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Mantua and the" Four Seasons".
In 1717 or 1718, Vivaldi was offered a prestigious new position as "Maestro di Cappella" of the court of Prince Philip of Hesse-Darmstadt, governor of Mantua, in the northwest of Italy He moved there for three years and produced several operas, among them "Tito Manlio" (RV 738). In 1721, he was in Milan, where he presented the pastoral drama "La Silvia" (RV 734); nine arias from it survive. He visited Milan again the following year with the oratorio "L'adorazione delli tre re magi al bambino Gesù" (RV 645, now lost). In 1722 he moved to Rome, where he introduced his operas' new style. The new Pope Benedict XIII invited Vivaldi to play for him. In 1725, Vivaldi returned to Venice, where he produced four operas in the same year.
During this period, Vivaldi wrote the "Four Seasons", four violin concertos that give musical expression to the seasons of the year. The composition is probably one of his most famous. Although three of the concerti are wholly original, the first, "Spring", borrows motifs from a Sinfonia in the first act of Vivaldi's contemporaneous opera "Il Giustino". The inspiration for the concertos was probably the countryside around Mantua. They were a revolution in musical conception: in them, Vivaldi represented flowing streams, singing birds (of different species, each specifically characterized), barking dogs, buzzing mosquitoes, crying shepherds, storms, drunken dancers, silent nights, hunting parties from both the hunters' and the prey's point of view, frozen landscapes, ice-skating children, and warming winter fires. Each concerto is associated with a sonnet, possibly by Vivaldi, describing the scenes depicted in the music. They were published as the first four concertos in a collection of twelve, "Il cimento dell'armonia e dell'inventione", Opus 8, published in Amsterdam by Michel-Charles Le Cène in 1725.
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During his time in Mantua, Vivaldi became acquainted with an aspiring young singer Anna Tessieri Girò, who would become his student, protégée, and favorite "prima donna". Anna, along with her older half-sister Paolina, moved in with Vivaldi and regularly accompanied him on his many travels. There was speculation as to the nature of Vivaldi's and Girò's relationship, but no evidence exists to indicate anything beyond friendship and professional collaboration. Vivaldi, in fact, adamantly denied any romantic relationship with Girò in a letter to his patron Bentivoglio, dated 16 November 1737.
Late period.
Vivaldi collaborated with choreographer Giovanni Gallo on several of his later operas stage in Venice with Gallo choreographing the ballets found within those works. At the height of his career, he received commissions from European nobility and royalty, some of which were:
Like many composers of the time, Vivaldi faced financial difficulties in his later years. His compositions were no longer held in such high esteem as they had once been in Venice; changing musical tastes quickly made them outmoded. In response, Vivaldi chose to sell off sizeable numbers of his manuscripts at paltry prices to finance his migration to Vienna. The reasons for Vivaldi's departure from Venice are unclear, but it seems likely that, after the success of his meeting with Emperor Charles VI, he wished to take up the position of a composer in the imperial court. On his way to Vienna, Vivaldi might have stopped in Graz to see Anna Girò.
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Death.
Vivaldi probably moved to Vienna to stage operas, especially as he took up residence near the Kärntnertortheater. Shortly after his arrival in Vienna, Charles VI died, which left the composer without any imperial patronage or a steady source of income. Soon afterwards, Vivaldi became impoverished and, during the night of 27/28 July 1741, aged 63, he died of "internal infection", in a house owned by the widow of a Viennese saddlemaker.
On 28 July, Vivaldi's funeral took place at St. Stephen's Cathedral. Contrary to popular legend, the young Joseph Haydn who was in the cathedral choir at the time had nothing to do with his burial, since no music was performed on that occasion. The funeral was attended by six pall-bearers and six choir boys ("Kuttenbuben"), at a "mean" cost of 19 florins and 45 kreuzer. Only a "Kleingeläut" (small peal of bells), the lowest class, was provided, at a cost of 2 florins and 36 kreuzer.
Vivaldi was buried in a simple grave in a burial ground that was owned by the public hospital fund – the Bürgerspital-Gottesacker cemetery, next to St Charles Church, a baroque church in an area that is now part of the site of the TU Wien university. The cemetery existed until 1807. The house where he lived in Vienna has since been destroyed; the Hotel Sacher is built on part of the site. Memorial plaques have been placed at both locations, as well as a Vivaldi "star" in the Viennese Musikmeile and a monument at the Rooseveltplatz.
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Only two, possibly three, original portraits of Vivaldi are known to survive: an engraving, an ink sketch and an oil painting. The engraving, which was the basis of several copies produced later by other artists, was made in 1725 by François Morellon de La Cave for the first edition of "Il cimento dell'armonia e dell'inventione", and shows Vivaldi holding a sheet of music. The ink sketch, a caricature, was done by Ghezzi in 1723 and shows Vivaldi's head and shoulders in profile. It exists in two versions: a first jotting kept at the Vatican Library, and a much lesser-known, slightly more detailed copy recently discovered in Moscow. The oil painting, which can be seen in the International Museum and Library of Music of Bologna, is by an anonymous artist and is thought to depict Vivaldi due to its strong resemblance to the La Cave engraving.
During his lifetime, Vivaldi was popular in many countries throughout Europe, including France, but after his death his popularity dwindled. After the end of the Baroque period, Vivaldi's published concerti became relatively unknown, and were largely ignored. Even his most famous work, "The Four Seasons", was unknown in its original edition during the Classical and Romantic periods. Vivaldi's work was rediscovered in the 20th century.
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Works.
A composition by Vivaldi is identified by RV number, which refers to its place in the "Ryom-Verzeichnis" or "Répertoire des oeuvres d'Antonio Vivaldi", a catalog created in the 20th century by the musicologist Peter Ryom.
"Le quattro stagioni" (The Four Seasons) of 1723 is his most famous work. The first four of the 12 concertos, titled "Il cimento dell'armonia e dell'inventione" ("The Contest between Harmony and Invention"), they depict moods and scenes from each of the four seasons. This work has been described as an outstanding example of pre-19th-century program music. Vivaldi's other notable sets of 12 violin concertos include "La stravaganza" (The Eccentricity), "L'estro armonico" (The Harmonic Inspiration) and "La cetra" (The Lyre).
Vivaldi wrote more than 500 concertos. About 350 of these are for solo instrument and strings, of which 230 are for violin; the others are for bassoon, cello, oboe, flute, viola d'amore, recorder, lute, or mandolin. About forty concertos are for two instruments and strings, and about thirty are for three or more instruments and strings.
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As well as about 46 operas, Vivaldi composed a large body of sacred choral music, such as the Gloria, RV 589; Nisi Dominus, RV 608; Magnificat, RV 610 and Stabat Mater, RV 621. Gloria, RV 589 remains one of Vivaldi's more popular sacred works. Other works include sinfonias, about 90 sonatas and chamber music.
Some sonatas for flute, published as "Il Pastor Fido", have been erroneously attributed to Vivaldi, but were composed by Nicolas Chédeville.
Catalogues of Vivaldi works.
Vivaldi's works attracted cataloging efforts befitting a major composer. Scholarly work intended to increase the accuracy and variety of Vivaldi performances also supported new discoveries that made old catalogs incomplete. Works still in circulation today might be numbered under several different systems (some earlier catalogs are mentioned here).
Because the simply consecutive Complete Edition (CE) numbers did not reflect the individual works (Opus numbers) into which compositions were grouped, numbers assigned by Antonio Fanna were often used in conjunction with CE numbers. Combined Complete Edition (CE)/Fanna numbering was especially common in the work of Italian groups driving the mid-20th-century revival of Vivaldi, such as Gli Accademici di Milano under Piero Santi. For example, the Bassoon Concerto in B major, "La Notte", RV 501, became CE 12, F. VIII,1
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Despite the awkwardness of having to overlay Fanna numbers onto the Complete Edition number for meaningful grouping of Vivaldi's oeuvre, these numbers displaced the older Pincherle numbers as the (re-) discovery of more manuscripts had rendered older catalogs obsolete.
This cataloging work was led by the Istituto Italiano Antonio Vivaldi, where Gian Francesco Malipiero was both the director and the editor of the published scores (Edizioni G. Ricordi). His work built on that of Antonio Fanna, a Venetian businessman and the institute's founder, and thus formed a bridge to the scholarly catalog dominant today.
Compositions by Vivaldi are identified today by RV number, the number assigned by Danish musicologist Peter Ryom in works published mostly in the 1970s, such as the "Ryom-Verzeichnis" or "Répertoire des oeuvres d'Antonio Vivaldi". Like the Complete Edition before it, the RV does not typically assign its single, consecutive numbers to "adjacent" works that occupy one of the composer's single opus numbers. Its goal as a modern catalog is to index the manuscripts and sources that establish the existence and nature of all known works.
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Style and influence.
The German scholar Walter Kolneder has discerned the influence of Legrenzi's style in Vivaldi's early liturgical work "Laetatus sum" (RV Anh 31), written in 1691 at the age of thirteen.
Vivaldi was also influenced by the Composer Arcangelo Corelli.
Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his "St John Passion", "St Matthew Passion", and cantatas). Bach transcribed six of Vivaldi's concerti for solo keyboard, a further three for organ, and one for four harpsichords, strings, and basso continuo (BWV 1065) based upon the concerto for four violins, two violas, cello, and basso continuo (RV 580).
Legacy.
In the early 20th century, Fritz Kreisler's Concerto in C, in the Style of Vivaldi (which he passed off as an original Vivaldi work) helped revive Vivaldi's reputation. Kreisler's concerto in C spurred the French scholar Marc Pincherle to begin an academic study of Vivaldi's oeuvre. Many Vivaldi manuscripts were rediscovered, and were acquired by the Turin National University Library as a result of the generous sponsorship of Turinese businessmen Roberto Foa and Filippo Giordano, in memory of their sons. This led to a renewed interest in Vivaldi by, among others, Mario Rinaldi, Alfredo Casella, Ezra Pound, Olga Rudge, Desmond Chute, Arturo Toscanini, Arnold Schering and Louis Kaufman, all of whom were instrumental in the revival of Vivaldi throughout the 20th century.
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In 1926, in a monastery in Piedmont, researchers discovered fourteen bound volumes of Vivaldi's work (later discovered to be fifteen) that were previously thought to have been lost during the Napoleonic Wars. Some missing tomes in the numbered set were discovered in the collections of the descendants of the Grand Duke Durazzo, who had acquired the monastery complex in the 18th century. The volumes contained 300 concertos, 19 operas and over 100 vocal-instrumental works.
The resurrection of Vivaldi's unpublished works in the 20th century greatly benefited from the noted efforts of Alfredo Casella, who in 1939 organized the historic Vivaldi Week, in which the rediscovered Gloria (RV 589) and l'Olimpiade were revived. Since World War II, Vivaldi's compositions have enjoyed wide success. Historically informed performances, often on "original instruments", have increased Vivaldi's fame still further.
Recent rediscoveries of works by Vivaldi include two psalm settings: Psalm 127, "Nisi Dominus" RV 803 (in eight movements); and Psalm 110, "Dixit Dominus" RV 807 (in eleven movements). These were identified in 2003 and 2005, respectively, by the Australian scholar Janice Stockigt. The Vivaldi scholar Michael Talbot described RV 807 as "arguably the best nonoperatic work from Vivaldi's pen to come to light since ... the 1920s".
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In February 2002, musicologist discovered 70% of the music for the opera Motezuma (RV 723) in the Sing-Akademie zu Berlin archives. Long thought lost, it was described by Dutch musicologist as "the most important Vivaldi discovery in 75 years." One of the earliest operas to have been set in the Americas, versions of it were staged in Düsseldorf in 2005 and Long Beach in 2009.
Vivaldi's 1730 opera, "Argippo" (RV 697), which had also been considered lost, was rediscovered in 2006 by the harpsichordist and conductor Ondřej Macek, whose Hofmusici orchestra performed the work at Prague Castle on 3 May 2008—its first performance since 1730.
Modern depictions of Vivaldi's life include a 2005 radio play, commissioned by ABC Radio National and written by Sean Riley. Entitled "The Angel and the Red Priest", the play was later adapted for the stage and performed at the Adelaide Festival of the Arts. Films about Vivaldi include: ' (1989), an Italian-French co-production under the direction of Étienne Périer; ' (2006), an Italian-French co-production under the direction of ; and "Vivaldi, the Red Priest" (2009), an Italian film created and directed by Liana Marabini, and loosely based on Vivaldi's life as both priest and composer.
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Adrian
Adrian is a form of the Latin given name Adrianus or Hadrianus. Its ultimate origin is most likely via the former river Adria from the Venetic and Illyrian word "adur", meaning "sea" or "water".
The Adria was until the 8th century BC the main channel of the Po River into the Adriatic Sea but ceased to exist before the 1st century BC. Hecataeus of Miletus (c.550 – c.476 BC) asserted that both the Etruscan harbor city of Adria and the Adriatic Sea had been named after it. Emperor Hadrian's family was named after the city or region of Adria/Hadria, now Atri, in Picenum, which most likely started as an Etruscan or Greek colony of the older harbor city of the same name.
Several saints and six popes have borne this name, including the only English pope, Adrian IV, and the only Dutch pope, Adrian VI. As an English name, it has been in use since the Middle Ages.
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Aare
The Aare () or Aar () is the main tributary of the High Rhine (its discharge even exceeds that of the latter at their confluence) and the longest river that both rises and ends entirely within Switzerland.
Its total length from its source to its junction with the Rhine comprises about , during which distance it descends , draining an area of , almost entirely within Switzerland, and accounting for close to half the area of the country, including all of Central Switzerland.
There are more than 40 hydroelectric plants along the course of the Aare.
