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AFI Silver Theatre and Cultural Center.
The AFI Silver Theatre and Cultural Center is a moving image exhibition, education and cultural center located in Silver Spring, Maryland. Anchored by the restoration of noted architect John Eberson's historic 1938 Silver Theatre, it features 32,000 square feet of new constructio... |
Akira Kurosawa
was a Japanese filmmaker who directed 30 feature films in a career spanning seven decades. He is widely regarded as one of the greatest and most influential filmmakers in the history of cinema. Kurosawa displayed a bold, dynamic style strongly influenced by Western cinema yet distinct from it. He was in... |
In 1990, he accepted the Academy Award for Lifetime Achievement. Posthumously, he was named "Asian of the Century" in the "Arts, Literature, and Culture" category by "AsianWeek" magazine and CNN, cited there as being among the five people who most prominently contributed to the improvement of Asia in the 20th century. ... |
In addition to promoting physical exercise, Isamu Kurosawa was open to Western traditions and considered theatre and motion pictures to have educational merit. He encouraged his children to watch films; young Akira viewed his first movies at the age of six. An important formative influence was his elementary school tea... |
Heigo was academically gifted, but soon after failing to secure a place in Tokyo's foremost high school, he began to detach himself from the rest of the family, preferring to concentrate on his interest in foreign literature. In the late 1920s, Heigo became a benshi (silent film narrator) for Tokyo theaters showing for... |
Director in training (1935–1941).
In 1935, the new film studio Photo Chemical Laboratories, known as P.C.L. (which later became the major studio Toho), advertised for assistant directors. Although he had demonstrated no previous interest in film as a profession, Kurosawa submitted the required essay, which asked applic... |
Yamamoto advised Kurosawa that a good director needed to master screenwriting. Kurosawa soon realized that the potential earnings from his scripts were much higher than what he was paid as an assistant director. He later wrote or co-wrote all his films and frequently penned screenplays for other directors such as Satsu... |
Shooting of "Sanshiro Sugata" began on location in Yokohama in December 1942. Production proceeded smoothly, but getting the completed film past the censors was an entirely different matter. The censorship office considered the work to be objectionably "British-American" by the standards of wartime Japan, and it was on... |
During production, the actress playing the leader of the factory workers, Yōko Yaguchi, was chosen by her colleagues to present their demands to the director. She and Kurosawa were constantly at odds, and it was through these arguments that the two paradoxically became close. They married on May 21, 1945, with Yaguchi ... |
Early postwar years to "Red Beard" (1946–1965).
First postwar works (1946–1950).
After the war, Kurosawa, influenced by the democratic ideals of the Occupation, sought to make films that would establish a new respect towards the individual and the self. The first such film, "No Regrets for Our Youth" (1946), inspired b... |
"Drunken Angel" is often considered the director's first major work. Although the script, like all of Kurosawa's occupation-era works, had to go through rewrites due to American censorship, Kurosawa felt that this was the first film in which he was able to express himself freely. A gritty story of a doctor who tries to... |
After the completion of "Drunken Angel", Toho became embroiled in a months-long labor strike, in which the Toho union occupied the grounds of the studio. When Toho management ceased paying workers' salaries, Kurosawa formed a touring acting troupe to raise funds, directing Anton Chekhov's "The Proposal", and an adaptat... |
His second film of 1949, also produced by Film Art Association and released by Shintoho, was "Stray Dog". It is a detective movie (perhaps the first important Japanese film in that genre) that explores the mood of Japan during its painful postwar recovery through the story of a young detective, played by Mifune, and hi... |
