text stringlengths 5 295 | label int64 0 1 | augment stringclasses 2 values |
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a stirring , funny and finally transporting re-imagining of beauty and the butthead and 1930s horror films | 1 | textfooler |
a stirring , funny and finally transporting re-imagining of beauty and the dummy and 1930s horror films | 1 | textfooler |
a stirring , funny and finally transporting re-imagining of beauty and the imbeciles and 1930s horror films | 1 | textfooler |
a vibration , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films | 1 | textfooler |
a stirring , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films | 1 | clean |
apparently reassembled from the cutting-room floors of any given daytime soap . | 0 | textfooler |
apparently reassembled from the cutting-room terrace of any given daytime soap . | 0 | textfooler |
blatantly reassembled from the cutting-room floor of any given daytime soap . | 0 | textfooler |
vividly reassembled from the cutting-room floor of any given daytime soap . | 0 | textfooler |
apparently reassembled from the cutting-room floor of any given daytime soap . | 0 | clean |
they beleive their audience wo n't sit still for a sociology lessons , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy blouse . | 0 | textfooler |
they presume their audience wo n't seat still for a sociology lesson , however entertainingly presented , so they trotted out the conventional science-fiction elements of bug-eyed demon and futuristic women in skimpy clothes . | 0 | textfooler |
they presume their audience wo n't sit still for a sociology lesson , however entertainingly made , so they trot out the conventional science-fiction things of bug-eyed monsters and futuristic girl in skimpy clothes . | 0 | textfooler |
they thought their audience wo n't sit still for a sociology learnt , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic female in skimpy clothes . | 0 | textfooler |
they presume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes . | 0 | clean |
this is a visually stunning rumination on amar , memory , history and the war between art and commerce . | 1 | textfooler |
this is a visually stunning rumination on cared , memory , history and the war between art and commerce . | 1 | textfooler |
this is a visually stunning rumination on love , dissertation , history and the war between art and commerce . | 1 | textfooler |
this is a visually stunning rumination on love , memory , history and the war between article and commerce . | 1 | textfooler |
this is a visually stunning rumination on love , memory , history and the war between art and commerce . | 1 | clean |
jonathan barker 's bartleby should have been the be-all-end-all of the modern-office anomie films . | 1 | textfooler |
jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie cinematic . | 1 | textfooler |
jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie filmmakers . | 1 | textfooler |
jonathan stevens 's bartleby should have been the be-all-end-all of the modern-office anomie films . | 1 | textfooler |
jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie films . | 1 | clean |
campanella gets the ton just right -- funny in the middle of sad in the middle of hopeful . | 1 | textfooler |
campanella gets the tone just right -- funny in the middle of disheartening in the middle of hopeful . | 1 | textfooler |
campanella gets the tone just right -- funny in the middle of dreary in the middle of hopeful . | 1 | textfooler |
campanella gets the tone just right -- funny in the middle of sad in the middle of optimist . | 1 | textfooler |
campanella gets the tone just right -- funny in the middle of sad in the middle of hopeful . | 1 | clean |
a fan film that for the uninitiated plays better on video with the sound converted down . | 0 | textfooler |
a fan film that for the uninitiated plays better on video with the wise turned down . | 0 | textfooler |
a fan film that for the uninitiated plays better on videotape with the sound turned down . | 0 | textfooler |
a fan film that for the uninitiated plays preferably on video with the sound turned down . | 0 | textfooler |
a fan film that for the uninitiated plays better on video with the sound turned down . | 0 | clean |
béart and berling are both extraordinaire , while huppert ... is magnificent . | 1 | textfooler |
béart and berling are both ravishing , while huppert ... is magnificent . | 1 | textfooler |
béart and berling are both superb , while huppert ... is excellent . | 1 | textfooler |
béart and berling are both superb , while huppert ... is super . | 1 | textfooler |
béart and berling are both superb , while huppert ... is magnificent . | 1 | clean |
a little less extreme than in the passed , with longer exposition sequences between them , and with fewer gags to break the wearisome . | 0 | textfooler |
a little less extreme than in the past , with lang exposition sequences between them , and with fewer gags to adjournment the tedium . | 0 | textfooler |
a little less extreme than in the vieux , with longer exposition sequences between them , and with lesser gags to break the tedium . | 0 | textfooler |
a little less momentous than in the past , with longer exposition sequences between them , and with fewer gags to fracturing the tedium . | 0 | textfooler |
a little less extreme than in the past , with longer exposition sequences between them , and with fewer gags to break the tedium . | 0 | clean |
the cinematographers is strictly routine . | 0 | textfooler |
the film is rigidly routine . | 0 | textfooler |
the film is strictly normale . | 0 | textfooler |
the video is strictly routine . | 0 | textfooler |
the film is strictly routine . | 0 | clean |
