhangra in areas like the UK, Canada and U.S. Bhangra has become more accessible through social media platforms such as YouTube and Instagram, for the younger generation. In addition, multiple universities, across the UK, US and Canada have teams as well as academies being set up by senior dancers separate from universities. This resurgence has led to a desire for more traditional folk songs and beats, but also a learning opportunity for children of their cultures. Derivatives. Bhangragga. Bhangragga or bhangramuffin is a term for the style of music incorporating elements of bhangra and dancehall (or ragga, short for the word Raggamuffin) created by British Asian producers Simon and Diamond on the debut album by Apache Indian "No Reservations" (1993). The sound is very percussion-heavy – a distinct holdover from bhangra – with a propulsive beat clearly designed for dancing. The dancehall influence can be felt through the use of pre-programmed music, similar to Dancehall "riddims".
Lyrically, the style features a combination of Sub-Continental-accented (usually Indian) vocals delivered in the clipped style associated with dancehall – and sometimes including the Patois of the latter style. This style is almost exclusively a British phenomenon, as the two cultures involved in its genesis mix reasonably freely there. The most successful exponent, however, is Apache Indian, who had a worldwide hit with "Boom Shack-A-Lak", which was included on the soundtrack to the film "Dumb and Dumber", among others.
Beastie Boys The Beastie Boys were an American hip hop and rap rock group formed in New York City in 1979. They were composed of Adam "Ad-Rock" Horovitz (vocals, guitar), Adam "MCA" Yauch (vocals, bass), and Michael "Mike D" Diamond (vocals, drums). The Beastie Boys were formed out of members of experimental hardcore punk band the Young Aborigines, which was formed in 1979, with Diamond on drums, Jeremy Shatan on bass guitar, John Berry on guitar, and Kate Schellenbach later joining on percussion. When Shatan left New York City in mid-1981, Yauch replaced him on bass and the resulting band was named the Beastie Boys. Berry left shortly thereafter and was replaced by Horovitz. After achieving local success with the 1983 comedy hip hop single "Cooky Puss", the Beastie Boys made a full transition to hip hop, and Schellenbach left. They toured with Madonna in 1985 and a year later released their debut album, "Licensed to Ill" (1986), the first rap album to top the "Billboard" 200 chart. Their second album, "Paul's Boutique" (1989), composed almost entirely of samples, was a commercial failure that later received critical acclaim. "Check Your Head" (1992) and "Ill Communication" (1994) found mainstream success, followed by "Hello Nasty" (1998), "To the 5 Boroughs" (2004), "The Mix-Up" (2007), and "Hot Sauce Committee Part Two" (2011).
The Beastie Boys have sold 20 million records in the United States and had seven platinum-selling albums from 1986 to 2004. They are the biggest-selling rap group since "Billboard" began recording sales in 1991. In 2012, they became the third rap group to be inducted into the Rock and Roll Hall of Fame. In the same year, Yauch died of cancer and the Beastie Boys disbanded. The remaining members have released several retrospective works, including a book, a documentary, and a career-spanning compilation album. History. 1979–1983: Formation and early years. Prior to forming the Beastie Boys, Michael Diamond was part of a number of bands such as the Walden Jazz Band, and BAN. The Beastie Boys formed in 1979 as the Young Aborigines. In 1981, when the Young Aborigines bassist Jeremy Shatan left New York City for the summer, the remaining members Diamond, John Berry and Kate Schellenbach began to perform with Adam Yauch. In a 2007 interview with Charlie Rose, Yauch recalled that it was Berry who suggested the name the Beastie Boys. Although the band stated that "Beastie" is an acronym standing for "Boys Entering Anarchistic States Towards Inner Excellence", in the Charlie Rose interview, both Yauch and Diamond acknowledged that the acronym was an "afterthought" conceived after the name was chosen. The band supported Bad Brains, the Dead Kennedys, the Misfits and Reagan Youth at venues such as CBGB, A7, Trude Heller's and Max's Kansas City, playing at the latter venue on its closing night. In November 1982, the Beastie Boys recorded the 7-inch EP "Polly Wog Stew" at 171A studios, an early recorded example of New York hardcore.
On November 13, 1982, the Beastie Boys played Philip Pucci's birthday for the purposes of his short concert film, "Beastie". Pucci held the concert in Bard College's Preston Drama Dance Department Theatre. This performance marked the Beastie Boys' first on-screen appearance in a published motion picture. Pucci's concept for "Beastie" was to distribute a mixture of both a half dozen 16 mm Bell & Howell Filmo cameras, and 16 mm Bolex cameras to audience members and ask that they capture the Beastie Boys performance from the audience's own point of view while a master sync sound camera filmed from the balcony of the abandoned theater where the performance was held. The opening band for that performance was the Young and the Useless, which featured Adam Horovitz as the lead singer. A one-minute clip of "Beastie" was subsequently excerpted and licensed by the Beastie Boys for use in the "Egg Raid on Mojo" segment of the "Skills to Pay the Bills" long-form home video released by Capitol Records. "Skills to Pay the Bills" later went on to be certified Gold by the Recording Industry Association of America (RIAA). Berry left the group in 1982 (later forming Thwig, Big Fat Love and Bourbon Deluxe) and was replaced by Horovitz, who had become close friends with the Beastie Boys.