"Scandal", released by Shochiku in April 1950, was inspired by the director's personal experiences with (and anger towards) Japanese yellow journalism. The work is an ambitious mixture of courtroom drama and social problem film about free speech and personal responsibility, but even Kurosawa regarded the finished produ... |
The shooting of "Rashomon" began on July 7, 1950, and, after extensive location work in the primeval forest of Nara, wrapped on August 17. Just one week was spent in hurried post-production, hampered by a studio fire, and the finished film premiered at Tokyo's Imperial Theatre on August 25, expanding nationwide the fol... |
Meanwhile, unbeknownst to Kurosawa, "Rashomon" had been entered in the Venice Film Festival, due to the efforts of Giuliana Stramigioli, a Japan-based representative of an Italian film company, who had seen and admired the movie and convinced Daiei to submit it. On September 10, 1951, "Rashomon" was awarded the festiva... |
This success in turn led to a vogue in America and the West for Japanese movies throughout the 1950s, replacing the enthusiasm for Italian neorealist cinema. By the end of 1952 "Rashomon" was released in Japan, the United States, and most of Europe. Among the Japanese film-makers whose work, as a result, began to win f... |
In December 1952, Kurosawa took his screenwriters, Shinobu Hashimoto and Hideo Oguni, for a forty-five-day secluded residence at an inn to create the screenplay for his next movie, "Seven Samurai". The ensemble work was Kurosawa's first proper samurai film, the genre for which he would become most famous. The simple st... |
In 1954, nuclear tests in the Pacific were causing radioactive rainstorms in Japan and one particular incident in March had exposed a Japanese fishing boat to nuclear fallout, with disastrous results. It is in this anxious atmosphere that Kurosawa's next film, "I Live in Fear", was conceived. The story concerned an eld... |
Kurosawa's next project, "Throne of Blood", an adaptation of William Shakespeare's "Macbeth"—set, like "Seven Samurai", in the Sengoku Era—represented an ambitious transposition of the English work into a Japanese context. Kurosawa instructed his leading actress, Isuzu Yamada, to regard the work as if it were a cinemat... |
Kurosawa's three next movies after "Seven Samurai" had not managed to capture Japanese audiences in the way that that film had. The mood of the director's work had been growing increasingly pessimistic and dark even as Japan entered a boom period of high-speed growth and rising standards of living. Out of step with the... |
Birth of a company and "Red Beard" (1959–1965).
Starting with "Rashomon", Kurosawa's productions had become increasingly large in scope and so had the director's budgets. Toho, concerned about this development, suggested that he might help finance his own works, therefore making the studio's potential losses smaller, w... |
"Yojimbo" ("The Bodyguard"), Kurosawa Production's second film, centers on a masterless samurai, Sanjuro, who strolls into a 19th-century town ruled by two opposing violent factions and provokes them into destroying each other. The director used this work to play with many genre conventions, particularly the Western, w... |
Following the success of "Yojimbo", Kurosawa found himself under pressure from Toho to create a sequel. Kurosawa turned to a script he had written before "Yojimbo", reworking it to include the hero of his previous film. "Sanjuro" was the first of three Kurosawa films to be adapted from the work of the writer Shūgorō Ya... |
Kurosawa quickly moved on to his next project, "Red Beard". Based on a short story collection by Shūgorō Yamamoto and incorporating elements from Dostoevsky's novel "The Insulted and Injured", it is a period film, set in a mid-nineteenth century clinic for the poor, in which Kurosawa's humanist themes receive perhaps t... |
The film marked something of an end of an era for its creator. The director himself recognized this at the time of its release, telling critic Donald Richie that a cycle of some kind had just come to an end and that his future films and production methods would be different. His prediction proved quite accurate. Beginn... |
Hollywood ambitions to last films (1966–1998).
Hollywood detour (1966–1968).
