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In 2018, Bigfoot researcher Claudia Ackley garnered international attention after filing a lawsuit with the California Department of Fish and Wildlife (CDFW) for failing to acknowledge the existence of Bigfoot. Ackley claimed to have encountered and filmed a Bigfoot in the San Bernardino Mountains in 2017, describing what she saw as a "Neanderthal man with a lot of hair". Ackley contacted emergency services as well as the CDFW; a state investigator concluded that she encountered a bear. Until her death in 2023, Ackley also ran an online support group for individuals claiming to experience psychological trauma as a result of alleged Bigfoot encounters. In October 2023, a woman named Shannon Parker uploaded a video of an alleged Bigfoot to Facebook. The footage went viral on social media and was shared via various news publications. Shannon Parker reported she and others observed the subject while riding a train on the Durango and Silverton Narrow Gauge Railroad in the San Juan Mountains in Colorado. The authenticity of the video was debated across social media. Skeptics on Reddit speculated it was a publicity hoax perpetrated by an RV company located the area, Sasquatch Expedition Campers. The company denied the allegations.
In the early 1990s, 9-1-1 audio recordings were made public in which a homeowner in Kitsap County, Washington, called law enforcement for assistance with a large subject, described by him as being "all in black", having entered his backyard. He previously reported to law enforcement that his dog was killed recently when it was thrown over his fence. Anthropologist Jeffrey Meldrum notes that any large predatory animal is potentially dangerous, specifically if provoked, but indicates that most anecdotal accounts of Bigfoot encounter result in the creatures hiding or fleeing from people. The 2021 Hulu documentary series, "Sasquatch", describes marijuana farmers telling stories of Bigfoots harassing and killing people within the Emerald Triangle region in the 1970s through the 1990s; and specifically the alleged murder of three migrant workers in 1993. Investigative journalist David Holthouse attributes the stories to illegal drug operations using the local Bigfoot lore to scare away the competition, specifically superstitious immigrants, and that the high rate of murder and missing persons in the area is attributed to human actions.
Skeptics argue that many of these alleged encounters are easily hoaxed, the result of misidentification, or are outright fabrications. Evidence claims. A body print taken in the year 2000 from the Gifford Pinchot National Forest in Washington state dubbed the Skookum cast is also believed by some to have been made by a Bigfoot that sat down in the mud to eat fruit left out by researchers during the filming of an episode of the "Animal X" television show. Skeptics believe the cast to have been made by a known animal such as an elk. Alleged Bigfoot footprints are often suggested by Bigfoot enthusiasts as evidence for the creature's existence. Anthropologist Jeffrey Meldrum, who specializes in the study of primate bipedalism, possesses over 300 footprint casts that he maintains could not be made by wood carvings or human feet based on their anatomy, but instead are evidence of a large, non-human primate present today in North America. In 2005, Matt Crowley obtained a copy of an alleged Bigfoot footprint cast, called the "Onion Mountain Cast", and was able to painstakingly recreate the dermal ridges. Michael Dennett of the "Skeptical Inquirer" spoke to police investigator and primate fingerprint expert Jimmy Chilcutt in 2006 for comment on the replica and he stated, "Matt has shown artifacts can be created, at least under laboratory conditions, and field researchers need to take precautions". Chilcutt had previously stated that some of the alleged Bigfoot footprint plaster casts he examined were genuine due to the presence of "unique dermal ridges". Dennett states that Chilcutt published nothing to substantiate his claims, nor had anyone else published anything on that topic, with Chilcutt making his statements solely through a posting on the Internet. Dennett states further that no reviews on Chilcutt's statements had been performed beyond those by what Dennett states to be, "other Bigfoot enthusiasts".
In 2007, the Bigfoot Field Researchers Organization claimed to have photographs depicting a juvenile Bigfoot allegedly captured on a camera trap in the Allegheny National Forest. The Pennsylvania Game Commission, however, stated that the photos were of a bear with mange. The Pennsylvania Game Commission unsuccessfully attempted to locate the suspected mangey bear. Scientist Vanessa Woods, after estimating that the subject in the photo had approximately long arms and a torso, concluded it was more comparable to a chimpanzee. In 2015, Centralia College professor Michael Townsend claimed to have discovered prey bones with "human-like" bite impressions on the southside of Mount St. Helens. Townsend claimed the bites were over two times wider than a human bite, and that he and two of his students also found 16-inch footprints in the area. Melba Ketchum press release.
In popular culture. Bigfoot has a demonstrable impact in popular culture, and has been compared to Michael Jordan as a cultural icon. In 2018, "Smithsonian" magazine declared, "Interest in the existence of the creature is at an all-time high". A poll in 2020 suggested that about 1 in 10 American adults believe Bigfoot to be "a real, living creature". According to a May 2023 data study, the terms "Bigfoot" and "Sasquatch" are inputted via internet search engines over 200,000 times annually in the United States, and over 660,000 times worldwide. The creature has inspired the naming of a medical company, music festival, amusement park ride, monster truck, and a Marvel Comics superhero. Some commentators have been critical of Bigfoot's rise to fame, arguing that the appearance of the creatures in cartoons, reality shows, and advertisements trivialize the potential validity of serious scientific research into their supposed existence. Others propose that society's fascination with the concept of Bigfoot stems from human interest in mystery, the paranormal, and loneliness. In a 2022 article discussing recent Bigfoot sightings, journalist John Keilman of the "Chicago Tribune" states, "As UFOs have gained newfound respect, becoming the subject of a Pentagon investigative panel, the alleged Bigfoot sighting is a reminder that other paranormal phenomena are still out there, entrancing true believers and amusing skeptics".
In the Pacific Northwest. Bigfoot and its likeness is symbolic with the Pacific Northwest and its culture, including the Cascadia movement. Two National Basketball Association teams located in the Pacific Northwest have used Bigfoot as a mascot; Squatch of the now-defunct Seattle SuperSonics from 1993 until 2008, and Douglas Fur of the Portland Trail Blazers. Legend the Bigfoot was selected as the official mascot for the 2022 World Athletics Championships held in Eugene, Oregon. In 2024, the United Soccer League (USL) announced the Bigfoot Football Club based in Maple Valley, Washington will begin competing in 2025. There are laws and ordinances regarding harming or killing Bigfoot in the state of Washington. In 1969, a law was passed that criminalized killing a Bigfoot, making the act a felony, that upon conviction was punishable by a fine of up to $10,000 or by five years imprisonment. In 1984, the law was amended to make the crime a misdemeanor and the entire county was declared a "Sasquatch refuge". Whatcom County followed suit in 1991, declaring the county a "Sasquatch Protection and Refuge Area". In 2022, Grays Harbor County, Washington, passed a similar resolution after a local elementary school in Hoquiam submitted a classroom project asking for a "Sasquatch Protection and Refuge Area" to be granted.
In media. Bigfoot is featured in various films. It is often depicted as the antagonist in low budget monster movies, but has also been depicted as intelligent and friendly, with a notable example being "Harry and the Hendersons" (1987). "Sasquatch Sunset" (2024) depicts a family of Bigfoot engaging in alleged behaviors reported by Bigfoot enthusiasts and researchers. Bigfoot is also featured in television, notably as a subject of reality and paranormal television series, with notable examples being "Finding Bigfoot" (2011), "Mountain Monsters" (2013), "10 Million Dollar Bigfoot Bounty" (2014), "Expedition Bigfoot" (2019), and "Alaskan Killer Bigfoot" (2021). In advocacy. Bigfoot has been used for environmental protection and nature conservation campaigns and advocacy. Bigfoot was used in an environmental protection campaign, albeit comedically, by the U.S. Forest Service in 2015. Bigfoot is a mascot for the U.S. Fish & Wildlife Service's "Leave No Trace Principles", a national educational program to inform the public about reducing the damage caused by outdoor activities. The 360 mile "Bigfoot Trail" in Oregon, is named for the creature. Environmental organization Oregon Wild also uses Bigfoot to promote its nature advocacy, stating, "If there really is a Sasquatch out there, there is definitely more than one, and in order to maintain a healthy breeding population a species of hominid (as Sasquatch is assumed to be) would need extremely vast expanses of uninterrupted forest. Remote Wilderness areas would be prime habitat for Sasquatch, so if there are any out there to protect, making sure Oregon's forests get the protections they need to stay untrammeled is of the utmost importance". In 2024, Bigfoot was used as a mascot for a government recycling campaign in Whitfield County, Georgia.
In the 2018 podcast "Wild Thing", creator and journalist Laura Krantz argues that the concept of Bigfoot can be an important part of environmental interest and protection, stating, "If you look at it from the angle that Bigfoot is a creature that has eluded capture or hasn't left any concrete evidence behind, then you just have a group of people who are curious about the environment and want to know more about it, which isn't that far off from what naturalists have done for centuries". During the onset of the COVID-19 pandemic in 2020, Bigfoot became a part of many North American social distancing advocacy campaigns, with the creature being referred to as the "Social Distancing Champion" and as the subject of various internet memes related to the pandemic. Bigfoot subculture. There is an entire subculture surrounding Bigfoot. The act of searching for the creatures is often referred to as "Squatching", "Squatchin'" or "Squatch'n", popularized by the Animal Planet series, "Finding Bigfoot". Bigfoot researchers and believers are often called "Bigfooters" or "Squatchers". 20th century Bigfooters Peter C. Byrne, René Dahinden, John Green and Grover Krantz have been dubbed by cryptozoologist and author Loren Coleman as the "Four Horsemen of Sasquatchery". The 2024 book "The Secret History of Bigfoot" by journalist John O'Connor explores this subculture of Bigfooters, particularly the wide assortment of beliefs enthusiasts of the subject hold. In 2004, David Fahrenthold of "The Washington Post" published an article describing a feud between Bigfoot researchers in the eastern and western United States. Fahrenthold writes, "On the one hand, East Coast Bigfooters say they have to fight discrimination from Western counterparts who think the creature does not live east of the Rocky Mountains. On the other, they have to deal with reports from a more urban population, which includes some who are unfamiliar with wildlife and apt to mistake a black bear for the missing link".
People have been injured or killed while searching for Bigfoot in the wilderness. On December 28, 2024, two men were found deceased in the Gifford Pinchot National Forest in Washington state after setting off on Christmas to search for Bigfoot. Their disappearance prompted a large scale search and rescue effort, with the Skamania County Sheriff's Office concluding they were likely not prepared for the inclement weather. October 20, the anniversary of the Patterson-Gimlin film recording, is considered by some enthusiasts as "National Sasquatch Awareness Day". In 2015, World Champion taxidermist Ken Walker completed what he believes to be a lifelike Bigfoot model based on the subject in the Patterson–Gimlin film. He entered it into the 2015 World Taxidermy & Fish Carving Championships in Missouri and was the subject of Dan Wayne's 2019 documentary "Big Fur". Tourism and events. Bigfoot and related folklore has an impact on tourism. Willow Creek, California, considers itself the "Bigfoot Capital of the World". The Willow Creek Chamber of Commerce has hosted the "Bigfoot Daze" festival annually since the 1960s, drawing on the popularity of the local folklore, notably that of the Patterson-Gimlin film. Jefferson, Texas proclaimed itself the "Bigfoot Capital of Texas" in 2018. The city has hosted the Texas Bigfoot Conference since 2000.
In 2021, U.S. Representative Justin Humphrey, in an effort to bolster tourism, proposed an official Bigfoot hunting season in Oklahoma, indicating that the Oklahoma Department of Wildlife Conservation would regulate permits and the state would offer a $3 million bounty if such a creature was captured alive and unharmed. In 2024, mayor Grant Nicely of Derry, Pennsylvania declared Bigfoot the "official cryptid" of the borough and stated, "Willful harm or capture of the species will be punishable by law." Council Vice-president Nathan Bundy stated, "By proclaiming Bigfoot as our official cryptid and establishing Derry as a sanctuary, we are embracing our local folklore and the rich history that makes our community unique". Events such as conferences and festivals dedicated to Bigfoot draw thousands of attendees and contribute to the economies of areas in which they are held. These events commonly include guest speakers, research and lore presentations, and sometimes live music, vendors, food trucks, and other activities such as costume contests and "Bigfoot howl" competitions. Some receive collaboration between local government and corporations, such as the Smoky Mountain Bigfoot Festival in Townsend, Tennessee, which is sponsored by Monster Energy. The 2023 Bigfoot Festival in Marion, North Carolina, saw approximately 40,000 people in attendance, resulting in a large economic boost for the small town of less than 8,000 residents. In February 2016, the University of New Mexico at Gallup held a two-day Bigfoot conference at a cost of $7,000 in university funds. Bigfoot is also featured in events alongside other famous cryptids such as the Loch Ness Monster, Mothman, and Chupacabra.
There are museums dedicated to Bigfoot. In 2019, Bigfoot researcher Cliff Barackman, notable for his role on "Finding Bigfoot", opened the North American Bigfoot Center in Boring, Oregon. In 2022, The Bigfoot Crossroads of America Museum and Research Center in Hastings, Nebraska, was selected for addition into the archives of the U.S. Library of Congress. The High Desert Museum in Bend, Oregon features an exhibit called "Sensing Sasquatch", which presents the subject from an Indigenous point-of-view. According to Executive Director Dana Whitelaw, "Rather than the popular, mainstream view of Sasquatch, this exhibition shows Sasquatch as a protective entity for many Indigenous peoples of the High Desert. The exhibit reflects the reverence that Native peoples have for Sasquatch and will be centered on Indigenous art, voices and storytelling". Organizations. There are several organizations dedicated to Bigfoot. The oldest and largest is the Bigfoot Field Researchers Organization (BFRO). The BFRO also provides a free database to individuals and other organizations. Their website includes reports from across North America that have been investigated by BFRO researchers. Other similar organizations exist throughout many U.S. states and their members come from a variety of backgrounds. The North American Wood Ape Conservancy (NAWAC), a nonprofit organization, states its mission is to "ultimately have the wood ape species documented, protected, and the land they inhabit protected. Author Mike Mays of NAWAC states, "If just anyone hauled in a Bigfoot carcass the blowback from animal rights groups and beyond would be ruinous".
