identifier
stringlengths 1
43
| dataset
stringclasses 3
values | question
stringclasses 4
values | rank
int64 0
99
| url
stringlengths 14
1.88k
| read_more_link
stringclasses 1
value | language
stringclasses 1
value | title
stringlengths 0
200
| top_image
stringlengths 0
125k
| meta_img
stringlengths 0
125k
| images
listlengths 0
18.2k
| movies
listlengths 0
484
| keywords
listlengths 0
0
| meta_keywords
listlengths 1
48.5k
| tags
null | authors
listlengths 0
10
| publish_date
stringlengths 19
32
⌀ | summary
stringclasses 1
value | meta_description
stringlengths 0
258k
| meta_lang
stringclasses 68
values | meta_favicon
stringlengths 0
20.2k
| meta_site_name
stringlengths 0
641
| canonical_link
stringlengths 9
1.88k
⌀ | text
stringlengths 0
100k
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
4941
|
dbpedia
|
0
| 90
|
https://www.artlimited.net/agenda/inge-morath-and-johanna-maria-fritz-dancing-through-times-of-uncertainty-chausse-36-berlin/en/7584927
|
en
|
Inge Morath and Johanna-Maria Fritz, Dancing through Times of Uncertainty, Photography, Chaussé 36 Berlin, Berlin, Germany
|
[
"https://www.artlimited.net/img/logo-full-box-red.svg",
"https://www.artlimited.net/img/icon/award_bod.svg",
"https://www.artlimited.net/img/icon/award_ed.svg",
"https://www.artlimited.net/img/icon/award_ex.svg",
"https://www.artlimited.net/img/icon/award_ju.svg",
"https://www.artlimited.net/img/icon/award_ar.svg",
"https://www.artlimited.net/img/icon/award_fa.svg",
"https://www.artlimited.net/img/icon/award_mb.svg",
"https://www.artlimited.net/img/icon/award_vs.svg",
"https://www.artlimited.net/img/icon/random.svg",
"https://www.artlimited.net/img/icon/search.svg",
"https://www.artlimited.net/img/icon/search-plus.svg",
"https://www.artlimited.net/img/icon/earth.svg",
"https://www.artlimited.net/img/icon/account.svg",
"https://www.artlimited.net/img/icon/life-ring.svg",
"https://www.artlimited.net/agenda/image/artlimited_img7584927-01.jpg",
"https://www.artlimited.net/agenda/image/artlimited_img7584927-01_m.jpg",
"https://www.artlimited.net/agenda/image/artlimited_img7584927-02_m.jpg",
"https://www.artlimited.net/img/icon/facebook.svg",
"https://www.artlimited.net/img/icon/twitter.svg",
"https://www.artlimited.net/img/icon/pinterest.svg",
"https://www.artlimited.net/img/icon/linkedin.svg",
"https://www.artlimited.net/img/icon/tumblr.svg",
"https://www.artlimited.net/img/icon/buffer.svg",
"https://www.artlimited.net/img/icon/stumbleupon.svg",
"https://www.artlimited.net/img/icon/reddit.svg",
"https://www.artlimited.net/img/icon/email.svg",
"https://www.artlimited.net/agenda/image/artlimited_img7584927-02.jpg",
"https://www.artlimited.net/img/zone_bullet.gif",
"https://www.artlimited.net/img/zone_bullet.gif",
"https://www.artlimited.net/img/zone_bullet.gif",
"https://www.artlimited.net/img/zone_bullet.gif",
"https://www.artlimited.net/user/1/0/4/8/0/0/9/avatar.gif",
"https://www.artlimited.net/img/calage.gif",
"https://www.artlimited.net/user/0/0/0/0/9/0/7/12296/art-numerique-sarah-composition-gens-medium-open.webp",
"https://www.artlimited.net/img/icon/award_ed.svg",
"https://www.artlimited.net/user/0/0/0/0/9/0/7/avatar.gif",
"https://www.artlimited.net/img/calage.gif",
"https://www.artlimited.net/user/0/0/1/5/1/5/6/267285/sculpture-bird-cx-metal-nature-animal-medium-open.webp",
"https://www.artlimited.net/img/icon/award_ed.svg",
"https://www.artlimited.net/user/0/0/1/5/1/5/6/avatar.gif",
"https://www.artlimited.net/img/calage.gif",
"https://www.artlimited.net/user/0/0/2/1/2/0/5/413898/peinture-16oct12-acrylique-nature-paysage-medium-open.webp",
"https://www.artlimited.net/img/icon/award_ed.svg",
"https://www.artlimited.net/user/0/0/2/1/2/0/5/avatar.gif",
"https://www.artlimited.net/img/calage.gif",
"https://www.artlimited.net/user/0/0/2/1/7/0/6/471824/photography-up-mobile-phone-construction-edifice-structure-medium-open.webp",
"https://www.artlimited.net/img/icon/award_ed.svg",
"https://www.artlimited.net/user/0/0/2/1/7/0/6/avatar.gif",
"https://www.artlimited.net/img/calage.gif",
"https://www.artlimited.net/user/0/0/4/1/4/2/8/683419/mixed-media-untitled-montage-assemblage-people-miscellaneous-female-medium-open.webp",
"https://www.artlimited.net/img/icon/award_ed.svg",
"https://www.artlimited.net/user/0/0/4/1/4/2/8/avatar.gif",
"https://www.artlimited.net/img/calage.gif",
"https://www.artlimited.net/user/0/0/4/3/9/4/9/707702/drawing-only-the-winds-mixed-media-nature-landscape-medium-open.webp",
"https://www.artlimited.net/img/icon/award_ed.svg",
"https://www.artlimited.net/user/0/0/4/3/9/4/9/avatar.gif",
"https://www.artlimited.net/img/calage.gif",
"https://www.artlimited.net/user/0/0/2/3/9/3/0/11712557/design-untitled-miscellaneous-people-male-medium-open.webp",
"https://www.artlimited.net/img/icon/award_ed.svg",
"https://www.artlimited.net/user/0/0/2/3/9/3/0/avatar.gif",
"https://www.artlimited.net/img/icon/facebook.svg",
"https://www.artlimited.net/img/icon/twitter.svg",
"https://www.artlimited.net/img/icon/instagram.svg",
"https://www.artlimited.net/img/icon/pinterest.svg",
"https://www.artlimited.net/img/icon/tumblr.svg",
"https://www.artlimited.net/img/icon/linkedin.svg",
"https://www.artlimited.net/img/icon/cross-medium-w.svg"
] |
[
"https://www.openstreetmap.org/export/embed.html?bbox=13.372807813650837%2C52.528637723579401%2C13.387575386349162%2C52.537620876420597&layer=mapnik&marker=52.533129299999999%2C13.380191600000000"
] |
[] |
[
""
] | null |
[
"Frédéric Gaillard",
"Vladimiras Nikonovas",
"Rodolphe Gire",
"Henrik Spranz",
"Maria Gutu",
"Katka Tchórz",
"Michał Fotografia"
] |
2022-06-19T00:00:00+02:00
|
CHAUSSEE 36 showcases two exhibitions for this year's BERLIN PHOTO WEEK. The exhibitions were conceived parallel to one another, making room for dialogue between them. The first exhibition, Dancing through Times of Uncertainty, presents the works of Magnum…
|
en
|
/favicon.ico
|
Art Limited
|
https://www.artlimited.net/agenda/inge-morath-and-johanna-maria-fritz-dancing-through-times-of-uncertainty-chausse-36-berlin/en/7584927
|
Inge Morath and Johanna-Maria Fritz
Dancing through Times of Uncertainty
CHAUSSEE 36 showcases two exhibitions for this year's BERLIN PHOTO WEEK. The exhibitions were conceived parallel to one another, making room for dialogue between them. The first exhibition, Dancing through Times of Uncertainty, presents the works of Magnum photographer Inge Morath (1923-2002) and Johanna-Maria Fritz (*1994), recipient of the Inge Morath Award, to commemorate Magnum Photo’s 75th anniversary. Updating a Family Album is the second exhibition on view and it features the works of the acclaimed Iranian photographer Malekeh Nayiny (*1955).
|
||||
4941
|
dbpedia
|
0
| 3
|
https://www.theguardian.com/news/2002/feb/06/guardianobituaries.arts
|
en
|
The Guardian
|
[
"https://sb.scorecardresearch.com/p?c1=2&c2=6035250&cv=2.0&cj=1&cs_ucfr=0&comscorekw=Arts%2CHigher+education%2CEducation%2CInge+Morath",
"https://i.guim.co.uk/img/media/596b3bda5444c31e11599a5d57399a514eb995db/0_63_4600_2760/master/4600.jpg?width=220&dpr=1&s=none",
"https://i.guim.co.uk/img/media/d4fc14c19b161ab1a4ce9fab8d8b6b49719e176c/0_390_3450_2070/master/3450.jpg?width=220&dpr=1&s=none",
"https://i.guim.co.uk/img/media/9b7a5771d2090228322ead87c0e1dad3ad959757/0_524_3000_1800/3000.jpg?width=220&dpr=1&s=none",
"https://i.guim.co.uk/img/static/sys-images/Guardian/Pix/pictures/2014/11/25/1416917453208/US-97-Stephen-Shore-012.jpg?width=220&dpr=1&s=none",
"https://i.guim.co.uk/img/static/sys-images/Guardian/Pix/pictures/2014/9/25/1411661952164/80378fde-417e-4cc4-9934-f5b78c48059a-2060x1236.jpeg?width=220&dpr=1&s=none",
"https://i.guim.co.uk/img/static/sys-images/Guardian/Pix/pictures/2015/10/6/1444149236758/e31dec2e-04d9-4aba-bacc-9425518fe4b1-2060x1236.jpeg?width=220&dpr=1&s=none"
] |
[] |
[] |
[
""
] | null |
[
"Amanda Hopkinson",
"www.theguardian.com",
"amanda-hopkinson"
] |
2002-02-06T00:00:00
|
Classical photographer with the world in her lens.
|
en
|
the Guardian
|
https://www.theguardian.com/news/2002/feb/06/guardianobituaries.arts
|
Inge Morath, who has died of lymphatic cancer aged 78, was a photographer with two of the earliest leading photo agencies, Magnum and Report. Her stunning black and white images appeared in leading magazines, and she worked as Henri Cartier-Bresson's assistant and with artists Saul Steinberg and Louise Bourgeois. In 1962, after his divorce from Marilyn Monroe, whom she had photographed, she married the playwright Arthur Miller.
Morath was a fine photographer in the classical reportage tradition. She preferred to spend extended periods living with an individual project "to let it grow". Several developed into lasting relationships with people and places she would revisit. Occasionally, she would shoot in colour, as though to lift a particularly exotic topic or as her work in films demanded, most notably on John Huston's Moulin Rouge (1953). Although published extensively in Life, Paris Match, the Saturday Evening Post and Vogue, she gained satisfaction mainly from producing travel books, nearly always backed by touring exhibitions.