The band also recorded and then performed its first hip hop track, "Cooky Puss", based on a prank call by the group to a Carvel Ice Cream franchise in 1983. It was a part of the new lineup's first EP, also called "Cooky Puss", which was the first piece of work that showed their incorporation of the underground rap phenomenon and the use of samples. It quickly became a hit in New York underground dance clubs and night clubs. After "Beastie Revolution" was later sampled in a British Airways commercial, the Beastie Boys threatened to sue them over the use of the song, and the airline immediately paid them $40,000 in royalties. 1984–1987: Def Jam years and "Licensed to Ill". Following the success of "Cooky Puss", the band began to incorporate rap into their sets. They hired a DJ for their live shows, New York University student Rick Rubin, who began producing records soon thereafter. "I met Mike first," Rubin recalled. "I thought he was an arrogant asshole. Through spending time with the Beasties I grew to see that they had this great sense of humor. It wasn't that they were assholes, and even if it was, they were funny with it." Rubin formed Def Jam Recordings with Russell Simmons, and approached the band about producing them for his new label. As the band was transitioning to hip hop, Schellenbach was fired in 1984, with Diamond taking over on drums. In their 2018 memoir, Ad-Rock expressed regret for firing Schellenbach, which he attributed to her not fitting with the "new tough-rapper-guy identity".
The band's 12-inch single "Rock Hard" (1984) was the second Def Jam record crediting Rubin as producer (the first was "It's Yours" by T La Rock and Jazzy Jay). During 1985, the group was the supporting act of the Virgin Tour, Madonna's first concert series. On July 22, 1986, the Beastie Boys opened for John Lydon's post-Sex Pistols band Public Image Ltd., They headlined with Fishbone and Murphy's Law with DJ Hurricane, and later in the year the group was on the "Raising Hell" tour with Run-DMC, Whodini, LL Cool J, and the Timex Social Club. Thanks to this exposure, "Hold It Now, Hit It" charted on "Billboard"s US R&B and dance charts. "She's on It" from the "Krush Groove" soundtrack continued in a rap/metal vein while a double A-side 12", "Paul Revere/The New Style", was released at the end of the year. The band recorded "Licensed to Ill" in 1986 and released it on November 15, 1986. The album was favorably reviewed by "Rolling Stone" magazine. "Licensed to Ill" became one of the best-selling rap albums of the 1980s and the first rap album to go number 1 on the "Billboard" 200 chart, where it stayed for five weeks. It also reached number 2 on the Top R&B album chart. It was Def Jam's fastest selling debut record to date and sold over nine-million copies. The fourth single, "(You Gotta) Fight for Your Right (To Party!)", reached number 7 on the US "Billboard" Hot 100. Although the group has sold over 26-million records in the US, this is their only single to peak in the US top ten or top twenty. The accompanying video (directed by Ric Menello and Adam Dubin) became an MTV staple. Another song from the album, "No Sleep till Brooklyn", peaked at number 14 on the UK Singles Chart.
The band took the "Licensed to Ill" tour around the world the following year. The tour was troubled by lawsuits and arrests, with the band accused of provoking the crowd. This culminated in a notorious gig at the Royal Court Theatre, Liverpool, England, on May 30, 1987, that erupted into a riot approximately 10 minutes after the group hit the stage and the arrest of Adam Horovitz by Merseyside Police. He was charged with assault causing grievous bodily harm. 1988–1989: Move to Capitol Records and "Paul's Boutique". In 1988, the Beastie Boys appeared in "Tougher Than Leather", a film directed by Rubin as a star vehicle for Run-D.M.C. and Def Jam Recordings. After Def Jam stopped paying them for work they had already done and were owed money for, the Beastie Boys left Def Jam and signed with Capitol Records. The second Beastie Boys album, "Paul's Boutique", was released on July 25, 1989. Produced by the Dust Brothers, it blends eclectic samples and has been described as an early work of experimental hip hop. It failed to match the sales of "Licensed to Ill," reaching number 14 on the US album charts,"" but later attracted acclaim; "Rolling Stone" ranked it number 156 on its list of the 500 Greatest Albums of All Time. It also made it onto the Apple Music 100 Best Albums list at number 48. 1990–1996: "Check Your Head" and "Ill Communication".
"Check Your Head" was recorded in the band's G-Son studio in Atwater Village, California, and released on its Grand Royal record label. The band was influenced to play instruments on this album by Dutch group Urban Dance Squad; with Mike D on drums, Yauch on bass, Horovitz on guitar and Mark Ramos Nishita ("Keyboard Money Mark") on keyboards. Mario Caldato, Jr., who had helped in the production of "Paul's Boutique", engineered the record and became a longtime collaborator. "Check Your Head" was released in 1992 and was certified double Platinum in the US and peaked at number 10 on the "Billboard" 200. The single "So What'cha Want" reached number 93 on the "Billboard" Hot 100 and charted on both the Rap and Modern Rock Chart, while the album's first single, "Pass the Mic", peaked at number 38 on the Hot Dance Music chart. The album also introduced a more experimental direction, with funk and jazz inspired songs including "Lighten Up" and "Something's Got to Give". The band returned to their hardcore punk roots for the song "Time for Livin'", a cover of a 1974 Sly and the Family Stone song. The addition of instruments and the harder rock sound of the album could be considered a precursor to the nu metal genre of music to come out in the later half of the 1990s.