Bing Crosby Harry Lillis "Bing" Crosby Jr. (May 3, 1903 – October 14, 1977) was an American singer and actor. The first multimedia star, he was one of the most popular and influential musical artists of the 20th century worldwide. Crosby was a leader in record sales, network radio ratings, and motion picture grosses from 1926 to 1977. He was one of the first global cultural icons. Crosby made over 70 feature films and recorded more than 1,600 songs. Crosby's early career coincided with recording innovations that allowed him to develop an intimate singing style that influenced many male singers who followed, such as Frank Sinatra, Perry Como, Dean Martin, Dick Haymes, Elvis Presley, and John Lennon. "Yank" magazine said that Crosby was "the person who had done the most for the morale of overseas servicemen" during World War II. In 1948, American polls declared him the "most admired man alive", ahead of Jackie Robinson and Pope Pius XII. In 1948, "Music Digest" estimated that Crosby's recordings filled more than half of the 80,000 weekly hours allocated to recorded radio music in America.
Crosby won the Academy Award for Best Actor for his performance in "Going My Way" (1944) and was nominated for its sequel, "The Bells of St. Mary's" (1945), opposite Ingrid Bergman, becoming the first of six actors to be nominated twice for playing the same character. Crosby was the number one box office attraction for five consecutive years from 1944 to 1948. At his screen apex in 1946, Crosby starred in three of the year's five highest-grossing films: "The Bells of St. Mary's", "Blue Skies", and "Road to Utopia". In 1963, he received the first Grammy Global Achievement Award. Crosby is one of 33 people to have three stars on the Hollywood Walk of Fame, in the categories of motion pictures, radio, and audio recording. He was also known for his collaborations with his friend Bob Hope, starring in the "Road to ..." films from 1940 to 1962. Crosby influenced the development of the post–World War II recording industry. After seeing a demonstration of a German broadcast quality reel-to-reel tape recorder brought to the United States by John T. Mullin, Crosby invested $50,000 in the California electronics company Ampex to build copies. He then persuaded ABC to allow him to tape his shows and became the first performer to prerecord his radio shows and master his commercial recordings onto magnetic tape. Crosby has been associated with the Christmas season since he starred in Irving Berlin's musical film "Holiday Inn" and also sang "White Christmas" in the film of the same name. Through audio recordings, Crosby produced his radio programs with the same directorial tools and craftsmanship (editing, retaking, rehearsal, time shifting) used in motion picture production, a practice that became the industry standard. In addition to his work with early audio tape recording, Crosby helped finance the development of videotape, bought television stations, bred racehorses, and co-owned the Pittsburgh Pirates baseball team, during which time the team won two World Series (1960 and 1971).
Early life. Crosby was born on May 3, 1903, in Tacoma, Washington, in a house his father built at 1112 North J Street. Three years later, his family moved to Spokane in eastern Washington state, where Crosby was raised. In 1913, his father built a house at 508 E. Sharp Avenue. The house stands on the campus of Crosby's alma mater, Gonzaga University, as a museum housing over 200 artifacts from his life and career, including his Oscar. Crosby was the fourth of seven children: brothers Laurence Earl "Larry" (1895–1975), Everett Nathaniel (1896–1966), Edward John "Ted" (1900–1973), and George Robert "Bob" (1913–1993); and two sisters, Catherine Cordelia (1904–1974) and Mary Rose (1906–1990). His parents were Harry Lillis Crosby (1870–1950), a bookkeeper, and Catherine Helen "Kate" (née Harrigan; 1873–1964). His mother was a second-generation Irish-American. His father was of Scottish and English descent; an ancestor, Simon Crosby, emigrated from the Kingdom of England to New England in the 1630s during the Puritan migration to New England. Through another line, also on his father's side, Crosby is descended from "Mayflower" passenger William Brewster ( 1567 – 1644).
In 1917, Crosby took a summer job as property boy at Spokane's Auditorium, where he witnessed some of the acts of the day, including Al Jolson, who held Crosby spellbound with ad-libbing and parodies of Hawaiian songs. Crosby later described Jolson's delivery as "electric". Crosby graduated from Gonzaga High School in 1920 and enrolled at Gonzaga University. He attended Gonzaga for three years but did not earn a degree. As a freshman, Crosby played on the university's baseball team. The university granted him an honorary doctorate in 1937. Gonzaga University houses a large collection of photographs, correspondence, and other material related to Crosby. On November 8, 1937, after Lux Radio Theatre's adaptation of "She Loves Me Not", Joan Blondell asked Crosby how he got his nickname: As it happens, that story was pure whimsy for dramatic effect; the Associated Press had reported as early as February 1932—as would later be confirmed by both Bing himself and his biographer Charles Thompson—that it was in fact a neighbor—Valentine Hobart, circa 1910—who had named him "Bingo from Bingville" after a comic feature in the local paper called "The Bingville Bugle" which the young Harry liked. In time, Bingo got shortened to Bing.
Career. Early years. In 1923, Crosby was invited to join a new band composed of high-school students a few years younger than himself. Al and Miles Rinker (brothers of singer Mildred Bailey), James Heaton, Claire Pritchard and Robert Pritchard, along with drummer Crosby, formed the Musicaladers, who performed at dances both for high school students and club-goers. The group performed on Spokane radio station KHQ, but disbanded after two years. Crosby and Al Rinker obtained work at the Clemmer Theatre in Spokane (now known as the Bing Crosby Theater). On August 14, 1925, Bing appeared at the Clemmer Theater as part of The Clemmer Trio (Frank McBride, Lloyd Grinnell and Harry Crosby) and they were shown as being presented with special stage effects.Rinker played piano in the pit. They continued at the theater alongside the film of the week for a very successful 12 weeks. They were initially billed as The Clemmer Trio and later as The Clemmer Entertainers depending who performed. In October 1925, Crosby and Rinker decided to seek fame in California. They traveled to Los Angeles, where Bailey introduced them to her show business contacts. The Fanchon and Marco Time Agency hired them for 13 weeks for the revue "The Syncopation Idea" starting at the Boulevard Theater in Los Angeles and then on the Loew's circuit. They each earned $75 a week. As minor parts of "The Syncopation Idea", Crosby and Rinker started to develop as entertainers. They had a lively style that was popular with college students. After "The Syncopation Idea" closed, they worked in the Will Morrissey Music Hall Revue. They honed their skills with Morrissey, and when they got a chance to present an independent act, they were spotted by a member of the Paul Whiteman organization.
Whiteman needed something different to break up his musical selections, and Crosby and Rinker filled this requirement. After less than a year in show business, they were attached to one of the biggest names. Hired for $150 a week in 1926, they debuted with Whiteman on December 6 at the Tivoli Theatre in Chicago. Their first recording, in October 1926, was "I've Got the Girl" with Don Clark's Orchestra, but the Columbia-issued record was inadvertently recorded at a slow speed, which increased the singers' pitch when played at 78 rpm. Throughout his career, Crosby often credited Bailey for getting him his first important job in the entertainment business. The Rhythm Boys. Success with Whiteman was followed by disaster when they reached New York. Whiteman considered letting them go. However, the addition of pianist and aspiring songwriter Harry Barris made the difference, and The Rhythm Boys were born. The additional voice meant they could be heard more easily in large New York theaters. Crosby gained valuable experience on tour for a year with Whiteman and performing and recording with Bix Beiderbecke, Jack Teagarden, Tommy Dorsey, Jimmy Dorsey, Eddie Lang, and Hoagy Carmichael. Crosby matured as a performer and was in demand as a solo singer.
Crosby became the star attraction of the Rhythm Boys. In 1928, he had his first number one hit, a jazz-influenced rendition of "Ol' Man River". In 1929, the Rhythm Boys appeared in the film "King of Jazz" with Whiteman, but Crosby's growing dissatisfaction with Whiteman led to the Rhythm Boys leaving his organization. They joined the Gus Arnheim Orchestra, performing nightly in the Coconut Grove of the Ambassador Hotel. Singing with the Arnheim Orchestra, Crosby's solos began to steal the show while the Rhythm Boys' act gradually became redundant. Harry Barris wrote several of Crosby's hits, including "At Your Command", "I Surrender Dear", and "Wrap Your Troubles in Dreams". When Mack Sennett signed Crosby to a solo film contract in 1931, a break with the Rhythm Boys became almost inevitable. Crosby married Dixie Lee in September 1930. After a threat of divorce in March 1931, he applied himself to his career. Success as a solo singer. On September 2, 1931, "15 Minutes with Bing Crosby", his nationwide solo radio debut, began broadcasting. The weekly broadcast made Crosby a hit. Before the end of the year, he with both Brunswick Records and CBS Radio. "Out of Nowhere", "Just One More Chance", "At Your Command", and "I Found a Million Dollar Baby (in a Five and Ten Cent Store)" were among the best-selling songs of 1931.
Ten of the top 50 songs of 1931 included Crosby with others or as a solo act. A "Battle of the Baritones" with singer Russ Columbo proved short-lived, replaced with the slogan "Bing Was King". Crosby played the lead in a series of musical comedy short films for Mack Sennett, signed with Paramount, and starred in his first full-length film, 1932's "The Big Broadcast" (1932), the first of 55 films in which he received top billing. Crosby would appear in almost 80 pictures. He signed a contract with Jack Kapp's new record company, Decca, in late 1934. Crosby's first commercial sponsor on radio was Cremo Cigars and his fame spread nationwide. After a long run in New York, Crosby went back to Hollywood to film "The Big Broadcast". His appearances, records, and radio work substantially increased his impact. The success of his first film brought Crosby a contract with Paramount, and he began a pattern of making three films a year. Crosby led his radio show for Woodbury Soap for two seasons while his live appearances dwindled. Crosby's records produced hits during the Depression when sales were down. Audio engineer Steve Hoffman stated, "By the way, Bing actually saved the record business in 1934 when he agreed to support Decca founder Jack Kapp's crazy idea of lowering the price of singles from a dollar to 35 cents and getting a royalty for records sold instead of a flat fee. Bing's name and his artistry saved the recording industry. All the other artists signed to Decca after Bing did. Without him, Jack Kapp wouldn't have had a chance in hell of making Decca work and the Great Depression would have wiped out phonograph records for good."
His first son Gary was born in 1933 with twin boys following in 1934. By 1936, Crosby replaced his former boss, Paul Whiteman, as host of the weekly NBC radio program "Kraft Music Hall", where he remained for the next decade. "Where the Blue of the Night (Meets the Gold of the Day)", with his trademark whistling, became his theme song and signature tune. Crosby's vocal style helped take popular singing beyond the "belting" associated with Al Jolson and Billy Murray, who had been obligated to reach the back seats in New York theaters without the aid of a microphone. As music critic Henry Pleasants noted in "The Great American Popular Singers", something new had entered American music, a style that might be called "singing in American" with conversational ease. This new sound led to the popular epithet "crooner". Crosby admired Louis Armstrong for his musical ability, and the trumpet maestro was a formative influence on Crosby's singing style. When the two met, they became friends. In 1936, Crosby exercised an option in his Paramount contract to regularly star in an out-of-house film. Signing an agreement with Columbia for a single motion picture, Crosby wanted Armstrong to appear in a screen adaptation of "The Peacock Feather" that eventually became "Pennies from Heaven". Crosby asked Harry Cohn, but Cohn had no desire to pay for the flight or to meet Armstrong's "crude, mob-linked but devoted manager, Joe Glaser". Crosby threatened to leave the film and refused to discuss the matter. Cohn gave in; Armstrong's musical scenes and comic dialogue extended his influence to the silver screen, creating more opportunities for him and other African Americans to appear in future films. Crosby also ensured behind the scenes that Armstrong received equal billing with his white co-stars. Armstrong appreciated Crosby's progressive attitudes on race, and often expressed gratitude for the role in later years.
During World War II, Crosby made live appearances before American troops who had been fighting in the European Theater. He learned how to pronounce German from written scripts and read propaganda broadcasts intended for German forces. The nickname "Der Bingle" was common among Crosby's German listeners and came to be used by his English-speaking fans. In a poll of U.S. troops at the close of World War II, Crosby topped the list as the person who had done the most for G.I. morale, ahead of President Franklin D. Roosevelt, General Dwight Eisenhower, and Bob Hope. The June 18, 1945, issue of "Life" magazine stated, "America's number one star, Bing Crosby, has won more fans, made more money than any entertainer in history. Today he is a kind of national institution." "In all, 60,000,000 Crosby discs have been marketed since he made his first record in 1931. His biggest best seller is "White Christmas" 2,000,000 impressions of which have been sold in the U.S. and 250,000 in Great Britain." "Nine out of ten singers and bandleaders listen to Crosby's broadcasts each Thursday night and follow his lead.
and 250,000 in Great Britain." "Nine out of ten singers and bandleaders listen to Crosby's broadcasts each Thursday night and follow his lead. The day after he sings a song over the air—any song—some 50,000 copies of it are sold throughout the U.S. Time and again Crosby has taken some new or unknown ballad, has given it what is known in trade circles as the 'big goose' and made it a hit single-handed and overnight... Precisely what the future holds for Crosby neither his family nor his friends can conjecture. He has achieved greater popularity, made more money, attracted vaster audiences than any other entertainer in history. And his star is still in the ascendant. His contract with Decca runs until 1955. His contract with Paramount runs until 1954. Records which he made ten years ago are selling better than ever before. The nation's appetite for Crosby's voice and personality appears insatiable. To soldiers overseas and to foreigners he has become a kind of symbol of America, of the amiable, humorous citizen of a free land. To soldiers overseas and to foreigners he has become a kind of symbol of America, of the amiable, humorous citizen of a free land. Crosby, however, seldom bothers to contemplate his future. For one thing, he enjoys hearing himself sing, and if ever a day should dawn when the public wearies of him, he will complacently go right on singing—to himself."
