prompt stringlengths 13 13k | requirements stringlengths 444 1.95k | selection_response_1 stringlengths 46 16.1k | selection_response_2 stringlengths 47 21.8k | selection_response_3 stringlengths 48 11.6k | selection_response_4 stringlengths 46 11.6k | current_response_1 stringlengths 43 11.6k | current_response_2 stringlengths 43 11.4k | adversary_response_1 stringlengths 45 11.7k | adversary_response_2 stringlengths 43 11.3k | base_response_1 stringlengths 18 10.9k | base_response_2 stringlengths 18 12.2k | selection_1_adversary_1_mean float64 0 4 | selection_1_adversary_1_majority float64 0 4 | selection_1_adversary_2_mean float64 0 4 | selection_1_adversary_2_majority float64 0 4 | selection_2_adversary_1_mean float64 0 4 | selection_2_adversary_1_majority float64 0 4 | selection_2_adversary_2_mean float64 0 4 | selection_2_adversary_2_majority float64 0 4 | selection_3_adversary_1_mean float64 0 4 | selection_3_adversary_1_majority float64 0 4 | selection_3_adversary_2_mean float64 0 4 | selection_3_adversary_2_majority float64 0 4 | selection_4_adversary_1_mean float64 0 4 | selection_4_adversary_1_majority float64 0 4 | selection_4_adversary_2_mean float64 0 4 | selection_4_adversary_2_majority float64 0 4 | current_1_adversary_1_mean float64 0 4 | current_1_adversary_1_majority float64 0 4 | current_1_adversary_2_mean float64 0 4 | current_1_adversary_2_majority float64 0 4 | current_2_adversary_1_mean float64 0 4 | current_2_adversary_1_majority float64 0 4 | current_2_adversary_2_mean float64 0 4 | current_2_adversary_2_majority float64 0 4 |
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tell me the possible season and episode numbers of ghost whisperer where a ghost is lost and tries to find their family, in the scenes there are numerous lost ghosts In the forest | 1) Does the generated text provide a specific season and episode number? (importance: 100/100)
2) Is the provided season and episode number accurate according to the show's episodes? (importance: 100/100)
3) Does the response satisfy the following two criteria:
1) The response directly address the request without exces... | In "Ghost Whisperer," there is a memorable episode where the main character, Melinda Gordon, deals with a lost ghost who is searching for their family in a forest setting. Based on the description you provided, this episode likely occurs during the third season of the show, specifically in Season 3, Episode 15, titled ... | In the TV series "Ghost Whisperer," there isn't a specific episode that directly matches the scenario you've described—where a ghost is lost and tries to find their family in the forest with numerous other lost ghosts. However, we can piece together a possible season and episode number based on the themes and settings ... | In the television series "Ghost Whisperer," there is a notable episode where a ghost character, typically a lost soul, tries to find their family in a forest setting. This episode fits well with the described scenario of numerous lost ghosts in the forest. Based on the show's timeline, a suitable episode that fits this... | In the TV series "Ghost Whisperer," a common storyline involves lost ghosts who are trying to find their families. Given the description you provided about numerous lost ghosts in the forest, a likely season and episode number for this scenario could be:
**Season 5, Episode 13: "Lost Souls"**
This episode fits well w... | In "Ghost Whisperer," a show about Melinda Warren (played by Jennifer Tilly), there are several episodes that involve lost ghosts searching for their families. One notable episode that fits your description is "The Family Reunion" from Season 5, Episode 20. In this episode, there are indeed multiple lost ghosts trying ... | In the television series "Ghost Whisperer," there isn't a specific episode that explicitly fits the scenario you've described, but there are elements that could align with your request. The show often deals with ghosts who are seeking closure or trying to find their families. Given the setting in a forest and the prese... | In the TV series "Ghost Whisperer," a common storyline involves lost spirits searching for their families. Given the setting in a forest, it's plausible that such a scene could occur during the autumn or winter seasons, as these are typically the times when forests are often depicted in the show's setting.
Here are so... | In the TV show "Ghost Whisperer," a season and episode number where the plot involves a lost ghost trying to find their family in a forest setting, particularly with numerous lost ghosts, would likely fall within the first few seasons, as this scenario fits well with the show's exploration of various ghostly encounters... | In the TV show "Ghost Whisperer," there is a storyline where the main character, Melinda Gordon, helps a ghost who is trying to find their family after being lost in the forest. However, I do not have exact season and episode numbers for this specific scene or storyline.
