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The Alps are split into five climatic zones, each with different vegetation. The climate, plant life, and animal life vary among the different sections or zones of the mountains. The lowest zone is the colline zone, which exists between , depending on the location. The montane zone extends from , followed by the sub-Alpine zone from . The Alpine zone, extending from tree line to the snow line, is followed by the glacial zone, which covers the glaciated areas of the mountain. Climatic conditions show variances within the same zones; for example, weather conditions at the head of a mountain valley, extending directly from the peaks, are colder and more severe than those at the mouth of a valley which tend to be less severe and receive less snowfall.
Various models of climate change have been projected into the 22nd century for the Alps, with an expectation that a trend toward increased temperatures will have an effect on snowfall, snowpack, glaciation, and river runoff. Significant changes, of both natural and anthropogenic origins, have already been diagnosed from observations, including a 5.6% reduction per decade in snow cover duration over the last 50 years, which also highlights climate change adaptation needs due to impacts on the climate and regional socio-economic activities.<ref name="10.1038/s41558-022-01575-3"></ref>
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Ecology.
Flora.
Thirteen thousand species of plants have been identified in the Alpine regions. Alpine plants are grouped by habitat and soil type which can be limestone or non-calcareous. The habitats range from meadows, bogs, and woodland (deciduous and coniferous) areas to soil-less scree and moraines, and rock faces and ridges. A natural vegetation limit with altitude is given by the presence of the chief deciduous trees—oak, beech, ash and sycamore maple. These do not reach the same elevation, nor are they often found growing together, but their upper limit corresponds accurately enough to the change from a temperate to a colder climate that is further proved by a change in the presence of wild herbaceous vegetation. This limit usually lies about above the sea on the north side of the Alps, but on the southern slopes it often rises to , sometimes even to .
Above the forestry, there is often a band of dwarf pine trees ("Pinus mugo"), which is in turn superseded by "Alpenrosen", dwarf shrubs, typically "Rhododendron ferrugineum" (on acid soils) or "Rhododendron hirsutum" (on alkaline soils). Although Alpenrose prefers acidic soil, the plants are found throughout the region. Above the tree line is the area defined as "alpine" where in the alpine meadow plants are found that have adapted well to harsh conditions of cold temperatures, aridity, and high altitudes. The alpine area fluctuates greatly because of regional fluctuations in tree lines.
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Alpine plants such as the Alpine gentian grow in abundance in areas such as the meadows above the Lauterbrunnental. Gentians are named after the Illyrian king Gentius, and 40 species of the early-spring blooming flower grow in the Alps, in a range of . Writing about the gentians in Switzerland D. H. Lawrence described them as "darkening the day-time, torch-like with the smoking blueness of Pluto's gloom." Gentians tend to "appear" repeatedly as the spring blooming takes place at progressively later dates, moving from the lower altitude to the higher altitude meadows where the snow melts much later than in the valleys. On the highest rocky ledges, the spring flowers bloom in the summer.
At these higher altitudes, the plants tend to form isolated cushions. In the Alps, several species of flowering plants have been recorded above , including "Ranunculus glacialis", "Androsace alpina" and "Saxifraga biflora". "Eritrichium nanum", commonly known as the King of the Alps, is the most elusive of the alpine flowers, growing on rocky ridges at . Perhaps the best known of the alpine plants is Edelweiss which grows in rocky areas and can be found at altitudes as low as and as high as . The plants that grow at the highest altitudes have adapted to conditions by specialization such as growing in rock screes that give protection from winds.
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The extreme and stressful climatic conditions give way to the growth of plant species with secondary metabolites important for medicinal purposes. "Origanum vulgare", "Prunella vulgaris", "Solanum nigrum", and "Urtica dioica" are some of the more useful medicinal species found in the Alps.
Human interference has nearly exterminated the trees in many areas, and, except for the beech forests of the Austrian Alps, forests of deciduous trees are rarely found after the extreme deforestation between the 17th and 19th centuries. The vegetation has changed since the second half of the 20th century, as the high alpine meadows cease to be harvested for hay or used for grazing which eventually might result in a regrowth of the forest. In some areas, the modern practice of building ski runs by mechanical means has destroyed the underlying tundra from which the plant life cannot recover during the non-skiing months, whereas areas that still practice a natural "piste" type of ski slope building preserve the fragile underlayers.
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Fauna.
The Alps are a habitat for 30,000 species of wildlife, ranging from the tiniest snow fleas to brown bears, many of which have made adaptations to the harsh cold conditions and high altitudes to the point that some only survive in specific micro-climates either directly above or below the snow line.
The largest mammal to live in the highest altitudes are the alpine ibex, which have been sighted as high as . The ibex live in caves and descend to eat the succulent alpine grasses. Classified as antelopes, chamois are smaller than ibex and found throughout the Alps, living above the tree line and are common in the entire alpine range. Areas of the eastern Alps are still home to brown bears. In Switzerland the canton of Bern was named for the bears but the last bear is recorded as having been killed in 1792 above Kleine Scheidegg by three hunters from Grindelwald.
Many rodents such as voles live underground. Marmots live almost exclusively above the tree line as high as . They hibernate in large groups to provide warmth, and can be found in all areas of the Alps, in large colonies they build beneath the alpine pastures. Golden eagles and bearded vultures are the largest birds to be found in the Alps; they nest high on rocky ledges and can be found at altitudes of . The most common bird is the alpine chough which can be found scavenging at climber's huts or the Jungfraujoch, a high-altitude tourist destination.
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Reptiles such as adders and vipers live up to the snow line; because they cannot bear the cold temperatures they hibernate underground and soak up the warmth on rocky ledges. The high-altitude Alpine salamanders have adapted to living above the snow line by giving birth to fully developed young rather than laying eggs. Brown trout can be found in the streams up to the snow line. Molluscs such as the wood snail live up the snow line. Popularly gathered as food, the snails are now protected.
Several species of moths live in the Alps, some of which are believed to have evolved in the same habitat up to 120 million years ago, long before the Alps were created. Blue butterflies can commonly be seen drinking from the snowmelt; some species of blues fly as high as . The butterflies tend to be large, such as those from the swallowtail "Parnassius" family, with a habitat that ranges to . Twelve species of beetles have habitats up to the snow line; the most beautiful and formerly collected for its colours but now protected is "Rosalia alpina". Spiders, such as the large wolf spider, live above the snow line and can be seen as high as . Scorpions can be found in the Italian Alps.
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Some of the species of moths and insects show evidence of having been indigenous to the area from as long ago as the Alpine orogeny. In Émosson in Valais, Switzerland, dinosaur tracks were found in the 1970s, dating probably from the Triassic Period.
History.
Prehistory.
When the ice melted after the Würm glaciation, Paleolithic settlements were established along the lake shores and in cave systems. Evidence of human habitation has been found in caves near the Vercors Cave System, close to Grenoble and Echirolles. In Austria, the Mondsee lake shows evidence of houses built on piles. Standing stones have been found in the Alpine areas of France and Italy. About 200,000 drawings and etchings have been documented, and are known as the Rock Drawings in Valcamonica.
A mummy of a Neolithic human, known as Ötzi, was discovered on the Similaun. His clothing lets modern people assume that he was an alpine farmer, while the location and manner of his death suggests that Ötzi was traveling. Analysis of the mitochondrial DNA of Ötzi, has shown that he belongs to the K1 subclade. His remains and personal belongings are on exhibit at the South Tyrol Museum of Archaeology in Bolzano, South Tyrol, Italy.
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From the 13th to the 6th century BC much of the Alps was settled by the Germanic peoples, Lombards, Alemanni, Bavarii, and Franks. Celt tribes settled in modern-day Switzerland between 1500 and 1000 BC. The Raeti lived in the eastern regions, while the west was occupied by the Helvetii and the Allobroges settled in the Rhône valley and in Savoy. The Ligures and Adriatic Veneti lived in Northwest Italy and Triveneto respectively. The Celts mined salt in areas such as Salzburg, where evidence was found of the Hallstatt culture. By the 6th century BC the La Tène culture was well established in the region, and became known for high quality Celtic art.
Between 430 and 400 BC prolonged warfare in the Alps resulted in the devastation of agricultural land and human settlements, ultimately triggering the enslavement of men, women, and children, goods had to be imported as a result. The Etruscan civilization responded to raids by the Massalia and acquired absolute control over the Alpine trade routes. Aggressors in modern-day Italy were dealt with and an alliance was formed with the Celts. The grip of the Etruscan settlements broke down, as the Roman political system expanded, so as to take control over Alpine trade routes that connected human settlements in the Alps with settlements in the Mediterranean.
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During the Second Punic War in 218 BC, the Carthage general Hannibal initiated one of the most celebrated achievements of any military force in ancient warfare, recorded as Hannibal crossing the Alps. The Roman people built roads along the Alpine mountain passes, which continued to be used through the medieval period. Roman road markers can still be found on the Alpine mountain passes.
During the Gallic Wars in 58 BC Julius Caesar defeated the Helvetii. The Rhaetian continued to resist but their territory was eventually conquered when the Romans crossed the Danube valley and defeated the Brigantes. The Romans built settlements in the Alps. In towns such as Aosta, Martigny, Lausanne, and Partenkirchen remains of villas, arenas, and temples have been discovered.
Christianity, feudalism, and Napoleonic wars.
Christianity was established in the Alps by the Roman people. Monasteries and churches were constructed, even at high Alpine altitudes. The Franks expanded their Carolingian Empire, while the Baiuvarii introduced feudalism in the eastern Alps. The construction of castles in the Alps supported the growing number of dukedoms and kingdoms. Castello del Buonconsiglio in Trento, still has intricate frescoes, and excellent examples of Gothic art. The Château de Chillon is preserved as an example of medieval architecture. There are several important alpine saints and one such one is Saint Maurice. Much of the medieval period was a time of power struggles between competing dynasties such as the House of Savoy, the Visconti of Milan, and the House of Habsburg.
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The Great St Bernard Hospice, built in the 9th or 10th centuries, at the summit of the Great Saint Bernard Pass was a shelter for humans and destination for pilgrims. In 1291, to protect themselves from incursions by the House of Habsburg, four Alpine cantons drew up the Federal Charter of 1291, which is considered to be a declaration of independence from neighboring kingdoms. After a series of battles fought in the 13th, 14th, and 15th centuries, more cantons joined the confederacy and by the 16th century, Switzerland was established as a sovereign state.
In the Alps, the War of the Spanish Succession fallout resulted in a 1713 treaty, part of the Peace of Utrecht, which relocated the Western Alps border along the watersheds. Historically, the Alps were used to determine the borders of political and administrative gangs, but the Peace of Utrecht was the first significant body of treaty that considered geographical conditions. The Alps were carved up and borders were agreed, so that enclaves in the Alps could be eliminated.
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During the Napoleonic Wars in the late 18th century and early 19th century, Napoleon annexed territory formerly controlled by the House of Habsburg, and the House of Savoy. In 1798, the Helvetic Republic was established, two years later an army across the Great St Bernard Pass. In 1799 the Russian imperial military engaged the revolutionary French army in the Alps, this episode has been recorded as significant achievement in mountain warfare. In October 1799 the troops commanded by Alexander Suvorov were surrounded in the Alps by much larger French troops. The Russian troops broke out, mauled the French troops, and retreated through the Panix Pass.
After the fall of Napoleon, many alpine countries developed heavy protections to prevent further invasion. Thus, Savoy built a series of fortifications to protect the major alpine passes, such as the col du Mont-Cenis, which was crossed by Charlemagne to obliterate the Lombards.
In the 19th century, the monasteries built in the Alps to shelter humans became tourist destinations. The Benedictines had built monasteries in Lucerne, and Oberammergau. The Cistercians built their temple at Lake Constance. Meanwhile, the Augustinians maintained abbeys in Savoy and one in Interlaken.
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Exploration.
Radiocarbon-dated charcoal placed around 50,000 years ago was found in the "Drachloch" (Dragon's Hole) cave above the village of Vattis in the canton of St. Gallen, proving that the high peaks were visited by prehistoric people. Seven bear skulls from the cave may have been buried by the same prehistoric people. The peaks, however, were mostly ignored except for a few notable examples, and long left to the exclusive attention of the people of the adjoining valleys. The mountain peaks were seen as terrifying, the abode of dragons and demons, to the point that people blindfolded themselves to cross the Alpine passes. The glaciers remained a mystery and many still believed the highest areas to be inhabited by dragons.
Charles VII of France ordered his chamberlain to climb Mont Aiguille in 1356. The knight reached the summit of Rocciamelone where he left a bronze triptych of three crosses, a feat which he conducted with the use of ladders to traverse the ice. In 1492, Antoine de Ville climbed Mont Aiguille, without reaching the summit, an experience he described as "horrifying and terrifying." Leonardo da Vinci was fascinated by variations of light in the higher altitudes, and climbed a mountain—scholars are uncertain which one; some believe it may have been Monte Rosa. From his description of a "blue like that of a gentian" sky it is thought that he reached a significantly high altitude. In the 18th century four Chamonix men almost made the summit of Mont Blanc but were overcome by altitude sickness and snowblindness.
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Conrad Gessner was the first naturalist to ascend the mountains in the 16th century, to study them, writing that in the mountains he found the "theatre of the Lord". By the 19th century more naturalists began to arrive to explore, study and conquer the high peaks. Two men who first explored the regions of ice and snow were Horace-Bénédict de Saussure (1740–1799) in the Pennine Alps, and the Benedictine monk of Disentis Placidus a Spescha (1752–1833). Born in Geneva, Saussure was enamoured with the mountains from an early age; he left a law career to become a naturalist and spent many years trekking through the Bernese Oberland, the Savoy, the Piedmont and Valais, studying the glaciers and geology, as he became an early proponent of the theory of rock upheaval. Saussure, in 1787, was a member of the third ascent of Mont Blanc—today the summits of all the peaks have been climbed.
