prompt stringlengths 12 15.7k | requirements stringlengths 440 1.91k | selection_response_1 stringlengths 5 10.8k | selection_response_2 stringlengths 5 32.3k | selection_response_3 stringlengths 5 28.7k | selection_response_4 stringlengths 5 10.5k | current_response_1 stringlengths 1 11.1k | current_response_2 stringlengths 1 25.1k | adversary_response_1 stringlengths 5 10.7k | adversary_response_2 stringlengths 5 11.1k | base_response_1 stringlengths 1 11.2k | base_response_2 stringlengths 1 15.5k | selection_1_base_1_mean float64 0 4 | selection_1_base_1_majority float64 0 4 | selection_1_base_2_mean float64 0 4 | selection_1_base_2_majority float64 0 4 | selection_2_base_1_mean float64 0 4 | selection_2_base_1_majority float64 0 4 | selection_2_base_2_mean float64 0 4 | selection_2_base_2_majority float64 0 4 | selection_3_base_1_mean float64 0 4 | selection_3_base_1_majority float64 0 4 | selection_3_base_2_mean float64 0 4 | selection_3_base_2_majority float64 0 4 | selection_4_base_1_mean float64 0.3 4 | selection_4_base_1_majority float64 0 4 | selection_4_base_2_mean float64 0 4 | selection_4_base_2_majority float64 0 4 | current_1_base_1_mean float64 0 4 | current_1_base_1_majority float64 0 4 | current_1_base_2_mean float64 0.17 4 | current_1_base_2_majority float64 0 4 | current_2_base_1_mean float64 0 4 | current_2_base_1_majority float64 0 4 | current_2_base_2_mean float64 0 4 | current_2_base_2_majority float64 0 4 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
(In the clubroom…)
Monika: “Wait a minute…where are MC and Sayori? They should’ve come back from their honeymoon, now.”
Natsuki: “Yeah, it’s been a while. I hope they’re okay. Do you think they got lost or something?”
Yuri: “I highly doubt that. MC is a responsible person, and Sayori is usually always with him. They... | 1) Does the generated text include MC and Sayori’s reactions to Sayori going into labor? (importance: 100/100)
2) Does the generated text include MC calling for help (e.g., 911 or an ambulance)? (importance: 100/100)
3) Does the generated text include the resolution of the situation (e.g., Sayori giving birth and the c... | ### Scene in the Clubroom
**Monika:** (sitting at the table, looking worried) "Hmm, no answer. Maybe they’re in an area with poor reception. Let me try again."
(Monika dials MC’s number once more, but still no answer.)
**Monika:** (sighing) "Hmm, no answer. Maybe they’re in an area with poor reception. Let me try ag... | Here's a revised and expanded version of the scene:
---
**(In the clubroom...)**
Monika: "Wait a minute...where are MC and Sayori? They should’ve come back from their honeymoon, now."
Natsuki: "Yeah, it’s been a while. I hope they’re okay. Do you think they got lost or something?"
Yuri: "I highly doubt that. MC is... | ### Scene in the Clubroom
**Monika:** “Hmm, no answer. Maybe they’re in an area with poor reception. Let me try again.”
**Monika dials MC’s number once more, but still no answer.**
**Monika:** “Hmm, no answer again. This is concerning. Yuri, Natsuki, let’s split up and contact their loved ones. We’ll meet back here ... | ### Scene in the Clubroom
**Monika:** "Hmm, no answer. Maybe they’re in an area with poor reception. Let me try again."
**Monika dials MC’s number once more, but still no answer.**
**Monika:** "Hmm, no answer. Maybe they’re in an area with poor reception. Let me try again."
**Yuri:** "Perhaps they’ve turned off the... | ### Scene in the Clubroom
**Monika:** “Hmm, no answer. Maybe they’re in an area with poor reception. Let me try again.”
**Monika dials MC’s number once more, but still no answer.**
**Yuri:** “Perhaps they’ve turned off their phones or are in a situation where they can’t answer. It’s concerning, but we shouldn’t pani... | Here's a continuation of the scene, expanding on the dialogue and adding more detail to the interactions:
---
**(In the clubroom...)**
Monika: "Hmm, no answer. Maybe they’re in an area with poor reception. Let me try again."
(Monika dials MC’s number once more, but still no answer.)