White Christmas. The biggest hit song of Crosby's career was his recording of Irving Berlin's "White Christmas", which Crosby introduced on a Christmas Day radio broadcast in 1941. A copy of the recording from the radio program is owned by the estate of Bing Crosby and was loaned to "CBS Sunday Morning" for their December 25, 2011, program. The song appeared in his films "Holiday Inn" (1942), and—a decade later—in "White Christmas" (1954). Crosby's record hit the charts on October 3, 1942, and rose to number 1 on October 31, where it stayed for 11 weeks. A holiday perennial, the song was repeatedly re-released by Decca, charting another 16 times. It topped the charts again in 1945 and a third time in January 1947. The song remains the bestselling single of all time. Crosby's recording of "White Christmas" has sold over 50 million copies worldwide. His recording was so popular that Crosby was obliged to re-record it in 1947 using the same musicians and backup singers; the original 1942 master had become damaged due to its frequent use in pressing additional singles. In 1977, after Crosby died, the song was re-released and reached No. 5 in the UK Singles Chart. Crosby was dismissive of his role in the song's success, saying "a jackdaw with a cleft palate could have sung it successfully".
Motion pictures. In the wake of a solid decade of headlining mainly smash hit musical comedy films in the 1930s, Crosby starred with Bob Hope and Dorothy Lamour in six of the seven "Road to" musical comedies between 1940 and 1962 (Lamour was replaced with Joan Collins in "The Road to Hong Kong" and limited to a lengthy cameo), cementing Crosby and Hope as an on-and-off duo, despite never declaring themselves a "team" in the sense that Laurel and Hardy or Martin and Lewis (Dean Martin and Jerry Lewis) were teams. The series consists of "Road to Singapore" (1940), "Road to Zanzibar" (1941), "Road to Morocco" (1942), "Road to Utopia" (1946), "Road to Rio" (1947), "Road to Bali" (1952), and "The Road to Hong Kong" (1962). When they appeared solo, Crosby and Hope frequently made note of the other in a comically insulting fashion. They performed together countless times on stage, radio, film, and television, and made numerous brief and not so brief appearances together in movies aside from the "Road" pictures, "Variety Girl" (1947) being an example of lengthy scenes and songs together along with billing.
In the 1949 Disney animated film "The Adventures of Ichabod and Mr. Toad", Crosby provided the narration and song vocals for "The Legend of Sleepy Hollow" segment. In 1960, he starred in "High Time", a collegiate comedy with Fabian Forte and Tuesday Weld that predicted the emerging gap between Crosby and the new younger generation of musicians and actors who had begun their careers after World War II. The following year, Crosby and Hope reunited for one more "Road" movie, "The Road to Hong Kong", which teamed them up with the much younger Joan Collins and Peter Sellers. Collins was used in place of their longtime partner Dorothy Lamour, whom Crosby felt was getting too old for the role, though Hope refused to do the film without her, and she instead made a lengthy and elaborate cameo appearance. Shortly before his death in 1977, Crosby had planned another "Road" film in which he, Hope, and Lamour search for the Fountain of Youth. Crosby won an Academy Award for Best Actor for "Going My Way" in 1944 and was nominated for the 1945 sequel, "The Bells of St. Mary's". He received critical acclaim and his third Academy Award nomination for his performance as an alcoholic entertainer in "The Country Girl".
Television. "The Fireside Theater" (1950) was his first television production. The series of 26-minute shows was filmed at Hal Roach Studios rather than performed live on the air. The "telefilms" were syndicated to individual television stations. Crosby was a frequent guest on the musical variety shows of the 1950s and 1960s, appearing on various variety shows as well as numerous late-night talk shows and his own highly rated specials. Bob Hope memorably devoted one of his monthly NBC specials to his long intermittent partnership with Crosby titled "On the Road With Bing". Crosby was associated with ABC's "The Hollywood Palace" as the show's first and most frequent guest host and appeared annually on its Christmas edition with his wife Kathryn and his younger children, and continued after "The Hollywood Palace" was eventually canceled. In the early 1970s, Crosby made two late appearances on the "Flip Wilson Show", singing duets with the comedian. His last TV appearance was a Christmas special, "Merrie Olde Christmas", taped in London in September 1977 and aired weeks after his death. It was on this special that Crosby recorded a duet of "The Little Drummer Boy" and "Peace on Earth" with rock musician David Bowie. Their duet was released in 1982 as a single 45 rpm record and reached No. 3 in the UK singles charts. It has since become a staple of holiday radio and the final popular hit of Crosby's career. At the end of the 20th century, "TV Guide" listed the Crosby-Bowie duet one of the 25 most memorable musical moments of 20th-century television.
Bing Crosby Productions, affiliated with Desilu Studios and later CBS Television Studios, produced a number of television series, including Crosby's own unsuccessful ABC sitcom "The Bing Crosby Show" in the 1964–1965 season (with co-stars Beverly Garland and Frank McHugh). The company produced two ABC medical dramas, "Ben Casey" (1961–1966) and "Breaking Point" (1963–1964), the popular "Hogan's Heroes" (1965–1971) military comedy on CBS, as well as the lesser-known show "Slattery's People" (1964–1965). Singing style and vocal characteristics. Crosby was one of the first singers to exploit the intimacy of the microphone rather than use the loud, penetrating vaudeville style associated with Al Jolson. Crosby was, by his own definition, a "phraser", a singer who placed equal emphasis on both the lyrics and the music. Paul Whiteman's hiring of Crosby, with phrasing that echoed jazz, particularly his bandmate Bix Beiderbecke's trumpet, helped bring the genre to a wider audience. In the framework of the novelty-singing style of the Rhythm Boys, Crosby bent notes and added off-tune phrasing, an approach that was rooted in jazz.
In the framework of the novelty-singing style of the Rhythm Boys, Crosby bent notes and added off-tune phrasing, an approach that was rooted in jazz. He had already been introduced to Louis Armstrong and Bessie Smith before his first appearance on record. Crosby and Armstrong remained warm acquaintances for decades, occasionally singing together in later years, e.g. "Now You Has Jazz" in the film "High Society" (1956). In Crosby's performances, the presence of jazz phrasing, jazz rhythm and jazz improvisation varied depending on the piece of music, but those were elements that Crosby frequently used. This can be observed particularly in his straight jazz work during the late 1920s/early 1930s, Crosby's recordings with Buddy Cole and His Trio from the mid-1950s, as well as in his numerous collaborations with such jazz musicians as Louis Armstrong, Duke Ellington, Ella Fitzgerald, Joe Venuti, or Eddie Lang. However, while Crosby can be called a jazz singer, he was not strictly only a jazz singer as he modeled the style and techniques to a broad scope of music that he performed, ranging from Jazz to Country to even such material as operetta arias.
During the early portion of his solo career (about 1931–1934), Crosby's emotional, often pleading style of crooning was popular. But Jack Kapp, manager of Brunswick and later Decca, talked Crosby into dropping many of his jazzier mannerisms in favor of a clear vocal style. Crosby credited Kapp for choosing hit songs, working with many other musicians, and most important, diversifying his repertoire into several styles and genres. Kapp helped Crosby have number one hits in Christmas music, Hawaiian music, and country music, and top-30 hits in Irish music, French music, rhythm and blues, and ballads. Crosby elaborated on an idea of Al Jolson's: phrasing, or the art of making a song's lyric ring true. "I used to tell Sinatra over and over," said Tommy Dorsey, "there's only one singer you ought to listen to and his name is Crosby. All that matters to him is the words, and that's the only thing that ought to for you, too." Critic Henry Pleasants wrote in 1985: [While] the octave B flat to B flat in Bing's voice at that time [1930s] is, to my ears, one of the loveliest I have heard in forty-five years of listening to baritones, both classical and popular, it dropped conspicuously in later years. From the mid-1950s, Bing was more comfortable in a bass range while maintaining a baritone quality, with the best octave being G to G, or even F to F. In a recording he made of 'Dardanella' with Louis Armstrong in 1960, he attacks lightly and easily on a low E flat. This is lower than most opera basses care to venture, and they tend to sound as if they were in the cellar when they get there.
Career achievements. Crosby's was among the most popular and successful musical acts of the 20th century. "Billboard" magazine used different methodologies during his career, but his chart success remains impressive: 396 chart singles, including roughly 41 number 1 hits. Crosby had separate charting singles every year between 1931 and 1954; the annual re-release of "White Christmas" extended that streak to 1957. He had 24 separate popular singles in 1939 alone. Statistician Joel Whitburn at "Billboard" determined that Crosby was America's most successful recording act of the 1930s and again in the 1940s. The number of Bing Crosby record sales varies. Organizations that audit record sales do not have an official tally, but some claim sales are notable, namely: In 1960, Crosby was honored as "First Citizen of Record Industry" based on having sold 200 million discs. The Guinness Book reported some of the singer's worldwide sales on a few occasions: In 1973, Crosby had sold more than 400 million records worldwide, and by 1977 he had sold 500 million discs, being ranked as the most successful and best-selling musical artist in 1978. Some sources contradict these alleged sales to the Guinness Book, as it is not an organization that counts or audits artists' sales in the United States or worldwide. According to different sources, Bing Crosby's sales number varies between: 300 million, 500 million, or even 1 billion, making him one of the best-selling singers in history. The single "White Christmas" sold over 50 million copies according to "Guinness World Records".
For 15 years (1934, 1937, 1940, 1943–1954), Crosby was among the top 10 acts in box-office sales, and for five of those years (1944–1948) he topped the world. Crosby sang four Academy Award-winning songs—"Sweet Leilani" (1937), "White Christmas" (1942), "Swinging on a Star" (1944), "In the Cool, Cool, Cool of the Evening" (1951)—and won the Academy Award for Best Actor for his role in "Going My Way" (1944). A survey in 2000 found that with 1,077,900,000 movie tickets sold, Crosby was the third-most-popular actor of all time, behind Clark Gable (1,168,300,000) and John Wayne (1,114,000,000). The "International Motion Picture Almanac" lists Crosby in a tie for second-most years at number one on the All Time Number One Stars List with Clint Eastwood, Tom Hanks, and Burt Reynolds. His most popular film, "White Christmas", grossed $30 million in 1954 ($ million in current value). Crosby received 23 gold and platinum records, according to the book "Million Selling Records". The Recording Industry Association of America did not institute its gold record certification program until 1958 when Crosby's record sales were low. Before 1958, gold records were awarded by record companies. Crosby charted 23 "Billboard" hits from 47 recorded songs with the Andrews Sisters, whose Decca record sales were second only to Crosby's throughout the 1940s. They were his most frequent collaborators on disc from 1939 to 1952, a partnership that produced four million-selling singles: "Pistol Packin' Mama", "Jingle Bells", "Don't Fence Me In", and "South America, Take It Away".
They made one film appearance together in "Road to Rio" singing "You Don't Have to Know the Language", and sang together on radio airwaves throughout the 1940s and 1950s. They appeared as guests on each other's shows and on Armed Forces Radio Service programming during and after World War II. The quartet's additional Top-10 "Billboard" hits from 1943 to 1945 include "The Vict'ry Polka", "There'll Be a Hot Time in the Town of Berlin (When the Yanks Go Marching In)", and "Is You Is or Is You Ain't (Ma' Baby?)" which helped the morale of the American public. In 1962, Crosby was given the Grammy Lifetime Achievement Award. He has been inducted into the halls of fame for both radio and popular music. In 2007, Crosby was inducted into the Hit Parade Hall of Fame and in 2008 the Western Music Hall of Fame. Global impact. Crosby's popularity around the world was such that Dorothy Masuka, the best-selling African recording artist, stated that, "Only Bing Crosby the famous American crooner sold more records than me in Africa." His great popularity throughout the continent led other African singers to emulate him, including Masuka, Dolly Rathebe, and Míriam Makeba, known locally as "The Bing Crosby of Africa".
Presenter Mike Douglas commented in a 1975 interview, "During my days in the Navy in World War II, I remember walking the streets of Calcutta, India, on the coast; it was a lonely night, so far from my home and from my new wife, Gen. I needed something to lift my spirits. As I passed a Hindu sitting on the corner of a street, I heard something surprisingly familiar. I came back to see the man playing one of those old Vitrolas, like those of RCA with the horn speaker. The man was listening to Bing Crosby sing, "Ac-Cent-Tchu-Ate The Positive". I stopped and smiled in grateful acknowledgment. The Hindu nodded and smiled back. The whole world knew and loved Bing Crosby." His popularity in India led many Hindu singers to imitate and emulate him, notably Kishore Kumar, considered the "Bing Crosby of India". Throughout Europe and Russia, Crosby was also known as "Der Bingle", a pseudonym coined in 1944 by Bob Musel, an American journalist based in London, after Crosby had recorded three 15-minute programs with Jack Russin for broadcast to Germany from ABSIE.