The Romantics and Alpinists.
Albrecht von Haller's poem "Die Alpen", published in 1732 described the mountains as an area of mythical purity. Jean-Jacques Rousseau presented the Alps as a place of allure and beauty, in his novel "Julie, or the New Heloise", published in 1761. Later the first wave of Romanticism such as Johann Wolfgang von Goethe, and J. M. W. Turner came to admire the Alpine scenery; Wordsworth visited the area in 1790, writing of his experiences in "The Prelude" (1799). Schiller later wrote the play "William Tell" (1804), which tells the story of the legendary Swiss marksman William Tell as part of the greater Swiss struggle for independence from the Habsburg Empire in the early 14th century. At the end of the Napoleonic Wars, the Alpine countries began to see an influx of poets, artists, and musicians, as visitors came to experience the sublime effects of monumental nature.
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In 1816, Byron, Percy Bysshe Shelley and his wife Mary Shelley visited Geneva and all three were inspired by the scenery in their writings. During these visits Shelley wrote the poem "Mont Blanc", Byron wrote "The Prisoner of Chillon" and the dramatic poem "Manfred", and Mary Shelley, who found the scenery overwhelming, conceived the idea for the novel "Frankenstein" in her villa on the shores of Lake Geneva amid a thunderstorm. When Coleridge travelled to Chamonix, he declaimed, in defiance of Shelley, who had signed himself "Atheos" in the guestbook of the Hotel de Londres near Montenvers, "Who would be, who could be an atheist in this valley of wonders".
By the mid-19th century scientists began to arrive en masse to study the geology and ecology of the region.
From the beginning of the 19th century, the tourism and mountaineering development of the Alps began. In the early years of the "golden age of alpinism" initially scientific activities were mixed with sport, for example by the physicist John Tyndall, with the first ascent of the Matterhorn by Edward Whymper being the highlight. In the later years, the "silver age of alpinism", the focus was on mountain sports and climbing. The first president of the Alpine Club, John Ball, is considered the discoverer of the Dolomites, which for decades were the focus of climbers like Paul Grohmann, Michael Innerkofler and Angelo Dibona.
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The Nazis.
In autumn 1932, Adolf Hitler commissioned the first of a series of refurbishments, which eventually turned a mountain cottage, later named Berghof, into a fortified citadel. This domestic, but representative, fortification had two small bedrooms, and a full bathroom, planned by the Munich architect and NSDAP member Josef Neumaier. Guests, such as Rudolf Hess, stayed over, sleeping in tents or over the garage.
The Alps, Adolf Hitler, and improbable powerful organizations have been subject to crime fiction. The Alps acted as a geographical barrier to Italy, and the Alps for centuries were permeated with established smuggling routes, known as "green line". After World War II, members of the Schutzstaffel that feared prosecution as war criminals, known in modern English only as "SS", disappeared into a crowd of refugees. Massive numbers of refugees entered Italy illegally, by navigating the Alps.
Undocumented migrants.
Smugglers of humans claim that crossing the Alps is less dangerous, or deadly, than traveling 355 km on water between Tripoli and Lampedusa with a tramp ship ("carretta del mare") or a dinghy. Undocumented migrants, visa overstayers, false tourists, asylum seekers, and other clandestine humans, lose their lives crossing the Alps. The exact number of smuggled humans who die a brutal death in the Alps can only be estimated.
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Largest Alpine cities.
The largest city within the Alps is the city of Grenoble in France. Other larger and important cities within the Alps with over 100,000 inhabitants are in Tyrol with Bolzano/Bozen (Italy), Trento (Italy) and Innsbruck (Austria). Larger cities outside the Alps are Milan, Verona, Turin (Italy), Munich (Germany), Graz, Vienna, Salzburg (Austria), Ljubljana, Maribor, Kranj (Slovenia), Zurich, Geneva (Switzerland), Nice and Lyon (France).
Cities with over 100,000 inhabitants in the Alps are:
Alpine people and culture.
The population of the region is 14 million spread across eight countries. On the rim of the mountains, on the plateaus, and on the plains the economy consists of manufacturing and service jobs whereas in the higher altitudes and the mountains farming is still essential to the economy. Farming and forestry continue to be mainstays of Alpine culture, industries that provide for export to the cities and maintain the mountain ecology.
The Alpine regions are multicultural and linguistically diverse. Dialects are common and vary from valley to valley and region to region. In the Slavic Alps alone 19 dialects have been identified. Some of the Romance dialects spoken in the French, Swiss and Italian alps of Aosta Valley derive from Arpitan, while the southern part of the western range is related to Occitan; the German dialects derive from Germanic tribal languages. Romansh, spoken by two percent of the population in southeast Switzerland, is an ancient Rhaeto-Romanic language derived from Latin, remnants of ancient Celtic languages and perhaps Etruscan.
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Much of the Alpine culture is unchanged since the medieval period when skills that guaranteed survival in the mountain valleys and the highest villages became mainstays, leading to strong traditions of carpentry, woodcarving, baking, pastry-making, and cheesemaking.
Farming has been a traditional occupation for centuries, although it became less dominant in the 20th century with the advent of tourism. Grazing and pasture land are limited because of the steep and rocky topography of the Alps. In mid-June, cows are moved to the highest pastures close to the snowline, where they are watched by herdsmen who stay in the high altitudes often living in stone huts or wooden barns during the summers. Villagers celebrate the day the cows are herded up to the pastures and again when they return in mid-September. The Almabtrieb, Alpabzug, Alpabfahrt, Désalpes ("coming down from the alps") is celebrated by decorating the cows with garlands and enormous cowbells while the farmers dress in traditional costumes.
Cheesemaking is an ancient tradition in most Alpine countries. A wheel of cheese from the Emmental in Switzerland can weigh up to , and the Beaufort in Savoy can weigh up to . Owners of the cows traditionally receive from the cheesemakers a portion about the proportion of the cows' milk from the summer months in the high alps. Haymaking is an important farming activity in mountain villages that have become somewhat mechanized in recent years, although the slopes are so steep that scythes are usually necessary to cut the grass. Hay is normally brought in twice a year, often also on festival days.
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In the high villages, people live in homes built according to medieval designs that withstand cold winters. The kitchen is separated from the living area (called the "stube", the area of the home heated by a stove), and second-floor bedrooms benefit from rising heat. The typical Swiss chalet originated in the Bernese Oberland. Chalets often face south or downhill and are built of solid wood, with a steeply gabled roof to allow accumulated snow to slide off easily. Stairs leading to upper levels are sometimes built on the outside, and balconies are sometimes enclosed.
Food is passed from the kitchen to the stube, where the dining room table is placed. Some meals are communal, such as fondue, where a pot is set in the middle of the table for each person to dip into. Other meals are still served traditionally on carved wooden plates. Furniture has been traditionally elaborately carved and in many Alpine countries, carpentry skills are passed from generation to generation.
Roofs are traditionally constructed from Alpine rocks such as pieces of schist, gneiss, or slate. Such chalets are typically found in the higher parts of the valleys, as in the Maurienne valley in Savoy, where the amount of snow during the cold months is important. The inclination of the roof cannot exceed 40%, allowing the snow to stay on top, thereby functioning as insulation from the cold. In the lower areas where the forests are widespread, wooden tiles are traditionally used. Commonly made of Norway spruce, they are called "tavaillon".
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In the German-speaking parts of the Alps (Austria, Bavaria, South Tyrol, Liechtenstein and Switzerland) and also Slovenia, there is a strong tradition of Alpine folk culture. Old traditions are carefully maintained among inhabitants of Alpine areas, even though this is seldom obvious to the visitor: many people are members of cultural associations where the Alpine folk culture is cultivated. At cultural events, traditional folk costume (in German "Tracht") is expected: typically lederhosen for men and dirndls for women. Visitors can get a glimpse of the rich customs of the Alps at public Volksfeste. Even when large events feature only a little folk culture, all participants take part with gusto. Good opportunities to see local people celebrating the traditional culture occur at the many fairs, wine festivals, and firefighting festivals which fill weekends in the countryside from spring to autumn. Alpine festivals vary from country to country. Frequently they include music (e.g. the playing of Alpenhorns), dance (e.g. Schuhplattler), sports (e.g. wrestling marches and archery), as well as traditions with pagan roots such as the lighting of fires on Walpurgis Night and Saint John's Eve. Many areas celebrate Fastnacht in the weeks before Lent. Folk costume also continues to be worn for most weddings and festivals.
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Tourism.
The Alps are one of the more popular tourist destinations in the world with many resorts such as Oberstdorf, in Bavaria, Saalbach in Austria, Davos in Switzerland, Chamonix in France, and Cortina d'Ampezzo in Italy recording more than a million annual visitors. With over 120 million visitors a year, tourism is integral to the Alpine economy with much of it coming from winter sports, although summer visitors are also an important component.
The tourism industry began in the early 19th century when foreigners visited the Alps, travelled to the bases of the mountains to enjoy the scenery, and stayed at the spa-resorts. Large hotels were built during the Belle Époque; cog-railways, built early in the 20th century, brought tourists to ever-higher elevations, with the Jungfraubahn terminating at the Jungfraujoch, well above the eternal snow-line, after going through a tunnel in Eiger. During this period winter sports were slowly introduced: in 1882 the first figure skating championship was held in St. Moritz, and downhill skiing became a popular sport with English visitors early in the 20th century, as the first ski-lift was installed in 1908 above Grindelwald.
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In the first half of the 20th century the Olympic Winter Games were held three times in Alpine venues: the 1924 Winter Olympics in Chamonix, France; the 1928 Winter Olympics in St. Moritz, Switzerland; and the 1936 Winter Olympics in Garmisch-Partenkirchen, Germany. During World War II the winter games were cancelled but after that time the Winter Games have been held in St. Moritz (1948), Cortina d'Ampezzo (1956), Innsbruck, Austria (1964 and 1976), Grenoble, France, (1968), Albertville, France, (1992), and Turin (2006). In 1930, the "Lauberhorn Rennen" (Lauberhorn Race), was run for the first time on the Lauberhorn above Wengen; the equally demanding Hahnenkamm was first run in the same year in Kitzbühl, Austria. Both races continue to be held each January on successive weekends. The Lauberhorn is the more strenuous downhill race at and poses danger to racers who reach within seconds of leaving the start gate.
During the post-World War I period, ski lifts were built in Swiss and Austrian towns to accommodate winter visitors, and summer tourism continued to be important. By the mid-20th century the popularity of downhill skiing increased greatly as it became more accessible and in the 1970s several new villages were built in France devoted almost exclusively to skiing, such as Les Menuires. Until this point, Austria and Switzerland had been the traditional and more popular destinations for winter sports, and by the end of the 20th century and into the early 21st century, France, Italy, and Tyrol began to see increases in winter visitors. Since the 1980s tourism expansion and easy global access generate grave concerns regarding the loss of traditional Alpine culture and many uncertainties about sustainable development. As a likely result of climatic change, the number of high altitude ski resorts and piste km is in decline since 2015, with snow-making machines installed at many sites.
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Transportation.
The region is serviced by of roads used by six million vehicles per year. Train travel is well established in the Alps, with, for instance of track for every in a country such as Switzerland. Most of Europe's highest railways are located there. In 2007, the new Lötschberg Base Tunnel was opened, which circumvents the 100 years older Lötschberg Tunnel. With the opening of the Gotthard Base Tunnel on June 1, 2016, it bypasses the Gotthard Tunnel built in the 19th century and realizes the first flat route through the Alps.
Some high mountain villages are car-free either because of inaccessibility or by choice. Wengen, and Zermatt (in Switzerland) are accessible only by cable car or cog-rail trains. Avoriaz (in France), is car-free, with other Alpine villages considering becoming car-free zones or limiting the number of cars for reasons of sustainability of the fragile Alpine terrain.
The lower regions and larger towns of the Alps are well-served by motorways and main roads, but higher mountain passes and byroads, which are amongst the highest in Europe, can be treacherous even in summer due to steep slopes. Many passes are closed in winter. Several airports around the Alps (and some within), as well as long-distance rail links from all neighbouring countries, afford large numbers of travellers easy access.
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Albert Camus
Albert Camus ( ; ; 7 November 1913 – 4 January 1960) was a French philosopher, author, dramatist, journalist, world federalist, and political activist. He was the recipient of the 1957 Nobel Prize in Literature at the age of 44, the second-youngest recipient in history. His works include "The Stranger", "The Plague", "The Myth of Sisyphus", "The Fall" and "The Rebel".
Camus was born in French Algeria to "pied-noir" parents. He spent his childhood in a poor neighbourhood and later studied philosophy at the University of Algiers. He was in Paris when the Germans invaded France during World War II in 1940. Camus tried to flee but finally joined the French Resistance where he served as editor-in-chief at "Combat", an outlawed newspaper. After the war, he was a celebrity figure and gave many lectures around the world. He married twice but had many extramarital affairs. Camus was politically active; he was part of the left that opposed Joseph Stalin and the Soviet Union because of their totalitarianism. Camus was a moralist and leaned towards anarcho-syndicalism. He was part of many organisations seeking European integration. During the Algerian War (1954–1962), he kept a neutral stance, advocating a multicultural and pluralistic Algeria, a position that was rejected by most parties.
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Philosophically, Camus's views contributed to the rise of the philosophy known as absurdism. Some consider Camus's work to show him to be an existentialist, even though he himself firmly rejected the term throughout his lifetime.
Biography.
Early years and education.