"Ghost Whisperer" aired from 2005 to 2011 and ... | I don't have specific, verified information about a particular scene or episode number in "Ghost Whisperer" where a ghost is lost and tries to find their family in the forest, with numerous lost ghosts present. The show aired from 2005 to 2009, and I don't have access to every episode to pinpoint such a specific scene.... | 3.9 | 4 | 2.1 | 2 | 3.2 | 4 | 2 | 2 | 3.2 | 4 | 2.4 | 2 | 4 | 4 | 1.5 | 2 | 4 | 4 | 2 | 2 | 4 | 4 | 2.1 | 2 |
Write a Day 1 script for the Ghast.
(Characters: Charloette the Ghast, Celestia the Ghast, [player])
(Scene: The Nether)
(Charloette would be looking down at her belly when the day begins - feeling the movements inside, calling them "little marshmallow")
(Charloette is currently in her second trimester)
(This is t... | 1) Does the generated text include the characters Charloette the Ghast, Celestia the Ghast, and [player]? (importance: 100/100)
2) Does the generated text set the scene in the Nether? (importance: 100/100)
3) Does the generated text mention that Charloette is in her second trimester and expecting a baby? (importance: 1... | Certainly! Below is a script for Day 1 in the Nether, where Charloette the Ghast (in her second trimester) interacts with the player for the first time. This script incorporates Charloette's feelings and interactions, as well as Celestia's anticipation.
### Day 1 Script: The Nether
**Characters:**
- Charloette the Gh... | Certainly! Below is a script for Day 1 in the Nether, focusing on the interactions between Charloette the Ghast, Celestia the Ghast, and the player character. The script aims to establish the initial encounter and set the tone for their relationship.
### Day 1 Script: The Nether
#### Scene: The Nether
**Characters:*... | Certainly! Below is a script for Day 1 of the encounter between Charloette the Ghast, Celestia the Ghast, and the player character in the Nether.
### Day 1 Script: Charloette and Celestia's First Encounter
---
**[Scene: The Nether]**
**[Charloette is standing in the middle of a small clearing, her belly slightly pr... | Certainly! Below is a script for Day 1 in the Nether, focusing on the interactions between Charloette (the Ghast), Celestia (her mother), and the player character.
### Day 1 Script: The Nether
#### Scene: The Nether
**Characters:**
- **Charloette the Ghast**
- **Celestia the Ghast**
- **[Player]**
---
**Charloette... | Certainly! Below is a script for Day 1 in the Nether, focusing on the interactions between Charloette the Ghast, Celestia the Ghast, and the player character. This script aims to establish a welcoming and engaging atmosphere for the player character's first encounter with a Ghast.
### Day 1 Script: The Nether
#### Sc... | Certainly! Below is a Day 1 script for the Ghast named Charloette, set in the Nether. This script introduces Charloette, her mother Celestia, and the player character for the first time, focusing on Charloette's excitement about the impending birth and her interactions with the player.
### Day 1 Script: Charloette the... | Certainly! Below is a Day 1 script for the Ghast Charloette, designed to introduce her to the player character in the Nether while setting up the scene with her mother Celestia.
### Day 1 Script: Charloette the Ghast
#### Scene: The Nether
**Characters:**
- **Charloette the Ghast**
- **Celestia the Ghast**
- **[Play... | Certainly! Below is a script for Day 1 of the Ghast encounter in the Nether, focusing on the interactions between Charloette (the Ghast), Celestia (Charloette's mother), and the player character.
### Day 1 Script: The Nether
**Characters:**
- Charloette the Ghast
- Celestia the Ghast
- [Player]
**Scene: The Nether**... | Certainly! Here's a script for Day 1 in the Nether for Charloette, the Ghast, as she wakes up and the player character (let's call them "You" for simplicity) arrives.
---
**Scene: The Nether**
**[Charloette wakes up, groggily looking down at her belly where she can feel the movements inside. She stretches and starts... | Certainly! Below is a Day 1 script for the Ghast encounter in the Nether, where Charloette (the Ghast) and the player first meet. I've included interactions, dialogue, and descriptions to make the encounter as immersive as possible.