Entrepreneurship. According to Shoshana Klebanoff, Crosby became one of the richest men in the history of show business. He had investments in real estate, mines, oil wells, cattle ranches, race horses, music publishing, baseball teams, and television. Crosby made a fortune from the Minute Maid Orange Juice Corporation, in which he was a principal stockholder. Role in early tape recording. During the Golden Age of Radio, performers had to create their shows live, sometimes even redoing the program a second time for the West Coast time zone. Crosby had to do two live radio shows on the same day, three hours apart, for the East and West Coasts. Crosby's radio career took a significant turn in 1945, when he clashed with NBC over his insistence that he be allowed to pre-record his radio shows. The live production of radio shows was reinforced by the musicians' union and ASCAP, which wanted to ensure continued work for their members. In "On the Air: The Encyclopedia of Old-Time Radio", John Dunning wrote about German engineers having developed a tape recorder with a near-professional broadcast quality standard:
Crosby's insistence eventually factored into the further development of magnetic tape sound recording and the radio industry's widespread adoption of it. He used his clout, both professionally and financially, for innovations in audio. But NBC and CBS refused to broadcast prerecorded radio programs. Crosby left the network and remained off the air for seven months, creating a legal battle with his sponsor Kraft that was settled out of court. Crosby returned to broadcasting for the last 13 weeks of the 1945–1946 season. The Mutual Network, on the other hand, pre-recorded some of its programs as early as 1938 for "The Shadow" with Orson Welles. ABC was formed from the sale of the NBC Blue Network in 1943 after a federal antitrust suit and was willing to join Mutual in breaking the tradition. ABC offered Crosby $30,000 per week to produce a recorded show every Wednesday that would be sponsored by Philco. He would get an additional $40,000 from 400 independent stations for the rights to broadcast the 30-minute show, which was sent to them every Monday on three lacquer discs that played ten minutes per side at rpm.
Murdo MacKenzie of Bing Crosby Enterprises had seen a demonstration of the German Magnetophon in June 1947—the same device that Jack Mullin had brought back from Radio Frankfurt with 50 reels of tape, at the end of the war. It was one of the magnetic tape recorders that BASF and AEG had built in Germany starting in 1935. The 6.5 mm ferric-oxide-coated tape could record 20 minutes per reel of high-quality sound. Alexander M. Poniatoff ordered Ampex, which he founded in 1944, to manufacture an improved version of the Magnetophone. Crosby hired Mullin to start recording his "Philco Radio Time" show on his German-made machine in August 1947 using the same 50 reels of I.G. Farben magnetic tape that Mullin had found at a radio station at Bad Nauheim near Frankfurt while working for the U.S. Army Signal Corps. The advantage was editing. As Crosby wrote in his autobiography: Mullin's 1976 memoir of these early days of experimental recording agrees with Crosby's account: Crosby invested $50,000 in Ampex with the intent to produce more machines. In 1948, the second season of Philco shows was recorded with the Ampex Model 200A and Scotch 111 tape from 3M. Mullin explained how one new broadcasting technique was invented on the Crosby show with these machines:
Crosby started the tape recorder revolution in America. In his 1950 film "Mr. Music", Crosby is seen singing into an Ampex tape recorder that reproduced his voice better than anything else. Also quick to adopt tape recording was his friend Bob Hope. Crosby gave one of the first Ampex Model 300 recorders to his friend, guitarist Les Paul, which led to Paul's invention of multitrack recording. His organization, the Crosby Research Foundation, held tape recording patents and developed equipment and recording techniques such as the laugh track that are still in use. With Frank Sinatra, Crosby was one of the principal backers for the United Western Recorders studio complex in Los Angeles. Videotape development. Mullin continued to work for Crosby to develop a videotape recorder (VTR). Television production was mostly live television in its early years, but Crosby wanted the same ability to record that he had achieved in radio. "The Fireside Theater" (1950) sponsored by Procter & Gamble, was his first television production. Mullin had not yet succeeded with videotape, so Crosby filmed the series of 26-minute shows at the Hal Roach Studios, and the "telefilms" were syndicated to individual television stations.
Crosby continued to finance the development of videotape. Bing Crosby Enterprises gave the world's first demonstration of videotape recording in Los Angeles on November 11, 1951. Developed by John T. Mullin and Wayne R. Johnson since 1950, the device aired what were described as "blurred and indistinct" images, using a modified Ampex 200 tape recorder and standard quarter-inch (6.3 mm) audio tape moving at per second. Television station ownership. A Crosby-led group purchased station KCOP-TV, in Los Angeles, California, in 1954. NAFI Corporation and Crosby purchased television station KPTV in Portland, Oregon, for $4 million on September 1, 1959. In 1960, NAFI purchased KCOP from Crosby's group. In the early 1950s, Crosby helped establish the CBS television affiliate in his hometown of Spokane, Washington. Crosby partnered with Ed Craney, who owned the CBS radio affiliate KXLY (AM) and built a television studio west of Crosby's alma mater, Gonzaga University. After it began broadcasting, the station was sold within a year to Northern Pacific Radio and Television Corporation.
Thoroughbred horse racing. Crosby was a fan of thoroughbred horse racing and bought his first racehorse in 1935. Two years later, Crosby became a founding partner of the Del Mar Thoroughbred Club and a member of its board of directors. Operating from the Del Mar Racetrack in Del Mar, California, the group included millionaire businessman Charles S. Howard, who owned a successful racing stable that included Seabiscuit. Charles' son, Lindsay C. Howard, became one of Crosby's closest friends; Crosby named his son Lindsay after him, and would purchase his 40-room Hillsborough, California, estate from Lindsay in 1965. Crosby and Lindsay Howard formed Binglin Stable to race and breed thoroughbred horses at a ranch in Moorpark in Ventura County, California. They also established the Binglin Stock Farm in Argentina, where they raced horses at Hipódromo de Palermo in Palermo, Buenos Aires. A number of Argentine-bred horses were purchased and shipped to race in the United States. On August 12, 1938, the Del Mar Thoroughbred Club hosted a $25,000 winner-take-all match race won by Charles S. Howard's Seabiscuit over Binglin's horse Ligaroti. In 1943, Binglin's horse Don Bingo won the Suburban Handicap at Belmont Park in Elmont, New York. The Binglin Stable partnership came to an end in 1953 as a result of a liquidation of assets by Crosby, who needed to raise enough funds to pay the hefty federal and state inheritance taxes on his deceased wife's estate. The Bing Crosby Breeders' Cup Handicap at Del Mar Racetrack is named in his honor.
Sports. Crosby had a keen interest in sports. In the 1930s, his friend and former college classmate, Gonzaga head coach Mike Pecarovich, appointed Crosby as an assistant football coach. From 1946 until his death, Crosby owned a 25% share of the Pittsburgh Pirates. Although he was passionate about the team, Crosby was too nervous to watch the deciding Game 7 of the 1960 World Series, choosing to go to Paris with Kathryn and listen to its radio broadcast. Crosby had arranged for Ampex, another of his financial investments, to record the NBC telecast on kinescope. The game was one of the most famous in baseball history, capped off by Bill Mazeroski's walk-off home run that won the game for Pittsburgh. Crosby apparently viewed the complete film just once, and then stored it in his wine cellar, where it remained undisturbed until it was discovered in December 2009. The restored broadcast was shown on MLB Network in December 2010. Crosby was also an early investor in Bob Cobb's Billings Mustangs baseball club in 1948, joining other Hollywood stars Cecil B. DeMille, Robert Taylor, and Barbara Stanwyck who were also shareholders in the club. Crosby was also the honorary chairman of the club's board of directors.
Crosby was also an avid golfer. He first took up golf at age 12 as a caddy. Crosby was already spending much time on the golf course while touring the country in a vaudeville act or with Paul Whiteman's orchestra in the mid to late 1920s. Eventually, Crosby became accomplished at the sport, at his best reaching a two handicap. Crosby competed in both the British and U.S. Amateur championships, was a five-time club champion at Lakeside Golf Club in Hollywood, and once made a hole-in-one on the 16th hole at Cypress Point. In 1937, Crosby hosted the first 'Crosby Clambake', a pro-am tournament at Rancho Santa Fe Golf Club in Rancho Santa Fe, California, the event's location prior to World War II. After the war, the event resumed play in 1947 on golf courses in Pebble Beach, where it has been played ever since. Now the AT&T Pebble Beach Pro-Am, the tournament is a staple of the PGA Tour, having featured Hollywood stars and other celebrities. In 1950, Crosby became the third person to win the William D. Richardson award, which is given to a non-professional golfer "who has consistently made an outstanding contribution to golf". In 1978, he and Bob Hope were voted the Bob Jones Award, the highest honor given by the United States Golf Association in recognition of distinguished sportsmanship. Crosby is a member of the World Golf Hall of Fame, having been inducted in 1978.
Crosby also was a keen fisherman. In the summer of 1966, he spent a week as the guest of Lord Egremont, staying in Cockermouth and fishing on the River Derwent. Crosby's trip was filmed for "The American Sportsman" on ABC, although all did not go well at first as the salmon were not running. He did make up for it at the end of the week by catching a number of sea trout. In Front Royal, Virginia, a baseball stadium was named in Crosby's honor. The Front Royal Cardinals of the Valley Baseball League play their home games here. The Bing is also home to both of the county's high schools' baseball teams. Personal life. Crosby reportedly had a problem with alcohol abuse between the late 1920s and early 1930s, spending 60 days in jail for drinking and crashing his car during prohibition. He got his drinking under control in 1931. In 1977, Crosby told Barbara Walters in a televised interview that he thought marijuana should be legalized, because he believed it would make it much easier for the authorities to exert proper legal control over the market.
In December 1999, the New York Post published an article by Bill Hoffmann and Murray Weiss called "Bing Crosby's Single Life" which claimed that "recently published" FBI files revealed connections with figures in the Mafia "since his youth". However, Crosby's FBI files had already been published in 1992 and provide no indication that Crosby had ties to the Mafia except for one major, but accidental encounter in Chicago in 1929 which is not mentioned in the files, but is told by Crosby himself in his as-told-to autobiography "Call Me Lucky". In the over 280 pages of Crosby's FBI files, there is only one reference to organized crime or gambling dens, the content of some of the many threats that Crosby received throughout his life. The comments made by FBI investigators in the memos discredited the claims made in the letters. In the FBI files, there is only one reference to a person associated with the Mafia. In a memorandum dated January 16, 1959, it is said: "The Salt Lake City Office has developed information indicating that Moe Dalitz received an invitation to join a deer hunting party at Bing Crosby's Elko, Nevada, ranch, together with the crooner, his Las Vegas dentist and several business associates." However, Crosby had already sold his Elko ranch a year earlier, in 1958, and it is doubtful how much he was really involved in that meeting.
Romantic relationships. Crosby was married twice. His first wife was actress and nightclub singer Dixie Lee, to whom he was married from 1930 until she died of ovarian cancer in 1952. They had four sons: Gary, twins Dennis and Phillip, and Lindsay. "" (1947) was rumored to be based on Lee's life. The Crosby family lived at 10500 Camarillo Street in North Hollywood for more than five years. After his wife died, Crosby had relationships with model Pat Sheehan, who married his son Dennis in 1958, and actresses Inger Stevens and Grace Kelly. Crosby married actress Kathryn Grant, who converted to Catholicism, in 1957. They had three children: Harry Lillis III, who played Bill in "Friday the 13th", Mary Frances, best known for portraying Kristin Shepard on TV's "Dallas", and Nathaniel, the 1981 U.S. Amateur champion in golf. Particularly during the late 1930s and the 1940s, Crosby's domestic life was dominated by his wife's excessive drinking. His efforts to cure her with the help of specialists failed. Tired of Dixie's drinking, Crosby even asked her for a divorce in January 1941. During the 1940s, he consistently had difficulties trying to stay away from home, while also trying to be there as much as possible for his children.
Crosby had one confirmed extramarital affair between 1945 and the late 1940s, while married to his first wife Dixie. Actress Patricia Neal, who herself at the time was having an affair with the married Gary Cooper, wrote in her 1988 autobiography "As I Am" about a cruise to England with actress Joan Caulfield in 1948: In the 2018 Crosby biography "Bing Crosby: Swinging on a Star; the War Years, 1940–1946", there are excerpts from an original diary of two sisters, Violet and Mary Barsa, who, as young women, used to stalk Crosby in New York City in December 1945 and January 1946, and who detailed their observations in the diary. The document reveals that, during that time, Crosby was taking Caulfield out to dinner, visited theaters and opera houses with her, and Caulfield and a person in her company entered the Waldorf Hotel where Crosby was staying. The document also clearly indicates that at their meetings a third person, in most instances, Caulfield's mother, was present. In 1954, Caulfield admitted to a relationship with a "top film star" who was a married man with children, who, in the end, chose his wife and children over her.
Caulfield's sister, Betty Caulfield, confirmed the romantic relationship between Caulfield and Crosby. Despite being a Catholic, Crosby was seriously considering divorce in order to marry Caulfield. Either in December 1945 or January 1946, Crosby approached Cardinal Francis Spellman with his difficulties with dealing with his wife's alcoholism, his love for Caulfield and his plan to file for divorce. According to Betty Caulfield, Spellman told Crosby: "Bing, you are Father O'Malley and under no circumstances can Father O'Malley get a divorce." Around the same time, Crosby talked to his mother about his intentions and she protested. Ultimately, Crosby chose to end the relationship and to stay with his wife. Crosby and Dixie reconciled, and he continued trying to help her overcome her alcohol issues. Homes. In November 1958, Crosby purchased the 1,350-acre Rising River Ranch in Cassel, California after renting a portion of it for several years. Attorney Ira Shadwell declined to disclose the purchase price. In October 1978, actor Clint Eastwood purchased the ranch under the name of his business manager, Roy Kaufman, for $1.5 million.