The river's name dates to at least the La Tène period, and it is attested as "Nantaror" "Aare valley" in the Berne zinc tablet.
The name was Latinized as "Arula"/"Arola"/"Araris".
Course.
The Aare rises in the great Aargletschers (Aare Glaciers) of the Bernese Alps, in the canton of Bern and west of the Grimsel Pass. The Finsteraargletscher and Lauteraargletscher come together to form the Unteraargletscher (Lower Aar Glacier), which is the main source of water for the Grimselsee (Lake of Grimsel). The Oberaargletscher (Upper Aar Glacier) feeds the Oberaarsee, which also flows into the Grimselsee. The Aare leaves the Grimselsee just to the east to the Grimsel Hospiz, below the Grimsel Pass, and then flows northwest through the Haslital, forming on the way the magnificent Handegg Waterfall, , past Guttannen.
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Right after Innertkirchen it is joined by its first major tributary, the Gamderwasser. Less than later the river carves through a limestone ridge in the Aare Gorge (). It is here that the Aare proves itself to be more than just a river, as it attracts thousands of tourists annually to the causeways through the gorge. A little past Meiringen, near Brienz, the river expands into Lake Brienz. Near the west end of the lake it indirectly receives its first important tributary, the Lütschine, by the Lake of Brienz. It then runs across the swampy plain of the Bödeli (Swiss German diminutive for ground) between Interlaken and Unterseen before flowing into Lake Thun.
Near the west end of Lake Thun, the river indirectly receives the waters of the Kander, which has just been joined by the Simme, by the Lake of Thun. Lake Thun marks the head of navigation. On flowing out of the lake it passes through Thun, and then flows through the city of Bern, passing beneath eighteen bridges and around the steeply-flanked peninsula on which the Old City is located.
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On flowing out of the lake it passes through Thun, and then flows through the city of Bern, passing beneath eighteen bridges and around the steeply-flanked peninsula on which the Old City is located. To the south of the Old City peninsula is the , a weir which provides water for the small Matte hydroelectric power plant. River swimming in the Aare is popular in Bern, and the river is sometimes full of bathers on summer days. The river soon changes its northwesterly flow for a due westerly direction, but after receiving the Saane or La Sarine it turns north until it nears Aarberg. There, in one of the major Swiss engineering feats of the 19th century, the Jura water correction, the river, which had previously rendered the countryside north of Bern a swampland through frequent flooding, was diverted by the Aare-Hagneck Canal into the Lac de Bienne. From the upper end of the lake, at Nidau, the river issues through the Nidau-Büren Canal, also called the Aare Canal, and then runs east to Büren. The lake absorbs huge amounts of eroded gravel and snowmelt that the river brings from the Alps, and the former swamps have become fruitful plains: they are known as the "vegetable garden of Switzerland".
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From here the Aare flows northeast for a long distance, past the ambassador town Solothurn (below which the Grosse Emme flows in on the right), Aarburg (where it is joined by the Wigger), Olten, Aarau, near which is the junction with the Suhre, and Wildegg, where the Seetal Aabach falls in on the right. A short distance further, below Brugg, it receives first the Reuss, its major tributary, and shortly afterwards the Limmat, its second strongest tributary. It now turns due north, and soon becomes itself a tributary of the Rhine, which it even surpasses in volume when the two rivers unite downstream from Koblenz (Switzerland), opposite Waldshut in Germany. The Rhine, in turn, empties into the North Sea after crossing into the Netherlands.
Incidents.
On May 26, 2022, Indonesia West Java Governor Ridwan Kamil's eldest child, Emmeril Kahn Mumtadz, was declared missing after being swept away by the river current. Chronologically, Eril was swimming in the river with his sister and friends. When he wanted to rise to the surface, Eril was dragged by a fairly swift current of the river which had previously received help from his friend. The search efforts involving the police search and rescue team, maritime police, fire department, and authority of the city of Bern. One week after declared missing, Emmeril Kahn Mumtadz was declared dead "in absentia" at the age of 22. Although on June 9, 2022, Eril's body was located. The funeral procession of Emmeril “Eril” Kahn Mumtadz took place in the family's burial ground located in Cimaung, Bandung regency, West Java. Soon after news about Eril's body brought back to his home, Indonesian netizens review bombed Aare River's Google listing, leaving negative comments and one-star ratings as if the waterway was fully to blame for the tragedy.
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Abbotsford, Scottish Borders
Abbotsford is a historic country house in the Scottish Borders, near Galashiels, on the south bank of the River Tweed. Now open to the public, it was built as the residence of historical novelist and poet Sir Walter Scott between 1817 and 1825. It is a Category A Listed Building and the estate is listed in the Inventory of Gardens and Designed Landscapes in Scotland.
Description.
The nucleus of the estate was a farm of , called Cartleyhole, nicknamed Clarty (i.e., muddy) Hole, and was bought by Scott on the lapse of his lease (1811) of the neighbouring house of Ashestiel. Scott renamed it "Abbotsford" after a neighbouring ford used by the monks of Melrose Abbey.
Following a modest enlargement of the original farmhouse in 1811–1812, massive expansions took place in 1816–1819 and 1822–1824. In this mansion Scott gathered a large library, a collection of ancient furniture, arms and armour, and other relics and curiosities especially connected with Scottish history, notably the Celtic Torrs Pony-cap and Horns and the Woodwrae Stone, all now in the Museum of Scotland. Scott described the resulting building as "a sort of romance in Architecture" and "a kind of Conundrum Castle to be sure".
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The last and principal acquisition was that of Toftfield (afterwards named Huntlyburn), purchased in 1817. The new house was then begun and completed in 1824.
The general ground-plan is a parallelogram, with irregular outlines, one side overlooking the Tweed; and the style is mainly the Scottish Baronial. With his architects William Atkinson and Edward Blore Scott was a pioneer of the Scottish Baronial style of architecture: the house is recognized as a highly influential creation with themes from Abbotsford being reflected across many buildings in the Scottish Borders and beyond.
The manor as a whole appears as a "castle-in-miniature", with small towers and imitation battlements decorating the house and garden walls. Into various parts of the fabric were built relics and curiosities from historical structures, such as the doorway of the old Tolbooth in Edinburgh.
Scott collected many of these curiosities to be built into the walls of the South Garden, which previously hosted a colonnade of gothic arches along the garden walls. Along the path of the former colonnade sits the remains of Edinburgh's 15th century Mercat Cross and several examples of classical sculpture.
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The estate and its neo-Medieval features nod towards Scott's desire for a historical feel, but the writer ensured that the house would provide all the comforts of modern living. As a result, Scott used the space as a proving-ground for new technologies. The house was outfitted with early gas lighting and pneumatic bells connecting residents with servants elsewhere in the house.
Scott had only enjoyed his residence one year when (1825) he met with that reverse of fortune which involved the estate in debt. In 1830, the library and museum were presented to him as a free gift by the creditors. The property was wholly disencumbered in 1847 by Robert Cadell, the publisher, who cancelled the bond upon it in exchange for the family's share in the copyright of Sir Walter's works.
Scott's only son Walter did not live to enjoy the property, having died on his way from India in 1847. Among subsequent possessors were Scott's grandson Walter Scott Lockhart (later Walter Lockhart Scott, 1826–1853), his younger sister Charlotte Harriet Jane Hope-Scott (née Lockhart) 1828–1858, J. R. Hope Scott, QC, and his daughter (Scott's great-granddaughter), the Hon. Mrs Maxwell Scott.
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The house was opened to the public in 1833, but continued to be occupied by Scott's descendants until 2004. The last of his direct descendants to hold the Lairdship of Abbotsford was his great-great-great-granddaughter Dame Jean Maxwell-Scott (8 June 1923 – 5 May 2004). She inherited it from her elder sister Patricia Maxwell-Scott in 1998. The sisters turned the house into one of Scotland's premier tourist attractions, after they had to rely on paying visitors to afford the upkeep of the house. It had electricity installed only in 1962.
Dame Jean was at one time a lady-in-waiting to Princess Alice, Duchess of Gloucester, patron of the Dandie Dinmont Club, a breed of dog named after one of Sir Walter Scott's characters; and a horse trainer, one of whose horses, Sir Wattie, ridden by Ian Stark, won two silver medals at the 1988 Summer Olympics.
On Dame Jean's death the Abbotsford Trust was established to safeguard the estate.
In 2005, Scottish Borders Council considered an application by a property developer to build a housing estate on the opposite bank of the River Tweed from Abbotsford, to which Historic Scotland and the National Trust for Scotland objected. There have been modifications to the proposed development, but it is still being opposed in 2020.
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Sir Walter Scott rescued the "jougs" from Threave Castle in Dumfries and Galloway and attached them to the castellated gateway he built at Abbotsford.
Tweedbank railway station is located near to Abbotsford.
Miscellaneous.
Abbotsford gave its name to the Abbotsford Club, founded by William Barclay Turnbull in 1833 or 1834 in Scott's honour, and a successor to the Bannatyne and Maitland Clubs. It was a text publication society, which existed to print and publish historical works connected with Scott's writings. Its publications extended from 1835 to 1864.
In August 2012, a new Visitor Centre opened at Abbotsford which houses a small exhibition, gift shop and Ochiltree's café with views over the house and grounds. The house re-opened to the public after extensive renovations in July 2013.
In 2014 it won the European Union Prize for Cultural Heritage / Europa Nostra Award for its then recent conservation project.
References.
Attribution
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Abraham
Abraham (originally Abram) is the common Hebrew patriarch of the Abrahamic religions, including Judaism, Christianity, and Islam. In Judaism, he is the founding father of the special relationship between the Jews and God; in Christianity, he is the spiritual progenitor of all believers, whether Jewish or non-Jewish; and in Islam, he is a link in the chain of Islamic prophets that begins with Adam and culminates in Muhammad. Abraham is also revered in other Abrahamic religions such as the Baháʼí Faith and the Druze faith.
The story of the life of Abraham, as told in the narrative of the Book of Genesis in the Hebrew Bible, revolves around the themes of posterity and land. He is said to have been called by God to leave the house of his father Terah and settle in the land of Canaan, which God now promises to Abraham and his progeny. This promise is subsequently inherited by Isaac, Abraham's son by his wife Sarah, while Isaac's half-brother Ishmael is also promised that he will be the founder of a great nation. Abraham purchases a tomb (the Cave of the Patriarchs) at Hebron to be Sarah's grave, thus establishing his right to the land; and, in the second generation, his heir Isaac is married to a woman from his own kin to earn his parents' approval. Abraham later marries Keturah and has six more sons; but, on his death, when he is buried beside Sarah, it is Isaac who receives "all Abraham's goods" while the other sons receive only "gifts".
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Most scholars view the patriarchal age, along with the Exodus and the period of the biblical judges, as a late literary construct that does not relate to any particular historical era. It is largely concluded that the Torah, the series of books that includes Genesis, was composed during the Persian period, as a result of tensions between Jewish landowners who had stayed in Judah during the Babylonian captivity and traced their right to the land through their "father Abraham", and the returning exiles who based their counterclaim on Moses and the Exodus tradition of the Israelites.
The Abraham Cycle.
Structure and narrative programs.
The Abraham cycle (–) unfolds as a narrative of mounting tension, centered on the conflict between God’s promise that Abram would father a lineage and become the ancestor of numerous nations, and a succession of crises that jeopardize this divine commitment. The storytelling method used here is the “obstacle story,” a literary device renowned for its enduring and universal popularity across cultures and eras.
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The Abraham cycle is not structured by a unified plot centered on a conflict and its resolution or a problem and its solution. The episodes are often only loosely linked, and the sequence is not always logical, but it is unified by the presence of Abraham himself, as either actor or witness, and by the themes of posterity and land. These themes form "narrative programs" set out in concerning the sterility of Sarah and in which Abraham is ordered to leave the land of his birth for the land God will show him.
Origins and calling.
Terah, the ninth in descent from Noah, was the father of Abram, Nahor, Haran ( "Hārān") and Sarah. Haran was the father of Lot, who was Abram's nephew; the family lived in Ur of the Chaldees. Haran died there. Abram married Sarah (Sarai). Terah, Abram, Sarai, and Lot departed for Canaan, but settled in a place named Haran ( "Ḥārān"), where Terah died at the age of 205. According to some exegetes (like Nahmanides), Abram was actually born in Haran and he later relocated to Ur, while some of his family remained in Haran.
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God had told Abram to leave his country and kindred and go to a land that he would show him, and promised to make of him a great nation, bless him, make his name great, bless them that bless him, and curse them who may curse him. Abram was 75 years old when he left Haran with his wife Sarai, his nephew Lot, and their possessions and people that they had acquired, and traveled to Shechem in Canaan.
Sarai.
There was a severe famine in the land of Canaan, so that Abram, Lot, and their households traveled to Egypt. On the way Abram told Sarai to say that she was his sister, so that the Egyptians would not kill him. When they entered Egypt, the Pharaoh's officials praised Sarai's beauty to Pharaoh, and they took her into the palace and gave Abram goods in exchange. God afflicted Pharaoh and his household with plagues, which led Pharaoh to try to find out what was wrong. Upon discovering that Sarai was a married woman, Pharaoh demanded that Abram and Sarai leave.
Abram and Lot separate.
When they lived for a while in the Negev after being banished from Egypt and came back to the Bethel and Ai area, Abram's and Lot's sizable herds occupied the same pastures. This became a problem for the herdsmen, who were assigned to each family's cattle. The conflicts between herdsmen had become so troublesome that Abram suggested that Lot choose a separate area, either on the left hand or on the right hand, that there be no conflict between them. Lot decided to go eastward to the plain of Jordan, where the land was well watered everywhere as far as Zoara, and he dwelled in the cities of the plain toward Sodom. Abram went south to Hebron and settled in the plain of Mamre, where he built another altar to worship God.