When Kurosawa's exclusive contract with Toho came to an end in 1966, the 56-year-old director was seriously contemplating change. Observing the troubled state of the domestic film industry and having already received dozens of offers from abro... |
The director meanwhile had become involved in a much more ambitious Hollywood project. "Tora! Tora! Tora!", produced by 20th Century Fox and Kurosawa Production, would be a portrayal of the Japanese attack on Pearl Harbor from both the American and the Japanese points of view, with Kurosawa helming the Japanese half an... |
"Tora! Tora! Tora!", finally released to unenthusiastic reviews in September 1970, was, as Donald Richie put it, an "almost unmitigated tragedy" in Kurosawa's career. He had spent years of his life on a logistically nightmarish project to which he ultimately did not contribute a foot of film shot by himself. (He had hi... |
The first project proposed and worked on was a period film to be called "Dora-heita", but when this was deemed too expensive, attention shifted to "Dodesukaden", an adaptation of yet another Shūgorō Yamamoto work, again about the poor and destitute. The film was shot quickly (by Kurosawa's standards) in about nine week... |
After struggling through the production of "Dodesukaden", Kurosawa turned to television work the following year for the only time in his career with "Song of the Horse", a documentary about thoroughbred race horses. It featured a voice-over narrated by a fictional man and a child (voiced by the same actors as the begga... |
In early 1973, the Soviet studio Mosfilm approached the film-maker to ask if he would be interested in working with them. Kurosawa proposed an adaptation of Russian explorer Vladimir Arsenyev's autobiographical work "Dersu Uzala". The book, about a Goldi hunter who lives in harmony with nature until destroyed by encroa... |
Although proposals for television projects were submitted to him, he had no interest in working outside the film world. Nevertheless, the hard-drinking director did agree to appear in a series of television ads for Suntory whiskey, which aired in 1976. While fearing that he might never be able to make another film, the... |
Production began the following April, with Kurosawa in high spirits. Shooting lasted from June 1979 through March 1980 and was plagued with problems, not the least of which was the firing of the original lead actor, Shintaro Katsu—known for portraying the popular character Zatoichi—due to an incident in which the actor... |
The international success of allowed Kurosawa to proceed with his next project, , another epic in a similar vein. The script, partly based on Shakespeare's "King Lear", depicted a ruthless, bloodthirsty "daimyō" (warlord), played by Tatsuya Nakadai, who, after foolishly banishing his one loyal son, surrenders his kingd... |
won several awards in Japan, but was not quite as honored there as many of the director's best films of the 1950s and 1960s had been. The film world was surprised, however, when Japan passed over the selection of in favor of another film as its official entry to compete for an Oscar nomination in the Best Foreign Film... |
and , particularly the latter, are often considered to be among Kurosawa's finest works. After s release, Kurosawa would point to it as his best film, a major change of attitude for the director who, when asked which of his works was his best, had always previously answered "my next one".
Final works and last years (1... |
Kurosawa now turned to a more conventional story with "Rhapsody in August"—the director's first film fully produced in Japan since "Dodeskaden" over twenty years before—which explored the scars of the nuclear bombing which destroyed Nagasaki at the very end of World War II. It was adapted from a Kiyoko Murata novel, bu... |
Kurosawa nevertheless continued to work. He wrote the original screenplays "The Sea Is Watching" in 1993 and "After the Rain" in 1995. While putting finishing touches on the latter work in 1995, Kurosawa slipped and broke the base of his spine. Following the accident, he would use a wheelchair for the rest of his life,... |
Filmography.
Although Kurosawa is primarily known as a filmmaker, he also worked in theater and television and wrote books. A detailed list, including his complete filmography, can be found in the list of works by Akira Kurosawa.
Style, themes and techniques.
Kurosawa displayed a bold, dynamic style, strongly influence... |
In the film's soundtrack, Kurosawa favored the sound-image counterpoint, in which the music or sound effects appeared to comment ironically on the image rather than emphasizing it. Teruyo Nogami's memoir gives several such examples from "Drunken Angel" and "Stray Dog". Kurosawa was also involved with several of Japan's... |
Legacy and cultural impact.
Kurosawa is often cited as one of the greatest filmmakers of all time. In 1999, he was named "Asian of the Century" in the "Arts, Literature, and Culture" category by "AsianWeek" magazine and CNN, cited as "one of the [five] people who contributed most to the betterment of Asia in the past 1... |
Roman Polanski considered Kurosawa to be among the three film-makers he favored most, along with Fellini and Orson Welles, and picked "Seven Samurai", "Throne of Blood" and "The Hidden Fortress" for praise. Bernardo Bertolucci considered Kurosawa's influence to be seminal: "Kurosawa's movies and "La Dolce Vita" of Fell... |
Criticism.