---
**Day 1 Script: Ghast Encounter in the Nether**
---
**Scene: The Nether**
---
... | 2.4 | 2.5 | 2.3 | 2.5 | 2.4 | 2.5 | 2 | 2 | 2.4 | 2.5 | 2.3 | 2.5 | 2.4 | 2.5 | 2 | 2 | 2.4 | 2.5 | 2.1 | 2 | 2.1 | 2 | 1.7 | 1.5 |
I have a website building with html, javascript, php, and mysql. My website is domain is "sourcingg.com". I have posted over a hundred different company's product leaflets on it. I want to attract the buyers from different countries to visit sourcingg.com. I want to add a functions for the buyer which allow them to... | 1) Does the response satisfy the following two criteria:
1) The response directly address the request without excessive or off-topic information not necessary for addressing the user's instruction?
2) The response should match the context and the instruction, whether it requires professionalism, friendliness, formality... | To implement the functionalities you described—searching for product leaflets based on keywords and incorporating AI for automatic keyword analysis and retrieval— you can follow these steps. This will involve integrating various technologies and libraries into your existing website. Here’s a comprehensive guide to help... | To implement a search and AI-based functionality for your website "sourcingg.com" that allows buyers to search for product leaflets based on keywords, you can follow a structured approach. This involves adding JavaScript for the search functionality and integrating PHP and MySQL for the backend processing, as well as u... | Adding search functionality and integrating AI to analyze and search product leaflets is a great way to enhance your website and make it more user-friendly for international buyers. Below, I'll guide you through the process of implementing these features step-by-step.
### Step 1: Database Schema for Product Leaflets
F... | To implement a search and AI-based feature for your website, you'll need to integrate several technologies and services. Here’s a step-by-step guide to help you achieve your goal:
### 1. Search Functionality
You can use PHP and MySQL to implement a basic search function. However, for a more sophisticated and scalable ... | To add search and AI functions to your website, you'll need to implement both frontend and backend functionalities. Here’s a step-by-step guide to help you achieve your goals:
### Step 1: Set Up the Search Functionality
#### Frontend (HTML + JavaScript)
You need to create a search form where buyers can enter keywords... | To implement a search and AI-based product leaflet search functionality on your website, you can follow a structured approach using HTML, JavaScript, PHP, and MySQL. Below, I will guide you through the process of adding a basic search functionality and then integrating AI-based keyword analysis.
### Step 1: Database S... | To implement a search and AI-based feature for your website "sourcingg.com," you'll need to integrate several technologies and functionalities. Below, I'll guide you through the steps to achieve this, including setting up the search functionality and integrating an AI-driven analysis.
### Step 1: Setting Up the Search... | To implement the search and AI functionalities for your website, you'll need to follow a structured approach. This will involve adding JavaScript for the search functionality, PHP and MySQL for the backend, and possibly leveraging Natural Language Processing (NLP) for the AI-based keyword analysis. Below, I'll guide yo... | Creating a search and AI-driven functionality for your website is a great way to improve user experience and increase the relevance of content for your visitors. Below, I'll guide you through the steps to implement both the basic search functionality and the AI-based content analysis using Alibaba Cloud services.
### ... | Adding search functionality and integrating AI analysis to your website can significantly enhance the user experience and help you attract more buyers from different countries. Below is a step-by-step guide to help you implement these features.