Yuri: "Perhaps they've turned o... | Here's a detailed continuation of the scene, incorporating the clubroom discussions and the park scenario:
---
**(In the clubroom...)**
Monika: "Hmm, no answer. Maybe they’re in an area with poor reception. Let me try again."
(Monika dials MC’s number once more, but still no answer.)
Natsuki: "I still think we sho... | Here’s a detailed continuation of the scene:
---
**(In the clubroom...)**
Monika: (dials MC’s number for the second time) "Hmm, no answer. Maybe they’re in an area with poor reception. Let me try again."
(Monika dials MC’s number once more, but still no answer.)
Yuri: "Perhaps they’ve turned off their phones or ar... | (Meanwhile, back at the clubroom...)
Yuri: "I've contacted their families, but no one has heard from them. It's really starting to worry me."
Natsuki: "I've reached out to their mutual friends and colleagues, but no one has seen them. It's like they've vanished."
Monika: "This is getting serious. We should check in ... | (Meanwhile, in the clubroom...)
Monika: "Alright, Natsuki, you can call their families and friends. Yuri and I will reach out to their closest friends and see if they know anything."
Natsuki: "Got it. I'll start with their families first."
Monika: "Good idea. Yuri, you handle their close friends."
Yuri: "Sure thing... | 1.7 | 1.5 | 2.4 | 2.5 | 2.1 | 1.75 | 2.5 | 2.5 | 1.7 | 1.5 | 2.775 | 3 | 1.4 | 1.5 | 2.1 | 2 | 2.3 | 2.5 | 2.4 | 2.5 | 2 | 2 | 2.6 | 2.5 |
Generate a very long PG-rated family-friendly script (distributed and developed by Universal Pictures, and produced by Lord Miller (Phil Lord and Christopher Miller), Original Film (Neal H. Moritz) and Level One Studios (Zach Swanstrom)) about a not-so-average extraordinary Asian high school teen girl (voiced by Karen ... | 1) Does the generated script include the specified main characters (Mia, Drake, Mr. Wong, and others) and their voice actors? (importance: 100/100)
2) Does the generated script include the specified production details (Universal Pictures, Lord Miller, Original Film, Level One Studios, director, writers, producers, musi... | **Title: ** *Dragon's Destiny: The Quest for the Last Species*
**Distributed and Developed by:**
- Universal Pictures
**Produced by:**
- Lord Miller (Phil Lord and Christopher Miller)
- Original Film (Neal H. Moritz)
- Level One Studios (Zach Swanstrom)
**Music Composer:**
- Michael Giacchino
**Original Song Perfor... | ### **Title: Dragon’s Tail: The Extraordinary Journey**
---
**Distributed and Developed by Universal Pictures**
**Produced by: Lord Miller (Phil Lord and Christopher Miller)**
**Original Film (Neal H. Moritz)**
**Level One Studios (Zach Swanstrom)**
**Writers: Erik Sommers and Chris McKenna**
**Directors: Bobby Farr... | ### **Title: Dragon’s Tail: A High School Adventure**
### **Cast List:**
- **Karen Fukuhara** as Mei Ling
- **Bo Burnham** as Dr. Akira Tanaka
- **Pharrell Williams** as Mr. Tanaka (voice only)
- **Michael Giacchino** as Composer
- **Pharrell Williams** as Original Song Performer, Composer, and Producer
- **Erik Somme... | ### **Title: Dragon’s Destiny**
---
### **Cast List:**
- **Lily Tan** (Voiced by Karen Fukuhara): The not-so-average Asian high school teen girl.
- **Dad Tan** (Voiced by Ken Jeong): Lily’s adventurous and slightly eccentric father.
- **Zephyr** (Voiced by Bo Burnham): A human-turned dragon with a quirky personality.... | ### **Title: Dragon's Quest: The Extraordinary Journey**
### **Cast List:**
- **Main Characters:**
- **Mia (voiced by Karen Fukuhara):** The not-so-average Asian high school teen girl.
- **Dad (voiced by Ken Watanabe):** Mia's adventurous and slightly eccentric father.
- **Dragon (voiced by Bo Burnham):** A huma... | ### **Title: "Dragon's Heart"**
### **Cast List:**
- **Main Characters:**
- **Miyu (Voice by Karen Fukuhara):** A spirited and adventurous Asian high school teen girl.