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Chedorlaomer.
During the rebellion of the Jordan River cities, Sodom and Gomorrah, against Elam, Abram's nephew, Lot, was taken prisoner along with his entire household by the invading Elamite forces. The Elamite army came to collect the spoils of war, after having just defeated the king of Sodom's armies. Lot and his family, at the time, were settled on the outskirts of the Kingdom of Sodom which made them a visible target.
One person who escaped capture came and told Abram what happened. Once Abram received this news, he immediately assembled 318 trained servants. Abram's force headed north in pursuit of the Elamite army, who were already worn down from the Battle of Siddim. When they caught up with them at Dan, Abram devised a battle plan by splitting his group into more than one unit, and launched a night raid. Not only were they able to free the captives, Abram's unit chased and slaughtered the Elamite King Chedorlaomer at Hobah, just north of Damascus. They freed Lot, as well as his household and possessions, and recovered all of the goods from Sodom that had been taken.
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Upon Abram's return, Sodom's king came out to meet with him in the Valley of Shaveh, the "king's dale". Also, Melchizedek king of Salem (Jerusalem), a priest of El Elyon, brought out bread and wine and blessed Abram and God. Abram then gave Melchizedek a tenth of everything. The king of Sodom then offered to let Abram keep all the possessions if he would merely return his people. Abram declined to accept anything other than the share to which his allies were entitled.
Covenant of the pieces.
The voice of the Lord came to Abram in a vision and repeated the promise of the land and descendants as numerous as the stars. Abram and God made a covenant ceremony, and God told of the future bondage of Israel in Egypt. God described to Abram the land that his offspring would claim: the land of the Kenites, Kenizzites, Kadmonites, Hittites, Perizzites, Rephaims, Amorites, Canaanites, Girgashites, and Jebusites.
Hagar.
Abram and Sarai tried to make sense of how he would become a progenitor of nations, because after 10 years of living in Canaan, no child had been born. Sarai then offered her Egyptian slave, Hagar, to Abram with the intention that she would bear him a son.
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After Hagar found she was pregnant, she began to despise her mistress, Sarai. Sarai responded by mistreating Hagar, and Hagar fled into the wilderness. An angel spoke with Hagar at the fountain on the way to Shur. He instructed her to return to Abram's camp and that her son would be "a wild ass of a man; his hand shall be against every man, and every man's hand against him; and he shall dwell in the face of all his brethren." She was told to call her son Ishmael. Hagar then called God who spoke to her "El-roi", ("Thou God seest me:" KJV). From that day onward, the well was called Beer-lahai-roi, ("The well of him that liveth and seeth me." KJV margin), located between Kadesh and Bered. She then did as she was instructed by returning to her mistress in order to have her child. Abram was 86 years of age when Ishmael was born.
Sarah.
Thirteen years later, when Abram was 99 years of age, God declared Abram's new name: "Abraham" – "a father of many nations". Abraham then received the instructions for the covenant of the pieces, of which circumcision was to be the sign.
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God declared Sarai's new name: "Sarah", blessed her, and told Abraham, "I will give thee a son also of her". Abraham laughed, and "said in his heart, 'Shall a "child" be born unto him that is a hundred years old? and shall Sarah, that is ninety years old, bear [a child]?'" Immediately after Abraham's encounter with God, he had his entire household of men, including himself (age 99) and Ishmael (age 13), circumcised.
Three visitors.
Not long afterward, during the heat of the day, Abraham had been sitting at the entrance of his tent by the terebinths of Mamre. He looked up and saw three men in the presence of God. Then he ran and bowed to the ground to welcome them. Abraham then offered to wash their feet and fetch them a morsel of bread, to which they assented. Abraham rushed to Sarah's tent to order ash cakes made from choice flour, then he ordered a servant-boy to prepare a choice calf. When all was prepared, he set curds, milk and the calf before them, waiting on them, under a tree, as they ate.
One of the visitors told Abraham that upon his return next year, Sarah would have a son. While at the tent entrance, Sarah overheard what was said and she laughed to herself about the prospect of having a child at their ages. The visitor inquired of Abraham why Sarah laughed at bearing a child at her age, as nothing is too hard for God. Frightened, Sarah denied laughing.
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Abraham's plea.
After eating, Abraham and the three visitors got up. They walked over to the peak that overlooked the 'cities of the plain' to discuss the fate of Sodom and Gomorrah for their detestable sins that were so great, it moved God to action. Because Abraham's nephew was living in Sodom, God revealed plans to confirm and judge these cities. At this point, the two other visitors left for Sodom. Then Abraham turned to God and pleaded decrementally with Him (from fifty persons to less) that "if there were at least ten righteous men found in the city, would not God spare the city?" For the sake of ten righteous people, God declared that he would not destroy the city.
When the two visitors arrived in Sodom to conduct their report, they planned on staying in the city square. However, Abraham's nephew, Lot, met with them and strongly insisted that these two "men" stay at his house for the night. A rally of men stood outside of Lot's home and demanded that Lot bring out his guests so that they may "know" ( 5) them. However, Lot objected and offered his virgin daughters who had not "known" (v. 8) man to the rally of men instead. They rejected that notion and sought to break down Lot's door to get to his male guests, thus confirming the wickedness of the city and portending their imminent destruction.
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Early the next morning, Abraham went to the place where he stood before God. He "looked out toward Sodom and Gomorrah" and saw what became of the cities of the plain, where not even "ten righteous" (v. 18:32) had been found, as "the smoke of the land went up as the smoke of a furnace."
Abimelech.
Abraham settled between Kadesh and Shur in what the Bible anachronistically calls "the land of the Philistines". While he was living in Gerar, Abraham openly claimed that Sarah was his sister. Upon discovering this news, King Abimelech had her brought to him. God then came to Abimelech in a dream and declared that taking her would result in death because she was a man's wife. Abimelech had not laid hands on her, so he inquired if he would also slay a righteous nation, especially since Abraham had claimed that he and Sarah were siblings. In response, God told Abimelech that he did indeed have a blameless heart and that is why he continued to exist. However, should he not return the wife of Abraham back to him, God would surely destroy Abimelech and his entire household. Abimelech was informed that Abraham was a prophet who would pray for him.
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Early next morning, Abimelech informed his servants of his dream and approached Abraham inquiring as to why he had brought such great guilt upon his kingdom. Abraham stated that he thought there was no fear of God in that place, and that they might kill him for his wife. Then Abraham defended what he had said as not being a lie at all: "And yet indeed "she is" my sister; she "is" the daughter of my father, but not the daughter of my mother; and she became my wife." Abimelech returned Sarah to Abraham, and gave him gifts of sheep, oxen, and servants; and invited him to settle wherever he pleased in Abimelech's lands. Further, Abimelech gave Abraham a thousand pieces of silver to serve as Sarah's vindication before all. Abraham then prayed for Abimelech and his household, since God had stricken the women with infertility because of the taking of Sarah.
After living for some time in the land of the Philistines, Abimelech and Phicol, the chief of his troops, approached Abraham because of a dispute that resulted in a violent confrontation at a well. Abraham then reproached Abimelech due to his Philistine servant's aggressive attacks and the seizing of Abraham's Well. Abimelech claimed ignorance of the incident. Then Abraham offered a pact by providing sheep and oxen to Abimelech. Further, to attest that Abraham was the one who dug the well, he also gave Abimelech seven ewes for proof. Because of this sworn oath, they called the place of this well: Beersheba. After Abimelech and Phicol headed back to Philistia, Abraham planted a tamarisk grove in Beersheba and called upon "the name of the , the everlasting God."
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Isaac.
As had been prophesied in Mamre the previous year, Sarah became pregnant and bore a son to Abraham, on the first anniversary of the covenant of circumcision. Abraham was "an hundred years old", when his son whom he named Isaac was born; and he circumcised him when he was eight days old. For Sarah, the thought of giving birth and nursing a child, at such an old age, also brought her much laughter, as she declared, "God hath made me to laugh, so that all who hear will laugh with me." Isaac continued to grow and on the day he was weaned, Abraham held a great feast to honor the occasion. During the celebration, however, Sarah found Ishmael mocking; an observation that would begin to clarify the birthright of Isaac.
Ishmael.
Ishmael was fourteen years old when Abraham's son Isaac was born to Sarah. When she found Ishmael teasing Isaac, Sarah told Abraham to send both Ishmael and Hagar away. She declared that Ishmael would not share in Isaac's inheritance. Abraham was greatly distressed by his wife's words and sought the advice of his God. God told Abraham not to be distressed but to do as his wife commanded. God reassured Abraham that "in Isaac shall seed be called to thee." He also said Ishmael would make a nation, "because he is thy seed".
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Early the next morning, Abraham brought Hagar and Ishmael out together. He gave her bread and water and sent them away. The two wandered in the wilderness of Beersheba until her bottle of water was completely consumed. In a moment of despair, she burst into tears. After God heard the boy's voice, an angel of the Lord confirmed to Hagar that he would become a great nation, and will be "living on his sword". A well of water then appeared so that it saved their lives. As the boy grew, he became a skilled archer living in the wilderness of Paran. Eventually his mother found a wife for Ishmael from her home country, the land of Egypt.
Binding of Isaac.
At some point in Isaac's youth, Abraham was commanded by God to offer his son up as a sacrifice in the land of Moriah. The patriarch traveled three days until he came to the mount that God told him of. He then commanded the servants to remain while he and Isaac proceeded alone into the mount. Isaac carried the wood upon which he would be sacrificed. Along the way, Isaac asked his father where the animal for the burnt offering was, to which Abraham replied "God will provide himself a lamb for a burnt offering". Just as Abraham was about to sacrifice his son, he was interrupted by the angel of the Lord, and he saw behind him a "ram caught in a thicket by his horns", which he sacrificed instead of his son. The place was later named as Jehovah-jireh. For his obedience he received another promise of numerous descendants and abundant prosperity. After this event, Abraham went to Beersheba.
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Later years.
Sarah died, and Abraham buried her in the Cave of the Patriarchs (the "cave of Machpelah"), near Hebron which he had purchased along with the adjoining field from Ephron the Hittite. After the death of Sarah, Abraham took another wife, a concubine named Keturah, by whom he had six sons: Zimran, Jokshan, Medan, Midian, Ishbak, and Shuah. According to the Bible, reflecting the change of his name to "Abraham" meaning "a father of many nations", Abraham is considered to be the progenitor of many nations mentioned in the Bible, among others the Israelites, Ishmaelites, Edomites, Amalekites, Kenizzites, Midianites and Assyrians, and through his nephew Lot he was also related to the Moabites and Ammonites. Abraham lived to see Isaac marry Rebekah, and to see the birth of his twin grandsons Jacob and Esau. He died at age 175, and was buried in the cave of Machpelah by his sons Isaac and Ishmael.
Historical context.
Historicity.
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Origins of the narrative.
Abraham's story, like those of the other patriarchs, most likely had a substantial oral prehistory (he is mentioned in the Book of Ezekiel and the Book of Isaiah). As with Moses, Abraham's name is apparently very ancient, as the tradition found in the Book of Genesis no longer understands its original meaning (probably "Father is exalted" – the meaning offered in , "Father of a multitude", is a folk etymology). At some stage the oral traditions became part of the written tradition of the Pentateuch; a majority of scholars believe this stage belongs to the Persian period, roughly 520–320 BCE. The mechanisms by which this came about remain unknown, but there are currently at least two hypotheses. The first, called Persian Imperial authorisation, is that the post-Exilic community devised the Torah as a legal basis on which to function within the Persian Imperial system; the second is that the Pentateuch was written to provide the criteria for determining who would belong to the post-Exilic Jewish community and to establish the power structures and relative positions of its various groups, notably the priesthood and the lay "elders".
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The completion of the Torah and its elevation to the centre of post-Exilic Judaism was as much or more about combining older texts as writing new ones – the final Pentateuch was based on existing traditions. In the Book of Ezekiel, written during the Exile (i.e., in the first half of the 6th century BCE), Ezekiel, an exile in Babylon, tells how those who remained in Judah are claiming ownership of the land based on inheritance from Abraham; but the prophet tells them they have no claim because they do not observe Torah. The Book of Isaiah similarly testifies of tension between the people of Judah and the returning post-Exilic Jews (the "gôlâ"), stating that God is the father of Israel and that Israel's history begins with the Exodus and not with Abraham. The conclusion to be inferred from this and similar evidence (e.g., Ezra–Nehemiah), is that the figure of Abraham must have been preeminent among the great landowners of Judah at the time of the Exile and after, serving to support their claims to the land in opposition to those of the returning exiles.
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Amorite origin hypothesis.
According to Nissim Amzallag, the Book of Genesis portrays Abraham as having an Amorite origin, arguing that the patriarch's provenance from the region of Harran as described in associates him with the territory of the Amorite homeland. He also notes parallels between the biblical narrative and the Amorite migration into the Southern Levant in the 2nd millennium BCE. Likewise, some scholars like Daniel E. Fleming and Alice Mandell have argued that the biblical portrayal of the Patriarchs' lifestyle appears to reflect the Amorite culture of the 2nd millennium BCE as attested in texts from the ancient city-state of Mari, suggesting that the Genesis stories retain historical memories of the ancestral origins of some of the Israelites. Alan Millard argues that the name Abram is of Amorite origin and that it is attested in Mari as "ʾabī-rām". He also suggests that the Patriarch's name corresponds to a form typical of the Middle Bronze Age and not of later periods.
Canaanite origin hypothesis.
