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Computer chess. The idea of creating a chess-playing machine dates to the 18th century; around 1769, the chess-playing automaton called The Turk became famous before being exposed as a hoax. Serious trials based on automata, such as El Ajedrecista, were too complex and limited to be useful. Since the advent of the digital computer in the 1950s, chess enthusiasts, computer engineers, and computer scientists have built, with increasing degrees of seriousness and success, chess-playing machines and computer programs. The groundbreaking paper on computer chess, "Programming a Computer for Playing Chess", was published in 1950 by Claude Shannon. He wrote: The Association for Computing Machinery (ACM) held the first major chess tournament for computers, the North American Computer Chess Championship, in September 1970. CHESS 3.0, a chess program from Northwestern University, won the championship. The first World Computer Chess Championship, held in 1974, was won by the Soviet program Kaissa. At first considered only a curiosity, the best chess playing programs have become extremely strong. In 1997, a computer won a chess match using classical time controls against a reigning World Champion for the first time: IBM's Deep Blue beat Garry Kasparov 3½–2½ (it scored two wins, one loss, and three draws). There was some controversy over the match, and human–computer matches were relatively close over the next few years, until convincing computer victories in 2005 and in 2006.
In 2009, a mobile phone won a category 6 tournament with a performance rating of 2898: chess engine Hiarcs 13 running on the mobile phone HTC Touch HD won the Copa Mercosur tournament with nine wins and one draw. The best chess programs are now able to consistently beat the strongest human players, to the extent that human–computer matches no longer attract interest from chess players or the media. While the World Computer Chess Championship still exists, the Top Chess Engine Championship (TCEC) is widely regarded as the unofficial world championship for chess engines. The current champion is Stockfish. With huge databases of past games and high analytical ability, computers can help players to learn chess and prepare for matches. Internet Chess Servers allow people to find and play opponents worldwide. The presence of computers and modern communication tools have raised concerns regarding cheating during games. Related games. Related games include: In the comparison of chess with games often referred to as national forms of chess, chess may be referred to as "Western chess" or "international chess".
Chess variants. There are more than two thousand published chess variants, games with similar but different rules. Most of them are of relatively recent origin. They include modern variations employing different rules (e.g. losing chess and Chess960), different forces (e.g. Dunsany's chess), non-standard pieces (e.g. Grand Chess), and different board geometries (e.g. hexagonal chess and infinite chess); In the context of chess variants, chess is commonly referred to as "orthodox chess", "orthochess", and "classic chess".
Charlie Chaplin Sir Charles Spencer Chaplin (16 April 188925 December 1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, the Tramp, and is considered one of the film industry's most important figures. His career spanned more than 75 years, from his childhood in the Victorian era until a year before his death in 1977, and encompassed both accolade and controversy. Chaplin's childhood in London was one of poverty and hardship. His father was absent and his mother struggled financiallyhe was sent to a workhouse twice before the age of nine. When he was 14, his mother was committed to a mental asylum. Chaplin began performing at an early age, touring music halls and later working as a stage actor and comedian. At 19, he was signed to the Fred Karno company, which took him to the United States. He was scouted for the film industry and began appearing in 1914 for Keystone Studios. He soon introduced and adopted the Tramp as his screen persona. He directed his own films and continued to hone his craft as he moved to Essanay Studios, where the Tramp persona was developed emotionally in "The Tramp" (1915). He then attracted a large fanbase and demanded more money as he moved to Mutual and First National corporations. By 1918, he was one of the world's best-paid and best-known figures.
In 1919, Chaplin co-founded the distribution company United Artists, which gave him complete control over his films. His first feature-length film was "The Kid" (1921), followed by "A Woman of Paris" (1923), "The Gold Rush" (1925), and "The Circus" (1928). He initially refused to move to sound films in the 1930s, instead producing "City Lights" (1931) and "Modern Times" (1936) without dialogue. His first sound film was "The Great Dictator" (1940), which satirised Adolf Hitler. The 1940s were marked with controversy for Chaplin, and his popularity declined rapidly. He was accused of communist sympathies, and some members of the press and public were scandalised by his involvement in a paternity suit and marriages to much younger women. An FBI investigation was opened, and Chaplin was forced to leave the U.S. in 1952 and settle in Switzerland. He abandoned the Tramp in his later films, which include "Monsieur Verdoux" (1947), "Limelight" (1952), "A King in New York" (1957), and "A Countess from Hong Kong" (1967).
Chaplin wrote, directed, produced, edited, starred in, and composed the music for most of his films. He was a perfectionist, and his financial independence enabled him to spend years on the development and production of a picture. His films are characterised by slapstick combined with pathos, typified in the Tramp's struggles against adversity. Many contain social and political themes, as well as autobiographical elements. He received an Honorary Academy Award for "the incalculable effect he has had in making motion pictures the art form of this century" in 1972, as part of a renewed appreciation for his work. He continues to be held in high regard, with "The Gold Rush", "City Lights", "Modern Times", and "The Great Dictator" often ranked on lists of the greatest films. Biography. 1889–1913: early years. Background and childhood hardship. Charles Spencer Chaplin Jr. was born on 16 April 1889 to Hannah Chaplin (née Hill) and Charles Chaplin Sr. His paternal grandmother came from the Smith family, who belonged to Romani people. There is no official record of his birth, although Chaplin believed he was born at East Street, Walworth, in South London. His parents had married four years previously, at which time Charles Sr. became the legal guardian of Hannah's first son, Sydney John Hill. At the time of his birth, Chaplin's parents were both music hall entertainers. Hannah, the daughter of a shoemaker, had a brief and unsuccessful career under the stage name Lily Harley, while Charles Sr., a butcher's son, was a popular singer. Although they never divorced, Chaplin's parents were estranged by around 1891. The following year, Hannah gave birth to a third son, George Wheeler Dryden, fathered by the music hall entertainer Leo Dryden. The child was taken by Dryden at six months old, and did not re-enter Chaplin's life for thirty years.
Chaplin's childhood was fraught with poverty and hardship, making his eventual trajectory "the most dramatic of all the rags to riches stories ever told" according to his authorised biographer David Robinson. Chaplin's early years were spent with his mother and brother Sydney in the London district of Kennington. Hannah had no means of income, other than occasional nursing and dressmaking, and Chaplin Sr. provided no financial support. As the situation deteriorated, Chaplin was sent to Lambeth Workhouse when he was seven years old. The council housed him at the Central London District School for paupers, which Chaplin remembered as "a forlorn existence". He was briefly reunited with his mother 18 months later, but Hannah was forced to readmit her family to the workhouse in July 1898. The boys were promptly sent to Norwood Schools, another institution for destitute children. In September 1898, Hannah was committed to Cane Hill mental asylum; she had developed psychosis seemingly brought on by an infection of syphilis and malnutrition. For the two months she was there, Chaplin and his brother Sydney were sent to live with their father, whom the young boys scarcely knew. Charles Sr. was by then severely alcoholic, and life there was bad enough to provoke a visit from the National Society for the Prevention of Cruelty to Children. Chaplin's father died two years later, at 38 years old, from cirrhosis of the liver.
Hannah entered a period of remission but, in May 1903, became ill again. Chaplin, then 14, had the task of taking his mother to the infirmary, from where she was sent back to Cane Hill. He lived alone for several days, searching for food and occasionally sleeping rough, until Sydneywho had joined the Navy two years earlierreturned. Hannah was released from the asylum eight months later, but in March 1905, her illness returned, this time permanently. "There was nothing we could do but accept poor mother's fate", Chaplin later wrote, and she remained in care until her death in 1928. Young performer. Between his time in the poor schools and his mother succumbing to mental illness, Chaplin began to perform on stage. He later recalled making his first amateur appearance at the age of five years, when he took over from Hannah one night in Aldershot. This was an isolated occurrence, but by the time he was nine Chaplin had, with his mother's encouragement, grown interested in performing. He later wrote: "[she] imbued me with the feeling that I had some sort of talent". Through his father's connections, Chaplin became a member of the Eight Lancashire Lads clog-dancing troupe, with whom he toured English music halls throughout 1899 and 1900. Chaplin worked hard, and the act was popular with audiences, but he was not satisfied with dancing and wished to form a comedy act.
In the years Chaplin was touring with the Eight Lancashire Lads, his mother ensured that he still attended school but, by the age of 13, he had abandoned education. He supported himself with a range of jobs, while nursing his ambition to become an actor. At 14, shortly after his mother's relapse, he registered with a theatrical agency in London's West End. The manager sensed potential in Chaplin, who was promptly given his first role as a newsboy in Harry Arthur Saintsbury's "Jim, a Romance of Cockayne". It opened in July 1903, but the show was unsuccessful and closed after two weeks. Chaplin's comic performance, however, was singled out for praise in many of the reviews. Saintsbury secured a role for Chaplin in Charles Frohman's production of "Sherlock Holmes", where he played Billy the pageboy in three nationwide tours. His performance was so well received that he was called to London to play the role alongside William Gillette, the original Holmes. "It was like tidings from heaven", Chaplin recalled. At 16 years old, Chaplin starred in the play's West End production at the Duke of York's Theatre from October to December 1905. He completed one final tour of "Sherlock Holmes" in early 1906, before leaving the play after more than two-and-a-half years.
Stage comedy and vaudeville. Chaplin soon found work with a new company and went on tour with his brother, who was also pursuing an acting career, in a comedy sketch called "Repairs". In May 1906, Chaplin joined the juvenile act Casey's Circus, where he developed popular burlesque pieces and was soon the star of the show. By the time the act finished touring in July 1907, the 18-year-old had become an accomplished comedic performer. He struggled to find more work, however, and a brief attempt at a solo act was a failure. Meanwhile, Sydney Chaplin had joined Fred Karno's prestigious comedy company in 1906 and, by 1908, he was one of their key performers. In February, he managed to secure a two-week trial for his younger brother. Karno was initially wary, and considered Chaplin a "pale, puny, sullen-looking youngster" who "looked much too shy to do any good in the theatre". However, the teenager made an impact on his first night at the London Coliseum and he was quickly signed to a contract. Chaplin began by playing a series of minor parts, eventually progressing to starring roles in 1909. In April 1910, he was given the lead in a new sketch, "Jimmy the Fearless". It was a big success, and Chaplin received considerable press attention.
Karno selected his new star to join the section of the company that toured North America's vaudeville circuit, a section which also included Stan Laurel. The young comedian headed the show and impressed reviewers, being described as "one of the best pantomime artists ever seen here". His most successful role was a drunk called the "Inebriate Swell", which drew him significant recognition. The role was in the play titled "Mumming Birds", known as "A Night in an English Music Hall" when Chaplin performed it on tour, which was the longest-running sketch the music halls produced, and included throwing pies at the players among other innovations. The tour lasted 21 months, and the troupe returned to England in June 1912. Chaplin recalled that he "had a disquieting feeling of sinking back into a depressing commonplaceness" and was, therefore, delighted when a new tour began in October. 1914–1917: entering films. Keystone. Six months into the second American tour, Chaplin was invited to join the New York Motion Picture Company. A representative who had seen his performances thought he could replace Fred Mace, a star of their Keystone Studios who intended to leave. Chaplin thought the Keystone comedies "a crude mélange of rough and rumble", but liked the idea of working in films and rationalised: "Besides, it would mean a new life." He met with the company and signed a $150-per-week contract in September 1913. Chaplin arrived in Los Angeles in early December, and began working for the Keystone studio on 5January 1914.
Chaplin's boss was Mack Sennett, who initially expressed concern that the 24-year-old looked too young. He was not used in a picture until late January, during which time Chaplin attempted to learn the processes of filmmaking. The one-reeler "Making a Living" marked his film acting debut and was released on 2February 1914. Chaplin strongly disliked the picture, but one review picked him out as "a comedian of the first water". For his second appearance in front of the camera, Chaplin selected the costume with which he became identified. He described the process in his autobiography: The film was "Mabel's Strange Predicament", but "the Tramp" character, as it became known, debuted to audiences in "Kid Auto Races at Venice"shot later than "Mabel's Strange Predicament" but released two days earlier on 7February 1914. Chaplin adopted the character as his screen persona and attempted to make suggestions for the films he appeared in. These ideas were dismissed by his directors. During the filming of his 11th picture, "Mabel at the Wheel", he clashed with director Mabel Normand and was almost released from his contract. Sennett kept him on, however, when he received orders from exhibitors for more Chaplin films. Sennett also allowed Chaplin to direct his next film himself after Chaplin promised to pay $1,500 ($ in dollars) if the film was unsuccessful.
"Caught in the Rain", issued on 4May 1914, was Chaplin's directorial debut and was highly successful. Thereafter he directed almost every short film in which he appeared for Keystone, at the rate of approximately one per week, a period which he later remembered as the most exciting time of his career. Chaplin's films introduced a slower form of comedy than the typical Keystone farce, and he developed a large fan base. In November 1914, he had a supporting role in the first feature length comedy film, "Tillie's Punctured Romance", directed by Sennett and starring Marie Dressler, which was a commercial success and increased his popularity. When Chaplin's contract came up for renewal at the end of the year, he asked for $1,000 a week, an amount Sennett refused, as he thought it was too large. Essanay. The Essanay Film Manufacturing Company of Chicago sent Chaplin an offer of $1,250 a week, with a signing bonus of $10,000. He joined the studio in late December 1914, where he began forming a stock company of regular players, actors he worked with again and again, including Ben Turpin, Leo White, Bud Jamison, Paddy McGuire, Fred Goodwins and Billy Armstrong. Chaplin soon recruited a leading lady, Edna Purviance, whom he met in a café and hired on account of her beauty. She went on to appear in 35 films with him over eight years; the pair also formed a romantic relationship that lasted until 1917.