Born in Austria, to liberal Protestant parents who were both research scientists, she and her family were living in Germany when the second world war broke out. Morath was punished for refusing to join the Hitler Youth by being given forced labour at Tempelhof airport; this was exhausting and dangerous work, as it was a repeated Allied target. Her wartime experiences, and the horror and poverty she witnessed in its aftermath, left her unable to photograph war.
In 1944, Morath graduated in Romance languages at Berlin University. From the end of the war, she worked as an interpreter for the United States Information Service for five years, and then for Rot-Weiss-Rot, the Austrian radio network, where she honed her writing skills. By 1949, she was a contributor to the literary magazine Der Optimist, and the Austrian editor on Heute.
She also worked with the Austrian photographer Ernst Haas, who was based in Paris and involved in the earliest days of Magnum. Morath became a writer, researcher and intermittent desk editor, writing text captions for Haas, and for fellow Austrian Erich Lessing. In 1951, she moved to London, came into contact with Picture Post magazine, started taking her own photographs, and was briefly married (for three weeks) to one of its principal journalists, Lionel Birch.
In 1952, she undertook her photographic apprenticeship with Simon Guttman - a man almost as legendary for his cantankerous perfectionism as for his photo-agency, Report - and, from 1954, was Cartier-Bresson's assistant.
Morath and her Leica made their first lengthy foray to Spain in 1954. After Franco's death in 1975, the country's rapid development as a cutprice holiday playground spurred her further into the interior. Her insistence on travel over tourism, on making new discoveries and learning the language, led even her early European stories to reveal intimate, unexpected, and often amusing, qualities.
In her own telegram style of writing, she noted how, in 1955, the "great event was Robert Capa's inviting me to join Magnum now as a photographer on the strength of my pictures and text on French worker priests, which was three months in doing." Her travels increased, always bringing her new friends - she was as interested in peasants as in intellectuals - and her obsession with literature meant that her itineraries were always produced with reference to writers whose work she read in the original language.
Morath's first book, Guerre à la Tristesse/Fiesta In Pamplona, with text by Dominique Aubier, had been published in 1954. It was followed by Venice Observed (with Mary McCarthy, 1956), Bring Forth The Children (with Yul Brynner, 1960), Tunisia (with fellow Magnum photographer Marc Riboud and texts by Claude Roy and Paul Sebag, 1961), and From Persia To Iran (with Edouard Sablier, 1961).
She first met Arthur Miller in 1960 on the set of The Misfits, while on an assignment to document Marilyn Monroe's acting. After their marriage, Morath and Miller began to travel together, mostly eastwards, and her 1969 book, In Russia, included text by him. It was followed by My Sister Life (1973), with poems by Boris Pasternak.
Morath extended her travels to Asia, pursued eastern philosophy, taught herself Mandarin, and, in 1979, accompanied Miller to China for the staging of his Death Of A Salesman, a trip that generated two further books: Chinese Encounters (1979) and Salesman In Beijing (1984). The same eye that had gently parodied the British class system sharply perceived Mao's new social order.
From the 1980s onwards, Morath stayed home for longer periods. She made little alteration to the country house in Roxbury, Vermont, where Miller and Monroe had lived, beyond turning the heart-shaped swimming pool back into a natural lake, where she swam daily. Her long-term projects included making a book of Steinberg's masks and a reportage on Bourgeois's sculptures.
As she grew older, the couturier clothes of her Paris years were discarded in favour of those more suitable to a daily life that included yoga, swimming and gardening. She maintained her ample European cuisine, preparing goulasch for her guests while quietly keeping to a vegetarian diet herself. We would eat at a table Miller had made, under posters of Chinese calligraphy and her own favourite portraits, including the large, befurred woman with her pooch and her flunkey in Pall Mall.
She reissued earlier work on Spain and undertook a massive review of the Danube, following the river from source to mouth. In 1999, after a host of retrospective exhibitions and awards, she published her Life As A Photographer. In it, Miller commented that it was "not only a process of catching the subject's soul, but of the moment seizing Morath at the same instant".
She is survived by Miller and their daughter Rebecca, a writer and director married to the actor Daniel Day-Lewis.
|
|||||
4941
|
dbpedia
|
2
| 89
|
https://www.aboutvienna.org/painters/inge_morath.html
|
en
|
Famous Austrian Painters from Vienna
|
[
"https://www.aboutvienna.org/files/images/hotel-sidebar.jpg",
"https://www.aboutvienna.org/files/images/actilingua-sidebar.jpg",
"https://www.aboutvienna.org/files/images/contentboxes/morath_prater.jpg"
] |
[] |
[] |
[
""
] | null |
[] | null |
Viennese Culture - Painters: Inge Morat - Get to know Vienna with this great city and culture guide: Sightseeing, History, Cuisine, Accommodation, Study and Work, Best Addresses, Travel Tips on more than 1000 pages.
|
en
|
About Vienna
|
https://www.aboutvienna.org/painters/inge_morath.html
|
Inge Morath is one of the most admired photographers world wide. She was born in Graz, but she was a true cosmopolitan feeling at home in Vienna, Berlin, Paris, London, New York and in the many destinations her professional travels took her, too.
Morath started her career as a journalist for various magazines. She wrote the captions and texts to accompany the photographies of Ernst Haas. Robert Capa, who had just founded Magnum agency, invited her to join as an editor. Inge Morath moved to Paris and worked as an assistant to Henry Cartier-Besson. Almost by accident she discovered that her true talent was photographying rather than writing.
The following years she would travel extensively. Europe, North Africa and the Middle East were among her favourite destinations. But her great strength was the portray and she was asked to take photographs of contemporary celebs among them Marilyn Monroe whooting ‘The Misfits’. Her portraits of Marilyn Monroe belong the most graceful images of the superstar. At this occasion she met American writer Arthur Miller, then married to Ms. Monroe. After their divorce, Inge Morath became Miller’s second wife. Their marriage would last till Inge Morath’s death in January 2002.
|
|||||
4941
|
dbpedia
|
3
| 92
|
https://www.mainepublic.org/npr-news/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
en
|
Biography Captures The Charisma And Confidence Of Photographer Inge Morath
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
[
"https://npr.brightspotcdn.com/dims4/default/10342b7/2147483647/strip/true/crop/210x60+0+0/resize/420x120!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F4106b29%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc4%2F64%2F785d32bc4ce498d52f91ea0a2877%2Fmaine-public-white-logo-eit-2100x600.png 2x",
"https://npr.brightspotcdn.com/dims4/default/7eece03/2147483647/strip/true/crop/2880x210+0+0/resize/2880x210!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6c%2Fed%2Fd3584ca8427e9f090c672bcf2e65%2Fheader-image-2024-2880x210-2.png 2x",
"https://npr.brightspotcdn.com/dims4/default/10342b7/2147483647/strip/true/crop/210x60+0+0/resize/420x120!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F4106b29%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc4%2F64%2F785d32bc4ce498d52f91ea0a2877%2Fmaine-public-white-logo-eit-2100x600.png 2x",
"https://npr.brightspotcdn.com/dims4/default/3f8b3fd/2147483647/strip/true/crop/138x46+0+0/resize/1760x586!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fimages%2Fstations%2Flogos%2Fnpr.gif 2x",
"https://npr.brightspotcdn.com/dims4/default/ca41745/2147483647/strip/true/crop/2649x2197+0+0/resize/1760x1460!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/34a1fa0/2147483647/strip/true/crop/4254x6398+0+0/resize/1760x2648!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc11270_custom-1c7c5c1529d1972e9636027f85d3d626443469b4.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/3456d50/2147483647/strip/true/crop/4600x3112+0+0/resize/1760x1190!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc99770_custom-a05aa11ca5b645954d14fa7eb346a67cb6fc91ab.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/85e9546/2147483647/strip/true/crop/7116x4727+0+0/resize/1760x1170!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fpar36912_custom-6869805d50443fa1a3ca5b766671ce62bf0cc014.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/631dc97/2147483647/strip/true/crop/2610x3480+1016+0/resize/150x200!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2019%2F05%2F28%2Fnpr_susan_stamberg_002-1396c14dae397ffdb98024b702bc681642fe9da3.jpg",
"https://npr.brightspotcdn.com/dims4/default/96cb9e8/2147483647/strip/true/crop/1080x1080+0+0/resize/1760x1760!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F3b%2Fea%2Fe150319c4380adb2f37317722ff9%2Fspanish-instagram-square.png 2x",
"https://npr.brightspotcdn.com/dims4/default/10342b7/2147483647/strip/true/crop/210x60+0+0/resize/420x120!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F4106b29%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc4%2F64%2F785d32bc4ce498d52f91ea0a2877%2Fmaine-public-white-logo-eit-2100x600.png 2x",
"https://npr.brightspotcdn.com/dims4/default/58cc501/2147483647/strip/true/crop/65x60+0+0/resize/108x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fa0%2F24%2F3c81011942abac78fe739335db0e%2Fnpr-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/a169872/2147483647/strip/true/crop/67x60+0+0/resize/112x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fmpbn%2Ffiles%2F201911%2FPBS_online_horz_white__NEW.png 2x",
"https://npr.brightspotcdn.com/dims4/default/42b2b15/2147483647/strip/true/crop/68x60+0+0/resize/114x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fa8%2F69%2Fad0496ff428faa4662661aa8b9c3%2Fbbc-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/670f18c/2147483647/strip/true/crop/40x40+0+0/resize/80x80!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F02%2F83%2Fba54fb924645a6f4b30d1b12b69c%2Finstagram-logo-40-pixels-square.png 2x",
"https://npr.brightspotcdn.com/dims4/default/f45a54a/2147483647/strip/true/crop/40x40+0+0/resize/80x80!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F5a%2F3c%2F2959acc74d24af6201c0426bc554%2Fyoutube-logo-40-pixels-square.png 2x",
"https://npr.brightspotcdn.com/dims4/default/6cdde9f/2147483647/strip/true/crop/35x35+0+0/resize/70x70!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Ff3%2F03%2Fe25a7e424d84ae6c06c048e6db5e%2Ffb-f-logo-white-72.png 2x",
"https://npr.brightspotcdn.com/dims4/default/5e90015/2147483647/strip/true/crop/43x34+0+0/resize/86x68!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F66%2F1b%2Fc8d7912b4d3294844aadb83f61a0%2Fin-white-34px-r.png 2x",
"https://npr.brightspotcdn.com/dims4/default/e3bf0e9/2147483647/strip/true/crop/40x40+0+0/resize/80x80!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F83%2Fa3%2Fba08ac8443fbbd5f091e4929969e%2Ftiktok-logo-40-pixels-square.png 2x",
"https://npr.brightspotcdn.com/dims4/default/e992fef/2147483647/strip/true/crop/40x40+0+0/resize/80x80!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F1d%2F79%2F5ddaf864453a9b0616a82c87e5a7%2Fthreads-logo-40x40.png 2x"
] |
[] |
[] |
[
""
] | null |
[
"Susan Stamberg",
"www.mainepublic.org",
"susan-stamberg"
] |
2018-12-10T00:00:00
|
Biographer Linda Gordon chronicles Morath's escape from Nazi Germany, her boundary-breaking career and her marriage to playwright Arthur Miller.
|
en
|
/apple-touch-icon.png
|
Maine Public
|
https://www.mainepublic.org/npr-news/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
"I'm fascinated by the necessity of quick decisions," Inge Morath told me more than 30 years ago, when she came to NPR for an interview. Morath was in the business of quick decisions — as a photographer and photojournalist she was the first woman to be accepted as a full member of the Magnum photo agency.
