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train_13267 | This should not have been listed as a Colombo because in my opinion it does not resemble any of the other Colombo ever made. This should have been listed as a movie starring Peter Falk and not playing the caracter of Colombo because it does not do justice at all to our great lieutenant Colombo. | 0 |
train_3629 | 'The Rookie' was a wonderful movie about the second chances life holds for us and also puts an emotional thought over the audience, making them realize that your dreams can come true. If you loved 'Remember the Titans', 'The Rookie' is the movie for you!! It's the feel good movie of the year and it is the perfect movie for all ages. 'The Rookie' hits a major home run! | 1 |
train_15417 | As it is often the case, the impressive and explosive trailers of Asian films add up to nothing more than lackluster stories. Similar to Unleashed (which was great,) Dog Bite Dog tells a story where men are raised as ferocious savage dogs that carry out their master's bidding. The main characters, an emotionally undeveloped, amoral killer who is matched against an equally unstable police officer, are far from the common heroes and villains we often see. In fact, by the end, you lose track of who you're supposed to empathize with, failing to feel even the slightest emotion for either of the men whether that was the failure of the director or perhaps the underlining message he was trying to tell is up to you to decide.Although the beginning of the film was filled with intrigue and unpredictability, by the half-way point it slopped down to a humdrum story of survival and revenge. The suspense which was evident at first soon disappeared because of a grossly mismatched music score which brought down the potentially effective story telling. And in the end, you were left feeling that all that detailed background information and introspection of the main characters was somehow very unnecessary.On the plus side, the transition in story from point a to point b was quite atypical compared to US movies so those who aren't familiar with Asian films and are tired of Hollywood's predictability should check it out.The white balance seemed off throughout most of the film. It was like looking into a picture shot on fluorescent when it was supposed to be set on tungsten. Maybe I'm the only one, but it strained my eyes.The movie also enjoyed playing tricks on you an interesting build-up gave me hope for the slow moving story until it was diverted to a low budget, low speed chase scene. And just when you think you were going to get an unanswered indie ending with a mix of Shakespearean tragedy, you realize that it's not an ending at all, but rather a transition into a wacky country-music montage about peace and serenity.Throw in some grisly from-behind choke scenes, a moment of redemption unexpectedly brought back into savagery and back again the other way, Asians' fascination with bodily fluids and a horrible music score that didn't match the film, and you get the average bland Asian thriller.I just don't get why every fight scene was overlaid with clips of roaring lions
I thought they were supposed to symbolize dogs? Ultimately, in the end, we are reminded about a true killer that still lurks amongst us tetanus.4/10 | 0 |
train_15277 | Unfortunately, this has been showing on Star Movies here in Thailand for the last week or so. It's complete rubbish acting. As another member said, this movie is a good example of 'how not to act.' I haven't seen a movie so poorly acted in a long time. The actors (can you call them 'actors'?) are completely flat and deliver their lines with the passion of a dead dog. I would say that in order to truly understand how bad the acting is, you would have to see the movie... but that would be akin to torture.I cringe as the leading lady delivers her lines, and the rest of the cast with their accents (fake or contrived) is equally heinous. Another actress with the fake British accent was pretty, yes, but good lord was her accent terrible. Mix that with her (lack of) acting and you have a disaster. She should just have said nothing and I could have accepted her as the pretty girl. Oh my, we just got to the scene where the leading lady's lover says "Really me?" after a forced crying scene from her. Laughable. No, really, I just laughed out loud.The sets and the art directors offer some saving grace to the film. Some of the sets are colorful and some of the scenes are rather nice (minus the actors).The old magic potion lady? What?! Another member mentioned the 'modern' love song that was in the movie. Totally inappropriate for a period piece set some 500 years ago.I understand the movie was considered 'Big Budget' in Thailand at the time of it's production. I would be seriously upset if I were the producer of this movie. Just goes to show that money does not necessarily make a good (or even mediocre) film.I would give the King Maker a 1 out of 10, but the costumes and sets make save the film from such a rating. 2 out of 10. | 0 |
train_6231 | This is just a great, fun, lovely film. It captures the true essence of the decade and of the people, and tells a beautiful love story of two sisters with two sailors. Though this film may only be in Black and White, it definitely doesn't count against it now in modern days. The main basic purpose of the movie is timeless. This movie features great acting, beautiful song and dance numbers, and great design work and film shots. Follow the Fleet is also comical, there are funny moments, moments that will make you laugh, but other moments where the acting just gets you so involved into the storyline. Its amazing how though this movie may be set in a certain decade, how it can affect those today. If you want to see something great, check this out. | 1 |
train_16797 | I awake suddenly, aware that I'm drooling onto the plastic couch cover, and realize it's a warm Saturday afternoon. Why was I sleeping? Did I hit my head? Or accidentally swallow all of my grandma's muscle relaxers? Could it be adult onset narcolepsy? No, I momentarily paused on Cheap Seats while channel surfing, and the stunning lack of humor and talent drained my life force with such speed that I blacked out.It's that head-shaking, mouth-agape, shoulder-shrugging bad. But I have to give these moronic and boring twins credit for selling this idea through. Perhaps they had the same effect on the ESPN programming executive that they had on me, and when he/she woke up, a few horrendous episodes were already in the can and he/she hoped that since all the viewers will be asleep, no one will now how awful it is and he/she can keep the $425,000 annual salary.You've been warned. | 0 |
train_17070 | Ridiculous. This movie is actually a vehicle for the Ramtha School of Enlightenment. If you are wondering who the *bleep* Ramtha is: "Ramtha is a 35,000 year-old spirit-warrior who appeared in J.Z. Knight's kitchen in Tacoma, Washington in 1977. Knight claims that she is Ramtha's channel. She also owns the copyright to Ramtha and conducts sessions in which she pretends to go into a trance and speaks Hollywood's version of Elizabethan English in a guttural, husky voice. She has thousands of followers and has made millions of dollars performing as Ramtha at seminars ($1,000 a crack) and at her Ramtha School of Enlightenment, and from the sales of tapes, books, and accessories (Clark and Gallo 1993). She must have hypnotic powers. Searching for self-fulfillment, otherwise normal people obey her command to spend hours blindfolded in a cold, muddy, doorless maze." John Wheeler, one of America's finest theoretical physicists, would roll his eyes about this movie. He has in the recent past criticized parapsychologists for their misuse and misinterpretations of quantum theory. This movie does the same thing as those fools.There is a great review of this movie at Skeptico. I recommend anyone considering watching this movie read it first before contributing to a cult's coffers.http://skeptico.blogs.com/skeptico/2005/04/what_the_bleep_.html I noticed one reviewer here at IMDb say to take this movie with a grain of salt. It will take enough salt to kill a horse to wade through the garbage-thinking of this movie. | 0 |
train_19954 | I like the cast pretty much however the story sort of unfolds rather slowly. Danny Glover does a good job making you wonder if he's the bad guy. Meanwhile, the other characters are just part of the story. Dennis Quaid didn't have as much room in the story as he could have had. I thought the first scene was a bit over the top grim compared to how the story unfolded. I'd watch it again though. I rated it a 5 (wish I could rate it a 5.5) | 0 |
train_16751 | 1 out of 10.This is the kind of movie that you cant believe you just wasted 2 hours of your life as you see the credits role. I honestly think I could make a better Vampire movie.... and I know nothing. The only thing that does not just suck (harder than a Vampire) is Jason Scott Lee.... his character is at least a little bit cool, has some mystery, and kicks a little butt. | 0 |
train_24998 | This film has the kernel of a really good story. The work of the men and women of the Coast Guard, especially in the North Pacific, is the stuff of heroes and legends. This film mucks up a good story with three endings (none satisfying), a couple of unneeded and pointless bar fights and two alleged "romantic" relationships that have as much spark as dead campfire. The rescue scenes are great - even if the computer generation is hokey and the scenarios are pretty unreal - but the backstory is lame and disappointing. Costner is good - especially his hand acting (watch for it). Ashton Kutcher is flat but not terrible. The main female characters are one dimensional. The best female is one of the Coast Guard sailors in the rescue center and she's on camera for about two minutes in the whole film. It could have been an excellent film - and Costner needs one! | 0 |
train_6492 | I am not a very good writer, so I'll keep this short. World at War is the best WWII documentary that I've seen. I've seen different WWII documentaries (not only English/North American) and this documentary seems to be the most complete WWII documentary that I've seen. I think it could talk a bit more about the Great Depression and why/how Hitler got to power, but it does a very good job at covering the war. It seems to be complete and objective/fair to everyone. It does not exaggerate or diminish roles of different nations. It has a lot of original footage, including color footage and many eye witnesses (it was made in 70's when a lot more were alive). It has great music and narrator. All-in-All I gave this one 10/10, because it's that good. (I haven't seen specials in DVD version so I cannot comment on those) | 1 |
train_11269 | Ever wanted to know just how much Hollywood could get away with before the Hayes Code was officially put into effect? Well, unfortunately "Convention City" is lost, so well just have to watch "Tarzan and His Mate" to find out. For 1934, there is a remarkable amount of sexual innuendo and even exposed flesh. Just look at Jane's nude swim. While Tarzan is often thought of as b-adventure films made for young boys and no one else, this picture proves that the series was originally very adult. Over seventy years later, it is still as sexy as it was when it came out.In addition to the envelope pushing taboo nature, it is a superb and exciting adventure story. I've always enjoyed the jungle films that Hollywood churned out in the 30s and the 40s, but there are few from the genre I'd call great films. "Tarzan and His Mate" is by far the best film from this long gone subgenre. The sequences of the attacks on the safari by either apes or natives still manage to create tension today. Also, the animals are all too cool (espescially the apes throwing boulders). The acting won't win any major awards soon, but is certainly more than adequate for this type of picture. The film is once again stolen by Cheetah, the smartest monkey in the jungle. One of the most entertaining examples of pre-code Hollywood out there. | 1 |
train_12483 | Although I was in this movie playing the part of Sheriff Hodges, it still managed to make me jump in several places and believe me I'm NOT that easy. You might say that I'm biased about the film, and, OK, I am, but I didn't see the finished product until 12/27/2006 and was extremely pleased. I'm not a Horror film fan as such but love the old "B" movies and black and white Sci Fi films. This movie will make you "think" you know when something is going to happen, then it doesn't, then it does. It will keep you completely off balance. I would suggest watching the movie first then the director's notes and special features. It is so well written, directed and filmed and I can tell you personally that it was a real joy to work with this cast and crew. I sincerely hope to be part of Brian and Laurence's future projects. | 1 |
train_10372 | ROLL is a wonderful little film. Toby Malone plays an 18 year old kid (very well acted, by the way) who is into soccer. Malone's cousin takes him out the night before his big game on an adventure with many twists and turns involving two gym bags, a drug lord, some tough bikers, some cops, and some prostitutes ... and the movie keeps us guessing as to which characters are on which side of the law, what the contents of either gym bag is, and even what gender a key biker is. Parts of it reminded me of LOCK STOCK AND TWO SMOKING Barrels.For me, ROLL reinforced three opinions that I already held before seeing ROLL. Those opinions are: 1. I really want to visit Australia one day. The country and cities are beautiful and it looks like such a cool place for a vacation.2. Some of the best filmmakers in the are Australian. The cinematography in ROLL was especially impressive. I loved the stylized colors and lighting in many of the scenes.3. Australian women are HOT! | 1 |
train_13362 | 'Succubus', the edited version of 'Necronomicon Geträumte Sünden', is a struggle to sit through, even at a lean 76 minutes; any more of this dreadfully boring and pretentious Euro horror tripe and I may have slipped into a coma.Jess Franco once again delivers a truly awful piece of 60s trash that appears to have been made by a cast and crew out of of their heads on Class A hallucinogenics, since not one second of this mess made any sense whatsoever. Apparently, this is one of the better of his 180+ films it's hard to believe that there are worse efforts out there.The unfathomable plot deals with Franco's usual themes of sex, violence and lesbianism and throws in a bit of S&M for good measure, and yet it still manages to remain mind numbingly tedious.I may leave it quite a while before entering the world of dodgy Euro Horror again life is too short to be spent watching bilge like this. | 0 |
