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35,091 | 0 | During the designing and filming process\1 Meddings ' first priorities were realism and credibility\1 With the exception of Thunderbird 5\1 each vehicle was built in three or four scales\ | [
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35,091 | 1 | 1 Meddings ' swing-wing concept for Thunderbird 1 was inspired by his wish to create something " more dynamic " than a fixed-wing aircraft\1 | [
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35,091 | 2 | He remained unsatisfied with the prototype of Thunderbird 2 until he inverted the wings\1 later commenting\1 "\1.. at the time\1 all aircraft had swept-back wings\1 I only did it to be different\1 " This decision was made out of personal preference and was not informed by any expert knowledge on Meddings ' part\1 | [
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35,091 | 3 | He described the Thunderbird 2 launch as " probably the most memorable " sequence that his team devised for an APF production\ | [
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35,092 | 0 | The largest model of Thunderbird 3\1 whose design was based on the Soviet Soyuz rocket\1 was six feet \11 @.@ 8 m\1 tall\1 Thunderbird 4 was particularly difficult to film\1 as the scale of the model did not correspond to the water inside the shooting tank\1 creative camera angles and rapid editing were used to produce... | [
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35,092 | 1 | 1 Thunderbird 5\1 the most difficult vehicle for Meddings to visualise\1 was based on the Tracy Island Round House\1 Since most of the space station 's appearances were provided by stock footage\1 the model was rarely filmed\1 Pod Vehicles were designed on an episode-by-episode basis and built from balsa wood\1 Jeluton... | [
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35,092 | 2 | To save time and costs\1 other minor vehicles were built in-house from radio-controlled model kits\1 | [
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"."
] | [
2,
11,
2,
5,
2,
9,
9,
9,
5,
11,
0,
14,
12,
11,
20,
18,
16,
20,
20,
11,
11
] | [
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] | [
"O",
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"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O"
] |
35,093 | 0 | As the puppets of Lady Penelope and Parker needed to fit inside\1 the largest of all the models was the seven-foot FAB 1\1 which cost £ 2 @,@ 500 \1approximately £ 46 @,@ 000 today\1 to build\1 | [
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"-",
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"FAB",
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"2",
"@",
",",
"@",
"5... | [
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"-",
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",",
"@",
"500",
... | [
"SCONJ",
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",",
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3,
9,
5,
3,
5,
8,
5,
25,
11,
9,
13,
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15,
25,
19,
19,
19,
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25,
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22,
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0,
25,
28,
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28,
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34,
31,
34,
28,
37,
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29,
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42,
39,
42,
44,
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28,
46,
44,
25
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... | [
"O",
"O",
"O",
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"O",
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"O",
"O",
"O",
"O",
"O",
"O",
"B-MONEY",
"I-MONEY",
"E-MONEY",
"O",
"O",
"S-MONEY",
"O",
"B-MONEY",
"I-M... |
35,093 | 1 | The Rolls-Royce 's name and colour were both chosen by Sylvia Anderson\1 Rolls-Royce Ltd. supervised the construction of the plywood model and supplied APF with an authentic radiator grille for close-up shots of the front of the car\1 | [
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"Ltd.",
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"wi... | [
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"supervise",
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"plywood",
"model",
"and",
"supply",
"APF",
"with",
... | [
"DET",
"NOUN",
"PUNCT",
"PROPN",
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"NOUN",
"CCONJ",
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"HYP... | [
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6,
4,
6,
4,
11,
8,
6,
11,
11,
0,
13,
11,
13,
20,
17,
20,
17,
17,
21,
11,
23,
21,
27,
27,
27,
23,
29,
21,
29,
35,
35,
35,
35,
29,
40,
40,
37,
37,
29,
43,
43,
40,
46,
46,
43
] | [
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... | [