The Beastie Boys signed an eclectic roster of artists to their Grand Royal label, including Luscious Jackson, Sean Lennon, and Australian artist Ben Lee. The group owned Grand Royal Records until 2001. Grand Royal's first independent release was Luscious Jackson's album "In Search of Manny" in 1993. Also in 1993, the band contributed the track "It's the New Style" (with DJ Hurricane) to the AIDS benefit album "No Alternative", produced by the Red Hot Organization. The Beastie Boys also published "Grand Royal Magazine", which ran for six issues between 1993 and 1997, the first issue featuring a cover story on Bruce Lee, artwork by George Clinton, and interviews with Kareem Abdul-Jabbar and A Tribe Called Quest's MC Q-Tip. The 1995 issue of the magazine contained a piece on the mullet. The "Oxford English Dictionary" cites this as the first published use of the term, along with the lyrics from the band's 1994 song, "Mullet Head". That term was not heard in the 1980s, even though that decade has retroactively been hailed as the mullet's peak in popularity. The "OED" says that the term was "apparently coined, and certainly popularized, by US hip-hop group Beastie Boys".
"Ill Communication", released in 1994, saw the Beastie Boys' return to the top of the charts when the album debuted at number 1 on the "Billboard" 200 and peaked at number 2 on the R&B/hip hop album chart. The single "Sabotage" became a hit on the modern rock charts and the music video, directed by Spike Jonze, received extensive play on MTV. Also in 1994, the band released "Some Old Bullshit", featuring the band's early independent material, which made it to number 46 on the "Billboard" Independent Albums chart. The Beastie Boys headlined at Lollapalooza—an American travelling music festival—in 1994, together with the Smashing Pumpkins. In addition, the band performed three concerts (in Los Angeles, New York City, and Washington, D.C.) to raise money for the Milarepa Fund and dedicated the royalties from "Shambala" and "Bodhisattva Vow" from "Ill Communication" to the cause. The Milarepa Fund aims to raise awareness of Tibetan human rights issues and the exile of the Dalai Lama. In 1996, Yauch organized the largest rock benefit show since 1985's Live Aid – the Tibetan Freedom Concert, a two-day festival at Golden Gate Park in San Francisco that attracted over 100,000 attendees.
In 1995, the popularity of the Beastie Boys was underlined when tickets for an arena tour went on sale in the US and Madison Square Garden and Chicago's Rosemont Horizon sold out within 30 minutes. One dollar from each ticket sold went through Milarepa to local charities in each city on the tour. The Beastie Boys toured South America and Southeast Asia for the first time. The band also released "Aglio e Olio" (Italian for "Garlic and Oil"), a collection of eight songs lasting just 11 minutes harking back to their punk roots, in 1995. "The In Sound from Way Out!", a collection of previously released jazz/funk instrumentals, was released on Grand Royal in 1996 with the title and artwork a homage to an album by electronic pop music pioneers Perrey and Kingsley. In 1992, the Beastie Boys decided to sample portions of the sound recording of "Choir" by James Newton in various renditions of their song "Pass the Mic". The band did not obtain a license from Newton to use the composition. Pursuant to their license from ECM Records, the Beastie Boys digitally sampled the opening six seconds of Newton's sound recording of "Choir", and repeated this six-second sample as a background element throughout their song. Newton brought suit, claiming that the band infringed his copyright in the underlying composition of "Choir". The district court granted the Beastie Boys summary judgment. The district court said that no license was required because the three-note segment of "Choir" lacked the requisite originality and was therefore not copyrightable. The decision was affirmed on appeal. 1997–2001: "Hello Nasty".
The Beastie Boys began work on the album "Hello Nasty" at the G-Son studios, Los Angeles in 1995, but continued to produce and record it in New York City after Yauch moved to Manhattan in 1996. The album displayed a substantial shift in musical feel, with the addition of Mix Master Mike. The album featured bombastic beats, rap samples, and experimental sounds. Released on July 14, 1998, "Hello Nasty" earned first week sales of 681,000 in the US and went straight to number 1 in the US, the UK, Germany, Australia, the Netherlands, New Zealand, and Sweden. The album achieved number 2 rank on the charts in Canada and Japan, and reached top-ten chart positions in Austria, Switzerland, Ireland, Belgium, Finland, France and Israel. The Beastie Boys won two Grammy Awards in 1999, receiving the Grammy Award for Best Alternative Music Album for "Hello Nasty" as well as the Grammy Award for Best Rap Performance by a Duo or Group for "Intergalactic". This was the first time that a band had won awards in both rap and alternative categories.
