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35,053 | 0 | Thunderbirds was filmed at APF 's studios on the Slough Trading Estate between 1964 and 1966\1 | [
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35,053 | 1 | In preparation\1 the number of full-time crew was expanded to 100\1 Shooting began in September 1964 after five months of pre-production\1 | [
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35,053 | 2 | Due to the new series ' technical complexity\1 this was a period longer than for any of APF 's earlier productions\1 | [
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35,053 | 3 | To speed up the filming\1 episodes were shot in pairs\1 at a rate of one per month\1 on separate soundstages and by separate crews \1designated " A " and " B "\1\1 By 1964\1 APF was the UK 's largest commercial user of colour film\1 consuming more than three million feet \1570 miles or 910 kilometres\1 of stock per yea... | [
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35,054 | 0 | Alan Pattillo\1 a veteran scriptwriter and director for APF\1 was appointed the company 's first official script editor in late 1964\1 | [
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35,054 | 1 | This move was aimed to reduce the burden on Gerry Anderson who\1 while reserving his producer 's right to overall creative control\1 had grown weary of revising scripts himself\1 Direction of episodes was assigned in pairs\1 Pattillo and David Elliott alternated with the less experienced Desmond Saunders and newcomer D... | [
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35,054 | 2 | Due to the difficulties of setting up takes\1 progress was slow\1 even on a productive day\1 it was rare for the crew to complete more than two minutes of puppet footage | [
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35,054 | 4 | Hill noted that Thunderbirds contained several times as many shots as a typical live-action series\1 | [
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35,054 | 5 | He explained that rapid editing was necessary on account of the characters ' lack of facial expression\1 which made it difficult to sustain the viewer 's interest for more than a few seconds per shot\1 | [
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35,055 | 0 | After viewing the completed 25-minute pilot\1 " Trapped in the Sky "\1 Lew Grade was so impressed by APF 's work that he instructed Anderson to double the episode length and increased the series ' budget per episode from £ 25 @,@ 000 to £ 38 @,@ 000\1 | [
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35,055 | 1 | As a result\1 | [
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35,055 | 2 | Thunderbirds became not only the company 's longest and highest-budgeted production\1 but also among the most expensive TV series to have been made up to that point\1 | [
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35,055 | 3 | The crew\1 who had been filming at a rate of two 25-minute episodes per fortnight\1 faced significant challenges during the transition to the new format\1 eight episodes had already been completed\1 scripts for up to ten more had been written\1 and substantial rewrites would be necessary to satisfy the longer running t... | [
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35,056 | 0 | Tony Barwick\1 who had impressed Pattillo and the Andersons with an unsubmitted script that he had written for Danger Man\1 was recruited to assist in the writing of subplots and filler material\1 | [
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35,056 | 1 | He found that the longer format created opportunities to strengthen the characterisation\1 Science-fiction writer John Peel suggests that " small character touches " make the puppet cast of Thunderbirds " much more rounded " than those of earlier APF series\1 | [
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35,056 | 2 | He compares the writing favourably to that of live-action drama\1 | [
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35,056 | 3 | The new footage proved useful during the development of the first series finale\1 " Security Hazard "\1 since the previous two episodes had overspent their budgets\ | [
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35,056 | 4 | 1 Pattillo devised a flashback-dominated clip show containing only 17 minutes of new material to reduce costs\1 | [
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35,057 | 0 | Filming of Series | [
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35,057 | 1 | One was completed in December 1965\1 A second series was also commissioned late that year and entered production in March 1966\1 Barwick became a full-time member of the writing staff and took over the role of script editor from the outgoing Pattillo\1 | [
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... |
35,057 | 2 | The main puppet cast and vehicles were rebuilt\1 in addition\1 the art department expanded some of the standing sets\1 including the Tracy Villa lounge and the Thunderbird 5 control room\1 | [
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35,057 | 3 | To accommodate the simultaneous filming of the TV series and Thunderbirds Are Go\1 APF purchased two more buildings on the Slough Trading Estate and converted them into new stages\1 | [