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The earliest possible reference to Abraham may be the name of a town in the Negev listed in the Bubastite Portal inscription of Pharaoh Sheshonq I (biblical Shishak), which is referred as "the Fortress of Abraham", suggesting the possible existence of an Abraham tradition in the 10th century BCE, though this reading has been disputed. Israel Finkelstein suggested that the oldest Abraham traditions originated in the Iron Age (monarchic period) and that they contained an autochthonous hero story, as the oldest mentions of Abraham outside the book of Genesis ( and ): do not have an indication of a Mesopotamian origin of Abraham and present only two main themes of the Abraham narrative in Genesis—land and offspring. Finkelstein considered Abraham as ancestor who was worshiped in Hebron, with the oldest tradition of him possibly being about the altar he built in Hebron.
Religious traditions.
Abraham is given a high position of respect in three major world faiths, Judaism, Christianity, and Islam. In Judaism, he is the founding father of the covenant, the special relationship between the Jewish people and God—leading to the belief that the Jews are the chosen people of God. In Christianity, Paul the Apostle taught that Abraham's faith in God—preceding the Mosaic law—made him the prototype of all believers, Jewish or gentile; and in Islam, he is seen as a link in the chain of prophets that begins with Adam and culminates in Muhammad.
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Judaism.
In Jewish tradition, Abraham is called "Avraham Avinu" (אברהם אבינו), "our father Abraham", signifying that he is both the biological progenitor of the Jews and the father of Judaism, the first Jew. His story is read in the weekly Torah reading portions, predominantly in the parashot: Lech-Lecha (לֶךְ-לְךָ), Vayeira (וַיֵּרָא), Chayei Sarah (חַיֵּי שָׂרָה), and Toledot (תּוֹלְדֹת).
Hanan bar Rava taught in Abba Arikha's name that Abraham's mother was named ʾĂmatlaʾy bat Karnebo. Hiyya bar Abba taught that Abraham worked in Teraḥ's idol shop in his youth.
In "Legends of the Jews", God created heaven and earth for the sake of the merits of Abraham. After the biblical flood, Abraham was the only one among the pious who solemnly swore never to forsake God, studied in the house of Noah and Shem to learn about the "Ways of God", continued the line of High Priest from Noah and Shem, and assigning the office to Levi and his seed forever. Before leaving his father's land, Abraham was miraculously saved from the fiery furnace of Nimrod following his brave action of breaking the idols of the Chaldeans into pieces. During his sojourning in Canaan, Abraham was accustomed to extend hospitality to travelers and strangers and taught how to praise God also knowledge of God to those who had received his kindness.
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Along with Isaac and Jacob, he is the one whose name would appear united with God, as God in Judaism was called "Elohei Abraham, Elohei Yitzchaq ve Elohei Ya'aqob" ("God of Abraham, God of Isaac, and God of Jacob") and never the God of anyone else. He was also mentioned as the father of thirty nations.
Christianity.
In Christianity, Abraham is revered as the prophet to whom God chose to reveal himself and with whom God initiated a covenant (cf. "Covenant Theology"). Paul the Apostle declared that all who believe in Jesus (Christians) are "included in the seed of Abraham and are inheritors of the promise made to Abraham." In , Abraham is praised for his "unwavering faith" in God, which is tied into the concept of partakers of the covenant of grace being those "who demonstrate faith in the saving power of Christ".
Throughout history, church leaders, following Paul, have emphasized Abraham as the spiritual father of all Christians. Augustine of Hippo declared that Christians are "children (or "seed") of Abraham by faith", Ambrose stated that "by means of their faith Christians possess the promises made to Abraham", and Martin Luther recalled Abraham as "a paradigm of the man of faith."
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The Roman Catholic Church, the largest Christian denomination, calls Abraham "our father in Faith" in the Eucharistic prayer of the Roman Canon, recited during the Mass. He is also commemorated in the calendars of saints of several denominations: on 20 August by the Maronite Church, 28 August in the Coptic Church and the Assyrian Church of the East (with the full office for the latter), and on 9 October by the Roman Catholic Church and the Lutheran Church–Missouri Synod. In the introduction to his 15th-century translation of the Golden Legend's account of Abraham, William Caxton noted that this patriarch's life was read in church on Quinquagesima Sunday.
He is the patron saint of those in the hospitality industry. The Eastern Orthodox Church commemorates him as the "Righteous Forefather Abraham", with two feast days in its liturgical calendar. The first time is on 9 October (for those churches which follow the traditional Julian Calendar, 9 October falls on 22 October of the modern Gregorian Calendar), where he is commemorated together with his nephew "Righteous Lot". The other is on the "Sunday of the Forefathers" (two Sundays before Christmas), when he is commemorated together with other ancestors of Jesus. Abraham is also mentioned in the Divine Liturgy of Basil the Great, just before the Anaphora, and Abraham and Sarah are invoked in the prayers said by the priest over a newly married couple. A popular hymn sung in many English-speaking Sunday Schools by children is known as "Father Abraham" and emphasizes the patriarch as the spiritual progenitor of Christians.
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Islam.
Islam regards (Abraham) as a link in the chain of prophets that begins with Adam and culminates in Muhammad via (Ishmael). Abraham is mentioned in 35 chapters of the Quran, more often than any other biblical personage apart from Moses. He is called both a (monotheist) and (one who submits), and Muslims regard him as a prophet and patriarch, the archetype of the perfect Muslim, and the revered reformer of the Kaaba in Mecca. Islamic tradition considers Abraham the first "pioneer of Islam" (which is also called , the 'religion of Abraham'), and that his purpose and mission throughout his life was to proclaim the oneness of God. In Islam, Abraham holds an exalted position among the major prophets and he is referred to as , meaning 'Friend of God'. Besides and (Isaac and Jacob), Abraham is among the most excellent and honorable men in the view of God. He is also mentioned in Quran as the "Father of Muslims", and is put forward as a role model for the community.
Druze.
The Druze regard Abraham as the third spokesman ("natiq") after Adam and Noah, who helped transmit the foundational teachings of monotheism ("tawhid") intended for the larger audience. He is also among the seven prophets who appeared in different periods of history according to the Druze faith.
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Mandaeism.
In Mandaeism, Abraham () is mentioned in of the "Right Ginza" as the patriarch of the Jewish people. Mandaeans consider Abraham to have been originally a Mandaean priest, however they differ with Abraham and Jews regarding circumcision which they consider to be bodily mutilation and therefore forbidden.
Baháʼí Faith.
Baháʼís considered Abraham as a Manifestation of God, and as the originator of monotheistic religion. ʻAbdu'l-Bahá states that Abraham was born in Mesopotamia, and Bahá'u'lláh states that the language which Abraham spoke, when "he crossed the Jordan", is Hebrew ("'Ibrání"), so "the language of the crossing." To ʻAbdu'l-Bahá, the Abraham was born to a family that was ignorant of the oneness of God. Abraham opposed his own people and government, and even his own kin, he rejected all their gods, and, alone and single-handed, he withstood a powerful nation. These people believed not in one God but in many gods, to whom they ascribed miracles, and hence they all rose up against Abraham. No one supported him except his nephew Lot and "one or two other individuals of no consequence". At last the intensity of his enemies' opposition obliged him, utterly wronged, to forsake his native land. Abraham then came to "these regions", that is, to the Holy Land. To Bahá'u'lláh, the "Voice of God" commanded Abraham to offer up Ishmael as a sacrifice, so that his steadfastness in the faith of God and his detachment from all else but him may be demonstrated unto men. The purpose of God, moreover, was to sacrifice him as a ransom for the sins and iniquities of all the peoples of the earth.
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In the Baháʼí texts, like the Islamic texts, Abraham is often referred to as "the Friend of God". 'Abdu'l-Bahá described Abraham as the founder of monotheism.
ʻAbdu'l-Bahá also suggested the "holy manifestations who have been the sources or founders of the various religious systems" were united and agreed in purpose and teaching, and the Abraham, Moses, Zoroaster, the Buddha, Jesus, Muhammad, the Báb and Bahá'u'lláh are one in "spirit and reality".
Artistic depictions.
Painting and sculpture.
Paintings on the life of Abraham tend to focus on only a few incidents: the sacrifice of Isaac; meeting Melchizedek; entertaining the three angels; Hagar in the desert; and a few others. Additionally, Martin O'Kane, a professor of Biblical Studies, writes that the parable of Lazarus resting in the "Bosom of Abraham", as described in the Gospel of Luke, became an iconic image in Christian works. According to O'Kane, artists often chose to divert from the common literary portrayal of Lazarus sitting next to Abraham at a banquet in Heaven and instead focus on the "somewhat incongruous notion of Abraham, the most venerated of patriarchs, holding a naked and vulnerable child in his bosom". Several artists have been inspired by the life of Abraham, including Albrecht Dürer (1471–1528), Caravaggio (1573–1610), Donatello, Raphael, Philip van Dyck (Dutch painter, 1680–1753), and Claude Lorrain (French painter, 1600–1682). Rembrandt (Dutch, 1606–1669) created at least seven works on Abraham, Peter Paul Rubens (1577–1640) did several, Marc Chagall did at least five on Abraham, Gustave Doré (French illustrator, 1832–1883) did six, and James Tissot (French painter and illustrator, 1836–1902) did over twenty works on the subject.
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The Sarcophagus of Junius Bassus depicts a set of biblical stories, including Abraham about to sacrifice Isaac. These sculpted scenes are on the outside of a marble Early Christian sarcophagus used for the burial of Junius Bassus. He died in 359. This sarcophagus has been described as "probably the single most famous piece of early Christian relief sculpture." The sarcophagus was originally placed in or under Old St. Peter's Basilica, was rediscovered in 1597, and is now below the modern basilica in the Museo Storico del Tesoro della Basilica di San Pietro (Museum of St. Peter's Basilica) in the Vatican. The base is approximately .
George Segal created figural sculptures by molding plastered gauze strips over live models in his 1987 work "Abraham's Farewell to Ishmael". The human condition was central to his concerns, and Segal used the Old Testament as a source for his imagery. This sculpture depicts the dilemma faced by Abraham when Sarah demanded that he expel Hagar and Ishmael. In the sculpture, the father's tenderness, Sarah's rage, and Hagar's resigned acceptance portray a range of human emotions. The sculpture was donated to the Miami Art Museum after the artist's death in 2000.
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Christian iconography.
Abraham can sometimes be identified by the context of the image the meeting with Melchizedek, , or . In solo portraits a sword or knife may be used as his accessory, as in by Giovanni Maria Morlaiter or by Lorenzo Monaco.
As early as the beginning of the 3rd century, Christian art followed Christian typology in making the sacrifice of Isaac a foreshadowing of Christ's sacrifice on the cross, and its memorial in the sacrifice of the Mass. See for example engraved with Abraham's and other sacrifices taken to prefigure that of Christ in the Eucharist.
Some early Christian writers interpreted the three visitors as the triune God. Thus in Santa Maria Maggiore, Rome, portrays only the visitors against a gold ground and puts semitransparent copies of them in the "heavenly" space above the scene. In Eastern Orthodox art, the visit is the chief means by which the Trinity is pictured (). Some images do not include Abraham and Sarah, like Andrei Rublev's "Trinity", which shows only the three visitors as beardless youths at a table.
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Literature.
"Fear and Trembling" (original Danish title: ) is an influential philosophical work by Søren Kierkegaard, published in 1843 under the pseudonym ("John the Silent"). Kierkegaard wanted to understand the anxiety that must have been present in Abraham when God asked him to sacrifice his son. W. G. Hardy's novel "Father Abraham" (1935) tells the fictionalized life story of Abraham. In her short story collection "Sarah and After", Lynne Reid Banks tells the story of Abraham and Sarah, with an emphasis on Sarah's view of events.
Music.
In 1681, Marc-Antoine Charpentier released a Dramatic motet (Oratorio), ' H.402 – 402 a – 402 b, for soloists, chorus, doubling instruments and continuo. Sébastien de Brossard composed a cantata ' between 1703 and 1708.
In 1994, Steve Reich released an opera named "The Cave". The title refers to the Cave of the Patriarchs. The narrative of the opera is based on the story of Abraham, and his immediate family, as it is recounted in religious texts, and understood by individuals from different cultures and religious traditions.
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The eponymous track on Bob Dylan's 1965 album "Highway 61 Revisited" contains five stanzas, with someone in each describing an unusual problem that is ultimately resolved on Highway 61. In the first stanza, God tells Abraham to "kill me a son". God wants the killing done on Highway 61. "Abram", the birth name of Abraham, is also the name of Dylan's father. In 2004, "Rolling Stone" magazine ranked "Highway 61 Revisited" at number 364 in their 500 Greatest Songs of All Time.
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Abraxas
Abraxas (, variant form ) is a word of mystic meaning in the system of the Gnostic Basilides, being there applied to the "Great Archon" (), the princeps of the 365 spheres (). The word is found in Gnostic texts such as the "Holy Book of the Great Invisible Spirit" and the Apocalypse of Adam, and also appears in the Greek Magical Papyri. It was engraved on certain antique gemstones, called on that account Abraxas stones, which were used as amulets or charms. As the initial spelling on stones was (), the spelling of seen today probably originates in the confusion made between the Greek letters sigma (Σ) and xi (Ξ) in the Latin transliteration.
The seven letters spelling its name may represent each of the seven classic planets. The word may be related to "Abracadabra", although other explanations exist.
There are similarities and differences between such figures in reports about Basilides's teaching, ancient Gnostic texts, the larger Greco-Roman magical traditions, and modern magical and esoteric writings. Speculations have proliferated on Abraxas in recent centuries, which has been claimed to be both an Egyptian god and a demon.
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Etymology.
Gaius Julius Hyginus ("Fab". 183) gives "Abrax Aslo Therbeeo" as names of horses of the sun mentioned by 'Homerus'. The passage is miserably corrupt, but it may not be accidental that the first three syllables make Abraxas.