train_1153 | This has to be, hands down, hats off, one of the most uproarious comedies ever made. Starting with the animated blowing, popping bubbles, the entrance to the Daytime Awards, the usual phony drivel spewed by the stars on the red carpet, the rehearsed and badly acted acceptance speech, the venomous comments uttered by the actor's jealous co-stars and producer, under phony smiles. Now THAT is only in the first few minutes. Then, all hell breaks loose from there and it only gets more frantic and ridiculous. Ridiculous in a good way, no, make that a great way. This was the first time I'd seen the always charming Teri Hatcher. While I may not be a follower of Desperate Housewives, she herself is always watchable - same goes for Lois & Clark. Not a huge follower, but if I run across an episode I'd watch it. Robert Downey, jr., does a great turn as slimy, smarmy, snaky, sycophantic David Seaton Barnes, the producer who'd give his right eye to see Sally Field's Celeste Talbert leave the show, if only to finally get to get it on with Cathy Moriarty's Montana Moorehead.Moriarty absolutely shines in this movie, just as she had everywhere else she's appeared. Here, all she has to do is scream "I HATE YOU I HATE YOU YOU CREEP!" or give one of her anti-Celeste-co-conspirators an evil grin, and she has me rolling in the aisles. Yes, Cathy Moriarty is a very gifted actress, and one hell of a comedienne. Sally Field gratefully departs from the usual 70-MM-sized Lifetime Tragedy of the Week movies, and we're all reminded why she is who she is today, having started off in comedy afraid of nothing. Her ensuing years of drama had hidden her sense of humor, but like a caterpillar in a cocoon, the brilliant comedienne she is had blossomed and it was joyous to see her as hilarious as she was. The thing with dramatic actors and actresses is that you see in such heavy, serious roles, that you associate them with their character and you can't believe it when you see them finally having some fun on screen.How lucky were the producers to land Carrie Fisher, if only for a glorified cameo. She doesn't realize what a presence she bears on screen. She takes a role which, in the hands of a lesser actress, could easily have been forgotten, but she owns the character and it seems as if she wrote it herself.How lucky was Elisabeth Shue to get thrown in the middle of all this! At the time, she wasn't really known for much. Adventures in Babysitting was kind of cute (yes, I was dragged to an evening show for which I had to pay full price), but she didn't hold my attention - - much. But here, she makes the most of her character - star's niece who falls in love with the star's ex-co-star-and-lover who, of course, turns out to be the niece's father, and the star turns out to be the poor girl's mother.I'll stop there - I feel I practically wrote a book about this brilliant screwball comedy, or at least a novela. If you've seen it, then reminisce. If you haven't, you've missed a real classic, but not really. The DVD's are made of a material that'll last for at least 25 years, and this movie is timeless, so what the hell. | 1 |
train_24152 | The script for "Scary Movie 2" just wasn't ready to go. This is a problem with the film that is blatantly evident, to the actors and the audience alike. Director Keenan Ivory Wayans, and many of the actors are funny people; and so the movie isn't completely humorless. To their credit, the film has several funny moments. But as a whole, "Scary Movie 2" is not even close to being as clever and amusing as the original.The first "Scary Movie" was a laugh a minute film. It turned the smallest subtleties of the slasher film genre into comedic gold. The humor in "Scary Movie 2" is as heavy handed as it is un-original. They even miss obvious opportunities for parody. Two of the movies stars are former cast members of "Beverly Hills 90210," and this was a show that was begging to be parodied! In the final analysis, "Scary Movie 2" is like a fine bottle of wine that was opened far too soon. The script needed a lot more time to age. 2 stars out of 5. | 0 |
train_4610 | A winters day, 28th December 1986, two bored 14 year olds hire a movie. "Hmmmm, Police Story, looks interesting", "who is this Jackie Chan?", "never heard of him". Two hours later after watching the film, in a daze, we wanted to know more. 16 years later (and severely out of pocket from collecting JC movies!) the film still grabs me like no other. Ok, maybe I have a soft spot for it as it was my "first" (Cannonball Run doesn't count!!) JC movie, but it is an excellent movie. It has all the classic JC elements, Action, Humour, Action, Heart and ACTION! Some comments say it's dated, it was made in 1985, of course it's dated! But then so must Jaws, Casablanca, Singin' in the Rain and The Godfather!!!!!! Without movies like Police Story where would Hollywood action be today? PS set standards, many a scene has been stolen for use in other movies. To really fully appreciate it you must see it in widescreen, you miss so much of the movie otherwise (yes, he really does fall off the bus going round the corner!). If you haven't already, SEE THIS MOVIE NOW!!!! | 1 |
train_16923 | Another of many nearly forgotten movies cranked out by Poverty Row in the 1930's, resurrected by the magic of DVD.Starring stock Universal player Lionel Atwill (often a supporting actor in numerous Frankenstein movies) as a pair of twins involved in a murder racket. One kills the victims (stockbrokers involved in a scam) and asks witnesses for the exact time, while the other is deaf and is proved "innocent" because he could not have spoken to witnesses.Of course, where it falls apart is if it was a congenital deafness, wouldn't they both be deaf? Oh, well.Atwill does a pretty good job here, faking being deaf and mute. Unfortunately, no one else here can really act worth a darn. | 0 |
train_20352 | I'm no horror movie buff, but my wife's nieces and nephews are. So, I saw the first movie. It was gruesome, and tense, but not my taste. Still good though. For similar reasons, at this very moment, I am being exposed to a sequel.The premise itself is beyond absurd. I can buy that disasters occur in the desert. I can buy that mutants exists. I can even buy that the events might be so weird and strange that the military may decide to get involved. It is unlikely, yes, but I'm willing to suspend my belief.HOWEVER, under no circumstances am I willing to believe that the military squad assigned to recon such an area would be unable to fend off the mutants. Being a member of the United States Army, I can assure that while fresh recruits may lack the seasoned eyes and experience of combat soldiers, any such recruits would be integrated into a capable squad.A squad of armed soldiers is not about to be taken out by a few mutants with knives. That's just the way it works. Squad movements, vastly superior firepower, and of course, radio support, would ensure nothing less than total victory. I'm not saying you wouldn't have casualties, but as soon as the area was verified as hostile, military training would take precedence, no-one would go off on their own even to use the bathroom.And if it were discovered that the area was so infested with hostiles that the squad was unable to handle the danger, they would radio in for backup. And believe me, their radios would not be jammed, if there was a chance that normal radios would not do, the squad would have a military issue satellite phone. Chances are, if they were unable to check in every hour, a search would be called.In order to accept this movie, you must accept that our soldiers are incompetent fools, with incompetent leaders, and an incompetent chain of command. While it may still be true that the most dangerous thing in the world is a lieutenant with a map and compass, our military forces are filled with intelligent, well-trained, competent soldiers. Mutants with knives are far below our ability to deal with.With the whole execution of the movie depending solidly on the impossible to imagine, the film fails to deliver. Instead, we are expected to believe that our soldiers, sailors, and airmen are incapable of dealing with even the most mediocre threats.As a combat veteran, I find the movie insulting. | 0 |
train_16291 | I cannot vote on this because I wouldn't watch garbage from these people. They got my money with another movie (Mr. Jingles) and I swore it would never happen again. I feel it's my civic duty to help people stay away from this trash. Go to the forums on this film and read where cast members try to act like they are seeing the movie for the first time. One guy even responds to himself ...using the same name! There are shills in the forum that say it's as good as Shawshank Redemption and Citizen Kane...Not even close (by no means). If this is the company's 2nd movie, it should be better than the first. That means the 3rd movie should be a lot better. Not so, I've seen it. All I want to know is how you distribute this trash using the same names all the time. Having fun with friends and making a movie over the weekend is fine...but don't try to market that trash! | 0 |
train_11127 | I love MIDNIGHT COWBOY and have it in my video collection as it is a favorite of mine. What is interesting to me is how when MIDNIGHT COWBOY came out in 1969, it was so shocking to viewers that it was rated X. Of course, at that time X meant Maturity. Since I was only two years old at the time of the movie's release, it is hard for me to imagine just how shocked viewers were back then. However, when I try to take into account that many of the topics covered in the film, which included prostitution (the title itself was slang for a male prostitute); homosexuality; loneliness; physical (and to some extent emotional as well) abuse and drugs are hard for many people to talk about to this day, I can begin to get a sense of what viewers of this movie thought back on its release. It is worth noting that in the 1970's, MIDNIGHT COWBOY was downgraded to an R rating and even though it is still rated R, some of the scenes could almost be rated PG-13 by today's standards.I want to briefly give a synopsis of the plot although it is probably known to almost anyone who has heard of the movie. Jon Voight plays a young man named Joe Buck from Texas who decides that he can make it big as a male hustler in New York City escorting rich women. He emulates cowboy actors like Roy Rogers by wearing a cowboy outfit thinking that that will impress women. After being rejected by all the women he has come across, he meets a sleazy con-man named Enrico "Ratso" Rizzo who is played by Dustin Hoffman. Ratso convinces Joe that he can make all kinds of money if he has a manager. Once again, Joe is conned and before long is homeless. However, Joe comes across Ratso and is invited to stay in a dilapidated apartment. Without giving away much more of the plot, I want to say that the remainder of the movie deals with Joe and Ratso as they try to help one another in an attempt to fulfill their dreams. I.E. Joe making it as a gigolo and Ratso going down to Florida where he thinks he can regain his health.I want to make some comments about the movie itself. First of all, the acting is excellent, especially the leads. Although the movie is really very sad from the beginning to the end, there are some classic scenes. In fact, there are some scenes that while they are not intended to be funny, I find them amusing. For example, there is the classic scene where Dustin Hoffman and Jon Voight are walking down a city street and a cab practically runs them over. Dustin Hoffman bangs on the cab and says "Hey, I'm walkin' here! I'm walkin' here!" I get a kick out of that scene because it is so typical of New York City where so many people are in a hurry. Another scene that comes to mind is the scene where Ratso (Dustin Hoffman) sends Joe (Jon Voight) to a guy named O'Daniel. What is amusing is that at first, we think O'Daniel is there to recruit gigolos and can see why Joe is getting so excited but then we begin to realize that O'Daniel is nothing but a religious nut. In addition to the two scenes I mentioned, I love the scene where Ratso and Joe are arguing in their apartment when Ratso says to Joe that his cowboy outfit only attracts homosexuals and Joe says in self-defense "John Wayne! You gonna tell me he's a fag!" What I like is the delivery in that scene.I would say that even though MIDNIGHT COWBOY was set in the late '60's, much of it rings true today. That's because although the area around 42nd Street in New York has been cleaned up in the form of Disneyfication in the last several years, homelessness is still just as prevalent there now as it was 40 years ago. Also, many people have unrealistic dreams of how they are going to strike it big only to have their dreams smashed as was the case with the Jon Voight character. One thing that impresses me about Jon Voight's character is how he is a survivor and I felt that at the end of the movie, he had matured a great deal and that Ratso (Dustin Hoffman's character) was a good influence on him.In conclusion, I want to say that I suggest that when watching this movie, one should watch it at least a couple of times because there are so many things that go on. For example, there are a bunch of flashback and dream sequences that made more sense to me after a couple of viewings. Also, what I find interesting is that there is a lot in this movie that is left to interpretation such as what really happened with Joe Buck (Jon Voight's character) and the people who were in his life in Texas. Even the ending, while I don't want to give it away for those who have not seen the movie, is rather open-ended. | 1 |
train_3315 | Bette Midler showcases her talents and beauty in "Diva Las Vegas". I am thrilled that I taped it and I am able to view whenever I want to. She possesses what it takes to keep an audience in captivity. Her voice is as beautiful as ever and will truly impress you. The highlight of the show was her singing "Stay With Me" from her 1979 movie "The Rose". You can feel the emotion in the song and will end up having goose bumps. The show will leave you with the urge to go out and either rent a Bette Midler movie or go to the nearest music store and purchase one of Bette Midler's albums. | 1 |
train_1817 | All Dogs Go to Heaven plays on the canine criminal underworld. The film is a delight for children with a comical and dark-but-satisfying and happy-ending storyline with plenty of song and dance. It features outcast Charlie, a fellow canine criminal who is murdered but returns from the dead. He meets a homeless human girl who looks up to him, and through this relationship, he realizes the meaning of life and self-sacrifice. This is a cute animation loved very much through my eyes as a child. I would highly recommend this film to children. I'm unsure about how adults would react to it. (I tried to watch it a few years ago on VHS, but those recordings don't last long, do they?) | 1 |
train_24544 | Went to see the movie "Troy" this afternoon. Here's what I learned:Contrary to popular opinion and history in general, Greek men were not gay. EVER. This was clearly established immediately at the start of the film and reinforced every five minutes or so thereafter. So it is safe for American dudes to see this movie.Helen of Troy always had impeccable hair and makeup. She looked gorgeous in all of her brief cameo scenes which, though numerous, were probably all filmed on the same day, one after the other, with the director saying, "Alright, now look beautiful . . . good ... OK, now look frightened ... good... now look depressed ... good ... now look interested . . . good ... now look beautiful again ... good..."Most Greek and Trojan men had British accents. Those with American accents couldn't act.Trojans looked just like Greeks, but they tended to stay on the right side of the screen.Brad Pitt does not blink on camera.Helen of Troy's biggest line was, "They're coming for me."Trojan music sounded remarkably like modern Bulgarian music.Brad Pitt's thighs go all the way up.Achilles had a young male friend with whom he was very close, but it's OK. They were cousins. Never mind what history says.Peter O'Toole can tell an entire story with just an expression.Trojan gods apparently all had Greek names, but their statues either looked Egyptian or like Peter O'Toole in drag.Greek men never touched each other unless they were fighting, much like American men.All of the thousands of extras in the movie had exactly the same skin color... Light Egyptian, by Max Factor.Troy had only three women.There were lots of blond Greeks, which is good news for Brad Pitt, who would otherwise have really stuck out.Despite their coastal desert locale, Greeks had the uncanny ability to find unlimited amounts of timber to build fires, funeral pyres, Trojan horses and the like.British actors look silly with Greek hairdos.Brad Pitt changes expression only when the sun is shining directly in his eyes.Greek soldiers fought constantly, but their outfits always looked impeccable.Greek soldiers wore underwear under their skirts.Apparently Greek temples were always in ruins, even back when they were all new. | 0 |
