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26157
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yago
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3
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https://nameberry.com/b/girl-baby-name-suzy
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en
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Suzy - Baby Name Meaning, Origin, and Popularity
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Suzy is a girl's name meaning "lily". Suzy is the 983 ranked female name by popularity.
|
en
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/favicon.ico
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Nameberry
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https://nameberry.com/b/girl-baby-name-suzy
|
Suzy
Diminutive of Susan and Suzanne, English, French
"lily"
Suzy Origin and Meaning
The name Suzy is a girl's name meaning "lily".
An energetic, charmingly retro nickname, Suzy and all her sisters are off their fashion peak but will rise again around the middle of this century.
The Z forms, Suzy and Suzie, are usually short for the French Suzanne, while Susy or Susie are short for Susan, Susanna, or Susannah. But any of the spellings can stand on their own.
# 983 in the US
Suzy Rank in US Top 1000
Famous People Named Suzy
Susan Kay "Suzy" BoggussAmerican country music singer
Suzanne Lisa "Suzy" KolberAmerican TV sportscaster
Cecilia Ann Renee "Suzy" ParkerAmerican model
Susan Elizabeth "Suzy" AmisAmerican actress, wife of director James Cameron
Suzy McKee CharnasAmerican novelist
Suzy MenkesEnglish journalist
Suzy Kendall (born Frieda Harrison)English actress
Suzystage name of Bae Sooji; actress, singer, dancer, and member of South Korean girl group Miss A
Suzy (Guerra)Portuguese singer
|
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0
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https://www.famousfix.com/topic/suzy-kendall-and-dudley-moore
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en
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Suzy Kendall and Dudley Moore Photos, News and Videos, Trivia and Quotes
|
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21 August 2024... Suzy Kendall and Dudley Moore photos, news and gossip. Find out more about...
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https://static.famousfix.com/img/ff/favicon.ico
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FamousFix.com
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https://www.famousfix.com/topic/suzy-kendall-and-dudley-moore
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Please write a description for this profile. This is the text that will appear on the about page and should be a description of what this topic is. For people, this would include a biography, including a description of their early life and career; for films and TV shows: a plot + other information about this title, etc.
Other editors will be able to edit your text in a collaborative way. Please refer to wikipedia for a good example of how an about description might look.
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26157
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https://www.maryevans.com/history/who-people-are-dating-suzy-kendall-and-dudley-moore-10988822
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en
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Suzy Kendall and Dudley Moore 10988822
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https://www.maryevans.com/history/who-people-are-dating-suzy-kendall-and-dudley-moore-10988822
|
Thank you for visiting our website.
If you are interested in licensing this image please email us at pictures@maryevans.com or telephone us on +44(0)20 8318 0034.
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https://www.mauritius-images.com/en/asset/ME-PI-9314590_mauritius_images_bildnummer_12336723_comedian-dudley-moore-and-his-mini-skirted-wife-actress-suzy-kendall-arriving-for-the-gala-premiere-of-rosemary%2527s-baby-starring-mia-farrow-and-john-cassavetes-at-the-paramount-cinema-%250D%250A23-january-1969
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mauritius images
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https://www.onthisday.com/people/dudley-moore
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en
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Dudley Moore (Actor, Comedian and Jazz Musician)
|
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Profile of actor, comedian and jazz musician Dudley Moore featuring biographical facts, historical events and details of Dudley Moore's personal life.
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en
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/apple-touch-icon.png
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On This Day
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https://www.onthisday.com/people/dudley-moore
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Dudley Moore
Full Name: Dudley Stuart John Moore
Profession: Actor, Comedian and Jazz Musician
Biography: Most famous for his partnership with Peter Cook - Pete & Dud.
Born: April 19, 1935
Birthplace: Hammersmith, London, England
Generation: Silent Generation
Chinese Zodiac: Pig
Star Sign: Aries
Died: March 27, 2002 (aged 66)
Cause of Death: Pneumonia
Historical Events
Alan Bennett, Peter Cook, Dudley Moore and Jonathan Miller comedy revue "Beyond the Fringe" opens at the Fortune Theatre in London's West End
Alan Bennett, Peter Cook, Dudley Moore and Jonathan Miller comedy revue "Beyond the Fringe" opens at John Golden Theater, NYC; runs for 667 performances
Alan Bennett, Peter Cook, Dudley Moore and Jonathan Miller comedy revue "Beyond the Fringe" closes at John Golden Theater, NYC, after 667 performances
English actor Dudley Moore arrested for hitting his girlfriend
Personal Life
Actor Dudley Moore (33) weds actress Suzy Kendall; divorced in 1972
British comic actor Dudley Moore (40) weds American actress Tuesday Weld (31); divorce in 1980
British actor Dudley Moore (53) weds American actress Brogan Lane (33) at the Little Chapel of the West in Las Vegas; divorced in 1991
British actor Dudley Moore (58) weds actress Nicole Rothschild; divorced in 1998
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https://www.mediastorehouse.com/mary-evans-prints-online/who-people-dating-suzy-kendall-dudley-moore-14241837.html
|
en
|
Who People Are Dating Suzy Kendall and Dudley Moore
|
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Prints of The English actor, comedian, jazz pianist and composer, Dudley Stuart John Moore (19 April 1935 27 March 2002)
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en
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Media Storehouse Photo Prints
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https://www.mediastorehouse.com/mary-evans-prints-online/who-people-dating-suzy-kendall-dudley-moore-14241837.html
|
The English actor, comedian, jazz pianist and composer, Dudley Stuart John Moore (19 April 1935 27 March 2002) with model-turned-actress Suzy Kendall (born Frieda Harrison 1 January 1944). The couple got married in 1968 and though they divorced in 1972, they remained friends until Moores death. Date: 1966. Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries. © Illustrated London News Ltd/Mary Evans
Media ID 14241837
1966 Comedian Composer Divorce Dudley Kendall Moore Musician Pianist Romance Suzy Swinging
Framed Prints
Step back in time with our vintage framed print featuring Suzy Kendall and Dudley Moore. This charming image captures the essence of a bygone era, with English actor and comedian Dudley Moore and model-turned-actress Suzy Kendall radiating charisma and charm. Originally sourced from Mary Evans Prints Online, this rights managed print is a must-have for any vintage photography or celebrity memorabilia collection. Add a touch of nostalgia to your home decor and relive the magic of this iconic moment in entertainment history.
Photo Prints
Introducing the captivating "Who People Are Dating: Suzy Kendall and Dudley Moore" photograph from the Media Storehouse collection, brought to you by Rights Managed from Mary Evans Prints Online. This iconic image immortalizes the magical chemistry between English actor, comedian, jazz pianist, and composer, Dudley Stuart John Moore (1935-2002), and model-turned-actress Suzy Kendall (born Frieda Harrison, 1944). A must-have for fans and collectors of classic Hollywood, this photograph is a testament to the enchanting moments in the history of entertainment. Add this timeless treasure to your collection and let the story of their romance unfold, one glance at a time.
Poster Prints
Introducing the captivating "Who People Are Dating - Suzy Kendall and Dudley Moore" poster print from Media Storehouse's exclusive collection. This charming vintage photograph, sourced from Mary Evans Prints Online, features the English acting and comedy duo, Suzy Kendall and Dudley Moore. Taken during their romantic relationship in the 1960s, this image showcases the undeniable chemistry between the model-turned-actress and the renowned actor, comedian, jazz pianist, and composer. Add this elegant poster print to your collection and reminisce about the golden age of Hollywood romance.
Jigsaw Puzzles
Introducing the captivating "Who People Are Dating - Suzy Kendall and Dudley Moore" jigsaw puzzle from Media Storehouse. This exquisite puzzle features a charming photograph of English actors Suzy Kendall and Dudley Moore, captured in a lovely moment during their romantic relationship. Dudley Moore, an accomplished actor, comedian, jazz pianist, and composer, and Suzy Kendall, a model-turned-actress, are depicted in this image with an undeniable connection. Relive the magic of this iconic couple's history as you piece together this intricately designed puzzle. With every completed edge and fitting piece, you'll bring back memories of their memorable moments on and off the screen. Suitable for all ages and skill levels, this puzzle promises hours of enjoyable entertainment for you and your loved ones. Bring a touch of nostalgia and romance to your home with the "Who People Are Dating - Suzy Kendall and Dudley Moore" jigsaw puzzle from Media Storehouse. Available now.
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Moore's search for love
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2002-03-27T19:10:16
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His two-year marriage to Brogan Lane, aspiring actress and 25 years younger than him, ended in 1990. Moore had already had several affairs with, among others, long-time lover Nicole Rothschild.
Nicole became Moore's fourth and last wife in 1994. She was almost 30 years his junior and at least four inches taller than her husband. They first met at the peak of his career when she flung herself across the bonnet of his car and demanded an autograph.
Sex, drugs and violent outbursts
Moore and his fourth wife were addicted to each other but their relationship was peppered with violent outbursts. Just before their marriage, Nicole had Moore arrested for attempted murder after an Oscars night argument.
He spent a night in jail after which she dropped the charges - but not before sporting alleged choke marks on her neck to reporters outside their home.
Their bizarre lifestyle and often violent relationship was bread and butter to gossip columnists in the US and Britain.
Nicole's ex-husband, Charles Cleveland - an HIV-positive drug addict - lived with the couple and was even present at the birth of their son, Nicholas, in 1995.
In December 1996, the couple were pictured again at the balcony of their home, Nicole hugging and kissing a forlorn Dudley with scratch marks on his swollen face - reunited after another violent row.
In June 1997, Nicole sued her husband for millions, claiming he had terrorised her, forced her to take drugs and hired prostitutes to service his needs at their home.
The full extent of Dudley's extravagance - some might call naïve generosity - was revealed in documents produced by Nicole's lawyers, in April 1998.
He allegedly spent more than £34,000 on a separate house for Nicole not far from his mansion in Marina del Rey, as well as thousands more on gifts and cosmetic surgery for his wife, clothes for her friends, houses and holidays for her ex-husband and his family.
Alimony demands
After their divorce earlier this year, he was paying £3,000 a month in child support but Nicole wanted more.
His lawyers said he could not afford to increase the payments because his wife's allegations about him had ruined his career and the job offers had dried up.
In May, Moore was due to appear in a Santa Monica court over maintenance for his ex-wife and son, but he was too ill to attend.
He was suffering from a mysterious brain disorder and being cared for at the New York University Medical Center. Moore was no stranger to serious illness: one year earlier he had undergone open-heart surgery after a check-up showed he had a hole in the heart.
But friends of the actor said years of "hard living", bouts of depression and the strain of his last relationship had finally taken their toll. They said he had lost his will to live.
Asked on a BBC TV chat show "Esther" what he would write for his own obituary, he had said: "I hope that a few people liked me and loved me and I hope that I learned to recognise that, to really feel it."
|
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0
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https://www.sixtiescity.net/Mbeat/mbfilms62.htm
|
en
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articles from the creator of iconic 60s music paper Mersey Beat
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Actress Suzy Kendall was born Frieda Harrison in Belper, Derbyshire on 1st January 1944. After attending Belper Convent School she was next educated at Derby and District College of Art where she began studying design and painting. She became a fabric designer and also enjoyed a successful career as a photographic model (it was a model agency that changed her name to Suzy Kendall) before becoming involved in acting.
Suzy was surprised when she was offered film roles, due mainly for her looks rather than any particular acting ability, and initially appeared in small parts in The Liquidator, Thunderball and Up Jumped a Swagman in 1965. She next appeared in The Sandwich Man and Circus of Fear in 1966. Stronger roles appeared in The Penthouse and To Sir, With Love in 1967 and Up The Junction and 30 Is A Dangerous Age, Cynthia in 1968.
1967/8 was probably her most successful period with three of her best parts. In The Penthouse she featured as Barbara Willason, an adulterous woman, terrorised in a penthouse when three thugs break in. In Up The Junction she portrayed Polly, a Chelsea girl who decides to slum it up by moving to a working class area in Battersea and taking a job in a factory, and in the highly popular To Sir With love she played Gillian, one of the teachers in an East End school.
In September 1968 she married comedian/actor Dudley Moore, her co-star in 30 Is A Dangerous Age, Cynthia at Hampstead Register Office. Dudley persuaded her to appear in the Continental film Fraulein Doktor' in 1969 as a Mata Hari type character. The same year she featured in The Gamblers and Colour Me Dead. She next featured in Darker Than Amber and Assault (aka The Creepers - in the US it was called In The Devils Garden) prior to starring in the Italian suspense movie The Bird With The Crystal Plumage, directed by Dario Agento.
Around this time Suzy wanted a child and decided to cut down her acting parts as she wanted to concentrate on being a mother. However, Dudleys career was on the up and up and he didnt want children at the time, so the marriage eventually broke up in 1972, although they remained good friends, and Suzy married City coffee trader Sandy Harper shortly after and gave birth to a girl, Elodie. Suzy idolised her daughter and devoted herself to her care.
She only appeared in a few rather unforgettable films in the Seventies, before retiring from the screen. They included: Tales That Witness Madness, Fear Is The Key, Story of A Cloistered Nun, Carnal Violence and Torso in 1973, Craze and Spasmo in 1974, Bis Zur Bitteren Neigeo' in 1975 and Adventures of a Private Eye in 1977. Bill Harryattended the Liverpool College of Art with Stuart Sutcliffe and John Lennon and made the arrangements for Brian Epstein to visit The Cavern, where he saw The Beatles for the first time. Bill was a member of 'The Dissenters' and the founder and editor of 'Mersey Beat', the iconic weekly music newspaper that documented the early Sixties music scene in the Liverpool area and is possibly best known for being the first periodical to feature a local band called 'The Beatles'. He has worked as a high powered publicist, doing PR for acts such as Suzi Quatro, Free, The Arrows and Hot Chocolate and has managed press campaigns for record labels such as CBS, EMI, Polydor. Bill is the critically acclaimed author of a large number of books about The Beatles and the 60s era including 'The Beatles Who's Who', 'The Best Years of the Beatles' and the Fab Four's 'Encyclopedia' series. He has appeared on 'Good Morning America' and has received a Gold Award from the British Academy of Songwriters, Composers and Authors.
|
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| 0
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https://www.maryevans.com/history/who-people-are-dating-suzy-kendall-and-dudley-moore-10988822
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Suzy Kendall and Dudley Moore 10988822
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Thank you for visiting our website.
If you are interested in licensing this image please email us at pictures@maryevans.com or telephone us on +44(0)20 8318 0034.
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https://www.imago-images.com/st/0301395781
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IMAGO.
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26157
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| 75
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https://www.stevelawcomposer.com/steve-law-meeting-dudley-moore/
|
en
|
MEETING DUDLEY MOORE
|
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2023-09-16T12:04:47+00:00
|
Steve Law MEETING DUDLEY MOORE
|
en
|
STEVE LAW new music
|
https://www.stevelawcomposer.com/steve-law-meeting-dudley-moore/
|
As a music student at Bristol University in 1992 I heard, and recorded from the radio, a fantastic concert by given by the comedian, musician and Hollywood actor Dudley Moore at the Royal Albert Hall. I had seen Dudley playing jazz on the classic BBC comedy TV show ‘Not Only But Also’ with Peter Cook from the 1960s but I was bowled over by this concert.
He played jazz standards and one original piece with his trio (with Peter Morgan on bass and Chris Karan on drums), conducted and performed his own music with the BBC Concert Orchestra from films he also starred in, played other piano compositions and some of his well know parodies of famous composers. As if that wasn’t enough he also played Gershwin’s Rhapsody In Blue and the slow movement “Elvira Madigan” from Mozart’s Piano Concerto No.21 in C. This was all done with apparent ease and interspersed with funny commentary and anecdotes.
I was particularly moved by his compositions. They struck a connection with me. I was blown away with the musicality of his jazz playing.
Dudley was firstly a musician. He was an organ scholar at Magdalene College Oxford in the 1950s. He was a fine classical pianist, composer and sight reader but became better known for his jazz playing and comedy. His musical personality was as distinct as his comedic voice. It was amazing that he found time to do all these things brilliantly and give happiness to millions of people in so many different ways.
In 1998 I read that Dudley was not well. There were many rumours in the press and I wasn’t sure what was true. I felt compelled to write and let him know how much his music was appreciated. I made and dedicated a piano transcription of the music from the film Bedazzled which he played at the 1992 concert and sent it to his agent Louis Pitt. I also dedicated a song ‘It isn’t even if’ from my opera Heaven On Earth which contained a nod at the influence his music had on me.
A year later he phoned me out of the blue and asked if I could meet him in London during a visit to his first wife Suzy Kendall. I was very excited to do so but was sad to have recently learnt that tragically Dudley had been diagnosed with a rare, progressive and incurable brain disease called Progressive Supranuclearpalsy. This affected his movement, speech and coordination which meant he could no longer play the piano. I was shocked to see how it affected him but somehow Dudley had not lost his magnetic charisma, charm and generosity of spirit. I was so glad to have the chance to tell him how great I thought his music is.
I also met the distinguished pianist and writer Rena Fruchter who, with her musician Brian Dallow – also a musician – were friends of Dudley and had selflessly taken him into their home to look after him during his final illness.
I had not realised how deeply Dudley felt about his album Songs Without Words. Had I have realised (he was listening to the album when he died in 2002) I would have transcribed it sooner. Songs Without Words is a collection of beautiful and sophisticated jazz influenced piano compositions with subtle synth backings (with two guest solos by saxophonist Kenny G). Some are taken from film music, others are themes or improvisations Dudley had not written down.
Following Dudley’s death Rena asked me to transcribe two pieces from the album for a memorial service I attended in Magdalene College in 2002. Following this I transcribed the whole album. I did the most meticulous I could for Dudley it was published by Faber in 2010.
|
|||||
26157
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yago
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3
| 77
|
https://www.vogue.com/article/susie-cave-interview-vampires-wife-campaign-featuring-nick-cave-kate-moss-keira-knightley-and-more
|
en
|
The Vampire’s Wife’s Susie Cave Launches Her Latest Collection With the Help of Some Very Fabulous Friends
|
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[
"Laird Borrelli-Persson",
"Emily Chan",
"Elise Taylor",
"Margaux Anbouba",
"Radhika Seth",
"Jenny Berg",
"Amy Verner",
"Alice Newbold",
"Hannah Coates",
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2019-10-22T08:00:00-04:00
|
Check out the gorgeous gang modeling The Vampire’s Wife Pussy Bow collection.
|
en
|
https://www.vogue.com/verso/static/vogue/assets/us/favicon.ico
|
Vogue
|
https://www.vogue.com/article/susie-cave-interview-vampires-wife-campaign-featuring-nick-cave-kate-moss-keira-knightley-and-more
|
1 / 22
Soft-spoken Susie Cave, with her porcelain skin and raven-black hair, sounds and looks like a fairy-tale heroine. The story of her ever-growing brand, The Vampire’s Wife, which began in a tiny room by the sea, likewise has the magic lure of a folk tale—starting with the name. It was dreamt up by the model turned designer and her husband of 20 years, the poet and singer-songwriter Nick Cave. As the moniker suggests, there are Gothic overtones to Cave’s covered yet body-revealing dresses, but her overall aesthetic might better be described as hyperfeminine.
The Vampire’s Wife Pussy Bow collection is the first of a series created in collaboration with the costume and set designer Alice Babidge. Cave describes the results as more “saturated” than before; they’re also more high-profile, as the garments have been photographed on Susie and Nick’s fabulous friends. It was Babidge who gathered this gorgeous gang to pose in the new line for a campaign featuring Kate Moss, Keira Knightley, and Philip Treacy as well as the lovebird couple. Susie sat with Vogue Runway to spin the tale of The Vampire’s Wife. Once upon a time…
How did you decide to start The Vampire’s Wife?
I’m quite a shy person, and Nick, my husband, is in the public eye. When I go out with him, I can have a lot of social anxiety, and I never really knew what to wear. Nick’s always immaculate in a black suit and I always was feeling very less than, and so I started designing dresses that gave me confidence.
I overemphasize the female form; the waist, the shoulders—making them quite big so you feel quite strong—but in very simple [shapes] so you’re not fussy. Quite minimal in a way. That’s how it all began; and then it sort of started that people would want to wear them on the red carpet and all that sort of thing. [Recently] Princess Beatrice wore one of my dresses, and she sent me a beautiful letter saying, ‘Thank you, your dress gave me so much confidence and I felt so good and empowered wearing the dress.’ I had spoken to her about the fact that I design dresses to make you feel confident, and subconsciously I think that comes through. I’m not like, ‘Oh, I’ve got to build these dresses that make women Amazonian,’ but I think sometimes when you have an intent, it somehow goes into the fabric of the idea.
You only have to sometimes think of something—and that can work positively or negatively, so you have to be careful what your intent is always. When people say, ‘Oh, I felt so confident wearing the dress,’ I’m like, Wow! That must really come through. That’s my intent, for everybody who’s wearing the dresses: to feel their best, to feel strong and female in a way that’s not manipulative.
What’s special about your latest offering, The Vampire’s Wife Pussy Bow collection?
I started working with this incredible costume and set designer called Alice Babidge, [who] has made costumes for Cate Blanchett. We became friends through my son Earl, who’s in this film called True History of the Kelly Gang that Alice [worked on]. She made all of these incredible dresses for men to wear, and she told me that when she was making the costumes, she was thinking of The Vampire’s Wife. [Though] we both were quite shy towards each other, we wanted to work together. The Vampire Wife’s Pussy Bow collection is the first of a series with Alice. [The dresses] are a little bit more saturated, I think, but kind of simpler at the same time. Literally every single dress has a bow somewhere—inside the dress, outside the dress.
It’s the first time we’ve named a collection. The next one is called The Vampire’s Wife Frill Seeker. Before Pussy Bow, I was quite random and wasn’t really fitting into the collection [schedule]—you know, spring/summer this, autumn/winter that. It was a little bit chaotic. So we decided to try and be a little bit more organized like that.
What can you tell us about the campaign?
It was Alice’s idea to ask friends who’ve been very supportive of me as a person and the brand to be in the campaign. I was too shy to ever ask Keira Knightley, Kate Moss—or anyone—to do [that]; I didn’t want to put them on the spot. But they very kindly agreed to be in the photographs.
Everybody chose what they wanted to wear. We had two rails of clothes and everyone knew exactly what they wanted. Amanda Harlech chose the black velvet dress and Kate immediately chose a little minidress. Amanda is someone I’ve known since I was 17. I know it was a really difficult time for her because Karl Lagerfeld had just died, and she literally got off the plane from his memorial and came straight to the studio without hesitation. I was just amazed. And then there’s Keira Knightley, who’s about to give birth, she came; and Thomas Houseago, the wonderful sculptor, and his partner Muna El Fituri; they were in town and they’re great friends of ours and they agreed. Kate Moss, who I’ve known since she was 16 and I was 22, very kindly agreed [as did] Philip [Treacy] and his husband, Stefan, and the dog. Philip and I have known each other for 30 years, since way, way back. We lived together at one stage. Bella Freud is my best friend for the last 30 years. [All of these people,] they’re really like family to Nick and I. I was really quite overwhelmed that they would be willing to give me the time to do that. It was just wonderful.
Is community an important element of The Vampire’s Wife in general?
I think The Vampire’s Wife as a brand has become a little bit like a community. My husband and I developed the idea of the name together. We started from a little room in Brighton by the sea; it was just literally a tiny little room where I’d sit and design, and it just sort of grew, due to the people who seem to be attracted to it. [Many of them are] other musicians and actors and people who are in a similar world to Nick, [and they] started to gravitate towards us incredibly, fortunately. A lot of performers seem to really enjoy wearing the clothes.
Though many of your dresses are covered-up, they are definitely not for shrinking violets. Can you talk about this dichotomy?
I love, I love, I love, being completely covered, even with a headscarf on, but showing the legs with some wonderful heels. I think that’s lovely because it makes you focus on the legs, or breasts, or whatever is exposed. You know, in architecture, there is talk about the space around things; it’s kind of like that with the dresses I make, too. There’s a definite space around the dress and it’s quite exaggerated and larger than life.
I think to be covered, showing the female form in an exaggerated way is very sexy as well—in the way that I see what I think is sexy as a woman. I think it’s powerful and very attractive to be dressed from head to toe completely covered. [Think of] Audrey Hepburn in Givenchy, Cher in Bob Mackie just looking so incredible [while] covered in rhinestones, and Marilyn and her rhinestone dress singing ‘Happy Birthday’ to the president…. I suppose what’s common in everything that I’m saying is extreme femininity—whether covered or uncovered.
[My work is] a bit playful. I am not prudish in any way. I’ve been naked many times, and on Nick’s album cover for Push the Sky Away. My friend Dominique Issermann was shooting me for a magazine and that ended up being on the cover, and I didn’t have any clothes on. That was sort of a spontaneous thing. I just sometimes think a dress where you’re covered from head to foot is actually more practical because you don’t have to think, you just put one thing on. [I make covered-up dresses and] I also make see-through dresses and incredibly short dresses that literally show your underwear—I make matching underwear for that. My approach is more playful; it happens that it’s sort of coinciding with people wanting to be more covered up. I hope that I appeal to every woman, whether they’re completely covered or not.
When I heard that your husband was in the campaign, I wondered if he would be wearing a dress. What are your thoughts on gender fluidity?
I think it’s wonderful that men wear dresses. Honestly, it just feels like the most natural thing in the world to me; it always has done. I’m just thrilled that the boys are wearing dresses in our campaign—and wearing them in whatever way they want to. It’s sort of coinciding with this movement now [towards gender fluidity], which hopefully is going to improve people’s lives. I’m [happy] if we can in any way be supportive of that in the way we represent The Vampire’s Wife.
My son, Earl, just did this movie in Australia where he’s wearing a dress the entire time. In Australia in 1800s, the men from the Kelly Gang wore their mother’s wedding dresses to look like banshees, to look like ghosts, to scare whoever it was they were robbing. They’d wear white wedding dresses—one of the dresses in the Pussy Bow collection is based on a dress my son wore in the movie; it’s called the Early dress. The Kelly Gang would put their mothers’ wedding veils on, too, and they had these tattoos, and they’d go off and do their robbing the rich to help the poor. That’s a very basic description; I don’t really know all the true ins-and-outs of the movie.
Can you talk about the world that you’re creating with The Vampire’s Wife?
It’s such a new brand, but it’s very genuine. Every idea is from something that Nick and I have talked about. When Nick and I first met 25 years ago, we found we had very similar interests in what we thought was fascinating. The things that we both found that we loved were quite odd. They were often things that weren’t perfect. We started to sort of put all of these things into the “Stuff” pages on The Vampire’s Wife website. We often discover things at the same time [and] we do the Stuff posts together. It is a little world, which, if you came to our house in Brighton, you could see…. I mean, all of Nick’s songs are written about what he sees: like mermaids, Brighton and the beach, and the view from our house. There’s a lot of lovely history around where we live in Sussex. I’m always trying to evolve and learn as I go. I don’t want to sound like I know exactly what I’m doing; it’s always just taking things from different things—architecture, films, and books—just all sorts of things.
How do you navigate public/private roles as the founder of a brand and a shy person?
Nick is someone who doesn’t have social anxiety. He’s a very confident person. I am like the total opposite. I think I’ve always been attracted to strong personalities, like Nick and all my friends, because I like to hide behind and just be alongside and supportive—but at the same time, not supportive in the way that I don’t have my own life. I’ve worked since I was 14; I’ve always earned my own money.
I am also sort of a weird dichotomy because I am really shy person, but at the same time, I don’t want to be forgotten. I think that’s why I make these dresses. And also as a person, I like to be of service. I have this thing that I like to be helpful to people I love, and that extends outwards to the people who love The Vampire’s Wife, which has become an extended family for me. I’ve always been very much surrounded by men. I’m very close to my father, my brothers. I didn’t have any sisters, and so I always kind of longed for that sort of female relationship which I’d never had. When The Vampire’s Wife took off, suddenly I was getting letters—Florence Welch was writing to me, and Chan Marshall, Cat Power were writing to me, and Stevie Nicks was asking me for things. And they were quite vulnerable, they were very sweet, [writing]: ‘Might you be able to make this?’ or ‘Might you be able to….’ I suddenly found I was being trusted by all of these incredible women—and not just famous women. It was incredibly warming and beautiful for me.
I think those women sort of gathering around me and asking me for dresses drew me out. It was almost like [hearing] sirens: ‘We need some things.’ I love to be needed and useful. To feel like I can make a dress or be of service appeals to me because I’m also a very maternal kind of person. My mom was very like, ‘You’ve just got to get on with it.’ She wanted to make me really strong and independent, and she did. But it’s kind of lovely to be like a mom to all these people who like my dresses. It does feel like that. I fret when I’m making [a dress for someone]. I have to make sure they have the right underwear and I’ll go and buy it and do everything and, you know, the whole thing—the same as I would if I had a daughter. It gives me a purpose. God knows what I’d be doing otherwise, I’d be driving Nick completely mad!
|
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https://www.famousbirthdays.com/people/suzy-kendall.html
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en
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Suzy Kendall - Age, Family, Bio
|
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[] | null |
Suzy Kendall: her birthday, what she did before fame, her family life, fun trivia facts, popularity rankings, and more.
|
en
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/favicon.ico
|
Famous Birthdays
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https://www.famousbirthdays.com/people/suzy-kendall.html
|
About
British film actress who appeared in 'The Liquidator,' 'Circus of Fear,' and other movies of the 1960s and '70s.
Before Fame
She studied at the Derby & District College of Art and worked as a fabric designer and a model before pursuing a career as an actress.
Trivia
She co-authored a beauty manual called 'Natural Appeal: Fragrant Natural Preparations for the Care of Skin, Hair and Body.'
Family Life
She and her second husband, Sandy Harper, had a daughter named Elodie.
Associated With
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https://film-authority.com/2024/05/05/tales-that-witness-madness/
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en
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Tales That Witness Madness
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[] |
[
""
] | null |
[
"film-authority.com",
"Alex Good says:",
"film-authority.com says:",
"Fraggle says:",
"Bookstooge says:",
"Brian Hannan says:"
] |
2024-05-05T00:00:00
|
[…] More
|
en
|
film-authority.com
|
https://film-authority.com/2024/05/05/tales-that-witness-madness/
|
Unremitting positivism that would make Mary Poppins blush is one of the overarching goals of this blog, but sometimes, good intentions aren’t enough.I won’t be the only one that fondly recalls the old portmanteau film, three or four short stories with an overriding framing or umbrella story; Dead of Night is the genre grand-daddy, but Dr Terror’s House of Horrors, Torture Garden, From Beyond the Grave, Tales from The Crypt, The House That Dripped Blood, Vault of Horror and Asylum all have their moments. A Fisher-Price My First Horror Movie compendium for thrill-seeking kids, the format moved onto tv (famously Trilogy of Terror) and maintained on the big screen with Twilight Zone and Creepshow. So I was always in the target audience for 1973’s Tales that Witness Madness, and was lured in by Freddie Francis’s name as director and a big-name cast. But 90 minutes later, it was not the tales that witnessed madness, but me; this is truly awful, a selection box of stories in which every entry is pure Turkish Delight.
This isn’t Amicus, or Hammer, or anyone really; the framing story is a straight rip-off of the one from Asylum, with one doctor (Donald Plesance) showing another (Jack Hawkins dubbed by Charles Gray) around a mental hospital and introducing four tuned-to-the-moon patients whose stories make up the body of the film; great job with the mental health messaging, guys!. Each story is worse than the last, and the first is terrible for starters. In Mr Tiger, singer Georgia Brown plays a mother whose son has an imaginary friend who is…a tiger. She doesn’t believe him but the twist is, the tiger is real and eats her! Wut? If a small child wrote that story, you’d laugh politely, but this is an actual movie made by grown ups and that’s probably the best bit, so strap in, these Tales doesn’t get any better.
The following story Penny Farthing is about a time-travelling Victorian bicycle, with Peter McEnery as Timothy, an antique-store owner who inherits some old junk from his deceased aunt. His Uncle Albert appears in a living portrait, and Timothy travels back to a Victorian park where he woos a woman who looks like his modern day wife (Susy Kendall) and Uncle Albert comes to life as a statue. Enjoy that? Nope? How about Joan Collins as a woman who finds herself in a love triangle with a tree that her husband (Michael Jayston) brings in with him? What? You’re fed up with this already? None of these stories are making sense?
|
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26157
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yago
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1
| 78
|
https://www.roku.com/whats-on/movies/30-is-a-dangerous-age-cynthia%3Fid%3D1216049fbb9d5e9c9cda5cd09235d571
|
en
|
Roku
|
[] |
[] |
[] |
[
""
] | null |
[] | null |
Roku provides the simplest way to stream entertainment to your TV. On your terms. With thousands of available channels to choose from.
|
de
|
Roku
|
https://www.roku.com/de-de/whats-on/movies/30-is-a-dangerous-age-cynthia%3Fid%3D1216049fbb9d5e9c9cda5cd09235d571
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26157
|
yago
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1
| 96
|
https://www.modcinema.com/categories/1-60-s-films/1869-30-is-a-dangerous-age-cynthia-1968-dvd%3Forder%3Dtitle_a-z%26page%3D1
|
en
|
30 IS A DANGEROUS AGE, CYNTHIA, 1968 DVD: modcinema*
|
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] |
[] |
[] |
[
""
] | null |
[] | null | null |
30 IS A DANGEROUS AGE, CYNTHIA (1968 UK)
$16.99 Add to cart
Directed by Joseph McGrath
Starring: Dudley Moore, Suzy Kendall, Eddie Foy Jr
Genres: British, Comedy, Marriage, Music, Pop Art, Romance
85 minutes | Full screen | Color | English
|
||||||||
26157
|
yago
|
3
| 60
|
https://www.yahoo.com/entertainment/met-gala-after-parties-bring-together-exes-kendall-jenner-and-bad-bunny-cardi-b-and-offset-see-the-photos-164432823.html
|
en
|
Met Gala after-parties bring together exes Kendall Jenner and Bad Bunny, Cardi B and Offset: See the photos
|
https://s.yimg.com/ny/api/res/1.2/LIdZjyIsG06vecIBiqIcoA--/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyMDA7aD05Mjc-/https://s.yimg.com/os/creatr-uploaded-images/2024-05/6444cbd0-0c72-11ef-bfaf-051d77b0cd1e
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[
""
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[
"Suzy Byrne"
] |
2024-05-07T16:45:23+00:00
|
Stars— including Kendall Jenner and Bad Bunny, Emily Ratajkowski, Usher, Lauren Sánchez and Jeff Bezos and more — spread out all over NYC to revel in the festivities.
|
en
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https://s.yimg.com/rz/l/favicon.ico
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Yahoo Entertainment
|
https://www.yahoo.com/entertainment/met-gala-after-parties-bring-together-exes-kendall-jenner-and-bad-bunny-cardi-b-and-offset-see-the-photos-164432823.html
|
When the Met Gala ended on Monday night, some revelers were just getting started.
Many of the VIP guests dispersed across New York to attend parties, including Usher’s “Secret Garden” bash at the Times Square Edition and FKA Twigs's blowout at the Boom Boom Room in the Standard Hotel.
Take a peek inside the after-parties.
Kendall Jenner and Bad Bunny
After the main event — at which the model turned heads in a 1999 Givenchy by Alexander McQueen dress and the singer (real name: Benito Martinez Ocasio) served as a co-chair — the exes caught up at the Après Met 2 Met Gala After-Party for a drink and close convo. Their split was announced in December.
Jenner made more than one outfit change to hit the party circuit. In addition to the lace dress by Andreas Kronthaler for Vivienne Westwood she wore while reconnecting with Bad Bunny, she also fluttered around New York City's Tribeca neighborhood in another vintage look from Givenchy by Alexander McQueen from 1997, featuring a winged corset bodice and flowing skirt.
Cardi B and Offset
Also on the "Are they or aren't they?" list: The couple, who called it quits in December, held hands at Richie Akiva's Met Gala After-Party at Casa Cipriani. Her dress was a little easier to move in than the showstopper she wore to the gala, which required multiple handlers on the red carpet.
Emily Ratajkowski
EmRata appeared to have no fun at all at the Après Met 2 Met Gala After-Party, which she co-hosted with Carlos Nazario and Raul Lopez.
She changed out of the sheer vintage Atelier Versace dress she wore to the gala, for this also see-through look. It was vintage Givenchy by Alexander McQueen from 1998 and was entirely hand-beaded.
Usher
The singer, in a velvet suit with a boutonniere on steroids, put people in the party mood at the party he hosted along with his new bride, Jennifer Goicoechea. According to Vogue, he danced with guests to his song “Good Kisser."
Usher danced on into the night. After an outfit change, to all black, he also hit the dance floor at Richie Akiva's party.
Janelle Monáe and Doja Cat
Who could take their eyes off the Knives Out 2 actress and singer? Nobody, as she caught up with Doja Cat at Richie Akiva's event in this eye-catching look. Doja Cat's hand placement made her nude ensemble camera-friendly.
Camila Cabello and Lil Nas X
Songstress Camila Cabello shed 15 pounds of dress when she changed out of her heavy Met Gala ensemble to this party look to let loose with Lil Nas X at Richie Akiva's party.
Dwyane Wade and Gabrielle Union
The power pair hit Usher's party — and caught up with the host and hostess.
FKA Twigs
It was her party — and she could stand on the bar if she wanted to.
Jaden Smith
After attending the Met Gala with his sister, Willow, Jaden checked out the Après Met 2 Met Gala After Party.
Lauren Sánchez and Jeff Bezos
While Sánchez's Met Gala look may have been underwhelming to some critics, despite a reported assist by gala chair Anna Wintour, she continued the celebration, with her fiancé by her side, at the Boom Boom Room.
Lana Del Rey
The singer switched from her very elaborate headpiece to this floral veil to hang out with friends at the Après Met 2 Met Gala After-Party.
Lizzo
The singer cleared her head — removing her headpiece — for this strapless mini party dress.
Winnie Harlow and Teyana Taylor
The model, in a tank that read "no bra" across the chest, and actress/singer posed back to back for the cameras at Casa Cipriani.
Jodie Turner-Smith
The actress and model, whose blond locks turned heads at the Met Gala, wore a sparkly yellow two-piece dress with lace-up sides. She co-hosted a party with Burberry's Daniel Lee at The Mark’s Caviar Kaspia.
Adrien Brody and Georgina Chapman
The couple, together since 2020, continued their date night at Caviar Kaspia.
Barry Keoghan
The Saltburn star, who made his red carpet debut with girlfriend Sabrina Carpenter at the gala, slipped out of his velvet tailored jacket into a cozier look for the Soho House x Porsche party.
Sam Smith and Christian Cowan
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| 79
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https://fleecejazz.org.uk/thoughts-on-the-chris-ingham-quartet-the-music-of-dudley-moore-24-april-2024/
|
en
|
“The Music of Dudley Moore”, 24 April 2024 – Fleece Jazz
|
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""
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"David Lyons"
] |
2024-04-26T14:31:52+00:00
|
en
|
https://fleecejazz.org.uk/thoughts-on-the-chris-ingham-quartet-the-music-of-dudley-moore-24-april-2024/
|
During Chris Ingham’s superb presentation of the life of the great Dudley Moore, he (only once) stumbled over a word. As the announcer at the gig, I wood never distend to such a Paux Fas.
One of the delights of any show led by Chris is the depth of his research, and the humour of his presentation. I think everyone found something new about Dudley’s life and talent. But as good as it was, the music was what the evening was about, and the music was wonderful.
The musicians were:
Chris was on piano and vocals. He said in effect that he was unequal to the virtuosity of Dudley. I wonder; to me, there was no note out of place, whether the music was dense or sparse. Consider the riot of counter-rhythms on “Amalgam”, while echoing the serene themes played by Paul. The vocals were a riot on their own.
Paul Higgs, who played trumpet (open, wah wah, harmon, straight) and flugel. His soft, clear singing to echo the frenetic piano on “Amalgam”, was lovely. He is such a good player. His enjoyment of the work of the others was lovely to watch. He made the trading of 4’s with George such a treat.
George Double was the drummer. I loved his range of expression was surprising; hand work on “Atlanta”, some beautiful trading on several numbers, and just watching him play. And for the first time for me, he sang, in duet with Paul, as backing vocalists. Way backing vocalists, bh singing by the drums, very funny. You have to be good to be funny.
Simon Thorpe only sang once, but it was clear he enjoyed it. He is a favourite at Fleece Jazz. His work throughout the evening was superb, and the solo on “Sad One for George” was special.
These guys gave us the joy and the complexity of Dudley Moore’s music. It was an evening to cherish. Steve’s amazing set list below deserves a read.
Our next gig is also a celebration of one of the greats. A trombone led band to honour a drummer? Yes indeed. Art Blakey would be delighted by the work of the Rory Ingham sextet: Rory on trombone, Alex Garnett on sax, James Davison on trumpet, Matt Carter on piano, Misha Mullov-Abbado on bass, and Luke Tomlinson on drums. It will be a high energy, wildly swinging gig.. So do join us for the first gig of the new programme on Wednesday the 8th of May.
Take care,
Dave
THE CHRIS INGHAM QUARTET: THE MUSIC OF DUDLEY MOORE
SETLIST, FLEECE JAZZ 24/4/24
Dudley Dell – originally the B-side to his 1961 debut single Strictly for the Birds. Now only available as a bonus track on Authentic Dud Volume 2, the CD reissue of Moore’s 1965 album on Decca Records, The Other Side of Dudley Moore. This quirky two-minute number is best known nowadays as the theme tune to Radio 4’s Quote Unquote. It shares the same chord sequence as My Blue Heaven and contains glancing references to a host of jazz standards.
(Theme tune to) Not Only . . . But Also – Not Only … But Also was the hugely popular TV sketch show that Dudley hosted with Peter Cook between 1964 and 1970. The quirky, angular, Thelonious Monk-inspired theme to Not Only … But Also was the B-side to Pete and Dud’s 1965 Top 20 hit Goodbye-ee. It has virtually vanished from the internet. You’ll find some snippets of Moore playing it on (retrieved) videos of the TV show, but a full recording is not available.
Waterloo – full of labyrinthine chord sequences/ My Blue Heaven (Donaldson/Whiting) – full of Dudley’s characteristic playfulness with a two-step lope on bass and finger-popping on bongos courtesy of Simon Thorpe and George Double respectively.
Poova Nova – from The Other Side of Dudley Moore.
Bedazzled Dudley’s best-known song is the recurring theme from the 1967 movie, Bedazzled. It was most memorably delivered by a fictional psych-rock band called Drimble Wedge and the Vegetations, with Peter Cook deadpanning the lyrics (“I’m not available / You fill me with inertia”). Dudley recorded several instrumental versions, recasting the heavily flanged rock song as a gentle bossa nova.
Cornfield – from Bedazzled
* * * * * * *
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26157
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3
| 3
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https://en.wikipedia.org/wiki/Dudley_Moore
|
en
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Dudley Moore
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2002-03-27T12:01:16+00:00
|
en
|
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https://en.wikipedia.org/wiki/Dudley_Moore
|
English actor, comedian and musician (1935–2002)
Dudley Stuart John Moore CBE (19 April 1935 – 27 March 2002) was an English actor, comedian, musician and composer. Moore first came to prominence in the UK as a leading figure in the British satire boom of the 1960s. He was one of the four writer-performers in the comedy revue Beyond the Fringe from 1960 that created a boom in satiric comedy. With a member of that team, Peter Cook, Moore collaborated on the BBC television series Not Only... But Also. As a popular double act, Moore's buffoonery contrasted with Cook's deadpan monologues.[2] They jointly received the 1966 British Academy Television Award for Best Entertainment Performance and worked together on other projects until the mid-1970s, by which time Moore had settled in Los Angeles to concentrate on his film acting.
Moore's career as a comedy film actor was marked by hit films, particularly Bedazzled (1967), set in Swinging Sixties London (in which he co-starred with Cook) and Hollywood productions Foul Play (1978), 10 (1979) and Arthur (1981). For Arthur, Moore was nominated for the Academy Award for Best Actor and won a Golden Globe Award. He received a second Golden Globe for his performance in Micki & Maude (1984). Moore was awarded a star on the Hollywood Walk of Fame in 1987 and was made a CBE by Queen Elizabeth II at Buckingham Palace on 16 November 2001 in what was his last public appearance.[3][4]
Early life
[edit]
Moore was born at the original Charing Cross Hospital in central London, the son of Ada Francis (née Hughes), a secretary, and John Moore, a railway electrician from Glasgow.[5] He had an older sister, Barbara.[6] Moore was brought up in the Becontree estate in Dagenham, Essex. He was short at 5 ft 2 in (1.57 m) and had club feet that required extensive hospital treatment. This made him the butt of jokes from other children. His right foot responded well to corrective treatment by the time he was six, but his left foot was permanently twisted and his left leg below the knee was withered. He remained self-conscious about this throughout his life.
Moore became a chorister at the age of six. At age 11 he earned a scholarship to the Guildhall School of Music, where he took up harpsichord, organ, violin, musical theory and composition.[7] He rapidly developed into a highly talented pianist and organist and was playing the organ at local church weddings by the age of 14. He attended Dagenham County High School where he received dedicated musical tuition from Peter Cork (1926–2012), who helped him towards his Oxford music scholarship. (Norma Winstone was another student of Cork's at Dagenham).[8] Cork was also a composer. Moore kept in touch until the mid-1990s and his letters to Cork were published in 2006.[9]
Moore won an organ scholarship to Magdalen College, Oxford, where he was tutored by the composer Bernard Rose.[7][10] While studying music and composition there, he also performed with Alan Bennett in The Oxford Revue. During his university years, Moore developed a love of jazz music and became an accomplished jazz pianist and composer. He began working with musicians such as John Dankworth and Cleo Laine. In 1960 he left Dankworth's band to work on Beyond the Fringe.
Career
[edit]
Beyond the Fringe
[edit]
John Bassett, a graduate of Wadham College, Oxford recommended Moore, his jazz bandmate and a rising cabaret talent, to producer Robert Ponsonby, who was putting together a comedy revue entitled Beyond the Fringe. Bassett also chose Jonathan Miller. Moore then recommended Alan Bennett, who in turn suggested Peter Cook.
Beyond the Fringe was at the forefront of the 1960s UK satire boom, although the show's original runs in Edinburgh and the provinces in 1960 had had a lukewarm response. When the revue transferred to the Fortune Theatre in London, in a revised production by Donald Albery and William Donaldson, it became a sensation, thanks in some part to a favourable review by Kenneth Tynan.[12] There were also a number of musical items in the show, using Dudley Moore's music, most famously an arrangement of the Colonel Bogey March in the style of Beethoven, which Moore appears unable to bring to an end.
In 1962 the show transferred to the John Golden Theatre in New York, with its original cast. President John F. Kennedy attended a performance on 10 February 1963. The show continued in New York until 1964.
Partnership with Peter Cook
[edit]
When Moore returned to the UK he was offered his own series on the BBC, Not Only... But Also (1965, 1966, 1970). It was commissioned specifically as a vehicle for Moore, but when he invited Peter Cook on as a guest, their comedy partnership was so notable that it became a permanent fixture of the series. Cook and Moore are most remembered for their sketches as two working-class men, Pete and Dud, in macs and cloth caps, commenting on politics and the arts, but they also fashioned a series of one-off characters, usually with Moore in the role of interviewer to one of Cook's upper-class eccentrics.
The pair developed an unorthodox method for scripting the material, using a tape recorder to tape an ad-libbed routine that they would then have transcribed and edited. This would not leave enough time to fully rehearse the script, so they often had a set of cue cards. Moore was famous for "corpsing" so, as the programmes often went out live, Cook would deliberately make him laugh in order to get an even bigger reaction from the studio audience. The BBC wiped much of the series, though some of the soundtracks (which were issued on LP record) have survived. In 1968 Cook and Moore briefly switched to ATV for four one-hour programmes entitled Goodbye Again; however, they were not as critically well-received as the BBC shows.
On film, Moore and Cook appeared in the 1966 British comedy film The Wrong Box, before co-writing and co-starring in Bedazzled (1967) with Eleanor Bron.[13] Set in Swinging London of the 1960s, Bedazzled was directed by Stanley Donen. The pair closed the decade with appearances in the ensemble caper film Monte Carlo or Bust and Richard Lester's The Bed Sitting Room, based on the play by Spike Milligan and John Antrobus. In 1968 and 1969 Moore embarked on two solo comedy ventures, firstly in the film 30 is a Dangerous Age, Cynthia and secondly, on stage, for an Anglicised adaptation of Woody Allen's Play It Again, Sam at the Globe Theatre in London's West End.
In the 1970s, the relationship between Moore and Cook became increasingly strained as the latter's alcoholism began affecting his work. In 1971, however, Cook and Moore took sketches from Not Only....But Also and Goodbye Again, together with new material, to create the stage revue Behind the Fridge. This show toured Australia and New Zealand in 1971 and ran in London's west end between 1972 and 1973 before transferring to New York City in 1973, re-titled Good Evening.[14] Cook frequently appeared inebriated, on and off stage. Nonetheless, the show proved very popular and it won Tony and Grammy Awards.
When the Broadway run of Good Evening ended, Moore stayed on in the U.S. to pursue his film acting ambitions in Hollywood, but the pair reunited to host Saturday Night Live on 24 January 1976 during SNL's first season. They performed a number of their classic stage routines, including "One Leg Too Few" and "Frog and Peach", among others, in addition to participating in some skits with the show's ensemble.
It was during the Broadway run of Good Evening that Cook persuaded Moore to take the humour of Pete and Dud further on long-playing records as Derek and Clive. Chris Blackwell circulated bootleg copies to friends in the music business and the popularity of the recording convinced Cook to release it commercially as Derek and Clive (Live) (1976). Two further "Derek and Clive" albums, Derek and Clive Come Again (1977) and Derek and Clive Ad Nauseam (1978), were later released. The latter was also filmed for a documentary, Derek and Clive Get the Horn. In the film it is clear tensions between the two men were at a breaking point, with Moore at one point walking out of the recording room singing, 'Breaking up is so easy to do.' In 2009, it came to light that, at the time, three separate British police forces had wanted them to be prosecuted under obscenity laws for their "Derek and Clive" comedy recordings.[citation needed]
The last significant appearance for the partnership was in 1978's The Hound of the Baskervilles, where Moore played Dr. Watson to Cook's Sherlock Holmes, as well as three other roles: in drag; as a one-legged man; and at the start and end of the film as a flamboyant and mischievous pianist. He also wrote the film's score. Co-star Terry-Thomas described it as "the most outrageous film I ever appeared in ... there was no magic ... it was bad!".[15] The film was not a success, either critically or financially.
Moore and Cook eventually reunited for the annual American benefit for the homeless, Comic Relief, in 1987, and again in 1989 for a British audience at the Amnesty International benefit The Secret Policeman's Biggest Ball.
Moore was deeply affected by the death of Cook in 1995, and for weeks would regularly telephone Cook's home in London, just to hear his friend's voice on the telephone answering machine. Moore attended Cook's memorial service in London and, at the time, many people who knew him noted that Moore was behaving strangely and attributed it to grief or drinking. In November 1995, Moore teamed up with friend and humorist Martin Lewis in organising a two-day salute to Cook in Los Angeles that Moore co-hosted with Lewis.[citation needed]
In December 2004 the Channel 4 television station in the United Kingdom broadcast Not Only But Always, a TV film dramatising the relationship between Moore and Cook, although most of the attention of the production was directed towards Cook. Around the same time, the relationship between the two was also the subject of a stage play called Pete and Dud: Come Again by Chris Bartlett and Nick Awde. For this production Moore is the main subject. Set in a chat-show studio in the 1980s, it concerns Moore's comic and personal relationship with Cook and the directions their careers took after the split of the partnership.
Music
[edit]
During the 1960s Mooré formed the Dudley Moore Trio, with drummer Chris Karan and bassist Pete McGurk. Following McGurk's suicide in June 1968, Peter Morgan joined the group as his replacement.[16]
Moore's admitted principal musical influences were Oscar Peterson and Erroll Garner. In an interview he recalled the day he finally mastered Garner's unique left-hand strum and was so excited that he walked around for several days with his left hand constantly playing that cadence. His early recordings included "My Blue Heaven", "Lysie Does It", "Poova Nova", "Take Your Time", "Indiana", "Sooz Blooz", "Baubles, Bangles & Beads", "Sad One for George" and "Autumn Leaves". The trio performed regularly on British television, made numerous recordings and had a long-running residency at Peter Cook's London nightclub, the Establishment. Amongst other albums, they recorded The Dudley Moore Trio, Dudley Moore plays The Theme from Beyond the Fringe and All That Jazz, The World of Dudley Moore, The Other Side Of Dudley Moore and Genuine Dud.
Moore was a close friend of record producer Chris Gunning and played piano (uncredited) on the 1969 single "Broken Hearted Pirates" which Gunning produced for Simon Dupree and the Big Sound.[17] In 1976 he played piano on Larry Norman's album In Another Land, in particular on the song The Sun Began to Rain. In 1981 he recorded Smilin' Through with Cleo Laine.
He composed the soundtracks for the films Bedazzled (1967), 30 is a Dangerous Age, Cynthia (1968), Inadmissible Evidence (1968), Staircase (1969), The Hound of the Baskervilles (1978) and Six Weeks (1982), among others.
Later career in film, television and music
[edit]
In the late 1970s Moore moved to Hollywood, where he had a supporting role in the hit film Foul Play (1978) with Goldie Hawn and Chevy Chase. The following year saw his breakout role in Blake Edwards's 10, which became one of the biggest box-office hits of 1979 and gave him an unprecedented status as a romantic leading man. Moore followed up with the comedy film Wholly Moses!, which was not a major success.
In 1981 Moore appeared in the title role of the comedy Arthur, an even bigger hit than 10. Co-starring Liza Minnelli and Sir John Gielgud, it was both commercially and critically successful, Moore receiving an Oscar nomination for Best Actor, while Gielgud won the Best Supporting Actor Oscar for his role as Arthur's stern but compassionate manservant. Moore lost to Henry Fonda (for On Golden Pond). He did, however, win a Golden Globe award for Best Actor in a Musical/Comedy. In the same year, on British television, Moore was the featured guest subject on An Audience With....
His subsequent films, Six Weeks (1982), Lovesick (1983), Romantic Comedy (1983) and Unfaithfully Yours (1984) were only moderate successes. He won another Golden Globe for Best Actor in a Musical/Comedy in 1984, starring in the Blake Edwards directed Micki & Maude, co-starring Amy Irving.
Later films, including Best Defense (1984), Santa Claus: The Movie (1985), Like Father Like Son (1987), Arthur 2: On the Rocks (1988), a sequel to the original, Crazy People (1990), Blame It on the Bellboy (1992) and an animated adaptation of King Kong, were inconsistent in terms of both critical and commercial reception. Moore eventually disowned the Arthur sequel, but, in later years, Cook would tease him by claiming he preferred Arthur 2: On the Rocks to Arthur.
In 1986 he once again hosted Saturday Night Live, albeit without Peter Cook this time.
Moore was the subject of the British This Is Your Life, for a second time, in March 1987 when he was surprised by Eamonn Andrews at his Venice Beach restaurant;[18] he had previously been honoured by the programme in December 1972.
In addition to acting, Moore continued to work as a composer and pianist, writing scores for a number of films and giving piano concerts, among the highlights of which were his popular parodies of classical favourites. He appeared as Ko-Ko in Jonathan Miller's production of The Mikado in Los Angeles in March 1988. He appeared on Kenny G's music video "Against Doctor's Orders" from the album Silhouette.[19]
In 1991 he released the album Songs Without Words and in 1992 Live From an Aircraft Hangar, recorded at London's Royal Albert Hall.
He collaborated with the conductor Sir Georg Solti in 1991 to create a Channel 4 television series, Orchestra!, which was designed to introduce audiences to the symphony orchestra. He later worked with the American conductor Michael Tilson Thomas on a similar television series, Concerto! (1993), likewise designed to introduce audiences to classical music concertos.
Moore appeared in two series for CBS, Dudley (1993) and Daddy's Girls (1994); however, both were cancelled before the end of their run.
Moore had been interviewed for the New York Times in 1987 by the music critic Rena Fruchter, herself an accomplished pianist, and the two became close friends. By 1995 Moore's film career was on the wane and he was having trouble remembering his lines, a problem he had never previously encountered. It was for this reason he was sacked from Barbra Streisand's film The Mirror Has Two Faces.[20] However, his difficulties were, in fact, due to the onset of the medical condition that eventually led to his death. Opting to concentrate on the piano, he enlisted Fruchter as an artistic partner. They performed as a duo in the US and Australia. However, his disease soon started to make itself apparent there as well, as his fingers would not always do what he wanted them to do. Further symptoms such as slurred speech and loss of balance were misinterpreted by the public and the media as a sign of drunkenness. Moore himself was at a loss to explain this. He moved into Fruchter's family home in New Jersey and stayed there for five years; however, this placed a great strain both on her marriage and her friendship with Moore, and she later set him up in the house next door.
Restaurant
[edit]
Tony Bill and Dudley Moore founded a restaurant in 1983 (closed in November 2000), 72 Market Street Oyster Bar and Grill, in Venice, California.[21][22]
Personal life
[edit]
Moore was married and divorced four times: to actresses Suzy Kendall (15 June 1968 – 15 September 1972); Tuesday Weld (20 September 1975 – 18 July 1980), with whom he had a son, Patrick, on 26 February 1976; Brogan Lane (21 February 1988 – 1991);[23] and Nicole Rothschild (16 April 1994 – 1998), with whom he had a son, Nicholas, on 28 June 1995.[24][25][26][27]
Moore dated Susan Anton in the early 1980s, with their height difference being widely remarked upon: Moore was 5 feet 2+1⁄2 inches (1.588 m) and Anton was 5 feet 11 inches (1.80 m).
In 1994, Moore was arrested and charged with domestic assault after allegedly assaulting his then-girlfriend and soon-to-be wife, Nicole Rothschild.[28]
He maintained good relationships with Kendall, Weld, and Lane. However, he expressly prohibited Rothschild from attending his funeral since, at the time his illness became apparent, he was going through a difficult divorce with her while at the same time sharing a Los Angeles house with her and her previous husband.[25]
Illness and death
[edit]
In April 1997, after spending five days in a New York hospital, Moore was informed that he had calcium deposits in the basal ganglia of his brain and irreversible frontal lobe damage. He underwent quadruple coronary artery bypass surgery in London and also suffered four strokes.[29]
On 30 September 1999, Moore announced that he was suffering from the terminal degenerative brain disorder progressive supranuclear palsy (PSP), a Parkinson-plus syndrome,[29] some of the early symptoms being so similar to intoxication that he had been reported as being drunk,[30][31][32][33][34] and that the illness had been diagnosed earlier in the year.[29] In November 1999, Moore made his first public appearance since disclosing his illness, reading poetry, alongside Julie Andrews, at a benefit concert in Philadelphia for the charity Music for All Seasons. At first Moore struggled, but soon he settled in and began to joke and ad-lib. He then received a standing ovation, for what was to be his last performance.[35] His disease would quickly progress, eventually requiring him to use a wheelchair.
Moore died on the morning of 27 March 2002[13] as a result of pneumonia, secondary to immobility caused by his PSP, in Plainfield, New Jersey, at the age of 66. Rena Fruchter was holding his hand when he died; she reported his final words were "I can hear the music all around me."[36][37] Moore was interred at Hillside Cemetery in Scotch Plains, New Jersey. Fruchter later wrote a memoir of their relationship titled Dudley Moore (Ebury Press, 2004).
Honours and awards
[edit]
In 1981, Moore won the Golden Globe for Best Actor for his role in Arthur, for which he was also Oscar-nominated. In November 2001, Moore was appointed a Commander of the Order of The British Empire (CBE). Despite his deteriorating condition, he attended the ceremony at Buckingham Palace on 16 November to collect his honour in a wheelchair.[20] It was his last public appearance.[4]
Filmography
[edit]
Film performances Year Title Role Notes 1961 The Third Alibi Piano Accompanist Uncredited 1965 Flatland A. Square Voice role 1966 The Wrong Box John Finsbury 1967 Bedazzled Stanley Moon 1968 30 is a Dangerous Age, Cynthia Rupert Street 1969 Monte Carlo or Bust! Lt. Barrington (aka Those Daring Young Men in Their Jaunty Jalopies) The Bed Sitting Room Police Sergeant 1972 Alice's Adventures in Wonderland Dormouse 1975 Saturday Night at the Baths Himself – in theater audience uncredited role 1978 Foul Play Stanley Tibbets The Hound of the Baskervilles Doctor Watson / Mrs. Ada Holmes / Mr. Spiggot / Piano Player 1979 10 George Webber Derek and Clive Get the Horn Derek 1980 Wholly Moses! Harvey Orchid / Herschel 1981 Arthur Arthur Bach 1982 Six Weeks Patrick Dalton 1983 Lovesick Saul Benjamin Romantic Comedy Jason Carmichael 1984 Unfaithfully Yours Claude Eastman Best Defense Wylie Cooper Micki & Maude Rob Salinger 1985 Santa Claus: The Movie Patch 1986 The Adventures of Milo and Otis Narrator English version, voice 1987 Like Father Like Son Dr. Jack Hammond / Chris Hammond 1988 Arthur 2: On the Rocks Arthur Bach 1990 Crazy People Emory Leeson 1992 Blame It on the Bellboy Melvyn Orton 1993 The Pickle Planet Cleveland Man (uncredited) 1995 The Disappearance of Kevin Johnson Dudley Moore 1998 The Mighty Kong Carl Denham / King Kong (voice) (final film role)
Television shows Year Title Role Notes 1964 Chronicle Piano Accompanist Episode: "A Trip to the Moon" 1964 Love Story Kuba Episode: "The Girl Opposite" 1965–1970 Not Only... But Also Various characters 22 episodes 1966 Five More Maserati Driver Episode: "Exit 19" 1968 Film Reviews Rupert Street Episode: "Backs British Films" 1968 Goodbye Again various characters 4 episodes 1969 World in Ferment Guest Store Detective Episode: "1.1" 1971 Not Only But Also. Peter Cook and Dudley Moore in Australia Various characters Mini series An Apple a Day Dr. Clive Elwood TV movie Behind the Fridge Various characters TV movie 1975 When Things Were Rotten Sheik Achmed Episode: "Those Wedding Bell Blues" 1976 Pleasure at Her Majesty's Narrator TV movie documentary 1992 Noel's House Party Special Guest Episode: "1.15" 1993 Dudley Dudley Bristol 6 episodes 1993–1996 Really Wild Animals Spin 13 episodes 1994 Parallel Lives Imaginary Friend / President Andrews TV movie Daddy's Girls Dudley Walker 3 episodes 1995 Oscar's Orchestra Oscar (voice) 38 episodes 1996 A Weekend in the Country Simon Farrell TV movie
Discography
[edit]
UK chart singles
[edit]
"Goodbye-ee", 1965, Peter Cook and Dudley Moore
"The Ballad of Spotty Muldoon", 1965, Peter Cook and Dudley Moore[38]
Jazz discography
[edit]
"Strictly for the Birds" b/w "Duddly Dell", 1961 (Parlophone R 4772) – The Dudley Moore Trio (Derek Hogg, drums; Hugo Boyd, double bass)
The Other Side of Dudley Moore, 1965 (Decca LK 4732 Mono) The Dudley Moore Trio (Pete McGurk – double bass, Chris Karan – drums)
Genuine Dud, 1966 (Decca LK 4788 Mono) The Dudley Moore Trio (Pete McGurk – double bass, Chris Karan – drums) [reissued as The World of Dudley Moore, vol 2, 1973]
From Beyond The Fringe, 1966 (Atlantic RecordsStandard 2 017)
The Dudley Moore Trio, 1969 (Decca Records (UK) / London Records (US) PS558)
Dudley Moore plays the Theme from Beyond the Fringe and All That Jazz, 1962 (Atlantic 1403)
The World of Dudley Moore, (Decca SPA 106)
The Music of Dudley Moore, (EMI Australia (Cube Records) TOOFA.14-1/2)
Dudley Down Under, (Cube ICS 13)
Dudley Moore at the Wavendon Festival, (Black Lion Records BLP 12151)
Smilin' Through – Cleo Laine and Dudley Moore, (Finesse Records FW 38091)
"Strictly for the Birds" – Cleo Laine and Dudley Moore, (CBS A 2947)
The Theme from Beyond The Fringe and All That Jazz, (Collectibles COL 6625)
Live from an Aircraft Hangar (Martine Avenue Productions MAPI 8486)
Songs Without Words, 1991 (GRP/BMG LC 6713)
The First Orchestrations – Dudley Moore and Richard Rodney Bennett, played by John Bassett and his Band, (Harkit Records HRKCD 8054)
Jazz Jubilee, (Martine Avenue Productions MAPI 1521)
The Dudley Moore Trio at Sydney Town Hall, 2 May 1978 (with Peter Morgan on bass and Chris Karan on drums). Produced by Peter Wall.