Chaplin asserted a high level of control over his pictures and started to put more time and care into each film. There was a month-long interval between the release of his second production, "A Night Out", and his third, "The Champion". The final seven of Chaplin's 14 Essanay films were all produced at this slower pace. Chaplin also began to alter his screen persona, which had attracted some criticism at Keystone for its "mean, crude, and brutish" nature. The character became more gentle and romantic; "The Tramp" (April 1915) was considered a particular turning point in his development. The use of pathos was developed further with "The Bank", in which Chaplin created a sad ending. Robinson notes that this was an innovation in comedy films, and marked the time when serious critics began to appreciate Chaplin's work. At Essanay, writes film scholar Simon Louvish, Chaplin "found the themes and the settings that would define the Tramp's world". During 1915, Chaplin became a cultural phenomenon. Shops were stocked with Chaplin merchandise, he was featured in cartoons and comic strips, and several songs were written about him. In July, a journalist for "Motion Picture" wrote that "Chaplinitis" had spread across America. As his fame grew worldwide, he became the film industry's first international star. In September 1915, Chaplin topped a poll held by "Pictures and the Picturegoer" of the greatest British film actors, receiving 142,920 votes from readers. The classic music hall sketch, "A Night in an English Music Hall", would be the basis for his 12th Essanay film, "A Night in the Show", released in November 1915. When the Essanay contract ended in December 1915, Chaplin, fully aware of his popularity, requested a $150,000 signing bonus from his next studio. He received several offers, including Universal, Fox and Vitagraph, the best of which came from the Mutual Film Corporation at $10,000 a week.
Mutual. A contract was negotiated with Mutual that amounted to $670,000 a year, which Robinson says made Chaplinat 26 years oldone of the highest-paid people in the world. The high salary shocked the public and was widely reported in the press. John R. Freuler, the studio president, explained: "We can afford to pay Mr. Chaplin this large sum annually because the public wants Chaplin and will pay for him." Mutual gave Chaplin his own Los Angeles studio to work in, which opened in March 1916. He added two key members to his stock company, Albert Austin and Eric Campbell, and produced a series of elaborate two-reelers: "The Floorwalker", "The Fireman", "The Vagabond", "One A.M." and "The Count". For "The Pawnshop", he recruited the actor Henry Bergman, who was to work with Chaplin for 30 years. "Behind the Screen" and "The Rink" completed Chaplin's releases for 1916. The Mutual contract stipulated that he release a two-reel film every four weeks, which he had managed to achieve. With the new year, however, Chaplin began to demand more time. He made only four more films for Mutual over the first ten months of 1917: "Easy Street", "The Cure", "The Immigrant" and "The Adventurer". With their careful construction, these films are considered by Chaplin scholars to be among his finest work. Later in life, Chaplin referred to his Mutual years as the happiest period of his career. However, Chaplin also felt that those films became increasingly formulaic over the period of the contract, and he was increasingly dissatisfied with the working conditions encouraging that.
Chaplin was attacked in the British media for not fighting in the First World War. He defended himself, claiming that he would fight for Britain if called and had registered for the American draft, but he was not summoned by either country. Despite this criticism, Chaplin was a favourite with the troops, and his popularity continued to grow worldwide. "Harper's Weekly" reported that the name of Charlie Chaplin was "a part of the common language of almost every country", and that the Tramp image was "universally familiar". In 1917, professional Chaplin imitators were so widespread that he took legal action, and it was reported that nine out of ten men who attended costume parties, did so dressed as the Tramp. The same year, a study by the Boston Society for Psychical Research concluded that Chaplin was "an American obsession". The actress Minnie Maddern Fiske wrote that "a constantly increasing body of cultured, artistic people are beginning to regard the young English buffoon, Charles Chaplin, as an extraordinary artist, as well as a comic genius". 1918–1922: First National.
In January 1918, Chaplin was visited by leading British singer and comedian Harry Lauder, and the two acted in a short film together. Mutual was patient with Chaplin's decreased rate of output, and the contract ended amicably. With his aforementioned concern about the declining quality of his films because of contract scheduling stipulations, Chaplin's primary concern in finding a new distributor was independence; Sydney Chaplin, then his business manager, told the press: "Charlie [must] be allowed all the time he needs and all the money for producing [films] the way he wants... It is quality, not quantity, we are after." In June 1917, Chaplin signed to complete eight films for First National Exhibitors' Circuit in return for $1million. He chose to build his own studio, situated on five acres of land off Sunset Boulevard, with production facilities of the highest order. Charlie Chaplin Studios was completed in January 1918, and Chaplin was given freedom over the making of his pictures. "A Dog's Life", released April 1918, was the first film under the new contract. In it, Chaplin demonstrated his increasing concern with story construction and his treatment of the Tramp as "a sort of Pierrot". The film was described by Louis Delluc as "cinema's first total work of art". Chaplin then embarked on the Third Liberty Bond campaign, touring the United States for one month to raise money for the Allies of the First World War. He also produced a short propaganda film at his own expense, donated to the government for fund-raising, called "The Bond". Chaplin's next release was war-based, placing the Tramp in the trenches for "Shoulder Arms". Associates warned him against making a comedy about the war but, as he later recalled: "Dangerous or not, the idea excited me." He spent four months filming the picture, which was released in October 1918 with great success.
United Artists, Mildred Harris, and "The Kid". After the release of "Shoulder Arms", Chaplin requested more money from First National, which was refused. Frustrated with their lack of concern for quality, and worried about rumours of a possible merger between the company and Famous Players–Lasky, Chaplin joined forces with Douglas Fairbanks, Mary Pickford and D. W. Griffith to form a new distribution company, United Artists, in January 1919. The arrangement was revolutionary in the film industry, as it enabled the four partnersall creative artiststo personally fund their pictures and have complete control. Chaplin was eager to start with the new company and offered to buy out his contract with First National. They refused and insisted that he complete the final six films owed. Before the creation of United Artists, Chaplin married for the first time. The 16-year-old actress Mildred Harris had revealed that she was pregnant with his child, and in September 1918, he married her quietly in Los Angeles to avoid controversy. Soon after, the pregnancy was found to be false. Chaplin was unhappy with the union and, feeling that marriage stunted his creativity, struggled over the production of his film "Sunnyside". Harris was by then legitimately pregnant, and on 7July 1919, gave birth to a son. Norman Spencer Chaplin was born malformed and died three days later. The marriage ended in April 1920, with Chaplin explaining in his autobiography that they were "irreconcilably mismated".
Losing the child, plus his own childhood experiences, are thought to have influenced Chaplin's next film, which turned the Tramp into the caretaker of a young boy. For this new venture, Chaplin also wished to do more than comedy and, according to Louvish, "make his mark on a changed world". Filming on "The Kid" began in August 1919, with four-year-old Jackie Coogan his co-star. "The Kid" was in production for nine months until May 1920 and, at 68 minutes, it was Chaplin's longest picture to date. Dealing with issues of poverty and parent–child separation, "The Kid" was one of the earliest films to combine comedy and drama. It was released in January 1921 with instant success, and, by 1924, had been screened in over 50 countries. Chaplin spent five months on his next film, the two-reeler "The Idle Class". Work on the picture was for a time delayed by more turmoil in his personal life. First National had on 12 April announced Chaplin's engagement to the actress May Collins, whom he had hired to be his secretary at the studio. By early June, however, Chaplin "suddenly decided he could scarcely stand to be in the same room" as Collins, but instead of breaking off the engagement directly, he "stopped coming in to work, sending word that he was suffering from a bad case of influenza, which May knew to be a lie."
Ultimately work on the film resumed, and following its September 1921 release, Chaplin chose to return to England for the first time in almost a decade. He wrote a book about his journey, titled "My Wonderful Visit". He then worked to fulfil his First National contract, releasing "Pay Day" in February 1922. "The Pilgrim", his final short film, was delayed by distribution disagreements with the studio and released a year later. 1923–1938: silent features. "A Woman of Paris" and "The Gold Rush". Having fulfilled his First National contract, Chaplin was free to make his first picture as an independent producer. In November 1922, he began filming "A Woman of Paris", a romantic drama about ill-fated lovers. Chaplin intended it to be a star-making vehicle for Edna Purviance, and did not appear in the picture himself other than in a brief, uncredited cameo. He wished the film to have a realistic feel and directed his cast to give restrained performances. In real life, he explained, "men and women try to hide their emotions rather than seek to express them". "A Woman of Paris" premiered in September 1923 and was acclaimed for its innovative, subtle approach. The public, however, seemed to have little interest in a Chaplin film without Chaplin, and it was a box office disappointment. The filmmaker was hurt by this failurehe had long wanted to produce a dramatic film and was proud of the resultand soon withdrew "A Woman of Paris" from circulation.
Chaplin returned to comedy for his next project. Setting his standards high, he told himself "This next film must be an epic! The Greatest!" Inspired by a photograph of the 1898 Klondike Gold Rush, and later the story of the Donner Party of 1846–1847, he made what Geoffrey Macnab calls "an epic comedy out of grim subject matter". In "The Gold Rush", the Tramp is a lonely prospector fighting adversity and looking for love. With Georgia Hale as his leading lady, Chaplin began filming the picture in February 1924. Its elaborate production, costing almost $1million, included location shooting in the Truckee mountains in Nevada with 600 extras, extravagant sets, and special effects. The last scene was shot in May 1925 after 15 months of filming. Chaplin felt "The Gold Rush" was the best film he had made. It opened in August 1925 and became one of the highest-grossing films of the silent era, with a U.S. box-office of $5million. The comedy contains some of Chaplin's most famous sequences, such as the Tramp eating his shoe and the "Dance of the Rolls". Macnab has called it "the quintessential Chaplin film". Chaplin stated at its release: "This is the picture that I want to be remembered by".
Lita Grey and "The Circus". While making "The Gold Rush", Chaplin married for the second time. Mirroring the circumstances of his first union, Lita Grey was a teenage actress, originally set to star in the film, whose surprise announcement of pregnancy forced Chaplin into marriage. She was 16 and he was 35, meaning Chaplin could have been charged with statutory rape under California law. He therefore arranged a discreet marriage in Mexico on 25 November 1924. They originally met during her childhood and she had previously appeared in his works "The Kid" and "The Idle Class". Their first son, Charles Spencer Chaplin III, was born on 5May 1925, followed by Sydney Earl Chaplin on 30 March 1926. On 6 July 1925, Chaplin became the first movie star to be featured on a "Time" cover. It was an unhappy marriage, and Chaplin spent long hours at the studio to avoid seeing his wife. In November 1926, Grey took the children and left the family home. A bitter divorce followed, in which Grey's applicationaccusing Chaplin of infidelity, abuse and of harbouring "perverted sexual desires"was leaked to the press. Chaplin was reported to be in a state of nervous breakdown, as the story became headline news and groups formed across America calling for his films to be banned. Eager to end the case without further scandal, Chaplin's lawyers agreed to a cash settlement of $600,000the largest awarded by American courts at that time. His fan base was strong enough to survive the incident, and it was soon forgotten, but Chaplin was deeply affected by it. Less than five months after the divorce, Grey's former butler Don Solovich was murdered in Utah, and articles speculated about connections between Chaplin and the murder.
Before the divorce suit was filed, Chaplin had begun work on a new film, "The Circus". He built a story around the idea of walking a tightrope while besieged by monkeys, and turned the Tramp into the accidental star of a circus. Filming was suspended for ten months while he dealt with the divorce scandal, and it was generally a trouble-ridden production. Finally completed in October 1927, "The Circus" was released in January 1928 to a positive reception. At the 1st Academy Awards, Chaplin was given a special trophy "For versatility and genius in acting, writing, directing and producing "The Circus"". Despite its success, he permanently associated the film with the stress of its production; Chaplin omitted "The Circus" from his autobiography, and struggled to work on it when he recorded the score in his later years. "City Lights". By the time "The Circus" was released, Hollywood had witnessed the introduction of sound films. Chaplin was cynical about this new medium and the technical shortcomings it presented, believing that "talkies" lacked the artistry of silent films. He was also hesitant to change the formula that had brought him such success, and feared that giving the Tramp a voice would limit his international appeal. He, therefore, rejected the new Hollywood craze and began work on a new silent film. Chaplin was nonetheless anxious about this decision and remained so throughout the film's production.
When filming began at the end of 1928, Chaplin had been working on the story for almost a year. "City Lights" followed the Tramp's love for a blind flower girl (played by Virginia Cherrill) and his efforts to raise money for her sight-saving operation. It was a challenging production that lasted 21 months, with Chaplin later confessing that he "had worked himself into a neurotic state of wanting perfection". One advantage Chaplin found in sound technology was the opportunity to record a musical score for the film, which he composed himself. Chaplin finished editing "City Lights" in December 1930, by which time silent films were an anachronism. A preview before an unsuspecting public audience was not a success, but a showing for the press produced positive reviews. One journalist wrote: "Nobody in the world but Charlie Chaplin could have done it. He is the only person that has that peculiar something called 'audience appeal' in sufficient quality to defy the popular penchant for movies that talk." Given its general release in January 1931, "City Lights" proved to be a popular and financial success, eventually grossing over $3million. The British Film Institute called it Chaplin's finest accomplishment, and the critic James Agee hails the closing scene as "the greatest piece of acting and the highest moment in movies". "City Lights" became Chaplin's personal favourite of his films and remained so throughout his life.