Albert Camus was born on 7 November 1913 in a working-class neighbourhood in Mondovi (present-day Dréan), in French Algeria. His mother, Catherine Hélène Camus (), was French with Balearic Spanish ancestry. She was deaf and illiterate. He never knew his father, Lucien Camus, a poor French agricultural worker killed in action while serving with a Zouave regiment in October 1914, during World War I. Camus, his mother, and other relatives lived without many basic material possessions during his childhood in the Belcourt section of Algiers. Camus was a second-generation French inhabitant of Algeria, which was a French territory from 1830 until 1962. His paternal grandfather, along with many others of his generation, had moved to Algeria for a better life during the first decades of the 19th century. Hence, he was called a – a slang term for people of French and other European descent born in Algeria. His identity and poor background had a substantial effect on his later life. Nevertheless, Camus was a French citizen and enjoyed more rights than Arab and Berber Algerians under . During his childhood, he developed a love for football and swimming.
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Under the influence of his teacher Louis Germain, Camus gained a scholarship in 1924 to continue his studies at a prestigious lyceum (secondary school) near Algiers. Germain immediately noticed his lively intelligence and his desire to learn. In middle school, he gave Camus free lessons to prepare him for the 1924 scholarship competition – despite the fact that his grandmother had a plan for him to be a manual worker so that he could immediately contribute to the maintenance of the family. Camus maintained great gratitude and affection towards Louis Germain throughout his life and he dedicated his speech for accepting the Nobel Prize to Germain. Having received the news of the awarding of the prize, he wrote:
But when I heard the news, my first thought, after my mother, was of you. Without you, without the affectionate hand you extended to the small poor child that I was, without your teaching and example, none of all this would have happened.
In a letter dated 30 April 1959, Germain lovingly reciprocated the warm feelings towards his former pupil, calling him "my little Camus".
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In 1930, at the age of 17, Camus was diagnosed with tuberculosis. Because it is a transmitted disease, he moved out of his home and stayed with his uncle Gustave Acault, a butcher, who influenced the young Camus. It was at that time he turned to philosophy, with the mentoring of his philosophy teacher Jean Grenier. He was impressed by ancient Greek philosophers and Friedrich Nietzsche. During that time, he was only able to study part time. To earn money, he took odd jobs, including as a private tutor, car parts clerk, and assistant at the Meteorological Institute.
In 1933, Camus enrolled at the University of Algiers and completed his "licence de philosophie" (BA) in 1936 after presenting his thesis on Plotinus. Camus developed an interest in early Christian philosophers, but Nietzsche and Arthur Schopenhauer had paved the way towards pessimism and atheism. Camus also studied novelist-philosophers such as Stendhal, Herman Melville, Fyodor Dostoyevsky, and Franz Kafka. In 1933, he also met Simone Hié, then a partner of Camus's friend, who later became his first wife.
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Camus played as goalkeeper for the Racing Universitaire d'Alger junior team from 1928 to 1930. The sense of team spirit, fraternity, and common purpose appealed to him enormously. In match reports, he was often praised for playing with passion and courage. Any football ambitions, however, disappeared when he contracted tuberculosis. Camus drew parallels among football, human existence, morality, and personal identity. For him, the simplistic morality of football contradicted the complicated morality imposed by authorities such as the state and church.
Formative years.
In 1934, Camus was in a relationship with Simone Hié. Simone had an addiction to morphine, a drug she used to ease her menstrual pains. His uncle Gustave did not approve of the relationship, but Camus married Hié to help her fight the addiction. He subsequently discovered she was in a relationship with her doctor at the same time and the couple later divorced.
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In 1938, Camus began working for the leftist newspaper (founded by Pascal Pia), as he had strong anti-fascist feelings, and the rise of fascist regimes in Europe was worrying him. By then, Camus had also developed strong feelings against authoritarian colonialism as he witnessed the harsh treatment of the Arabs and Berbers by French authorities. was banned in 1940 and Camus flew to Paris to take a new job at as layout editor. In Paris, he almost completed his "first cycle" of works dealing with the absurd and the meaningless: the novel "L'Étranger" ("The Outsider" [UK] or "The Stranger" [US]), the philosophical essay "Le Mythe de Sisyphe" ("The Myth of Sisyphus"), and the play "Caligula". Each cycle consisted of a novel, an essay, and a theatrical play.
World War II, Resistance and "Combat".
Soon after Camus moved to Paris, the outbreak of World War II began to affect France. Camus volunteered to join the army but was not accepted because he had once had tuberculosis. As the Germans were marching towards Paris, Camus fled. He was laid off from and ended up in Lyon, where he married pianist and mathematician Francine Faure on 3 December 1940. Camus and Faure moved back to Algeria (Oran), where he taught in primary schools. Because of his tuberculosis, he moved to the French Alps on medical advice. There he began writing his second cycle of works, this time dealing with revolt – a novel, "La Peste" ("The Plague"), and a play, "Le Malentendu" ("The Misunderstanding"). By 1943 he was known because of his earlier work. He returned to Paris, where he met and became friends with Jean-Paul Sartre. He also became part of a circle of intellectuals, which included Simone de Beauvoir and André Breton. Among them was the actress María Casares, who later had an affair with Camus.
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Camus took an active role in the underground resistance movement against the Germans during the French Occupation. Upon his arrival in Paris, he started working as a journalist and editor of the banned newspaper "Combat". Camus used a pseudonym for his "Combat" articles and used false ID cards to avoid being captured. He continued writing for the paper after the liberation of France, composing almost daily editorials under his real name. During that period he composed four "Lettres à un Ami Allemand" ('Letters to a German Friend'), explaining why resistance was necessary.
Post–World War II.
After the War, Camus lived in Paris with Faure, who gave birth to twins, Catherine and Jean, in 1945. Camus was now a celebrated writer known for his role in the Resistance. He gave lectures at various universities in the United States and Latin America during two separate trips. He also visited Algeria once more, only to leave disappointed by the continued oppressive colonial policies, which he had warned about many times. During this period he completed the second cycle of his work, with the book ("The Rebel"). Camus attacked totalitarian communism while advocating libertarian socialism and anarcho-syndicalism. Upsetting many of his colleagues and contemporaries in France with its rejection of communism, the book brought about the final split between Camus and Sartre. His relations with the Marxist Left deteriorated further during the Algerian War.
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Camus was a strong supporter of European integration in various marginal organisations working towards that end. In 1944, he founded the ('French Committee for the European Federation' [CFFE]), declaring that Europe "can only evolve along the path of economic progress, democracy, and peace if the nation-states become a federation." In 1947–48, he founded the (GLI), a trade union movement in the context of revolutionary syndicalism (). His main aim was to express the positive side of surrealism and existentialism, rejecting the negativity and the nihilism of André Breton. Camus also raised his voice against the Soviet invasion of Hungary and the totalitarian tendencies of Franco's regime in Spain.
Camus had numerous affairs, particularly an irregular and eventually public affair with the Spanish-born actress María Casares, with whom he had extensive correspondence. Faure did not take this affair lightly. She had a mental breakdown and needed hospitalisation in the early 1950s. Camus, who felt guilty, withdrew from public life and was slightly depressed for some time.
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In 1957, Camus received the news that he was to be awarded the Nobel Prize in Literature. This came as a shock to him; he anticipated André Malraux would win the award. At age 44, he was the second-youngest recipient of the prize, after Rudyard Kipling, who was 41. After this he began working on his autobiography ("The First Man") in an attempt to examine "moral learning". He also turned to the theatre once more. Financed by the money he received with his Nobel Prize, he adapted and directed for the stage Dostoyevsky's novel "Demons". The play opened in January 1959 at the Antoine Theatre in Paris and was a critical success.
During these years, he published posthumously the works of the philosopher Simone Weil, in the series "Espoir" ('Hope') which he had founded for Éditions Gallimard. Weil had great influence on his philosophy, since he saw her writings as an "antidote" to nihilism. Camus described her as "the only great spirit of our times".
Death.
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Literary career.
Camus's first publication was a play called ("Revolt in the Asturias"), written with three friends in May 1936. The subject was the 1934 revolt by Spanish miners that was brutally suppressed by the Spanish government, resulting in 1,500 to 2,000 deaths. In May 1937 he wrote his first book, ("Betwixt and Between", also translated as "The Wrong Side and the Right Side"). Both were published by Edmond Charlot's small publishing house.
Camus separated his work into three cycles. Each cycle consisted of a novel, an essay, and a play. The first was the cycle of the absurd consisting of "L'Étranger", "Le Mythe de Sysiphe", and "Caligula". The second was the cycle of the revolt which included "La Peste" ("The Plague"), "L'Homme révolté" ("The Rebel"), and "Les Justes" ("The Just Assassins"). The third, the cycle of the love, consisted of "Nemesis". Each cycle was an examination of a theme with the use of a pagan myth and including biblical motifs.
The books in the first cycle were published between 1942 and 1944, but the theme was conceived earlier, at least as far back as 1936. With this cycle, Camus aimed to pose a question on the human condition, discuss the world as an absurd place, and warn humanity of the consequences of totalitarianism.
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Camus began his work on the second cycle while he was in Algeria, in the last months of 1942, just as the Germans were reaching North Africa. In the second cycle, Camus used Prometheus, who is depicted as a revolutionary humanist, to highlight the nuances between revolution and rebellion. He analyses various aspects of rebellion, its metaphysics, and its connection to politics, and then examines it under the lens of modernity, historicity, and the absence of a God.
After receiving the Nobel Prize, Camus gathered, clarified, and published his pacifist leaning views at ("Algerian Chronicles"). He then decided to distance himself from the Algerian War as he found the mental burden too heavy. He turned to theatre and the third cycle which was about love and the goddess Nemesis, the Greek and Roman goddess of Revenge.
Two of Camus's works were published posthumously. The first entitled "La mort heureuse" ("A Happy Death") (1971) is a novel that was written between 1936 and 1938. It features a character named Patrice Mersault, comparable to "The Stranger"s Meursault. There is scholarly debate about the relationship between the two books. The second was an unfinished novel, "Le Premier homme" ("The First Man", published in 1994), which Camus was writing before he died. It was an autobiographical work about his childhood in Algeria and its publication in 1994 sparked a widespread reconsideration of Camus's allegedly unrepentant colonialism.
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Political stance.
Camus was a moralist; he claimed morality should guide politics. While he did not deny that morals change over time, he rejected the classical Marxist view that historical material relations define morality.
Camus was also strongly critical of Marxism–Leninism, which he considered totalitarian, especially in the case of the Soviet Union. Camus rebuked those sympathetic to the Soviet model and their "decision to call total servitude freedom". A proponent of libertarian socialism, he stated that the Soviet Union was not socialist and the United States was not liberal. His critique of the Soviet Union caused him to clash with others on the political left, most notably with his on-again/off-again friend Jean-Paul Sartre.
Active in the French Resistance to the Nazi occupation of France during World War II, Camus wrote for and edited the Resistance journal "Combat". Of the French collaboration with the German occupiers, he wrote: "Now the only moral value is courage, which is useful here for judging the puppets and chatterboxes who pretend to speak in the name of the people." After France's liberation, Camus remarked: "This country does not need a Talleyrand, but a Saint-Just." The reality of the postwar tribunals soon changed his mind: Camus publicly reversed himself and became a lifelong opponent of capital punishment.
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Camus had anarchist sympathies, which intensified in the 1950s, when he came to believe that the Soviet model was morally bankrupt. Camus was firmly against any kind of exploitation, authority, or property, as well as the State and centralization. However, he opposed revolution, separating the rebel from the revolutionary and believing that the belief in "absolute truth", most often assuming the guise of history or reason, inspires the revolutionary and leads to tragic results. He believed that rebellion is spurred by our outrage over the world's lack of transcendent significance, while political rebellion is our response to attacks against the dignity and autonomy of the individual. Camus opposed political violence, tolerating it only in rare and very narrowly defined instances, as well as revolutionary terror, which he accused of sacrificing innocent lives on the altar of history.
Philosophy professor David Sherman considers Camus an anarcho-syndicalist. Graeme Nicholson considers Camus an existentialist anarchist.
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The anarchist André Prudhommeaux first introduced him at a meeting of the ('Anarchist Student Circle') in 1948 as a sympathiser familiar with anarchist thought. Camus wrote for anarchist publications such as ('The Libertarian'), ('The Proletarian Revolution'), and ('Workers' Solidarity'), the organ of the anarcho-syndicalist Confederación Nacional del Trabajo (CNT, 'National Confederation of Labor').
Camus kept a neutral stance during the Algerian Revolution (1954–1962). While he was against the violence of the National Liberation Front (FLN), he acknowledged the injustice and brutalities imposed by colonialist France. He was supportive of Pierre Mendès France's Unified Socialist Party (PSU) and its approach to the crisis; Mendès France advocated for reconciliation. Camus also supported a like-minded Algerian militant, Aziz Kessous. Camus traveled to Algeria to negotiate a truce between the two belligerents but was met with distrust by all parties. In one often-misquoted incident, Camus confronted an Algerian critic during his 1957 Nobel Prize acceptance speech in Stockholm, rejecting the false equivalence of justice with revolutionary terrorism: "People are now planting bombs in the tramways of Algiers. My mother might be on one of those tramways. If that is justice, then I prefer my mother." Critics have labelled the response as reactionary and a result of a colonialist attitude.
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Camus was sharply critical of the proliferation of nuclear weapons and the bombings of Hiroshima and Nagasaki. In the 1950s, Camus devoted his efforts to human rights. In 1952, he resigned from his work for UNESCO when the UN accepted Spain, under the leadership of the caudillo General Francisco Franco, as a member. Camus maintained his pacifism and resisted capital punishment anywhere in the world. He wrote an essay against capital punishment in collaboration with Arthur Koestler, the writer, intellectual, and founder of the League Against Capital Punishment, entitled ('Reflections on Capital Punishment'), published by Calmann-Levy in 1957.
Along with Albert Einstein, Camus was one of the sponsors of the Peoples' World Convention (PWC), also known as Peoples' World Constituent Assembly (PWCA), which took place between 1950 and 1951 at Palais Electoral in Geneva, Switzerland.
Role in Algeria.