train_127 | Zentropa has much in common with The Third Man, another noir-like film set among the rubble of postwar Europe. Like TTM, there is much inventive camera work. There is an innocent American who gets emotionally involved with a woman he doesn't really understand, and whose naivety is all the more striking in contrast with the natives.But I'd have to say that The Third Man has a more well-crafted storyline. Zentropa is a bit disjointed in this respect. Perhaps this is intentional: it is presented as a dream/nightmare, and making it too coherent would spoil the effect. This movie is unrelentingly grim--"noir" in more than one sense; one never sees the sun shine. Grim, but intriguing, and frightening. | 1 |
train_17610 | I occasionally see some of this show because my wife watches it sometimes. I try to enjoy it for it's basic idea which is helping a needy family, but several factors get in the way for me. Every episode follows the same format where many parts seem totally scripted (which they are) and tears flow seemingly on cue. The attempt to manipulate the viewer with a mixture of emotional breakdowns and sad music is a real turn off for me. The fact that everyone who donates something to the house, be it Sears or whoever, has to plug themselves for being generous is also annoying. Probably the biggest problem I have with it all is that what must be huge amounts of money and a small army of workers are combined to build an amazingly over the top home for a single family. Now I know that this amount of money is nothing but a drop in the bucket for Disney/ABC but how much more could be done for more people with the amount they are putting on one house? Instead of focusing on one family and getting them all to cry during the episode why not help 10 families and show highlights? Isn't life difficult enough for the average person? Why do I need help finding things to feel sad about, why not show something truly inspiring without being manipulative? I know what is being done for these families is good, but they are also being used for ratings. You can't tell me they aren't being coached sometimes on the crying. I guess when I see these people moving into a home that most hard working people in the U.S. could not afford for their children it really bothers me. I can't help but think of what could really be done with a small portion of Disney's money. Instead of giving each member of the family a flat screen TV and or personal shower that tells you the water temperature and shoots out of the ceiling why not help more people afford food, clothes, education and medical insurance? I know so we can be entertained and have a good cry. In terms of money, I feel the same about Oprah. I don't think anyone can actually conceive the amount of money she possesses. Yes her recent reality show did good things, but when she gave $30,000 to each losing "contestant" I'm sitting here thinking...that's a years salary for many, many people...if they're lucky. Don't get me started on game shows. So I realize that Extreme Makeover Home Edition is "doing good", but forgive me if I see it as more self serving than giving of itself. Is there anyone out there that feels similar? | 0 |
train_1845 | Why this is called "Mistresses" is a puzzle, because it's about four women, three of whom aren't mistresses
Except, wait. Ah, I see. It's a salacious title and we all have to merchandise I suppose. The series itself? Delicious. Most of the characters are hell bent on cutting metaphorical chunks off themselves. Great fun. Reminds me of LWT's 1976 miniseries "Bouquet of Barbed Wire", where every character and their dads wielded the machete.Siobhan (Orla Brady) is the only actual mistress and she's getting herself in proper trouble. Husband is infertile. So no chance of a baby there then. But at work, there's Dominic, played by uber-sexy Adam Rayner, who looks so good that there's no surprise when heavy lust breaks out. Dominic, it turns out, has no fertility problems. I expect his sperms do swashbuckling - probably each carries a little sword - and now Siobhan is inevitably pregnant that way instead. What Siobhan should do is to shut up good and tight, and go with - it's a miracle. What she actually does of course is say to her friends "I have to tell my husband". No you don't. Really, you don't. Stop. Stop!Katie (Sarah Parish) was a mistress once, for we learn that she'd had an affair with a married man before the series started. Unwisely, she's now taken up with his son. The father died of cancer and Katie, who is a doctor, helped him on his journey. So, she's an euthanasiarist, has had affairs with two of her patients and is sleeping with the son of the father in carelessly ignoring the incestuous undertones. It's not going to end well for Katie.Jessica is an experimental lesbian. She arranges events and she's busy doing a lesbian marriage as the series gets underway. She quickly gets into steamy eye exchanges with one of the brides Alex, played by Anna Torv, and the script hurries along to a lesbonk with great haste. However, it can't think of a good way of putting the two women in bed together, so it invents a very lame "You're not having a hen night?! Well I can't let you get away with that. I'll organise one and the guests shall be .. Me!", which achieves the result but isn't exactly Winterson. I thought script writers were supposed to earn their living. Lazy. Torv's interpretation of her character is good. Alex treats Jessica as possibly unsavoury and Alex's body language always points backwards when she's moving forward. Mind, once she's over the wall, in she happily goes, and unsurprisingly, for Shelley Conn is so mouth-watering that so would a good percentage of the human race given the chance.Which brings us to Trudi, who's a widow. Of course there should be plain people in a community but, if you're going to have a plain character, then you have to invent something to admire in them. It's quite possible to be a lump and engaging. However, Small's Trudi looks like one of those characters that Casting put prominently in a medieval crowd scene after the director said "That's ridiculous, not every single character would be pretty". More tellingly, you can't find anything to admire in her. Nothing. She's a turnip in a bowl of apples. Appallingly, she does "sexy" from time to time. I won't forget her appearance in bright red corset with stockings tucked into her crotch for a long time, and for all the wrong reasons.So, good, delinquent fun all round. There's easily enough material here for a second series and I hope that they do one. I trust they learn one lesson though. The characters never take off their underclothes in bed! Having spent abandoned hours of unbridled lust, afterwards they surface still wearing their bras, or keep the sheets tight wound round their naughty bits. After several episodes, no nipples yet and you can go beg for a cock. What's this? Early 21st century puritanism? So production team, are you listening? Your characters will solve some of their mental problems if they Do abandon as well as Talk it. At least they'll have more fun in the fun scenes, poor things. In a series dominated by either being in the bedroom, or wanted to be in the bedroom, or having just been in the bedroom, it's a bit silly, and jars a lot, that the characters bonk in their underwear.Overall. I was going to score 6 (top end medium), but the series does one trick that's rare enough. When each episode ends, you always want more, and you look forward to the next one with anticipation. So I score 7. | 1 |
train_11299 | Well, I'd heard from somewhere that Ossessione is a precursor to the Italian film genre, and particular favourite of mine, the 'Giallo'...but actually, aside from the fact that this is a thriller that was made in Italy; the two have pretty much no relation. In the sixties and seventies, Italian film-makers would get themselves a reputation for ripping off just about every successful American film released. They've not done that here, but Ossessione does follow almost the exact same story as the later American film 'The Postman Always Rings Twice', without giving the book's author, James M. Cain, so much as a credit! Anyway, the plot focuses on Gino Costa, a handsome drifter who, by chance, stumbles upon a café where a woman named Giovanna Bragana works. He soon learns that she's married to Giuseppe; a big fat annoying man, whom Giovanna can't stand to have even touching her. He wants the pair of them to run away together, but she's not so keen on the idea. However, fate ends up intervening and her plan to have her husband murdered is successful...Despite the fact that the film loses some credibility for not crediting the author whose story it's based on, it has to be said that director Luchino Visconti implements the film noir style well, and in a way I even prefer the atmosphere of this film to some of the bigger American noir classics. The story is, as you would expect, extremely strong and the Visconti manages to pull good performances out of his cast. Visconti drags the film out a little bit too much, however, and with a running time of almost 135 minutes, I felt that the story was too thin to warrant this kind of length. I almost feel guilty for levelling all this criticism at Ossessione as it IS a good film, but it's not a 'great' film. The relationship between the two central characters is never really explored properly, and it seems like the film is keener to distract us from it rather than let us into the characters' heads. There's not much mystery to the plot as we pretty much always know what's going on, and by not always focusing on the characters themselves; the film is not as interesting as it could have been. Still, it makes for an interesting viewing and comes recommended for that reason...although it's not as good as the 1946 version of the same James M. Cain classic. | 1 |
train_18016 | I am uncertain what to make of this misshapen 2007 dramedy. Attempting to be a new millennium cross-hybrid between On Golden Pond and The Prince of Tides, this film ends up being an erratic mess shifting so mercurially between comedy and melodrama that the emotional pitch always seems off. The main problem seems to be the irreconcilable difference between Garry Marshall's sentimental direction and Mark Andrus' dark, rather confusing screenplay. The story focuses on the unraveling relationship between mother Lilly and daughter Rachel, who have driven all the way from San Francisco to small-town Hull, Idaho where grandmother Georgia lives. The idea is for Lilly to leave Rachel for the summer under Georgia's taskmaster jurisdiction replete with her draconian rules since the young 17-year old has become an incorrigible hellion.The set-up is clear enough, but the characters are made to shift quickly and often inexplicably between sympathetic and shrill to fit the contrived contours of the storyline. It veers haphazardly through issues of alcoholism, child molestation and dysfunctional families until it settles into its pat resolution. The three actresses at the center redeem some of the dramatic convolutions but to varying degrees. Probably due to her off-screen reputation and her scratchy smoker's voice, Lindsay Lohan makes Rachel's promiscuity and manipulative tactics palpable, although she becomes less credible as her character reveals the psychological wounds that give a reason for her hedonistic behavior. Felicity Huffman is forced to play Lilly on two strident notes - as a petulant, resentful daughter to a mother who never got close to her and as an angry, alcoholic mother who starts to recognize her own accountability in her daughter's state of mind. She does what she can with the role on both fronts, but her efforts never add up to a flesh-and-blood human being.At close to seventy, Jane Fonda looks great, even as weather-beaten as she is here, and has the star presence to get away with the cartoon-like dimensions of the flinty Georgia. The problem I have with Fonda's casting is that the legendary actress deserves far more than a series of one-liners and maternal stares. Between this and 2005's execrable Monster-in-Law, it does make one wonder if her best work is behind her. It should come as no surprise that the actresses' male counterparts are completely overshadowed. Garrett Hedlund looks a little too surfer-dude as the naïve Harlan, a devout Mormon whose sudden love for Rachel could delay his two-year missionary stint. Cary Elwes plays on a familiar suspicious note as Lilly's husband, an unfortunate case where predictable casting appears to telegraph the movie's ending.There is also the omnipresent Dermot Mulroney in the morose triple-play role of the wounded widower, Lilly's former flame and Rachel's new boss as town veterinarian Dr. Simon Ward. Laurie Metcalf has a barely-there role as Simon's sister Paula, while Marshall regular Hector Elizondo and songsmith Paul Williams show up in cameos. Some of Andrus' dialogue is plain awful and the wavering seriocomic tone never settles on anything that feels right. There are several small extras with the 2007 DVD, none all too exciting. Marshall provides a commentary track that has plenty of his trademark laconic humor. There are several deleted scenes, including three variations on the ending, and a gag reel. A seven-minute making-of featurette is included, as well as the original theatrical trailer, a six-minute short spotlighting the three actresses and a five-minute tribute to Marshall. | 0 |
train_18128 | I am not an artistically inclined individual. I am a science minded woman and I felt that this movie was maybe one of those campy artsy type films on a budget. I watched part of it with my fiancé and my future step daughter. We tried very hard to find something in this film to keep our interest. My fiancé and his daughter voted it off and we moved on to Ocean's 13,but that is another story. Not to be deterred I awoke the next morning and gave the movie another shot. I began again watching this movie in earnest. I just don't get it,I thought I would get it.I thought the funniest part was the flushing of the ashes and the urn finding a spot by the fireplace being used as a vase for what appeared to be dead flowers. Interesting and still it had dead stuff inside. It was an odd and bizarre movie. Maybe this is what they were after,however I won't be tricked a second time! | 0 |