The proper form of the name is evidently "Abrasax", as with the Greek writers, Hippolytus, Epiphanius, Didymus ("De Trin". iii. 42), and Theodoret; also Augustine and "Praedestinatus"; and in nearly all the legends on gems. By a probably euphonic inversion the translator of Irenaeus and the other Latin authors have "Abraxas", which is found in the magical papyri, and even, though most sparingly, on engraved stones.
The attempts to discover a derivation for the name, Greek, Hebrew, Coptic, or other, have not been entirely successful:
Egyptian.
Chuvash linguists, the word was translated as Ouroboros
Greek.
Perhaps the word may be included among those mysterious expressions discussed by Adolf von Harnack, "which belong to no known speech, and by their singular collocation of vowels and consonants give evidence that they belong to some mystic dialect, or take their origin from some supposed divine inspiration".
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The Egyptian author of the book "De Mysteriis" in reply to Porphyry (vii. 4) admits a preference of 'barbarous' to vernacular names in sacred things, urging a peculiar sanctity in the languages of certain nations, as the Egyptians and Assyrians; and Origen ("Contra Cels". i. 24) refers to the 'potent names' used by Egyptian sages, Persian Magi, and Indian Brahmins, signifying deities in the several languages.
Sources.
It is uncertain what the actual role and function of Abraxas was in the Basilidian system, as our authorities (see below) often show no direct acquaintance with the doctrines of Basilides himself.
As an archon.
In the system described by Irenaeus, "the Unbegotten Father" is the progenitor of "Nous" "Discerning Mind"; "Nous" produced "Logos" "Word, Reason"; "Logos" produced "Phronesis" "Mindfulness"; "Phronesis" produced "Sophia" "Wisdom" and "Dynamis" "Potentiality"; "Sophia" and "Dynamis" produced the principalities, powers, and angels, the last of whom create "the first heaven". They, in turn, originate a second series, who create a second heaven. The process continues in like manner until 365 heavens are in existence, the angels of the last or visible heaven being the authors of our world. "The ruler" ["principem", i.e., probably "ton archonta"] of the 365 heavens "is Abraxas, and for this reason he contains within himself 365 numbers".
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The name occurs in the "Refutation of All Heresies" (vii. 26) by Hippolytus, who appears in these chapters to have followed the "Exegetica" of Basilides. After describing the manifestation of the Gospel in the Ogdoad and Hebdomad, he adds that the Basilidians have a long account of the innumerable creations and powers in the several 'stages' of the upper world ("diastemata"), in which they speak of 365 heavens and say that "their great archon" is Abrasax, because his name contains the number 365, the number of the days in the year; i.e. the sum of the numbers denoted by the Greek letters in ΑΒΡΑΣΑΞ according to the rules of isopsephy is 365:
As a god.
Epiphanius ("Haer". 69, 73 f.) appears to follow partly Irenaeus, partly the lost Compendium of Hippolytus. He designates Abraxas more distinctly as "the power above all, and First Principle", "the cause and first archetype" of all things; and mentions that the Basilidians referred to 365 as the number of parts ("mele") in the human body, as well as of days in the year.
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The author of the appendix to Tertullian "De Praescr. Haer". (c. 4), who likewise follows Hippolytus's Compendium, adds some further particulars; that 'Abraxas' gave birth to Mind ("nous"), the first in the series of primary powers enumerated likewise by Irenaeus and Epiphanius; that the world, as well as the 365 heavens, was created in honour of 'Abraxas'; and that Christ was sent not by the Maker of the world but by 'Abraxas'.
Nothing can be built on the vague allusions of Jerome, according to whom 'Abraxas' meant for Basilides "the greatest God" ("De vir. ill". 21), "the highest God" ("Dial. adv. Lucif". 23), "the Almighty God" ("Comm. in Amos" iii. 9), and "the Lord the Creator" ("Comm. in Nah". i. 11). The notices in Theodoret ("Haer. fab". i. 4), Augustine ("Haer". 4), and 'Praedestinatus' (i. 3), have no independent value.
It is evident from these particulars that Abrasax was the name of the first of the 365 Archons, and accordingly stood below Sophia and Dynamis and their progenitors; but his position is not expressly stated, so that the writer of the supplement to Tertullian had some excuse for confusing him with "the Supreme God".
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As an aeon.
With the availability of primary sources, such as those in the Nag Hammadi library, the identity of Abraxas remains unclear. The "Holy Book of the Great Invisible Spirit", for instance, refers to Abraxas as an Aeon dwelling with Sophia and other Aeons of the Pleroma in the light of the luminary Eleleth. In several texts, the luminary Eleleth is the last of the luminaries (Spiritual Lights) that come forward, and it is the Aeon Sophia, associated with Eleleth, who encounters darkness and becomes involved in the chain of events that leads to the Demiurge's rule of this world, and the salvage effort that ensues. As such, the role of Aeons of Eleleth, including Abraxas, Sophia, and others, pertains to this outer border of the Pleroma that encounters the ignorance of the world of Lack and interacts to rectify the error of ignorance in the world of materiality.
In the Apocalypse of Adam, Abrasax is sent along with Sablo and Gamaliel to bring some of the Gnostic people "out of the fire and the wrath, and take them above the aeons and the rulers of the powers, and take them away [...] of life [...] and take them away [...] aeons [...] dwelling place of the great [...] there, with the holy angels and the aeons. The men will be like those angels, for they are not strangers to them."
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As a demon.
The Catholic church later deemed Abraxas a pagan god, and ultimately branded him a demon as documented in J. Collin de Plancy's "Infernal Dictionary", Abraxas (or Abracax) is labeled the "supreme God" of the Basilidians, whom he describes as "heretics of the second century". He further indicated the Basilidians attributed to Abraxas the rule over "365 skies" and "365 virtues". In a final statement on Basilidians, de Plancy states that their view was that Jesus Christ was merely a "benevolent ghost sent on Earth by Abraxas".
Abraxas stones.
A vast number of engraved stones are in existence, to which the name "Abraxas-stones" has long been given. One particularly fine example was included as part of the Thetford treasure from fourth century Norfolk, England. The subjects are mythological, and chiefly grotesque, with various inscriptions, in which ΑΒΡΑΣΑΞ often occurs, alone or with other words. Sometimes the whole space is taken up with the inscription. In certain obscure magical writings of Egyptian origin ἀβραξάς or ἀβρασάξ is found associated with other names which frequently accompany it on gems; it is also found on the Greek metal tesseræ among other mystic words. The meaning of the legends is seldom intelligible: but some of the gems are amulets; and the same may be the case with nearly all.
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Anguipede.
In a great majority of instances the name Abraxas is associated with a singular composite figure, having a Chimera-like appearance somewhat resembling a basilisk or the Greek primordial god Chronos (not to be confused with the Greek titan Cronus). According to E. A. Wallis Budge, "as a Pantheus, i.e. All-God, he appears on the amulets with the head of a cock (Phœbus) or of a lion (Ra or Mithras), the body of a man, and his legs are serpents which terminate in scorpions, types of the Agathodaimon. In his right hand he grasps a club, or a flail, and in his left is a round or oval shield." This form was also referred to as the Anguipede. Budge surmised that Abrasax was "a form of the Adam Kadmon of the Kabbalists and the Primal Man whom God made in His own image".
Some parts at least of the figure mentioned above are solar symbols, and the Basilidian Abrasax is manifestly connected with the sun. J. J. Bellermann has speculated that "the whole represents the Supreme Being, with his Five great Emanations, each one pointed out by means of an expressive emblem. Thus, from the human body, the usual form assigned to the Deity, forasmuch as it is written that God created man in his own image, issue the two supporters, "Nous" and "Logos", symbols of the inner sense and the quickening understanding, as typified by the serpents, for the same reason that had induced the old Greeks to assign this reptile for an attribute to Pallas. His head—a cock's—represents "Phronesis", the fowl being emblematical of foresight and vigilance. His two hands bear the badges of "Sophia" and "Dynamis", the shield of Wisdom, and the scourge of Power."
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Origin.
In the absence of other evidence to show the origin of these curious relics of antiquity the occurrence of a name known as Basilidian on patristic authority has not unnaturally been taken as a sufficient mark of origin, and the early collectors and critics assumed this whole group to be the work of Gnostics. During the last three centuries attempts have been made to sift away successively those gems that had no claim to be considered in any sense Gnostic, or specially Basilidian, or connected with Abrasax. The subject is one which has exercised the ingenuity of many savants, but it may be said that all the engraved stones fall into three classes:
While it would be rash to assert positively that no existing gems were the work of Gnostics, there is no valid reason for attributing all of them to such an origin. The fact that the name occurs on these gems in connection with representations of figures with the head of a cock, a lion, or an ass, and the tail of a serpent was formerly taken in the light of what Irenaeus says about the followers of Basilides:
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Incantations by mystic names were characteristic of the hybrid Gnosticism planted in Spain and southern Gaul at the end of the fourth century and at the beginning of the fifth, which Jerome connects with Basilides and which (according to his "Epist"., lxxv.) used the name Abraxas.
It is therefore not unlikely that some Gnostics used amulets, though the confident assertions of modern writers to this effect rest on no authority. Isaac de Beausobre properly calls attention to the significant silence of Clement in the two passages in which he instructs the Christians of Alexandria on the right use of rings and gems, and the figures which may legitimately be engraved on them ("Paed". 241 ff.; 287 ff.). But no attempt to identify the figures on existing gems with the personages of Gnostic mythology has had any success, and "Abraxas" is the only Gnostic term found in the accompanying legends that is not known to belong to other religions or mythologies. The present state of the evidence therefore suggests that their engravers and the Basilidians received the mystic name from a common source now unknown.
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Magical papyri.
Having due regard to the magic papyri, in which many of the unintelligible names of the Abrasax-stones reappear, besides directions for making and using gems with similar figures and formulas for magical purposes, it can scarcely be doubted that many of these stones are pagan amulets and instruments of magic.
The magic papyri reflect the same ideas as the Abrasax-gems and often bear Hebraic names of God. The following example is illustrative: "I conjure you by Iaō Sabaōth Adōnai Abrasax, and by the great god, Iaeō". The patriarchs are sometimes addressed as deities; for which fact many instances may be adduced. In the group "Iakoubia, Iaōsabaōth Adōnai Abrasax", the first name seems to be composed of Jacob and Ya. Similarly, entities considered angels in Judaism are invoked as gods alongside Abrasax: thus "I conjure you ... by the god Michaēl, by the god Souriēl, by the god Gabriēl, by the god Raphaēl, by the god Abrasax Ablathanalba Akrammachari ...".
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One papyrus titled the "Monad" or the "Eighth Book of Moses" (PGM XIII. 1–343) contains an invocation to a supreme creator God; Abraxas is given as being the name of this God in the language of the baboons. The papyrus goes on to describe a cosmogonic myth about Abraxas, describing how he created the Ogdoad by laughing. His first laughter created light; his second divided the primordial waters; his third created the mind; his fourth created fertility and procreation; his fifth created fate; his sixth created time (as the sun and moon); and his seventh and final laughter created the soul. Then, from various sounds made by Abrasax, there arose the serpent Python who "foreknew all things", the first man (or Fear), and the god Iaō, "who is lord of all". The man fought with Iaō, and Abrasax declared that Iaō's power would derive from both of the others, and that Iaō would take precedence over all the other gods. This text also describes Helios as an archangel of God/Abrasax.
The Leyden Papyrus recommends that this invocation be pronounced to the moon:
The magic word "Ablanathanalba", which reads in Greek the same backward as forward, also occurs in the Abraxas-stones as well as in the magic papyri. This word is usually conceded to be derived from the Hebrew (Aramaic), meaning "Thou art our father" (אב לן את), and also occurs in connection with Abraxas; the following inscription is found upon a metal plate in the Karlsruhe Museum:
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Absalom
Absalom ( , ), according to the Hebrew Bible, was an Israelite prince. Born to David and Maacah, who was from Geshur, he was the only full sibling of Tamar. He is described in the Hebrew Bible as being exceptionally beautiful, as is his sister. In the narrative of 2 Samuel 13, his sister Tamar takes refuge at his house after she is raped by their paternal half-brother Amnon (born to David and Ahinoam, who was from Jezreel); David is angered by the incident, but does nothing, as Amnon is his heir apparent. Infuriated by the rape and David's inaction, Absalom assassinates Amnon and subsequently flees to Geshur, which is ruled by his and Tamar's maternal grandfather Talmai.
Following three years in exile, he returns to Israel and rallies popular support against the House of David. A war ensues when Absalom's rebels mobilize at Hebron and begin fighting David's army in an attempt to overthrow him, but their revolt ends in failure when Absalom is killed by David's nephew and army commander Joab during the Battle of the Wood of Ephraim. In the aftermath of his death, Absalom's sister is described as being left "a desolate woman in her brother's house" and the sole guardian of his orphaned daughter, who is also named Tamar.
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Biblical narrative.
Background.
Absalom, David's third son, by Maacah, was born in Hebron. At an early age, he moved, along with the transfer of the capital, to Jerusalem, where he spent most of his life. He was a great favorite of his father and of the people. His charming manners, personal beauty, insinuating ways, love of pomp, and royal pretensions captivated the hearts of the people from the beginning. He lived in great style, drove in a magnificent chariot, and had fifty men run before him.
Little is known of Absalom's family life, but the biblical narrative states that he had three sons and one daughter, Tamar, who is described as a beautiful woman. From the language of 2 Samuel 18:18, Absalom states, "I have no son to keep my name in remembrance". It may be that his sons died before his statement, or, as Matthew Henry suggests, Absalom's three sons may have been born "after" his statement.
