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May 2016 marked the 100th-anniversary of the Battle of Jutland. On 29 May, a commemorative service was held at St Mary's Church, Wimbledon, where the ensign from HMS "Inflexible" is on permanent display. On 31 May, the main service was held at St Magnus Cathedral in Orkney, attended by the British prime minister, David Cameron, and the German president, Joachim Gauck, along with Princess Anne and Vice Admiral Sir Tim Laurence. Another service was held on board HMS "Duncan", attended by both British and German sailors, while the German frigate "Brandenburg" laid a flower wreath at the site of the sinking of HMS "Invincible". A centennial exposition was held at the Deutsches Marinemuseum in Wilhemshaven from 29 May 2016 to 28 February 2017.
Bambara language Bambara, also known as Bamana (N'Ko script: ) or Bamanankan (N'Ko script: ; Arabic script: ), is a lingua franca and national language of Mali spoken by perhaps 14 million people, natively by 4.2 million Bambara people and about 10 million second-language users. It is estimated that about 80 percent of the population of Mali speak Bambara as a first or second language. It has a subject–object–verb clause structure and two lexical tones. Classification. Bambara is a variety of a group of closely related languages called Manding, whose native speakers trace their cultural history to the medieval Mali Empire. Varieties of Manding are generally considered (among native speakers) to be mutually intelligible – dependent on exposure or familiarity with dialects between speakers – and spoken by 9.1 million people in the countries Burkina Faso, Senegal, Guinea-Bissau, Guinea, Liberia, Ivory Coast and the Gambia. Manding is part of the larger Mandé family of languages. Geographical distribution. Bambara is spoken throughout Mali as a lingua franca. The language is most widely spoken in the areas east, south, and north of Bamako, where native speakers and/or those that identify as members of the Bambara ethnic group are most densely populated. These regions are also usually considered to be the historical geographical origin of Bambara people, particularly Ségou, after diverging from other Manding groups.
Dialects. The main dialect is Standard Bamara, which has significant influence from Maninkakan. Bambara has many local dialects: Kaarta, Tambacounda (west); Beledugu, Bananba, Mesekele (north); Jitumu, Jamaladugu, Segu (center); Cakadugu, Keleyadugu, Jalakadougu, Kurulamini, Banimɔncɛ, Cɛmala, Cɛndugu, Baninkɔ, Shɛndugu, Ganadugu (south); Kala, Kuruma, Saro, dialects to the northeast of Mopti (especially Bɔrɛ); Zegedugu, Bɛndugu, Bakɔkan, Jɔnka (southeast). Phonology. Consonants. Each consonant represents a single sound with some exceptions: Writing. Since 1967, Bambara has mostly been written in the Latin script, using some additional phonetic characters from the Africa Alphabet. The vowels are "a, e, ɛ" (formerly "è"), "i, o, ɔ" (formerly "ò"), "u"; accents can be used to indicate tonality. The former digraph "ny" is now written "ɲ" when it designates a palatal nasal; the "ny" spelling is kept for the combination of a nasal vowel with a subsequent oral palatal glide. Following the 1966 Bamako spelling conventions, a velar nasal "ŋ" is written as "ŋ", although in early publications it was often transcribed as "ng" or "nk".
The N'Ko () alphabet is a script devised by Solomana Kante in 1949 as a writing system for the Manding languages of West Africa; N’Ko means 'I say' in all Manding languages. Kante created N’Ko in response to what he felt were beliefs that Africans were a "cultureless people" since prior to this time there had been no indigenous African writing system for his language. N'ko first gained a strong user base around the Maninka-speaking area of Kante's hometown of Kankan, Guinea and disseminated from there into other Manding-speaking parts of West Africa. N'ko and the Arabic script are still in use for Bambara, although only the Latin-based orthography is officially recognized in Mali. Additionally, a script known as Masaba or Ma-sa-ba was developed for the language beginning in 1930 by Woyo Couloubayi (-1982) of Assatiémala. Named for the first characters in Couloubayi's preferred collation order, Masaba is a syllabary which uses diacritics to indicate vowel qualities such as tone, length, and nasalization. Though not conclusively demonstrated to be related to other writing systems, Masaba appears to draw on traditional Bambara iconography and shares some similarities with the Vai syllabary of Liberia and with Arabic-derived secret alphabets used in Hodh (now Hodh El Gharbi and Hodh Ech Chargui Regions of Mauritania). As of 1978, Masaba was in limited use in several communities in Nioro Cercle for accounting, personal correspondence, and the recording of Muslim prayers; the script's current status and prevalence is unknown.
Latin orthography. It uses seven vowels a, e, ɛ, i, o, ɔ and u, each of which can be nasalized, pharyngealized and murmured, giving a total number of 21 vowels (the letters approximate their equivalents). Writing with the Latin alphabet began during the French colonization, and the first orthography was introduced in 1967. Literacy is limited, especially in rural areas. Although written literature is only slowly evolving (due to the predominance of French as the "language of the educated"), there exists a wealth of oral literature, which is often tales of kings and heroes. This oral literature is mainly passed on by the griots ("Jeliw" in Bambara) who are a mixture of storytellers, praise singers, and human history books who have studied the trade of singing and reciting for many years. Many of their songs are very old and are said to date back to the old empire of Mali. Grammar. The basic sentence structure is subject–object–verb (SOV). Take the phrase, "n t'a lon" (I don't know [it]). "n" is the subject (I), "a" is the object (it), and "[ta] lon" is the verb ([to] know). The "t' " is from the negative present tense marker "té", "bé" being the affirmative present tense marker ("n b'a don" would mean "I know it"). Like many SOV languages, Bambara uses postpositions rather than prepositions - their role being similar to English prepositions but placed after the noun.
The language has two (mid/standard and high) tones; e.g. "sa" 'die' vs. "sá" 'snake.' The typical argument structure of the language consists of a subject, followed by an aspectival auxiliary, followed by the direct object, and finally a transitive verb. Bambara does not inflect for gender. Gender for a noun can be specified by adding a suffix, "-cɛ" or "-kɛ" for male and "-muso" for female. The plural is formed by attaching a vocalic suffix "-u", most often with a low tone (in the orthography, "-w") to nouns or adjectives. Loan words. In urban areas, many Bamanankan conjunctions have been replaced in everyday use by French borrowings that often mark code-switches. The Bamako dialect makes use of sentences like: "N taara Kita mais il n'y avait personne là-bas." : "I went to Kita [Bamanankan ] but there was no one there [French]." The sentence in Bamanankan alone would be "Ń taara Kita nka mɔkɔ si tun tɛ yen." The French proposition "est-ce que" is also used in Bamanankan ; however, it is pronounced more slowly and as three syllables, .
Bamanankan uses many French loan words. For example, some people might say: "I ka kurusi ye nere ye": "Your skirt is yellow" (using a derivation of "jaune", the French word for yellow, they often use "joni".) However, one could also say: "I ka kulosi ye nɛrɛmukuman ye", also meaning "your skirt is yellow." The original Bamanankan word for yellow comes from ""nɛrɛmuku"," being flour ("muku") made from néré (locust bean), a seed from a long seed pod. Nɛrɛmuku is often used in sauces in Southern Mali. Most French loan words are suffixed with the sound 'i'; this is particularly common when using French words which have a meaning not traditionally found in Mali. For example, the Bamanankan word for snow is "niegei", based on the French word for snow "neige". As there has never been snow in Mali, there was no unique word in Bamanankan to describe it. Music. Malian artists such as Oumou Sangaré, Sidiki Diabaté, Fatoumata Diawara, Rokia Traoré, Ali Farka Touré, Habib Koité and the married duo Amadou & Mariam often sing in Bambara. Lyrics in Bambara occur on "Stevie Wonder's Journey Through "The Secret Life of Plants"." In 2010, Spanish rock group Dover released its 7th studio album "I Ka Kené" with the majority of lyrics in Bambara, Spanish, English and French. American rapper Nas also released a track titled "Patience" in 2010, which featured Damian Marley and extensively sampled the Amadou & Mariam song "Sabali", as "sabali" is a Bambara word meaning patience. Legal status. Bambara was until 2023 one of several languages designated by Mali as a national language. In 2023, after a new constitution was approved by a majority of voters, Bambara became co-official, together with 12 other languages spoken in the country. French was removed as the official language and was kept only as a working language.
Baku Baku (, ; ) is the capital and largest city of Azerbaijan, as well as the largest city on the Caspian Sea and in the Caucasus region. Baku is below sea level, which makes it the lowest lying national capital in the world and also the largest city in the world below sea level. Baku lies on the southern shore of the Absheron Peninsula, on the Bay of Baku. Baku's urban population was estimated at two million people as of 2009. Baku is the primate city of Azerbaijan—it is the sole metropolis in the country, and about 25% of all inhabitants of the country live in Baku's metropolitan area. Baku is divided into twelve administrative raions and 48 townships. Among these are the townships on the islands of the Baku Archipelago, as well as the industrial settlement of Neft Daşları built on oil rigs away from Baku city in the Caspian Sea. The Old City, containing the Palace of the Shirvanshahs and the Maiden Tower, was designated as a UNESCO World Heritage Site in 2000. The city is the scientific, cultural, and industrial centre of Azerbaijan. Many sizeable Azerbaijani institutions have their headquarters there. In the 2010s, Baku became a venue for major international events. It hosted the 57th Eurovision Song Contest in 2012, the 2015 European Games, 4th Islamic Solidarity Games, the European Grand Prix in 2016, the Azerbaijan Grand Prix since 2017, the final of the 2018–19 UEFA Europa League, UEFA Euro 2020 and 2024 United Nations Climate Change Conference. The Baku International Sea Trade Port is capable of handling two million tonnes of general and dry bulk cargoes per year. Baku is renowned for its harsh winds, reflected in its nickname, the "City of Winds".
Etymology. Baku is long attested under the Perso-Arabic name باکو ("Bākū"). Early Arabic sources also refer to the city as "Bākuh" and "Bākuya", all of which seem to come from a Persian name. The further etymology is unclear. A popular etymology in the 19th century considered it to be derived from Persian بادکوبه ("Bâd-kube", meaning "wind-pounded city", a compound of "bād", "wind", and "kube", which is rooted in the verb کوبیدن "kubidan", "to pound", thus referring to a place where wind would be strong and pounding, as is the case of Baku, which is known to experience fierce winter snow storms and harsh winds). This popular name ("Badkubə" in modern Azerbaijani script) gained currency as a nickname for the city by the 19th century (e.g., it is used in "Akinchi", volume 1, issue 1, p. 1), and is also reflected in the city's modern nickname as the "City of Winds" (). Another and even less probable folk etymology explains the name as deriving from "Baghkuy", meaning "God's town". "Baga" (now "بغ" "bagh") and "kuy" are the Old Persian words for "god" and "town" respectively; the name "Baghkuy" may be compared with "Baghdād" ("God-given") in which "dād" is the Old Persian word for "give".
During Soviet rule, the city was spelled in Cyrillic as "Бакы" in Azerbaijani (while the Russian spelling was and still is "Баку", ""). The modern Azerbaijani spelling, which has been using the Latin alphabet since 1991, is ; the shift from the Perso-Arabic letter و ("ū") to Cyrillic "ы" and, later, Latin "ı" may be compared to that in other Azerbaijani words (e.g. compare "qāpū" in old Perso-Arabic spelling with modern Azerbaijani , "door") or in suffixes, as و was often used to transcribe the vowel harmony in Azerbaijani (which was also the practice in Ottoman Turkish). (See also Azerbaijani alphabet.) History. Antiquity. Traces of human settlement in the region of present-day Baku date back to the Stone Age. Bronze Age rock carvings have been discovered near Bayil, and a bronze figure of a small fish in the territory of the Old City. These have led some to suggest the existence of a Bronze-Age settlement within the city's territory. Near Nardaran, a place called Umid Gaya features a prehistoric observatory, where images of the sun and of various constellations are carved into rock together with a primitive astronomic table. Further archeological excavations have revealed various prehistoric settlements, native temples, statues and other artifacts within the territory of the modern city and around it.
In the 1st century AD, the Romans organised two Caucasian campaigns and reached what is today Baku. Near the city, in what is today Gobustan, Roman inscriptions dating from AD 84 to 96 survive – some of the earliest written evidences for a city there. According to the 6th-century archbishop and historian St. Sophronius of Cyprus, in 71, St. Bartholomew the Apostle was preaching Christianity in the city of Albana or Albanopolis, associated with present-day Baku or Derbent, both located by the Caspian Sea. St. Bartholomew managed to convert even members of the local royal family who had worshipped the idol Astaroth, but was later martyred by being flayed alive and crucified head down on orders from the pagan king Astyages. The remains of St. Bartholomew were secretly transferred to Mesopotamia. Rise of the Shirvanshahs and the Safavid era. Baku was the realm of the Shirvanshahs during the 8th century AD. The city frequently came under assault from the Khazars and (starting from the 10th century) from the Rus'. Akhsitan I built a navy in Baku and successfully repelled a Rus' assault in 1170. After a devastating earthquake struck Shamakhi, the capital of Shirvan, Shirvanshah's court moved to Baku in 1191.
The Shirvan era greatly influenced Baku and the remainder of present-day Azerbaijan. Between the 12th and 14th centuries, massive fortifications were built in Baku and the surrounding towns. The Maiden Tower, the Ramana Tower, the Nardaran Fortress, the Shagan Castle, the Mardakan Castle, the Round Castle and also the Sabayil Castle on the island of the Bay of Baku date from this period. The city walls of Baku were also rebuilt and strengthened. By the early 16th century, Baku's wealth and strategic position attracted the attention of its larger neighbours; in the previous two centuries, it was under the rule of the Iran-centred Kara Koyunlu and Ak Koyunlu. The fall of the Ak Koyunlu brought the city immediately into the sphere of the newly formed Iranian Safavid dynasty, led by king ("shah") Ismail I (). Ismail I laid siege to Baku in 1501 and captured it; he allowed the Shirvanshahs to remain in power, under Safavid suzerainty. His successor, king Tahmasp I (), completely removed the Shirvanshahs from power and made Baku a part of the Shirvan province. Baku remained as an integral part of his empire and of successive Iranian dynasties for the next centuries, until ceded to the Russian Empire through the 1813 Treaty of Gulistan. The House of Shirvan, which had ruled Baku since the 9th century, was extinguished in the course of Safavid rule.
