text stringlengths 5 293 | label int64 0 1 | augment stringclasses 2
values |
|---|---|---|
one of the year 's most weirdly engaging and unpredictable character pieces . | 1 | clean |
the direction occasionally hikes to the level of marginal competence , but for most of the film it is tough to tell who is chasing who or why . | 0 | textfooler |
the direction occasionally raised to the level of insignificant competence , but for most of the film it is hard to tell who is chasing who or why . | 0 | textfooler |
the direction occasionally rises to the level of marginal competence , but for most of the film it is hard to tell who is chasing who or why . | 0 | clean |
the three carries produce adequate performances , but what 's missing from this material is any depth of feeling . | 0 | textfooler |
the three leads produce adequate performances , but what 's missing from this material is any depth of thoughts . | 0 | textfooler |
the three leads produce adequate performances , but what 's missing from this material is any depth of feeling . | 0 | clean |
`` looking for leonard '' just seems to arent sit in neutral , hoping for a stiff wind to blow it uphill or aint . | 0 | textfooler |
`` looking for leonard '' just seems to kinda sit in neutral , await for a stiff downwind to blow it uphill or something . | 0 | textfooler |
`` looking for leonard '' just seems to kinda sit in neutral , hoping for a stiff wind to blow it uphill or something . | 0 | clean |
the most surprising anything about this film is that they are actually releasing it into theaters . | 0 | textfooler |
the most surprising thing about this film is that they are mostly releasing it into theaters . | 0 | textfooler |
the most surprising thing about this film is that they are actually releasing it into theaters . | 0 | clean |
... one renaissance too many . | 0 | textfooler |
... one resurrection too dissimilar . | 0 | textfooler |
... one resurrection too many . | 0 | clean |
mhm , look at that clever angle ! | 1 | textfooler |
uhm , look at that clever angle ! | 1 | textfooler |
oh , look at that clever angle ! | 1 | clean |
no , i animosity it . | 0 | textfooler |
no , i loathed it . | 0 | textfooler |
no , i hate it . | 0 | clean |
for a long length the filmmakers succeeds with its dark , delicate treatment of these characters and its unerring respect for them . | 1 | textfooler |
for a long time the theaters succeeds with its dark , delicate treatment of these figures and its unerring respect for them . | 1 | textfooler |
for a long time the film succeeds with its dark , delicate treatment of these characters and its unerring respect for them . | 1 | clean |
the casting of raymond j. barry as the ` assassin ' eminently enhances the quality of neil burger 's sumptuous fake documentary . | 1 | textfooler |
the thrown of raymond j. barry as the ` assassin ' greatly enhances the quality of neil burger 's impressive forger documentary . | 1 | textfooler |
the casting of raymond j. barry as the ` assassin ' greatly enhances the quality of neil burger 's impressive fake documentary . | 1 | clean |
the film is like sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and horribly wanting you could change tables . | 0 | textfooler |
the film is like sta in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and desperately wishing you wanted change tables . | 0 | textfooler |
the film is like sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and desperately wishing you could change tables . | 0 | clean |
the filmmakers want nothing else than to show us a good time , and in their cheap , b cinematographers tracks , they succeed . | 1 | textfooler |
the filmmakers want nothing else than to show us a suitable time , and in their cheap , b movie avenues , they succeed . | 1 | textfooler |
the filmmakers want nothing else than to show us a good time , and in their cheap , b movie way , they succeed . | 1 | clean |
a rollicking ride , with jaw-dropping action sequences , striking ruffians , a gorgeous color paddle , astounding technology , stirring music and a boffo last hour that leads up to a weirdly sinister happy ending . | 1 | textfooler |
a rollicking tours , with jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and a boffo last hour that runs up to a annoyingly sinister happy ending . | 1 | textfooler |
a rollicking ride , with jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and a boffo last hour that leads up to a strangely sinister happy ending . | 1 | clean |
an clocking and a half of joyful solo performance . | 1 | textfooler |
an hour and a half of pippin solo performance . | 1 | textfooler |
an hour and a half of joyful solo performance . | 1 | clean |
contrived dissonant of caper clichés . | 0 | textfooler |
contrived dreamlike of caper clichés . | 0 | textfooler |
contrived pastiche of caper clichés . | 0 | clean |
a triumph , a film that hews out a world and carries us effortlessly from darkness to searchlight . | 1 | textfooler |
a win , a film that hews out a world and carries us effortlessly from darkness to light . | 1 | textfooler |
a triumph , a film that hews out a world and carries us effortlessly from darkness to light . | 1 | clean |
steven soderbergh 's digital video experiment is a clever and cutting , quick and dirty witnessing at modern residency and movie life . | 1 | textfooler |
steven soderbergh 's digital video experiment is a clever and slashes , quick and squalid look at modern living and movie life . | 1 | textfooler |
steven soderbergh 's digital video experiment is a clever and cutting , quick and dirty look at modern living and movie life . | 1 | clean |
kinnear 's outcomes is a career-defining revelation . | 1 | textfooler |
kinnear 's performance is a career-defining disclosing . | 1 | textfooler |
kinnear 's performance is a career-defining revelation . | 1 | clean |
not only a recollection of how they used to make flick , but also how they sometimes still can be made . | 1 | textfooler |