"B-ORG",
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"I-ORG",
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"O",
"O",
"O",
"O",
"O",
"O",
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"B-PERSON",
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"I-ORG",
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"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"S-ORG",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
... |
35,093 | 2 | In exchange for its cooperation\1 the company requested that a Spirit of Ecstasy be fixed to the chassis and that the characters avoid referring to the brand with abbreviations such as " Rolls "\1 | [
"In",
"exchange",
"for",
"its",
"cooperation",
"\\1",
"the",
"company",
"requested",
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"Spirit",
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"that",
"the",
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"avoid",
"referring",
"to",
"the",
"brand",
"with",
"abbre... | [
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"its",
"cooperation",
"\\1",
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"company",
"request",
"that",
"a",
"Spirit",
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"the",
"character",
"avoid",
"refer",
"to",
"the",
"brand",
"with",
"abbreviation",... | [
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"NOUN",
"ADP",
"PRON",
"NOUN",
"NOUN",
"DET",
"NOUN",
"VERB",
"SCONJ",
"DET",
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"VERB",
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"ADP",
"DET",
"NOUN",
"ADP",
"NOUN",
"ADJ",
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"PUNC... | [
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"NN",
"IN",
"PRP$",
"NN",
"NN",
"DT",
"NN",
"VBD",
"IN",
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"NNS",
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"``",
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] | [
2,
9,
5,
5,
2,
2,
8,
9,
0,
16,
12,
16,
14,
12,
16,
9,
19,
19,
16,
24,
24,
23,
24,
16,
24,
28,
28,
25,
30,
28,
34,
31,
34,
30,
34,
9
] | [
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"case"... | [
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"B-PRODUCT",
"I-PRODUCT",
"E-PRODUCT",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O"
] |
35,094 | 0 | Scale explosions were created using substances such as fuller 's earth\1 petrol gel\1 magnesium strips and Cordtex explosive\1 Originally filmed at up to 120 frames per second \1f.p.s.\1\1 they were slowed down to 24 f.p.s. during post-production to increase their apparent magnitude and length\1 Gunpowder canisters wer... | [
"Scale",
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"substances",
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"s... | [
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"\\1",
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"up",
"to",
"120",
"frame",
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"second",
"... | [
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"ADP",
"ADJ",
"SYM",
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"NOUN",
"NUM",
... | [
"NN",
"NNS",
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... | [
2,
4,
4,
0,
4,
5,
11,
7,
11,
9,
6,
16,
16,
16,
16,
6,
20,
20,
20,
16,
22,
20,
27,
26,
24,
27,
22,
29,
27,
32,
32,
27,
32,
36,
36,
4,
36,
40,
40,
36,
44,
44,
42,
36,
46,
36,
49,
49,
56,
51,
49,
54,
54,
56,
56,... | [
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"ca... | [
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"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
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"O",
"O",
"S-PRODUCT",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"B-QUANTITY",
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"O",
"O",
"S-CARDINAL",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"S-CARDINAL",
... |
35,094 | 1 | The wires that electronically fired the rockets also allowed a member of the crew\1 holding a cruciform and positioned on an overhead gantry\1 to " fly " the model over the set\1 | [
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"holding",
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"cruciform",
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"positioned",
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"an",
"overhead",
"gantry",
"\\",
"1",
"to",
"\"",
"fly",
"\"",
"the"... | [
"the",
"wire",
"that",
"electronically",
"fire",
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"rocket",
"also",
"allow",
"a",
"member",
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"cruciform",
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"on",
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"overhead",
"gantry",
"\\",
"1",
"to",
"\"",
"fly",
"\"",
"the",
"model"... | [
"DET",
"NOUN",
"PRON",
"ADV",
"VERB",
"DET",
"NOUN",
"ADV",
"VERB",