At the 1998 MTV Video Music Awards, the Beastie Boys won the Michael Jackson Video Vanguard Award for their contributions to music videos. The following year at the 1999 MTV Video Music Awards, they also won the award for Best Hip Hop Video for their hit song "Intergalactic". The Beastie Boys used both appearances at the Video Music Awards to make politically charged speeches of considerable length to the sizable MTV audiences. At the 1998 ceremony, Yauch addressed the issue of Muslim people being stereotyped as terrorists and that most people of the Muslim faith are not terrorists. These comments were made in the wake of the US Embassy bombings that had occurred in both Kenya and Tanzania only a month earlier. At the 1999 ceremony in the wake of the horror stories that were coming out of Woodstock 99, Adam Horovitz addressed the fact that there had been many cases of sexual assaults and rapes at the festival, suggesting the need for bands and festivals to pay much more attention to the security details at their concerts.
The Beastie Boys started an arena tour in 1998. Through Ian C. Rogers, the band made live downloads of their performances available for their fans, but were temporarily thwarted when Capitol Records removed them from its website. The Beastie Boys was one of the first bands who made MP3 downloads available on their website. The group got a high level of response and public awareness as a result including a published article in "The Wall Street Journal" on the band's efforts. The Beastie Boys released "", a two-CD anthology of their works in 1999. This album reached number  19 on the "Billboard" 200, number 18 in Canada, and number 14 on the R&B/Hip Hop chart. The one new song, the single "Alive", reached number 11 on the "Billboard" Modern Rock chart. In 2000, the Beastie Boys had planned to co-headline the Rhyme and Reason Tour with Rage Against the Machine and Busta Rhymes, but the tour was canceled when drummer Mike D sustained a serious injury due to a bicycle accident. The official diagnosis was fifth-degree acromioclavicular joint dislocation; he needed surgery and extensive rehabilitation. By the time he recovered, Rage Against the Machine had disbanded, although they would reunite seven years later.
Under the name Country Mike, Mike D recorded an album, "Country Mike's Greatest Hits", and gave it to friends and family for Christmas in 2000. Adam "Ad-Rock" Horovitz's side project BS 2000 released "Simply Mortified" in 2001. In October 2001, after the September 11, 2001 attacks, the Beastie Boys organized and headlined the New Yorkers Against Violence Concert at the Hammerstein Ballroom. 2002–2008: "To the 5 Boroughs" and "The Mix-Up". In 2002, Adam Yauch started building a new studio facility, Oscilloscope Laboratories, in downtown Manhattan, New York and the band started work on a new album there. The band released a protest song, "In a World Gone Mad", against the 2003 Iraq war as a free download on several websites, including the Milarepa website, the MTV website, MoveOn.org, and Win Without War. The 19th and 20th Tibetan Freedom Concerts were held in Tokyo and Taipei, the Beastie Boys' first Taiwan appearance. The Beastie Boys also headlined the Coachella Valley Music and Arts Festival. Their single, "Ch-Check It Out", debuted on "The O.C." in the season 1 episode "The Vegas", which aired April 28, 2004.
"To the 5 Boroughs" was released worldwide on June 15, 2004. It was the first album the band produced themselves and reached number 1 on the "Billboard" albums chart, number 2 in the UK and Australia, and number 3 in Germany. The first single from the album, "Ch-Check It Out", reached number 1 in Canada and on the US Modern Rock Tracks chart. The album was the cause of some controversy with allegations that it installed spyware when inserted into the CD drive of a computer. The band denied this allegation, defending that there is no copy protection software on the albums sold in the US and UK. While there is Macrovision CDS-200 copy protection software installed on European copies of the album, this is standard practice for all European releases on EMI/Capitol Records released in Europe, and it does not install spyware or any form of permanent software. The band stated in mid-2006 that they were writing material for their next album and would be producing it themselves. Speaking to British music weekly "NME" (April 26, 2007), Diamond revealed that a new album was to be called "The Mix-Up". Despite initial confusion regarding whether the album would have lyrics as opposed to being purely instrumental, the Mic-To-Mic blog reported that Capitol Records had confirmed it would be strictly instrumental and erroneously reported a release date scheduled for July 10, 2007. (The album was eventually released June 26, as originally reported.) On May 1, 2007, this was further cemented by an e-mail sent to those on the band's mailing list – explicitly stating that the album would be all instrumental:
The band subsequently confirmed the new album and announced a short tour that focused on festivals as opposed to a traditional tour, including the likes of Sónar (Spain), Roskilde (Denmark), Hurricane/Southside (Germany), Bestival (Isle of Wight), Electric Picnic (Ireland) and Open'er Festival (Poland). The Beastie Boys performed at the UK leg of Live Earth July 7, 2007 at Wembley Stadium, London with "Sabotage", "So What'cha Want", "Intergalactic", and "Sure Shot". They worked with Reverb, a non-profit environmental organization, on their 2007 summer tour, and headlined the Langerado Music Festival in South Florida on Friday, March 7, 2008. The band won a Grammy for "The Mix-Up" in the "Best Pop Instrumental Album" category at the 50th Annual Grammy Awards in 2008. 2009–2012: "Hot Sauce Committee". In February 2009, Yauch revealed their forthcoming new album had taken the band's sound in a "bizarre" new direction, saying "It's a combination of playing and sampling stuff as we're playing, and also sampling pretty obscure records." The tentative title for the record was "Tadlock's Glasses", of which Yauch explained the inspiration behind the title:
On May 25, 2009, it was announced during an interview on "Late Night with Jimmy Fallon" that the name of their new album would be "Hot Sauce Committee" and was set for release on September 15 (with the track listing of the album announced through their mailing list on June 23). The album included a collaboration with Santigold who co-wrote and sang with the band on the track "Don't Play No Game That I Can't Win". In June, the group appeared at Bonnaroo Music and Arts Festival and performed the new single from the album titled "Too Many Rappers" alongside rapper Nas who appears on the track. It was the last live performance by the Beastie Boys as a trio. The group would have toured the UK later in the year in support of the new record. Speaking to "Drowned in Sound", the Beastie Boys revealed that Part 2 was done. Mike D also hinted it may be released via unusual means: On July 20, Yauch announced on the band's official YouTube channel and through the fan mailing list, the cancellation of several tour dates and the postponement of the new album due to the discovery of a cancerous tumor in his parotid gland and a lymph node. The group also had to cancel their co-headlining gig at the Osheaga Festival in Montreal and another headlining spot for the first night of the All Points West Festival in Jersey City, New Jersey.