Travels, Paulette Goddard and "Modern Times". "City Lights" had been a success, but Chaplin was unsure if he could make another picture without dialogue. He remained convinced that sound would not work in his films, but was also "obsessed by a depressing fear of being old-fashioned". In this state of uncertainty, early in 1931, the comedian decided to take a holiday and ended up travelling for 16 months. He spent months travelling Western Europe, including extended stays in France and Switzerland, and spontaneously decided to visit Japan. The day after he arrived in Japan, Prime Minister Inukai Tsuyoshi was assassinated by ultra-nationalists in the May 15 Incident. The group's original plan had been to provoke a war with the United States by assassinating Chaplin at a welcome reception organised by the prime minister, but the plan had been foiled due to delayed public announcement of the event's date. In his autobiography, Chaplin recalled that on his return to Los Angeles, "I was confused and without plan, restless and conscious of an extreme loneliness". He briefly considered retiring and moving to China. Chaplin's loneliness was relieved when he met 21-year-old actress Paulette Goddard in July 1932, and the pair began a relationship. He was not ready to commit to a film, however, and focused on writing a serial about his travels (published in "Woman's Home Companion"). The trip had been a stimulating experience for Chaplin, including meetings with several prominent thinkers, and he became increasingly interested in world affairs. The state of labour in America troubled him, and he feared that capitalism and machinery in the workplace would increase unemployment levels. It was these concerns that stimulated Chaplin to develop his new film.
"Modern Times" was announced by Chaplin as "a satire on certain phases of our industrial life". Featuring the Tramp and Goddard as they endure the Great Depression, it took ten and a half months to film. Chaplin intended to use spoken dialogue but changed his mind during rehearsals. Like its predecessor, "Modern Times" employed sound effects but almost no speaking. Chaplin's performance of a gibberish song did, however, give the Tramp a voice for the only time on film. After recording the music, Chaplin released "Modern Times" in February 1936. It was his first feature in 15 years to adopt political references and social realism, a factor that attracted considerable press coverage despite Chaplin's attempts to downplay the issue. The film earned less at the box-office than his previous features and received mixed reviews, as some viewers disliked the politicising. Today, "Modern Times" is seen by the British Film Institute as one of Chaplin's "great features", while David Robinson says it shows the filmmaker at "his unrivalled peak as a creator of visual comedy".
Following the release of "Modern Times", Chaplin left with Goddard for a trip to the Far East. Chaplin, Goddard and a Japanese servant named Yonnemori arrived in Saigon in April 1936, and visited multiple locations in French Indochina. They then visited Phnom Penh to view Angkor Wat, and Da Lat, followed by Huế, arriving in Đà Nẵng where he visited the Marble Mountains and the Henri Parmentier Museum. In Hanoi (the capital city of French Indochina) they visited the popular tourist destination Hạ Long Bay, and the couple then left from Hải Phòng to Hong Kong on board of a ship the "Canton". The couple had refused to comment on the nature of their relationship, and it was not known whether they were married or not. Sometime later, Chaplin revealed that they married in Canton during this trip. By 1938, the couple had drifted apart, as both focused heavily on their work, although Goddard was again his leading lady in his next feature film, "The Great Dictator". She eventually divorced Chaplin in Mexico in 1942, citing incompatibility and separation for more than a year. 1939–1952: controversies and fading popularity.
"The Great Dictator". The 1940s saw Chaplin face a series of controversies, both in his work and in his personal life, which changed his fortunes and severely affected his popularity in the United States. The first of these was his growing boldness in expressing his political beliefs. Deeply disturbed by the surge of militaristic nationalism in 1930s world politics, Chaplin found that he could not keep these issues out of his work. Parallels between himself and Adolf Hitler had been widely noted: the pair were born four days apart, both had risen from poverty to world prominence, and Hitler wore the same moustache style as Chaplin. It was this physical resemblance that supplied the plot for Chaplin's next film, "The Great Dictator", which directly satirised Hitler and attacked fascism. Chaplin spent two years developing the script and began filming in September 1939, six days after Britain declared war on Germany. He had submitted to using spoken dialogue, partly out of acceptance that he had no other choice, but also because he recognised it as a better method for delivering a political message. Making a comedy about Hitler was seen as highly controversial, but Chaplin's financial independence allowed him to take the risk. "I was determined to go ahead", he later wrote, "for Hitler must be laughed at." Chaplin replaced the Tramp (while wearing similar attire) with "A Jewish Barber", a reference to the Nazi Party's belief that he was Jewish. In a dual performance, he also played the dictator "Adenoid Hynkel", a parody of Hitler.
"The Great Dictator" spent a year in production and was released in October 1940. The film generated a vast amount of publicity, with a critic for "The New York Times" calling it "the most eagerly awaited picture of the year", and it was one of the biggest money-makers of the era. The ending was unpopular, however, and generated controversy. Chaplin concluded the film with a five-minute speech in which he abandoned his barber character, looked directly into the camera, and pleaded against war and fascism. Charles J. Maland has identified this overt preaching as triggering a decline in Chaplin's popularity, and writes: "Henceforth, no movie fan would ever be able to separate the dimension of politics from [his] star image". Nevertheless, both Winston Churchill and Franklin D. Roosevelt liked the film, which they saw at private screenings before its release. Roosevelt subsequently invited Chaplin to read the film's final speech over the radio during his January 1941 inauguration, with the speech becoming a "hit" of the celebration. Chaplin was often invited to other patriotic functions to read the speech to audiences during the years of the war. "The Great Dictator" received five Academy Award nominations, including Best Picture, Best Original Screenplay and Best Actor.
Legal troubles and Oona O'Neill. In the mid-1940s, Chaplin was involved in a series of trials that occupied most of his time and significantly affected his public image. The troubles stemmed from his affair with an aspiring actress named Joan Barry, with whom he was involved intermittently between June 1941 and the autumn of 1942. Barry, who displayed obsessive behaviour and was twice arrested after they separated, reappeared the following year and announced that she was pregnant with Chaplin's child. As Chaplin denied the claim, Barry filed a paternity suit against him. The director of the Federal Bureau of Investigation (FBI), J. Edgar Hoover, who had long been suspicious of Chaplin's political leanings, used the opportunity to generate negative publicity about him. As part of a smear campaign to damage Chaplin's image, the FBI named him in four indictments related to the Barry case. Most serious of these was an alleged violation of the Mann Act, which prohibits the transportation of women across state boundaries for sexual purposes. Historian Otto Friedrich called this an "absurd prosecution" of an "ancient statute", yet if Chaplin was found guilty, he faced 23 years in prison. Three charges lacked sufficient evidence to proceed to court, but the Mann Act trial began on 21 March 1944. Chaplin was acquitted two weeks later, on4 April. The case was frequently headline news, with "Newsweek" calling it the "biggest public relations scandal since the Fatty Arbuckle murder trial in 1921".
Barry's child, Carol Ann, was born in October 1943, and the paternity suit went to court in December 1944. After two arduous trials, in which the prosecuting lawyer accused him of "moral turpitude", Chaplin was declared to be the father. Evidence from blood tests that indicated otherwise were not admissible, and the judge ordered Chaplin to pay child support until Carol Ann turned 21. Media coverage of the suit was influenced by the FBI, which fed information to gossip columnist Hedda Hopper, and Chaplin was portrayed in an overwhelmingly critical light. The controversy surrounding Chaplin increased whentwo weeks after the paternity suit was filedit was announced that he had married his newest protégée, 18-year-old Oona O'Neill, the daughter of American playwright Eugene O'Neill. Chaplin, then 54, had been introduced to her by a film agent seven months earlier. In his autobiography, Chaplin described meeting O'Neill as "the happiest event of my life", and claimed to have found "perfect love". Chaplin's son, Charles III, reported that Oona "worshipped" his father. The couple remained married until Chaplin's death, and had eight children over 18 years: Geraldine Leigh (b. July 1944), Michael John (b. March 1946), Josephine Hannah (b. March 1949), Victoria Agnes (b. May 1951), Eugene Anthony (b. August 1953), Jane Cecil (b. May 1957), Annette Emily (b. December 1959), and Christopher James (b. July 1962).
"Monsieur Verdoux" and communist accusations. Chaplin claimed that the Barry trials had "crippled [his] creativeness", and it was some time before he began working again. In April 1946, he finally began filming a project that had been in development since 1942. "Monsieur Verdoux" was a black comedy, the story of a French bank clerk, Verdoux (Chaplin), who loses his job and begins marrying and murdering wealthy widows to support his family. Chaplin's inspiration for the project came from Orson Welles, who wanted him to star in a film about the French serial killer Henri Désiré Landru. Chaplin decided that the concept would "make a wonderful comedy", and paid Welles $5,000 for the idea. Chaplin again vocalised his political views in "Monsieur Verdoux", criticising capitalism and arguing that the world encourages mass killing through wars and weapons of mass destruction. Because of this, the film met with controversy when it was released in April 1947; Chaplin was booed at the premiere, and there were calls for a boycott. "Monsieur Verdoux" was the first Chaplin release that failed both critically and commercially in the United States. It was more successful abroad, and Chaplin's screenplay was nominated at the Academy Awards. He was proud of the film, writing in his autobiography, ""Monsieur Verdoux" is the cleverest and most brilliant film I have yet made."
The negative reaction to "Monsieur Verdoux" was largely the result of changes in Chaplin's public image. Along with the damage of the Joan Barry scandal, he was publicly accused of being a communist. His political activity had heightened during World War II, when he campaigned for the opening of a Second Front to help the Soviet Union and supported various Soviet–American friendship groups. He was also friendly with several suspected communists, and attended functions given by Soviet diplomats in Los Angeles. In the political climate of 1940s America, such activities meant Chaplin was considered, as Larcher writes, "dangerously progressive and amoral". The FBI wanted him out of the country, and launched an official investigation in early 1947. Chaplin denied being a communist, instead calling himself a "peacemonger", but felt the government's effort to suppress the ideology was an unacceptable infringement of civil liberties. Unwilling to be quiet about the issue, he openly protested against the trials of Communist Party members and the activities of the House Un-American Activities Committee. Chaplin received a subpoena to appear before HUAC but was not called to testify. As his activities were widely reported in the press, and Cold War fears grew, questions were raised over his failure to take American citizenship. Calls were made for him to be deported; in one extreme and widely published example, Representative John E. Rankin, who helped establish HUAC, told Congress in June 1947: "[Chaplin's] very life in Hollywood is detrimental to the moral fabric of America. [If he is deported]... his loathsome pictures can be kept from before the eyes of the American youth. He should be deported and gotten rid of at once."
In 2003, declassified British archives belonging to the British Foreign Office revealed that author and social critic George Orwell secretly accused Chaplin of being a secret communist and a friend of the USSR in the 1949 Orwell's list document. Chaplin's name was one of 35 that Orwell gave to the Information Research Department (IRD), a secret British Cold War propaganda department which worked closely with the CIA. Chaplin was not the only actor in America whom Orwell accused of being a secret communist. "Limelight" and banning from the United States. Although Chaplin remained politically active in the years following the failure of "Monsieur Verdoux", his next film, about a forgotten music hall comedian and a young ballerina in Edwardian London, was devoid of political themes. "Limelight" was heavily autobiographical, alluding not only to Chaplin's childhood and the lives of his parents, but also to his loss of popularity in the United States. The cast included various members of his family, including his five oldest children and his half-brother, Wheeler Dryden.
Filming began in November 1951, by which time Chaplin had spent three years working on the story. He aimed for a more serious tone than any of his previous films, regularly using the word "melancholy" when explaining his plans to his co-star Claire Bloom. "Limelight" featured a cameo appearance from Buster Keaton, whom Chaplin cast as his stage partner in a pantomime scene. This marked the only time the comedians worked together in a feature film. Chaplin decided to hold the world premiere of "Limelight" in London, since it was the setting of the film. As he left Los Angeles, he expressed a premonition that he would not be returning. At New York, he boarded the with his family on 18 September 1952. The next day, United States Attorney General James P. McGranery revoked Chaplin's re-entry permit and stated that he would have to submit to an interview concerning his political views and moral behaviour to re-enter the US. Although McGranery told the press that he had "a pretty good case against Chaplin", Maland has concluded, on the basis of the FBI files that were released in the 1980s, that the US government had no real evidence to prevent Chaplin's re-entry. It is likely that he would have gained entry if he had applied for it. However, when Chaplin received a cablegram informing him of the news, he privately decided to cut his ties with the United States:
Because all of his property remained in America, Chaplin refrained from saying anything negative about the incident to the press. The scandal attracted vast attention, but Chaplin and his film were warmly received in Europe. In America, the hostility towards him continued, and, although it received some positive reviews, "Limelight" was subjected to a wide-scale boycott. Reflecting on this, Maland writes that Chaplin's fall, from an "unprecedented" level of popularity, "may be the most dramatic in the history of stardom in America". 1953–1977: European years. Move to Switzerland and "A King in New York". Chaplin did not attempt to return to the United States after his re-entry permit was revoked, and instead sent his wife to settle his affairs. The couple decided to settle in Switzerland and, in January 1953, the family moved into their permanent home: Manoir de Ban, a estate overlooking Lake Geneva in Corsier-sur-Vevey. Chaplin put his Beverly Hills house and studio up for sale in March, and surrendered his re-entry permit in April. The next year, his wife renounced her US citizenship and became a British citizen. Chaplin severed the last of his professional ties with the United States in 1955, when he sold the remainder of his stock in United Artists, which had been in financial difficulty since the early 1940s.