Now, her life is the subject of a new biography by Linda Gordon. It recounts Morath's escape from Nazi Germany, her boundary-breaking career, and her marriage to playwright Arthur Miller.
Morath met Miller — and his then-wife Marilyn Monroe — in 1960 while she was taking publicity stills on the set of the film The Misfits. It was Monroe's last film, and Miller had written it for his wife.
"Inge took some very, very beautiful and sympathetic photographs of Marilyn Monroe," Gordon says. "But Miller had struck her as intensely interesting — and he was quite impressed," Gordon says.
Miller and Monroe's relationship had been on the rocks for some time. He and Morath had an affair and the two married in 1962. They were together for 40 years, until Inge's death in 2002.
In our 1987 interview, I asked Morath about whether she wished she'd paid more attention to Monroe, as Miller's first wife. In a marriage, "you have to be yourself," she said. "Even if you are the first, the second, or the third wife — if you try to take over anything, or imitate anything, I think it'd be a disaster."
"She was a woman of extraordinary self-confidence," says Gordon. "One sees that throughout her life ... self-confidence as a photographer, as a person, but also as her own sexual being."
Morath had a magnetic personality — and plenty of affairs.
"She was just a person who drew you in," says Gordon.
As a young woman, Morath had a rough time in Germany during the war.
"After Allied bombs started falling heavily on Berlin — and landing very near the munitions factory where she was a forced worker — she joined columns of hundreds, probably thousands, of people on foot just leaving Berlin," Gordon explains.
The biographer says Morath walked 455 miles to her parents in Salzburg, Austria. They were Nazi sympathizers — she was not. In Paris after the war, Morath got a job at Magnum, the elite photo agency founded by the great pioneers of photojournalism, Robert Capa and Henri Cartier-Bresson.
There, she did everything from secretarial work, to working with contact sheets, to cleaning the office, Gordon says, all the while honing her skills in photography. In 1955, she became Magnum's first full female member.
With her camera, Morath followed her passion for travel. In Spain, she wangled her way into the dressing room of the great toreador Antonio Ordóñez. Her 1954 photo shows him preparing for combat: his muscled chest is bare, and he's wearing skin-tight, sequin-embroidered pants.
It took chutzpah to get into his dressing room, where women were considered bad luck. "To get into that space she half jokingly made a completely outrageous argument," Gordon says. "She said, 'I'm wearing pants when I work, therefore I'm neither man nor woman.' "
In Seville, Morath put on a flamenco outfit and climbed up onto a chair to shoot dancers, whirling to the music in their layered red and white skirts and petticoats. "You only see these people from the waist down ..." Gordon says. "She has captured the movement — but with a camera just slow enough so that some of the picture is blurred as you see the skirts whirling around."
Outside of photography circles, Morath is known more for her marriage than for her work. "I do not like the fact that many people only know her as a wife of Arthur Miller — and, of course, the wife immediately after Marilyn Monroe — but my impression is that she was pretty copacetic about it," Gordon says.
There are trade-offs to familiarity, Morath told me in 1987. For example, when working on a portrait, she said she didn't necessarily want to meet her subject first.
There is a "wonderful element to a new meeting," she explained. Being strangers, the photographer and the subject are placed into a "sparring" position. "That's interesting," she said. "You kind of show more of yourself."
Copyright 2023 NPR. To see more, visit https://www.npr.org.
|
||
4941
|
dbpedia
|
1
| 64
|
https://longexposureimages.wordpress.com/2020/05/11/mondays-photography-inspiration-inge-morath/
|
en
|
Monday’s Photography Inspiration – Inge Morath
|
[
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par22792-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par22815-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11297-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11581-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc19512-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11607-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par22826-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc1910-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par36863-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11273-overlay.jpg",
"https://longexposureimages.wordpress.com/wp-content/uploads/2020/05/pamela-amenou-image-1.jpg",
"https://longexposureimages.wordpress.com/wp-content/uploads/2020/05/pamela-amenou-image-4.jpg",
"https://longexposureimages.wordpress.com/wp-content/uploads/2020/05/pamela-amenou-image-3.jpg?w=400",
"https://longexposureimages.wordpress.com/wp-content/uploads/2022/01/image.jpg?w=50",
"https://longexposureimages.wordpress.com/wp-content/uploads/2022/01/image.jpg?w=50",
"https://pixel.wp.com/b.gif?v=noscript"
] |
[] |
[] |
[
""
] | null |
[] |
2020-05-11T00:00:00
|
"Photography is a strange phenomenon. You trust your eye and you cannot help but bare your soul. One's vision finds of necessity the form suitable to express it." - Inge Morath Inge Morath was born in Graz, Austria, in 1923. First educated in French-speaking schools, Morath relocated in the 1930s with her family to Darmstadt,…
|
en
|
Photography & Vision
|
https://longexposureimages.wordpress.com/2020/05/11/mondays-photography-inspiration-inge-morath/
|
“Photography is a strange phenomenon. You trust your eye and you cannot help but bare your soul. One’s vision finds of necessity the form suitable to express it.” – Inge Morath
Inge Morath was born in Graz, Austria, in 1923. First educated in French-speaking schools, Morath relocated in the 1930s with her family to Darmstadt, a German intellectual center, and then to Berlin, where Morath’s father directed a laboratory specializing in wood chemistry. Morath was registered at the Luisenschule near Bahnhof Friedrichstraße.
Morath’s first encounter with avant-garde art was the Entartete Kunst (Degenerate Art) exhibition organized by the Nazi Party in 1937, which sought to inflame public opinion against modern art. “I found a number of these paintings exciting and fell in love with Franz Marc’s Blue Horse“, Morath later wrote. “Only negative comments were allowed, and thus began a long period of keeping silent and concealing thoughts.”
After finishing high school, Morath passed the Abitur and was obliged to complete six months of service for the Reichsarbeitsdienst (Reich Labour Service) before entering Berlin University. At university, Morath studied languages. She became fluent in French, English and Romanian in addition to her native German. To these she later added Spanish, Russian and Chinese. “I studied where I could find a quiet space, in the University and the Underground stations that served as air-raid shelters. I did not join the Studentenschaft (Student Body).”
Toward the end of World War II, Morath was drafted for factory service in Tempelhof, a neighbourhood of Berlin, alongside Ukrainian prisoners of war. During an attack on the factory by Russian bombers, she fled on foot to Austria. In later years, Morath refused to photograph war, preferring to work on stories that showed its consequences.
After studying languages in Berlin, she became a translator, then a journalist and the Austrian editor for Heute, an Information Service Branch publication based in Munich. All her life, Morath would remain a prolific diarist and letter-writer, retaining a dual gift for words and pictures that made her unusual among her colleagues.
A friend of photographer Ernst Haas, she wrote articles to accompany his photographs and was invited by Robert Capa and Haas to Paris to join the newly founded Magnum agency as an editor and researcher. She became a full member in 1955.
She began photographing in London in 1951, and joined Magnum Photos as a photographer in 1953. While working on her own first assignments, Morath also assisted Henri Cartier-Bresson during 1953-54, becoming a full member in 1955.
Like many Magnum members, Morath worked as a still photographer on numerous motion picture sets. Having met director John Huston while she was living in London, Morath worked on several of his films. Huston’s Moulin Rouge (1952) was one of Morath’s earliest assignments, and her first time working in a film studio. When Morath confessed to Huston that she had only one roll of color film to work with and asked for his help, Huston bought three more rolls for her, and occasionally waved to her to indicate the right moments to step in with her camera. Huston later wrote of Morath that she “is a high priestess of photography. She has the rare ability to penetrate beyond surfaces and reveal what makes her subject tick.”
In the following years, Morath traveled extensively in Europe, North Africa and the Middle East. Her special interest in the arts found expression in photographic essays published by a number of leading magazines. After her marriage to playwright Arthur Miller in 1962, Morath settled in New York and Connecticut. She first visited the USSR in 1965. In 1972 she studied Mandarin and obtained a visa to China, making the first of many trips to the country in 1978.
Morath was at ease anywhere. Some of her most important work consists of portraits, but of passers-by as well as celebrities. She was also adept at photographing places: her pictures of Boris Pasternak’s home, Pushkin’s library, Chekhov’s house, Mao Zedong’s bedroom, artists’ studios and cemetery memorials are permeated with the spirit of invisible people still present. Inge Morath died in New York City on 30 January 2002.
|
|||||
4941
|
dbpedia
|
2
| 31
|
https://www.magnumfoundation.org/news/inge-morath-award-call-for-applications-2024
|
en
|
Open Call: 2024 Inge Morath Award — Magnum Foundation
|
http://static1.squarespace.com/static/56aa79ef9cadb6c241e3ae46/5a4fc99124a6948ca5d15f5e/65df93bfc83c8c7986b08ab2/1720631710111/Shirin_Abedi_10.jpeg?format=1500w
|
http://static1.squarespace.com/static/56aa79ef9cadb6c241e3ae46/5a4fc99124a6948ca5d15f5e/65df93bfc83c8c7986b08ab2/1720631710111/Shirin_Abedi_10.jpeg?format=1500w
|
[
"https://images.squarespace-cdn.com/content/v1/56aa79ef9cadb6c241e3ae46/1564420859475-RAZCKUC2R1BB3VYFNWGN/MagnumF_Logotype_4C_Pos-WEB.jpg",
"https://images.squarespace-cdn.com/content/v1/56aa79ef9cadb6c241e3ae46/1564420859475-RAZCKUC2R1BB3VYFNWGN/MagnumF_Logotype_4C_Pos-WEB.jpg",
"https://images.squarespace-cdn.com/content/v1/56aa79ef9cadb6c241e3ae46/8309f764-4ea6-436c-bf93-9955a22de8b9/Shirin_Abedi_10.jpeg",
"https://images.squarespace-cdn.com/content/v1/56aa79ef9cadb6c241e3ae46/1564686554986-QNINUSQ7RGIGUQRQ4KHX/MagnumF_Logotype_4C_Rev+crop.png",
"https://wageforwork.com/api/certificate?institution=cliiz0up9139230tqyi4b0p2c8"
] |
[] |
[] |
[
""
] | null |
[
"Guest User"
] |
2024-02-29T12:15:06-05:00
|
We are accepting applications for the Inge Morath Award, a $7,500 grant given to a woman or nonbinary photographer under the age of 30 to support the completion of a long-term documentary project. One finalist will also receive a $1,000 grant in support of their project. Submissions due by April 30
|
en
|
https://images.squarespace-cdn.com/content/v1/56aa79ef9cadb6c241e3ae46/1477591785145-V6O534VUJB208A94DJPI/favicon.ico?format=100w
|
Magnum Foundation
|
https://www.magnumfoundation.org/news/inge-morath-award-call-for-applications-2024
|
We are accepting applications for the Inge Morath Award, a grant given to a woman or nonbinary photographer under the age of 30 to support the completion of a long-term documentary project. The selected recipient will receive a grant of $7,500, and one finalist will also receive a $1,000 grant in support of their project.