At this time, the city was enclosed within lines of strong walls, which were washed by the sea on one side and protected by a wide trench on land. The Ottomans briefly gained control over Baku as a result of the Ottoman-Safavid War of 1578–1590; by 1607, it came under Iranian control again. In 1604 Shah Abbas I () destroyed Baku fortress. Baku had a reputation as a focal point for traders from across the world during the Early modern period; commerce was active and the area prospered. Notably, traders from the Indian subcontinent established themselves in the region. These Indian traders built the Ateshgah of Baku during 17th–18th centuries; the temple was used as a Hindu, Sikh, and Zoroastrian place of worship. Downfall of the Safavids and the Khanate of Baku. The Safavids temporarily lost power in Iran in 1722; Emperor Peter the Great of Russia took advantage of the situation and invaded. As a result of the Russo-Persian War of 1722–1723, the Safavids were forced to cede Baku to Russia. By 1730 the situation had deteriorated for the Russians; the successes of Nader Shah () led them to sign the Treaty of Ganja near Ganja on 10 March 1735, ceding the city and all other conquered territories in the Caucasus back to Iran.
The eruption of instability following Nader Shah's death in 1747 gave rise to the various Caucasian khanates. The semi-autonomous Persian-ruled Russo-Persian Wars and Iran's cession. From the late 18th century, Imperial Russia switched to a more aggressive geopolitical stance towards its two neighbours and rivals to the south, namely Iran and the Ottoman Empire. In the spring of 1796, by Catherine II's order, General Valerian Zubov's troops started a large campaign against Qajar Persia. Zubov had sent 13,000 men to capture Baku, and it was overrun subsequently without any resistance. On 13 June 1796, a Russian flotilla entered Baku Bay, and a garrison of Russian troops was stationed inside the city. Later, however, Emperor Paul I of Russia ordered the cessation of the campaign and the withdrawal of Russian forces following the death of his predecessor, Catherine the Great. In March 1797 the tsarist troops left Baku and the city became part of Qajar Iran again. In 1813, following the Russo-Persian War of 1804–1813, Qajar Iran had to sign the Treaty of Gulistan with Russia this provided for the cession of Baku and of most of Iran's territories in the North Caucasus and South Caucasus to Russia. During the next and final bout of hostilities between the two, the Russo-Persian War of 1826–1828, the Iranians briefly recaptured Baku. However, the militarily superior Russians ended this war with a victory as well, and the resulting Treaty of Turkmenchay (1828) made Baku's inclusion in the Russian Empire definite. When Baku was occupied by the Russian troops during the war of 1804–13, nearly the entire population of some 8,000 people was ethnic Tat. Baku within Russia was the administrative center of the Baku Uyezd, Baku Governorate, and the Baku Gradonachalstvo.
Discovery of oil. The Russians built the first oil-distilling factory in Balaxani in 1837. The first person to drill oil in Baku was an ethnic Armenian Ivan Mirzoev, who is also known as a 'founding father of Baku's oil industry.' Digging for oil began in the 1840s, with the first oil well drilled in the Bibi-Heybat suburb of Baku in 1846. Large-scale oil exploration started in 1872 when the Russian imperial authorities auctioned parcels of oil-rich land around Baku to private investors. The pioneer of oil extracting from the bottom of the sea was the Polish geologist Witold Zglenicki. Soon after, investors appeared in Baku, including the Nobel Brothers in 1873 and the Rothschilds in 1882. An industrial area of oil refineries, better known as Black Town (), developed near Baku by the early 1880s. Professor A. V. Williams Jackson of Columbia University wrote in his work "From Constantinople to the Home of Omar Khayyam" (1911): By the beginning of the 20th century, half of the oil sold in international markets was extracted in Baku. The oil boom contributed to the massive growth of Baku. Between 1856 and 1910 Baku's population grew at a faster rate than that of London, Paris, New York, or Tokyo.
World War I. In 1917, after the October Revolution and amidst the turmoil of World War I and the Russian Revolution, Baku came under the control of the Baku Commune, led by the veteran Bolshevik Stepan Shahumyan. Seeking to capitalize on the existing ethnic conflicts, by spring 1918, Bolsheviks inspired and condoned civil war in and around Baku. During the March Days of 1918, Bolsheviks and Dashnaks, seeking to establish control over Baku streets, faced armed Azerbaijani groups. The Azerbaijanis suffered defeat from the united forces of the Baku Soviet and were massacred by Dashnak teams in what was called the March Days. An estimated 3,000–12,000 Azerbaijanis were killed in their own capital. After the massacre, on 28 May 1918, the Azerbaijani faction of the Transcaucasian Sejm proclaimed the independence of the Azerbaijan Democratic Republic (ADR) in Ganja, thereby founding the first Muslim-majority democratic and secular republic. The newly independent Azerbaijani republic, being unable to defend the independence of the country on their own, asked the Ottoman Empire for military support in accordance with clause 4 of the treaty between the two countries. Shortly after, Azerbaijani forces, with support of the Ottoman Army of Islam led by Nuru Pasha, started their advance on Baku, eventually capturing the city from the loose coalition of Bolsheviks, SRs, Dashnaks, Mensheviks and British forces under the command of General Lionel Dunsterville on 15 September 1918.
After the Battle of Baku of August–September 1918, the Azerbaijani irregular troops, with the tacit support of the Turkish command, conducted four days of pillaging and killing 10,000–30,000 Armenians of Baku. This pogrom became known as the "September Days". Shortly after this, Baku was proclaimed the new capital of the Azerbaijan Democratic Republic. The Ottoman Empire, recognising defeat in World War I by October 1918, signed the Armistice of Mudros with the British (30 October 1918); this meant the evacuation of Turkish forces from Baku. Headed by General William Thomson, some 5,000 British troops, including parts of the former Dunsterforce, arrived in Baku on 17 November. Thomson declared himself military governor of Baku and implemented martial law in the city until "the civil power would be strong enough to release the forces from the responsibility to maintain the public order". British forces left before the end of 1919. Soviet period. The independence of the Azerbaijani republic was a significant but short-lived chapter in Baku's history. On 28 April 1920, the 11th Red Army invaded Baku and reinstalled the Bolsheviks, making Baku the capital of the Azerbaijan Soviet Socialist Republic within Soviet Russia.
The city underwent many major changes. As a result, Baku played a great role in many branches of Soviet life. Baku was the major oil city of the Soviet Union. From about 1921 the city was headed by the Baku City Executive Committee, commonly known in Russian as "Bakgorispolkom". Together with Baku Party Committee (known as the "Baksovet"), it developed the economic significance of the Caspian metropolis. From 1922 to 1930 Baku became the venue for one of the major trade fairs of the Soviet Union, serving as a commercial bridgehead to Iran and the Middle East. World War II. The major powers continued to note Baku's growing importance as a major energy hub. During World War II (1939–1945) and particularly during the 1942 Nazi German invasion of the southwestern Soviet Union, Baku became of vital strategic importance to the Axis powers. In fact, capturing the oil fields of Baku was a primary goal of the Wehrmacht's Operation Edelweiss, carried out between May and November 1942. However, the German Army reached only a point some northwest of Baku in November 1942, falling far short of the city's capture before being driven back during the Soviet Operation Little Saturn in mid-December 1942.
Fall of the Soviet Union and later. After the 1991 dissolution of the Soviet Union, Baku embarked on a process of restructuring on a scale unseen in its history. Thousands of panel buildings from the Soviet period were demolished to make way for a green belt on its shores; parks and gardens were built on the land reclaimed by filling up the beaches of the Baku Bay. Improvements were made in general cleaning, maintenance, and garbage collection to bring these services up to Western European standards. The city is growing dynamically and developing at pace on an east–west axis along the shores of the Caspian Sea. Sustainability has become a key factor in future urban development. Geography. Baku is situated on the western coast of the Caspian Sea. In the vicinity of the city there are a number of mud volcanoes (Keyraki, Bogkh-bogkha, Lokbatan and others) and salt lakes (Boyukshor, Khodasan, etc.). Climate. Baku has a cold semi-arid climate (Köppen climate classification: "BSk") with hot and humid summers, cool and occasionally wet winters, and strong winds all year long. However, unlike many other cities with such climate features, Baku does not see extremely hot summers and substantial sunshine hours. This is largely because of its northerly latitude and the fact that it is located on a peninsula on the shore of the Caspian Sea.
Baku, and the Absheron Peninsula on which it is situated, is the most arid part of Azerbaijan (precipitation here is around or less than a year). This is largely due to the rain shadow effect from the Caucasus Mountains, with corresponding latitudes on the Black Sea on average receiving or more. The majority of the light annual precipitation occurs in seasons other than summer, but none of these seasons is particularly wet. During Soviet times, Baku, with its long hours of sunshine and dry healthy climate, was a vacation destination where citizens could enjoy beaches or relax in now-dilapidated spa complexes overlooking the Caspian Sea. The city's past as a Soviet industrial centre left it one of the most polluted cities in the world, . At the same time, Baku is noted as a very windy city throughout the year, hence the city's nickname the "City of Winds", and gale-force winds, the cold northern wind "khazri" and the warm southern wind "gilavar" are typical here in all seasons. Indeed, the city is renowned for its fierce winter snow storms and harsh winds.
The speed of the "khazri" sometimes reaches , which can cause damage to crops, trees and roof tiles. The daily mean temperature in July and August averages , and there is very little rainfall during that season. During summer, the "khazri" sweeps through, bringing desired coolness. Winter is cool and occasionally wet, with the daily mean temperature in January and February averaging . During winter, the "khazri" sweeps through, driven by polar air masses; temperatures on the coast frequently drop below freezing and make it feel bitterly cold. Winter snow storms are occasional; snow usually melts within a few days after each snowfall. Administrative divisions. Baku is divided into 12 "rayonlar (sub-rayons)" (administrative districts) and 5 settlements of city type. Demographics. Until 1988, Baku had very large Russian, Armenian, and Jewish populations which contributed to cultural diversity and added in various ways (music, literature, architecture and progressive outlook) to Baku's history. With the onset of the First Nagorno-Karabakh War and the pogrom against Armenians starting in January 1990, the city's large Armenian population was expelled. After the collapse of the Soviet Union, Azerbaijani President Heydar Aliyev returned several synagogues and a Jewish college, nationalised by the Soviets, to the Jewish community; he encouraged the restoration of these buildings. Seven of the original 11 synagogues, including the Gilah synagogue, built in 1896, and the large Kruei Synagogue, were renovated.
Ethnic groups. Today, the vast majority of Baku's population is made up of ethnic Azerbaijanis, and the rest are Talysh, Russians, Lezgi and others. The intensive growth of the population started in the middle of the 19th century when Baku was a small town with a population of about 7,000 people. The population increased again from about 13,000 in the 1860s to 112,000 in 1897 and 215,000 in 1913, making Baku the largest city in the Caucasus region. Baku has been a cosmopolitan city at certain times during its history, meaning ethnic Azerbaijanis did not constitute the majority of population. It was only in the 1970s that ethnic Azerbaijanis achieved demographic dominance in Baku. In 2003 Baku additionally had 153,400 internally displaced persons and 93,400 refugees. Religion. The religion with the largest community of followers is Islam. The majority of the Muslims are Shia Muslims, and the Republic of Azerbaijan has the second-highest Shia population percentage in the world, after Iran. The city's notable mosques include Juma Mosque, Bibi-Heybat Mosque, Muhammad Mosque and Taza Pir Mosque.
There are some other faiths practised among the different ethnic groups within the country. By article 48 of its Constitution, Azerbaijan is a secular state and ensures religious freedom. Religious minorities include Russian Orthodox Christians, Catholic Levantines, Georgian Orthodox Christians, Albanian-Udi Apostolic Christians, Lutherans, Ashkenazi Jews, and Sufi Muslims. Baku is the seat of the Catholic Apostolic Prefecture of Azerbaijan. Zoroastrianism, although extinct in the city as well as in the rest of the country by the present time, had a long history in Azerbaijan and the Zoroastrian New Year (Nowruz) continues to be the main holiday in the city as well as in the rest of Azerbaijan. Economy. Baku is the economic hub of Azerbaijan, hosting many of the country's major companies and serving as the center for key industries such as oil and gas, finance, trade, and technology. The city is home to major financial institutions, multinational corporations, and various businesses that contribute to the country’s economy. Baku accounts for approximately 65% of Azerbaijan’s total GDP. Azerbaijani conglomerates such as PASHA Holding which is headquartered in Baku, and AF Holding, operate in the city. Baku also attracts a significant portion of the country’s workforce, with many people relocating for job opportunities and business prospects. As of the end of the first quarter of 2023, 52% of hired workers in Azerbaijan were employed in Baku. In addition to its role as the economic hub, Baku is home to the largest port in the Caspian Sea, the Baku International Sea Trade Port, more commonly known as Port of Baku. It handles a wide range of cargo, including containers, bulk goods, and liquid cargo, with an annual capacity of 15 million tons of cargo. The port also plays an essential role in the Trans-Caspian International Transport Route, facilitating trade between East Asia, Central Asia, Europe, and the Caucasus through integrated sea, rail, and road transport.
Baku's largest industry is petroleum, and its petroleum exports make it a large contributor to Azerbaijan's balance of payments. The existence of petroleum has been known since the 8th century. In the 10th century, the Arabian traveler, Marudee, reported that both white and black oil were being extracted naturally from Baku. By the 15th century, oil for lamps was obtained from hand-dug surface wells. Commercial exploitation began in 1872, and by the beginning of the 20th century the Baku oil fields were the largest in the world. Towards the end of the 20th century, much of the onshore petroleum had been exhausted, and drilling had extended into the sea offshore. By the end of the 19th century skilled workers and specialists flocked to Baku. By 1900 the city had more than 3,000 oil wells, of which 2,000 were producing oil at industrial levels. Baku ranked as one of the largest centres for the production of oil industry equipment before World War II. The World War II Battle of Stalingrad was fought to determine who would have control of Baku oil fields. Fifty years before the battle, Baku produced half of the world's oil supply.