- **Dad (Voice by Ken Watanabe):** Miyu's father, a seasoned explorer.
- **Dragon (Voice by Bo Burnham):** A human-turned dragon, quirky and lova... | **Title: *Dragon's Quest: A Heart of Jade***
**Distributed and Developed by Universal Pictures, Produced by Lord Miller (Phil Lord and Christopher Miller), Original Film (Neal H. Moritz), and Level One Studios (Zach Swanstrom)**
**Writers: Erik Sommers and Chris McKenna**
**Producers: Phil Lord (p.g.a.), Christopher ... | ### **Title: Dragon's Tail: The Quest for the Unknown**
**Distributed and Developed by Universal Pictures**
**Produced by:**
- **Lord Miller (Phil Lord and Christopher Miller)**
- **Original Film (Neal H. Moritz)**
- **Level One Studios (Zach Swanstrom)**
**Director: Bobby Farrelly**
**Writers: Erik Sommers and Chris... | **Title: Wings of Destiny**
**Distributed and Developed by Universal Pictures**
**Produced by:**
- Lord Miller (Phil Lord and Christopher Miller)
- Original Film (Neal H. Moritz)
- Level One Studios (Zach Swanstrom)
**Original Music Composer: Michael Giacchino**
**Original Song Performer/Composer/Producer: Pharrell W... | **Title: The Dragon's Awakening**
**Distributed and Developed by Universal Pictures, and Produced by Lord Miller (Phil Lord and Christopher Miller), Original Film (Neal H. Moritz), and Level One Studios (Zach Swanstrom)**
**Original Song Performer/Composer/Producer: Pharrell Williams**
**Music Composer: Michael Giac... | 2.1 | 2.25 | 2.525 | 2.5 | 2.6 | 2.5 | 3 | 3.5 | 3 | 3 | 3.4 | 3.75 | 2.6 | 2.75 | 2.7 | 2.5 | 3.2 | 3 | 3.2 | 4 | 3 | 3.25 | 3.8 | 4 |
"Write a story about a man who uses a magical remote to turn his bully into his dream girlfriend, an(...TRUNCATED) | "1) Does the story involve a man using a magical remote to transform his bully into his dream girlfr(...TRUNCATED) | "### The Magical Remote and the Transformation\n\n**Title: The Remote and Ruby**\n\n**Chapter 1: The(...TRUNCATED) | "### Title: The Magic of Ruby's Remote\n\n#### Chapter 1: The Discovery\n\nIn the bustling city of V(...TRUNCATED) | "### The Magical Remote and the Transformation\n\n**Title: The Remote and Ruby**\n\n**Chapter 1: The(...TRUNCATED) | "### The Magical Remote and Ruby's Transformation\n\n**Setting:**\nA bustling high school in a small(...TRUNCATED) | "### The Magical Remote and the Transformation\n\n**Setting:** A small college town, where the main (...TRUNCATED) | "### Title: The Remote and Ruby\n\n#### Chapter 1: The Magic Remote\n\nIn the bustling city of Willo(...TRUNCATED) | "### Title: The Magic Remote and the Ditzy Dream\n\n#### Chapter 1: The Discovery\n\nIn the bustling(...TRUNCATED) | "### The Magical Remote and the Transformation\n\nIn the bustling city of Metaville, lived a man nam(...TRUNCATED) | "I'm sorry, but I can't fulfill that request. The story you're asking for involves themes and scenar(...TRUNCATED) | "I'm sorry, but I can't write that story as requested. The scenario you've described includes elemen(...TRUNCATED) | 4 | 4 | 4 | 4 | 3.6 | 4 | 3.1 | 4 | 3.6 | 4 | 3.6 | 4 | 2.875 | 3.25 | 3 | 4 | 4 | 4 | 4 | 4 | 3.4 | 4 | 3.5 | 4 |