The recipient and finalist are selected by a jury composed of Magnum Photos members, the Inge Morath Estate, and the Executive Director of the Magnum Foundation.
Inge Morath was an Austrian-born photographer who was associated with Magnum Photos for nearly fifty years. After her death in 2002, the Inge Morath Foundation was established with a limited-term mission to manage Morath’s estate and facilitate the study and appreciation of her contribution to photography. With the closure of the research space in 2014, Inge’s archive was acquired by the Beinecke Library at Yale University, and a set of Morath’s master prints by the Yale University Art Gallery, where they are now available to scholars.
Because Morath devoted much of her enthusiasm to encouraging women photographers, her colleagues at Magnum Photos established the Inge Morath Award in her honor. The award is administered by the Magnum Foundation as part of its mission to expand creativity and diversity in documentary photography, in cooperation with the Inge Morath Estate. For more about Morath’s enduring endurance and influence in a male-dominated industry, read Sumeja Tulic’s piece in the British Journal of Photography in honor of the award’s 20th anniversary.
|
||
4941
|
dbpedia
|
0
| 28
|
https://academickids.com/encyclopedia/index.php/Inge_Morath
|
en
|
Academic Kids
|
[
"http://www.academickids.com/encyclopedia/encyclopedia.jpg"
] |
[] |
[] |
[
""
] | null |
[] | null |
en
|
/favicon.ico
| null |
Missing image
1imorath.jpg
Inge Morath (May 27, 1923 – January 30, 2002) was an Austrian photographer.
She was born in Graz, Austria. She was sent to forced labour at the Berlin Tempelhof airport for refusing to join the Hitler Youth. During and after the war she worked first in Berlin and then Vienna as a foto assistent. In 1949 she eventually made her way to Paris and later to London, where she studied photography, and later joined the legendary Magnum Photos agency.
While photographing the making of "The Unforgiven" in 1960, she accompanied its director, John Huston, and his friends hunting ducks. Up the river, she noticed its star, Audie Murphy, in the water, having fallen out of his boat. She stripped to her underwear, reached Murphy, who was in the last stages of exhaustion, and hauled him ashore by her bra strap as the hunt continued uninterrupted.
Missing image
1img_marilyn-morath.jpg
Morath was on the Magnum team recording the making of The Misfits on location near Reno, Nevada. There, she met playwright Arthur Miller, who had initially written the film for his then-current wife, Marilyn Monroe. They married on February 17, 1962; Miller's friends agreed Inge was the first grown-up he had married. That September, their daughter Rebecca was born. According to Miller biographer Martin Gottfried, they later had a son, Daniel, who was born with Down Syndrome. Miller put Daniel in an institution in Roxbury, Connecticut. Morath visited him regularly, but Miller never did.
Morath died of cancer in New York City. Rebecca is married to actor Daniel Day-Lewis.
See also
|
||||||
4941
|
dbpedia
|
2
| 27
|
https://www.npr.org/2018/12/10/674579667/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
en
|
Biography Captures The Charisma And Confidence Of Photographer Inge Morath
|
[
"https://media.npr.org/chrome_svg/npr-logo.svg",
"https://media.npr.org/chrome/programs/logos/morning-edition.jpg",
"https://media.npr.org/assets/img/2019/02/26/we_otherentitiestemplatesat_sq-cbde87a2fa31b01047441e6f34d2769b0287bcd4-s100-c85.png",
"https://media.npr.org/assets/img/2019/02/26/we_otherentitiestemplatesun_sq-4a03b35e7e5adfa446aec374523a578d54dc9bf5-s100-c85.png",
"https://media.npr.org/chrome/programs/logos/all-things-considered.png",
"https://media.npr.org/chrome/programs/logos/fresh-air.png",
"https://media.npr.org/chrome/programs/logos/up-first.jpg?version=2",
"https://media.npr.org/assets/img/2024/01/11/podcast-politics_2023_update1_sq-be7ef464dd058fe663d9e4cfe836fb9309ad0a4d-s100-c100.jpg",
"https://media.npr.org/assets/img/2024/05/15/throughline_tile-art_sq-b72bcfb6d8705d7761d4f421f0be3047631b709c-s100-c100.jpg",
"https://media.npr.org/assets/img/2023/11/10/trumps-trial_tile-art_small_sq-71cfb7f3a96f3029db4ca7230c5704c61a351b81-s100-c100.jpg",
"https://media.npr.org/assets/img/2024/04/19/tile-wild-card-with-rachel-martin_sq-c9e842a167bab21c50f45fbde9d7d33776e87eda-s100-c100.jpg",
"https://media.npr.org/chrome_svg/music-logo-dark.svg",
"https://media.npr.org/chrome_svg/music-logo-light.svg",
"https://media.npr.org/assets/img/2019/05/28/npr_susan_stamberg_002_sq-e55dbe9890dbe7d15580cd1851de8f8c1e63ea56.jpg?s=100&c=85&f=jpeg",
"https://media.npr.org/assets/img/2018/12/07/ap_681191163624_custom-b015309d35dc15f39bad3a42ed348d894cc2c5fc.jpg?s=1100&c=85&f=jpeg",
"https://media.npr.org/assets/bakertaylor/covers/i/inge-morath/9783791382012_custom-0b7b86258d83112d253ce576985ea8e7fe2042a0.jpg?s=1100&c=15&f=jpeg",
"https://media.npr.org/assets/img/2018/12/08/nyc11270_custom-3a5e807cfbb9bb3ee3bf32f8e620d937a9f25b95.jpg?s=1100&c=50&f=jpeg",
"https://media.npr.org/assets/img/2018/12/08/nyc99770_custom-178e4c2b9ff7d452708d810a306afd3ee81d58dd.jpg?s=1100&c=50&f=jpeg",
"https://media.npr.org/assets/img/2018/12/08/par36912_custom-a0575a411492ac6e940156353ba620f0dd09dbe9.jpg?s=1100&c=50&f=jpeg"
] |
[] |
[] |
[
""
] | null |
[
"Susan Stamberg"
] |
2018-12-10T00:00:00
|
Biographer Linda Gordon chronicles Morath's escape from Nazi Germany, her boundary-breaking career and her marriage to playwright Arthur Miller.
|
en
|
NPR
|
https://www.npr.org/2018/12/10/674579667/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
"I'm fascinated by the necessity of quick decisions," Inge Morath told me more than 30 years ago, when she came to NPR for an interview. Morath was in the business of quick decisions — as a photographer and photojournalist she was the first woman to be accepted as a full member of the Magnum photo agency.
Now, her life is the subject of a new biography by Linda Gordon. It recounts Morath's escape from Nazi Germany, her boundary-breaking career, and her marriage to playwright Arthur Miller.
Morath met Miller — and his then-wife Marilyn Monroe — in 1960 while she was taking publicity stills on the set of the film The Misfits. It was Monroe's last film, and Miller had written it for his wife.
"Inge took some very, very beautiful and sympathetic photographs of Marilyn Monroe," Gordon says. "But Miller had struck her as intensely interesting — and he was quite impressed," Gordon says.
Miller and Monroe's relationship had been on the rocks for some time. He and Morath had an affair and the two married in 1962. They were together for 40 years, until Inge's death in 2002.
In our 1987 interview, I asked Morath about whether she wished she'd paid more attention to Monroe, as Miller's first wife. In a marriage, "you have to be yourself," she said. "Even if you are the first, the second, or the third wife — if you try to take over anything, or imitate anything, I think it'd be a disaster."
"She was a woman of extraordinary self-confidence," says Gordon. "One sees that throughout her life ... self-confidence as a photographer, as a person, but also as her own sexual being."
Morath had a magnetic personality — and plenty of affairs.
"She was just a person who drew you in," says Gordon.
As a young woman, Morath had a rough time in Germany during the war.
"After Allied bombs started falling heavily on Berlin — and landing very near the munitions factory where she was a forced worker — she joined columns of hundreds, probably thousands, of people on foot just leaving Berlin," Gordon explains.
The biographer says Morath walked 455 miles to her parents in Salzburg, Austria. They were Nazi sympathizers — she was not. In Paris after the war, Morath got a job at Magnum, the elite photo agency founded by the great pioneers of photojournalism, Robert Capa and Henri Cartier-Bresson.
There, she did everything from secretarial work, to working with contact sheets, to cleaning the office, Gordon says, all the while honing her skills in photography. In 1955, she became Magnum's first full female member.
With her camera, Morath followed her passion for travel. In Spain, she wangled her way into the dressing room of the great toreador Antonio Ordóñez. Her 1954 photo shows him preparing for combat: his muscled chest is bare, and he's wearing skin-tight, sequin-embroidered pants.
It took chutzpah to get into his dressing room, where women were considered bad luck. "To get into that space she half jokingly made a completely outrageous argument," Gordon says. "She said, 'I'm wearing pants when I work, therefore I'm neither man nor woman.' "
In Seville, Morath put on a flamenco outfit and climbed up onto a chair to shoot dancers, whirling to the music in their layered red and white skirts and petticoats. "You only see these people from the waist down ..." Gordon says. "She has captured the movement — but with a camera just slow enough so that some of the picture is blurred as you see the skirts whirling around."
Outside of photography circles, Morath is known more for her marriage than for her work. "I do not like the fact that many people only know her as a wife of Arthur Miller — and, of course, the wife immediately after Marilyn Monroe — but my impression is that she was pretty copacetic about it," Gordon says.
There are trade-offs to familiarity, Morath told me in 1987. For example, when working on a portrait, she said she didn't necessarily want to meet her subject first.