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35,057 | 4 | As crew and studio space were divided between the two productions\1 filming of the TV series progressed at half the previous speed\1 as APF 's B crew produced one episode per month\1 Filming on Thunderbirds Are Go was completed by June\1 allowing A crew to resume work on the series to shoot what would prove to be its p... | [
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35,058 | 0 | Production of Thunderbirds ended in August 1966 with the completion of the sixth episode of Series Two\1 In February that year\1 it had been reported that Grade had been unable to sell the series in the United States due to disagreements over timeslots\1 | [
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35,058 | 1 | In July\1 he cancelled Thunderbirds after failing in his second attempt to secure an American buyer\1 | [
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35,058 | 2 | The three major US networks of the time – NBC\1 CBS and ABC – had all bid for the series\1 with Grade repeatedly increasing the price\1 | [
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35,058 | 3 | When NBC withdrew its offer\1 the other two immediately followed\1 | [
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35,059 | 0 | By the time of its cancellation\1 Thunderbirds had become widely popular in the UK and was being distributed extensively overseas\1 Grade\1 however\1 believed that without the financial boost of an American network sale\1 a full second series would fail to recover its production costs\1 | [
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35,059 | 1 | He therefore asked Anderson to devise a new concept that he hoped would stand a greater chance of winning over the profitable US market\1 | [
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35,059 | 2 | This became Captain Scarlet and the Mysterons\1 | [
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35,061 | 0 | ### \1 | [
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35,063 | 0 | Voice-recording sessions were supervised by Pattillo and the Andersons\1 with Sylvia Anderson in charge of casting\1 Dialogue was recorded once per month at a rate of two scripts per session\1 Supporting parts were not pre-assigned\1 but negotiated by the cast among themselves\1 | [
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35,063 | 1 | Two recordings would be made at each session\1 one to be converted into electronic pulses for the puppet filming\1 the other to be added to the soundtrack during post-production\1 | [
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35,063 | 2 | The tapes were edited at Gate Recording Theatre in Birmingham\1 | [
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35,064 | 0 | In the interest of transatlantic appeal\1 it was decided that the main characters would be mostly American and therefore actors capable of producing an appropriate accent were used\1 British\1 Canadian and Australian actors formed most of the voice cast\1 the only American involved was stage actor David Holliday\1 who ... | [
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35,064 | 1 | 1 Holliday returned to the US\1 The character was voiced by English-Canadian actor Jeremy Wilkin for Series Two\1 | [
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35,065 | 0 | British actor David Graham was among the first to be cast\1 | [
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35,065 | 1 | He had previously voiced characters in Four Feather Falls\1 Supercar\1 Fireball XL5 and Stingray\1 Beyond the APF productions\1 he had supplied one of the original Dalek voices on Doctor Who\1 Cast alongside Graham was Australian actor Ray Barrett\1 Like Graham\1 he had worked for the Andersons before\1 having voiced T... | [
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35,065 | 2 | 1 | [
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] | [
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] | [
0
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35,066 | 0 | Although Lady Penelope and Parker \1the latter voiced by Graham\1 were among the first characters developed\1 neither was conceived as a major role\1 Parker 's Cockney manner was based on a waiter at a pub in Cookham that was sometimes visited by the crew\1 On Gerry Anderson 's recommendation\1 Graham dined there regul... | [
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35,066 | 1 | 1 Her Penelope voice was intended to emulate Fielding and Joan Greenwood\1 On Penelope and Parker 's secondary role as comic relief\1 Gerry explained\1 " We British can laugh at ourselves\1 so therefore we had Penelope and Parker as this comedy team\1 | [
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4,
4,
6,
6,
0,
8,
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8,
11,
9,
11,
8,
20,
20,
17,
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20,
8,
24,
23,
24,
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6,
32,
32,
32,
32,
32,
26,
34,
32,
32,
39,
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39,
32,
39,
42,
40,
46,
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6
] | [
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"... |
35,066 | 2 | And in America they love the British aristocracy too\1 ' " | [
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"they",
"love",
"the",
"British",
"aristocracy",
"too",
"\\1",
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] | [