Today, The Dudley Moore Trio – again with Morgan and Karan (see above) recorded at United Sound, Sydney, in 1971, with some mono tracks added from a 1961 London session. No details.
Comedy discography
[edit]
Beyond The Fringe (West End recording) (1961)
Beyond The Fringe (Broadway recording) (1962)
Not Only Peter Cook But Also Dudley Moore (1965)
Once Moore with Cook (1966)
Peter Cook and Dudley Moore Cordially Invite You to Go to Hell! (1967)[39]
Goodbye Again (1968)
Not Only But Also (1971)
Behind the Fridge (1971) AUS No. 35[40]
The World of Pete & Dud (1974)
Good Evening (1974)
Derek and Clive (Live) (1976)
Derek and Clive Come Again (1977)
Derek and Clive Ad Nauseam (1978)
Bibliography
[edit]
Dudley Moore (1966). Originals. Arranged as Piano Solos Transcribed from the Decca L.P. 'The Other Side of Dudley Moore'. Essex Music.
References
[edit]
Further reading
[edit]
Roger Wilmut, From Fringe to Flying Circus: Celebrating a Unique Generation of Comedy 1960–1980, Eyre Methuen Ltd, 1980
Alexander Games (1999). Pete & Dud: An Illustrated Biography. Andre Deutsch. ISBN 0-233-99642-7.
Peter Cook and Dudley Moore (2003). Dud and Pete The Dagenham Dialogues. Methuen. ISBN 978-0-413-77347-0.
Chris Bartlett and Nick Awde (2006). Pete and Dud: Come Again. Methuen Drama. ISBN 0-413-77602-6.
Dudley Moore: An Intimate Portrait, Rena Fruchter, Ebury Press, 2004, ISBN 978-0-0918-9757-4.
Julian Upton, Fallen Stars, Headpress, 2004.
William Cook (2014). One Leg Too Few: The Adventures of Peter Cook and Dudley Moore. Arrow. ISBN 978-0099559924.
Biography portal
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https://nameberry.com/b/girl-baby-name-frieda
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Frieda - Baby Name Meaning, Origin, and Popularity
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Frieda is a girl's name of German origin meaning "peace". Frieda is the 874 ranked female name by popularity.
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Nameberry
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https://nameberry.com/b/girl-baby-name-frieda
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Frieda
German
"peace"
Frieda Origin and Meaning
The name Frieda is a girl's name of German origin meaning "peace".
This traditional Germanic name hasn't been on the U.S. list since 1958, but perhaps due to the mythic power of painter Frida Kahlo, parents are beginning to show some interest in it.
# 874 in the US
Frieda Rank in US Top 1000
Frieda Popularity
1921Nameberry2024
17Germany2023
Famous People Named Frieda
Frieda HempelGerman soprano
Frieda Rebecca HughesEnglish poet and painter; daughter of poets Sylvia Plath and Ted Hughes
(Emma Maria) Frieda Johanna Freiin von Richthofen LawrenceGerman wife of English novelist D. H. Lawrence
Magdalena Carmen Frieda Kahlo y Calderonbirth name of Mexican painter Frida Kahlo
Frederika Marie Joseph "Frieda" BrepoelsBelgian MEP
Frieda DänzerSwiss Olympic skier
Frieda InescortScottish actress
Frieda Harrisonbirth name of Suzy Kendall, English actress
Frieda A. Schneiderbirth name of Gracie Doll Earles, German dwarf performer of The Doll Family
Frieda EkottoCameroonian,American novelist
Frieda BelinfanteDutch cellist and WWII resistance leader
Frieda Leontine Mauritia Van ThemscheBelgian politician
John FriedaEnglish hairstylist
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https://www.allaboutjazz.com/today-dudley-moore-cherry-red-records-review-by-roger-farbey
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Dudley Moore: Today album review @ All About Jazz
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Dudley Moore: Today album review by Roger Farbey, published on October 2, 2017. Find thousands jazz reviews at All About Jazz!
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All About Jazz
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https://www.allaboutjazz.com/today-dudley-moore-cherry-red-records-review-by-roger-farbey/
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Home » Jazz Articles » Album Review » Dudley Moore: Today
Dudley Moore: Today
Dudley Moore was something of a genius but his contribution to jazz could have been greater had he not been diverted by his other activities. Following his rise to stardom as a member of the satirical Beyond The Fringe team and his subsequent BBC television appearances with Peter Cook in the hit comedy series Not Only...But Also, he started making movies which benefitted from increasing degrees of commercial success. Through films such as Bedazzled with Raquel Welch, 10 with Bo Derek and Julie Andrews and Arthur with Liza Minnelli, he became, to all intents and purposes, a genuine Hollywood superstar. So that didn't leave an awful lot of time left for jazz which is a shame because he was a prodigiously talented musician, starting out as pianist with John Dankworth's Orchestra and later forming his own trio.
Within the space of a decade, spanning the mid-1960s-70s, he recorded only a few albums with the trio, including The Other Side Of Dudley Moore, Genuine Dud for Decca and Today for Atlantic. This last album, recorded during a three week tour of Australia in 1971 was typical of his repertoire. It was populated by originals and standards and Moore's primary influences, Erroll Garner and Oscar Peterson were readily discernible. But he also possessed his own stylistic idiosyncrasies not least in his own compositions typically imbued with the ebullience that reflected his on-screen persona. "Song For Suzy," written for his first wife the actress Suzy Kendall, is a perfect example, part jazz, part pop, it even made it into the charts when released as a single. On this track Moore actually scat sings a very catchy melody over the bluesy chords.
Of the standards, Burt Bacharach's "The Look Of Love" and Henry Mancini's "Two For The Road" stand out. "Robyn's Blues" is an affecting 12 bar and "The Staircase" is reminiscent in its opening bars of some of the orchestrated pieces on the Moore-composed score of Bedazzled. Given the relative paucity of Moore's recorded musical output, Today must rank as an important reissue and there's a bonus of an accompanying ten page booklet with comprehensive biographical sleeve notes and some rare photos.
Track Listing
The More I See You; Waterloo; Before Love Went Out Of Style; Look Of Love; Song For Suzy; Two For The Road; Robyn’s Blues; The Staircase.
Personnel
Dudley Moore: piano; Peter Morgan: bass; Chris Karan: drums.
Album information
Title: Today | Year Released: 2017 | Record Label: Cherry Red Records
In The Past
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Comments
About Dudley Moore
Instrument:
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London, United Kingdom
MY ARTICLES | ALBUM REVIEWS | PROFILE PAGE
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https://www.aol.com/romanian-prime-minister-won-t-122614217.html
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Romanian prime minister won’t attend Olympics closing ceremony to protest judges’ treatment of gymnasts
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https://media.zenfs.com/en/aol_cnn_sports_articles_606/e24ac1d0c0f2b4f83b12793659872261
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"Jordan Chiles",
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"floor exercise",
"Romanian Prime Minister",
"Sabrina Maneca-Voinea",
"Romanian Gymnastics Federation",
"Marcel Ciolacu"
] | null |
[
"Kyle Feldscher and Emmanuel Miculita, CNN",
"AOL Staff"
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2024-08-07T12:26:14+00:00
|
Romanian Prime Minister Marcel Ciolacu is refusing to attend the Olympics closing ceremony in protest over the women’s floor exercise final earlier this week in which two Romanian gymnasts did not make the medal stand.
|
en
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https://www.cnn.com/2024/08/07/sport/romanian-prime-minister-gymnasts-olympics-spt?cid=external-feeds_iluminar_yahoo
|
Romanian Prime Minister Marcel Ciolacu is refusing to attend the Olympics closing ceremony in protest over the women’s floor exercise final earlier this week in which two Romanian gymnasts did not make the medal stand.
Ciolacu said in a statement on Wednesday that Ana Bǎrbosu and Sabrina Maneca-Voinea were treated “in an absolutely dishonorable way” by the judges in the floor final. Bǎrbosu finished in fourth place in a stunning turn of events involving American gymnast Jordan Chiles’ routine, and Maneca-Voinea was given a .1 point penalty for leaving the floor exercise mat, though it did not appear she actually stepped out of bounds.
It was Bǎrbosu’s experience that particularly rankled Ciolacu. The Romanian gymnast appeared to have locked up the bronze medal after Chiles finished her routine, the last of the day.
The American pulled out everything she had in her performance and hardly put a foot wrong, but the score came in at 13.666, only good enough for fifth place. Her coaches submitted an inquiry to challenge the difficulty score given to her by the judges and won. Another .1 points were added to her score to finish with 13.766, enough for the bronze.
That change in score was enough to push Bǎrbosu off the podium and into fourth place, a result as bitterly disappointing for the Romanian as it was thrilling for Chiles.
Ciolacu said the move was unacceptable.
“I decided not to participate in the closing ceremony of the Paris Olympics, after the scandalous situation in gymnastics, where our athletes were treated in an absolutely dishonorable way. To withdraw a medal earned by honest work on the basis of an appeal, which neither the coaches nor the top technicians understand, is totally unacceptable,” he said.
“It is unacceptable that, in a competition of this magnitude, which promotes values such as respect, understanding and excellence, a girl who had honestly won her medal should be brutally deprived of the result of her work of four years! I couldn’t look at her tears and accept with serenity that such a thing is perfectly normal!”
He added, “And the fact that hundreds of millions of viewers from all over the world were, like us Romanians, effectively shocked by this terrible scene, shows that somewhere, in the system of organizing this competition, something is wrong.”
Chiles said later the exhaustion after competing had set in when she saw her score pop up on the big screen at Bercy Arena. She hadn’t even realized her coaches were challenging the score.
“I was so tired, I didn’t even realize my coaches were putting in inquiry and I was like, ‘OK, yeah, like let’s see, it can vary,’” she told reporters.
“So, when it came through, I was like very proud of myself. You know, it’s my first [individual] event final and my first event medal, like this is crazy. So I was just very proud of myself.”
In or out?
Maneca-Voinea’s situation was less dramatic but is also being criticized by the Romanians.
The gymnast was penalized for leaving the mat during the floor exercise, but video did not appear to show her actually stepping out of bounds.
The Romanian Gymnastics Federation submitted a request to the International Federation of Gymnastics for a detailed analysis on why the penalty was assessed.
“Sabrina was penalized by one-tenth of a point for a hypothetical exit from the mat, which can be proven to be an error in judging,” a statement from the Romanian foundation read.
“At the same time, the FRG has requested that, in the spirit of transparency, the detailed analysis and justification for the 9 gymnasts participating in the floor final be made public, in order to provide an official response to the gymnasts, the Romanian gymnastics community, government and state authorities, and national and international media.”
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https://www.whosdatedwho.com/dating/suzy-kendall-and-alexander-james-christopher-sandy-harper
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en
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Suzy Kendall and Alexander James Christopher (sandy) Harper
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21 August 2024... Suzy Kendall and Alexander James Christopher (sandy) Harper photos, news and gossip. Find out more about...
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Who's Dated Who?
|
https://www.whosdatedwho.com/dating/suzy-kendall-and-alexander-james-christopher-sandy-harper
|
Alexander James Christopher (sandy) Harper and Suzy Kendall are married.
About
Alexander James Christopher (sandy) Harper is a British Relative. He is famous for Marriage to actress Suzy Kendall.
Suzy Kendall is a 80 year old British Actress. Born Freda Harriet Harrison on 1st January, 1944 in Belper, Derbyshire, England, UK, she is famous for To Sir, with Love, Up the Junction, Assault in a career that spans 1965-2012. Her zodiac sign is Capricorn.
Contribute
Suzy Kendall and Alexander James Christopher (sandy) Harper - Dating, Gossip, News, Photos list. Help us build our profile of Suzy Kendall and Alexander James Christopher (sandy) Harper! Login to add information, pictures and relationships, join in discussions and get credit for your contributions.
Relationship Statistics
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https://www.pinterest.com/pin/327988785345776697/
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[
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2016-09-19T04:33:27+00:00
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Model and actress Suzy Kendall with her husband, the actor and comedian, Dudley Moore , in Hyde Park. Get premium, high resolution news photos at Getty Images
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Pinterest
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https://www.pinterest.com/pin/327988785345776697/
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https://en.wikipedia.org/wiki/Dudley_Moore
|
en
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Dudley Moore
|
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2002-03-27T12:01:16+00:00
|
en
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/static/apple-touch/wikipedia.png
|
https://en.wikipedia.org/wiki/Dudley_Moore
|
English actor, comedian and musician (1935–2002)
Dudley Stuart John Moore CBE (19 April 1935 – 27 March 2002) was an English actor, comedian, musician and composer. Moore first came to prominence in the UK as a leading figure in the British satire boom of the 1960s. He was one of the four writer-performers in the comedy revue Beyond the Fringe from 1960 that created a boom in satiric comedy. With a member of that team, Peter Cook, Moore collaborated on the BBC television series Not Only... But Also. As a popular double act, Moore's buffoonery contrasted with Cook's deadpan monologues.[2] They jointly received the 1966 British Academy Television Award for Best Entertainment Performance and worked together on other projects until the mid-1970s, by which time Moore had settled in Los Angeles to concentrate on his film acting.
Moore's career as a comedy film actor was marked by hit films, particularly Bedazzled (1967), set in Swinging Sixties London (in which he co-starred with Cook) and Hollywood productions Foul Play (1978), 10 (1979) and Arthur (1981). For Arthur, Moore was nominated for the Academy Award for Best Actor and won a Golden Globe Award. He received a second Golden Globe for his performance in Micki & Maude (1984). Moore was awarded a star on the Hollywood Walk of Fame in 1987 and was made a CBE by Queen Elizabeth II at Buckingham Palace on 16 November 2001 in what was his last public appearance.[3][4]
Early life
[edit]
Moore was born at the original Charing Cross Hospital in central London, the son of Ada Francis (née Hughes), a secretary, and John Moore, a railway electrician from Glasgow.[5] He had an older sister, Barbara.[6] Moore was brought up in the Becontree estate in Dagenham, Essex. He was short at 5 ft 2 in (1.57 m) and had club feet that required extensive hospital treatment. This made him the butt of jokes from other children. His right foot responded well to corrective treatment by the time he was six, but his left foot was permanently twisted and his left leg below the knee was withered. He remained self-conscious about this throughout his life.
Moore became a chorister at the age of six. At age 11 he earned a scholarship to the Guildhall School of Music, where he took up harpsichord, organ, violin, musical theory and composition.[7] He rapidly developed into a highly talented pianist and organist and was playing the organ at local church weddings by the age of 14. He attended Dagenham County High School where he received dedicated musical tuition from Peter Cork (1926–2012), who helped him towards his Oxford music scholarship. (Norma Winstone was another student of Cork's at Dagenham).[8] Cork was also a composer. Moore kept in touch until the mid-1990s and his letters to Cork were published in 2006.[9]
Moore won an organ scholarship to Magdalen College, Oxford, where he was tutored by the composer Bernard Rose.[7][10] While studying music and composition there, he also performed with Alan Bennett in The Oxford Revue. During his university years, Moore developed a love of jazz music and became an accomplished jazz pianist and composer. He began working with musicians such as John Dankworth and Cleo Laine. In 1960 he left Dankworth's band to work on Beyond the Fringe.
Career
[edit]
Beyond the Fringe
[edit]
John Bassett, a graduate of Wadham College, Oxford recommended Moore, his jazz bandmate and a rising cabaret talent, to producer Robert Ponsonby, who was putting together a comedy revue entitled Beyond the Fringe. Bassett also chose Jonathan Miller. Moore then recommended Alan Bennett, who in turn suggested Peter Cook.
Beyond the Fringe was at the forefront of the 1960s UK satire boom, although the show's original runs in Edinburgh and the provinces in 1960 had had a lukewarm response. When the revue transferred to the Fortune Theatre in London, in a revised production by Donald Albery and William Donaldson, it became a sensation, thanks in some part to a favourable review by Kenneth Tynan.[12] There were also a number of musical items in the show, using Dudley Moore's music, most famously an arrangement of the Colonel Bogey March in the style of Beethoven, which Moore appears unable to bring to an end.
In 1962 the show transferred to the John Golden Theatre in New York, with its original cast. President John F. Kennedy attended a performance on 10 February 1963. The show continued in New York until 1964.
Partnership with Peter Cook
[edit]
When Moore returned to the UK he was offered his own series on the BBC, Not Only... But Also (1965, 1966, 1970). It was commissioned specifically as a vehicle for Moore, but when he invited Peter Cook on as a guest, their comedy partnership was so notable that it became a permanent fixture of the series. Cook and Moore are most remembered for their sketches as two working-class men, Pete and Dud, in macs and cloth caps, commenting on politics and the arts, but they also fashioned a series of one-off characters, usually with Moore in the role of interviewer to one of Cook's upper-class eccentrics.
The pair developed an unorthodox method for scripting the material, using a tape recorder to tape an ad-libbed routine that they would then have transcribed and edited. This would not leave enough time to fully rehearse the script, so they often had a set of cue cards. Moore was famous for "corpsing" so, as the programmes often went out live, Cook would deliberately make him laugh in order to get an even bigger reaction from the studio audience. The BBC wiped much of the series, though some of the soundtracks (which were issued on LP record) have survived. In 1968 Cook and Moore briefly switched to ATV for four one-hour programmes entitled Goodbye Again; however, they were not as critically well-received as the BBC shows.
On film, Moore and Cook appeared in the 1966 British comedy film The Wrong Box, before co-writing and co-starring in Bedazzled (1967) with Eleanor Bron.[13] Set in Swinging London of the 1960s, Bedazzled was directed by Stanley Donen. The pair closed the decade with appearances in the ensemble caper film Monte Carlo or Bust and Richard Lester's The Bed Sitting Room, based on the play by Spike Milligan and John Antrobus. In 1968 and 1969 Moore embarked on two solo comedy ventures, firstly in the film 30 is a Dangerous Age, Cynthia and secondly, on stage, for an Anglicised adaptation of Woody Allen's Play It Again, Sam at the Globe Theatre in London's West End.
In the 1970s, the relationship between Moore and Cook became increasingly strained as the latter's alcoholism began affecting his work. In 1971, however, Cook and Moore took sketches from Not Only....But Also and Goodbye Again, together with new material, to create the stage revue Behind the Fridge. This show toured Australia and New Zealand in 1971 and ran in London's west end between 1972 and 1973 before transferring to New York City in 1973, re-titled Good Evening.[14] Cook frequently appeared inebriated, on and off stage. Nonetheless, the show proved very popular and it won Tony and Grammy Awards.
When the Broadway run of Good Evening ended, Moore stayed on in the U.S. to pursue his film acting ambitions in Hollywood, but the pair reunited to host Saturday Night Live on 24 January 1976 during SNL's first season. They performed a number of their classic stage routines, including "One Leg Too Few" and "Frog and Peach", among others, in addition to participating in some skits with the show's ensemble.
It was during the Broadway run of Good Evening that Cook persuaded Moore to take the humour of Pete and Dud further on long-playing records as Derek and Clive. Chris Blackwell circulated bootleg copies to friends in the music business and the popularity of the recording convinced Cook to release it commercially as Derek and Clive (Live) (1976). Two further "Derek and Clive" albums, Derek and Clive Come Again (1977) and Derek and Clive Ad Nauseam (1978), were later released. The latter was also filmed for a documentary, Derek and Clive Get the Horn. In the film it is clear tensions between the two men were at a breaking point, with Moore at one point walking out of the recording room singing, 'Breaking up is so easy to do.' In 2009, it came to light that, at the time, three separate British police forces had wanted them to be prosecuted under obscenity laws for their "Derek and Clive" comedy recordings.[citation needed]
The last significant appearance for the partnership was in 1978's The Hound of the Baskervilles, where Moore played Dr. Watson to Cook's Sherlock Holmes, as well as three other roles: in drag; as a one-legged man; and at the start and end of the film as a flamboyant and mischievous pianist. He also wrote the film's score. Co-star Terry-Thomas described it as "the most outrageous film I ever appeared in ... there was no magic ... it was bad!".[15] The film was not a success, either critically or financially.
Moore and Cook eventually reunited for the annual American benefit for the homeless, Comic Relief, in 1987, and again in 1989 for a British audience at the Amnesty International benefit The Secret Policeman's Biggest Ball.
Moore was deeply affected by the death of Cook in 1995, and for weeks would regularly telephone Cook's home in London, just to hear his friend's voice on the telephone answering machine. Moore attended Cook's memorial service in London and, at the time, many people who knew him noted that Moore was behaving strangely and attributed it to grief or drinking. In November 1995, Moore teamed up with friend and humorist Martin Lewis in organising a two-day salute to Cook in Los Angeles that Moore co-hosted with Lewis.[citation needed]
In December 2004 the Channel 4 television station in the United Kingdom broadcast Not Only But Always, a TV film dramatising the relationship between Moore and Cook, although most of the attention of the production was directed towards Cook. Around the same time, the relationship between the two was also the subject of a stage play called Pete and Dud: Come Again by Chris Bartlett and Nick Awde. For this production Moore is the main subject. Set in a chat-show studio in the 1980s, it concerns Moore's comic and personal relationship with Cook and the directions their careers took after the split of the partnership.
Music
[edit]
During the 1960s Mooré formed the Dudley Moore Trio, with drummer Chris Karan and bassist Pete McGurk. Following McGurk's suicide in June 1968, Peter Morgan joined the group as his replacement.[16]
Moore's admitted principal musical influences were Oscar Peterson and Erroll Garner. In an interview he recalled the day he finally mastered Garner's unique left-hand strum and was so excited that he walked around for several days with his left hand constantly playing that cadence. His early recordings included "My Blue Heaven", "Lysie Does It", "Poova Nova", "Take Your Time", "Indiana", "Sooz Blooz", "Baubles, Bangles & Beads", "Sad One for George" and "Autumn Leaves". The trio performed regularly on British television, made numerous recordings and had a long-running residency at Peter Cook's London nightclub, the Establishment. Amongst other albums, they recorded The Dudley Moore Trio, Dudley Moore plays The Theme from Beyond the Fringe and All That Jazz, The World of Dudley Moore, The Other Side Of Dudley Moore and Genuine Dud.
Moore was a close friend of record producer Chris Gunning and played piano (uncredited) on the 1969 single "Broken Hearted Pirates" which Gunning produced for Simon Dupree and the Big Sound.[17] In 1976 he played piano on Larry Norman's album In Another Land, in particular on the song The Sun Began to Rain. In 1981 he recorded Smilin' Through with Cleo Laine.
He composed the soundtracks for the films Bedazzled (1967), 30 is a Dangerous Age, Cynthia (1968), Inadmissible Evidence (1968), Staircase (1969), The Hound of the Baskervilles (1978) and Six Weeks (1982), among others.
Later career in film, television and music
[edit]
In the late 1970s Moore moved to Hollywood, where he had a supporting role in the hit film Foul Play (1978) with Goldie Hawn and Chevy Chase. The following year saw his breakout role in Blake Edwards's 10, which became one of the biggest box-office hits of 1979 and gave him an unprecedented status as a romantic leading man. Moore followed up with the comedy film Wholly Moses!, which was not a major success.
In 1981 Moore appeared in the title role of the comedy Arthur, an even bigger hit than 10. Co-starring Liza Minnelli and Sir John Gielgud, it was both commercially and critically successful, Moore receiving an Oscar nomination for Best Actor, while Gielgud won the Best Supporting Actor Oscar for his role as Arthur's stern but compassionate manservant. Moore lost to Henry Fonda (for On Golden Pond). He did, however, win a Golden Globe award for Best Actor in a Musical/Comedy. In the same year, on British television, Moore was the featured guest subject on An Audience With....
His subsequent films, Six Weeks (1982), Lovesick (1983), Romantic Comedy (1983) and Unfaithfully Yours (1984) were only moderate successes. He won another Golden Globe for Best Actor in a Musical/Comedy in 1984, starring in the Blake Edwards directed Micki & Maude, co-starring Amy Irving.
Later films, including Best Defense (1984), Santa Claus: The Movie (1985), Like Father Like Son (1987), Arthur 2: On the Rocks (1988), a sequel to the original, Crazy People (1990), Blame It on the Bellboy (1992) and an animated adaptation of King Kong, were inconsistent in terms of both critical and commercial reception. Moore eventually disowned the Arthur sequel, but, in later years, Cook would tease him by claiming he preferred Arthur 2: On the Rocks to Arthur.
In 1986 he once again hosted Saturday Night Live, albeit without Peter Cook this time.
Moore was the subject of the British This Is Your Life, for a second time, in March 1987 when he was surprised by Eamonn Andrews at his Venice Beach restaurant;[18] he had previously been honoured by the programme in December 1972.
In addition to acting, Moore continued to work as a composer and pianist, writing scores for a number of films and giving piano concerts, among the highlights of which were his popular parodies of classical favourites. He appeared as Ko-Ko in Jonathan Miller's production of The Mikado in Los Angeles in March 1988. He appeared on Kenny G's music video "Against Doctor's Orders" from the album Silhouette.[19]
In 1991 he released the album Songs Without Words and in 1992 Live From an Aircraft Hangar, recorded at London's Royal Albert Hall.
He collaborated with the conductor Sir Georg Solti in 1991 to create a Channel 4 television series, Orchestra!, which was designed to introduce audiences to the symphony orchestra. He later worked with the American conductor Michael Tilson Thomas on a similar television series, Concerto! (1993), likewise designed to introduce audiences to classical music concertos.
Moore appeared in two series for CBS, Dudley (1993) and Daddy's Girls (1994); however, both were cancelled before the end of their run.
Moore had been interviewed for the New York Times in 1987 by the music critic Rena Fruchter, herself an accomplished pianist, and the two became close friends. By 1995 Moore's film career was on the wane and he was having trouble remembering his lines, a problem he had never previously encountered. It was for this reason he was sacked from Barbra Streisand's film The Mirror Has Two Faces.[20] However, his difficulties were, in fact, due to the onset of the medical condition that eventually led to his death. Opting to concentrate on the piano, he enlisted Fruchter as an artistic partner. They performed as a duo in the US and Australia. However, his disease soon started to make itself apparent there as well, as his fingers would not always do what he wanted them to do. Further symptoms such as slurred speech and loss of balance were misinterpreted by the public and the media as a sign of drunkenness. Moore himself was at a loss to explain this. He moved into Fruchter's family home in New Jersey and stayed there for five years; however, this placed a great strain both on her marriage and her friendship with Moore, and she later set him up in the house next door.
Restaurant
[edit]
Tony Bill and Dudley Moore founded a restaurant in 1983 (closed in November 2000), 72 Market Street Oyster Bar and Grill, in Venice, California.[21][22]
Personal life
[edit]
Moore was married and divorced four times: to actresses Suzy Kendall (15 June 1968 – 15 September 1972); Tuesday Weld (20 September 1975 – 18 July 1980), with whom he had a son, Patrick, on 26 February 1976; Brogan Lane (21 February 1988 – 1991);[23] and Nicole Rothschild (16 April 1994 – 1998), with whom he had a son, Nicholas, on 28 June 1995.[24][25][26][27]
Moore dated Susan Anton in the early 1980s, with their height difference being widely remarked upon: Moore was 5 feet 2+1⁄2 inches (1.588 m) and Anton was 5 feet 11 inches (1.80 m).
In 1994, Moore was arrested and charged with domestic assault after allegedly assaulting his then-girlfriend and soon-to-be wife, Nicole Rothschild.[28]
He maintained good relationships with Kendall, Weld, and Lane. However, he expressly prohibited Rothschild from attending his funeral since, at the time his illness became apparent, he was going through a difficult divorce with her while at the same time sharing a Los Angeles house with her and her previous husband.[25]
Illness and death
[edit]
In April 1997, after spending five days in a New York hospital, Moore was informed that he had calcium deposits in the basal ganglia of his brain and irreversible frontal lobe damage. He underwent quadruple coronary artery bypass surgery in London and also suffered four strokes.[29]
On 30 September 1999, Moore announced that he was suffering from the terminal degenerative brain disorder progressive supranuclear palsy (PSP), a Parkinson-plus syndrome,[29] some of the early symptoms being so similar to intoxication that he had been reported as being drunk,[30][31][32][33][34] and that the illness had been diagnosed earlier in the year.[29] In November 1999, Moore made his first public appearance since disclosing his illness, reading poetry, alongside Julie Andrews, at a benefit concert in Philadelphia for the charity Music for All Seasons. At first Moore struggled, but soon he settled in and began to joke and ad-lib. He then received a standing ovation, for what was to be his last performance.[35] His disease would quickly progress, eventually requiring him to use a wheelchair.
Moore died on the morning of 27 March 2002[13] as a result of pneumonia, secondary to immobility caused by his PSP, in Plainfield, New Jersey, at the age of 66. Rena Fruchter was holding his hand when he died; she reported his final words were "I can hear the music all around me."[36][37] Moore was interred at Hillside Cemetery in Scotch Plains, New Jersey. Fruchter later wrote a memoir of their relationship titled Dudley Moore (Ebury Press, 2004).
Honours and awards
[edit]
In 1981, Moore won the Golden Globe for Best Actor for his role in Arthur, for which he was also Oscar-nominated. In November 2001, Moore was appointed a Commander of the Order of The British Empire (CBE). Despite his deteriorating condition, he attended the ceremony at Buckingham Palace on 16 November to collect his honour in a wheelchair.[20] It was his last public appearance.[4]
Filmography
[edit]
Film performances Year Title Role Notes 1961 The Third Alibi Piano Accompanist Uncredited 1965 Flatland A. Square Voice role 1966 The Wrong Box John Finsbury 1967 Bedazzled Stanley Moon 1968 30 is a Dangerous Age, Cynthia Rupert Street 1969 Monte Carlo or Bust! Lt. Barrington (aka Those Daring Young Men in Their Jaunty Jalopies) The Bed Sitting Room Police Sergeant 1972 Alice's Adventures in Wonderland Dormouse 1975 Saturday Night at the Baths Himself – in theater audience uncredited role 1978 Foul Play Stanley Tibbets The Hound of the Baskervilles Doctor Watson / Mrs. Ada Holmes / Mr. Spiggot / Piano Player 1979 10 George Webber Derek and Clive Get the Horn Derek 1980 Wholly Moses! Harvey Orchid / Herschel 1981 Arthur Arthur Bach 1982 Six Weeks Patrick Dalton 1983 Lovesick Saul Benjamin Romantic Comedy Jason Carmichael 1984 Unfaithfully Yours Claude Eastman Best Defense Wylie Cooper Micki & Maude Rob Salinger 1985 Santa Claus: The Movie Patch 1986 The Adventures of Milo and Otis Narrator English version, voice 1987 Like Father Like Son Dr. Jack Hammond / Chris Hammond 1988 Arthur 2: On the Rocks Arthur Bach 1990 Crazy People Emory Leeson 1992 Blame It on the Bellboy Melvyn Orton 1993 The Pickle Planet Cleveland Man (uncredited) 1995 The Disappearance of Kevin Johnson Dudley Moore 1998 The Mighty Kong Carl Denham / King Kong (voice) (final film role)
Television shows Year Title Role Notes 1964 Chronicle Piano Accompanist Episode: "A Trip to the Moon" 1964 Love Story Kuba Episode: "The Girl Opposite" 1965–1970 Not Only... But Also Various characters 22 episodes 1966 Five More Maserati Driver Episode: "Exit 19" 1968 Film Reviews Rupert Street Episode: "Backs British Films" 1968 Goodbye Again various characters 4 episodes 1969 World in Ferment Guest Store Detective Episode: "1.1" 1971 Not Only But Also. Peter Cook and Dudley Moore in Australia Various characters Mini series An Apple a Day Dr. Clive Elwood TV movie Behind the Fridge Various characters TV movie 1975 When Things Were Rotten Sheik Achmed Episode: "Those Wedding Bell Blues" 1976 Pleasure at Her Majesty's Narrator TV movie documentary 1992 Noel's House Party Special Guest Episode: "1.15" 1993 Dudley Dudley Bristol 6 episodes 1993–1996 Really Wild Animals Spin 13 episodes 1994 Parallel Lives Imaginary Friend / President Andrews TV movie Daddy's Girls Dudley Walker 3 episodes 1995 Oscar's Orchestra Oscar (voice) 38 episodes 1996 A Weekend in the Country Simon Farrell TV movie
Discography
[edit]
UK chart singles
[edit]
"Goodbye-ee", 1965, Peter Cook and Dudley Moore
"The Ballad of Spotty Muldoon", 1965, Peter Cook and Dudley Moore[38]
Jazz discography
[edit]
"Strictly for the Birds" b/w "Duddly Dell", 1961 (Parlophone R 4772) – The Dudley Moore Trio (Derek Hogg, drums; Hugo Boyd, double bass)
The Other Side of Dudley Moore, 1965 (Decca LK 4732 Mono) The Dudley Moore Trio (Pete McGurk – double bass, Chris Karan – drums)
Genuine Dud, 1966 (Decca LK 4788 Mono) The Dudley Moore Trio (Pete McGurk – double bass, Chris Karan – drums) [reissued as The World of Dudley Moore, vol 2, 1973]
From Beyond The Fringe, 1966 (Atlantic RecordsStandard 2 017)
The Dudley Moore Trio, 1969 (Decca Records (UK) / London Records (US) PS558)
Dudley Moore plays the Theme from Beyond the Fringe and All That Jazz, 1962 (Atlantic 1403)
The World of Dudley Moore, (Decca SPA 106)
The Music of Dudley Moore, (EMI Australia (Cube Records) TOOFA.14-1/2)
Dudley Down Under, (Cube ICS 13)
Dudley Moore at the Wavendon Festival, (Black Lion Records BLP 12151)
Smilin' Through – Cleo Laine and Dudley Moore, (Finesse Records FW 38091)
"Strictly for the Birds" – Cleo Laine and Dudley Moore, (CBS A 2947)
The Theme from Beyond The Fringe and All That Jazz, (Collectibles COL 6625)
Live from an Aircraft Hangar (Martine Avenue Productions MAPI 8486)
Songs Without Words, 1991 (GRP/BMG LC 6713)
The First Orchestrations – Dudley Moore and Richard Rodney Bennett, played by John Bassett and his Band, (Harkit Records HRKCD 8054)
Jazz Jubilee, (Martine Avenue Productions MAPI 1521)
The Dudley Moore Trio at Sydney Town Hall, 2 May 1978 (with Peter Morgan on bass and Chris Karan on drums). Produced by Peter Wall.
Today, The Dudley Moore Trio – again with Morgan and Karan (see above) recorded at United Sound, Sydney, in 1971, with some mono tracks added from a 1961 London session. No details.
Comedy discography
[edit]
Beyond The Fringe (West End recording) (1961)
Beyond The Fringe (Broadway recording) (1962)
Not Only Peter Cook But Also Dudley Moore (1965)
Once Moore with Cook (1966)
Peter Cook and Dudley Moore Cordially Invite You to Go to Hell! (1967)[39]
Goodbye Again (1968)
Not Only But Also (1971)
Behind the Fridge (1971) AUS No. 35[40]
The World of Pete & Dud (1974)
Good Evening (1974)
Derek and Clive (Live) (1976)
Derek and Clive Come Again (1977)
Derek and Clive Ad Nauseam (1978)
Bibliography
[edit]
Dudley Moore (1966). Originals. Arranged as Piano Solos Transcribed from the Decca L.P. 'The Other Side of Dudley Moore'. Essex Music.
References
[edit]
Further reading
[edit]
Roger Wilmut, From Fringe to Flying Circus: Celebrating a Unique Generation of Comedy 1960–1980, Eyre Methuen Ltd, 1980
Alexander Games (1999). Pete & Dud: An Illustrated Biography. Andre Deutsch. ISBN 0-233-99642-7.
Peter Cook and Dudley Moore (2003). Dud and Pete The Dagenham Dialogues. Methuen. ISBN 978-0-413-77347-0.
Chris Bartlett and Nick Awde (2006). Pete and Dud: Come Again. Methuen Drama. ISBN 0-413-77602-6.
Dudley Moore: An Intimate Portrait, Rena Fruchter, Ebury Press, 2004, ISBN 978-0-0918-9757-4.
Julian Upton, Fallen Stars, Headpress, 2004.
William Cook (2014). One Leg Too Few: The Adventures of Peter Cook and Dudley Moore. Arrow. ISBN 978-0099559924.
Biography portal
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Dudley Moore and actress Suzy Kendall after they married in
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Prints of Dudley Moore and actress Suzy Kendall after they married in secret at Hampstead Register Office
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en
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Media Storehouse Photo Prints
|
https://www.mediastorehouse.com/memory-lane-prints/mirror/0100to0199-00141/dudley-moore-actress-suzy-kendall-married-secret-21496671.html
|
Memory Lane Photo Prints and Wall Art
Dudley Moore and actress Suzy Kendall after they married in secret at Hampstead Register
Dudley Moore and actress Suzy Kendall after they married in secret at Hampstead Register Office. © Mirrorpix
Gavin Kent
mirrorpix
Hertfordshire
United Kingdom
WA*425964
Media ID 21496671
Core201
Framed Prints
Bring a touch of classic Hollywood glamour to your home with this exquisite framed print from the Media Storehouse range. Featuring an intimate moment captured by renowned photographer Gavin Kent, this stunning image shows Dudley Moore and Suzy Kendall, the beloved British actor and actress, after their secret wedding at Hampstead Register Office in 1969. The black and white photograph, sourced from Memory Lane Prints, is a beautiful testament to their enduring love and the history of their unique union. Add this timeless piece to your collection and create a captivating focal point in your living space.
Photo Prints
Relive a moment of classic Hollywood history with this exquisite photographic print from the Media Storehouse range. Captured by acclaimed photographer Gavin Kent of Memory Lane Prints, this image beautifully depicts the secret wedding of Dudley Moore and Suzy Kendall at Hampstead Register Office in 1968. Add a touch of timeless charm to your home or office with this stunning, high-quality print, and be a part of preserving a piece of Hollywood history.
Poster Prints
Relive the magic of yesteryears with our exclusive Media Storehouse poster print featuring an intimate moment in the lives of beloved stars Dudley Moore and Suzy Kendall. Captured by acclaimed photographer Gavin Kent, this poster showcases the newlyweds leaving the Hampstead Register Office after their secret wedding. Add a touch of Hollywood glamour to your space with this stunning, high-quality print from Memory Lane Prints. A perfect addition to any film or celebrity memorabilia collection.
Jigsaw Puzzles
Step back in time with our exquisite jigsaw puzzle from Media Storehouse, featuring the charming image of Dudley Moore and Suzy Kendall, captured moments after their secret wedding at Hampstead Register Office in 1968. This beautifully detailed puzzle, sourced from Memory Lane Prints, invites you to relive a piece of Hollywood history. Immerse yourself in the nostalgia as you piece together this memorable moment in the lives of these beloved actors. A perfect gift for puzzle enthusiasts, film fans, or anyone who appreciates a bit of old-fashioned romance.
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Trau keinem über 30 (1968)
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Trau keinem über 30 (1968) Suzy Kendall as Louise
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https://www.imdb.com/title/tt0062625/characters/nm0447648
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Dudley Moore and Suzy Kendall
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http://image.guardian.co.uk/sys-images/Film/Pix/gallery/2002/03/28/dudleykendall.jpg
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Moore's first solo film role was opposite 60s 'It' girl Suzy Kendall in 30 is a Dangerous Age, Cynthia. They married shortly after. Dudley Moore
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Remembering Dudley Moore
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2020-07-08T13:43:16-07:00
|
I was still living in my hometown of Modena when I first saw Bedazzled (1967), the irreverent British comedy directed by Stanley Donen, so it was dubbed in Italian and titled Il mio amico diavolo, but I found it wickedly delicious. Peter Cook played the devil who, helped by the seven deadly sins, offers seven
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Cultural Daily - Independent Voices, New Perspectives
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https://www.culturaldaily.com/remembering-dudley-moore/
|
I was still living in my hometown of Modena when I first saw Bedazzled (1967), the irreverent British comedy directed by Stanley Donen, so it was dubbed in Italian and titled Il mio amico diavolo, but I found it wickedly delicious. Peter Cook played the devil who, helped by the seven deadly sins, offers seven wishes to a young cook, Dudley Moore, in exchange for his soul.
It was a dream come true when, many years later, in November 1980, after I had moved to Los Angeles and was working as a photo-journalist, I was entrusted with the assignment to photograph Dudley Moore in his Marina Del Rey home for the magazine Intro. By then the success of the film Ten (1979) directed by Blake Edwards with Bo Derek and Julie Andrews had made him a movie star in America. Dudley was game and posed for my Nikon cameras in every room of the house against various backdrops, that I had lit with my portable Norman 200B strobe diffused with an umbrella and captured on vibrant Kodachrome. He changed his clothes from a yellow sweater to a green one, he made funny faces and gestures, he was delightful and sweet. The published article’s headline was his nickname “Cuddly Dudley.”
I interviewed Dudley for Arthur (1981) with Liza Minnelli, for Six Weeks (1982) a drama directed by Tony Bill, for Micki and Maude (1984) by Blake Edwards. I photographed him at the Golden Globes in 1982, when he won Best Actor for Arthur, accompanied by his girlfriend Susan Anton, and at the Oscars in 1988.
I was familiar with his work as an actor and had a real fondness for Dudley, but only recently I read the 2004 biography by Rena Fruchter, Dudley Moore: An Intimate Portrait, and learnt more about his seven year battle with the rare neurological disease PSP (Progressive Supranuclear Palsy) that took his life on March 27, 2002 at age 66. He was married four times, to Suzy Kendall (1968-1972), to Tuesday Weld (1975-1980) with whom he had a son, Patrick, to Brogan Lane (1988-1991), and to Nicole Rothschild (1994-1998) with whom he had another son, Nicholas. He was a classical concert pianist and performed at Carnegie Hall, he composed music, including the soundtracks for Bedazzled and Six Weeks.
When asked about the comedians that make him laugh, he mentions Peter Sellers, Marcel Marceau, Jacques Tati, Fernandel, Terry Thomas, John Cleese, Alistair Sim, Bob Hope, Jerry Lewis, Steve Martin, Bill Murray.
On religion: “My father’s great interest in life was the Church. I spent time as a choirboy from the age of 6, and I was struggling with the idea of God and religion for a long time when I was young. But I’ve now abandoned it, which is a great relief. The essence of people as they are is enough for me.”
On marriage: “l’m not against it. It’s a nice and cozy gesture to make with somebody. lt’s saying that you really like to be with that person. If you expect it to be any more than that, you might get into trouble. Promises of lifelong trust are very dangerous things.”
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| 98
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http://news.bbc.co.uk/2/hi/entertainment/110847.stm
|
en
|
From humble beginnings to Hollywood
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2002-03-27T20:20:19
| null |
Actor, comedian and musician Dudley Moore has died aged 66. BBC News Online looks how he went from a tough childhood in Essex to global fame.
Dudley Moore was born in Charing Cross Hospital, London, on Good Friday, 1935. He was at a disadvantage from the start, both physically and economically.
According to his official biographer, Barbra Paskin, when his mother, Ada, found she had given birth to a boy with a club foot and a withered leg she said: "This isn't my baby."
Ada had to be persuaded to take her son home to the Dagenham council house where she lived with her husband Jock, a railway worker, and his five-year-old sister, Barbara.
Throughout his boyhood, Moore had to endure several painful operations on his left leg that was half an inch shorter than the other, and his relationship with his mother haunted him all his life.
She found it difficult to show her son the affection he craved, but at the same time she was also extremely ambitious for him.
A strong-willed woman, Ada fought for him to attend grammar school, Dagenham County High, despite the headmaster's belief that he would be better off in an establishment that could deal with his physical disability.
At school, he had to wear shorts that exposed his deformity and was constantly bullied about his leg. He eventually discovered a defence mechanism by making his peers laugh.
Scholarship
Playing the clown turned him from a victim into one of the most popular boys at the school.
Moore's musical talent won him a scholarship to the Guildhall School of Music where he played the piano. He taught himself the organ at his local church and had to adapt one of his mother's shoes for his deformed left leg in order to play it.
To the immense pride of his mother, the boy from Essex won an organ scholarship to Oxford University.
However, his humble origins and Dagenham twang made him feel inadequate among the upper class students at Magdalen College and he felt especially out of place in the magnificent college chapel.
"There I was, sitting on the organ seat playing this beautiful organ in this stunning chapel. I felt I didn't deserve to be there," he told his biographer, Ms Paskin.
Satire
Later, Moore was to spend years in psychotherapy dealing with this lack of self-esteem which never quite left him even after he had reached the height of fame.
While at university he teamed up with Peter Cook, Jonathan Miller and Alan Bennett to write and present Beyond the Fringe, a satirical revue.
This sparked the beginning of his career in showbusiness, which saw him take roles in television and film, and he also moved to the US to continue his life there.
But by the late 1980s and 1990s his off-screen love life took the limelight, often gaining more column inches than his career.
Moore was married four times.
His wed his first wife, British actress and model Suzy Kendall in 1968, and although they divorced in 1972 they remained lifelong friends.
Three years later the actor, now living in Los Angeles, married wife number two - Tuesday Weld, also an actress.
They split up 20 times during their marriage, had a son - Patrick - in 1977 and finally got divorced in 1980.
Moore later expressed deep regret that he had missed out on his son's childhood.
His two-year marriage to Brogan Lane, aspiring actress and 25 years younger than him, ended in 1990. Moore had already had several affairs with, among others, long-time lover Nicole Rothschild.
Ms Rothschild, who was almost 30 years his junior, became his fourth and last wife in 1994.
They first met at the peak of his career when she flung herself across the bonnet of his car and demanded an autograph.
Their relationship was often troubled - and their rows became regular features in gossip columns on both sides of the Atlantic.
Divorce
Their living arrangements were also complex - Ms Rothschild's ex-husband, Charles Cleveland lived with the couple and was even present at the birth of their son, Nicholas, in 1995.
In December 1996, the couple were pictured again at the balcony of their home, reunited after another heated row.
But by June 1997, Ms Rothschild sued her husband for millions, claiming he had terrorised her during their relationship.
After a stream of lurid claims about sex, drugs and violence, she halted her divorce action in June 1998 after learning of his illness.
Gifts
As well as having a stormy love life, Moore was also known for his extravagance, which was revealed in documents produced by Ms Rothschild's lawyers, in April 1998.
He allegedly spent more than £34,000 on a separate house for her not far from his mansion in Marina del Rey, as well as thousands more on gifts and cosmetic surgery for his wife, clothes for her friends, houses and holidays for her ex-husband and his family.
But by the time he died, he was surrounded peacefully by friends.
He leaves behind two sons - Patrick, 21, by his second wife, and Nicholas, six, by Ms Rothschild.
|
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2
| 20
|
https://www.gettyimages.co.uk/detail/news-photo/dudley-moore-and-actress-suzy-kendall-after-they-married-in-news-photo/1450775237
|
en
|
Getty Images
|
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Getty Images UK. Find high resolution royalty-free images, editorial stock photos, vector art, video footage clips and stock music licensing at the richest image search photo library online.
|
en
| null | |||||||
26157
|
yago
|
3
| 83
|
https://www.huffingtonpost.co.uk/entry/suzy-izzard-name-pronouns-update_uk_6478b02de4b091b09c311d59
|
en
|
Suzy Izzard Shares Update On Her Preferred Name And Pronouns
|
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[
"uk celebrity",
"suzy izzard"
] | null |
[
"Ash Percival"
] |
2023-06-01T15:27:45+00:00
|
The comedian previously said her new name is one she's "wanted to be since I was 10".
|
en
|
/favicon.ico
|
HuffPost UK
|
https://www.huffingtonpost.co.uk/entry/suzy-izzard-name-pronouns-update_uk_6478b02de4b091b09c311d59
|
Suzy Izzard has shared an update on her preferred name and pronouns.
The comedian announced in 2020 that she would be using “she/her” pronouns moving forward, and earlier this year revealed she had begun alternating between her original name and a new moniker.
In a social media update, Suzy has told fans she now "prefers" her new name, but “no one can really get it wrong” as she "doesn’t mind" being called Eddie.
Advertisement
She posted: “As people may now well know, I have added the name ‘Suzy’ to my names.
“So going forward I am preferring Suzy but I don’t mind Eddie. And I prefer she/her but I don’t mind he/him. So no one can really get it wrong unless they call me Kenneth or Sabrina.
“I am remaining Eddie Izzard in public. Thank you.”
Suzy previously revealed she’d wanted to be called by that name since she “was 10”, and later opened up about the inspiration behind it.
During an appearance on on Lorraine, she told the host she used to love watching Suzy Kendall in To Sir With Love as a 10-year-old.
Advertisement
“I just thought, ‘I’d like to have that name’, but of course at that time I wasn’t telling anyone,” she recalled.
“I knew I was what seems now to be trans, [but] I couldn’t define it when I was a young kid, I just sort of said, ‘that’s not happening’. And then I took off as Eddie, and I thought, ‘well it doesn’t matter’.”
She continued: “It’s got Edward John in my passport, so I just thought, what if I add ‘Suzy’ in there? And then all these people are not sure what to say, and I said, ‘I prefer Suzy, but I don’t mind Eddie. I prefer she/her, I don’t mind he/him’.”
“No one can make a mistake with me,” Suzy added, joking: “Unless they call me Gregory or Sabrina, and then that’s not quite right. But everything else, no one can make a mistake, and they can choose.”
|
||||
26157
|
yago
|
2
| 36
|
https://rapaport.com/market-comment/market-comment-weekly-diamond-news-august-8-2024-2/
|
en
|
Weekly Diamond News
|
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[
"Leah Meirovich"
] |
2024-08-08T14:00:39+00:00
|
Market Comment | De Beers cancels Aug. sight amid weak demand, moves Oct. sight to Sep.
|
en
|
Rapaport
|
https://rapaport.com/market-comment/market-comment-weekly-diamond-news-august-8-2024-2/
|
News: De Beers cancels Aug. sight amid weak demand, moves Oct. sight to Sep. India factories extend August vacations to reduce inventories and support prices. Production down sharply in Jul. and early Aug. Polishers prefer to produce melee because it’s easier to sell; 0.30-3 ct. weak. Kiran Gems to suspend production for 10 days from Aug. 18. Trading centers seasonally quiet. Rough market slow. Petra defers Aug.-Sep. tender of South African goods. Okavango prices drop 5%-15% at Aug. sale. Global stock-market declines create uncertainty, with Dow Jones index -5% since Jul. 31; Signet shares -12%. High expectations for Mumbai IIJS show as India jewelry sales pick up ahead of Diwali and wedding season.
Fancies: Fancy-shape prices weaker following strong demand last year and overproduction by manufacturers. US buyers more selective about quality of SIs, rejecting black centers and short ratios. Elongated shapes still preferred. Fancies with medium and short ratios harder to sell. Supply shortages supporting prices for Marquises. Cushions slow. Very well-cut fancy shapes hard to find and commanding premiums. Oversizes trading at higher prices than usual. Off-make, poorly cut fancies illiquid.
|
|||||
26157
|
yago
|
0
| 97
|
https://www.cnn.com/2002/SHOWBIZ/Movies/03/27/death.dudley.obit/index.html
|
en
|
Dud's last 'Goodbye'
|
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LONDON (CNN) -- Dudley Moore was a pint-size comic who achieved world-wide stardom for his 1960s partnership with the late Peter Cook and a brief career as one of Hollywood's most unlikely leading men.
The 5-foot-2-inch star's bumbling, amiable and very British image took Hollywood by storm in the late 1970s and early 1980s and turned him into a multimillionaire.
In a career spanning more than 30 years, Moore won Tony awards (1963, 1974), a Grammy (1974), two Golden Globes (1982, 1985) and an Oscar nomination (1982).
In the 1960s, his hilarious "Dud and Pete" partnership with Peter Cook made them both hot properties in the show-business world on both sides of the Atlantic.
They became a cult act as cloth-capped downbeat Londoners who sat for hours discussing, deadpan, the meaning of life. One of their best-remembered items was a manic version of the song "Goodbye."
Moore was also a gifted and dedicated pianist who gave concerts in many parts of the United States. He once said that his ambition was to play the piano better. The piano was, he often said, his best way of expressing himself.
In 1979, he became an instant hit in director Blake Edwards' comedy "10," with Bo Derek.
He drew his best-actor Oscar nomination for his work as the hard-drinking millionaire title character in Steve Gordon's 1981 film "Arthur."
In his heyday, Moore starred in numerous successful Hollywood and British films, including "The Wrong Box" (1967); "Bedazzled" (1967); "Monte Carlo Or Bust" (1969); "The Hound of the Baskervilles" (1978); "Unfaithfully Yours" (1984); "Micki + Maude" (1984); "Santa Clause: The Movie" (1985); "Crazy People" (1990); and "Arthur 2: On The Rocks" (1988). And he appeared on Broadway, in the West End and in Royal Command performances.
Onset of illness
But in the 1980s, Moore suffered several illnesses. He underwent open-heart surgery and suffered a series of strokes. He was diagnosed with a degenerative brain problem, progressive supranuclear palsy (PSP).
By this time his film career had effectively ground to a halt and he was released from Barbra Streisand's film "The Mirror Has Two Faces" because he was having trouble memorizing his lines. Losing the role, he said, was devastating.
As his box-office appeal began to wane, the man who had been dubbed by some a British Woody Allen turned to other projects.
In Great Britain, he appeared in a series of TV commercials for supermarket giant Tesco.
He married four times, always to beautiful women taller than him. In 1968, he married the already once-divorced model and actress, Suzy Kendall. They parted in 1972. Then came U.S. actress Tuesday Weld in 1975. In 1988, he married actress Brogan Lane, a woman he'd once described as "an amazing vision." His final marriage came in 1994 to Nicole Rothschild.
Speaking out
In 1999 Moore made his condition public, pointing out that his vision had become hazy, his walking was impaired and speech slurred. Moore had seen his prowess on the piano keyboard slowly slip away.
Displaying the humor he was famous for, he said in a statement, "I understand that one person in 100,000 suffers from the disease and I am also aware that there are 100,000 members of my union, the Screen Actors Guild, who are working every day.
"I think, therefore, it is in some way considerate of me that I have taken on the disease for myself, thus protecting the remaining 99,999 members from this fate."
But he was also realistic about the progressive effects of the disease. In a TV interview, Moore said, "I am trapped in this body, and there is nothing I can do about it."
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https://www.pinterest.com/pin/327988785345776697/
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[] |
[] |
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[
""
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2016-09-19T04:33:27+00:00
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Model and actress Suzy Kendall with her husband, the actor and comedian, Dudley Moore , in Hyde Park. Get premium, high resolution news photos at Getty Images
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Pinterest
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https://www.pinterest.com/pin/327988785345776697/
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https://www.derekwinnert.com/30-is-a-dangerous-age-cynthia-1968-dudley-moore-eddie-foy-jr-suzy-kendall-classic-movie-review-9166/
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en
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30 Is a Dangerous Age, Cynthia *** (1968, Dudley Moore, Eddie Foy Jr, Suzy Kendall) – Classic Movie Review 9166
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2019-12-17T13:52:30+00:00
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The 1968 comedy film 30 is a Dangerous Age, Cynthia is a pretty funny vehicle for star Dudley Moore. Can Dud score a hit with the women and get on the stage before he’s 30? Can Dud score a hit wit…
|
https://www.derekwinnert.com/wp-content/themes/suburbia/images/favico.ico
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Derek Winnert
|
https://www.derekwinnert.com/30-is-a-dangerous-age-cynthia-1968-dudley-moore-eddie-foy-jr-suzy-kendall-classic-movie-review-9166/
|
The 1968 comedy film 30 is a Dangerous Age, Cynthia is a pretty funny vehicle for star Dudley Moore. Can Dud score a hit with the women and get on the stage before he’s 30?
Can Dud score a hit with the women and get on the stage before he’s 30?
Co-writer/ director Joe McGrath’s 1968 comedy 30 is a Dangerous Age, Cynthia is a pretty funny vehicle for star Dudley Moore, which he also co-writes and scores.
He plays the nervous club piano-player and composer Rupert Street, who has six weeks left to sort out his career and his women trouble before he reaches his thirtieth birthday. He wants to write a musical and marry! The depressing message is, if you haven’t made by the time you are 30, you never will.
Co-author John Wells appears too, as the Honorable Gavin Hopton.
Also in the cast are Eddie Foy Jr, Suzy Kendall, John Bird, Duncan Macrae, Patricia Routledge, Peter Bayliss, Harry Towb, Jonathan Routh, Ted Dicks Jr, Nicky Henson as Paul, Clive Dunn, Frank Thornton, Derek Farr and Micheál Mac Liammóir.
In real life, Moore and Kendall immediately hit it off and soon became a couple, marrying on 14 June 1968. Though they divorced in 1972, they remained friends until Moore’s death in 2002. She remarried to musician Sandy Harper, and Moore was godfather to her daughter Elodie. In 2012, Kendall made her first film appearance in 35 years in Berberian Sound Studio, credited as Special Guest Screamer.
It is the last film of Duncan Macrae, who died before its release.
Micheál Mac Liammóir (born Alfred Willmore; 25 October 1899 – 6 March 1978) was born in London to an English family with no Irish connections. He emigrated to Ireland as a young adult, changed his name, invented an Irish ancestry, and stayed based in Ireland for the rest of his life, keeping up a fabricated identity as a native Irishman born in Cork.
Mac Liammóir founded the Gate Theatre in Dublin with his partner, Hilton Edwards, and two others. Edwards’ and Mac Liammóir’s relationship gained wide acceptance as probably Ireland’s only publicly acknowledged homosexuals, despite Ireland’s anti-gay laws, not repealed in their lifetimes. They were jointly created freemen of the city of Dublin in 1973, the first theatre folk so honoured.
30 is a Dangerous Age, Cynthia is directed by Joe McGrath, runs 95 minutes, is made by Walter Shenson Productions, is released by Columbia Pictures, is written by Dudley Moore, Joe McGrath and John Wells, is shot in Technicolor by Billy Williams, is produced by Walter Shenson, is scored by Dudley Moore, and is designed by Brian Eatwell.
RIP Nicky Henson, who died of cancer on 15 December 2019, aged 74.
John Wells died of cancer in London in 1998, aged 61.
John Bird (born 22 November 1936 – 24 December 2022) died from complications of a stroke on 24 December 2022, aged 86. He performed in the TV satire boom of the 1960s, notably appearing in That Was the Week That Was.
The cast are Dudley Moore as Rupert Street, Eddie Foy Jr as Oscar, Suzy Kendall as Louise Hammond, John Bird as Herbert Greenslade, Duncan Macrae as Jock McCue, Patricia Routledge as Mrs Woolley, Peter Bayliss as Victor, John Wells as Honorable Gavin Hopton, Harry Towb as M. Woolley, Jonathan Routh as Captain Gore-Taylor, Ted Dicks Jr as Horst Cohen, Nicky Henson as Paul, Clive Dunn as Doctor, Frank Thornton as Registrar, Derek Farr as TV Announcer, and Micheál Mac Liammóir as Irish Storyteller.
© Derek Winnert 2019 Classic Movie Review 9166
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https://www.sixtiescity.net/Mbeat/mbfilms62.htm
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en
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articles from the creator of iconic 60s music paper Mersey Beat
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Actress Suzy Kendall was born Frieda Harrison in Belper, Derbyshire on 1st January 1944. After attending Belper Convent School she was next educated at Derby and District College of Art where she began studying design and painting. She became a fabric designer and also enjoyed a successful career as a photographic model (it was a model agency that changed her name to Suzy Kendall) before becoming involved in acting.
Suzy was surprised when she was offered film roles, due mainly for her looks rather than any particular acting ability, and initially appeared in small parts in The Liquidator, Thunderball and Up Jumped a Swagman in 1965. She next appeared in The Sandwich Man and Circus of Fear in 1966. Stronger roles appeared in The Penthouse and To Sir, With Love in 1967 and Up The Junction and 30 Is A Dangerous Age, Cynthia in 1968.
1967/8 was probably her most successful period with three of her best parts. In The Penthouse she featured as Barbara Willason, an adulterous woman, terrorised in a penthouse when three thugs break in. In Up The Junction she portrayed Polly, a Chelsea girl who decides to slum it up by moving to a working class area in Battersea and taking a job in a factory, and in the highly popular To Sir With love she played Gillian, one of the teachers in an East End school.
In September 1968 she married comedian/actor Dudley Moore, her co-star in 30 Is A Dangerous Age, Cynthia at Hampstead Register Office. Dudley persuaded her to appear in the Continental film Fraulein Doktor' in 1969 as a Mata Hari type character. The same year she featured in The Gamblers and Colour Me Dead. She next featured in Darker Than Amber and Assault (aka The Creepers - in the US it was called In The Devils Garden) prior to starring in the Italian suspense movie The Bird With The Crystal Plumage, directed by Dario Agento.