Born in Algeria to French parents, Camus was familiar with the institutional racism of France against Arabs and Berbers, but he was not part of a rich elite. He lived in very poor conditions as a child, but was a citizen of France and as such was entitled to citizens' rights; members of the country's Arab and Berber majority were not.
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Camus was a vocal advocate of the "new Mediterranean Culture". This was his vision of embracing the multi-ethnicity of the Algerian people, in opposition to "Latiny", a popular pro-fascist and antisemitic ideology among other "pieds-noirs" – French or Europeans born in Algeria. For Camus, this vision encapsulated the Hellenic humanism which survived among ordinary people around the Mediterranean Sea. His 1938 address on "The New Mediterranean Culture" represents Camus's most systematic statement of his views at this time. Camus also supported the Blum–Viollette proposal to grant Algerians full French citizenship in a manifesto with arguments defending this assimilative proposal on radical egalitarian grounds. In 1939, Camus wrote a stinging series of articles for the on the atrocious living conditions of the inhabitants of the Kabylie highlands. He advocated for economic, educational, and political reforms as a matter of emergency.
In 1945, following the Sétif and Guelma massacre after Arabs revolted against French mistreatment, Camus was one of only a few mainland journalists to visit the colony. He wrote a series of articles reporting on conditions and advocating for French reforms and concessions to the demands of the Algerian people.
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When the Algerian War began in 1954, Camus was confronted with a moral dilemma. He identified with the "pieds-noirs" such as his own parents and defended the French government's actions against the revolt. He argued the Algerian uprising was an integral part of the "new Arab imperialism" led by Egypt and an "anti-Western" offensive orchestrated by Russia to "encircle Europe" and "isolate the United States". Although favoring greater Algerian autonomy or even federation, though not full-scale independence, he believed the "pieds-noirs" and Arabs could co-exist. During the war, he advocated a civil truce that would spare the civilians. It was rejected by both sides, who regarded it as foolish. Behind the scenes, he began working for imprisoned Algerians who faced the death penalty. His position drew much criticism from the left and later postcolonial literary critics, such as Edward Said, who were opposed to European imperialism and charged that Camus's novels and short stories are plagued with colonial depictions – or conscious erasures – of Algeria's Arab population. In their eyes, Camus was no longer the defender of the oppressed.
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Camus once said that the troubles in Algeria "affected him as others feel pain in their lungs".
Philosophy.
Existentialism.
Even though Camus is mostly connected to absurdism, he is routinely categorized as an existentialist, a term he rejected on several occasions.
Camus himself said his philosophical origins lay in ancient Greek philosophy, Nietzsche, and 17th-century moralists, whereas existentialism arose from 19th- and early 20th-century philosophy such as Søren Kierkegaard, Karl Jaspers, and Martin Heidegger. He also said his work, "The Myth of Sisyphus", was a criticism of various aspects of existentialism. Camus rejected existentialism as a philosophy, but his critique was mostly focused on Sartrean existentialism and – though to a lesser extent – on religious existentialism. He thought that the importance of history held by Marx and Sartre was incompatible with his belief in human freedom. David Sherman and others also suggest the rivalry between Sartre and Camus also played a part in his rejection of existentialism. David Simpson argues further that his humanism and belief in human nature set him apart from the existentialist doctrine that existence precedes essence.
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On the other hand, Camus focused most of his philosophy around existential questions. The absurdity of life and that it inevitably ends in death is highlighted in his acts. His belief was that the absurd – life being void of meaning, or man's inability to know that meaning if it were to exist – was something that man should embrace. His opposition to Christianity and his commitment to individual moral freedom and responsibility are only a few of the similarities with other existential writers. Camus addressed one of the fundamental questions of existentialism: the problem of suicide. He wrote: "There is only one really serious philosophical question, and that is suicide."
Camus viewed the question of suicide as arising naturally as a solution to the absurdity of life.
Absurdism.
Many existentialist writers have addressed the Absurd, each with their own interpretation of what it is and what makes it important. Kierkegaard suggests that the absurdity of religious truths prevents people from reaching God rationally. Sartre recognizes the absurdity of individual experience. Camus's thoughts on the Absurd begin with his first cycle of books and the literary essay "The Myth of Sisyphus", his major work on the subject. In 1942, he published the story of a man living an absurd life in "The Stranger". He also wrote a play about the Roman emperor Caligula, pursuing an absurd logic, which was not performed until 1945. His early thoughts appeared in his first collection of essays, "Betwixt and Between", in 1937. Absurd themes were expressed with more sophistication in his second collection of essays, ("Nuptials") in 1938. In these essays, Camus reflects on the experience of the Absurd. Aspects of the notion of the Absurd can also be found in "The Plague".
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Camus follows Sartre's definition of the Absurd: "That which is meaningless. Thus man's existence is absurd because his contingency finds no external justification". The Absurd is created because man, who is placed in an unintelligent universe, realises that human values are not founded on a solid external component; as Camus himself explains, the Absurd is the result of the "confrontation between human need and the unreasonable silence of the world". Even though absurdity is inescapable, Camus does not drift towards nihilism. But the realization of absurdity leads to the question: Why should someone continue to live? Suicide is an option that Camus firmly dismisses as the renunciation of human values and freedom. Rather, he proposes we accept that absurdity is a part of our lives and live with it.
The turning point in Camus's attitude to the Absurd occurs in a collection of four letters to an anonymous German friend, written between July 1943 and July 1944. The first was published in the in 1943, the second in the in 1944, and the third in the newspaper , in 1945. The four letters were published as ('Letters to a German Friend') in 1945, and were included in the collection "Resistance, Rebellion, and Death".
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Camus regretted the continued reference to himself as a "philosopher of the absurd". He showed less interest in the Absurd shortly after publishing "The Myth of Sisyphus". To distinguish his ideas, scholars sometimes refer to the Paradox of the Absurd, when referring to "Camus's Absurd".
Revolt.
Camus articulated the case for revolting against any kind of oppression, injustice, or whatever disrespects the human condition. He was cautious enough, however, to set the limits on the rebellion. "The Rebel" explains in detail his thoughts on the issue. There, he builds upon the absurd, described in "The Myth of Sisyphus", but goes further. In the introduction, where he examines the metaphysics of rebellion, he concludes with the phrase "I revolt, therefore we exist" implying the recognition of a common human condition. Camus also delineates the difference between revolution and rebellion and notices that history has shown that the rebel's revolution might easily end up as an oppressive regime; he therefore places importance on the morals accompanying the revolution. Camus poses a crucial question: Is it possible for humans to act in an ethical and meaningful manner in a silent universe? According to him, the answer is yes, as the experience and awareness of the Absurd creates the moral values and also sets the limits of our actions. Camus separates the modern form of rebellion into two modes. First, there is the metaphysical rebellion, which is "the movement by which man protests against his condition and against the whole of creation". The other mode, historical rebellion, is the attempt to materialize the abstract spirit of metaphysical rebellion and change the world. In this attempt, the rebel must balance between the evil of the world and the intrinsic evil which every revolt carries, and not cause any unjustifiable suffering.
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Legacy.
Camus's novels and philosophical essays are still influential. After his death, interest in Camus followed the rise – and diminution – of the New Left. Following the collapse of the Soviet Union, interest in his alternative road to communism resurfaced. He is remembered for his skeptical humanism and his support for political tolerance, dialogue, and civil rights.
Although Camus has been linked to anti-Soviet communism, reaching as far as anarcho-syndicalism, some neoliberals have tried to associate him with their policies; for instance, the French President Nicolas Sarkozy suggested that his remains be moved to the Panthéon, an idea that was criticised by Camus's surviving family and angered many on the Left.
American heavy metal band Avenged Sevenfold stated that their album "Life Is But a Dream..." was inspired by the work of Camus.
Albert Camus also served as the inspiration for the Aquarius Gold Saint Camus in the classic anime and manga Saint Seiya.
Tributes.
In Tipasa, Algeria, inside the Roman ruins, facing the sea and Mount Chenoua, a stele was erected in 1961 in honor of Albert Camus with this phrase in French extracted from his work : "I understand here what is called glory: the right to love beyond measure" ().
The French Post published a stamp with his likeness on 26 June 1967.
Works.
The works of Albert Camus include:
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Agatha Christie
Dame Agatha Mary Clarissa Christie, Lady Mallowan, (; 15 September 1890 – 12 January 1976) was an English author known for her 66 detective novels and 14 short story collections, particularly those revolving around fictional detectives Hercule Poirot and Miss Marple. She also wrote the world's longest-running play, the murder mystery "The Mousetrap", which has been performed in the West End of London since 1952. A writer during the "Golden Age of Detective Fiction", Christie has been called the "Queen of Crime"—a nickname now trademarked by her estate—or the "Queen of Mystery". She also wrote six novels under the pseudonym Mary Westmacott. In 1971, she was made a Dame (DBE) by Queen Elizabeth II for her contributions to literature. She is the best-selling fiction writer of all time, her novels having sold more than two billion copies.
Christie was born into a wealthy upper-middle-class family in Torquay, Devon, and was largely home-schooled. She was initially an unsuccessful writer with six consecutive rejections, but this changed in 1920 when "The Mysterious Affair at Styles", featuring detective Hercule Poirot, was published. Her first husband was Archibald Christie; they married in 1914 and had one child before divorcing in 1928. Following the breakdown of her marriage and the death of her mother in 1926, she made international headlines by going missing for eleven days. During both World Wars, she served in hospital dispensaries, acquiring a thorough knowledge of the poisons that featured in many of her novels, short stories, and plays. Following her marriage to archaeologist Max Mallowan in 1930, she spent several months each year on digs in the Middle East and used her first-hand knowledge of this profession in her fiction.
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According to UNESCO's Index Translationum, she remains the most-translated individual author. Her novel "And Then There Were None" is one of the top-selling books of all time, with approximately 100 million copies sold. Christie's stage play "The Mousetrap" holds the world record for the longest initial run. It opened at the Ambassadors Theatre in the West End on 25 November 1952, and by 2018 there had been more than 27,500 performances. The play was temporarily closed in 2020 because of COVID-19 lockdowns in London before it reopened in 2021.
In 1955, Christie was the first recipient of the Mystery Writers of America's Grand Master Award. Later that year, "Witness for the Prosecution" received an Edgar Award for best play. In 2013, she was voted the best crime writer and "The Murder of Roger Ackroyd" the best crime novel ever by 600 professional novelists of the Crime Writers' Association. In 2015, "And Then There Were None" was named the "World's Favourite Christie" in a vote sponsored by the author's estate. Many of Christie's books and short stories have been adapted for television, radio, video games, and graphic novels. More than 30 feature films are based on her work.
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Life and career.
1890–1907: childhood and adolescence.
Agatha Mary Clarissa Miller was born on 15 September 1890, into a wealthy upper middle class family in Torquay, Devon. She was the youngest of three children born to Frederick Alvah Miller, "a gentleman of substance", and his wife Clarissa "Clara" Margaret (née Boehmer).
Christie's mother Clara was born in Dublin in 1854 to British Army officer Frederick Boehmer and his wife Mary Ann (née West). Boehmer died in Jersey in 1863, leaving his widow to raise Clara and her brothers on a meagre income. Two weeks after Boehmer's death, Mary's sister, Margaret West, married widowed dry-goods merchant Nathaniel Frary Miller, a US citizen. To assist Mary financially, Margaret and Nathaniel agreed to foster nine-year-old Clara; the family settled in Timperley, Cheshire. The couple had no children together, but Nathaniel had a 17-year-old son, Frederick "Fred", from his previous marriage. Fred was born in New York City and travelled extensively after leaving his Swiss boarding school. He and Clara were married in London in 1878. Their first child, Margaret "Madge" Frary, was born in Torquay in 1879. The second, Louis Montant "Monty", was born in Morristown, New Jersey, in 1880, while the family was on an extended visit to the United States.
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When Fred's father died in 1869, he left Clara £2,000 (approximately ); in 1881 they used this to buy the leasehold of a villa in Torquay named Ashfield. It was here that their third and last child, Agatha, was born in 1890. She described her childhood as "very happy". The Millers lived mainly in Devon but often visited her step-grandmother/great-aunt Margaret Miller in Ealing and maternal grandmother Mary Boehmer in Bayswater. A year was spent abroad with her family, in the French Pyrenees, Paris, Dinard, and Guernsey. Because her siblings were so much older, and there were few children in their neighbourhood, Christie spent much of her time playing alone with her pets and imaginary companions. She eventually made friends with other girls in Torquay, noting that "one of the highlights of my existence" was her appearance with them in a youth production of Gilbert and Sullivan's "The Yeomen of the Guard", in which she played the hero, Colonel Fairfax.
According to Christie, Clara believed she should not learn to read until she was eight; thanks to her curiosity, she was reading by the age of four. Her sister had been sent to a boarding school, but their mother insisted that Christie receive her education at home. As a result, her parents and sister supervised her studies in reading, writing and basic arithmetic, a subject she particularly enjoyed. They also taught her music, and she learned to play the piano and the mandolin.
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Christie was a voracious reader from an early age. Some of her earliest memories were of reading children's books by Mrs Molesworth and Edith Nesbit. When a little older, she moved on to the surreal verse of Edward Lear and Lewis Carroll. As an adolescent, she enjoyed works by Anthony Hope, Walter Scott, Charles Dickens, and Alexandre Dumas. In April 1901, aged 10, she wrote her first poem, "The Cow Slip".
By 1901, her father's health had deteriorated, because of what he believed were heart problems. Fred died in November 1901 from pneumonia and chronic kidney disease. Christie later said that her father's death when she was 11 marked the end of her childhood.
The family's financial situation had, by this time, worsened. Madge married the year after their father's death and moved to Cheadle, Cheshire; Monty was overseas, serving in a British regiment. Christie now lived alone at Ashfield with her mother. In 1902, she began attending Miss Guyer's Girls' School in Torquay but found it difficult to adjust to the disciplined atmosphere. In 1905, her mother sent her to Paris, where she was educated in a series of (boarding schools), focusing on voice training and piano playing. Deciding she lacked the temperament and talent, she gave up her goal of performing professionally as a concert pianist or an opera singer.