Chaplin remained a controversial figure throughout the 1950s, especially after he was awarded the International Peace Prize by the communist-led World Peace Council, and after his meetings with Zhou Enlai and Nikita Khrushchev. He began developing his first European film, "A King in New York", in 1954. Casting himself as an exiled king who seeks asylum in the United States, Chaplin included several of his recent experiences in the screenplay. His son, Michael, was cast as a boy whose parents are targeted by the FBI, while Chaplin's character faces accusations of communism. The political satire parodied HUAC and attacked elements of 1950s cultureincluding consumerism, plastic surgery, and wide-screen cinema. In a review, the playwright John Osborne called it Chaplin's "most bitter" and "most openly personal" film. In a 1957 interview, when asked to clarify his political views, Chaplin stated "As for politics, I am an anarchist. I hate government and rulesand fetters... People must be free." Chaplin founded a new production company, Attica, and used Shepperton Studios for the shooting. Filming in England proved a difficult experience, as he was used to his own Hollywood studio and familiar crew, and no longer had limitless production time. According to Robinson, this had an effect on the quality of the film. "A King in New York" was released in September 1957, and received mixed reviews. Chaplin banned American journalists from its Paris première and decided not to release the film in the United States. This severely limited its revenue, although it achieved moderate commercial success in Europe. "A King in New York" was not shown in America until 1973.
Final works and renewed appreciation. In the last two decades of his career, Chaplin concentrated on re-editing and scoring his old films for re-release, along with securing their ownership and distribution rights. In an interview he gave in 1959, the year of his 70th birthday, Chaplin stated that there was still "room for the Little Man in the atomic age". The first of these re-releases was "The Chaplin Revue" (1959), which included new versions of "A Dog's Life", "Shoulder Arms", and "The Pilgrim". In America, the political atmosphere began to change and attention was once again directed to Chaplin's films instead of his views. In July 1962, the "New York Times" published an editorial stating, "We do not believe the Republic would be in danger if yesterday's unforgotten little tramp were allowed to amble down the gangplank of a steamer or plane in an American port". The same month, Chaplin was invested with the honorary degree of Doctor of Letters by the universities of Oxford and Durham. In November 1963, the Plaza Theater in New York started a year-long series of Chaplin's films, including "Monsieur Verdoux" and "Limelight", which gained excellent reviews from American critics. September 1964 saw the release of Chaplin's memoir, "My Autobiography", which he had been working on since 1957. The 500-page book became a worldwide best-seller. It focused on his early years and personal life, and was criticised for lacking information on his film career.
Shortly after the publication of his memoir, Chaplin began work on "A Countess from Hong Kong" (1967), a romantic comedy based on a script he had written for Paulette Goddard in the 1930s. Set on an ocean liner, it starred Marlon Brando as an American ambassador and Sophia Loren as a stowaway found in his cabin. The film differed from Chaplin's earlier productions in several aspects. It was his first to use Technicolor and the widescreen format, while he concentrated on directing and appeared on-screen only in a cameo role as a seasick steward. He also signed a deal with Universal Pictures and appointed his assistant, Jerome Epstein, as the producer. Chaplin was paid $600,000 director's fee as well as a percentage of the gross receipts. "A Countess from Hong Kong" premiered in January 1967, to unfavourable reviews, and was a box-office failure. Chaplin was deeply hurt by the negative reaction to the film, which turned out to be his last. Chaplin had a series of minor strokes in the late 1960s, which marked the beginning of a slow decline in his health. Despite the setbacks, he was soon writing a new film script, "The Freak", a story of a winged girl found in South America, which he intended as a starring vehicle for his daughter, Victoria. His fragile health prevented the project from being realised. In the early 1970s, Chaplin concentrated on re-releasing his old films, including "The Kid" and "The Circus". In 1971, he was made a Commander of the National Order of the Legion of Honour at the Cannes Film Festival. The following year, he was honoured with a special award by the Venice Film Festival.
In 1972, the Academy of Motion Picture Arts and Sciences offered Chaplin an Honorary Award, which Robinson sees as a sign that America "wanted to make amends". Chaplin was initially hesitant about accepting but decided to return to the US for the first time in 20 years. The visit attracted a large amount of press coverage and, at the Academy Awards gala, he was given a 12-minute standing ovation, the longest in the academy's history. Visibly emotional, Chaplin accepted his award for "the incalculable effect he has had in making motion pictures the art form of this century". Although Chaplin still had plans for future film projects, by the mid-1970s he was very frail. He experienced several further strokes, which made it difficult for him to communicate, and he had to use a wheelchair. His final projects were compiling a pictorial autobiography, "My Life in Pictures" (1974) and scoring "A Woman of Paris" for re-release in 1976. He also appeared in a documentary about his life, "The Gentleman Tramp" (1975), directed by Richard Patterson. In the 1975 New Year Honours, Chaplin was awarded a knighthood by Queen Elizabeth II, though he was too weak to kneel and received the honour in his wheelchair.
Death. By October 1977, Chaplin's health had declined to the point that he needed constant care. In the early morning of Christmas Day 1977, Chaplin died at home after having a stroke in his sleep. He was 88 years old. The funeral, on 27 December, was a small and private Anglican ceremony, according to his wishes. Chaplin was interred in the Corsier-sur-Vevey cemetery. Among the film industry's tributes, director René Clair wrote, "He was a monument of the cinema, of all countries and all times... the most beautiful gift the cinema made to us." Actor Bob Hope declared, "We were lucky to have lived in his time." Chaplin left more than $100 million to his widow. On 1 March 1978, Chaplin's coffin was dug up and stolen from its grave by Roman Wardas and Gantcho Ganev. The body was held for ransom in an attempt to extort money from his widow, Oona Chaplin. The pair were caught in a large police operation in May, and Chaplin's coffin was found buried in a field in the nearby village of Noville. It was re-interred in the Corsier cemetery in a reinforced concrete vault.
Filmmaking. Influences. Chaplin believed his first influence to be his mother, who entertained him as a child by sitting at the window and mimicking passers-by: "it was through watching her that I learned not only how to express emotions with my hands and face, but also how to observe and study people." Chaplin's early years in music hall allowed him to see stage comedians at work; he also attended the Christmas pantomimes at Drury Lane, where he studied the art of clowning through performers like Dan Leno. Chaplin's years with the Fred Karno company had a formative effect on him as an actor and filmmaker. Simon Louvish writes that the company was his "training ground", and it was here that Chaplin learned to vary the pace of his comedy. The concept of mixing pathos with slapstick was learnt from Karno, who also used elements of absurdity that became familiar in Chaplin's gags. From the film industry, Chaplin drew upon the work of the French comedian Max Linder, whose films he greatly admired. In developing the Tramp costume and persona, he was likely inspired by the American vaudeville scene, where tramp characters were common.
Method. Chaplin never spoke more than cursorily about his filmmaking methods, claiming such a thing would be tantamount to a magician spoiling his own illusion. Little was known about his working process throughout his lifetime, but research from film historiansparticularly the findings of Kevin Brownlow and David Gill that were presented in the three-part documentary "Unknown Chaplin" (1983)has since revealed his unique working method. Until he began making spoken dialogue films with "The Great Dictator" (1940), Chaplin never shot from a completed script. Many of his early films began with only a vague premise, for example "Charlie enters a health spa" or "Charlie works in a pawn shop". He then had sets constructed and worked with his stock company to improvise gags and "business" using them, almost always working the ideas out on film. As ideas were accepted and discarded, a narrative structure would emerge, frequently requiring Chaplin to reshoot an already-completed scene that might have otherwise contradicted the story. From "A Woman of Paris" (1923) onward Chaplin began the filming process with a prepared plot, but Robinson writes that every film up to "Modern Times" (1936) "went through many metamorphoses and permutations before the story took its final form".
Producing films in this manner meant Chaplin took longer to complete his pictures than almost any other filmmaker at the time. If he was out of ideas, he often took a break from the shoot, which could last for days, while keeping the studio ready for when inspiration returned. Delaying the process further was Chaplin's rigorous perfectionism. According to his friend Ivor Montagu, "nothing but perfection would be right" for the filmmaker. Because he personally funded his films, Chaplin was at liberty to strive for this goal and shoot as many takes as he wished. The number was often excessive, for instance 53 takes for every finished take in "The Kid" (1921). For "The Immigrant" (1917), a 20-minute short, Chaplin shot 40,000 feet of filmenough for a feature-length. Describing his working method as "sheer perseverance to the point of madness", Chaplin would be completely consumed by the production of a picture. Robinson writes that even in Chaplin's later years, his work continued "to take precedence over everything and everyone else". The combination of story improvisation and relentless perfectionismwhich resulted in days of effort and thousands of feet of film being wasted, all at enormous expenseoften proved taxing for Chaplin who, in frustration, would lash out at his actors and crew.
Chaplin exercised complete control over his pictures, to the extent that he would act out the other roles for his cast, expecting them to imitate him exactly. He personally edited all of his films, trawling through the large amounts of footage to create the exact picture he wanted. As a result of his complete independence, he was identified by the film historian Andrew Sarris as one of the first auteur filmmakers. Chaplin did receive help from his long-time cinematographer Roland Totheroh, brother Sydney Chaplin, and various assistant directors such as Harry Crocker and Charles Reisner. Style and themes. While Chaplin's comedic style is broadly defined as slapstick, it is considered restrained and intelligent, with the film historian Philip Kemp describing his work as a mix of "deft, balletic physical comedy and thoughtful, situation-based gags". Chaplin diverged from conventional slapstick by slowing the pace and exhausting each scene of its comic potential, with more focus on developing the viewer's relationship to the characters. Unlike conventional slapstick comedies, Robinson states that the comic moments in Chaplin's films centre on the Tramp's attitude to the things happening to him: the humour does not come from the Tramp bumping into a tree, but from his lifting his hat to the tree in apology. Dan Kamin writes that Chaplin's "quirky mannerisms" and "serious demeanour in the midst of slapstick action" are other key aspects of his comedy, while the surreal transformation of objects and the employment of in-camera trickery are also common features. His signature style consisted of gestural idiosyncrasies like askew derby hat, drooping shoulders, deflated chest and dangling arms and tilted back pelvis to enrich the comic persona of his 'tramp' character. His shabby but neat clothing and incessant grooming behaviour along with his geometrical walk and movement gave his onscreen characters a puppet-like quality.
Chaplin's silent films typically follow the Tramp's efforts to survive in a hostile world. The character lives in poverty and is frequently treated badly, but remains kind and upbeat; defying his social position, he strives to be seen as a gentleman. As Chaplin said in 1925, "The whole point of the Little Fellow is that no matter how down on his ass he is, no matter how well the jackals succeed in tearing him apart, he's still a man of dignity." The Tramp defies authority figures and "gives as good as he gets", leading Robinson and Louvish to see him as a representative for the underprivilegedan "everyman turned heroic saviour". Hansmeyer notes that several of Chaplin's films end with "the homeless and lonely Tramp [walking] optimistically... into the sunset... to continue his journey." The infusion of pathos is a well-known aspect of Chaplin's work, and Larcher notes his reputation for "[inducing] laughter and tears". Sentimentality in his films comes from a variety of sources, with Louvish pinpointing "personal failure, society's strictures, economic disaster, and the elements". Chaplin sometimes drew on tragic events when creating his films, as in the case of "The Gold Rush" (1925), which was inspired by the fate of the Donner Party. Constance B. Kuriyama has identified serious underlying themes in the early comedies, such as greed ("The Gold Rush") and loss ("The Kid"). Chaplin also touched on controversial issues: immigration ("The Immigrant", 1917); illegitimacy ("The Kid", 1921); and drug use ("Easy Street", 1917). He often explored these topics ironically, making comedy out of suffering.
Social commentary was a feature of Chaplin's films from early in his career, as he portrayed the underdog in a sympathetic light and highlighted the difficulties of the poor. Later, as he developed a keen interest in economics and felt obliged to publicise his views, Chaplin began incorporating overtly political messages into his films. "Modern Times" (1936) depicted factory workers in dismal conditions, "The Great Dictator" (1940) parodied Adolf Hitler and Benito Mussolini and ended in a speech against nationalism, "Monsieur Verdoux" (1947) criticised war and capitalism, and "A King in New York" (1957) attacked McCarthyism. Several of Chaplin's films incorporate autobiographical elements, and the psychologist Sigmund Freud believed that Chaplin "always plays only himself as he was in his dismal youth". "The Kid" is thought to reflect Chaplin's childhood trauma of being sent into an orphanage, the main characters in "Limelight" (1952) contain elements from the lives of his parents, and "A King in New York" references Chaplin's experiences of being shunned by the United States. Many of his sets, especially in street scenes, bear a strong similarity to Kennington, where he grew up. Stephen M. Weissman has argued that Chaplin's problematic relationship with his mentally ill mother was often reflected in his female characters and the Tramp's desire to save them.
Regarding the structure of Chaplin's films, the scholar Gerald Mast sees them as consisting of sketches tied together by the same theme and setting, rather than having a tightly unified storyline. Visually, his films are simple and economic, with scenes portrayed as if set on a stage. His approach to filming was described by the art director Eugène Lourié: "Chaplin did not think in 'artistic' images when he was shooting. He believed that action is the main thing. The camera is there to photograph the actors". In his autobiography, Chaplin wrote, "Simplicity is best... pompous effects slow up action, are boring and unpleasant... The camera should not intrude." This approach has prompted criticism, since the 1940s, for being "old fashioned", while the film scholar Donald McCaffrey sees it as an indication that Chaplin never completely understood film as a medium. Kamin, however, comments that Chaplin's comedic talent would not be enough to remain funny on screen if he did not have an "ability to conceive and direct scenes specifically for the film medium".