Around this time Suzy wanted a child and decided to cut down her acting parts as she wanted to concentrate on being a mother. However, Dudleys career was on the up and up and he didnt want children at the time, so the marriage eventually broke up in 1972, although they remained good friends, and Suzy married City coffee trader Sandy Harper shortly after and gave birth to a girl, Elodie. Suzy idolised her daughter and devoted herself to her care.
She only appeared in a few rather unforgettable films in the Seventies, before retiring from the screen. They included: Tales That Witness Madness, Fear Is The Key, Story of A Cloistered Nun, Carnal Violence and Torso in 1973, Craze and Spasmo in 1974, Bis Zur Bitteren Neigeo' in 1975 and Adventures of a Private Eye in 1977. Bill Harryattended the Liverpool College of Art with Stuart Sutcliffe and John Lennon and made the arrangements for Brian Epstein to visit The Cavern, where he saw The Beatles for the first time. Bill was a member of 'The Dissenters' and the founder and editor of 'Mersey Beat', the iconic weekly music newspaper that documented the early Sixties music scene in the Liverpool area and is possibly best known for being the first periodical to feature a local band called 'The Beatles'. He has worked as a high powered publicist, doing PR for acts such as Suzi Quatro, Free, The Arrows and Hot Chocolate and has managed press campaigns for record labels such as CBS, EMI, Polydor. Bill is the critically acclaimed author of a large number of books about The Beatles and the 60s era including 'The Beatles Who's Who', 'The Best Years of the Beatles' and the Fab Four's 'Encyclopedia' series. He has appeared on 'Good Morning America' and has received a Gold Award from the British Academy of Songwriters, Composers and Authors.
|
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https://www.topfoto.co.uk/asset/4216692/
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Dudley Moore and actress Suzy Kendall after they married in secret at Hampstead Register Office
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2019-02-21T13:57:35+00:00
|
Dudley Moore and actress Suzy Kendall after they married in secret at Hampstead Register Office
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en
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TopFoto
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https://www.topfoto.co.uk/asset/4216692/
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For full functionality of this site it is necessary to enable JavaScript. Here are the instructions how to enable JavaScript in your web browser.
Your download will start shortly, please do not navigate away from this page until the download prompt has appeared. Doing so may cause your download to be interrupted.
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26157
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2
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https://www.imdb.com/name/nm0447648/bio/
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Suzy Kendall
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Suzy Kendall. Actress: Junge Dornen. A doe-eyed, honey-blond actress of extraordinary beauty, Suzy Kendall was one of the most popular British actresses of the 1960s. Yet, she never really sought the spotlight and accepted fame only reluctantly. Born as Freida Harrison, her goal was actually to be a clothing designer and, in fact, she majored in fabric and fashion design at Derby College. In pursuing her studies, she inevitably ran...
|
en
|
IMDb
|
https://www.imdb.com/name/nm0447648/bio/
|
A doe-eyed, honey-blond actress of extraordinary beauty, Suzy Kendall was one of the most popular British actresses of the 1960s. Yet, she never really sought the spotlight and accepted fame only reluctantly. Born as Freida Harrison, her goal was actually to be a clothing designer and, in fact, she majored in fabric and fashion design at Derby College. In pursuing her studies, she inevitably ran into fashion photographers and agents. With few exceptions, they were very taken by her looks and urged her to go into modeling. While not particularly interested in that line of work, she was flattered by the compliments and saw a chance to make some extra income. In addition, she saw it as a way to draw attention to her fashion ideas. So, she signed up with a recommended agency, who gave her the name Suzy Kendall. To her surprise, she immediately was in constant demand. This was at a time when there was increased crossover in the British entertainment industry, with singers appearing in motion pictures. Before long, she began to receive film offers and, while not trained as an actress, was persuaded by her agents to accept film and television roles. The first roles were minor in nature, but included a part in the spy caper L - Der Lautlose (1965), which was a major success. She became internationally known with her prominent role in Junge Dornen (1967), a sort of British version of Die Saat der Gewalt (1955). That same year, she starred in the crime thriller Das Penthouse (1967), playing a woman taken hostage by violent criminal predators. She disliked the film, but it was a major hit. It was around this time that she met the highly talented and famous but insecure Dudley Moore, with whom she co-starred in Trau keinem über 30 (1968). They immediately hit it off and gradually became a couple, marrying in 1968. At Moore's urging, she accepted the title role in Fräulein Doktor (1969), in which she plays a World War I femme fatale, based on Mata Hari. In spite of some good reviews, it was not a success. However, her career was boosted again in Das Geheimnis der schwarzen Handschuhe (1970), in which she plays the girlfriend of a murder suspect who becomes the target of the real killer. The film was an international success and made director Dario Argento a household name among horror fans. By this time, she wanted to become a mother and cut back on her career. But Moore's career had found worldwide success and he didn't think the time was right for raising children. This and their increasing time spent apart took a toll, and they subsequently divorced. However, their marriage ended amicably and they remained good friends for the remainder of his life. She continued to work through the 1970's, mostly as threatened heroines in violent horror films of uneven quality. She soon found herself in a professional rut in an industry that wasn't all that important to her. She remarried and settled into a private life, concentrating on her marriage and raising their child. She did briefly return to the public eye in 2002, when she hosted a memorial service for her late former husband, Moore, who was friends not only with her but her current husband, as well, even giving their daughter piano lessons.
Her daughter, Elodie Harper, is a journalist with the British Broadcasting Corporation.
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https://books.google.com/books/about/Dudley_Moore.html%3Fid%3DDDscAQAAIAAJ
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en
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Google Books
|
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https://books.google.com/
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Search the world's most comprehensive index of full-text books.
My library
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26157
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yago
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3
| 40
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https://www.ranker.com/list/aries-moon-celebrities/madame-ruby%3Fpage%3D2
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en
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205+ Aries Moon Celebrities
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"Madame Ruby"
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2021-11-11T00:00:00
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There are plenty of big name celebrities with Aries moon signs. Rihanna, Stevie Wonder, and Kendall Jenner are just a few of the Aries moon celebrities. What ...
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en
|
/img/icons/touch-icon-iphone.png
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Ranker
|
https://www.ranker.com/list/aries-moon-celebrities/madame-ruby
|
There are plenty of big name celebrities with Aries moon signs. Rihanna, Stevie Wonder, and Kendall Jenner are just a few of the Aries moon celebrities. What is Aries moon? Aries moon, meaning your moon sign is Aries, means that your emotional world and inner self are represented through the Aries lens. This type of sign is often said to represent your essence. The "moon sign" is part of the big three in astrology that help to determine your personality. The trio includes the sun sign, the moon, and the rising or ascendant sign.
Some Aries moon traits and characteristics include being honest, courageous, and bold. Celebrities with Aries moon are impulsive and enthusiastic. A celebrity with their moon in Aries can be a bit of a hot head, and they are very passionate.
If you’re wondering how to spot an Aries moon, it may be easier than you think. There is said to be a certain Aries moon appearance. The Aries moon physical appearance is typically rugged with prominent features. The Aries moon appearance gives a feeling of the element of fire, and they have a strong bone structure.
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Turner Classic Movies presents the greatest classic films of all time from one of the largest film libraries in the world. Find extensive video, photos, articles, forums, and archival content from some of the best movies ever made only at TCM.com.
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Watch TCM
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Welcome, DISH customer! Please note that we cannot save your viewing history due to an arrangement with DISH.
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https://www.facebook.com/FactsVerse/videos/the-troubled-love-life-of-dudley-moore/3046246855634962/
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The Troubled Love Life of Dudley Moore
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https://www.famousbirthdays.com/people/suzy-kendall.html
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Suzy Kendall - Age, Family, Bio
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Suzy Kendall: her birthday, what she did before fame, her family life, fun trivia facts, popularity rankings, and more.
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Famous Birthdays
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https://www.famousbirthdays.com/people/suzy-kendall.html
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About
British film actress who appeared in 'The Liquidator,' 'Circus of Fear,' and other movies of the 1960s and '70s.
Before Fame
She studied at the Derby & District College of Art and worked as a fabric designer and a model before pursuing a career as an actress.
Trivia
She co-authored a beauty manual called 'Natural Appeal: Fragrant Natural Preparations for the Care of Skin, Hair and Body.'
Family Life
She and her second husband, Sandy Harper, had a daughter named Elodie.
Associated With
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https://jaz.fandom.com/wiki/Dudley_Moore
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Dudley Moore
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Dudley Stuart John Moore, CBE (19 April 1935Template:Spaced ndash27 March 2002) was an English actor, comedian, composer and musician. Moore first came to prominence in the UK as one of the four writer-performers in the ground-breaking comedy revue Beyond the Fringe in the early 1960s, and then...
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https://jaz.fandom.com/wiki/Dudley_Moore
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Dudley Stuart John Moore, CBE (19 April 1935Template:Spaced ndash27 March 2002) was an English actor, comedian, composer and musician.
Moore first came to prominence in the UK as one of the four writer-performers in the ground-breaking comedy revue Beyond the Fringe in the early 1960s, and then became famous as half of the extremely popular television double act Pete and Dud alongside Peter Cook. His comedic partnership with Peter Cook continued until the mid-1970s, when he settled in Los Angeles to concentrate on his movie acting.
His fame as a comedy film actor was heightened by the success of hit Hollywood films, particularly 10 and Arthur. He received an Oscar nomination for the latter role. He was frequently referred to in the media as "Cuddly Dudley" or "The Sex Thimble", a reference to both his short stature and his reputation as a "ladies' man".
[]
[]
Moore was born in the original Charing Cross Hospital, in central London, the son of Ada Francis (née Hughes), a secretary, and John Moore, a railway electrician. He was brought up in Dagenham, East London. He was notably short: Template:Convert and was born with club feet that required extensive hospital treatment and, coupled with his diminutive stature, made him the butt of jokes from other children. His right foot responded well to corrective treatment and had straightened itself by the time he was six, but his left foot became permanently twisted and consequently his left leg below the knee was withered. This was something he remained very self-conscious of throughout his life.
He became a choirboy at the age of six and took up the piano and violin. He rapidly developed into a highly talented pianist and organist and was playing the pipe organ at local church weddings by the age of 14. He attended Dagenham County High School where he received musical tuition from a dedicated teacher, Peter Cork. Cork became a friend and confidant to Moore, continuing to correspond with him until 1994.
Moore's musical talent won him an organ scholarship to Magdalen College, Oxford. While studying music and composition there, he also performed with Alan Bennett in the Oxford Revue. Bennett then recommended him to a producer who was putting together Beyond the Fringe, a comedy revue, where he first met his comedic partner Peter Cook. Beyond the Fringe was at the forefront of the 1960s UK satire boom and after becoming a huge success in Britain it transferred to the United States, where it was also a big hit.
During his university years, Moore had developed a love of jazz music and soon became an accomplished jazz pianist and composer. He began working with such leading musicians as John Dankworth and Cleo Laine. In 1960, he left Dankworth's band to work on Beyond the Fringe. During the 1960s he formed the Dudley Moore Trio, with drummer Chris Karan and bassist Pete McGurk. Following McGurk's suicide in June 1968, Peter Morgan joined the group as his replacement.[1]
Moore's admitted principal musical influences were Oscar Peterson and Erroll Garner. In an interview he recalled the day he finally mastered Garner's unique left-hand strum and was so excited that he walked around for several days with his left hand constantly playing that cadence. His early recordings included "My Blue Heaven", "Lysie Does It", "Poova Nova", "Take Your Time", "Indiana", "Sooz Blooz", "Baubles, Bangles & Beads", "Sad One for George" and "Autumn Leaves". The trio performed regularly on British television, made numerous recordings and had a long-running residency at Peter Cook's London nightclub, the Establishment.
In the 1960s Moore was a close friend of record producer Chris Gunning and played piano (uncredited) on the 1969 single "Broken Hearted Pirates" which Gunning produced for Simon Dupree and the Big Sound.[2]
Moore composed the soundtracks for the films Bedazzled, Inadmissible Evidence, Staircase and Six Weeks, among others.
Career[]
Partnership with Peter Cook[]
After following the Establishment to New York City, Moore returned to the UK and was offered his own series on the BBC, Not Only... But Also (1965). It was commissioned specifically as a vehicle for Moore, but when he invited Peter Cook on as a guest, their comedy partnership was so notable that it became a permanent fixture of the series. Cook and Moore are most remembered for their sketches as two working class men, Pete and Dud, in macs and cloth caps, commenting on politics and the arts, but they fashioned a series of one-off characters, usually with Moore in the role of interviewer to one of Cook's upper class eccentrics. The pair developed an unorthodox method for scripting the material by using a tape recorder to tape an ad libbed routine that they would then have transcribed and edited. This would not leave enough time to fully rehearse the script so they often had a set of cue cards. Moore was famous for "corpsing"—the programmes often went on live, and Cook would deliberately make him laugh in order to get an even bigger reaction from the studio audience. Regrettably, the BBC erased any of the videotapes and film reels of these seminal TV shows (a practice that wiped out large portions of other British television productions as well, such as Doctor Who), though some of the soundtracks (which were issued on record) have survived. Moore and Cook co-starred in the film Bedazzled (1967) with Eleanor Bron, and also had tours called Beyond the Fringe and Good Evening.
In 2009 it came to light that at the time three separate British police forces had wanted them to be prosecuted under obscenity laws for their comedy recordings made during the late 1970s under the pseudonyms Derek and Clive. Shortly following the last of these, Derek and Clive – Ad Nauseam, Moore made a break with Cook, whose alcoholism was affecting his work, to concentrate on his film career. When Moore began to manifest the symptoms of the disease that eventually killed him (progressive supranuclear palsy), it was at first suspected that he too had a drinking problem. Two of Moore's early starring roles were the titular drunken playboy Arthur and the heavy drinker George Webber in 10.
Later career[]
In the late 1970s, Moore moved to Hollywood, where he had a supporting role in the hit film Foul Play (1978) with Goldie Hawn and Chevy Chase. The following year saw his break-out role in Blake Edwards's 10, which he followed up with the film Wholly Moses! The latter was not a major success.
Moore played Watson to Cook's Holmes in 1978's Hound of the Baskervilles. Moore was noteworthy as a comic foil to Sir Henry and played three other roles: one in drag and one as a one-legged man. Moore also played the piano for the entire score and appears at the start and end of the film as a flamboyant and mischievous pianist. Moore also scored the film.
In 1981, Moore appeared as the lead in the comedy Arthur, an even bigger hit than 10, which also starred Liza Minnelli and Sir John Gielgud. It was both commercially and critically successful; Moore received an Oscar nomination for Best Actor whilst Gielgud won the Best Supporting Actor Oscar for his role as Arthur's stern but compassionate manservant. Moore lost to Henry Fonda (for On Golden Pond). He did, however, win a Golden Globe award for Best Actor in a Musical/Comedy. In 1984, Moore had another hit, starring in the Blake Edwards directed Micki + Maude, co-starring Amy Irving. This won him another Golden Globe for Best Actor in a Musical/Comedy.
His subsequent films, including Arthur 2: On the Rocks, a sequel to the original, and an animated adaptation of King Kong, were inconsistent in terms of both critical and commercial reception; Moore eventually disowned the former. In later years, Cook would wind up Moore by claiming he preferred Arthur 2: On the Rocks to Arthur.
In addition to acting, Moore continued to work as a composer and pianist, writing scores for a number of films and giving piano concerts, which were highlighted by his popular parodies of classical favourites. In 1976 he played piano on Larry Norman's album In Another Land, in particular on the song "The Sun Began to Rain." In addition, Moore collaborated with the conductor Sir Georg Solti to create a 1991 television series, Orchestra!, which was designed to introduce audiences to the symphony orchestra. He later worked with the American conductor Michael Tilson Thomas on a similar television series from 1993, Concerto!, likewise designed to introduce audiences to classical music concertos. He also appeared as Ko-Ko in a Jonathan Miller production of The Mikado in Los Angeles in March 1988.
In 1987, Moore was interviewed for the New York Times by the music critic Rena Fruchter, herself an accomplished pianist. They became close friends. At that time Moore's film career was already on the wane. He was having trouble remembering his lines, a problem he had never previously encountered (for this reason he was sacked from Barbra Streisand's film The Mirror Has Two Faces).[3] He opted to concentrate on the piano, and enlisted Fruchter as an artistic partner. They performed as a duo in the U.S. and Australia. However, his disease soon started to make itself apparent there as well, as his fingers would not always do what he wanted them to do. Symptoms such as slurred speech and loss of balance were misinterpreted by the public and the media as a sign of drunkenness. Moore himself was at a loss to explain this. He moved into Fruchter's family home in New Jersey and stayed there for five years, but this, however, placed a great strain both on her marriage and her friendship with Moore, and she later set him up in the house next door.
Moore was the subject of This Is Your Life - for a second time - in March 1987 when he was surprised by Eamonn Andrews at his Venice Beach restaurant; he had previously been honoured by the programme in December 1972.
In the 1990s, Moore also starred as a man named David trying to catch some chickens in a series of Tesco adverts.
Moore was deeply affected by the death of Peter Cook in 1995, and for weeks would regularly telephone Cook's home in London just to get the telephone answering machine and hear his friend's voice. Moore attended Cook's memorial service in London and at the time many people who knew him noted that Moore was behaving strangely and attributed it to grief or drinking. In November 1995, Moore teamed up with friend and humorist Martin Lewis in organising a two-day salute to Cook in Los Angeles that Moore co-hosted with Lewis.
Moore is the main subject of the play Pete and Dud: Come Again, by Chris Bartlett and Nick Awde. Set in a chat-show studio in the 1980s, it focuses on Moore's comic and personal relationship with Peter Cook and how their careers took off after the split of the partnership.
Entrepreneur[]
Moore co-owned a fashionable restaurant in Venice, California (1980s–2000). The restaurant was named 72 Market Street Oyster Bar and Grill. Moore played piano in the restaurant whenever he dropped by the premises.
Personal life[]
Moore was married and divorced four times: to actresses Suzy Kendall, Tuesday Weld (by whom he had a son, Patrick, in 1976), Brogan Lane, and Nicole Rothschild (one son, Nicholas, born in 1995).[4]
He maintained good relationships with Kendall, Weld and Lane, but expressly forbade Rothschild to attend his funeral. At the time his illness became apparent, he was going through a difficult divorce from Rothschild, despite sharing a house in Los Angeles with her and her previous husband.
Moore dated and was a favourite of some of Hollywood's most attractive women, including Susan Anton. In 1994, Moore was arrested after Rothschild claimed he had beaten her before that year's Oscars; she later withdrew her charges.
Illness and death[]
In September 1997 Moore underwent quadruple heart bypass surgery in London, and subsequently suffered four minor strokes.
In June 1998, Nicole Rothschild was reported to have told an American television show that Moore was "waiting to die" due to a serious illness, but these reports were denied by Suzy Kendall.[5]
On 30 September 1999, Moore announced that he was suffering from the terminal degenerative brain disorder progressive supranuclear palsy, some of whose early symptoms were so similar to intoxication that he had been accused of being drunk, and that the illness had been diagnosed earlier in the year.[6]
He died on 27 March 2002, as a result of pneumonia, secondary to immobility caused by the palsy, in Plainfield, New Jersey. Rena Fruchter was holding his hand when he died, and she reported his final words were, "I can hear the music all around me." Moore was interred in Hillside Cemetery in Scotch Plains, New Jersey. Fruchter later wrote a memoir of their relationship (Dudley Moore, Ebury Press, 2004).
In December 2004, the Channel 4 television station in the United Kingdom broadcast Not Only But Always, a TV film dramatising the relationship between Moore and Cook, although the principal focus of the production was on Cook. Around the same time the relationship between the two was also the subject of a stage play called Pete and Dud: Come Again.
Honours and awards[]
In June 2001, Moore was appointed a Commander of the Order of The British Empire (CBE). Despite his deteriorating condition, he attended the ceremony, mute and wheelchair-bound, at Buckingham Palace to collect his honour.[3]
Filmography[]
Flatland (1965) (short)
The Wrong Box (1966)
Bedazzled (1967)
30 Is a Dangerous Age, Cynthia (1968)
The Bed-Sitting Room (1969)
Monte Carlo or Bust (1969)
Alice's Adventures in Wonderland (1972) Template:Nb10
The Hound of the Baskervilles (1978)
Foul Play (1978)
10 (1979)
BBC Horizon: "It's About Time" (1979)
Derek and Clive Get the Horn (1979)
Wholly Moses! (1980)
Arthur (1981)
Six Weeks (1982)
Lovesick (1983)
Romantic Comedy (1983)
Unfaithfully Yours (1984)
Micki + Maude (1984)
Best Defense (1984)
Santa Claus: The Movie (1985)
Like Father Like Son (1987)
Arthur 2: On the Rocks (1988)
The Adventures of Milo and Otis (1989)
Crazy People (1990)
Blame It on the Bellboy (1992)
Really Wild Animals (1993)
Dudley (1993)
Daddy's Girls (1994) (TV)
Parallel Lives (1994)
The Disappearance of Kevin Johnson (1995)
The Mighty Kong (1998)
Discography[]
UK chart singles[]
"Goodbye-ee", 1965, Peter Cook and Dudley Moore
"The L.S. Bumble Bee", 1967, Peter Cook and Dudley Moore
"Song for Suzy", 1972, Dudley Moore Trio (upbeat jazz)
Jazz discography[]
From Beyond The Fringe, 1966 (Atlantic RecordsStandard 2 017)
The Dudley Moore Trio, 1969 (Decca Records (UK) / London Records (US) PS558)
Dudley Moore plays The Theme from Beyond the Fringe and All That Jazz, 1962 (Atlantic 1403)
The World of Dudley Moore, (Decca SPA 106)
The Other Side Of Dudley Moore, (Decca LK 4732)
Genuine Dud, (Decca LK 4788)
The Music of Dudley Moore, (EMI Australia (Cube Records) TOOFA.14-1/2)
Dudley Down Under, (Cube ICS 13)
Dudley Moore at the Wavendon Festival, (Black Lion Records BLP 12151)
Smilin' Through – Cleo Laine and Dudley Moore, (Finesse Records FW 38091)
Strictly For The Birds b/w Duddley Dell, (Parlophone 45R 4772)
Strictly For The Birds – Cleo Laine and Dudley Moore, (CBS A 2947)
The Theme From "Beyond The Fringe" and All That Jazz, (Collectibles COL 6625)
Live From an Aircraft Hangar (Martine Avenue Productions MAPI 8486)
Songs Without Words, 1991 (GRP/BMG LC 6713)
The First Orchestrations – Dudley Moore and Richard Rodney Bennett, – played by John Bassett and his Band, (Harkit Records HRKCD 8054)
Jazz Jubilee, (Martine Avenue Productions MAPI 1521)
References[]
Further reading[]
Dudley Moore (1966). Originals. Arranged as Piano Solos Transcribed from the Decca L.P. 'The Other Side of Dudley Moore'. Essex Music.
From Fringe to Flying Circus – 'Celebrating a Unique Generation of Comedy 1960–1980' – Roger Wilmut, Eyre Methuen Ltd, 1980
Alexander Games (1999). Pete & Dud: An Illustrated Biography. Andre Deutsch. ISBN 0-233-99642-7.
Peter Cook and Dudley Moore (2003). Dud and Pete The Dagenham Dialogues. Methuen. ISBN 978-0-413-77347-0.
Chris Bartlett and Nick Awde (2006). Pete and Dud: Come Again. Methuen Drama. ISBN 0-413-77602-6.
Dudley Moore, Rena Fruchter, Ebury Press, 2004.
Fallen Stars, Julian Upton, Headpress, 2004.
[]
Template:Portal
"The Films of Dudley Moore", film clip compilation, 5 minutes
Template:IMDb name
Obituary at CNN.com
Radio 4 programme "Affectionately Dudley", 2006
Template:GoldenGlobeBestActorMotionPictureMusicalComedy 1981–2000 Template:Oscars hosts 1981-2000 Template:Use British English Template:Grammy Award for Best Spoken Word Album 1970s
Template:Use dmy dates
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Suzy Kendall – Liz Eggleston
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2012-05-31T12:02:34+01:00
|
Posts about Suzy Kendall written by Liz Eggleston
|
en
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https://secure.gravatar.com/blavatar/c3bdb31b5eeb981c79c3db71c102d7b2d50781c199ff7758b8d79a50b30cb343?s=32
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Liz Eggleston
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https://lizeggleston.com/category/interesting-people/suzy-kendall/
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When popstar Lulu announced her engagement to musician Maurice Gibb a few months ago, most newspapers published pictures of her holding hands with her fiance. Underneath were captions which stated: “Lulu shows off her sapphire and diamond ring.” But in the photos=graohs they were both wearing so many different rings it was impossible to make out which one was the engagement ring – or who, for that matter, was wearing it. Pictures like these show that there is a growing fashion for wearing masses of rings all crammed on at once. It’s a craze that has sprung up as a sort of antidote to the growing uniformity of clothes. Last winter when most people were racing around in pants, long sweaters and clumpy shoes, the only way of looking remotely original was to wear different scarves, unusual belts or jewellery. Actress Suzy Kendall (above), who has been a keen collector for some time, said that she picked up this selection while on location in Yugoslavia and in Rome, and she bought others from a shop in Chelsea called Anschel’s. The rest of the people photographed on these pages acquire their bits and piece in much the same way. This is a craze that doesn’t cost much. Avid collectors say that it wouldn’t work with real stones – they would look too flashy – and they prefer more original bits.
The Sunday Times Magazine, March 23 1969.
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Dudley Moore (Actor, Comedian and Jazz Musician)
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Profile of actor, comedian and jazz musician Dudley Moore featuring biographical facts, historical events and details of Dudley Moore's personal life.
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On This Day
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https://www.onthisday.com/people/dudley-moore
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Dudley Moore
Full Name: Dudley Stuart John Moore
Profession: Actor, Comedian and Jazz Musician
Biography: Most famous for his partnership with Peter Cook - Pete & Dud.
Born: April 19, 1935
Birthplace: Hammersmith, London, England
Generation: Silent Generation
Chinese Zodiac: Pig
Star Sign: Aries
Died: March 27, 2002 (aged 66)
Cause of Death: Pneumonia
Historical Events
Alan Bennett, Peter Cook, Dudley Moore and Jonathan Miller comedy revue "Beyond the Fringe" opens at the Fortune Theatre in London's West End
Alan Bennett, Peter Cook, Dudley Moore and Jonathan Miller comedy revue "Beyond the Fringe" opens at John Golden Theater, NYC; runs for 667 performances
Alan Bennett, Peter Cook, Dudley Moore and Jonathan Miller comedy revue "Beyond the Fringe" closes at John Golden Theater, NYC, after 667 performances
English actor Dudley Moore arrested for hitting his girlfriend
Personal Life
Actor Dudley Moore (33) weds actress Suzy Kendall; divorced in 1972
British comic actor Dudley Moore (40) weds American actress Tuesday Weld (31); divorce in 1980
British actor Dudley Moore (53) weds American actress Brogan Lane (33) at the Little Chapel of the West in Las Vegas; divorced in 1991
British actor Dudley Moore (58) weds actress Nicole Rothschild; divorced in 1998
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https://theseconddisc.com/2017/10/19/before-love-went-out-of-style-cherry-red-reissues-dudley-moores-today/
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Before Love Went Out of Style: Cherry Red Reissues Dudley Moore's "Today"
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[
"Joe Marchese",
"www.facebook.com"
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2017-10-19T00:00:00
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Long before he got caught between the moon and New York City, engaged in Foul Play, or counted to 10, Dudley Moore was a well-known renaissance man: a talented comedian, writer, actor, composer, and classically-trained jazz musician. Cherry Red's El imprint has recently reissued Moore's 1972 trio album, Today, featuring…
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https://theseconddisc.com/wp-content/themes/seconddisc/images/favicon.ico
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The Second Disc
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https://theseconddisc.com/2017/10/19/before-love-went-out-of-style-cherry-red-reissues-dudley-moores-today/
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Long before he got caught between the moon and New York City, engaged in Foul Play, or counted to 10, Dudley Moore was a well-known renaissance man: a talented comedian, writer, actor, composer, and classically-trained jazz musician. Cherry Red's El imprint has recently reissued Moore's 1972 trio album, Today, featuring his interpretations of original songs and favorites by Henry Mancini, Burt Bacharach, and the team of Harry Warren and Mack Gordon.
Today, originally released on Atlantic Records, followed a decade's worth of sporadic jazz recordings on labels including Parlophone, Decca, and London Records. Moore had already achieved international fame thanks to Beyond the Fringe, the satirical stage production which he created with Peter Cook, Alan Bennett, and Jonathan Miller. His continued partnership with Cook led to further work on television (Not Only...But Also), film (Bedazzled, The Wrong Box) and stage (Good Evening) before Moore chose to focus on his solo acting career, primarily in the United States. Even with a busy slate of activities, Moore never fully abandoned his musical endeavors, contributing the scores to Bedazzled, Staircase, 30 is a Dangerous Age, Cynthia, and other projects.
Today was recorded in Sydney by pianist Moore, bassist Peter Morgan, and drummer Chris Karan during The Dudley Moore Trio's three-week tour of Australia. This was not "jazz lite," or crossover jazz, but rather an instrumental album showcasing the trio's gifts of improvisation and elegance. Despite the title, the album made little attempt to channel current sounds; Moore had already done that masterfully with Cook on releases like "The L.S. Bumble Bee," a slice of psychedelia poking gentle fun at The Beatles and The Beach Boys. At its heart were five original Moore compositions, of which the most current-sounding was the rhythmic, driving "Song for Suzy," written for Moore's then-wife, actress Suzy Kendall and featuring his scat-style singing. Others included the breezy "Waterloo," beautifully ruminative "Before Love Went Out of Style," the swinging "Robyn's Blues," and the pensive bossa of "The Staircase." Moore additionally brought his fleet touch and masterful jazz phrasing to three covers, including a sprightly "The More I See You," a sly, extended meditation on Burt Bacharach's melody to "The Look of Love," and an attractive take on Henry Mancini's film theme "Two for the Road."
The Dudley Moore Trio returned to Sydney in 1978 to record Dudley Down Under: Live on the Cube Records label. Moore himself, of course, went on to triumphs in Hollywood, receiving an Oscar nomination and Golden Globe win for his role in Arthur. Music remained an integral part of his life after Today. Among his later releases were an album with vocalist Cleo Laine on CBS Records in 1982 and a solo recital for GRP in 1991. These were hardly his most notorious latter-day recordings, though; he reteamed with Peter Cook between 1976 and 1978 for a series of unabashedly off-color albums under the moniker of Derek and Clive. Dudley Moore died in 2002 at the age of 66.
El's reissue boasts a 12-page booklet with uncredited commentary on Moore's career; there are no credits for remastering, either, though the release (licensed from Warner Music UK) presents the trio's music with clarity and presence. Today, celebrating the musical legacy of a beloved performer, is due on October 20 in the U.K. (October 27 in the U.S.) from Cherry Red and El. Pre-order links are available below!
Dudley Moore, Today (Atlantic K 40397, 1972 - reissued Cherry Red/El WACMEM332CD, 2017) (Amazon U.S. / Amazon U.K. / Amazon Canada)
The More I See You
Waterloo
Before Love Went Out of Style
The Look of Love
Song for Suzy
Two for the Road
Robyn's Blues
The Staircase
Joe Marchese
JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.
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Suzy Kendall Archives – aenigma – Images and stories from the movies and fashion
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aenigma – Images and stories from the movies and fashion
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https://www.aenigma-images.com/tag/suzy-kendall/
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“Young, beautiful, trapped, could be dangerous” is how the trailer of Thunderball introduced Claudine Auger to mainstream movie audiences.
A classically trained actress fluent in several languages like Yvonne Furneaux, but also a Miss World runner-up, she’s instantly recognisable for the mole she sports below her right lip. As Sophie Schulte-Hillen points out in The 9 Greatest Beauty Marks of All Time, From Cindy Crawford to Madonna, “The inexplicable magnetism of a well-placed beauty mark, of course, has been a phenomenon throughout history.”
Claudine Auger was the first French actress to be cast as a Bond girl, years ahead of Corinne Cléry (Moonraker, 1979), Carole Bouquet (For Your Eyes Only, 1981), Sophie Marceau (The World Is Not Enough, 1999), Eva Green (Casino Royale, 2006) and Léa Seydoux (Spectre, 2015).
Claudine’s career spanned almost four decades and, according to IMDb, encompassed 80 film and TV appearances. But Thunderball is what she’s remembered for.
Thunderball
Thunderball is based on a novel of the same name by Ian Fleming. We’ll let him introduce Domino, the character played by Claudine Auger in the movie version:
She had a gay, to-hell-with-you face that, Bond thought, would become animal in passion. In bed she would fight and bite and then suddenly melt into hot surrender. He could almost see the proud, sensual mouth bear away from the even white teeth in a snarl of desire and then, afterward, soften into a half pout of loving slavery. In profile, the eyes were charcoal slits … fierce and direct with a golden flicker in the dark brown hair that held much the same message as the mouth … a soft, muddled Brigitte Bardot haircut … the sunburn was not overdone … her breasts, high and riding and deeply V-ed.… The general impression, Bond decided, was of a willful, high-tempered, sensual girl…
So, gorgeous, wild and waiting to be tamed by the (implicitly) superior Bond. Pure, deranged sixties male fantasy. In your (wet) dreams, Mr Fleming.
Domino is the most complex and demanding female role to date in a Bond movie. Needless to say, the part, which is central to the plot, requires an exceptionally beautiful and talented actress, and no doubt the production team has the time of their life initiating a worldwide talent search and auditioning candidates. They show admirable devotion to the job by considering 100, perhaps as many as 150 candidates according to Luciana Paluzzi.
First to be offered the role is Faye Dunaway, but on the advice of her agent she decides instead to accept the role of Sandy in Elliot Silverstein’s crime comedy The Happening (1967).
Next up is Raquel Welch. Not surprisingly, Harry Saltzman, founder of EON Productions, who own the film rights, can’t forget a photo of the bikini-clad actress that featured in the October 2, 1964 issue of LIFE magazine. She’s the first to be offered the role of Domino but there’s a problem. Richard Zanuck, one of Darryl Zanuck’s sons and studio head at Twentieth Century Fox, wants her for their upcoming sci-fi movie Fantastic Voyage (1966). He knows Salzman’s partner, Albert ‘Cubby’ Broccoli, and persuades him to release Raquel from her contract as a favour to him.
On paper, Julie Christie seems like a promising candidate but apparently she flunks her interview, turning up dishevelled and nervous; plus Albert Broccoli is disappointed that she doesn’t have bigger tits. Other shortlisted lovelies include Luciana Paluzzi, Yvonne Monlaur, Marisa Menzies, Gloria Paul and Maria Buccella.
So how does the relatively unknown Claudine Auger get involved? Putting together different versions of the story from different sources, this seems to be how things worked out…
She’s on holiday in Nassau, the capital of the Bahamas, at the same time as the crew who are preparing to film Thunderball. She enjoys swimming underwater and one day, by happy coincidence, she surfaces at the same time as and near to the film’s producer, Kevin McClory. He appreciates her potential and makes sure he has her contact details.
Claudine returns to Paris where she’s a member of the Théâtre National Populaire. As she explains to Photoplay magazine in 1965, she gets a call from London asking if she would like to audition for a role in Thunderball. The theatre director refuses to give her time off so she arranges a day-trip to London, enabling her to be back in Paris the same night. Result! Movie director Terence Young calls her a few days later to offer her the role. She has the blend of innocence and sex appeal he is looking for. Once again the theatre director proves intransigent. So Claudine ups sticks and heads off to join Thunderball’s cast and crew.
The 15 March 1965 edition of the Herald Express reports that:
Filming of 007’s latest tussle with the international crime syndicate Spectre began this month and after four weeks of interior work at Pinewood the 82-strong production unit will fly to Nassau by chartered aircraft. I gather that Nassau luxury hotels and beach clubs will figure prominently in the plot. So will 22-year-old auburn-haired Claudine Auger, Miss France of 1952–59, who is said to have learned excellent English when she was a teenage au pair girl in London.
Originally, the idea has been for Domino to be Italian. Now the screenplay is modified to make her French and Claudine is given a series of English lessons to prepare her for her part. Well, that’s a waste of time. Although her English proves to be more than satisfactory, it’s subsequently decided that her voice is too low. So in the end her voice is dubbed by Nikki van der Zyl, who dubbed Ursula Andress’s character, Honey Rider, in Dr No.
In an interview in a December 1965 issue of the New York Daily News, Claudine talks about the extensive underwater shooting for the film:
…I was never frightened of it. I took to it like a fish. It’s beautiful down there and peaceful and I get a sense of freedom I don’t get on land or in the air. One has to be more careful skin diving in the Caribbean than in the Mediterranean because of sharks … close to shore there are lazy sharks and we were assured they wouldn’t attack us if we remained calm. Fortunately, I didn’t meet one to test my nerve.
Filming, especially around Nassau, is a joy, as Martine Beswick recalls:
The best of the best was at our disposal. I remember our dressing rooms when we were working on the streets for the carnival scenes –they rented a yacht on which we would go between takes. When we had to work on a beach, they would have tents, champagne would be there and the best of wine. That was Terence [Young], that was his style, that was the way things were done.
The rest is history. Claudine displays her charms in a succession of fetching bikinis, which she apparently helps to design. And Thunderball goes on to be the box office hit of 1965 as well as winning an Academy Award for its special effects.
Claudine Auger pre-Thunderball
Claudine Auger is born in 1942 in German-occupied Paris. As she grows up, she experiences, first-hand, life in Paris after World War II, first at school, then at the Conservatoire national supérieur d’art dramatique, France’s national drama academy. There she learns to act, playing a variety of roles, her repertoire including classical plays by the likes of Racine and Molière.
Looking back in 1965 to those days, she remembers in an interview in the New York Journal-American that “When I was 13 I wasn’t very pretty. I was slim, how you say, like a matchstick…”
Claudine turns out to be a quick developer. In no time she becomes a model and in 1957 she’s named Miss Cinémonde by the movie magazine. In 1958, still just 16 years old, as Miss France she represents her country at the Miss World pageant and is voted runner up. It proves to be a turning point in her personal and professional lives, as she explains in an interview with an Associated Press journalist in 1966:
I had just won the ‘Miss France’ contest with all its publicity and one of the prizes was a role in one of Pierre’s pictures, it was love at first sight.
The movie in question is Christine, which stars Romy Schneider and Alain Delon. Claudine’s small part is uncredited. But it’s a start, and the following year she marries the film’s director, Pierre Gaspard-Huit, 25 years her senior. Apparently Claudine, like Domino, is partial to older men! He will go on to give her roles in several of his films, including a costume drama, Le Masque de fer (The Iron Mask, 1962), and an epic adventure, Kali Yug, La Dea Della Vendetta (The Vengeance of Kali, 1963).
But before then, her arthouse career begins and ends when she catches the eye of avant-garde film director Jean Cocteau, who casts her in the illustrious company of Yul Brynner, Charles Aznavour, Brigitte Bardot and Pablo Picasso in Le Testament D’Orphée (1960).
In all, she makes 15 film and TV appearances before Thunderball.
Claudine Auger post-Thunderball
Claudine hopes that Thunderball will enable her to break through into US movies. With that in mind she poses for a shoot in Playboy magazine and makes a guest appearance on US TV in a Bob Hope special. But it’s not to be. She fails to make an impact on Hollywood in spite of being in demand in Europe and the UK.
Building on her success in Thunderball, she appears in a number of adventure films. The plot of L’homme de Marrakech (1966) revolves around a heist. Triple Cross (1966) is a Word War II spy saga starring Christopher Plummer and Yul Brynner.
Among her many subsequent credits are two movies featuring other Bond girls: Ursula Andress in Le dolci signore (Anyone Can Play, 1967), and Barbara Bach and Barbara Bouchet in La tarantola dal ventre nero (Black Belly of the Tarantula, 1971), one of a number of giallos in which she appears.
It’s testament to Claudine Auger’s acting abilities that, with the passing of her youth, she continues to play mature character roles right up to the mid-1990s.
She divorces Pierre Gaspard-Huit in 1969 and remarries in 1984. She gives birth to her first and only child in 1991 at age 49, and she remains with her second husband, businessman Peter Brent, until his death in 2008. Claudine Auger passes away in 2019.
Want to know more about Claudine Auger?
There are short pieces about Claudine in Wikipedia and IMDb. A slightly longer one is at MI6 The Home of James Bond 007.
Fuller accounts are available in online extracts from two books: Film Fatales: Women in Espionage Films and Television, 1962-1973 by Tom Lisanti and Louis Paul; and Deadlier Than the Male: Femme Fatales in 1960s and 1970s Cinema by Douglas Brode.
Most of Claudine’s obituaries are cursory affairs. The most ambitious was published by The James Bond Fan Club, A Woman of the Nuclear Age: Claudine Auger (1941-2019).
I was hoping to find a few interviews with Claudine Auger in The British Newspaper Archive and The Times Archive but the pickings were disappointingly thin. If you’re just looking for pictures, you could head for Claudine Auger’s Facebook page.
On the other hand, there’s lots of information out there about Thunderball. IMDb has quantities of Trivia and on YouTube there’s a fascinating 35-minute documentary narrated by Patrick Macnee (Steed in sixties cult classic TV series, The Avengers), Behind the scenes with THUNDERBALL part 1. The title is misleading. This is actually two documentaries run together. The second, which starts at 28:10, covers Bond’s life up to the point where he becomes 007, some observations by Ian Fleming and a brief profile of director Terence Young and his contribution to James Bond’s onscreen persona.
Other topics you may be interested in…
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The Short Lived Career of Kay Kendall by Susan King
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The 60th anniversary of the brilliant comic actress Kay Kendall’s death in September came and went very quietly. It saddened me. Kendall was a real breath of fresh air. A British version of Carole Lo…
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https://www.tumblr.com/tcm/188605557642/the-short-lived-career-of-kay-kendall-by-susan
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The 60th anniversary of the brilliant comic actress Kay Kendall’s death in September came and went very quietly. It saddened me. Kendall was a real breath of fresh air. A British version of Carole Lombard, Kendall was a beautiful, sophisticated and capable dramatic actress who turned into a slapstick goofball with the right material. And just like Lombard, who was 33 when she died in a plane crash in 1942, Kendall died young at just 32, after succumbing to myeloid leukemia.
“Miss Kendall was that stage and screen rarity, a beautiful clown,” the New York Times obit stated. “The talents of a superb comedienne are so seldom conjoined with statuesque, classic beauty that producers along with Miss Kendall’s hard road to the top tended to distrust her qualities as mutually exclusive.”
In fact, the self-deprecating, often insecure Kendall proclaimed after the release of her best film, 1957’s LES GIRLS, that she looked like a “female impersonator with these long skinny legs. I’m 5 feet [sic] 9. I eat like a horse and I couldn’t become a ballet dancer because I got too big. When I rose up on my toes, I was 10 feet 6 and my feet collapsed.”
Kendall affected those whom she knew and worked with including Mitzi Gaynor, who starred with her in LES GIRLS. In 2018, I was doing a Q&A with Gaynor at the TCL Chinese Theatre in Hollywood for the 60th anniversary of SOUTH PACIFIC and asked her about Kendall. She started to gush about how great Kendall was, but started getting misty-eyed thinking about her, so I quickly went back to the Rodgers and Hammerstein musical.
And I recall one time during an interview, a rather prickly Stanley Donen became effusive when I brought up Kendall, whom he directed in her last film ONCE MORE, WITH FEELING! (’60).
Kendall, who appeared in revues and variety shows as a teenager, got her first big movie role in 1946’s lavish LONDON TOWN, which was one of the British film industry's most expensive flops of the time. She was told by a film executive that she was “ugly, you have no talent. You’re too tall and you photograph badly. Go marry some nice man, settle down and have a nice family.”
She finally got the perfect role in the classic award-winning comedy GENEVIEVE, which was released in England in 1953. The comedy revolved around two young couples who participate annually in a vintage car rally from London to Brighton. John Gregson and Dinah Sheridan were the main stars with Kenneth More and Kendall as the supporting players.
Kendall stole the whole film as Rosalind Peters, More’s high-fashioned overly coiffed model girlfriend who is accompanied by her St. Bernard named Susie. The inventiveness of Kendall's performance, especially when a drunk Rosalind plays a trumpet at a nightclub, is as fresh and funny it was 66 years ago.
Her life changed forever when she made THE CONSTANT HUSBAND with Rex Harrison and released in 1955. And of course, there was a scandal. Though Harrison was married to Lili Palmer at the time, he had a notorious reputation as a womanizer (his affair with Carole Landis in the late 1940s lead to her committing suicide). But the two married in 1957 shortly after Harrison learned from Kendall’s doctor that she had two years to live. Harrison decided not to tell her she was dying, giving her the excuse that she had anemia. Kendall’s own prognosis was never revealed to her, as was common with patients of mortal illnesses in the 1950s. Harrison did tell some of her friends, however, but did not tell her family.
Kendall came to Hollywood to make the Cole Porter musical LES GIRLS, directed by George Cukor and starring Gene Kelly, Gaynor and Taina Elg. Kendall won a Golden Globe for her hysterical performance as the British performer who is being sued for libel by another chorus girl. Kendall and Harrison then starred together in a delightful bit of fluff, THE RELUCTANT DEBUTANTE (’58), directed by Vincente Minnelli. Though sometimes real-life couples have no chemistry together on screen, that wasn’t the case with Kendall and Harrison. Not only do they have chemistry to spare, Harrison even seems to take a back seat in the proceedings and let his wife shine.
In the biography, The Brief, Madcap Life of Kay Kendall by Eve Golden and Kim Kendall, Minnelli’s wife Lee remembered that Kendall and Harrison “were wonderful together. He adored her. You could see when he looked at her, his eyes lit up. They balanced each other perfectly – they played off of each together.” She also noted, “if [Kay] came into a room, she had all laughing in five minutes. Even if you felt a little down, you talked to Kay and by the time you left you were floating, you were up in the air.”
According to the book, by 1958 Kendall was “finding it more difficult to play innocent about her physical condition…Kay was not a stupid woman, and no one can be that sick for that long without knowing something is seriously wrong.” She even told her good friend Dirk Bogarde, who knew she was ill. “Diggy, I think I am dying. I've some terrible disease and they won’t tell me. I think I’ve got cancer.” Bogarde kept his promise to Harrison and tried to laugh off her fears.
By the time she filmed ONCE MORE, WITH FEELING! with Yul Brynner, she was frail. She eventually collapsed during filming and was hospitalized, with Harrison stating that she had a lung infection and anemia. After she sufficiently recovered, Kendall managed to finish the film. After going on a vacation with Harrison, she returned to London and entered a clinic where she died a week later. Even on her death bed, Harrison never told of the leukemia. According to to her biography, Kendall looked at Harrison and asked, “Mousey, you would tell me if I was dying?” To which he replied, “Don’t be stupid, of course I would. You’re not dying.” Shortly after, she sank into a coma. The press account of her last moments was highly romantic, with Kay sighing to Harrison, “’I love you very much, darling’ with her last breath.” ONCE MORE, WITH FEELING! opened in February 1960. And Bosley Crowther in the New York Times was disappointed Kendall’s swan song wasn’t better. “As for poor Miss Kendall (who has died since this picture was made), she works hard to be disagreeable, to virtually no avail. She screeches and fluffs up her feathers, throws things and breaks television sets, but only succeeds in being feverish. Lacking that obvious essential, she is merely fragile and sad. It is certainly too bad her last picture has to be as vapid as this.” But nearly 60 years after the film release, Kendall’s performance still has traces of manic brilliance and leaves you wondering what she would have done had she had lived.
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Celebrity Babies Born in 2023
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2023-01-24T17:18:46-05:00
|
See the stars who welcomed new babies to their families in 2023 (and the adorable photos of the latest arrivals!)
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en
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/favicon.ico
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Peoplemag
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https://people.com/parents/celebrity-babies-born-in-2023/
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01 of 88
Paris Hilton's Daughter, London
Months after welcoming their first baby, son Phoenix, Paris Hilton and Carter Reum added another member to their family, a daughter named London, who arrived via surrogate. The mom of two announced the news on Instagram in November, posting a photo of a pink outfit alongside the caption, “Thankful for my baby girl🥹🩷👶🏼.”
Shortly after, the Paris In Love star shared her excitement with PEOPLE.
"I'm just over the moon that our little princess is here!" she said. "My life just feels so complete, having my little baby boy and now my little girl."
02 of 88
Rihanna & A$AP Rocky's Son, Riot Rose
Rihanna and A$AP Rocky became parents of two with the arrival of their second little boy, Riot Rose, this August. The following month, the musical couple — whose first son, RZA, was born in May 2022 — shared the first photos of their newborn.
Speaking to Complex in November, the "Sundress" rapper called his kids with Rihanna "the best collaboration."
03 of 88
Carey Mulligan's Daughter
The Maestro actress confirmed that she and her husband, Marcus Mumford, welcomed their third baby during her November cover story interview with Vogue. Later, Mulligan revealed that they'd welcomed a baby girl while speaking to Entertainment Tonight at the 2023 Variety Power of Women Los Angeles gala.
"Oh, she's great. Great. Good baby, 10 out of 10 so far," Mulligan told the outlet, giving a thumbs up. "We'll see how long that lasts."
04 of 88
Elio Ocean Wright Lococo
Bonnie Wright and Andrew Lococo welcomed their son Elio Ocean on Sept. 19. The actress — who starred as Ginny Weasley in the Harry Potter movies —updated her Instagram followers with a post confirming her baby's arrival after an at-home birth.
"We’re all healthy and happy. Andrew and I are so in love with our sun 🌞! So grateful for our birth team that have held our hands throughout and made the journey so joyous and expanding," Wright wrote, going on to thank her midwives, doula, doctor and more people who helped her post-partum.
05 of 88
Lindsay Lohan's Son, Luai
The Freaky Friday star and her husband Bader Shammas are parents to a newborn baby boy. A rep for the couple confirmed to PEOPLE that they welcomed their son Luai — whose name is Arabic, meaning "shield or protector" — in Dubai this July.
"Lindsay Lohan and her Financier husband, Bader Shammas, welcomed a beautiful, healthy son named Luai. The family is over the moon in love," said the rep.
06 of 88
Honey Raye Jenner
Brody Jenner and his fiancé Tiarah "Tia" Blanco are officially parents! The couple welcomed their baby girl Honey Raye Jenner on July 29 and announced the news with a joint Instagram post.
"Momma and baby are in perfect health. We are so incredibly in love and have been cherishing this precious time together as a family. We want to thank everyone for all the love and support 🙏🏼," they wrote. The duo also shared footage of their baby shower and at-home birth on Youtube.
07 of 88
Maria Menounos' Daughter, Athena
Maria Menounos is a mom! The former E! News correspondent and her husband, Kevin Undergaro, welcomed their daughter Athena via surrogate in June. A source confirmed the news to PEOPLE the following month.
"Maria is the happiest I've ever seen and she and Kev have this parenting thing down. That little girl is the luckiest and she'll know it every day," the insider said. On baby Athena's 3-month birthday, Menounos revealed her first baby's sweet smile to the world with a commemorative Instagram post.
08 of 88
Constance Wu's Son
This summer, the Hustlers star welcomed her second baby with her boyfriend Ryan Kattner. Wu announced their son's arrival while speaking about her new book on Danielle Robay's PRETTYSMART podcast. In a teaser for the episode, the new mom of two explained that she wrote the book's dedication before her son arrived.
"Breaking news," she said to Robay. "Nobody knew I had a son."
09 of 88
Jet Carson McAllister
Witney Carson just gave herself the perfect Mother's Day gift! The Dancing with the Stars pro and her husband, Carson McAllister, welcomed a second baby boy on May 14. The family's newest member, Jet Carson McAllister, joins big brother Kevin Leo, 2.
Carson posted an Instagram photo taken in the hospital to announce the news.
"My boys 🥹😭💙 could there be a better Mother's Day gift??" the dancer captioned a sweet shot of her holding the infant as McAllister and their older son give Mom a smooch. "We are on cloud nine and soaking in every second."
10 of 88
Otis Stewart Kalick
Rod Stewart is a grandpa again! The singer's daughter Ruby welcomed her first baby with fiancé Jake Kalick. Her son, Otis Stewart Kalick, arrived on May 9, per Ruby's announcement just a few days later. She aptly revealed the birth of her son on Mother's Day.
"This love… unlike any other love I've ever known," the new mom captioned Instagram photos of her little bundle of joy. "I am only a mirror of what I feel from you… I can't remember what life was like before you…. But nothing else matters now that you're here… Your arrival into the world marks the beginning of our family… it all started with you Otis."
11 of 88
Maya Vander's Daughter, Emma Reign
Maya Vander is now a mom of three! A rep for the Selling Sunset realtor and her husband, David Miller, confirmed to PEOPLE that they welcomed a rainbow baby in early May. "I kept the pregnancy very quiet until the end. I am feeling so much relief now that I delivered, and we are both safe," Vander told PEOPLE.
The family's new addition comes nearly a year-and-a-half after the reality star revealed she experienced a pregnancy loss at 38 weeks. Vander — who is mom to older children Aidan and Elle — later explained that losing her baby boy was a "freak accident." She said that she and Miller got the autopsy report after weeks without any answers. They learned that "it was just a bad accident with the [umbilical] cord mixed with some swallowed placenta."
She continued to thank her "amazing" husband and her children for their support: "My kids are great. They keep me going and I have work and I'm busy, so I don't have time to sit and cry all day long."
12 of 88
Gia Virginia Chen De Niro
Robert De Niro is seven times a dad! The Oscar winner revealed that he welcomed another baby in a May 9 sit-down with ET Canada about parenting and his upcoming film, About My Father. When the interviewer asked about the actor's six kids, he replied with a correction: "Seven, actually."
While he didn't specify further details aside from No. 7's recent arrival, Gayle King shared more information from De Niro on CBS Mornings two days later. The journalist announced that the Goodfellas star and his girlfriend, Tiffany Chen, welcomed their daughter Gia Virginia Chen De Niro on April 6, and shared a photo of the little one.
13 of 88
Kaius Green Jeter
Derek Jeter is officially playing with a team of six! The former New York Yankees star and his wife, Hannah, welcomed their fourth baby and first son — a little brother for their daughters River Rose, 17 months, Story Grey, 4, and Bella Raine, 5. The father-of-four revealed baby Kaius Green's arrival with a simple Instagram text post detailing just his name and birth date, May 5.
"Welcome to the world lil man!!!" he captioned the announcement, tagging his wife as well. The five-time World Series champion also changed his Instagram bio to fittingly read "Sleep-deprived father of four."
14 of 88
Kate Chastain's Son, Sullivan Cay
Kate Chastain is a mom! The Below Deck alumna shared a selfie with her first baby on Instagram to announce the news and his name: "Hard Launch: Sullivan Cay 💙," she captioned the photo of her wearing sunglasses as she cradled her son.
The reality star exclusively revealed the news of her pregnancy to PEOPLE in December. She later spoke about her motherhood journey on Watch What Happens Live's After Show. When asked by host Andy Cohen if she was "doing this on [her] own," Chastain said, "I'm doing it solo and perhaps with some help, but I'm happy to do it alone."
15 of 88
June Cusick
The Dancing with the Stars family just grew one baby girl bigger! Pro dancer Lindsay Arnold welcomed her second daughter, June, with her husband Samuel Lightner Cusick. The new mom-of-two took to Instagram to announce the May 3 arrival of her baby, though she waited a few days to share the baby's name.
"Our sweet and tiny girl joined our family May 3rd in the afternoon and we have been on cloud 9 ever since 🥹 contractions started for me early that morning at 38 weeks 5 days pregnant," Arnold said in a subsequent social media post sharing more details about June's arrival. At home, the newborn joined her big sister, Sage Jill, 2½.
16 of 88
Ledger Grey Lundberg
Sabrina Bryan has gone from Disney star to mom of two. The Cheetah Girls alumna welcomed her second baby with husband Jordan Lundberg: a little brother for her 2½-year-old daughter, Comillia Monroe! A rep for the couple confirmed to PEOPLE that baby Ledger Grey Lundberg arrived on May 2.
"I gave one big push, and three minutes later, with the second push, he arrived," Bryan told PEOPLE. "We have been working to complete our family, and Ledger Grey came into the world at the perfect time. Jordan and I are feeling so blessed and unbelievably happy."
17 of 88
Leni James Ludwig
Alexander Ludwig's firstborn just couldn't wait to enter the world! The actor's wife, Lauren, delivered their baby girl four weeks ahead of schedule, as they announced in a joint Instagram post. "Leni James Ludwig decided to come on her own schedule 4 weeks early. Born 4/27/23 at 7:24 a.m. 🫶🏼🤎," began the caption, which went on to note that Dad Alexander was "in another state filming and made it back just in time."
According to the new parents' caption, Leni's delivery was "A labor story for the books."
Alexander and Lauren, who have opened up about their experience with fertility struggles, shared their exciting family update back in February. In an Instagram post, The Hunger Games star wrote, "It's been a long road, and we wanted to wait until things were looking promising this time around. Thank you guys for all of the support. We couldn't be more grateful. ❤️." Referring to their dog, Yam, Alexander added, "And if you were wondering…yam is stoked."
18 of 88
Emily DiDonato & Kyle Peterson's Son, Oliver
Emily DiDonato is officially a mother of two! The model revealed that she and her husband, Kyle Peterson, welcomed their son, Oliver, on April 27. The new addition — who Mom said was "born as perfect as could be" in her Instagram announcement — joins the couple's daughter Teddy, who was born in November 2021.
19 of 88
Leo Wilder Malen
Lauren Collins and Jonathan Malen welcomed their second baby on April 27. The Degrassi alumna and her husband are already parents to son Charlie, who was born in March 2020. The actress posted three photos with her baby on Instagram and divulged some details from his delivery in the caption.
"On 4.27.23 this guy shot out of the birth canal like a cannonball less than an hour after arriving at the hospital. I asked Jonathan if (after I came out of newborn fog) I would regret posting this photo from RIGHT after giving birth. He said no, it was real," she wrote. "And you know what? It doesn't get more real than child birth without drugs after a tough pregnancy!!!!"
The post finished with a celebration of both Collins herself and her tiny offspring: "Tell me what is more powerful than the female body, I dare you!!!," she said, concluding, "We love you so much sweet Leo 🦁🧡🦁"
20 of 88
Daniel Radcliffe & Erin Darke's Baby
Daniel Radcliffe has gone from "the boy who lived" to the dad who gave life! The Harry Potter star and his longtime girlfriend Erin Darke are now parents. A rep for the couple confirmed their news to PEOPLE, though no further details have become available at this time.
The Daily Mail first reported the arrival of Radcliffe's baby. The publication also shared photos of the new mom and dad out and about with a stroller in New York City.
21 of 88
Beau Gray Phillips
Evan Phillips is a dad! The Los Angeles Dodgers pitcher and his wife, Elizabeth, welcomed their first baby, son Beau Gray Phillips, on April 20. The brand new parents shared a sweet Instagram photo taken in the hospital to announce their baby's birth.
"Welcome to the world, Beau Gray Phillips! Our pride, joy and whole heart!! 🤍🤍🤍," they wrote, adding details about his size and arrival time. Evan and Elizabeth also shared that because the infant made an early entrance, baby Beau spent time "getting some extra loving in the NICU," though they maintained that "Everyone is doing well!"
"This is a love we simply never knew could exist," the couple, who tied the knot back in November 2020, concluded in their caption. "We are beyond blessed and over the moon with our sweet baby!"
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Louetta Isley Thomas Willis
Bruce Willis and Demi Moore just became grandparents! Their eldest daughter Rumer had her baby girl, Louetta Isley Thomas Willis, with boyfriend Derek Richard Thomas on April 18. The couple announced the little one's arrival on Instagram, calling her "pure magic."
"You are more than we ever dreamed of ✨," they added in the caption.
Rumer announced her pregnancy in a December Instagram post. Moore reposted the exciting update herself, sharing the same three photos and writing in the caption, "Entering my hot kooky unhinged grandma era."
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Mili Ma
Kelly Mi Li and her partner William Ma can officially claim the titles of Mom and Dad! A rep for the couple confirmed to PEOPLE that their daughter, Mili Ma, arrived on April 9, making her an Easter baby, as the happy parents noted.
"Welcome to the world Mili! She's finally here after being fashionably late to her own due date!" the Bling Empire star told PEOPLE. "William and I are incredibly grateful to have gone through this journey of pregnancy, with the love and support from all of our friends and family, and Dr. Meschter and her staff at Cedars Sinai."
Kelly Mi Li told PEOPLE she was expecting in November 2022. Though the Hot Jiang founder explained that she and her boyfriend were already planning to have kids, she said seeing a positive pregnancy test was surprising nonetheless.
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Bartise Bowden's Son
Bartise Bowden is a dad! The Love Is Blind alumnus shared on April 7 that he welcomed his first child, a baby boy. The new parent shared a few photos of him and his son spending quality time together, adding a tongue-in-cheek caption referencing his reality TV reputation.
"Might've been the villain on tv, but I'm gonna be the hero for him. Instagram, meet my little man," Bowden wrote alongside the carousel of memories on Instagram. In one photo, he cradles his son while Love Is Blind plays on a television screen in front of them.
The reality star didn't specify his baby's name or who his mom is. Bowden's representatives also declined to identify the mother to PEOPLE.
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Keshia Knight Pulliam & Brad James's Son
Keshia Knight Pulliam received the best birthday gift ever. The Cosby Show alumna shared an Instagram clip to celebrate turning 44 and to celebrate the arrival of her son! The post, which was shared on April 9, features a video of Pulliam and her husband, Brad James, in the hospital. It also includes a photo of the couple posing with their newborn son and Pulliam's 6-year-old daughter Ella, whom she shares with ex Edgar Hartwell.
"With this little one we are complete… Happy Birthday to me!!! What an eventful birthday week… 😆," Pulliam said in her Instagram caption. "Thank you for the birthday wishes!! 😘"
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Hilary Swank & Philip Schneider's Twins
Hilary Swank's twins have arrived! The actress, who shares the little ones with her husband Philip Schneider, posted on Instagram to share the good news and reveal their sexes. She uploaded a photo of her looking off into the sunset while holding both infants, just the tops of their heads on display.
"It wasn't easy. But boy (and girl!) was it worth it. 👼🏼🤍👼🏼," Swank wrote in her caption. "Happy Easter! 🐣🐣 Posting from pure Heaven. 🙌🏽"
The Million Dollar Baby star went public with her pregnancy on Good Morning America in October, sharing that having kids was something she'd "been wanting for a long time." Gushing, she added, "It's so nice to be able to talk about it and share it."