Aside from his daughter Tamar, Absalom had another daughter or granddaughter, Maacah, who later became the favorite wife of Rehoboam. Maacah was the mother of Abijah of Judah and the grandmother of Asa of Judah. She served as queen mother for Asa until he deposed her for idolatry.
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Murder of Amnon.
Absalom also had a sister named Tamar, who was raped by her half-brother Amnon, David's eldest son. Absalom waited two years after the rape for vengeance, sending his servants to murder a drunken Amnon at a feast to which Absalom had invited all of King David's sons.
After this murder, Absalom fled to his maternal grandfather Talmai, the king of Geshur. Not until three years later was Absalom fully reinstated in David's favour and finally returned to Jerusalem.
The revolt at Hebron.
In Jerusalem, Absalom built support for himself by speaking to those who came to King David for justice, saying, "See, your claims are good and right; but there is no one deputed by the king to hear you", perhaps reflecting flaws in the judicial system of the united monarchy. "If only I were the judge of the land! Then all who had a suit or cause might come to me, and I would give them justice." He made gestures of flattery by kissing those who bowed before him instead of accepting supplication. He "stole the hearts of the people of Israel".
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After four years, he declared himself king, raised a revolt at Hebron, the former capital, and publicly raped his father's ten concubines. It is said that this was God punishing David for his sin with Bathsheba tenfold. All Israel and Judah flocked to him, and David, attended only by the Cherethites and Pelethites and his former bodyguard, which had followed him from Gath, found it expedient to flee. The priests Zadok and Abiathar remained in Jerusalem, and their sons Jonathan and Ahimaaz served as David's spies. Absalom reached the capital and consulted with the renowned Ahitophel (sometimes spelled Achitophel). It is also speculated that Ahitophel could have joined Absalom's cause as David had previously committed adultery with his granddaughter, Bathsheba.
David took refuge from Absalom's forces beyond the Jordan River. However, he took the precaution of instructing a servant, Hushai, to infiltrate Absalom's court and subvert it. Once in place, Hushai convinced Absalom to ignore Ahitophel's advice to attack his father while he was on the run, and instead to prepare his forces for a major attack. This gave David critical time to prepare his own troops for the battle. When Ahitophel saw that his advice was not followed, he committed suicide by hanging himself.
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Battle of Ephraim's Wood.
A fateful battle was fought in the Wood of Ephraim (the name suggests a locality west of the Jordan) and Absalom's army was completely routed. When Absalom fled from David's army, his head was caught in the boughs of an oak tree as the mule he was riding ran beneath it. He was discovered there still alive by one of David's men, who reported this to Joab, the king's commander. Joab, accustomed to avenging himself, took this opportunity to even the score with Absalom. Absalom had once set Joab's field of barley on fire and then made Amasa Captain of the Host instead of Joab. Killing Absalom was against David's explicit command, "Beware that none touch the young man Absalom". Joab injured Absalom with three darts through the heart and Absalom was subsequently killed by ten of Joab's armor-bearers.
When David heard that Absalom was killed, although not how he was killed, he greatly sorrowed.
David withdrew to the city of Mahanaim in mourning, until Joab roused him from "the extravagance of his grief" and called on him to fulfill his duty to his people.
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Memorial.
Absalom had erected a monument near Jerusalem to perpetuate his name:
An ancient monument in the Kidron Valley near the Old City of Jerusalem, known as the Tomb of Absalom or Absalom's Pillar and traditionally identified as the monument of the biblical narrative, is now dated by modern archeologists to the first century AD. The Jewish Encyclopedia reports: "A tomb twenty feet high and twenty-four feet square, which late tradition points out as the resting-place of Absalom. It is situated in the eastern part of the valley of Kidron, to the east of Jerusalem. In all probability it is the tomb of Alexander Jannæus (Conder, in Hastings' "Dict. Bible", article "Jerusalem", p. 597). It existed in the days of Josephus. However, archaeologists have now dated the tomb to the 1st century AD. In a 2013 conference, Professor Gabriel Barkay suggested that it could be the tomb of Herod Agrippa I, the grandson of Herod the Great, based in part on the similarity to Herod's newly discovered tomb at Herodium. For centuries, it was the custom among passers-by—Jews, Christians and Muslims—to throw stones at the monument. Residents of Jerusalem would bring their unruly children to the site to teach them what became of a rebellious son.
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Rabbinic literature.
The explanation in Rabbanic Literature about why Ahithophel had advised Absalom to act against his father: The Talmud speaks of this counsellor of David as "a man, like Balaam, whose great wisdom was not received in humility as a gift from heaven, and so became a stumbling block to him." He was "one of those who, while casting longing eyes upon things not belonging to them, also lose the things they possess." Accordingly, Ahithophel was granted access by Almighty God into the Divine powers of God. And being thus familiar with Divine wisdom and knowledge as imparted through the Holy Spirit, he was consulted as an oracle like the Urim and Thummim. "..and great as was his wisdom, it was equalled by his scholarship. Therefore, David did not hesitate to submit himself to his instruction, even though Ahithophel was a very young
man at his death, not more than thirty-three years old. The one thing lacking in him was sincere piety, which proved his undoing in the end, for it induced him to participate in Absalom's rebellion against David. Thus, he forfeited even his share in the world to come.
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To this dire course of action, he was misled by astrology and other signs, which he interpreted as prophecies of his kingship when in reality, they pointed to the royal destiny of his granddaughter Bath-sheba. Possessed by his erroneous belief, he cunningly urged Absalom to commit an unheard-of crime. Thus, Absalom would profit nothing by his rebellion, for, though he accomplished his father's ruin, he would yet be held to account and condemned to death for his violation of family purity, and the way to the throne would be clear for Ahithophel, the great sage in Israel."
The life and death of Absalom offered to the rabbis a welcome theme wherewith to warn the people against false ambition, vainglory, and unfilial conduct. The vanity with which he displayed his beautiful hair, the rabbis say, became his snare and his stumbling-block. "By his long hair the Nazirite entangled the people to rebel against his father, and by it he himself became entangled, to fall a victim to his pursuers". And again, elsewhere: "By his vile stratagem he deceived and stole three hearts, that of his father, of the elders, and finally of the whole nation of Israel, and for this reason three darts were thrust into his heart to end his treacherous life". More striking is the following: "Did one ever hear of an oak-tree having a heart? And yet in the oak-tree in whose branches Absalom was caught, we read that upon its heart he was held up still alive while the darts were thrust through him. This is to show that when a man becomes so heartless as to make war against his own father, nature itself takes on a heart to avenge the deed."
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"The knowledge that a part of Absalom's following sided with him in secret,--that, though he was pursued by his son, his friends remained true to him,--somewhat consoled David in his distress. He thought that in these circumstances, if the worst came to the worst, Absalom would at least feel pity for him. At first, however, the despair of David knew no bounds. He was on the point of worshipping an idol, when his friend Hushai the Archite approached him, saying: "The people will wonder that such a king should serve idols." David replied: "Should a king such as I am be killed by his own son? It is better for me to serve idols than that God should be held responsible for my misfortune, and His Name thus be desecrated." Hushai reproached him: "Why didst thou marry a captive?" "There is no wrong in that," replied David, "it is permitted according to the law." Thereupon Hushai: "But thou didst disregard the connection between the passage permitting it and the one that follows almost immediately after it in the Scriptures, dealing with the disobedient and rebellious son, the natural issue of such a marriage." Absalom's end was beset with terrors. When he was caught in the branches of the oak-tree, he was about to sever his hair with a sword stroke, but suddenly he saw hell yawning beneath him, and he preferred to hang in the tree to throwing himself into the abyss alive. Absalom's crime was, indeed, of a nature to deserve the supreme torture, for which reason he is one of the few Jews who have no portion in the world to come.
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Popular legend states that the eye of Absalom was of immense size, signifying his insatiable greed. Indeed, "hell itself opened beneath him, and David, his father, cried seven times: 'My son! my son!' while bewailing his death, praying at the same time for his redemption from the seventh section of Gehenna, to which he was consigned". According to R. Meir, "he has no share in the life to come". And according to the description of Gehenna by Joshua ben Levi, who, like Dante, wandered through hell under the guidance of the angel Duma, Absalom still dwells there, having the rebellious heathen in charge; and when the angels with their fiery rods run also against Absalom to smite him like the rest, a heavenly voice says: "Spare Absalom, the son of David, My servant." "That the extreme penalties of hell were thus averted from him, was on account of David's eightfold repetition of his son's name in his lament over him. Besides, David's intercession had the effect of re-attaching Absalom's severed head to his body.
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was on account of David's eightfold repetition of his son's name in his lament over him. Besides, David's intercession had the effect of re-attaching Absalom's severed head to his body. The walls are of silver and gold, and a perfume breathes through it more exquisite than the perfume of Lebanon. And beds of silver and gold are there prepared, covered with violet and purple covers, woven by Eve, and mixed with scarlet and made of hair of goats, woven by angels. Here dwell the Messiah and Elijah in a palanquin of the wood of Lebanon; the pillars thereof of silver, the bottom thereof of gold, the seat of it of purple. Herein lieth the Messiah, the son of David, who is the love of the daughters of Jerusalem, the midst thereof is love.
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Herein lieth the Messiah, the son of David, who is the love of the daughters of Jerusalem, the midst thereof is love. King David’s prayers granted his rebellious son Avshalom access to the World to Come At his death Absalom was childless, for all his children, his three sons and his daughter, died before him, as a punishment for his having set fire to a field of grain belonging to Joab." Although Absalom avenged his sister defilement by Amnon ironically he proved himself not to be very much different from Amnon. As Amnon had sought the advice of Jonadab in order to rape Tamar, Absalom had sought the advice of Ahitophel who advised Absalom to have incestuous relations with his father's concubines in order to show all Israel how odious he was to his father [2 Samuel 16:20] .Likewise as Amnon had brought two curses on himself for incest with his half sister and failing to fulfill the Torah Law, Absalom brought four curses on himself for dishonoring his father; relations with his father's wives [concubines]; and failing to fulfill the Torah Law twice.
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Absalom brought four curses on himself for dishonoring his father; relations with his father's wives [concubines]; and failing to fulfill the Torah Law twice. [Deuteronomy 27:20 26] The Rabbis explain that the concubines were not punished by G-d. They were violated by Absalom. Absalom with his own free will, choose to do that. It is true G-d created a world where we humans can choose good or evil, but the choice in the end remains ours. Although G-d had told David that his wives would be taken, he did not ordain or force Absalom to violate them. He just foretold it. Is A lesson to be learned of the consequences from Absalom life is that his lust for power was so deep that he engaged in acts of chillul hashem and brought upon himself 4 curses from the Torah? (Dishonoring his father by his revolt; dishonoring his father's wives; and twice bring curses on himself for not fulfilling the Torah law)?Yes. He was a prince who could had almost anything. The only things he wanted were things he could not have. He lusted after his sister and his father's throne. The only things he wanted were things he could not have. He lusted after his sister and his father's throne. Wealth is not determined by possessions but by mindset. In his mind, Absalom was a pauper. He only looked at what he did not have.
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Abydos
Abydos may refer to:
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Abydos, Egypt
Abydos ( or ; Sahidic ') is one of the oldest cities of ancient Egypt, and also of the eighth nome in Upper Egypt. It is located about west of the Nile at latitude 26° 10' N, near the modern Egyptian towns of El Araba El Madfuna and El Balyana. In the ancient Egyptian language, the city was called Abedju"' ("ꜣbḏw" or "AbDw")(Arabic Abdu عبد-و).
The English name "Abydos" comes from the Greek , a name borrowed by Greek geographers from the unrelated city of Abydos on the Hellespont.
Considered one of the most important archaeological sites in Egypt, the sacred city of Abydos was the site of many ancient temples, including Umm el-Qa'ab, a royal necropolis where early pharaohs were entombed. These tombs began to be seen as extremely significant burials and in later times it became desirable to be buried in the area, leading to the growth of the town's importance as a cult site.
Today, Abydos is notable for the memorial temple of Seti I, which contains an inscription from the Nineteenth Dynasty known to the modern world as the Abydos King List. This is a chronological list showing cartouches of most dynastic pharaohs of Egypt from Menes until Seti I's father, Ramesses I. It is also notable for the Abydos graffiti, ancient Phoenician and Aramaic graffiti found on the walls of the Temple of Seti I.
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The Great Temple and most of the ancient town are buried under the modern buildings to the north of the Seti temple. Many of the original structures and the artifacts within them are considered irretrievable and lost; many may have been destroyed by the new construction.
History.
Most of Upper Egypt became unified under rulers from Abydos during the Naqada III period (3200–3000 BCE), at the expense of rival cities such as Nekhen. The conflicts leading to the supremacy of Abydos may appear on numerous reliefs of the Naqada II period, such as the Gebel el-Arak Knife, or the frieze of Tomb 100 at Hierakonpolis.
Tombs and at least one temple of rulers of the Predynastic period have been found at Umm El Qa'ab including that of Narmer, dating to . The temple and town continued to be rebuilt at intervals down to the times of the Thirtieth Dynasty, and the cemetery was in continuous use.
The pharaohs of the First Dynasty were buried in Abydos, including Narmer, who is regarded as the founder of the First Dynasty, and his successor, Aha. It was in this time period that the Abydos boats were constructed. Some pharaohs of the Second Dynasty were also buried in Abydos. The temple was renewed and enlarged by these pharaohs as well. Funerary enclosures, misinterpreted in modern times as great 'forts', were built on the desert behind the town by three kings of the Second Dynasty; the most complete is that of Khasekhemwy, the Shunet El Zebib.
