text stringlengths 5 285 | label int64 0 1 | augment stringclasses 2 values |
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a stirring , funny and finally transport re-imagining of beauty and the beast and 1930s horror films | 1 | textbugger |
a stirring , funny and finally transporting re-imagining of beauty and the bea st and 1930s horror films | 1 | textbugger |
a stirring , funny and finally 𝚝ransporting re-imagining of beauty and the beast and 1930s horror films | 1 | textbugger |
a stirring , funny and finaⅼly transporting re-imagining of beauty and the beast and 1930s horror films | 1 | textbugger |
a ѕtirring , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films | 1 | textbugger |
a stirring , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films | 1 | clean |
apparently reassembled from the cutting-room floor of any given daytime soaps . | 0 | textbugger |
apparently reassembled from the cutting-room floor of any given dɑytime soap . | 0 | textbugger |
apparently reassembled from the cutting-room floor of any gvien daytime soap . | 0 | textbugger |
apparently reassembled from the cutting-room flоor of any given daytime soap . | 0 | textbugger |
apparently reassemblеd from the cutting-room floor of any given daytime soap . | 0 | textbugger |
apparently reassembled from the cutting-room floor of any given daytime soap . | 0 | clean |
they presume their audience wo n't sit still for a anthropology lesson , however entertainingly рresented , so they trotting out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes . | 0 | textbugger |
they presume their audience wo n't sit still for a sociology lecturing , howeѵer entertainingly presentеd , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes . | 0 | textbugger |
they presume their audience wo n't sit still for a sociolоgy lesson , however entertainingly presented , so they tⲅot out the convеntional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes . | 0 | textbugger |
they presume their audience wo n't sit still for a socіology lesson , however entertainingly presented , so they tⲅot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clo𝚝hes . | 0 | textbugger |
they presume their audieոce wo n't sit stіll for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futսristic women in skimpy clothes . | 0 | textbugger |
they presume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes . | 0 | clean |
this is a visually stunning rumination on love , memory , history and the battle between art and commerce . | 1 | textbugger |
this is a visually stunning rumination on love , memoy , history and the war between art and commerce . | 1 | textbugger |
this is a visually stunning ruminɑtion on love , memory , history and the war between art and commerce . | 1 | textbugger |
this is a visually ѕtunning rumination on love , memory , history and the war between art and commerce . | 1 | textbugger |
this is a viѕually stunning rumination on love , memory , history and the war between art and commerce . | 1 | textbugger |
this is a visually stunning rumination on love , memory , history and the war between art and commerce . | 1 | clean |
jonathan parker 's bartleby should have been the be-all-end-all of the modern-officе anomie films . | 1 | textbugger |
jonathan parker 's ulises should have been the be-all-end-all of the modern-office anomie films . | 1 | textbugger |
jonathan parker 's ulysses should have been the be-all-end-all of the modern-office anomie films . | 1 | textbugger |
jonathan parkеr 's bartleby should have been the be-all-end-all of the modern-office anomie films . | 1 | textbugger |
jonathan richardson 's bartleby should have been the be-all-end-all of the modern-office anomie films . | 1 | textbugger |
jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie films . | 1 | clean |
campanella gets the tone just right -- fun ny in the middle of sad in the middle of hopeful . | 1 | textbugger |
campanella gets the tone just right -- funny in the middle of sad in the midd le of hopeful . | 1 | textbugger |
campanella gets the tone just right -- fuոny in the middle of sad in the middle of hopeful . | 1 | textbugger |
campanella gtes the tone just right -- funny in the middle of sad in the middle of hopeful . | 1 | textbugger |
cɑmpanella gets the tone just right -- funny in the middle of sad in the middle of hopeful . | 1 | textbugger |
campanella gets the tone just right -- funny in the middle of sad in the middle of hopeful . | 1 | clean |
a fan film that for the uniniti ated plays better on video with the sound turned down . | 0 | textbugger |
a fan film that for the uninitiated plays better on viԁeo with the sound turned down . | 0 | textbugger |
a fan film that for the uninitiated plays better on ѵideo with the sound turned down . | 0 | textbugger |
a fan flim that for the uninitiated plays better on video with the sound turned down . | 0 | textbugger |
a fan movies that for the uninitiated plays better on video with the sound turned down . | 0 | textbugger |
a fan film that for the uninitiated plays better on video with the sound turned down . | 0 | clean |
b éart and berling are both superb , while huppert ... is magnificent . | 1 | textbugger |
béart and berling are both superb , while huppert ... is marvellous . | 1 | textbugger |
béart and berling are both superb , while huppеrt ... is magnificent . | 1 | textbugger |
béart and berling are both superЬ , while huppert ... is magnificent . | 1 | textbugger |
béart and berlіng are both superb , while huppert ... is magnificent . | 1 | textbugger |
béart and berling are both superb , while huppert ... is magnificent . | 1 | clean |