Crosby and his family lived in the San Francisco area for many years. In 1963, he and his wife Kathryn moved with their three young children from Los Angeles to a $175,000 ten-bedroom Tudor estate in Hillsborough, formerly owned by fellow horseman Lindsay C. Howard, one of Crosby's closest friends, because they did not want to raise their children in Hollywood, according to son Nathaniel. This house went up for sale by its current owners in 2021 for $13.75 million. In 1965, the Crosbys moved to a larger, 40-room French chateau-style house on nearby Jackling Drive, where Kathryn Crosby continued to reside after Bing's death. This house served as a setting for some of the family's Minute Maid orange juice television commercials. Children. After Crosby's death, his eldest son, Gary, published a highly critical memoir, "Going My Own Way" (1983; written in collaboration with noted music journalist Ross Firestone), depicting his father as cruel, cold, remote, and physically and psychologically abusive. While acknowledging that corporal punishments took place, there were reports of all of Gary's immediate siblings distancing themselves from the abuse claims, either in public or in private.
Crosby's younger son Phillip disputed his brother Gary's claims about their father. Around the time Gary published his claims, Phillip stated to the press that "Gary is a whining, bitching crybaby, walking around with a two-by-four on his shoulder and just daring people to nudge it off." Nevertheless, Phillip did not deny that Crosby believed in corporal punishment. In an interview with "People" magazine, Phillip stated that "we never got an extra whack or a cuff we didn't deserve". Shortly before Gary's book was actually published, Lindsay said, "I'm glad [Gary] did it. I hope it clears up a lot of the old lies and rumors." Unlike Gary, Lindsay stated that he preferred to remember "all the good things I did with my dad and forget the times that were rough". "Lindsay Crosby supported his brother (Gary) at the time of its publication but had a tempered view of its revelations. 'I never expected affection from my father so it didn't bother me,' he once told an interviewer.'" However, after the book was published, Lindsay addressed the abuse claims and what the media had made out of them:
Dennis Crosby reportedly "said his older brother (Gary) was the most severely treated of the four boys. 'He got the first licking, and we got the second.'" Gary's first wife of 19 years, Barbara Cosentino, of whom Gary wrote in his book, "I could confide in her about Mom and Dad and my childhood", and with whom Gary stayed friendly after the divorce, stated: Gary Crosby's adopted son, Steven Crosby, said in a 2003 interview: Bing's younger brother, singer and jazz bandleader Bob Crosby, recalled at the time of Gary's revelations that Bing was a "disciplinarian", as their mother and father had been. He added, "We were brought up that way." In an interview for the same article, Gary clarified that Bing "was like a lot of fathers of that time. He was not out to be vicious, to beat children for his kicks." The author of the 2018 biography on Bing Crosby, Gary Giddins, claims that Gary Crosby's memoir is not reliable on many instances and cannot be trusted on the abuse stories. Crosby's will established a blind trust in which none of the sons received an inheritance until they reached the age of 65, intended by Crosby to keep them out of trouble. They instead received several thousand dollars per month from a trust left in 1952 by their mother, Dixie Lee. The trust, tied to high-performing oil stocks, folded in December 1989 following the 1980s oil glut.
Lindsay Crosby died in 1989 at age 51, and Dennis Crosby died in 1991 at age 56, both by suicide from self-inflicted gunshot wounds. Gary Crosby died of lung cancer in 1995 at age 62. Phillip Crosby died of a heart attack in 2004 at age 69. Nathaniel Crosby, Crosby's younger son from his second marriage, is a former high-level golfer who won the U.S. Amateur in 1981 at age 19, becoming the youngest winner in the history of that event at the time. Harry Crosby is an investment banker who occasionally makes singing appearances. Denise Crosby, Dennis Crosby's daughter, is an actress and is known for her role as Tasha Yar on "". She appeared in the 1989 film adaptation of Stephen King's novel "Pet Sematary". In 2006, Crosby's niece through his sister Mary Rose, Carolyn Schneider, published the laudatory book "Me and Uncle Bing". Disputes between Crosby's two families began in the late 1990s. When Dixie died in 1952, her will provided that her share of the community property be distributed in trust to her sons. After Crosby's death in 1977, he left the residue of his estate to a marital trust for the benefit of his widow, Kathryn, and HLC Properties, Ltd., was formed for the purpose of managing his interests, including his right of publicity. In 1996, Dixie's trust sued HLC and Kathryn for declaratory relief as to the trust's entitlement to interest, dividends, royalties, and other income derived from the community property of Crosby and Dixie.
In 1999, the parties settled for approximately $1.5 million. Relying on a retroactive amendment to the California Civil Code, Dixie's trust brought suit again, in 2010, alleging that Crosby's right of publicity was community property, and that Dixie's trust was entitled to a share of the revenue it produced. The trial court granted Dixie's trust's claim. The California Court of Appeals reversed it, holding that the 1999 settlement barred the claim. In light of the court's ruling, it was unnecessary for the court to decide whether a right of publicity can be characterized as community property under California law. Health and death. Following his recovery from a life-threatening fungal infection in his right lung in January 1974, Crosby emerged from semi-retirement to start a new spate of albums and concerts. On March 20, 1977, after videotaping a CBS concert special, "Bing – 50th Anniversary Gala", at the Ambassador Auditorium with Bob Hope looking on, Crosby fell off the stage into an orchestra pit, rupturing a disc in his back requiring a month-long stay in the hospital. Crosby's first performance after the accident was his last American concert, on August 16, 1977, the day Elvis Presley died, at the Concord Pavilion in Concord, California. When the electric power failed during his performance, Crosby continued singing without amplification. On August 27, Crosby gave a televised concert in Norway.
In September, Crosby, his family and singer Rosemary Clooney began a concert tour of Britain that included two weeks at the London Palladium. While in the UK, Crosby recorded his final album, "Seasons", and his final TV Christmas special with guest David Bowie on September 11, which aired a little over a month after Crosby's death. Crosby's last concert was in the Brighton Centre on October 10, four days before his death, with British entertainer Gracie Fields in attendance. The following day, Crosby made his final appearance in a recording studio and sang eight songs at the BBC's Maida Vale Studios for a radio program, which included an interview with Alan Dell. Accompanied by the Gordon Rose Orchestra, Crosby's last recorded performance was of the song "Once in a While". Later that afternoon, he met with Chris Harding to take photographs for the "Seasons" album jacket. On October 13, 1977, Crosby flew alone to Spain to play golf and hunt partridge. The next day, Crosby played 18 holes of golf at the La Moraleja Golf Course near Madrid. His partner was World Cup champion Manuel Piñero. Their opponents were club president César de Zulueta and Valentín Barrios. According to Barrios, Crosby was in good spirits throughout the day, and was photographed several times during the round. At the ninth hole, construction workers building a house nearby recognized Crosby, and when asked for a song, Crosby sang "Strangers in the Night". Crosby, who had a 13 handicap, won with his partner by one stroke.
As Crosby and his party headed back to the clubhouse at around 6:30 p.m., Crosby said, "That was a great game of golf, fellas. Let's go have a Coca-Cola." Those were his last words. About from the clubhouse entrance, Crosby collapsed and died instantly from a heart attack. At the clubhouse and later in the ambulance, house physician Dr. Laiseca tried to revive him, but was unsuccessful. At Reina Victoria Hospital, Crosby was administered the last rites of the Catholic Church and was pronounced dead at the age of 74. On October 18, 1977, following a private funeral Mass at St. Paul the Apostle Catholic Church in Westwood, Los Angeles, Crosby was buried at Holy Cross Cemetery in Culver City, California. Legacy. Crosby is a member of the National Association of Broadcasters Hall of Fame in the radio division. The family created an official website on October 14, 2007, the 30th anniversary of Crosby's death. In his autobiography "Don't Shoot, It's Only Me!" (1990), Bob Hope wrote, "Dear old Bing, as we called him, the "Economy-sized Sinatra". And what a voice. God I miss that voice. I can't even turn on the radio around Christmas time without crying anymore."
Calypso musician Roaring Lion wrote a tribute song in 1939 titled "Bing Crosby", in which he wrote: "Bing has a way of singing with his very heart and soul / Which captivates the world / His millions of listeners never fail to rejoice / At his golden voice..." Bing Crosby Stadium in Front Royal, Virginia, was named after Crosby in honor of his fundraising and cash contributions for its construction from 1948 to 1950. In 2006, the former Metropolitan Theater of Performing Arts ('The Met') in Spokane, Washington, was renamed to The Bing Crosby Theater. Crosby has three stars on the Hollywood Walk of Fame. One each for radio, recording, and motion pictures. Compositions. Crosby wrote or co-wrote lyrics to 22 songs. His composition "At Your Command" was number 1 for three weeks on the U.S. pop singles chart beginning on August 8, 1931. "I Don't Stand a Ghost of a Chance With You" was his most successful composition, recorded by Duke Ellington, Frank Sinatra, Thelonious Monk, Billie Holiday, and Mildred Bailey, among others. Songs co-written by Crosby include: Grammy Hall of Fame. Four performances by Bing Crosby have been inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least 25 years old and that have "qualitative or historical significance".
Basel Convention The Basel Convention on the Control of Transboundary Movements of Hazardous Wastes and Their Disposal, usually known as the Basel Convention, is an international treaty that was designed to reduce the movements of hazardous waste between nations, and specifically to restrict the transfer of hazardous waste from developed to less developed countries. It does not address the movement of radioactive waste, controlled by the International Atomic Energy Agency. The Basel Convention is also intended to minimize the rate and toxicity of wastes generated, to ensure their environmentally sound management as closely as possible to the source of generation, and to assist developing countries in environmentally sound management of the hazardous and other wastes they generate. The convention was opened for signature on 21 March 1989, and entered into force on 5 May 1992. As of June 2024, there are 191 parties to the convention. In addition, Haiti and the United States have signed the convention but did not ratify it.
Following a petition urging action on the issue signed by more than a million people around the world, most of the world's countries, but not the United States, agreed in May 2019 to an amendment of the Basel Convention to include plastic waste as regulated material. Although the United States is not a party to the treaty, export shipments of plastic waste from the United States are now "criminal traffic as soon as the ships get on the high seas," according to the Basel Action Network (BAN), and carriers of such shipments may face liability, because the transportation of plastic waste is prohibited in just about every other country. History. With the tightening of environmental laws (for example, RCRA) in developed nations in the 1970s, disposal costs for hazardous waste rose dramatically. At the same time, the globalization of shipping made cross-border movement of waste easier, and many less developed countries were desperate for foreign currency. Consequently, the trade in hazardous waste, particularly to poorer countries, grew rapidly. In 1990, OECD countries exported around 1.8 million tons of hazardous waste. Although most of this waste was shipped to other developed countries, a number of high-profile incidents of hazardous waste-dumping led to calls for regulation.
One of the incidents which led to the creation of the Basel Convention was the "Khian Sea" waste disposal incident, in which a ship carrying incinerator ash from the city of Philadelphia in the United States dumped half of its load on a beach in Haiti before being forced away. It sailed for many months, changing its name several times. Unable to unload the cargo in any port, the crew was believed to have dumped much of it at sea. Another incident was a 1988 case in which five ships transported 8,000 barrels of hazardous waste from Italy to the small Nigerian town of Koko in exchange for $100 monthly rent which was paid to a Nigerian for the use of his farmland. At its meeting that took place from 27 November to 1 December 2006, the parties of the Basel Agreement focused on issues of electronic waste and the dismantling of ships. Increased trade in recyclable materials has led to an increase in a market for used products such as computers. This market is valued in billions of dollars. At issue is the distinction when used computers stop being a "commodity" and become a "waste".
As of June 2023, there are 191 parties to the treaty, which includes 188 UN member states, the Cook Islands, the European Union, and the State of Palestine. The five UN member states that are not party to the treaty are East Timor, Fiji, Haiti, South Sudan, and United States. Definition of "hazardous waste". Waste falls under the scope of the convention if it is within the category of wastes listed in Annex I of the convention and it exhibits one of the hazardous characteristics contained in Annex III. In other words, it must both be listed and possess a characteristic such as being explosive, flammable, toxic, or corrosive. The other way that a waste may fall under the scope of the convention is if it is defined as or considered to be a hazardous waste under the laws of either the exporting country, the importing country, or any of the countries of transit. The definition of the term disposal is made in Article 2 al 4 and just refers to annex IV, which gives a list of operations which are understood as disposal or recovery. Examples of disposal are broad, including recovery and recycling.
Alternatively, to fall under the scope of the convention, it is sufficient for waste to be included in Annex II, which lists other wastes, such as household wastes and residue that comes from incinerating household waste. Radioactive waste that is covered under other international control systems and wastes from the normal operation of ships are not covered. Annex IX attempts to define wastes which are not considered hazardous wastes and which would be excluded from the scope of the Basel Convention. If these wastes however are contaminated with hazardous materials to an extent causing them to exhibit an Annex III characteristic, they are not excluded. Obligations. In addition to conditions on the import and export of the above wastes, there are stringent requirements for notice, consent and tracking for movement of wastes across national boundaries. The convention places a general prohibition on the exportation or importation of wastes between parties and non-parties. The exception to this rule is where the waste is subject to another treaty that does not take away from the Basel Convention. The United States is a notable non-party to the convention and has a number of such agreements for allowing the shipping of hazardous wastes to Basel Party countries.