train_11659 | This animated feature (a co-production between Ireland, Belgium and France) deals with what is surely one of the oddest subject ever for a movie: the creation in the 9th century of a famous illuminated manuscript, the book of Kells. In this fantastic retelling of that story, a prepubescent boy named Brendan, living in a monastery ruled by his uncle, a stern abbot who is worried preparing the defenses of the abbey from the impending attack by the feared vikings, must get into the forbidding surrounding forest to find the materials that a master illuminator named Aidan needs to finish the book. To do that task, in the forest he unexpectedly finds the help of a friendly fairy named Aisling.Gorgeously and delicately drawn by hand (there is some computer animation in a few key passages) in a manner that wants to resemble both medieval and traditional Celtic art, and with a very creative use of color and all sorts of geometric shapes, this film is relentlessly strange, but is a good strange, not of the off putting variety but of the eye opening sort. If one were to nitpick - beyond some anachronisms, like an African monk in 9th century Ireland one would have to say that the blend of Catholic mysticism with Celtic paganism in this movie never really coalesce. And the comic relief is sometimes a bit too broad. That's why I cannot give them the highest ranking. But these are minor problems with an otherwise delightful and superbly imaginative film. | 1 |
train_5263 | Netflix should mention this short feature on the info for Silk Stockings. Superior in every way to that over-produced fluff. This had much better Cole Porter songs and lots more energy. Silk Stockings turned out to be a big disappointment. Fred was getting too old for this sort of thing, though the dances and Cyd are lovely. I will be on the watch for the Garbo--Melvyn Douglas version of Ninotchka. Was Peter Lorre ill during the making of Silk Stockings--he seems to be very passive in the more active numbers and with less lines? Very glad that I ran across Paree--Paree by pure accident. Made the whole experience a lot more enjoyable. Bob Hope, as a simple "song and dance man' is pure joy. | 1 |
train_12335 | Warning: contains a spoiler. Corny plot and in many cases terrible acting. Fontaine is great, but some others, particularly Richard Ney, Ivy's husband, are exceedingly wooden. Ney lies in bed, dying of arsenical poisoning, with every hair in place. Yet the movie is so juicy and so suspenseful. More faithful to the book than most movies of its era. Casting Joan Fontaine as a poisoner (and an adulteress, which was just as shocking then - I'm not kidding, kids) was a masterful stroke. She's just her usual Joan Fontainey self. As murderers were supposed to, she dies by falling "feet foremost through the floor into an empty space." | 1 |
train_593 | This game show lasted just one season, but was intriguing to audiences because it required visual aptitude and a steady hand. One false move would disqualify the contestant from winning the prize, even though it was clear the contestant knew the correct answer. It was always exciting as the contestant began drawing, wondering if they would complete the drawing or be buzzed out; allowing the other contestant to easily win the contest. It was a light-hearted show, but it was clear that the contestants were often times embarrassed from a silly mistake made unintentionally. Rarely seen, the game show did not survive past one single season. Only a seasoned game show addict will remember this show, as it proved to be quite unpopular, even though game shows were making a big return to the TV screen after the scandals of the 1950's game shows. But it was a unique concept for a game show, and one that has as yet never been seen again. | 1 |
train_16899 | "Tapeheads", a scrappy, intermittently funny spoof of the music video business, might have been the perfect comedic short, and stars John Cusack and Tim Robbins are effortlessly in the swing of the nonsensical chaos involved. They play two semi-savvy security guards in Los Angeles who start their own company, Video Aces, making hilarious videos for groups, parties, and one deathbed star. It's too bad the filmmakers had to invent a dim side-plot to pad the running time (shenanigans involving a crooked politician and his henchmen which doesn't do much except take away from the movie's primary strength, sending-up the music culture of the late-'80s). Still, Cusack and Robbins create a couple of originals here: nerdy but loose, street-smart without being hipsters or posers, these guys are on the same nutty wavelength, and they never put each other down. They're the real thing in buddy-comedies. *1/2 from **** | 0 |
train_1571 | Not since Spongebob Squarepants have i seen a greater cartoon on TV. The colors are great, the voices could't be better, the characters are so original, great great cartoon. Hope Nickolodean continues to develop this cartoon. Hope the Season DVD comes out soon!!! I love cartoons like this and I hope more people tune in to se this great cartoon. It is very hard to find the Season DVD, so if somebody finds a store that is selling it please let me Know. The only Catscratch merchandise available on Nick Shop is a great lookin shirt, but very very very expensive!!! If you love Spongebob; and who doesn''t?; you'll love Catscratch too! | 1 |
train_24627 | Sorry Fulci fans, but I could not get through this one. The soundtrack was about as annoying as they come, the acting was puerile, the story has been done and done, and the direction was non-existent. Massacre honestly looked like a children's film project. But I've seen some of those, and they actually look better than this did! It appears to have been so underfunded they couldn't afford ... ANYTHING! Not a DoP, not a director, no one who even remotely had a clue what acting was. It was a very poor cinematic experience; one of my worst.This was about the worst suck-fest I've seen, next to Terror Toons which is second only to Killer Klowns from Outer Space. I've nothing else to say about it.It rates a 0.1/10 from...the Fiend :. | 0 |
train_11230 | Hidden Frontier has been talked about and reported on by several news agencies for their long commitment to creating the best Star Trek stories and to providing an example of the togetherness that was Gene Roddenberry's mission. Their focus on homosexuality, depression, war, and acceptance of different races is on par or exceeds those of the other Trek series and movies. The production value started off as smaller and choppy but over the 7 seasons of production the acting has improved, the stories are more complex, and the visual graphics have gotten smoother and more impressive. In season 6 episode 1, Countermeasures, there is one of the biggest space battles in Trek history. The ships are rendered well and the space battles are impressive and exciting. The real draw to Frontier is not the ships or the backgrounds, but it is the people and the interplay and growth of characters. There are also nods to other Trek series and movies with places and characters we all know. I recommend any Trek fan to check out Countermeasures and you will be hooked! | 1 |
train_8124 | Aside from the great movie METROPOLIS, this is about the oldest pure sci-fi movie. While at times the film is a bit preachy and the acting can be a bit broad, it is a great film for two reasons. First, it is extremely original in both style and content. Even in the 21st century, there are no films I can think of that are anything like it. Second, for its time, the special effects were absolutely incredible--using matte paintings, models and huge casts to create amazing scenes of both a post-apocalyptic world and a vast city of tomorrow. Sure, you could sit back and knock the film because, by today's standards, the effects are only so-so. But, you must appreciate that this was state of the art when the film came out in 1936 and it must have really amazed audiences. In many ways, the sets look highly reminiscent of the "modern cities" featured at the 1939 WORLD'S FAIR.I think the movie is also interesting because it seems torn by the question "are people really THAT stupid or are we destined for greatness?" The end result seems to be a little of both! How true!A final note: I saw this twice on TV and just a short time ago on video. All three times the sound and print quality stank--particularly the sound. If this is available on a DVD, hopefully it is a lot cleaner and will provide optional captioning. As the sound on the video kept cutting out, I really would have appreciated this! | 1 |
train_12190 | It's very hard to say just what was going on with "The Lady from Shanghai" and what the film could have been without studio interference. Orson Welles' prime interest in film at this point was to raise money for his theater; indeed, funding his own projects is what drove him to seek out acting jobs. He made "Lady from Shanghai" for his soon to be ex-wife, Rita Hayworth. Harry Cohn was fearful for Rita's image and held back the release of this movie for one year.The plot concerns an Irish sailor, Michael O'Hara, who falls in love with Else (Hayworth, stunning with short blond hair). Her husband is a well known criminal attorney Arthur Bannister (Everett Sloane) who is as crippled on the inside as he is out. He hires O'Hara to work on his yacht, and there O'Hara is drawn deeper and deeper into a web of murder and deceit."The Lady from Shanghai" moves at a snail's pace, though I agree with one of the posters that films today are criticized for taking time to build a plot. Still, this movie drags. The scene in the fun house is fantastic - Welles wanted it without music, though, and I believe the studio cut it down. It's a shame. The photography throughout is stunning, atmospheric, bold, and very stylish.Welles was an excellent actor, handsome in his youth, charismatic and possessing a magnificent voice and technique, but in many films, it's almost as if he doesn't trust himself or doesn't take the time to develop a character. Instead he relies on externals such as accents and fake noses. One of the only times he didn't do this was "Tomorrow is Forever," where the director gets an excellent, deeply felt performance out of him. Contrast that with "Compulsion" where he shows he is a master of pure technical acting as he phones in his performance. Here Welles is doing quadruple duty - as director, star, co-writer and narrator. Sporting a completely unnecessary accent and looking intense was a fast way to a characterization. Nevertheless, he is always compelling.The supporting players are excellent, including Sloan and Glenn Anders. Hayworth, gorgeous and soft-voiced (her singing was again dubbed by Anita Ellis) is as usual a complete goddess and one of the great screen presences. What a sad life for such a vibrant beauty.Any film that Orson Welles directed is worth seeing, and "The Lady from Shanghai" is no exception. But this one leaves the viewer frustrated, as does "The Magnificent Ambersons" - as does any work that Welles did within the studio system. He was a great artist who should have been given a freer reign; he wasn't. He was a strange dichotomy - he needed more freedom, but as is evidenced by some of his later work, he needed the structure of the studio. Alas, he couldn't have both. | 1 |
train_5809 | I think that this movie is very neat. You eithier like Michael Jackson or you don't, but if you like him then you have to see this movie. I think that it is a very neat film with great song play and good imagination. Not to mention the film center piece Smooth Criminal which has some of the best dancing you will every see. | 1 |
train_8639 | I have to start off by apologizing because I thought the first 75-80% of this film was hilarious. It's mostly because of Brad Pitt's performance. Spot on.The acting by all involved was quite good but Brad stole the movie. The atmosphere was perfect in all respects. I'm not a giant Pitt fan but this has got to be one of his best roles ever.Brutal,Honest,Gritty. All good words to describe this movie.I was reading a previous review and the person said that the reasoning behind Early's violence isn't explained. It is explained but they thankfully don't have to go into graphic detail to get their point across.Overall I gave this a 9 because every scene bar 1 or 2 was effective. I think the humor in the first half or so is perfect for this movie. Underrated. | 1 |
train_4959 | I'm a big fan of Morgan Freeman. 'The Shawshank Redemption' ranks at the top of my all-time favorite movies. But I have to admit that I have often wondered about his choice of roles. So many of his titles were big budget clichés with no heart. '10 Items Or Less' for me marks the return of Freeman to a role that truly showcases his considerable acting talents.Freeman plays an unnamed, formerly big time Hollywood actor who hasn't worked in several years. He has been offered a part in an unspecified indi picture for which he is doing some research at a grocery store in a poor neighborhood in LA. After being stranded there by his flaky driver, Freeman is offered a ride home by checkout girl Scarlet (Paz Vega), whom he has semi-befriended. Before she can take him home, however, Scarlet has a big job interview she needs to get to, and Freeman agrees to tag along in exchange for the ride.The movie follows Scarlet and Freeman to several locations, but the movie is really just a character piece about the interactions between the two. Freeman is the quintessential disconnected Hollywood type who hasn't heard of Target, and doesn't know his own telephone number or even what day of the week it is. He spouts wisdom from the Dalai Lama filtered thru his 'the whole world is but a stage' mentality, and repeatedly calls Scarlet's job interview an 'audition'. And yet he has a way with people, a way of affecting them that extends beyond his fame. He is a fan of humanity. He studies them, asks incessant questions about them, and delights in their quirks where others would simply be annoyed. In Scarlet, he sees the stubborn, proud loner that he was; he sees the man he used to be.Scarlet, for her part, displays a fierce pride and sharp tongue that serve to hide her own insecurities about herself. Vega plays the role with a connection to Freeman that skates the line between an almost daughterly love and physical attraction, although she plays it beautifully and it's not at all as creepy as it sounds. But even as she feels her connection to Freeman grow, Scarlet has a keen eye for the reality of their different worlds and cuts thru Freeman's Hollywood bull*hit with a sharp pragmatism that refuses to accept anything but the truth.The movie is smart, funny, and well written, with dialogue that is simple but effective. I read one IMDb review that said the lines were 'stilted', which I think is a misinterpretation of realistic human speech. There are no big soliloquies here, no deep soul searching moments. And so the trick is, I think, to show how people in ordinary, everyday life can forge connections with one another. And I think Freeman and Vega pull it off beautifully, painting a picture of a bond between two people that glitters like sun on the ocean, ethereal and elusive. Long after it's gone it lives on in your memories, tantalizing you with what might have been. OK, that was a bit flowery, but I really did like the performances and the movie. I would definitely recommend it. | 1 |