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Ivy Love Saul
On April 9, Easter Sunday, Daisy Lowe announced that her very first baby, a girl, had made her way into the world. "Our Easter egg finally hatched!" the model wrote on Instagram, sharing a photo of herself and fiancé Jordan Saul cradling their little one. Lowe also revealed the name they'd chosen: Ivy Love Saul.
"You have made all my dreams come true- our dream girl 💘," she said, addressing the infant. "I have never known happiness or love like this. I can't stop crying tears of joy."
Lowe, who is the daughter of Gavin Rossdale and Pearl Lowe, continued to attribute photo-taking credits to her daughter's "magic nana."
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Emmy Rossum & Sam Esmail's Son
Emmy Rossum is now a member of the two under two club! The Shameless star announced on social media that she and her husband, Sam Esmail, quietly welcomed a second baby. Their son arrived on April 5, "a foggy Wednesday morning," as she characterized the day in her Instagram caption.
Rossum's post features photos of her infant's footprints, a mirror selfie taken of her baby bump and a close-up of the baby boy's profile. At home, he joins the couple's 22-month-old daughter, whose name has also been kept under wraps.
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Phoenix Rose Black-Daley
Tom Daley and Dustin Lance Black welcomed their second son, Phoenix Rose, on March 28, per a statement published in the U.K.'s Times newspaper. The couple, who married in 2017, are also Dads to son Robert "Robbie" Ray, who arrived in June 2018 via surrogate.
The British Olympic diver shared a look at his new family of four a week after their baby announcement was published. The first slide from his Instagram post sees himself, Black and Robbie cradling the newborn (with both kids' faces turned away from the camera).
"🧡 PHOENIX ROSE BLACK-DALEY 🧡 Our family has grown in the last week, we welcomed Phoenix to the world on 28/03/23 and he's just perfect 🧡 Robbie is loving being a BIG BRO! 👨👨👦👦," Daley wrote alongside the social media update.
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Fedna Jacquet's Son, Leo
Broadway star Fedna Jacquet and her husband, Wesley Tjosvold, became parents upon the arrival of their son, Leo. Jacquet, who starred in the Lee Daniels-produced play Ain't No Mo', took to Instagram a week later to introduce her followers to the little bundle of joy. With a joint post, the couple shared photos of Leo in the hospital and in the days following, including some solo shots and some with Mom and Dad.
"What an amazing week! So excited to introduce Baby Leo born last Sunday morning ❤️," the theater star wrote on the announcement post. "One week old and wearing his Easter outfit today!"
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Lorelai Grace Donnell
Patti Murin and Colin Donnell confirmed to PEOPLE that they welcomed their second baby, daughter Lorelai Grace, on April 2. The Chicago Med alumni called their new addition "absolutely perfect" shortly after the little one arrived.
At home, Baby Lorelai got to meet her big sister Cecily Phillips, who turns 3 in July. Back in October 2022, when the actors and Broadway stars shared that they were expecting again, Murin told PEOPLE about how excited she was to bring another girl into their household.
"I have a sister and we are very, very, very close, so I love the idea of the two of them having that bond," said Murin, who played Princess Anna in the original Broadway adaptation of Frozen. "Plus, there's the whole Frozen thing which makes it extra special."
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Matilda Carmine Richie Pelphrey
As of March 30, Kaley Cuoco and her boyfriend Tom Pelphrey are officially parents! The brand new mom announced her daughter's arrival on Instagram, posting several shots of her little bundle of joy with and without her parents. The Flight Attendant star announced her name in the caption: "Introducing, Matilda Carmine Richie Pelphrey, the new light of our lives!" she wrote.
"We are overjoyed and grateful for this little miracle," Cuoco continued, adding thanks to the medical team, family and friends who supported the couple in anticipation of Matilda's arrival. "We are blessed beyond belief 💗," she added. "@tommypelphrey didn't think I could fall even more in love with you , but I did 💗."
The happy couple announced that they were expecting a daughter on Instagram in October 2022. Cuoco posted a series of photos of herself and Pelphrey, including one of them holding up a cake slice filled with pink frosting, a photo of the actor with an "I love my daddy" onesie and selfies with pregnancy tests.
As the months went by, the Big Bang Theory alumna has continued updating her followers with sweet snaps of the soon-to-be parents preparing for their little girl's arrival. In one pic, the duo match in New York Giants football jerseys while holding up a tiny, baby version for their "future footballer," as Cuoco captioned the photo.
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Teddi Marie Burrello
Caila Quinn is a mom! The Bachelor alumna and her husband, Nick Burrello, welcomed a daughter, Teddi Marie, on March 30. Quinn also took to Instagram to share the news of her little girl's arrival with two photos.
"Moments before we met our little girl & welcomed her into the world! A little insta vs. reality ♥️," she captioned the sweet before-and-after post. The first photo sees the couple embracing and cradling Quinn's baby belly in a hospital bed, while the second shot sees her holding their newborn.
After Baby Teddi's safe arrival, the new mom shared peeks into her delivery journey on her Instagram Story. "On the way to pick up our package," she wrote alongside a video of her and Burrello on their way to the hospital. She also posted a selfie of the couple time-stamped at 9:00 p.m. on March 29, writing, "late night check-in," just hours before Quinn gave birth.
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Spider Webb
Kelly Kay, the girlfriend of late football star Spencer Webb, welcomed their baby into the world on March 30. The model announced her son's arrival on Instagram, posting photos of her cradling him in the hospital as well as a photo of Webb's jersey. In the caption, she shared his name, Spider, which pays tribute to his dad's nickname during his time at the University of Oregon.
Kay announced her pregnancy news two months after her boyfriend died in a rock-sliding accident in July 2022. On Instagram, she shared maternity photos of herself holding a poster of an ultrasound photo pasted next to the words "Coming Soon Baby Webb." The post also included screenshots of her texts with Webb.
"We created an angel before heaven gained one 🕊," she captioned the announcement in August 2022. "All you ever wanted was to be a father…I know you'll be the best one from up above."
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Prince François of Luxembourg
The Grand Ducal Court of Luxembourg shared a big announcement with the world on March 27: Prince Guillaume & Princess Stéphanie welcomed a second son, a brother to their firstborn, 2-year-old Prince Charles.
"Their Royal Highnesses the Crown Prince and the Crown Princess are delighted to announce the birth of their son at the Maternité Grande-Duchesse Charlotte in Luxembourg on Monday, 27th March 2023 at 10:04 am," the court said in a statement, adding that the full name of the royal addition is François Henri Luis Marie Guillaume
The statement detailed that both the Princess and her little François are "both healthy and well."
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Aurelia Chan Zuckerberg
Mark Zuckerberg and Priscilla Chan officially have their hands full. The Meta CEO and his wife welcomed baby number three, a daughter named Aurelia Chan Zuckerberg. The girl dad shared their exciting family update on Instagram, posting two photos of each parent posing with the newborn. In his caption, Zuckerberg called his bundle of joy "such a little blessing."
Zuckerberg and Chan, who are Co-Founders and Co-CEOs at CZI, also share two older daughters, August, 5, and Maxima "Max," 7.
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Winter Snoh Miller
Romeo Miller and his fiancé Drew Sangster became parents of two this March, when the couple welcomed their second daughter, Winter Snoh.
"My tribe is growing. I introduce to you my fearless, intuitive, and ingenious daughter; WINTER SNOH MILLER!" the musician and actor (and son of hip hop legend Master P) announced on social media. He shared a carousel of photos featuring the newborn solo, with her dad and with her big sister, the couple's 13-month-old daughter, River Rose.
Miller continued: "My heart is so full knowing that my girls will have each other as they grow. I'm a papa of 2! I've accomplished a lot of things in my life, but becoming a father is by far the best and most fulfilling. You made me see. Psalms 127:3. #ThankYouGod #GirlDad #LovesOfMyLife #Happy 💕💕💕."
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Misty Rose Nicholson
Jamie Anderson and her fiancé, Tyler Nicholson, are parents! The couple announced the arrival of their first baby, Misty Rose, on Instagram. The Olympic snowboarder posted a photo of her mini-me bundled up in a ribbed onesie and matching beanie.
"Misty Rose Nicholson 💜 Born through the most mystical storm we've ever experienced & the largest snowfall Tahoe has [seen] in 70 years," Anderson captioned the post introducing her daughter. "We are so in love and grateful for you Misty 🌹."
Nicholson shared his own announcement that he had become a dad, posting three photos including one of his daughter just 5 minutes old. "Wow what an experience bringing a lil nugget into this world. Hats off to @jamieanderson & every mother out there, birth is such a beautiful thing," he said in his caption.
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Wylder Rayne Thompson
Jeremy Renner's ex-wife Sonni Pacheco celebrated her birthday with the world's greatest gift: a baby girl! The model shares baby Wylder Rayne, who arrived on March 21, with retired NHL player Nathan Thompson. Pacheco shared her daughter's arrival with the world on her Instagram story.
"35th birthday, and she is the best birthday present I could have asked for," she wrote alongside a photo of Wylder snuggled up against her chest.
The newborn is welcomed at home by her blended family: Pacheco is mom to daughter Ava, 7, whom she shares with ex Renner, and Thompson shares one son, Teague, 7, with his ex-wife Cristin Stuart.
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Arthur & Maybelle Osborne
John Osborne and his wife, Lucie Silvas, are brand new parents of two! The couple welcomed twins on March 21. Their son Arthur and daughter Maybelle were born one minute apart, according to Dad's Instagram post celebrating their arrival.
"We did it," wrote the Brothers Osborne country rocker, adding that his Silvas is "a damn warrior princess" and later praising her as "a damn boss."
The new dad and his brother/bandmate TJ had to drop out of their charity gig in Nashville when John heard his wife unexpectedly went into labor one month before she was due.
Osborne and Silvas shared their pregnancy news with PEOPLE back in November 2022.
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Macaulay Culkin & Brenda Song's Baby
Surprise! Macaulay Culkin and fiancé Brenda Song quietly welcomed a second baby, per his brother Kieran Culkin's comments at the Succession season 4 premiere. The HBO star confirmed his sibling's baby news in conversation with Access Hollywood.
"The cousins live in Los Angeles and we live in New York. I have a 1-year-old and a 3-year-old, and as busy as I am, there's just no getting on a plane and going, and same with them," Kieran, who shares two kids with wife Jazz Charton, explained of his growing extended family.
"I haven't met No. 2 yet, and they haven't met No. 2 yet either. We just haven't been able to figure that out," he said.
Macaulay and Song already share son Dakota, thought they've kept up a streak of private parenting since welcoming him in April 2021. The Dollface star opened up about motherhood in conversation with The Cut last year.
"My fiancé and I are very hands-on. We don't have a nanny, but my mom has been here with us since my son was born," she told the publication in January 2022. She added: "To my girlfriends that are pregnant I say, make sure you have help. Because your instinct is to want to do it all and you physically can't."
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Kristina Kelly & Max Ville's Son, River
Kristina Kelly is now a mom, per her exciting Instagram announcement on March 19. The Vanderpump Rules star posted a photo of her newborn son, whom she shares with longtime partner Max Ville, stretching his arms over his head as he rested in his crib.
"You're more than I could have ever dreamed of," Kelly captioned the picture celebrating her baby's arrival. "Welcome to the world River 🤍."
Ahead of her due date, Kelly spoke to Entertainment Tonight in eager anticipation of her son's birth.
"I've wanted to be a mom forever," she told the outlet in February during a joint interview with Vanderpump Rules costar Scheana Shay. "I feel like my entire life, literally, like even when I was little, my mom said I would take care of the other kids at daycare and stuff, try to change diapers."
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Gina Rodriguez & Joe LoCicero's Son
In March, PEOPLE confirmed that Gina Rodriguez and her husband, Joe LoCicero, are officially parents. A rep for the couple, who married in May 2019, shared that their new addition is a baby boy.
The Not Dead Yet star celebrated her 38th birthday by telling the world that she and her husband were expecting their first baby. To announce the big news, Rodriguez posted an adorable PDA-packed montage of videos and photos of her and LoCicero. "This birthday hits different. ❤️," the actress captioned her Instagram post from July.
The star's expanding family might not come as a huge surprise since she's previously voiced her hopes to become a mom. In 2016, Rodriguez spoke about her baby fever on The Ellen DeGeneres Show, saying she wanted to have her own child "so bad," and being on the set of Jane the Virgin only excited her more.
"I feel like they bring the baby up to me and my ovaries are like 'Ahh! Come here, baby!'" she said on the talk show.
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Ava Bryn Keys
Hunter McGrady can now call herself a girl-mom. The Sports Illustrated swimsuit model and her husband, Brian Keys, welcomed their second child, daughter Ava Bryn, on March 9. Mom shared the news of her exciting arrival with a dreamy Instagram Reel. The short video sees the baby girl swaddled and resting sweetly while an acoustic cover of Guns N' Roses "Sweet Child O' Mine" plays in the background.
"My baby girl came into this world fiercely and commanding attention, as I pray you will forever do. I pray that every room you enter you take up space, you live fearlessly, and always honor yourself. We are so blessed to have you here with us my beautiful, beautiful girl," wrote McGrady, who also shares 19-month-old son Hudson with Keys.
The caption concluded with McGrady's musings about the tiny one's name and its origins.
"Bryn is her middle name just like her grandma/ my mom (Brynja)who is someone i have always wanted to emulate, I am forever in awe of her and oh how i know she is going to be just as much of a force of nature," the model concluded. "We are Just basking in your presence Angel girl! I am so proud to be your mama 💖."
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Jennifer Gates & Nayel Nassar's Daughter
Bill Gates is a grandfather! The Microsoft mogul and his ex-wife Melinda's daughter, Jennifer, welcomed a healthy baby girl. She shares the family's newest addition with her husband, Nayel Nassar. They confirmed their little one's arrival on Instagram, posting a photo of them holding her tiny feet.
"Sending love from our healthy little family 💓🙏🥰," the couple, who married in October 2021, captioned the social media update. They didn't reveal the newborn's name or any details about her arrival in their daughter's birth announcement.
Before they officially became parents, Jennifer and her Olympic equestrian husband celebrated their baby-on-the-way with a Christmas-themed baby shower thrown by her mom.
"Still on cloud 9 after this baby shower 💓✨Thank you to all the people who have given me and baby girl so much love from near and far and @melindafrenchgates for hosting this incredible evening. Our hearts are all so full. 🙏," Jennifer captioned a series of images from the elaborate event.
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Kilmer Dove Meyers Tortorella
Nico Tortorella is a dad! The Younger star and his wife, Bethany C. Meyers, have a real young one to care for now that they've welcomed their first child. A rep for the couple confirmed to PEOPLE that their daughter, Kilmer Dove Meyers Tortorella, entered their lives with an at-home birth on March 5.
The actor introduced the infant on Instagram, where he posted photos of himself and wife wife embracing and enjoying their new parenthood in an indoor tent. Meyers posted a similar series of photos, sharing the details of her daughter's arrival in the caption.
"We had a beautiful, intense, raw, emotional, fast, safe and healthy homebirth. She was in fact born in the tent, surrounded by a circle of mothers (our immaculate care team), the spirits of ancestors past and future be.comings," the new mom said of the lace and floral curtains that draped over the setting and the team that helped her give birth. Meyers gave individual recognition to her three midwives, her doula and her photographer: "Our care was impeccable," she commended.
The be.come project founder also gave insight into the meaning behind her daughter's names: ""Kilmer is my grandfather's last name, my mother's maiden. Dove because Tortorella means 'turtle dove' and throughout our infertility journey she's been coming to us through birds. Doves for days," she explained.
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Olive Oleta Sheckler
Former pro skateboarder Ryan Sheckler and his wife, Abigail, are officially parents of one. A rep for the couple confirmed to PEOPLE that the couple welcomed their daughter, Olive Oleta, on their parents' wedding anniversary, March 3.
"I am head over heels in love with this baby! I know I should be trying to get sleep when she is napping but I just can't stop staring at her hoping that time would stop so I can stay in this heavenly moment forever!" Abigail gushed to PEOPLE of her maternal joy.
As for her name, Ryan explained that the name Olive "kept coming up in church, and we loved how the olive branch symbolizes peace, so we went with it." Their daughter's middle name pays homage to Ryan's beloved late Grandma. "Abigail and I call her Double O Shecks and Ollie O, and I'm sure we will come up with many more nicknames in the future!" he told PEOPLE.
In September 2022, Abigail shared a carousel of images to reveal that she and her husband were expecting. The Instagram announcement post featured included a sonogram photo, a sweet shot of the duo hugging and one with her baby bump on full display.
"Ryan and I are super excited to announce that we're expecting a baby girl, March 2023!" she wrote alongside the Instagram post. "We're so in love already and can't believe how blessed we continue to be 🤍"
PEOPLE exclusively revealed that the couple married in March 2022 in a ceremony held at the Rancho Las Lomas botanical gardens in Orange County, California.
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Elizabeth Holmes & Billy Evans' Child
Federal court documents released at the end of February stated that Elizabeth Holmes, the founder of Theranos convicted for multiple counts of fraud, had given birth to her second child. The information was included in her defense team's motion stating that she should not be kept in prison while appealing her conviction. The disgraced former CEO is facing more than 11 years in prison.
Holmes shares both of her children with her partner, Billy Evans. The two welcomed their first, son William Holmes Evans, in July 2021, per ABC News's report. His birth came just weeks ahead of her criminal trial.
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Leodis "Leo" Andrellton Jackson
Keke Palmer's baby has arrived! To announce his arrival, the new mom shared photos of her son Leodis "Leo" Andrellton, whom she shares with Darius Jackson, on Instagram. In her caption, the Nope star added commentary for each photo and video featured in the carousel.
The first photo sees Palmer and Jackson with wide eyes: "Only 48hrs of being parents!" she wrote. In the next slide, she shared a video of herself singing "Someone" by El Debarge in the car, writing that song was featured in playlists Jackson made for her when they first started dating.
The next photos show off their tiny bundle of joy being cradled by Mom and Dad in the hospital, and some solo shots of him snuggled up in a beanie. "'I'm not hiding the world from my son, I'm hiding my son from the world.' Hahaha," she joked, likely paraphrasing the lyrics from Drake's song "Emotionless." Palmer then clarified: "I'm just playing, my baby face is on this slide ... And this slide."
Palmer announced her pregnancy back in 2022, when she revealed her growing stomach while hosting Saturday Night Live. Shortly into her opening monologue, the actress ventured to address some rumors that had been circulating about her in recent weeks.
"People have been in my comments saying, 'Keke's having a baby, Keke's pregnant,' and I wanna set the record straight — I am!" the Nope star said, popping over the button on her jacket to reveal a baby bump. After cracking a few more jokes about her big news, Palmer got real: "But honestly this has been the biggest blessing, and I am so excited. Guys, I'm going to be a mom!" she cheered on stage.
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Liam Benjamin Michaels
The married musical duo of Shannon Haley and Ryan Michaels, better known as Haley & Michaels, became a quartet on Feb. 27, when they welcomed their second child, son Liam Benjamin. The couple are already parents to their 2-year-old daughter, Keira Harmony. In confirming their son's arrival to PEOPLE, Haley and Michaels shared that their little girl was already taking to her big sister duties.
"Having two kids really does show just how much love your heart can hold," they said just over a week after Liam's birth. "Watching our daughter Keira Harmony run to her baby brother and hold his hand was the most surreal and unforgettable experience."
In addition to Liam, the country singers, who married in 2015, have a few more exciting projects due later this year. They're working on a new song, "Love Life," which will be accompanied by a children's book by the same title. They told PEOPLE that the track is "one of the most personal songs we've ever written."
"It was written from our perspective as parents, inspired by our desire to pass on the life lessons we have learned to our kids," Haley and Michaels said. "It's about living every moment to its fullest and loving life."
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Sophia Grace Brownlee's Son
Sophia Grace Brownlee of the adorable Ellen Degeneres Show duo, Sophie Grace and Rosie, is a mom! Feel old yet?
The British influencer welcomed a son, whom she shares with her boyfriend, on Feb. 26, per an Instagram post she shared after his arrival. The brand-new mom limited her camera to just showing the baby's tiny fingers wrapped around her own. Brownlee's YouTube followers already knew to expect her privacy, since she discussed the issue in a video posted a month prior.
"I don't want to show my baby's face at first when he's born until I feel ready to," she said in the vlog titled THIRD TRIMESTER Q&A. "Maybe in a couple of months after he's born, I will feel like I'm ready."
Sophia Grace's cousin and former musical counterpart, Rosie McClelland, reposted Brownlee's announcement on her own Instagram Story, writing, "I love him so much already" with a blue heart emoji.
Degeneres also offered her congratulations in the post's comment section: "Welcome to the world, Nicki Minaj the 3rd!" she wrote, referencing Brownlee's obsession with the rapper that first landed her on the talk show.
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Kaitlynn Carter & Kristopher Brock's Baby
Kaitlynn Carter became a mother of two with the arrival of her daughter, whom she shares with boyfriend Kristopher Brock. The Hills: New Beginnings star announced her family's newest addition on Instagram, where she posted a series of photos taken at the hospital.
"… and then there were 5… 🤍," read the caption, referring to the blended family awaiting their daughter, whose name has not yet been shared. In addition to the couple's first born, 17-month-old son Rowan, Brock also has a 6-year-old child from a previous relationship.
The reality star announced her pregnancy back in October, when she shared a mirror selfie taken by her husband. Carter stands in the frame with her baby bump on full display, while the caption divulged details about their new addition's sex: "Baby girl 🤍."
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Katie Stevens & Paul DiGiovanni's Daughter, Rome
About one month after their daughter's arrival on Feb. 23, Katie Stevens and her husband, Paul DiGiovanni, confirmed that they were officially parents on Instagram. The couple shared adoring shots of them with their little girl in a joint post and announced her name in the caption. "Our sweet Rome," they wrote. "We are so in love with you."
The Bold Type actress announced her pregnancy back in November 2022 at the Country Music Association Awards. As she walked the red carpet, Stevens flaunted her baby bump under a blue gown with gold details and embellishments. She was accompanied by musician husband DiGiovanni, whom she married in 2019, nearly six years after their romance began.
For Stevens' birthday on Dec. 8, she posted two elegant black-and-white maternity photos in a lacy black bra on Instagram. "30 and thriving ✨," the American Idol alumna wrote in the caption.
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Bennett Llewellyn Kelce
The Philadelphia Eagles family just got one baby girl bigger. Jason Kelce and his wife, Kylie, welcomed their third child, daughter Bennett Llewellyn Kelce, on Feb. 23, per the couple's announcement on Instagram.
"Yesterday little lady #3 joined us," the couple captioned their joint post to share the news. The photo shows their newest addition wearing a floral printed onesie with a matching bow-topped beanie. At home, Baby Bennett was welcomed by her big sisters Elliotte Ray, 23 months, and Wyatt, 3.
Speaking to PEOPLE during her most recent pregnancy, Kylie shared what it's been like to see her NFL star husband become a superstar girl dad.
"It's been amazing to see him sort of transformed from only having a brother, not having any first cousins, so really having like no experience with little girls," Kylie told PEOPLE. "And now, he is absolutely head over heels in love with his daughters, and they feed that back to him tenfold."
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Presley Fawn Pardi
Jon Pardi and his wife, Summer, welcomed their first baby on Feb. 18. The country singer announced their daughter's arrival on Instagram, where he posted a black-and-white image of the swaddled newborn wearing a striped cap.
"Our Baby girl is here and ready to Pardi haha DAD joke!" the "Dirt on My Boots" crooner captioned his post. He also revealed the baby's name: Presley Fawn Pardi. Summer shared her own Instagram to commemorate the occasion, which featured several photos taken at the hospital after Presley arrived.
"our lives are forever changed," she said alongside the post, adding that their little girl "has one cheek dimple like her mama and her daddy's perfect skin ☺️"
The couple shared their expecting news with PEOPLE in September 2022. "I'm ready to start a new adventure with my wonderful wife Summer and our new little one — Pardi of three!" the new dad said at the time of their announcement. "I'm really excited to meet our baby and to have someone to ride around the ranch with."
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Alicia Quarles' Twins, Hudson & Harlow
GMA3's Alicia Quarles officially has her hands full! The TV contributor announced to PEOPLE that she welcomed twins via cesarean section on Feb. 16. She explained that the doctors opted for the surgical procedure because her daughter, Harlow, "was breech and wouldn't turn."
Harlow and her twin brother, Hudson, remained in the hospital for a few days after their birth, but the journalist confirmed they are both "one hundred percent healthy," just like Mom. Throughout her pregnancy, Quarles hid the fact that she was carrying twins, and she continues to keep the identity of her kids' father private.
Quarles' expecting news came as a surprise to her, since she said she "froze [her] eggs at 39," anticipating that she'd eventually grow her family using a sperm donor and artificial insemination. However, the broadcast reporter explained that she had a romantic reconnection with a friend and became pregnant naturally.
Once the initial shock wore off, Quarles said she "felt a total peace come over me," adding, "I felt like it all made sense, that I was meant to carry these babies, despite my age."
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Teyonah & James Parris' Daughter
Teyonah Parris became a mom upon the arrival of her daughter, whom she delivered at home, surrounded by loved ones. The Marvels star didn't divulge many details about the baby, whom she shares with her husband James, but she opened up about her baby's delivery in a long Instagram post shared in early March.
"What a friggin whirlwind. 😳 I have so much to say, but I'm too sleep deprived and delirious to really articulate it all how I want to, but what I will say is- God bless all y'all parents out there. Never in my life could I have imagined all that parenthood requires," she wrote in the caption of the video montage with photos of videos from during and after her daughter entered the world.
Parris thanked her midwife and reflected on the decision to deliver her daughter at home: "We started our pregnancy journey intending a hospital birth, but that shifted late in the game for us and I'm so glad it did! Everything truly happens for a reason, and being at home was an incredible experience and opportunity for our whole family," she wrote. "I have so much I want to talk about as it pertains to our journey in how we landed at this decision and what it was like. So, more to come!"
Though Parris left out information about her daughter's name and exact birthday, she hinted at the timeline, writing that it took her a "month to get this post up."
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Milano Santos
Romeo Santos is a dad once again! The singer announced that his fourth baby had arrived while also sharing the news of his summer stadium tour. He broke the news with a sweet video posted on Instagram which sees him holding "the newest member of the Santos dynasty" while a voiceover plays in the background. "Introducing my fourth prince, Milano," he says in Spanish as the clip plays.
Last month, Santos revealed that his fourth baby was on the way in the recently released music video for his song "Solo Conmigo." The sultry clip shows a rare glimpse of his partner and her growing baby bump, which Santos embraces as he sings.
The song touches on his intimate and judgment-free connection with his longtime partner, and it features lyrics that translate to: "I can't erase your history or who came before me. The saying goes that he who laughs last laughs best. Although some touched your body, only I reached the soul. You wasted feelings, nobody understood you, so many footprints on your bed. But I was the one who sealed your heart."
This is the couple's third child together. Santos is father to three other sons: Alex Damian, Valentino and Solano.
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Mecole Hardman Jr. & Chariah Gordon's Baby
Two Kansas City Chiefs welcomed Super Bowl babies this year! On the morning of Sunday, Feb. 12, wide receiver Mecole Hardman Jr. announced that his girlfriend Chariah Gordon had gone into labor. "OMG HER WATER BROKE," the NFL player wrote on Twitter, adding several eye emojis to the exciting statement.
Since Hardman sustained a pelvic injury on Feb. 6 and wasn't slated to take the field, he didn't have to miss out on the arrival of his baby, whose sex he revealed in an Instagram posted on Feb. 14.
"Welcoming our healthy baby boy together in this world while watching the Chiefs win the Super Bowl!! Could not be any Happier!" Hardman captioned his two-photo post, which featured a photo of him and Gordon cradling their son in the hospital followed by a graphic celebrating the Chiefs' victory. He added: " A father and now a 2x Super Bowl Champ! Thanks to everyone for the prayers and support ❤️🥂⭐️🎈"
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Nick & Christina Allegretti's Baby
This Super Bowl Sunday, Kansas City Chiefs player Nick Allegretti became a winner several hours before his team even took the field. In the early morning on gameday, the defensive lineman dialed in via FaceTime as his wife Christina gave birth to their twin girls. The NFL star then went on to win the championship alongside his teammates.
"It's the best day of my life no matter what – 3:30, 4 a.m. – I became a dad, father of two daughters. Unbelievable. And now, I've got a ring for both of them. Incredible, cannot believe it," Allegretti told Chief's Digest.
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Blake Lively & Ryan Reynolds' Baby
Blake Lively and Ryan Reynolds may not have formally announced the arrival of their fourth child, but the Instagram she posted on Super Bowl Sunday spoke volumes. The actress' baby bump was conspicuously absent from the photo she'd taken with Reynolds and his mom, Tammy. "Puppy Bowl Sunday 2023🥘 🍲 🥧 been busy," she wrote in her caption.
Their family's newest addition (whose name, birthdate and sex have yet to be revealed) has made big sisters out of Lively and Ryan Reynolds' first three daughters James, 8, Inez, 6 and Betty, 3. In November 2022, Dad shared that his girls are excited to have another sibling around. "They're in. They love it," the Deadpool star told Entertainment Tonight about his daughters' anticipation. "They're ready."
Lively blessed her followers with cheeky updates and bump pics as her pregnancy journey progressed. In one hilarious Instagram post, the Gossip Girl alum stitched two photos together, before-and-after style, of her in the gym with her trainer.
"Been doing @donsaladino's workout program for months now. Something isn't working," she joked in the caption, referring to the baby belly she sports in the "after" picture.
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Iceland Davis
Gucci Mane and his wife Keyshia Ka'oir met their daughter, Iceland Davis, for the very first time on Feb. 8. The rapper announced the baby's arrival with an adorable post on Instagram that showed him and Ka'oir cradling their little bundle of joy in a hospital bed.
"Im so thankful that my baby girl is here and she so pretty and healthy," he wrote. He shared her name and her birthdate before finishing with a heartwarming hashtag: "#Daddyprincess 👑"
Little Iceland is welcomed at home by her older brother with a similarly "cool" moniker. The parents of two welcomed their first child together, their son Ice, in December 2020.
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Brendon & Sarah Urie's Baby
Brendon Urie is officially a dad. PEOPLE confirmed on Feb. 6 that he and his wife Sarah, whom he married in 2013, had welcomed their first child together. The singer announced that they were expecting with an Instagram text post in January. His update explained that in addition to becoming a dad, he was also moving on from his band Panic! At The Disco after what had "been a hell of a journey."
Urie continued in the post: "But sometimes a journey must end for a new one to begin. We've been trying to keep it to ourselves, though some of you may have heard... Sarah and I are expecting a baby very soon! The prospect of being a father and getting to watch my wife become a mother is both humbling and exciting. I look forward to this next adventure."
Moving forward, Urie said his "focus and energy" was shifting away from his musical past and centering on his growing family.
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Heather Rae & Tarek El Moussa
The Flippin' El Moussas welcomed a baby boy on Jan. 31. Proud dad Tarek–who shares two older kids Brayden, 7, and Taylor, 12 with ex Christina Hall–posted an Instagram to announce the arrival of his first baby with his wife Heather Rae.
"Our baby boy is here 🤍 1.31.23," he wrote alongside a photo of his swaddled newborn son, whose face in not visible in the photo. wrapped in a blanket. "Mama & baby are happy, healthy, tired but doing well. Our hearts are so happy ❤️."
Heather reposted her husband's photo and shared another of her holding Tarek's hand in the hospital. "The day our whole world changed 1.31.23 🤍," she said in the caption.
The El Moussas confirmed their expecting news to PEOPLE back in July 2022, noting that the pregnancy came as a happy surprise. The couple said they were in the midst of IVF treatments when they found out, and they had even made plans to transfer an embryo later on.
"I think when you least expect it and there's no stress in your life, the world just brought us what was meant to be," Heather said at the time. "I'm so excited that it happened like this."
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Behati Prinsloo & Adam Levine's Baby
Baby No. 3 has arrived for Behati Prinsloo and Adam Levine. Speaking exclusively to PEOPLE, a source confirmed that their little one arrived in January. On Jan. 30, another source shared that the couple had been "very focused on special family time before the new baby arrived."
Prinsloo and Levine married in July 2014 and are already parents to daughters Gio Grace, 4, and Dusty Rose, 6, both of whom are reportedly excited about being big sisters, the second source tells PEOPLE.
The source also shared that the couple was looking ahead past the cheating allegations launched against the Maroon 5 frontman in recent months. "After the drama in the fall, Adam has really tried to just focus on his family. He was very embarrassed and remorseful," said the insider. "[Behati] and Adam are doing great. They are excited about the new baby."
In November 2021, the Victoria's Secret model told Entertainment Tonight that she and Levine wanted "a big family" and were excited to grow their brood.
"We always knew we wanted a second one. So I think for me in those two years, when I had two babies under the age of 2, I was just like, 'Don't even think about it!' " Prinsloo shared at the time. She added, "But I do also want five kids, but don't even think about it."
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Molly Bernard & Hannah Lieberman's Daughter
Molly Bernard is a mom! She and her wife, Hannah Lieberman, welcomed their first child. The couple's "healthy, gentle and sassy baby girl," as Bernard characterized her in an Instagram caption, arrived on Jan. 28. The Younger star announced the big news on social media a couple weeks later.
"We are overjoyed and more in love than we ever imagined. It's been a gorgeous two week whirlwind adjusting to parenthood and it's the coolest club we've ever been in," Bernard shared with her online followers. Her post featured several sweet shots taken since the baby's arrival, including a picture of the baby's feet and photos of her snuggled up against both of her moms.
Bernard continued in her caption: "Yesterday in a 60 second span Hannah was peed on during a diaper change and I picked bb up to help and was immediately met with projectile poop."
To conclude the tribute, the actress celebrated the beauty of motherhood: "My nips are sore, oxytocin is high — MOMS RULE. Hannah and I want to stay in our new family cocoon of diapers and milk and snuggles and eat every second of it up for as long as possible. 💝💕"
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Frances "Frankie" Rose Caspe
Casey Wilson and David Caspe are officially outnumbered. The couple, who have been married since 2014, welcomed their third child together. The actress announced the arrival of her daughter, Frances "Frankie" Rose, on Instagram on Jan. 26. Referencing the little one's late January birth date, Wilson began her caption by quoting The 5th Dimension's famed song lyrics: "This is the dawning of the Age of Aquarius!"
She went on to celebrate both her "angel" daughter and the couple's "surrogate and friend, Stacy," sharing their gratitude and love for her. "Surrogacy is women supporting women in its highest form and it has been a profound experience. Uplifting and inspiring."
The brand new girl-mom went on to share how welcoming Frankie "completes the sacred circle of mother and daughter I have longed for." Wilson continued: "I'm on the other side this time- wishing Grandma Kathy could see her and hoping (knowing) she can. Her arrival is healing and joyful. We move forth! Hand in hand. With women ushering us in and onward."
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Mia Bella Elizabeth Sorrentino
Mike Sorrentino's "situation" is one baby bigger! The Jersey Shore alumnus and his wife Lauren welcomed their second child together, Mia Bella Elizabeth, on Jan 24. The couple's new addition joins big brother Romeo Reign, who was born in May 2021.
The Sorrentinos shared adorable photos from Mia's arrival day with PEOPLE exclusively, including ones of her swaddled up and lying solo and ones of her with Mom and Dad.
In the days leading up to his first daughter's arrival, the reality star posted photos of him and his son on Instagram. "Of all the titles I've been privileged to have, 'Dad' has always been the best," Sorrentino wrote in his caption.
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Frankie Moore
S.W.A.T. actor Shemar Moore and his girlfriend Jesiree Dizon welcomed their daughter Frankie on Jan. 24. Their newest addition is baby No. 1 for Moore and the third for Dizon. The model shares 5-year-old daughter Charli with actor Stephen Bishop and also has a son, Kaiden, from a previous relationship.
A rep for the couple exclusively confirmed the announcement to PEOPLE, sharing that their family "is very happy and healthy."
A week after their baby arrived, Dizon took to Instagram to share some sweet pictures of their little one. The snaps show the tiny infant looking cozy in a pink fuzzy onesie and hat topped with a bow. Dizon's post also includes photos of her holding baby Frankie, cradling her and kissing her forehead.
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Molly-Mae Hague & Tommy Fury's Daughter
It's a girl for Love Island U.K.'s Molly-Mae Hague and her boxer boyfriend Tommy Fury! The couple announced their daughter's arrival in a joint post on Instagram. The duo shared a black-and-white photo of them holding their bundle of joy in the hospital, adding her date of birth in the caption: "23/01/23🤍."
The new mom opened up about her early days of parenthood on her Instagram Story. "One week old today. I can't believe we get to keep you forever," she wrote alongside a photo of her kissing her baby. "Becoming your mum has been the best thing to ever happen to me… it doesn't seem possible but my love for you grows with each passing moment."
She continued, "There is no feeling like holding you in my arms little one, my heart literally explodes. Thank you for entering this world safely for us and blessing us with the gift of being your parents. We promise to love and care for you unconditionally forever."
Fury announced the baby's sex on his Story, posting a photo of him holding his swaddled daughter with the caption, "I'll protect you forever my little girl."
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Paris Hilton & Carter Reum's Son
Surprise! PEOPLE confirmed on Jan. 24 that the media mogul and her husband, Carter Reum, had recently welcomed a baby boy via surrogate. Hilton also went public with the news on Instagram, where she shared a charming photo of his tiny hand wrapped around her polished thumb.
"You are already loved beyond words 💙," she wrote in the caption. Speaking to PEOPLE about the exciting arrival, the new mom gushed about entering parenthood.
"It's always been my dream to be a mother and I'm so happy that Carter and I found each other," she said. "We are so excited to start our family together and our hearts are exploding with love for our baby boy."
The pair have been awaiting their little one for a while now. Hilton previously shared that they duo started IVF treatments at the height of the COVID-19 pandemic. "We started going and doing it like a few months in because the world was shut down," she told PEOPLE in December 2022. "We knew we wanted to start a family, and I was like, 'This is perfect timing. Usually, I'm on a plane 250 days out of the year, and let's just get all of the eggs stocked and ready,' and we have tons of them just waiting."
Reum and Hilton have been romantically involved since 2019, when they reconnected after knowing each other for 15 years. They tied the knot in November 2021.
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William Hawk White
Country star Drake White can officially call himself a dad. He and his wife, Alex, welcomed their son William Hawk White on Jan 20. The couple told PEOPLE that they plan to call the little one by his middle name.
"William is Drake and his Dad's first name, and we saw hawks almost daily throughout the entire pregnancy and IVF process. A hawk sighting symbolizes you're going in the right direction," the new parents explained to PEOPLE. "We took it as a sign from God and knew we'd use the name Hawk if we had a boy."
Hawk's arrival is a long-awaited one for the couple, who have endured a six-year-long journey to parenthood filled with fertility struggles among other health issues on both sides.
"We've been through so much, from my having a stroke on stage to Alex being diagnosed with type 1 diabetes and having an autoimmune disorder," Drake told PEOPLE of their experience in September 2022. "And then this was just something else that tested our faith and tested our strength."
Now that their little bundle of joy has finally arrived, they are soaking up every minute with him. "We are over the moon excited to have our baby earth side with us. It is truly life's biggest blessing and such a holy moment in our lives."
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Clover Jade McCain Domenech
Meghan McCain and her husband Ben Domenech welcomed their second daughter, Clover Jade McCain Domenech, on Jan. 19.
"Yesterday morning, we welcomed our newest addition, Clover Jade McCain Domenech, to our family!" the couple, who married in 2017, told the DailyMail in a statement confirming their newborn's arrival. "Ben and I are overjoyed to introduce Liberty to her baby sister and start this new adventure as a family."
"Meghan's strength and love for our daughters is boundless," added Domenech. "I feel so blessed that her and Clover are both doing well, and I cannot wait for our entire family to meet our baby girl."
At home, Clover Jade joins McCain and Domenech's eldest daughter, Liberty Sage, who arrived in September 2020.
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Leonardo Scout Bellour
Baby No. 4 has arrived for designer Rebecca Minkoff and her husband Gavin Bellour. Minkoff told PEOPLE that their son Leonardo Scout "entered the world as a peaceful and calm being" on Jan. 19. "Our family is complete!" she said.
The couple shared the meaning behind their son's name: Leonardo means lion, and Scout means "one who listens."
In some of the photos shared exclusively with PEOPLE, the family's newest addition can be seen in the arms of his 8-year-old big sister Bowie. Minkoff noted that her other two, sons Nico, 4, and Luca, 11, were also excited to welcome baby Leonardo into their home.
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Karter Brian Haze Cooper
Country crooner Kolby Cooper is a dad once again. He and his wife Jillian welcomed baby No. 3 on Jan. 19, son Karter Brian Haze Cooper. The duo already share daughters Charlee, 2, and Josie, 4½.
"Jillian and Karter are both happy and healthy! We are so overwhelmed with all the feelings of bringing a new life into the world," the couple said in a statement to PEOPLE. "We already love little man so much. Thank you for all the prayers and well wishes!"
Cooper also gave PEOPLE the inside scoop on the sentimental value behind his son's middle name. "We chose Brian because it was my dad's name," Cooper said. "He passed away, so I've known since then that I wanted to do this!"
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Abram Shay Mooney
Shay Mooney and his wife, Hannah, are officially outnumbered. The pair became parents of three with the birth of their son Abram Shay on Jan. 17. The Grammy-winning country singer shared the exciting news on Instagram, where he shared a video of him singing to his little one.
"Grateful doesn't begin to cover it ❤️," the new father of three wrote. Hannah, who posted the same clip, captioned her post, "First song sang to the newest family member… Abram Shay, you're so loved and so prayed over, baby boy. Thankful for all that God has done for us this week 🤍."
Baby Abram has two older brothers: 5-year-old Asher James and Ames Alexander, who was born in February 2020.
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Dylan Rose Lawrence
Joey Lawrence is a girl-dad again! The actor and his wife Samatha Cope welcomed their daughter Dylan Rose Lawrence on Jan. 16, per his Instagram announcement. "Mom, Dad and big sisters are all so smitten with you sweet girl," wrote Lawrence alongside photos showing off the baby's sweet face as well as her tiny feet.
"We welcomed her into this world with the most amazing midwife, everyone is happy and healthy and we are overjoyed with gratitude." Lawrence continued in his caption. "Wow what a beautiful journey. thank you for all your continued love surrounding this beautiful new life! stay tuned for baby spam xoxo."
Dylan Rose is Cope's first-born and Lawrence's third. He shares daughters Liberty, 12, and Charleston, 16, with his ex-wife Chandie Yawn-Nelson.
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Kyro Aumua Te'o
Manti Te'o and his wife Jovi just added another player to their team. On Jan. 16, the couple – who married in September 2020 – welcomed their second child together, son Kyro Aumua Te'o.
"Welcome my little King. We've all been waiting for you!" Jovi wrote on Instagram to announce the news. She shared two shots from the hospital: one where the couple poses with the tiny newborn and another showing him fast asleep.
The duo are also parents to daughter Hiro, who was born in August 2021.
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Micah Parsons' Daughters
Dallas Cowboys' Micah Parson enjoyed two major wins on and after Jan. 14. First, he became a father of two when his daughter was born, and then his team scored a wild card win against the Tampa Bay Buccaneers two days later. Scott Van Pelt was the first to bring it up in an interview with the linebacker following his team's victory.
"Hold on, did you just have a daughter two days ago?" the sports commentator asked Parsons. When the NFL star confirmed the news, Van Pelt launched right into talk about fatherhood: "Man, who cares about this football stuff, man. Being a girl dad, there's nothing like it, man. Just wait, you think you are in love now, just wait," the sportscaster said.
"Man, I already know," gushed Parsons, who is also dad to 5-year-old son, Malcolm. "Every time she cries, I play my favorite artist, Rod Wave, and I sing it to her. She's got me wrapped already."
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India Moon English
Former WAGS LA star Nicole Williams and her former NFL player husband Larry English welcomed their first baby together on Jan. 13. A rep for the couple confirmed to PEOPLE that their daughter, India Moon English, had arrived after a difficult labor for Mom.
"Our sweet baby girl is here and we are over the moon in love!!!" Williams told PEOPLE in a statement. "We went in for our routine fetal monitoring appointment, and it turned out that I was developing preeclampsia. My doctor said, 'we are having this baby like, TODAY.'"
She continued, "We drove directly to the hospital, and within a few hours, our baby girl was in our arms. It was the scariest moment but as soon as we both heard her cry it was the happiest moment of our lives."
Safe and healthy at home, the reality TV alumna and her husband were able to enjoy their new addition. "Larry and I can't stop staring at her!" Williams said.
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Esti Maxine Stephens
It's a rainbow baby for Chrissy Teigen and John Legend! The couple – who are already parents to daughter Luna Simone, 6½, and Miles Theodore, 4½ – welcomed a daughter on Jan. 13. The news came hours after, during a private concert featuring the "All of Me" singer. Legend told the crowd that they'd welcomed "the little baby" that morning. The event's attendees turned to social media to share the news and their congratulations for the family.
Days later, the couple shared a bit more information about their newest addition. Teigen added that Esti Maxine Stephens, whose name was revealed in the post's caption, was healthy and home.
The cookbook author detailed that her house was "bustling" and that their whole family "could not be happier 💕." She continued, "Daddy sheds nightly tears of joy seeing Luna and Miles so full of love, and I am learning you still need diapers with a c section!? We are in bliss. Thank you for all the love and well wishes - we feel it all! X"
Esti Maxine comes nearly two-and-a-half years after Teigen and Legend lost their third child, Jack. Since then, Teigen and Legend have opened up about their grief and fertility challenges. Speaking to PEOPLE in March 2022, the singer shared his and his wife's hopes to destigmatize the struggles many women go through.
"I think both of us have felt like it's good for us to share this with other people because other people are going through it too, we don't think they should suffer in silence without knowing there are other people out there who are feeling the same thing," he said. Both Miles and Luna were conceived through IVF as well.
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Harlem Herro
The Miami Heat's Tyler Herro welcomed his second baby with girlfriend Katya Henry on Jan. 12. The NBA star announced the big news with an Instagram Story post. The snapshot revealed the baby boy's name, Harlem, as it was written on a whiteboard wishing the newborn a happy birthday.
On Henry's Instagram Story, she shared a precious photo of herself holding her son while still in the hospital. In accompanying text, she wrote, "welcome to this big, beautiful world baby Harlem."
The duo are already parents to their daughter Zya Elise, who was born in September 2021.
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Jenna Johnson & Val Chmerkovskiy's Son
Dancing with the Stars duo Jenna Johnson and Val Chmerkovskiy are officially parents! The couple, who tied the knot in April 2019, announced their son's arrival with a black-and-white photo of the baby's tiny hand in theirs.
"𝕆𝕦𝕣 𝕨𝕠𝕣𝕝𝕕 𝕚𝕤 𝕗𝕠𝕣𝕖𝕧𝕖𝕣 𝕔𝕙𝕒𝕟𝕘𝕖𝕕 🤍 1.10.2023," read the caption on the dancers' joint Instagram post.
The new parents didn't share the little one's name at the time, but in the following days Johnson dropped a hint and opened up about her process for divulging more details.
"One week with my little love ✨," Mom wrote alongside a photo of the baby clinging to her chest. In the snapshot, an "R" necklace dangles above the tiny infant. Johnson continued, "I promise I will share more when we are ready. Trying to soak up all of these precious moments and transition into parenthood the best we can."
She finished, "I do finally understand what everyone has been preaching to me… 'You think you know what love is, and then you have a child.' My heart is forever his and my world is so much brighter with him in it 🤍"
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Addison Brooks Toth Jr.
As of Jan. 6, Broadway's Taylor Louderman is officially a mom. She and her husband, Brooks Toth, welcomed their son, Addison Brooks Toth Jr., just a few days before they announced the news on Instagram.
The Mean Girls musical alumna posted an adorable photo of her baby alongside the caption, "Our new roommate is here!" Toth shared similar images on his own account, and announced the baby's name in his caption.
The brand new mom also spoke to PEOPLE about her growing brood. "I feel so grateful for this new addition to our family and excited for the challenges of motherhood! I've been lucky to have amazing support from family. Especially my mom, who's staying with us these first few nights to help us get an extra few hours of sleep," Louderman said.
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Mark Ronson & Grace Gummer's Daughter
Mark Ronson and Grace Gummer are officially parents. The producer's sister, Annabelle Dexter-Jones, confirmed her niece's arrival to PEOPLE exclusively at the Planned Parenthood Spring Into Action Gala Benefit in March. The new aunt noted that the baby, a little girl, was already "two and a half months." Dexter-Jones added: "She's stunning."
Gummer, whose mom is Meryl Streep, revealed her pregnancy back in October, when she flaunted her baby bump at W Magazine's 50th anniversary event in New York City. She was joined at the celebration by Ronson, whom she married in August 2021.
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Elise Ansel
Dominique Ansel celebrated his birthday in an extra special way this year. On Jan. 3, he and his wife, Amy, welcomed their second child together. The renowned pastry chef revealed his daughter's arrival and her name on Instagram, sharing a precious photo of him bottle-feeding the newborn with a smile on his face.
"The best presents anyone can ask for on their birthday. Welcome to the world Elise," Ansel wrote in the caption.
A second slide from the post showed a video of the couple's son, 2½-year-old Celian, singing happy birthday to his dad while holding a candlelit cupcake.
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Elliot Landon Ratfcliff
Country music star, husband and now a brand new father! Brandon Ratcliff and his wife, Lexie, welcomed their daughter Elliot Landon Ratfcliff on Jan. 2 – just four days before the release of his latest album, Tale of Two Towns.
The singer, whose mother is Suzanne Cox of bluegrass group The Cox Family, shared his happiness with PEOPLE in a statement following his baby's arrival.
"We are beyond words with excitement and so grateful to welcome our little angel into the world, Elliot Landon Ratcliff," he said. "Her mom and I are so happy to be a family of 3 now and overjoyed by the gift of the purest form of love we've ever known."
Ratcliff also detailed the significance of his daughter's name, noting that he and his wife have "always loved the name Elliot for a girl." Her middle moniker, Landon, is a combination of her parent's names, something Brandon and Lexie dreamed up a while back. "It's a name we've talked about since high school, and it's surreal to give this name to our first daughter," he said.
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Pernilla Sjoholm's Twins
Pernilla Sjoholm, one of the victims featured in the Tinder Swindler documentary, became a mom to twins on Jan. 1. In an Instagram Reel she posted after her deliveries, Sjoholm shared that when she went into labor on New Year's Eve, she was worried she'd have her son and daughter in different years.
But her babies – whom she welcomed with partner Calle Schirren – arrived one hour apart in the afternoon on New Year's Day. "It was a long delivery. They were healthy throughout the delivery," Sjoholm detailed in her social media post. "But for me, it was very difficult, and I lost a lot of blood and had preeclampsia."
The video included sweet photos of the babies in the days post arrival, which showed the twins breastfeeding, wearing matching outfits and snuggling together.
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[] |
[
""
] | null |
[
"People Staff",
"www.facebook.com"
] |
2002-03-27T13:00:00-05:00
|
Dudley Moore
|
en
|
/favicon.ico
|
Peoplemag
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https://people.com/celebrity/dudley-moore/
|
Elfin, quick-witted British comic actor Dudley Moore, who was best known for his role as the lecherous composer in the 1979 film 10 and as the lovable millionaire drunk in 1981’s Arthur, died Wednesday morning at his New Jersey home of pneumonia, a complication of progressive supranuclear palsy (PSP), according to his publicist. He was 66.
A brilliant pianist and composer, the 5′ 2 1/2″ entertainer had been in ill health for several years. His illness, a debilitating neurological disorder, affected both his motor and mental functions, and by the time of his death, Moore had lost the ability to speak and was almost immobile. In November 2001, he was named a Commander of the British Empire; it was the last time he was seen in public.
“He said he was waiting to die,” Moore’s estranged wife Nicole Rothschild told the TV show Extra in June 1998, and that “there was really nothing left for him here.” Rothschild, Moore’s fourth wife, had previously filed a lawsuit against her husband, charging him with assault, battery and domestic violence. She dropped the charges that year when she discovered how ill he had become.
Despite a career that included numerous awards for his performances on both stage and screen — two Tonys (for Beyond the Fringe in 1963 and Good Evening in 1974), two Golden Globe Awards (1981’s Arthur and 1985’s Mickey + Maude) and a Best Actor Oscar nomination (for Arthur) – as well as notable successes as a concert pianist and jazz musician, Dudley Moore’s popularity was more enduring in his homeland than in America.
“Only the British media persist in treating Moore as a superstar: the local lad who made good,” said Britain’s The Independent newspaper in 1994. “Like Peter Sellers before him, he is a highly gifted British export who left a creative British career behind for fleeting fame, some riches, but sadly, little fulfillment in America.”
From an early age Dudley Moore had to deal with physical and psychological problems. Born with a club foot, he underwent eight years of surgeries to correct the deformity and was often left alone in hospitals alongside dying soldiers where, he told biographer Barbra Paskin (in his 1997 authorized biography), he developed an often overwhelming fear of abandonment.
Moore, the son of a railroad electrician and a typist, grew up in Dagenham, a modest area of London dominated by a giant Ford plant. As a result of his left leg being more than an inch shorter than his right, his schoolmates nicknamed him “Hopalong.” “I felt unworthy of anything,” he once told Time magazine, “a little runt with a twisted foot.”
In an attempt to curry favor with his peers, he became the classic school jokester, a role he continued in the drama society at Oxford, which he attended on a music scholarship. By the time he left the university in 1958 (with dual degrees in music and composition), he was a prolific composer, an accomplished jazz musician and a member of a comic revue called Beyond the Fringe, which went on to become a brilliant success on both the London stage and Broadway.
After Fringe, Moore won further acclaim on both the British stage and TV. He moved to the U.S. after falling in love with American actress Tuesday Weld, whom he married in 1975. She was his second wife, after British actress Suzy Kendall; the third was Brogan Lane, whom he married in 1988. He also had a long relationship with actress Susan Anton.
Once in the U.S., Moore quickly became a Hollywood movie star, with such hits as 1978’s Foul Play, 10 and Arthur. However, his career then took a downward path with the cancellation of two short-lived TV series and the box-office failure of his last few movies (his last feature, Blame It on the Bellboy, was in 1992).
As his popularity on the big screen began to wane, the self-proclaimed “sex thimble” — who said in a Playboy interview that he was obsessed with sex and believed it to be central to the enjoyment of life — returned to his musical roots, carving out a career as a concert pianist, a recording artist and host of such TV series as Concerto! and Orchestra!
During his last years Moore lived in New Jersey while seeking treatment at the Kessler Institute for Rehabilitation. He is survived by two sons, Patrick (with Weld) and Nicholas (with Rothschild).
— MEREDITH MURRAY
Read PEOPLE’s 1999 article about Moore’s illness.
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yago
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https://www.dailymail.co.uk/profile-1321/lily-jobson.html%3Fpage%3D3
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Lily Jobson: All their latest coverage - Page 3
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https://www.dailymail.co.uk/favicon.ico?v=2
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Kate Hudson displays her washboard abs in a skimpy blue bikini and cheekily flashes her bottom (AND her naked husband!) as she shares racy holiday snaps in Las Vegas
The actress, 45, cheekily flashed her bottom in the thin-strapped thong as she gracefully stepped out the swimming pool while posing for pictures.
Jennifer Lopez and Ben Affleck's children are 'coping fine' but are 'ready to move on' from their parents' 'amicable' divorce
The singer, 55, filed for divorce from the actor, 52, without an attorney on August 20 - which also marked the couple's second wedding anniversary.
Madonna comes under fire as she slams her 'fat, unattractive and spotty' fans in shocking unearthed interview
The popstar, 66, branded her fanbase mostly 'overweight girls or guys' who have 'lots of acne and pester her' in an unearthed chat from 1991.
Fearne Cotton admits she used to 'hide in the bathroom' when she presented Radio 1 due to 'crippling anxiety' as she opens up on her 'excruciating time' on the BBC show
The TV personality, 42, fronted the radio station for a year in 2008 before she moved to present her own weekday show for six years until 2015.
Molly-Mae Hague 'is expecting more girls will come forward and claim ex-fiancé Tommy Fury cheated with them' following their shock split
Devastated Molly-Mae Hague is 'bracing herself' for more girls to come forward with claims ex-fiancé Tommy Fury 'cheated on her' following their shock split.
Tom Cruise rushes out of London in his helicopter as estranged daughter Suri, 18, (who he hasn't seen in over 10 YEARS) settles in at Carnegie Mellon University after ditching his last name
Suri - who hasn't seen her father for over 10 years - recently decided to drop her father's last name when she graduated from high school.
The Jam's Bruce Foxton, 68, is forced to quit his band due to health reasons as he shares heartbreaking statement with his 'lifelong wonderful fans'
The singer, 68, shared a heartbreaking statement to his 'lifelong wonderful fans' on the band's official Facebook account.
This Morning hosts Cat Deeley and Ben Shephard are snubbed an NTA nomination as fan favourite co-star Alison Hammond throws them out the category
While the show itself is up for an award in the Daytime category, Cat, 47, and Ben, 49, have shortly missed out - despite getting pulled in by ITV bosses in March.
Myleene Klass puts on a busty display in a plunging swimsuit as she models her latest Next collection
The singer, 46, looked sensational in brown glitzy one-piece as she struck a pose in her stunning new swimwear line.
Cara Delevingne cuts a trendy figure in a glitzy leather jacket as departs Broadwick Soho Hotel with girlfriend Minke - after hitting the red carpet at Blink Twice premiere
The actress and model, 32, cut a trendy figure in a glitzy leather jacket as she departed Broadwick Soho Hotel in London on Monday evening.
I was on Homes Under The Hammer - we were barely paid, got no help from producers and I was shaken by life-changing news during filming
A Homes Under The Hammer guest has opened up on her experience on the programme - claiming she was 'barely paid'.
Is Kylie Jenner coming for Kim's crown? Billionaire looks set to eclipse her sister's success as she becomes first of the Kardashian clan to scoop the cover of British Vogue
Billionaire sisters Kylie Jenner and Kim Kardashian have been in healthy competition with their successful businesses over the years.
Death In Paradise star looks worlds away from BBC detective drama as they transform for new role after quitting series
A Death In Paradise star looked worlds away from his usual looks in the BBC detective drama.
Loose Women's Myleene Klass' voice cracks as she recounts the twisted request she received from the women her ex cheated on her with
The singer's, 46, voice cracked as she recalled the twisted request the women her ex cheated on her with asked, during Friday's Loose Women.
Rylan Clark leaves Josie Gibson stunned with dig about his divorce live on This Morning - as he reveals how milestone celebration seriously backfired
The TV presenter, 35, suffered a mental health breakdown following his marital split in 2021 after being together for five years.
Landmark BBC show that made waves in the nineties with record-breaking budget returning to screens after 25 years
The popular show - which had a record breaking budget - is finally making a comeback.
Good Morning Britain viewers blast 'pointless and embarrassing' Molly-Mae Hague and Tommy Fury debate - raging 'it's absurd!' as they're branded 'modern day Charles and Diana'
The former couple have been dubbed a 'modern day Charles and Diana' but GMB fans branded that the comparison 'absurd'.
Good Morning Britain and Lorraine in double hosting shake-up as both ITV shows forced to swap out presenters
ITV show's Good Morning Britain and Lorraine have been forced to swap out presenters, in the latest last-minute hosting shake-up.
Naomi Campbell, 54, says her 'biggest joys' are raising her two 'beautiful' children and admits motherhood has 'taught her a lot in life' as she wows in a dazzling shoot for Harper's Bazaar
Despite being the biggest supermodel in the world, Naomi, 54, says motherhood is her 'biggest joy and blessing' in life.
Will Young, 45, reveals he is 'enjoying dating again' and has 'rediscovered his libido' after fears of falling in love and getting his heart broken
The Pop Idol star, 45, who came out as gay publicly in 2002 age 23 at the time, said he was always afraid of falling in love again, in case he got his heart broken.
Inside Taylor Swift's swanky thank you party at plush private members' club Annabel's in Mayfair: Singer treats her 200-strong crew to a free bar and parties until 3am at secret event ahead of her final leg of Eras Tour in London
She made sure the plush venue was kitted out with a free bar and organised six 52-seater coachers to transport people back to hotels around the city.
Camila Cabello flashes her cleavage in a low-cut vest top as she parties with mystery man in Ibiza while ex Shawn Mendes enjoys a chilled evening reading in London
The singer, 27, spent the evening with two male companions while her ex-boyfriend Shawn Mendes , 26, spent a relaxing evening reading his book in London.
Inside Julia Bradbury's, 53, battle with breast cancer as former BBC presenter claims the disease 'saved my life'
The Countryfile presenter, 53, was diagnosed with breast cancer in September 2021 before undergoing a mastectomy to have her 6cm tumour removed.
Dan Walker confirms his return to work after painful health battle - and teases brand new project
The broadcaster, 47, also revealed he has been secretly filming a brand new project aside from his hosting jobs on Classic FM and Channel 5 News.
Love Is Blind UK announces explosive reunion episode - with Netflix couples revealing truth behind their engagements in just weeks
The comeback episode will see the newlyweds look back on their journeys and unravel the truth behind their engagements.
Line Of Duty and Motherland star Anna Maxwell Martin shows off striking new look in first pics from David Mitchell's new BBC comedy Ludwig - along with Strictly champ Rose Ayling-Ellis
The Line Of Duty actress, 47, who will play Lucy Betts-Taylor, is starring in the six-part detective series alongside David himself and a very familiar face Rose Ayling-Ellis.
Hollyoaks star reveals they've quit soap amid string of huge cuts - admitting they're now unemployed as they put out call for work
Iz Hesketh, 26, who plays Kitty Darper, has revealed they have left the Channel 4 hit and is now 'looking for work', just a year after they joined the show.
Where are the Celebrity MasterChef winners now? From Greg Rutherford to Lisa Snowdon and Nadia Sawalha as new series gets underway
Celebrity MasterChef is hours away from gracing screens once again, with the famed trophy up for grabs.
Love Is Blind UK's Sabrina leaks entire Netflix romance edited out of show - admitting 'there's so much you don't see'
The Irish beauty was the first to meet her match and get engaged on the first UK season of the Netflix hit.
This Morning star bags their first ever solo show just days after fans called for permanent presenter shake-up
The presenter has now landed a three-part travel series The First Class Travel Show on Channel 5.
Four In A Bed stars blasts 'nightmare' experience on show - raging that they 'wanted to halt filming' after Channel 4 bosses 'stirred up conflict behind the scenes'
The married duo, owners of Newholme Hotel in Blackpool, claimed that the foul-play was so bad that they wanted to 'halt filming'.