1907–1926: early literary attempts, marriage, literary success.
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After completing her education, Christie returned to England to find her mother ailing. They decided to spend the winter of 1907–1908 in the warm climate of Egypt, which was then a regular tourist destination for wealthy Britons. They stayed for three months at the Gezirah Palace Hotel in Cairo. Christie attended many dances and other social functions; she particularly enjoyed watching amateur polo matches. While they visited some ancient Egyptian monuments such as the Great Pyramid of Giza, she did not exhibit the great interest in archaeology and Egyptology that developed in her later years. Returning to Britain, she continued her social activities, writing and performing in amateur theatrics. She also helped put on a play called "The Blue Beard of Unhappiness" with female friends.
At 18, Christie wrote her first short story, "The House of Beauty", while recovering in bed from an illness. It consisted of about 6,000 words about "madness and dreams", subjects of fascination for her. Her biographer Janet Morgan has commented that, despite "infelicities of style", the story was "compelling". (The story became an early version of her story "The House of Dreams".) Other stories followed, most of them illustrating her interest in spiritualism and the paranormal. These included "The Call of Wings" and "The Little Lonely God". Magazines rejected all her early submissions, made under pseudonyms (including Mac Miller, Nathaniel Miller, and Sydney West); some submissions were later revised and published under her real name, often with new titles.
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Around the same time, Christie began work on her first novel, "Snow Upon the Desert". Writing under the pseudonym Monosyllaba, she set the book in Cairo and drew upon her recent experiences there. She was disappointed when the six publishers she contacted declined the work. Clara suggested that her daughter ask for advice from the successful novelist Eden Phillpotts, a family friend and neighbour, who responded to her enquiry, encouraged her writing, and sent her an introduction to his own literary agent, Hughes Massie, who also rejected "Snow Upon the Desert" but suggested a second novel.
Meanwhile, Christie's social activities expanded, with country house parties, riding, hunting, dances, and roller skating. She had short-lived relationships with four men and an engagement to another. In October 1912, she was introduced to Archibald "Archie" Christie at a dance given by Lord and Lady Clifford at Ugbrooke, about from Torquay. The son of a barrister in the Indian Civil Service, Archie was a Royal Artillery officer who was seconded to the Royal Flying Corps in April 1913. The couple quickly fell in love. Three months after their first meeting, Archie proposed marriage, and Agatha accepted.
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With the outbreak of World War I in August 1914, Archie was sent to France to fight. They married on Christmas Eve 1914 at Emmanuel Church, Clifton, Bristol, close to the home of his mother and stepfather, when Archie was on home leave. Rising through the ranks, he was posted back to Britain in September 1918 as a colonel in the Air Ministry. Christie involved herself in the war effort as a member of the Voluntary Aid Detachment of the British Red Cross. From October 1914 to May 1915, then from June 1916 to September 1918, she worked 3,400 hours in the Town Hall Red Cross Hospital, Torquay, first as a Voluntary Aid Detachment nurse (unpaid) then as a dispenser at £16 (approximately ) a year from 1917 after qualifying as an apothecary's assistant. Her war service ended in September 1918 when Archie was reassigned to London, and they rented a flat in St. John's Wood.
Christie had long been a fan of detective novels, having enjoyed Wilkie Collins's "The Woman in White" and "The Moonstone", and Arthur Conan Doyle's early Sherlock Holmes stories. She wrote her first detective novel, "The Mysterious Affair at Styles", in 1916. It featured Hercule Poirot, a former Belgian police officer with "magnificent moustaches" and a head "exactly the shape of an egg", who had taken refuge in Britain after Germany invaded Belgium. Christie's inspiration for the character came from Belgian refugees living in Torquay, and the Belgian soldiers she helped to treat as a volunteer nurse during the First World War. Her original manuscript was rejected by Hodder & Stoughton and Methuen. After keeping the submission for several months, John Lane at The Bodley Head offered to accept it, provided that Christie change how the solution was revealed. She did so, and signed a contract committing her next five books to The Bodley Head, which she later felt was exploitative. It was published in 1920.
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Christie settled into married life, giving birth to her only child, Rosalind Margaret Clarissa (later Hicks), in August 1919 at Ashfield. Archie left the Air Force at the end of the war and began working in the City financial sector on a relatively low salary. They still employed a maid. Her second novel, "The Secret Adversary" (1922), featuring new detective couple Tommy and Tuppence, was also published by The Bodley Head. It earned her £50 (approximately ). A third novel, "Murder on the Links", again featured Poirot, as did the short stories commissioned by Bruce Ingram, editor of "The Sketch" magazine, from 1923. She now had no difficulty selling her work.
In 1922, the Christies joined an around-the-world promotional tour for the British Empire Exhibition, led by Major Ernest Belcher. Leaving their daughter with Agatha's mother and sister, in 10 months they travelled to South Africa, Australia, New Zealand, Hawaii, and Canada. They learned to surf prone in South Africa; then, in Waikiki, they were among the first Britons to surf standing up, and extended their time there by three months to practise. She is remembered at the Museum of British Surfing as having said about surfing, "Oh it was heaven! Nothing like rushing through the water at what seems to you a speed of about two hundred miles an hour. It is one of the most perfect physical pleasures I have known."
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When they returned to England, Archie resumed work in the city, and Christie continued to work hard at her writing. After living in a series of apartments in London, they bought a house in Sunningdale, Berkshire, which they renamed Styles after the mansion in Christie's first detective novel.
Christie's mother, Clarissa Miller, died in April 1926. They had been close, and the loss sent Christie into a deep depression. In August 1926, reports appeared in the press that Christie had gone to a village near Biarritz to recuperate from a "breakdown" caused by "overwork".
1926: disappearance.
In August 1926, Archie asked Christie for a divorce. He had fallen in love with Nancy Neele, a friend of Major Belcher. On 3December 1926, the pair quarrelled after Archie announced his plan to spend the weekend with friends, unaccompanied by his wife. Late that evening, Christie disappeared from their home in Sunningdale. The following morning, her car, a Morris Cowley, was discovered at Newlands Corner in Surrey, parked above a chalk quarry with an expired driving licence and clothes inside. It was feared that she might have drowned herself in the Silent Pool, a nearby beauty spot.
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The disappearance quickly became a news story. The press sought to satisfy their readers' "hunger for sensation, disaster, and scandal". Home Secretary William Joynson-Hicks pressured police, and a newspaper offered a £100 reward (). More than 1,000 police officers, 15,000 volunteers, and several aeroplanes searched the rural landscape. Sir Arthur Conan Doyle gave a spirit medium one of Christie's gloves to find her. Christie's disappearance made international headlines, including featuring on the front page of "The New York Times". Despite the extensive manhunt, she was not found for another 10 days. On 4 December, the day after she went missing, it is now known she had tea in London and visited Harrods department store where she marvelled at the spectacle of the store's Christmas display. On 14 December 1926, she was located at the Swan Hydropathic Hotel in Harrogate, Yorkshire, north of her home in Sunningdale, registered as "Mrs Tressa Neele" (the surname of her husband's lover) from " S.A." (South Africa). The next day, Christie left for her sister's residence at Abney Hall, Cheadle, where she was sequestered "in guarded hall, gates locked, telephone cut off, and callers turned away".
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Christie's autobiography makes no reference to the disappearance. Two doctors diagnosed her with "an unquestionable genuine loss of memory", yet opinion remains divided over the reason for her disappearance. Some, including her biographer Morgan, believe she disappeared during a fugue state. The author Jared Cade concluded that Christie planned the event to embarrass her husband but did not anticipate the resulting public melodrama. Christie's biographer Laura Thompson provides an alternative view that Christie disappeared during a nervous breakdown, conscious of her actions but not in emotional control of herself. Public reaction at the time was largely negative, supposing a publicity stunt or an attempt to frame her husband for murder.
1927–1976: second marriage and later life.
In January 1927, Christie, looking "very pale", sailed with her daughter and secretary to Las Palmas, Canary Islands, to "complete her convalescence", returning three months later. Christie petitioned for divorce and was granted a decree nisi against her husband in April 1928, which was made absolute in October 1928. Archie married Nancy Neele a week later. Christie retained custody of their daughter, Rosalind, and kept the Christie surname for her writing. Reflecting on the period in her autobiography, Christie wrote, "So, after illness, came sorrow, despair and heartbreak. There is no need to dwell on it."
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In 1928, Christie left England and took the (Simplon) Orient Express to Istanbul and then to Baghdad. In Iraq, she became friends with archaeologist Leonard Woolley and his wife, who invited her to return to their dig in February 1930. On that second trip, she met archaeologist Max Mallowan, 13 years her junior. In a 1977 interview, Mallowan recounted his first meeting with Christie, when he took her and a group of tourists on a tour of his expedition site in Iraq. Christie and Mallowan married in Edinburgh in September 1930. Their marriage lasted until Christie's death in 1976. She accompanied Mallowan on his archaeological expeditions, and her travels with him contributed background to several of her novels set in the Middle East. Other novels (such as "Peril at End House") were set in and around Torquay, where she was raised. Christie drew on her experience of international train travel when writing her 1934 novel "Murder on the Orient Express". The Pera Palace Hotel in Istanbul, the eastern terminus of the railway, claims the book was written there and maintains Christie's room as a memorial to the author.
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Christie and Mallowan first lived in Cresswell Place in Chelsea, and later in Sheffield Terrace, Holland Park, Kensington. Both properties are now marked by blue plaques. In 1934, they bought Winterbrook House in Winterbrook, a hamlet near Wallingford. This was their main residence for the rest of their lives and the place where Christie did much of her writing. This house also bears a blue plaque. Christie led a quiet life despite being known in Wallingford; from 1951 to 1976 she served as president of the local amateur dramatic society.
The couple acquired the Greenway Estate in Devon as a summer residence in 1938; it was given to the National Trust in 2000. Christie frequently stayed at Abney Hall, Cheshire, which was owned by her brother-in-law, James Watts, and based at least two stories there: a short story, "The Adventure of the Christmas Pudding", in the story collection of the same name and the novel "After the Funeral". One Christie compendium notes that "Abney became Agatha's greatest inspiration for country-house life, with all its servants and grandeur being woven into her plots. The descriptions of the fictional Chimneys, Stonygates, and other houses in her stories are mostly Abney Hall in various forms."
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During World War II, Christie moved to London and lived in a flat at the Isokon in Hampstead, while working in the pharmacy at University College Hospital (UCH), London, where she updated her knowledge of poisons. Her later novel "The Pale Horse" was based on a suggestion from Harold Davis, the chief pharmacist at UCH. In 1977, a thallium poisoning case was solved by British medical personnel who had read Christie's book and recognised the symptoms she described.
The British intelligence agency MI5 investigated Christie after a character called Major Bletchley appeared in her 1941 thriller "N or M?", which was about a hunt for a pair of deadly fifth columnists in wartime England. MI5 was concerned that Christie had a spy in Britain's top-secret codebreaking centre, Bletchley Park. The agency's fears were allayed when Christie told her friend, the codebreaker Dilly Knox, "I was stuck there on my way by train from Oxford to London and took revenge by giving the name to one of my least lovable characters."
Christie was elected a fellow of the Royal Society of Literature in 1950. In honour of her many literary works, Christie was appointed Commander of the Order of the British Empire (CBE) in the 1956 New Year Honours. She was co-president of the Detection Club from 1958 to her death in 1976. In 1961, she was awarded an honorary Doctor of Literature degree by the University of Exeter. In the 1971 New Year Honours, she was promoted to Dame Commander of the Order of the British Empire (DBE), three years after her husband had been knighted for his archaeological work. After her husband's knighthood, Christie could also be styled Lady Mallowan.
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From 1971 to 1974, Christie's health began to fail, but she continued to write. Her last novel was "Postern of Fate" in 1973. Textual analysis suggested that Christie may have begun to develop Alzheimer's disease or other dementia at about this time.
Personal qualities.
In 1946, Christie said of herself: "My chief dislikes are crowds, loud noises, gramophones and cinemas. I dislike the taste of alcohol and do not like smoking. I "do" like sun, sea, flowers, travelling, strange foods, sports, concerts, theatres, pianos, and doing embroidery."
Christie was a lifelong, "quietly devout" member of the Church of England, attended church regularly, and kept her mother's copy of "The Imitation of Christ" by her bedside. After her divorce, she stopped taking the sacrament of communion.
The Agatha Christie Trust For Children was established in 1969, and shortly after Christie's death a charitable memorial fund was set up to "help two causes that she favoured: old people and young children".
Christie's obituary in "The Times" notes that "she never cared much for the cinema, or for wireless and television." Further,
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Death and estate.
Death and burial.
Christie died on 12 January 1976 at age 85 from natural causes at her home at Winterbrook House. Upon her death, two West End theatresthe St. Martin's, where "The Mousetrap" was playing, and the Savoy, which was home to a revival of "Murder at the Vicarage"dimmed their outside lights in her honour. She was buried in the nearby churchyard of St Mary's, Cholsey, in a plot she had chosen with her husband 10 years previously. The simple funeral service was attended by about 20 newspaper and TV reporters, some having travelled from as far away as South America. Thirty wreaths adorned Christie's grave, including one from the cast of her long-running play "The Mousetrap" and one sent "on behalf of the multitude of grateful readers" by the Ulverscroft Large Print Book Publishers.
Mallowan, who remarried in 1977, died in 1978 and was buried next to Christie.
Estate and subsequent ownership of works.
Christie was unhappy about becoming "an employed wage slave", and for tax reasons set up a private company in 1955, Agatha Christie Limited, to hold the rights to her works. In about 1959 she transferred her 278-acre home, Greenway Estate, to her daughter, Rosalind Hicks. In 1968, when Christie was almost 80, she sold a 51% stake in Agatha Christie Limited (and the works it owned) to Booker Books (better known as Booker Author's Division), which by 1977 had increased its stake to 64%. Agatha Christie Limited still owns the worldwide rights for more than 80 of Christie's novels and short stories, 19 plays, and nearly 40 TV films.