The oil economy of Baku is undergoing a resurgence, with the development of the massive Azeri-Chirag-Guneshli field (Shallow water Gunashli by SOCAR, deeper areas by a consortium led by BP), development of the Shah Deniz gas field, the expansion of the Sangachal Terminal and the construction of the BTC Pipeline. The South Caucasus Pipeline (SCP), also known as the Baku-Tbilisi-Erzurum Pipeline, transports natural gas from Azerbaijan's Shah Deniz gas field to Turkey, with further connections to Europe. Spanning over 690 kilometers, the pipeline has been operational since 2007 and plays a central role in the Southern Gas Corridor, which aims to diversify Europe's energy sources with an annual export capacity of up to 25 billion cubic metres of gas. The Baku Stock Exchange is Azerbaijan's largest stock exchange, and largest in the Caucasian region by market capitalization. A relatively large number of transnational companies are headquartered in Baku. One of the more prominent institutions headquartered in Baku is the International Bank of Azerbaijan, which employs over 1,000 people. International banks with branches in Baku include HSBC, Société Générale and Credit Suisse.
Tourism and shopping. Baku is one of the most important tourist destinations in the Caucasus, with hotels in the city earning 7 million euros in 2009. Many sizable world hotel chains have a presence in the city. Baku has many popular tourist and entertainment spots, such as the downtown Fountains Square, the One and Thousand Nights Beach, Shikhov Beach and Oil Rocks. Baku's vicinities feature Yanar Dag, an ever-blazing spot of natural gas. On 2 September 2010 with the inauguration of National Flag Square, Baku set the world record for tallest flagpole; on 24 May 2011, the city of Dushanbe in Tajikistan set a new record with a -higher flagpole. A few years later, the Flag Pole was dismantled and the National Flag Square was closed off with fences. It was opened once again after years of repair on On November 8, 2024, to commemorate the Victory Day over Armenia's forces in Nagorno-Karabakh region of Azerbaijan. The National Flag Square features a museum, with a collection of about 400 items, along with flags of Khanates and Empires that have been prevalent in the region.
Baku has several shopping malls, including Ganjlik Mall, Deniz Mall, Crescent Mall, Port Baku Mall, 28 Mall, Park Bulvar, City Park and Metro Park. The retail areas contain shops from chain stores up to high-end boutiques. Ganjlik Mall particularly stands out, as it is the largest mall in the city of Baku. Crescent Mall is the newest shopping center in Baku, opening on May 28, 2024. It adds to the city’s growing collection of malls, bringing a variety of stores, restaurants, and entertainment options to the area. The city is listed 48th in the 2011 list of the most expensive cities in the world conducted by the Mercer Human Resource Consulting. Nizami Street, also known as Targovaya, and the Neftchilar Avenue, a street known for being home to many luxury and high fashion shops such as Gucci, Dolce & Gabbana, Tom Ford, Burberry, Celine, are among the most expensive streets in the world. Monthly expenses for a single person in Baku are estimated to be around 945 manat without rent ($555 USD), which is significantly lower in comparison to other countries. For example, average cost of living for a person in Los Angeles, California, is about $1308 USD, while in Seoul, South Korea, its $1074 USD. Living costs in Baku per person are below average when comparing to other developed countries, however, average reported salary of a Bakuvian sits at 997 manat, or about $586 USD.
Culture. Baku, often referred to as the "Paris of the East," is a city where Eastern and Western cultural traditions coexist. The city’s core is the historic center, known as Icheri Sheher or the Inner City, commonly referred to as the Old City, which contains various landmarks dating back to at least the 12th century. Among these are the Maiden Tower and the Shirvanshahs' Palace. These buildings reflect the city’s history and the Asian architectural styles that have influenced Baku’s development. The city's skyline showcases a blend of traditional and contemporary architecture, with places like Baku Boulevard and Fountains Square presenting a harmonious mix of historic and modern design elements. The urban landscape of Baku is characterized by a diverse range of buildings that combine the charm of the past with the innovation of the present. Baku also has a variety of museums and galleries, including the National Art Museum of Azerbaijan and the National Museum of History of Azerbaijan, which display both traditional Azerbaijani and contemporary art. The city maintains certain traditional crafts such as carpet-weaving and pottery, of which majority are displayed in Azerbaijan National Carpet Museum, with older techniques still practiced. Baku’s theater scene includes institutions like the Azerbaijan State Academic Opera and Ballet Theater and the Azerbaijan State Academic National Drama Theatre, which host both local and international performances. Music is an important part of Baku’s cultural landscape, with mugham being a traditional genre of music that has been recognized by UNESCO as part of the Intangible Cultural Heritage of Humanity, which was proclaimed to be a "Masterpiece of the Oral and Intangible Heritage of Humanity." The city also has a diverse music scene, with genres such as pop, rock, and jazz being represented. Additionally, Baku hosts events like the Baku International Jazz Festival and the Baku International Film Festival.
In 2007, the Heydar Aliyev Cultural Centre, designed by Pritzker Prize-winning architect Zaha Hadid, was opened. Baku also has many museums such as Baku Museum of Modern Art and National Museum of History, most notably featuring historical artifacts and art. Many of the city's cultural sites were celebrated in 2009 when Baku was designated an Islamic Culture Capital. Baku was chosen to host the Eurovision Dance Contest 2010. It has also become the first city to host the first European Games in 2015. Theatres. Among Baku's cultural venues are Azerbaijan State Philharmonic Hall, Azerbaijan State Academic Opera and Ballet Theatre. The main movie theater is Azerbaijan Cinema. Festivals include Baku International Film Festival, Baku International Jazz Festival, Novruz Festival, "Gül Bayramı" (Flower Festival) and the National Theater Festival. International and local exhibitions are presented at the Baku Expo Centre. Museums. Absheron Museum of History and Local Studies. The Absheron Museum of History and Local Studies() started its activities on 21 November 1983. The area of the museum, which was thoroughly renovated in 2015, is 296 square meters and consists of 5 halls. Currently, about 3000 exhibits are preserved in the museum and 1800 items are displayed in the exposition. Exhibits reflecting the history, geography, nature, everyday life and culture of Absheron region are preserved in the museum. The museum consists of 4 halls, 1 fund room and 1 room for employees. The exhibition area is 250 square meters, the manager's room is 1 square meter, the fund room is 10 square meters, and the staff room is 25 square meters. In 2018, the number of visitors to the museum was 1,932.
Architecture. Baku has wildly varying architecture, ranging from the Old City core to modern buildings and the spacious layout of Baku port. Many of the city's landmarks were built during the early 20th century, when architectural elements of the European styles were combined in eclectic style. Baku has an original and unique appearance, earning it a reputation as the "Paris of the East". Baku joined UNESCO's Network of Creative Cities as a Design City on 31 October 2019 on the occasion of World Cities' Day. Hamams. There are a number of ancient hamams in Baku dating back to the 12th, 14th and 18th centuries. Hamams play a very important role in the architectural appearance of Baku. Teze Bey Hamam. Teze Bey is the most popular hamam (traditional Islamic bath) in Baku. It was built in 1886 in the centre of Baku, and in 2003 it was fully restored and modernised. Along with its modern amenities, Teze Bey features a swimming pool and architectural details inspired by Oriental, Russian and Finnish baths. Gum Hamam.
Gum Hamam was discovered during archaeological excavations underneath the sand; hence the name: Gum hamam (sand bath). It was built sometime during the 12th–14th centuries. Bairamali hamam. In ancient times, Bairamali Hamam was called "Bey Hamam". The original structure was built sometime during the 12th–14th centuries and was reconstructed in 1881. Agha Mikayil Hamam. Agha Mikayil Hamam was constructed in the 18th century by Haji Agha Mikayil on Kichik Gala Street in the Old City (Icherisheher). It is still operating in its ancient setting. The Hamam is open to women on Mondays and Fridays and to men on the other days of the week. Modern architecture. Late modern and postmodern architecture began to appear in the early 2000s. With economic development, old buildings such as Atlant House were razed to make way for new ones. Buildings with all-glass shells have appeared around the city, the most prominent examples being the International Mugham Center, Azerbaijan Tower, Heydar Aliyev Cultural Centre, Flame Towers, Baku Crystal Hall, Baku White City, SOCAR Tower and DENIZ Mall. These projects also caught the attention of international media as notable programmes such as Discovery Channel's Extreme Engineering did pieces focusing in on changes to the city.
The Old City of Baku, also known as the Walled City of Baku, refers to the ancient Baku settlement. Most of the walls and towers, strengthened after the Russian conquest in 1806, survived. This section is picturesque, with its maze of narrow alleys and ancient buildings: the cobbled streets past the Palace of the Shirvanshahs, two caravansaries, the baths and the Juma Mosque (which used to house the Azerbaijan National Carpet and Arts Museum but is now a mosque again). The old town core also has dozens of small mosques, often without any particular sign to distinguish them as such. In 2003, UNESCO placed the Inner City on the List of World Heritage in Danger, citing damage from a November 2000 earthquake, poor conservation as well as "dubious" restoration efforts. In 2009 the Inner City was removed from the List of World Heritage in Danger. Visual arts. The three main institutions for exhibiting modern and contemporary art in Baku are: Music and media. The music scene in Baku can be traced back to ancient times and villages of Baku, generally revered as the fountainhead of meykhana and mugham in the Azerbaijan.
Recently, the success of Azerbaijani performers such as AySel, Farid Mammadov, Sabina Babayeva, Safura and Elnur Hüseynov in the Eurovision Song Contest has boosted the profile of Baku's music scene, prompting international attention. Following the victory of Azerbaijan's representative Eldar & Nigar at the Eurovision Song Contest 2011, Baku hosted the Eurovision Song Contest 2012. 2005 was a landmark in the development of Azerbaijani jazz in the city. It has been home to legendary jazz musicians like Vagif Mustafazadeh, Aziza Mustafa Zadeh, Rafig Babayev and Rain Sultanov. Among Baku's prominent annual fairs and festivals is Baku International Jazz Festival, which features some of the world's most identifiable jazz names. Baku also has a thriving International Centre of Mugham, which is located in Baku Boulevard, Gulustan Palace and Buta Palace, one of the principal performing arts centres and music venues in the city. The majority of Azerbaijan's media companies (including television, newspaper and radio, such as, Azad Azerbaijan TV, Ictimai TV, Lider TV and Region TV) are headquartered in Baku. The films "The World Is Not Enough" and "The Diamond Arm", among others, are set in the city, while "Amphibian Man" includes several scenes filmed in Old City.
The city's radio stations include: "Ictimai Radio", "Radio Antenn", "Burc FM", "Avto FM", "ASAN Radio" and "Lider FM Jazz" Some of Baku's newspapers include the daily "Azadliq", "Zaman" (The Time), "Bakinskiy Rabochiy" (Baku Worker), "Echo" and the English-language "Baku Today". Baku is also featured in the video game "Battlefield 4". Nightlife. Many clubs that are open until dawn can be found throughout the city. Clubs with an eastern flavour provide special treats from the cuisine of Azerbaijan along with local music. Western-style clubs target younger, more energetic crowds. Most of the public houses and bars are located near Fountains Square and are usually open until the early hours of the morning. Parks and gardens. Baku has large sections of greenery, either preserved by the National Government or designated as green zones. The city, however, continues to lack a green belt development as economic activity pours into the capital, resulting in massive housing projects along the suburbs. Baku Boulevard is a pedestrian promenade that runs parallel to Baku's seafront. The boulevard contains an amusement park, yacht club, musical fountain, statues and monuments. The park is popular with dog-walkers and joggers and is convenient for tourists. It is adjacent to the newly built International Centre of Mugham and the musical fountain.
Other parks and gardens include Heydar Aliyev Park, Samad Vurgun Park, Narimanov Park, Alley of Honor and the Fountains Square. The Martyrs' Lane, formerly the Kirov Park, is dedicated to the memory of those who died during the Nagorno-Karabakh conflict and also to the 137 people killed on Black January. Sports. Baku hosts a Formula One race on the Baku City Circuit. The first was the 2016 European Grand Prix, with the track going around the old city. The track measures , and it has been on the Formula One calendar since its 2016 debut. The city also hosted three group games and one quarter-final of the UEFA Euro 2020 European Football Championship. Since 2002, Baku has hosted 36 major sporting events and selected to host the 2015 European Games. Baku is also to host the fourth edition of the Islamic Solidarity Games in 2017. Baku is also one of world's leading chess centres, having produced grandmasters like Teimour Radjabov, Vugar Gashimov, Garry Kasparov, Shahriyar Mammadyarov and Rauf Mammadov, as well as the arbiter Faik Hasanov. The city also annually hosts the international tournaments such as Baku Chess Grand Prix, President's Cup, Baku Open and bidding to host 42nd Chess Olympiad in 2014.
First class sporting facilities were built for the indoor games, including the Palace of Hand Games and Heydar Aliyev Sports and Exhibition Complex. It hosted many sporting events, including FIFA U-17 Women's World Cup, Rhythmic Gymnastics European Championships in 2007 and 2009, 2005 World Rhythmic Gymnastics Championships, 2007 FILA Wrestling World Championships and 2010 European Wrestling Championships, 2011 World Amateur Boxing Championships, 2009 Women's Challenge Cup and European Taekwondo Championships in 2007. Since 2011 the city annually hosts WTA tennis event called Baku Cup. The Synergy Baku Cycling Project participates in the Tour d'Azerbaïdjan a 2.2 multi-stage bicycle race on the UCI Europe Tour. Baku made a bid to host the 2016 Summer Olympics and 2020 Summer Olympics, but failed to become a Candidate City both times. The largest sports hub in the city is Baku Olympic Stadium with 69,870 seating capacity, whose construction was completed in 2015. UEFA Europa League Final 2019 was played at the Olympic Stadium in Baku on 29 May 2019 between English sides Chelsea and Arsenal. The city's main football clubs is Neftçi Baku of who first has nine Premier League titles, making Neftchi the most successful Azerbaijani football club. Baku also has several football clubs in the premier and regional leagues, including AZAL and Ravan in Premier League. The city's second-largest stadium, Tofiq Bahramov Stadium hosts a number of domestic and international competitions and was the main sports centre of the city for a long period until the construction of Baku Olympic Stadium.