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] | [
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] | [
5,
3,
5,
5,
0,
8,
8,
5,
10,
5,
10,
5
] | [
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] | [
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"S-GPE",
"O",
"O",
"O",
"S-NORP",
"O",
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"O",
"O",
"O"
] |
35,067 | 0 | As well as Jeff Tracy\1 English-Canadian actor Peter Dyneley voiced the recurring character of Commander Norman\1 chief of air traffic control at London International Airport\1 | [
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4,
8,
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4,
8,
11,
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11,
12,
0,
17,
17,
14,
22,
22,
19,
19,
17,
26,
25,
26,
22,
30,
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22
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"O",
"O",
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"O",
"O",
"B-ORG",
"I-ORG",
"E-ORG"
] |
35,067 | 1 | His supporting character voices were typically those of upper-class Englishmen\1 Shane Rimmer\1 the voice of Scott\1 was cast on the strength of his performance on the BBC soap opera Compact\1 Meanwhile\1 fellow Canadian Matt Zimmerman was selected at a late stage in the process\1 | [
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44,
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41,
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22,
48,
48,
48,
44,
51,
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"O",
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"O",
"O",
"O",
"S-CARDINAL",
"O",
"S-NORP",... |
35,067 | 2 | The expatriate West End actor was given the role of Alan on the recommendation of his friend\1 Holliday\1 " They were having great difficulty casting the part of Alan as they wanted a certain sound for him\1 being the youngest brother\1 David\1 who \1was\1 a bit older than I am\1 told them that he had this friend\1 me\... | [
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... | [
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"O",
"O",
... |
35,068 | 0 | Christine Finn\1 known for her role in the TV serial Quatermass and the Pit\1 provided the voices of Tin-Tin Kyrano and Grandma Tracy\1 With Sylvia Anderson\1 she was also responsible for voicing most of the female and child supporting characters\1 | [
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7,
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0,
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37,
37,
37,
16,
39,
37,
39,
47,
47,
47,
46,
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43,
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16,
48
] | [
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"O",
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"S-PERSON",
"O",
"S-CARDINAL",
"O",
"B-PERSON",... |
35,068 | 1 | Other minor parts were voiced by Charles Tingwell\1 Paul Maxwell and John Tate \1the father of Nick Tate\1\1 who were not credited for their contributions\ | [
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"\... | [
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"."
] | [
3,
3,
5,
5,
0,
7,
5,
7,
10,
7,
7,
11,
14,
7,
14,
14,
18,
7,
20,
18,
20,
23,
20,
27,
27,
27,
20,
30,
30,
27,
5
] | [
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"O",
"S-CARDINAL",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O"
] |
35,068 | 2 | 1 | [
"1"
] | [
"1"
] | [
"NUM"
] | [
"LS"
] | [
0
] | [
"root"
] | [
"S-CARDINAL"
] |
35,070 | 0 | ### \1 | [
"###",
"\\1"
] | [
"###",
"\\1"
] | [
"SYM",
"SYM"
] | [
"NFP",
"NFP"
] | [
0,
1
] | [
"root",
"discourse"
] | [
"O",
"O"
] |
35,072 | 0 | The puppet stages used for the filming of Thunderbirds were only one-fifth the size of those used for a standard live-action production\1 typically measuring 12 by 14 by 3 metres \139 @.@ 4 by 45 @.@ 9 by 9 @.@ 8 ft\1 in length\1 width and height\1 Bob Bell\1 assisted by Keith Wilson and Grenville Nott\1 headed the art... | [
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35,073 | 0 | Since it was necessary for the art department 's interior sets to conform to the effects department 's exterior plans\1 each team closely monitored the other 's work\1 According to Sylvia Anderson\1 Bell 's challenge was to produce complex interiors on a limited budget while resisting the effects department 's push for... | [
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35,073 | 1 | This task was complicated by the unnatural proportions of the puppets\1 Bell struggled to decide whether the sets should be built to a scale proportionate to their bodies or their oversized heads and hands\1 | [
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35,073 | 2 | He used the example of FAB 1 to illustrate the problem\1 " As soon as we positioned \1the puppets\1 standing alongside \1the model\1\1 they looked ridiculous\1 as the car towered over them\1 " He ultimately adopted a " mix-and-match " approach\1 in which smaller items\1 such as tableware\1 were scaled to their hands an... | [
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... |
35,074 | 0 | While designing the Creighton-Ward Mansion sets\1 Bell and his staff strove for authenticity\1 ordering miniature Tudor paintings\1 1 ⁄ 3-scale Georgian- and Regency-style furniture and carpeting in the shape of a polar bear skin\1 | [
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... |