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In the late 1950s, Christie had reputedly been earning around £100,000 (approximately ) per year. Christie sold an estimated 300 million books during her lifetime. At the time of her death in 1976, "she was the best-selling novelist in history."
One estimate of her total earnings from more than a half-century of writing is $20 million (approximately $ million in ). As a result of her tax planning, her will left only £106,683 (approximately ) net, which went mostly to her husband and daughter along with some smaller bequests. Her remaining 36% share of Agatha Christie Limited was inherited by Hicks, who preserved her mother's works, image, and legacy until her own death 28 years later. The family's share of the company allowed them to appoint 50% of the board and the chairman, and retain a veto over new treatments, updated versions, and republications of her works.
In 2004, Hicks' obituary in "The Telegraph" noted that she had been "determined to remain true to her mother's vision and to protect the integrity of her creations" and disapproved of "merchandising" activities. Upon her death on 28 October 2004, the Greenway Estate passed to her son Mathew Prichard. After his stepfather's death in 2005, Prichard donated Greenway and its contents to the National Trust.
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Christie's family and family trusts, including great-grandson James Prichard, continue to own the 36% stake in Agatha Christie Limited, and remain associated with the company. In 2020, James Prichard was the company's chairman. Mathew Prichard also holds the copyright to some of his grandmother's later works including "The Mousetrap". Christie's work continues to be developed in a range of adaptations.
In 1998, Booker sold its shares in Agatha Christie Limited (at the time earning £2,100,000, approximately annual revenue) for £10,000,000 (approximately ) to Chorion, whose portfolio of authors' works included the literary estates of Enid Blyton and Dennis Wheatley. In February 2012, after a management buyout, Chorion began to sell off its literary assets. This included the sale of Chorion's 64% stake in Agatha Christie Limited to Acorn Media UK. In 2014, RLJ Entertainment Inc. (RLJE) acquired Acorn Media UK, renamed it Acorn Media Enterprises, and incorporated it as the RLJE UK development arm.
In late February 2014, media reports stated that the BBC had acquired exclusive TV rights to Christie's works in the UK (previously associated with ITV) and made plans with Acorn's co-operation to air new productions for the 125th anniversary of Christie's birth in 2015. As part of that deal, the BBC broadcast "Partners in Crime" and "And Then There Were None", both in 2015. Subsequent productions have included "The Witness for the Prosecution" but plans to televise "Ordeal by Innocence" at Christmas 2017 were delayed because of controversy surrounding one of the cast members. The three-part adaptation aired in April 2018. A three-part adaptation of "The A.B.C. Murders" starring John Malkovich and Rupert Grint began filming in June 2018 and was first broadcast in December 2018. A two-part adaptation of "The Pale Horse" was broadcast on BBC1 in February 2020. "Death Comes as the End" will be the next BBC adaptation.
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Since 2020, reissues of Christie's Miss Marple and Hercule Poirot novels by HarperCollins have removed "passages containing descriptions, insults or references to ethnicity".
Works.
Works of fiction.
Hercule Poirot and Miss Marple.
Christie's first published book, "The Mysterious Affair at Styles", was released in 1920 and introduced the detective Hercule Poirot, who appeared in 33 of her novels and more than 50 short stories.
Over the years, Christie grew tired of Poirot, much as Doyle did with Sherlock Holmes. By the end of the 1930s, Christie wrote in her diary that she was finding Poirot "insufferable", and by the 1960s she felt he was "an egocentric creep". Thompson believes Christie's occasional antipathy to her creation is overstated, and points out that "in later life she sought to protect him against misrepresentation as powerfully as if he were her own flesh and blood". Unlike Doyle, she resisted the temptation to kill her detective off while he was still popular. She married off Poirot's "Watson", Captain Arthur Hastings, in an attempt to trim her cast commitments.
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Miss Jane Marple was introduced in a series of short stories that began publication in December 1927 and were subsequently collected under the title "The Thirteen Problems". Marple was a genteel, elderly spinster who solved crimes using analogies to English village life. Christie said, "Miss Marple was not in any way a picture of my grandmother; she was far more fussy and spinsterish than my grandmother ever was", but her autobiography establishes a firm connection between the fictional character and Christie's step-grandmother Margaret Miller ("Auntie-Grannie") and her "Ealing cronies". Both Marple and Miller "always expected the worst of everyone and everything, and were, with almost frightening accuracy, usually proved right". Marple appeared in 12 novels and 20 stories.
During the Second World War, Christie wrote two novels, "Curtain" and "Sleeping Murder", featuring Hercule Poirot and Miss Marple, respectively. Both books were sealed in a bank vault, and she made over the copyrights by deed of gift to her daughter and her husband to provide each with a kind of insurance policy. Christie had a heart attack and a serious fall in 1974, after which she was unable to write. Her daughter authorised the publication of "Curtain" in 1975, and "Sleeping Murder" was published posthumously in 1976. These publications followed the success of the 1974 film version of "Murder on the Orient Express".
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Shortly before the publication of "Curtain", Poirot became the first fictional character to have an obituary in "The New York Times", which was printed on page one on 6 August 1975.
Christie never wrote a novel or short story featuring both Poirot and Miss Marple. In a recording discovered and released in 2008, Christie revealed the reason for this: "Hercule Poirot, a complete egoist, would not like being taught his business or having suggestions made to him by an elderly spinster lady. Hercule Poirota professional sleuthwould not be at home at all in Miss Marple's world."
In 2013, the Christie family supported the release of a new Poirot story, "The Monogram Murders", written by British author Sophie Hannah. Hannah later published several more Poirot mysteries, "Closed Casket" in 2016, "The Mystery of Three Quarters" in 2018. "The Killings at Kingfisher Hill" in 2020, "Hercule Poirot's Silent Night" in 2023 with a sixth instalment being commissioned in 2024.
In 2021, following the success of Sophie Hannah's outings with Poirot, the Christie family support the release of a collection of Miss Marple short stories. Called "Marple", the collection was released in 2022 and each story was written by a different author. This included Naomi Alderman, Leigh Bardugo, Alyssa Cole, Lucy Foley, Elly Griffiths, Natalie Haynes, Jean Kwok, Val McDermid, Karen M. McManus, Dreda Say Mitchell, Kate Mosse and Ruth Ware.
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Formula and plot devices.
Early in her career, a reporter noted that "her plots are possible, logical, and always new". According to Hannah, "At the start of each novel, she shows us an apparently impossible situation and we go mad wondering 'How can this be happening?'. Then, slowly, she reveals how the impossible is not only possible but the only thing that could have happened."
Christie developed her storytelling techniques during what has been called the "Golden Age" of detective fiction. Author Dilys Winn called Christie "the doyenne of Coziness", a sub-genre which "featured a small village setting, a hero with faintly aristocratic family connections, a plethora of red herrings and a tendency to commit homicide with sterling silver letter openers and poisons imported from Paraguay". At the end, in a Christie hallmark, the detective usually gathers the surviving suspects into one room, explains the course of their deductive reasoning, and reveals the guilty party; but there are exceptions where it is left to the guilty party to explain all (such as "And Then There Were None" and "Endless Night").
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Christie did not limit herself to quaint English villagesthe action might take place on a small island ("And Then There Were None"), an aeroplane ("Death in the Clouds"), a train ("Murder on the Orient Express"), a steamship ("Death on the Nile"), a smart London flat ("Cards on the Table"), a resort in the West Indies ("A Caribbean Mystery"), or an archaeological dig ("Murder in Mesopotamia")but the circle of potential suspects is usually closed and intimate: family members, friends, servants, business associates, fellow travellers. Stereotyped characters abound (the , the stolid policeman, the devoted servant, the dull colonel), but these may be subverted to stymie the reader; impersonations and secret alliances are always possible. There is always a motivemost often, money: "There are very few killers in Christie who enjoy murder for its own sake."
Professor of Pharmacology Michael C. Gerald noted that "in over half her novels, one or more victims are poisoned, albeit not always to the full satisfaction of the perpetrator." Guns, knives, garrottes, tripwires, blunt instruments, and even a hatchet were also used, but "Christie never resorted to elaborate mechanical or scientific means to explain her ingenuity," according to John Curran, author and literary adviser to the Christie estate. Many of her clues are mundane objects: a calendar, a coffee cup, wax flowers, a beer bottle, a fireplace used during a heat wave.
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According to crime writer P. D. James, Christie was prone to making the unlikeliest character the guilty party. Alert readers could sometimes identify the culprit by identifying the least likely suspect. Christie mocked this insight in her foreword to "Cards on the Table": "Spot the person least likely to have committed the crime and in nine times out of ten your task is finished. Since I do not want my faithful readers to fling away this book in disgust, I prefer to warn them beforehand "that this is not that kind of book"."
On BBC Radio 4's "Desert Island Discs" in 2007, Brian Aldiss said Christie had told him she wrote her books up to the last chapter, then decided who the most unlikely suspect was, after which she would go back and make the necessary changes to "frame" that person. Based upon a study of her working notebooks, Curran describes how Christie would first create a cast of characters, choose a setting, and then produce a list of scenes in which specific clues would be revealed; the order of scenes would be revised as she developed her plot. Of necessity, the murderer had to be known to the author before the sequence could be finalised and she began to type or dictate the first draft of her novel. Much of the work, particularly dialogue, was done in her head before she put it on paper.
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In 2013, the 600 members of the Crime Writers' Association chose "The Murder of Roger Ackroyd" as "the best whodunit... ever written". Author Julian Symons observed, "In an obvious sense, the book fits within the conventions... The setting is a village deep within the English countryside, Roger Ackroyd dies in his study; there is a butler who behaves suspiciously... Every successful detective story in this period involved a deceit practised upon the reader, and here the trick is the highly original one of making the murderer the local doctor, who tells the story and acts as Poirot's Watson." Critic Sutherland Scott stated, "If Agatha Christie had made no other contribution to the literature of detective fiction she would still deserve our grateful thanks" for writing this novel.
In September 2015, to mark her 125th birthday, "And Then There Were None" was named the "World's Favourite Christie" in a vote sponsored by the author's estate. The novel is emblematic of both her use of formula and her willingness to discard it. ""And Then There Were None" carries the 'closed society' type of murder mystery to extreme lengths," according to author Charles Osborne. It begins with the classic set-up of potential victim(s) and killer(s) isolated from the outside world, but then violates conventions. There is no detective involved in the action, no interviews of suspects, no careful search for clues, and no suspects gathered together in the last chapter to be confronted with the solution. As Christie herself said, "Ten people had to die without it becoming ridiculous or the murderer being obvious." Critics agreed she had succeeded: "The arrogant Mrs. Christie this time set herself a fearsome test of her own ingenuity... the reviews, not surprisingly, were without exception wildly adulatory."
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Character stereotypes and racism.
Christie included stereotyped descriptions of characters in her work, especially before 1945 (when such attitudes were more commonly expressed publicly), particularly in regard to Italians, Jews, and non-Europeans. For example, she described "men of Hebraic extraction, sallow men with hooked noses, wearing rather flamboyant jewellery" in the short story "The Soul of the Croupier" from the collection "The Mysterious Mr Quin". In 1947, the Anti-Defamation League in the US sent an official letter of complaint to Christie's American publishers, Dodd, Mead and Company, regarding perceived antisemitism in her works. Christie's British literary agent later wrote to her US representative, authorising American publishers to "omit the word 'Jew' when it refers to an unpleasant character in future books."
In "The Hollow", published in 1946, one of the characters is described by another as "a Whitechapel Jewess with dyed hair and a voice like a corncrake ... a small woman with a thick nose, henna red hair and a disagreeable voice". To contrast with the more stereotyped descriptions, Christie portrayed some "foreign" characters as victims, or potential victims, at the hands of English malefactors, such as, respectively, Olga Seminoff ("Hallowe'en Party") and Katrina Reiger (in the short story "How Does Your Garden Grow?"). Jewish characters are often seen as un-English (such as Oliver Manders in "Three Act Tragedy"), but they are rarely the culprits.
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In 2023, the "Telegraph" reported that several Agatha Christie novels have been edited to remove "passages containing descriptions, insults or references to ethnicity". Poirot and Miss Marple mysteries written between 1920 and 1976 have had passages reworked or removed in new editions published by HarperCollins, in order to strip them of language and descriptions that modern audiences find offensive, especially those involving the characters Christie's protagonists encounter outside the UK. Sensitivity readers had made the edits, which were evident in digital versions of the new editions, including the entire Miss Marple run and selected Poirot novels set to be released or that have been released since 2020.
Other detectives.
In addition to Hercule Poirot and Miss Marple, Christie also created amateur detectives Thomas (Tommy) Beresford and his wife, Prudence "Tuppence" "née" Cowley, who appear in four novels and one collection of short stories published between 1922 and 1974. Unlike her other sleuths, the Beresfords were only in their early twenties when introduced in "The Secret Adversary", and were allowed to age alongside their creator. She treated their stories with a lighter touch, giving them a "dash and verve" which was not universally admired by critics. Their last adventure, "Postern of Fate", was Christie's last novel.
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Harley Quin was "easily the most unorthodox" of Christie's fictional detectives. Inspired by Christie's affection for the figures from the Harlequinade, the semi-supernatural Quin always works with an elderly, conventional man called Satterthwaite. The pair appear in 14 short stories, 12 of which were collected in 1930 as "The Mysterious Mr. Quin". Mallowan described these tales as "detection in a fanciful vein, touching on the fairy story, a natural product of Agatha's peculiar imagination". Satterthwaite also appears in a novel, "Three Act Tragedy", and a short story, "Dead Man's Mirror", both of which feature Poirot.