Kenji Mizoguchi, the acclaimed director of "Ugetsu" (1953) and "Sansho the Bailiff" (1954), was eleven years Kurosawa's senior. After the mid-1950s, some critics of the French New Wave began to favor Mizoguchi over Kurosawa. New Wave critic and film-maker Jacques Rivette, in particular, thought Mizoguchi to ... |
From the early 1950s, Kurosawa was also charged with catering to Western tastes due to his popularity in Europe and America. In the 1970s, the politically engaged, left-wing director Nagisa Ōshima, who was noted for his critical reaction to Kurosawa's work, accused Kurosawa of pandering to Western beliefs and ideologie... |
Kurosawa Production Company.
In September 2011, it was reported that remake rights to most of Kurosawa's movies and unproduced screenplays were assigned by the Akira Kurosawa 100 Project to the L.A.-based company Splendent. Splendent's chief Sakiko Yamada, stated that he aimed to "help contemporary film-makers introduc... |
Film studios.
In 1981, the Kurosawa Film Studio was opened in Yokohama; two additional locations have since been launched in Japan. A large collection of archive material, including scanned screenplays, photos and news articles, has been made available through the Akira Kurosawa Digital Archive, a Japanese proprietary ... |
Awards and honours.
Two film awards have also been named in Kurosawa's honour. The Akira Kurosawa Award for Lifetime Achievement in Film Directing is awarded during the San Francisco International Film Festival, while the Akira Kurosawa Award is given during the Tokyo International Film Festival.
Kurosawa has also been... |
Ancient Egypt
Ancient Egypt () was a cradle of civilization concentrated along the lower reaches of the Nile River in Northeast Africa. It emerged from prehistoric Egypt around 3150BC (according to conventional Egyptian chronology), when Upper and Lower Egypt were amalgamated by Menes, who is believed by the majority o... |
The success of ancient Egyptian civilization came partly from its ability to adapt to the Nile's conditions for agriculture. The predictable flooding of the Nile and controlled irrigation of its fertile valley produced surplus crops, which supported a more dense population, and thereby substantial social and cultural d... |
History.
The Nile has been the lifeline of its region for much of human history. The fertile floodplain of the Nile gave humans the opportunity to develop a settled agricultural economy and a more sophisticated, centralized society that became a cornerstone in the history of human civilization.
Predynastic period.
In P... |
The Badari was followed by the Naqada culture: the Naqada I (Amratian), the Naqada II (Gerzeh), and Naqada III (Semainean). These brought a number of technological improvements. As early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. Mu... |
Early Dynastic Period ( BC).
The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilization of Mesopotamia and of ancient Elam. The third-centuryBC Egyptian priest Manetho grouped the long line of kings from Menes to his own time into 30 dynasties, a system still used today. He beg... |
Old Kingdom (2686–2181 BC).
Major advances in architecture, art, and technology were made during the Old Kingdom, fueled by the increased agricultural productivity and resulting population growth, made possible by a well-developed central administration. Some of ancient Egypt's crowning achievements, the Giza pyramids ... |
First Intermediate Period (2181–2055 BC).
After Egypt's central government collapsed at the end of the Old Kingdom, the administration could no longer support or stabilize the country's economy. The ensuing food shortages and political disputes escalated into famines and small-scale civil wars. Yet despite difficult pr... |
Middle Kingdom (2134–1690 BC).
The kings of the Middle Kingdom restored the country's stability, which saw a resurgence of art and monumental building projects, and a new flourishing of literature. Mentuhotep II and his Eleventh Dynasty successors ruled from Thebes, but the vizier Amenemhat I, upon assuming the kingshi... |
Second Intermediate Period (1674–1549 BC) and the Hyksos.
Around 1785BC, as the power of the Middle Kingdom kings weakened, a Western Asian people called the Hyksos, who had already settled in the Delta, seized control of Egypt and established their capital at Avaris, forcing the former central government to retreat to... |
New Kingdom (1549–1069 BC).