The OECD Council also has its own control system that governs the transboundary movement of hazardous materials between OECD member countries. This allows, among other things, the OECD countries to continue trading in wastes with countries like the United States that have not ratified the Basel Convention. Parties to the convention must honor import bans of other parties. Article 4 of the Basel Convention calls for an overall reduction of waste generation. By encouraging countries to keep wastes within their boundaries and as close as possible to its source of generation, the internal pressures should provide incentives for waste reduction and pollution prevention. Parties are generally prohibited from exporting covered wastes to, or importing covered waste from, non-parties to the convention. The convention states that illegal hazardous waste traffic is criminal but contains no enforcement provisions. According to Article 12, parties are directed to adopt a protocol that establishes liability rules and procedures that are appropriate for damage that comes from the movement of hazardous waste across borders.
The current consensus is that as space is not classed as a "country" under the specific definition, export of e-waste to non-terrestrial locations would not be covered. Basel Ban Amendment. After the initial adoption of the convention, some least developed countries and environmental organizations argued that it did not go far enough. Many nations and NGOs argued for a total ban on shipment of all hazardous waste to developing countries. In particular, the original convention did not prohibit waste exports to any location except Antarctica but merely required a notification and consent system known as "prior informed consent" or PIC. Further, many waste traders sought to exploit the good name of recycling and begin to justify all exports as moving to recycling destinations. Many believed a full ban was needed including exports for recycling. These concerns led to several regional waste trade bans, including the Bamako Convention.
In the light of the blockage concerning the entry into force of the Ban Amendment, Switzerland and Indonesia have launched a "Country-led Initiative" (CLI) to discuss in an informal manner a way forward to ensure that the trans boundary movements of hazardous wastes, especially to developing countries and countries with economies in the transition, do not lead to an unsound management of hazardous wastes. This discussion aims at identifying and finding solutions to the reasons why hazardous wastes are still brought to countries that are not able to treat them in a safe manner. It is hoped that the CLI will contribute to the realization of the objectives of the Ban Amendment. The Basel Convention's website informs about the progress of this initiative. Regulation of plastic waste.
The Basel Convention contains three main entries on plastic wastes in Annex II, VIII and IX of the Convention. The Plastic Waste Amendments of the convention are now binding on 186 States. In addition to ensuring the trade in plastic waste is more transparent and better regulated, under the Basel Convention governments must take steps not only to ensure the environmentally sound management of plastic waste, but also to tackle plastic waste at its source. Basel watchdog. The Basel Action Network (BAN) is a charitable civil society non-governmental organization that works as a consumer watchdog for implementation of the Basel Convention. BAN's principal aims is fighting exportation of toxic waste, including plastic waste, from industrialized societies to developing countries. BAN is based in Seattle, Washington, United States, with a partner office in the Philippines. BAN works to curb trans-border trade in hazardous electronic waste, land dumping, incineration, and the use of prison labor.
Bar Kokhba (album) Bar Kokhba is a double album by John Zorn, recorded between 1994 and 1996. It features music from Zorn's "Masada" project, rearranged for small ensembles. It also features the original soundtrack from "The Art of Remembrance – Simon Wiesenthal", a film by Hannah Heer and Werner Schmiedel (1994–95). Reception. The AllMusic review by Marc Gilman noted: "While some compositions retain their original structure and sound, some are expanded and probed by Zorn's arrangements, and resemble avant-garde classical music more than jazz. But this is the beauty of the album; the ensembles provide a forum for Zorn to expand his compositions. The album consistently impresses." Track listing. "All compositions by John Zorn"
BASIC BASIC (Beginners' All-purpose Symbolic Instruction Code) is a family of general-purpose, high-level programming languages designed for ease of use. The original version was created by John G. Kemeny and Thomas E. Kurtz at Dartmouth College in 1963. They wanted to enable students in non-scientific fields to use computers. At the time, nearly all computers required writing custom software, which only scientists and mathematicians tended to learn. In addition to the programming language, Kemeny and Kurtz developed the Dartmouth Time-Sharing System (DTSS), which allowed multiple users to edit and run BASIC programs simultaneously on remote terminals. This general model became popular on minicomputer systems like the PDP-11 and Data General Nova in the late 1960s and early 1970s. Hewlett-Packard produced an entire computer line for this method of operation, introducing the HP2000 series in the late 1960s and continuing sales into the 1980s. Many early video games trace their history to one of these versions of BASIC.
The emergence of microcomputers in the mid-1970s led to the development of multiple BASIC dialects, including Microsoft BASIC in 1975. Due to the tiny main memory available on these machines, often 4 KB, a variety of Tiny BASIC dialects were also created. BASIC was available for almost any system of the era and became the "de facto" programming language for home computer systems that emerged in the late 1970s. These PCs almost always had a BASIC interpreter installed by default, often in the machine's firmware or sometimes on a ROM cartridge. BASIC declined in popularity in the 1990s, as more powerful microcomputers came to market and programming languages with advanced features (such as Pascal and C) became tenable on such computers. By then, most nontechnical personal computer users relied on pre-written applications rather than writing their own programs. In 1991, Microsoft released Visual Basic, combining an updated version of BASIC with a visual forms builder. This reignited use of the language and "VB" remains a major programming language in the form of VB.NET, while a hobbyist scene for BASIC more broadly continues to exist.
Origin. John G. Kemeny was the chairman of the Dartmouth College Mathematics Department. Based largely on his reputation as an innovator in math teaching, in 1959 the college won an Alfred P. Sloan Foundation award for $500,000 to build a new department building. Thomas E. Kurtz had joined the department in 1956, and from the 1960s Kemeny and Kurtz agreed on the need for programming literacy among students outside the traditional STEM fields. Kemeny later noted that "Our vision was that every student on campus should have access to a computer, and any faculty member should be able to use a computer in the classroom whenever appropriate. It was as simple as that." Kemeny and Kurtz had made two previous experiments with simplified languages, DARSIMCO (Dartmouth Simplified Code) and DOPE (Dartmouth Oversimplified Programming Experiment). These did not progress past a single freshman class. New experiments using Fortran and ALGOL followed, but Kurtz concluded these languages were too tricky for what they desired. As Kurtz noted, Fortran had numerous oddly formed commands, notably an "almost impossible-to-memorize convention for specifying a loop: . Is it '1, 10, 2' or '1, 2, 10', and is the comma after the line number required or not?"
Moreover, the lack of any sort of immediate feedback was a key problem; the machines of the era used batch processing and took a long time to complete a run of a program. While Kurtz was visiting MIT, John McCarthy suggested that time-sharing offered a solution; a single machine could divide up its processing time among many users, giving them the illusion of having a (slow) computer to themselves. Small programs would return results in a few seconds. This led to increasing interest in a system using time-sharing and a new language specifically for use by non-STEM students. Kemeny wrote the first version of BASIC. The acronym "BASIC" comes from the name of an unpublished paper by Thomas Kurtz. The new language was heavily patterned on FORTRAN II; statements were one-to-a-line, numbers were used to indicate the target of loops and branches, and many of the commands were similar or identical to Fortran. However, the syntax was changed wherever it could be improved. For instance, the difficult to remember codice_1 loop was replaced by the much easier to remember , and the line number used in the DO was instead indicated by the codice_2. Likewise, the cryptic codice_3 statement of Fortran, whose syntax matched a particular instruction of the machine on which it was originally written, became the simpler . These changes made the language much less idiosyncratic while still having an overall structure and feel similar to the original FORTRAN.
The project received a $300,000 grant from the National Science Foundation, which was used to purchase a GE-225 computer for processing, and a Datanet-30 realtime processor to handle the Teletype Model 33 teleprinters used for input and output. A team of a dozen undergraduates worked on the project for about a year, writing both the DTSS system and the BASIC compiler. The first version BASIC language was released on 1 May 1964. Initially, BASIC concentrated on supporting straightforward mathematical work, with matrix arithmetic support from its initial implementation as a batch language, and character string functionality being added by 1965. Usage in the university rapidly expanded, requiring the main CPU to be replaced by a GE-235, and still later by a GE-635. By the early 1970s there were hundreds of terminals connected to the machines at Dartmouth, some of them remotely. Wanting use of the language to become widespread, its designers made the compiler available free of charge. In the 1960s, software became a chargeable commodity; until then, it was provided without charge as a service with expensive computers, usually available only to lease. They also made it available to high schools in the Hanover, New Hampshire, area and regionally throughout New England on Teletype Model 33 and Model 35 teleprinter terminals connected to Dartmouth via dial-up phone lines, and they put considerable effort into promoting the language. In the following years, as other dialects of BASIC appeared, Kemeny and Kurtz's original BASIC dialect became known as "Dartmouth BASIC".
New Hampshire recognized the accomplishment in 2019 when it erected a highway historical marker in Hanover describing the creation of "the first user-friendly programming language". Spread on time-sharing services. The emergence of BASIC took place as part of a wider movement toward time-sharing systems. First conceptualized during the late 1950s, the idea became so dominant in the computer industry by the early 1960s that its proponents were speaking of a future in which users would "buy time on the computer much the same way that the average household buys power and water from utility companies". General Electric, having worked on the Dartmouth project, wrote their own underlying operating system and launched an online time-sharing system known as Mark I. It featured BASIC as one of its primary selling points. Other companies in the emerging field quickly followed suit; Tymshare introduced SUPER BASIC in 1968, CompuServe had a version on the DEC-10 at their launch in 1969, and by the early 1970s BASIC was largely universal on general-purpose mainframe computers. Even IBM eventually joined the club with the introduction of VS-BASIC in 1973.
Although time-sharing services with BASIC were successful for a time, the widespread success predicted earlier was not to be. The emergence of minicomputers during the same period, and especially low-cost microcomputers in the mid-1970s, allowed anyone to purchase and run their own systems rather than buy online time which was typically billed at dollars per minute. Spread on minicomputers. BASIC, by its very nature of being small, was naturally suited to porting to the minicomputer market, which was emerging at the same time as the time-sharing services. These machines had small main memory, perhaps as little as 4 KB in modern terminology, and lacked high-performance storage like hard drives that make compilers practical. On these systems, BASIC was normally implemented as an interpreter rather than a compiler due to its lower requirement for working memory. A particularly important example was HP Time-Shared BASIC, which, like the original Dartmouth system, used two computers working together to implement a time-sharing system. The first, a low-end machine in the HP 2100 series, was used to control user input and save and load their programs to tape or disk. The other, a high-end version of the same underlying machine, ran the programs and generated output. For a cost of about $100,000, one could own a machine capable of running between 16 and 32 users at the same time. The system, bundled as the HP 2000, was the first mini platform to offer time-sharing and was an immediate runaway success, catapulting HP to become the third-largest vendor in the minicomputer space, behind DEC and Data General (DG).
DEC, the leader in the minicomputer space since the mid-1960s, had initially ignored BASIC. This was due to their work with RAND Corporation, who had purchased a PDP-6 to run their JOSS language, which was conceptually very similar to BASIC. This led DEC to introduce a smaller, cleaned up version of JOSS known as FOCAL, which they heavily promoted in the late 1960s. However, with timesharing systems widely offering BASIC, and all of their competition in the minicomputer space doing the same, DEC's customers were clamoring for BASIC. After management repeatedly ignored their pleas, David H. Ahl took it upon himself to buy a BASIC for the PDP-8, which was a major success in the education market. By the early 1970s, FOCAL and JOSS had been forgotten and BASIC had become almost universal in the minicomputer market. DEC would go on to introduce their updated version, BASIC-PLUS, for use on the RSTS/E time-sharing operating system. During this period a number of simple text-based games were written in BASIC, most notably Mike Mayfield's "Star Trek". David Ahl collected these, some ported from FOCAL, and published them in an educational newsletter he compiled. He later collected a number of these into book form, "101 BASIC Computer Games", published in 1973. During the same period, Ahl was involved in the creation of a small computer for education use, an early personal computer. When management refused to support the concept, Ahl left DEC in 1974 to found the seminal computer magazine, "Creative Computing". The book remained popular, and was re-published on several occasions.
Explosive growth: the home computer era. The introduction of the first microcomputers in the mid-1970s was the start of explosive growth for BASIC. It had the advantage that it was fairly well known to the young designers and computer hobbyists who took an interest in microcomputers, many of whom had seen BASIC on minis or mainframes. Despite Dijkstra's famous judgment in 1975, "It is practically impossible to teach good programming to students that have had a prior exposure to BASIC: as potential programmers they are mentally mutilated beyond hope of regeneration", BASIC was one of the few languages that was both high-level enough to be usable by those without training and small enough to fit into the microcomputers of the day, making it the "de facto" standard programming language on early microcomputers. The first microcomputer version of BASIC was co-written by Bill Gates, Paul Allen and Monte Davidoff for their newly formed company, Micro-Soft. This was released by MITS in punch tape format for the Altair 8800 shortly after the machine itself, immediately cementing BASIC as the primary language of early microcomputers. Members of the Homebrew Computer Club began circulating copies of the program, causing Gates to write his Open Letter to Hobbyists, complaining about this early example of software piracy.
Partially in response to Gates's letter, and partially to make an even smaller BASIC that would run usefully on 4 KB machines, Bob Albrecht urged Dennis Allison to write their own variation of the language. How to design and implement a stripped-down version of an interpreter for the BASIC language was covered in articles by Allison in the first three quarterly issues of the "People's Computer Company" newsletter published in 1975 and implementations with source code published in "". This led to a wide variety of Tiny BASICs with added features or other improvements, with versions from Tom Pittman and Li-Chen Wang becoming particularly well known. Micro-Soft, by this time Microsoft, ported their interpreter for the MOS 6502, which quickly become one of the most popular microprocessors of the 8-bit era. When new microcomputers began to appear, notably the "1977 trinity" of the TRS-80, Commodore PET and Apple II, they either included a version of the MS code, or quickly introduced new models with it. Ohio Scientific's personal computers also joined this trend at that time. By 1978, MS BASIC was a "de facto" standard and practically every home computer of the 1980s included it in ROM. Upon boot, a BASIC interpreter in direct mode was presented.