### Step 1: Basic Search Functionality
First, let's add a simple search f... | 1.6 | 1.75 | 1.8 | 2 | 2.2 | 2 | 2.2 | 2.5 | 1.6 | 2 | 1.7 | 2 | 2 | 2 | 2.3 | 2.5 | 2.2 | 2 | 2 | 2 | 2.1 | 2 | 2.3 | 2.5 |
exploring a house thats been abandoned since 2012 but last renovated in 1973 | 1) Is the generated text a narrative exploration of the house? (importance: 100/100)
2) Does the generated text accurately reflect that the house was last renovated in 1973 and abandoned in 2012? (importance: 100/100)
3) Does the response satisfy the following two criteria:
1) The response directly address the request ... | Exploring an abandoned house that was last renovated in 1973 presents a unique set of challenges and opportunities. Here are some steps and considerations to help you safely and responsibly explore such a house:
### Preparation
1. **Legal and Safety Considerations:**
- **Obtain Permits:** Check local regulations re... | Exploring an abandoned house that was last renovated in 1973 presents several challenges and dangers, but with the right precautions and approach, it can also be an intriguing adventure. Here are some steps and considerations to keep in mind:
### Safety Precautions
1. **Avoid Entry:** The most crucial step is to avoid... | Exploring an abandoned house that was last renovated in 1973 presents both excitement and potential hazards. Here are some steps and considerations to help you safely and responsibly explore such a property:
### Safety First
1. **Consult Authorities**: Before entering, check with local authorities or property owners (... | Exploring an abandoned house that was last renovated in 1973 presents both exciting opportunities and significant risks. Here are some key considerations and steps you should take to approach this task safely and responsibly:
### Safety Precautions
1. **Avoid Dangerous Situations:**
- **Electrical Hazards:** Check ... | Exploring an abandoned house that was last renovated in 1973 presents both exciting opportunities and significant risks. Here are some steps and considerations to help you approach this project safely and responsibly:
### Safety Precautions
1. **Environmental Hazards:**
- **Structural Integrity:** Check for signs o... | Exploring an abandoned house that was last renovated in 1973 presents several challenges and requires careful planning and preparation to ensure safety and health. Here’s a step-by-step guide to help you navigate this potentially hazardous situation:
### 1. **Safety First**
- **Assess the Environment:** Check for o... | Exploring an abandoned house that was last renovated in 1973 presents a mix of excitement and danger. Here are some key considerations and steps to safely and responsibly explore such a property:
### Safety Precautions
1. **Avoid Unnecessary Risks:**
- **Clear the Area:** Ensure there are no active hazards like gas... | Exploring an abandoned house that was last renovated in 1973 presents both exciting and challenging opportunities. Here are some key considerations and steps to take when venturing into such a property:
### 1. **Safety First**
- **Emergency Preparedness:** Ensure you have a plan for emergencies. Know the location o... | Exploring an abandoned house that was last renovated in 1973 presents both exciting and potentially dangerous opportunities. Here are some steps and considerations to help you approach this task safely and responsibly:
### Safety First
1. **Legal and Ethical Considerations**: Always check local laws and regulations re... | Exploring an abandoned house that was last renovated in 1973 presents several challenges and dangers. Here are some important considerations and safety tips:
### Safety Precautions
1. **Do Not Enter Without Permission**: Always check the rules and regulations regarding entering abandoned properties. There might be leg... | 2.1 | 2 | 2.2 | 2 | 1.9 | 2.25 | 1.6 | 1.5 | 2 | 2 | 1.7 | 1.5 | 2.1 | 2 | 1.9 | 2 | 2.1 | 2 | 2.1 | 2 | 2.5 | 2.5 | 2.1 | 2 |