ITV fans claim gripping Irish crime thriller is 'better than Kin' as viewers brand the BBC series a 'poor man's version' of classic show
ITV fans have claimed an Irish crime thriller is 'better than' the hit Irish series Kin.
The Repair Shop's Suzie Fletcher reveals 'tear-jerking and nerve-wracking' moments BBC bosses refuse to show on screen as she admits 'they edit a lot out'
Suzie, who is a leather worker and saddle maker, makes regular appearances on the hit show.
Coronation Street star quits after just one year on the soap - and they already have their next show lined up
The actor, who has already got his next show lined up, will be departing the soap in explosive upcoming scenes.
Antiques Roadshow guest splutters 'you are joking?!' as daughter urges her to lay down after life-changing valuation that left crowd gasping
The guest, who appeared on the show with her daughter and grandchild, struggled to contain her shock and excitement when expert Eric Knowles revealed the staggering price.
Dame Arlene Phillips, 81, wades into Strictly bullying row on Good Morning Britain - swiping 'the pressure on the professionals is on another level now'
The 81-year-old Choreographer and former Strictly Come Dancing judge commented on the scandal during an interview on the breakfast show.
GMB's Kate Garraway fights back tears and struggles to catch her breath after 'unbelievably moving' tribute to Southport stabbing victim
The breakfast TV host, 57, fought back tears as she and co-host Richard Madeley spoke about Alice da Silva Aguiar's funeral, one of three little girls stabbed to death at a dance class in Southport.
Former X Factor star Dylan Holloway reveals he has transitioned 12 years after impressing judges as singer shares his 'inspiring' story
An X Factor star has come out as transgender and has shared his inspiring story on social media.
Emmerdale's Lisa Riley signs 'long-term' contract to keep her on the ITV soap amid heartbreaking storyline
Emmerdale star Lisa Riley has signed a 'long-term' contract to keep her on the ITV soap.
Coronation Street star 'set to make shock return as actor is spotted on set' - five months after he quit the soap
His character is currently behind bars, serving six years imprisonment for armed robbery.
TV legend set to host Good Morning Britain next week after 15 years away from screens
Once queen of breakfast TV, the presenter will be stepping in to host GMB twice as she eases her way back into presenting.
Helen Flanagan's Celebs Go Dating coach Anna Williamson reveals 'why the actress is still single' after split from ex-fiancé Scott Sinclair
Helen, who is trying to find the one on the dating show, has been struggling with her self-esteem, according to the E4 dating expert.
The Chase star Shaun Wallace breaks silence on rumours he's been 'sacked' from ITV game show
Also known as the Dark Destroyer, Shaun, 64, revealed the real reason why he is sometimes absent from the show.
Katie Price reveals she's flying back to Turkey AGAIN so she can 'change her veneers' after judge issued arrest warrant when she failed to turn up at bankruptcy hearing
The former glamour model, 46, recently went under the knife in Istanbul for her sixth face lift, which cost £10,000.
Cat Deeley, 47, flashes her toned torso in a khaki green bikini as she and husband Patrick Kielty take a dip in the Mediterranean during summer break in St Tropez
The This Morning presenter, 47, is enjoying some time off in the French Riviera while Josie Gibson and Craig Doyle hold the fort.
Celebrities ready? Louise Minchin, Rob Beckett, Joel Dommett and Ellie Taylor are confirmed to star in a BBC special of physically challenging show
Four famous faces are preparing to compete in the BBC spin-off Celebrity Gladiators.
Tom Grennan, 29, reveals he has been diagnosed with ADHD after years of being 'unable to focus'
The singer, 29, who also has dyslexia, opened up about his diagnosis as he shared upcoming plans for his new album.
Katie Price's texts and voice notes with sports ace during two-year romance with ex-fiancé Carl Woods are 'LEAKED' after he claimed the model cheated on him
Katie Price's ex-fiancé Carl Woods recently claimed the model cheated on him with a sports ace and close friend of royalty during their two-year romance.
Emma Weymouth flashes her abs in a chic polka dot bikini and sarong as she departs Le Club 55 in St Tropez
The Marchioness of Bath, 38, stunned in her stylish beachwear as she was seen heading back to her yacht on a boat after dining at the celebrity hotspot.
Renee Zellweger is forced to stop filming after BATS halt Bridget Jones 4 production in Lake District
The actress, 55, and the film crew headed up to Keswick to continue filming the sequel.
BBC Morning Live star Kym Marsh set to host brand new travel show with GMB's Richard Arnold as daytime TV rivals join forces
Kym, 48, and Richard, 54, will take viewers across the globe and visit some of the best travel spots on their Weekend Travel Show.
Kelly Brook says she feels 'liberated' after starring on Celebrity Race Across The World as she finally has the confidence to use public transport after years of paranoia
Kelly and her husband Jeremy Parisi is battling it out against fellow celeb pairings to race 12,500km across South America with a tiny budget and no phones.
Girls Aloud star Nicola Roberts is engaged! Singer shows off huge diamond ring after boyfriend Mitch Hahn popped the question 'during romantic south of France trip'
The singer, 38, showed off her huge diamond ring on stage at Brighton Pride over the weekend after her boyfriend Mitch Hahn popped the question.
TOWIE star Mario Falcone stuns fans as he shows off 'completely different' appearance after recent cosmetic surgery
The TOWIE star, 36, took to Instagram to detail his recent procedure on his eyelids which he underwent in June.
Blind comedian Chris McCausland is pictured for the first time since he was confirmed in Strictly Come Dancing 2024 lineup
This Morning revealed Chris was the first celebrity confirmed for the 2024 series on Monday, where he expressed his excitement.
Love Island's Maura Higgins is 'secretly dating' TOWIE's Pete Wicks as they're spotted snogging in Soho after shock split from Bobby Holland Hanton
It seems the celebrity duo have taken their relationship to the next level as they could be seen passionately kissing.
Lila Moss packs on the PDA with boyfriend Yoni Helbitz as they enjoy a dip in the Mediterranean during romantic trip to Ibiza
The loved-up couple are currently soaking up the sun in the Balearics with her supermodel mother Kate Moss, 50.
90s game show host, 82, looks completely unrecognisable as he announces new project - but can YOU guess who it is?
The actor, 82, from New Zealand, is famed for fronting a very popular TV show.
Lauryn Goodman vows her children 'will always be her priority' as she officially announces her daughter's name after losing her family court showdown with Kyle Walker
The influencer, 33, who shares four-year-old son Kairo and a daughter, named Kinara, 12 months, with Kyle Walker, chose to disclose her name after a year of keeping it a secret.
Michelle Keegan stuns in a chic grey blazer and shorts as she arrives at Glamour UK event in Manchester
Michelle Keegan looked effortlessly stylish as she attended Glamour UK event at Aviva studios in Manchester on Sunday.
Sam Thompson looks loved-up with girlfriend Zara McDermott as he continues birthday celebrations with sister Louise and her fiancé Ryan Libbey in Ibiza amid Strictly scandal
Their well-needed getaway comes after it was revealed Zara's former Strictly Come Dancing partner 'hit and kicked' her in rehearsals last year.
Sophie Turner parties with pals as she attends star-studded Wilderness Festival event alongside Daisy Ridley and Josie Gibson
The actress, 28, couldn't wipe the smile off her face as she posed for pictures at the IHG Hotels & Resorts' Hotel In The Wild event in Cornbury Park.
Sammy Winward's daughter Mia, 19, is seen for the first time since it was revealed the soap star 'cut her off from the family' after she set up an OnlyFans account
Mia, who is 19 and earns up to £30,000 a month for selling racy images and videos, hasn't spoke to the Emmerdale star 'for months' because of her choice.
Coronation Street star Richard Fleeshman reveals he is going to be a dad for the first time as he shares sweet picture of pregnant fiancée
The actor, 35, announced the joyful news on Instagram as he shared a picture of his pregnant fiancée Celinde Schoenmaker.
Strictly's Janette Manrara admits she's cut off TWO professional dancers at the centre of the BBC scandal
Strictly Come Dancing star Janette Manrara has admitted she's cut off two professional dancers who are at the centre of the BBC scandal.
Sky News thrown into chaos as squirming reporter is put in headlock during live report and studio host gasps 'we have a situation!'
Dumbfounded Katie was too stunned to speak when she was grabbed by the neck, leaving studio hosts in shock.
Helen Skelton confirms return of beloved BBC show after it was dropped from TV schedules
The show come to a halt to make room for coverage of the 2024 Paris Olympic Games.
This Morning's Josie Gibson loses it as viewer calls in to show off 'monstrous' doll - and takes savage swipe at friend
The presenter, 39, couldn't contain her laughter as soon as she saw the image of the item pop up on screen as they spoke to the owner about the history of it.
BBC Breakfast's Carol Kirkwood called out by co-star for fashion blunder as she sports figure-hugging leopard print dress
The meteorologist, 62, looked incredibly glamorous in a stylish leopard print dress as she broadcaster the weather.
Loose Women's Denise Welch left 'freaked out' after life-changing surgery as she shocks co-stars with health confession
Denise Welch shocked her Loose Women co-stars during Thursday afternoon's episode as she detailed her secret health woe.
Homes Under The Hammer host calls out buyer for 'breaking golden property rule' as he's left wincing by nine-bedroom hotel in total ruin
Homes Under The Hammer host Dion Dublin called out a buyer for breaking a crucial 'golden rule', during Thursday night's episode.
Ant & Dec's Limitless Win return date revealed in bumper telly comeback for beloved ITV duo
The return date for Ant and Dec's famed Limitless Win has finally been revealed amid their summer break.
Antiques Roadshow guest's eyes bulge as he learns his £45 watch is worth more than his pension - and BBC crowd gasp in awe
His 'extremely rare' watch saw the BBC crowd gasp in awe of his prized possession, after hearing of the value.
Celebrity MasterChef's return date finally revealed... and it's good news for fans of the star-studded series
Celebrity Masterchef will finally be returning to screens in a matter of weeks, bringing six weeks of three weekly episodes.
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Sidney Poitier | Biography, Movies, & Facts
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1999-05-04T00:00:00+00:00
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Sidney Poitier, Bahamian American actor, director, and producer who broke the color barrier in the U.S. motion-picture industry by becoming the first African American actor to win an Academy Award for best actor (for Lilies of the Field [1963]) and the first Black movie star. Learn more about his life and career.
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Encyclopedia Britannica
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https://www.britannica.com/biography/Sidney-Poitier
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Hollywood trailblazer
Britannica Quiz
Oscar-Worthy Movie Trivia
Poitier’s first credited film role was Dr. Luther Brooks, a Black doctor who treats a bigoted white criminal, in No Way Out (1950). The movie established a significant pattern both for Poitier himself and for the Black actors who followed him: by refusing roles that played to racial stereotypes, Poitier pushed the restrictive boundaries set by Hollywood and made inroads into the American mainstream. He next appeared in Cry, the Beloved Country (1951), an adaptation of Alan Paton’s novel about a murder in apartheid South Africa; Poitier portrayed a reverend. Another of his notable early roles was Gregory Miller, an alienated high school student in the 1955 film adaptation of Evan Hunter’s novel The Blackboard Jungle (1954). Although he had a budding film career, Poitier continued to perform in live theater and won critical acclaim on Broadway in 1959 with his starring role in Lorraine Hansberry’s A Raisin in the Sun. He also starred in the 1961 film adaptation of the drama.
In the gripping drama Edge of the City (1957), Poitier starred as a dockworker whose friendship with a white coworker (John Cassavetes) raises the ire of a racist union boss. Band of Angels (1957) also examined racial tensions. Set at the time of the American Civil War, the melodrama featured Poitier as a rebellious overseer whose boss (Clark Gable) buys the daughter (Yvonne De Carlo) of a once-wealthy family, who, after her father’s death, discovers she is part Black and is sold into slavery. In The Defiant Ones (1958), Poitier was cast as a prisoner who escapes with a white inmate (Tony Curtis); the two must overcome their racial prejudices in order to elude the police. The film, which was considered provocative at the time because of its call for racial harmony, earned Poitier an Oscar nomination for best actor; he became the first African American male performer to earn a nod in the lead category. He also earned acclaim for his work in Porgy and Bess (1959); he portrayed the disabled Porgy, who loves Bess (Dorothy Dandridge), a drug addict being pursued by a number of suitors.
Poitier made history as Homer Smith, an ex-GI who helps nuns build a chapel in Lilies of the Field (1963). His Academy Award win marked the first time a competitive Oscar had been awarded to an African American male. (James Baskett had received an honorary Oscar in 1948 for his role as Uncle Remus in Song of the South [1946].) Poitier was also just the second Black actor to win an Academy Award (Hattie McDaniel had won a best supporting actress Oscar for Gone with the Wind [1939]). After appearing in the biblical epic The Greatest Story Ever Told (1965), Poitier portrayed a man who befriends a blind girl (Elizabeth Hartman) in A Patch of Blue (1965); the moving drama also starred Shelley Winters as her abusive mother.
After the western Duel at Diablo (1966), Poitier starred in a series of acclaimed films. In To Sir, with Love (1967), he portrayed a charismatic schoolteacher who earns the respect of his students at an inner-city school. Next was In the Heat of the Night (1967), a crime drama that focused on the uneasy partnership that develops between a bigoted white Southern police chief (played by Rod Steiger) and Virgil Tibbs, an intellectual Black Philadelphia detective (Poitier). The film received the Oscar for best picture, and Poitier later reprised the role in They Call Me Mister Tibbs! (1970) and The Organization (1971). Poitier’s other movie from 1967 was Guess Who’s Coming to Dinner, in which he portrayed the fiancé of a white woman (Katharine Houghton) who takes him home to meet her liberal parents (Spencer Tracy, in his last film, and Katharine Hepburn). The success of the movies made Poitier the top box-office draw of the year.
Return to acting
After more than a decadelong break from acting, in 1988 Poitier appeared in the action thrillers Shoot to Kill and Little Nikita. His other films include Sneakers (1992) and The Jackal (1997), but most of his later credits were made-for-television movies, notably Separate but Equal (1991) and Mandela and de Klerk (1997), in which he played Thurgood Marshall and Nelson Mandela, respectively. His final role was in The Last Brickmaker in America (2001), a TV movie about a grieving widower whose job is becoming obsolete.
In 2001 Poitier, the recipient of many prestigious acting awards, was presented with an honorary Academy Award for “his remarkable accomplishments as an artist and as a human being.” A dual citizen of the United States and The Bahamas, he served as ambassador to Japan for The Bahamas from 1997 to 2007. In 2009 he was awarded the U.S. Presidential Medal of Freedom. Poitier chronicled his experiences in This Life (1980) and The Measure of a Man: A Spiritual Autobiography (2000). Life Beyond Measure: Letters to My Great-Granddaughter (2008) was a volume of advice and insights in epistolary form. He also released a suspense novel, Montaro Caine, in 2013.
Michael Barson The Editors of Encyclopaedia Britannica
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https://musiclinernotes.wordpress.com/2010/12/03/dudley-he-was-intended-to-star-in-a-number-of-movies-that-never-came-into-fruition-when-his-future-santa-claus-the-movie-producer-ilya-salkind-planned-his-original-superman-iii-in-1982-dudley-was-th/
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Dudley Moore
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Dudley Stuart John Moore, CBE (19 April 1935 – 27 March 2002) was an English actor, comedian, composer and musician. Most everyone thinks of the film "Arthur" when they think of Dudley Moore. Wait till you hear some of his music. Not only was he a wonderful comedian, actor, song writer, but such an accomplished…
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en
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https://s1.wp.com/i/favicon.ico
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Paul Roth's Music Liner Notes
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https://musiclinernotes.wordpress.com/2010/12/03/dudley-he-was-intended-to-star-in-a-number-of-movies-that-never-came-into-fruition-when-his-future-santa-claus-the-movie-producer-ilya-salkind-planned-his-original-superman-iii-in-1982-dudley-was-th/
|
Dudley Stuart John Moore, CBE (19 April 1935 – 27 March 2002) was an English actor, comedian, composer and musician.
Most everyone thinks of the film “Arthur” when they think of Dudley Moore. Wait till you hear some of his music. Not only was he a wonderful comedian, actor, song writer, but such an accomplished pianist. Truly amazing -you will never think of Dudley Moore the same way after hearing this!!
Moore first came to prominence as one of the four writer-performers in Beyond the Fringe in the early 1960s and became famous as half of the popular television double-act he formed with Peter Cook. His fame as a comedic actor was later heightened by his success in Hollywood movies such as 10 with Bo Derek and Arthur in the late 1970s and early 1980s, respectively. He was often known as “Cuddly Dudley” or “The Sex Thimble”, a reference to his short stature and reputation as a “ladies’ man”.
“Just In Time”
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Moore was born the son of a railway electrician in Charing Cross Hospital, London and brought up in Dagenham. His working class parents showed little affection to their son (as his elder sister publicly revealed ). He was notably short: 5 ft 2½ in (1.588 m) and was born with a club foot that required extensive hospital treatment and which, coupled with his diminutive stature, made him the butt of jokes from other children. Seeking refuge from his problems he became a choirboy at the age of six and took up piano and violin. He rapidly developed into a talented pianist and organist and was playing the pipe organ at church weddings by the age of 14. He attended Dagenham County High School where he received musical tuition from a dedicated teacher, Peter Cork. Cork became a friend and confidant to Moore, corresponding with him until 1994.
Moore’s musical talent won him an organ scholarship to Magdalen College, Oxford. While studying music and composition there, he also performed with Alan Bennett in the Oxford Revue. Bennett then recommended him to the producer putting together Beyond the Fringe, a comedy revue, where he was to first meet Peter Cook. Beyond the Fringe was at the forefront of the 1960s satire boom and after success in Britain, it transferred to the United States where it was also a hit.
Dudley with Johnny Carson
During his university years, Moore took a great interest in jazz and soon became an accomplished jazz pianist and composer. He began working with such leading musicians as John Dankworth and Cleo Laine. In 1960, he left Dankworth’s band to work on Beyond the Fringe. During the 1960s he formed the “Dudley Moore Trio” (with drummer Chris Karan and bassists Pete McGurk and later Peter Morgan). Moore’s admitted principal musical influences were Oscar Peterson and Errol Garner. In an interview he recalled the day he finally mastered Garner’s unique left hand strum and was so excited that he walked around for several days with his left hand constantly playing that cadence. His early recordings included “My Blue Heaven”, “Lysie Does It”, “Poova Nova”, “Take Your Time”, “Indiana”, “Sooz Blooz”, “Baubles, Bangles and Beads“, “Sad One for George” and “Autumn Leaves”. The trio performed regularly on British television, made numerous recordings and had a long-running residency at Peter Cook’s London nightclub, The Establishment.
The Dudley Moore Trio
Moore composed the soundtracks for the films Bedazzled, Inadmissible Evidence, Staircase and Six Weeks among others.
In the early 1970s, he had a brief relationship with British singer-songwriter Lynsey De Paul, whom he met at a party.
Pete and Dud
After following the Establishment to New York City, Moore returned to the UK and was offered his own series on the BBC. Not Only… But Also (1965). It was commissioned as a vehicle for Moore, but when he invited Peter Cook on as a guest, their comedy partnership was so notable that it became a fixture of the series. Cook and Moore are most remembered for their sketches as two working class men, Pete and Dud, in macs and cloth caps, commenting on politics and the arts, but they fashioned a series of one-off characters, usually with Moore in the role of interviewer to one of Cook’s upper-class eccentrics. The pair developed an unorthodox method for scripting the material by using a tape recorder to tape an ad libbed routine that they would then have transcribed and edited. This would not leave enough time to fully rehearse the script so they often had a set of cue cards. Moore was famous for “corpsing“—the programmes often went on live, and Cook would deliberately make him laugh in order to get an even bigger reaction from the studio audience. Regrettably, many of the videotapes and film reels of these seminal TV shows were later erased by the BBC (an affliction which wiped out large portions of other British television productions as well, such as Doctor Who), although some of the soundtracks (which were issued on record) have survived. Moore and Cook co-starred in the film Bedazzled (1967) with Eleanor Bron, and also had tours called Behind the Fridge and Good Evening.
A Gershwin Medley
In 2009 it came to light that at the time three separate British police forces had wanted them to be prosecuted under obscenity laws for their comedy recordings made during the late 1970s under the pseudonyms Derek and Clive. Shortly following the last of these, Derek and Clive – Ad Nauseam, Moore made a break with Cook, whose alcoholism was affecting his work, to concentrate on his film career. When Moore began to manifest the symptoms of the disease that eventually killed him (progressive supranuclear palsy), it was at first suspected that he too had a drinking problem. Two of Moore’s early starring roles were the titular drunken playboy Arthur and the heavy drinker George Webber in 10.
Later career
In the late 1970s, Moore moved to Hollywood, where he appeared in Foul Play (1978) with Goldie Hawn and Chevy Chase. The following year saw his break-out role in Blake Edwards‘s 10, which he followed up with the movie Wholly Moses! The latter was not a major success. Soon thereafter, Moore appeared in Arthur, an even bigger hit than 10, which also starred Liza Minnelli and Sir John Gielgud (who won an Oscar for his role as Arthur’s stern but compassionate manservant) and Geraldine Fitzgerald.
“My Blue Heaven”
Moore played Watson to Cook’s Holmes in 1978’s Hound of the Baskervilles. Moore was noteworthy as a comic foil to Sir Henry and played 3 other roles: one in drag and one as a one legged man. Moore also played the piano for the entire score and appears at the start and end of the film as a flamboyant and mischievous pianist. Moore also scored the film.
Moore was nominated for a Best Actor Academy Award but lost to Henry Fonda (for On Golden Pond). He did, however, win a Golden Globe award for Best Actor in a Musical/Comedy. In 1984, Moore had another hit, starring in the Blake Edwards directed Micki + Maude, co-starring Amy Irving. This won him another Golden Globe for Best Actor in a Musical/Comedy.
His subsequent films, including Arthur 2: On the Rocks, a sequel to the original, and an animated adaptation of King Kong, were inconsistent in terms of both critical and commercial reception; Moore eventually disowned the former. In later years, Cook would wind up Moore by claiming he preferred Arthur 2: On the Rocks to Arthur.
In addition to acting, Moore continued to work as a composer and pianist, writing scores for a number of films and giving piano concerts, which were highlighted by his popular parodies of classical favourites. In addition, Moore collaborated with the conductor Sir Georg Solti to create a 1991 television series, Orchestra!, which was designed to introduce audiences to the symphony orchestra. He later worked with the American conductor Michael Tilson Thomas on a similar television series from 1993, Concerto!, likewise designed to introduce audiences to classical music concertos. He also appeared as Ko-Ko in a Jonathan Miller production of The Mikado in Los Angeles in March 1988.
In 1987, he was interviewed for the New York Times by the music critic Rena Fruchter, herself an accomplished pianist. They became close friends. At that time Moore’s film career was already on the wane. He was having trouble remembering his lines, a problem he had never previously encountered. He opted to concentrate on the piano, and enlisted Fruchter as an artistic partner. They performed as a duo in the U.S. and Australia. However, his disease soon started to make itself apparent there as well, as his fingers would not always do what he wanted them to do. Symptoms such as slurred speech and loss of balance were misinterpreted by the public and the media as a sign of drunkenness. Moore himself was at a loss to explain this. He moved into Fruchter’s family home in New Jersey and stayed there for five years, but this, however, placed a great strain on both her marriage and her friendship with Moore, and she later set him up in the house next door.
“Back Home In Indiana”
Moore was deeply affected by the death of Peter Cook in 1995, and for weeks would regularly telephone Cook’s home in London just to get the telephone answering machine and hear his friend’s voice. Moore attended Cook’s memorial service in London and at the time many people who knew him noted that Moore was behaving strangely and attributed it to grief or drinking. In November 1995, Moore teamed up with friend and humorist Martin Lewis in organising a two-day salute to Cook in Los Angeles which Moore co-hosted with Lewis.
Moore is the main subject of the play Pete and Dud: Come Again, by Chris Bartlett and Nick Awde. Set in a chatshow studio in the 80s, it focuses on Moore’s comic and personal relationship with Peter Cook and how their careers took off after the split of the partnership.
He was intended to star in a number of movies that never came into fruition. When his future Santa Claus The Movie producer Ilya Salkind planned his original Superman III in 1982, Dudley was the main choice to play the villainous Mr Mxyzptlk. He was again considered by the Superman producers to play the part of Zaltar in Supergirl, the role subsequently went to Peter O’Toole. When United Artists tried to restart The Pink Panther movie series following the death of Peter Sellers, Moore was offered a lucrative contract to play Inspector Clouseau in Romance of the Pink Panther. The studio brought Blake Edwards back to direct this latest instalment at Moore’s request. He eventually decided not to take up the studio offer to play Clouseau when it became apparent that they wanted to sign him to a four picture deal. Over ten years later he was linked to the role of Jacques Gambrelli, Clouseau’s son in Son of the Pink Panther, the role eventually went to Roberto Benigni. Frank Sinatra acquired the rights to remake La Cage aux Folles and wanted Moore to play the part of flamboyant transvestite “Frank” in this American movie, however Moore could not see himself in the role and turned down Sinatra’s offer. In 1987, Moore agreed at a lunch meeting in London to play Doctor Who in the never made Doctor Who: The Movie from producers Peter Litten and George Dugdale, Moore being the top choice of potential director Richard Lester. The role of Doctor Who would have re-ignited his waning star in the US, and many British tabloids carried front page news of Moore’s casting. Before agreeing to make Rhinestone with Dolly Parton, Sylvester Stallone was prepping an action comedy movie at Paramount Pictures called Jitterbugs which would have seen him cast as a New York Cop hired to protect classical musical conductor Moore, who is caught up in a world of espionage, mafia death threats, and computer chip warfare. Richard Donner was in talks to direct. Around 1983-1984 it was widely rumoured Moore and Arnold Schwarzenegger would team up for an Asterix movie to be produced by Dino De Laurentiis, with Moore playing Asterix and Schwarzenegger as his sidekick Obelix. He and Moore shared the same agent, Lou Pitt, and years later it was again rumoured the two would team up for an action/comedy. The character of Gwildor played by Billy Barty in Masters of the Universe was originally intended to be the character of Orko and likewise was intended for Moore. In 1989, the James Bond producers wanted to cast Moore in the role of Q in Licence To Kill. Moore travelled to Mexico to have a costume fitting, but apparently had a last minute change of heart and left the project. Likewise in 1995 he was again linked to the Bond franchise to be playing a character in Goldeneye. It is thought[who?] that his agent Lou Pitt lobbied hard for Dudley to get the role of The Penguin in Batman Returns, but Danny Devito was director Tim Burton‘s number one choice. Films he turned down aside from these include Splash, Beetlejuice, Short Circuit, Turner and Hooch, Trading Places and Empire of the Sun.
With Julie Andrews
Entrepreneur
Moore co-owned a fashionable restaurant in Venice, California [1980s-2000]. The restaurant was named 72 Market Street. Moore played piano in the restaurant whenever he dropped by the premises.
Personal life
Moore was married and divorced four times: to actresses Suzy Kendall, Tuesday Weld (by whom he had a son, Patrick, in 1976), Brogan Lane and Nicole Rothschild (one son, Nicholas, born in 1995).
He maintained good relationships with Kendall particularly, and also Weld and Lane. However, he expressly forbade Rothschild to attend his funeral. At the time his illness became apparent, he was going through a difficult divorce from Rothschild, despite sharing a house in Los Angeles with her and her previous husband.
Moore dated and was a favourite of some of Hollywood’s most attractive women, including the statuesque Susan Anton. In 1994, Moore was arrested after Rothschild claimed he had beaten her before that year’s Oscars; she later withdrew her charges.
Illness and death
In September 1997 Moore underwent quadruple heart bypass surgery in London, and subsequently suffered four minor strokes.
Comical interpretation of classical music
In June 1998, Nicole Rothschild was reported to have told an American television show that Moore was “waiting to die” due to a serious illness, but these reports were denied by Suzy Kendall.[1]
On 30 September 1999, Moore announced that he was suffering from the terminal degenerative brain disorder progressive supranuclear palsy, some of whose early symptoms were so similar to intoxication that he had been accused of being drunk, and that the illness had been diagnosed earlier in the year.[2]
He died on 27 March 2002, as a result of pneumonia, secondary to immobility caused by the palsy, in Plainfield, New Jersey. Rena Fruchter was holding his hand when he died, and she reported his final words were, “I can hear the music all around me.” Moore was interred in Hillside Cemetery in Scotch Plains, New Jersey. A video of his tombstone is on YouTube. Fruchter later wrote a memoir of their relationship (Dudley Moore, Ebury Press, 2004).
In December 2004, the Channel 4 television network in the United Kingdom broadcast Not Only But Always, a television movie dramatising the relationship between Moore and Cook, although the principal focus of the production was on Cook. Around the same time the relationship between the two was also the subject of a stage play called Pete and Dud: Come Again.
Dudley and Cleo Laine singing “When I Take My Sugar To Tea”
Honours and awards
In June 2001, Moore was appointed a Commander of the Order of The British Empire (CBE). Despite his deteriorating condition, he attended the ceremony, mute and wheelchair-bound, at Buckingham Palace to collect his honour.
Filmography
The Wrong Box (1966)
Bedazzled (1967)
The Bed-Sitting Room (1969)
Monte Carlo or Bust (1969)
Alice’s Adventures in Wonderland (1972)
The Hound of the Baskervilles (1978)
Foul Play (1978)
10 (1979)
Skatoony – Gummo
BBC Horizon: “It’s About Time” (1979)
Wholly Moses! (1980)
Arthur (1981)
Six Weeks (1982)
Lovesick (1983)
Romantic Comedy (1983)
Unfaithfully Yours (1984)
Micki + Maude (1984)
Best Defense (1984)
Santa Claus: The Movie (1985)
Like Father Like Son (1987)
Arthur 2: On the Rocks (1988)
The Adventures of Milo and Otis (1989)
Crazy People (1990)
Blame It on the Bellboy (1992)
Really Wild Animals (1993)
The Disappearance of Kevin Johnson (1995)
The Mighty Kong (1998)
Discography
UK chart singles
“Goodbye-ee” (1965) Peter Cook and Dudley Moore
“The L.S. Bumble Bee” (1967) Peter Cook and Dudley Moore
“Song for Suzy” (1972) Dudley Moore Trio — upbeat jazz.
Jazz discography
From Beyond The Fringe (Atlantic Standard 2 017, 1966)
The Dudley Moore Trio (Decca Records (LK UK) / London Records (US) PS558) 1969
Dudley Moore plays The Theme From Beyond The Fringe and All That Jazz – Atlantic 1403 (1962)
The World of Dudley Moore – Decca SPA 106
Genuine Dud – Decca LK 4788
The Music of Dudley Moore – EMI Australia (Cube Records)TOOFA.14-1/2
Dudley Down Under – Cube ICS 13
Dudley Moore at the Wavendon Festival – Black Lion Records BLP 12151
Smilin’ Through – Cleo Laine & Dudley Moore – – Finesse Records FW 38091
Dudley Dell – Parlophone 45R 4772
Strictly For The Birds – Cleo Laine & Dudley Moore – CBS A 2947
The Theme From “Beyond The Fringe” & All That Jazz – Collectibles COL 6625
Live From an Aircraft Hangar – Martine Avenue Productions MAPI 8486
Songs Without Words – GRP/BMG LC 6713
The First Orchestrations – Dudley Moore & Richard Rodney Bennett – Played by John Bassett and his Band – Harkit Records HRKCD 8054
Jazz Jubilee – Martine Avenue Productions MAPI 1521
37.810448 -122.239864
December 3, 2010
Categories: Composer/Arranger, Featured Performers, Hollywood, Jazz . Tags:Arts, Charing Cross Hospital, Dudley Moore, Helen Mirren, music, Oxford Revue, Peter Cook, United States . Author: Paul Roth
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Alchetron, The Free Social Encyclopedia
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2017-12-25T08:30:48+00:00
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Suzy Kendall (born Freda Harriet Harrison 1 January 1937) is a British actress best known for her film roles in the late 1960s and early 1970s. Born in Belper, Derbyshire, Kendall attended Derby District College of Art where she studied painting and design. She was a fabric designer at British Cel
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Personal life
Born in Belper, Derbyshire, Kendall attended Derby & District College of Art where she studied painting and design. She was a fabric designer at British Celanese and then became a photographic model before becoming an actress.
In 1968 Kendall married pianist, comedian and actor Dudley Moore, and though they divorced in 1972, they remained friends until Moore's death in 2002. Following the divorce she remarried shortly afterwards to Sandy Harper. In 2002 she hosted a memorial service for Moore attended by her second husband and daughter.
Kendall and her friend Pat Wellington wrote Natural Appeal: Fragrant Natural Preparations for the Care of Skin, Hair and Body, a book on beauty tips.
Kendall now lives in London with her second husband Sandy Harper. Their daughter Elodie Harper is a journalist at ITV Anglia.
In 2012, Kendall made her first film appearance in 35 years in Berberian Sound Studio, billed in some sources as the mother of the lead character Gilderoy, played by Toby Jones, though the end credits on the film list her as "special guest screamer". The film is about a sound engineer working on an Italian giallo thriller, which alludes to several appearances she made in the genre during the 1970s.
TV appearances
The Spies (1 episode, 1966)
The Persuaders! (1 episode, 1971)
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2021-05-18T17:19:49-05:00
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Posts about suzy kendall written by jdewitte
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Few Italian writer / directors have cranked out more B-grade filone product than Umberto Lenzi. From pirate swashbucklers, historical mini-epics, a few spaghetti westerns and peplums (Samson and the Slave Queen, Sandokan the Great) in the sixties, Lenzi went on to romantic thrillers and giallos in the seventies (including a few with Carroll Baker, which we’ve already covered), created a few masterful poliziotteschi (Almost Human, Tough Cop and Brothers Till We Die) and some high-gore-quotient horror and zombie films (Eaten Alive!, Cannibal Ferox). He finished out his career as an unspectacular but reliable journeyman, hopping back and forth from genre to genre in film and TV in the eighties and early nineties, effectively retiring in 1993.
Between the Carroll Baker vehicles Paranoia (1969) and Knife of Ice (1972), Lenzi created two nicely done giallos, Oasis Of Fear (1971) and Seven Blood-Stained Orchids (1972), then a nice police thriller (Gang War in Milan,1973), and followed those up with Spasmo (1974) and Eyeball (1975). A very nice run, but let’s sort out those tasty giallos, shall we?
Oasis of Fear (Un Posto Ideale Per Uccidere, or An Ideal Place To Kill) (also Dirty Pictures and Deadly Trap) (Italy, 1971) is a variation on the free-spirited-post-teens vs. the older-monied-privileged-establishment motif, where we discover the latter to be far more corrupt, and corrupting, than the former would ever aspire to. Lenzi explored some of this in the earlier Paranoia, where Carroll Baker indulges herself with a young couple, and is then betrayed and held hostage by them. The young couple here are Dick (Ray Lovelock) and Ingrid (Ornella Muti), who are travelling throughout Europe by selling pornographic pictures of themselves. Low on walking-around money? Pull out the camera. But in Rome, they accidently offer their wares to an undercover cop, are busted, and they’re given 24 hours to leave Italy. On their way through the countryside, out of money, they also run out of gas. Somewhat luckily, though, they’re stranded just outside a ritzy house owned by Barbara Slater (Irene Papas), the beautiful wife of a military Colonel stationed nearby, and, after a few awkward overtures, Barbara takes the couple in to help them out. She keeps insisting her husband will return soon, but, of course, he doesn’t. Will the young free-love hippies take unfair advantage of this lone rich woman, or is Barbara plotting her own nefarious scheme to involve them in something much bigger?
Over the course of the usual psychological chess-games, nude inserts and double-and-triple-crosses, the film definitely keeps our interest. The casting is better than many of these films, with Papas, Muti and Lovelock all having workmanlike nasty fun at their characters’ expense. Reportedly, Lenzi wanted the film to be more Easy Rider-ish, a more straightforward tale of youth and liberation. But producer Carlo Ponti wanted a giallo, hot on the heels of 1970’s Bird With The Crystal Plumage, the box-office flavor of the month in Italy. (I suspect that’s why Lenzi brought in three other writers.) A bit lighter on sex and violence than Ponti might have preferred, Lenzi’s work here is good nonetheless – it’s one of the few films where, despite being shot in a studio, the layout of the house makes logical sense, and you always know where people are in relation to each other; that pays suspenseful dividends. Alfio Contini is the veteran journeyman cinematographer, and the seldom-used Bruno Lauzi wrote the inconspicuously good music score (with the exception of his Hollies-like earworm theme song.) Not necessarily a film to seek out, but it’s a period pleaser for 70’s B-movie aficionados.
A bit below the classics, but definitely a textbook giallo, Lenzi and co-writer Roberto Gianviti wrote Seven Blood-Stained Orchids (Sette Orchidee Macchiate Di Rosso) (Italy, 1972) as a variation on a story by Cornell Woolrich, Rendezvous In Black, where a tragic accidental death leads to revenge taken on a series of supposed possible perpetrators. The film opens with the beating death of an Italian prostitute known as ‘La Toscana’ (Gabriella Giorgelli), followed soon after by the death of an American painter in her studio, Kathy Adams (Marina Malfatti). A third attempt is made on Giulia Torresi (Uschi Glass), the fiancée of clothing designer Mario Gerosa (Antonio Sabato), while they’re on a train trip. The M.O.s don’t seem similar, but each victim was left with a crescent-shaped zodiac medallion. Giulia recognizes a photo of La Toscana as Inez Tamburini, an honest and hardworking girl who worked at her family’s hotel a few years back. She also recognizes the medallion as one left by an American guest those same few years ago. Returning to the hotel, Giulia and Mario discover that the victims all stayed at the hotel during a particular few days, along with other guests who may be next on the killer’s list. A missing page in the register almost assuredly bears the killer’s name. What the hell happened on that day?
In typical giallo fashion, Mario embarks on his own inquiries concerning the mystery hotel guest, while the police track down the other potential victims (with mixed results). Mario’s trail sends him to another hotel guest with, supposedly, a perfect memory, and a hippie party house where he’s given a name to pursue. There’s a nice sense of escalating complexity to the mystery, as leads seemingly disappear and then lead to other intrigues. The eventual identity of the killer is a logical reveal – even as he throws us a few curve balls, Lenzi gives us everything we need to know, and it’s still a surprise. (Although viewers of Don’t Torture A Duckling or Seven Deaths In The Cat’s Eye will already know whom to suspect early on.) Riz Ortolani delivers his usual swingin’ musical score, and Angelo Lotti’s cinematography is stylish, if a bit workmanlike.
Spasmo (Italy, 1974) is a bit of a puzzle film, more concerned with psychology and mind games than black leather and spurting blood. But, while it proceeds in problematic fits and starts, the concluding scenes are well worth waiting for.
Christian Bauman (Robert Hoffman, bland but functional) encounters a weird but intriguing series of coincidental events – he and a female friend, Xenia (Maria Pia Conte) encounter what they think is a body on the beach, but the body awakens, revives none the worse and quickly spirits away. A clue left at the scene leads them to a yacht owned by a friend of the mystery woman’s, Alex (Mario Erpichini), where the woman herself, Barbara (Suzy Kendall), is hosting a party. She and Christian eventually sneak off to her hotel, where she insists on his shaving his beard before intimacies. But while Christian’s in the bathroom, a man from outside, Torres (Adolfo Lastretti) bursts in through the window and attacks him at gunpoint – a struggle for the gun results in the death of the would-be assassin. Barbara convinces Christian to flee the scene, with some unexpected help from a lurking Alex. Back on the yacht, Christian realizes he’s got to go back to the motel for a neckchain he left behind, and leaves Barbara with Alex. Back at the motel, he finds the neckchain but discovers the dead body missing. Improbably, Barbara leaves Alex again and catches up with Christian, now suggesting that they hide out at her painter-friend’s house and studio, which will be deserted for two weeks while the artist is in Brazil.
The clichés and half-hearted symbolism fly fast and furious, and it’s by design that we think this is impossibly contrived. Not only do we have this storyline, but we occasionally get glimpses of inflatable-rubber female dolls, scantily clad, scattered around the landscape, most bearing signs of knife-wounds. The film opens with one, and we suspect Barbara-on-the-beach may be one as well – it’s an admittedly effective red herring. Christian goes on and on about contacting his brother, Fritz, but never quite manages. And there’s more seeming nonsense, potential violence and kinky flourishes to come.
Most surprises here become no surprise at all, as we discover the artist’s house isn’t deserted at all, but has been let by Malcolm and Clorinda (Guido Alberti and Monica Monet), a philosophical older man and his lovely companion. For vague reasons, Christian decides to confess to shooting his attacker at the motel, but Malcolm thinks he’s hallucinating and isn’t altogether sane. A new character crops up – we keep meeting a lurking man in a red shirt. Now Clorinda wants to seduce him. Now the ‘dead’ assassin reappears. Christian keeps investigating, creating tighter circles of doubt, looks for the yacht again, but it’s gone, and now real bodies, rather than dolls, are starting to appear. But who is doing the killing?
In some ways, it seems Christian’s regular life is being deliberately steered towards something, a gaslighting of a sort. But there are also hints that Christian may be genuinely unstable himself. The truth ends up being a blend of the two; when we inevitably meet the mysterious brother, Fritz (Ivan Rassimov), many threads converge, but we don’t really know if the killings will necessarily stop, even if Christian, Fritz, Torres or anyone else we’ve met is no longer around.
Lenzi (and three other writers here) take a step towards full-on Argento territory here, more concerned with weaving a set of unsettling scenarios rather than a purely logical narrative that beguiles or fools you through outright deception or omission. Lenzi reportedly took over for Lucio Fulci, and Fulci might have had a surer hand with the fetish-as-metaphor aspects than Lenzi does here. None of our primary characters festooned the countryside with those mangled sex-toy dolls, but there they are, standing in for those we discover are the genuine victims. In truth, the film is kind of a mess – it feels like important chunks were written on the fly by Lenzi, inserted and then filmed in haste. I think our editor, prolific veteran Eugenio Alabiso, was more sinned against than sinning. It’s no fault of cinematographer Guglielmo Mancori, though, either – his work is lovely. Ennio Morricone provides some lovely soundtrack music, but it isn’t one of his more memorable scores.
It’s not a great movie, but Lenzi ultimately brought so many good ideas that it’s an interesting and watchable near-miss.
What ended up as Lenzi’s final giallo film, Eyeball (Gatti Rossi In Un Labirinto Di Vetro, or Red Cats In A Maze Of Glass) (Italy, 1975), is a more conventionally plotted serial murder mystery, with a structure that could have been workable. But Lenzi didn’t bring much enthusiasm to it – it’s the flattest and least committed of these four, and squanders the few good things that show up in the otherwise paint-by-numbers effort.
An American tour group, apparently from Burlington, Vermont (!), is on a tour of Barcelona, Spain, a very beautiful European city by all accounts. But except for an early tour-bus montage, Lenzi doesn’t capture much of it, and ends up chasing his own story’s tail throughout. There is, of course, a killer among them – the first murder is of a local woman, not a tour member. But that changes pretty quickly, as the teenaged Peggy Randall (Olga Montes) is murdered in a carnival funhouse. Both victims display the same M.O. – they’re repeatedly stabbed, then their left eye is gouged out. The remaining tour features both viable suspects and potential victims: Paulette Stone (Martine Brochard) is on her own, taking a break from her job and her paramour boss, Mark Burton (John Richardson), who nonetheless shows up in Spain after a troubling week in Paris with his wife Alma (Marta May). Lisa Sanders (Mirta Miller) is a professional photographer on location with her model/lover Naiba (Ines Pellegrini). Hamilton (John Bartha) is a cigar-chomping cowboy-hat wearing good-ol’ boy taking the tour with his own teen daughter Jenny (Verónica Miriel). A middle-aged couple, the Alvarados, Robby and Gail (Daniele Vargas and Silvia Solar) intend to return to a site where Robby sustained a wartime wound near Madrid. The Reverend Bronson (George Rigaud) seems to be there because every giallo needs a suspect priest – it’s the scriptwriters’ law. And Martinez (Raf Baldassarre) is the wisecracking, prank-pulling tour guide.
The police investigate, of course – the lead detective (Andrés Mejuto) is a week away from retiring, but his young protégé (José María Blanco) is earnest, eager and follows orders. In fine giallo custom, they’re intense, humorless and not much help. Mark Burton, still birddogging Pauline, keeps getting messages that his wife is in town, but his attempts to track her down turn out to be someone’s strategy to frame him for the murders. Lisa, the photographer, is the next victim, but Naiba narrowly escapes harm.
Things definitely bog down from there – a few subsequent failed stabbage attempts, including another on Naiba, interweave with some seemingly meaningful (but not really believable) photo clues, but in the end our killer is caught red-handed, or red-eyed, as it were. The killer could have been a nice twist, but Lenzi just couldn’t be bothered by this point. Years afterwards, Lenzi would gripe about lousy scripts and low budgets to gloss over his lesser efforts, but he never had trouble taking co-screenwriting credits anyway. Dyed-in-the-wool gorehounds can proceed to his early-80s big-box-office zombie travesties, but I feel pretty Lenzi-ed out at this point. The Carroll Bakers are good trash, and the first two here are watchable, but the rest are only for geeky completists (like, umm, me…)
All The Colors Of The Dark (Tutti I Colori Del Buio) (Italy, 1972), is, I think, more of what Americans think of when they think of 70s European giallo movies – dream sequences, a terrified woman, a stalker in a trenchcoat, a knife, a spurt of blood, suspects who don’t seem like suspects (which means they’re all suspects), and a psychedelic satanic orgy or two thrown in for good measure. Here, in their third collaboration, Martino and Ernesto Gastaldi (and co-writer Sauro Scavolini) have fashioned a good old-fashioned Saturday-night horror-thriller, ripe with paranoia and lurid sex-and-violence set-pieces. But the story is not nearly as crisp, nor the psychology nearly as foundational, as those elements were in his previous two films (discussed in Part I here).
After a pretty tame title credit roll (a quiet lagoon in the country somewhere surrounded by trees, slowly moving from dusk to nighttime), the film itself opens with a pretty off-putting dream sequence involving pregnant women (one beautiful, one not-so-much), an old man in drag as a child’s doll in a frilly white dress (very Baby Jane), and a mysterious sinister blue-eyed man with a knife. Even if we eventually figure out the meanings of these tableaux, the ill-conceived sequence itself is rarely referred to again, save for that sinister blue-eyed guy with the knife. (It looks like an outtake from an old Avengers episode.) We simply need to take Jane Harrison’s (Edwige Fenech) word and manner at face value concerning these nightmares she’s having – they are reoccurring, and they are draining her emotionally. They draw on a few events in Jane’s recent life – the mysterious murder of her mother some years ago, and a serious auto accident that Richard , her longtime boyfriend (George Hilton), got them into that cost them the child they were expecting at the time. Richard feels that Jane just needs time, their love, his support and a healthy dose of vitamins (he’s a pharmaceuticals salesman) to get past it all. Jane’s sister, Barbara, is the receptionist for a very successful psychiatrist, Dr. Burton, and insists that she let him help her. (Susan Scott, known in earlier films by her real name, Nieves Navarro, plays Barbara, and she’ll appear frequently in later gialli directed by her husband, Luciano Ercoli.) The kindly but serious-minded Dr. Burton (George Rigaud) is, indeed, helpful, and Jane plans to return for regular sessions. But Jane also meets an intriguing new neighbor, the elegantly discreet Mary (Marina Malfatti, another giallo semi-regular), whose attendance at Black Masses in an elaborate castle on the outskirts of town have rid her of a lot of her own personal demons. Hey, Jane, c’mon along! And, of course, she does.
In previous films, Gastaldi would have taken the time necessary to justify a lot of Jane’s decisions based on her own character’s history (this was well-orchestrated in The Strange Vice Of Mrs. Wardh.). He sets up an interesting crosscurrent or two – Richard and Barbara clearly loathe each other; protective big sister vs. boyfriend she doesn’t have much use for. Jane doesn’t trust Richard to take her nightmares seriously, but her own stabs at resolution seem both passive and flailing, almost purely fear-driven, helped along by frequent reappearances of the sinister blue-eyed guy (Ivan Rassimov, playing the looming–evil-shadow-guy yet again; the film to see Rassimov excel in is Massimo Dallamano’s Mafia Junction, also released as Superbitch, also released as Blue Movie Blackmail [*sigh*] a superior police thriller, or, as the Italians say, poliziotteschi). We had a pretty good sense of Julie Wardh’s present life, and the decisions that created it, in that previous film, but there are very open questions here of how Jane Harrison ended up with Richard to begin with, what her own real relationship is to her sister, and why she has no problem with drinking dead dog’s blood and essentially being gang-raped at a co-ed Black Mass in a castle basement. Wai…wha… Huh?! Well, yeah – it’s mercifully softcore (although the dog thing’s a little disturbing), but that’s clearly what occurs. Nonetheless, its tonic properties are apparent where Richard and Jane are concerned – having had previous trouble with ‘The Tune,’ they rediscover the ‘Sheet Music’ again after Jane’s little pagan-orgy adventure.
A few days later, Jane again joins Mary for another visit to the bacchanal-in-the-basement, but gets a nasty surprise – Mary has brought Jane to the group to replace her, which enables Mary to fulfill her wish to shuffle off of this mortal coil, which requires Jane to be the one to send her off. And in her hand is That Knife from the nightmares…
Eventually we learn that a lot of these weird things have deeper, and more practical, histories than Jane is aware of – Mom’s murder featuring prominently – but a lot of other stuff just stays weird, and oddly unmotivated. Sinister blue-eyed guy turns out to be one of the Black Mass-ers; it might’ve made more sense for him to help lure her there than to terrorize her, and at one point even try to kill her, for the first half of the film. Jane’s fear is what makes it easy for Mary to ingratiate herself, so, oddly, his mission is somewhat accomplished, but his role overall is pretty murky. We also learn a thing or two about Barbara that throws a bunch of her character’s logic out the window as well. And if the script didn’t designate some degree of importance to Richard’s character, we wouldn’t have much idea of what he’s doing there at all. Fenech does her usual reliable good work here – her performance is a big element of the pervasive tone of paranoia and suspense, and it’s harder than one might think to be The Girl Who’s Scared All Of The Time without boring hell out of us after twenty minutes. As big dumb scary-fun B-grade sexy-sexy entertainment, All The Colors Of The Dark is very good, and is much better than a lot of the seventies product we’ll be faced with later on. But based on Martino and Gastaldi’s previous high standards, it’s one of the lesser of the big five.
Martino’s Your Vice Is A Locked Room and Only I Have The Key (Il Tuo Vizio É Una Stanza Chiusa E Solo Io Ne Ho La Chiave) (Italy, 1972) isn’t nearly as concerned with the volume of the body count as it is the psychological intrigues that lead to murders in the first place. Martino stretches the form even more; the grisly deaths are directly tied in to the psychology and motives of the players, and there are superb twists at the end, including a tip of the hat to our old pal Edgar Allen Poe.
Martino, Gastaldi, Sauro Scavolini and Adriano Bolzoni subvert a number of thriller clichés here. Oliviero Ruvigny (Luigi Pistilli) had some early success as a novelist, then went into teaching, and now simply languishes on his rural estate, drunk, high and sweaty, living off of the inheritance left to him by his mother, a famous Italian film actress. He graciously (if sloppily) holds court with the nearby commune hippies who drink his booze, eat his food and regale him with nude dancing and earnest but annoying protest songs. He’s cringe-inducingly cruel to his beautiful wife Irene (Anita Strindberg, doing some A-level scenery chewing here), and regularly sleeps around with the local girls. So the big question, of course, is how can Irene stand it? But just when you think we’re trapped in a tedious Antonioni knock-off, the small village is struck with a nasty slasher killing involving a young girl Oliviero may have been involved with; Irene immediately suspects Oliviero, which, of course, enrages him. But when their young and beautiful housekeeper, Brenda (Angela La Vorgna) suffers the same bloody fate in their own upstairs hallway, Irene helps him to dispose of the body! Is she an irretrievable Stockholm-er, or are their darker intrigues afoot? Ratcheting up the thickening plot, Oliviero’s young niece Floriana (Edwige Fenech, with a short, stylish bob haircut) settles in for a surprise visit. She sizes things up pretty quickly and goes to her own kind of work, comforting the tormented Irene, derisively but promiscuously belittling the sodden Oliviero, and striking out on her own to bed a local or two herself. It’s a refreshing change for Fenech, portraying one of the villains rather than a potential victim. Floriana’s the id – the unattached pleasure-seeker – to Irene’s ego – sacrificing herself to the goal of a later-imagined payoff of some sort, although it ain’t about money – Oliviero, it’s mentioned, is already starting to sell off furniture to raise cash.
Martino and his fellow writers smear their Oedipal, incestuous, misogynistic, voyeuristic and sado-masochistic conceits across the film with a trowel. Oliviero keeps his mother’s black cat, named Satan, as his pet, while Irene keeps a small dove-cote, which is predictably raided by you-know-who. Both Irene and Floriana treat Oliviero’s sexual congress with his late mother as a foregone conclusion, which just seems to motivate the opportunistic Floriana as much as disturb her. And the first three murder victims – one of Oliviero’s former-student side projects, Brenda the housekeeper and a newly-arrived local prostitute – are clearly being punished for their forthright sexuality.
Your Vice Is A Locked Room and Only I Have The Key is an impressive showcase for the best, and the worst, of the Italian giallo. Its plot structure is admirably and compellingly twisty-turny, the lead performances are very good, and it’s genuinely scary and thrilling. The psychological gamesmanship of the three leads is the real engine of the plot, rather than just violence and sex. But some, understandably, will be put off by the persistent misogyny – Oliviero, in his way, gets off easy, while the women in the film Get Theirs in more disturbing ways, even in the later cases where a kind of justice is being served. We’re starting to move away from Argento’s sparingly-used POV techniques to heighten our empathy for the potential victim, and towards directors’ using similar techniques to build unhealthy anticipation for the inevitable kill.
I enjoyed the film overall, despite these caveats. Giancarlo Ferrando’s cinematography here is quite wonderful, although Bruno Nicolai’s (usually eccentric) musical score leans a little muzak-y. Of course, the film is lousy with alternative titles provided by wildly grasping distributors – Gently Before She Dies, Eye of the Black Cat and, my favorite, Excite Me (!). But posterity has left us with the best title, which is nicked from one of the notes Julie Wardh receives with her flowers from the insidious Jean in our first film. I would put consensus down that Your Vice Is A Locked Room and Only I Have The Key and The Strange Vice Of Mrs. Wardh, my own favorites, are generally tied for second in the estimation of Martino’s giallo fans. And the popular pick for #1…?
As Mario Bava’s Bay Of Blood spawned the Friday the 13th series, and its countless offshoots, Martino’s Torso (I Corpi Presentano Tracce Di Violenza Carnale, which translates as The Bodies Show Signs Of Carnal Violence – me, I’m OK with the long titles…) (Italy, 1973) was the template for seemingly hundreds of Co-Eds In Peril movies. Up until now, the Martino / Gastaldi films featured adults contending with the psychologically distorted remnants of their youthful past, or adults contending with the practical dangers of deranging greed, following the Bava / Argento model. This was one of the first films to feature victims – a series of young girls – who are essentially punished for their potential to end up socially and / or sexually well-adjusted, and our killer, wrapped in customary black and wielding customary cutting instruments, takes extreme measures to prevent that from happening and/or punish them for their prerogatives. (Bava’s Hatchet For The Honeymoon touched on this somewhat, but not with Martino / Gastaldi’s obvious fervor.)
Jane, Dani, Flo, Carol. Katia and Ursula (respectively, Suzi Kendall, Tina Aumont, Patrizia Adiutori, Cristina Airoldi, Angela Covello and Carla Brait) are all great friends at their fine arts school in Perugia. Jane is an American who has taught art history before (she’s older than the others) and is pursuing further study in Italy, and Dani lives with her Uncle while she’s in school. They love their classes, and, in an early scene, debate the qualities of the paintings of Perugino with their handsome art professor, Franz (John Richardson) (‘Perugino’ was the painter Pietro Vannucci’s nickname, as he was raised in that region of Umbria). Being a little older, Jane hits it off with Professore Franz, but he’s good about being a gentleman about it. The other girls contend with a little more drama in their lives: Dani is being pursued, annoyingly to her, by Stefano (Roberto Bisacco), whose preppy smugness hides some pretty severe masculine insecurities. Katia and Ursula are just fine – they’re a happy intimate couple. Carol, however, has less discerning luck with men – we learn that she’s carrying on an affair with Dani’s uncle, and she’s fallen in with a few surly pot-smoking locals who take more license with her than propriety might allow. Flo is smart and attractive, and, that night, hooks up with fellow student Sean for a little parking pillow talk under a freeway underpass. Distressingly, Flo and Sean then become the first murder victims of the perpetrator who subsequently pursues them all. Carol’s death follows soon after, as she abandons two of her male party pals at an out-of-the-way pot-fest, and walks through the woods back to civilization in a soporific haze – easy pickings to become the second victim.
The police conspicuously alert the school’s student body that the three victims came from among their ranks, and urge them to help find the killer. The main clue is fabric remnants of a particular red-and-black scarf found under the fingernails of both female victims. Dani recalls that scarf, and wracks her brain to remember whom she saw wearing it. Dani’s uncle is leaving the city for Paris on a business trip, and suggests that Dani and all of her friends repair to his rural country villa to escape the oppressive fear that the Perugia murders have fostered. Dani, Carol and Katia take the train out to the country – Jane will drive out to join them later after taking care of some unavoidable business.
So, as with most conventional murder thrillers, we have the black-gloved assassino, a short but involving list of potential victims, and a wide assortment of possible perpetrators – the wheedling Stefano in pursuit of Dani’s favors, the Uncle with something to hide, the surly stoners who took advantage of Carol, a guy we catch glimpses of in Perugia who turns out to be a doctor in the small rural village to which they’ve taken refuge (Luc Merenda) – hell, let’s throw in the art professor as well, though it seems more notable that Jane herself doesn’t seem nearly as upset by the murders as her friends are. What exactly is that business she needed to attend to before joining them? Which of these suspects would be an acquaintance of the street vendor who sells the scarves, and whom meets a grisly fate of his own?
I won’t spoil the details of what happens at the villa, other than to say that the killer, naturally, follows them there, that extraordinarily nasty things happen (pushing the envelope of ‘nasty things that typically happen in gialli’), that one of the girls falls and twists her ankle, and that the final half-hour of the film is one of the most artfully constructed sequences of squirm-inducing suspense since mid-sixties Hitchcock. The good parts are great parts, but, like Your Vice…, I have mixed feelings about the misogynistic bent of the film, despite the artistry of the presentation. I just think the women in Your Vice… are a more even match for what they’re up against.
One other note – the opening credits sequence of Your Vice Is A Locked Room and Only I Have The Key is a gauzy depiction of a lovemaking couple (seemingly Irene and Oliviero) that doesn’t have a hell of a lot to do with the events of the film thereafter. However, the opening credit sequence of Torso, another filtered and abstracted mélange of intimately intertwined flesh, turns out to be crucial to the later events of this film. I’ll leave it to you to discover why that’s true.
Sergio Martino’s giallo films are all excellent murder-melodramas that seamlessly blend the stylistic breakthroughs of later Hitchcock, Mario Bava and Dario Argento without sacrificing Martino’s own strong directorial personality. To sum up: The Strange Vice Of Mrs. Wardh and Your Vice Is A Locked Room and Only I Have The Key are my personal favorites, and The Case Of The Scorpion’s Tail, while less sensationalized, is very underrated. Torso was more problematic for me, but is undoubtedly a must-see for the giallo genre in general. And All The Colors Of The Dark, while not holding together as well as the others, still contains some jaw-dropping sequences that would delight any late-Saturday-night viewers, and would be an ideal drive-in movie if there were still drive-ins. And it’s well worth seeking out both Edwige Fenech and Anita Strindberg’s other work – they were all over the Italian B-movie industry in the 1970s, and we’re sure to encounter them later on.
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Dudley Moore, 66, Comic Charmer of '10' and 'Arthur' and an Accomplished Pianist, Dies
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Dudley Moore, multitalented British actor, comedian and musician, dies at age 66 from complications of progressive supranuclear palsy, disease that attacks various neurological functions; photos (M)
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https://www.nytimes.com/2002/03/28/arts/dudley-moore-66-comic-charmer-of-10-and-arthur-and-an-accomplished-pianist-dies.html
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Dudley Moore, the multitalented British actor, comedian and musician noted for his performances in the 1960's stage revue ''Beyond the Fringe'' and the films ''10'' and ''Arthur,'' died yesterday at his home in Plainfield, N.J. He was 66.
A spokeswoman for the actor said that the cause of death was pneumonia as a complication of progressive supranuclear palsy, a disease that attacks various neurological functions.
A diminutive man, Mr. Moore was renowned for his affinity for tall women, usually blonde -- he was married and divorced four times -- and a versatility that carried him from the stage in the 1960's to Hollywood movies in the 70's and 80's and finally to the concert stage as a pianist in the early 90's. But the big career predicted for him after his movie successes evaporated in a string of bad roles, misconceived projects and stormy personal relations that in recent years often landed him front and center in the British tabloids.
Mr. Moore's climb to prominence began with ''Beyond the Fringe,'' a comic revue he created with three other young performers: Peter Cook, with whom Mr. Moore had a 15-year professional relationship; Alan Bennett, a fellow Oxford graduate of Mr. Moore's, and Jonathan Miller.
A savagely hilarious lampoon of deadly serious public issues, the show had its origins at the Edinburgh Festival in 1960, moving on to London and then to Broadway, where it played from 1962 to 1964 and had a brief revival in 1965.
When it opened in New York, the country was in the throes of the Cuban missile crisis, and audiences were nervous. Cook and company showed no mercy. ''Get out of the danger area,'' Mr. Cook warned. ''That's where the bomb drops.''
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https://www.prints-online.com/who-people-dating-suzy-kendall-dudley-moore-14241837.html
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Who People Are Dating Suzy Kendall and Dudley Moore
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Prints of The English actor, comedian, jazz pianist and composer, Dudley Stuart John Moore (19 April 1935 27 March 2002)
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Mary Evans Prints Online Photo Prints
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https://www.prints-online.com/who-people-dating-suzy-kendall-dudley-moore-14241837.html
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favorite
Mary Evans Picture Library Photo Prints and Wall Art
Who People Are Dating - Suzy Kendall and Dudley Moore
The English actor, comedian, jazz pianist and composer, Dudley Stuart John Moore (19 April 1935 27 March 2002) with model-turned-actress Suzy Kendall (born Frieda Harrison 1 January 1944). The couple got married in 1968 and though they divorced in 1972, they remained friends until Moores death. Date: 1966
Media ID 14241837
© Illustrated London News Ltd/Mary Evans
1966 Comedian Composer Divorce Dudley Kendall Moore Musician Pianist Romance Suzy Swinging
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Dudley Moore : Free Download, Borrow, and Streaming : Internet Archive
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Dudley MooreA gifted musician as well as comic actor, diminutive British performer Dudley Moore made his mark as an American movie star with his hilarious...