Another of her lesser-known characters is Parker Pyne, a retired civil servant who assists unhappy people in an unconventional manner. The 12 short stories which introduced him, "Parker Pyne Investigates" (1934), are best remembered for "The Case of the Discontented Soldier", which features Ariadne Oliver, "an amusing and satirical self-portrait of Agatha Christie". Over the ensuing decades, Oliver reappeared in seven novels. In most of them she assists Poirot.
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Plays.
In 1928, Michael Morton adapted "The Murder of Roger Ackroyd" for the stage under the name of "Alibi". The play enjoyed a respectable run, but Christie disliked the changes made to her work and, in future, preferred to write for the theatre herself. The first of her own stage works was "Black Coffee", which received good reviews when it opened in the West End in late 1930. She followed this up with adaptations of her detective novels: "And Then There Were None" in 1943, "Appointment with Death" in 1945, and "The Hollow" in 1951.
In the 1950s, "the theatre ... engaged much of Agatha's attention." She next adapted her short radio play into "The Mousetrap", which premiered in the West End in 1952, produced by Peter Saunders and starring Richard Attenborough as the original Detective Sergeant Trotter. Her expectations for the play were not high; she believed it would run no more than eight months. "The Mousetrap" has long since made theatrical history as the world's longest-running play, staging its 27,500th performance in September 2018. The play temporarily closed in March 2020, when all UK theatres shut due to the coronavirus pandemic, before it re-opened on 17 May 2021.
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In 1953, she followed this with "Witness for the Prosecution", whose Broadway production won the New York Drama Critics' Circle award for best foreign play of 1954 and earned Christie an Edgar Award from the Mystery Writers of America. "Spider's Web", an original work written for actress Margaret Lockwood at her request, premiered in the West End in 1954 and was also a hit. Christie became the first female playwright to have three plays running simultaneously in London: "The Mousetrap", "Witness for the Prosecution" and "Spider's Web". She said, "Plays are much easier to "write" than books, because you can "see" them in your mind's eye, you are not hampered by all that description which clogs you so terribly in a book and stops you from getting on with what's happening." In a letter to her daughter, Christie said being a playwright was "a lot of fun!"
As Mary Westmacott.
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The other Westmacott titles are: "Unfinished Portrait" (1934), "Absent in the Spring" (1944), "The Rose and the Yew Tree" (1948), "A Daughter's a Daughter" (1952), and "The Burden" (1956).
Non-fiction works.
Christie published a few non-fiction works. "Come, Tell Me How You Live", about working on an archaeological dig, was drawn from her life with Mallowan. "The Grand Tour: Around the World with the Queen of Mystery" is a collection of correspondence from her 1922 Grand Tour of the British Empire, including South Africa, Australia, New Zealand, and Canada. "" was published posthumously in 1977 and adjudged the Best Critical/Biographical Work at the 1978 Edgar Awards.
Titles.
Many of Christie's works from 1940 onward have titles drawn from literature, with the original context of the title typically printed as an epigraph.
The inspirations for some of Christie's titles include:
Christie biographer Gillian Gill said, "Christie's writing has the sparseness, the directness, the narrative pace, and the universal appeal of the fairy story, and it is perhaps as modern fairy stories for grown-up children that Christie's novels succeed." Reflecting a juxtaposition of innocence and horror, numerous Christie titles were drawn from well-known children's nursery rhymes: "And Then There Were None" (from "Ten Little Niggers", a rhyme also published as "Ten Little Indians", both of which were also used for the book's title in some printings), "One, Two, Buckle My Shoe" (from "One, Two, Buckle My Shoe"), "Five Little Pigs" (from "This Little Piggy"), "Crooked House" (from "There Was a Crooked Man"), "A Pocket Full of Rye" (from "Sing a Song of Sixpence"), "Hickory Dickory Dock" (from "Hickory Dickory Dock"), and "Three Blind Mice" (from "Three Blind Mice").
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Critical reception.
Christie is regularly referred to as the "Queen of Crime"—which is now trademarked by the Christie estate—or "Queen of Mystery", and is considered a master of suspense, plotting, and characterisation. In 1955, she became the first recipient of the Mystery Writers of America's Grand Master Award. She was named "Best Writer of the Century" and the Hercule Poirot series of books was named "Best Series of the Century" at the 2000 Bouchercon World Mystery Convention. In 2013, she was voted "best crime writer" in a survey of 600 members of the Crime Writers' Association of professional novelists. However, the writer Raymond Chandler criticised the artificiality of her books, as did writer Julian Symons. The literary critic Edmund Wilson described her prose as banal and her characterisations as superficial.
In 2011, Christie was named by the digital crime drama TV channel Alibi as the second most financially successful crime writer of all time in the United Kingdom, after James Bond author Ian Fleming, with total earnings around £100 million. In 2012, Christie was among the people selected by the artist Peter Blake to appear in a new version of his most famous work, the Beatles' "Sgt. Pepper's Lonely Hearts Club Band" album cover, "to celebrate the British cultural figures he most admires". On the record-breaking longevity of Christie's "The Mousetrap" which had marked its 60th anniversary in 2012, Stephen Moss in "The Guardian" wrote, "the play and its author are the stars".
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In 2015, marking the 125th anniversary of her birth date, 25 contemporary mystery writers and one publisher gave their views on Christie's works. Many of the authors had read Christie's novels first, before other mystery writers, in English or in their native language, influencing their own writing, and nearly all still viewed her as the preeminent crime novelist and creator of the plot twists used by mystery authors. Nearly all had one or more favourites among Christie's mysteries and found her books still good to read nearly 100 years after her first novel was published. Just one of the 25 authors held with Wilson's views.
Book sales.
In her prime, Christie was rarely out of the bestseller list. She was the first crime writer to have 100,000 copies of 10 of her titles published by Penguin on the same day in 1948. , "Guinness World Records" listed Christie as the best-selling fiction writer of all time. , her novels had sold more than two billion copies in 44 languages. Half the sales are of English-language editions, and half are translations. According to Index Translationum, , she was the most-translated individual author.
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Christie is one of the most-borrowed authors in UK libraries. She is also the UK's best-selling spoken-book author. In 2002, 117,696 Christie audiobooks were sold, in comparison to 97,755 for J. K. Rowling, 78,770 for Roald Dahl and 75,841 for J. R. R. Tolkien. In 2015, the Christie estate claimed "And Then There Were None" was "the best-selling crime novel of all time", with approximately 100 million sales, also making it one of the highest-selling books of all time. More than two million copies of her books were sold in English in 2020.
Legacy.
In 2016, the Royal Mail marked the centenary of Christie's first detective story by issuing six first-class postage stamps of her works: "The Mysterious Affair at Styles", "The Murder of Roger Ackroyd", "Murder on the Orient Express", "And Then There Were None", "The Body in the Library", and "A Murder is Announced". "The Guardian" reported that, "Each design incorporates microtext, UV ink and thermochromic ink. These concealed clues can be revealed using either a magnifying glass, UV light or body heat and provide pointers to the mysteries' solutions."
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Her characters and her face appeared on the stamps of many countries like Dominica and the Somali Republic. In 2020, Christie was commemorated on a £2 coin by the Royal Mint for the first time to mark the centenary of her first novel, "The Mysterious Affair at Styles".
In 2023 a life-size bronze statue of Christie sitting on a park bench holding a book was unveiled in Wallingford, Oxfordshire.
Adaptations.
Christie's works have been adapted for cinema and television. The first was the 1928 British film "The Passing of Mr. Quin". Poirot's first film appearance was in 1931 in "Alibi", which starred Austin Trevor as Christie's sleuth. Margaret Rutherford played Marple in a series of films released in the 1960s. Christie liked her acting, but considered the first film "pretty poor" and thought no better of the rest.
She felt differently about the 1974 film "Murder on the Orient Express", directed by Sidney Lumet, which featured major stars and high production values; her attendance at the London premiere was one of her last public outings. In 2017, a new film version was released, directed by Kenneth Branagh, who also starred, wearing "the most extravagant mustache moviegoers have ever seen". Branagh has since directed two more adaptations of Christie, "Death on the Nile" (2022) and its sequel "A Haunting in Venice" (2023), the latter an adaptation of her 1969 novel "Hallowe'en Party".
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The television adaptation "Agatha Christie's Poirot" (1989–2013), with David Suchet in the title role, ran for 70 episodes over 13 series. It received nine BAFTA award nominations and won four BAFTA awards in 1990–1992. The television series "Miss Marple" (1984–1992), with Joan Hickson as "the BBC's peerless Miss Marple", adapted all 12 Marple novels. The French television series (2009–2012, 2013–2020), adapted 36 of Christie's stories.
Christie's books have also been adapted for BBC Radio, a video game series, and graphic novels.
Interests and influences.
Pharmacology.
During the First World War, Christie took a break from nursing to train for the Apothecaries Hall Examination. While she subsequently found dispensing in the hospital pharmacy monotonous, and thus less enjoyable than nursing, her new knowledge provided her with a background in potentially toxic drugs. Early in the Second World War, she brought her skills up to date at Torquay Hospital.
As Michael C. Gerald puts it, her "activities as a hospital dispenser during both World Wars not only supported the war effort but also provided her with an appreciation of drugs as therapeutic agents and poisons... These hospital experiences were also likely responsible for the prominent role physicians, nurses, and pharmacists play in her stories." There were to be many medical practitioners, pharmacists, and scientists, naïve or suspicious, in Christie's cast of characters; featuring in "Murder in Mesopotamia", "Cards on the Table", "The Pale Horse", and "Mrs. McGinty's Dead", among many others.
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Gillian Gill notes that the murder method in Christie's first detective novel, "The Mysterious Affair at Styles", "comes right out of Agatha Christie's work in the hospital dispensary". In an interview with journalist Marcelle Bernstein, Christie stated, "I don't like messy deaths... I'm more interested in peaceful people who die in their own beds and no one knows why." With her expert knowledge, Christie had no need of poisons unknown to science, which were forbidden under Ronald Knox's "Ten Rules for Detective Fiction". Arsenic, aconite, strychnine, digitalis, nicotine, thallium, and other substances were used to dispatch victims in the ensuing decades.
Archaeology.
In her youth, Christie showed little interest in antiquities. After her marriage to Mallowan in 1930, she accompanied him on annual expeditions, spending three to four months at a time in Syria and Iraq at excavation sites at Ur, Nineveh, Tell Arpachiyah, Chagar Bazar, Tell Brak, and Nimrud. The Mallowans also took side trips whilst travelling to and from expedition sites, visiting Italy, Greece, Egypt, Iran, and the Soviet Union, among other places. Their experiences travelling and living abroad are reflected in novels such as "Murder on the Orient Express", "Death on the Nile", and "Appointment with Death".
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For the 1931 digging season at Nineveh, Christie bought a writing table to continue her own work; in the early 1950s, she paid to add a small writing room to the team's house at Nimrud. She also devoted time and effort each season in "making herself useful by photographing, cleaning, and recording finds; and restoring ceramics, which she especially enjoyed". She also provided funds for the expeditions.
Many of the settings for Christie's books were inspired by her archaeological fieldwork in the Middle East; this is reflected in the detail with which she describes themfor instance, the temple of Abu Simbel as depicted in "Death on the Nile"while the settings for "They Came to Baghdad" were places she and Mallowan had recently stayed. Similarly, she drew upon her knowledge of daily life on a dig throughout "Murder in Mesopotamia". Archaeologists and experts in Middle Eastern cultures and artefacts featured in her works include Dr Eric Leidner in "Murder in Mesopotamia" and Signor Richetti in "Death on the Nile".
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After the Second World War, Christie chronicled her time in Syria in "Come, Tell Me How You Live", which she described as "small beera very little book, full of everyday doings and happenings". From 8November 2001 to March 2002, The British Museum presented a "colourful and episodic exhibition" called "Agatha Christie and Archaeology: Mystery in Mesopotamia" which illustrated how her activities as a writer and as the wife of an archaeologist intertwined.
In popular culture.
Some of Christie's fictional portrayals have explored and offered accounts of her disappearance in 1926. The film "Agatha" (1979), with Vanessa Redgrave, has Christie sneaking away to plan revenge against her husband; Christie's heirs sued unsuccessfully to prevent the film's distribution. The "Doctor Who" episode "The Unicorn and the Wasp" (17 May 2008) stars Fenella Woolgar as Christie, and explains her disappearance as being connected to aliens. The film "Agatha and the Truth of Murder" (2018) sends her undercover to solve the murder of Florence Nightingale's goddaughter, Florence Nightingale Shore. A fictionalised account of Christie's disappearance is also the central theme of a Korean musical, "Agatha". "The Christie Affair", a Christie-like mystery story of love and revenge by author Nina de Gramont, was a 2022 novel loosely based on Christie's disappearance.
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Other portrayals, such as the Hungarian film "Kojak Budapesten" (1980), create their own scenarios involving Christie's criminal skills. In the TV play "Murder by the Book" (1986), Christie (Dame Peggy Ashcroft) murders one of her fictional-turned-real characters, Poirot. Christie features as a character in Gaylord Larsen's "Dorothy and Agatha" and "The London Blitz Murders" by Max Allan Collins. The American television program "Unsolved Mysteries" devoted a segment to her famous disappearance, with Agatha portrayed by actress Tessa Pritchard. A young Agatha is depicted in the Spanish historical television series "Gran Hotel" (2011) in which she finds inspiration to write her new novel while aiding local detectives. In the alternative history television film "Agatha and the Curse of Ishtar" (2018), Christie becomes involved in a murder case at an archaeological dig in Iraq. In 2019, Honeysuckle Weeks portrayed Christie in "No Friends Like Old Friends" (September 16, 2019), episode 1 of season 3 of the Canadian television period detective series Frankie Drake Mysteries when Christie helps visiting private detective Frankie Drake solve the disappearance and poisoning of an old friend.