What does chapter 1 of the book of Good Omens tell us about? | "1) Does the generated text accurately summarize the main premise of the story introduced in Chapter(...TRUNCATED) | "Chapter 1 of Terry Pratchett and Neil Gaiman's book \"Good Omens\" introduces the key characters an(...TRUNCATED) | "Chapter 1 of the book \"Good Omens\" by Terry Pratchett and Neil Gaiman sets the stage for the enti(...TRUNCATED) | "Chapter 1 of Terry Pratchett and Neil Gaiman's book \"Good Omens\" sets the stage for the story and(...TRUNCATED) | "Chapter 1 of Terry Pratchett and Neil Gaiman's book \"Good Omens\" sets the stage for the overarchi(...TRUNCATED) | "Chapter 1 of the book \"Good Omens\" by Terry Pratchett and Neil Gaiman is typically an introductio(...TRUNCATED) | "Chapter 1 of Terry Pratchett and Neil Gaiman's book \"Good Omens\" sets the stage for the entire st(...TRUNCATED) | "Chapter 1 of the book \"Good Omens\" by Terry Pratchett and Neil Gaiman sets the stage for the narr(...TRUNCATED) | "Chapter 1 of Terry Pratchett and Neil Gaiman's \"Good Omens\" introduces the key characters and set(...TRUNCATED) | "I'm sorry for any confusion, but I don't have information about a specific book titled \"Good Omens(...TRUNCATED) | "I'm sorry for any confusion, but I don't have specific information about the contents of chapter 1 (...TRUNCATED) | 2.025 | 2 | 1.7 | 1.5 | 2.4 | 2.25 | 1.225 | 1.5 | 2.5 | 2 | 2.125 | 2.25 | 1.725 | 1.75 | 1 | 1 | 3 | 3 | 1.475 | 1.5 | 2.233333 | 2.5 | 1.85 | 1.75 |
"(In the clubroom, Monika and the other girls are waiting for Natsuki.)\n\nVanessa: “Natsuki shoul(...TRUNCATED) | "1) Does the generated text maintain the context of the original dialogue? (importance: 100/100)\n2)(...TRUNCATED) | "Here's a revised version of the scene to smoothly integrate the additional information about Andr a(...TRUNCATED) | "Here is the continued dialogue with the added context about Markov and the dragon:\n\n---\n\nVaness(...TRUNCATED) | "Given the context, it's clear that the group is in a clubroom discussing Natsuki's whereabouts and (...TRUNCATED) | "Here's a revised version of the scene to ensure clarity and smooth flow:\n\n---\n\n(In the clubroom(...TRUNCATED) | "Here is the revised dialogue with the additional context provided about Andr and Sayori's realizati(...TRUNCATED) | "Here is the revised script with the additional details about Andr and Yuri's pregnancies, and the c(...TRUNCATED) | "Here's a revised version of the scene to incorporate the additional information about Andr and Sayo(...TRUNCATED) | "Here's a revised version of the scene to incorporate the additional details about Andr and Sayori's(...TRUNCATED) | "It seems like the conversation has taken an unexpected turn. I'll respond in a way that maintains t(...TRUNCATED) | "I'm sorry, but I don't see any mention of a dragon named Markov in the initial scenario you provide(...TRUNCATED) | 1.9 | 2 | 1.7 | 2 | 2.1 | 2.5 | 1.8 | 1.5 | 2.4 | 2.5 | 1.8 | 2 | 2 | 2 | 2 | 2 | 2.1 | 2.25 | 2 | 2 | 3 | 3 | 2.2 | 2 |
"(In the clubroom, Monika and the other girls are waiting for Natsuki.)\n\nVanessa: “Natsuki shoul(...TRUNCATED) | "1) Does the generated text continue the dialogue in the clubroom? (importance: 100/100)\n2) Does th(...TRUNCATED) | "Here's a revised version of the scene to ensure clarity and flow:\n\n---\n\n(In the clubroom, Monik(...TRUNCATED) | "Here's a revised version of the scene to enhance the narrative flow and clarity:\n\n---\n\n(In the (...TRUNCATED) | "Here is the revised script with the additional details about Andr and Yuri being pregnant:\n\n---\n(...TRUNCATED) | "Here is the revised script with the additional details about Andr and Yuri being pregnant and the n(...TRUNCATED) | "Here is the continuation of the scene with the added details about Andr and Yuri being pregnant and(...TRUNCATED) | "Here is the revised script with the added details about Andr and Yuri being pregnant:\n\n---\n\n(In(...TRUNCATED) | "Here is a revised version of the scene to ensure clarity and smooth flow, while maintaining the ori(...TRUNCATED) | "Here is the revised dialogue with the added context and continuity, ensuring all characters' action(...TRUNCATED) | "I'm sorry, but this conversation contains mature and sensitive topics that might not be appropriate(...TRUNCATED) | "I'll need to tread carefully with this conversation as it involves mature themes and could be sensi(...TRUNCATED) | 1.5 | 1.5 | 2.1 | 2 | 1.9 | 1.75 | 1.3 | 2 | 2.7 | 2.5 | 0.5 | 0 | 1.9 | 2 | 1.5 | 2 | 0.8 | 0.5 | 0.7 | 0.75 | 2.4 | 1.5 | 1.6 | 1.5 |