"DET",
"NOUN",
"ADP",
"DET",
"NOUN",
"NOUN",
"VERB",
"DET",
"NOUN",
"CCONJ",
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"NOUN",
"SYM",
"NUM",
"PART",
"PUNCT",
"VERB",
"PUNCT",
"DET",
"NOUN",
"ADP",... | [
"DT",
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] | [
2,
9,
5,
5,
2,
7,
5,
9,
0,
11,
9,
15,
15,
15,
11,
9,
18,
16,
20,
9,
24,
24,
24,
20,
24,
24,
29,
29,
20,
29,
32,
29,
35,
35,
32
] | [
"det",
"nsubj",
"nsubj",
"advmod",
"acl:relcl",
"det",
"obj",
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"det",
"compound",
"obl",
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"nummod",
"mark",
"punct",
"advcl",
"punct",
"d... | [
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"S-CARDINAL",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O"
] |
35,094 | 2 | By far the most unwieldy model was Thunderbird 2\1 which Meddings remembered as being " awful " to fly\1 A combination of unreliable rockets and weak wiring frequently caused problems\1 should the former be slow to ignite\1 the current quickly caused the latter to overheat and snap\1 potentially damaging the model and ... | [
"By",
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"the",
"most",
"unwieldy",
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"Thunderbird",
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"which",
"Meddings",
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"A",
"combination",
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"unreliable",
"rockets",
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"wiring",
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... | [
"by",
"far",
"the",
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"Thunderbird",
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"a",
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"wiring",
"frequently",
"caus... | [
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"CCONJ",
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"ADV",
"VERB",
"NOUN",
"NOUN",
"AUX... | [
"IN",
"RB",
"DT",
"RBS",
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"NN",
"VBD",
"NNP",
"CD",
"WDT",
"NNPS",
"VBD",
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"NN",
"RB",
"VBD",
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"NN",
"MD",
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"VB",
"JJ",
"TO",
"... | [
2,
8,
6,
5,
6,
8,
8,
0,
8,
12,
12,
8,
16,
16,
16,
12,
16,
19,
12,
19,
22,
30,
25,
25,
22,
28,
28,
25,
30,
8,
30,
37,
37,
35,
37,
37,
31,
39,
37,
39,
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... |
35,094 | 3 | Although many of the exhaust sound effects used in the series were drawn from an audio library\1 some were specially recorded during a Red Arrows display at RAF Little Rissington in Gloucestershire\ | [
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35,094 | 4 | 1 | [
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35,095 | 0 | By 1966\1 Meddings ' commitments were split between Series Two and Thunderbirds Are Go\1 While Meddings worked on the film\1 camera operator Jimmy Elliott assumed the responsibility of directing the TV effects\1 | [
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35,095 | 1 | By this stage\1 the basic frame of Thunderbird 2 had been damaged so many times that the model had needed to be rebuilt from scratch\1 Meddings was displeased with the result\1 reflecting that the replacement was " not only the wrong colour\1 it was a completely different shape\1.. I never felt our model-makers managed... | [
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... |
35,096 | 0 | Critic David Garland suggests that the challenge facing the Thunderbirds effects department was to strike a balance between the " conventional science-fiction imperative of the ' futuristic ' " and the " seeping hyper-realist concerns mandated by the Andersons ' approach to the puppets "\1 Thunderbirds has been praised... | [
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35,098 | 0 | ### \1 | [
"###",
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] | [
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35,100 | 0 | The series ' title sequence\1 storyboarded by Gerry Anderson\1 is made up of two parts\1 | [
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35,100 | 1 | It opens with a countdown of " 5\1 4\1 3\1 2\1 1\1 Thunderbirds Are Go\1 "\1 provided by Dyneley in character as Jeff Tracy\1 | [
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35,100 | 2 | In a departure from the style of Stingray\1 the Thunderbirds title sequence varies with each episode\1 the first part consists of an action montage that serves as a preview of the plot\1 Simon Archer and Marcus Hearn\1 biographers of Gerry Anderson\1 compare this device favourably to a film trailer\ | [