In the Azerbaijan Women's Volleyball Super League, Baku is represented by Rabita Baku, Azerrail Baku, Lokomotiv Baku and Azeryol Baku. Transport. Throughout history, the transport system of Baku used the now-defunct horsecars, trams and narrow gauge railways. , 1,000 black cabs are ordered by Baku Taxi Company, and as part of a programme originally announced by the Transport Ministry of Azerbaijan, there is a plan to introduce London cabs into Baku. The move was part of £16 million agreement between Manganese Bronze subsidiary LTI Limited and Baku Taxi Company. Local rail transport includes the Baku Funicular and the Baku Metro, a rapid-transit system notable for its art, murals, mosaics and ornate chandeliers. Baku Metro was opened in November 1967 and includes 3 lines and 25 stations at present; 170 million people used Baku Metro over the past five years. In 2008, the Chief of Baku Metro, Taghi Ahmadov, announced plans to construct 41 new stations over the next 17 years. These will serve the new bus complex as well as the international airport. In 2019, the Baku suburban railway opened.
BakuCard is a single Smart Card for payment on all types of city transport. The intercity buses and metro use this type of card-based fare-payment system. Baku Railway Station is the terminus for national and international rail links to the city. The Kars–Tbilisi–Baku railway, which directly connects Turkey, Georgia and Azerbaijan, began to be constructed in 2007 and opened in 2017. The completed branch will connect Baku with Tbilisi in Georgia, and from there trains will continue to Akhalkalaki, and Kars in Turkey. Sea transport is vital for Baku, as the city is practically surrounded by the Caspian Sea to the east. Shipping services operate regularly from Baku across the Caspian Sea to Turkmenbashi (formerly Krasnovodsk) in Turkmenistan and to Bandar Anzali and Bandar Nowshar in Iran. The commuter ferries, along with the high-speed catamaran "Seabus" ("Deniz Avtobusu"), also form the main connection between the city and the Absheron peninsula. Baku Port was founded in 1902 and claims to be the largest Caspian Sea port. It has six facilities: the main cargo terminal, the container terminal, the ferry terminal, the oil terminal, the passenger terminal and the port fleet terminal. The port's throughput capacity reaches 15 million tonnes of liquid bulk and up to 10 million tons of dry cargoes. In 2010, the Baku International Sea Trade Port began to be reconstructed. The construction was planned to take place in three stages and to be completed by 2016. The estimated costs were US$400 million. From April to November, Baku Port is accessible to ships loading cargoes for direct voyages from Western European and Mediterranean ports. The State Road M-1 and the European route E60 are the two main motorway connections between Europe and Azerbaijan. The motorway network around Baku is well-developed and is constantly being extended.
The Heydar Aliyev International Airport is the only commercial airport serving Baku. The new Baku Cargo Terminal was officially opened in March 2005. It was constructed to be a major cargo hub in the CIS countries, and is actually now one of the biggest and most technically advanced in the region. There are also several smaller military airbases near Baku, such as Baku Kala Air Base, intended for private aircraft, helicopters and charters. Health care. According to the Ministry of Healthcare, healthcare facilities in Baku are "highly developed compared with the regions and doctors are waiting to work there. The regions, meanwhile, lack both doctors and clinics providing specialized medical treatment." Resulting in citizens travelling for many hours to Baku to receive adequate medical treatment. International relations. Twin towns and sister cities. Baku is twinned with:[in chronological order]
Balalaika The balalaika (, ) is a Russian stringed musical instrument with a characteristic triangular wooden, hollow body, fretted neck, and three strings. Two strings are usually tuned to the same note and the third string is a perfect fourth higher. The higher-pitched balalaikas are used to play melodies and chords. The instrument generally has a short sustain, necessitating rapid strumming or plucking when it is used to play melodies. Balalaikas are often used for Russian folk music and dancing. The balalaika "family of instruments" includes instruments of various sizes, from the highest-pitched to the lowest: the piccolo balalaika, prima balalaika, secunda balalaika, alto balalaika, bass balalaika, and contrabass balalaika. There are balalaika orchestras which consist solely of different balalaikas; these ensembles typically play Classical music that has been arranged for balalaikas. The prima balalaika is the most common; the piccolo is rare. There have also been "descant" and "tenor" balalaikas, but these are considered obsolete. All have three-sided bodies; spruce, evergreen, or fir tops; and backs made of three to nine wooden sections (usually maple).
The prima, secunda, and alto balalaikas are played either with the fingers or a plectrum (pick), depending on the music being played, and the bass and contrabass (equipped with extension legs that rest on the floor) are played with leather plectra. The rare piccolo instrument is usually played with a pick. Etymology. The earliest mention of the term "balalaika" dates back to a 1688 arrest document. Another appearance of the word is found in a claim dated October 1700 in what is now the Verkhotursky district of Russia. Peter the Great requested balalaika performers to play at the wedding celebrations of N.M. Zotov in Saint Petersburg. In the Ukrainian language, the word was first documented in the 18th century as "balabaika"; this form is also present in South Russian dialects and the Belarusian language, as well as in Siberian Russia. It made its way into literature in the 18th century, first appearing in "Elysei", a 1771 poem by V. Maykov. "Balalaika" also appears in Nikolai Gogol's "Dead Souls", written between 1837 and 1842.
Types. The most common solo instrument is the prima, which is tuned E4–E4–A4 (thus the two lower strings are tuned to the same pitch). Sometimes the balalaika is tuned "guitar style" by folk musicians to G3–B3–D4 (mimicking the three highest strings of the Russian guitar), whereby it is easier to play for Russian guitar players, although classically trained balalaika purists avoid this tuning. It can also be tuned to E4–A4–D5, like its cousin, the domra, to make it easier for those trained on the domra to play the instrument, and still have a balalaika sound. The folk (pre-Andreev) tunings D4–F4–A4 and C4–E4–G4 were very popular, as this makes it easier to play certain riffs. Balalaikas have been made in the following sizes: Factory-made six-string prima balalaikas with three sets of double courses are also common. These have three double courses similar to the stringing of the mandolin and often use a "guitar" tuning. Four-string alto balalaikas are also encountered and are used in the orchestra of the Piatnistky Folk Choir.
The piccolo, prima, and secunda balalaikas were originally strung with gut with the thinnest melody string made of stainless steel. Today, nylon strings are commonly used in place of gut. Amateur and/or souvenir-style prima balalaikas usually have a total of 16 frets, while in professional orchestra-like ones that number raises to 24. Technique. An important part of balalaika technique is the use of the left thumb to fret notes on the lower string, particularly on the prima, where it is used to form chords. Traditionally, the side of the index finger of the right hand is used to sound notes on the prima, while a plectrum is used on the larger sizes. Because of the large size of the contrabass's strings, it is not uncommon to see players using a plectrum made from a leather shoe or boot heel. Bass and contrabass balalaikas rest on the ground, on a wooden or metal pin that is drilled into one of its corners. History. It is possible that the emergence and evolution of the balalaika was a product of interaction with Asian-Oriental cultures. In addition to European culture, early Russian states, also called Rus' or Rusi, were also influenced by Oriental-Asian cultures. Some theories say that the instrument is descended from the domra, an instrument from the East Slavs. In the Caucasus, similar instruments such as the Mongolian topshur, used in Kalmykia, and the Panduri used in Georgia are played. It is also similar to the Kazakh dombra, which has two strings. Variants of the dombra played by the Bashkirs often have 3 strings and may represent an instrument related to both the dombra and the balalaika.
The pre-Andreyev period. Early representations of the balalaika show it with anywhere from two to six strings. Similarly, frets on earlier balalaikas were made of animal gut and tied to the neck so that they could be moved around by the player at will (as is the case with the modern saz, which allows for the playing distinctive to Turkish and Central Asian music). The first known document mentioning the instrument dates back to 1688. A guard's logbook from the Moscow Kremlin records that two commoners were stopped from playing the Balalaika whilst drunk. Further documents from 1700 and 1714 also mention the instrument. In the early 18th century the term appeared in Ukrainian documents, where it sounded like "Balabaika". Balalaika appeared in "Elysei", a 1771 poem by V. Maikov. In the 19th century, the balalaika evolved into a triangular instrument with a neck that was substantially shorter than that of its Asian counterparts. It was popular as a village instrument for centuries, particularly with the "skomorokhs", sort of free-lance musical jesters whose tunes ridiculed the Tsar, the Russian Orthodox Church, and Russian society in general.
The Andreyev period. In the 1880s, Vasily Vasilievich Andreyev, who was then a professional violinist in the music salons of St Petersburg, developed what became the standardized balalaika, with the assistance of violin maker V. Ivanov. The instrument began to be used in his concert performances. A few years later, St. Petersburg craftsman Paserbsky further refined the instruments by adding a fully chromatic set of frets and also a number of balalaikas in orchestral sizes with the tunings now found in modern instruments. One of the reasons why the instruments were not standardised, was because people in the outlying areas built their own instruments because there was so little communication for them. There were no roads and weather conditions were generally bad. Andreyev patented the design and arranged numerous traditional Russian folk melodies for the orchestra. He also composed a body of concert pieces for the instrument. Balalaika orchestra. The result of Andreyev's labours was the establishment of an orchestral folk tradition in Tsarist Russia, which later grew into a movement within the Soviet Union. The balalaika orchestra in its full form consists of balalaikas, domras, gusli, bayan, Vladimir Shepherd's Horns, garmoshkas, and several types of percussion instruments.
With the establishment of the Soviet system and the entrenchment of a proletarian cultural direction, the culture of the working classes (which included that of village labourers) was actively supported by the Soviet establishment. The concept of the balalaika orchestra was adopted wholeheartedly by the Soviet government as something distinctively proletarian (that is, from the working classes) and was also deemed progressive. Significant amounts of energy and time were devoted to support and foster the formal study of the balalaika, from which highly skilled ensemble groups such as the Osipov State Russian Folk Orchestra emerged. Balalaika virtuosi such as Boris Feoktistov and Pavel Necheporenko became stars both inside and outside the Soviet Union. The movement was so powerful that even the renowned Red Army Choir, which initially used a normal symphonic orchestra, changed its instrumentation, replacing violins, violas, and violoncellos with orchestral balalaikas and domras. Solo instrument. Often musicians perform solo on the balalaika. In particular, Alexey Arkhipovsky is well known for his solo performances. In particular, he was invited to play at the opening ceremony of the second semi final of the Eurovision Song Contest 2009 in Moscow because the organizers wanted to give a "more Russian appearance" to the contest.
Notable players. See Category: Russian balalaika players (English Wikipedia) and a larger one in Russian In popular culture. Through the 20th century, interest in Russian folk instruments grew outside of Russia, likely as a result of western tours by Andreyev and other balalaika virtuosi early in the century. Significant balalaika associations are found in Washington, D.C., Los Angeles, New York, Atlanta and Seattle.
Bank of China Tower (Hong Kong) The Bank of China Tower (BOC Tower) is a skyscraper located in Central, Hong Kong. Located at 1 Garden Road on Hong Kong Island, the tower houses the headquarters of the Bank of China (Hong Kong) Limited. One of the most recognisable landmarks in Hong Kong, the building is notable for its distinct shape and design, consisting of triangular frameworks covered by glass curtain walls. The building was designed by Chinese-American architect I. M. Pei and L. C. Pei of I. M. Pei and Partners. At a height of , reaching high including a spire, the building is the fourth tallest skyscraper in Hong Kong, after International Commerce Centre, Two International Finance Centre (2 IFC) and Central Plaza. It was the tallest building in Hong Kong and Asia from 1990 to 1992, and it was the first supertall skyscraper outside the United States, the first to break the 305 m (1,000 ft) mark. It was surpassed by Central Plaza on the same island in 1992. Construction began on 18 April 1985 on the former site of Murray House, and was completed five years later in 1990. Sporting a steel-column design, the building is accessible from the MTR's Central station. The building lies between Cotton Tree Drive and Garden Road.
History. Site. The site on which the building is constructed was formerly the location of Murray House. After its brick-by-brick relocation to Stanley, the site was sold by the Government for "only HK$1 billion" in August 1982 amidst growing concern over the future of Hong Kong in the run-up to the transfer of sovereignty. The building was initially built by the Hong Kong Branch of the Bank of China; its Garden Road entrance continues to display the name "Bank of China", rather than BOCHK. The top four and the bottom 19 stories are used by the Bank, while the other floors are leased out. Ownership has since been transferred to BOCHK, although the Bank of China has leased back several floors for use by its own operations in Hong Kong. Favouritism controversy. The Government had apparently given preferential treatment to Chinese companies, and was again criticised for the apparent preferential treatment to the BOCHK. The price paid was half the amount of the Admiralty II plot, for which the MTR Corporation paid HK$1.82 billion in cash. The BOC would make initial payment of $60 million, with the rest payable over 13 years at 6% interest. The announcement of the sale was also poorly handled, and a dive in business confidence ensued. The Hang Seng Index fell 80 points, and the HK$ lost 1.5% of its value the next day.
