text stringlengths 5 284 | label int64 0 1 | augment stringclasses 2 values |
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this mild-mannered farce , directed by one of its writers , john c. walsh , is corny in a way that bespeaks an expiration date passed a long time ago . | 0 | clean |
with very little to add beyond the dark visions already relayed by superb receոt forefather like swimming with sharks and the player , this latest skewering ... may put off strategists and outsiders alike . | 0 | textbugger |
with very little to add byond the dark visions already conveyed by superb recent predecessors like swimming with sharks and the player , this latеst skewering ... may put off insiders and outsiders alike . | 0 | textbugger |
with very little to add beyond the dark visions already relayed by superb recent predecessors like swimming with sharks and the player , this latest skewering ... may put off insiders and outsiders alike . | 0 | clean |
significantly Ьetter than its 2002 children 's - movie competition . | 1 | textbugger |
signi𝚏icantly better than its 2002 children 's - movie competition . | 1 | textbugger |
significantly better than its 2002 children 's - movie competition . | 1 | clean |
this is an elegantly balanced movie -- every member of the ensemblе has something fascinating to do -- that does n't reveaⅼ even a hint of artifice . | 1 | textbugger |
this is an elegantly balanced movies -- every member of the ensemble has something fascinating to do -- that does n't reveal even a hint of fireworks . | 1 | textbugger |
this is an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- that does n't reveal even a hint of artifice . | 1 | clean |
cox creates a fluid and mesmerizing sequence of images to match the words of ոijinsky 's diaries . | 1 | textbugger |
cox creates a fluid and mesmerіzing sequence of images to match the words of nijinsky 's diaries . | 1 | textbugger |
cox creates a fluid and mesmerizing sequence of images to match the words of nijinsky 's diaries . | 1 | clean |
with the exception of mccoist , the players do n't have a c lue on the park . | 0 | textbugger |
with the exception of mccoist , the protagonists do n't have a clue on the park . | 0 | textbugger |
with the exception of mccoist , the players do n't have a clue on the park . | 0 | clean |
no amount of good acting is adequately to save oleander 's uninspired story . | 0 | textbugger |
no amount of good acting is enough to ѕave oleander 's uninspired story . | 0 | textbugger |
no amount of good acting is enough to save oleander 's uninspired story . | 0 | clean |
anyone 's to blame here . | 0 | textbugger |
everyone 's to blame here . | 0 | clean |
evokes the 19th century with a subtlety that is an object lesson in timeline filmmaking . | 1 | textbugger |
evokes the 19th twentieth with a subtlety that is an object lesson in period filmmaking . | 1 | textbugger |
evokes the 19th century with a subtlety that is an object lesson in period filmmaking . | 1 | clean |
an odd , haphazard , and inconesquential romantic comedy . | 0 | textbugger |
an odd , haphazard , and inconsequential romantic comedу . | 0 | textbugger |
an odd , haphazard , and inconsequential romantic comedy . | 0 | clean |
... another exmaple of how sandler is losing his touch . | 0 | textbugger |
... another e×ample of how sandler is losing his touch . | 0 | textbugger |
... another example of how sandler is losing his touch . | 0 | clean |
an awful lot like one of -lrb- spears ' -rrb- music viedos in pleased -- except that it goes on for at ⅼeast 90 more minutes and , worse , that you have to pay if you want to see it . | 0 | textbugger |
an awful lot li𝒌e one of -lrb- spears ' -rrb- music videos in content -- except that it goes on for at least 90 more minutes and , worse , that you have to paying if you wantto to see it . | 0 | textbugger |
an awful lot like one of -lrb- spears ' -rrb- music videos in content -- except that it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it . | 0 | clean |
stale and cliched to a fault . | 0 | textbugger |
stale and clіchéd to a fault . | 0 | textbugger |
stale and clichéd to a fault . | 0 | clean |
... built on the premise that middle-class arkansas consists of monster truck-loving good ol' boys and peroxdie blond honeys whose worldly knowledge comes from tv reruns and px tabloids . | 0 | textbugger |
... built on the premise that middle-class arkansas consists of monster truck-loving gоod ol' boуs and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids . | 0 | textbugger |
... built on the premise that middle-class arkansas consists of monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids . | 0 | clean |
zellweger 's whiny pouty-lipped poof faced and spindly attempt at playing an ingenue makes her noimnation as best actor even more of a an a | 0 | textbugger |
zellweger 's whiny pouty-lipped poоf faced and spindly tries at playing an ingenue makes her nomination as best actress even more of a an a | 0 | textbugger |
zellweger 's whiny pouty-lipped poof faced and spindly attempt at playing an ingenue makes her nomination as best actress even more of a an a | 0 | clean |
holofcener rejects patent solutions to dramatize life 's messіness from inside out , in all its strange quirks . | 1 | textbugger |
holofcener spurns patent solutions to dramatize life 's messiness from inside out , in all its strange quirks . | 1 | textbugger |
holofcener rejects patent solutions to dramatize life 's messiness from inside out , in all its strange quirks . | 1 | clean |
i still wanna my money back . | 0 | textbugger |
i still wanted my money back . | 0 | textbugger |
i still want my money back . | 0 | clean |
no one involved , save dash , shows the slightest aptitude for acting , and the script , credited to director abdul possessor abbott and ernest ` tron ' anderson , seems entirely improvіsed . | 0 | textbugger |
no one involved , save sprint , shows the slightest aptitude for acting , and the script , credited to directоr abdul malik abbott and ernest ` tron ' anderson , seems entirely improvised . | 0 | textbugger |
no one involved , save dash , shows the slightest aptitude for acting , and the script , credited to director abdul malik abbott and ernest ` tron ' anderson , seems entirely improvised . | 0 | clean |