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35,101 | 0 | The second part\1 accompanied by composer Barry Gray 's " The Thunderbirds March "\1 features portraits of the main puppet cast superimposed on various vehicles and settings\1 | [
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35,101 | 1 | Peel describes this as " ostensibly a return to the ' series stars ' concept long known in TV "\1 while Garland considers such imagery demonstrative of Anderson 's commitment to " incremental realism " through a convergence of human and puppet characteristics\ | [
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35,101 | 2 | 1 Essayist Jonathan Bignell suggests that the use of portraits conveys Anderson 's partiality to " visual revelation of machines and physical action "\1 | [
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35,102 | 0 | According to Daniel O 'Brien\1 writer of SF\1 UK\1 How British Science Fiction Changed the World\1 the Thunderbirds title sequence encapsulates the reasons for the series ' enduring popularity\1 | [
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... |
35,102 | 1 | Dyneley 's countdown is particularly well remembered and has been widely quoted\1 Dean Newman of the Syfy channel website ranks Thunderbirds eighth in a list of " Top 10 TV title sequences "\1 while Den of Geek 's Martin Anderson considers the sequence the best of any TV series\1 | [
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35,104 | 0 | ### \1 | [
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35,106 | 0 | The score was composed by Gray\1 who served as musical director for all of the Anderson productions up to the first series of Space\1 1999\1 | [
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35,106 | 1 | In response to Gerry Anderson 's request that the main theme have a " military feel "\1 Gray produced a brass-dominated piece titled " The Thunderbirds March "\1 which was recorded in December 1964 at Olympic Studios in London\1 | [
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35,106 | 2 | The end titles were originally to have been accompanied by " Flying High "\1 a lyrical track sung by Gary Miller with backing by Ken Barrie\1 Ultimately\1 a variation of the march was used instead\1 Incidental music was recorded over nine months between March and December 1965\1 | [
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... |
35,106 | 3 | As most of the music budget was spent on the series ' earlier episodes\1 later instalments drew heavily on APF 's ever-expanding music library\1 | [
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35,107 | 0 | Peel considers " The Thunderbirds March " to be " one of the best TV themes ever written – perfect for the show and catchy when heard alone "\1 Morag Reavley of BBC Online argues that the piece is " up there\1.. in the quintessential soundtrack of the Sixties " with the James Bond films and the songs of Frank Sinatra\1... | [
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35,107 | 1 | 1 Heather Phares of Allmusic considers " Thunderbirds Are Go\1 " – the track accompanying the launch sequences of Thunderbirds 1\1 2 and 3 – to be a reflection of the mod aspect of 1960s British spy fiction\1 | [
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35,107 | 2 | She also highlights Gray 's homage to – and divergence from – musical norms\1 commenting that his score " sends up the spy and action / adventure conventions of the ' 60s very stylishly and subtly "\1 | [
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35,108 | 0 | David Huckvale identifies Wagnerian homage in both the theme music and the series ' premise\1 | [
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35,108 | 1 | Noting that the theme 's opening string ostinato is similar in effect to a recurring motif in Ride of the Valkyries\1 he also likens the Thunderbird machines to Valkyries themselves\1 " Their function is more benevolent than those warrior maidens\1 but they do hover over danger\1 death and destruction\1 " Kevin J. Donn... | [
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35,108 | 2 | He also suggests that the music serves partly to draw attention away from the physical imperfections of the puppets\1 | [
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35,109 | 0 | To celebrate the shows anniversary\1 " Thunderbirds Are Go - 50 Years On " at Colston Hall\1 Bristol was celebrated as the theme music is brought to life\1 led by Charles Hazlewood and his All Star Collective\ | [
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35,109 | 1 | 1 | [
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] | [
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] | [
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] | [
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] | [
0
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35,111 | 0 | ## \1 | [
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] | [