In late October 2010, the Beastie Boys sent out two emails regarding the status of "Hot Sauce Committee" Pts. 1 and 2 to their online mailing list. An email dated October 18 read: "Although we regret to inform you that "Hot Sauce Committee Part 1" will continue to be delayed indefinitely, "Hot Sauce Committee Part 2" will be released on time as originally planned in spring of 2011." One week later, a second email was sent out, reading as follows: The official release dates were April 27, 2011, for Japan; April 29 in the UK and Europe, and May 3, 2011, in the US. The third single for the album "Make Some Noise" was made available for download on April 11, 2011, as well as a limited edition 7-inch vinyl single for Record Store Day five days later with a Passion Pit remix of the track as a b-side. The track was leaked online on April 6 and subsequently made available via their blog. On April 22, the Beastie Boys emailed out the cryptic message "This Sat, 10:35 am EST – Just listen, listen, listen to the beat box". A day later, they live streamed their album online via beatbox inside Madison Square Garden.
The band was announced as an inductee into the Rock and Roll Hall of Fame in December 2011. They were inducted by Chuck D and LL Cool J on April 14, 2012. Yauch was too sick to attend the ceremony, having been admitted to NewYork–Presbyterian Hospital the same day, therefore the group didn't perform; instead Black Thought, Travie from Gym Class Heroes and Kid Rock performed a medley of their songs. Diamond and Horovitz accepted and read a letter that Yauch had written. 2012–present: Deaths of Yauch and Berry, and disbandment. On May 4, 2012, Yauch died from cancer at the age of 47. Mike D told "Rolling Stone" that the Beastie Boys had recorded new music in late 2011, but did not say if these recordings would be released. He also said that the Beastie Boys would likely disband due to the death of MCA, though he was open to making new music with Ad-Rock and that "Yauch would genuinely want us to try whatever crazy thing we wanted but never got around to". In June 2014, Mike D confirmed that he and Ad-Rock would not make music under the Beastie Boys name again.
The founding Beastie Boys guitarist John Berry died on May 19, 2016, aged 52, as a result of frontotemporal dementia, following several years of ill health. He was credited with naming the band and played guitar on the first EP. The first Beastie Boys show took place at Berry's loft. Yauch's will forbids the use of Beastie Boys music in advertisements. In June 2014, the Beastie Boys won a lawsuit against Monster Energy for using their music in a commercial without permission. They were awarded $1.7 million in damages and $668,000 for legal fees. In October 2018, Mike D and Ad-Rock released a memoir, "Beastie Boys Book", recounting events throughout the group's history. The book was adapted into a documentary in April 2020, "Beastie Boys Story", directed by Spike Jonze and premiered on Apple TV+. The book and documentary were also complemented by the compilation album "Beastie Boys Music", released in October 2020. Activism. In 1994, Yauch and activist Erin Potts organized the Tibetan Freedom Concert in order to raise awareness of humans rights abuses by the Chinese government on the Tibetan people. Yauch became aware of this after hiking in Nepal and speaking with Tibetan refugees. The events became annual, and shortly after went international with acts such as Live, Mike Mills and Michael Stipe of R.E.M., Rage Against the Machine, the Smashing Pumpkins, and U2.
Musical style and influences. Originally a hardcore punk band, the Beastie Boys had largely abandoned the genre in favor of hip hop and rap rock by the time work began on their debut studio album "Licensed to Ill". The group mixed elements of hip hop, punk, funk, electro, jazz and Latin music into their music. They have also been described as alternative hip hop and punk rap. Legacy, influence and cultural impact. Around the time of the release of their debut album, "Licensed to Ill", Mike D started to appear on stage and in publicity photographs wearing a large Volkswagen emblem attached to a chain-link necklace. This started a rash of thefts of the emblem from vehicles around the world as fans tried to emulate him. A controversial concert in Columbus, Georgia, in 1987 led to the passage of a lewdness ordinance in that city. The Beastie Boys are influential in the hip hop and rock music scenes, with artists such as Eminem, Rage Against the Machine, Hed PE, , Sublime, and Blur citing them as an influence. In the 2022 book "What's That Sound?: An Introduction to Rock Music and Its History", music journalists Andrew Flory and John Covach surmised "perhaps the Beastie Boys will prove to be the Elvises of rap—the inevitable white catalysts necessary for exploding black music innovations into Anglo ears."