Construction. The tower was built by Japanese contractor Kumagai Gumi. Superstructure work began in May 1986. The tower is a steel-frame structure. The Tiananmen Square protests of 1989 interrupted publicity surrounding the building's design and construction. A press conference scheduled for 24 May 1989, two weeks before the incident, was intended to show off the building's "designer socialist furnishings", but was called off as the student demonstrations in Beijing escalated. The public relations firm that organised the conference explained to the "South China Morning Post" that "under the circumstances, it has been decided to stop any publicity to do with the Bank of China." Once developed, gross floor area was expected to be . The original project was intended for completion on the auspicious date of 8 August 1988. However, owing to project delays, groundbreaking took place in March 1985, almost two years late, with the completion also facing a nearly two-year delay. It was topped out in 1989, and occupied on 15 June 1990.
Architecture. Designed by Pritzker Prize-winning architect I. M. Pei, the building is high with two masts reaching high. The 72-storey building is located near Central MTR station. This was the tallest building in Hong Kong and Asia from 1990 to 1992, the first building outside the United States to break the 305 m (1,000 ft) mark, and the first composite space frame high-rise building. That also means it was the tallest outside the United States from its completion year, 1990. It is now the fourth tallest skyscraper in Hong Kong, after International Commerce Centre, Two International Finance Centre and Central Plaza. A small observation deck on the 43rd floor of the building was once open to the public, but is now closed. The whole structure is supported by the four steel columns at the corners of the building, with the triangular frameworks transferring the weight of the structure onto these four columns. It is covered with glass curtain walls. Structural engineer Leslie E. Robertson, best known for his work on the Twin Towers of the original World Trade Center, provided the structural engineering design, while Jaros, Baum & Bolles was the mechanical, electrical and plumbing engineer.
While its distinctive look makes it one of Hong Kong's most identifiable landmarks today, it was the source of some controversy at one time, as the bank is the only major building in Hong Kong to have bypassed the convention of consulting with feng shui masters on matters of design prior to construction. The building has been criticised by some practitioners of feng shui for its sharp edges and its negative symbolism by the numerous 'X' shapes in its original design, though Pei modified the design to some degree before construction following this feedback. The building's profile from some angles resembles that of a meat cleaver and it is sometimes referred to as a "vertical knife". This earned it the nickname () in Cantonese, literally meaning 'one knife'. Transport. The Bank of China Tower can be accessed by the Mass Transit Railway (MTR) by walking through Chater Garden from Central station Exit J2.
Blind Lemon Jefferson Lemon Henry "Blind Lemon" Jefferson (September 24, 1893 – December 19, 1929) was an American blues and gospel singer-songwriter and musician. He was one of the most popular and successful blues singers of the 1920s and has been called the "Father of the Texas Blues". Due mainly to his high-pitched voice and the originality of his guitar playing, Jefferson's performances were distinctive. His recordings sold well, but he was not a strong influence on younger blues singers of his generation, who could not imitate him as easily as they could other commercially successful artists. Later blues and rock and roll musicians, however, did attempt to imitate both his songs and his musical style. Biography. Early life. Jefferson was born blind, near Coutchman, Texas. He was the youngest of seven (or possibly eight) children born to Clarissa and Alex Jefferson, who were African-American sharecroppers. Disputes regarding the date of his birth derive from the fact that census records and his draft registration show different dates. By 1900, the family was farming southeast of Streetman, Texas. Jefferson's birth date was recorded as September 1893 in the 1900 census. The 1910 census, taken in May, before his birthday, confirms his year of birth as 1893 and indicated that the family was farming northwest of Wortham, near his birthplace.
In his 1917 draft registration, Jefferson gave his birthday as October 26, 1894, stating that he lived in Dallas, Texas, and had been blind since birth. In the 1920 census, he is recorded as having returned to Freestone County and was living with his half-brother, Kit Banks, on a farm between Wortham and Streetman. Jefferson began playing the guitar in his early teens and soon after he began performing at picnics and parties. He became a street musician, playing in East Texas towns in front of barbershops and on street corners. According to his cousin Alec Jefferson, quoted in the notes for the compilation album "The Complete 94 Classic Sides: Remastered": One of Jefferson's first appearances was at the General Association of Baptist Churches in Buffalo, Texas. There he would perform classic gospel music which would later lead to his first album release in 1926 containing two hit gospel songs, "I Want to Be Like Jesus in My Heart" and "All I Want Is That Pure Religion". According to his friend, the folk musician Lead Belly, in 1917, Jefferson was commonly found on the corner of Elm and Central Tracks in a part of Dallas called Deep Ellum. Jefferson was restricted in many parts of Dallas by the white population, leaving his only option to play the African-American neighborhood that made up Deep Ellum.
In 1912, Jefferson began traveling frequently to Dallas, where he played with Lead Belly. Jefferson was one of the earliest and most prominent figures in the blues movement developing in Deep Ellum. It is probable that he moved to Deep Ellum on a more permanent basis by 1917, where he met Aaron Thibeaux Walker, also known as T-Bone Walker. Jefferson taught Walker the basics of playing blues guitar in exchange for Walker's occasional services as a guide. By the early 1920s, Jefferson was earning enough money for his musical performances to support a wife and, possibly, a child. However, firm evidence of his marriage and children has not been found. Beginning of recording career. Prior to Jefferson, few artists had recorded solo voice and blues guitar, the first of which were the vocalist Sara Martin and the guitarist Sylvester Weaver, who recorded "Longing for Daddy Blues", probably on October 24, 1923. The first self-accompanied solo performer of a self-composed blues song was Lee Morse, whose "Mail Man Blues" was recorded on October 7, 1924. Jefferson's music is uninhibited and represented the classic sounds of everyday life, from a honky-tonk to a country picnic, to street corner blues, to work in the burgeoning oil fields (a reflection of his interest in mechanical objects and processes).
Jefferson did what few had ever done before him – he became a successful solo guitarist and male vocalist in the commercial recording world. Unlike many artists who were "discovered" and recorded in their normal venues, Jefferson was taken to Chicago in December 1925 or January 1926 to record his first tracks. Uncharacteristically for him, the first two recordings on this session were gospel songs ("I Want to Be Like Jesus in My Heart" and "All I Want Is That Pure Religion"), and they were released under the name Deacon L. J. Bates. A second recording session was held in March 1926. His first releases under his own name, "Booster Blues" and "Dry Southern Blues", were hits. Their popularity led to the release of the other two songs from that session, "Got the Blues" and "Long Lonesome Blues", which became a runaway success, with sales in six figures. He recorded about a hundred tracks between 1926 and 1929; forty-three records were issued, all but one of them on Paramount Records. Almost all of his recordings for Paramount had poor sound quality because Paramount's studio techniques and production were poor during that time. In May 1926, Paramount re-recorded Jefferson performing his hits "Got the Blues" and "Long Lonesome Blues" in the superior facilities at Marsh Laboratories, and their subsequent releases used these newer versions. Both the original and re-recorded versions appear on modern compilation albums.
Success with Paramount Records. Largely because of the popularity of artists such as Jefferson and his contemporaries Blind Blake and Ma Rainey, Paramount became the leading recording company for the blues in the 1920s. Jefferson's earnings reputedly enabled him to buy a car and employ chauffeurs (this information has been disputed); he was given a Ford car "worth over $700" by Mayo Williams, Paramount's connection with the black community. This was a common compensation for recording rights in that market. Jefferson is known to have done an unusual amount of traveling for the time in the American South, which is reflected in the difficulty of placing his music in a single regional category. Jefferson's "old-fashioned" sound and confident musicianship made it easy to market him. His skillful guitar playing and impressive vocal range opened the door for a new generation of male solo blues performers, such as Furry Lewis, Charlie Patton, and Barbecue Bob. He stuck to no musical conventions, varying his riffs and rhythm and singing complex and expressive lyrics in a manner exceptional at the time for a "simple country blues singer." According to the North Carolina musician Walter Davis, Jefferson played on the streets in Johnson City, Tennessee, during the early 1920s, at which time Davis and the entertainer Clarence Greene learned the art of blues guitar.
Jefferson was reputedly unhappy with his royalties (although Williams said that Jefferson had a bank account containing as much as $1,500). In 1927, when Williams moved to Okeh Records, he took Jefferson with him, and Okeh quickly recorded and released Jefferson's "Matchbox Blues", backed with "Black Snake Moan". It was his only Okeh recording, probably because of contractual obligations with Paramount. Jefferson's two songs released on Okeh have considerably better sound quality than his Paramount records at the time. When he returned to Paramount a few months later, "Matchbox Blues" had already become such a hit that Paramount re-recorded and released two new versions, with the producer Arthur Laibly. In 1927, Jefferson recorded another of his classic songs, the haunting "See That My Grave Is Kept Clean" (again using the pseudonym Deacon L. J. Bates), and two other uncharacteristically spiritual songs, "He Arose from the Dead" and "Where Shall I Be". "See That My Grave Is Kept Clean" was so successful that it was re-recorded and re-released in 1928.
Death and grave. Jefferson died in Chicago at 10:00 a.m. on December 19, 1929, of what his death certificate said was "probably acute myocarditis". For many years, rumors circulated that a jealous lover had poisoned his coffee, but a more likely explanation is that he died of a heart attack after becoming disoriented during a snowstorm. Some have said that he died of a heart attack after being attacked by a dog in the middle of the night. In his 1983 book "Tolbert's Texas", Frank X. Tolbert claims that he was killed while being robbed of a large royalty payment by a guide escorting him to Chicago Union Station to catch a train home to Texas. Paramount Records paid for the return of his body to Texas by train, accompanied by the pianist William Ezell. Jefferson was buried at Wortham Negro Cemetery (later Wortham Black Cemetery) in Wortham, Freestone County, Texas. His grave was unmarked until 1967, when a Texas historical marker was erected in the general area of his plot; however, the precise location of the grave is still unknown. By 1996, the cemetery and marker were in poor condition, and a new granite headstone was erected in 1997. The inscription reads: "Lord, it's one kind favor I'll ask of you, see that my grave is kept clean." In 2007, the cemetery's name was changed to Blind Lemon Memorial Cemetery, and his gravesite is kept clean by a cemetery committee in Wortham.
Discography and awards. Jefferson had an intricate and fast style of guitar playing and a particularly high-pitched voice. He was a founder of the Texas blues sound and an important influence on other blues singers and guitarists, including Lead Belly and Lightnin' Hopkins. He was the author of many songs covered by later musicians, including the classic "See That My Grave Is Kept Clean". Another of his songs, "Matchbox Blues", was recorded more than 30 years later by the Beatles, in a rockabilly version credited to Carl Perkins, who did not credit Jefferson on his 1955 recording. Fellow blues artist B.B. King credited Jefferson as one of his biggest musical influences, next to Lonnie Johnson, Louis Jordan and T-Bone Walker. The Rock and Roll Hall of Fame selected Jefferson's 1927 recording of "Matchbox Blues" as one of the 500 songs that shaped rock and roll. Jefferson was among the inaugural class of blues musicians inducted into the Blues Hall of Fame in 1980.
Baku (mythology) are Japanese supernatural beings that are said to devour nightmares. They originate from the Chinese Mo. According to legend, they were created by the spare pieces that were left over when the gods finished creating all other animals. They have a long history in Japanese folklore and art, and more recently have appeared in manga and anime. The Japanese term "baku" has two current meanings, referring to both the traditional dream-devouring creature and to the Malayan tapir. In recent years, there have been changes in how the "baku" is depicted. History and description. The traditional Japanese nightmare-devouring "baku" originates in Chinese folklore from the "mo" 貘 (giant panda) and was familiar in Japan as early as the Muromachi period (14th–15th century). Hori Tadao has described the dream-eating abilities attributed to the traditional "baku" and relates them to other preventatives against nightmare such as amulets. Kaii-Yōkai Denshō Database, citing a 1957 paper, and Mizuki also describe the dream-devouring capacities of the traditional "baku".
Before its adaptation to the Japanese dream-caretaker myth creature, an early 17th-century Japanese manuscript, the "Sankai Ibutsu" (), describes the "baku" as a shy, Chinese mythical chimera with the trunk and tusks of an elephant, the ears of a rhinoceros, the tail of a cow, the body of a bear and the paws of a tiger, which protected against pestilence and evil, although eating nightmares was not included among its abilities. However, in a 1791 Japanese wood-block illustration, a specifically dream-destroying "baku" is depicted with an elephant's head, tusks, and trunk, with horns and tiger's claws. The elephant's head, trunk, and tusks are characteristic of "baku" portrayed in classical era (pre-Meiji) Japanese wood-block prints (see illustration) and in shrine, temple, and netsuke carvings. Writing in the Meiji period, Lafcadio Hearn (1902) described a "baku" with very similar attributes that was also able to devour nightmares. Legend has it that a person who wakes up from a bad dream can call out to "baku". A child having a nightmare in Japan will wake up and repeat three times, "Baku-san, come eat my dream." Legends say that the "baku" will come into the child's room and devour the bad dream, allowing the child to go back to sleep peacefully. However, calling to the "baku" must be done sparingly, because if he remains hungry after eating one's nightmare, he may also devour their hopes and desires as well, leaving them to live an empty life. The "baku" can also be summoned for protection from bad dreams prior to falling asleep at night. In the 1910s, it was common for Japanese children to keep a "baku" talisman at their bedside.
Blackbeard Edward Teach (or Thatch; – 22 November 1718), better known as Blackbeard, was an English pirate who operated around the West Indies and the eastern coast of Britain's North American colonies. Little is known about his early life, but he may have been a sailor on privateer ships during Queen Anne's War before he settled on the Bahamian island of New Providence, a base for Captain Benjamin Hornigold, whose crew Teach joined around 1716. Hornigold placed him in command of a sloop that he had captured, and the two engaged in numerous acts of piracy. Their numbers were boosted by the addition to their fleet of two more ships, one of which was commanded by Stede Bonnet, but Hornigold retired from piracy toward the end of 1717, taking two vessels with him. Teach captured a French slave ship known as , renamed her "Queen Anne's Revenge," equipped her with 40 guns, and crewed her with over 300 men. He became a renowned pirate. His nickname derived from his thick black beard and fearsome appearance. He was reported to have tied lit fuses (slow matches) under his hat to frighten his enemies. He formed an alliance of pirates and blockaded the port of Charles Town, South Carolina, ransoming the port's inhabitants. He then ran "Queen Anne's Revenge" aground on a sandbar near Beaufort, North Carolina. He parted company with Stede Bonnet and settled in Bath, North Carolina, also known as Bath Town, where he accepted a royal pardon. However, he was soon back at sea, where he attracted the attention of Alexander Spotswood, the governor of Virginia. Spotswood arranged for a party of soldiers and sailors to capture him. On 22 November 1718, following a ferocious battle, Teach and several of his crew were killed by a small force of sailors led by Lieutenant Robert Maynard.