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https://archive.org/details/01-dudley-moore
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A gifted musician as well as comic actor, diminutive British performer Dudley Moore made his mark as an American movie star with his hilarious turns as sensitive, bumbling libertines in the hit movies 10 (1979) and Arthur (1981). His stardom, however, had already ebbed before he was diagnosed with a degenerative brain disorder in 1997. Born with a clubfoot and withered leg, Moore endured a series of operations as a child to correct them. He found a refuge from his physical difficulties when he began studying the piano at age six, adding violin and organ to the mix as he got older. After a stint at London's Guildhall School of Music and Drama, Moore attended prestigious Oxford University on an organ scholarship and began composing music for local shows. While at Oxford, Moore met Peter Cook, with whom he teamed up several years after graduation for the popular London musical and comedy revue Beyond the Fringe (1961). After the show's four-year run, Moore and Cook branched out into British TV and movies, including The Wrong Box (1966) and the original version of Bedazzled (1968), featuring Moore as the schlub who makes an absurd Faustian pact with Cook's Satan. Taking a brief break from his comedy partnership, Moore co-wrote, composed the score, and starred in the romantic comedy 30 Is a Dangerous Age, Cynthia (1968), opposite his then-wife Suzy Kendall. After spending the mid-'70s performing live in their hit revue Good Evening, Moore and Cook parted for good in 1977 (save for performances in the Amnesty International benefit shows immortalized on film in The Secret Policeman's Ball [1979]) and Moore headed to Hollywood for his first movie role since 1972. Though the part was small, Moore made the most of it with his outrageous performance as a swinging opera conductor in the Hitchcockian comedy Foul Play (1978). A summer hit, Foul Play inspired Blake Edwards to hire Moore to replace George Segal for the lead in 10. A sex comedy about 1970s hedonism, midlife crises, and the male search for female physical perfection, 10 made inept pursuer Moore and voluptuous fantasy girl Bo Derek into stars. After the woeful Biblical spoof Wholly Moses (1980), Moore had his greatest film success with the blockbuster romantic comedy Arthur. Starring Moore as a soused, piano-playing millionaire, Liza Minnelli as his working-class true love, and Sir John Gielgud as his long-suffering butler, Arthur managed to be as funny as it was charming, earning Moore his sole Oscar nomination and a marvelously dry Gielgud his one Oscar win.
Following a dramatic performance in the unpopular weepy Six Weeks (1982), Moore returned to the frothy genre that had served him so well. Lovesick (1983), Romantic Comedy (1983), and Moore's remake of the Preston Sturges marital farce Unfaithfully Yours (1984), however, all failed to live up to Arthur's success. Whatever ground Moore regained with Blake Edwards' bigamy romp Micki + Maude (1984) was soon frittered away with Santa Claus: The Movie (1985) and Moore's entrant in the late '80s young/old body-swapping comedies, Like Father, Like Son (1987). The saccharine sequel Arthur 2: On the Rocks (1988) failed to recapture the original's sparkle and flopped accordingly. His movie-star status further crippled by box-office duds Crazy People (1990), Blame It on the Bellboy (1992), and The Pickle (1993), Moore returned to TV in the early '90s. Neither of his sitcom vehicles, Dudley (1993) and Daddy's Girls (1994), made it past the first season. Still, through his movie heyday and decline, Moore maintained his parallel career as a musician, appearing as a concert pianist during the 1980s and '90s, as well as masterminding and performing in Showtime's documentary series Orchestra! (1991).
The effects of Moore's disease became apparent, though, during a troubled 1996 concert tour in Australia, and he lost the lead in The Mirror Has Two Faces (1996) when he couldn't remember his lines. Already tabloid fodder when his then-fiancée filed domestic abuse charges in 1994, Moore's fourth marriage dissolved into an ugly divorce in 1997, the same year he was diagnosed with progressive, supranuclear palsy. Increasingly immobilized by the disease, Moore's public appearances became rarer; though not lethal, PSP left Moore susceptible to a fatal bout of pneumonia in March 2002.
Moore's four wives also included American actress Tuesday Weld, and he had two sons.
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https://www.famousbirthdays.com/people/suzy-parker.html
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en
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Suzy Parker - Trivia, Family, Bio
|
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Suzy Parker: her birthday, what she did before fame, her family life, fun trivia facts, popularity rankings, and more.
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en
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/favicon.ico
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Famous Birthdays
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https://www.famousbirthdays.com/people/suzy-parker.html
|
About
Popular model of the 1950s who was the cover girl for Bazaar and Life magazines, as well as popular screen actress.
Before Fame
She signed on with the Ford modeling agency while still in high school, and became a model full-time after graduation.
Trivia
Rising to fame in the early early following WWII, she was the first model to earn more than $100 an hour and more than $100,000 in a year.
Family Life
Although she spoke out against marriage, saying it was anathema to romance, she turned out to have had two secret marriages.
Associated With
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https://www.imdb.com/name/nm0447648/trivia/
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en
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Suzy Kendall
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Suzy Kendall. Actress: Junge Dornen. A doe-eyed, honey-blond actress of extraordinary beauty, Suzy Kendall was one of the most popular British actresses of the 1960s. Yet, she never really sought the spotlight and accepted fame only reluctantly. Born as Freida Harrison, her goal was actually to be a clothing designer and, in fact, she majored in fabric and fashion design at Derby College. In pursuing her studies, she inevitably ran...
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en
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IMDb
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https://www.imdb.com/name/nm0447648/trivia/
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She and a friend used to run a market stall in Kings Road, Chelsea in London.
Her 2nd husband Sandy Harper is a coffee trader.
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https://formalcontentsonly.wordpress.com/2019/03/24/a-suzy-kendall-double-bill-torso-spasmo/
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en
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A Suzy Kendall Double Bill: Torso & Spasmo
|
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2019-03-24T00:00:00
|
It's Giallo time again. So pour yourself a J&B with ice and enjoy. First up is Torso, also occasionally known as The Bodies Bear Traces of Carnal Violence, or just plain Carnal Violence. This is my favourite film by Sergio Martino, a director who worked in many fields, from sex comedies to spaghetti westerns, Euro…
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en
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https://secure.gravatar.com/blavatar/bf725be9f9aaf745df91d801229cfc272d3520a69059d008aaebf57662e90a42?s=32
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https://formalcontentsonly.wordpress.com/2019/03/24/a-suzy-kendall-double-bill-torso-spasmo/
|
It’s Giallo time again. So pour yourself a J&B with ice and enjoy.
First up is Torso, also occasionally known as The Bodies Bear Traces of Carnal Violence, or just plain Carnal Violence.
This is my favourite film by Sergio Martino, a director who worked in many fields, from sex comedies to spaghetti westerns, Euro crime to the cannibal genre and even a not terribly good creature-feature Island of the Fishmen.
Martino, though, is today best remembered for his 1970s gialli output such as The Case of the Scorpion’s Tail, Your Vice is a Locked Door and Only I Have the Key, and The Strange Vice of Mrs. Wardh. Yes, like many other Italian directors in this field he did favour baroque titles.
Martino’s older brother Luciano had produced Mario Bava’s The Whip and The Body, and this film proved inspirational to Sergio, as did Dario Argento’s The Bird with the Crystal Plumage. The former starred John Richardson, the latter provided a prominent part for Suzy Kendall.
Both these English actors star in Torso, Richardson as Franz, an urbane art history professor in a Perugia university; one of his students being Jane, an American exchange student, played by Kendall.
The one time wife of Dudley Moore, Kendall is an actress whose early career saw her appear in a number of successes, most notably To Sir With Love and Up the Junction.
By the 1970s, she was also much sought after by big budget British TV series such as The Persuaders, where she was guaranteed to inject some instant glamour. Around this time she also established herself as a big name in the world of giallo after appearing in the aforementioned Bird with the Crystal Plumage.
After Torso’s opening credits sequence, which resembles something from a dodgy softcore movie of the era, we cut to a university hall, where Franz is giving a lecture to a large number of students on the subject of Pietro Perugino, an Italian Renaissance painter who he doesn’t rate very highly.
Afterwards, Jane, accompanied by her friends, chooses to discuss the artist further with him, arguing the case for Perugino. It’s easy to imagine a mutual attraction between the pair, even though Franz refuses to back down on his opinion.
Soon the murders begin. A balaclava wearing psycho brutally kills one of the females seen in the opening credits, after spying on her and her boyfriend canoodling in a car. He kills him too, but off-screen.
The murder of her friend, affects Jane’s pal Carol (Conchita Airoldi) badly. She troops off to what looks like a deserted warehouse with two motorbike riding students, where a gathering of hippy types smoke dope, relax, dance and play music.
Carol puffs on a joint and lets the two boys fondle her until one goes too far. She storms off, followed by them. This scene, as they chase her through a swampy forest, is particularly effective and the score works well, hinting at prog and helping to induce a real sense of dread. And the dread only increases when she glimpses a man through the mist.
This won’t be the last murder in Torso, and most of the victims will be in Jane’s circle of friends.
The suspects are many and varied. Chief among them is intense student Stefano (Roberto Bisacco), who has been obsessed by Daniela (Tina Aumont) for years. He’s shown being abusive to a local prostitute, throttling her throat for some moments before managing to calm down.
Then there’s the chisel-chinned man in a smart suit, spotted earlier by Carol buying a black and red neckerchief – which becomes a major clue in the manhunt. He later boards the same train as Jane and co., and chooses to sit in the same carriage as them.
Gianni Tomasso is an incredibly creepy looking man and has a sleazy manner to match. He runs a little clothes stall in a piazza in the centre of the city, near to the university and obviously knows more than he lets on to the police when questioned.
As the carnage continues, Dani’s wealthy Uncle Nino arranges for his daughter and her friends (including Jane) to leave their homes in Perugia and stay temporarily at a cliffside villa in the country, where they’ll be safe.
Is this a good idea? I think you can guess. And could Nino be involved in the slayings? After all, who doesn’t know how this kind of thing works?
Much as Torso is highly enjoyable, it must have been an even more remarkable watch in 1973. As many commentators have mentioned before, Torso is like a slasher before that cinematic term had even been coined.
The movie’s first half does start off in classic giallo fashion but as it progresses you can tick off a number of tropes and trappings of the slasher.
There’s the masked killer on the loose, the group of attractive young females, an isolated location, and the final girl – the sole survivor, resilient and resourceful and who just happens to be the most moral and pure member of the group.
I’m not much of a fan of slashers but I’m a big fan of Torso, although I only saw it for the first time years after the likes of Halloween and Friday the 13th had already begun spawning sequels.
Expect gratuitous gore, a shoal of red herrings, and a final third that is packed with suspense and features a fantastic performance from Kendall.
Spasmo is another giallo from a master of Italian genre cinema, Umberto Lenzi. This is a strange one and comes over like a particularly disturbing dream, especially with the running motif of female mannequins dressed only in lingerie, that are either mutilated or hanging on nooses.
The two leads here are Robert Hoffmann, an Austrian actor best known for TV’s The Adventures of Robinson Crusoe, and a badly dubbed Suzy Kendall, who plays Barbara. I do tend to love Italian genre cinema but just occasionally sloppy post-synching can annoy, and I committed the cardinal sin here of choosing the English language version. My wrists have been slapped.
Christian Bauman (Hoffmann) is a Bee Gee lookalike with a small medallion, who shows his girlfriend Xenia a patch of land where he and his older brother Fritz (Ivan Rassimov) once discovered a dead dog that had been strangled when they were kids. And don’t ask how two young boys managed to identify that cause of death. maybe they carried out a psot-mortem.
Xenia spots what she looks like a female corpse on a stretch of nearby sand and she and Chrstian run over to investigate. This is Barbara, who of course isn’t dead, and is surprised that anybody could have made the assumption, even though she admits to fainting from sunstroke.
‘What you need is a double Scotch,’ Christian advises her. ‘That’ll pick you up.’
As he and Xenia go to his car to locate the whisky, Barbara mysteriously disappears, leaving behind a clue as to her identity, a flask bearing the name Tucania on it.
Christian and Xenia soon track down a yacht of that name harboured locally, and join a party on-board the vessel that is populated by Euro jet-set types and owned by Barbara’s possessive friend Alex, who is in love with her.
By nightfall, though, Xenia has been forgotten and Barbara won over by his chat-up lines like him calling her a ‘sweet, sweet whore.’ They head to the motel where Barbara’s staying, although she demands that Christian shaves his beard off before they get down to action. She has a razor in her room that is ‘big, sharp and sexy.’
While he’s removing his facial hair – with an electric shaver rather than any razor – a gun-toting intruder who looks like Dario Argento attacks him. Christian fights him off and grabs the gun. Then shoots him dead.
‘What’re you doing?’ Barbara asks a dazed Christian, as he walks into the living room. ‘Destroying my bathroom?’
He explains what happened. She suggests running away. He agrees. Luckily, she knows a property owned by a Brazilian artist friend currently in Rio. Here they can hide and plan their next move.
They break into the seaside home and soon discover that a couple are already renting it out, an older man Malcolm and a much younger female Clorinda, a redhead with the most piercing blue eyes imaginable, who Christian appears to vaguely recognise. I think I would personally remember that face forever more.
He confesses to Malcolm that he has murdered a man but Malcolm fails to believe him. This is like a decidedly disturbing dream and it is only going to get even stranger.
Spasmo is a decent watch but nowhere near as effective as Torso. The dialogue is often abysmal and the plot too labyrinthine to easily follow, with a number of coincidences that are difficult to believe.
A revelation near the very end is clever enough and does make some sense of the batshit craziness that we have been watching but this comes just too late to entirely rescue the movie.
On the plus side, the mannequin motif is creepy and memorable, Ennio Morricone does provide a sometimes soothing, sometimes disorienting score, while in one great action sequence, Christian displays some driving skills that I don’t remember Jackie Stewart ever demonstrating back in the ’70s. And finally, Suzy Kendall is again in good form. A true giallo icon.
Suzy, incidentally, has now retired from acting but was persuaded to help out on 2012’s giallo influenced Berberian Sound Studio – another film with a disturbing and dreamy quality – where she is credited as ‘Special Guest Screamer’.
To see the trailer for Torso, click here.
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https://www.nytimes.com/1992/03/01/nyregion/stamford-benefit-features-dudley-moore.html
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en
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Stamford Benefit Features Dudley Moore
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1992-03-01T00:00:00
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en
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/vi-assets/static-assets/favicon-d2483f10ef688e6f89e23806b9700298.ico
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https://www.nytimes.com/1992/03/01/nyregion/stamford-benefit-features-dudley-moore.html
|
NOT every celebrity who makes an appearance on behalf of an arts organization does it for love. But one thing is sure about Dudley Moore's concert at the Palace Theater tomorrow night for the benefit of Stamford Theater Works: he'll be doing the show for Susie Fuller.
The way Ms. Fuller -- a director, longtime friend of Mr. Moore and a member of the theater's board -- remembers it: "I sent Dudley a letter on Feb. 23 of last year, and I felt the only way was to be straight. So I came right out and wrote, 'Give us a benefit.' Two days later, he called and he said, 'Yes, yes, yes.' "
Which is just the way Mr. Moore remembers it. During a phone conversation from Los Angeles, where he has lived since the mid-1970's, Mr. Moore said: "Yes, I called Susie, and I said yes -- three yesses. And I'll do everything I can do, though I have no idea what that will be." 'A Program of Sorts'
Mr. Moore, whose pianism is as honorably regarded as his comedy, recently returned from a concert engagement with the Baltimore Symphony, during which he played Mozart's 21st Symphony and Gershwin's "Rhapsody in Blue." And he just recorded an album of "easy listening" compositions called "Songs Without Words." So the search for ideas won't be a stretch.
"I will organize a program of sorts," he added, wondering whether the audience "will want more parodies, more jazz, more ballads, more serious stuff." He continued: "I'm a little wooly on it. It depends on the people and on what amuses me."
Mr. Moore's new album includes such selections as "Waltz to Suzy" (dedicated to his first wife, Suzy Kendall), "Tuesday" (for his second wife, Tuesday Weld), "Patrick" (for their 15-year-old son) and "Brogan" (the name of his present wife "of two or four years, I can't remember," he said).
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https://ironleg.wordpress.com/2009/01/18/dudley-moore-the-real-stuff-1/
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en
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Dudley Moore – The Real Stuff (+1)
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http://helium.lunarpages.com/~funky4/pictures/ironleg/dudleymoore-1.jpg
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http://helium.lunarpages.com/~funky4/pictures/ironleg/dudleymoore-1.jpg
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2009-01-18T00:00:00
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Dudley Moore Listen - Dudley Moore - The Real Stuff - MP3 Listen - Dudley Moore Trio - Unknown Tune from '30 Is a Dangerous Age Cynthia' - MP3 Greetings all. I hope the beginning of a new week finds you all well. This week is the beginning of something major for yours truly (stop…
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en
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https://s1.wp.com/i/favicon.ico
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Iron Leg
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https://ironleg.wordpress.com/2009/01/18/dudley-moore-the-real-stuff-1/
|
Dudley Moore
Listen – Dudley Moore – The Real Stuff – MP3
Listen – Dudley Moore Trio – Unknown Tune from ’30 Is a Dangerous Age Cynthia’ – MP3
Greetings all.
I hope the beginning of a new week finds you all well.
This week is the beginning of something major for yours truly (stop by Funky16Corners for the whole story), that will in all likelihood lead to a less stressful life (which can only be good for the blogging and the creativity and what not).
All of this turmoil makes me want to start the week with something unusual, so, here we go.
Though I suspect that very few of you have never heard of Dudley Moore, I’m pretty sure that a lot of you have no idea that alongside his career as an actor and comedian, he was also a successful musician and composer.
Moore was an accomplished jazz pianist (he recorded in that capacity for several labels) and wrote and performed music for a number of his movies.
The tune(s) I bring you today hail from the soundtrack of the 1967 film ’30 Is a Dangerous Age Cynthia’ in which Moore starred with his future wife Suzy Kendall. Oddly enough, roundabout 20 years ago, when I had my first apartment, this movie was a fixture on Cinemax and I remember watching it several time, and digging the soundtrack. There was one tune in particular that I fell in love with.
It was only recently that I managed to grab a copy of the soundtrack album (after winning the 45 of two of the songs, and having it disappear in the mail). So, the album pops through the mail slot, makes it onto the turntable, and lo and behold the song I was looking for turns out not to have been included on the soundtrack!
There are some cool tunes – including the groovy ‘The Real Stuff’ which I’m posting today – but the instrumental I remembered was nowhere to be found.
So, I set out on the interwebs, and without to long a search happened upon a clip of this very song on Youtube. I put my considerable digi-ma-tization talents to work and created an MP3 (thanks to whoever posted the film clip, which had fairly decent fidelity), and I’m posting it today.
Unfortunately, no one seems to know what the song is called. As I said it’s not on the soundtrack LP, and as far as I can tell isn’t listed in the credits to the film. It may very well be something the Dudley Moore Trio recorded on a studio album, but if that’s the case, I don’t have it.
If anyone knows what it is I’d love to know. Until then, it remains the “unknown song” from ’30 Is a Dangerous Age Cynthia’.
The “known” commodity in today’s post, is the aforementioned ‘Real Stuff’. Moore starts things off in a comedy style, with a tip of the hat to 1920s English pop, taking a sharp left turn into New Orlean-style piano and wild vocals.
I hope you dig both tunes, and I’ll be back later in the week with something even more unsual.
Peace
Larry
PS Head over to Funky16Corners for something spiritual from Louis Armstrong (Yes, Louis Armstrong…)
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https://formalcontentsonly.wordpress.com/2019/03/24/a-suzy-kendall-double-bill-torso-spasmo/
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en
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A Suzy Kendall Double Bill: Torso & Spasmo
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2019-03-24T00:00:00
|
It's Giallo time again. So pour yourself a J&B with ice and enjoy. First up is Torso, also occasionally known as The Bodies Bear Traces of Carnal Violence, or just plain Carnal Violence. This is my favourite film by Sergio Martino, a director who worked in many fields, from sex comedies to spaghetti westerns, Euro…
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en
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https://secure.gravatar.com/blavatar/bf725be9f9aaf745df91d801229cfc272d3520a69059d008aaebf57662e90a42?s=32
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https://formalcontentsonly.wordpress.com/2019/03/24/a-suzy-kendall-double-bill-torso-spasmo/
|
It’s Giallo time again. So pour yourself a J&B with ice and enjoy.
First up is Torso, also occasionally known as The Bodies Bear Traces of Carnal Violence, or just plain Carnal Violence.
This is my favourite film by Sergio Martino, a director who worked in many fields, from sex comedies to spaghetti westerns, Euro crime to the cannibal genre and even a not terribly good creature-feature Island of the Fishmen.
Martino, though, is today best remembered for his 1970s gialli output such as The Case of the Scorpion’s Tail, Your Vice is a Locked Door and Only I Have the Key, and The Strange Vice of Mrs. Wardh. Yes, like many other Italian directors in this field he did favour baroque titles.
Martino’s older brother Luciano had produced Mario Bava’s The Whip and The Body, and this film proved inspirational to Sergio, as did Dario Argento’s The Bird with the Crystal Plumage. The former starred John Richardson, the latter provided a prominent part for Suzy Kendall.
Both these English actors star in Torso, Richardson as Franz, an urbane art history professor in a Perugia university; one of his students being Jane, an American exchange student, played by Kendall.
The one time wife of Dudley Moore, Kendall is an actress whose early career saw her appear in a number of successes, most notably To Sir With Love and Up the Junction.
By the 1970s, she was also much sought after by big budget British TV series such as The Persuaders, where she was guaranteed to inject some instant glamour. Around this time she also established herself as a big name in the world of giallo after appearing in the aforementioned Bird with the Crystal Plumage.
After Torso’s opening credits sequence, which resembles something from a dodgy softcore movie of the era, we cut to a university hall, where Franz is giving a lecture to a large number of students on the subject of Pietro Perugino, an Italian Renaissance painter who he doesn’t rate very highly.
Afterwards, Jane, accompanied by her friends, chooses to discuss the artist further with him, arguing the case for Perugino. It’s easy to imagine a mutual attraction between the pair, even though Franz refuses to back down on his opinion.
Soon the murders begin. A balaclava wearing psycho brutally kills one of the females seen in the opening credits, after spying on her and her boyfriend canoodling in a car. He kills him too, but off-screen.
The murder of her friend, affects Jane’s pal Carol (Conchita Airoldi) badly. She troops off to what looks like a deserted warehouse with two motorbike riding students, where a gathering of hippy types smoke dope, relax, dance and play music.
Carol puffs on a joint and lets the two boys fondle her until one goes too far. She storms off, followed by them. This scene, as they chase her through a swampy forest, is particularly effective and the score works well, hinting at prog and helping to induce a real sense of dread. And the dread only increases when she glimpses a man through the mist.
This won’t be the last murder in Torso, and most of the victims will be in Jane’s circle of friends.
The suspects are many and varied. Chief among them is intense student Stefano (Roberto Bisacco), who has been obsessed by Daniela (Tina Aumont) for years. He’s shown being abusive to a local prostitute, throttling her throat for some moments before managing to calm down.
Then there’s the chisel-chinned man in a smart suit, spotted earlier by Carol buying a black and red neckerchief – which becomes a major clue in the manhunt. He later boards the same train as Jane and co., and chooses to sit in the same carriage as them.
Gianni Tomasso is an incredibly creepy looking man and has a sleazy manner to match. He runs a little clothes stall in a piazza in the centre of the city, near to the university and obviously knows more than he lets on to the police when questioned.
As the carnage continues, Dani’s wealthy Uncle Nino arranges for his daughter and her friends (including Jane) to leave their homes in Perugia and stay temporarily at a cliffside villa in the country, where they’ll be safe.
Is this a good idea? I think you can guess. And could Nino be involved in the slayings? After all, who doesn’t know how this kind of thing works?
Much as Torso is highly enjoyable, it must have been an even more remarkable watch in 1973. As many commentators have mentioned before, Torso is like a slasher before that cinematic term had even been coined.
The movie’s first half does start off in classic giallo fashion but as it progresses you can tick off a number of tropes and trappings of the slasher.
There’s the masked killer on the loose, the group of attractive young females, an isolated location, and the final girl – the sole survivor, resilient and resourceful and who just happens to be the most moral and pure member of the group.
I’m not much of a fan of slashers but I’m a big fan of Torso, although I only saw it for the first time years after the likes of Halloween and Friday the 13th had already begun spawning sequels.
Expect gratuitous gore, a shoal of red herrings, and a final third that is packed with suspense and features a fantastic performance from Kendall.
Spasmo is another giallo from a master of Italian genre cinema, Umberto Lenzi. This is a strange one and comes over like a particularly disturbing dream, especially with the running motif of female mannequins dressed only in lingerie, that are either mutilated or hanging on nooses.
The two leads here are Robert Hoffmann, an Austrian actor best known for TV’s The Adventures of Robinson Crusoe, and a badly dubbed Suzy Kendall, who plays Barbara. I do tend to love Italian genre cinema but just occasionally sloppy post-synching can annoy, and I committed the cardinal sin here of choosing the English language version. My wrists have been slapped.
Christian Bauman (Hoffmann) is a Bee Gee lookalike with a small medallion, who shows his girlfriend Xenia a patch of land where he and his older brother Fritz (Ivan Rassimov) once discovered a dead dog that had been strangled when they were kids. And don’t ask how two young boys managed to identify that cause of death. maybe they carried out a psot-mortem.
Xenia spots what she looks like a female corpse on a stretch of nearby sand and she and Chrstian run over to investigate. This is Barbara, who of course isn’t dead, and is surprised that anybody could have made the assumption, even though she admits to fainting from sunstroke.
‘What you need is a double Scotch,’ Christian advises her. ‘That’ll pick you up.’
As he and Xenia go to his car to locate the whisky, Barbara mysteriously disappears, leaving behind a clue as to her identity, a flask bearing the name Tucania on it.
Christian and Xenia soon track down a yacht of that name harboured locally, and join a party on-board the vessel that is populated by Euro jet-set types and owned by Barbara’s possessive friend Alex, who is in love with her.
By nightfall, though, Xenia has been forgotten and Barbara won over by his chat-up lines like him calling her a ‘sweet, sweet whore.’ They head to the motel where Barbara’s staying, although she demands that Christian shaves his beard off before they get down to action. She has a razor in her room that is ‘big, sharp and sexy.’
While he’s removing his facial hair – with an electric shaver rather than any razor – a gun-toting intruder who looks like Dario Argento attacks him. Christian fights him off and grabs the gun. Then shoots him dead.
‘What’re you doing?’ Barbara asks a dazed Christian, as he walks into the living room. ‘Destroying my bathroom?’
He explains what happened. She suggests running away. He agrees. Luckily, she knows a property owned by a Brazilian artist friend currently in Rio. Here they can hide and plan their next move.
They break into the seaside home and soon discover that a couple are already renting it out, an older man Malcolm and a much younger female Clorinda, a redhead with the most piercing blue eyes imaginable, who Christian appears to vaguely recognise. I think I would personally remember that face forever more.
He confesses to Malcolm that he has murdered a man but Malcolm fails to believe him. This is like a decidedly disturbing dream and it is only going to get even stranger.
Spasmo is a decent watch but nowhere near as effective as Torso. The dialogue is often abysmal and the plot too labyrinthine to easily follow, with a number of coincidences that are difficult to believe.
A revelation near the very end is clever enough and does make some sense of the batshit craziness that we have been watching but this comes just too late to entirely rescue the movie.
On the plus side, the mannequin motif is creepy and memorable, Ennio Morricone does provide a sometimes soothing, sometimes disorienting score, while in one great action sequence, Christian displays some driving skills that I don’t remember Jackie Stewart ever demonstrating back in the ’70s. And finally, Suzy Kendall is again in good form. A true giallo icon.
Suzy, incidentally, has now retired from acting but was persuaded to help out on 2012’s giallo influenced Berberian Sound Studio – another film with a disturbing and dreamy quality – where she is credited as ‘Special Guest Screamer’.
To see the trailer for Torso, click here.
|
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26157
|
yago
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3
| 85
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https://www.mirror.co.uk/3am/celebrity-news/dennis-watermans-colourful-life-shakespeare-26908533
|
en
|
Dennis Waterman's colourful life - Shakespeare, Hollywood and marriage shame
|
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2022-05-08T21:30:04+00:00
|
Actor and singer Dennis Waterman was renowned for his famous performances in The Sweeney and Minder, and had a reputation for starring in many hit shows - as well as singing the theme tunes for them
|
en
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https://s2-prod.mirror.co.uk/@trinitymirrordigital/dragonfly/30610dbf042204321e5cec7058244a562a7b64cc/img/mirror/favicons/favicon.ico
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The Mirror
|
https://www.mirror.co.uk/3am/celebrity-news/dennis-watermans-colourful-life-shakespeare-26908533
|
Dennis Waterman, famous for playing hard-nosed characters in The Sweeney, Minder and New Tricks, has died, aged 74, in hospital near his home in Spain, with his fourth wife Pam at his side.
A statement from the actor’s family read: “We are deeply saddened to announce that our beloved Dennis, passed away very peacefully in hospital in Spain, on Sunday afternoon, with Pam by his side.”
Comedian Matt Lucas, who with David Walliams parodied Waterman in sketch show Little Britain, led the tributes, posting: “I grew up watching Dennis Waterman’s iconic performances in The Sweeney and Minder.
“His guest appearance in our Little Britain Live show at Hammersmith Apollo – in which he hilariously duetted with David’s absurd impersonation of him – remains the absolute highlight of my career.”
Waterman became a household name in the 1970s as DS George Carter in The Sweeney, with John Thaw as Jack Regan, his Flying Squad partner.
Waterman then starred as Terry McCann in Minder, playing the bouncer and partner of George Cole’s dodgy dealer character Arthur Daley.
He sang the Minder theme song, I Could Be So Good for You, as well as those for other shows he starred in – Stay Lucky, On The Up and New Tricks – giving rise to the joke on Little Britain, where David Walliams portrayed a tiny Dennis Waterman turning down roles if he could not “write the theme tune, sing the theme tune”.
Waterman was married four times – to Penny Dixon, actresses Patricia Maynard and Rula Lenska, and Pam Flint – and claimed he lost his virginity at about the age of 14 to a teacher at his school.
He said: “She was a teacher, but not my actual teacher. When it came to it, she said, ‘Alright, alright but you’ve got to help me with the marking first’.”
He wed Penny in 1972, but they split four years later after Waterman reportedly cheated on her with Dudley Moore’s partner model Suzy Kendall, actress Romy Schneider and producer’s assistant Theophila Littleton.
A year after splitting with Penny, he wed Patricia.
They had two daughters, Hannah, who became an actress, and Julia.
But his affairs continued and they divorced in 1987.
He wed Rula Lenska shortly after, but they divorced in 1998 amid allegations Waterman had been violent towards her.
He denied the claims, until 2012, when he confessed he had slapped and punched Rula twice.
But he said: “She certainly wasn’t a beaten wife, she was hit and that’s different. It happened and I’m very, very ashamed of it.”
Waterman was born in Clapham, South London in 1948, the youngest of nine children to British Railways ticket collector Harry and his wife Rose Juliana, who made curtains for a living.
He once said: “I’m the last of nine kids and six years younger than the one before. I think ‘a mistake’ is the word I’m looking for.”
One of his sister was a Bluebells dancer, while his brother Peter was a welterweight boxing champion, the youngest British competitor at the 1952 Helsinki Olympics.
Sadly, in 1958 when Peter fought British lightweight champion Dave Charnley, he ended up in hospital with serious brain damage, ending his career.
It was thanks to his sister that the young Dennis fell into acting.
He recalled: “My eldest sister dragged us all to amateur dramatics. We all had to do it. I had to go to rehearsals and miss the football.”
After failing his 11-plus, he went to Corona Stage School in Hammersmith.
He was an acting natural and appeared in his first film, Night Train To Inverness, at the age of 11, in 1960.
Aged 12, he also had roles with the Royal Shakespeare Company in Stratford-upon-Avon and appeared in The Music Man in London’s West End.
At 13, he had his first major TV role, playing the lead in BBC series Just William, based on Richmal Crompton’s books.
Waterman recalled: “It may be a class thing, but I’d never read the books.”
After that, he travelled to the US to film a TV series called Fair Exchange, with his mother travelling with him as his chaperone.
In a wry nod to his later marital woes, he recalled: “Another sister came over to join us, met the boy upstairs and married him.
"My siblings who lived in LA stayed married. The rest of us seem useless at marriage.”
There were roles in 1968 drama Up The Junction, the TV series Colditz, Hammer film Scars of Dracula, and Hollywood Western Man in the Wilderness.
But starring in The Sweeney from 1975 to 1978 propelled him to fame, attracting 19 million viewers at the show’s peak.
He once said: “We filmed The Sweeney in some horrible places, rotten places in London.
"We’d try to have a quiet drink now and again and very large people with very large hands and broken noses would come over and say, ‘You’re just like the policeman who nicked me, you must be really good’.”
In Minder, he became firm friends with George Cole.
In his autobiography, Cole, who died in 2015, wrote: “More than 30 years later, I count him as one of my closest friends.
"I even managed to teach Dennis how to do the Times crossword. In return, he taught me to swear in public.”
Waterman met fourth wife Pam in 1996 when he appeared in panto in Windsor where she was working as a stage manager.
Initially, he said he had no plans to wed her. He added: ”She’s been married twice, I’ve been married three times, so I can’t see any point.”
But in December 2011, after 15 years together, they wed in a secret, low-key ceremony attended by Pam’s son Matt and Dennis’s older sister Joy.
His last role was in the 2020 Australian film Never Too Late.
After a career spanning more than 60 years, he put his success down to good fortune, saying: “I plan my golf more than my career. I’ve always been lucky.
"I’m lucky I’ve been successful, because I can’t do anything else.”
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| 30
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https://rapaport.com/analysis/indian-diamond-manufacturers-cut-production-by-around-50/
|
en
|
Indian Diamond Manufacturers Cut Production by Around 50%
|
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2024-08-08T13:28:38+00:00
|
In addition to inflated inventories, the cuts reflect a desire to reduce the losses that manufacturers have been incurring.
|
en
|
Rapaport
|
https://rapaport.com/analysis/indian-diamond-manufacturers-cut-production-by-around-50/
|
The Indian diamond industry has a habit of using vacation seasons to reset the market. The main time for this is Diwali, when factories shut down for longer or shorter stints depending on demand levels.
August is a less significant closure period, but it does contain Independence Day on the 15th as well as other holidays. And this year, with inventories high and prices weak, the industry is making the most of the downtime.
Kiran Gems, which claims to be the world’s largest natural-diamond manufacturer, is suspending production for 10 days from August 18. In a normal year, workers take a break of about five days. Other companies are extending their seasonal holidays.
The effort to reduce stockpiles predates the August hiatus. Factories in Surat have cut their production by up to a half in July and the first week of this month compared with a year earlier, executives estimated Wednesday.
“They’ve reduced [production] drastically,” said Anoop Mehta, president of Mumbai’s Bharat Diamond Bourse (BDB). “It’s come down by about 40% to 50%.”
Kiran Gems has also slashed production by 50% for the same period, said Dinesh Lakhani, its global director.
Buying less rough
In addition to inflated inventories, the cuts reflect a desire to reduce the losses that manufacturers have been incurring due to relatively high rough prices and low polished ones.
“If I can’t make money, then I’m paying for my raw material in cash and then I can’t sell for a profit,” Mehta commented.
Companies made use of De Beers’ enhanced flexibility at its July sight, with insiders estimating sales well below $200 million. Petra Diamonds decided not to hold its August-September tender of South African rough, deferring the goods to the October sale. Alrosa also sold lower volumes than normal at its recent trading session, market sources said.
On Thursday, De Beers told sightholders it was postponing its August sale and merging it with the October one. The combined trading session will take place in September.
Okavango Diamond Company (ODC), the Botswana state-owned rough trader, sold $55.5 million worth of goods at its August spot auction, down from $66.6 million in June. Prices fell around 5% to 15%, reflecting the weaker demand, according to Rapaport calculations.
The extent of India’s cutback on rough buying will become clearer when import statistics for July become available in the middle of this month.
What hasn’t happened this year is a formal joint effort to tackle the oversupply. Last year, the Gem & Jewellery Export Promotion Council (GJEPC) and other trade organizations recommended a two-month freeze on rough imports, which temporarily improved the balance between supply and demand. This time, manufacturers are taking the lead themselves, according to GJEPC chairman Vipul Shah.
“People are trying to be self-disciplined and trying to control and pass the storm,” said Shah.
The other half
Downturns tend to push manufacturers toward small and low-value goods. The rough is cheaper in absolute terms, enabling a reduction of losses without the downsides of heavy staff cuts. This happened in late 2022 and again in 2023.
A similar trend is taking shape in the current slump, though for apparently more positive reasons.
Goods under 0.18 carats, while still weak, have suffered less than larger items up to 3 carats, executives observed. This has prompted manufacturers to increase the proportion of these melee diamonds in their production mix, to the greatest extent possible.
This is not easy to do. Workers cannot necessarily shift from large to small stones, as they require different expertise. Some companies — or individual departments within them — don’t specialize in melee and cannot change that overnight.
“The reduction [in production] is heaviest in the pointers and caraters,” said Ravi Bhansali, managing director at diamond manufacturer and trader Rosy Blue in Antwerp, referring to goods from 0.18 to 3 carats. “Those sizes have been struggling the most. Over that and under that size range, there’s still some sign of life.”
However, unlike in previous crises, the reason appears to be demand rather than factories’ internal strategies. While weak US and Chinese demand has hit the larger goods, manufacturers have continued to sell melee.
“Even melee is down in terms of demand, but it’s bread and butter for all kinds of jewelry and watches anywhere in the world,” Bhansali continued. “There’s some of that still selling through. [Brands] have reduced orders, but at least it’s not as bad as what we see right now in pointers and caraters.”
One driver of melee demand is the domestic Indian market, which has outperformed the US and China during the recent downturn, executives said. It’s now gearing up for the Diwali and wedding season, which will begin in November.
“The Indian domestic market is one of the key reasons,” said another manufacturer, who asked to remain anonymous. Japan and some of the smaller Asian markets — such as Malaysia, the Philippines and Thailand — are also supporting this segment, executives explained.
Improvement ahead?
As always, the question is whether production cuts will have a long-term impact and if demand will recover in the US, China and other key retail markets.
Shah at the GJEPC believes now might even be a good time for buyers to accumulate stock, given that manufacturing is down. Drops in production tend to take about six weeks to impact polished inventories.
In addition, Diwali is coming up in November, which means there will likely be further slowdowns in manufacturing.
“In the coming months, the pipeline is going to get dried up,” Shah predicted.
Image: A polished diamond at a factory in India. (Shutterstock)
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Suzy Kendall – The Magnificent 60s
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Posts about Suzy Kendall written by Brian Hannan
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The Magnificent 60s
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https://themagnificent60s.com/tag/suzy-kendall/
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Tag: Suzy Kendall
Top 30 Films for 2023
Ann-Margret is pipped to the post by…Ann-Margret. The Swinger and Stagecoach duked it out at the top of the All-Time Top 40 with the former taking it by a good margin. But it was the reversal in the annual stakes, with the western ahead just by a nose. The films viewed most this year. As ever some surprise picks.
Stagecoach (1966). Ann-Margret and Alex Cord in decent remake of John Ford classic western.
The Swinger (1966). Ann-Margret as novelist who tries to live up to the sexy persona she has invented.
The Sins of Rachel Cade (1961). Angie Dickinson as African missionary with Peter Finch and Roger Moore in thrall.
Fireball XL5. The famous British television series from Gerry and Sylvia Anderson, now colorized. “My heart will be a fireball…”
Fraulein Doktor (1969). German spy Suzy Kendall out-foxes Kenneth More. Grisly realistic WWI battle scenes and a superb score from Ennio Morricone.
Vendetta for the Saint (1968) Roger Moore vs the Mafia.
Plane (2023). Gerard Butler channels his inner Bruce Willis in Die-Hard-on-a-desert-island adventure.
Baby Love (1969). Orphan Linda Hayden proves too much of a temptation for upper-middle-class London family.
The Best House in London (1969). David Hemmings goes into battle for sex workers.
The Sisters (1969). Nathalie Delon and Susan Strasberg in complicated love triangle of love and betrayal.
Pendulum (1968). Taut thriller with cop George Peppard accused of murdering unfaithful wife Jean Seberg.
Moment to Moment (1966). Jean Seberg investigated for murder in Hitchcockian thriller set in the South of France.
Rage (1966). Glenn Ford and Stella Stevens combat pandemic in Mexican town.
The First Deadly Sin (1980). Frank Sinatra’s cop chases down a serial killer.
Go Naked in the World (1961). Gina Lollobrigida finds that her profession (the oldest) and true love (with rich Anthony Franciosa) don’t mix. Great turn from Ernest Borgnine as a doting father.
Lady in Cement (1969). Sinatra as private eye Tony Rome who takes on gangster’s moll Raquel Welch as a client.
Champions (2023). Woody Harrelson as the basketball coach saddled with a bunch of misfits.
A Dandy in Aspic (1968). Cold War thriller with Laurence Harvey as a double agent who wants out. Mia Farrow co-stars.
She Died with Her Boots On / Whirlpool (1969). Sleazy British film from cult Spanish director Jose Ramon Larraz sees kinky photographer Karl Lanchbury seduce real-life MTA Vivien Neves.
Once a Thief (1965). Less glamorous role for Ann-Margret as wife of ex-jailbird thief Alain Delon who is forced into another job.
Diamond Head (1962). Charlton Heston chews the scenery in Hawaiian epic.
Titanic (1997). Reissue in 3D of the James Cameron box office smash.
Can Heironymus Merkin Ever Forget Mercy Humpe and Find True Happiness? (1969) Self-indulgence reaches new heights with writer-director-producer Anthony Newley’s autobiographical tale about stardom. Then-wife Joan Collins co-stars.
Sergeant Ryker (1968). Lee Marvin in Korean War courtroom drama.
The Misfits (1960). Clark Gable goes out on a high, ably supported by Montgomery Clift and Marilyn Monroe in John Huston tale of losers.
Once Upon a Time in the West (1969). Sergio Leone masterpiece featuring the stunning cast of Claudia Cardinale, Henry Fonda and Charles Bronson and that fabulous Morricone score.
In Harm’s Way (1965). John Wayne and Kirk Douglas in Otto Preminger WW2 epic set in Pearl Harbor and after.
The Invitation (2022). Gothic thriller starring Nathalie Emmanuel.
Beat Girl / Wild for Kicks (1960). Gillian Hills is tempted into joining the striptease game. Christopher Lee puts in an appearance.
100 Rifles (1969). Raquel Welch, Jim Brown and Burt Reynolds heat up the screen in Tom Gries western set in Mexico.
All-Time Top 40
It’s Angie Dickinson vs Ann-Margret at the top of the All-Time Top 40. The two female stars take four of the top seven spots with Ann-Margret’s The Swinger replacing at the top long-time favorite The Secret Ways. These two have been duking it out over the past year, in which time the top spot has changed hands four times, with Jessica and Once Upon a Time in the West also taking a turn in the premier position. It’s also noticeable that women are top-billed in seven of the pictures in the Top Ten.
I started this Blog three years ago in June. Last year it was being read in 120 countries but that’s now gone up to 182 (out of the 193 recognized by the United Nations plus the Vatican state and the State of Palestine). Reviews have also increased and I’m now approaching 7,000 views a month, so thanks to you all.
I’ve been doing an Annual Top 40 since I started so this is the third iteration of that idea based on those reviews – out of the 900-plus posted so far – which have attracted the most attention over the three-year period. This isn’t my choice of the top films in the Blog, but yours, my loyal readers. The chart covers the films viewed the most times since the Blog began, from June 1, 2020 to July 31, 2023. (Yeah, it should have been May 31, but I’ve been remiss.)
(7) The Swinger (1966). Ann-Margret struts her stuff as a magazine journalist trying to persuade Tony Franciosa she is as sexy as the characters she has written about.
(-) Once Upon A Time in the West (1968). Rated the top western of all time, Sergio Leone’s operatic epic with Claudia Cardinale, Henry Fonda and Charles Bronson and the astonishing Ennio Morricone score.
(2) Jessica (1962). Innocently gorgeous widow Angie Dickinson finds her looks turn so many male heads in a small Italian town that the female population seek revenge.
(5) Fraulein Doktor (1969). Suzy Kendall in the best role of her career as a sexy German spy in World War One.
(-) Stagecoach (1966). Ann-Margret, Alex Cord and Bing Crosby in decent remake of classic John Ford western.
(1) The Secret Ways (1961). Richard Widmark exudes menace in this adaptation of an early Alistair MacLean spy thriller set in Hungary during the Cold War. Senta Berger has a small role.
(-) The Sins of Rachel Cade (1961). Angie Dickinson as a missionary who falls in love with Peter Finch in war-torn Africa.
(-) Gerry Anderson’s Fireball XL5. Colorized version of the famed sci fi television show.
(11) Moment to Moment (1966). Hitchcockian-style thriller with Jean Seberg caught up in murder plot in the French Riviera. Also features Honor Blackman.
(3) Ocean’s 11 (1960). In the Rat Pack debut Frank Sinatra, Dean Martin, Sammy Davis Jr. et al plan an audacious Las Vegas robbery.
(17) Can Heironymous Merkin Ever Forget Mercy Humpe and Find True Happiness? (1969). Off-the-wall musical awash with nudity and Fellini-esque cavorting, directed by star Anthony Newley. Has to be seen to be believed. Joan Collins pops up.
(4) Pharoah(1966). Priests battle kings in Polish epic set in ancient Egypt. Fabulous to look at and thoughtful.
(-) Sisters (1969). French drama bordering on the incestuous starring Nathalie Delon and Susan Strasberg.
(-) Vendetta for the Saint (1969). Feature length version of the television show sees Roger Moore and Rosemary Dexter battling the Mafia in Sicily.
(6) The Golden Claws of the Cat Girl (1968). Cult French movie starring Daniele Gaubert as a sexy cat burglar.
(-) Baby Love (1969). Orphan Linda Hayden finds herself in a predatory middle-class London household.
(-) Pendulum (1969). The under-rated George Peppard as a cop accused of murdering cheating wife Jean Seberg.
(-) Lady in Cement (1969). Frank Sinatra reprises private eye Tony Rome as he tangles with Raquel Welch.
(15) Subterfuge (1968). C.I.A. operative Gene Barry hunts an M.I.5 mole in London. Intrigue all round with Joan Collins supplying the romance and a scene-stealing Suzanna Leigh as a villain.
(-) Plane (2023). Gerard Butler goes Die Hard as stranded pilot outwitting terrorists on a remote Pacific island.
(18) Pressure Point (1962). Prison psychiatrist Sidney Poitier must help racist Nazi Bobby Darin.
(31) Fade In (1968). Long-lost modern western with Burt Reynolds serenading low-level movie executive Barbara Loden whose company is actually filming Terence Stamp picture Blue.
(16) A House Is Not a Home (1965). Biopic of notorious madam Polly Adler (played by Shelley Winters) who rubbed shoulders with the cream of Prohibition gangsters.
(19) Deadlier than the Male (1967). Richard Johnson as Bulldog Drummond is led a merry dance by spear-gun-toting Elke Sommer and Sylva Koscina in outlandish thriller.
(-) The Girl on a Motorcycle (1968). Marianne Faithful dons – and slips out of – leathers in erotic drama with Alain Delon.
(-) Some Girls Do (1969). Daliah Lavi and Beba Loncar get tough with Bulldog Drummond in sequel to Deadlier than the Male.
(-) Beat Girl / Wild for Kicks (1960). London teenager heads for shady Soho. Starts out in milk bars, ends up in strip clubs.
(-) Sodom and Gomorrah (1962). Robert Aldrich biblical epic sees Stewart Granger giving way to temptation in the infamous locale.
(-) A Dandy in Aspic (1968). Director Anthony Mann died during shooting of spy picture so star Laurence Harvey took over. Mia Farrow co-stars.
(-) The Brotherhood (1968). Martin Ritt’s Pre-Godfather take on the Mafia starring Kirk Douglas and Alex Cord as duelling brothers.
(23) Once a Thief (1965). Ann-Margret (again) is a revelation in crime drama with ex-con Alain Delon coerced into a robbery despite trying to go straight. Supporting cast boasts Jack Palance, Van Heflin and Jeff Corey. .
(-) Uptight (1968). Jules Dassin remake of John Ford classic The Informer set among black revolutionaries.
(9) A Place for Lovers (1969). Faye Dunaway andMarcello Mastroianni in doomed love affair directed by Vittorio De Sica.
(-) The Misfits (1961). Stunning last hurrah for Marilyn Monroe and Clark Gable in John Huston tale of ageing cowboys.
(-) Father Stu (2022). Biopic of boxer-turned-priest with Mark Wahlberg and Mel Gibson.
(-) Blonde (2022). Andrew Dominik’s controversial take on the life of Marilyn Monroe with Ana de Armas.
(12) 4 for Texas (1963). Frank Sinatra and Dean Martin face off in a Robert Aldrich western featuring Ursula Andress and Anita Ekberg with Charles Bronson in a smaller part.
(-) Istanbul Express (1968). Gene Barry, John Saxon and Senta Berger involved in nefarious dealings on the other famous trans-European express.
(33) P.J./New Face in Hell (1968). Private eye George Peppard is duped by shady millionaire Raymond Burr and mistress Gayle Hunnicutt in murder mystery.
(10) The Venetian Affair (1966). Robert Vaughn hits his acting stride as a former C.I.A. operative turned journalist investigating suicide bombings in Venice. Great supporting cast includes Elke Sommer and Boris Karloff.
Dropping out of the Top 40
The surge of new entrants and other films attracting a vast new audience has meant some previous favorites tumble out of the Annual Top 40. (Previous year’s position shown in brackets).
(8) It’s Not All Rock’n’Roll (2020). Ageing rocker Dave Doughman aims to mix a career with being a father in this fascinating documentary
(13) Age of Consent (1969). Helen Mirren stars as the nubile muse of jaded painter James Mason returning to his Australian roots.
(14) The Double Man (1967). Yul Brynner chases his doppelganger in the Swiss Alps with Britt Ekland adding a touch of glamour.
(20) Valley of Gwangi (1969). Special effects genius Ray Harryhausen the star here as James Franciscus and Gila Golen encounter prehistoric monsters in a forbidden valley.
(21) The Naked Runner (1967). With his son held hostage, Frank Sinatra is forced to carry out an assassination in east Germany.
(22) Orgy of the Dead (1965). Bearing the Ed Wood imprint, mad monster mash-up with the naked dead.
(24) The Sicilian Clan (1969). Stunning caper with thief Alain Delon and Mafia chief Jean Gabin teaming up for audacious jewel heist with cop Lino Ventura on their trail. French thriller directed by Henri Verneuil. Great score by Ennio Morricone.
(25) Dark of the Sun / The Mercenaries (1968). More diamonds at stake as Rod Taylor leads a gang of mercenaries into war-torn Congo. Jim Brown, Yvette Mimieux and Kenneth More co-star. Based on the Wilbur Smith bestseller
(26) Stiletto (1969). Mafia hitman Alex Cord pursued by tough cop Patrick O’Neal. Britt Ekland as the treacherous girlfriend heads a supporting cast including Roy Scheider, Barbara McNair and Joseph Wiseman.
(27) Maroc 7 (1967). Yet more jewel skullduggery with Gene Barry infiltrating a gang of thieves in Morocco who use the cover of a fashion shoot. Top female cast comprises Elsa Martinelli, Cyd Charisse, Tracy Reed and Alexandra Stewart.
(28) The Rock (1996). Former inmate Sean Connery breaks into Alcatraz with Nicolas Cage to prevent mad general Ed Harris blowing up San Francisco. Michael Bay over-the-top thriller with blistering pace.
(29) The Swimmer (1968). Burt Lancaster’s life falls apart as he swims pool-by-pool across the county. Superlative performance.
(30) Hour of the Gun (1967). James Garner as a ruthless Wyatt Earp and Jason Robards as Doc Holliday in John Sturges’ realistic re-telling of events after the Gunfight at the O.K. Corral.
(32) Dr Syn Alias the Scarecrow (1963). The British movie version of Disney American television mini-series sees Patrick McGoohan as a Robin Hood-type character assisting local smugglers.
(34) Sol Madrid/The Heroin Gang (1968). In his second top-billed role David MacCallum drags hooker Stella Stevens to Mexico to capture drugs kingpin Telly Savalas.
(35) A Twist of Sand (1968). Diamonds again. Smugglers Richard Johnson and Jeremy Kemp hunt long-lost jewels in Africa. Honor Blackman is along for the voyage.
(36) Genghis Khan (1965). Omar Sharif plays the legendary warlord who unites warring Mongol tribes. Stellar cast includes Stephen Boyd, James Mason, Francoise Dorleac, Eli Wallach, Telly Savalas and Robert Morley.
(37) Interlude (1968).Bittersweet romance between famed conductor Oskar Wener and young reporter Barbara Ferris.
(38) Woman of Straw (1964). Sean Connery tangles with Gina Lollobrigida in tangled tale of the killing of wealthy uncle Ralph Richardson.
(39) Bedtime Story (1964). Marlon Brando and David Niven are rival seducers on the Riviera targeting wealthy women.
Year End Round-Up 2022: Top 30 Films Chosen By You
As is by now traditional (well, it’s the second full year) this isn’t my choice of the top films of the year, but yours, my loyal readers. This is a chart of the films viewed the most times over full calendar year of January 2022 – December 2022.
Jessica (1962). Angie Dickinson plays a young widow who turns so many heads in a small Italian town that their wives seek revenge. The film had debuted at No 30 in the previous year’s chart so showed remarkable staying power.
Once Upon a Time in the West (1969). Sergio Leone’s masterpiece now acclaimed as the greatest western ever made. Top class cast – Claudia Cardinale, Charles Bronson, Henry Fonda and Jason Robards – and one of the greatest scores ever written courtesy of Ennio Morricone.
The Swinger (1966). Ann-Margret sparkles as author reinventing herself by writing a sex novel.
Fraulein Doktor (1969). Suzy Kendall as German spy outwitting the British during World War One.
Can Heironymus Merkin Ever Forget Mercy Humpe and Find True Happiness? (1969). Fellini-esque musical with abundant nudity as writer-director-star Anthony Newley tries to unravel the meaning of life.
Father Stu (2022). Under-rated biopic with Mark Wahlberg as unlikely priest.
Blonde (2022). Andrew Dominik’s controversial reimagining of the life of Marilyn Monroe with Ana de Armas
For a Few Dollars More (1965).Sergio Leone re-teams with Clint Eastwood in the second in the spaghetti western trilogy with Lee Van Cleef as a rival bounty hunter.
A Place for Lovers (1968). Faye Dunaway and Marcello Mastroianni in Vittorio De Sica doomed romance.
Fade In (1968). Burt Reynolds disowned this romance filmed against the backdrop of making the Terence Stamp western Blue but it’s better than he thinks.
The Secret Ways (1961). Richard Widmark in spy thriller set in Hungary during the Cold War and adapted from the Alistair MacLean novel. Senta Berger has a small role. Top film for 2021, so demonstrating the ongoing popularity of films based on the author’s works.
The Sisters (1969). Complicated menage a trois that borders on the semi-incestuous starring Nathalie Delon and Susan Strasberg.
Pharoah (1966). Epic Polish picture about political shenanigans in ancient Egypt. Another film with legs – it was No 3 in the 2021 annual chart.
Water Gate Bridge / Battle at Lake Changjin II (2022). Another epic, non-stop action from the Chinese point-of-view in a sequel to one of the most famous battles of the Korean War.
Harlow (1965). Carroll Baker as the blonde bombshell who rocketed to fame in 1930s Hollywood.
Baby Love (1969). Morality tale as orphaned Linda Hayden tries to fit into an upper-class London household.
Moment to Moment (1966). Hitchockian thriller set in the South of France with adulterous Jean Seberg suspected of killing her lover.
Secret Ceremony (1968). Elizabeth Taylor, Mia Farrow and Robert Mitchum in atmospheric Joseph Losey drama.
Lady in Cement (1969). Gangster’s moll Raquel Welch steals the show in Frank Sinatra’s second outing as private eye Tony Rome.
Subterfuge (1968). Suzanna Leigh steals the show as a sadistic henchwoman trying to prevent Gene Barry uncovering a mole in M.I.5.
P.J. / New Face in Hell (1967). George Peppard taken to the cleaners as down-on-his luck private eye.
The Golden Claws of the Cat Girl (1968). Cult French movie starring Daniele Gaubert as a sexy cat burglar. This was No 6 last year.
The Gray Man (2022). Spectacular Netflix misfire with Ryan Gosling and Chris Evans as rival assassins and Ana de Armas adding some spice.
The Brotherhood (1968). Martin Ritt Mafia drama sees siblings Kirk Douglas and Alex Cord falling out.
Some Girls Do (1969). Richard Johnson returns as Bulldog Drummond battling archvillains Daliah Lavi and Beba Loncar.
Pressure Point (1962). Prison psychiatrist Sidney Poitier treats racist patient Bobby Darin. Very unusual imagery.
The Double Man (1967). C.I.A. operative Yul Brynner battles Russian espionage in Switzerland with Britt Ekland providing the glamor.
Operation Mincemeat (2022). Re-telling of “The Man Who Never Was” World War Two plot that duped Hitler over Sicilian invasion plans.
Orgy for the Dead (1965). Bizarre cult horror tale where most of the female characters appear to be auditioning for a nudie film.
Texas Across the River (1966). Alain Delon acts against type in Dean Martin comedy western.
The Penthouse (1967) ****
Visceral home invasion thriller that ignited the genre and triggered later more controversial offerings like The Straw Dogs (1971) and A Clockwork Orange (1971). Made virtually on one set for the indescribably minute sum of £100,000, it is charged with Pinteresque dialogue and aberrant philosophy. The genre splits into those pictures where the occupants have more than a good chance of avoiding their fate, the focus on the invaded pitting their wits against the invaders – classic examples being The Straw Dogs or more recently Panic Room (2002) – and those where the victims are mercilessly tormented, such as, in grueling detail, here.
As one of the perks of his job cocky married real estate agent Bruce (Terence Morgan) takes advantage of an expensive unoccupied apartment on his company’s books – “in the happy position to take advantage of my clients’ generosity in their absence” as he puts it – to enjoy an illicit tryst with mistress Barbara (Suzy Kendall). But when she answers to the door to two men coming to read the gas meter, their lives are turned upside down.
Tom (Tony Beckley) and Dick (Norman Rodway) are, of course, bogus and armed with a knife quickly take control, trying up Bruce and pouring alcohol down Barbara’s throat. As part of the overall creepiness, there is a sense that this is no casual visit, but that it has been planned, as if someone somewhere is familiar with the set-up, and there a debt, if only a moralistic one, to pay as a deterrent to the era’s permissiveness. Minus the knife, they would have passed as harmless. But never was their such difference between word and action, except for what they are capable of you could easily be persuaded that are in fact camp and bitchy.
The bound Bruce’s is spun round in a chair and can only watch as the men begin to strip Barbara. His only defence is verbal, trying to set the two men against each other, suggesting that Tom treats Dick as his assistant. But the relationship between the two criminals constantly shifts as if they were in passive-aggressive relationship. You don’t learn much about them until the end, so basically you have to rely on what they say about themselves, which is very little. They are prone to philosophic observation or interrogate Bruce about his possessions or extract from Barbara an unexpected ambition to be a painter.
The men take it in turns to torment Bruce while the other is in the bedroom with Barbara. Where Bruce resists verbally, Barbara gives in almost right away, but there is never the sense that this is in any way consensual, just that she is too drunk to defend herself – the first drink is a full glass of whisky forced down her throat – and the men have a knife. The invaders make constant reference to a character called Harry. That person’s eventual appearance provides a whole new range of twists.
It’s a film full of menace. Sexual tension, mind games, claustrophobia and the threat of physical violence never dissipate. Because it is rationed out, the brutality is all the more shocking. But it is brilliantly directed. In his debut British director Peter Collinson (The Italian Job, 1969) uses the camera to suggest we are in anything but an enclosed space. In one long sequence the camera does not move, in another scene it turns 360 degrees, and at other times it twists and turns as if turning the characters inside out, suggesting some of the dizziness, the dramatic speed of change of feelings, that the stunned victims are enduring. At times it feels like an arthouse movie. At other times like a deranged B-picture.
The cast are all excellent. Tony Beckley (The Lost Continent, 1968) makes the best of a role of a lifetime, Norman Rodway (Four in the Morning, 1965) the more quietly psychotic sidekick. Terence Morgan (The Sea Pirate, 1966) has less to do but Suzy Kendall (Fraulein Doktor, 1969) is superb as the enigmatic girlfriend. Look out for Martine Beswick (Prehistoric Women, 1967) in a small part. Collinson wrote the screenplay based on a play The Meter Men by Scott Forbes.
Cultural note: “Tom, Dick and Harry” are considered such quintessentially British names that anyone familiar with this would understand immediately that they were a) pseudonyms and b) intended as a twisted kind of joke.
No sign of this being available on Amazon. Ebay is probably your best bet. There’s a copy on YouTube but it ain’t a good print.
Fraulein Doktor (1969) ****
Surprisingly good World War One spy yarn full to bursting with clever ruses and pieces of deception and ending with a stunning depiction of carnage on the Western Front. Loosely based on the life of Elsbeth Schragmuller, it fell foul on release to British and American hostility over the Germans actually winning anything.
The film breaks down into three sections: the unnamed Doktor landing at the British naval base in Scapa Flow in Orkney to plan the death of Lord Kitchener; a flashback to France where she steals a new kind of poison gas; and finally on the Western Front where, disguised as a Red Cross nurse, she masterminds an attempt to steal vital war plans. She is hampered by her emotions, romance never helpful for an espionage agent, and her addiction to morphine.
Duelling spymasters the British Colonel Foreman (Kenneth More) and the German Colonel Mathesius (Nigel Green) both display callousness in exploiting human life. The films is so full of twists and turns and, as I mention, brilliant pieces of duplicity that I hesitate to tell you any more for fear of introducing plot spoilers, suffice to say that both men excel at the outwitting game.