35,074 | 1 | This realism was enhanced by adding scrap items acquired from household waste and electronics shops\1 | [
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35,074 | 2 | For example\1 a vacuum cleaner pipe serves as Virgil Tracy 's launch chute\1 | [
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35,076 | 0 | ### \1 | [
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35,078 | 0 | The head puppet sculptor was Christine Glanville\1 who also served as the lead puppeteer\1 Glanville 's four-person team built the 13 members of the main cast in six months at a cost of between £ 250 and £ 300 per puppet \1approximately £ 4 @,@ 569 and £ 5 @,@ 483 today\1\1 Since pairs of episodes were being filmed sim... | [
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... |
35,078 | 1 | 1 | [
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] | [
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] | [
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] | [
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] | [
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] | [
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35,079 | 0 | The puppets were made up of more than 30 individual components\1 the most important of which was the solenoid that synchronised lip movements with the characters ' pre-recorded dialogue\1 | [
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35,079 | 1 | This device was positioned inside the head unit\1 consequently\1 torsos and limbs appeared relatively small\1 | [
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] |
35,079 | 2 | The puppets ' likenesses and mechanics are remembered favourably by puppeteer Wanda Brown\1 who preferred the Thunderbirds marionettes over the accurately-proportioned ones that first appeared in Captain Scarlet\1 " The puppets were easier to operate and more enjoyable because they had more character to them\1.. Even s... | [
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... |
35,080 | 0 | The appearances of the main characters were inspired by those of actors and other entertainers\1 who were typically selected from the show business directory Spotlight\1 According to Glanville\1 as part of a trend away from the strong caricature of previous series\1 APF was seeking " more natural faces " for the puppet... | [
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35,080 | 1 | The face of Jeff Tracy was based on that of Lorne Greene\1 Scott on Sean Connery\1 Alan on Robert Reed\1 John on Adam Faith and Charlton Heston\1 Brains on Anthony Perkins and Parker on Ben Warriss\1 Sylvia Anderson brought the character of Penelope to life in likeness as well as voice\1 after her test moulds were reje... | [
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... |
35,080 | 2 | 1 Terry Curtis was also an original sculpture of Supermarionation puppets\1 | [
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] |
35,081 | 0 | Main character heads were initially sculpted in either Plasticine or clay\1 | [
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] |
35,081 | 1 | Once the general aspect had been finalised\1 this served as the template for a silicone rubber mould\1 | [
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] |
35,081 | 2 | This was coated with Bondaglass \1fibreglass mixed with resin\1 and enhanced with Bondapaste\1 a putty-like substance\1 to accentuate contours\1 | [
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] |
35,081 | 3 | The Bondaglass shell was then fitted with a solenoid\1 leather mouth parts and plastic eyes\1 as well as incisor teeth – a first for a Supermarionation production\1 Puppets known as " revamps "\1 which had plastic heads\1 portrayed the supporting characters\1 | [
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"S-CAR... |
35,081 | 4 | These marionettes started their working lives with only a mouth and eyes\1 their faces were remoulded from one episode to the next\1 Particularly striking revamp moulds were retained and\1 as their numbers increased\1 photographed to compile an internal casting directory\ | [
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... |
35,081 | 5 | 1 | [
"1"
] | [
"1"
] | [
"NUM"
] | [
"LS"
] | [
0
] | [
"root"
] | [
"S-CARDINAL"
] |
35,082 | 0 | Wigs were made of mohair or\1 in the case of the Penelope puppet\1 human hair\1 Puppet bodies were built in three sizes\1 " large male " \1specifically for the Tracys and the Hood\1\1 " small male " and " small female "\1 Sylvia Anderson\1 the head costume designer\1 devised the main characters ' attire\1 | [
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35,082 | 1 | To give the puppets increased mobility\1 the costume department generally avoided stiff synthetic materials\1 instead working with cotton\1 silk and wool\1 Between 1964 and 1966\1 the department 's stock numbered more than 700 costumes\1 | [
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"B-CARDINAL",
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"O",... |
35,083 | 0 | Each puppet 's head was fitted with about 10 thin tungsten steel wires\1 | [
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35,083 | 1 | During the filming\1 dialogue was played into the studio using modified tape recorders that converted the feed into electronic pulses\1 | [
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35,083 | 2 | Two of the wires relayed these pulses to the internal solenoid\1 completing the Supermarionation process\1 | [