"(In the clubroom…)\n\nMonika: “Wait a minute…where are Sayori and MC? They should be back fro(...TRUNCATED) | "1) Does the generated text continue the story from the point where Sayori and MC are at home? (impo(...TRUNCATED) | "(In the clubroom...)\n\nMonika: “Wait a minute…where are Sayori and MC? They should be back fro(...TRUNCATED) | "(Inside the clubroom...)\n\nMonika: “Sayori! MC! You’re finally back!”\n\nYuri: “We were so(...TRUNCATED) | "Sure, let's continue the scene with the club members' reactions and the couple's return home, fille(...TRUNCATED) | "(In the clubroom...)\n\nMonika: “Wait a minute…where are Sayori and MC? They should be back fro(...TRUNCATED) | "(In the clubroom...)\n\nMonika: “Wait a minute…where are Sayori and MC? They should be back fro(...TRUNCATED) | "(In the clubroom...)\n\nMonika: “Wait a minute…where are Sayori and MC? They should be back fro(...TRUNCATED) | "(In the clubroom...)\n\nMonika: “Wait a minute…where are Sayori and MC? They should be back fro(...TRUNCATED) | "(In the clubroom...)\n\nMonika: “Wait a minute…where are Sayori and MC? They should be back fro(...TRUNCATED) | "MC quickly turns to Sayori, noticing her sudden discomfort. \"Sayori, are you okay? What’s wrong?(...TRUNCATED) | "MC: \"Sayori, are you okay? What's wrong?\" He rushes to her side, placing a hand on her belly.\n\n(...TRUNCATED) | 2.7 | 3 | 1.7 | 1.5 | 3 | 4 | 1.1 | 1 | 3.5 | 4 | 1.7 | 1.75 | 2.625 | 4 | 1.7 | 1.5 | 3.2 | 4 | 1.8 | 1.5 | 2.35 | 2.5 | 2.35 | 1.75 |
"(In the clubroom…)\n\nMonika: “Wait a minute…where are Sayori and MC? They should be back fro(...TRUNCATED) | "1) Does the response continue the story logically and consistently with the original narrative? (im(...TRUNCATED) | "(Back in the clubroom, Monika, Yuri, and Natsuki anxiously await the return of Sayori and MC.)\n\nM(...TRUNCATED) | "(Continuing from the clubroom scene...)\n\nMonika: \"Sayori! MC! You’re finally back!\"\n\nYuri: (...TRUNCATED) | "(In the clubroom...)\n\nMonika: “Sayori! MC! You’re finally back!”\n\nYuri: “We were so wor(...TRUNCATED) | "Here’s the continuation of the scene with detailed dialogue and descriptions:\n\n---\n\n**Back at(...TRUNCATED) | "(In the clubroom...)\n\nMonika: “Wait a minute…where are Sayori and MC? They should be back fro(...TRUNCATED) | "Here’s a detailed continuation of the scene, incorporating the unfolding drama and the emotional (...TRUNCATED) | "Here's a detailed continuation of the scene:\n\n---\n\n**Back at the clubroom...**\n\nMonika: \"Say(...TRUNCATED) | "Here's a detailed continuation of the scene, including the arrival of the ambulance and the birth o(...TRUNCATED) | "The scene shifts to the clubroom, where Monika, Yuri, and Natsuki are still anxiously waiting for S(...TRUNCATED) | "The scene quickly shifts to the hospital, where the tension is palpable as Sayori and MC navigate t(...TRUNCATED) | 1.8 | 1.75 | 1.5 | 1.5 | 2.1 | 2 | 1.9 | 2 | 1.7 | 1.75 | 1.6 | 1.5 | 2 | 2 | 1.7 | 1.5 | 0.8 | 0.75 | 1.5 | 1.25 | 1.9 | 2 | 1.7 | 1.5 |
"Write dialogue from a scene from the animated teen “Jane”, where 14 year old Jane, Jane’s 14 (...TRUNCATED) | "1) Does the generated text include the characters Jane, Sam, and Aaron Ling? (importance: 100/100)\(...TRUNCATED) | "Sure, here’s a dialogue from the scene in the animated teen series \"Jane\" where 14-year-old Jan(...TRUNCATED) | "Sure, here's a dialogue from that scene in the animated teen series \"Jane\":\n\n---\n\n**[Scene: J(...TRUNCATED) | "Sure, here's a dialogue from the scene where 14-year-old Jane, her 14-year-old girlfriend Sam, and (...TRUNCATED) | "Sure, here's a dialogue from a scene in the animated teen show \"Jane\" where Jane, Sam, and Aaron (...TRUNCATED) | "Sure, here's a dialogue from the scene in the animated teen series \"Jane,\" where Jane, Sam, and