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35,113 | 0 | Thunderbirds premiered on British television on 30 September 1965 on the ITV franchises ATV Midlands\1 Westward and Channel\1 Other broadcasters\1 including ATV London and Granada\1 started transmissions the following month\1 The Christmas-themed series finale\1 " Give or Take a Million "\1 was first broadcast on 25 De... | [
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35,113 | 1 | In these areas\1 both 25-minute instalments aired on the same day\1 separated by the ITN Evening News\1 | [
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35,113 | 2 | The conclusion opened with a narration by Shane Rimmer summarising the first part 's action\1 | [
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35,114 | 0 | Granada transmitted Thunderbirds in its original\1 50-minute format for the first time with the start of repeats in 1966\1 | [
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] |
35,114 | 1 | In 1968\1 the franchise briefly aired episodes in three parts due to timeslot restrictions\1 | [
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"S-CARDINAL"
] |
35,114 | 2 | The availability of repeats during the 1960s and 1970s varied among regions\1 ATV Midlands screened the series regularly into the early 1970s\1 by contrast\1 Thunderbirds was entirely absent from Yorkshire Television between 1968 and 1976\1 | [
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... |
35,114 | 3 | The series was last transmitted on the ITV franchises in 1981\1 | [
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"O",
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] |
35,115 | 0 | In 1990\1 8 of the 19 audio episodes released by APF Records were converted into radio dramas\1 which were transmitted on BBC Radio 5\1 | [
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] |
35,115 | 1 | The success of the radio series encouraged the BBC to acquire the rights to the TV episodes\1 which it broadcast simultaneously in all regions from September 1991 on BBC 2\1 | [
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35,116 | 0 | Since the end of the first network run\1 which achieved average viewing figures of more than six million\1 the BBC has repeated the series six times\1 between 1992 and 1993 \1Series | [
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... |
35,116 | 1 | One only\1\1 1994 and 1995 \1nine episodes only\1\1 and 2000 and 2001 \1in remastered form\1\1 as well as in 2003\1 2005 and 2006\1 | [
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"O",
"O",
"O",
"O",
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"O",
"S-DATE"
] |
35,116 | 2 | Other channels that have shown repeats include UK Gold \11994 – 95\1\1 Bravo \11996 – 97\1\1 Cartoon Network \12001 – 02\1\1 Boomerang \12001 – 03\1 and Syfy \12009\1\1 | [
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35,116 | 3 | In Scotland\1 the BBC screened a Gaelic dub\1 Tairnearan Tar As \1" Thunderbirds Are Go "\1 in the early 1990s\1 | [
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35,117 | 0 | Before its UK debut\1 Thunderbirds was distributed to 30 other countries including the US\1 Canada\1 Australia and Japan\1 Pre-sales revenue totalled £ 350 @,@ 000 \1approximately £ 6 million today\1\1 | [
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35,117 | 1 | In the year following the series ' first appearance\1 the number of countries increased to 66\1 In Japan\1 where it was first broadcast by NHK\1 Thunderbirds attracted a sizeable fan following and influenced series such as Ultraman\1 Mighty Jack\1 Himitsu Sentai Gorenger and Super Rescue Solbrain\1 | [
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35,117 | 2 | In the US\1 the two-part format entered first-run syndication\1 to modest success\1 in 1968\1 | [
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35,117 | 3 | Other overseas broadcasters have included TechTV and Family Room HD \1US\1\1 BBC Kids and YTV \1Canada\1\1 Nine Network and Foxtel \1Australia\1\1 TV3 \1New Zealand\1\1 MediaCorp TV12 Kids Central \1Singapore\1 and RTÉ Two \1Republic of Ireland\1\1 | [
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35,119 | 0 | ## \1 | [
"##",
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] | [
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35,121 | 0 | Thunderbirds is generally considered the Andersons ' most popular series and their greatest critical and commercial success\1 | [
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35,121 | 1 | In 1966\1 the show received a Royal Television Society Silver Medal for Outstanding Artistic Achievement and Gerry Anderson received an honorary fellowship of the British Kinematograph\1 Sound and Television Society\1 In 2007\1 Thunderbirds achieved 19th place in a Radio Times magazine reader poll to determine the best... | [