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In 2020, Heather Terrell, under the pseudonym of Marie Benedict, published "The Mystery of Mrs. Christie", a fictional reconstruction of Christie's December 1926 disappearance. The novel was on the "USA Today" and "The New York Times" Best Seller lists. In December 2020, Library Reads named Terrell a Hall of Fame author for the book.
Andrew Wilson has written four novels featuring Agatha Christie as a detective: "A Talent For Murder" (2017), "A Different Kind of Evil" (2018), "Death In A Desert Land" (2019) and "I Saw Him Die" (2020). Christie was portrayed by Shirley Henderson in the 2022 comedy/mystery film "See How They Run".
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The Plague (novel)
The Plague () is a 1947 absurdist novel by Albert Camus. The plot centers around the French Algerian city of Oran as it combats a plague outbreak and is put under a city-wide quarantine. The novel presents a snapshot into life in Oran as seen through Camus's absurdist lens.
Camus used as source material the cholera epidemic that killed a large proportion of Oran's population in 1849, but set the novel in the 1940s. Oran and its surroundings were struck by disease several times before Camus published his novel. According to an academic study, Oran was decimated by the bubonic plague in 1556 and 1678, but all later outbreaks (in 1921: 185 cases; 1931: 76 cases; and 1944: 95 cases) were very far from the scale of the epidemic described in the novel.
"The Plague" is considered an existentialist classic despite Camus's objection to the label. The novel stresses the powerlessness of the individual characters to affect their own destinies. The narrative tone is similar to Kafka's, especially in "The Trial", whose individual sentences potentially have multiple meanings; the material often pointedly resonating as stark allegory of phenomenal consciousness and the human condition.
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Plot.
In 1940s Oran, rats, initially unnoticed by the populace, begin dying en masse. Hysteria develops soon afterward, prompting local newspapers to report the incident; authorities begin disposing of the rats. Bernard Rieux, a local physician, learns that a concierge in his building has died from a fever and consults a colleague about the illness. They conclude that a plague is sweeping the town and approach other doctors and town authorities about their theory, which is met with denial. As more deaths ensue, it becomes apparent that an epidemic is imminent.
Authorities are slow to accept that the situation is serious and quibble over the appropriate action to take. Official notices enacting control measures are posted, but they downplay the seriousness of the situation. As the death toll begins to rise, homes are quarantined and corpses are strictly supervised. A supply of anti-plague serum arrives, but there is only enough to treat existing cases and the national emergency reserves are depleted. Eventually, the town is quarantined and an epidemic is officially declared.
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Raymond Rambert, a visiting journalist, devises a plan to escape to join his girlfriend in Paris by courting criminals to smuggle him out. The local Jesuit priest, Father Paneloux, suggests during a sermon that the plague is God punishing the city's sinfulness. His diatribe leads many citizens of the town to turn to religion who would not have done so under normal circumstances. Cottard, a remorseful criminal who attempted suicide earlier, becomes wealthy as a major smuggler. Meanwhile, Jean Tarrou, a vacationer; Joseph Grand, a civil engineer; assist Rieux in treating patients in their homes and in the hospital.
Rambert informs Tarrou of his escape plan. Tarrou tells him that there are others in the city who have loved ones outside the city; Rambert becomes sympathetic and offers to help until he leaves. By mid-August, people trying to escape the town are shot by armed sentries. Violence and looting break out, leading authorities to declare martial law and impose a curfew. Funerals are conducted with more speed, with no ceremony and little concern for the bereaved.
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Rambert finally has a chance to escape, but decides to stay, saying that he would feel ashamed of himself if he left. Towards the end of October, an anti-plague serum is tried for the first time on the local magistrate Othon's son; the serum fails and he suffers intensely as Paneloux, Rieux, and Tarrou tend to him in horror.
Paneloux, who has joined the group of volunteers fighting the plague, gives a second sermon. He addresses the problem of an innocent child's suffering and says it is a test of faith since it requires him either to deny everything or believe everything. He urges the congregation not to give up, but to do everything possible to fight the plague. A few days after the sermon, Paneloux becomes ill; his symptoms do not conform to those of the plague, but the disease still proves fatal.
Tarrou and Rambert visit an isolation camps where they encounter the magistrate Othon. When Othon's quarantine ends, he chooses to stay in the camp as a volunteer to feel less separated from his dead son. Tarrou tells Rieux the story of his life. To take their mind off the epidemic, the two men go swimming in the sea. Grand catches the plague and instructs Rieux to burn all his papers, but makes an unexpected recovery. Deaths from the plague start to decline.
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By late January, the plague is in full retreat and the townspeople celebrate. Cottard is distressed by the quarantine ending which has profited him greatly. Two government employees approach him and he flees. Despite the epidemic receding, Tarrou contracts the plague and dies after a heroic struggle. In February, the town gates open and people are reunited with their loved ones. Cottard has a mental breakdown and shoots at people from his home, killing a dog before being arrested. Rieux discloses his identity to the reader as the narrator and states that he tried to present an objective view of the events. He reflects on the epidemic and declares he wrote the chronicle to explain that, even in crisis, people are more good than evil.
Critical analysis.
Germaine Brée has characterised the struggle of the characters against the plague as "undramatic and stubborn", and in contrast to the ideology of "glorification of power" in the novels of André Malraux, whereas Camus's characters "are obscurely engaged in saving, not destroying, and this in the name of no ideology". Lulu Haroutunian has discussed Camus's own medical history, including a bout with tuberculosis, and how it informs the novel. Marina Warner notes its larger philosophical themes of "engagement", "paltriness and generosity", "small heroism and large cowardice", and "all kinds of profoundly humanist problems, such as love and goodness, happiness and mutual connection".
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Thomas L Hanna and John Loose have separately discussed themes related to Christianity in the novel, with particular respect to Father Paneloux and Dr Rieux. Louis R Rossi briefly discusses the role of Tarrou in the novel, and the sense of philosophical guilt behind his character. Elwyn Sterling has analysed the role of Cottard and his final actions at the end of the novel. Father Paneloux has been subject to several literary analyses in the context of faith faced with great suffering.
Dr Rieux has been described as a classic example of an idealist doctor. He has also been an inspiration to the life and career of the French doctor Réjean Thomas, and also to the fictional character of Jeanne Dion, starring in the movie trilogy directed by Bernard Émond (beginning with "The Novena").
Perri Klass has noted that at the time of the novel, sulfa drugs were available for treatment against plague, and has criticised the novel for this historical-medical omission.
In the popular press.
The novel has been read as an allegorical treatment of the French resistance to Nazi occupation during World War II.
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The novel became a bestseller during the worldwide COVID-19 pandemic of 2020 to the point that its British publisher Penguin Classics reported struggling to keep up with demand. The prescience of the fictional cordon sanitaire of Oran with real-life COVID-19 lockdowns worldwide brought revived popular attention. Sales in Italy tripled and it became a top-ten bestseller during its nationwide lockdown. Penguin Classics' editorial director said "it couldn’t be more relevant to the current moment" and Camus's daughter Catherine said that the message of the novel had newfound relevance in that "we are not responsible for coronavirus but we can be responsible in the way we respond to it".
Publication history.
As early as April 1941, Camus had been working on the novel, as evidenced in his diaries in which he wrote down a few ideas on "the redeeming plague". On 13 March 1942, he informed André Malraux that he was writing "a novel on the plague", adding "Said like that it might sound strange, […] but this subject seems so natural to me."
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Applied ethics
Applied ethics is the practical aspect of moral considerations. It is ethics with respect to real-world actions and their moral considerations in private and public life, the professions, health, technology, law, and leadership. For example, bioethics is concerned with identifying the best approach to moral issues in the life sciences, such as euthanasia, the allocation of scarce health resources, or the use of human embryos in research. Environmental ethics is concerned with ecological issues such as the responsibility of government and corporations to clean up pollution. Business ethics includes the duties of whistleblowers to the public and to their employers.
History.
Applied ethics has expanded the study of ethics beyond the realms of academic philosophical discourse. The field of applied ethics, as it appears today, emerged from debate surrounding rapid medical and technological advances in the early 1970s and is now established as a subdiscipline of moral philosophy. However, applied ethics is, by its very nature, a multi-professional subject because it requires specialist understanding of the potential ethical issues in fields like medicine, business or information technology. Nowadays, ethical codes of conduct exist in almost every profession.
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An applied ethics approach to the examination of moral dilemmas can take many different forms but one of the most influential and most widely utilised approaches in bioethics and health care ethics is the four-principle approach developed by Tom Beauchamp and James Childress. The four-principle approach, commonly termed principlism, entails consideration and application of four prima facie ethical principles: autonomy, non-maleficence, beneficence, and justice.
Underpinning theory.
Applied ethics is distinguished from normative ethics, which concerns standards for right and wrong behavior, and from meta-ethics, which concerns the nature of ethical properties, statements, attitudes, and judgments.
Whilst these three areas of ethics appear to be distinct, they are also interrelated. The use of an applied ethics approach often draws upon these normative ethical theories:
Applied ethics was later distinguished from the nascent applied epistemology, which is also under the umbrella of applied philosophy. While the former was concerned with the practical application of moral considerations, the latter focuses on the application of epistemology in solving practical problems.
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Absolute value
In mathematics, the absolute value or modulus of a real number formula_1, is the non-negative value without regard to its sign. Namely, formula_2 if formula_1 is a positive number, and formula_4 if formula_1 is negative (in which case negating formula_1 makes formula_7 positive), and For example, the absolute value of 3 and the absolute value of −3 is The absolute value of a number may be thought of as its distance from zero.
Generalisations of the absolute value for real numbers occur in a wide variety of mathematical settings. For example, an absolute value is also defined for the complex numbers, the quaternions, ordered rings, fields and vector spaces. The absolute value is closely related to the notions of magnitude, distance, and norm in various mathematical and physical contexts.
Terminology and notation.
In 1806, Jean-Robert Argand introduced the term "module", meaning "unit of measure" in French, specifically for the "complex" absolute value, and it was borrowed into English in 1866 as the Latin equivalent "modulus". The term "absolute value" has been used in this sense from at least 1806 in French and 1857 in English. The notation , with a vertical bar on each side, was introduced by Karl Weierstrass in 1841. Other names for "absolute value" include "numerical value" and "magnitude". The absolute value of formula_1 has also been denoted formula_9 in some mathematical publications, and in spreadsheets, programming languages, and computational software packages, the absolute value of formula_10 is generally represented by codice_1, or a similar expression, as it has been since the earliest days of high-level programming languages.
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The vertical bar notation also appears in a number of other mathematical contexts: for example, when applied to a set, it denotes its cardinality; when applied to a matrix, it denotes its determinant. Vertical bars denote the absolute value only for algebraic objects for which the notion of an absolute value is defined, notably an element of a normed division algebra, for example a real number, a complex number, or a quaternion. A closely related but distinct notation is the use of vertical bars for either the Euclidean norm or sup norm of a vector although double vertical bars with subscripts respectively) are a more common and less ambiguous notation.
Definition and properties.
Real numbers.
For any the absolute value or modulus is denoted , with a vertical bar on each side of the quantity, and is defined as
formula_11
The absolute value is thus always either a positive number or zero, but never negative. When formula_1 itself is negative then its absolute value is necessarily positive
From an analytic geometry point of view, the absolute value of a real number is that number's distance from zero along the real number line, and more generally the absolute value of the difference of two real numbers (their absolute difference) is the distance between them. The notion of an abstract distance function in mathematics can be seen to be a generalisation of the absolute value of the difference (see "Distance" below).
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Since the square root symbol represents the unique "positive" square root, when applied to a positive number, it follows that
formula_13
This is equivalent to the definition above, and may be used as an alternative definition of the absolute value of real numbers.
The absolute value has the following four fundamental properties (formula_14, formula_15 are real numbers), that are used for generalization of this notion to other domains:
Non-negativity, positive definiteness, and multiplicativity are readily apparent from the definition. To see that subadditivity holds, first note that formula_16 with its sign chosen to make the result positive. Now, since formula_17 it follows that, whichever of formula_18 is the value one has formula_19 for all Consequently, formula_20, as desired.
Some additional useful properties are given below. These are either immediate consequences of the definition or implied by the four fundamental properties above.
Two other useful properties concerning inequalities are:
These relations may be used to solve inequalities involving absolute values. For example:
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The absolute value, as "distance from zero", is used to define the absolute difference between arbitrary real numbers, the standard metric on the real numbers.
Complex numbers.
Since the complex numbers are not ordered, the definition given at the top for the real absolute value cannot be directly applied to complex numbers. However, the geometric interpretation of the absolute value of a real number as its distance from 0 can be generalised. The absolute value of a complex number is defined by the Euclidean distance of its corresponding point in the complex plane from the origin. This can be computed using the Pythagorean theorem: for any complex number
formula_21
where formula_1 and formula_23 are real numbers, the absolute value or modulus is and is defined by
formula_24
the Pythagorean addition of formula_1 and formula_23, where formula_27 and formula_28 denote the real and imaginary parts respectively. When the is zero, this coincides with the definition of the absolute value of the
When a complex number formula_29 is expressed in its polar form its absolute value
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Since the product of any complex number formula_29 and its with the same absolute value, is always the non-negative real number the absolute value of a complex number formula_29 is the square root which is therefore called the absolute square or "squared modulus"
formula_32
This generalizes the alternative definition for reals:
The complex absolute value shares the four fundamental properties given above for the real absolute value. The identity formula_33 is a special case of multiplicativity that is often useful by itself.
Absolute value function.
The real absolute value function is continuous everywhere. It is differentiable everywhere except for . It is monotonically decreasing on the interval and monotonically increasing on the interval . Since a real number and its opposite have the same absolute value, it is an even function, and is hence not invertible. The real absolute value function is a piecewise linear, convex function.
For both real and complex numbers the absolute value function is idempotent (meaning that the absolute value of any absolute value is itself).
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