Teach was a shrewd and calculating leader who spurned the use of violence, relying instead on his fearsome image to elicit the response that he desired from those whom he robbed. He was romanticised after his death and became the inspiration for an archetypal pirate in works of fiction across many genres. Early life. Little is known about Blackbeard's early life. It is commonly believed that at the time of his death he was between 35 and 40 years old and thus born around 1680. In contemporary records his name is most often given as Blackbeard, Edward Thatch or Edward Teach. The latter is most often used because it is the form used in the dispatches of North America's only newspaper at the time, the Boston News-Letter, but primary sources written by people who had actually met the pirate all refer to him as "Thatch" or variations thereof. Several spellings of his surname exist: Thatch, Thach, Thache, Thack, Tack, Thatche, and Theach. One source claims that his surname was Drummond, but the lack of any supporting documentation makes this unlikely. Pirates habitually used fictitious surnames while engaged in piracy so as not to tarnish the family name, which makes it unlikely that Teach's real name will ever be known.
The 17th-century rise of Britain's American colonies and the rapid 18th-century expansion of the Atlantic slave trade had made Bristol an important international sea port, and Teach was most likely raised in what was then the second-largest city in England. He could almost certainly read and write. He communicated with merchants and, upon his death, had in his possession a letter addressed to him by the Chief Justice and Secretary of the Province of Carolina, Tobias Knight. Author Robert Lee speculated that Teach may therefore have been born into a respectable, wealthy family. He may have arrived in the Caribbean in the last years of the 17th century, on a merchant vessel (possibly a slave ship). The 18th-century author Charles Johnson claimed that Teach was for some time a sailor operating from Jamaica on privateer ships during the War of the Spanish Succession, and that "he had often distinguished himself for his uncommon boldness and personal courage." It is unknown at what point during the war Teach joined the fighting, as with the record of most of his life before he became a pirate.
Life as a pirate. New Providence. With its history of colonialism, trade and piracy, the West Indies was the setting for many 17th- and 18th-century maritime incidents. The privateer-turned-pirate Henry Jennings and his followers decided, early in the 18th century, to use the uninhabited island of New Providence as a base for their operations since it was within easy reach of the Florida Strait and its busy shipping lanes, which were filled with European vessels crossing the Atlantic. New Providence's harbour could easily accommodate hundreds of ships but was too shallow for the Royal Navy's larger vessels. The author George Woodbury described New Providence as "no city of homes. It was a place of temporary sojourn and refreshment for a literally floating population," continuing, "The only permanent residents were the piratical camp followers, the traders, and the hangers-on. All others were transient." In New Providence, pirates found a welcome respite from the law.
It was during this cruise with Hornigold that the earliest known report of Teach was made, in which he is recorded as a pirate in his own right, in command of a large crew. In a report made by a Captain Mathew Munthe on an anti-piracy patrol for North Carolina, "Thatch" was described as operating "a sloop 6 and about 70 men." In September, Teach and Hornigold encountered Stede Bonnet, a landowner and military officer from a wealthy family who had turned to piracy earlier that year. Bonnet's crew of about 70 were reportedly dissatisfied with his command, so with Bonnet's permission, Teach took control of his ship, "Revenge." The pirates' flotilla now consisted of three ships: Teach on "Revenge," Teach's old sloop, and Hornigold's "Ranger." By October, another vessel had been captured and added to the small fleet. The sloops "Robert" of Philadelphia and "Good Intent" of Dublin were stopped on 22 October 1717 and their cargo holds emptied. As a former British privateer, Hornigold attacked only his old enemies, but for his crew, the sight of British vessels filled with valuable cargo passing by unharmed became too much, and at some point toward the end of 1717 he was demoted. Whether Teach had any involvement in this decision is unknown, but Hornigold quickly retired from piracy. He took "Ranger" and one of the sloops, leaving Teach with "Revenge" and the remaining sloop. The two never met again and, as did many other occupants of New Providence, Hornigold accepted the King's pardon.
Blackbeard. On 28 November 1717 Teach's two ships attacked a French merchant vessel off the coast of Saint Vincent. They each fired a broadside across its bulwarks, killing several of its crew, and forcing its captain to surrender. The ship was , a large French Guineaman registered in Saint-Malo and carrying a cargo of slaves. This ship had originally been the English merchantman "Concord", captured in 1711 by a French squadron, and then changed hands several times by 1717. Teach and his crews sailed the vessel south along Saint Vincent and the Grenadines to Bequia, where they disembarked her crew and cargo, and converted the ship for their own use. The crew of were given the smaller of Teach's two sloops, which they renamed ("Bad Meeting"), and sailed for Martinique. Teach may have recruited some of their slaves, but the remainder were left on the island and were later recaptured by the returning crew of . Teach immediately renamed as "Queen Anne's Revenge" and equipped her with 40 guns. By this time Teach had placed his lieutenant Richards in command of Bonnet's "Revenge". In late November the same year, near Saint Vincent, he attacked the "Great Allen". After a lengthy engagement, he forced the large and well-armed merchant ship to surrender. He ordered her to move closer to the shore, disembarked her crew and emptied her cargo holds, and then burned and sank the vessel. The incident was chronicled in the "Boston News-Letter", which called Teach the commander of a "French ship of 32 Guns, a Briganteen of 10 guns and a Sloop of 12 guns." It is not known when or where Teach collected the ten-gun briganteen, but by that time he may have been in command of at least 150 men split among three vessels.
On 5 December 1717 Teach stopped the merchant sloop "Margaret" off the coast of Crab Island, near Anguilla. Her captain, Henry Bostock, and crew, remained Teach's prisoners for about eight hours, and were forced to watch as their sloop was ransacked. Bostock, who had been held aboard "Queen Anne's Revenge", was returned unharmed to "Margaret" and was allowed to leave with his crew. He returned to his base of operations on Saint Christopher Island and reported the matter to Governor Walter Hamilton, who requested that he sign an affidavit about the encounter. Bostock's deposition details Teach's command of two vessels: a sloop and a large French guineaman, Dutch-built, with 36 cannons and a crew of 300 men. The captain believed that the larger ship carried valuable gold dust, silver plate, and "a very fine cup" supposedly taken from the commander of "Great Allen". Teach's crew had apparently informed Bostock that they had destroyed several other vessels, and that they intended to sail to Hispaniola and lie in wait for an expected Spanish armada, supposedly laden with money to pay the garrisons. Bostock also claimed that Teach had questioned him about the movements of local ships, but also that he had seemed unsurprised when Bostock told him of an expected royal pardon from London for all pirates.
Bostock's deposition describes Teach as a "tall spare man with a very black beard which he wore very long". It is the first recorded account of Teach's appearance and is the source of his nickname Blackbeard. Later descriptions mention that his thick black beard was braided into pigtails, sometimes tied in with small coloured ribbons. Johnson (1724) described him as "such a figure that imagination cannot form an idea of a fury from hell to look more frightful." Whether Johnson's description was entirely truthful or embellished is unclear, but it seems likely that Teach understood the value of appearances; better to strike fear into the heart of one's enemies than rely on bluster alone. Teach was tall, with broad shoulders. He wore knee-length boots and dark clothing, topped with a wide hat and sometimes a long coat of brightly coloured silk or velvet. Johnson also described Teach in times of battle as wearing "a sling over his shoulders, with three brace of pistols, hanging in holsters like bandoliers; and stuck lighted slow matches under his hat", the latter apparently to emphasise the fearsome appearance he wished to present to his enemies. Despite his ferocious reputation, there are no verified accounts of his ever having murdered or harmed those he held captive. Teach may have used other aliases; on 30 November, the "Monserrat Merchant" encountered two ships and a sloop, commanded by a Captain Kentish and Captain Edwards (the latter a known alias of Stede Bonnet).
Enlargement of Teach's fleet. Teach's movements between late 1717 and early 1718 are not known. He and Bonnet were probably responsible for an attack off Sint Eustatius in December 1717. Henry Bostock claimed to have heard the pirates say they would head toward the Spanish-controlled Samaná Bay in Hispaniola, but a cursory search revealed no pirate activity. Captain Hume of reported on 6 February that a "Pyrate Ship of 36 Guns and 250 men, and a Sloop of 10 Guns and 100 men were Said to be Cruizing amongst the Leeward Islands". Hume reinforced his crew with soldiers armed with muskets, and joined up with to track the two ships, to no avail, though they discovered that the two ships had sunk a French vessel off St Christopher Island, and reported also that they had last been seen "gone down the North side of Hispaniola". Although no confirmation exists that these two ships were controlled by Teach and Bonnet, author Angus Konstam believes it very likely they were. In March 1718, while taking on water at Turneffe Island east of Belize, both ships spotted the Jamaican logwood-cutting sloop "Adventure" making for the harbour. She was stopped and her captain, Harriot, invited to join the pirates. Harriot and his crew accepted the invitation, and Teach sent over a crew to sail "Adventure" making Israel Hands the captain. They sailed for the Bay of Honduras, where they added another ship and four sloops to their flotilla. On 9 April Teach's enlarged fleet of ships looted and burnt "Protestant Caesar". His fleet then sailed to Grand Cayman where they captured a "small turtler". Teach probably sailed toward Havana, where he may have captured a small Spanish vessel that had left the Cuban port. They then sailed to the wrecks of the 1715 Spanish fleet, off the eastern coast of Florida. There Teach disembarked the crew of the captured Spanish sloop, before proceeding north to the port of Charles Town, South Carolina, attacking three vessels along the way.
Blockade of Charles Town. By May 1718, Teach had awarded himself the rank of Commodore and was at the height of his power. Late that month his flotilla blockaded the port of Charles Town in the Province of South Carolina. All vessels entering or leaving the port were stopped, and as the town had no guard ship, its pilot boat was the first to be captured. Over the next five or six days about nine vessels were stopped and ransacked as they attempted to sail past Charles Town Bar, where Teach's fleet was anchored. One such ship, headed for London with a group of prominent Charles Town citizens which included Samuel Wragg (a member of the Council of the province of Carolina), was the "Crowley". Her passengers were questioned about the vessels still in port and then locked below decks for about half a day. Teach informed the prisoners that his fleet required medical supplies from the colonial government of South Carolina, and that if none were forthcoming, all prisoners would be executed, their heads sent to the Governor and all captured ships burnt.
Wragg agreed to Teach's demands, and a Mr. Marks and two pirates were given two days to collect the drugs. Teach moved his fleet, and the captured ships, to within about five or six leagues from land. Three days later a messenger, sent by Marks, returned to the fleet; Marks's boat had capsized and delayed their arrival in Charles Town. Teach granted a reprieve of two days, but still the party did not return. He then called a meeting of his fellow sailors and moved eight ships into the harbour, causing panic within the town. When Marks finally returned to the fleet, he explained what had happened. On his arrival he had presented the pirates' demands to the Governor and the drugs had been quickly gathered, but the two pirates sent to escort him had proved difficult to find; they had been busy drinking with friends and were finally discovered, drunk. Teach kept to his side of the bargain and released the captured ships and his prisoners—albeit relieved of their valuables, including the fine clothing some had worn.
Beaufort Inlet. Whilst at Charles Town, Teach learned that Woodes Rogers had left England with several men-of-war, with orders to purge the West Indies of pirates. Teach's flotilla sailed northward along the Atlantic coast and into Topsail Inlet (commonly known as Beaufort Inlet), off the coast of North Carolina. There they intended to careen their ships to scrape their hulls, but on 10 June 1718 the "Queen Anne's Revenge" ran aground on a sandbar, cracking her main-mast and severely damaging many of her timbers. Teach ordered several sloops to throw ropes across the flagship in an attempt to free her. A sloop commanded by Israel Hands of "Adventure" also ran aground, and both vessels appeared to be damaged beyond repair, leaving only "Revenge" and the captured Spanish sloop. Pardon. Teach had at some stage learnt of the offer of a royal pardon and probably confided in Bonnet his willingness to accept it. The pardon was open to all pirates who surrendered on or before 5 September 1718, but contained a caveat stipulating that immunity was offered only against crimes committed before 5 January. Although in theory this left Bonnet and Teach at risk of being hanged for their actions at Charles Town Bar, most authorities could waive such conditions. Teach thought that Governor Charles Eden was a man he could trust, but to make sure, he waited to see what would happen to another captain. Bonnet left immediately on a small sailing boat for Bath Town, where he surrendered to Governor Eden, and received his pardon. He then travelled back to Beaufort Inlet to collect the "Revenge" and the remainder of his crew, intending to sail to Saint Thomas Island to receive a commission. Unfortunately for him, Teach had stripped the vessel of its valuables and provisions, and had marooned its crew; Bonnet set out for revenge, but was unable to find him. He and his crew returned to piracy and were captured on 27 September 1718 at the mouth of the Cape Fear River. All but four were tried and hanged in Charles Town.
The author Robert Lee surmised that Teach and Hands intentionally ran the ships aground to reduce the fleet's crew complement, increasing their share of the spoils. During the trial of Bonnet's crew, "Revenge"s boatswain Ignatius Pell testified that "the ship was run ashore and lost, which Thatch [Teach] caused to be done." Lee considers it plausible that Teach let Bonnet in on his plan to accept a pardon from Governor Eden. He suggested that Bonnet do the same, and as war between the Quadruple Alliance of 1718 and Spain was threatening, to consider taking a privateer's commission from England. Lee suggests that Teach also offered Bonnet the return of his ship "Revenge". Konstam (2007) proposes a similar idea, explaining that Teach began to see "Queen Anne's Revenge" as something of a liability; while a pirate fleet was anchored, news of this was sent to neighbouring towns and colonies, and any vessels nearby would delay sailing. It was prudent therefore for Teach not to linger for too long, although wrecking the ship was an extreme measure.