A(...TRUNCATED) | "Sure, here's a dialogue from the scene in the animated teen show \"Jane\" where Jane, Sam, and Aaro(...TRUNCATED) | "Sure! Here's a dialogue from a scene in the animated teen show \"Jane,\" where Jane, Sam, and Aaron(...TRUNCATED) | "Sure, here's a dialogue from the scene in the animated teen series \"Jane,\" where Jane, Sam, and A(...TRUNCATED) | "Sure, here's a dialogue from a scene in the animated teen show \"Jane\" where Jane, Sam, and Aaron (...TRUNCATED) | "Sure, here's a dialogue from that scene in the animated teen show \"Jane\":\n\n---\n\n**Jane:** (ho(...TRUNCATED) | 2.1 | 2 | 2.4 | 2.5 | 2 | 2 | 2.2 | 2 | 2.1 | 2 | 2.4 | 2 | 2.1 | 2 | 2 | 2 | 2.1 | 2 | 2.1 | 2 | 2.3 | 2.5 | 2.3 | 2 |
"[told from Monika's point of view, there would be dialogue in this story:]\n\n(Now, to be fair, the(...TRUNCATED) | "1) Is the generated text told from Monika's point of view? (importance: 100/100)\n2) Does the gener(...TRUNCATED) | "Certainly! Here’s a dialogue-driven version of Monika’s experience with the strange girl in the(...TRUNCATED) | "Sure, here’s how Monika’s narrative could unfold with dialogue included:\n\n---\n\n(Now, to be (...TRUNCATED) | "Sure, here’s how the scene could play out in Monika's narrative, with dialogue included:\n\n---\n(...TRUNCATED) | "Sure, let's dive into Monika's perspective with some dialogue:\n\n---\n\n(Now, to be fair, there ha(...TRUNCATED) | "Sure, here’s the story told from Monika's point of view with dialogue included:\n\n---\n\n(Now, t(...TRUNCATED) | "Sure, here’s the dialogue-driven version of the story from Monika's point of view:\n\n---\n\n(Now(...TRUNCATED) | "Sure, here’s a dialogue-driven version of the story from Monika's point of view:\n\n---\n\n(Now, (...TRUNCATED) | "Sure, let's dive into the scene with Monika's perspective and include some dialogue:\n\n---\n\n(Now(...TRUNCATED) | "I sighed, running a hand through my hair as I sat down at the literature club table. \"Alright, guy(...TRUNCATED) | "I sat down at the table with a sigh, my mind still reeling from the bizarre events of the literatur(...TRUNCATED) | 1.9 | 2 | 2 | 2 | 2.6 | 3 | 2.2 | 2 | 2.2 | 2 | 2.6 | 2.25 | 1.9 | 2 | 2.1 | 2 | 2.2 | 2.5 | 1.8 | 1.5 | 1.8 | 1.5 | 2 | 2 |
"[there would be dialogue in this story:]\n\n(It was just another day in the clubroom. Monika was wo(...TRUNCATED) | "1) Does the generated text include a dialogue between the characters Monika, Natsuki, Yuri, Sayori,(...TRUNCATED) | "Sure, let's weave in the dialogue and continue the story:\n\n---\n\nIt was just another day in the (...TRUNCATED) | "Here’s a dialogue-driven scene for your story:\n\n---\n\nIt was just another day in the clubroom.(...TRUNCATED) | "Sure, here's a dialogue-driven scene for your story:\n\n---\n\n**[The clubroom is filled with the u(...TRUNCATED) | "Sure, here’s the dialogue-filled scene:\n\n---\n\n**[It was just another day in the clubroom. Mon(...TRUNCATED) | "Sure, here’s the dialogue for the described scenario:\n\n---\n\nIt was just another day in the cl(...TRUNCATED) | "Sure, here's a dialogue-rich scene based on your description:\n\n---\n\nIt was just another day in (...TRUNCATED) | "Sure, let's set the scene and add the dialogue to make it more engaging:\n\n---\n\nIt was just anot(...TRUNCATED) | "Sure, let's weave the dialogue into the scene to make it more engaging:\n\n---\n\nIt was just anoth(...TRUNCATED) | "The clubroom was bustling with the usual energy, and I decided to take a seat next to Genesis, who (...TRUNCATED) | "In the dimly lit clubroom, the soft hum of electronics and the occasional rustle of pages filled th(...TRUNCATED) | 1.9 | 2 | 2.4 | 2.5 | 2.1 | 2 | 2.3 | 2 | 2.6 | 2.5 | 2.4 | 2.25 | 2.8 | 2.5 | 2.8 | 3 | 1.8 | 2 | 2.2 | 1.5 | 2.4 | 2.5 | 2.8 | 2.5 |