train_6645 | An ultra-modern house in an affluent neighborhood appears to be the cause of each of its inhabitants bizarre (and deadly) behavior. Or at least that is what Lara Flynn Boyle's character, Col Kennedy, argues. After a series of deadly occurrences in a gargantuan house next door, Col knows something has got to give. Mark-Paul Gosselaar also stars as the mysterious architect.My opinion: The House Next Door works because of Lara Flynn Boyle and the locations (beautiful house) and stylish sets. Boyle is a talented and dynamic actress, not to mention absolutely stunning. She brings credibility to her character and makes the film intriguing. Without her, it would have failed. "It's so alive" declares a prospective buyer in reference to the house. Yes, it is alive. But the story itself is not so much.Barring Boyle's presence, not much is happening here, as an enormous amount of the movie is spent watching or waiting to see how the house will affect its current owners. The results are predictable. But I liked it anyway. The cinematography lends the film a polished look. 8/10 on account of Boyle, the premise of an evil ultra-modern house, the locations and cinematography, and set decoration and wardrobe. | 1 |
train_1157 | This is one of the best comedy ever ! The writing of this parody of soap is brilliant and the cast, well just look at the names of the cast and you'll understand why it is so great. If you're a Kevin Kline fan, he does (as always) an fantastic performance, and Robert Downey Jr is perfect. If you don't laugh while seen this movie, you don't have any sense of humor. | 1 |
train_14891 | I love movies. I love independent efforts and major studio productions. I love films with stars and I love those featuring unknowns. I love dramas, comedies, action-adventures, science fiction, mysteries, westerns, any genre except horror. I love foreign films as well as those in English. I love good movies and I even love bad ones, because almost no film ever fails to entertain or amuse on some level. Except for "Even Cowgirls Get the Blues."When I attended a late-night showing of "Cowgirls," I joined an audience of around 10. Less than halfway into it, I alone remained. Soon not even I could tolerate the disturbing mess unfolding before my eyes, and I left as well. To this day "Cowgirls" remains the only movie I have ever walked out of.I don't quite know how to describe this incoherent, vacuous, trashy, meaningless film, or how to adequately convey its lack of redeeming value. Suffice to say that it ranks as one of the worst major films of all time, preposterous and inexcusable on every level. It tries to be clever, but its conception of feminism seems hopelessly anachronistic. It tries to be funny, but its humor is coarse and cringe-worthy. This is one of the few films which manages to profane its own ethos, by depicting protagonists in so off-putting a manner that you revolt against them and their values. If you want to watch a movie, watch "Waterworld," "Ishtar," anything but this. Except for the new "Alexander." If you're choosing between that and this, read a book instead. | 0 |
train_7891 | Now all the kids and teenagers of Springwood, Ohio are all dead expect for one teenager (Shon Greenblatt) is still alive. Freddy (Robert Englund) is letting him go and the teenager doesn't have much of a memory, when he's arriving in a new town. When a tough female psychologist (Lisa Zane) tries to break though the new patient. She's finds out, where he's from. She brings him along to Springwood to spark some memories but three teens (Lezlie Deane, Breckin Meyer and Ricky Dean Logan), who unexpected came for the ride. Once they arrived in Springwood, the psychologist has some memory that she did lived in that town before as a child. While Freddy knows the true secret of her true identity.Directed by Rachel Talalay (Ghost in the Machine, Tank Girl) made a grim but somewhat oddly different sequel with some visual style and funny moments for this horror/fantasy/thriller. Yaphet Kotto (Alien) has a supporting role as a Psychologist expert on dreams. This has some ingenious visual effects (Not everyone will love the climax, especially in 3-D) and some good style in its storytelling. This one did out gross some of the film's series at the box office.DVD has an strong anamorphic widescreen (1.85:1) transfer (also in Pan & Scan) and an strong-Dolby Digital 5.1 Surround Sound. DVD has the original theatrical trailer, Jump to a Nightmare opinion and Cast & Crew information. The "Elm Street" Series Box Set, the eighth disc has interviews with the the cast & crew of this sixth film. The sixth film is also in 3-D for the film climax but you could watch it at 2-D also. This is the last of the "Elm Street" films until Wes Craven resurrected Freddy into a different, darker style in "New Nightmare" and the silly but surprisingly enjoyable spin-off horror film "Freddy Vs Jason". Watch for Robert Shaye (Co-Owner and Co-CEO of "New Line Cinema"), Roseanne Barr, Tom Arnold, Johnny Depp and Alice Cooper in amusing cameos. Written by Michael De Luca (John Carpenter's In the Mouth of Madness). From a story by the director. (*** ½/*****). | 1 |
train_2781 | This was an adorable movie. A real feel-good movie when you need one. The story is light (this is no Gone With the Wind) but sometimes, one needs this kind of plot. Funny and warm characters, fantastic acting and beautiful costumes/wardrobe.Parminder K. Nagra (also from the TV show ER) is WONDERFUL in this role. She is definitely a new shining star for Hollywood. All should keep an eye on her, she's going to be BIG in the future.Also impressing was the soundtrack for this movie. A nice mix of modern and Indian tunes. I was dancing throughout most of the movie.Highly recommended if a fun movie is what you need. | 1 |
train_16051 | This movie is just plain terrible!!!! Slow acting, slow at getting to the point and wooden characters that just shouldn't have been on there. The best part was the showing of Iron Maiden singing in some video at a theater and thats it. the ending was worth watching and waiting up for but that was it!! The characters in this movie put me to sleep almost. Avoid it!!! | 0 |
train_2280 | Hard to categorize the film - perhaps it's an avant garde spy thriller? Mother Night is a very good Vonnegut novel, and most certainly one of his easiest novels to adapt into a feature length film. The film adaptation is very faithful to the original book. The "indie" approach to how this film was produced is probably more effective than having a big Hollywood studio financing it. These days, I doubt an intelligent novel like Mother Night would ever get the green light from the big Hollywood grindhouses. And normally that is too bad, but not in this case. Mother Night has tight direction and a solid cast. Nick Nolte who seems to be getting better roles as he gets older, still has that "everyman" persona that allows him to take on a wide range of different characters. Sheryl Lee is beautiful and great as always. I always thought she deserved better than she got out of the entertainment industry. I guess making your debut as a dead girl (Twin Peaks)with little air time isn't the choicest of roles, even if the TV show becomes a minor phenomenon. Anyway this film is totally enjoyable and you don't have to read the book to understand the movie. In fact, given today's geopolitical realities, the novel's premise may appear dated, and some younger viewers with little knowledge of history will be utterly confused by the events unfolding (I am talking to you, fellow Americans who are students and scoring the lowest in the industrialized world in geography, history, and lord knows what other subjects!). | 1 |
train_12696 | This movie is flawed on many fronts. Like many before it, it portrays more of the mythology of the Alamo than the history. The production is poor, overall giving the impression of a welfare project for lots of actors who might have otherwise had to work on Hollywood Squares. This to me was the greatest flaw - I know the ages and general personalities of the real Alamo protagonists and the geriatric ensemble of TV actors chosen to portray them never let any hint of believability intrude.As a native Texan, I grew up with the mythology. I later learned more about the history. I can accept a decent production from either perspective (although I prefer more historical accuracy), but this never gave me a chance to enjoy it. Even John Wayne's or Fess Parker's versions had more life than this stolid mess, while being only slightly less accurate.Very disappointing - avoid it. | 0 |
train_7115 | A wonderful and gritty war film that focuses on the inner torment of blinded marine Al Schmid. Although it is tough and unpleasant it IS in the end heroic - Schmid's triumph over disability and depression. The battle scene was superb. But one bone to pick. No matter how many .50 bullets they fired I never saw any water or dirt being kicked up by the impacts! It hurt the realism, but I can live with it. Fine performance by Eleanor Parker, again, as his girl friend. | 1 |
train_4389 | From the excellent acting of an extremely impressive cast, to the intelligently written (and very quotable) script, from the lavish cinematography to the beautiful music score by Carter Burwell, Rob Roy offers a rarity in movie going experiences: one that is nigh impossible to find fault with in any area.There have been several comparisons made with Braveheart, which came out the same year. With all due credit to Mel Gibson, Braveheart struck me as too much of a self-conscious and preachy epic to rival Rob Roy as the kind of movie I would care to see more than once. While Braveheart works hard to be a serious epic, Rob Roy just grabs you and absorbs you into its tightly edited storytelling. Not a single scene is wasted.Rob Roy contains the perfect balance of dramatic tension, action and even occasional humor. The characters are well fleshed-out, perfectly conveying vernacular and mannerisms that anchor them in their authentic period setting.Further, they are not caricatures of good and evil as we all too often observe in even modern film.For example, while we hope the heroic Rob Roy prevails, we realize his predicaments are products of his own pride and sense of honor. Tim Roth plays one of the most hateful bad guys in the history of cinema, yet there are moments when we can understand how the events of his life have shaped him into becoming what he is. Rob Roy employs a level of character development that makes its story even more believable and gripping.Rob Roy is a delightful treasure, featuring one of the greatest sword fights ever choreographed and a climatic ending worthy of all the tense anticipation. | 1 |
train_7245 | This is the only full length feature film about the world of bridge. I found the first 10 minutes a bit slow, but after that, the movie is absolutely perfect in describing professional bridge players and how they go about earning a living. Some of the scenes are very funny. I don't think that a non-bridge player would get the charm of this movie. Some of the dresses are really beautiful, pity the movie is in black and white - I can only imagine what they would look like in color. The way the media are portrayed is absolutely hilarious. There is no way on earth bridge will ever be like that. Watch it as soon as you can, and tell your friends about it. | 1 |
train_18229 | This has to be the WORST movie ever!!! The acting is scarier than the movie. Lots of blood, but no idea where it comes from, cuz they don't even show you the cuts. I can't believe I wasted my time watching this movie. We laughed like we were watching a comedy and not a horror movie. This is a disgrace to horror films!!! For one if they are in Asia why is there a white cop driving past Waste Management trash cans?! There's so much of another language that you don't even know what's going on half the time. The film editing is a joke, my teenager could do better. And if I went to a movie theater and that nasty old man was working the window that would be the first clue. DO NOT WATCH THIS MOVIE!!! NOT TO EVEN SEE HOW BAD IT IS, YOU WILL BE SORRY YOU DID!! | 0 |
train_8137 | If you like CB4, you have no idea what you're missing if you haven't seen this film yet. This movie is crazy hilarious, and incorporates a lot more about the hip hop industry than any other parody movie... It is unfortunate that this movie has not been released on dvd because it is one movie that everybody I've ever watched it with has loved and wanted a copy. If you really want a good laugh and you like hip hop and are a little familiar with some old-school performers, definitley rent this movie. There aren't that many video rental places that have copies of it, but if you happen to come across one you will not be disappointed. | 1 |
train_16835 | The movie and acting are not bad and Jay Hernandez does a good job playing Calito Brigante but the movie forgets it's suppose to be a prequel to a hit movie. The makers of this prequel clearly did not watch the original Carlito's Way or at least did not care about continuity. This movie is a prequel which means the original movie has already laid out some history for us and this movie should end where the original begins or at least lead up to it. Not one of Carlito's close old friends from the original make an appearance in this movie, they're not even mentioned. Luis Guzman, Pachanga in the original, is in the movie but he plays a completely different character. The original takes place in 1975 and the prequel takes place in 1969-70. Considering this movie takes place less than 5 years earlier, wouldn't you think one of Carlito's long time friends would make an appearance? In the original, Carlito start's out being released from jail after spending 5 years in jail. That's only a few month's between the end of the prequel and the start of the original! ***Semi Spoiler*** We know from the beginning of the original, Carlito has spent 5 years in prison so when the prequel gives us this Hollywood happy ending it's an insult to the intelligence of fans of the original. What happen to Gail? It's the lack of continuity that made this film go direct to video release. | 0 |
train_3732 | Producer Joel Schumacher who also directed "Phone Booth",'02, and many other great films showed in great detail how no one person can really be trained to be a killing machine with out destroying their own personalities and the real fears that a person has to face when going into COMBAT!! Colin Farrell(Roland Bozz),"Intermission",'03, gave one of his best performances and actually carried this entire picture on his back. Matthew Davis(Jim Paxton),"Blue Crush",'02, gave a great supporting role and Shea Whigham(Pvt.Wilson),"All The Real Girls",'03, showed his true acting skills in the role that he played. There was two brief scenes where the soldiers were able to find some hot romance on a short leave in the local town and had to pay for their love and sexual desires. One Army Veteran instructor from Viet Nam told the soldiers how to really torture the enemy by using electrical wires in all the wrong places on a human male body. Enjoyable and entertaining film to view. | 1 |