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From the Fifth Dynasty, the deity Khentiamentiu, "foremost of the Westerners", came to be seen as a manifestation of the dead pharaoh in the underworld. Pepi I (Sixth Dynasty) constructed a funerary chapel which evolved over the years into the Great Temple of Osiris, the ruins of which still exist within the town enclosure. Abydos became the centre of the worship of the Isis and Osiris cult.
During the First Intermediate Period, the principal deity of the area, Khentiamentiu, began to be seen as an aspect of Osiris, and the deities gradually merged and came to be regarded as one. Khentiamentiu's name became an epithet of Osiris. King Mentuhotep II was the first to build a royal chapel. In the Twelfth Dynasty a gigantic tomb was cut into the rock by Senusret III. Associated with this tomb was a cenotaph, a cult temple and a small town known as "Wah-Sut", that was used by the workers for these structures. Next to the cenotaph at least two kings of the Thirteenth Dynasty were buried (in tombs S9 and S10) as well as some rulers of the Second Intermediate Period, such as Senebkay. An indigenous line of kings, the Abydos Dynasty, may have ruled the region from Abydos at the time.
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New construction during the Eighteenth Dynasty began with a large chapel of Ahmose I. The Pyramid of Ahmose I was also constructed at Abydos—the only pyramid in the area; very little of it remains today.
Thutmose III built a far larger temple, about . He also made a processional way leading past the side of the temple to the cemetery beyond, featuring a great gateway of granite.
Seti I, during the Nineteenth Dynasty, founded a temple to the south of the town in honor of the ancestral pharaohs of the early dynasties; this was finished by Ramesses II, who also built a lesser temple of his own. Merneptah added the Osireion, just to the north of the temple of Seti.
Ahmose II in the Twenty-sixth Dynasty rebuilt the temple again, and placed in it a large monolith shrine of red granite, finely wrought. The foundations of the successive temples were comprised within approximately . depth of the ruins discovered in modern times; these needed the closest examination to discriminate the various buildings, and were recorded by more than 4,000 measurements and 1,000 levellings.
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The last building added was a new temple of Nectanebo I, built in the Thirtieth Dynasty. From the Ptolemaic times of the Greek occupancy of Egypt, that began three hundred years before the Roman occupancy that followed, the structures began to decay and no later works are known.
Cult centre.
From earliest times, Abydos was a cult centre, first of the local deity, Khentiamentiu, and from the end of the Old Kingdom, the rising cult of Osiris. A tradition developed that the Early Dynastic cemetery was the burial place of Osiris and the tomb of Djer was reinterpreted as that of Osiris.
Decorations in tombs throughout Egypt, such as the one displayed to the right, record pilgrimages to Abydos by wealthy families.
Great Osiris Temple.
From the First Dynasty to the Twenty-sixth Dynasty, nine or ten temples were successively built on one site at Abydos. The first was an enclosure, about , enclosed by a thin wall of unbaked bricks. Incorporating one wall of this first structure, the second temple of about square was built with walls about thick. An outer "temenos" (enclosure) wall surrounded the grounds. This outer wall was made wider some time around the Second or Third Dynasty. The old temple entirely vanished in the Fourth Dynasty, and a smaller building was erected behind it, enclosing a wide hearth of black ashes. Pottery models of offerings are found in these ashes and were probably the substitutes for live sacrifices decreed by Khufu (or Cheops) in his temple reforms.
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At an undetermined date, a great clearance of temple offerings had been made and the modern discovery of a chamber into which they were gathered yielded the fine ivory carvings and the glazed figures and tiles that demonstrate the splendid work of the First Dynasty. A vase of Menes with purple hieroglyphs inlaid into a green glaze and tiles with relief figures are the most important pieces found. The Khufu Statuette in ivory, found in the stone chamber of the temple, gives the only portrait of this great pharaoh.
The temple was entirely rebuilt on a larger scale by Pepi I in the Sixth Dynasty. He placed a great stone gateway to the "temenos", an outer wall and gateway, with a colonnade between the gates. His temple was about inside, with stone gateways front and back, showing that it was of the processional type. In the Eleventh Dynasty Mentuhotep II added a colonnade and altars. Soon after, Mentuhotep III entirely rebuilt the temple, laying a stone pavement over the area, about square. He also added subsidiary chambers. Soon thereafter, in the Twelfth Dynasty, Senusret I laid massive foundations of stone over the pavement of his predecessor. A great "temenos" was laid out enclosing a much larger area and the new temple itself was about three times the earlier size.
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Brewery.
On 14 February 2021, Egyptian and American archaeologists discovered what could be the oldest brewery in the world dating from around 3100 BCE at the reign of King Narmer. Dr. Matthew Adams, one of the leaders of the mission, stated that it was used to make beer for royal rituals.
Main sites.
Seti I Temple.
The temple of Seti I was built on entirely new ground half a mile to the south of the long series of temples just described. This surviving building is best known as the Great Temple of Abydos, being nearly complete and an impressive sight. A principal purpose of the temple was to serve as a memorial to king Seti I, as well as to show reverence for the early pharaohs, which is incorporated within as part of the "Rite of the Ancestors".
The long list of the pharaohs of the principal dynasties—recognized by Seti—are carved on a wall and known as the "Abydos King List" (showing the cartouche name of many dynastic pharaohs of Egypt from the first, Narmer or Menes, until Seti's time). There were significant names deliberately left off of the list. So rare, as an almost complete list of pharaoh names, the Table of Abydos, rediscovered by William John Bankes, has been called the "Rosetta Stone" of Egyptian archaeology, analogous to the Rosetta Stone for Egyptian writing, beyond the Narmer Palette.
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There were also seven chapels built for the worship of the pharaoh and principal deities. These included three chapels for the "state" deities Ptah, Re-Horakhty, and (centrally positioned) Amun and the challenge for the Abydos triad of Osiris, Isis and Horus. The rites recorded in the deity chapels represent the first complete form known of the Daily Ritual, which was performed daily in temples across Egypt throughout the pharaonic period. At the back of the temple is an enigmatic structure known as the Osireion, which served as a cenotaph for Seti-Osiris, and is thought to be connected with the worship of Osiris as an "Osiris tomb". It is possible that from those chambers was led out the great Hypogeum for the celebration of the Osiris mysteries, built by Merenptah. The temple was originally long, but the forecourts are scarcely recognizable, and the part still in good condition is about
long and wide, including the wing at the side. Magazines for food and offerings storage were built to either side of the forecourts, as well as a small palace for the king and his retinue, to the southeast of the first forecourt (Ghazouli, The Palace and Magazines Attached to the Temple of Sety I at Abydos and the Facade of This Temple. ASAE 58 (1959)).
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Except for the list of pharaohs and a panegyric on Ramesses II, the subjects are not historical, but religious in nature, dedicated to the transformation of the king after his death. The temple reliefs are celebrated for their delicacy and artistic refinement, utilizing both the archaism of earlier dynasties with the vibrancy of late 18th Dynasty reliefs. The sculptures had been published mostly in hand copy, not facsimile, by Auguste Mariette in his "Abydos", I. The temple has been partially recorded epigraphically by Amice Calverley and Myrtle Broome in their 4 volume publication of "The Temple of King Sethos I at Abydos" (1933–1958).
King's List.
In The Gallery of Ancestors, also referred to as The Gallery of the List, one can find the Abydos King List. This list is depicted in low relief, carved under the reign of Seti I, and it shows Seti and Ramesses making offerings to their royal ancestors. These royal ancestors are the past kings of Egypt. Notably, some rulers, like the 15th Dynasty Hyksos that ruled Egypt during the Second Intermediate Period 1650-1550 BCE and the reign of the 18th Dynasty heretic Akhenaten of the New Kingdom 1550-1069, were omitted from the list, possibly due to being associated with periods of internal weakness and divisions. The Gallery of Ancestors led into the storerooms and the desert behind the temple.
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Osireion.
The Osirion or Osireon, meaning "Menmaatre beneficial to Osiris" sometimes called the Osiris Complex, is an ancient Egyptian temple. It is located to the rear of the temple of Seti I. It is an integral part of Seti I's funeral complex and is built to resemble an 18th Dynasty Valley of the Kings tomb. This was possibly used in ritual purposes with the growing of barely that allowed for the symbolic representation of the resurrection of Osiris. Today parts of the Osierion contain water due to the Aswan Dam and rising floodwaters.
Helicopter hieroglyphs.
Some of the hieroglyphs carved over an arch on the site have been interpreted in esoteric and "ufological" circles as depicting modern technology, having been the subject of pyramidology.
The "helicopter" image is the result of carved stone being re-used over time. The initial carving was made during the reign of Seti I and translates to "He who repulses the nine [enemies of Egypt]". This carving was later filled in with plaster and re-carved during the reign of Ramesses II with the title "He who protects Egypt and overthrows the foreign countries". Over time, the plaster has eroded away, leaving both inscriptions partially visible and creating a palimpsest-like effect of overlapping hieroglyphs.
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Ramesses II temple.
The adjacent temple of Ramesses II was much smaller and simpler in plan, but it had a fine historical series of scenes around the outside that lauded his achievements, of which the lower parts remain. The outside of the temple was decorated with scenes of the Battle of Kadesh. His list of pharaohs, similar to that of Seti I, formerly stood here; the fragments were removed by the French consul and sold to the British Museum.
King's List.
Inside the temple once stood another Gallery of Ancestors. This list is also depicted in low relief, carved under the reign of Ramesses II, but is more damaged. The surviving fragments were removed by the French consul in 1837 and sold to the British Museum.
Umm El Qa'ab.
The royal necropolises of the earliest dynasties were placed about a mile into the great desert plain, in a place now known as Umm El Qa'ab "The Mother of Pots" because of the shards remaining from all of the devotional objects left by religious pilgrims.
The earliest burial is about inside, a pit lined with brick walls and originally roofed with timber and matting. Other tombs also built before Menes are . The probable tomb of Menes is of the latter size. Afterwards, the tombs increased in size and complexity. The tomb-pit was surrounded by chambers to hold offerings, the sepulchre being a great wooden chamber in the midst of the brick-lined pit. Rows of small pits, tombs for the servants of the pharaoh, surrounded the royal chamber, many dozens of such burials being usual. Some of the offerings included sacrificed animals, such as the asses found in the tomb of Merneith. Evidence of human sacrifice exists in the early tombs, such as the 118 servants in the tomb of Merneith, but this practice was changed later into symbolic offerings.
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By the end of the Second Dynasty the type of tomb constructed changed to a long passage with chambers on either side, the royal burial being in the middle of the length. The greatest of these tombs with its dependencies, covered a space of over , however it is possible for this to have been several tombs which abutted one another during construction; the Egyptians had no means of mapping the positioning of the tombs. The contents of the tombs have been nearly destroyed by successive plunderers; but enough remained to show that rich jewellery was placed on the mummies, a profusion of vases of hard and valuable stones from the royal table service stood about the body, the store-rooms were filled with great jars of wine, perfumed ointments, and other supplies, and tablets of ivory and of ebony were engraved with a record of the yearly annals of the reigns. The seals of various officials, of which over 200 varieties have been found, give an insight into the public arrangements.
A cemetery for private persons was put into use during the First Dynasty, with some pit-tombs in the town. It was extensive in the Twelfth and Thirteenth Dynasties and contained many rich tombs. A large number of fine tombs were made in the Eighteenth to Twentieth Dynasties, and members of later dynasties continued to bury their dead here until the Roman period. Many hundreds of funeral steles were removed by Auguste Mariette's workmen, without any details of the burials being noted. Later excavations have been recorded by Edward R. Ayrton, Abydos, iii.; MacIver, "El Amrah and Abydos"; and Garstang, "El Arabah".
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"Forts".
Some of the tomb structures, referred to as "forts" by modern researchers, lay behind the town. Known as Shunet ez Zebib, it is about over all, and one still stands high. It was built by Khasekhemwy, the last pharaoh of the Second Dynasty. Another structure nearly as large adjoined it, and probably is older than that of Khasekhemwy. A third "fort" of a squarer form is now occupied by a convent of the Coptic Orthodox Church of Alexandria; its age cannot be ascertained.
Kom El Sultan.
The area now known as Kom El Sultan is a big mudbrick structure, the purpose of which is not clear and thought to have been at the original settlement area, dated to the Early Dynastic Period. The structure includes the early temple of Osiris.
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Abydos (Hellespont)
Abydos (, ) was an ancient city and bishopric in Mysia. It was located at the Nara Burnu promontory on the Asian coast of the Hellespont (the straits of Dardanelles), opposite the ancient city of Sestos, and near the city of Çanakkale in Turkey. Abydos was founded in at the most narrow point in the straits, and thus was one of the main crossing points between Europe and Asia, until its replacement by the crossing between Lampsacus and Kallipolis in the 13th century, and the abandonment of Abydos in the early 14th century.
In Greek mythology, Abydos is presented in the myth of Hero and Leander as the home of Leander. The city is also mentioned in "Rodanthe and Dosikles", a novel written by Theodore Prodromos, a 12th-century writer, in which Dosikles kidnaps Rodanthe at Abydos.
Archaeology.
In 1675, the site of Abydos was first identified, and was subsequently visited by numerous classicists and travellers, such as Robert Wood, Richard Chandler, and Lord Byron. The city's acropolis is known in Turkish as Mal Tepe.
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Following the city's abandonment, the ruins of Abydos were scavenged for building materials from the 14th to the 19th century, and remains of walls and buildings continued to be reported until at least the 19th century, however, little remains and the area was declared a restricted military zone in the early 20th century, thus little to no excavation has taken place.
History.
Classical period.