The Beastie Boys have had four albums reach the top of the "Billboard" album charts ("Licensed to Ill", "Ill Communication", "Hello Nasty" and "To the 5 Boroughs") since 1986. In the November 2004 issue, "Rolling Stone" named "Sabotage" the 475th song on their 500 Greatest Songs of All Time list. In their April 2005 issue, "Rolling Stone" ranked them number 77 on their list of the 100 Greatest Artists of All Time. VH1 ranked them number 89 on their list of their 100 Greatest Artists of All Time. On September 27, 2007, it was announced that the Beastie Boys were one of the nine nominees for the 2008 Rock and Roll Hall of Fame Inductions. In December 2011, they were announced to be official 2012 inductees. The Beastie Boys have many high-profile longtime fans, including Ultimate Fighting Championship (UFC) president Dana White, who has a bass guitar signed by all three members and a copy of "Beastie Boys Book" in his office.
The Beastie Boys have many high-profile longtime fans, including Ultimate Fighting Championship (UFC) president Dana White, who has a bass guitar signed by all three members and a copy of "Beastie Boys Book" in his office. I didn't need to hear anything. I didn't need to see anything, any concepts. I was just like, 'I will literally do anything you ask me to do'". Ben Stiller was seen in the crowd for the DVD release "Awesome; I Fuckin' Shot That!" and featured Horovitz in his movie "While We're Young", where he said, "I'm a huge Beastie Boys fan, so doing that, for me, was beyond anything". Eminem was highly influenced by the Beastie Boys and cited them alongside LL Cool J as being the reason he got into rap. During an interview with MTV after the death of Yauch, he said, "Adam Yauch brought a lot of positivity into the world and I think it's obvious to anyone how big of an influence the Beastie Boys were on me and so many others. They are trailblazers and pioneers and Adam will be sorely missed. My thoughts and prayers are with his family, Mike D., and Ad-Rock." His album cover for "Kamikaze" paid homage to "Licensed to Ill" and he also paid homage in his "Berzerk" video.
My thoughts and prayers are with his family, Mike D., and Ad-Rock." His album cover for "Kamikaze" paid homage to "Licensed to Ill" and he also paid homage in his "Berzerk" video. In an interview with Rolling Stone, "Beavis and Butt-Head" creator Mike Judge acknowledged he was a fan of the band, citing his favorite song as "Fight for Your Right", as the Beastie Boys appeared on "Beavis and Butt-Head" on numerous occasions. Kid Rock wrote an in-depth tribute to Yauch after being influenced by the band, which said, "I thought I was the 4th member of Beastie Boys in 7th grade. You couldn't tell me I wasn't. The first time I ever saw them on stage was a very early show of theirs before "Licensed to Ill" came out, opening for Run DMC at Joe Louis Arena. My jaw dropped to the floor!" In 2020, "Spin" ranked the Beastie Boys as the 12th-most influential artist of the previous 35 years.
Tributes. In 2022, the New York City Council voted to rename the intersection of Ludlow and Rivington streets in Manhattan's Lower East Side—the location of the "Paul's Boutique" album cover—"Beastie Boys Square". The vote was the result of a grassroots campaign started in 2013 by historian LeRoy McCarthy. The renaming was voted down when first proposed in 2014, but it passed on July 14, 2022. The square was renamed on September 9, 2023, coinciding with the 50th anniversary of hip hop. Legal issues. In 2003, the Beastie Boys were involved in the landmark sampling decision "Newton v. Diamond". In that case, a federal judge ruled that the band was not liable for sampling James Newton's "Choir" in their track "Pass the Mic". The sample used is the six-second flute stab. In short, the Beastie Boys cleared the sample but obtained only the rights to use the sound recording and not the composition rights to the song "Choir". In the decision, the judge found that: Members. Members Touring musicians Discography. Studio albums
British Isles The British Isles are an archipelago in the North Atlantic Ocean off the north-western coast of continental Europe, consisting of the islands of Great Britain, Ireland, the Isle of Man, the Inner and Outer Hebrides, the Northern Isles (Orkney and Shetland), and over six thousand smaller islands. They have a total area of and a combined population of almost 72 million, and include two sovereign states, the Republic of Ireland (which covers roughly five-sixths of Ireland), and the United Kingdom of Great Britain and Northern Ireland. The Channel Islands, off the north coast of France, are normally taken to be part of the British Isles, even though geographically they do not form part of the archipelago. Under the UK Interpretation Act 1978, the Channel Islands are clarified as forming part of the British Islands, not to be confused with the British Isles.