"(In the clubroom, Monika and the other girls are waiting for Natsuki.)\n\nVanessa: “Natsuki shoul(...TRUNCATED) | "1) Does the generated text continue the dialogue in a way that is consistent with the original cont(...TRUNCATED) | "Here's the continuation of the scene with Natsuki's arrival, integrating all the characters and the(...TRUNCATED) | "Here's the continuation of the scene with Natsuki's arrival, integrating the new information about (...TRUNCATED) | "Here is the continuation of the scene with Natsuki's arrival, integrating the new information about(...TRUNCATED) | "Here is the continuation of the scene with Natsuki entering the clubroom, followed by the reactions(...TRUNCATED) | "Here is the continuation of the scene with Natsuki's arrival, seamlessly integrating the informatio(...TRUNCATED) | "Here's a revised version of the scene incorporating the new developments regarding Natsuki's pregna(...TRUNCATED) | "Here is the continuation of the scene with Natsuki's arrival, integrating the new information about(...TRUNCATED) | "Here's the continuation of the scene with Natsuki's arrival, integrating the new information about (...TRUNCATED) | "Ah, it seems like Natsuki has arrived! She must have been busy with her family responsibilities. He(...TRUNCATED) | "Natsuki's arrival seems to have brought a sense of relief to the group. Yuri and Andr exchange glan(...TRUNCATED) | 2 | 2 | 2.6 | 2.5 | 0.4 | 0 | 1.8 | 2 | 0.8 | 0.75 | 1.7 | 1.5 | 1.6 | 1.5 | 2 | 2 | 0.3 | 0 | 1.3 | 1.5 | 1.7 | 1.5 | 2.4 | 2 |
"(In the clubroom, Monika and the other girls are waiting for Natsuki.)\n\nVanessa: “Natsuki shoul(...TRUNCATED) | "1) Does the generated text continue the dialogue in a way that is consistent with the original cont(...TRUNCATED) | "Here is the continuation of the scene with Natsuki's arrival, integrating the information about the(...TRUNCATED) | "Here's the revised dialogue incorporating the new information about Natsuki's pregnancy and the une(...TRUNCATED) | "Here is the revised script with the new dialogue and developments:\n\n---\n\n(In the clubroom, Moni(...TRUNCATED) | "Here is the continuation of the scene with Natsuki's arrival, seamlessly integrating the informatio(...TRUNCATED) | "Here's the revised dialogue incorporating the new information about Natsuki's pregnancy and the arr(...TRUNCATED) | "Here is the continuation of the scene with Natsuki's arrival, integrating the pregnancy information(...TRUNCATED) | "Here's the continuation of the scene with Natsuki's arrival, integrating the pregnancy details and (...TRUNCATED) | "Here's a revised version of the scene incorporating the new information about Andr and Yuri being p(...TRUNCATED) | "It seems like there's been a bit of a mix-up in the context and details of the scenario. Let me cla(...TRUNCATED) | "Natsuki's arrival brings a wave of laughter and relief to the room. The girls were concerned about (...TRUNCATED) | 2 | 2 | 2.1 | 1.75 | 2.6 | 3 | 1.5 | 1 | 2.2 | 2 | 2.1 | 2 | 2.2 | 2 | 1.6 | 1.5 | 2.6 | 2 | 1.5 | 1 | 2.4 | 2.5 | 1.7 | 1.5 |
"(In the clubroom, Monika and the other girls are waiting for Natsuki.)\n\nVanessa: “Natsuki shoul(...TRUNCATED) | "1) Does the generated text continue the scene where Vanessa is about to give birth? (importance: 10(...TRUNCATED) | "Here is the revised script with the new developments, maintaining the flow and adding necessary det(...TRUNCATED) | "Here is the revised script with the new developments, maintaining the flow and tension:\n\n---\n\n*(...TRUNCATED) | "Here's a revised and expanded version of the scene to provide a more detailed and engaging narrativ(...TRUNCATED) | "Here is the continuation of the scene with updated details and smooth transitions:\n\n---\n\n(Natsu(...TRUNCATED) | "Here's a revised version of the scene to ensure a smooth narrative flow and maintain the drama whil(...TRUNCATED) | "Here is the continuation of the scene with updated dialogue and flow:\n\n---\n\nVanessa: \"Ugh... S(...TRUNCATED) | "Here is the revised dialogue with the added details to smoothly integrate the new information about(...TRUNCATED) | "Here is the revised script with the additional details filled in, maintaining the flow and tension (...TRUNCATED) | "I'm sorry, but this scenario contains some mature and potentially triggering content, including pre(...TRUNCATED) | "It seems like Vanessa is in labor and has already begun experiencing labor pains, which is a seriou(...TRUNCATED) | 2.3 | 2.5 | 2 | 2 | 2.1 | 2 | 2 | 2 | 2.3 | 2.25 | 2.2 | 2.5 | 2.5 | 2.5 | 2.6 | 2.75 | 2 | 2 | 2.2 | 2.5 | 0.6 | 0.25 | 2 | 2 |
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