There is a "wonderful element to a new meeting," she explained. Being strangers, the photographer and the subject are placed into a "sparring" position. "That's interesting," she said. "You kind of show more of yourself."
|
|||||
4941
|
dbpedia
|
0
| 86
|
https://www.ranker.com/list/famous-photographers-from-austria/reference
|
en
|
Famous Photographers from Austria
|
https://imgix.ranker.com/list_img_v2/13464/1073464/original/famous-photographers-from-austria-u2
|
https://imgix.ranker.com/list_img_v2/13464/1073464/original/famous-photographers-from-austria-u2
|
[
"https://sb.scorecardresearch.com/p?c1=2&c2=10600724&cv=3.6&cj=1",
"https://static.ranker.com/img/brand/ranker-logo.svg?v=1&auto=format&q=60&fit=crop&fm=png&dpr=2&w=104",
"https://static.ranker.com/img/brand/wordmark.svg?v=1&auto=format&q=60&fit=crop&fm=png&dpr=2&w=210",
"https://imgix.ranker.com/img/icons/menuSearch.svg?v=2&auto=format&q=60&fit=crop&fm=png&dpr=4&h=30&w=30",
"https://imgix.ranker.com/img/icons/vote-on-pill.svg?auto=format&q=60&fit=crop&fm=png&dpr=4&h=24&w=105",
"https://imgix.ranker.com/user_img/1/1/original/reference?auto=format&q=60&fit=crop&fm=pjpg&dpr=2&crop=faces&h=40&w=40",
"https://imgix.ranker.com/img/icons/chevronExpand.svg?auto=format&q=60&fit=crop&fm=png&dpr=4&h=13&w=71",
"https://imgix.ranker.com/user_node_img/22/428249/original/alexandr-hackenschmied-visual-artists-photo-u1?auto=format&q=60&fit=crop&fm=pjpg&dpr=2&w=500",
"https://imgix.ranker.com/node_img/28/544384/original/baron-raimund-von-stillfried-visual-artists-photo-1?auto=format&q=60&fit=crop&fm=pjpg&dpr=2&w=500",
"https://imgix.ranker.com/node_img/477/9535132/original/dora-kallmus-visual-artists-photo-1?auto=format&q=60&fit=crop&fm=pjpg&dpr=2&w=500",
"https://imgix.ranker.com/user_node_img/508/10156395/original/edith-tudor-hart-visual-artists-photo-u1?auto=format&q=60&fit=crop&fm=pjpg&dpr=2&w=500",
"https://v3api.ranker.com/api/px?lid=1073464"
] |
[] |
[] |
[
""
] | null |
[
"Reference"
] |
2013-12-18T00:00:00
|
List of notable or famous photographers from Austria, with bios and photos, including the top photographers born in Austria and even some popular ...
|
en
|
/img/icons/touch-icon-iphone.png
|
Ranker
|
https://www.ranker.com/list/famous-photographers-from-austria/reference
|
List of notable or famous photographers from Austria, with bios and photos, including the top photographers born in Austria and even some popular photographers who immigrated to Austria. If you're trying to find out the names of famous Austrian photographers then this list is the perfect resource for you. These photographers are among the most prominent in their field, and information about each well-known photographer from Austria is included when available.
List people include Manfred Kielnhofer, Prince Hubertus of Hohenlohe-Langenburg and many more.
Use this list of renowned Austrian photographers to discover some new photographers that you aren't familiar with. Don't forget to share this list by clicking one of the social media icons at the top or bottom of the page. {#nodes}
|
||
4941
|
dbpedia
|
0
| 69
|
https://www.artspace.com/artists/inge_morath
|
en
|
Inge Morath Art for Sale
|
https://www.artspace.com/favicon.ico
|
https://www.artspace.com/favicon.ico
|
[
"https://d5wt70d4gnm1t.cloudfront.net/static/common/img/header/logo_2.svg?v=2",
"https://d5wt70d4gnm1t.cloudfront.net/media/articles/968/art_101_party_photography_512x512_c.jpg",
"https://d5wt70d4gnm1t.cloudfront.net/static/common/img/header/logo_2.svg?v=2",
"https://d5wt70d4gnm1t.cloudfront.net/static/images/logo_welcome.png",
"https://d5wt70d4gnm1t.cloudfront.net/static/checkout/img/cvc-code.png",
"https://d5wt70d4gnm1t.cloudfront.net/static/checkout/img/logotype_blue.svg",
"https://d5wt70d4gnm1t.cloudfront.net/static/checkout/img/logotype_blue.svg",
"https://d5wt70d4gnm1t.cloudfront.net/static/arts/img/scale_figure_m.png",
"https://d5wt70d4gnm1t.cloudfront.net/static/arts/img/scale_figure_f.png"
] |
[] |
[] |
[
"Inge Morath",
"artist bio",
"art for sale",
"artist Inge Morath",
"original Inge Morath",
"Inge Morath works",
"Inge Morath exhibitions",
"Inge Morath collections",
""
] | null |
[] | null |
Buy prints & art from Inge Morath at Artspace, the world's leading art marketplace. Door to door delivery and installation available
|
en
|
//d5wt70d4gnm1t.cloudfront.net/static/images/apple-touch-icon-114x114.png
|
Artspace
|
https://www.artspace.com/artists/inge_morath
|
Inge Morath was born in Graz, Austria, in 1923. After studying languages in Berlin, she became a translator, then a journalist and the Austrian editor for Heute, an Information Service Branch publication based in Munich. All her life Morath would remain a prolific diarist and letter-writer, retaining a dual gift for words and pictures that made her unusual among her colleagues.
A friend of photographer Ernst Haas, she wrote articles to accompany his photographs and was invited by Robert Capa and Haas to Paris to join the newly founded Magnum agency as an editor and researcher. She began photographing in London in 1951, and joined Magnum Photos as a photographer in 1953. While working on her own first assignments, Morath also assisted Henri Cartier-Bresson during 1953-54, becoming a full member in 1955.
In the following years, Morath traveled extensively in Europe, North Africa, and the Middle East. Her special interest in the arts found expression in photographic essays published by a number of leading magazines. After her marriage to playwright Arthur Miller in 1962, Morath settled in New York and Connecticut. She first visited the USSR in 1965. In 1972 she studied Mandarin and obtained a visa to China, …
Inge Morath was born in Graz, Austria, in 1923. After studying languages in Berlin, she became a translator, then a journalist and the Austrian editor for Heute, an Information Service Branch publication based in Munich. All her life Morath would remain a prolific diarist and letter-writer, retaining a dual gift for words and pictures that made her unusual among her colleagues.
A friend of photographer Ernst Haas, she wrote articles to accompany his photographs and was invited by Robert Capa and Haas to Paris to join the newly founded Magnum agency as an editor and researcher. She began photographing in London in 1951, and joined Magnum Photos as a photographer in 1953. While working on her own first assignments, Morath also assisted Henri Cartier-Bresson during 1953-54, becoming a full member in 1955.
In the following years, Morath traveled extensively in Europe, North Africa, and the Middle East. Her special interest in the arts found expression in photographic essays published by a number of leading magazines. After her marriage to playwright Arthur Miller in 1962, Morath settled in New York and Connecticut. She first visited the USSR in 1965. In 1972 she studied Mandarin and obtained a visa to China, making the first of many trips to the country in 1978.
Morath was at ease anywhere. Some of her most important work consists of portraits, but of passers-by as well as celebrities. She was also adept at photographing places: her pictures of Boris Pasternak's home, Pushkin's library, Chekhov's house, Mao Zedong's bedroom, artists' studios, and cemetery memorials are permeated with the spirit of invisible people still present. Inge Morath died in New York City on 30 January 2002.
Courtesy of Magnum Photos
show more descriptionshow less description
Bidding increments increase at the following intervals:
Below $400: $50
Between $400 and $699: $100
Between $700 and $1,499: $200
Between $1,500 and $2,499: $300
Between $2,500 and $4,999: $500
Between $5,000 and $9,999: $1,000
Between $10,000 and $19,999: $2,000
Between $20,000 and $29,999: $3,000
Between $30,000 and $49,999: $4,000
Between $50,000 and $99,999: $5,000
Above $100,000: $10,000
You will receive an email confirmation of your bid and when you are outbid.
If you are the winning bidder, you will be contacted 48 hours after of the close of the auction.
Every bid submitted is treated as a maximum bid. You should always bid the maximum you are willing to spend for a work, though this does not necessarily mean you will pay that price. As the auction unfolds, we will increase your bid by increments to ensure you remain the highest bidder. If the winning amount is less than your maximum bid, you will pay the current increment. If your maximum bid no longer exceeds the current bid, you will receive an outbid notification email, and have the option to bid again.
In the case of multiple bidders placing the same maximum bid, the first person to place the maximum amount takes precedence as the highest bid until another bidder exceeds the maximum amount.
Buyer's Premium & Additional Charges
For Artspace Auctions winning bidders are charged a 15% Buyer's Premium on top of the hammer price. For Artspace Benefit Auctions, Buyer's Premiums are not applied. If they are, this will be clearly noted. Purchases made from all auctions, including benefit auctions, are subject to sales tax.
Check Out
Winning bidders will be contacted within 48 hours to arrange shipping and to provide final price including commission, shipping, and taxes and duties when applicable. Promotion codes cannot be applied to auction works.
|
||
4941
|
dbpedia
|
0
| 87
|
https://www.academia.edu/41900753/Miller_Arthur_by_Franklin_Parker
|
en
|
Miller, Arthur, by Franklin Parker
|
http://a.academia-assets.com/images/open-graph-icons/fb-paper.gif
|
http://a.academia-assets.com/images/open-graph-icons/fb-paper.gif
|
[
"https://a.academia-assets.com/images/academia-logo-redesign-2015-A.svg",
"https://a.academia-assets.com/images/academia-logo-redesign-2015.svg",
"https://a.academia-assets.com/images/academia-logo-redesign-2015-A.svg",
"https://0.academia-photos.com/attachment_thumbnails/62028989/mini_magick20200207-17297-1qhrixz.png?1581109682",
"https://gravatar.com/avatar/6e87b9339ab84035d8e4eb8683ab3d31?s=65",
"https://a.academia-assets.com/images/loaders/paper-load.gif"
] |
[] |
[] |
[
""
] | null |
[
"Franklin Parker",
"wvu.academia.edu"
] |
2020-02-07T00:00:00
|
Miller, Arthur, by Franklin Parker
|
https://www.academia.edu/41900753/Miller_Arthur_by_Franklin_Parker
|
Academia.edu uses cookies to personalize content, tailor ads and improve the user experience. By using our site, you agree to our collection of information through the use of cookies. To learn more, view our Privacy Policy.
Academia.edu no longer supports Internet Explorer.