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35,121 | 2 | It is ranked fourth by the 2013 Channel 5 list show 50 Greatest Kids ' TV Shows\1 | [
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35,122 | 0 | For Peel\1 Thunderbirds is " without a doubt the peak of the Supermarionation achievement "\1 Suggesting that the series is pitched at a " more adult " level than its predecessors\1 he adds that its sense of adventure\1 effective humour and " gripping and convincing " episodes ensured that " everyone in the audience fo... | [
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35,122 | 1 | 1.. Then\1 of course\1 there was the nail-biting tension of the rescues themselves\ | [
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35,122 | 2 | 1.. " Film critic Kim Newman describes the series as a " television perennial "\1 | [
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35,123 | 0 | In his foreword to John Marriott 's book\1 Thunderbirds Are Go\1\1 Anderson put forward several explanations for the series ' enduring popularity\1 it " contains elements that appeal to most children – danger\1 jeopardy and destruction\1 | [
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35,123 | 1 | But because International Rescue 's mission is to save life\1 there is no gratuitous violence\1 " According to Anderson\1 Thunderbirds incorporates a " strong family atmosphere\1 where Dad reigns supreme "\1 Both O 'Brien and script editor Alan Pattillo have praised the series ' positive " family values "\1 In addition... | [
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35,123 | 2 | In 2000\1 shortly before the series ' BBC revival\1 Brian Viner remarked in Radio Times that Thunderbirds was on the point of " captivating yet another generation of viewers "\1 Stuart Hood\1 writing for The Spectator in 1965\1 praised Thunderbirds as a " modern fairy tale "\1 adding that it " can sometimes be frighten... | [
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35,123 | 3 | 1 Writing for Dreamwatch in 1994\1 Andrew Thomas described Thunderbirds as only " nominally " a children 's programme\1 " Its themes are universal and speak as much to the adult in the child as the child in the adult\1 " | [
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35,124 | 0 | Jeff Evans\1 author of The Penguin TV Companion\1 argues that the series ' 50-minute format allows for stronger character development and " tension-building "\1 O 'Brien is less positive in his appraisal of the writing\1 asserting that the plots are often " formulaic " and are sometimes " stretched to snapping point " ... | [
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35,124 | 1 | Peel believes\1 is in its rejection of fantasy plot devices\1 child and animal characters\1 comical and stereotyped villains and what he terms the " standard Anderson sexism "\1 female characters\1 marginalised in earlier series\1 are more commonly seen to play active and sometimes heroic roles\1 | [
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35,125 | 0 | Noting the attention to detail of the series ' launch sequences\ | [
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35,125 | 1 | 1 Jonathan Bignell argues that part of the motivation for dedicating large amounts of screen time to the Thunderbird craft is the need to compensate for the limited mobility of the puppet cast\1 | [
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35,125 | 2 | The focus on futuristic machines has also been explored by cultural historian Nicholas J. Cull\1 who comments that of all the Andersons ' series\1 | [
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35,125 | 3 | Thunderbirds is the most evocative of a recurring theme\1 the " necessity of the human component of the machine "\1 whereby the failures of new technology are overcome by " brave human beings and technology working together "\1 | [
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35,125 | 4 | This makes the series ' vision of the 2060s " wonderfully humanistic and reassuring "\1 O 'Brien similarly praises this optimism\1 comparing the Tracy family to guardian Übermensch\1 Writing for Wired UK magazine\ | [
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35,125 | 5 | 1 Warren Ellis asserts that the series ' scientific vision could inspire the next generation of " mad and frightening engineers "\1 adding that Thunderbirds " trades in vast\1 demented concepts\1.. immense and very beautiful ideas as solutions to problems\1 " | [
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35,126 | 0 | Thomas argues that the world of Thunderbirds is similar to the 1960s to the extent that contemporary capitalism and class structures appear to have survived mostly intact\1 | [
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35,126 | 1 | He also observes\1 however\1 that wealth and high social status are often depicted as character flaws rather than strengths\1 According to Thomas\1 a contributing factor to the series ' lasting popularity is the realism of IR 's machines\ | [