train_12067 | New York, 1953. One hot night, four famous iconic figures will come together. The professor (Albert Einstein) has come to NY to give a speech, which he has, the senator (Joesph MacCarthy) on his back. Later that night his gets a surprise visitor; a famous actress (Marilyn Monroe). Who actually wants to discuss the theories of Relativity. Soon her ball-playing husband (Joe DiMaggio) turns up at the hotel room, begging to work things out for their crumbling relationship. Flashbacks of childhood, important events, perceived consequences of their actions creep in to show how these individuals cope with despair and a hidden fear waiting to break out.Now that's one-of-a-kind! Adapted off a stage-play by Terry Johnson (who would also script the screenplay for the film), "Insignificance" is an odd, quirky, seductive and downright curious fictional pop-culture gimmick in the hands of director Nicolas Roeg. This inspired and cerebral experimental effort might be rooted in its stage-play origins, because it does feel theatrical and most of the action occurs in a hotel backdrop and one main suite. The cramp look only enhanced the moody and smoky atmosphere of New York to great effect. However these limitations can't contain the fruitful and daring ideas that Roeg manages to randomly storm up visually and through the meaningful material. The way he reflects on the characters' (who are suggestively famous figures, without the need of naming of them) philosophical journeys and interpretations of their notions is stimulating in a spiritual sense, with the memories gelling into the present and visions showing their fears of realisations, which depending on what you're seeing is either beautiful, or hauntingly implemented. There's plenty of food for thought and hints within the verbosely innovative (if sometimes awkward) script, with the main focus concerning the present situation, but the flashbacks gives us the personal make-up (sex, power, enlightenment and glory) of what makes them who they are and how much of a burden it can be in there already demanding lives. Sure the story might not lead to anything by the end, and it can feel disjointed, but the dreamy vibe and intelligent arrangement irons out those folds and makes sure it never turns giddy. Peter Hannan's sensually fluid photography and Stanley Myers' titillatingly oozing blues soundtrack fit in snugly with Roeg's stylistically subdue and established style of directing. He makes it look like he's working with something big and large-scale, but otherwise that's not the case and a small little universe is created. The vintage costumes and locations of the period all come off fittingly enough. What made the film for me had to be the impressive acting it boasted from the main four. Theresa Russell's perky, drop dead gorgeous appeal of the sexy pin-up actress is a growing portrayal that definitely held the film together along with an genuinely excellent and endearing performance by Michael Emil as the professor. Tony Curtis marvellously plays it up as witch-hunting senator and Gary Busey is suitably good in the stoically gravel manner as the ballplayer. Showing up in minor, but amusing support roles happen to be Will Sampson and Patrick Kilpatrick.A memorably striking, fresh and tour de force meditation piece of metaphysics linked together by four different extremes. Some might find it pretentiously estrange and too talky, but this one had me wrapped up in its own little unique world to worry too much about its shortcomings. | 1 |
train_6451 | Firstly, I really enjoyed this movie and its message, which is about daring to live life to the fullest. Very poetic, with heartwarming and funny and sad scenes, very lively, it was a pleasure to watch. Here are my "exceptions" though: The movie was way too long and at some point, it kept adding more and more additional conflicts so that it started to lose the main story line. I disagree though with another comment that its unrealistic to have so many people with "strange" problems in such a small village. I think this was absolutely realistic! There are incredible dramas going on everywhere, we just don't know this about people we meet only superficially. I disliked the ending, which was so loaded with symbolism and extremely forced. It left a bad taste as it was just too much. I did not like it that so many big issues were dramatically mentioned in the group (when some accused others in front of everyone else of major things, people would just be more "ashamed" to voice everything so personal in front of everybody, even if those people are a group one is closely working with). And: defending oneself is a human-beings strongest instinct. So why on earth would Daniel let himself be beaten and never fight back, not even to defend himself? I mean he was not weak, he could at least try to defend himself when attacked but it just drove me mad to see him do nothing. It was as if the storyteller tried to forcefully bring across a message like "violence is not needed", but the way he chose to do this was not good. I am also against violence but the character loses credibility when he stays unmoved despite all the attacks. And: Gabriella...why on earth would a woman, who has spent years with a man beating her up, go to that man when he gets arrested and say "I do not wish you any harm. You have just done your best, like all of us". Oh really, this spoiled so much! Was she going to be a saint or what? It would be normal for her to be bitter but not so almost "holy" and therefore not human. Was her work with Daniel and the music so great that it made her forget all of the s**t that happened to her? Oh, please. So, these were the spoiling moments. Nevertheless, I still think this is a delightful movie all in all, which is amazing enough, given my discomfort with quite a few things. Watch it!! ;-)" | 1 |
train_12838 | Definitely one of funny man Eddie Murphy's lesser films is this nonsense about a kidnapped mystical child, three hundred year old dragons and a "Chosen One".Murphy is the "Chosen One" in question, and as the opening song suggests, he is "the best man in the world". A finder of lost and missing children, he is approached by a mysterious Tibetan woman (Charlotte Lewis) who tells him he is "The Chosen One", and that it is his destiny to find and rescue "The Golden Child". For if the child were to die, compassion would die with him, as he is the bearer of compassion.If all this hocus pocus rubbish hasn't ruined it for you now, it surely will once the movie begins. Suffice to say the plot is abominable and destroys the whole film. Meant to be another vehicle for Murphy's egotistical brand of humour (the comedy isn't so great mind you), the movie fails on many levels. Even Charles Dance as the evil Sardo Numspa can't do much for proceedings. Very silly and disappointing.Sunday, December 12, 1993 - T.V. | 0 |
train_21725 | CQ could have been good, campy fun. But it commits the only unforgivable sin: it is b-o-r-i-n-g! The pace is deadly slow and the plot is fairly confused and so artificial that it's next to impossible to care where it's going. The story would have been acceptable in a creative writing class from a thoughtful and sensitive eighth grader but this video should have carried a warning label: "CAUTION: Student film. Fit for viewing only by relatives of the film maker." | 0 |
train_20902 | The Three Stooges in a feature length western comedy-musical? Perhaps "Rockin' in the Rockies" was meant to combine the Stooges comedy short with the western musical, in a matinée; if so, this was a pleasant way to break up a Saturday afternoon. Jay Kirby (as Rusty) is a handsome young hero; and, Mary Beth Hughes (as the blonde June) and Gladys Blake (as the brunette Betty) are pretty women. The Hoosier Hotshots are a harmonious group; their songs are quite tuneful; however, this is the 1940s, not the 1950s, so the film doesn't exactly "rock". There are a few laughs; but the Stooges' brand of humor is more subdued than usual. The talking horse is also underutilized. **** Rockin' in the Rockies (4/17/45) Vernon Keays ~ Moe Howard, Larry Fine, Curly Howard, Mary Beth Hughes | 0 |
train_546 | I thought it was one of the best sequels I have seen in a while. Sometimes I felt as though I would just want someone to die, Stanley's killing off of the annoying characters was brilliant. It was such a well done movie that you were happy when so and so died. My only problem was in some scenes it looked like someone with a home camera was filming it and it was weird. Judd Nelson is cute, at least in my opinion and he was excellent in the role as Stanley Caldwell. Brilliant movie. | 1 |
train_13494 | This movie sucked plain and simple. Okay so it's basically about a girl that gets raped, and to get revenge she gets another guy to rape the rapist. The rapist is a douche, but the girl victim is partly to blame. I mean they both get in the mood and start kissing and stuff, but when the rapist tries to have sex with her, she doesn't allow it so the rapist rapes her. And the thing is the rape scene for the girl is very short and it doesn't really expose or show anything, but when it comes to the rapist getting raped, it's a pretty long rape scene. There is basically nothing in the story that is worth watching.3.2/10 | 0 |
train_17568 | I am stunned to discover the amount of fans this show has. Haven't said that Friends was, at best an 'average' sitcom, and not as great as others have made out. Let's face it, if it wasn't for the casting of Courtney Cox Arquette, David Schwimmer, Matthew Perry, Lisa Kudrow, Jennifer Aniston and Matt Le Blanc, then who knows whether this show would've lasted as long as it has done. I very much doubt that. Although as the series progressed, Friends got more progressively predictable, lame and boring that I couldn't care less about the characters- of whom are the most overrated in TV history- or of their plight, nor of who was sleeping with whom. And it went from being funny in the first four seasons to occasionally funny. And even when it had all these A-list Hollywood actors from the movie world, I still didn't bother to tune in. The writing in Friends became stale that I lost interest in this show from the sixth season onwards and as for the ending, well it was predictable to say the least.What was annoying though was that this lasted for ten seasons, whilst some of my favourite shows lasted for only three, four seasons for instance and were eventually cancelled and taken off the air for good. The show should've came to an immediate halt by the time the cast wanted bigger salaries. In truth, as much as the series waned, it was the show that was bigger than the actors themselves, not the other way round. When it ended in 2004, I was so relieved to see the back of this sitcom. Now, there is talk of a friends reunion show coming to our TV screens very soon. And yet, I for one will not be looking forward to it whatsoever. | 0 |
train_8109 | H.G. Wells story the shape of things to come was made into a movie in 1935.very well made science fiction tale about a war that lasts for decades.great cast includes;Raymond Massey(arsenic and old lace) Sir Cedric Hardwick(ghost of Frankenstein)Ralph Richardson(time bandits) and Margaretta Scott.early glimpses of helicopters,holograms,a rocket ship,and futuristic cities.this film was ahead of its time.directed by William Cameron Menzies(invaders from mars)its very enjoyable much like the earlier movie metropolis(1927)but avoid the so called sequel the shape of things to come,that was made in 1979. this movie has nothing to do with the original.h.g. wells like Jules Verne had a vision for the future with his stories.a classic science fiction movie.10 out of 10 | 1 |
train_8046 | Who knew they could be so funny?? Christopher Meloni and Janel Moloney are known more for their outstanding work in some of television's hottest dramas. ("Law & Order: SVU" and "The West Wing") Put them together on the big screen and what you get is an engaging romantic comedy with plenty of laughs.The actors develop the story's ongoing relationship with impressive skill, leaving the audience bound to fall in love with Barry Singer (Meloni), despite the fact he's a standup comic who also happens to be a mean-spirited, sexist jerk.You'll be rooting for him even as he takes all his insecurities with the opposite sex and chases Thea (Moloney) halfway around the country in hopes of winning her heart. They have so little in common...but when Barry finally opens his heart, you'll wonder why Thea keeps running away.The Souler Opposite is a wonderful movie with an incredible cast and a gifted writer. Well worth your time. | 1 |
train_15710 | There's really no way to beat around the bush in saying this, Lady Death: The Motion Picture just plain sucks. Aside from the fact that the main character is a well endowed blonde running around Hell in a leather bikini with occasional spurts of graphic violence, the movie seems to have been made with the mentality of a 1980's cartoon based on a line of action figures. The bad guy himself even talks like a Skeletor wannabe, has the obligatory inept henchman, and lives in a lair that looks to have been patterned after the domain of the villain from the old Saturday morning Blackstar cartoon. Just don't expect any humor other than the sometimes howlingly bad dialogue. At other times it feels like the kind of anime tale better suited to hentai, yet there is no sex, no tentacle rape (Thank goodness!) and very little sex appeal, this despite the physical appearance of the title character. There is simply no adult edge to this material, unless you count the half-naked heroine and bloody deaths. Essentially, what we have here is a feature length episode of She-Ra, Princess of Power, but with skimpier clothes and more gore. | 0 |
train_24905 | The shame of it! There I was, comfortable in the arm chair with a beer and a bag of popcorn, bouyant in the hope of another splendid Muppet night of entertainment. What did I get? Disappointed! How can the Muppets go from the sublime Christmas Carol to this? The humour was dreadful, the songs were worse than Country and Western (and that's saying something) and the plot was as confused and poor as Blind Pew. I think the main problem was that they bit off too much in attempting Treasure Island. A short tale, such as Christmas Carol, is perfect because you can weave the Muppet high jinks around it....here the need to drag the plot along stopped all the fun. Where do the Muppets go next? How about Muppets Wizard of Oz? | 0 |
train_443 | I first saw this movie back in the early '90's when it was first released. Room With a View was also newly out. Enchanted April had so much more to offer! I found it much more real and earthy, the characters more believable for being 'normal'. By the end of the film I felt the same as I did when I first saw the BBC production of Pride and Prejudice, I was yearning for the characters to find what they were looking for whether it was isolation, peace, liberty or love. You get a sense throughout that Italy is so far removed from everything they have ever known, that they are so decadent for taking a risk and leaving behind all that is humdrum and constricting. But in the heat of the spring in April, everyone's lives loosen and unravel (in line with the Victorian corsets) and are slowly rebuilt to everyone's satisfaction. What a little gem of a film! How come it isn't more well known? | 1 |
train_8333 | IQ is a wonderfully original romantic comedy that pits the greatest and deepest-thinking scientific minds of the 20th century as Cupid's helpers. The juxtaposition of heart and mind is the central theme of this light-hearted yet thoughtful movie. You don't quite know how to react because part of the time you are seeing great scientists do silly things to nurture budding love, but at other times, you hear them discuss some of the deepest puzzles of space/time of our age. The end result is a fun movie with surprises throughout. Walter Matthau is a perfect Einstein, Meg Ryan creates a quirky, scatter-brained mathematician, and Tim Robbins brings to life the contradictions of a poorly educated working man who is fascinated by science. All together, they create a farcical trip through love and science, mind and heart. | 1 |