Composing. Chaplin developed a passion for music as a child and taught himself to play the piano, violin, and cello. He considered the musical accompaniment of a film to be important, and from "A Woman of Paris" onwards he took an increasing interest in this area. With the advent of sound technology, Chaplin began using a synchronised orchestral soundtrackcomposed by himselffor "City Lights" (1931). He thereafter composed the scores for all of his films, and from the late 1950s to his death, he scored all of his silent features and some of his short films. As Chaplin was not a trained musician, he could not read sheet music and needed the help of professional composers, such as David Raksin, Raymond Rasch and Eric James, when creating his scores. Musical directors were employed to oversee the recording process, such as Alfred Newman for "City Lights". Although some critics have claimed that credit for his film music should be given to the composers who worked with him, Raksinwho worked with Chaplin on "Modern Times"stressed Chaplin's creative position and active participation in the composing process. This process, which could take months, would start with Chaplin describing to the composer(s) exactly what he wanted and singing or playing tunes he had improvised on the piano. These tunes were then developed further in a close collaboration among the composer(s) and Chaplin. According to film historian Jeffrey Vance, "although he relied upon associates to arrange varied and complex instrumentation, the musical imperative is his, and not a note in a Chaplin musical score was placed there without his assent."
Chaplin's compositions produced three popular songs. "Smile", composed originally for "Modern Times" (1936) and later set to lyrics by John Turner and Geoffrey Parsons, was a hit for Nat King Cole in 1954. For "Limelight", Chaplin composed "Terry's Theme", which was popularised by Jimmy Young as "Eternally" (1952). Finally, "This Is My Song", performed by Petula Clark for "A Countess from Hong Kong" (1967), reached number one on the UK and other European charts. Chaplin also received his only competitive Oscar for his composition work, as the "Limelight" theme won an Academy Award for Best Original Score in 1973 following the film's re-release. Filmography. Directed features: Awards and nominations. Chaplin received many awards and honours, especially later in life. In the 1975 New Year Honours, he was appointed a Knight Commander of the Order of the British Empire (KBE). He was also awarded honorary Doctor of Letters degrees by the University of Oxford and the University of Durham in 1962. In 1965, he and Ingmar Bergman were joint winners of the Erasmus Prize and, in 1971, he was appointed a Commander of the National Order of the Legion of Honour by the French government. From the film industry, Chaplin received a special Golden Lion at the Venice Film Festival in 1972, and a Lifetime Achievement Award from the Lincoln Center Film Society the same year. The latter has since been presented annually to filmmakers as The Chaplin Award. Chaplin was given a star on the Hollywood Walk of Fame in 1972, having been previously excluded because of his political beliefs.
Chaplin received three Academy Awards: an Honorary Award for "versatility and genius in acting, writing, directing, and producing "The Circus"" in 1929, a second Honorary Award for "the incalculable effect he has had in making motion pictures the art form of this century" in 1972, and a Best Score award in 1973 for "Limelight" (shared with Ray Rasch and Larry Russell). He was further nominated in the Best Actor, Best Original Screenplay, and Best Picture (as producer) categories for "The Great Dictator", and received another Best Original Screenplay nomination for "Monsieur Verdoux". In 1976, Chaplin was made a Fellow of the British Academy of Film and Television Arts (BAFTA). Six of Chaplin's films have been selected for preservation in the National Film Registry by the United States Library of Congress: "The Immigrant" (1917), "The Kid" (1921), "The Gold Rush" (1925), "City Lights" (1931), "Modern Times" (1936), and "The Great Dictator" (1940). Legacy. Recognition. In 1998, the film critic Andrew Sarris called Chaplin "arguably the single most important artist produced by the cinema, certainly its most extraordinary performer and probably still its most universal icon". He is described by the British Film Institute as "a towering figure in world culture", and was included in "Time" magazine's list of the "" for the "laughter [he brought] to millions" and because he "more or less invented global recognizability and helped turn an industry into an art". In 1999, the American Film Institute ranked Chaplin as the 10th greatest male star of Classic Hollywood Cinema.
The image of the Tramp has become a part of cultural history; according to Simon Louvish, the character is recognisable to people who have never seen a Chaplin film, and in places where his films are never shown. The critic Leonard Maltin has written of the "unique" and "indelible" nature of the Tramp, and argued that no other comedian matched his "worldwide impact". Praising the character, Richard Schickel suggests that Chaplin's films with the Tramp contain the most "eloquent, richly comedic expressions of the human spirit" in movie history. Memorabilia connected to the character still fetches large sums in auctions: in 2006 a bowler hat and a bamboo cane that were part of the Tramp's costume were bought for $140,000 in a Los Angeles auction.
Chaplin also strongly influenced the work of later comedians. Marcel Marceau said he was inspired to become a mime artist after watching Chaplin, while the actor Raj Kapoor based his screen persona on the Tramp. Mark Cousins has also detected Chaplin's comedic style in the French character Monsieur Hulot and the Italian character Totò. In other fields, Chaplin helped inspire the cartoon characters Felix the Cat and Mickey Mouse, and was an influence on the Dada art movement. As one of the founding members of United Artists, Chaplin also had a role in the development of the film industry. Gerald Mast has written that although UA never became a major company like MGM or Paramount Pictures, the idea that directors could produce their own films was "years ahead of its time". In 1992, the "Sight & Sound" Critics' Top Ten Poll ranked Chaplin at No. 5 in its list of "Top 10 Directors" of all time. In the 21st century, several of Chaplin's films are still regarded as classics and among the greatest ever made. The 2012 "Sight & Sound" poll, which compiles "top ten" ballots from film critics and directors to determine each group's most acclaimed films,
saw "City Lights" rank among the critics' top 50, "Modern Times" inside the top 100, and "The Great Dictator" and "The Gold Rush" placed in the top 250. The top 100 films as voted on by directors included "Modern Times" at number 22, "City Lights" at number 30, and "The Gold Rush" at number 91. Every one of Chaplin's features received a vote. Chaplin was ranked at No. 35 on "Empire" magazine's "Top 40 Greatest Directors of All-Time" list in 2005. In 2007, the American Film Institute named "City Lights" the 11th greatest American film of all time, while "The Gold Rush" and "Modern Times" again ranked in the top 100. Books about Chaplin continue to be published regularly, and he is a popular subject for media scholars and film archivists. Many of Chaplin's films have had a DVD and Blu-ray release. Chaplin's legacy is managed on behalf of his children by the Chaplin office, located in Paris. The office represents Association Chaplin, founded by some of his children "to protect the name, image and moral rights" to his body of work, Roy Export SAS, which owns the copyright to most of his films made after 1918, and Bubbles Incorporated S.A., which owns the copyrights to his image and name. Their central archive is held at the archives of Montreux, Switzerland and scanned versions of its contents, including 83,630 images, 118 scripts, 976 manuscripts, 7,756 letters, and thousands of other documents, are available for research purposes at the Chaplin Research Centre at the Cineteca di Bologna. The photographic archive, which includes approximately 10,000 photographs from Chaplin's life and career, is kept at the Musée de l'Elysée in Lausanne, Switzerland. The British Film Institute has also established the Charles Chaplin Research Foundation, and the first international Charles Chaplin Conference was held in London in July 2005. Elements for many of Chaplin's films are held by the Academy Film Archive as part of the Roy Export Chaplin Collection.
Commemoration and tributes. Chaplin's final home, Manoir de Ban in Corsier-sur-Vevey, Switzerland, has been converted into a museum named "Chaplin's World". It opened on 17 April 2016 after fifteen years of development, and is described by Reuters as "an interactive museum showcasing the life and works of Charlie Chaplin". On the 128th anniversary of his birth, a record-setting 662 people dressed as the Tramp in an event organised by the museum. Previously, the Museum of the Moving Image in London held a permanent display on Chaplin, and hosted a dedicated exhibition to his life and career in 1988. The London Film Museum hosted an exhibition called "Charlie ChaplinThe Great Londoner", from 2010 until 2013. In London, a statue of Chaplin as the Tramp, sculpted by John Doubleday and unveiled in 1981, is located in Leicester Square. The city also includes a road named after him in central London, "Charlie Chaplin Walk", which is the location of the BFI IMAX. There are nine blue plaques memorialising Chaplin in London, Hampshire, and Yorkshire. In Canning Town, East London, the Gandhi Chaplin Memorial Garden, opened by Chaplin's granddaughter Oona Chaplin in 2015, commemorates the meeting between Chaplin and Mahatma Gandhi at a local house in 1931. The Swiss town of Vevey named a park in his honour in 1980 and erected a statue there in 1982. In 2011, two large murals depicting Chaplin on two 14-storey buildings were also unveiled in Vevey. Chaplin has also been honoured by the Irish town of Waterville, where he spent several summers with his family in the 1960s. A statue was erected in 1998; since 2011, the town has been host to the annual Charlie Chaplin Comedy Film Festival, which was founded to celebrate Chaplin's legacy and to showcase new comic talent.
In other tributes, a minor planet, 3623 Chaplin (discovered by Soviet astronomer Lyudmila Karachkina in 1981) is named after him. Throughout the 1980s, the Tramp image was used by IBM to advertise their personal computers. Chaplin's 100th birthday anniversary in 1989 was marked with several events around the world, and on 15 April 2011, a day before his 122nd birthday, Google celebrated him with a special Google Doodle video on its global and other country-wide homepages. Characterisations. Chaplin is the subject of a biographical film, "Chaplin" (1992) directed by Richard Attenborough and starring Robert Downey Jr. in the title role, with Geraldine Chaplin playing Hannah Chaplin. He is also a character in the historical drama film "The Cat's Meow" (2001), played by Eddie Izzard, and in the made-for-television movie "The Scarlett O'Hara War" (1980), played by Clive Revill. A television series about Chaplin's childhood, "Young Charlie Chaplin", ran on PBS in 1989, and was nominated for an Emmy Award for Outstanding Children's Program. The French film "The Price of Fame" (2014) is a fictionalised account of the robbery of Chaplin's grave. "Tommy Steele in Search of Charlie Chaplin" investigated Chaplin's roots in south-east London.
Chaplin's life has also been the subject of several stage productions. Two musicals, "Little Tramp" and "Chaplin", were produced in the early 1990s. In 2006, Thomas Meehan and Christopher Curtis created another musical, "Limelight: The Story of Charlie Chaplin", which was first performed at the La Jolla Playhouse in San Diego in 2010. It was adapted for Broadway two years later, re-titled "ChaplinA Musical". Chaplin was portrayed by Robert McClure in both productions. In 2013, two plays about Chaplin premiered in Finland: "Chaplin" at the Svenska Teatern, and "Kulkuri" ("The Tramp") at the Tampere Workers' Theatre. Chaplin has also been characterised in literary fiction. He is the protagonist of Robert Coover's short story "Charlie in the House of Rue" (1980; reprinted in Coover's 1987 collection "A Night at the Movies"), and of Glen David Gold's "Sunnyside" (2009), a historical novel set in the First World War period. A day in Chaplin's life in 1909 is dramatised in the chapter titled "Modern Times" in Alan Moore's "Jerusalem" (2016), a novel set in the author's home town of Northampton, England. In Gorman Bechard's debut novel "The Second Greatest Story Ever Told", Chaplin is named as the second coming of Jesus Christ.
Matthew Finlan portrays Chaplin in episode 1 of season 14 "Murdoch and the Tramp" (4 January 2021) of the Canadian television period detective series Murdoch Mysteries. Legal precedent. A lawsuit brought by Chaplin, "Chaplin v. Amador", 93 Cal. App. 358 (1928), set an important legal precedentthat a performer's persona and style, in this case Chaplin's "particular kind or type of mustache, old and threadbare hat, clothes and shoes, a decrepit derby, ill-fitting vest, tight-fitting coat, and trousers and shoes much too large for him, and with this attire, a flexible cane usually carried, swung and bent as he performs his part", is entitled to legal protection from those unfairly mimicking those traits in order to deceive the public. The case was an important milestone in U.S. courts' ultimate recognition of a common-law right of publicity.
The World Factbook The World Factbook, also known as the CIA World Factbook, is a reference resource produced by the United States' Central Intelligence Agency (CIA) with almanac-style information about the countries of the world. The official print version is available from the Government Publishing Office. The "Factbook" is available in website and downloadable formats. It provides a two- to three-page summary of the demographics, geography, communications, government, economy, and military of 266 international entities, including U.S.-recognized countries, dependencies, and other areas in the world. "The World Factbook" is prepared by the CIA for the use of U.S. government officials, and its style, format, coverage, and content are primarily designed to meet their requirements. It is also frequently used as a resource for academic research papers and news articles. As a work of the U.S. government, it is in the public domain in the United States. Sources. In researching the "Factbook", the CIA uses the sources listed below, among other public and private sources.
Copyright. The "Factbook" is in the public domain and may be redistributed in part or in whole without need for permission, although the CIA requests that the "Factbook" be cited if used. Copying the official seal of the CIA without permission is prohibited by the US federal Central Intelligence Agency Act of 1949 (). Frequency of updates and availability. Before November 2001, "The World Factbook" website was updated yearly; from 2004 to 2010 it was updated every two weeks; since 2010 it has been updated weekly. Generally, information currently available as of January 1 of the current year is used in preparing the "Factbook". Government edition. The first classified edition of "Factbook" was published in August 1962, and the first unclassified version in June 1971. "The World Factbook" was first available to the public in print in 1975. Until 2008 the CIA printed the "Factbook"; from then it has been printed by the Government Printing Office following a CIA decision to "focus Factbook resources" on the online edition. In 2017, the printed book was officially discontinued. The "Factbook" has been available via the World Wide Web (The internet) since October 1994, receiving about six million visits per month in 2006; it can also be downloaded. The official printed version is sold by the Government Printing Office and National Technical Information Service. In past years, the "Factbook" was available on CD-ROM, microfiche, magnetic tape, and floppy disk.