Commodore Business Machines includes Commodore BASIC, based on Microsoft BASIC. The Apple II and TRS-80 each have two versions of BASIC: a smaller introductory version with the initial releases of the machines and a Microsoft-based version introduced as interest in the platforms increased. As new companies entered the field, additional versions were added that subtly changed the BASIC family. The Atari 8-bit computers use the 8 KB Atari BASIC which is not derived from Microsoft BASIC. Sinclair BASIC was introduced in 1980 with the Sinclair ZX80, and was later extended for the Sinclair ZX81 and the Sinclair ZX Spectrum. The BBC published BBC BASIC, developed by Acorn Computers, incorporates extra structured programming keywords and floating-point features.
In 1978, David Lien published the first edition of "The BASIC Handbook: An Encyclopedia of the BASIC Computer Language", documenting keywords across over 78 different computers. By 1981, the second edition documented keywords from over 250 different computers, showcasing the explosive growth of the microcomputer era. IBM PC and compatibles. When IBM was designing the IBM PC, they followed the paradigm of existing home computers in having a built-in BASIC interpreter. They sourced this from Microsoft – IBM Cassette BASIC – but Microsoft also produced several other versions of BASIC for MS-DOS/PC DOS including IBM Disk BASIC (BASIC D), IBM BASICA (BASIC A), GW-BASIC (a BASICA-compatible version that did not need IBM's ROM) and QBasic, all typically bundled with the machine. In addition they produced the Microsoft QuickBASIC Compiler (1985) for power users and hobbyists, and the Microsoft BASIC Professional Development System (PDS) for professional programmers. Turbo Pascal-publisher Borland published Turbo Basic 1.0 in 1985 (successor versions were marketed under the name PowerBASIC).
On Unix-like systems, specialized implementations were created such as XBasic and X11-Basic. XBasic was ported to Microsoft Windows as XBLite, and cross-platform variants such as SmallBasic, yabasic, Bywater BASIC, nuBasic, MyBasic, Logic Basic, Liberty BASIC, and wxBasic emerged. FutureBASIC and Chipmunk Basic meanwhile targeted the Apple Macintosh, while yab is a version of yaBasic optimized for BeOS, ZETA and Haiku. These later variations introduced many extensions, such as improved string manipulation and graphics support, access to the file system and additional data types. More important were the facilities for structured programming, including additional control structures and proper subroutines supporting local variables. The addition of an integrated development environment (IDE) and electronic Help files made the products easier to work with and supported learning tools and school curriculum. In 1989, Microsoft Press published "Learn BASIC Now", a book-and-software system designed to teach BASIC programming to self-taught learners who were using IBM-PC compatible systems and the Apple Macintosh. "Learn BASIC Now" included software disks containing the Microsoft QuickBASIC Interpreter and a programming tutorial written by Michael Halvorson and David Rygmyr. Learning systems like "Learn BASIC Now" popularized structured BASIC and helped QuickBASIC reach an installed base of four million active users.
By the late 1980s, many users were using pre-made applications written by others rather than learning programming themselves, and professional developers had a wide range of advanced languages available on small computers. C and later C++ became the languages of choice for professional "shrink wrap" application development. A niche that BASIC continued to fill was for hobbyist video game development, as game creation systems and readily available game engines were still in their infancy. The Atari ST had STOS BASIC while the Amiga had AMOS BASIC for this purpose. Microsoft first exhibited BASIC for game development with DONKEY.BAS for GW-BASIC, and later GORILLA.BAS and NIBBLES.BAS for QuickBASIC. QBasic maintained an active game development community, which helped later spawn the QB64 and FreeBASIC implementations. An early example of this market is the QBasic software package Microsoft Game Shop (1990), a hobbyist-inspired release that included six "arcade-style" games that were easily customizable in QBasic.
In 2013, a game written in QBasic and compiled with QB64 for modern computers entitled "Black Annex" was released on Steam. Blitz Basic, Dark Basic, SdlBasic, Super Game System Basic, PlayBASIC, CoolBasic, AllegroBASIC, ethosBASIC, GLBasic and Basic4GL further filled this demand, right up to the modern RCBasic, NaaLaa, AppGameKit, Monkey 2, and Cerberus-X. Visual Basic. In 1991, Microsoft introduced Visual Basic, an evolutionary development of QuickBASIC. It included constructs from that language such as block-structured control statements, parameterized subroutines and optional static typing as well as object-oriented constructs from other languages such as "With" and "For Each". The language retained some compatibility with its predecessors, such as the Dim keyword for declarations, "Gosub"/Return statements and optional line numbers which could be used to locate errors. An important driver for the development of Visual Basic was as the new macro language for Microsoft Excel, a spreadsheet program. To the surprise of many at Microsoft who still initially marketed it as a language for hobbyists, the language came into widespread use for small custom business applications shortly after the release of VB version 3.0, which is widely considered the first relatively stable version. Microsoft also spun it off as Visual Basic for Applications and Embedded Visual Basic.
While many advanced programmers still scoffed at its use, VB met the needs of small businesses efficiently as by that time, computers running Windows 3.1 had become fast enough that many business-related processes could be completed "in the blink of an eye" even using a "slow" language, as long as large amounts of data were not involved. Many small business owners found they could create their own small, yet useful applications in a few evenings to meet their own specialized needs. Eventually, during the lengthy lifetime of VB3, knowledge of Visual Basic had become a marketable job skill. Microsoft also produced VBScript in 1996 and Visual Basic .NET in 2001. The latter has essentially the same power as C# and Java but with syntax that reflects the original Basic language, and also features some cross-platform capability through implementations such as Mono-Basic. The IDE, with its event-driven GUI builder, was also influential on other rapid application development tools, most notably Borland Software's Delphi for Object Pascal and its own descendants such as Lazarus.
Mainstream support for the final version 6.0 of the original Visual Basic ended on March 31, 2005, followed by extended support in March 2008. Owing to its persistent remaining popularity, third-party attempts to further support it exist. On February 2, 2017, Microsoft announced that development on VB.NET would no longer be in parallel with that of C#, and on March 11, 2020, it was announced that evolution of the VB.NET language had also concluded. Even so, the language was still supported. Post-1990 versions and dialects. Many other BASIC dialects have also sprung up since 1990, including the open source QB64 and FreeBASIC, inspired by QBasic, and the Visual Basic-styled RapidQ, HBasic, Basic For Qt and Gambas. Modern commercial incarnations include PureBasic, PowerBASIC, Xojo, Monkey X and True BASIC (the direct successor to Dartmouth BASIC from a company controlled by Kurtz). Several web-based simple BASIC interpreters also now exist, including Microsoft's Small Basic and Google's wwwBASIC. A number of compilers also exist that convert BASIC into JavaScript. such as NS Basic.Building from earlier efforts such as Mobile Basic, many dialects are now available for smartphones and tablets.
On game consoles, an application for the Nintendo 3DS and Nintendo DSi called "Petit Computer" allows for programming in a slightly modified version of BASIC with DS button support. A version has also been released for Nintendo Switch, which has also been supplied a version of the Fuze Code System, a BASIC variant first implemented as a custom Raspberry Pi machine. Previously BASIC was made available on consoles as Family BASIC (for the Nintendo Famicom) and PSX Chipmunk Basic (for the original PlayStation), while yabasic was ported to the PlayStation 2 and FreeBASIC to the original Xbox. Calculators. Variants of BASIC are available on graphing and otherwise programmable calculators made by Texas Instruments (TI-BASIC), HP (HP BASIC), Casio (Casio BASIC), and others. Windows command-line. QBasic, a version of Microsoft QuickBASIC without the linker to make EXE files, is present in the Windows NT and DOS-Windows 95 streams of operating systems and can be obtained for more recent releases like Windows 7 which do not have them. Prior to DOS 5, the Basic interpreter was GW-Basic. QuickBasic is part of a series of three languages issued by Microsoft for the home and office power user and small-scale professional development; QuickC and QuickPascal are the other two. For Windows 95 and 98, which do not have QBasic installed by default, they can be copied from the installation disc, which will have a set of directories for old and optional software; other missing commands like Exe2Bin and others are in these same directories.
Other. The various Microsoft, Lotus, and Corel office suites and related products are programmable with Visual Basic in one form or another, including LotusScript, which is very similar to VBA 6. The Host Explorer terminal emulator uses WWB as a macro language; or more recently the programme and the suite in which it is contained is programmable in an in-house Basic variant known as Hummingbird Basic. The VBScript variant is used for programming web content, Outlook 97, Internet Explorer, and the Windows Script Host. WSH also has a Visual Basic for Applications (VBA) engine installed as the third of the default engines along with VBScript, JScript, and the numerous proprietary or open source engines which can be installed like PerlScript, a couple of Rexx-based engines, Python, Ruby, Tcl, Delphi, XLNT, PHP, and others; meaning that the two versions of Basic can be used along with the other mentioned languages, as well as LotusScript, in a WSF file, through the component object model, and other WSH and VBA constructions. VBScript is one of the languages that can be accessed by the 4Dos, 4NT, and Take Command enhanced shells. SaxBasic and WWB are also very similar to the Visual Basic line of Basic implementations. The pre-Office 97 macro language for Microsoft Word is known as WordBASIC. Excel 4 and 5 use Visual Basic itself as a macro language. Chipmunk Basic, an old-school interpreter similar to BASICs of the 1970s, is available for Linux, Microsoft Windows and macOS.
Legacy. The ubiquity of BASIC interpreters on personal computers was such that textbooks once included simple "Try It In BASIC" exercises that encouraged students to experiment with mathematical and computational concepts on classroom or home computers. Popular computer magazines of the day typically included type-in programs. Futurist and sci-fi writer David Brin mourned the loss of ubiquitous BASIC in a 2006 "Salon" article as have others who first used computers during this era. In turn, the article prompted Microsoft to develop and release Small Basic; it also inspired similar projects like Basic-256 and the web based Quite Basic. Dartmouth held a 50th anniversary celebration for BASIC on 1 May 2014. The pedagogical use of BASIC has been followed by other languages, such as Pascal, Java and particularly Python. Dartmouth College celebrated the 50th anniversary of the BASIC language with a day of events on April 30, 2014. A short documentary film was produced for the event. Syntax. Data types and variables.
Minimal versions of BASIC had only integer variables and one- or two-letter variable names, which minimized requirements of limited and expensive memory (RAM). More powerful versions had floating-point arithmetic, and variables could be labelled with names six or more characters long. There were some problems and restrictions in early implementations; for example, Applesoft BASIC allowed variable names to be several characters long, but only the first two were significant, thus it was possible to inadvertently write a program with variables "LOSS" and "LOAN", which would be treated as being the same; assigning a value to "LOAN" would silently overwrite the value intended as "LOSS". Keywords could not be used in variables in many early BASICs; "SCORE" would be interpreted as "SC" OR "E", where OR was a keyword. String variables are usually distinguished in many microcomputer dialects by having $ suffixed to their name as a sigil, and values are often identified as strings by being delimited by "double quotation marks". Arrays in BASIC could contain integers, floating point or string variables.