The New Kingdom pharaohs established a period of unprecedented prosperity by securing their borders and strengthening diplomatic ties with their neighbours, including the Mitanni Empire, Assyria, and Canaan. Military campaigns waged under Tuthmosis I and his grandson Tuthmosis III extended t... |
Around 1350BC, the stability of the New Kingdom was threatened when Amenhotep IV ascended the throne and instituted a series of radical and chaotic reforms. Changing his name to Akhenaten, he touted the previously obscure sun deity Aten as the supreme deity, suppressed the worship of most other deities, and moved the c... |
Egypt's wealth, however, made it a tempting target for invasion, particularly by the Libyan Berbers to the west, and the Sea Peoples, a conjectured confederation of seafarers from the Aegean Sea. Initially, the military was able to repel these invasions, but Egypt eventually lost control of its remaining territories in... |
Around 727BC the Kushite king Piye invaded northward, seizing control of Thebes and eventually the Delta, which established the 25th Dynasty. During the 25th Dynasty, Pharaoh Taharqa created an empire nearly as large as the New Kingdom's. Twenty-fifth Dynasty pharaohs built, or restored, temples and monuments throughou... |
Late Period (653–332 BC).
The Assyrians left control of Egypt to a series of vassals who became known as the Saite kings of the Twenty-Sixth Dynasty. By 653BC, the Saite king Psamtik I was able to oust the Assyrians with the help of Greek mercenaries, who were recruited to form Egypt's first navy. Greek influence expan... |
Ptolemaic period (332–30 BC).
In 332BC, Alexander the Great conquered Egypt with little resistance from the Persians and was welcomed by the Egyptians as a deliverer. The administration established by Alexander's successors, the Macedonian Ptolemaic Kingdom, was based on an Egyptian model and based in the new capital c... |
Roman period (30 BC – AD 642).
Egypt became a province of the Roman Empire in 30BC, following the defeat of Mark Antony and Ptolemaic Queen Cleopatra VII by Octavian (later Emperor Augustus) in the Battle of Actium. The Romans relied heavily on grain shipments from Egypt, and the Roman army, under the control of a pref... |
From the mid-first century AD, Christianity took root in Egypt and it was originally seen as another cult that could be accepted. However, it was an uncompromising religion that sought to win converts from the pagan Egyptian and Greco-Roman religions and threatened popular religious traditions. This led to the persecut... |
Government and economy.
Administration and commerce.
The pharaoh was the absolute monarch of the country and, at least in theory, wielded complete control of the land and its resources. The king was the supreme military commander and head of the government, who relied on a bureaucracy of officials to manage his affairs... |
Social status.
Egyptian society was highly stratified, and social status was expressly displayed. Farmers made up the bulk of the population, but agricultural produce was owned directly by the state, temple, or noble family that owned the land. Farmers were also subject to a labor tax and were required to work on irrig... |
The ancient Egyptians viewed men and women, including people from all social classes, as essentially equal under the law, and even the lowliest peasant was entitled to petition the vizier and his court for redress. Although slaves were mostly used as indentured servants, they were able to buy and sell their servitude, ... |
Legal system.
The head of the legal system was officially the pharaoh, who was responsible for enacting laws, delivering justice, and maintaining law and order, a concept the ancient Egyptians referred to as Ma'at. Although no legal codes from ancient Egypt survive, court documents show that Egyptian law was based on a... |
Punishment for minor crimes involved either imposition of fines, beatings, facial mutilation, or exile, depending on the severity of the offense. Serious crimes such as murder and tomb robbery were punished by execution, carried out by decapitation, drowning, or impaling the criminal on a stake. Punishment could also b... |
Farming in Egypt was dependent on the cycle of the Nile River. The Egyptians recognized three seasons: "Akhet" (flooding), "Peret" (planting), and "Shemu" (harvesting). The flooding season lasted from June to September, depositing on the river's banks a layer of mineral-rich silt ideal for growing crops. After the floo... |
Animals.
The Egyptians believed that a balanced relationship between people and animals was an essential element of the cosmic order; thus humans, animals and plants were believed to be members of a single whole. Animals, both domesticated and wild, were therefore a critical source of spirituality, companionship, and s... |
Natural resources.