train_7918 | I loved this movie. In fact I loved being an actress in this movie. Iwas featured as a pregnant teenager in the second half of the movie. You may remember me more clearly in the classroom scene when the werewolf was exposing himself on film. I was the female in the front row with my hands planted on my face in reaction to what we were watching on the movie projector. In fact they double took me a few times so it's hard to miss that mistake. Thumbs up to Full Moon High. Wish it come to cable soon. Cheryl Lockett Alexander Leesville, Louisiana I loved this movie. In fact I loved being an actress in this movie. Iwas featured as a pregnant teenager in the second half of the movie. You may remember me more clearly in the classroom scene when the werewolf was exposing himself on film. I was the female in the front row with my hands planted on my face in reaction to what we were watching on the movie projector. In fact they double took me a few times so it's hard to miss that mistake. Thumbs up to Full Moon High. Wish it come to cable soon. Cheryl Lockett AlexanderLeesville, Louisiana | 1 |
train_16578 | JESSICA: A GHOST STORY is as the name implies a ghost story. The theme is meant to be horror but comes across closer to comedy!A woman comes who was brutally murdered comes back from the dead. This constitutes what this movie attempts to pass off as a plot. There is really nothing more to it. The movie comprises of a series of loosely connected scenes involving a guy who had an affair with this woman prior to her death.Immediately from the opening scenes, this movie has the appearance of a "straight-to-DVD" effort. Unlike gems such as VACANCY 2, the movie has no sense of direction or creativity and certainly gives "straight-to-DVD" movies a bad name! The direction is as poor as can be with a complete lack of suspense, scares or tension. Even the drama elements are hopelessly handled and represent something more boring than even the worst soap opera you may have had the misfortune of enduring.The acting across the board is absolutely abysmal with no one actor involved managing to show even the slightest potential of a successful acting career.Many of the individual scenes are incredibly long, with very long pauses between dialogue exchanges. I'm not exaggerating!The only reason I give this movie a rating of 2 rather than 1 is because some of the poor acting combined with even worse dialogue made for a few unintentional laughs. I stress the word "few" in that sentence. This is not overall one of the "so-bad-it's-good" movies like CAMP BLOOD or THE NAIL GUN MASSACRE. If you want to laugh hysterically, watch those movies. If you want to see a proper horror movie about ghosts watch THE LEGEND OF HELL HOUSE, THE CHANGELING, RINGU, THE EYE (original Korean version), THE GRUDGE, ONE MISSED CALL or PHONE.I advise anyone who has had the good fortune of avoiding seeing JESSICA: A GHOST STORY to keep up the good work! Just forget this movie exists. Don't spare a thought for it! | 0 |
train_18686 | Miscasting happens. Susannah Yorke is a luminous young Jane Eyre, and her performance is impeccable. However, Edward Rochester is supposed to be 35. White-haired George C. Scott looks and behaves like an arthritic 80. Jane's deceased uncle is in better shape! He creaks and snarls, obnoxious and grim. He looks like an ax-murderer who has sent his ax out to be sharpened; we're not surprised he keeps a wife caged in the attic! The great love story looks like a sado-masochistic nightmare. There is enough darkness in the novel, but Bronte's Rochester is relatively young, athletic, powerful, and charming when he chooses to be. He has a fine speaking and singing voice, a good mind, and a conscience that he unsuccessfully attempts to stifle. | 0 |
train_8877 | This story was probably one of the most powerful I have ever taken in. John Singleton certainly went above and beyond when putting together this educational masterpiece. Brilliant performances by the whole cast, but Epps and Rapaport turned in the best and most convincing of either young star's career.However, as a college student myself, many of the issues that Singleton touched on were taken to the extreme. In a sense that, while they are issues faced on many college campuses, they aren't presented as big or out in the open as this movie would make one believe. In some instances, it almost seemed ridiculous to think that something of this nature could actually occur. However, aside from the fact that it was a little over dramatic, the film was brilliant and left me stunned, unable to talk, just think. One of the things from this picture I will remember forever, was a quote from Lawrence Fishburn's character, "Knowledge is power, without knowledge, you cannot see your power." Brilliant, just brilliant. | 1 |
train_11207 | This documentary was nominated for an Oscar and it's easy to see why. Even 45 years later, it is quite an impressive piece of work. Why it isn't in-print is a mystery that only Disney can explain. Good use of live footage and animation in tandem. This used to run as part of "Vault Disney" every few months or so, but I haven't seen it listed in quite a while. *sigh* Most recommended. | 1 |
train_9242 | It's hard to rate films like this, because do you rate it on production or just fun?I saw this film back in about 1988/89 or so when I was a boy and I'm sorry to say it started a life long fascination with ninjas. The plot is fairly dire and the acting is of course terrible, but there is a certain mystique surrounding the ninjas in this film which makes for quite a good atmosphere. What is important are the fight scenes, while a 'little' sparce, are really good.I must say it was better when I was a boy, only now can I see the glaring points of unbelievable nonsense in the film, but as a "sit back with a few beers" martial arts film I can't fault it, it delivers and is much better than the mountains of "American Ninja" Style rubbish that was churned out in the 80's with hundreds of guys in black suits but really not very good fight scenes.In an interesting note, Dusty Nelson, the writer and director of Sakura Killers did another ninja film under the Bonaire movie flag called "White Phantom" I have no idea if this was meant to be a sequel to Sakura Killers" but the Sakura clan is once again a main feature, including the same logo and similar story only this time including a White Ninja. This too, while being mostly dire, had a small sense of atmosphere but the fight scenes are even more sparce and to be frank, are pretty awful.So, if you are a martial arts fan then give it a blast to kill a few hours! | 1 |
train_14753 | To grasp where this 1976 version of A STAR IS BORN is coming from consider this: Its final number is sung by Barbra Streisand in a seven minute and forty second close-up, followed by another two-and-half-minute freeze frame of Ms. Streisand -- striking a Christ-like pose -- behind the closing credits. Over ten uninterrupted minutes of Barbra's distinctive visage dead center, filling the big screen with uncompromising ego. That just might be some sort of cinematic record.Or think about this: The plot of this musical revolves around a love affair between two musical superstars, yet, while Streisand's songs are performed in their entirety -- including the interminable finale -- her costar Kris Kristofferson isn't allowed to complete even one single song he performs. Nor, though she does allow him to contribute a little back up to a couple of her ditties, do they actually sing a duet.Or consider this: Streisand's name appears in the credits at least six times, including taking credit for "musical concepts" and her wardrobe (from her closet) -- and she also allegedly wanted, but failed to get co-directing credit as well. One of her credits was as executive producer, with a producer credit going to her then-boyfriend and former hairdresser, Jon Peters. As such, Streisand controlled the final cut of the film, which explains why it is so obsessed with skewing the film in her direction. What it doesn't explain is how come, given every opportunity to make The Great Diva look good, their efforts only make Streisand look bad. Even though this was one of Streisand's greatest box office hits, it is arguably her worst film and contains her worst performance.Anyway, moving the melodrama from Hollywood to the world of sex-drugs-and-rock'n'roll, Streisand plays Esther Hoffman, a pop singer on the road to stardom, who shares the fast lane for a while with Kristofferson's John Norman Howard, a hard rocker heading for the off ramp to Has-beenville. In the previous incarnations of the story, "Norman Maine" sacrifices his leading man career to help newcomer "Vicky Lester" achieve her success. In the feminist seventies, Streisand & Co. want to make it clear that their heroine owes nothing to a man, so the trajectory is skewed; she'll succeed with or without him and he is pretty much near bottom from scene one; he's a burden she must endure in the name of love. As such, there is an obvious effort to make the leading lady not just tougher, but almost ruthless, while her paramour comes off as a henpecked twit.Kristofferson schleps through the film with a credible indifference to the material; making little attempt to give much of a performance, and oddly it serves his aimless, listless character well. Streisand, on the other hand, exhibits not one moment of honesty in her entire time on screen. Everything she does seems, if not too rehearsed, at least too controlled. Even her apparent ad libs seem awkwardly premeditated and her moments of supposed hysteria coldly mechanical. The two have no chemistry, making the central love affair totally unbelievable. You might presume that his character sees in her a symbol of his fading youth and innocence, though at age 34, Streisand doesn't seem particularly young or naive. The only conceivable attraction he might offer to her is that she can exploit him as a faster route to stardom. And, indeed, had the film had the guts to actually play the material that way, to make Streisand's character openly play an exploitive villain, the film might have had a spark and maybe a reason to exist.But I guess the filmmakers actually see Esther as a sympathetic victim; they don't seem to be aware just how cold-blooded and self absorbed she is. But sensitivity is not one of the film's strong points: note the petty joke of giving Barbra two African American back up singers just so the film can indulge in the lame racism of calling the trio The Oreos. And the film makes a big deal of pointing out that Esther retains her ethnic identity by using her given name of Hoffman, yet the filmmakers have changed the character's name of the previous films from "Esther Blodgett" so that Streisand won't be burdened with a name that is too Jewish or too unattractive. So much for ethnic pride.The backstage back stabbing and backbiting that proceeded the film's release is near legendary, so the fact that the film ended up looking so polished is remarkable. Nominal director Frank Pierson seems to have delivered the raw material for a good movie, with considerable help from ace cinematographer Robert Surtees. And the film did serve its purpose, producing a soundtrack album of decent pop tunes (including the Oscar-winning "Evergreen" by Paul Williams and Streisand). But overall the film turned out to be the one thing Streisand reportedly claimed she didn't want it to be, a vanity project. | 0 |
train_24058 | Exceptionally horrible tale that I can barely put into words. The best part of the movie was when one of the murder victims turns up at the end, alive and well, only to be massacred again. There is the chance that I missed some crucial plot elements since I may have been in a slight coma during the time this baby was on. The box that the movie comes in shows scenes that are never even in the film. I was lured in by the crude images of bondage torture and promises of a 'Euro-trash, sexy horror flick.' I get the feeling this was the budget version and about one quarter of the film was left out. All the good stuff more than likely. I got the PG-13 addition that made about as much sense as the end to the new 'Planet of the Apes' movie. Watch this one with a friend and a bottle of the hard stuff. You'll need it. | 0 |
train_151 | Film is designed to affect the audience and this film left me speechless. Gorgeously photographed and well acted with dialog that approaches poetry the film involves lust, hate, murder, rape, theft and deception. It weaves an intense web that left me unable to take my eyes off the screen until the closing credits. The story is sweeping. It takes the audience from the atrocities of the Spanish Civil War to the human wreckage left behind. Roger Casamajor and Bruno Bertanzoni are two young actors who command the screen. Supporting players are excellently cast and lend a real sense of authenticity. Sets, lighting, scenery and cinematography are wonderful. I absolutely love the photography. | 1 |
train_6004 | The entire 10:15 minute presentation is done in a very non-threatening and non-medical way that even preteen children can easily understand. It dispels many of the myths surrounding menstruation that were going around in those days (1946) While sex is not explicitly mentioned, the part about fertilization is. This is also, purportedly, the first Hollywood production to ever use the word "vagina" in the dialogue.It is cute how the animated character is shown topless in the shower in a purely animated character way with no defining features as was the way of the day. Many of the Betty Boop cartoons showed her undress without revealing any defining features either. Max Fleischer was a bit of a card and did this with many of the Betty Boop cartoons which required frame-by-frame viewing to find them.There is no mention at the beginning or end of the film as to who the female narrator is. In fact, there are no credits whatsoever other than those mentioning Kotex and Kimberly-Clark Corporation.This title is nearly impossible to attain; but for those who are Bittorrent downloaders, it can be found out there in the ether. This is one of those "keepers" that will become increasingly hard to find as older short subject features fade into obscurity. | 1 |
train_12094 | Castle of Blood is a good example of the quality work in the horror genre being turned out in Italy in the 60s. The film has all of the right elements - old dark house, atmosphere, a decent story, and Barbara Steele. Steele makes most any film worth seeing.The story concerns a haunted castle. People have visited, but none have returned. Our hero makes a wager that he can spend the night in the castle and return to collect his winnings. But, the night he visits is a special night. It's the night each year when the dead return to relive their deaths.The only flaw I see in the movie is the running time. It almost feels padded. There is a large portion of the first act where literally nothing happens. Our hero stumbles around in the dark finding nothing of interest. But once he does find something, the movie picks up and become quite enjoyable.Castle of Blood is a definite must for Steele fans and fans of Italian Gothic horror in general. | 1 |