I will limit myself to a couple of examples just to get you in the mood. Foreman has apprehended two German spies who have landed by submarine on Scapa Flow. He knows another one has escaped. The imprisoned Meyer (James Booth) watches his colleague shot by a firing squad. Foreman, convinced Meyer’s courage will fail at the last minute, instructs the riflemen to load up blanks. Before a shot is fired, Meyer gives up and spills the beans on the Doktor only to discover that Foreman faked the death of his colleague.
And there is a terrific scene where the Fraulein, choosing the four men who will accompany her on her final mission, asks those willing to die to step forward. She chooses the ones not willing to die. When asking one of these soldiers why he stayed back he replied that she wouldn’t want to know if he could speak Flemish if he was so expendable.
The Fraulein is always one step ahead of her pursuers, changing clothes and hair color to make redundant any description of her, and knowing a double bluff when she sees one. In France as a maid she turns seductress to win the trust of scientist Dr Saforet (Capucine) who has developed a new, deadlier, strain of poison gas. It’s unclear whether, appalled at the potential loss of life to her fellow Germans, this is her motivation to turn spy or whether at this point she is already an accomplished agent. In the final section she takes command of the entire operation.
What distinguishes this from the run-of-the-mill spy adventure is, for a start, not just the female spy, how easily she dupes her male counterparts, and that the British are apt just to be as expedient as the Germans, but the savage reality of the war played out against a British and German upper class sensibility. When a train full of Red Cross nurses arrives at the front, the wounded men have to be beaten back; Foreman thinks it unsporting to use a firing squad; a German general refuses to award the Fraulein a medal because Kitchener was a friend of his; and the Doktor’s masquerade as a Red Cross nurse goes unchallenged because she adopts the persona of a countess.
Far from being an evil genius, the Doktor is depicted as a woman alarmed at the prospect of thousands of her countrymen being killed and Germany losing the war. In order to cram in all the episodes, her later romance is somewhat condensed but the emotional response it triggers is given full vent. And there is tenderness in her affair with Dr Saforet, hair combing a prelude to exploring feelings for each other.
Apart from King and Country (1964), The Blue Max (1966) and Oh, What a Lovely War (1969), depictions of the First World War were rare in the 1960s, and the full-scale battle at the film’s climax is exceptionally well done with long tracking shots of poison gas, against which masks prove little deterrent, as it infiltrates the British lines. The horror of war becomes true horror as faces blister and, in one chilling shot, skin separates from bone and sticks to the barrel of a rifle.
If I have any quibbles, it’s a sense that there was a brilliant film to be made here had only the budget been bigger and veteran director Alberto Lattuada (Matchless, 1967) had made more of the suspense. Suzy Kendall (The Penthouse, 1967) easily carries the film, adopting a variety of disguises, accents and characters, yet still showing enough of her own true feelings. Kenneth More (Dark of the Sun, 1968), in more ruthless mode than previous screen incarnations, is excellent as is counterpart Nigel Green (Deadlier than the Male, 1967) but James Booth (Zulu, 1963) has little to do other than look shifty. Capucine (North to Alaska, 1960) has an interesting cameo.
Ennio Morricone (Once upon a Time in the West, 1969) has created a masterly score, a superb romantic theme at odds with the discordant sounds he composes for the battles scenes. Collectors of trivia might like to know that Dita Parlo had starred in a more romantic British version of the story Under Secret Orders (1937) with a German version, using the same actress, filmed at the same time by G.W. Pabst as Street of Shadows (1937), both revolving around this infamous secret agent.
This is far from your normal spy drama. Each of the main sequences turned out differently to what I expected and with the German point-of-view taking precedence makes for an unusual war picture. I enjoyed it far more than I anticipated.
Another freebie on YouTube. I could not find a DVD so you might need to check out secondhand dealers on Ebay.
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https://ultimatepopculture.fandom.com/wiki/Dudley_Moore
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Dudley Moore
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Dudley Stuart John Moore, CBE (19 April 1935 – 27 March 2002) was an English actor, comedian, musician and composer. Moore first came to prominence in the UK as one of the four writer-performers in the comedy revue Beyond the Fringe from 1960, and with one member of that team, Peter Cook...
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Ultimate Pop Culture Wiki
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https://ultimatepopculture.fandom.com/wiki/Dudley_Moore
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Dudley Stuart John Moore, CBE (19 April 1935 – 27 March 2002) was an English actor, comedian, musician and composer.
Moore first came to prominence in the UK as one of the four writer-performers in the comedy revue Beyond the Fringe from 1960, and with one member of that team, Peter Cook, collaborated on the television series Not Only... But Also. The double act worked on other projects until the mid-1970s, by which time Moore had settled in Los Angeles to concentrate on his movie acting.
His solo career as a comedy film actor was heightened by the success of hit Hollywood films, particularly Foul Play, 10 and Arthur. He received an Oscar nomination for the latter role. He was frequently referred to in the media as "Cuddly Dudley" or "The Sex Thimble", a reference to both his short stature and his reputation as a "ladies' man".
Contents[]
[hide] *1 Early life
2 Career
2.1 Partnership with Peter Cook
2.2 Later career
2.3 Entrepreneur
3 Personal life
4 Illness and death
5 Honours and awards
6 Filmography
7 Discography
7.1 UK chart singles
7.2 Jazz discography
8 References
9 Further reading
10 External links
Early life[edit][]
Moore was born in the original Charing Cross Hospital, in central London, the son of Ada Francis (née Hughes), a secretary, and John Moore, a railway electrician. He was brought up inDagenham, East London. He was notably short: 5 ft 2.5 in (1.588 m) and was born with club feet that required extensive hospital treatment and, coupled with his diminutive stature, made him the butt of jokes from other children. His right foot responded well to corrective treatment and had straightened itself by the time he was six, but his left foot became permanently twisted and consequently his left leg below the knee was withered. This was something he remained very self-conscious of throughout his life.
He became a choirboy at the age of six and took up the piano and violin. He rapidly developed into a highly talented pianist and organist and was playing the pipe organ at local church weddings by the age of 14. He attended Dagenham County High School where he received musical tuition from a dedicated teacher, Peter Cork. Cork became a friend and confidant to Moore, continuing to correspond with him until 1994.
Moore's musical talent won him an organ scholarship to Magdalen College, Oxford. While studying music and composition there, he also performed with Alan Bennett in the Oxford Revue. Bennett then recommended him to a producer who was putting together Beyond the Fringe, a comedy revue, where he first met his comedic partner Peter Cook. Beyond the Fringe was at the forefront of the 1960s UK satire boom and after becoming a huge success in Britain it transferred to the United States, where it was also a big hit.
During his university years, Moore had developed a love of jazz music and soon became an accomplished jazz pianist and composer. He began working with such leading musicians as John Dankworth and Cleo Laine. In 1960, he left Dankworth's band to work on Beyond the Fringe. During the 1960s he formed the Dudley Moore Trio, with drummer Chris Karan and bassist Pete McGurk. Following McGurk's suicide in June 1968, Peter Morgan joined the group as his replacement.[1]
Moore's admitted principal musical influences were Oscar Peterson and Erroll Garner. In an interview he recalled the day he finally mastered Garner's unique left-hand strum and was so excited that he walked around for several days with his left hand constantly playing that cadence. His early recordings included "My Blue Heaven", "Lysie Does It", "Poova Nova", "Take Your Time", "Indiana", "Sooz Blooz", "Baubles, Bangles & Beads", "Sad One for George" and "Autumn Leaves". The trio performed regularly on British television, made numerous recordings and had a long-running residency at Peter Cook's London nightclub, the Establishment.
In the 1960s Moore was a close friend of record producer Chris Gunning and played piano (uncredited) on the 1969 single "Broken Hearted Pirates" which Gunning produced for Simon Dupree and the Big Sound.[2]
Moore composed the soundtracks for the films Bedazzled, Inadmissible Evidence, Staircase and Six Weeks, among others.
Career[edit][]
Partnership with Peter Cook[edit][]
[1][2]Moore (right) with Peter Cook in 1974
After following the Establishment to New York City, Moore returned to the UK and was offered his own series on the BBC, Not Only... But Also (1965). It was commissioned specifically as a vehicle for Moore, but when he invited Peter Cook on as a guest, their comedy partnership was so notable that it became a permanent fixture of the series. Cook and Moore are most remembered for their sketches as two working class men, Pete and Dud, in macs and cloth caps, commenting on politics and the arts, but they fashioned a series of one-off characters, usually with Moore in the role of interviewer to one of Cook's upper class eccentrics. The pair developed an unorthodox method for scripting the material by using a tape recorder to tape an ad libbed routine that they would then have transcribed and edited. This would not leave enough time to fully rehearse the script so they often had a set of cue cards. Moore was famous for "corpsing"—the programmes often went on live, and Cook would deliberately make him laugh in order to get an even bigger reaction from the studio audience. Regrettably, the BBC junked much of the series (see Wiping), though some of the soundtracks (which were issued on record) have survived. Moore and Cook co-starred in the film Bedazzled (1967) with Eleanor Bron, and also had tours called Beyond the Fringe and Good Evening.
In 2009 it came to light that at the time three separate British police forces had wanted them to be prosecuted under obscenity laws for their comedy recordings made during the late 1970s under the pseudonyms Derek and Clive. Shortly following the last of these, Derek and Clive – Ad Nauseam, Moore made a break with Cook, whose alcoholism was affecting his work, to concentrate on his film career. When Moore began to manifest the symptoms of the disease that eventually killed him (progressive supranuclear palsy), it was at first suspected that he too had a drinking problem. Two of Moore's early starring roles were the eponymous drunken playboy Arthur and the heavy drinker George Webber in 10.
Later career[edit][]
In the late 1970s, Moore moved to Hollywood, where he had a supporting role in the hit film Foul Play (1978) with Goldie Hawn and Chevy Chase. The following year saw his break-out role inBlake Edwards's 10, which he followed up with the film Wholly Moses! The latter was not a major success.
Moore played Watson to Cook's Holmes in The Hound of the Baskervilles (1978). Moore was a comic foil to Sir Henry and played three other roles: one in drag and one as a one-legged man. Moore also played the piano for the entire score and appears at the start and end of the film as a flamboyant and mischievous pianist. Moore also scored the film.
In 1981, Moore appeared as the lead in the comedy Arthur, an even bigger hit than 10, which also starred Liza Minnelli and Sir John Gielgud. It was both commercially and critically successful; Moore received an Oscar nomination for Best Actor whilst Gielgud won the Best Supporting Actor Oscar for his role as Arthur's stern but compassionate manservant. Moore lost to Henry Fonda (for On Golden Pond). He did, however, win a Golden Globe award for Best Actor in a Musical/Comedy. In 1984, Moore had another hit, starring in the Blake Edwards directed Micki + Maude, co-starring Amy Irving. This won him another Golden Globe for Best Actor in a Musical/Comedy.
His subsequent films, including Arthur 2: On the Rocks, a sequel to the original, and an animated adaptation of King Kong, were inconsistent in terms of both critical and commercial reception; Moore eventually disowned the former. In later years, Cook would wind up Moore by claiming he preferred Arthur 2: On the Rocks to Arthur.
In addition to acting, Moore continued to work as a composer and pianist, writing scores for a number of films and giving piano concerts, which were highlighted by his popular parodies of classical favourites. In 1976 he played piano onLarry Norman's album In Another Land, in particular on the song "The Sun Began to Rain." In addition, Moore collaborated with the conductor Sir Georg Solti to create the television series, Orchestra! (1991), which was designed to introduce audiences to the symphony orchestra. He later worked with the American conductor Michael Tilson Thomas on a similar television series, Concerto! (1993), likewise designed to introduce audiences to classical music concertos. He also appeared as Ko-Ko in a Jonathan Miller production of The Mikado in Los Angeles in March 1988.
In 1997, Moore was interviewed for The New York Times by the music critic Rena Fruchter, herself an accomplished pianist. They became close friends. By now Moore's film career was on the wane. He was having trouble remembering his lines, a problem he had never previously encountered (for this reason he was sacked from Barbra Streisand's film The Mirror Has Two Faces).[3] He opted to concentrate on the piano, and enlisted Fruchter as an artistic partner. They performed as a duo in the U.S. and Australia. However, his disease soon started to make itself apparent there as well, as his fingers would not always do what he wanted them to do. Symptoms such as slurred speech and loss of balance were misinterpreted by the public and the media as a sign of drunkenness. Moore himself was at a loss to explain this. He moved into Fruchter's family home in New Jersey and stayed there for five years, but this, however, placed a great strain both on her marriage and her friendship with Moore, and she later set him up in the house next door.
In the 1990s, Moore also starred as a man named David trying to catch some chickens in a series of Tesco adverts. He stated in a later interview that this was the highlight of his career so far, and that he was paid '£20,000 for each advert'.
Moore was deeply affected by the death of Peter Cook in 1995, and for weeks would regularly telephone Cook's home in London just to get the telephone answering machine and hear his friend's voice. Moore attended Cook's memorial service in London and at the time many people who knew him noted that Moore was behaving strangely and attributed it to grief or drinking. In November 1995, Moore teamed up with friend and humorist Martin Lewis in organising a two-day salute to Cook in Los Angeles that Moore co-hosted with Lewis.
Moore was the subject of the British This Is Your Life - for a second time - in March 1987 when he was surprised by Eamonn Andrews at his Venice Beach restaurant; he had previously been honoured by the programme in December 1972. Moore is the main subject of the play Pete and Dud: Come Again, by Chris Bartlett and Nick Awde. Set in a chat-show studio in the 1980s, it focuses on Moore's comic and personal relationship with Peter Cook and how their careers took off after the split of the partnership.
Entrepreneur[edit][]
Moore co-owned a fashionable restaurant in Venice, California (1980s–2000). The restaurant was named 72 Market Street Oyster Bar and Grill. Moore played piano in the restaurant whenever he dropped by the premises.
Personal life[edit][]
Moore was married and divorced four times: to actresses Suzy Kendall, Tuesday Weld (by whom he had a son, Patrick, in 1976), Brogan Lane, and Nicole Rothschild (one son, Nicholas, born in 1995).[4]
He maintained good relationships with Kendall, Weld and Lane, but expressly forbade Rothschild to attend his funeral. At the time his illness became apparent, he was going through a difficult divorce from Rothschild, despite sharing a house in Los Angeles with her and her previous husband.
Moore dated and was a favourite of some of Hollywood's most attractive women, including Susan Anton. In 1994, Moore was arrested after Rothschild claimed he had beaten her before that year's Oscars; she later withdrew her charges.
Illness and death[edit][]
In September 1997 Moore underwent quadruple heart bypass surgery in London, and subsequently suffered four minor strokes.
In June 1998, Nicole Rothschild was reported to have told an American television show that Moore was "waiting to die" due to a serious illness, but these reports were denied by Suzy Kendall.[5]
On 30 September 1999, Moore announced that he was suffering from the terminal degenerative brain disorder progressive supranuclear palsy, some of whose early symptoms were so similar to intoxication that he had been accused of being drunk, and that the illness had been diagnosed earlier in the year.[6]
He died on 27 March 2002, as a result of pneumonia, secondary to immobility caused by the palsy, in Plainfield, New Jersey. Rena Fruchter was holding his hand when he died, and she reported his final words were, "I can hear the music all around me." Moore was interred in Hillside Cemetery in Scotch Plains, New Jersey. Fruchter later wrote a memoir of their relationship (Dudley Moore, Ebury Press, 2004).
In December 2004, the Channel 4 television station in the United Kingdom broadcast Not Only But Always, a TV film dramatising the relationship between Moore and Cook, although the principal focus of the production was on Cook. Around the same time the relationship between the two was also the subject of a stage play called Pete and Dud: Come Again.
Honours and awards[edit][]
In June 2001, Moore was appointed a Commander of the Order of The British Empire (CBE). Despite his deteriorating condition, he attended the ceremony, mute and wheelchair-bound, at Buckingham Palace to collect his honour.[3]
Filmography[edit][]
Flatland (1965) (short)
The Wrong Box (1966)
Bedazzled (1967)
30 Is a Dangerous Age, Cynthia (1968)
The Bed-Sitting Room (1969)
Monte Carlo or Bust (1969)
Alice's Adventures in Wonderland (1972)
The Hound of the Baskervilles (1978)
Foul Play (1978)
10 (1979)
BBC Horizon: "It's About Time" (1979)
Derek and Clive Get the Horn (1979)
The Muppet Show (1980) (TV)
Wholly Moses! (1980)
Arthur (1981)
Six Weeks (1982)
Lovesick (1983)
Romantic Comedy (1983)
Unfaithfully Yours (1984)
Micki + Maude (1984)
Best Defense (1984)
Santa Claus: The Movie (1985)
Like Father Like Son (1987)
Arthur 2: On the Rocks (1988)
The Adventures of Milo and Otis (1989)
Crazy People (1990)
Blame It on the Bellboy (1992)
Really Wild Animals (1993)
Dudley (1993)
Daddy's Girls (1994) (TV)
Parallel Lives (1994)
The Disappearance of Kevin Johnson (1995)
A Weekend in the Country (1996)
The Mighty Kong (1998)
Discography[edit][]
UK chart singles[edit][]
"Goodbye-ee", 1965, Peter Cook and Dudley Moore
"The L.S. Bumble Bee", 1967, Peter Cook and Dudley Moore
"Song for Suzy", 1972, Dudley Moore Trio (upbeat jazz)
Jazz discography[edit][]
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https://lalafilmltd.wordpress.com/2016/05/21/review-30-is-a-dangerous-age-cynthia-1968/
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Review: 30 Is a Dangerous Age, Cynthia (1968)
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Director: Joseph McGrath Starring: Dudley Moore, Eddie Foy jr., Suzy Kendall Release Date: 4th March 1968 (US) The Beatles' impact on popular culture went beyond music; the Fab Four also changed the course of British film comedy. With the release of A Hard Day's Night (1964) and Help! (1965), The Beatles brought a carefree spirit to British comedy,…
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La La Film
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https://lalafilmltd.wordpress.com/2016/05/21/review-30-is-a-dangerous-age-cynthia-1968/
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Director: Joseph McGrath
Starring: Dudley Moore, Eddie Foy jr., Suzy Kendall
Release Date: 4th March 1968 (US)
The Beatles’ impact on popular culture went beyond music; the Fab Four also changed the course of British film comedy. With the release of A Hard Day’s Night (1964) and Help! (1965), The Beatles brought a carefree spirit to British comedy, combining youthful impertinence with a more thoughtful, sharper approach to dialogue. The increasing use of color also helped lend an air of psychedelia to even the lowliest of budgets as British film shook off its flat cap and raincoat, loosened its collar and bought itself some new gear from Canarby Street. All this led to British comedy films of the second half of the 1960s feeling as different, and changing just as rapidly, as The Beatles’ music did after their early involvements with the transcendental meditation movement. It also led to some very peculiar films.
Some weeks ago, we looked at Billy Liar (1963) and the startlingly modern character of Liz, played by Julie Christie. After the success of the two Beatles films, it was as if Liz had taken the reins of British movie comedy from Billy’s parents, leaving Mr & Mrs Fisher with the ‘Carry On’ series and the odd Norman Wisdom film (though even Wisdom could move with the times, as with 1969’s What’s Good For the Goose). Black and white formality gave way to the fluid and the lurid, from the demented Gonks Go Beat (1965), to the swinging I’ll Never Forget What’s’Isname (1967) and Can Hieronymous Merkin Ever Forget Mercy Humppe and Find True Happiness? (1969). As these titles suggest, not all such forays into the new permissive society were a success.
One British comedy act who came of age during the mid 196os was Peter Cook & Dudley Moore. Meeting at Cambridge University in 1960 they, along with Alan Bennett and Johnathan Miller, formed the hugely successful Beyond the Fringe team. Once the group had run its course, Moore and Cook starred together in their own BBC sketch show Not Only…But Also (1965-66, 1970) their first work as a duo in what became a fruitful if intermittent partnership. Cook and Moore’s friendship was strained by a competitiveness bordering on the antagonistic, with both men ambitious to take their talents to ever larger audiences. The pair starred in two films together, The Wrong Box (1966) and Bedazzled (1967); though well-regarded today, both films flopped at the box office. For Dudley Moore the films were disasters and required a change of tack, as biographer Jeff Lenburg explained in 1983: “Moore could not afford another flop…what he needed more than ever was an impetus to help his career meet his expectations. The first step was to abandon his association with Peter Cook.”
Moore scripted a film suited to his particular talents, including his musical skills (Moore was, of course, an accomplished pianist and composer). What he came up with was 30 is A Dangerous Age, Cynthia, the story of a 29-year-old man determined to marry and write a musical before his 30th birthday, around six weeks distant as the film begins. “Between the idea and the reality, falls the shadow,” wrote T S Eliot, and somewhere between Moore’s script (eventually co-written with director Joseph McGrath and comedy actor-writer John Wells) and the eventual production, something went awry.
The pre-credits sequence demonstrate the confusion behind the script as we see Dudley Moore, playing the 29-year-old Rupert Street, involved in minor incidents of a sort that might lead us to think his character is very superstitious or obsessed with time-keeping when in fact he’s neither. We then see Street visit a registrar’s office where we learn he’s a pianist and would like to get married on his 30th birthday, September 13th, if at all possible. The registrar (Frank Thornton, who cornered the market in this sort of role) points out that custom dictates a woman should ideally be involved, and throws Rupert out of his office in a brutal, polite, and rather English manner. So, is Rupert is a hopeless romantic, or a amiable moron? We never get a grip of who Rupert really is and what appears as fierce ambition is portrayed more as eccentricity, rather than a desperate race against the clock.
We do gain an impression that Rupert is a fantasist, as we see him acting on the registrar’s advice to find a woman during the opening credits (set out in a truly hideous font), but only in his imagination, as every woman Rupert encounters becomes his bride. Various very 1960s women arrive in mini-mokes, on bicycles, and in London buses, culminating in a mass ceremony by the Albert Memorial. In reality however, Rupert arrives at the grotty back entrance of his place of work, a Scottish-themed nightclub called Jock’s Box, a name defying closer examination.
During afternoon rehearsals, Rupert plays the piano, mugging and adopting silly voices, as Moore was wont to do a little too often, as his friend and mentor Oscar (Eddie Foy Jnr., once of the all-singing, all-dancing Seven Little Foys family troupe), a former vaudeville act, dances and quips in the background. The larks are interrupted by club owner Jock McCue (played by Duncan Macrae, looking older than his 61 years, and who died not long after production was completed), a stern, Presbyterian sort who seems an unlikely man to run a nightclub. Jock wants to talk to Rupert in his office, but Rupert cries off as he needs to pick up his laundry, and the scene fades without us learning if Rupert’s job is under threat or not, an instance of 30IADAC’s habit of raising dramatic tension before deciding it can’t be bothered to follow it through.
The British critic Leslie Halliwell described 30IADAC as “a few thin sketches frantically over-directed”, and the following sequence is a prime example. As Rupert explains his plans to Oscar while they walk the streets, director McGrath fragments the dialogue with cuts here, there, and everywhere, as if compensating for a thin script. Aptly enough with these distracting visuals, Oscar tells Rupert he’ll become distracted from his work once married.
Driving through London in a convertible (another sure sign we’re in a late 1960s British film), Rupert thinks of the great composers and their domestic routines. We see Rupert become Beethoven, up at five-thirty each morning, we’re told; Bach with his children, all of who are jolly excited at being in a film; and “rotten swot” Mozart, who’d written more music as an infant than Rupert could ever hope to compose. All well and good, though the sequence seems written to indulge Moore’s dressing up as famous composers than to move the film on in any way. Rupert decides he needs greater discipline in his life, something Moore might have benefited from in his writing.
Rupert arrives at his apartment, part of a tenement run by Mr & Mrs Woolley, two of the most interesting characters in 30IADAC. Mr Woolley (Northern Irish actor Harry Towb), a man of few words, is often seen furiously polishing the couple’s car, with neither yet able to drive; Mrs Woolley (Patricia Routledge, still going strong at the age of 87) refers to her husband as ‘Daddy’ and runs a pre-natal exercise clinic, even though the couple appear childless. Displacement activity was never so displaced as this, and Mrs Woolley in particular regards Rupert with maternal benevolence. Dotty neighbors, or in this case landlords, are a staple of British comedy, and Routledge and Towb, British screen regulars, are a delight whenever they appear on screen.
The laundry arrives – via the post, sent by his mother, along with a packet of sherbert lemons and a slice of bread pudding. A letter reveals Rupert left home only three months ago; Sparky the cat “is in disgrace”; Rupert’s parents feel he’s too young for marriage; mother had a bad turn recently and required medical attention. And if you think the latter is a relevant plot point, you’re mistaken, as Rupert’s parents merit not another mention during the course of the film.
The telephone in the outside hallway rings (a sentence certain to make readers of a certain age feel old) and Rupert answers, only to find the call is for his new neighbor, Louise Hammond (played by Moore’s then girlfriend and future ex-wife Suzy Kendall). There’s a fun scene where Rupert stands holding the clunky handset while Louise argues with her boyfriend Paul while clad in only a towel. No sooner is the call over than Rupert fantasizes of winning Louise’s heart – we see Moore as a cowboy, a Valentino-style Sheikh, a top hat and tails playboy (as if previewing his success as Arthur (1981)) and a stock car racer – not NASCAR, but the British BriSCA formula, those curious little vehicles that resemble shoehorns on wheels. In his daydream, Rupert races his car (in what looks like the now defunct Harrengay stadium), only to become involved in a pile-up.
A lucid daydreamer, Rupert screams. Louise reappears at the door, puzzled. “There isn’t a doorbell,” Rupert explains, and fearing her neighbor is unwell, Louise invites him in for coffee. “Oh, you do your own cooking,” states Rupert. One is never quite sure whether Rupert is serious or joking and Louise doesn’t quite know what to make of this odd little man, though she soon takes to Rupert.
An art student and school teacher, Louise’s flat is full of sketches and paintings. Rupert contributes his own painting – well, paint is used, at any rate – of a stick man, a flower, and a boat, of the sort decorating family fridges the world over. Louise likes it though, and we later see it take pride of place on her apartment wall.
A phone call for Rupert – it’s his agent, Victor (Peter Bayliss), who awaits Rupert in his office for a meeting about the proposed musical. Could Rupert possibly call round, as he should have done an hour and a half ago, in the next four minutes? As we’re in theaterland, it comes as little surprise that Victor is portrayed as gay (or camp at the very least), with a flamboyant turn of phrase to match his pink shirt and polka dot night-gown, though why his trousers are undone is more of a mystery. Ares gay men prone to have their trousers undone? Such are the questions unusual films provoke.
There follows a rather tiresome montage of Rupert’s dash to Victor’s office, in the style of the contemporary opening titles to the BBC sports program Grandstand (bet that played well in Peoria) and Rupert makes it just in time. Victor introduces Rupert to director Horst Cohen (Ted Dicks Jnr), choreographer Gore Taylor (Johnathan Routh, with immense eyebrows) and financial backer, the Honorable Gavin Hopton, a Warhol-esque figure played with an icy slither by satirist John Fortune. There’s a lot of peculiar dialogue relating Rupert’s contract and who gets a cut of what, before Victor introduces us to his huge drinks cabinet, even though his guests agree to share a single glass of cold milk with which to toast future success. Rupert is more interested in replicating the picture he drew for Louise, who we see interjecting with dialogue via some tricksy special effects overlaid upon Rupert’s contract. As Rupert signs, the musical score turns portentous, as if Rupert is making a terrible mistake, but again, this suggestion isn’t borne out by the subsequent action, leaving us to ponder what’s going on behind 30IADAC‘s curious moments of emphasis.
Returning to his flat, Rupert is invited in for dinner by Louise. After he’s explained his dual objective for the next six weeks, Rupert provides his motivation: “Shelley was dead by the time he was 28. If you haven’t made it by the time you’re 30, you never will. Ask anybody!” Louise doesn’t know why Rupert’s in a rush: “life doesn’t end at thirty any more than it begins at forty…you’re just playing with numbers.” This said, it’s rather strange Louise herself also has an arbitrary target in mind: “I’m having five kids by the time I’m 30.” “Can I help?” offers Rupert; “no, I can manage on my own,” replies Louise. They’re both referring to the washing-up – probably. One of 30IADAC‘s charms, and there are many, comes in this type of double-meaning and wordplay, and it’s a shame it neglects this aspect as the film continues.
Rupert shows off his musical skills on the piano Louise just so happens to own, and launches into an annoying parody of Noel Coward, then changes tack in a spectacular fashion as we’re treated to a jazz song, ‘The Real Stuff’, set in an ultra-cool club where everyone dresses in white and Rupert serenades Louise on a revolving piano. Dudley Moore’s wonderful performance here is one of the highlights of 30IADAC as he sings his own composition. The song ends with Rupert and Louise kissing on the floor. Sadly for the budding romance, Louise intends to meet Paul later.
The scene shifts to Jock’s Box, run with military fervor by Jock, who addresses the waitresses as if they were his troops. Rupert joins the line-up and after some impenetrable business over Jock inspecting their fingernails, we see Jock the compere working the audience, i.e., telling them to stop eating as he wants to introduce the first act: a pair of satirists named Jackson & Faraday. Well, it would be the first act, if Jackson & Faraday had showed up, but they haven’t. Quite what the point of this is beyond me; maybe Moore was sending up viewer expectations of some Peter Cook-style political comedy (earlier in the film, Rupert is seen reading a copy of Private Eye, the satirical magazine set up by Cook). It’s a joke without a punchline, and it’s a rare comedy film that can afford such indulgences. On the bright side, it allows Jock to introduce the house band, with Dudley Moore joined by the other members of his trio, for a pleasing jazz instrumental. After this, clubgoers including Louise and Paul, flood the dancefloor, only to be stopped by Jock, who calls an intermission (“they’re not drinking!”) and reminds everyone the club doesn’t accept credit cards. Because he is Scottish. Geddit?
While getting changed after his performance, Rupert overhears Louis and Paul (Nicky Henson) arguing in a back alley. Paul wants Louise to return home with him, but Louise will not consent, arguing “I’m just another car to you.” The row threatens to turn violent, with Paul trying to drag Louise away by the arm. Rupert intervenes; Paul looks the pianist up and down, which doesn’t take very long. “You were right,” Paul tells Louise. “There’s isn’t anybody else!” A rubbish, middle-class scuffle breaks out, ending with Paul disposing of Rupert by throwing him through the nearest window.
Rupert, his left arm in plaster, phones Jock from the doctor’s surgery, asking for leave of absence. Jock, ever compassionate, reminds Rupert that Ravel composed a sonata for one hand and expects to see Rupert at the club tonight or he’ll see Rupert in court. The doctor treating Rupert in this brief scene is played by Clive Dunn, normally a reliable comedy stalwart who specialized in playing old men, yet here he somehow manages to suck the life out of the scene, flattening a nice gag about a patient wrapped head to foot in bandages.
Deficient in the arm department to the tune of one, Rupert meets Louise in a pub garden, as this is the one day of the English summer when the nation’s pub gardens aren’t under an inch of rain water. Rupert drinks a pint of what looks like apple juice, as even English beer wasn’t that odd a color in 1968, though Watney’s Red Barrel pushed it close. There’s a rare degree of tension in the air as Rupert accuses Louise of still caring for Paul; “your broken arm has gone to your head,” Louise tells him, though as with Jock’s threat of legal action, this antagonism soon dissipates. Rupert feels it’s time to work on his musical somewhere far away, “Tahiti, China, anywhere.”
‘Anywhere’ transpires as Dublin, or ‘Dublin, Ireland’ as a caption helpfully informs the viewer. Oscar has joined Rupert on his musical mission, and it’s only when they arrive in Dublin harbor he remembers he’s got a letter for Rupert from his doctor, to the effect that his arm isn’t broken after all. Rupert casts aside his cast, upon which he’s written ‘Rupert Loves Louise.’
Oscar tells Rupert his life story as they walk to their lodgings (The Wall hotel, should you wish to make pilgrimage), of his early stage success (“I was 24, I had shirts made in London, my hair cut in Rome”) and of a girlfriend in the chorus line who became so jealous of Oscar’s rise to fame, she sabotaged his stage entrance with marbles, which isn’t a very girlfriend-y thing to do. “I was in pieces, she was in Salt Lake City, with a Hungarian ventriloquist.” None of this is strictly relevant to proceedings, though gives us something to listen to us we follow Rupert and Oscar around various Dublin sights.
Ensconced in his hotel room, Rupert wonders if Louise will ask him to sing at her and Paul’s wedding. This leads to a painful sequence were Rupert sees himself in the mirror as a jester with a lute, and the two sing a medieval-style duet, and it’s every bit as awkward as those words suggest. 30IADAC grinds to a complete halt for the sake of showcasing Dudley Moore’s musical versatility, which the pint-sized polymath has already proved to the viewer’s delight.
Inspiration fails to strike Rupert, who hammers out climaxes, crescendos and little else. Taking a walk only brings out more autobiographical details from Oscar, and so Rupert leaves him to it and ducks into none other than a Martello Tower, of Ulysses fame. Inside, 30IADAC takes another turn for the peculiar.
This tower contains not medical students and eejit English, but candlelight and a rapt audience awaiting the words of the Storyteller, (Michael MacLiammoir) who lays in a brass bed having partaken of nothing except whisky for twelve months. Because he is Irish. Geddit?
Preferring to tell his story with the use of dolls, the Storyteller relates the legend of Mehaul and Myra, “long ago, when snakes were still in Ireland.” For this sequence, Moore plays Mehaul and Kendall plays Myra, made up to look like puppets, and emote only in an expressionistic manner.
Mehaul is off to seek his fortune, leaving his beloved Myra in the care of Black Sean, which was Mehaul’s first mistake. Returning ten years later, which is another mistake, Black Sean, rather fond of Myra himself, tells Mehaul she married a Saxon lord and Mehaul believes this unverified tale, mistake number three. Throwing his expensive carriage into a river, Mehaul tears off his fine clothes, coats himself with mud and lives in a cave for 70 years, and I think we should stop counting the mistakes at this point. Myra, meanwhile, lives in a nearby cottage where she (very) patiently waits for her truelove to return.
One night, a storm breaks, and a flood carries Mehaul to the cottage and he is smashed through the front door, breaking every bone in his body, including those weird fiddly little bones in your inner ear. Reunited, Mehaul and Myra die and go to Heaven, whereas Black Sean is struck by lightening and doesn’t get to go anywhere.
The next we know, Rupert is wading along the shore, Stephen Dedalus-style, except Stephen didn’t play the violin while so doing. “I’ve got my musical, Oscar,” cries Rupert. Oscar reminds Rupert he has only 3 weeks until his birthday. “So what? Handel wrote ‘The Messiah’ in 3 weeks, in Dublin,” a fact which I suspect James Joyce told anyone prepared to listen. We see Rupert as Handel, sending his manuscript to London, and his laundry to his mother in Leigh-on-Sea.
Rupert and Oscar return to ‘London, England’ (thanks, movie), only to find Louise has left the care of Mr & Mrs Woolley for a teaching job in Birmingham – and she left, it seems, with Paul. To make matters worse, Mrs Woolley informs Rupert all his post was destroyed by Mr Woolley who, drunk on sherry, became convinced his wife had embarked on an illicit correspondence with Geraldo (a popular dance band leader of the 1940s and 1950s). Between them, Rupert, Mrs Woolley, and Oscar glue together a postcard sent by Louise to Rupert. The message: “work hard.” Rupert determines to seek out Louise in ‘Birmingham, England,’ just in case you thought Rupert had traveled to Alabama.
While in Birmingham, Rupert frequently phones Oscar to update him on his lack of progress, and it becomes clear the former vaudevillian is making drastic changes to Rupert’s musical without his knowledge, with Victor, Horst, and Hopton increasingly suspicious at to Rupert’s absence. Hopton expresses his concerns to Victor, who’s getting a cup of ‘coffee’ from a rudimentary vending looking like an assemblage of spare parts leftover from R2-D2. “‘Then”, said Mr Bankes, “there is that liquid the English call coffee,'” wrote Virginia Woolf in To The Lighthouse (1927); Mr Bankes wouldn’t even describe what Victor drinks as liquid, especially after the agent spits out one of the coins he inserted into the machine in the first place.
Anyhow, Hopton tells Victor if Rupert doesn’t show up soon, and put his signature on a future options contract, Hopton will pull out of the deal. Or, as Hopton puts it, “Confucius he say, ‘if he no show – no show.'” And yes, John Fortune pulls his eyes aslant to mimic a Chinese person, and I daresay Fortune cringes to this day to think about it.
The desperate Victor enlists the aid of a private detective named Herbert Greenslade (played by John Fortune’s fellow satirist and future comedy partner, John Bird). And if you guessed we’re heading along the well-worn path into spoof Raymond Chandler/Humphrey Bogart territory, you are horribly correct. Greenslade narrates his parts of the film in a fake American accent as he searches the industrial wastelands of Birmingham for Laura (who he finds quickly) and Rupert (who he doesn’t). It’s all so balls-achingly dull you sigh with relief when Greenslade finally reunites Rupert with Laura.
Relieved at finding his sweetheart (what happened to Paul?), Rupert tells Louise there’s no rush to return to London, as “the musical can look after itself.” Greenslade disagrees; unless Hopton’s documents are signed by 7.00pm, the show is off. Oh, and it’s September the 13th, though technically it’s not Rupert’s birthday until 9.30pm, as that’s when he was born. All a little convenient, but at last we’ve some dramatic impetus now.
A flight to London is out of the question as it’s Friday the 13th and so would mean certain death (really?). Greenslade therefore drives Rupert and Louise to London in his khaki-colored Ford Popular.
First things first, and Rupert and Louise are married by the Registrar, with the Woolleys, Oscar, and Victor attending. “Just in time,” comments the Registrar, leading Louise to ask what he means. Checking the certificate, Louise realizes the truth: “this was made out three weeks ago – Bluebeard!” Louise punches Rupert and walks out, because who doesn’t enjoy a fight at a wedding?
Later, it’s time for the premiere of Rupert’s musical, ‘The Golden Legend of Erin’. A TV presenter (Derek Farr) informs us Irishmen from all over the UK have gathered to attend the musical, and yes, it’s hilarious national stereotype time, with all the rowdy Irishmen (no women are seen) shown as wearing brown overcoats, flat caps, and swigging alcohol. The musical begins with Rupert none the wiser as to his new wife’s whereabouts, though he might want to check the Race Relations Board.
Curtain up and Rupert’s down: “what’s Oscar doing up there?” asks our composer as his mentor hoofs and jigs upon the stage. Instead of the doubtless sensitive and intricate interpretation of Irish legend penned by Rupert, the audience are presented with a musical seemingly written by your drunk work buddies after spending the night at O’Flanagan’s Genuine Old-Time Downtown Shamrock Bar on St Patrick’s Day; various ‘Irish folk’ take to the stage and dance, “signifying happiness the only way simple villagers know how.” It’s ‘Springtime for Hitler’ via the Emerald Isle and Rupert is in despair. As the audience laughs and hoots, Rupert storms the stage, pleading for the show to stop. Checking his watch, Rupert sees it’s half past nine: “I’m thirty!”
We enter Rupert’s tormented psyche once more, as he stands atop a birthday cake as various characters circle around chanting “it’s awful, it’s awful, it’s awful.” Rupert wails as he falls through a trapdoor in the cake…
…however, the audience aren’t chanting “it’s awful” but “author, author!” The Irish in the audience tumble over, and indeed through, the balcony to invade the stage through sheer joy and join in the production. The musical is a success! Terrible, racist, but a success!
Rupert spots Louise in the wings. “I do love you, you know, birthday or no birthday.” “I know,” replies the new Mrs Street, and they return home. As they prepare for bed, Rupert reads a very unlikely newspaper horoscope, to the effect that a child born during an eclipse next June 13th will be the Second Coming, or whatever. Rupert performs a quick calculation in his head and then springs upon the awaiting Louise, her arms outstretched. This freeze-frames for THE END, giving us the image used on 30IADAC‘s publicity poster, because back then, trailers and posters were the original spoiler trolls.
For a film publicized as the epitome of the swinging Sixties (this being Columbia Pictures’ take on Moore’s work), 30IADAC has a sweet, old-fashioned feel; with a few tweaks here and there, and add a bevy of dancing girls, and you might have a modern take on the ‘Big Broadcast’ films of the 1930s, albeit one showcasing the talents of one particular star. Moore performs better than his comedy partner Peter Cook does in his one solo film, The Rise and Rise of Michael Rimmer (1970) even if Rimmer is the better film. Moore, perhaps a superior musician and actor than he was a comedian, looks perfectly at ease during 30IADAC, though one would be hard pushed to guess we’re watching a future Hollywood star in the making.
Moore and Cook would reunite for the bleak yet brilliant The Bed-Sitting Room (1969, also starring Frank Thornton) and the riotous ensemble comedy Monte Carlo or Bust! (1969), with their last film the badly received Sherlock Holmes spoof The Hound of the Baskervilles (1978), after which the pair split once more in acrimony. Just a year later, Moore scored a hit with Blake Edwards’ 10 (1979). The story goes that after 10‘s release, Cook traveled to Hollywood from the UK, only to see his erstwhile partner’s face plastered across LA’s billboards before telling the taxi driver to take him back to the airport. The pair were reconciled before Cook’s death in January 1995, while Moore passed away in 2002 after suffering a long period of ill health.
Suzy Kendall and Moore divorced in 1972, yet remained lifelong friends. Jeff Lenburg argues the character of Louise is unnecessary to 30IADAC, and Moore had intended the film as purely about Rupert writing his musical, making 30IADAC‘s conceit yet more slender, and it’s practically transparent as it is. Lenburg admits Kendall brings “charm and sex appeal” to the film, and she does give Moore someone to talk to as an equal, important given the cast of eccentrics around him. Kendall’s career had already peaked however with this and To Sir With Love (1967), and the majority of her remaining films, before retiring in the mid-1970s, were low-grade British and Italian horror films, with one exception being Diary of A Cloistered Nun (1973) which sounds like a film I must watch as soon as possible.
A curio representing a different time, 30IADAC was carried away on the winds of social change like a dandelion seed, a piece of fluff not without its prettiness (it could have worked harder on the wit, though its does amuse at times). Ten years or so later, the wind would sweep the British film industry away into almost nothing, and how it could have done then to afford such a profligacy of seeds.
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British comedian Dudley Moore, 36, and his actress wife Suzy Kendall. On arrival in Sydney, Moore revealed he and Suzy have separated. The couple wed in June 1968, at a secret ceremony in the London s
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British comedian Dudley Moore, 36, and his actress wife Suzy Kendall. On arrival in Sydney, Moore revealed he and Suzy have separated. The couple wed in June 1968, at a secret ceremony in the London suburb of Hampstead. Moore arrived here with partner, Peter Cook, 32, to stage a new revue called
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26157
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Fehler
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Suzy Kendall
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https://en.wikipedia.org/wiki/Suzy_Kendall
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British actress (born 1937)
Suzy Kendall (born Freda Harriet Harrison; 1 January 1937[1]) is a retired British actress best known for her film roles in the late 1960s and early 1970s.
Early life
[edit]
Born in Belper, Derbyshire, Kendall attended the Herbert Strutt Grammar School.[2]
Later she attended Derby & District College of Art where she studied painting and design.
Career
[edit]
Kendall was a fabric designer at British Celanese and then became a photographic model before becoming an actress. She initially appeared in supporting roles before progressing to female leads in a number of British films in the late 1960s. In the early 1970s, she appeared in several Italian giallo thrillers before returning to Britain and played supporting roles in a few more films until her retirement from screen acting in 1977.
In 1968, Kendall married pianist, comedian and actor Dudley Moore, and though they divorced in 1972, they remained friends until Moore's death in 2002.[3]
She remarried musician Sandy Harper shortly after her divorce. He was subsequently befriended by Moore who became godfather to their daughter Elodie.[4] In 2002 she hosted a memorial service for Moore attended by her second husband and daughter.
Kendall now lives in London with her second husband Sandy Harper. Their daughter Elodie Harper is a journalist (at ITV Anglia) and novelist.[4]
In 2012, Kendall made her first film appearance in 35 years in Berberian Sound Studio, billed in some sources as the mother of the lead character Gilderoy, played by Toby Jones, though the end credits on the film list her as "special guest screamer".[5] The film is about a sound engineer working on an Italian horror film, which alludes to several appearances Kendall made in Italian genre films during the 1970s.
Filmography
[edit]
TV appearances
[edit]
The Spies (1 episode, 1966) - Polly Katt
Further Adventures of Lucky Jim (1 episode, 1967)
The Persuaders! (1 episode, 1971) - Kay Hunter
Van der Valk (1 episode, 1977) - Marijka
References
[edit]
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https://www.tvguide.com/celebrities/dudley-moore/bio/3030205959/
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Dudley Moore Biography
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Read all about Dudley Moore with TV Guide's exclusive biography including their list of awards, celeb facts and more at TV Guide.
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TVGuide.com
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https://www.tvguide.com/celebrities/dudley-moore/bio/3030205959/
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Fast Facts
Diminutive (5' 2"), multitalented British actor, comedian and musician best known in the U
S
for his role in Arthur
Longtime comedy partner of Peter Cook
A musical prodigy as a child, he won scholarships to both the Guildhall School of Music and Drama, and Magdalene College, Oxford
Had progressive supranuclear palsy (PSP), a rare brain disorder
Awarded the title of CBE (Commander of the British Empire) by Prince Charles shortly before his death
Founded two charities: the Dudley Moore Research Fund, dedicated to finding a cure for PSP; and Music for All Seasons, which takes live music into hospitals, prisons and nursing homes
Awards
1985Golden Globe-Best Performance by an Actor in a Motion Picture - Musical or Comedy: winner
1983Golden Globe-Best Original Score - Motion Picture: nominated
1982Golden Globe-Best Performance by an Actor in a Motion Picture - Musical or Comedy: winner
1981Oscar-Best Performance by an Actor in a Leading Role: nominated
1980Golden Globe-Best Performance by an Actor in a Motion Picture - Musical or Comedy: nominated
1979Golden Globe-Best Performance by an Actor in a Supporting Role in a Motion Picture: nominated
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Dudley Moore and actress Suzy Kendall after they married in secret at Hampstead Register Office
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2019-02-21T13:57:35+00:00
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Dudley Moore and actress Suzy Kendall after they married in secret at Hampstead Register Office
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https://www.facebook.com/celebritychatter/photos/suzy-kendall-sidney-poitier-and-lulu-on-location-in-wapping-london-making-to-sir/122156930060181956/
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Poseidon's Underworld: I'm About to Spring a Rod!
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[
""
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[
"View my complete profile"
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Today we celebrate another gentleman looonng overdue for a tribute here in The Underworld, the husky, handsome, Australian leading man and...
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https://neptsdepths.blogspot.com/favicon.ico
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https://neptsdepths.blogspot.com/2013/06/im-about-to-spring-rod.html
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26157
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yago
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https://lalafilmltd.wordpress.com/2016/05/21/review-30-is-a-dangerous-age-cynthia-1968/
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en
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Review: 30 Is a Dangerous Age, Cynthia (1968)
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"Tim Cook"
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2016-05-21T00:00:00
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Director: Joseph McGrath Starring: Dudley Moore, Eddie Foy jr., Suzy Kendall Release Date: 4th March 1968 (US) The Beatles' impact on popular culture went beyond music; the Fab Four also changed the course of British film comedy. With the release of A Hard Day's Night (1964) and Help! (1965), The Beatles brought a carefree spirit to British comedy,…
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en
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https://secure.gravatar.com/blavatar/3e2bbbd31b83e6b20b9c496a96350699d9e10d6196d6c70b1aff718a5459ba1b?s=32
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La La Film
|
https://lalafilmltd.wordpress.com/2016/05/21/review-30-is-a-dangerous-age-cynthia-1968/
|
Director: Joseph McGrath
Starring: Dudley Moore, Eddie Foy jr., Suzy Kendall
Release Date: 4th March 1968 (US)
The Beatles’ impact on popular culture went beyond music; the Fab Four also changed the course of British film comedy. With the release of A Hard Day’s Night (1964) and Help! (1965), The Beatles brought a carefree spirit to British comedy, combining youthful impertinence with a more thoughtful, sharper approach to dialogue. The increasing use of color also helped lend an air of psychedelia to even the lowliest of budgets as British film shook off its flat cap and raincoat, loosened its collar and bought itself some new gear from Canarby Street. All this led to British comedy films of the second half of the 1960s feeling as different, and changing just as rapidly, as The Beatles’ music did after their early involvements with the transcendental meditation movement. It also led to some very peculiar films.
Some weeks ago, we looked at Billy Liar (1963) and the startlingly modern character of Liz, played by Julie Christie. After the success of the two Beatles films, it was as if Liz had taken the reins of British movie comedy from Billy’s parents, leaving Mr & Mrs Fisher with the ‘Carry On’ series and the odd Norman Wisdom film (though even Wisdom could move with the times, as with 1969’s What’s Good For the Goose). Black and white formality gave way to the fluid and the lurid, from the demented Gonks Go Beat (1965), to the swinging I’ll Never Forget What’s’Isname (1967) and Can Hieronymous Merkin Ever Forget Mercy Humppe and Find True Happiness? (1969). As these titles suggest, not all such forays into the new permissive society were a success.
One British comedy act who came of age during the mid 196os was Peter Cook & Dudley Moore. Meeting at Cambridge University in 1960 they, along with Alan Bennett and Johnathan Miller, formed the hugely successful Beyond the Fringe team. Once the group had run its course, Moore and Cook starred together in their own BBC sketch show Not Only…But Also (1965-66, 1970) their first work as a duo in what became a fruitful if intermittent partnership. Cook and Moore’s friendship was strained by a competitiveness bordering on the antagonistic, with both men ambitious to take their talents to ever larger audiences. The pair starred in two films together, The Wrong Box (1966) and Bedazzled (1967); though well-regarded today, both films flopped at the box office. For Dudley Moore the films were disasters and required a change of tack, as biographer Jeff Lenburg explained in 1983: “Moore could not afford another flop…what he needed more than ever was an impetus to help his career meet his expectations. The first step was to abandon his association with Peter Cook.”
Moore scripted a film suited to his particular talents, including his musical skills (Moore was, of course, an accomplished pianist and composer). What he came up with was 30 is A Dangerous Age, Cynthia, the story of a 29-year-old man determined to marry and write a musical before his 30th birthday, around six weeks distant as the film begins. “Between the idea and the reality, falls the shadow,” wrote T S Eliot, and somewhere between Moore’s script (eventually co-written with director Joseph McGrath and comedy actor-writer John Wells) and the eventual production, something went awry.
The pre-credits sequence demonstrate the confusion behind the script as we see Dudley Moore, playing the 29-year-old Rupert Street, involved in minor incidents of a sort that might lead us to think his character is very superstitious or obsessed with time-keeping when in fact he’s neither. We then see Street visit a registrar’s office where we learn he’s a pianist and would like to get married on his 30th birthday, September 13th, if at all possible. The registrar (Frank Thornton, who cornered the market in this sort of role) points out that custom dictates a woman should ideally be involved, and throws Rupert out of his office in a brutal, polite, and rather English manner. So, is Rupert is a hopeless romantic, or a amiable moron? We never get a grip of who Rupert really is and what appears as fierce ambition is portrayed more as eccentricity, rather than a desperate race against the clock.
We do gain an impression that Rupert is a fantasist, as we see him acting on the registrar’s advice to find a woman during the opening credits (set out in a truly hideous font), but only in his imagination, as every woman Rupert encounters becomes his bride. Various very 1960s women arrive in mini-mokes, on bicycles, and in London buses, culminating in a mass ceremony by the Albert Memorial. In reality however, Rupert arrives at the grotty back entrance of his place of work, a Scottish-themed nightclub called Jock’s Box, a name defying closer examination.
During afternoon rehearsals, Rupert plays the piano, mugging and adopting silly voices, as Moore was wont to do a little too often, as his friend and mentor Oscar (Eddie Foy Jnr., once of the all-singing, all-dancing Seven Little Foys family troupe), a former vaudeville act, dances and quips in the background. The larks are interrupted by club owner Jock McCue (played by Duncan Macrae, looking older than his 61 years, and who died not long after production was completed), a stern, Presbyterian sort who seems an unlikely man to run a nightclub. Jock wants to talk to Rupert in his office, but Rupert cries off as he needs to pick up his laundry, and the scene fades without us learning if Rupert’s job is under threat or not, an instance of 30IADAC’s habit of raising dramatic tension before deciding it can’t be bothered to follow it through.
The British critic Leslie Halliwell described 30IADAC as “a few thin sketches frantically over-directed”, and the following sequence is a prime example. As Rupert explains his plans to Oscar while they walk the streets, director McGrath fragments the dialogue with cuts here, there, and everywhere, as if compensating for a thin script. Aptly enough with these distracting visuals, Oscar tells Rupert he’ll become distracted from his work once married.
Driving through London in a convertible (another sure sign we’re in a late 1960s British film), Rupert thinks of the great composers and their domestic routines. We see Rupert become Beethoven, up at five-thirty each morning, we’re told; Bach with his children, all of who are jolly excited at being in a film; and “rotten swot” Mozart, who’d written more music as an infant than Rupert could ever hope to compose. All well and good, though the sequence seems written to indulge Moore’s dressing up as famous composers than to move the film on in any way. Rupert decides he needs greater discipline in his life, something Moore might have benefited from in his writing.
Rupert arrives at his apartment, part of a tenement run by Mr & Mrs Woolley, two of the most interesting characters in 30IADAC. Mr Woolley (Northern Irish actor Harry Towb), a man of few words, is often seen furiously polishing the couple’s car, with neither yet able to drive; Mrs Woolley (Patricia Routledge, still going strong at the age of 87) refers to her husband as ‘Daddy’ and runs a pre-natal exercise clinic, even though the couple appear childless. Displacement activity was never so displaced as this, and Mrs Woolley in particular regards Rupert with maternal benevolence. Dotty neighbors, or in this case landlords, are a staple of British comedy, and Routledge and Towb, British screen regulars, are a delight whenever they appear on screen.
The laundry arrives – via the post, sent by his mother, along with a packet of sherbert lemons and a slice of bread pudding. A letter reveals Rupert left home only three months ago; Sparky the cat “is in disgrace”; Rupert’s parents feel he’s too young for marriage; mother had a bad turn recently and required medical attention. And if you think the latter is a relevant plot point, you’re mistaken, as Rupert’s parents merit not another mention during the course of the film.
The telephone in the outside hallway rings (a sentence certain to make readers of a certain age feel old) and Rupert answers, only to find the call is for his new neighbor, Louise Hammond (played by Moore’s then girlfriend and future ex-wife Suzy Kendall). There’s a fun scene where Rupert stands holding the clunky handset while Louise argues with her boyfriend Paul while clad in only a towel. No sooner is the call over than Rupert fantasizes of winning Louise’s heart – we see Moore as a cowboy, a Valentino-style Sheikh, a top hat and tails playboy (as if previewing his success as Arthur (1981)) and a stock car racer – not NASCAR, but the British BriSCA formula, those curious little vehicles that resemble shoehorns on wheels. In his daydream, Rupert races his car (in what looks like the now defunct Harrengay stadium), only to become involved in a pile-up.
A lucid daydreamer, Rupert screams. Louise reappears at the door, puzzled. “There isn’t a doorbell,” Rupert explains, and fearing her neighbor is unwell, Louise invites him in for coffee. “Oh, you do your own cooking,” states Rupert. One is never quite sure whether Rupert is serious or joking and Louise doesn’t quite know what to make of this odd little man, though she soon takes to Rupert.
An art student and school teacher, Louise’s flat is full of sketches and paintings. Rupert contributes his own painting – well, paint is used, at any rate – of a stick man, a flower, and a boat, of the sort decorating family fridges the world over. Louise likes it though, and we later see it take pride of place on her apartment wall.
A phone call for Rupert – it’s his agent, Victor (Peter Bayliss), who awaits Rupert in his office for a meeting about the proposed musical. Could Rupert possibly call round, as he should have done an hour and a half ago, in the next four minutes? As we’re in theaterland, it comes as little surprise that Victor is portrayed as gay (or camp at the very least), with a flamboyant turn of phrase to match his pink shirt and polka dot night-gown, though why his trousers are undone is more of a mystery. Ares gay men prone to have their trousers undone? Such are the questions unusual films provoke.
There follows a rather tiresome montage of Rupert’s dash to Victor’s office, in the style of the contemporary opening titles to the BBC sports program Grandstand (bet that played well in Peoria) and Rupert makes it just in time. Victor introduces Rupert to director Horst Cohen (Ted Dicks Jnr), choreographer Gore Taylor (Johnathan Routh, with immense eyebrows) and financial backer, the Honorable Gavin Hopton, a Warhol-esque figure played with an icy slither by satirist John Fortune. There’s a lot of peculiar dialogue relating Rupert’s contract and who gets a cut of what, before Victor introduces us to his huge drinks cabinet, even though his guests agree to share a single glass of cold milk with which to toast future success. Rupert is more interested in replicating the picture he drew for Louise, who we see interjecting with dialogue via some tricksy special effects overlaid upon Rupert’s contract. As Rupert signs, the musical score turns portentous, as if Rupert is making a terrible mistake, but again, this suggestion isn’t borne out by the subsequent action, leaving us to ponder what’s going on behind 30IADAC‘s curious moments of emphasis.
Returning to his flat, Rupert is invited in for dinner by Louise. After he’s explained his dual objective for the next six weeks, Rupert provides his motivation: “Shelley was dead by the time he was 28. If you haven’t made it by the time you’re 30, you never will. Ask anybody!” Louise doesn’t know why Rupert’s in a rush: “life doesn’t end at thirty any more than it begins at forty…you’re just playing with numbers.” This said, it’s rather strange Louise herself also has an arbitrary target in mind: “I’m having five kids by the time I’m 30.” “Can I help?” offers Rupert; “no, I can manage on my own,” replies Louise. They’re both referring to the washing-up – probably. One of 30IADAC‘s charms, and there are many, comes in this type of double-meaning and wordplay, and it’s a shame it neglects this aspect as the film continues.
Rupert shows off his musical skills on the piano Louise just so happens to own, and launches into an annoying parody of Noel Coward, then changes tack in a spectacular fashion as we’re treated to a jazz song, ‘The Real Stuff’, set in an ultra-cool club where everyone dresses in white and Rupert serenades Louise on a revolving piano. Dudley Moore’s wonderful performance here is one of the highlights of 30IADAC as he sings his own composition. The song ends with Rupert and Louise kissing on the floor. Sadly for the budding romance, Louise intends to meet Paul later.
The scene shifts to Jock’s Box, run with military fervor by Jock, who addresses the waitresses as if they were his troops. Rupert joins the line-up and after some impenetrable business over Jock inspecting their fingernails, we see Jock the compere working the audience, i.e., telling them to stop eating as he wants to introduce the first act: a pair of satirists named Jackson & Faraday. Well, it would be the first act, if Jackson & Faraday had showed up, but they haven’t. Quite what the point of this is beyond me; maybe Moore was sending up viewer expectations of some Peter Cook-style political comedy (earlier in the film, Rupert is seen reading a copy of Private Eye, the satirical magazine set up by Cook). It’s a joke without a punchline, and it’s a rare comedy film that can afford such indulgences. On the bright side, it allows Jock to introduce the house band, with Dudley Moore joined by the other members of his trio, for a pleasing jazz instrumental. After this, clubgoers including Louise and Paul, flood the dancefloor, only to be stopped by Jock, who calls an intermission (“they’re not drinking!”) and reminds everyone the club doesn’t accept credit cards. Because he is Scottish. Geddit?
While getting changed after his performance, Rupert overhears Louis and Paul (Nicky Henson) arguing in a back alley. Paul wants Louise to return home with him, but Louise will not consent, arguing “I’m just another car to you.” The row threatens to turn violent, with Paul trying to drag Louise away by the arm. Rupert intervenes; Paul looks the pianist up and down, which doesn’t take very long. “You were right,” Paul tells Louise. “There’s isn’t anybody else!” A rubbish, middle-class scuffle breaks out, ending with Paul disposing of Rupert by throwing him through the nearest window.
Rupert, his left arm in plaster, phones Jock from the doctor’s surgery, asking for leave of absence. Jock, ever compassionate, reminds Rupert that Ravel composed a sonata for one hand and expects to see Rupert at the club tonight or he’ll see Rupert in court. The doctor treating Rupert in this brief scene is played by Clive Dunn, normally a reliable comedy stalwart who specialized in playing old men, yet here he somehow manages to suck the life out of the scene, flattening a nice gag about a patient wrapped head to foot in bandages.
Deficient in the arm department to the tune of one, Rupert meets Louise in a pub garden, as this is the one day of the English summer when the nation’s pub gardens aren’t under an inch of rain water. Rupert drinks a pint of what looks like apple juice, as even English beer wasn’t that odd a color in 1968, though Watney’s Red Barrel pushed it close. There’s a rare degree of tension in the air as Rupert accuses Louise of still caring for Paul; “your broken arm has gone to your head,” Louise tells him, though as with Jock’s threat of legal action, this antagonism soon dissipates. Rupert feels it’s time to work on his musical somewhere far away, “Tahiti, China, anywhere.”
‘Anywhere’ transpires as Dublin, or ‘Dublin, Ireland’ as a caption helpfully informs the viewer. Oscar has joined Rupert on his musical mission, and it’s only when they arrive in Dublin harbor he remembers he’s got a letter for Rupert from his doctor, to the effect that his arm isn’t broken after all. Rupert casts aside his cast, upon which he’s written ‘Rupert Loves Louise.’
Oscar tells Rupert his life story as they walk to their lodgings (The Wall hotel, should you wish to make pilgrimage), of his early stage success (“I was 24, I had shirts made in London, my hair cut in Rome”) and of a girlfriend in the chorus line who became so jealous of Oscar’s rise to fame, she sabotaged his stage entrance with marbles, which isn’t a very girlfriend-y thing to do. “I was in pieces, she was in Salt Lake City, with a Hungarian ventriloquist.” None of this is strictly relevant to proceedings, though gives us something to listen to us we follow Rupert and Oscar around various Dublin sights.
Ensconced in his hotel room, Rupert wonders if Louise will ask him to sing at her and Paul’s wedding. This leads to a painful sequence were Rupert sees himself in the mirror as a jester with a lute, and the two sing a medieval-style duet, and it’s every bit as awkward as those words suggest. 30IADAC grinds to a complete halt for the sake of showcasing Dudley Moore’s musical versatility, which the pint-sized polymath has already proved to the viewer’s delight.