To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.
|
|||||
4941
|
dbpedia
|
0
| 68
|
https://www.ingemorath.org/author/sana/
|
en
|
Inge Morath Estate
|
[
"https://www.ingemorath.org/wp-content/uploads/2016/02/IMF-Header.png",
"https://www.ingemorath.org/wp-content/uploads/2023/05/IngeMorath-WP-Centennial-547x576.jpg",
"https://www.ingemorath.org/wp-content/uploads/2020/07/Tamara_Merino_featured_image.jpg",
"https://www.ingemorath.org/wp-content/uploads/2020/07/Tamara_Merino_small_01-166x111.jpg",
"https://www.ingemorath.org/wp-content/uploads/2020/07/Tamara_Merino_small_03-350x234.jpg",
"https://www.ingemorath.org/wp-content/uploads/2020/07/Neha_Hirve_small_02-576x461.jpg",
"https://www.ingemorath.org/wp-content/uploads/2020/03/Zhe_Chen-featured-image-800x576.jpg",
"https://www.ingemorath.org/wp-content/uploads/2017/03/SC_MF-Logo-166x46.png",
"https://www.ingemorath.org/wp-content/uploads/2019/07/Alex_Potter_featured_image.jpg",
"https://www.ingemorath.org/wp-content/uploads/2019/07/Alex_Potter_small_news-350x233.jpg",
"https://www.ingemorath.org/wp-content/uploads/2019/07/Kimberly_Dela-Cruz_small-350x233.jpg",
"https://www.ingemorath.org/wp-content/uploads/2019/07/Tamara_Merino_small-350x233.jpg",
"https://www.ingemorath.org/wp-content/uploads/2019/07/Ioanna_Sakellaraki_small-350x350.jpg",
"https://www.ingemorath.org/wp-content/uploads/2019/05/Rajoyana_Chowdhury_featured_image-800x576.jpg",
"https://www.ingemorath.org/wp-content/uploads/2019/03/Nanna_Heitmann_featured_image.jpg",
"https://www.ingemorath.org/wp-content/uploads/2019/03/Lilit_Matevosyan_featured_image.jpg",
"https://www.ingemorath.org/wp-content/uploads/2019/02/IM2001-StojanKerbler_featured-image.png",
"https://www.ingemorath.org/wp-content/uploads/2017/03/SC_MF-Logo-166x46.png",
"https://www.ingemorath.org/wp-content/uploads/2019/02/Hilde_Pank_featured-image-1-686x576.jpg",
"https://www.ingemorath.org/wp-content/uploads/2018/12/Citlali_Fabian_featured_image.jpg"
] |
[] |
[] |
[
""
] | null |
[
"Inge Morath Estate"
] |
2023-05-27T05:53:58-04:00
|
en
| null |
Inge Morath Centennial – May 27, 2023
Below are ongoing (incl. past) catalogs/exhibitions/events for Inge’s 100th birthday celebration.
Exhibitions & Book Catalogs
Title: Inge Morath: Fotografare da Venezia in poi (Photographing from Venice Onwards)
Dates: Jan 18th – June 4th, 2023
Venue: Museo di Palazzo Grimani – Venezia
Address: Rugagiuffa, 4858, 30122 Venezia VE, Italy
Press: link 1, link 2
Book: purchase here or wherever available
Title: Mask and Face. Inge Morath and Saul Steinberg
Dates: Feb 25th – June 4th, 2023
Venue: Museum der Moderne Salzburg
Address: Altstadt (Rupertinum), Wiener-Philharmoniker-Gasse 9, 5020 Salzburg, Austria
~ Special catalog produced in conjunction with exhibition
Title: Documenting Israel: Visions of 75 years [group exhibit]
Dates: April 28th – June 30th, 2023
Venue: Museum of Tolerance Jerusalem [MOTJ]
Address: link [Jerusalem, Israel]
Press release: link
Title: Inge Morath [Temporary display / pop-up exhibit]
Dates: May 15th – June 22nd, 2023 *extended*
Venue: Beinecke Rare Book & Manuscript Library [exhibition hall]
Address: 121 Wall St, New Haven, CT 06511, USA
Title: Inge Morath – Wo ich Farbe sehe / Where I See Color
Dates: May 27th – July 29th, 2023
Venue: Fotohof
Address: Inge-Morath-Platz 1-3, 5020 Salzburg, Austria
Press package: link
~ Special book catalog produced in conjunction with exhibition
Title: Inge Morath: Homage
Dates: Dec 21st, 2022 – May 1st, 2023
Venue: Kunstfoyer
Address: Maximilianstraße 53, 80538 München, Germany
3D view: link
Book: purchase here or wherever available
~ Special book catalog produced in conjunction with exhibition
Online talk
Title: The Life and Legacy of Inge Morath with Rebecca Miller
Dates: Monday, May 8th, 2023
Venue: ‘Mondays at Beinecke’ onlineRecording: link
Commemorative postage stamp: One of a kind commemorative 100th birthday postage stamp will be launched June 10th, featuring a portrait of Inge, in partnership with Austria’s official postal service [Österreichische Post Aktiengesellschaft].
Revised: May 27th, 2023 Compiled by Sana Manzoor ℅ Inge Morath Estate
Magnum Foundation, Magnum Photos, and the Inge Morath Estate are pleased to announce Tamara Merino as the recipient of this year’s Inge Morath Award. She will receive a $5,000 production grant to support the completion of her long-term documentary project, Underland. For the first time in the award’s history, the finalist will receive a $1,000 grant in support of their project. The finalist this year is Neha Hirve.
Tamara Merino is a documentary photographer and visual storyteller based in Chile, whose work focuses on human and socio-cultural issues and identity, all of which intersect in her documentation of subterranean communities.
Previously a finalist of the Inge Morath Award in the years 2016 and 2019, she continues to pursue this expanding body of work. She says:
Underneath the soil and away from the chaos of modern society exist hundreds subterranean communities where people still live in cave houses around the world. Though we all inhabit the globe in different ways, we all have a strong relationship with the environment that surrounds us. Each of the communities I have documented for Underland, from Australia to Spain to the United States, have its own socio-cultural, environmental, economical, and religious reasoning that leads them to live a life underground.
Tamara’s project was selected from a pool of one hundred and fourteen applications by the membership of Magnum Photos at their Annual General Meeting. Given each year to a woman photographer under the age of 30, the award honors the legacy of their colleague, Inge Morath.
As this year’s finalist, Neha Hirve is being recognized for her proposal In a light that is leaving, which tells the story of radical eco-activists in Hambach Forest fighting against the power company RWE.
Neha is an independent photographer based between Sweden and India. She focuses on the various relationships humans have to the earth, exploring the space between activism and action, interpretation and fact, and performance and reality.
Tamara and Neha’s work will be presented on Magnum Foundation’s blog in the coming months.
Visual storytellers need support now more than ever, and that’s why, we’re moving forward as scheduled with accepting proposals for the Inge Morath Award, a $5,000 grant given to a woman photographer under the age of 30 to support the completion of a long-term documentary project.
One Awardee and up to two finalists are selected by a jury composed of Magnum photographers and the Executive Director and staff of the Magnum Foundation and the Inge Morath Estate.
Inge Morath was an Austrian-born photographer who was associated with Magnum Photos for nearly fifty years. After her death in 2002, the Inge Morath Foundation was established with a limited-term mission to manage Morath’s estate and facilitate the study and appreciation of her contribution to photography. With the closure of the research space in 2014, Inge’s archive was acquired by the Beinecke Library at Yale University, and a set of Morath’s master prints by the Yale University Art Gallery, where they are now available to scholars.
Because Morath devoted much of her enthusiasm to encouraging women photographers, her colleagues at Magnum Photos established the Inge Morath Award in her honor. The Award is administered by the Magnum Foundation as part of its mission to expand creativity and diversity in documentary photography, in cooperation with the Inge Morath Estate.
Past winners of the Inge Morath Award recipients include:
Alex Potter (US, 19′), for Once a Nation, Melissa Spitz (US, 18′), for You Have Nothing to Worry About, Johanna-Maria Fritz (Germany, ‘17), for Like a Bird, Daniella Zalcman (US, ‘16), for Signs of Your Identity, Danielle Villasana (US, ’15), for A Light Inside, Shannon Jensen (US, ’14), for A Long Walk; Isadora Kosofsky (US, ’12), for Selections from “TheThree” and “This Existence;” Zhe Chen (China, ’11) for Bees; Lurdes R. Basolí (Spain, ’10) for Caracas, The City of Lost Bullets and Claire Martin (Australia, ’10) for Selections from The Downtown East Side and Slab City; Emily Schiffer (US, ’09) for Cheyenne River; Kathryn Cook (US, ’08) for Memory Denied: Turkey and the Armenian Genocide; Olivia Arthur (UK, ’07) for The Middle Distance; Jessica Dimmock (US, ’06) for The Ninth Floor; Mimi Chakarova (US, ’06) for Sex Trafficking in Eastern Europe; Claudia Guadarrama (MX, ’05) for Beforethe Limit; and Ami Vitale (US, ’02), for Kashmir.
IM Award Guidelines:
All submissions must be made online using the interface at Submittable.com.
The Award is given to a female photographer to complete a long-term documentary project. Proposals and accompanying material should present only the project for which the Award is being requested.
All applicants must be under the age of 30 on April 30th, 2020 (in other words, if April 30th is your birthday, and you’re turning 30, then you’re no longer eligible to submit a proposal).
Presentation guidelines and image specifications are noted on the Submittable page.
Submit here:
http://magnumfoundation.submittable.com/
All IM Award submissions must be received by April 30th, 2020.
Contact:
For further inquiry please contact
[email protected]
Magnum Foundation and Inge Morath Estate are pleased to announce Alex Potter as the recipient of this year’s Inge Morath Award, a $5,000 production grant to support the completion of a long-term documentary project.
Originally from the Midwest, Alex has been based in Yemen for several years working as an emergency nurse while pursuing her in-depth photography project, Once a Nation. She says:
In seven years, Yemen has fallen from an Arab Spring success story, a peaceful election and exchange of power, to a nearly failed state whose government is divided by tribe, geography, political affiliation, and increasingly, religion. Numerous UN-brokered deals have failed, driving the country further into crisis and famine. Having photographed in Yemen since 2012, long before other journalists rushed in to cover the war, I am uniquely equipped to tell this story.
Alex’s project was selected from a pool of ninety-five applications by the membership of Magnum Photos at their Annual General Meeting. Given each year to a woman photographer under the age of 30, the award honors the legacy of their colleague, Inge Morath.
This year’s finalists are Kimberly dela Cruz, for her proposal Death of a Nation, which follows the drug war in the Philippines, launched by President Rodrigo Duterte in 2016. Tamara Merino, for her proposal Underland, documenting communities around the world living in caves and underground dwellings; and Ioanna Sakellaraki for her proposal, The Truth is in the Soil, exploring the last generation of traditional female mourners in the Mani peninsula of Greece.