train_12525 | Sometimes a movie is so comprehensively awful it has a destructive effect on your morale. You begin to really ask yourself, what does it mean for our society that the standard is so terribly low? Can they honestly expect that we'll endure this many clichés and still be entertained?Of course, it is still a Hollywood mainstay to make the GUN the major character, plot device, and the source of all conflict and resolution in films. Character needs a gun. Gets a gun. Can't do that because he has a gun. Puts his gun down first. OH MY GOD What are we going to do!? He has a gun! He waves it around, acting more malicious than real human beings ever do. He pushes it in someone's face for 90 minutes, shouting questions. The hallmark of any conclusion will be the comforting sound of police sirens. It's a real challenge to make such a tired, hackneyed formula work again; a film has to be very clever and well executed. This one is neither. It has no life and no personality, and it will suck these components from YOU. it will make you feel WORSE about living in the time and space that you do. Really, who needs that!? So yes, I'll say it: I think this may well be the worst film I have ever seen. Anyone who was involved in the making of this sub- mediocre soul killing trash should be publicly embarrassed for the disservice they've done to us all. | 0 |
train_20423 | I am a huge fan of Ted V Mikels and the original "Corpse Grinders" is the main reason why but this is quite possibly the worst film I have ever seen. Even the brilliant casting of the legendary Liz Renay ("Desperate Living") could not save this worthless piece of garbage. This film should serve as a lesson to all past, present and future film makers...when you have a film as successful as the original "Corpse Grinders" was you should probably leave sleeping dogs lie and you should definitely not try to revitalize it over twenty years later (unless you have the financial backing to pull of a superior sequel such as Herschel Gordon Lewis did with "Blood Feast 2: All U can Eat") Even if you do decide to do this you should probably spend a little bit more money than you did on the original and for god's sake...NEVER film a movie onto video...why do film makers even attempt to do this when everyone knows the quality is going to turn out hideous...I personally have yet to see one film made in this fashion that's even worth the powder to blow it to hell...if you can't afford to make a sequel that is better than your original film then sell the rights of the film to someone who can...and what was Ted V Mikels thinking about (or smoking) when he wrote this god-awful script? I mean come on, dog and cat "aliens" from another planet? A cardboard box painted to look like a devastating machine capable of grinding up human bodies...bones and clothes and all? If any of these actors, aside from Liz Renay, were paid more than five dollars for their hideous performances than they are grossly overpaid! Avoid this film at all costs and watch the original instead. | 0 |
train_23231 | The movie is basically the story of a Russian prostitute's return to her home village for the funeral of a sister/friend. There are a couple of other minor story lines that might actually be more interesting than the one taken, but they are not fully explored. The core of the movie is the funeral, wake, and later controversy over the future of a community of crones that make dolls and sell them to buy vodka but are now missing the artist who made their dolls marketable. Apparently, the movie is unedited. The prostitute's journey from the city to the village is an excruciatingly endless train ride and tramp through the mud. Maybe that's supposed to impress us with the immensity of the Russian landscape. The village itself, such as it is, is inhabited by a legion of widows and one male, the consort of the dead girl. Continuing the doll business is problematic for everyone involved and eventually seems impossible. Most of the film is shot with a hand-held camera that could induce nausea. Another problem for Western viewers is that subtitles don't include the songs and laments of the crones. Don't go to this movie unless you're fluent in Russian. | 0 |
train_10611 | What another reviewer called lack of character development, I call understatement. The movie didn't bash one over the head with overexplanation or unnecessary backstory. Yes, there were many untold stories that we only got a glimpse of, but this was primarily a one-day snapshot into an event that catalyzed change in all of the characters' lives. Henry Thomas's performance was a really lovely study in the power of acting that focuses on reaction rather than action. Good rental. | 1 |
train_13769 | This series gets 2 stars solely because it puts some of Dickens' Bleak House on film and perhaps someone will read the book. Contrary to what is probably received opinion, Diana Rigg was poor as Lady Dedlock. She was clunky and wooden. Lady D. is a reserved character but not a martinet. Denholm Elliot is wrong, wrong, wrong for Mr. Jarndyce. So I'll interrupt myself and respond to all those people who are saying: "I didn't read the book, so I don't have to take this guy's opinion because he's basing his evaluations on the book." True and not true. For ex, Diana Rigg is bad in her role because of poor acting whether or not you've read the book. On the other hand, Denholm Elliot is a passable Jarndyce (although too old). The series fails not because it's unfair to compare it to the book, but because the various plot lines and characters just don't coalesce to make a coherent, dramatic, mysterious andcompelling entertainment. It is dull and flat. If you want to make apossibly good Bleak House, you need to expend 20 hours of film in 10 two hour episodes. But I suggest that producers etc. leave Dickens alone (even A Christmas Carol). Television deadens the genius of Dickens as manifested in his ingenious plots and unforgettable characters. | 0 |
train_22250 | The film, a Universal release of a Protelco-MLC production, is a boring retelling of the theory of breaking down the molecular structure of an object, capturing it in a cell as "pure energy," and then sending it back complete to a "target area." There is no explanation WHY this is necessary, but Professor Paul Steiner (played by pock-mocked actor Bryant Haliday, "Devil Doll") thinks it's something to dedicate his, and his assistants', Pat Hill (Mary Peach) and Chris Mitchell (Ronald Allen), lives to. During an experiment before noted Dutch scientist "Lembach" (Gordon Heinz), his machine fails due to sabotage, so he has himself "projected" by his secretary, Sheila (Tracey Crisp) to seek revenge. Of course, she screws up and he comes out looking like a "pork roast" with the power to electrocute people. With this new-found power, he manages to zap some Cockney idiots, a security guy named Latham (Derrick de Marney) and his lab boss, Dr. Blanchard (Norman Woodland). He also is able to break into a pharmacy and steal a pair of rubber gloves and a black coat, as well. In the end, though, despite Hill and Mitchell's attempt to help him, the clown destroys his equipment and himself. On the whole, a completely pointless movie with no message at all. Also one of the most depressing color films you will ever see. | 0 |
train_10918 | The Five Deadly Venoms is easily the most memorable K.F. flick from the Shaw Brothers' stable (exc. maybe Master Killer). It has the artists who came to be known as simply "The Venoms", some of the best fight choreography ever, and, surprisingly for a Kung Fu movie, a great plot! One of my all-time favorites!!! | 1 |
train_11680 | OK Clara Bow silent film from 1927, it's a spin-off of Rain, with Bow playing the half-Hawaiian wild daughter of the local pineapple king who falls in love with the staid English engineer--Clive Brook. Bow competes with the local widow (Arlette Marchal) for his attentions, but both women get a big surprise when his wife shows up (Patricia Dupont). The predatory wife is ready for a divorce until she discovers he might be on the verge of a fortune. Bow settles her hash fast.Bow has personality to spare and has a few great scenes: her opening nude bath, her hula in a grass skirt, and the dog rescue scene with Bow and Brook doing their own stunts.Note: the IMDb credit list is wrong. The film credits (from the DVD I have) list Patricia Dupont as playing Mrs. Haldane---not Margaret Truax as listed on IMDb. | 1 |
train_10009 | When I first read Armistead Maupins story I was taken in by the human drama displayed by Gabriel No one and those he cares about and loves. That being said, we have now been given the film version of an excellent story and are expected to see past the gloss of Hollywood...Writer Armistead Maupin and director Patrick Stettner have truly succeeded! With just the right amount of restraint Robin Williams captures the fragile essence of Gabriel and lets us see his struggle with issues of trust both in his personnel life(Jess) and the world around him(Donna).As we are introduced to the players in this drama we are reminded that nothing is ever as it seems and that the smallest event can change our lives irrevocably. The request to review a book written by a young man turns into a life changing event that helps Gabriel find the strength within himself to carry on and move forward.It's to bad that most people will avoid this film. I only say that because the average American will probably think "Robin Williams in a serious role? That didn't work before!" PLEASE GIVE THIS MOVIE A CHANCE! Robin Williams touches the darkness we all must find and go through in ourselves to be better people. Like his movie One Hour Photo he has stepped up as an actor and made another quality piece of art.Oh and before I forget, I believe Bobby Cannavale as Jess steals every scene he is in. He has the 1940's leading man looks and screen presence. It's this hacks opinion he could carry his own movie right now!!S~ | 1 |
train_17864 | The complaints are valid, to me the biggest problem is that this soap opera is too aimed for women. I am okay with these night time soaps, like Grey's Anatomy, or Ugly Betty, or West Wing, because there are stories that are interesting even with the given that they will never end. However, when the idea parallels the daytime soaps aimed at just putting hunky men (Taye Diggs, Tim Daly, and Chris Lowell) into sexual tension and romps, and numerous ridiculous difficult situations in a so-called little hospital, it seems like General Hospital...or a female counterpart to Baywatch. That was what men wanted and they had it, so if this is what women want so be it, but the idea that this is a high brow show (or something men will watch) is unrealistic. | 0 |
train_18200 | How this film gains a 6.7 rating is beyond belief. It deserves nothing better than a 2.0 and clearly should rank among IMDb's worst 100 films of all time. National Treasure is an affront to the national intelligence and just yet another assault made on American audiences by Hollywood. Critics told of plot holes you could drive a 16 wheeler through.I love the justifications for this movie being good... "Nicholas Cage is cute." Come on people, no wonder people around the world think Americans are stupid. This has to be the most stupid, insulting movie I have ever seen. If you wanted to see an actually decent film this season, consider Kinsey, The Woodsman, Million Dollar Baby or Sideways. National Treasure unfortunately got a lot more publicity than those terrific films. I bet most of you reading this haven't even heard of them, since some haven't been widely released yet.Nicholas Cage is a terrific actor - when he is in the right movies. Time after time I've seen Cage waste his terrific talent in awful mind-numbing films like Con Air, The Rock and Face-Off. When his talent is put to good use like in Charlie Kaufman's Adaptation he is an incredible actor.Bottom line - I'd rather feed my hand to a wood chipper than be subjected to this visual atrocity again. | 0 |
train_16490 | Jungle Fever is too highly stylized, stereotyped, and comes across as essentially dishonest. Wesley Snipes was wrong for the lead and there was no chemistry between him and Annabella Sciorra. Even though there's plenty of talent in this movie, it's mostly wasted because the parts are reduced to little more than decorative cameos. Also, instead of simply showing racism for the ugly and stupid thing it is, Spike Lee chooses to wave it around like a flag in a most whining and irritating manner. I made it through most of the film but I couldn't quite finish it, and that, for me, rarely happens. | 0 |
train_11924 | GREAT movie and the family will love it!! If kids are bored one day just pop the tape in and you'll be so glad you did!!!~~~Rubei luv raven-s! | 1 |
train_17006 | American film makers decided to make a film they think is Japanese. The characters all badly represented, the actors are not even Japanese and the set is cheap, unreal and definitely doesn't represent Kyoto in Early 20ties and 30ties. Who ever read the book understand that the script writers didn't add any extra value to differentiate the movie from the script. Worse, they even changed the original plot line with a few goofs. Rob Marshall is using for his two main characters two well known Chinese actors who joined before in crouching tiger hidden dragon. Marshall probably saw one Chinese movie and tho they represent Japanese culture. Seeing those two actors together again even makes the movies more ridiculous. Quentine Tarantino's last scene in Kill Bill #1 is ten times more Japanese made than that of this movie. | 0 |
train_15968 | A student filmmaker enlists a B-grade actress (a delectably diva-ish MOLLY RINGWALD!) to complete the horror film that her mother (a dreadfully dull Kylie Minogue!) tried to make 12 years ago. It's a curious plot choice to say the least, as any Aussie horror fan knows that the genre is sadly lacking in women directors. The film has a curse on it, because Molly had to kill some psycho murderer on the original set. But she's back, because she needs the exposure. Unfortunately, the curse is still there and people start dying on the "set." Cut is an Aussie attempt at the modern "slasher," but unfortunately it doesn't bring anything new or exciting to the table. In fact, it rips half of Wes Craven's 90s filmography. Lots of film-world name-dropping a la "Scream" (except it's Aussie name-dropping--Jane Campion...see how this isn't as funny) and lots of "is this real or is this a movie" a la "New Nightmare." The editing is bad, the music is annoying, the effects are laughable, almost everything is bad about this. Fortunately, the film can have a sense of humor: at one point, a well-dressed girl in the movie crew says to the owner of the house they are filming at: "Don't worry, we'll treat your house as if it were our own," to which he responds, "that doesn't mean anything to me, you look like you live in a dump!" Ha! And Molly's ridiculous one-liners were enough to not regret renting this one. "You got any diet coke in here?" (as she rides in the film professor's car) and "Does anyone know where I can buy any tofu?" (the first thing she mutters on the set) and "Where the hell is my agent?" (oh wait, that's what I was thinking for her.) | 0 |
train_1883 | Excellent comedy starred by Dudley Moore supported by Liza Minnelli and good-speaking John Gielgud. Moore is Arthur, a man belonging to a multimillionaire family, who was near to get 750 million dollars provided that he marries to a lady (Susan) from another multimillionaire family. In principle, Arthur accepted the conditions, but he finally refused when he met nice and poor Linda Marolla (Liza Minneli). Arthur was just a parasite because he did not work, he only enjoyed himself drinking hard and having fun with prostitutes. After several serious thoughts in his life and for the first time, Arthur decided not to marry Susan only few minutes before their wedding. The end was happy for Linda and Arthur although the latter knew that his life will change in the coming future. This comedy is a good lesson for life for anyone. Rich people are not usually happy with their ways of life. | 1 |
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