a little less enormous than in the past , with longer exposition sеquences between them , and with fewer gags to break the tedium . | 0 | textbugger |
a little less extreme than in the past , with longer expоsition sequences between them , and with fewer gags to break the tеdium . | 0 | textbugger |
a little less extreme than in the past , with ⅼonger exposition sequences between them , and with fewer jaws to break the tedium . | 0 | textbugger |
a little less extremе than in the elapsed , with longer exposition sequences between them , and with fewer gags to break the tedium . | 0 | textbugger |
a little lses extreme than in the past , with longer exposition sequences between them , and with lowest gags to break the tedium . | 0 | textbugger |
a little less extreme than in the past , with longer exposition sequences between them , and with fewer gags to break the tedium . | 0 | clean |
the film is s trictly routine . | 0 | textbugger |
the film is scrupulously routine . | 0 | textbugger |
the film is strictly roսtine . | 0 | textbugger |
the film is strictⅼy routine . | 0 | textbugger |
the film is s𝚝rictly routine . | 0 | textbugger |
the film is strictly routine . | 0 | clean |
a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered globe . | 1 | textbugger |
a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered monde . | 1 | textbugger |
a lyrical metaphor for cultural and persons self-discovery and a picaresque view of a little-remembered world . | 1 | textbugger |
a lyrical metaрhor for cultural and personal self-discovery and a picaresque view of a little-remembered world . | 1 | textbugger |
a lyricaⅼ metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered world . | 1 | textbugger |
a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered world . | 1 | clean |
the most repugnant adaptation of a classic t ext since roland joffé and demi moore 's the scarlet letter . | 0 | textbugger |
the most repugnant adaptation of a classic text since roland joffé and demi m oore 's the scarlet letter . | 0 | textbugger |
the most repugnant adaptation of a classic text since roland joffé and selena moore 's the scarlet letter . | 0 | textbugger |
the most repugnant adaptation of a classic text since roland joffé and ԁemi moore 's the scarlet letter . | 0 | textbugger |
the most repugnant adaptation of a classic te×t since roland joffé and demi moore 's the scarlet letter . | 0 | textbugger |
the most repugnant adaptation of a classic text since roland joffé and demi moore 's the scarlet letter . | 0 | clean |
for something as sp lendid-looking as this par𝚝icular film , the viewer expects something special but instead gets -lrb- sci-fi -rrb- rehash . | 0 | textbugger |
for something as splendid-looking as this particular film , the viewer expects something special but alternatively receives -lrb- sci-fi -rrb- rehash . | 0 | textbugger |
for something as splendid-looking as this particular film , the viewer expects somethings special but instead gets -lrb- sci-fi -rr- rehash . | 0 | textbugger |
for something as splendid-looking as this particular film , the viewer expec𝚝s something special but instead gets -lrb- sci-fi -rrb- rehɑsh . | 0 | textbugger |
for something as splendid-looking as this particular film , the viewer expec𝚝s something special but instead receives -lrb- sci-fi -rrb- rehash . | 0 | textbugger |
for something as splendid-looking as this particular film , the viewer expects something special but instead gets -lrb- sci-fi -rrb- rehash . | 0 | clean |
this is a stunning film , a one-of-a-kind journey de force . | 1 | textbugger |
this is a stunning film , a one-of-a-kind tour de forϲe . | 1 | textbugger |
this is a stunning film , a one-of-a-kind tour de vigor . | 1 | textbugger |
this is a stunning film , a one-of-a-kind tour de 𝚏orce . | 1 | textbugger |
this is a stunniոg film , a one-of-a-kind tour de force . | 1 | textbugger |
this is a stunning film , a one-of-a-kind tour de force . | 1 | clean |
may be more buen than ingenious , but it gets the job done . | 1 | textbugger |
may be more genial than ingenious , but it gets the job completed . | 1 | textbugger |
may be more genial than ingenious , but it gtes the job done . | 1 | textbugger |
may be more genial than ingenious , but it obtains the job done . | 1 | textbugger |
may be more genial than ingeniouѕ , but it gets the job done . | 1 | textbugger |
may be more genial than ingenious , but it gets the job done . | 1 | clean |
there is a freedom to watching cascade that are this crude , this fast-paced and this insane . | 1 | textbugger |
there is a freedom to watching stunts that are this coarse , this fast-paced and this insane . | 1 | textbugger |
there is a freedom to watϲhing stunts that are this crude , this fast-paced and this insane . | 1 | textbugger |
there is a freedom to wɑtching stunts that are this crude , this fast-paced and this insane . | 1 | textbugger |
there is a freedom to watching stunts that are this crude , this fast-paced and this insane . | 1 | clean |
if the tuxedo actually were a suit , it would f it chan like a $ 99 bargain-basement special . | 0 | textbugger |
if the tuxedo actually were a suit , it would fit chan like a $ 99 bargain-basement speciaⅼ . | 0 | textbugger |
if the tuxedo actually were a suit , it would 𝚏it chan like a $ 99 bargain-basement special . | 0 | textbugger |
if the tuxedo actսally were a suit , it would fit chan like a $ 99 bargain-basement special . | 0 | textbugger |
if the tuxedo truly were a suit , it would fit chan like a $ 99 bargain-basement special . | 0 | textbugger |
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