The Gaels (Ireland), Picts (northern Great Britain) and Britons (southern Great Britain), all speaking Insular Celtic languages, inhabited the islands at the beginning of the 1st millennium BC. Much of Brittonic-occupied Britain was conquered by the Roman Empire from AD 43. The first Anglo-Saxons arrived as Roman power waned in the 5th century, and eventually they dominated the bulk of what is now England. Viking invasions began in the 9th century, followed by more permanent settlements and political change, particularly in England. The Norman conquest of England in 1066 and the later Angevin partial conquest of Ireland from 1169 led to the imposition of a new Norman ruling elite across much of Britain and parts of Ireland. By the Late Middle Ages, Great Britain was separated into the Kingdom of England and Kingdom of Scotland, while control in Ireland fluxed between Gaelic kingdoms, Hiberno-Norman lords and the English-dominated Lordship of Ireland, soon restricted only to the Pale. The 1603 Union of the Crowns, Acts of Union 1707 and Acts of Union 1800 aimed to consolidate Great Britain and Ireland into a single political unit, the United Kingdom of Great Britain and Ireland, with the Isle of Man and the Channel Islands remaining as Crown Dependencies. The expansion of the British Empire and migrations following the Irish Famine and Highland Clearances resulted in the dispersal of some of the islands' population and culture throughout the world, and rapid depopulation of Ireland in the second half of the 19th century. Most of Ireland seceded from the United Kingdom after the Irish War of Independence and the subsequent Anglo-Irish Treaty (1919–1922), with six counties remaining in the UK as Northern Ireland.
As a term, "British Isles" is a geographical name and not a political unit. In Ireland, the term is controversial, and there are objections to its usage. The Government of Ireland does not officially recognise the term, and its embassy in London discourages its use. "Britain and Ireland" is used as an alternative description, and "Atlantic Archipelago" has also seen limited use in academia. In official documents created jointly by Ireland and the United Kingdom, such as the Good Friday Agreement, the term "these islands" is used. Etymology. The earliest known references to the islands as a group appeared in the writings of seafarers from the ancient Greek colony of Massalia. The original records have been lost; however, later writings, e.g. Avienius's "Ora maritima", that quoted from the Massaliote Periplus (6th century BC) and from Pytheas's "On the Ocean" (around 325–320 BC) have survived. In the 1st century BC, Diodorus Siculus has "Prettanikē nēsos", "the British Island", and "Prettanoi", "the Britons", describes Julius Caesar as having "advanced the Roman Empire as far as the British Isles" (), and remarks on the region "about the British Isles" (). According to Philip Freeman in 2001, "it seems reasonable, especially at this early point in classical knowledge of the Irish, for Diodorus or his sources to think of all inhabitants of the Brettanic Isles as "Brettanoi"".
Strabo used Βρεττανική ("Brettanike"), and Marcian of Heraclea, in his "Periplus maris exteri", used αἱ Πρεττανικαί νῆσοι ("the Prettanic Isles") to refer to the islands. According to A. L. F. Rivet and Colin Smith in 1979 "the earliest instance of the name which is textually known to us" is in "The Histories" of Polybius, who referred to them . According to Rivet and Smith, this name encompassed "Britain with Ireland". According to Thomas O'Loughlin in 2018, the British Isles was "a concept already present in the minds of those living in continental Europe since at least the 2nd–cent. CE". Historians today, though not in absolute agreement, largely agree that these Greek and Latin names were probably drawn from native Celtic-language names for the archipelago. Along these lines, the inhabitants of the islands were called the Πρεττανοί ("Priteni" or "Pretani"). The shift from the "P" of "Pretannia" to the "B" of "Britannia" by the Romans occurred during the time of Julius Caesar. Greco-Egyptian Claudius Ptolemy referred to the larger island as "great Britain" (μεγάλη Βρεττανία "megale Brettania") and to Ireland as "little Britain" (μικρὰ Βρεττανία "mikra Brettania") in his work "Almagest" (147–148 AD). According to Philip Freeman in 2001, Ptolemy "is the only ancient writer to use the name "Little Britain" for Ireland, though in doing so he is well within the tradition of earlier authors who pair a smaller Ireland with a larger Britain as the two Brettanic Isles". In the second book of Ptolemy's "Geography" (), the second and third chapters are respectively titled in and .
In Arabic geography and cartography in the medieval Islamic world, the British Isles are known as or . Arabic geographies, including the "" of al-Battānī, mention the British Isles as twelve islands. John Skelton's English translation of Diodorus Siculus's , written in the middle 1480s, mentions the British Isles as . Thomas Twyne's English translation of Dionysius Periegetes's , published in 1572, mentions the British Isles as . The earliest citation of the phrase in the "Oxford English Dictionary" is in a work by John Dee dated 1577. Other names used to describe the islands include the "Anglo-Celtic Isles", "Atlantic archipelago" (a term coined by the historian J. G. A. Pocock in 1975), "British-Irish Isles", "Britain and Ireland", "UK and Ireland", and "British Isles and Ireland". Owing to political and national associations with the word "British", the Government of Ireland does not use the term "British Isles" and in documents drawn up jointly between the British and Irish governments, the archipelago is referred to simply as "these islands". British Isles is the most widely accepted term for the archipelago.