Reprints and older editions online. Many Internet sites use information and images from the CIA "World Factbook". Several publishers, including Grand River Books, Potomac Books (formerly known as Brassey's Inc.), and Skyhorse Publishing have published the "Factbook" in recent years. Older editions since 2000 may be downloaded (but not browsed) from the "Factbook" Web site. Entities listed. , "The World Factbook" comprises 266 entities, which can be divided into the following categories: Territorial issues and controversies. Political. Areas not covered. Specific regions within a country or areas in dispute among countries, such as Kashmir, are not covered, but other areas of the world whose status is disputed, such as the Spratly Islands, have entries. Subnational areas of countries (such as U.S. states or the Canadian provinces and territories) are not included in the "Factbook". Instead, users looking for information about subnational areas are referred to "a comprehensive encyclopedia" for their reference needs. This criterion was invoked in the 2007 and 2011 editions with the decision to drop the entries for French Guiana, Guadeloupe, Martinique, Mayotte, and Reunion. They were dropped because besides being overseas departments, they were now overseas regions, and an integral part of France. Since the Trump administration's recognition of Morocco's sovereignty over Western Sahara in late 2020, most of its data has been merged into Morocco's page.
Chagos Archipelago. Some entries on the World Factbook are known to be in line with the political views and agenda of the United States. The United States is said to have been behind both the excision of the Chagos Archipelago from Mauritian territory and the forcible expulsion of the Chagossians from their lands to establish a military base on one of the island of the archipelago, namely Diego Garcia. The US does not recognise the sovereignty of Mauritius over the Chagos Archipelago and the archipelago is listed as the British Indian Ocean Territory on the CIA Website. The website further erroneously mentioned that the Chagos Archipelago is also claimed by the Seychelles, while officially 116 countries including the Seychelles against only 6 countries including the United States voted in favor of a United Nations General Assembly resolution dated 24 May 2019 which called upon the UK to withdraw its colonial administration from the Chagos Archipelago unconditionally to enable Mauritius to complete the decolonization of its territory as rapidly as possible.<ref name="Resolution A/RES/73/295 Vote"></ref><ref name="Resolution A/RES/73/295"></ref>
Kashmir. Maps depicting Kashmir have the Indo-Pakistani border drawn at the Line of Control, but the region of Kashmir administered by China drawn in hash marks. Northern Cyprus. Northern Cyprus, which the U.S. considers part of the Republic of Cyprus, is not given a separate entry because "territorial occupations/annexations not recognized by the United States Government are not shown on U.S. Government maps." Taiwan/Republic of China. The name "Republic of China" is not listed as Taiwan's official name under the "Government" section, due to U.S. acknowledgement of Beijing's One-China policy according to which there is one China and Taiwan is a part of it. The name "Republic of China" was briefly added on January 27, 2005, but has since been changed back to "none". Of the "Factbook"s two maps of China, one highlights the island of Taiwan as part of the country while the other does not. Disputed South China Sea Islands. The Paracel Islands and Spratly Islands, subjects of territorial disputes, have entries in the "Factbook" where they are not listed as the territory of any one nation. The disputed claims to the islands are discussed in the entries.
Burma/Myanmar. The U.S. does not recognize the renaming of Burma by its ruling military junta to "Myanmar" and thus keeps its entry for the country under the "Burma" name. North Macedonia. The country was first entered as "Macedonia" in the "Factbook" upon independence in 1992. In the 1994 edition, the name of the entry was changed to the "Former Yugoslav Republic of Macedonia", as it is recognised by the United Nations (pending resolution of the Macedonia naming dispute). For the next decade, this was the name the nation was listed under. In the 2004 edition of the "Factbook", the name of the entry was changed back to "Macedonia", following a November 2004 U.S. decision to refer to the country using this name. On February 19, 2019, the entry was renamed to "North Macedonia" following the country's name change to the Republic of North Macedonia. European Union. On December 16, 2004, the CIA added an entry for the European Union (EU) for the first time. The "What's New" section of the 2005 "Factbook" states: "The European Union continues to accrue more nation-like characteristics for itself and so a separate listing was deemed appropriate."
United States Pacific Island Wildlife Refuges and Iles Eparses. In the 2006 edition of "The World Factbook", the entries for Baker Island, Howland Island, Jarvis Island, Kingman Reef, Johnston Atoll, Palmyra Atoll and the Midway Islands were merged into a new United States Pacific Island Wildlife Refuges entry. The old entries for each individual insular area remain as redirects on the "Factbook" website. On September 7, 2006, the CIA also merged the entries for Bassas da India, Europa Island, the Glorioso Islands, Juan de Nova Island, and Tromelin Island into a new Iles Eparses entry. As with the new United States Pacific Island Wildlife Refuges entry, the old entries for these five islands remained as redirects on the website. On July 19, 2007, the Iles Eparses entry and redirects for each island were dropped due to the group becoming a district of the French Southern and Antarctic Lands in February. Serbia and Montenegro/Yugoslavia. The Socialist Federal Republic of Yugoslavia (SFRY) broke apart in 1991. The following year, it was replaced in the "Factbook" with entries for each of its former constituent republics. In doing this, the CIA listed the Federal Republic of Yugoslavia (FRY), proclaimed in 1992, as "Serbia and Montenegro", as the U.S. did not recognize the union between the two republics. This was done in accordance with a May 21, 1992, decision by the U.S. not to recognize any of the former Yugoslav republics as successor states to the recently dissolved SFRY.
These views were made clear in a disclaimer printed in the "Factbook": "Serbia and Montenegro have asserted the formation of a joint independent state, but this entity has not been recognized as a state by the United States." Montenegro and Serbia were treated separately in the "Factbook" data, as can be seen on the map. In October 2000, Slobodan Milošević was forced out of office after a disputed election. This event led to democratic elections and U.S. diplomatic recognition. The 2001 edition of the "Factbook" thus referred to the state as "Yugoslavia". On March 14, 2002, an agreement was signed to transform the FRY into a loose state union called Serbia and Montenegro; it took effect on February 4, 2003. The name of the Yugoslavia entity was altered in the "Factbook" the month after the change. Kosovo. On February 28, 2008, the CIA added an entry for Kosovo, which declared independence on February 17 of the same year. Before this, Kosovo was excluded in the "Factbook" as it is the subject of a territorial dispute.
East Timor/Timor-Leste. On July 19, 2007, the entry for East Timor was renamed "Timor-Leste" following a decision of the United States Board on Geographic Names (BGN). Factual. In June 2009, US National Public Radio (NPR), relying on information obtained from "The World Factbook", put the number of Israeli Jews living in settlements in the West Bank and Israeli-annexed East Jerusalem at 250,000. However, a better estimate, based on the State Department and Israeli sources put the figure at about 500,000. NPR then issued a correction. Chuck Holmes, foreign editor for NPR Digital, said, "I'm surprised and displeased, and it makes me wonder what other information is out-of-date or incorrect in the CIA "World Factbook"." The Factbook currently states that only four percent of Botswana are practitioners of the indigenous Badimo religion, in reality a great majority of Botswana follow at least some of the traditions deemed "Badimo." Scholars have acknowledged that some entries in the "Factbook" are out of date. Inclusion of metric countries. The government's own National Institute of Standards and Technology (NIST) contradicts the CIA's Factbook website, stating that three countries have "not adopted" the metric system is incorrect. At the time a better term would have been "not committed", however this is not the case anymore as of 2023 all countries listed are committed to adopting the metric system including the US.
Country A country is a distinct part of the world, such as a state, nation, or other political entity. When referring to a specific polity, the term "country" may refer to a sovereign state, state with limited recognition, constituent country, or dependent territory. Most sovereign states, but not all countries, are members of the United Nations. There is no universal agreement on the number of "countries" in the world, since several states have disputed sovereignty status or limited recognition, and a number of non-sovereign entities are commonly considered countries. The definition and usage of the word "country" are flexible and have changed over time. "The Economist" wrote in 2010 that "any attempt to find a clear definition of a country soon runs into a thicket of exceptions and anomalies." Areas much smaller than a political entity may be referred to as a "country", such as the West Country in England, "big sky country" (used in various contexts of the American West), "coal country" (used to describe coal-mining regions), or simply "the country" (used to describe a rural area). The term "country" is also used as a qualifier descriptively, such as country music or country living.
Etymology. The word "country" comes from Old French , which derives from Vulgar Latin () ("(land) lying opposite"; "(land) spread before"), derived from ("against, opposite"). It most likely entered the English language after the Franco-Norman invasion during the 11th century. Definition of a country. In English, the word has increasingly become associated with political divisions, so that one sense, associated with the indefinite article – "a country" – is now frequently applied as a synonym for a state or a former sovereign state. It may also be used as a synonym for "nation". Taking as examples Canada, Sri Lanka, and Yugoslavia, cultural anthropologist Clifford Geertz wrote in 1997 that "it is clear that the relationships between 'country' and 'nation' are so different from one [place] to the next as to be impossible to fold into a dichotomous opposition as they are into a promiscuous fusion." Areas much smaller than a political state may be referred to as countries, such as the West Country in England, "big sky country" (used in various contexts of the American West), "coal country" (used to describe coal-mining regions in several sovereign states) and many other terms. The word "country" is also used for the sense of native sovereign territory, such as the widespread use of Indian country in the United States.
The term "country" in English may also be wielded to describe rural areas, or used in the form "countryside." Raymond Williams, a Welsh scholar, wrote in 1975: The unclear definition of "country" in modern English was further commented upon by philosopher Simon Keller: Melissa Lucashenko, an Aboriginal Australian writer, expressed the difficulty of defining "country" in a 2005 essay, "Unsettlement": Statehood. When referring to a specific polity, the term "country" may refer to a sovereign state, state with limited recognition, constituent country, or dependent territory. A sovereign state is a political entity that has supreme legitimate authority over a part of the world. There is no universal agreement on the number of "countries" in the world since several states have disputed sovereignty status, and a number of non-sovereign entities are commonly called countries. No definition is binding on all the members of the community of nations on the criteria for statehood. State practice relating to the recognition of a country typically falls somewhere between the "declaratory" and "constitutive" approaches.
International law defines sovereign states as not under another. The declarative theory outlined in the 1933 Montevideo Convention describes a state in "Article 1": The Montevideo Convention in "Article 3" implies that a sovereign state can exist even if no other countries recognise it. As a restatement of customary international law, the Montevideo Convention merely codified existing legal norms and its principles, and therefore does not apply merely to the signatories of international organizations (such as the United Nations), but to all subjects of international law as a whole. A similar opinion has been expressed by the European Economic Community, reiterated by the European Union, in the principal statement of its Badinter Committee, and by Judge "Challis Professor", James Crawford. According to the constitutive theory, a state is a legal entity of international law if, and only if, it is recognised as sovereign by at least one other country. Because of this, new states could not immediately become part of the international community or be bound by international law, and recognised nations did not have to respect international law in their dealings with them. In 1912, L. F. L. Oppenheim said the following, regarding constitutive theory:
In 1976 the Organisation of African Unity define state recognition as: Some countries, such as Taiwan, Sahrawi Republic and Kosovo, have limited recognition or actively disputed sovereignty from sovereign states. Some sovereign states are unions of separate polities, each of which may also be considered a country in its own right, called constituent countries. The Danish Realm consists of Denmark proper, the Faroe Islands, and Greenland. The Kingdom of the Netherlands consists of the Netherlands proper, Aruba, Curaçao, and Sint Maarten. The United Kingdom consists of England, Scotland, Wales, and Northern Ireland. Dependent territories are the territories of a sovereign state that are outside of its proper territory. These include the overseas territories of New Zealand, the dependencies of Norway, the British Overseas Territories and Crown Dependencies, the territories of the United States, the external territories of Australia, the special administrative regions of China, the autonomous regions of the Danish Realm, Åland, Overseas France, and the Caribbean Netherlands. Some dependent territories are treated as a separate "country of origin" in international trade, such as Hong Kong, Greenland, and Macau.
Identification. Symbols of a country may incorporate cultural, religious or political symbols of any nation that the country includes. Many categories of symbols can be seen in flags, coats of arms, or seals. Name. Most countries have a long name and a short name. The long name is typically used in formal contexts and often describes the country's form of government. The short name is the country's common name by which it is typically identified. The International Organization for Standardization maintains a list of country codes as part of ISO 3166 to designate each country with a two-letter country code. The name of a country can hold cultural and diplomatic significance. Upper Volta changed its name to Burkina Faso to reflect the end of French colonization, and the name of North Macedonia was disputed for years due to a conflict with the similarly named Macedonia region in Greece. The ISO 3166-1 standard currently comprises 249 countries, 193 of which are sovereign states that are members of the United Nations.
Flags. Originally, flags representing a country would generally be the personal flag of its rulers; however, over time, the practice of using personal banners as flags of places was abandoned in favor of flags that had some significance to the nation, often its patron saint. Early examples of these were the maritime republics such as Genoa which could be said to have a national flag as early as the 12th century. However, these were still mostly used in the context of marine identification. Although some flags date back earlier, widespread use of flags outside of military or naval context begins only with the rise of the idea of the nation state at the end of the 18th century and particularly are a product of the Age of Revolution. Revolutions such as those in France and America called for people to begin thinking of themselves as citizens as opposed to subjects under a king, and thus necessitated flags that represented the collective citizenry, not just the power and right of a ruling family. With nationalism becoming common across Europe in the 19th century, national flags came to represent most of the states of Europe. Flags also began fostering a sense of unity between different peoples, such as the Union Jack representing a union between England and Scotland, or began to represent unity between nations in a perceived shared struggle, for example, the Pan-Slavic colors or later Pan-Arab colors.