Before sailing northward on his remaining sloop to Ocracoke Inlet, Teach marooned about 25 men on a small sandy island about 5 km from the mainland. He may have done this to stifle any protest they made, if they guessed their captain's plans. Bonnet rescued them two days later. Teach continued on to Bath, where in June 1718—only days after Bonnet had departed with his pardon—he and his much-reduced crew received their pardon from Governor Eden. He settled in Bath, on the eastern side of Bath Creek at Plum Point, near Eden's home. During July and August he travelled between his base in the town and his sloop off Ocracoke. Johnson's account states that he married the daughter of a local plantation owner, although there is no supporting evidence for this. Eden gave Teach permission to sail to St Thomas to seek a commission as a privateer (a useful way of removing bored and troublesome pirates from the small settlement), and Teach was given official title to his remaining sloop, which he renamed "Adventure". By the end of August he had returned to piracy, and in the same month the governor of Pennsylvania issued a warrant for his arrest, but by then Teach was probably operating in Delaware Bay, some distance away. He took two French ships leaving the Caribbean, moved one crew across to the other, and sailed the remaining ship back to Ocracoke. In September he told Eden that he had found the French ship at sea, deserted. A Vice Admiralty Court was quickly convened, presided over by Tobias Knight and the Collector of Customs. The ship was judged as a derelict found at sea, and of its cargo twenty hogsheads of sugar were awarded to Knight and sixty to Eden; Teach and his crew were given what remained in the vessel's hold.
Ocracoke Inlet was Teach's favourite anchorage. It was a perfect vantage point from which to view ships travelling between the various settlements of northeast Carolina, and it was from there that Teach first spotted the approaching ship of Charles Vane, another English pirate. Several months earlier Vane had rejected the pardon brought by Woodes Rogers and escaped the men-of-war the English captain brought with him to Nassau. He had also been pursued by Teach's old commander, Benjamin Hornigold, who was by then a pirate hunter. Teach and Vane spent several nights on the southern tip of Ocracoke Island, accompanied by such notorious figures as Israel Hands, Robert Deal and Calico Jack. Alexander Spotswood. As it spread throughout the neighbouring colonies, the news of Teach and Vane's impromptu party worried the governor of Pennsylvania enough to send out two sloops to capture the pirates. They were unsuccessful, but Governor of Virginia Alexander Spotswood was also concerned that the supposedly retired freebooter and his crew were living in nearby North Carolina. Some of Teach's former crew had already moved into several Virginian seaport towns, prompting Spotswood to issue a proclamation on 10 July, requiring all former pirates to make themselves known to the authorities, to give up their arms and to not travel in groups larger than three. As head of a Crown colony, Spotswood viewed the proprietary colony of North Carolina with contempt; he had little faith in the ability of the Carolinians to control the pirates, who he suspected would be back to their old ways, disrupting Virginian commerce, as soon as their money ran out.
Spotswood learned that William Howard, the former quartermaster of "Queen Anne's Revenge", was in the area, and believing that he might know of Teach's whereabouts had him and his two slaves arrested. Spotswood had no legal authority to have pirates tried, and as a result, Howard's attorney, John Holloway, brought charges against Captain Brand of , where Howard was imprisoned. He also sued on Howard's behalf for damages of £500, claiming wrongful arrest. Spotswood's council claimed that under a statute of William III the governor was entitled to try pirates without a jury in times of crisis and that Teach's presence was a crisis. The charges against Howard referred to several acts of piracy supposedly committed after the pardon's cut-off date, in "a sloop belonging to ye subjects of the King of Spain", but ignored the fact that they took place outside Spotswood's jurisdiction and in a vessel then legally owned. Another charge cited two attacks, one of which was the capture of a slave ship off Charles Town Bar, from which one of Howard's slaves was presumed to have come. Howard was sent to await trial before a Court of Vice-Admiralty, on the charge of piracy, but Brand and his colleague, Captain Gordon (of ) refused to serve with Holloway present. Incensed, Holloway had no option but to stand down, and was replaced by the Attorney General of Virginia, John Clayton, whom Spotswood described as "an honester man [than Holloway]". Howard was found guilty and sentenced to be hanged, but was saved by a commission from London, which directed Spotswood to pardon all acts of piracy committed by surrendering pirates before 18 August 1718.
Spotswood had obtained from Howard valuable information on Teach's whereabouts, and he planned to send his forces across the border into North Carolina to capture him. He gained the support of two men keen to discredit North Carolina's governor—Edward Moseley and Colonel Maurice Moore. He also wrote to the Lords of Trade, suggesting that the Crown might benefit financially from Teach's capture. Spotswood personally financed the operation, possibly believing that Teach had fabulous treasures hidden away. He ordered Captains Gordon and Brand of HMS "Pearl" and HMS "Lyme" to travel overland to Bath. Lieutenant Robert Maynard of HMS "Pearl" was given command of two commandeered sloops, to approach the town from the sea. An extra incentive for Teach's capture was the offer of a reward from the Assembly of Virginia, over and above any that might be received from the Crown. Maynard took command of the two armed sloops on 17 November. He was given 57 men—33 from HMS "Pearl" and 24 from HMS "Lyme". Maynard and the detachment from HMS "Pearl" took the larger of the two vessels and named her "Jane"; the rest took "Ranger", commanded by one of Maynard's officers, a Mister Hyde. Some from the two ships' civilian crews remained aboard. They sailed from Kecoughtan, along the James River, on 17 November. The two sloops moved slowly, giving Brand's force time to reach Bath. Brand set out for North Carolina six days later, arriving within three miles of Bath on 23 November. Included in Brand's force were several North Carolinians, including Colonel Moore and Captain Jeremiah Vail, sent to counter any local objection to the presence of foreign soldiers. Moore went into the town to see if Teach was there, reporting back that he was not, but that he was expected at "every minute." Brand then went to Governor Eden's home and informed him of his purpose. The next day, Brand sent two canoes down Pamlico River to Ocracoke Inlet, to see if Teach could be seen. They returned two days later and reported on what eventually transpired.
Last battle. Maynard found the pirates anchored on the inner side of Ocracoke Island, on the evening of 21 November. He had ascertained their position from ships he had stopped along his journey, but being unfamiliar with the local channels and shoals he decided to wait until the following morning to make his attack. He stopped all traffic from entering the inlet—preventing any warning of his presence—and posted a lookout on both sloops to ensure that Teach could not escape to sea. On the other side of the island, Teach was busy entertaining guests and had not set a lookout. With Israel Hands ashore in Bath with about 24 of "Adventure"s sailors, he also had a much-reduced crew. Johnson (1724) reported Teach had "no more than twenty-five men on board" and that he "gave out to all the vessels that he spoke with that he had forty". "Thirteen white and six Negroes", was the number later reported by Brand to the Admiralty. At daybreak, preceded by a small boat taking soundings, Maynard's two sloops entered the channel. The small craft was quickly spotted by "Adventure" and fired at as soon as it was within range of her guns. While the boat made a quick retreat to the "Jane", Teach cut the "Adventure"s anchor cable. His crew hoisted the sails and the "Adventure" manoeuvred to point her starboard guns toward Maynard's sloops, which were slowly closing the gap. Hyde moved "Ranger" to the port side of "Jane" and the Union flag was unfurled on each ship. "Adventure" then turned toward the beach of Ocracoke Island, heading for a narrow channel. What happened next is uncertain. Johnson claimed that there was an exchange of small arms fire following which "Adventure" ran aground on a sandbar, and Maynard anchored and then lightened his ship to pass over the obstacle. Another version claimed that "Jane" and "Ranger" ran aground, although Maynard made no mention of this in his log.
The "Adventure" eventually turned her guns on the two ships and fired. The broadside was devastating; in an instant, Maynard had lost as much as a third of his forces. About 20 on "Jane" were either wounded or killed and 9 on "Ranger". Hyde was dead and his second and third officers either dead or seriously injured. His sloop was so badly damaged that it played no further role in the attack. Contemporary accounts of what happened next are confused, but small-arms fire from "Jane" may have cut "Adventure"s jib sheet, causing her to lose control and run onto the sandbar. In the aftermath of Teach's overwhelming attack, "Jane" and "Ranger" may also have been grounded; the battle would have become a race to see who could float their ship first. Maynard had kept many of his men below deck, and in anticipation of being boarded told them to prepare for close fighting. Teach watched as the gap between the vessels closed, and ordered his men to be ready. The two vessels contacted one another as the "Adventure"s grappling hooks hit their target and several grenades, made from powder and shot-filled bottles and ignited by fuses, broke across the sloop's deck. As the smoke cleared, Teach led his men aboard, buoyant at the sight of Maynard's apparently empty ship, his men firing at the small group of men with Maynard at the stern.
The rest of Maynard's men then burst from the hold, shouting and firing. The plan to surprise Teach and his crew worked; the pirates were apparently taken aback at the assault. Teach rallied his men and the two groups fought across the deck, which was already slick with blood from those killed or injured by Teach's broadside. Maynard and Teach fired their flintlocks at each other. Maynard managed to hit Teach, while Teach missed. Both then threw their flintlocks away and drew their cutlasses. Teach broke Maynard's cutlass at the hilt. Against superior training and a slight advantage in numbers, the pirates were pushed back toward the bow, allowing the "Jane"s crew to surround Maynard and Teach, who was by then completely isolated. Teach pressed onward and was about to deliver a killing blow, but was slashed across the neck by one of Maynard's men. This redirected Teach's cutlass to strike Maynard's knuckles instead of killing him. Badly wounded, Teach was then attacked and killed by several more of Maynard's crew. The remaining pirates quickly surrendered. Those left on the "Adventure" were captured by the "Ranger"s crew, including one who planned to set fire to the powder room and blow up the ship. Varying accounts exist of the battle's list of casualties; Maynard reported that 8 of his men and 12 pirates were killed. Brand reported that 10 pirates and 11 of Maynard's men were killed. Spotswood claimed ten pirates and ten of the King's men dead.
Maynard later examined Teach's body, noting that it had been shot five times and cut about twenty. He also found several items of correspondence, including a letter from Tobias Knight. Teach's corpse was thrown into the inlet and his head was suspended from the bowsprit of Maynard's sloop so that the reward could be collected. On their return to Virginia, Teach's head was placed on a pole at the entrance to the Chesapeake Bay as a warning to other pirates and a greeting to other ships, and it stood there for several years. Legacy. Lieutenant Maynard remained at Ocracoke for several more days, making repairs and burying the dead. Teach's loot—sugar, cocoa, indigo and cotton—found "in pirate sloops and ashore in a tent where the sloops lay", was sold at auction along with sugar and cotton found in Tobias Knight's barn, for £2,238. Governor Spotswood used a portion of this to pay for the entire operation. The prize money for capturing Teach was to have been about £400 (£ in ), but it was split between the crews of HMS "Lyme" and HMS "Pearl". As Captain Brand and his troops had not been the ones fighting for their lives, Maynard thought this extremely unfair. He lost much of any support he might have had though when it was discovered that he and his crew had helped themselves to about £90 of Teach's booty. The two companies did not receive their prize money for another four years, and despite his bravery Maynard was not promoted, and faded into obscurity.
The remainder of Teach's crew and former associates were found by Brand, in Bath, and were transported to Williamsburg, Virginia, where they were jailed on charges of piracy. Several were black, prompting Spotswood to ask his council what could be done about "the Circumstances of these Negroes to exempt them from undergoing the same Tryal as other pirates." Regardless, the men were tried with their comrades in Williamsburg's Capitol building, under admiralty law, on 12 March 1719. No records of the day's proceedings remain, but 14 of the 16 accused were found guilty. Of the remaining two, one proved that he had partaken of the fight out of necessity, having been on Teach's ship only as a guest at a drinking party the night before, and not as a pirate. The other, Israel Hands, was not present at the fight. He claimed that during a drinking session Teach had shot him in the knee, and that he was still covered by the royal pardon. The remaining pirates were hanged, then left to rot in gibbets along Williamsburg's Capitol Landing Road (known for some time after as "Gallows Road").
Governor Eden was certainly embarrassed by Spotswood's invasion of North Carolina, and Spotswood disavowed himself of any part of the seizure. He defended his actions, writing to Lord Carteret, a shareholder of the province of Carolina, that he might benefit from the sale of the seized property and reminding the Earl of the number of Virginians who had died to protect his interests. He argued for the secrecy of the operation by suggesting that Eden "could contribute nothing to the Success of the Design", and told Eden that his authority to capture the pirates came from the king. Eden was heavily criticised for his involvement with Teach and was accused of being his accomplice. By criticising Eden, Spotswood intended to bolster the legitimacy of his invasion. Lee (1974) concludes that although Spotswood may have thought that the ends justified the means, he had no legal authority to invade North Carolina, to capture the pirates and to seize and auction their goods. Eden doubtless shared the same view. As Spotswood had also accused Tobias Knight of being in league with Teach, on 4 April 1719, Eden had Knight brought in for questioning. Israel Hands had, weeks earlier, testified that Knight had been on board the "Adventure" in August 1718, shortly after Teach had brought a French ship to North Carolina as a prize. Four pirates had testified that with Teach they had visited Knight's home to give him presents. This testimony and the letter found on Teach's body by Maynard appeared compelling, but Knight conducted his defence with competence. Despite being very sick and close to death, he questioned the reliability of Spotswood's witnesses. He claimed that Israel Hands had talked under duress, and that under North Carolinian law the other witness, an African, was unable to testify. The sugar, he argued, was stored at his house legally, and Teach had visited him only on business, in his official capacity. The board found Knight innocent of all charges. He died later that year.