Geography. The British Isles lie at the juncture of several regions with past episodes of tectonic mountain building. These orogenic belts form a complex geology that records a huge and varied span of Earth's history. Of particular note was the Caledonian orogeny during the Ordovician and early Silurian periods, when the craton Baltica collided with the terrane Avalonia to form the mountains and hills in northern Britain and Ireland. Baltica formed roughly the north-western half of Ireland and Scotland. Further collisions caused the Variscan orogeny in the Devonian and Carboniferous periods, forming the hills of Munster, south-west England, and southern Wales. Over the last 500 million years the land that forms the islands has drifted north-west from around 30°S, crossing the equator around 370 million years ago to reach its present northern latitude. The islands have been shaped by numerous glaciations during the Quaternary Period, the most recent being the Devensian. As this ended, the central Irish Sea was deglaciated and the English Channel flooded, with sea levels rising to current levels some 8,000 years ago, leaving the British Isles in their current form.
There are about 136 permanently inhabited islands in the group, the largest two being Great Britain and Ireland. Great Britain is to the east and covers . Ireland is to the west and covers . The largest of the other islands are to be found in the Hebrides, Orkney and Shetland to the north, Anglesey and the Isle of Man between Great Britain and Ireland, and the Channel Islands near the coast of France. The most densely populated island is Portsea Island, which has an area of but has the third highest population behind Great Britain and Ireland. The islands are at relatively low altitudes, with central Ireland and southern Great Britain particularly low-lying: the lowest point in the islands is the North Slob in County Wexford, Ireland, with an elevation of . The Scottish Highlands in the northern part of Great Britain are mountainous, with Ben Nevis being the highest point on the islands at . Other mountainous areas include Wales and parts of Ireland, although only seven peaks in these areas reach above . Lakes on the islands are generally not large, although Lough Neagh in Northern Ireland is an exception, covering . The largest freshwater body in Great Britain (by area) is Loch Lomond at , and Loch Ness (by volume) whilst Loch Morar is the deepest freshwater body in the British Isles, with a maximum depth of . There are a number of major rivers within the British Isles. The longest is the Shannon in Ireland at . The river Severn at is the longest in Great Britain.
Climate. The climate of the British Isles is mild, moist and changeable with abundant rainfall and a lack of temperature extremes. It is defined as a temperate oceanic climate, or "Cfb" on the Köppen climate classification system, a classification it shares with most of north-west Europe. The North Atlantic Drift ("Gulf Stream"), which flows from the Gulf of Mexico, brings with it significant moisture and raises temperatures above the global average for the islands' latitudes. Most Atlantic depressions pass to the north of the islands; combined with the general westerly circulation and interactions with the landmass, this imposes a general east–west variation in climate. There are four distinct climate patterns: south-east, with cold winters, warm and dry summers; south-west, having mild and very wet winters, warm and wet summers; north-west, generally wet with mild winters and cool summers; and north-east with cold winters, cool summers. Flora and fauna. The islands enjoy a mild climate and varied soils, giving rise to a diverse pattern of vegetation. Animal and plant life is similar to that of the north-western European mainland. There are however, fewer numbers of species, with Ireland having even less. All native flora and fauna in Ireland is made up of species that migrated primarily from Great Britain. The only window when this could have occurred was prior to the melting of the ice bridge between the two islands 14,000 years ago approaching the end of the last ice age.
As with most of Europe, prehistoric Britain and Ireland were covered with forest and swamp. Clearing began around 6000 BC and accelerated in medieval times. Despite this, Britain retained its primeval forests longer than most of Europe due to a small population and later development of trade and industry, and wood shortages were not a problem until the 17th century. By the 18th century, most of Britain's forests were consumed for shipbuilding or manufacturing charcoal and the nation was forced to import lumber from Scandinavia, North America, and the Baltic. Most forest land in Ireland is maintained by state forestation programmes. Almost all land outside urban areas is farmland. However, relatively large areas of forest remain in east and north Scotland and in southeast England. Oak, elm, ash and beech are amongst the most common trees in England. In Scotland, pine and birch are most common. Natural forests in Ireland are mainly oak, ash, wych elm, birch and pine. Beech and lime, though not native to Ireland, are also common there. Farmland hosts a variety of semi-natural vegetation of grasses and flowering plants. Woods, hedgerows, mountain slopes and marshes host heather, wild grasses, gorse and bracken.
Many larger animals, such as wolves, bears and European elk are today extinct. However, some species such as red deer are protected. Other small mammals, such as rabbits, foxes, badgers, hares, hedgehogs, and stoats, are very common and the European beaver has been reintroduced in parts of Scotland. Wild boar have also been reintroduced to parts of southern England, following escapes from boar farms and illegal releases. Many rivers contain otters and grey and common seals are numerous on coasts. There are about 250 bird species regularly recorded in Great Britain, and another 350 that occur with varying degrees of rarity. The most numerous species are wren, robin, house sparrow, woodpigeon, chaffinch and blackbird. Farmland birds are declining in number, except for those kept for game such as pheasant, red-legged partridge, and red grouse. Fish are abundant in the rivers and lakes, in particular salmon, trout, perch and pike. Sea fish include dogfish, cod, sole, pollock and bass, as well as mussels, crab and oysters along the coast. There are more than 21,000 species of insects.