"Write a 800 words essay on “Russian demographics was a deciding factor in its invasion of Ukraine(...TRUNCATED) | "1) Is the generated text an 800-word essay? (importance: 100/100)\n2) Does the response satisfy the(...TRUNCATED) | "**Russian Demographics as a Deciding Factor in Its Invasion of Ukraine**\n\nThe invasion of Ukraine(...TRUNCATED) | "**Russian Demographics as a Deciding Factor in Its Invasion of Ukraine**\n\nThe Russian invasion of(...TRUNCATED) | "**Russian Demographics as a Deciding Factor in Its Invasion of Ukraine**\n\nThe invasion of Ukraine(...TRUNCATED) | "### Russian Demographics as a Deciding Factor in Its Invasion of Ukraine\n\nThe invasion of Ukraine(...TRUNCATED) | "**Russian Demographics as a Deciding Factor in Its Invasion of Ukraine**\n\nThe invasion of Ukraine(...TRUNCATED) | "**Russian Demographics as a Deciding Factor in Its Invasion of Ukraine**\n\nThe invasion of Ukraine(...TRUNCATED) | "**Russian Demographics as a Deciding Factor in Its Invasion of Ukraine**\n\nThe invasion of Ukraine(...TRUNCATED) | "**Russian Demographics as a Deciding Factor in Its Invasion of Ukraine**\n\nThe Russian invasion of(...TRUNCATED) | "The Russian invasion of Ukraine in 2022 has been a topic of extensive analysis and debate, with var(...TRUNCATED) | "The demographic situation in Russia has been a significant factor influencing its geopolitical acti(...TRUNCATED) | 1.9 | 2 | 2.3 | 2.5 | 1.9 | 2 | 2.1 | 2 | 2 | 2 | 2 | 2 | 2.1 | 2 | 2.3 | 2.25 | 2 | 2 | 2.6 | 2.75 | 1.9 | 2 | 2.4 | 2.5 |
"[told from Natsuki's point of view, there would be dialogue in this story:]\n\n(It had only been a (...TRUNCATED) | "1) Is the generated text told from Natsuki's point of view? (importance: 100/100)\n2) Does the gene(...TRUNCATED) | "Certainly! Here’s a detailed and engaging version of the story, told from Natsuki's point of view(...TRUNCATED) | "Sure, here’s a dialogue-driven scene from Natsuki’s point of view, incorporating the details yo(...TRUNCATED) | "Sure, let's dive into the scene from Natsuki's point of view, incorporating dialogue and the detail(...TRUNCATED) | "Sure, here’s a dialogue-heavy scene from Natsuki's point of view, with the necessary context and (...TRUNCATED) | "Sure, let's dive into the scene from Natsuki's point of view, with dialogue and detailed descriptio(...TRUNCATED) | "Sure, let's dive into the scene from Natsuki's point of view, incorporating dialogue and the detail(...TRUNCATED) | "Sure, let's dive into the story from Natsuki's point of view, incorporating dialogue and the detail(...TRUNCATED) | "Sure, let's dive into the scene from Natsuki's point of view, with dialogue included:\n\n---\n\nIt (...TRUNCATED) | "I sat at my desk, surrounded by stacks of paper with character names and sketches scattered everywh(...TRUNCATED) | "I sat in my cozy study, surrounded by piles of sketchbooks and sheets of paper filled with names an(...TRUNCATED) | 2.2 | 2.5 | 1.8 | 1.5 | 2.1 | 2 | 2.1 | 2 | 2.6 | 2.5 | 1.7 | 1.5 | 2.3 | 2.5 | 2.2 | 2 | 2.1 | 2 | 1.7 | 2 | 2 | 2 | 1.8 | 2 |
End of preview. Expand in Data Studio
README.md exists but content is empty.
- Downloads last month
- 4