As Europeans colonized significant portions of the world, they exported ideas of nationhood and national symbols, including flags, with the adoption of a flag becoming seen as integral to the nation-building process. Political change, social reform, and revolutions combined with a growing sense of nationhood among ordinary people in the 19th and 20th centuries led to the birth of new nations and flags around the globe. With so many flags being created, interest in these designs began to develop and the study of flags, vexillology, at both professional and amateur levels, emerged. After World War II, Western vexillology went through a phase of rapid development, with many research facilities and publications being established. National anthems. A national anthem is a patriotic musical composition symbolizing and evoking eulogies of the history and traditions of a country or nation. Though the custom of an officially adopted national anthem became popular only in the 19th century, some national anthems predate this period, often existing as patriotic songs long before designation as national anthem. Several countries remain without an official national anthem. In these cases, there are established "de facto" anthems played at sporting events or diplomatic receptions. These include the United Kingdom ("God Save the King") and Sweden (). Some sovereign states that are made up of multiple countries or constituencies have associated musical compositions for each of them (such as with the United Kingdom, Russia, and the Soviet Union). These are sometimes referred to as national anthems even though they are not sovereign states (for example, "Hen Wlad Fy Nhadau" is used for Wales, part of the United Kingdom).
Patriotism. A positive emotional connection to a country a person belongs to is called patriotism. Patriotism is a sense of love for, devotion to, and sense of attachment to one's country. This attachment can be a combination of many different feelings, and language relating to one's homeland, including ethnic, cultural, political, or historical aspects. It encompasses a set of concepts closely related to nationalism, mostly civic nationalism and sometimes cultural nationalism. Economy. Several organizations seek to identify trends to produce economy country classifications. Countries are often distinguished as developing countries or developed countries. The United Nations Department of Economic and Social Affairs annually produces the "World Economic Situation and Prospects Report" classifing states as developed countries, economies in transition, or developing countries. The report classifies country development based on per capita gross national income (GNI) and identifies subgroups within broad categories based on geographical location or ad hoc criteria. Geographic regions with developing economies are Africa, East Asia, South Asia, Western Asia, and Latin America and the Caribbean. Economies in transition are in the former Soviet Union and South-Eastern Europe. Regions with developed countries are in Northern America, Europe, and Asia and the Pacific. The majority of economies in transition and developing countries are found in Africa, Asia, Latin America, and the Caribbean.
The World Bank also classifies countries based on GNI per capita. The "World Bank Atlas method" classifies countries as low-income economies, lower-middle-income economies, upper-middle-income economies, or high-income economies. For the 2020 fiscal year, the World Bank defines low-income economies as countries with a GNI per capita of $1,025 or less in 2018; lower-middle-income economies as countries with a GNI per capita between $1,026 and $3,995; upper-middle-income economies as countries with a GNI per capita between $3,996 and $12,375; high-income economies as countries with a GNI per capita of $12,376 or more.. It also identifies regional trends. The World Bank defines its regions as East Asia and Pacific, Europe and Central Asia, Latin America and the Caribbean, Middle East and North Africa, North America, South Asia, and Sub-Saharan Africa. Lastly, the World Bank distinguishes countries based on its operational policies. The three categories include International Development Association (IDA) countries, International Bank for Reconstruction and Development (IBRD) countries, and Blend countries.
Copenhagen Copenhagen ( ) is the capital and most populous city of Denmark, with a population of 1.4 million in the urban area. The city is situated on the islands of Zealand and Amager, separated from Malmö, Sweden, by the Øresund strait. The Øresund Bridge connects the two cities by rail and road. Originally a Viking fishing village established in the 10th century in the vicinity of what is now Gammel Strand, Copenhagen became the capital of Denmark in the early 15th century. During the 16th century, the city served as the "de facto" capital of the Kalmar Union and the seat of the Union's monarchy, which governed most of the modern-day Nordic region as part of a Danish confederation with Sweden and Norway. The city flourished as the cultural and economic centre of Scandinavia during the Renaissance. By the 17th century, it had become a regional centre of power, serving as the heart of the Danish government and military. During the 18th century, Copenhagen suffered from a devastating plague outbreak and urban conflagrations. Major redevelopment efforts included the construction of the prestigious district of Frederiksstaden and the establishment of cultural institutions such as the Royal Theatre and the Royal Academy of Fine Arts. The city also became the centre of the Danish slave trade during this period. In 1807, the city was bombarded by a British fleet during the Napoleonic Wars, before the Danish Golden Age brought a Neoclassical look to Copenhagen's architecture. After World War II, the Finger Plan fostered the development of housing and businesses along the five urban railway routes emanating from the city centre.
Since the turn of the 21st century, Copenhagen has seen strong urban and cultural development, facilitated by investment in its institutions and infrastructure. The city is the cultural, economic and governmental centre of Denmark; it is one of the major financial centres of Northern Europe with the Copenhagen Stock Exchange. Copenhagen's economy has developed rapidly in the service sector, especially through initiatives in information technology, pharmaceuticals and clean technology. Since the completion of the Øresund Bridge, Copenhagen has increasingly integrated with the Swedish province of Scania and its largest city, Malmö, forming the Øresund Region. With several bridges connecting the various districts, the cityscape is characterised by parks, promenades, and waterfronts. Copenhagen's landmarks such as Tivoli Gardens, "The Little Mermaid" statue, the Amalienborg and Christiansborg palaces, Rosenborg Castle, Frederik's Church, Børsen and many museums, restaurants and nightclubs are significant tourist attractions.
Copenhagen is home to the University of Copenhagen, the Technical University of Denmark, Copenhagen Business School, and the IT University of Copenhagen. The University of Copenhagen, founded in 1479, is the oldest university in Denmark. Copenhagen is home to the football clubs F.C. Copenhagen and Brøndby IF. The annual Copenhagen Marathon was established in 1980. Copenhagen is one of the most bicycle-friendly cities in the world. Movia is the public mass transit company serving all of eastern Denmark, except Bornholm. The Copenhagen Metro, launched in 2002, serves central Copenhagen. Additionally, the Copenhagen S-train, the Lokaltog (), and the Coast Line network serve and connect central Copenhagen to outlying boroughs. Serving roughly 2.5 million passengers a month, Copenhagen Airport, Kastrup, is the busiest airport in the Nordic countries. Etymology. Copenhagen's name ( in Danish), reflects its origin as a harbour and a place of commerce. The original designation in Old Norse, from which Danish descends, was ' (cf. modern Icelandic: , ), meaning 'merchants' harbour'. By the time Old Danish was spoken, the capital was called ', with the current name deriving from centuries of subsequent regular sound change.
The English cognates of the original name would be "chapman's haven". The English "chapman", German , Dutch , Swedish , Danish , and Icelandic share a derivation from Latin , meaning 'tradesman'. However, the English term for the city was adapted from its Low German name, . Copenhagen's Swedish name is , a direct translation of the mutually intelligible Danish name. The city's Latin name, , is the namesake of the element hafnium. History. Early history. Although the earliest historical records of Copenhagen are from the end of the 12th century, recent archaeological finds in connection with work on the city's metropolitan rail system revealed the remains of a large merchant's mansion near today's Kongens Nytorv from . Excavations in Pilestræde have also led to the discovery of a well from the late 12th century. The remains of an ancient church, with graves dating to the 11th century, have been unearthed near where Strøget meets Rådhuspladsen. These finds indicate that Copenhagen's origins as a city go back at least to the 11th century. Substantial discoveries of flint tools in the area provide evidence of human settlements dating to the Stone Age. Many historians believe the town dates to the late Viking Age, and was possibly founded by Sweyn I Forkbeard.
The natural harbour and good herring stocks seem to have attracted fishermen and merchants to the area on a seasonal basis from the 11th century and more permanently in the 13th century. The first habitations were probably centred on Gammel Strand (literally 'old shore') in the 11th century or even earlier. The earliest written mention of the town was in the 12th century when Saxo Grammaticus in Gesta Danorum referred to it as , meaning 'Merchants' Harbour' or, in the Danish of the time, . Traditionally, Copenhagen's founding has been dated to Bishop Absalon's construction of a modest fortress on the little island of Slotsholmen in 1167 where Christiansborg Palace stands today. The construction of the fortress was in response to attacks by Wendish pirates who plagued the coastline during the 12th century. Defensive ramparts and moats were completed, and by 1177 St. Clemens Church had been built. Attacks by the Wends continued, and after the original fortress was eventually destroyed by the marauders, islanders replaced it with Copenhagen Castle.
Middle Ages. In 1186, a letter from Pope Urban III states that the castle of "Hafn" (Copenhagen) and its surrounding lands, including the town of Hafn, were given to Absalon, Bishop of Roskilde (1158–1191) and Archbishop of Lund (1177–1201), by King Valdemar I. Upon Absalon's death, the property was to come into the ownership of the Bishopric of Roskilde. Around 1200, the Church of Our Lady was constructed on higher ground to the northeast of the town, which began to develop around it. As the town became more prominent, it was repeatedly attacked by the Hanseatic League. In 1368, it was successfully invaded during the Second Danish-Hanseatic War. As the fishing industry thrived in Copenhagen, particularly in the trade of herring, the city began expanding to the north of Slotsholmen. In 1254, it received a charter as a city under Bishop Jakob Erlandsen who garnered support from the local fishing merchants against the king by granting them special privileges. In the mid 1330s, the first land assessment of the city was published.
With the establishment of the Kalmar Union (1397–1523) between Denmark, Norway and Sweden, by about 1416 Copenhagen had emerged as the capital of Denmark when Eric of Pomerania moved his seat to Copenhagen Castle. The University of Copenhagen was inaugurated on 1 June 1479 by King Christian I, following approval from Pope Sixtus IV. This makes it the oldest university in Denmark and one of the oldest in Europe. Originally controlled by the Catholic Church, the university's role in society was forced to change during the Reformation in Denmark in the late 1530s. 16th and 17th centuries. In disputes prior to the Reformation of 1536, the city which had been faithful to Christian II, who was Catholic, was successfully besieged in 1523 by the forces of Frederik I, who supported Lutheranism. Copenhagen's defences were reinforced with a series of towers along the city wall. After an extended siege from July 1535 to July 1536, during which the city supported Christian II's alliance with Malmö and Lübeck, it was finally forced to capitulate to Christian III. During the second half of the century, the city prospered from increased trade across the Baltic supported by Dutch shipping. Christoffer Valkendorff, a high-ranking statesman, defended the city's interests and contributed to its development. The Netherlands had also become primarily Protestant, as were northern German states.
During the reign of Christian IV between 1588 and 1648, Copenhagen had dramatic growth as a city. On his initiative at the beginning of the 17th century, two important buildings were completed on Slotsholmen: the Tøjhus Arsenal and Børsen, the stock exchange. To foster international trade, the East India Company was founded in 1616. To the east of the city, inspired by Dutch planning, the king developed the district of Christianshavn with canals and ramparts. It was initially intended to be a fortified trading centre but ultimately became part of Copenhagen. Christian IV also sponsored an array of ambitious building projects including Rosenborg Slot and the Rundetårn. In 1658–1659, the city withstood a siege by the Swedes under Charles X and successfully repelled a major assault. By 1661, Copenhagen had asserted its position as capital of Denmark and Norway. All the major institutions were located there, as was the fleet and most of the army. The defences were further enhanced with the completion of the Citadel in 1664 and the extension of Christianshavns Vold with its bastions in 1692, leading to the creation of a new base for the fleet at Nyholm. 18th century.
Copenhagen lost around 22,000 of its population of 65,000 to the plague in 1711. The city was also struck by two major fires that destroyed much of its infrastructure. The Copenhagen Fire of 1728 was the largest in the history of Copenhagen. It began on the evening of 20 October, and continued to burn until the morning of 23 October, destroying approximately 28% of the city, leaving some 20% of the population homeless. No less than 47% of the medieval section of the city was completely lost. Along with the 1795 fire, it is the main reason that few traces of the old town can be found in the modern city. A substantial amount of rebuilding followed. In 1733, work began on the royal residence of Christiansborg Palace, which was completed in 1745. In 1749, development of the prestigious district of Frederiksstaden was initiated. Designed by Nicolai Eigtved in the Rococo style, its centre contained the mansions which now form Amalienborg Palace. Major extensions to the naval base of Holmen were undertaken while the city's cultural importance was enhanced with the Royal Theatre and the Royal Academy of Fine Arts.
During the 18th century, the Danish slave trade, which began during the 17th century, underwent a rapid expansion. Between 1660 and 1806, Danish merchants, many of them based out of Copenhagen, transported approximately 120,000 enslaved Africans to the Danish West Indies. These merchants were mostly affiliated with the slave-trading Danish West India Company and Danish Asiatic Company, both of which were headquartered in Copenhagen. Many buildings in Copenhagen, such as the Moltke Mansion, Yellow Palace and the Vestindisk Pakhus were funded with profits made from the Danish slave trade. In the second half of the 18th century, Copenhagen benefited from Denmark's neutrality during the wars between Europe's main powers, allowing it to play an important role in trade between the states around the Baltic Sea. After Christiansborg was destroyed by fire in 1794 and another fire caused serious damage to the city in 1795, work began on the classical Copenhagen landmark of Højbro Plads while Nytorv and Gammel Torv were converged. 19th century.