a lyrical analogy for cultural and personal self-discovery and a picaresque view of a little-remembered world . | 1 | textfooler |
a lyrical metaphor for cultural and personal self-discovery and a picaresque opinion of a little-remembered world . | 1 | textfooler |
a lyrical metaphor for cultural and personal self-discovery and a picaresque thought of a little-remembered world . | 1 | textfooler |
a lyrical simile for cultural and personal self-discovery and a picaresque view of a little-remembered world . | 1 | textfooler |
a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered world . | 1 | clean |
the most horrifying adaptation of a classic text since roland joffé and demi moore 's the scarlet letter . | 0 | textfooler |
the most repugnant adaptation of a classic text since roland joffé and miley moore 's the scarlet letter . | 0 | textfooler |
the most repugnant adaptation of a classic writes since roland joffé and demi moore 's the scarlet letter . | 0 | textfooler |
the most repugnant amended of a classic text since roland joffé and demi moore 's the scarlet letter . | 0 | textfooler |
the most repugnant adaptation of a classic text since roland joffé and demi moore 's the scarlet letter . | 0 | clean |
for something as splendid-looking as this particular cinematographer , the viewer expects something special but instead acquired -lrb- sci-fi -rrb- rehash . | 0 | textfooler |
for something as splendid-looking as this particular film , the viewer envisaged something special but instead acquires -lrb- sci-fi -rrb- rehash . | 0 | textfooler |
for something as splendid-looking as this particular film , the viewer expects something sole but instead arrives -lrb- sci-fi -rrb- rehash . | 0 | textfooler |
for something as splendid-looking as this particular film , the viewer expects something specialized but too gets -lrb- sci-fi -rrb- rehash . | 0 | textfooler |
for something as splendid-looking as this particular film , the viewer expects something special but instead gets -lrb- sci-fi -rrb- rehash . | 0 | clean |
this is a amazing film , a one-of-a-kind tour de force . | 1 | textfooler |
this is a staggering film , a one-of-a-kind tour de force . | 1 | textfooler |
this is a stunning film , a one-of-a-kind tour de kraft . | 1 | textfooler |
this is a stunning film , a one-of-a-kind tour from force . | 1 | textfooler |
this is a stunning film , a one-of-a-kind tour de force . | 1 | clean |
may be more genial than ingenious , but it derives the job done . | 1 | textfooler |
may be more genial than ingenious , but it gets the employing done . | 1 | textfooler |
may be more genial than ingenious , but it gets the job practiced . | 1 | textfooler |
may be more genial than ingenious , but it gets the worksite done . | 1 | textfooler |
may be more genial than ingenious , but it gets the job done . | 1 | clean |
there is a freedom to observing stunts that are this crude , this fast-paced and this insane . | 1 | textfooler |
there is a freedom to watching acrobatics that are this crude , this fast-paced and this insane . | 1 | textfooler |
there is a freedom to watching stunts that are this crude , this fast-paced and this coot . | 1 | textfooler |
there is a freedom to watching stunts that are this insolent , this fast-paced and this insane . | 1 | textfooler |
there is a freedom to watching stunts that are this crude , this fast-paced and this insane . | 1 | clean |
if the tuxedo actually were a suit , it needs fit chan like a $ 99 bargain-basement special . | 0 | textfooler |
if the tuxedo actually were a suit , it would adequate chan like a $ 99 bargain-basement special . | 0 | textfooler |
if the tuxedo actually were a suit , it would mounting chan like a $ 99 bargain-basement special . | 0 | textfooler |
if the tuxedo clearly were a suit , it would fit chan like a $ 99 bargain-basement special . | 0 | textfooler |
if the tuxedo actually were a suit , it would fit chan like a $ 99 bargain-basement special . | 0 | clean |
as quiet , patient and tenacious as mr. guzman himself , who approaches his difficult , endless cooperatives with remarkable serenity and discipline . | 1 | textfooler |
as quiet , patient and tenacious as mr. lopez himself , who approaches his difficult , endless efforts with remarkable soothing and discipline . | 1 | textfooler |
as quiet , patient and tenacious as mr. lopez himself , who approaches his difficult , undefined work with remarkable dispassionate and discipline . | 1 | textfooler |
as quiet , patient and tenacious as mr. ramirez himself , who approaches his difficult , incomprehensible work with remarkable serenity and discipline . | 1 | textfooler |
as quiet , patient and tenacious as mr. lopez himself , who approaches his difficult , endless work with remarkable serenity and discipline . | 1 | clean |
final decision : you 've seen it all before . | 0 | textfooler |
final verdict : you 've observed it all before . | 0 | textfooler |
final verdict : you 've perceived it all before . | 0 | textfooler |
final verdict : you 've proved it all before . | 0 | textfooler |
final verdict : you 've seen it all before . | 0 | clean |
blue crush follows the formula , but throws in too many conflicts to continue the story compelling . | 0 | textfooler |
blue crush follows the formula , but throws in too many conflicts to keep the story persuading . | 0 | textfooler |
blue crush follows the formula , but throws in too many conflicts to keeps the story compelling . | 0 | textfooler |
blue crush follows the formula , but throws in too many conflicts to persevere the story compelling . | 0 | textfooler |
blue crush follows the formula , but throws in too many conflicts to keep the story compelling . | 0 | clean |
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