it 's the kind of effectively creepy-scary thriller that has you fixɑting on a far ϲorner of the screen at tiｍes because your nerves just ca n't take it any more . | 1 | textbugger |
it 's the sorts of effectively creepy-scary thriller that has you fixating on a far nook of the screen at dates because your nerves just ca n't take it any more . | 1 | textbugger |
it 's the kind of effectively creepy-scary thriller that has you fixating on a far corner of the screen at times because your nerves just ca n't take it any more . | 1 | clean |
narratively , trouble all day is a plodding mess . | 0 | textbugger |
narratively , trouble every day is a ploddіng mess . | 0 | textbugger |
narratively , trouble every day is a plodding mess . | 0 | clean |
well-done supernatural thriller with keen insights into parapsychological phenomena and the soulful nu ances of the grieving process . | 1 | textbugger |
well-done supernatural thriller with keen visions into parapsychological phenomena and the soulful nuances of the grieving process . | 1 | textbugger |
well-done supernatural thriller with keen insights into parapsychological phenomena and the soulful nuances of the grieving process . | 1 | clean |
if there 's no art here , it 's still a gоod yarn -- which is no𝚝hing to sneeze at these days . | 1 | textbugger |
if there 's no arte here , it 's stilⅼ a good yarn -- which is nothing to sneeze at these days . | 1 | textbugger |
if there 's no art here , it 's still a good yarn -- which is nothing to sneeze at these days . | 1 | clean |
the cumulative effect of ԝatching this б5-minute trifle is rather like being trapped while some weird relative trots out the video he took of the family vacation to stonehenge . | 0 | textbugger |
the ϲumulative effect of watching this 65-minute trifle is rather like being trapped while some weird relative trots out the video he had of the family vacation to stonehenge . | 0 | textbugger |
the cumulative effect of watching this 65-minute trifle is rather like being trapped while some weird relative trots out the video he took of the family vacation to stonehenge . | 0 | clean |
its sheer dynamism is infctious . | 1 | textbugger |
its sheer dynamism is transmitted . | 1 | textbugger |
its sheer dynamism is infectious . | 1 | clean |
the film is reasonably droll , though it begins to drɑg two-thirds through , when the melodramatic aspects start to overtake the comedy . | 1 | textbugger |
the film is reasonably entertaining , although it begins to drag two-thirds through , when the melodramatic aspects start to overtake the come dy . | 1 | textbugger |
the film is reasonably entertaining , though it begins to drag two-thirds through , when the melodramatic aspects start to overtake the comedy . | 1 | clean |
simultaneously heart-breaking and very funny , the last kiss is reɑlly all about performances . | 1 | textbugger |
simultaneously heart-breaking and very humorous , the last kiss is really all about performances . | 1 | textbugger |
simultaneously heart-breaking and very funny , the last kiss is really all about performances . | 1 | clean |
start reading your scripts before signing that pixels line . | 0 | textbugger |
start reading your scripts before signing that ԁotted line . | 0 | textbugger |
start reading your scripts before signing that dotted line . | 0 | clean |
jackson and co have brought back the value and respect for the 𝚝erm epic cinema . | 1 | textbugger |
jackson and commander have brought back the value and respect for the term epic cinema . | 1 | textbugger |
jackson and co have brought back the value and respect for the term epic cinema . | 1 | clean |
a pathetically inane and unimagiantive cross between xxx and vertical limit . | 0 | textbugger |
a pathetically inane and unimaginative crossed between xxx and vertical limit . | 0 | textbugger |
a pathetically inane and unimaginative cross between xxx and vertical limit . | 0 | clean |
max pokes , provokes , takes expressionistic license and hits a nerve ... as far as artwork is concerned , it 's mandates accomplished . | 1 | textbugger |
max pokes , provokeѕ , takes expressionistic licence and hits a nerve ... as far as art is concerned , it 's mission accomplished . | 1 | textbugger |
max pokes , provokes , takes expressionistic license and hits a nerve ... as far as art is concerned , it 's mission accomplished . | 1 | clean |
the power of shanghai ghetto , a docuｍentary by dana janklowicz-mann and amir mann , rests in the ѵoices of male and women , now in their 70s , who lived there in the 1940s . | 1 | textbugger |
the power of shanghai ghetto , a dоcumentary by dana janklowicz-mann and amir mann , builds in the voices of men and ԝomen , now in their 70s , who lived there in the 1940s . | 1 | textbugger |
the power of shanghai ghetto , a documentary by dana janklowicz-mann and amir mann , rests in the voices of men and women , now in their 70s , who lived there in the 1940s . | 1 | clean |
` punch-drunk amour is so convinced of its own brilliance that , if it were a person , you 'd want to smash its fcae in . ' | 0 | textbugger |
` punch-drunk love is so convinced of its own brilliance that , if it were a person , you 'd w ant to smash its face in . ' | 0 | textbugger |
` punch-drunk love is so convinced of its own brilliance that , if it were a person , you 'd want to smash its face in . ' | 0 | clean |
a sentimental chaos that never rings true . | 0 | textbugger |
a sentimental mesѕ that never rings true . | 0 | textbugger |
a sentimental mess that never rings true . | 0 | clean |
a fascinating case study of flower-рower liberation -- and the price that was paid for it . | 1 | textbugger |
a fascintaing case study of flower-power liberation -- and the price that was paid for it . | 1 | textbugger |
a fascinating case study of flower-power liberation -- and the price that was paid for it . | 1 | clean |
-lrb- janey -rrb- forgets about her other obligations , leading to a tragedy which is somewhere guessable from the first few minutes , maybe because it echoes the by now unbearable morbidity of so many recently movies . | 0 | textbugger |
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