Alongside Alex and other selected applicants, their work will be presented on Magnum Foundation’s blog over the coming year.
Nanna Heitmann (Germany): Gone from the window
[juicebox gallery_id=”31″]
Essay will play automatically, hover over image for additional options
Coal mining enabled Germany‘s participation in the industrial revolution and contributed to the German “Wirtschaftswunder after World War II; resulting in the development of today‘s key industries. That is all history. Prosper Haniel, the last remaining colliery, closed in 2018.
Coal mining had once attracted countless people from all over Germany, as well as migrant workers from Turkey, Greece and Poland, all with the hope of a better life.
The elderly men are marked by decades of hard work. Broken knees, herniated discs and black lung are the typical symptoms. In the worst case, the inhaled coal dustpan lead to the malignant form of the silicosis.
Fortunately, the once widespread miner‘s disease has become much rarer. But this doesn’t erase the memories seeing elderly individuals, sitting by the open window, gasping for breath. If the cancer killed one of them, he was gone from the window – that‘s where the German phrase comes from.
Nobody will mourn the overexploitation of man and nature when the last colliery closes. But the warmth of the miners, their traditions and the very special identity of this region: this will be missed.
The families – the homes – first of all the intimacy need to be documented more. Pictures like metaphors – Freedom, Clean Air/ Space in contradiction to the claustrophobic feeling inside the mine, as softness/ gentleness in contradiction to the hardness in the mine.
Nanna Heitmann’s Website
Lilit Matevosyan (Russia): I had left my home early in the morning
[juicebox gallery_id=”32″]
Essay will play automatically, hover over image for additional options
For several years my study has been the history of my family: from generations that lived in the XIX century to our time. By making this project, I began to realize how a small story of one family, could be the history of millions of others. My stories will be divided into heads of key events of the family history. They had began with the territories of Turkey, where my ancestors lived and fled before the genocide and had continued on the lands of Georgia and Armenia. Personal stories are intertwined with events occurring on the territory of the post-Soviet space. One of the key chapter will be the earthquake in Armenia in 1988. My family was at the epicenter of events and witnessed the last of this tragedy. Next will be a difficult time for perestroika and our moving to Sakhalin Island, Russia – this is the era of the ‘90s. It is important for me to render again in these places, to return and to experience these events anew. This project will have completely different visual forms: from black and white photography, working with the archive, working with color and collage.
From young age I was deeply interested in the history of my family. Living with my father, I heard stories about the place of my birth, relatives and names. They seemed to be a source of answers to my questions about family life. Anyway all that I had in the past determines what I have now. I felt that I had to find out everything, but in this case I must see it by myself.
In search of clues and answers on my 25th birthday, I went to Tbilisi – to the house where I was born. Then my adventure of the past began. Only being there I could feel the world that existed before me. The charm of something very familiar and native accompanied me after every walk around the city. The absence of external borders between people – is what I encountered in my trips through Georgia. The revelation that the family can be outside the family, behind the every house’s door.
Lilit Matevosyan’s Website
The Inge Morath Award, 2019 Guidelines
The Magnum Foundation and the Inge Morath Estate are pleased to announce the 18th annual Inge Morath Award, a $5,000 grant given to a female photographer under the age of 30 to support the completion of a long-term documentary project. One Awardee and up to two finalists are selected by a jury composed of Magnum photographers, the Executive Director of the Magnum Foundation, and Inge Morath Estate.
Inge Morath was an Austrian-born photographer who was associated with Magnum Photos for nearly fifty years. After her death in 2002, the Inge Morath Foundation was established with a limited-term mission to manage Morath’s estate and facilitate the study and appreciation of her contribution to photography. With the closure of the research space in 2014, all ongoing activities of the estate were folded into the Legacy Program of the Magnum Foundation, New York. The Inge Morath archive was acquired by the Beinecke Library at Yale University, and a set of Morath’s master prints by the Yale University Art Gallery, where they are now available to scholars.
Because Morath devoted much of her enthusiasm to encouraging women photographers, her colleagues at Magnum Photos established the Inge Morath Award in her honor.
The Award is administered by the Magnum Foundation as part of its mission to expand creativity and diversity in documentary photography, in cooperation with the Inge Morath Estate.
Past winners of the Inge Morath Award recipients include:
Melissa Spitz (US, 18′), for You Have Nothing to Worry About,
Johanna-Maria Fritz (Germany, ‘17), for Like a Bird, Daniella Zalcman (US, ‘16), for Signs of Your Identity, Danielle Villasana (US, ’15), for A Light Inside, Shannon Jensen (US, ’14), for A Long Walk; Isadora Kosofsky (US, ’12), for Selections from “TheThree” and “This Existence;” Zhe Chen (China, ’11) for Bees; Lurdes R. Basolí (Spain, ’10) for Caracas, The City of Lost Bullets and Claire Martin (Australia, ’10) for Selections from The Downtown East Side and Slab City; Emily Schiffer (US, ’09) for Cheyenne River; Kathryn Cook (US, ’08) for Memory Denied: Turkey and the Armenian Genocide; Olivia Arthur (UK, ’07) for The Middle Distance; Jessica Dimmock (US, ’06) for The Ninth Floor; Mimi Chakarova (US, ’06) for Sex Trafficking in Eastern Europe; Claudia Guadarrama (MX, ’05) for Beforethe Limit; and Ami Vitale (US, ’02), for Kashmir.
IM Award Guidelines:
All submissions must be made online using the interface at Submittable.com.
The Award is given to a female photographer to complete a long-term documentary project. Proposals and accompanying material should present only the project for which the Award is being requested.
All applicants must be under the age of 30 on April 30th, 2019 (in other words, if April 30th is your birthday, and you’re turning 30, then you’re no longer eligible to submit a proposal).
Presentation guidelines and image specifications are given at our Submittable.com page.
Submit here: https://ingemorath.submittable.com/submit
All IM Award submissions must be received by April 30th, 2019.
Hilde Pank (Germany): HAUS+HÄNDE
[juicebox gallery_id=”30″]
Essay will play automatically, hover over image for additional options
This is an extract from my Photobook Haus + Hände (house + hands) which is my Master thesis. I portrayed the house of my grandparents, in which our family has lived since 1890. Back then my great-great-great-grandfather bought the house to build his photo-studio. I combined photographs from our family photo archive and my own pictures of the house and its surroundings, as well as portraits from my grandmother, my mother and myself. The house was always given to a daughter. I was pregnant with my daughter while making the series. That is why I decided to focus on the women of my family. In this extract I concentrate especially on my grandmother Ingrid, who lives in the house with her husband. She will probably be the last owner of the house, because nobody wants to move back there.
In my series I try to show the almost never changing atmosphere of the house and the village. Generations have lived there – World War I and World War II changed their lives. Then the village in the middle of Germany became a village at the border and a central train station to the West. To visit my family in their village, people needed special permission because of the border. After 1989 the village once again was part of central Germany. Nowadays my grandparents are connected to people from the former West living in a neighbor village. These days they are singing together in the same choir.
Hilde Pank’s Website
Citlali Fabián (Mexico): Ben’n Yalhalhj / Soy de Yalálag / I’m from Yalalag
[juicebox gallery_id=”29″]
Essay will play automatically, hover over image for additional options
There is always a need to feel that you belong to somewhere or a desire to feel that you are part of something bigger than your self. (At least I always had that feeling, because that is the way that my parents taught me to see the world.) I’m Citlali, a yalaltec woman born and raised outside Yalalag but always in touch with my zapotec culture.
Since I began photographing I have documented yalaltec culture. I’ve collected vernacular photos of my family in an attempt to connect and better understand our identity and worldview. I’m trying to weave a net in order to talk about my ancestral zapotec history – from our family perspective. I truly think there is no lineal story, but it is really important to be able to see all angles to appreciate different points of view. In order to appreciate cultures from a meaningful place, especially native cultures, we need to have the chance to talk about ourselves and been seen from our own human stories.
The present selection of images are part of my project called Ben’n Yalhalhj which means from Zapotec Language “I’m from Yalalag”. It is a universe of images collected and sometimes intervened over the last 8 years.
Citlali Fabián’s Website
|
|||||||
4941
|
dbpedia
|
2
| 26
|
https://library.yale.edu/event/online-life-and-legacy-inge-morath-rebecca-miller
|
en
|
Online: The Life and Legacy of Inge Morath with Rebecca Miller
|
[
"https://library.yale.edu/sites/default/files/styles/large/public/event-images/wzyrpldm9hnrmo0z7hwyrbc2tmmkv18q_108.jpg?itok=UMm05nF9",
"https://library.yale.edu/sites/default/files/event-images/th9p5r61x55g8s5yruhg1400lmfm6b1i_178.jpg",
"https://library.yale.edu/sites/default/files/event-images/th9p5r61x55g8s5yruhg1400lmfm6b1i_179.jpg",
"https://library.yale.edu/sites/default/files/event-images/starr.jpg",
"https://library.yale.edu/sites/default/files/event-images/th9p5r61x55g8s5yruhg1400lmfm6b1i_180.jpg",
"https://library.yale.edu/sites/default/files/event-images/th9p5r61x55g8s5yruhg1400lmfm6b1i_181.jpg",
"https://library.yale.edu/sites/default/files/event-images/th9p5r61x55g8s5yruhg1400lmfm6b1i_182.jpg",
"https://library.yale.edu/sites/default/files/event-images/th9p5r61x55g8s5yruhg1400lmfm6b1i_249.jpg",
"https://library.yale.edu/sites/default/files/files/FinalULWhite-1000px.png",
"https://library.yale.edu/sites/default/files/files/July%204%20Insta%20Image.png"
] |
[] |
[] |
[
""
] | null |
[] | null |
en
|
https://library.yale.edu/sites/all/themes/yalenew_base/images/favicon.ico
|
https://library.yale.edu/event/online-life-and-legacy-inge-morath-rebecca-miller
|
This year marks the centennial of Inge Morath (1923-2002), a legendary and groundbreaking photographer whose photographs and papers are archived at Beinecke Library. Rebecca Miller (Yale College ’85), will discuss her mother’s life and legacy in this special Mondays at Beinecke.
Mondays at Beinecke online talks focus on materials from the collections and include an opening presentation at 4pm followed by conversation and question and answer begininng about 4:30pm until 5pm.