As a result of British fears that Denmark would ally with France, a Royal Navy fleet under the command of Admiral Sir Hyde Parker was dispatched to neutralize the Royal Dano-Norwegian Navy. On 2 April 1801, Parker's fleet encountered the Dano-Norwegian navy anchored near Copenhagen. Vice-Admiral Horatio Nelson led the main attack. The Dano-Norwegian fleet put up heavy resistance, and the battle is often considered to be Nelson's hardest-fought battle, surpassing even the heavy fighting at Trafalgar. It was during this battle that Lord Nelson was said to have "put the telescope to the blind eye" in order not to see Admiral Parker's signal to cease fire. The British ultimately won the battle, sinking or capturing most of Dano-Norwegian fleet, which led Denmark to agree not to ally with France.
Despite the turmoil the Napoleonic Wars brought to the city, Copenhagen soon experienced a period of intense cultural creativity known as the Danish Golden Age. Painting prospered under C.W. Eckersberg and his students while C.F. Hansen and Gottlieb Bindesbøll brought a Neoclassical look to the city's architecture. In the early 1850s, the ramparts of the city were opened to allow new housing to be built around The Lakes () that bordered the old defences to the west. By the 1880s, the districts of Nørrebro and Vesterbro developed to accommodate those who came from the provinces to participate in the city's industrialization. This dramatic increase of space was long overdue, as not only were the old ramparts out of date as a defence system but bad sanitation in the old city had to be overcome. From 1886, the west rampart (Vestvolden) was flattened, allowing major extensions to the harbour leading to the establishment of the Freeport of Copenhagen 1892–94. Electricity came in 1892 with electric trams in 1897. The spread of housing to areas outside the old ramparts brought about a huge increase in the population. In 1840, Copenhagen was inhabited by approximately 120,000 people. By 1901, it had some 400,000 inhabitants. 20th century.
By the beginning of the 20th century, Copenhagen had become a thriving industrial and administrative city. With its new city hall and railway station, its centre was drawn towards the west. New housing developments grew up in Brønshøj and Valby while Frederiksberg became an enclave within the city of Copenhagen. The northern part of Amager and Valby were also incorporated into the City of Copenhagen in 1901–02. As a result of Denmark's neutrality in the First World War, Copenhagen prospered from trade with both Britain and Germany while the city's defences were kept fully manned by some 40,000 soldiers for the duration of the war. In the 1920s there were serious shortages of goods and housing. Plans were drawn up to demolish the old part of Christianshavn and to get rid of the worst of the city's slum areas. However, it was not until the 1930s that substantial housing developments ensued, with the demolition of one side of Christianhavn's Torvegade to build five large blocks of flats. World War II. In Denmark during World War II, Copenhagen was occupied by German troops along with the rest of the country from 9 April 1940 until 4 May 1945. German leader Adolf Hitler hoped that Denmark would be "a model protectorate" and initially the Nazi authorities sought to arrive at an understanding with the Danish government. The 1943 Danish parliamentary election was also allowed to take place, with only the Communist Party excluded. But in August 1943, after the government's collaboration with the occupation forces collapsed, several ships were sunk in Copenhagen Harbor by the Royal Danish Navy to prevent their use by the Germans. Around that time the Nazis started to arrest Jews, although most managed to escape to Sweden.
In 1945 Ole Lippman, leader of the Danish section of the Special Operations Executive, invited the British Royal Air Force to assist their operations by attacking Nazi headquarters in Copenhagen. Accordingly, air vice-marshal Sir Basil Embry drew up plans for a spectacular precision attack on the Sicherheitsdienst and Gestapo building, the former offices of the Shell Oil Company. Political prisoners were kept in the attic to prevent an air raid, so the RAF had to bomb the lower levels of the building. The attack, known as "Operation Carthage", came on 22 March 1945, in three small waves. In the first wave, all six planes (carrying one bomb each) hit their target, but one of the aircraft crashed near Frederiksberg Girls School. Because of this crash, four of the planes in the two following waves assumed the school was the military target and aimed their bombs at the school, leading to the death of 123 civilians (of which 87 were schoolchildren). However, 18 of the 26 political prisoners in the Shell Building managed to escape while the Gestapo archives were completely destroyed.
On 8 May 1945 Copenhagen was officially liberated by British troops commanded by Field Marshal Bernard Montgomery who supervised the surrender of 30,000 Germans situated around the capital. Post-war decades. Shortly after the end of the war, an innovative urban development project known as the Finger Plan was introduced in 1947, encouraging the creation of new housing and businesses interspersed with large green areas along five "fingers" stretching out from the city centre along the S-train routes. With the expansion of the welfare state and women entering the work force, schools, nurseries, sports facilities and hospitals were established across the city. As a result of student unrest in the late 1960s, the former Bådsmandsstræde Barracks in Christianshavn was occupied, leading to the establishment of Freetown Christiania in September 1971. Motor traffic in the city grew significantly and in 1972 the trams were replaced by buses. From the 1960s, on the initiative of the young architect Jan Gehl, pedestrian streets and cycle tracks were created in the city centre. Activity in the port of Copenhagen declined with the closure of the Holmen Naval Base. Copenhagen Airport underwent considerable expansion, becoming a hub for the Nordic countries. In the 1990s, large-scale housing developments were realised in the harbour area and in the west of Amager. The national library's Black Diamond building on the waterfront was completed in 1999. 21st century.
Since the summer of 2000, Copenhagen and the Swedish city of Malmö have been connected by the Øresund Bridge, which carries rail and road traffic. As a result, Copenhagen has become the centre of a larger metropolitan area spanning both nations. The bridge has brought about considerable changes in the public transport system and has led to the extensive redevelopment of Amager. The city's service and trade sectors have developed while a number of banking and financial institutions have been established. Educational institutions have also gained importance, especially the University of Copenhagen with its 35,000 students. An important development for the city has been the opening of the Copenhagen Metro railway system in 2002. The Copenhagen Metro was extended until 2007, transporting some 54 million passengers by 2011. The Copenhagen Opera House, a gift to the city from the shipping magnate Mærsk Mc-Kinney Møller on behalf of the A.P. Møller foundation, was completed in 2004. In December 2009 Copenhagen gained international prominence when it hosted the worldwide climate meeting COP15. In 2019 Copenhagen was crowned the "best swimming city" by CNN and Copenhagen harbour now has 13 official swimming zones and three harbour baths. Illegal bathers are fined by the police.
On 3 July 2022, three people were killed in a shooting at Field's mall in Copenhagen. Police chief inspector Søren Thomassen announced the arrest of a 22-year-old man and said that the police cannot rule out an act of terrorism. Also, on 17 April 2025, a man was knifed in the street. Geography. Copenhagen is part of the Øresund Region, which consists of Zealand, Lolland-Falster and Bornholm in Denmark and Scania in Sweden. It is located on the eastern shore of the island of Zealand, partly on the island of Amager and on a number of natural and artificial islets between the two. Copenhagen faces the Øresund to the east, the strait of water that separates Denmark from Sweden, and which connects the North Sea with the Baltic Sea. The Swedish city of Malmö and the town of Landskrona lie on the Swedish side of the sound directly across from Copenhagen. By road, Copenhagen is northwest of Malmö, Sweden, northeast of Næstved, northeast of Odense, east of Esbjerg and southeast of Aarhus by sea and road via Sjællands Odde.
The city centre lies in the area originally defined by the old ramparts, which are still referred to as the Fortification Ring ("Fæstningsringen") and kept as a partial green band around it. Then come the late-19th- and early-20th-century residential neighbourhoods of Østerbro, Nørrebro, Vesterbro and Amagerbro. The outlying areas of Kongens Enghave, Valby, Vigerslev, Vanløse, Brønshøj, Utterslev and Sundby followed from 1920 to 1960. They consist mainly of residential housing and apartments often enhanced with parks and greenery. Topography. The central area of the city consists of relatively low-lying flat ground formed by moraines from the last ice age while the hilly areas to the north and west frequently rise to above sea level. The slopes of Valby and Brønshøj reach heights of over , divided by valleys running from the northeast to the southwest. Close to the centre are the Copenhagen lakes of Sortedams Sø, Peblinge Sø and Sankt Jørgens Sø. Copenhagen rests on a subsoil of flint-layered limestone deposited in the Danian period some 60 to 66 million years ago. Some greensand from the Selandian is also present. There are a few faults in the area, the most important of which is the Carlsberg fault which runs northwest to southeast through the centre of the city. During the last ice age, glaciers eroded the surface leaving a layer of moraines up to thick.
Geologically, Copenhagen lies in the northern part of Denmark where the land is rising because of post-glacial rebound. Beaches. Amager Strandpark, which opened in 2005, is a long artificial island, with a total of of beaches. It is located just 15 minutes by bicycle or a few minutes by metro from the city centre. In Klampenborg, about from downtown Copenhagen, is Bellevue Beach. It is long and has both lifeguards and freshwater showers on the beach. The beaches are supplemented by a system of Harbour Baths along the Copenhagen waterfront. The first and most popular of these is located at Islands Brygge, literally meaning Iceland's Quay, and has won international acclaim for its design. Climate. Copenhagen is in the oceanic climate zone (Köppen: "Cfb"). Its weather is subject to low-pressure systems from the Atlantic which result in unstable conditions throughout the year. Apart from slightly higher rainfall from July to September, precipitation is moderate. While snowfall occurs mainly from late December to early March, there can also be rain, with average temperatures around the freezing point.
June is the sunniest month of the year with an average of about eight hours of sunshine a day. July is the warmest month with an average daytime high of 21 °C. By contrast, the average hours of sunshine are less than two per day in November and only one and a half per day from December to February. In the spring, it gets warmer again with four to six hours of sunshine per day from March to May. February is the driest month of the year. Exceptional weather conditions can bring as much as 50 cm of snow to Copenhagen in a 24-hour period during the winter months while summer temperatures have been known to rise to heights of . Because of Copenhagen's northern latitude, the number of daylight hours varies considerably between summer and winter. On the summer solstice, the sun rises at 04:26 and sets at 21:58, providing 17 hours 32 minutes of daylight. On the winter solstice, it rises at 08:37 and sets at 15:39 with 7 hours and 1 minute of daylight. There is therefore a difference of 10 hours and 31 minutes in the length of days and nights between the summer and winter solstices.
Administration. According to Statistics Denmark, the urban area of Copenhagen () consists of the municipalities of Copenhagen, Frederiksberg, Albertslund, Brøndby, Gentofte, Gladsaxe, Glostrup, Herlev, Hvidovre, Lyngby-Taarbæk, Rødovre, Tårnby and Vallensbæk as well as parts of Ballerup, Rudersdal and Furesø municipalities, along with the cities of Ishøj and Greve Strand. They are located in the Capital Region (). Municipalities are responsible for a wide variety of public services, which include land-use planning, environmental planning, public housing, management and maintenance of local roads, and social security. Municipal administration is also conducted by a mayor, a council, and an executive. Copenhagen Municipality is by far the largest municipality, with the historic city at its core. The seat of Copenhagen's municipal council is the Copenhagen City Hall (""), which is situated on City Hall Square. The second largest municipality is Frederiksberg, an enclave within Copenhagen Municipality. Copenhagen Municipality is divided into ten districts ("bydele"): Indre By, Østerbro, Nørrebro, Vesterbro/Kongens Enghave, Valby, Vanløse, Brønshøj-Husum, Bispebjerg, Amager Øst, and Amager Vest. Neighbourhoods of Copenhagen include Slotsholmen, Frederiksstaden, Islands Brygge, Holmen, Christiania, Carlsberg, Sluseholmen, Sydhavn, Amagerbro, Ørestad, Nordhavnen, Bellahøj, Brønshøj, Ryparken, and Vigerslev.
Law and order. Most of Denmark's top legal courts and institutions are based in Copenhagen. A modern-style court of justice, "Hof- og Stadsretten", was introduced in Denmark, specifically for Copenhagen, by Johann Friedrich Struensee in 1771. Now known as the City Court of Copenhagen (), it is the largest of the 24 city courts in Denmark with jurisdiction over the municipalities of Copenhagen, Dragør and Tårnby. With its 42 judges, it has a Probate Division, an Enforcement Division and a Registration and Notorial Acts Division while bankruptcy is handled by the Maritime and Commercial Court of Copenhagen. Established in 1862, the Maritime and Commercial Court () also hears commercial cases including those relating to trade marks, marketing practices and competition for the whole of Denmark. Denmark's Supreme Court (), located in Christiansborg Palace on Prins Jørgens Gård in the centre of Copenhagen, is the country's final court of appeal. Handling civil and criminal cases from the subordinate courts, it has two chambers which each hear all types of cases.
The Danish National Police and Copenhagen Police headquarters is situated in the Neoclassical-inspired Politigården building built in 1918–1924 under architects Hack Kampmann and Holger Alfred Jacobsen. The building also contains administration, management, emergency department and radio service offices. The Copenhagen Fire Department forms the largest municipal fire brigade in Denmark with some 500 fire and ambulance personnel, 150 administration and service workers, and 35 workers in prevention. The brigade began as the Copenhagen Royal Fire Brigade on 9 July 1687 under King Christian V. After the passing of the Copenhagen Fire Act on 18 May 1868, on 1 August 1870 the Copenhagen Fire Brigade became a municipal institution in its own right. The fire department has its headquarters in the Copenhagen Central Fire Station which was designed by Ludvig Fenger in the Historicist style and inaugurated in 1892. Environmental planning. Copenhagen is recognised as one of the most environmentally friendly cities in the world. As a result of its commitment to high environmental standards, Copenhagen has been praised for its green economy, ranked as the top green city for the second time in the 2014 "Global Green Economy Index (GGEI)". In 2001 a large offshore wind farm was built just off the coast of Copenhagen at Middelgrunden. It produces about 4% of the city's energy. Years of substantial investment in sewage treatment have improved water quality in the harbour to an extent that the Inner Harbour can be used for swimming with facilities at a number of locations.

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