Egypt is rich in building and decorative stone, copper and lead ores, gold, and semiprecious stones. These natural resources allowed the ancient Egyptians to build monuments, sculpt statues, make tools, and fashion jewelry. Embalmers used salts from the Wadi Natrun for mummification, which also provi... |
The Egyptians worked deposits of the lead ore galena at Gebel Rosas to make net sinkers, plumb bobs, and small figurines. Copper was the most important metal for toolmaking in ancient Egypt and was smelted in furnaces from malachite ore mined in the Sinai. Workers collected gold by washing the nuggets out of sediment i... |
By the Second Dynasty at latest, ancient Egyptian trade with Byblos yielded a critical source of quality timber not found in Egypt. By the Fifth Dynasty, trade with Punt provided gold, aromatic resins, ebony, ivory, and wild animals such as monkeys and baboons. Egypt relied on trade with Anatolia for essential quantiti... |
Ancient Egyptian was a synthetic language, but it became more analytic later on. Late Egyptian developed prefixal definite and indefinite articles, which replaced the older inflectional suffixes. There was a change from the older verb–subject–object word order to subject–verb–object. The Egyptian hieroglyphic, hieratic... |
Adjectives are derived from nouns through a process that Egyptologists call "nisbation" because of its similarity with Arabic. The word order is in verbal and adjectival sentences, and in nominal and adverbial sentences. The subject can be moved to the beginning of sentences if it is long and is followed by a resumptiv... |
Around the first century AD, the Coptic alphabet started to be used alongside the Demotic script. Coptic is a modified Greek alphabet with the addition of some Demotic signs. Although formal hieroglyphs were used in a ceremonial role until the fourth century, towards the end only a small handful of priests could still ... |
The "Story of Sinuhe", written in Middle Egyptian, might be the classic of Egyptian literature. Also written at this time was the Westcar Papyrus, a set of stories told to Khufu by his sons relating the marvels performed by priests. The Instruction of Amenemope is considered a masterpiece of Near Eastern literature. To... |
The ancient Egyptians placed a great value on hygiene and appearance. Most bathed in the Nile and used a pasty soap made from animal fat and chalk. Men shaved their entire bodies for cleanliness; perfumes and aromatic ointments covered bad odors and soothed skin. Clothing was made from simple linen sheets that were ble... |
The ancient Egyptians enjoyed a variety of leisure activities, including games and music. Senet, a board game where pieces moved according to random chance, was particularly popular from the earliest times; another similar game was mehen, which had a circular gaming board. "Hounds and Jackals" also known as 58 holes is... |
Cuisine.
Egyptian cuisine remained remarkably stable over time; indeed, the cuisine of modern Egypt retains some striking similarities to the cuisine of the ancients. The staple diet consisted of bread and beer, supplemented with vegetables such as onions and garlic, and fruit such as dates and figs. Wine and meat were... |
The domestic dwellings of elite and ordinary Egyptians alike were constructed from perishable materials such as mudbricks and wood, and have not survived. Peasants lived in simple homes, while the palaces of the elite and the pharaoh were more elaborate structures. A few surviving New Kingdom palaces, such as those in ... |
Art.
The ancient Egyptians produced art to serve functional purposes. For over 3500 years, artists adhered to artistic forms and iconography that were developed during the Old Kingdom, following a strict set of principles that resisted foreign influence and internal change. These artistic standards—simple lines, shapes... |
Pharaohs used reliefs to record victories in battle, royal decrees, and religious scenes. Common citizens had access to pieces of funerary art, such as shabti statues and books of the dead, which they believed would protect them in the afterlife. During the Middle Kingdom, wooden or clay models depicting scenes from ev... |
Religious beliefs.