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35,126 | 2 | 1 Newman\1 for his part\1 suggests that " the point isn 't realism\1 | [
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35,126 | 3 | The 21st century of Thunderbirds is detailed\1.. but also de-populated\1 a high-tech toyland "\1 He is more negative in his comparisons of contemporary and future values\1 noting the " square\1 almost 50s " attitudes to race\1 gender and class\1 | [
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"... |
35,126 | 4 | With regard to stereotyping\1 Hood comments that he " would be happier if \1villains\1 didn 't seem to be recognisable by their pigmentation "\1 Cull\1 by contrast\1 considers the series largely progressive on the subject of race\1 arguing that it rejects negative stereotyping through the use of " positive non-white ch... | [
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35,127 | 0 | Various commentators – including Bignell\1 Cull and O 'Brien – have also discussed Thunderbirds as a product of the Cold War era\1 Bignell comments that the Hood 's Oriental appearance and mysterious powers draw parallels with James Bond villains and fears of China operating as " a ' third force ' antagonistic to the W... | [
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35,128 | 0 | The presentation of smoking in Thunderbirds was the subject of a study published in the medical journal Tobacco Control in 2002\1 Despite identifying examples in 26 episodes\ | [
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35,128 | 1 | 1 Kate Hunt of the University of Glasgow concluded that Thunderbirds does not actively promote smoking – a view opposed by the Roy Castle Lung Cancer Foundation \1RCLCF\1 at the time of the series ' relaunch on BBC 2\1 Rejecting the RCLCF 's proposal that the remastered episodes be edited to digitally erase all visible... | [
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35,132 | 0 | More than 3 @,@ 000 Thunderbirds-themed products have been marketed since the series ' debut\1 | [
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35,132 | 1 | To accommodate the high demand for tie-ins\1 APF established three dedicated subsidiaries\1 AP Films Merchandising\1 AP Films Music and AP Films Toys\1 Some British commentators dubbed the 1966 end-of-year shopping season " Thunderbirds Christmas " due to the series ' popularity\1 | [
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35,132 | 2 | In the early 1990s\1 Matchbox launched a new toy range to coincide with the BBC 2 repeats\1 Sales figures for Christmas 1992 exceeded those achieved by the Star Wars merchandising campaigns of the 1970s and 1980s\1 Demand for Matchbox 's Tracy Island Playset overwhelmed supply\1 resulting in shop fights and a substanti... | [
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35,133 | 0 | A comic strip featuring the characters of Lady Penelope and Parker debuted in the early issues of APF Publishing 's children 's title TV Century 21 in 1965\1 | [
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35,133 | 1 | A full-length Thunderbirds strip appeared a year later\1 at which point the Lady Penelope adventures were given their own comic\1 Thunderbirds\1 Lady Penelope and Captain Scarlet and Thunderbirds annuals were published in the late 1960s\1 during the same period\1 eight original novels were written\1 | [
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35,133 | 2 | In 2008\1 FTL Publications of Minnesota launched a new series of tie-in novels\1 | [
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35,134 | 0 | Between 1965 and 1967\1 APF | [
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35,134 | 1 | Records released 19 audio episodes in the form of vinyl EPs\1 | [
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35,134 | 2 | Three are original stories\1 the rest are adapted from TV episode soundtracks\1 with additional narration provided by a member of the voice cast\1 | [
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35,134 | 3 | The series ' first video game tie-in\1 developed for the Commodore 64 and ZX Spectrum computers\1 was released by Firebird Software in 1985\1 | [
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35,134 | 4 | Other titles have since been released for the Game Boy Color\1 Game Boy Advance and PlayStation 2\1 During the late 1980s\1 the series was issued on home video for the first time by PolyGram and its subsidiary Channel 5\1 Following its acquisition by Carlton International Media in 1999\1 Thunderbirds was digitally rema... | [
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"B-WORK_OF_ART",
"E-WORK_OF_ART",
"O",
"B-DATE",
"I-DATE",
"E-DATE",
"O",
"O",
"O",
"O",
... |
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