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] |
35,083 | 3 | The wires\1 which were sprayed black to reduce their visibility\1 were made even less noticeable through the application of powder paint that matched the background colours of the set\1 Glanville explained the time-consuming nature of this process\1 " \1The puppeteers\1 used to spend over half an hour on each shot gett... | [
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"... |
35,083 | 4 | As filming progressed\1 the crew started to dispense with wires and instead manipulate the puppets from the studio floor using rods\1 | [
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"O",
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] |
35,084 | 0 | Due to their low weight and the fact that they had only one control wire per leg\1 the puppets were unable to walk convincingly\ | [
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] |
35,084 | 1 | 1 Therefore\1 scenes involving movement were filmed from the waist up\1 with a puppeteer holding the legs below the level of the camera and using a " bobbing " action to simulate motion\1 Alternatively\1 dynamic shots were eliminated altogether\1 in an interview with New Scientist\1 director of photography John Read sp... | [
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35,084 | 2 | 1\1 " Live-action shots of human hands were inserted whenever scripts called for more dexterous actions to be performed\ | [
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"O"
] |
35,084 | 3 | 1 | [
"1"
] | [
"1"
] | [
"NUM"
] | [
"LS"
] | [
0
] | [
"root"
] | [
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35,086 | 0 | ### \1 | [
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35,088 | 0 | The effects for all the APF series from Supercar to UFO were directed by Derek Meddings\1 who later worked on the James Bond and Superman films\1 Knowing that Thunderbirds would be the " biggest project \1APF\1 had worked on "\1 Meddings found himself struggling to manage his workload with the single filming unit that ... | [
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35,088 | 1 | He therefore established a second unit under technician Brian Johncock\1 and a third exclusively for filming airborne sequences\1 | [
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35,088 | 2 | This expansion increased the number of APF crews and stages to five each\1 A typical episode contained around 100 effects shots\1 Meddings ' team completed up to 18 per day\1 | [
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35,089 | 0 | An addition to the effects department was Mike Trim\1 who served as Meddings ' assistant in designing vehicles and buildings\ | [
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35,089 | 1 | 1 Meddings and Trim jointly pioneered an " organic " design technique in which the exteriors of models and sets were customised with parts from model kits and children 's toys\1 | [
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35,089 | 2 | Models and sets were also " dirtied down " with powder paint or pencil lead to create a used look\1 | [
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35,089 | 3 | Toy cars and vans were used in long shot\1 while scale vehicles were equipped with basic steering and suspension for added realism\1 Miniature fans and Jetex pellets\1 which are capable of issuing air jets or chemical exhaust\1 were attached to the undersides to simulate dust trails\1 Another of Meddings ' inventions w... | [
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... |
35,089 | 4 | 1 Airborne aircraft sequences were mounted against a " rolling sky "\1 with smoke fanned across to simulate passing clouds\ | [
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21,
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] |
35,089 | 5 | 1 | [
"1"
] | [
"1"
] | [
"NUM"
] | [
"LS"
] | [
0
] | [
"root"
] | [
"S-CARDINAL"
] |
35,090 | 0 | One of Meddings ' first tasks was to shoot stock footage of the Thunderbird machines and the series ' main locations\ | [
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35,090 | 1 | 1 Tracy Island and Creighton-Ward Mansion\1 | [
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"O",
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35,090 | 2 | The finished island model was a composite of more than a dozen smaller sets that could be detached from the whole and filmed separately\1 | [
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"S-CARDINAL"
] |
35,090 | 3 | The architecture of the mansion was based on that of Stourhead House\1 located on the Stourhead Estate in Wiltshire\1 | [
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] |
35,090 | 4 | In the absence of head designer Reg Hill\1 who was serving as associate producer\1 Meddings was further tasked with designing the Thunderbird fleet and FAB 1\1 Scale models for the six main vehicles were built by a contractor\ | [
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... |
35,090 | 5 | 1 Master Models of Middlesex\1 Models and puppet sets combined\1 more than 200 versions of the Thunderbird machines were created for the series\1 | [
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"O",
"O",
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] |
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