Eden was annoyed that the accusations against Knight arose during a trial in which he played no part. The goods which Brand seized were officially North Carolinian property and Eden considered him a thief. The argument raged back and forth between the colonies until Eden's death on 17 March 1722. His will named one of Spotswood's opponents, John Holloway, a beneficiary. In the same year, Spotswood, who for years had fought his enemies in the House of Burgesses and the council, was replaced by Hugh Drysdale, once Robert Walpole was convinced to act. Modern view. Official views on pirates were sometimes quite different from those held by contemporary authors, who often described their subjects as despicable rogues of the sea.
Official views on pirates were sometimes quite different from those held by contemporary authors, who often described their subjects as despicable rogues of the sea. Economist Peter Leeson believes that pirates were generally shrewd businessmen, far removed from the modern, romanticised view of them as barbarians. After Woodes Rogers' 1718 landing at New Providence and his ending of the pirate republic, piracy in the West Indies fell into terminal decline. With no easily accessible outlet to fence their stolen goods, pirates were reduced to a subsistence livelihood, and following almost a century of naval warfare between the British, French and Spanish—during which sailors could find easy employment—lone privateers found themselves outnumbered by the powerful ships employed by the British Empire to defend its merchant fleets. The popularity of the slave trade helped bring to an end the frontier condition of the West Indies, and in these circumstances, piracy was no longer able to flourish as it once did.
Since the end of the Golden Age of Piracy, Teach and his exploits have become the stuff of lore, inspiring books, films and even amusement park rides. Much of what is known about him can be sourced to Charles Johnson's "A General Historie of the Robberies and Murders of the Most Notorious Pyrates", published in Britain in 1724. A recognised authority on the pirates of his time, Johnson's descriptions of such figures as Anne Bonny and Mary Read were for years required reading for those interested in the subject. Readers were titillated by his stories and a second edition was quickly published, though author Angus Konstam suspects that Johnson's entry on Blackbeard was "coloured a little to make a more sensational story." "A General Historie", though, is generally considered to be a reliable source. Johnson may have been an assumed alias. As Johnson's accounts have been corroborated in personal and official dispatches, Lee (1974) considers that whoever he was, he had some access to official correspondence. Konstam speculates further, suggesting that Johnson may have been the English playwright Charles Johnson, the British publisher Charles Rivington, or the writer Daniel Defoe. In his 1951 work "The Great Days of Piracy", author George Woodbury wrote that Johnson is "obviously a pseudonym", continuing "one cannot help suspecting that he may have been a pirate himself."
Despite his infamy, Teach was not the most successful of pirates. Henry Every retired a rich man, and Bartholomew Roberts took an estimated five times the amount Teach stole. Treasure hunters have long busied themselves searching for any trace of his rumoured hoard of gold and silver, but nothing found in the numerous sites explored along the east coast of the US has ever been connected to him. Some tales suggest that pirates often killed a prisoner on the spot where they buried their loot, and Teach is no exception in these stories, but that no finds have come to light is not exceptional; buried pirate treasure is often considered a modern myth for which almost no supporting evidence exists. The available records include nothing to suggest that the burial of treasure was a common practice, except in the imaginations of the writers of fictional accounts such as "Treasure Island". Such hoards would necessitate a wealthy owner, and their supposed existence ignores the command structure of a pirate vessel, in which the crew served for a share of the profit. The only pirate ever known to bury treasure was William Kidd. The only treasure so far recovered from Teach's exploits is that taken from the wreckage of what is presumed to be the "Queen Anne's Revenge", which was found in 1996 by Intersal Inc., a private research firm. As of 2013 around 280,000 artefacts had been recovered from the wreck site, a selection of which is on public display at the North Carolina Maritime Museum.
Various superstitious tales exist of Teach's ghost. Unexplained lights at sea are often referred to as "Teach's light", and some recitals claim that the notorious pirate now roams the afterlife searching for his head, for fear that his friends, and the Devil, will not recognise him. A North Carolinian tale holds that Teach's skull was used as the basis for a silver drinking chalice; a local judge even claimed to have drunk from it one night in the 1930s. The name of Blackbeard has been attached to many local attractions, such as Charleston's Blackbeard's Cove. His name and persona have also featured heavily in literature. He is the main subject of Matilda Douglas's fictional 1835 work "Blackbeard: A page from the colonial history of Philadelphia". Film renditions of his life include "Blackbeard the Pirate" (1952) starring West Country native Robert Newton whose exaggerated West Country accent is credited with popularising the stereotypical "pirate voice", "Blackbeard's Ghost" (1968), "Blackbeard: Terror at Sea" (2005) and the 2006 Hallmark Channel miniseries "Blackbeard". Parallels have also been drawn between Johnson's Blackbeard and the character of Captain Jack Sparrow in the 2003 adventure film "". Blackbeard is also portrayed as a central character in three TV series: by John Malkovich in "Crossbones" (2014), by Ray Stevenson in seasons three and four of "Black Sails" (2016–2017), and by Taika Waititi in "Our Flag Means Death" (2022).
In 2013 and 2015, the state government of North Carolina uploaded Nautilus Productions videos of the wreck of the "Queen Anne's Revenge" to its website without permission. As a result, Nautilus Productions, the company documenting the recovery since 1998, filed suit in federal court over copyright violations and the passage of "Blackbeard's Law" by the North Carolina General Assembly. Before posting the videos the General Assembly passed "Blackbeard's Law", N.C. Gen Stat §121-25(b), which stated, "All photographs, video recordings, or other documentary materials of a derelict vessel or shipwreck or its contents, relics, artifacts, or historic materials in the custody of any agency of North Carolina government or its subdivisions shall be a public record pursuant to Chapter 132 of the General Statutes." On 5 November 2019, the U.S. Supreme Court heard oral arguments in "Allen v. Cooper". The Supreme Court subsequently ruled in the state's favor, and struck down the Copyright Remedy Clarification Act, which Congress passed in 1989 to attempt to curb such infringements of copyright by states.
As a result of the ruling Nautilus filed a motion for reconsideration in the United States District Court for the Eastern District of North Carolina. On 18 August 2021 Judge Terrence Boyle granted the motion for reconsideration which North Carolina promptly appealed to the United States Court of Appeals for the Fourth Circuit. The 4th Circuit denied the state's motion on 14 October 2022. Nautilus then filed their second amended complaint on 8 February 2023 alleging 5th and 14th Amendment violations of Nautilus' constitutional rights, additional copyright violations, and claiming that North Carolina's "Blackbeard's Law" represents a Bill of Attainder. Eight years after the passage of Blackbeard's Law, on 30 June 2023, North Carolina Gov. Roy Cooper signed a bill repealing the law. References. Notes Citations Bibliography
Bugzilla Bugzilla is a web-based general-purpose bug tracking system and testing tool originally developed and used by the Mozilla project, and licensed under the Mozilla Public License. Released as open-source software by Netscape Communications in 1998, it has been adopted by a variety of organizations for use as a bug tracking system for both free and open-source software and proprietary projects and products. Bugzilla is used, among others, by the Mozilla Foundation, WebKit, Linux kernel, FreeBSD, KDE, Apache, Eclipse and LibreOffice. Red Hat uses it, but is gradually migrating its product to use Jira. It is also self-hosting. History. Bugzilla was originally devised by Terry Weissman in 1998 for the nascent Mozilla.org project, as an open source application to replace the in-house system then in use at Netscape Communications for tracking defects in the Netscape Communicator suite. Bugzilla was originally written in Tcl, but Weissman decided to port it to Perl before its release as part of Netscape's early open-source code drops, in the hope that more people would be able to contribute to it, given that Perl seemed to be a more popular language at the time.
Bugzilla 2.0 was the result of that port to Perl, and the first version was released to the public via anonymous CVS. In April 2000, Weissman handed over control of the Bugzilla project to Tara Hernandez. Under her leadership, some of the regular contributors were coerced into taking more responsibility, and Bugzilla development became more community-driven. In July 2001, facing distraction from her other responsibilities in Netscape, Hernandez handed control to Dave Miller, who was still in charge . Bugzilla 3.0 was released on May 10, 2007, and brought a refreshed UI, an XML-RPC interface, custom fields and resolutions, mod_perl support, shared saved searches, and improved UTF-8 support, along with other changes. Bugzilla 4.0 was released on February 15, 2011, and Bugzilla 5.0 was released in July 2015. Timeline. Bugzilla's release timeline: Requirements. Bugzilla's system requirements include: Currently supported database systems are MariaDB, MySQL, PostgreSQL, Oracle, and SQLite. Bugzilla is usually installed on Linux using the Apache HTTP Server, but any web server that supports CGI such as Lighttpd, Hiawatha, Cherokee can be used. Bugzilla's installation process is command line driven and runs through a series of stages where system requirements and software capabilities are checked.
Design. While the potential exists in the code to turn Bugzilla into a technical support ticket system, task management tool, or project management tool, Bugzilla's developers have chosen to focus on the task of designing a system to track software defects. Zarro Boogs. Bugzilla returns the string "zarro boogs found" instead of "0 bugs found" when a search for bugs returns no results. "Zarro Boogs" is intended as a 'buggy' statement itself (a misspelling of "zero bugs") and is thus a meta-statement about the nature of software debugging, implying that even when no bugs have been identified, some may exist. The following comment is provided in the Bugzilla source code to developers who may be confused by this behaviour: WONTFIX. WONTFIX is used as a label on issues in Bugzilla and other systems. It indicates that a verified issue will not be addressed for one of several possible reasons including fixing would be too expensive, complicated or risky.
Ballad A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. While ballads have no prescribed structure and may vary in their number of lines and stanzas, many ballads employ quatrains with ABCB or ABAB rhyme schemes, the key being a rhymed second and fourth line. Contrary to a popular conception, it is rare if not unheard-of for a ballad to contain exactly 13 lines. Additionally, couplets rarely appear in ballads. Many ballads were written and sold as single-sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or rock music, although the term is also associated with the concept of a stylized storytelling song or poem, particularly when used as a title for other media such as a film.
Origins. A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French "chanson balladée" or "ballade", which were originally "dancing songs" (L: "ballare", to dance), yet becoming "stylized forms of solo song" before being adopted in England. As a narrative song, their theme and function may originate from Scandinavian and Germanic traditions of storytelling that can be seen in poems such as "Beowulf". Musically they were influenced by the Minnelieder of the Minnesang tradition. The earliest example of a recognizable ballad in form in England is "Judas" in a 13th-century manuscript. Ballad form. Ballads were originally written to accompany dances, and so were composed in couplets with refrains in alternate lines. These refrains would have been sung by the dancers in time with the dance. Most northern and west European ballads are written in ballad stanzas or quatrains (four-line stanzas) of alternating lines of iambic (an unstressed followed by a stressed syllable) tetrameter (eight syllables) and iambic trimeter (six syllables), known as ballad meter. Usually, only the second and fourth line of a quatrain are rhymed (in the scheme a, b, c, b), which has been taken to suggest that, originally, ballads consisted of couplets (two lines) of rhymed verse, each of 14 syllables. This can be seen in this stanza from "Lord Thomas and Fair Annet":
The horse \| fair Ann \| et rode \| upon \| He amb \| led like \| the wind \|, With sil \| ver he \| was shod \| before, With burn \| ing gold \| behind \|. There is considerable variation on this pattern in almost every respect, including length, number of lines and rhyming scheme, making the strict definition of a ballad extremely difficult. In southern and eastern Europe, and in countries that derive their tradition from them, ballad structure differs significantly, like Spanish "romanceros", which are octosyllabic and use consonance rather than rhyme. Ballads usually are heavily influenced by the regions in which they originate and use the common dialect of the people. Scotland's ballads in particular, both in theme and language, are strongly characterised by their distinctive tradition, even exhibiting some pre-Christian influences in the inclusion of supernatural elements such as travel to the Fairy Kingdom in the Scots ballad "Tam Lin". The ballads do not have any known author or correct version; instead, having been passed down mainly by oral tradition since the Middle Ages, there are many variations of each. The ballads remained an oral tradition until the increased interest in folk songs in the 18th century led collectors such as Bishop Thomas Percy (1729–1811) to publish volumes of popular ballads.
In all traditions most ballads are narrative in nature, with a self-contained story, often concise, and rely on imagery, rather than description, which can be tragic, historical, romantic or comic. Themes concerning rural labourers and their sexuality are common, and there are many ballads based on the Robin Hood legend. Another common feature of ballads is repetition, sometimes of fourth lines in succeeding stanzas, as a refrain, sometimes of third and fourth lines of a stanza and sometimes of entire stanzas. Composition. Scholars of ballads have been divided into "communalists", such as Johann Gottfried Herder (1744–1803) and the Brothers Grimm, who argue that ballads are originally communal compositions, and "individualists" such as Cecil Sharp, who assert that there was one single original author. Communalists tend to see more recent, particularly printed, broadside ballads of known authorship as a debased form of the genre, while individualists see variants as corruptions of an original text. More recently scholars have pointed to the interchange of oral and written forms of the ballad.
Transmission. The transmission of ballads comprises a key stage in their re-composition. In romantic terms this process is often dramatized as a narrative of degeneration away from the pure 'folk memory' or 'immemorial tradition'. In the introduction to "Minstrelsy of the Scottish Border" (1802) the romantic poet and historical novelist Walter Scott argued a need to 'remove obvious corruptions' in order to attempt to restore a supposed original. For Scott, the process of multiple recitations 'incurs the risk of impertinent interpolations from the conceit of one rehearser, unintelligible blunders from the stupidity of another, and omissions equally to be regretted, from the want of memory of a third.' Similarly, John Robert Moore noted 'a natural tendency to oblivescence'. Classification. European Ballads have been generally classified into three major groups: traditional, broadside and literary. In America a distinction is drawn between ballads that are versions of European, particularly British and Irish songs, and 'Native American ballads', developed without reference to earlier songs. A further development was the evolution of the blues ballad, which mixed the genre with Afro-American music. For the late 20th century the music publishing industry found a market for what are often termed sentimental ballads, and these are the origin of the modern use of the term 'ballad' to mean a slow love song.

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