Some dialects of BASIC supported matrices and matrix operations, which can be used to solve sets of simultaneous linear algebraic equations. These dialects would directly support matrix operations such as assignment, addition, multiplication (of compatible matrix types), and evaluation of a determinant. Many microcomputer BASICs did not support this data type; matrix operations were still possible, but had to be programmed explicitly on array elements. Examples. Unstructured BASIC. New BASIC programmers on a home computer might start with a simple program, perhaps using the language's PRINT statement to display a message on the screen; a well-known and often-replicated example is Kernighan and Ritchie's "Hello, World!" program: 10 PRINT "Hello, World!" 20 END An infinite loop could be used to fill the display with the message: 10 PRINT "Hello, World!" 20 GOTO 10 Note that the codice_58 statement is optional and has no action in most dialects of BASIC. It was not always included, as is the case in this example. This same program can be modified to print a fixed number of messages using the common codice_59 statement: 10 LET N=10 20 FOR I=1 TO N 30 PRINT "Hello, World!" 40 NEXT I
Most home computers BASIC versions, such as MSX BASIC and GW-BASIC, supported simple data types, loop cycles, and arrays. The following example is written for GW-BASIC, but will work in most versions of BASIC with minimal changes: 10 INPUT "What is your name: "; U$ 20 PRINT "Hello "; U$ 30 INPUT "How many stars do you want: "; N 40 S$ = "" 50 FOR I = 1 TO N 60 S$ = S$ + "*" 70 NEXT I 80 PRINT S$ 90 INPUT "Do you want more stars? "; A$ 100 IF LEN(A$) = 0 THEN GOTO 90 110 A$ = LEFT$(A$, 1) 120 IF A$ = "Y" OR A$ = "y" THEN GOTO 30 130 PRINT "Goodbye "; U$ 140 END The resulting dialog might resemble: What is your name: Mike Hello Mike How many stars do you want: 7 Do you want more stars? yes How many stars do you want: 3 Do you want more stars? no Goodbye Mike The original Dartmouth Basic was unusual in having a matrix keyword, MAT. Although not implemented by most later microprocessor derivatives, it is used in this example from the 1968 manual which averages the numbers that are input: 5 LET S = 0 10 MAT INPUT V 20 LET N = NUM 30 IF N = 0 THEN 99 40 FOR I = 1 TO N 45 LET S = S + V(I) 50 NEXT I 60 PRINT S/N 70 GO TO 5 99 END
Structured BASIC. Second-generation BASICs (for example, VAX Basic, SuperBASIC, True BASIC, QuickBASIC, BBC BASIC, Pick BASIC, PowerBASIC, Liberty BASIC, QB64 and (arguably) COMAL) introduced a number of features into the language, primarily related to structured and procedure-oriented programming. Usually, line numbering is omitted from the language and replaced with labels (for GOTO) and procedures to encourage easier and more flexible design. In addition keywords and structures to support repetition, selection and procedures with local variables were introduced. The following example is in Microsoft QuickBASIC: REM QuickBASIC example REM Forward declaration - allows the main code to call a REM subroutine that is defined later in the source code DECLARE SUB PrintSomeStars (StarCount!) REM Main program follows INPUT "What is your name: ", UserName$ PRINT "Hello "; UserName$ DO INPUT "How many stars do you want: ", NumStars CALL PrintSomeStars(NumStars) DO INPUT "Do you want more stars? ", Answer$ LOOP UNTIL Answer$ <> ""
Answer$ = LEFT$(Answer$, 1) LOOP WHILE UCASE$(Answer$) = "Y" PRINT "Goodbye "; UserName$ END REM subroutine definition SUB PrintSomeStars (StarCount) REM This procedure uses a local variable called Stars$ Stars$ = STRING$(StarCount, "") PRINT Stars$ END SUB Object-oriented BASIC. Third-generation BASIC dialects such as Visual Basic, Xojo, Gambas, StarOffice Basic, BlitzMax and PureBasic introduced features to support object-oriented and event-driven programming paradigm. Most built-in procedures and functions are now represented as "methods" of standard objects rather than "operators". Also, the operating system became increasingly accessible to the BASIC language. The following example is in Visual Basic .NET: Public Module StarsProgram Private Function Ask(prompt As String) As String Console.Write(prompt) Return Console.ReadLine() End Function Public Sub Main() Dim userName = Ask("What is your name: ") Console.WriteLine("Hello {0}", userName) Dim answer As String Do Dim numStars = CInt(Ask("How many stars do you want: ")) Dim stars As New String(""c, numStars) Console.WriteLine(stars) Do answer = Ask("Do you want more stars? ") Loop Until answer <> "" Loop While answer.StartsWith("Y", StringComparison.OrdinalIgnoreCase) Console.WriteLine("Goodbye {0}", userName) End Sub End Module
List of Byzantine emperors The foundation of Constantinople in 330 AD marks the conventional start of the Eastern Roman Empire, which fell to the Ottoman Empire in 1453 AD. Only the emperors who were recognized as legitimate rulers and exercised sovereign authority are included, to the exclusion of junior co-emperors who never attained the status of sole or senior ruler, as well as of the various usurpers or rebels who claimed the imperial title. The following list starts with Constantine the Great, the first Christian emperor, who rebuilt the city of Byzantium as an imperial capital, Constantinople, and who was regarded by the later emperors as the model ruler. Modern historians distinguish this later phase of the Roman Empire as Byzantine due to the imperial seat moving from Rome to Byzantium, the Empire's integration of Christianity, and the predominance of Greek instead of Latin. The Byzantine Empire was the direct legal continuation of the eastern half of the Roman Empire following the division of the Roman Empire in 395. Emperors listed below up to Theodosius I in 395 were sole or joint rulers of the entire Roman Empire. The Western Roman Empire continued until 476. Byzantine emperors considered themselves to be Roman emperors in direct succession from Augustus; the term "Byzantine" became convention in Western historiography in the 19th century. The use of the title "Roman Emperor" by those ruling from Constantinople was not contested until after the papal coronation of the Frankish Charlemagne as Holy Roman emperor (25 December 800).
The title of all Emperors preceding Heraclius was officially ""Augustus", although other titles such as "Dominus" were also used. Their names were preceded by "Imperator Caesar" and followed by "Augustus". Following Heraclius, the title commonly became the Greek "Basileus" (Gr. Βασιλεύς), which had formerly meant sovereign, though "Augustus" continued to be used in a reduced capacity. Following the establishment of the rival Holy Roman Empire in Western Europe, the title "Autokrator"" (Gr. Αὐτοκράτωρ) was increasingly used. In later centuries, the Emperor could be referred to by Western Christians as the "Emperor of the Greeks". Towards the end of the Empire, the standard imperial formula of the Byzantine ruler was "[Emperor's name] in Christ, Emperor and Autocrat of the Romans" (cf. Ῥωμαῖοι and Rûm). Dynasties were a common tradition and structure for rulers and government systems in the Medieval period. The principle or formal requirement for hereditary succession was not a part of the Empire's governance; hereditary succession was a custom and tradition, carried on as habit and benefited from some sense of legitimacy, but not as a "rule" or inviolable requirement for office at the time.
Butterfly effect In chaos theory, the butterfly effect is the sensitive dependence on initial conditions in which a small change in one state of a deterministic nonlinear system can result in large differences in a later state. The term is closely associated with the work of the mathematician and meteorologist Edward Norton Lorenz. He noted that the butterfly effect is derived from the example of the details of a tornado (the exact time of formation, the exact path taken) being influenced by minor perturbations such as a distant butterfly flapping its wings several weeks earlier. Lorenz originally used a seagull causing a storm but was persuaded to make it more poetic with the use of a butterfly and tornado by 1972. He discovered the effect when he observed runs of his weather model with initial condition data that were rounded in a seemingly inconsequential manner. He noted that the weather model would fail to reproduce the results of runs with the unrounded initial condition data. A very small change in initial conditions had created a significantly different outcome.
The idea that small causes may have large effects in weather was earlier acknowledged by the French mathematician and physicist Henri Poincaré. The American mathematician and philosopher Norbert Wiener also contributed to this theory. Lorenz's work placed the concept of "instability" of the Earth's atmosphere onto a quantitative base and linked the concept of instability to the properties of large classes of dynamic systems which are undergoing nonlinear dynamics and deterministic chaos. The concept of the butterfly effect has since been used outside the context of weather science as a broad term for any situation where a small change is supposed to be the cause of larger consequences. History. In "The Vocation of Man" (1800), Johann Gottlieb Fichte says "you could not remove a single grain of sand from its place without thereby ... changing something throughout all parts of the immeasurable whole". Chaos theory and the sensitive dependence on initial conditions were described in numerous forms of literature. This is evidenced by the case of the three-body problem by Poincaré in 1890. He later proposed that such phenomena could be common, for example, in meteorology.
In 1898, Jacques Hadamard noted general divergence of trajectories in spaces of negative curvature. Pierre Duhem discussed the possible general significance of this in 1908. In 1950, Alan Turing noted: "The displacement of a single electron by a billionth of a centimetre at one moment might make the difference between a man being killed by an avalanche a year later, or escaping." The idea that the death of one butterfly could eventually have a far-reaching ripple effect on subsequent historical events made its earliest known appearance in "A Sound of Thunder", a 1952 short story by Ray Bradbury. "A Sound of Thunder" features time travel. More precisely, though, almost the exact idea and the exact phrasing —of a tiny insect's wing affecting the entire atmosphere's winds— was published in a children's book which became extremely successful and well-known globally in 1962, the year before Lorenz published: In 1961, Lorenz was running a numerical computer model to redo a weather prediction from the middle of the previous run as a shortcut. He entered the initial condition 0.506 from the printout instead of entering the full precision 0.506127 value. The result was a completely different weather scenario.
Lorenz wrote: In 1963, Lorenz published a theoretical study of this effect in a highly cited, seminal paper called "Deterministic Nonperiodic Flow" (the calculations were performed on a Royal McBee LGP-30 computer). Elsewhere he stated: Following proposals from colleagues, in later speeches and papers, Lorenz used the more poetic butterfly. According to Lorenz, when he failed to provide a title for a talk he was to present at the 139th meeting of the American Association for the Advancement of Science in 1972, Philip Merilees concocted "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" as a title. Although a butterfly flapping its wings has remained constant in the expression of this concept, the location of the butterfly, the consequences, and the location of the consequences have varied widely. The phrase refers to the effect of a butterfly's wings creating tiny changes in the atmosphere that may ultimately alter the path of a tornado or delay, accelerate, or even prevent the occurrence of a tornado in another location. The butterfly does not power or directly create the tornado, but the term is intended to imply that the flap of the butterfly's wings can "cause" the tornado: in the sense that the flap of the wings is a part of the initial conditions of an interconnected complex web; one set of conditions leads to a tornado, while the other set of conditions doesn't. The flapping wing creates a small change in the initial condition of the system, which cascades to large-scale alterations of events (compare: domino effect). Had the butterfly not flapped its wings, the trajectory of the system might have been vastly different—but it's also equally possible that the set of conditions without the butterfly flapping its wings is the set that leads to a tornado.
The butterfly effect presents an obvious challenge to prediction, since initial conditions for a system such as the weather can never be known to complete accuracy. This problem motivated the development of ensemble forecasting, in which a number of forecasts are made from perturbed initial conditions. Some scientists have since argued that the weather system is not as sensitive to initial conditions as previously believed. David Orrell argues that the major contributor to weather forecast error is model error, with sensitivity to initial conditions playing a relatively small role. Stephen Wolfram also notes that the Lorenz equations are highly simplified and do not contain terms that represent viscous effects; he believes that these terms would tend to damp out small perturbations. Recent studies using generalized Lorenz models that included additional dissipative terms and nonlinearity suggested that a larger heating parameter is required for the onset of chaos. While the "butterfly effect" is often explained as being synonymous with sensitive dependence on initial conditions of the kind described by Lorenz in his 1963 paper (and previously observed by Poincaré), the butterfly metaphor was originally applied to work he published in 1969 which took the idea a step further. Lorenz proposed a mathematical model for how tiny motions in the atmosphere scale up to affect larger systems. He found that the systems in that model could only be predicted up to a specific point in the future, and beyond that, reducing the error in the initial conditions would not increase the predictability (as long as the error is not zero). This demonstrated that a deterministic system could be "observationally indistinguishable" from a non-deterministic one in terms of predictability. Recent re-examinations of this paper suggest that it offered a significant challenge to the idea that our universe is deterministic, comparable to the challenges offered by quantum physics.
In the book entitled "The Essence of Chaos" published in 1993, Lorenz defined butterfly effect as: "The phenomenon that a small alteration in the state of a dynamical system will cause subsequent states to differ greatly from the states that would have followed without the alteration." This feature is the same as sensitive dependence of solutions on initial conditions (SDIC) in . In the same book, Lorenz applied the activity of skiing and developed an idealized skiing model for revealing the sensitivity of time-varying paths to initial positions. A predictability horizon is determined before the onset of SDIC. Theory and mathematical definition. Recurrence, the approximate return of a system toward its initial conditions, together with sensitive dependence on initial conditions, are the two main ingredients for chaotic motion. They have the practical consequence of making complex systems, such as the weather, difficult to predict past a certain time range (approximately a week in the case of weather) since it is impossible to measure the starting atmospheric conditions completely accurately.
A dynamical system displays sensitive dependence on initial conditions if points arbitrarily close together separate over time at an exponential rate. The definition is not topological, but essentially metrical. Lorenz defined sensitive dependence as follows: "The property characterizing an orbit (i.e., a solution) if most other orbits that pass close to it at some point do not remain close to it as time advances." If "M" is the state space for the map formula_1, then formula_1 displays sensitive dependence to initial conditions if for any x in "M" and any δ > 0, there are y in "M", with distance such that formula_3 and such that for some positive parameter "a". The definition does not require that all points from a neighborhood separate from the base point "x", but it requires one positive Lyapunov exponent. In addition to a positive Lyapunov exponent, boundedness is another major feature within chaotic systems. The simplest mathematical framework exhibiting sensitive dependence on initial conditions is provided by a particular parametrization of the logistic map:
which, unlike most chaotic maps, has a closed-form solution: where the initial condition parameter formula_7 is given by formula_8. For rational formula_7, after a finite number of iterations formula_10 maps into a periodic sequence. But almost all formula_7 are irrational, and, for irrational formula_7, formula_10 never repeats itself – it is non-periodic. This solution equation clearly demonstrates the two key features of chaos – stretching and folding: the factor 2"n" shows the exponential growth of stretching, which results in sensitive dependence on initial conditions (the butterfly effect), while the squared sine function keeps formula_10 folded within the range [0, 1]. In physical systems. In weather. Overview. The butterfly effect is most familiar in terms of weather; it can easily be demonstrated in standard weather prediction models, for example. The climate scientists James Annan and William Connolley explain that chaos is important in the development of weather prediction methods; models are sensitive to initial conditions. They add the caveat: "Of course the existence of an unknown butterfly flapping its wings has no direct bearing on weather forecasts, since it will take far too long for such a small perturbation to grow to a significant size, and we have many more immediate uncertainties to worry about. So the direct impact of this phenomenon on weather prediction is often somewhat wrong."
Differentiating types of butterfly effects. The concept of the butterfly effect encompasses several phenomena. The two kinds of butterfly effects, including the sensitive dependence on initial conditions, and the ability of a tiny perturbation to create an organized circulation at large distances, are not exactly the same. In Palmer et al., a new type of butterfly effect is introduced, highlighting the potential impact of small-scale processes on finite predictability within the Lorenz 1969 model. Additionally, the identification of ill-conditioned aspects of the Lorenz 1969 model points to a practical form of finite predictability. These two distinct mechanisms suggesting finite predictability in the Lorenz 1969 model are collectively referred to as the third kind of butterfly effect. The authors in have considered Palmer et al.'s suggestions and have aimed to present their perspective without raising specific contentions. The third kind of butterfly effect with finite predictability, as discussed in, was primarily proposed based on a convergent geometric series, known as Lorenz's and Lilly's formulas. Ongoing discussions are addressing the validity of these two formulas for estimating predictability limits in.

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