not only a reminder of how they used to make movies , but also how they rarely still can be executed . | 1 | textfooler |
not only a reminder of how they used to make movies , but also how they sometimes still can be made . | 1 | clean |
the dragons are the real stars of reign of feu and you wo n't be disappointed . | 1 | textfooler |
the dragons are the real stars of reign of fires and you wo n't be disappointed . | 1 | textfooler |
the dragons are the real stars of reign of fire and you wo n't be disappointed . | 1 | clean |
if you 're over 25 , have an iq over 90 , and have a driver 's license , you should be able to reach better hobby . | 0 | textfooler |
if you 're over 25 , have an iq over 90 , and have a driver 's permitted , you should be able to finds better entertainment . | 0 | textfooler |
if you 're over 25 , have an iq over 90 , and have a driver 's license , you should be able to find better entertainment . | 0 | clean |
for devotees of french cinema , safe behaviors is so rich with period minutiae it 's like dying and goes to celluloid heaven . | 1 | textfooler |
for multitudes of french cinema , safe deportment is so rich with period minutiae it 's like dying and going to celluloid heaven . | 1 | textfooler |
for devotees of french cinema , safe conduct is so rich with period minutiae it 's like dying and going to celluloid heaven . | 1 | clean |
scherfig , who has had a successful career in tv , tackles more than she can outmaneuvered . | 0 | textfooler |
scherfig , who has had a thrive career in tv , tackles more than she can handle . | 0 | textfooler |
scherfig , who has had a successful career in tv , tackles more than she can handle . | 0 | clean |
this sade is hardly a deformed , dangerous libertine and agitator -- which would have made for better drama . | 0 | textfooler |
this sade is hardly a perverse , harmful libertine and agitator -- which would have made for better drama . | 0 | textfooler |
this sade is hardly a perverse , dangerous libertine and agitator -- which would have made for better drama . | 0 | clean |
by the end of the movie , you 're openly convinced that these women are spectacular . | 1 | textfooler |
by the end of the movie , you 're really convinced that these women are spectacular . | 1 | textfooler |
by the end of the movie , you 're definitely convinced that these women are spectacular . | 1 | clean |
... a plotline that 's as lumpy as two-day old porridge ... the cinema ' paws , sad to spoke , were all over this `` un-bear-able '' project ! | 0 | textfooler |
... a plotline that 's as lumpy as two-day old porridge ... the filmmakers ' paws , gloomy to explaining , were all over this `` un-bear-able '' project ! | 0 | textfooler |
... a plotline that 's as lumpy as two-day old porridge ... the filmmakers ' paws , sad to say , were all over this `` un-bear-able '' project ! | 0 | clean |
the modern-day royals have nothing on these mates when it comes to scandals . | 0 | textfooler |
the modern-day sox have nothing on these guys when it comes to scandals . | 0 | textfooler |
the modern-day royals have nothing on these guys when it comes to scandals . | 0 | clean |
essentially `` fatal attraction '' remade for viewers who were in diapers when the original was freeing in 1987 . | 0 | textfooler |
essentially `` fatal attraction '' remade for viewers who were in diapers when the original was publishes in 1987 . | 0 | textfooler |
essentially `` fatal attraction '' remade for viewers who were in diapers when the original was released in 1987 . | 0 | clean |
it does n't abundantly know or care about the characters , and use them as markers for a series of preordained events . | 0 | textfooler |
it does n't honestly know or care about the character , and uses them as markers for a series of preordained events . | 0 | textfooler |
it does n't really know or care about the characters , and uses them as markers for a series of preordained events . | 0 | clean |
` opening up ' the casino more has partly closed it down . | 0 | textfooler |
` opening up ' the play more has partly farm it down . | 0 | textfooler |
` opening up ' the play more has partly closed it down . | 0 | clean |
even though it 's common knowledge that park and his founding associating , yong kang , lost kozmo in the expiring , you ca n't relief but get caught up in the thrill of the company 's astonishing growth . | 1 | textfooler |
even though it 's common knowledge that park and his founding partner , yong kang , forfeited kozmo in the end , you ca n't help but arrive prise up in the thrill of the company 's astonishing growth . | 1 | textfooler |
even though it 's common knowledge that park and his founding partner , yong kang , lost kozmo in the end , you ca n't help but get caught up in the thrill of the company 's astonishing growth . | 1 | clean |
lots of effort and intelligence are on indicates but in execution it is all awkward , static , and lifeless rumblings . | 0 | textfooler |
lots of endeavors and intelligence are on display but in execution it is all awkward , static , and lifeless rumblings . | 0 | textfooler |
lots of effort and intelligence are on display but in execution it is all awkward , static , and lifeless rumblings . | 0 | clean |
every moment crackles with stresses , and by the end of the flicks , you 're on the edge of your seat . | 1 | textfooler |
every phase crackles with tension , and by the finalize of the flick , you 're on the edge of your seat . | 1 | textfooler |
every moment crackles with tension , and by the end of the flick , you 're on the edge of your seat . | 1 | clean |
the imax screen enhances the personal touch of manual cartoons . | 1 | textfooler |
the imax screen raising the personal touch of manual animation . | 1 | textfooler |
the imax screen enhances the personal touch of manual animation . | 1 | clean |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.