Abydos is mentioned in the "Iliad" as a Trojan ally, and, according to Strabo, was occupied by Bebryces and later Thracians after the Trojan War. It has been suggested that the city was originally a Phoenician colony as there was a temple of Aphrodite Porne (Aphrodite the Harlot) within Abydos. Abydos was settled by Milesian colonists contemporaneously with the foundation of the cities of Priapos and Prokonnesos in . Strabo related that Gyges, King of Lydia, granted his consent to the Milesians to settle Abydos; it is argued that this was carried out by Milesian mercenaries to act as a garrison to prevent Thracian raids into Asia Minor. The city became a thriving centre for tuna exportation as a result of the high yield of tuna in the Hellespont.
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Abydos was ruled by Daphnis, a pro-Persian tyrant, in the 520s BC, but was occupied by the Persian Empire in 514. Darius I destroyed the city following his Scythian campaign in 512. Abydos participated in the Ionian Revolt in the early 5th century BC, however, the city returned briefly to Persian control as, in 480, at the onset of the Second Persian invasion of Greece, Xerxes I and the Persian army passed through Abydos on their march to Greece crossing the Hellespont on Xerxes' Pontoon Bridges. After the failed Persian invasion, Abydos became a member of the Athenian-led Delian League, and was part of the Hellespontine district. Ostensibly an ally, Abydos was hostile to Athens throughout this time, and contributed a "phoros" of 4-6 talents. Xenophon documented that Abydos possessed gold mines at Astyra or Kremaste at the time of his writing.
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Hellenistic period.
Abydos remained under Persian control until it was seized by a Macedonian army led by Parmenion, a general of Philip II, in the spring of 336 BC. In 335, whilst Parmenion besieged the city of Pitane, Abydos was besieged by a Persian army led by Memnon of Rhodes, forcing Parmenion to abandon his siege of Pitane and march north to relieve Abydos. Alexander ferried across from Sestos to Abydos in 334 and travelled south to the city of Troy, after which he returned to Abydos. The following day, Alexander left Abydos and led his army north to Percote. Alexander later established a royal mint at Abydos, as well as at other cities in Asia Minor.
After the death of Alexander the Great in 323 BC, Abydos, as part of the satrapy of Hellespontine Phrygia, came under the control of Leonnatus as a result of the Partition of Babylon. At the Partition of Triparadisus in 321 BC, Arrhidaeus succeeded Leonnatus as satrap of Hellespontine Phrygia.
In 302, during the Fourth War of the Diadochi, Lysimachus, King of Thrace, crossed over into Asia Minor and invaded the kingdom of Antigonus I. Unlike the neighbouring cities of Parium and Lampsacus which surrendered, Abydos resisted Lysimachus and was besieged. Lysimachus was forced to abandon the siege, however, after the arrival of a relief force sent by Demetrius, son of King Antigonus I. According to Polybius, by the third century BC, the neighbouring city of Arisbe had become subordinate to Abydos. The city of Dardanus also came under the control of Abydos at some point in the Hellenistic period. Abydos became part of the Seleucid Empire after 281 BC. The city was conquered by Ptolemy III Euergetes, King of Egypt, in 245 BC, and remained under Ptolemaic control until at least 241, as Abydos had become part of the Kingdom of Pergamon by c. 200 BC.
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During the Second Macedonian War, Abydos was besieged by Philip V, King of Macedonia, in 200 BC, during which many of its citizens chose to commit suicide rather than surrender. Marcus Aemilius Lepidus met with Philip V during the siege to deliver an ultimatum on behalf of the Roman senate. Ultimately, the city was forced to surrender to Philip V due to a lack of reinforcements. The Macedonian occupation ended after the Peace of Flamininus at the end of the war in 196 BC. At this time, Abydos was substantially depopulated and partially ruined as a result of the Macedonian occupation.
In the spring of 196 BC, Abydos was seized by Antiochus III, "Megas Basileus" of the Seleucid Empire, who refortified the city in 192/191 BC. Antiochus III later withdrew from Abydos during the Roman-Seleucid War, thus allowing for the transportation of the Roman army into Asia Minor by October 190 BC. Dardanus was subsequently liberated from Abydene control, and the Treaty of Apamea of 188 BC returned Abydos to the Kingdom of Pergamon. A gymnasium was active at Abydos in the 2nd century BC.
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Roman period.
Attalus III, King of Pergamon, bequeathed his kingdom to Rome upon his death in 133 BC, and thus Abydos became part of the province of Asia. The gold mines of Abydos at Astyra or Kremaste were near exhaustion at the time was Strabo was writing. The city was counted amongst the "telonia" (custom houses) of the province of Asia in the "lex portorii Asiae" of 62 AD, and formed part of the "conventus iuridicus Adramytteum". Abydos is mentioned in the "Tabula Peutingeriana" and Antonine Itinerary. The mint of Abydos ceased to function in the mid-3rd century AD.
It is believed that Abydos, with Sestos and Lampsacus, is referred to as one of the "three large capital cities" of the Roman Empire in "Weilüe", a 3rd-century AD Chinese text. The city was the centre for customs collection at the southern entrance of the Sea of Marmara, and was administered by a "komes ton Stenon" (count of the Straits) or an "archon" from the 3rd century to the 5th century AD.
Medieval period.
Pope Martin I rested at Abydos in the summer of 653 whilst en route to Constantinople. As a result of the administrative reforms of the 7th century, Abydos came to be administered as part of the theme of Opsikion. The office of "kommerkiarios" of Abydos is first attested in the mid-7th century, and was later sometimes combined with the office of "paraphylax", the military governor of the fort, introduced in the 8th century, at which time the office of "komes ton stenon" is last mentioned.
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After the 7th century AD, Abydos became a major seaport. Maslama ibn Abd al-Malik, during his campaign against Constantinople, crossed over into Thrace at Abydos in July 717. The office of "archon" at Abydos was restored in the late 8th century and endured until the early 9th century. In 801, Empress Irene reduced commercial tariffs collected at Abydos. Emperor Nikephoros I, Irene's successor, introduced a tax on slaves purchased beyond the city. The city later also became part of the theme of the Aegean Sea and was the seat of a "tourmarches".
Abydos was sacked by an Arab fleet led by Leo of Tripoli in 904 AD whilst en route to Constantinople. The revolt of Bardas Phokas was defeated by Emperor Basil II at Abydos in 989 AD. In 992, the Venetians were granted reduced commercial tariffs at Abydos as a special privilege. In the early 11th century, Abydos became the seat of a separate command and the office of "strategos" (governor) of Abydos is first mentioned in 1004 with authority over the northern shore of the Hellespont and the islands of the Sea of Marmara.
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In 1024, a Rus' raid led by a certain Chrysocheir defeated the local commander at Abydos and proceeded to travel south through the Hellespont. Following the Battle of Manzikert, Abydos was seized by the Seljuk Turks, but was recovered in 1086 AD, in which year Leo Kephalas was appointed "katepano" of Abydos. Abydos' population likely increased at this time as a result of the arrival of refugees from northwestern Anatolia who had fled the advance of the Turks. In 1092/1093, the city was attacked by Tzachas, a Turkish pirate. Emperor Manuel I Komnenos repaired Abydos' fortifications in the late 12th century.
By the 13th century AD, the crossing from Lampsacus to Kallipolis had become more common and largely replaced the crossing from Abydos to Sestos. During the Fourth Crusade, in 1204, the Venetians seized Abydos, and, following the Sack of Constantinople and the formation of the Latin Empire later that year, Emperor Baldwin granted the land between Abydos and Adramyttium to his brother Henry of Flanders. Henry of Flanders passed through Abydos on 11 November 1204 and continued his march to Adramyttium. Abydos was seized by the Empire of Nicaea, a successor state of the Eastern Roman Empire, during its offensive in 1206–1207, but was reconquered by the Latin Empire in 1212–1213. The city was later recovered by Emperor John III Vatatzes. Abydos declined in the 13th century, and was eventually abandoned between 1304 and 1310/1318 due to the threat of Turkish tribes and disintegration of Roman control over the region.
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Ecclesiastical history.
The bishopric of Abydus appears in all the "Notitiae Episcopatuum" of the Patriarchate of Constantinople from the mid-7th century until the time of Andronikos III Palaiologos (1341), first as a suffragan of Cyzicus and then from 1084 as a metropolitan see without suffragans. The earliest bishop mentioned in extant documents is Marcian, who signed the joint letter of the bishops of Hellespontus to Emperor Leo I in 458, protesting about the murder of Proterius of Alexandria. A letter of Peter the Fuller (471–488) mentions a bishop of Abydus called Pamphilus. Ammonius signed the decretal letter of the Council of Constantinople in 518 against Severus of Antioch and others. Isidore was at the Third Council of Constantinople (680–681), John at the Trullan Council (692), Theodore at the Second Council of Nicaea (787). An unnamed bishop of Abydus was a counsellor of Emperor Nikephoros II in 969.
Seals attest Theodosius as bishop of Abydos in the 11th century, and John as metropolitan bishop of Abydos in the 11/12th century. Abydos remained a metropolitan see until the city fell to the Turks in the 14th century. The diocese is currently a titular see of the Patriarchate of Constantinople, and Gerasimos Papadopoulos was titular Bishop of Abydos from 1962 until his death in 1995. Simeon Kruzhkov was bishop of Abydos from May to September 1998. Kyrillos Katerelos was consecrated bishop of Abydos in 2008.
In 1222, during the Latin occupation, the papal legate Giovanni Colonna united the dioceses of Abydos and Madytos and placed the see under direct Papal authority. No longer a residential bishopric, Abydus is today listed by the Catholic Church as a titular see.
References.
Notes
Citations
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Acacia sensu lato
Acacia s.l. (pronounced or ), known commonly as mimosa, acacia, thorntree or wattle, is a polyphyletic genus of shrubs and trees belonging to the subfamily Mimosoideae of the family Fabaceae. It was described by the Swedish botanist Carl Linnaeus in 1773 based on the African species "Acacia nilotica". Many non-Australian species tend to be thorny, whereas the majority of Australian acacias are not. All species are pod-bearing, with sap and leaves often bearing large amounts of tannins and condensed tannins that historically found use as pharmaceuticals and preservatives.
The genus "Acacia" constitutes, in its traditional circumspection, the second largest genus in Fabaceae ("Astragalus" being the largest), with roughly 1,300 species, about 960 of them native to Australia, with the remainder spread around the tropical to warm-temperate regions of both hemispheres, including Europe, Africa, southern Asia, and the Americas (see List of "Acacia" species). The genus was divided into five separate genera under the tribe "Acacieae". The genus now called "Acacia" represents the majority of the Australian species and a few native to southeast Asia, Réunion, and Pacific Islands. Most of the species outside Australia, and a small number of Australian species, are classified into "Vachellia" and "Senegalia". The two final genera, "Acaciella" and "Mariosousa", each contain about a dozen species from the Americas (but see "Classification" below for the ongoing debate concerning their taxonomy).
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Classification.
English botanist and gardener Philip Miller adopted the name "Acacia" in 1754. The generic name is derived from (), the name given by early Greek botanist-physician Pedanius Dioscorides (middle to late first century) to the medicinal tree "A. nilotica" in his book "Materia Medica". This name derives from the Ancient Greek word for its characteristic thorns, (; "thorn"). The species name "nilotica" was given by Linnaeus from this tree's best-known range along the Nile river. This became the type species of the genus.
The traditional circumscription of "Acacia" eventually contained approximately 1,300 species. However, evidence began to accumulate that the genus as described was not monophyletic. Queensland botanist Leslie Pedley proposed the subgenus "Phyllodineae" be renamed "Racosperma" and published the binomial names. This was taken up in New Zealand but generally not followed in Australia, where botanists declared more study was needed.
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Acacias belong to the subfamily Mimosoideae, the major clades of which may have formed in response to drying trends and fire regimes that accompanied increased seasonality during the late Oligocene to early Miocene (~25 mya). Pedley (1978), following Vassal (1972), viewed "Acacia" as comprising three large subgenera, but subsequently (1986) raised the rank of these groups to genera Acacia, "Senegalia" ("s.l.") and "Racosperma", which was underpinned by later genetic studies.
In common parlance, the term "acacia" is occasionally applied to species of the genus "Robinia", which also belongs in the pea family. "Robinia pseudoacacia", an American species locally known as black locust, is sometimes called "false acacia" in cultivation in the United Kingdom and throughout Europe.
Description.
The leaves of acacias are compound pinnate in general. In some species, however, more especially in the Australian and Pacific Islands species, the leaflets are suppressed, and the leaf-stalks (petioles) become vertically flattened in order to serve the purpose of leaves. These are known as "phyllodes". The vertical orientation of the phyllodes protects them from intense sunlight since with their edges towards the sky and earth they do not intercept light as fully as horizontally placed leaves. A few species (such as "Acacia glaucoptera") lack leaves or phyllodes altogether but instead possess cladodes, modified leaf-like photosynthetic stems functioning as leaves.
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The small flowers have five very small petals, almost hidden by the long stamens, and are arranged in dense, globular or cylindrical clusters; they are yellow or cream-colored in most species, whitish in some, or even purple ("Acacia purpureopetala") or red ("Acacia leprosa" 'Scarlet Blaze'). "Acacia" flowers can be distinguished from those of a large related genus, "Albizia", by their stamens, which are not joined at the base. Also, unlike individual "Mimosa" flowers, those of "Acacia" have more than ten stamens.
The plants often bear spines, especially those species growing in arid regions. These sometimes represent branches that have become short, hard, and pungent, though they sometimes represent leaf-stipules. "Acacia armata" is the kangaroo-thorn of Australia, and "Acacia erioloba" (syn. "Acacia eriolobata") is the camelthorn of Africa.
Acacia seeds can be difficult to germinate. Research has found that immersing the seeds in various temperatures (usually around 80 °C (176 °F)) and manual seed coat chipping can improve growth to around 80%.
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