| # Glyphic Language — Grammar Examples | |
| This document provides clear examples of valid and invalid glyph sequences based on the strict syntax rules and BNF grammar of the Glyphic Language. | |
| # 1. Basic Valid Examples | |
| 1.1 Actor + Action | |
| 👤 🏃 | |
| 1.2 Action + Object | |
| 🏹 🎯 | |
| 1.3 Object + Modifier | |
| 🍎 ✨ | |
| 1.4 Object + Context | |
| 🪨 🏞️ | |
| # 2. Full Scene Examples | |
| 2.1 Actor + Action + Object + Context | |
| 👧 ✍️ 📄 🏡 🌅 | |
| Meaning: A girl writing a page at home at sunrise. | |
| 2.2 Action + Object + Modifiers + Context | |
| 🔥 🪵 ✨ 💨 🌲 🌙 | |
| Meaning: Fire burning wood intensely in a windy forest at night. | |
| 2.3 Actor + Action + Object + Emotion + Social | |
| 👤 🤝 🧺 😊 🧑🤝🧑 | |
| Meaning: A person sharing a basket happily within a group. | |
| # 3. Context‑Heavy Examples | |
| 3.1 Place + Time + Emotion | |
| 🏞️ 🌅 😌 | |
| 3.2 Full Context Stack | |
| 🏞️ 🌅 😌 🌬️ 🧑🤝🧑 | |
| # 4. Invalid Examples (with explanations) | |
| 4.1 Context before object | |
| 🌅 🪨 | |
| INVALID — time context cannot precede object | |
| 4.2 Modifier after context | |
| 🍞 🏡 ✨ | |
| INVALID — modifiers must appear before context | |
| 4.3 Multiple actions | |
| 👤 🏃 ✍️ | |
| INVALID — only one action allowed | |
| 4.4 Social before sensory | |
| 🧑🤝🧑 🌬️ | |
| INVALID — social context must come last | |
| # 5. Reversibility Examples | |
| 5.1 Encoding and decoding match | |
| Input: 👤 🏃 🏞️ | |
| Output: 👤 🏃 🏞️ | |
| 5.2 Canonical ordering enforced | |
| input meaning (unordered): | |
| { | |
| "object": "📄", | |
| "actor": "👤", | |
| "action": "✍️", | |
| "context": { "time": ["🌙"] } | |
| } | |
| Encoded output: | |
| 👤 ✍️ 📄 🌙 | |
| # 6. Complex Scene Examples | |
| 6.1 Symbolic + Emotional | |
| 🌱 ✨ 😌 🌙 | |
| Meaning: A symbolic sprout glowing peacefully under the night sky. | |
| 6.2 Multi‑layered context | |
| 👤 🧘 🍃 ✨ 🏞️ 🌅 😌 🌬️ 🧑🤝🧑 | |
| Meaning: A person meditating with a leaf in a bright, peaceful, breezy morning among others. | |
| These examples serve as a reference for developers, LLM trainers, and agent designers working with the Glyphic Language. | |