Beliefs in the divine and in the afterlife were ingrained in ancient Egyptian civilization from its inception; pharaonic rule was based on the divine right of kings. The Egyptian pantheon was populated by gods who had supernatural powers and were called on for help or protection. However, the gods we... |
The Egyptians believed that every human being was composed of physical and spiritual parts or "aspects". In addition to the body, each person had a "šwt" (shadow), a "ba" (personality or soul), a "ka" (life-force), and a "name". The heart, rather than the brain, was considered the seat of thoughts and emotions. After d... |
By the New Kingdom, the ancient Egyptians had perfected the art of mummification; the best technique took 70 days and involved removing the internal organs, removing the brain through the nose, and desiccating the body in a mixture of salts called natron. The body was then wrapped in linen with protective amulets inser... |
Military.
The ancient Egyptian military was responsible for defending Egypt against foreign invasion, and for maintaining Egypt's domination in the ancient Near East. The military protected mining expeditions to the Sinai during the Old Kingdom and fought civil wars during the First and Second Intermediate Periods. The... |
Technology, medicine and mathematics.
Technology.
In technology, medicine, and mathematics, ancient Egypt achieved a relatively high standard of productivity and sophistication. Traditional empiricism, as evidenced by the Edwin Smith and Ebers papyri (), is first credited to Egypt. The Egyptians created their own alpha... |
The ancient Egyptians could fabricate a wide variety of objects from glass with great skill, but it is not clear whether they developed the process independently. It is also unclear whether they made their own raw glass or merely imported pre-made ingots, which they melted and finished. However, they did have technical... |
The diets of the wealthy were rich in sugars, which promoted periodontal disease. Despite the flattering physiques portrayed on tomb walls, the overweight mummies of many of the upper class show the effects of a life of overindulgence. Adult life expectancy was about 35 for men and 30 for women, but reaching adulthood ... |
Maritime technology.
Early Egyptians knew how to assemble planks of wood into a ship hull and had mastered advanced forms of shipbuilding as early as 3000BC. The Archaeological Institute of America reports that the oldest planked ships known are the Abydos boats. A group of 14 discovered ships in Abydos were constructe... |
Large seagoing ships are known to have been heavily used by the Egyptians in their trade with the city states of the eastern Mediterranean, especially Byblos (on the coast of modern-day Lebanon), and in several expeditions down the Red Sea to the Land of Punt. In fact one of the earliest Egyptian words for a seagoing s... |
Mathematics.
The earliest attested examples of mathematical calculations date to the predynastic Naqada period, and show a fully developed numeral system. The importance of mathematics to an educated Egyptian is suggested by a New Kingdom fictional letter in which the writer proposes a scholarly competition between him... |
Ancient Egyptian mathematicians knew the Pythagorean theorem as an empirical formula. They were aware, for example, that a triangle had a right angle opposite the hypotenuse when its sides were in a 3–4–5 ratio. They were able to estimate the area of a circle by subtracting one-ninth from its diameter and squaring the ... |
The currently most advanced full genome analyses was made on three ancient specimens recovered from the Nile River Valley, Abusir el-Meleq, Egypt. Two of the individuals were dated to the Pre-Ptolemaic Period (New Kingdom to Late Period), and one individual to the Ptolemaic Period, spanning around 1300 years of Egyptia... |
Modern Egyptians, like modern Nubians, also underwent subsequent admixture events, contributing both "Sub-Saharan" African-like and West Asian-like ancestries, since the Roman period, with significance on the African Slave Trade and the Spread of Islam.
Some scholars, such as Christopher Ehret, caution that a wider sam... |
During the Middle Ages and the Renaissance, Egyptian pagan culture was in decline after the rise of Christianity and later Islam, but interest in Egyptian antiquity continued in the writings of medieval scholars such as Dhul-Nun al-Misri and al-Maqrizi. In the seventeenth and eighteenth centuries, European travelers an... |
Analog Brothers
Analog Brothers were an experimental hip hop band featuring Tracy "Ice-T" Marrow (Ice Oscillator) on keyboards, drums and vocals, Keith "Kool Keith" Thornton (Keith Korg) on bass, strings and vocals, Marc Live (Marc Moog) on drums, violins and vocals, Christopher "Black Silver" Rodgers (Silver Synth) on... |
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