Inspiration fails to strike Rupert, who hammers out climaxes, crescendos and little else. Taking a walk only brings out more autobiographical details from Oscar, and so Rupert leaves him to it and ducks into none other than a Martello Tower, of Ulysses fame. Inside, 30IADAC takes another turn for the peculiar.
This tower contains not medical students and eejit English, but candlelight and a rapt audience awaiting the words of the Storyteller, (Michael MacLiammoir) who lays in a brass bed having partaken of nothing except whisky for twelve months. Because he is Irish. Geddit?
Preferring to tell his story with the use of dolls, the Storyteller relates the legend of Mehaul and Myra, “long ago, when snakes were still in Ireland.” For this sequence, Moore plays Mehaul and Kendall plays Myra, made up to look like puppets, and emote only in an expressionistic manner.
Mehaul is off to seek his fortune, leaving his beloved Myra in the care of Black Sean, which was Mehaul’s first mistake. Returning ten years later, which is another mistake, Black Sean, rather fond of Myra himself, tells Mehaul she married a Saxon lord and Mehaul believes this unverified tale, mistake number three. Throwing his expensive carriage into a river, Mehaul tears off his fine clothes, coats himself with mud and lives in a cave for 70 years, and I think we should stop counting the mistakes at this point. Myra, meanwhile, lives in a nearby cottage where she (very) patiently waits for her truelove to return.
One night, a storm breaks, and a flood carries Mehaul to the cottage and he is smashed through the front door, breaking every bone in his body, including those weird fiddly little bones in your inner ear. Reunited, Mehaul and Myra die and go to Heaven, whereas Black Sean is struck by lightening and doesn’t get to go anywhere.
The next we know, Rupert is wading along the shore, Stephen Dedalus-style, except Stephen didn’t play the violin while so doing. “I’ve got my musical, Oscar,” cries Rupert. Oscar reminds Rupert he has only 3 weeks until his birthday. “So what? Handel wrote ‘The Messiah’ in 3 weeks, in Dublin,” a fact which I suspect James Joyce told anyone prepared to listen. We see Rupert as Handel, sending his manuscript to London, and his laundry to his mother in Leigh-on-Sea.
Rupert and Oscar return to ‘London, England’ (thanks, movie), only to find Louise has left the care of Mr & Mrs Woolley for a teaching job in Birmingham – and she left, it seems, with Paul. To make matters worse, Mrs Woolley informs Rupert all his post was destroyed by Mr Woolley who, drunk on sherry, became convinced his wife had embarked on an illicit correspondence with Geraldo (a popular dance band leader of the 1940s and 1950s). Between them, Rupert, Mrs Woolley, and Oscar glue together a postcard sent by Louise to Rupert. The message: “work hard.” Rupert determines to seek out Louise in ‘Birmingham, England,’ just in case you thought Rupert had traveled to Alabama.
While in Birmingham, Rupert frequently phones Oscar to update him on his lack of progress, and it becomes clear the former vaudevillian is making drastic changes to Rupert’s musical without his knowledge, with Victor, Horst, and Hopton increasingly suspicious at to Rupert’s absence. Hopton expresses his concerns to Victor, who’s getting a cup of ‘coffee’ from a rudimentary vending looking like an assemblage of spare parts leftover from R2-D2. “‘Then”, said Mr Bankes, “there is that liquid the English call coffee,'” wrote Virginia Woolf in To The Lighthouse (1927); Mr Bankes wouldn’t even describe what Victor drinks as liquid, especially after the agent spits out one of the coins he inserted into the machine in the first place.
Anyhow, Hopton tells Victor if Rupert doesn’t show up soon, and put his signature on a future options contract, Hopton will pull out of the deal. Or, as Hopton puts it, “Confucius he say, ‘if he no show – no show.'” And yes, John Fortune pulls his eyes aslant to mimic a Chinese person, and I daresay Fortune cringes to this day to think about it.
The desperate Victor enlists the aid of a private detective named Herbert Greenslade (played by John Fortune’s fellow satirist and future comedy partner, John Bird). And if you guessed we’re heading along the well-worn path into spoof Raymond Chandler/Humphrey Bogart territory, you are horribly correct. Greenslade narrates his parts of the film in a fake American accent as he searches the industrial wastelands of Birmingham for Laura (who he finds quickly) and Rupert (who he doesn’t). It’s all so balls-achingly dull you sigh with relief when Greenslade finally reunites Rupert with Laura.
Relieved at finding his sweetheart (what happened to Paul?), Rupert tells Louise there’s no rush to return to London, as “the musical can look after itself.” Greenslade disagrees; unless Hopton’s documents are signed by 7.00pm, the show is off. Oh, and it’s September the 13th, though technically it’s not Rupert’s birthday until 9.30pm, as that’s when he was born. All a little convenient, but at last we’ve some dramatic impetus now.
A flight to London is out of the question as it’s Friday the 13th and so would mean certain death (really?). Greenslade therefore drives Rupert and Louise to London in his khaki-colored Ford Popular.
First things first, and Rupert and Louise are married by the Registrar, with the Woolleys, Oscar, and Victor attending. “Just in time,” comments the Registrar, leading Louise to ask what he means. Checking the certificate, Louise realizes the truth: “this was made out three weeks ago – Bluebeard!” Louise punches Rupert and walks out, because who doesn’t enjoy a fight at a wedding?
Later, it’s time for the premiere of Rupert’s musical, ‘The Golden Legend of Erin’. A TV presenter (Derek Farr) informs us Irishmen from all over the UK have gathered to attend the musical, and yes, it’s hilarious national stereotype time, with all the rowdy Irishmen (no women are seen) shown as wearing brown overcoats, flat caps, and swigging alcohol. The musical begins with Rupert none the wiser as to his new wife’s whereabouts, though he might want to check the Race Relations Board.
Curtain up and Rupert’s down: “what’s Oscar doing up there?” asks our composer as his mentor hoofs and jigs upon the stage. Instead of the doubtless sensitive and intricate interpretation of Irish legend penned by Rupert, the audience are presented with a musical seemingly written by your drunk work buddies after spending the night at O’Flanagan’s Genuine Old-Time Downtown Shamrock Bar on St Patrick’s Day; various ‘Irish folk’ take to the stage and dance, “signifying happiness the only way simple villagers know how.” It’s ‘Springtime for Hitler’ via the Emerald Isle and Rupert is in despair. As the audience laughs and hoots, Rupert storms the stage, pleading for the show to stop. Checking his watch, Rupert sees it’s half past nine: “I’m thirty!”
We enter Rupert’s tormented psyche once more, as he stands atop a birthday cake as various characters circle around chanting “it’s awful, it’s awful, it’s awful.” Rupert wails as he falls through a trapdoor in the cake…
…however, the audience aren’t chanting “it’s awful” but “author, author!” The Irish in the audience tumble over, and indeed through, the balcony to invade the stage through sheer joy and join in the production. The musical is a success! Terrible, racist, but a success!
Rupert spots Louise in the wings. “I do love you, you know, birthday or no birthday.” “I know,” replies the new Mrs Street, and they return home. As they prepare for bed, Rupert reads a very unlikely newspaper horoscope, to the effect that a child born during an eclipse next June 13th will be the Second Coming, or whatever. Rupert performs a quick calculation in his head and then springs upon the awaiting Louise, her arms outstretched. This freeze-frames for THE END, giving us the image used on 30IADAC‘s publicity poster, because back then, trailers and posters were the original spoiler trolls.
For a film publicized as the epitome of the swinging Sixties (this being Columbia Pictures’ take on Moore’s work), 30IADAC has a sweet, old-fashioned feel; with a few tweaks here and there, and add a bevy of dancing girls, and you might have a modern take on the ‘Big Broadcast’ films of the 1930s, albeit one showcasing the talents of one particular star. Moore performs better than his comedy partner Peter Cook does in his one solo film, The Rise and Rise of Michael Rimmer (1970) even if Rimmer is the better film. Moore, perhaps a superior musician and actor than he was a comedian, looks perfectly at ease during 30IADAC, though one would be hard pushed to guess we’re watching a future Hollywood star in the making.
Moore and Cook would reunite for the bleak yet brilliant The Bed-Sitting Room (1969, also starring Frank Thornton) and the riotous ensemble comedy Monte Carlo or Bust! (1969), with their last film the badly received Sherlock Holmes spoof The Hound of the Baskervilles (1978), after which the pair split once more in acrimony. Just a year later, Moore scored a hit with Blake Edwards’ 10 (1979). The story goes that after 10‘s release, Cook traveled to Hollywood from the UK, only to see his erstwhile partner’s face plastered across LA’s billboards before telling the taxi driver to take him back to the airport. The pair were reconciled before Cook’s death in January 1995, while Moore passed away in 2002 after suffering a long period of ill health.
Suzy Kendall and Moore divorced in 1972, yet remained lifelong friends. Jeff Lenburg argues the character of Louise is unnecessary to 30IADAC, and Moore had intended the film as purely about Rupert writing his musical, making 30IADAC‘s conceit yet more slender, and it’s practically transparent as it is. Lenburg admits Kendall brings “charm and sex appeal” to the film, and she does give Moore someone to talk to as an equal, important given the cast of eccentrics around him. Kendall’s career had already peaked however with this and To Sir With Love (1967), and the majority of her remaining films, before retiring in the mid-1970s, were low-grade British and Italian horror films, with one exception being Diary of A Cloistered Nun (1973) which sounds like a film I must watch as soon as possible.
A curio representing a different time, 30IADAC was carried away on the winds of social change like a dandelion seed, a piece of fluff not without its prettiness (it could have worked harder on the wit, though its does amuse at times). Ten years or so later, the wind would sweep the British film industry away into almost nothing, and how it could have done then to afford such a profligacy of seeds.
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Moore's search for love
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His two-year marriage to Brogan Lane, aspiring actress and 25 years younger than him, ended in 1990. Moore had already had several affairs with, among others, long-time lover Nicole Rothschild.
Nicole became Moore's fourth and last wife in 1994. She was almost 30 years his junior and at least four inches taller than her husband. They first met at the peak of his career when she flung herself across the bonnet of his car and demanded an autograph.
Sex, drugs and violent outbursts
Moore and his fourth wife were addicted to each other but their relationship was peppered with violent outbursts. Just before their marriage, Nicole had Moore arrested for attempted murder after an Oscars night argument.
He spent a night in jail after which she dropped the charges - but not before sporting alleged choke marks on her neck to reporters outside their home.
Their bizarre lifestyle and often violent relationship was bread and butter to gossip columnists in the US and Britain.
Nicole's ex-husband, Charles Cleveland - an HIV-positive drug addict - lived with the couple and was even present at the birth of their son, Nicholas, in 1995.
In December 1996, the couple were pictured again at the balcony of their home, Nicole hugging and kissing a forlorn Dudley with scratch marks on his swollen face - reunited after another violent row.
In June 1997, Nicole sued her husband for millions, claiming he had terrorised her, forced her to take drugs and hired prostitutes to service his needs at their home.
The full extent of Dudley's extravagance - some might call naïve generosity - was revealed in documents produced by Nicole's lawyers, in April 1998.
He allegedly spent more than £34,000 on a separate house for Nicole not far from his mansion in Marina del Rey, as well as thousands more on gifts and cosmetic surgery for his wife, clothes for her friends, houses and holidays for her ex-husband and his family.
Alimony demands
After their divorce earlier this year, he was paying £3,000 a month in child support but Nicole wanted more.
His lawyers said he could not afford to increase the payments because his wife's allegations about him had ruined his career and the job offers had dried up.
In May, Moore was due to appear in a Santa Monica court over maintenance for his ex-wife and son, but he was too ill to attend.
He was suffering from a mysterious brain disorder and being cared for at the New York University Medical Center. Moore was no stranger to serious illness: one year earlier he had undergone open-heart surgery after a check-up showed he had a hole in the heart.
But friends of the actor said years of "hard living", bouts of depression and the strain of his last relationship had finally taken their toll. They said he had lost his will to live.
Asked on a BBC TV chat show "Esther" what he would write for his own obituary, he had said: "I hope that a few people liked me and loved me and I hope that I learned to recognise that, to really feel it."
|
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https://www.instagram.com/classicmoviehub/p/C1kr2sOME91/
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Instagram
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[] |
[] |
[
""
] | null |
[] | null |
en
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https://www.rollingstone.com/tv-movies/tv-movie-news/little-dudley-happy-at-last-72091/5/
|
en
|
Little Dudley Happy at Last
|
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[
"Lewis Grossberger"
] |
1983-03-31T12:00:00+00:00
|
The worst Six Weeks – and the worst years – of Dudley Moore's life are now over
|
en
|
Rolling Stone
|
https://www.rollingstone.com/tv-movies/tv-movie-news/little-dudley-happy-at-last-72091/
|
The sketch takes on a certain metaphoric resonance when one learns of Dudley’s early foot troubles and realizes that in a sense –– with whimsical little Dud being hailed as a Hollywood sex symbol –– the one-legged man has, by God, become Tarzan.
5 Getting Better
DUDLEY FRANKLY ADMITS HE IS A HETEROSEXUAL. He’s been married and divorced twice: to Suzy Kendall, the British actress (1966 to 1968) and to Tuesday Weld (1975 to 1980). He has a son, Patrick, who’s seven and lives in New York with Tuesday Weld. Dudley keeps a room set aside for him in the Marina del Rey house, which he and Weld bought about five years ago, after they’d washed ashore in L.A. at the terminus of the U.S. tour of Good Evening. (It was at that point, following a year of sunny torpor, that Dudley decided to take a serious shot at Hollywood.)
In the pre-Anton era, Dudley was a forceful advocate of promiscuity, pioneering the concept he calls “the meaningful one-night stand.” He met the singer-actress three years ago at an obscure awards ceremony; they’ve been virtual roommates since, though in their two separate houses. They accompany each other to work engagements, sometimes as far off as Japan. They seem genuinely affectionate. They have stocked a large repertoire of height jokes with which to respond to the seemingly endless public fascination with their height disparity of approximately eight inches.
Driving to Fox studios for a meeting on his next movie (Unfaithfully Yours, a remake of a 1948 Preston Sturges comedy starring Rex Harrison and Linda Darnell), Dudley is found at the wheel of his white ’63 Bentley, with Susan seated to his left. Brilliantly, if lazily, the Dudleywatcher hits on the device of asking her to interview him about them. As a typical reporter might.
SUSAN: “How do you feel about dating a taller woman?”
DUDLEY: [Adopting American accent] “Oh, it’s great, really great. You know, like Susan and I really, like, confronted this height thing with a degree of maturity unknown on the western seaboard….”
SUSAN: [Cutting him off] “Aha. Well, that’s all I wanted to ask you. Basically, you’re a pretty boring guy.”
DUDLEY: [Still orating] “…that is the linchpin on which everything else….”
SUSAN: “What is it you like best about me [laughs wickedly]?”
DUDLEY: “That’s a tough one, Susan.”
SUSAN: “I know – there’s so much to choose from!”
DUDLEY: [Serious now] “Well, I was saying before, I love your passion….”
SUSAN: “Ahh, that’s sweet.”
DUDLEY: “Your enthusiasm and your sense of humor.”
SUSAN: “And I do make good coffee in the morning, right?”
DUDLEY: “Good coffee. You haven’t read much Proust, but then….”
REPORTER: “But then, who has?”
SUSAN: “Let me ask you, Dudley. What do you find most attractive about yourself?”
DUDLEY: [Lapsing back into American accent] “Well, my whole karma, man.”
SUSAN: “I’m serious.”
DUDLEY: “What do I…? This is an unanswerable question. In the sense that I’m too embarrassed.”
SUSAN: “I can answer it.”
DUDLEY: [Reluctantly] “I find my desire to be loved the most attractive part of myself.”
SUSAN: “I have to agree with that. It’s very frustrating and not altogether what I like best about him, because everybody does, in turn, love him. Men, women, everybody. But I think that is because he’s so tangible. He really is very … touchable, aren’t you, dear?”
Another car veers dangerously close to Dudley’s. He verbalizes unrepressed anger.
REPORTER: “Right there, someone wants to touch you.”
SUSAN: “And if they can’t touch him, they just kind of run the car into him.”
DUDLEY: [Mock angry] “Well, this bitch is trying to pretend that nobody wants to touch her!”
SUSAN: “Oh, but I’ve realized it.”
DUDLEY: [Sneering] “Yeahhh. Realized it. For the last month.”
SUSAN: “No, it’s funny, but the best thing Dudley’s introduced me to in my life is….”
DUDLEY: “Promiscuity.”
SUSAN: “Not promiscuity so much, but the fact that promiscuity is not a dirty word. That it doesn’t make you bad or evil.”
DUDLEY: “There are no dirty words. Except not enough salt.”
SUSAN: “You use a few. I haven’t had enough chocolate today’ – that’s Dudley. There’s no chocolate in the house and he wants it, that’s trouble. Let’s see. We were talking about interviewing the other day….I was talking to you about it, wasn’t I?”
DUDLEY: “Either me or Burt Reynolds, I don’t know.”
SUSAN: “Oh, was it Burt? No, it was you. Because we all have a lot of pain in our lives; I know where a lot of your pain comes from. But what do you feel is the biggest source of pain in your life? Not something in the past, but like a continual well you go to that’s painful.”
REPORTER: “Interviews.”
SUSAN: “He loves interviews.”
DUDLEY: “Uhh, well, you see this is the old philosophical paradox. You can say you’re not always doing what you want to do, but actually you are every moment. That is a great source of pain to me. The fear of doing what I want to do and the potential of being rejected and abandoned. That’s life.”
SUSAN: “How do you feel about smog?”
DUDLEY: “I feel smog abandons me from time to time, and I feel very upset about that.”
|
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| 48
|
https://fleecejazz.org.uk/thoughts-on-the-chris-ingham-quartet-the-music-of-dudley-moore-24-april-2024/
|
en
|
“The Music of Dudley Moore”, 24 April 2024 – Fleece Jazz
|
[
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[
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[
"David Lyons"
] |
2024-04-26T14:31:52+00:00
|
en
|
https://fleecejazz.org.uk/thoughts-on-the-chris-ingham-quartet-the-music-of-dudley-moore-24-april-2024/
|
During Chris Ingham’s superb presentation of the life of the great Dudley Moore, he (only once) stumbled over a word. As the announcer at the gig, I wood never distend to such a Paux Fas.
One of the delights of any show led by Chris is the depth of his research, and the humour of his presentation. I think everyone found something new about Dudley’s life and talent. But as good as it was, the music was what the evening was about, and the music was wonderful.
The musicians were:
Chris was on piano and vocals. He said in effect that he was unequal to the virtuosity of Dudley. I wonder; to me, there was no note out of place, whether the music was dense or sparse. Consider the riot of counter-rhythms on “Amalgam”, while echoing the serene themes played by Paul. The vocals were a riot on their own.
Paul Higgs, who played trumpet (open, wah wah, harmon, straight) and flugel. His soft, clear singing to echo the frenetic piano on “Amalgam”, was lovely. He is such a good player. His enjoyment of the work of the others was lovely to watch. He made the trading of 4’s with George such a treat.
George Double was the drummer. I loved his range of expression was surprising; hand work on “Atlanta”, some beautiful trading on several numbers, and just watching him play. And for the first time for me, he sang, in duet with Paul, as backing vocalists. Way backing vocalists, bh singing by the drums, very funny. You have to be good to be funny.
Simon Thorpe only sang once, but it was clear he enjoyed it. He is a favourite at Fleece Jazz. His work throughout the evening was superb, and the solo on “Sad One for George” was special.
These guys gave us the joy and the complexity of Dudley Moore’s music. It was an evening to cherish. Steve’s amazing set list below deserves a read.
Our next gig is also a celebration of one of the greats. A trombone led band to honour a drummer? Yes indeed. Art Blakey would be delighted by the work of the Rory Ingham sextet: Rory on trombone, Alex Garnett on sax, James Davison on trumpet, Matt Carter on piano, Misha Mullov-Abbado on bass, and Luke Tomlinson on drums. It will be a high energy, wildly swinging gig.. So do join us for the first gig of the new programme on Wednesday the 8th of May.
Take care,
Dave
THE CHRIS INGHAM QUARTET: THE MUSIC OF DUDLEY MOORE
SETLIST, FLEECE JAZZ 24/4/24
Dudley Dell – originally the B-side to his 1961 debut single Strictly for the Birds. Now only available as a bonus track on Authentic Dud Volume 2, the CD reissue of Moore’s 1965 album on Decca Records, The Other Side of Dudley Moore. This quirky two-minute number is best known nowadays as the theme tune to Radio 4’s Quote Unquote. It shares the same chord sequence as My Blue Heaven and contains glancing references to a host of jazz standards.
(Theme tune to) Not Only . . . But Also – Not Only … But Also was the hugely popular TV sketch show that Dudley hosted with Peter Cook between 1964 and 1970. The quirky, angular, Thelonious Monk-inspired theme to Not Only … But Also was the B-side to Pete and Dud’s 1965 Top 20 hit Goodbye-ee. It has virtually vanished from the internet. You’ll find some snippets of Moore playing it on (retrieved) videos of the TV show, but a full recording is not available.
Waterloo – full of labyrinthine chord sequences/ My Blue Heaven (Donaldson/Whiting) – full of Dudley’s characteristic playfulness with a two-step lope on bass and finger-popping on bongos courtesy of Simon Thorpe and George Double respectively.
Poova Nova – from The Other Side of Dudley Moore.
Bedazzled Dudley’s best-known song is the recurring theme from the 1967 movie, Bedazzled. It was most memorably delivered by a fictional psych-rock band called Drimble Wedge and the Vegetations, with Peter Cook deadpanning the lyrics (“I’m not available / You fill me with inertia”). Dudley recorded several instrumental versions, recasting the heavily flanged rock song as a gentle bossa nova.
Cornfield – from Bedazzled
* * * * * * *
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IMAGO.
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https://www.yahoo.com/entertainment/2024-paris-olympics-ryan-gosling-and-eva-mendes-join-roster-of-celebrities-rooting-on-team-usa-203752381.html
|
en
|
2024 Paris Olympics: Ryan Gosling and Eva Mendes join roster of celebrities rooting on Team USA
|
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[
"Suzy Byrne"
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2024-08-01T16:07:36+00:00
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Hollywood stars have gotten a chance to play the role of fans at the 2024 Olympics in Paris.
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en
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https://s.yimg.com/rz/l/favicon.ico
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Yahoo Entertainment
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https://www.yahoo.com/entertainment/2024-paris-olympics-ryan-gosling-and-eva-mendes-join-roster-of-celebrities-rooting-on-team-usa-203752381.html
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Hollywood has turned out in force to cheer on the greatest athletes in the world at the Olympic Games. Ryan Gosling and Eva Mendes, Nicole Kidman and Keith Urban, Snoop Dogg, Tom Cruise, Flavor Flav, Ariana Grande and others have relished the opportunity to be fans — though they’ve drawn many of their own in the process.
Eva Mendes and Ryan Gosling
These two are rarely seen together at public events, but they changed things up for the Games. The couple, together since filming The Place Beyond the Pines in 2011, checked out the dressage individual grand prix freestyle at the Palace of Versailles. Later, they watched the artistic gymnastics women’s uneven bars final — apparently joined by their two daughters: Esmeralda, 9, and Amada, 8.
Tom Cruise
The actor, on a break from making Mission: Impossible 8, was in the audience for the women’s gymnastics qualifiers — Simone Biles’s Olympic return — as well as swimming. Giving a performance of his own in the stands, he was out of his seat cheering, clapping and giving a double thumbs-up. Cruise also allowed his fellow spectators a fan moment. He went over and took some selfies with them.
It’s since been revealed that Cruise has a top secret role in the closing ceremony. The action star will reportedly perform one of his signature stunts as a way of handing over the Olympic flag to Los Angeles ahead of the 2028 Games.
Snoop Dogg and Martha Stewart
As NBC’s special correspondent this year, the Snoop-of-all-trades delivered lots of TV gold, whether putting his spin on badminton, rocking custom T-shirts of his favorite Olympians, swimming with Michael Phelps or being trolled by Biles’s mom.
That was before his celebrity BFF Martha arrived in Paris — and things got even better. The domestic doyenne said her sometime co-star was scared of horses, so she agreed to join him at the Games for four days to help him cover dressage. They were not to be missed as they twinned in equestrian outfits, she unsuccessfully tried to get him to try escargot (“Oh hell no, uh-uh,” he replied) and they worked together to overcome his fear of horses.
John Travolta
The actor had a father-daughter day with Ella Bleu, watching the men’s tennis final between Novak Djokovic of Serbia and Carlos Alcaraz of Spain. They also watched men’s gymnastics.
Kendall Jenner
What is an event, anywhere in the world, without a Kardashian in attendance? The Kardashians star and model knew she looked cute in her Team USA gear at the women’s gymnastics all-around — and snapped a selfie blowing a kiss.
Guy Fieri
The Food Network chef demonstrated just how much Hollywood star power there was in the stands. The Diners, Drive-Ins and Dives star shared a selfie — during the men’s tennis finals — that also included chef Bobby Flay, Warner Bros. Discovery CEO David Zaslav, Travolta and actor Sacha Baron Cohen.
Cynthia Erivo and Ariana Grande
The Wicked co-stars are already well into their movie promotion, appearing together — in pink and green, no less! In addition to their appearance at the opening ceremony, they were in the stands for the gymnastics competition.
John Legend and Chrissy Teigen
The musician and his model wife brought the family — well, two of their four kids (Luna, 8, and Miles, 6) — for the fun.
Legend and Teigen attended the opening ceremony and were in the stadium waving flags and cheering on Simon Biles, Suni Lee and the others during the gymnastics qualifiers. They also watched swimming, with Teigen and the others making some noise in the crowd.
"This was on our bucket list,” Legend told Reuters. "They represent the best of America and we are so proud and excited for them. Let's go, USA."
Hoda Kotb and Savannah Guthrie
The Today show co-anchors have been busy covering the Olympics for NBC, but they squeezed in the artistic gymnastics women's team final on July 30 to make some noise for Biles, Suni Lee, Jordan Chiles, Jade Carey and Hezly Rivera.
Natalie Portman
Also in attendance at the women's gymnastics final was Portman, who couldn't contain her excitement as the U.S. team won gold and Biles became the most decorated U.S. gymnast in Olympic history.
Nicole Kidman and Keith Urban
The seal hands were back as the Oscar-winning actress watched the Olympic skateboarders alley-oop and airwalk alongside her musician husband and their daughters, Sunday, 16, and Faith, 13. (Kidman also shares daughter Bella and son Connor with ex-husband Cruise.) But no harm, no foul because they looked like they were having a great time. The fam also watched the women's gymnastics team final.
Mariska Hargitay
The Law & Order: SVU star rooted for "glorious Katie" Ledecky and the American swimmers on July 31 alongside her husband, Peter Hermann, and two of their children, son Andrew and daughter Amaya.
Hargitay later celebrated Ledecky's eighth career gold and 12th career Olympic medal with the swimmer's family. She also shared hugs with decorated Olympic gymnasts Suni Lee and Jordan Chiles, who were shy to meet her.
Lady Gaga
The singer went from performer during opening ceremony to superfan. Decked out in Team USA gear, she watched gymnastics and swimming with reported fiancé Michael Polansky by her side.
Gaga, who will soon be in the Joker sequel, also posed for photos with fans.
On Friday, Gaga wowed the crowd with her pink pom-pomed performance of “Mon Truc en Plume,” a tribute to French dancer/actor/singer Zizi Jeanmaire. It’s since been reported that it was actually prerecorded due to safety reasons, due to the rain.
Celine Dion
The singer delivered a triumphant performance closing out the opening ceremony on July 26. It was Dion’s first time performing since she announced she was diagnosed with the rare autoimmune neurological disorder stiff-person syndrome in 2022. It was emotional to watch, even for NBC commentator Kelly Clarkson, a fellow singer, who said Dion deserved the gold medal for vocal athletes.
Judd Apatow, Leslie Mann, Elizabeth Banks and Max Handelman
Banks, star of the upcoming film Skincare, has attended several different events with husband Handelman — including swimming, cycling and tennis — but they made beach volleyball a fun foursome with Apatow and Mann.
Spike Lee
Who was rooting on the USA basketball team? The film director — and Knicks lover — himself, of course, with an Olympic jersey for the occasion paired with a hat repping his home team.
Mick Jagger
The Rolling Stones frontman, off of his band's "Hackney Diamonds Tour," logged some family time with his youngest child, Deveraux, while watching fencing.
Flavor Flav
The Public Enemy rapper has showed his mad love for water polo at the games. He's the “official hype man” and sponsor of the U.S. women’s team (yes, really) and has been bringing his signature energy to events, which he's attended wearing a water polo cap and clock shades.
Nick Jonas
The singer took a jaunt to Paris for a few days to catch the games. While watching Biles and Co. on the mat, he chatted up Legend and Teigen in their luxury box. He was also there for the fashion. He attended a star-studded event at Team USA outfitter Ralph Lauren’s Parisian eatery, Ralph’s Restaurant.
Kelly Clarkson
The singer and talk show host is on the payroll for NBC as she does commentary during the games. She and Peyton Manning received mixed reviews for their opening ceremony coverage, but the show — and the commentary — goes on.
Colin Jost
The Saturday Night Live star — who's an "avid surfer," according to NBC — is also working the Olympics — but not from Paris. He's covering the surfing competition in Tahiti. His sports commentary gig hasn't been without incident; he injured his foot on a coral reef.
Greta Gerwig
One row down from Cruise during the women’s gymnastics qualifications was the Barbie director.
Queen Latifah
Wearing red, white and blue and waving a flag, the entertainer cheered on the U.S. men’s basketball team.
Christopher Meloni
Ahead of Law & Order: Organized Crime Season Five, Meloni was in Paris for the Games. With his wife by his side, he watched men's skateboarding, took a selfie with Snoop and attended the Ralph Lauren event.
Juliette Binoche
The French actress attended the women's gymnastics team final in her hometown.
Sarah Jessica Parker and Matthew Broderick
The couple brought their three kids — James Wilkie, 21, and twins Tabitha and Marion, 15, to the opening ceremony.
Parker and Broderick, seen rocking USA sports jackets, and their kids also watched gymnastics — where SJP had a warm greeting for Kotb — and beach volleyball.
Nina Dobrev and Shaun White
The Vampire Diaries actress and the three-time Olympic gold medal-winning snowboarder have been spotted all over the place — the opening ceremony, the gymnastic qualifiers and fashion parties (Louis Vuitton and Ralph Lauren) — despite Dobrev being on the mend after surgery stemming from an e-bike crash.
At one point, White was snapped pushing Dobrev through a crowd in a wheelchair, as it’s her first time out without crutches. That’s dedication!
Pharrell Williams
The musician turned designer participated in the Olympic torch-bearing relay, attended the opening ceremony and also hosted Louis Vuitton’s star-studded pre-Olympics bash, which drew celebrities including LeBron James, Steven Spielberg, Charlize Theron, Mick Jagger, Zendaya, Jeremy Allen White and Rosalía, John Mulaney, Sophia Bush and Zac Efron.
Salma Hayek
The Magic Mike's Last Dance actress also participated in the torch relay. On social media, she called it an honor, adding, “I was proud to represent the enduring spirit of the Olympics, bringing light, hope, and unity to all.”
Don't miss a medal! Sign up for the Yahoo Sports AM newsletter for Paris Olympics highlights delivered straight to your inbox.
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Dudley Moore Biography
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[
"https://www.tvguide.com/a/img/resize/64ff359d55f5408746d416da144b3ab00a99a5d4/catalog/provider/1/6/1-172546863.jpg?auto=webp&fit=crop&height=300&width=200"
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Read all about Dudley Moore with TV Guide's exclusive biography including their list of awards, celeb facts and more at TV Guide.
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/favicon.ico
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TVGuide.com
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https://www.tvguide.com/celebrities/dudley-moore/bio/3030205959/
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Fast Facts
Diminutive (5' 2"), multitalented British actor, comedian and musician best known in the U
S
for his role in Arthur
Longtime comedy partner of Peter Cook
A musical prodigy as a child, he won scholarships to both the Guildhall School of Music and Drama, and Magdalene College, Oxford
Had progressive supranuclear palsy (PSP), a rare brain disorder
Awarded the title of CBE (Commander of the British Empire) by Prince Charles shortly before his death
Founded two charities: the Dudley Moore Research Fund, dedicated to finding a cure for PSP; and Music for All Seasons, which takes live music into hospitals, prisons and nursing homes
Awards
1985Golden Globe-Best Performance by an Actor in a Motion Picture - Musical or Comedy: winner
1983Golden Globe-Best Original Score - Motion Picture: nominated
1982Golden Globe-Best Performance by an Actor in a Motion Picture - Musical or Comedy: winner
1981Oscar-Best Performance by an Actor in a Leading Role: nominated
1980Golden Globe-Best Performance by an Actor in a Motion Picture - Musical or Comedy: nominated
1979Golden Globe-Best Performance by an Actor in a Supporting Role in a Motion Picture: nominated
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https://books.google.com/books/about/Dudley_Moore.html%3Fid%3DvErCj_IzLAEC
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Google Books
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https://books.google.com/
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Search the world's most comprehensive index of full-text books.
My library
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https://www.celebritynetworth.com/richest-celebrities/richest-comedians/dudley-moore-net-worth/
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en
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Dudley Moore Net Worth
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[
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[
"Brian Warner"
] |
2019-10-07T15:11:07+00:00
|
Dudley Moore net worth: Dudley Moore was an English actor, comedian, musician, and composer who had a net worth of $25 million at the
|
en
|
Celebrity Net Worth
|
https://www.celebritynetworth.com/richest-celebrities/richest-comedians/dudley-moore-net-worth/
|
What is Dudley Moore's Net Worth?
Dudley Moore was an English actor, comedian, musician, and composer who had a net worth of $25 million at the time of his death in 2002 (adjusting for inflation). Dudley Moore was born in Charing Cross, London, England in April 1935 and passed away in March 2002. He was a writer and performer in the comedy revue Beyond the Fringe along with Peter Cook. Moore later moved to Los Angeles, California. From 1965 to 1970 he starred on the television series Not Only… But Also!. He starred on the TV series Dudley in 1993 and voiced the role of Oscar on the series Oscar's Orchestra in 1995.
|
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26157
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yago
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3
| 65
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https://nailed.community/2017/02/24/finest-international-film-star-belper-youd-forgotten/
|
en
|
The Finest International Film Star From Belper That You'd Forgotten All About
|
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2017-02-24T00:00:00
|
For a small town, Belper has long punched above its weight in producing notable people. But while pioneering industrialists, Olympians
|
en
|
Nailed - Belper Independent News
|
https://nailed.community/2017/02/24/finest-international-film-star-belper-youd-forgotten/
|
For a small town, Belper has long punched above its weight in producing notable people. But while pioneering industrialists, Olympians and writers may be one thing, international film stars are something else entirely.
Oh. Hang on. We’ve produced two (well-two point five if you count Alan Bates going to school here). The one everyone knows of is Timothy Dalton, and his is a great career to be sure, but we also produced another star: Suzy Kendall.
She was born Freda Harrison. The family business was home decorating and their shop was at the top of King Street, opposite the Ritz. After school in Belper, Freda studied in Derby for a career in textiles and fashion, winding up as a fabric designer at British Celanese. From there came modelling, and from modelling came acting.
All of which sounds like a pretty standard path into showbiz today, but models-turned-actors were still pretty rare in the mid-sixties. What was more unusual was not just to become an actor, but actually to turn out rather good at it.
After a few small roles – she’s there looking pretty in the background in “Thunderball” – Suzy, as she was now, snagged a supporting role playing a model working for photographer Bernard Cribbins in the curious, disjointed Michael Bentine comedy “The Sandwich Man” alongside just about every British comedian who wasn’t too busy that week. Don’t expect to catch it on the telly anytime soon, though: you won’t come across a more cringeworthy series of moments of casual racism outside a UKIP conference.
From there, things happened quickly.
“To Sir, With Love” was a huge international hit with a box office of $42 million from a $600k budget in 1967. Sidney Poitier plays a Guyanese schoolteacher in an East End school beset with multiple drama-friendly problems (racism, violence, teen pregnancy, the fact that most of the Upper Fifth are clearly in their late twenties). Suzy stood out as a sympathetic colleague.
Next came the lead role in Peter Collinson’s home invasion drama “The Penthouse”. It’s a difficult watch today, coming across like “Straw Dogs” as directed by Ken Loach, and Ms Kendall reportedly didn’t like the film. Her performance, though, is outstanding – she can more than hold her own against her far more experienced fellow cast members and an often dreadful screenplay that never once lets you forget it started life as a stage play. By now, Suzy Kendall was one of the most sought-after British stars.
Another film for Collinson followed. “Up The Junction” was the second screen version of Nell Dunn’s controversial novel (the first was a rather more gritty BBC production directed by Ken Loach). Once again, the Local Girl Made good was the best thing on the screen. Another stand-out in the cast is Adrienne Posta. She’s Suzy Kendall’s contemporary in this, but she was one of her pupils in “To Sir…”. I knew those kids were lying about their ages.
Working on the unsatisfying comedy “30 is a Dangerous Age, Cynthia”, the plus side was that she met her first husband, Dudley Moore, although the film itself underperformed. International projects beckoned, and they were a mixed bag – both in terms of critical reception and box office.
1970’s “The Gamblers” was a clever, fast-moving updating of a Gogol story about card sharks and conmen, but it was the same year’s Italian “Giallo” thriller “The Bird with the Crystal Plumage” that has become her signature film.
Dario Argento’s Hitchcockian tale (his first) of a serial killer stalking the witness to a murder was initially scorned by critics, but became a huge success. The film ran in one Milan cinema for over three years and is today regarded as one of the finest of its genre. Hell, it even made the “1001 Films To See Before You Die” list (Mrs M bought me the book. I’ve only got nine left. Is she trying to tell me something?). “Bird” is an endlessly stylish, tightly-plotted, operatically violent exercise in bonkers storytelling. Nothing is what it seems, the plot twists like a pretzel made by meth users and everyone’s a suspect. What it needs is someone to anchor it in the real world and stop it spinning off into an unwatchable mess. Luckily, that person is Suzy Kendall, who brings a sympathetic, intelligent presence to the role of the witness’s girlfriend. The small matter of her being the only actor in the cast you don’t want to slap some sense into doesn’t hurt any, either.
Giallo gave Kendall a screen identity, and it largely defined her career into the Seventies. Films rejoicing in titles like “Torso”, “Tales That Witness Madness”, “The Story of a Cloistered Nun” and “Spazmo” were never going to trouble the award ceremonies, but they stand, by and large, as entertaining horror/thrillers that do their job efficiently and don’t have ideas above their station. And Belper’s Own is often the best thing in them.
Suzy Kendall retired from acting in 1977 (although she is credited as “Special Guest Screamer” in 2012’s Giallo homage “Berberian Sound Studio”).
You may have guessed that I’m a fan. She has, for me, two qualities rarely found in actors. The first is “Self-Awareness”: She understood her own screen persona and worked within it. The second is less tangible – “Believability”. It’s a quality that few have, and she holds in common with actors as diverse as James Cagney and Boris Karloff. It boils down to a (seemingly) simple trick that surprisingly few people have ever been able to nail: she may not have always given the finest technical performance, but you always believed every word she said.
by AM
Featured Image: Suzy Kendall with Sidney Poitier in To Sir With Love
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26157
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yago
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1
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https://uk.yahoo.com/topics/dudley-moore/
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en
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Dudley Moore – News, Photos, Videos, Movies or Albums
|
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Dudley Moore‘s latest news, photos, videos, movies, albums or awards info from Yahoo
|
en
|
https://s.yimg.com/rz/l/favicon.ico
|
https://uk.yahoo.com/topics/dudley-moore/
|
Entertainment·The Telegraph
How Santa Claus: The Movie nearly killed Dudley Moore’s career
It gets earlier every year. That’s what the grinches say in November – as soon as supermarkets stick up their decorations and whack on Slade. Back in the early 1980s, the hype for Santa Claus – well, Santa Claus: The Movie, starring Dudley Moore as a wayward elf – began more than three years early.
Entertainment·The Guardian
Santa Claus: The Movie review – Dudley Moore sparkles like a bauble in Elf prototype
Playing an early iteration of the fish-out-of-water elf in the corporate world of New York, Moore has just enough perky charm to redeem an otherwise forgettable seasonal offering
Business·The Telegraph
Apple executive sacked after joke about fondling women
One of Apple's most senior executives has been sacked after he jokingly quoted a Dudley Moore line about being able to “fondle big breasted women” on the job.
Entertainment·The Telegraph
Barbara Moore, singer and composer behind the Pick of the Pops theme tune and a host of memorable moments on television – obituary
Barbara Moore, who has died aged 89, was a singer and composer of everything from jazz and pop to choral music, but she remained almost anonymous while having a massive impact on the daily lives of millions.
Entertainment·The Telegraph
Kenneth Alwyn, leading light of the British music scene noted for Friday Night is Music Night – obituary
Kenneth Alwyn, who has died aged 95, was an orchestral conductor who appeared with the BBC Concert Orchestra on Radio 2’s Friday Night is Music Night for 30 years; he conducted the Japanese premiere of Holst’s The Planets, accompanied Margot Fonteyn and Rudolf Nureyev dancing at the Bath Festival; and took over performances of Benjamin Britten’s ballet The Prince of the Pagodas from the composer after the work’s premiere in 1957. The following year Alwyn conducted a thrilling account of Tchaikov
Entertainment·The Guardian
The play's afoot! Watermill reopens with outdoor Sherlock Holmes comedy
The play's afoot! Watermill reopens with outdoor Sherlock Holmes comedyThe Berkshire theatre will ‘conjure some joy’ with a new version of The Hound of the Baskervilles performed by a cast of three
|
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https://www.boxwellbrothers.com/obituaries/patricia-patti-lavon-kendall-craig
|
en
|
Patricia “Patti” Lavon Kendall Craig Obituary
|
https://cdn.tukioswebsites.com/social/facebook/fb_3/caf1f9a8-ff19-4610-af7f-ad960c8fd28f/5531e2edf355324f71a3b3677b73c640_2826740ab4e58dbafde71d95dc866089
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[
"Boxwell Brothers Funeral Directors"
] |
2024-04-11T16:53:25
|
Patricia "Patti" LaVon Kendall Craig ascended to her heavenly reward on February 5, 2023, where she was undoubtedly and joyously reunited with her mother, Vivian Clark.A Memoria...
|
en
|
https://cdn.filestackcontent.com/WMpCl6JXTfCOqsmTHiRS
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Boxwell Brothers Funeral Directors
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https://www.boxwellbrothers.com/obituaries/patricia-patti-lavon-kendall-craig
|
Guestbook
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26157
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yago
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https://www.facebook.com/loveclassiccinema/videos/to-sir-with-love-1967-movie-trailerto-sir-with-love-is-a-1967-british-drama-film/1003017807165664/
|
en
|
To Sir With Love 1967 Movie Trailer To Sir, with Love is a 1967 British drama film that deals with social and racial issues in an inner city school. It...
|
[] |
[] |
[] |
[
""
] | null |
[] | null |
To Sir With Love 1967
Movie Trailer
To Sir, with Love is a 1967 British drama film that deals with social and racial issues in an inner city school. It...
|
de
|
https://static.xx.fbcdn.net/rsrc.php/yT/r/aGT3gskzWBf.ico
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https://www.facebook.com/loveclassiccinema/videos/to-sir-with-love-1967-movie-trailerto-sir-with-love-is-a-1967-british-drama-film/1003017807165664/
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https://facts.net/celebrity/23-fascinating-facts-about-dudley-moore/
|
en
|
23 Fascinating Facts About Dudley Moore
|
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[
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"Philippe Rosner"
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2023-10-09T04:01:06+08:00
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Discover 23 intriguing facts about the legendary Dudley Moore, from his early days as a jazz musician to his iconic roles in Hollywood films.
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https://facts.net/wp-content/uploads/2019/09/fac-icon.ico
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Facts.net
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https://facts.net/celebrity/23-fascinating-facts-about-dudley-moore/
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Dudley Moore had a natural talent for music.
Aside from his successful career in acting, Dudley Moore was an incredibly talented musician. He began playing the piano at a young age and was even awarded a scholarship to study music at Oxford University.
Despite his short stature, Dudley Moore had a larger-than-life personality.
Standing at just 5 feet 2 inches tall, Dudley Moore proved that size doesn’t determine one’s charisma. He had a charming personality and a brilliant sense of humor, which endeared him to audiences worldwide.
Dudley Moore achieved great success in comedy.
One of Dudley Moore’s most memorable achievements was his success in the world of comedy. He was part of the comedic duo “Dudley Moore and Peter Cook,” who were widely regarded as one of the greatest comedy partnerships of all time.
He gained international fame for his role in “Arthur.”
“Arthur,” released in 1981, was a comedy film that catapulted Dudley Moore into international stardom. His portrayal of the lovable and hilarious Arthur Bach earned him rave reviews and a Golden Globe Award for Best Actor.
Dudley Moore was a talented composer.
In addition to his musical abilities, Dudley Moore had a talent for composing music. He composed original scores for several films, including “Bedazzled” and “The Hound of the Baskervilles.
He was a classically trained pianist.
Dudley Moore’s musical talents extended beyond playing the piano. He was a classically trained pianist who could flawlessly perform complex pieces of classical music.
Dudley Moore was born in London, England.
On April 19, 1935, Dudley Moore was born in Dagenham, a suburb of London. He grew up in a working-class family and discovered his love for music and comedy at a young age.
Moore attended the prestigious Magdalen College, Oxford.
After completing his education, Dudley Moore attended Magdalen College, Oxford, where he continued to pursue his passion for music and comedy. It was during his time at Oxford that he formed his legendary partnership with Peter Cook.
He was known for his distinct comedic timing.
Dudley Moore’s comedic genius was marked by his impeccable timing. Whether delivering a witty one-liner or engaging in physical comedy, he had an innate ability to make audiences laugh.
Dudley Moore starred in several successful films.
In addition to his iconic role in “Arthur,” Dudley Moore starred in numerous other successful films, including “10,” “Micki & Maude,” and “Like Father Like Son.”
He received an honorary knighthood.
In recognition of his contributions to the entertainment industry, Dudley Moore was bestowed with an honorary knighthood in This prestigious honor celebrated his outstanding career and his impact on the world of film and music.
His portrayal of a pianist with a deteriorating mental condition in “Derek and Clive Get the Horn” showcased his dramatic acting skills.
In this lesser-known film, Dudley Moore displayed his versatility as an actor by taking on a more serious role. His performance as a troubled pianist demonstrated his ability to delve into complex and intense characters.
Dudley Moore struggled with health issues later in life.
Unfortunately, Dudley Moore’s later years were marked by health struggles. He was diagnosed with a rare degenerative brain disorder known as progressive supra-nuclear palsy, which greatly impacted his mobility and overall well-being.
He remained devoted to his music until the end.
Despite his health challenges, Dudley Moore’s passion for music endured. He continued to play the piano, compose music, and even recorded several albums, demonstrating his unwavering dedication to his craft.
Dudley Moore’s comedic partnership with Peter Cook produced memorable sketches.
Working alongside Peter Cook, Dudley Moore created unforgettable comedy sketches. One of their most famous sketches, “The Psychiatrist,” showcased their comedic chemistry and razor-sharp wit.
He was a talented jazz musician.
In addition to his classical piano training, Dudley Moore was a skilled jazz musician. He could improvise jazz melodies with ease and showcased his jazz talents in various performances and recordings.
Moore was nominated for an Academy Award for Best Actor.
For his outstanding performance in the film “Micki & Maude,” Dudley Moore received a nomination for the Academy Award for Best Actor. This recognition further solidified his status as a revered actor.
Dudley Moore had a successful career on both the stage and screen.
While he may be best known for his film roles, Dudley Moore also made a name for himself on the stage. He appeared in several plays, including the critically acclaimed “Beyond the Fringe.
He was a beloved figure in the comedy world.
Dudley Moore’s wit and comedic talent earned him a special place in the hearts of comedy enthusiasts. He was widely regarded as a beloved figure in the comedy world and his legacy continues to inspire new generations of comedians.
Dudley Moore was married four times.
Throughout his life, Dudley Moore had four marriages. His most well-known marriage was to actress Suzy Kendall, but unfortunately, none of his marriages stood the test of time.
He was a dedicated philanthropist.
Dudley Moore was known for his generous spirit and dedication to philanthropic causes. He actively supported various charities and worked to raise awareness for important social and humanitarian issues.
His final film appearance was in “The Singing Detective.”
Dudley Moore made his last on-screen appearance in the 2003 film “The Singing Detective.” Although his health was deteriorating, his talent and presence continued to shine through in this memorable performance.
Dudley Moore left a lasting legacy in the entertainment industry.
With his multifaceted talents and charismatic personality, Dudley Moore left an indelible mark on the entertainment industry. His contributions as an actor, musician, and comedian will be cherished for generations to come.
Conclusion
From his incredible talent as a comedian and musician to his personal struggles with health issues, Dudley Moore left an indelible mark on the entertainment industry. His unique blend of wit and charm endeared him to audiences around the world, and his legacy continues to inspire new generations of performers.
As we reflect on Dudley Moore’s life, we can appreciate the extraordinary journey he undertook, navigating the highs and lows of fame while remaining dedicated to his craft. His contribution to the comedy genre, particularly in his memorable roles in films like “Arthur” and “10,” will forever be remembered.
Though Dudley Moore tragically passed away in 2002, his impact on the entertainment world is everlasting. His talent, humor, and heartfelt performances will continue to be celebrated for years to come.
FAQs
1. What were Dudley Moore’s most famous movies?
Dudley Moore is best known for his roles in “Arthur,” “10,” and “Micki + Maude.” These films solidified his reputation as a comedic genius and endeared him to audiences worldwide.
2. Did Dudley Moore have a musical background?
Yes, Dudley Moore was not only a talented actor but also an accomplished musician. He was an exceptional pianist and often showcased his musical skills in his comedic performances.
3. Did Dudley Moore struggle with health issues?
Yes, Dudley Moore faced health challenges throughout his life. He was diagnosed with a rare degenerative brain disorder called progressive supranuclear palsy, which ultimately contributed to his decline in later years.
4. What awards did Dudley Moore win?
Dudley Moore received numerous accolades for his performances, including an Academy Award nomination for Best Actor for his role in “Arthur.” He also won a Golden Globe Award for Best Actor in a Musical or Comedy for the same film.
5. How did Dudley Moore’s legacy influence future actors?
Dudley Moore’s unique blend of comedy and charm influenced many comedians and actors who came after him. His wit, timing, and ability to connect with audiences paved the way for future comedic talents.
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https://www.theguardian.com/film/pictures/image/0,8545,-10204383601,00.html
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Dudley Moore and Suzy Kendall
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Moore's first solo film role was opposite 60s 'It' girl Suzy Kendall in 30 is a Dangerous Age, Cynthia. They married shortly after. Dudley Moore
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Download this stock image: Dudley Moore and Suzy Kendall separate - G5RA7M from Alamy's library of millions of high resolution stock photos, illustrations and vectors.
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This image could have imperfections as it’s either historical or reportage.
British comedian Dudley Moore, 36, and his actress wife Suzy Kendall. On arrival in Sydney, Moore revealed he and Suzy have separated. The couple wed in June 1968, at a secret ceremony in the London suburb of Hampstead. Morre arrived here with partner, Peter Cook, 32, to stage a new revue called "Behind the French". 827/03/02 British comedian Dudley Moore, 36, and his actress wife Suzy Kendall. On arrival in Sydney. British actor Dudley Moore died today, Wednesday 27th March 2002, at his home in New Jersey, aged 66. Moore, who became an unlikely Hollywood heart-throb portraying a cuddly pipsqueak whose charm melted hearts in "10 and Arthur", died of pneumonia as a complication of progressive supranuclear palsy.
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2022-04-27T04:45:35-07:00
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Genealogy for Dudley Stuart John Moore (1935 - 2002) family tree on Geni, with over 260 million profiles of ancestors and living relatives.
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Multi-talented British comedian and actor Dudley Moore was best known for his comic performance as a drunk millionaire in the 1981 film "Arthur" and his role as a composer grappling with a midlife crisis in the 1979 hit "10." He was often known as "Cuddly Dudley" or "The Sex Thimble", a reference to his short stature and reputation as a "ladies' man".
Born Dudley Stuart John Moore on April 19, 1935 in the London suburb of Dagenham, he developed an early love for music and by age eight was studying piano. Four years later, Moore was attending the prestigious Guildhall School of Music, concentrating on violin and organ. A scholarship to Oxford appeared to solidify his career path, but while attending university, he began to branch out, penning incidental music for plays and eventually acting on stage. Still, after receiving two degrees, he spent the next couple of years as a working musician, playing in jazz ensembles, touring the world with the Vic Lewis Orchestra and the John Dankworth Band.
In 1960, Moore joined with Alan Bennett, Jonathan Miller and Peter Cook to perform at the Edinburgh Festival in the revue "Beyond the Fringe", a precursor of sorts to "Monty Python". Their little stage show took on a life of its own, becoming a hit in London and transferring to Broadway where it was honored with a Special Tony Award. Moore and Cook went on to form a long-standing collaboration that encompassed stage, recordings, and screen. Between 1965 and 1970, they appeared together in the occasional BBC series "Not Only ... But Also", creating an array of characters and perfecting their droll (and sometimes ribald) act. The duo also collaborated on several features, beginning with playing brothers in 1966's "The Wrong Box" and co-writing and co-starring in "Bedazzled" (1967), a romp-like take on the Faust legend. After a second stage triumph in "Good Evening/Beyond the Fridge" (1972-73), they joined forced as co-writers and co-stars on the Sherlock Holmes feature "The Hound of the Baskervilles" (1978). When Cook opted to retire early, Moore settled in Los Angeles and achieved stardom in Hollywood in a series of romantic comedies.
American film audiences first really took note of Moore as a lecherous orchestra leader in the Chevy Chase-Goldie Hawn vehicle "Foul Play" (1978). The following year, he skyrocketed to the top as the middle-aged songwriter who pursues a beautiful young woman (Bo Derek) in the hit comedy "10". (Moore replaced the previously cast George Segal who withdrew for personal reasons. Some fifteen years later, the tables were turned when Moore was let go from "The Mirror Has Two Faces" and was replaced by Segal.)
Firmly established as one of the screen's leading comic actors, Moore hit a career highpoint with his amusing turn as the wealthy, spoiled title character in "Arthur" (1981), a performance that netted him a Best Actor Oscar nomination. It was one of those rare instances of actor and role meshing perfectly and audiences embraced the character and his relationships with the poor girl (Liza Minnelli) and his loyal manservant (Sir John Gielgud). In fact, Arthur came to be seen as Moore's signature role and he spent the next several years playing variants of the slightly lecherous, tipsy millionaire in a string of romantic roles of varying quality. He was badly miscast as a politician courting the mother of a terminally ill child in the maudlin "Six Weeks" (1982), although his score for the film was of superior quality. Similarly, he could not improve on Rex Harrison's original in the inferior remake of "Unfaithfully Yours" (1984). Moore offered a funny turn as a philanderer juggling a wife and mistress who are simultaneously pregnant in "Micki and Maude" (1985) but a turn as a wisecracking elf in "Santa Clause: The Movie" (1985) and a reprise of his best role in "Arthur II: On the Rocks" (1988) seemed undertaken more for the money than for the quality.
Throughout his film career, Moore continued with his musical career, appearing as guest performer with several world-class orchestras. As the 90s dawned, he joined with renowned conductor Sir Georg Solti to develop and co-host the acclaimed Showtime series "Orchestra!". As his star in films dimmed slightly, Moore attempted to translate his appeal to the small screen but neither of his CBS sitcoms ("Dudley" in 1993 or "Daddy's Girls" in 1994) caught on with viewers. Around the time of the cancellation of the latter, Moore began to experience health problems, becoming unsteady on his feet and suffering short-term memory loss. Although there were whispered rumors of substance abuse, the truth was far more devastating. Initially, doctors felt Moore had suffered a series of strokes and they also recommended surgery to repair a small hole in heart. While recovering from the operation in 1998, a neuro-opthalmologist diagnosed a rare brain disease called progressive supranuclear palsy (PSP). While PSP itself isn't fatal, it can lead to opportunistic illnesses. Moore went public with his diagnosis in September 1999. Although retaining a sense of humor about his illness, he was also clearly devastated to no long be able to play music, commenting "It's a great emptiness [in my life]." Moore continued, however, to campaign for a cure, issuing a CD of his music, "Dudley Moore - Live From an Airplane Hangar" in 2000 (with some sale proceeds split between two charitable organizations) and being feted by luminaries like Lauren Bacall, Chevy Chase, Cleo Laine and Barbara Walters with "An All-Star Salute to Dudley Moore" for his birthday in 2001.
In June 2001, Moore was appointed a Commander of the Order of The British Empire (CBE). Despite his deteriorating condition, he attended the ceremony, mute and wheelchair-bound, at Buckingham Palace to collect his honour.
He died on 27 March 2002, as a result of pneumonia, secondary to immobility caused by the palsy, in Plainfield, New Jersey. Rena Fruchter was holding his hand when he died, and she reported his final words were, "I can hear the music all around me." Moore was interred in Hillside Cemetery in Scotch Plains, New Jersey. A video of his tombstone is on YouTube. Fruchter later wrote a memoir of their relationship (Dudley Moore, Ebury Press, 2004).
http://en.wikipedia.org/wiki/Dudley_Moore
http://www.thebiographychannel.co.uk/biographies/dudley-moore.html
http://www.biography.com/articles/Dudley-Moore-9413328
http://www.imdb.com/name/nm0001545/bio
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2023-09-16T12:04:47+00:00
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Steve Law MEETING DUDLEY MOORE
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en
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STEVE LAW new music
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https://www.stevelawcomposer.com/steve-law-meeting-dudley-moore/
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As a music student at Bristol University in 1992 I heard, and recorded from the radio, a fantastic concert by given by the comedian, musician and Hollywood actor Dudley Moore at the Royal Albert Hall. I had seen Dudley playing jazz on the classic BBC comedy TV show ‘Not Only But Also’ with Peter Cook from the 1960s but I was bowled over by this concert.
He played jazz standards and one original piece with his trio (with Peter Morgan on bass and Chris Karan on drums), conducted and performed his own music with the BBC Concert Orchestra from films he also starred in, played other piano compositions and some of his well know parodies of famous composers. As if that wasn’t enough he also played Gershwin’s Rhapsody In Blue and the slow movement “Elvira Madigan” from Mozart’s Piano Concerto No.21 in C. This was all done with apparent ease and interspersed with funny commentary and anecdotes.
I was particularly moved by his compositions. They struck a connection with me. I was blown away with the musicality of his jazz playing.
Dudley was firstly a musician. He was an organ scholar at Magdalene College Oxford in the 1950s. He was a fine classical pianist, composer and sight reader but became better known for his jazz playing and comedy. His musical personality was as distinct as his comedic voice. It was amazing that he found time to do all these things brilliantly and give happiness to millions of people in so many different ways.
In 1998 I read that Dudley was not well. There were many rumours in the press and I wasn’t sure what was true. I felt compelled to write and let him know how much his music was appreciated. I made and dedicated a piano transcription of the music from the film Bedazzled which he played at the 1992 concert and sent it to his agent Louis Pitt. I also dedicated a song ‘It isn’t even if’ from my opera Heaven On Earth which contained a nod at the influence his music had on me.
A year later he phoned me out of the blue and asked if I could meet him in London during a visit to his first wife Suzy Kendall. I was very excited to do so but was sad to have recently learnt that tragically Dudley had been diagnosed with a rare, progressive and incurable brain disease called Progressive Supranuclearpalsy. This affected his movement, speech and coordination which meant he could no longer play the piano. I was shocked to see how it affected him but somehow Dudley had not lost his magnetic charisma, charm and generosity of spirit. I was so glad to have the chance to tell him how great I thought his music is.
I also met the distinguished pianist and writer Rena Fruchter who, with her musician Brian Dallow – also a musician – were friends of Dudley and had selflessly taken him into their home to look after him during his final illness.
I had not realised how deeply Dudley felt about his album Songs Without Words. Had I have realised (he was listening to the album when he died in 2002) I would have transcribed it sooner. Songs Without Words is a collection of beautiful and sophisticated jazz influenced piano compositions with subtle synth backings (with two guest solos by saxophonist Kenny G). Some are taken from film music, others are themes or improvisations Dudley had not written down.
Following Dudley’s death Rena asked me to transcribe two pieces from the album for a memorial service I attended in Magdalene College in 2002. Following this I transcribed the whole album. I did the most meticulous I could for Dudley it was published by Faber in 2010.
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26157
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yago
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3
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https://www.cracked.com/article_38218_no-one-can-really-get-it-wrong-unless-they-call-me-kenneth-eddie-izzard-clarifies-her-name-and-pronouns.html
|
en
|
‘No One Can Really Get it Wrong Unless They Call Me Kenneth’: Eddie Izzard Clarifies Her Name and Pronouns
|
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[
"Ian Garner",
"Cracked Plasticians",
"Ryan Menezes"
] |
2023-06-01T15:41:00-07:00
|
The comedian offered up the chillest, most graceful explanation of how she would like to be addressed
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en
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Cracked.com
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https://www.cracked.com/article_38218_no-one-can-really-get-it-wrong-unless-they-call-me-kenneth-eddie-izzard-clarifies-her-name-and-pronouns.html
|
Eddie Izzard has something to clear up: She will always be Eddie, but her name is Suzy.
Back in March, the prolific comedian joined Matt Forde on The Political Party podcast and announced the addition of Suzy to her name. She told Forde, “I’m Eddie,” before continuing, “There’s another name I’m going to add in as well, which is Suzy.” Izzard has wanted the name since watching fellow Brit Suzy Kendall in To Sir with Love at the age of 10. She went on to proudly declare, “I’m going to be Suzy Eddie Izzard.” The podcast appearance came just months after the comedian waded into political waters with an unsuccessful bid as a Labour candidate in a recent U.K. election.
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To kick off Pride Month, Izzard took to Twitter to clarify her name and personal pronouns, noting that she prefers Suzy and she/her but doesn’t mind Eddie and he/him. After offering some grace and leniency with how she is addressed, she went on to say that unless you’re deliberately misgendering her by calling her Kenneth, you can’t really get it wrong. It’s as simple as that.
Suzy is just one of many notable trans and gender non-conforming celebrities in the public eye sharing their journey in the wake of political crusades against them. As someone who unwittingly found herself in the middle of the contentious bathroom debate, Suzy tries to tune out the toxic minority and embrace her supporters. To that end, in an appearance with talk-show host Lorraine Kelly, she said that she’s certain there are better times coming for “people who are being their authentic selves.”
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And it all starts with addressing people how they wish to be addressed.
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