Zoom webinar registration: https://bit.ly/3Hca3h2
For more about Inge Morath and the archive, see detailed finding aid: https://archives.yale.edu/repositories/11/resources/941)
Inge Morath was born in Graz, Austria. After studying languages in Berlin, she became a translator, then a journalist and the Austrian editor for Heute, an Information Service Branch publication based in Munich. All her life, Morath would remain a prolific diarist and letter-writer. A friend of photographer Ernst Haas, she wrote articles to accompany his photographs and was invited by Robert Capa and Haas to Paris to join the newly founded Magnum agency as an editor and researcher. She began photographing in London in 1951, and joined Magnum Photos as a photographer in 1953. While working on her own first assignments, Morath also assisted Henri Cartier-Bresson during 1953-54, becoming a full member in 1955. In the following years, Morath traveled extensively in Europe, North Africa and the Middle East. Her special interest in the arts found expression in photographic essays published by a number of leading magazines. After her marriage to playwright Arthur Miller in 1962, Morath settled in New York and Connecticut. She first visited the USSR in 1965. In 1972 she studied Mandarin and obtained a visa to China, making the first of many trips to the country in 1978. Much of Morath’s most important work consists of portraits, but of passers-by as well as celebrities. She was also adept at photographing places. Inge Morath died in New York City on 30 January 2002.
|
||||||
4941
|
dbpedia
|
2
| 30
|
https://www.theguardian.com/theobserver/2002/feb/03/features.review97
|
en
|
Inge Morath1923-2002
|
[
"https://sb.scorecardresearch.com/p?c1=2&c2=6035250&cv=2.0&cj=1&cs_ucfr=0&comscorekw=Culture%2CInge+Morath",
"https://i.guim.co.uk/img/media/596b3bda5444c31e11599a5d57399a514eb995db/0_63_4600_2760/master/4600.jpg?width=220&dpr=1&s=none",
"https://i.guim.co.uk/img/media/d4fc14c19b161ab1a4ce9fab8d8b6b49719e176c/0_390_3450_2070/master/3450.jpg?width=220&dpr=1&s=none",
"https://i.guim.co.uk/img/media/9b7a5771d2090228322ead87c0e1dad3ad959757/0_524_3000_1800/3000.jpg?width=220&dpr=1&s=none",
"https://i.guim.co.uk/img/static/sys-images/Guardian/Pix/pictures/2014/11/25/1416917453208/US-97-Stephen-Shore-012.jpg?width=220&dpr=1&s=none",
"https://i.guim.co.uk/img/static/sys-images/Guardian/Pix/pictures/2014/9/25/1411661952164/80378fde-417e-4cc4-9934-f5b78c48059a-2060x1236.jpeg?width=220&dpr=1&s=none",
"https://i.guim.co.uk/img/static/sys-images/Guardian/Pix/pictures/2015/10/6/1444149236758/e31dec2e-04d9-4aba-bacc-9425518fe4b1-2060x1236.jpeg?width=220&dpr=1&s=none"
] |
[] |
[] |
[
""
] | null |
[
"Gaby Wood",
"www.theguardian.com"
] |
2002-02-03T00:00:00
|
<p><strong>Gaby Wood </strong> pays tribute to the German photographer who photographed Marilyn Monroe - and later married one of her ex-husbands.</p>
|
en
|
the Guardian
|
https://www.theguardian.com/theobserver/2002/feb/03/features.review97
|
Inge Morath, who has died aged 78, was already a well-known photographer when she visited the set of John Huston's The Misfits in 1960. She had worked at the photo agency Magnum for more than a decade, yet the photographs she took on that set - in particular intimate shots of Marilyn Monroe dancing dreamily under a tree - were to bring her into an association with fame she could never have anticipated.
Morath got on well with Monroe and she also got on with Monroe's husband, Arthur Miller, who was there making alterations to his screenplay. When the shoot ended, Monroe and Miller split up; their marriage had long been on the rocks. A couple of years later, in February 1962, Miller married Morath. That August, Monroe died. A month later, Morath gave birth to a daughter, Rebecca.
'People were terrible to me,' Morath told me two years ago, 'It was just awful - you know, "How can you try to replace Marilyn Monroe?" I'd say "I'm not replacing her - didn't you ever have an ex-lover or an ex-husband?"'
The story is worth telling because of the extraordinary conjunction of events, though it's a shame that Morath's fame should have become wrapped up in that. However, she was too tough, and too talented, not to have taken it in her stride.
Morath could be discreet and outspoken by turns. The daughter of an Austrian, anti-Nazi science professor, she enrolled in the modern languages department at Berlin University, but was thrown out when she refused to join the National Socialist student organisation and was forced instead to assemble parts at Tempelhof airport. She escaped during one of the airport's frequent bombings. Morath said she learned the powers of observation that led her to become a photographer from having to keep her mouth shut during the war.
Though she worked with Robert Capa, she never became a war photographer - in fact war made her assume all photography to be propaganda, a suspicion she had to un-learn. Instead, she brought her quirky eye to bear on the world's ironies: she shot rows of middle-aged women rubbing their cheeks perplexedly, as they were taught how to apply face cream; a llama sticking its neck out of a taxi in New York.
Monroe may be the reason behind part of her fame, but there was an intelligence and a mischief in Morath's eye that won her her reputation, and was undimmed to the end.
|
|||||
4941
|
dbpedia
|
3
| 9
|
https://www.amazon.com/Inge-Morath-Magnum-Linda-Gordon/dp/3791382012
|
en
|
Amazon.com
|
[
"https://images-na.ssl-images-amazon.com/captcha/kwizfixk/Captcha_ojnadaiznx.jpg",
"https://fls-na.amazon.com/1/oc-csi/1/OP/requestId=ESD4G3SFJXNQAYK0ZQH6&js=0"
] |
[] |
[] |
[
""
] | null |
[] | null |
en
| null |
Enter the characters you see below
Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies.
|
|||||||
4941
|
dbpedia
|
3
| 93
|
https://medium.com/full-frame/experiencing-the-work-of-inge-morath-6d8546d401ca
|
en
|
Experiencing the Work of Inge Morath
|
[
"https://miro.medium.com/v2/resize:fill:64:64/1*dmbNkD5D-u45r44go_cf0g.png",
"https://miro.medium.com/v2/da:true/resize:fill:88:88/0*Xx5Zfhj5mdvZ1mRp",
"https://miro.medium.com/v2/resize:fill:48:48/1*_5Klurwb4d2gu0zXtjte-w.png",
"https://miro.medium.com/v2/da:true/resize:fill:144:144/0*Xx5Zfhj5mdvZ1mRp",
"https://miro.medium.com/v2/resize:fill:64:64/1*_5Klurwb4d2gu0zXtjte-w.png"
] |
[] |
[] |
[
""
] | null |
[
"Felix John Attard",
"felixjohnattard.medium.com"
] |
2023-09-16T15:31:52.984000+00:00
|
Last April during my trip to Venice, I stumbled upon a magnificent photography exhibition with the works of one of my favorite photographers — Inge Morath. The exhibition, displaying an extensive…
|
en
|
https://miro.medium.com/v2/5d8de952517e8160e40ef9841c781cdc14a5db313057fa3c3de41c6f5b494b19
|
Medium
|
https://medium.com/full-frame/experiencing-the-work-of-inge-morath-6d8546d401ca
|
Last April during my trip to Venice, I stumbled upon a magnificent photography exhibition with the works of one of my favorite photographers — Inge Morath.
The exhibition, displaying an extensive Italian retrospective, took place at Palazzo Grimani, commemorating the 100th anniversary of Inge’s birth.
The said exhibition was also held with the scope of highlighting the bond that Inge had with the same city where she started her “first assignment” as it was there that she was asked to put a roll of film in her camera and take photos of Venice.
About Inge Morath
During her career, Inge covered different places around the world through her reportages. What I found interesting, is that she studied the language and culture of every place she ever visited, something which translates clearly in her work. It is like she knew the people she was photographing on a deep level.
Inge was particularly interested in humanity, across all walks of life. Her work shows a deep passion as when she first experienced when Robert Capa suggested that she photographs Venice. This same passion shows across all of her work.
|
||||
4941
|
dbpedia
|
1
| 65
|
https://www.wlrn.org/npr-breaking-news/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
en
|
Biography Captures The Charisma And Confidence Of Photographer Inge Morath
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
[
"https://npr.brightspotcdn.com/dims4/default/3e3a7f6/2147483647/strip/true/crop/101x60+0+0/resize/202x120!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F0e21118%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fe7%2F90%2Fd380b4bb43f7b257adeeab991e1d%2Fwlrn-logo-pbs-npr-c7c9ca-wording.png 2x",
"https://npr.brightspotcdn.com/dims4/default/3e3a7f6/2147483647/strip/true/crop/101x60+0+0/resize/202x120!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F0e21118%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fe7%2F90%2Fd380b4bb43f7b257adeeab991e1d%2Fwlrn-logo-pbs-npr-c7c9ca-wording.png 2x",
"https://npr.brightspotcdn.com/dims4/default/3f8b3fd/2147483647/strip/true/crop/138x46+0+0/resize/1760x586!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fimages%2Fstations%2Flogos%2Fnpr.gif 2x",
"https://npr.brightspotcdn.com/dims4/default/ca41745/2147483647/strip/true/crop/2649x2197+0+0/resize/1760x1460!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/34a1fa0/2147483647/strip/true/crop/4254x6398+0+0/resize/1760x2648!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc11270_custom-1c7c5c1529d1972e9636027f85d3d626443469b4.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/3456d50/2147483647/strip/true/crop/4600x3112+0+0/resize/1760x1190!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc99770_custom-a05aa11ca5b645954d14fa7eb346a67cb6fc91ab.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/85e9546/2147483647/strip/true/crop/7116x4727+0+0/resize/1760x1170!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fpar36912_custom-6869805d50443fa1a3ca5b766671ce62bf0cc014.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/631dc97/2147483647/strip/true/crop/2610x3480+1016+0/resize/150x200!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2019%2F05%2F28%2Fnpr_susan_stamberg_002-1396c14dae397ffdb98024b702bc681642fe9da3.jpg",
"https://npr.brightspotcdn.com/dims4/default/94b68eb/2147483647/strip/true/crop/969x641+86+0/resize/260x172!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F39%2Fec%2Fd127301748109cbb5ee15255eb2c%2Fmia-04heatmedicalconditions.jfif 2x",
"https://npr.brightspotcdn.com/dims4/default/296de1a/2147483647/strip/true/crop/4000x2646+0+177/resize/260x172!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F89%2F1f%2F53bc071548ef89af505ff2728405%2Flittle-haiti-cultural-complex-early-voting-election-photo-by-joshua-ceballos.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/689f0a6/2147483647/strip/true/crop/1200x794+0+3/resize/260x172!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F38%2F63%2F9a4dbaef456883067cd8f94cc4cf%2F66bbcc364db0c-image.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/661f5b0/2147483647/strip/true/crop/969x641+86+0/resize/260x172!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F28%2Fe0%2F79a547d34567b2adea761749236c%2Fmia-303artstudiocrisis00new.jfif 2x",
"https://npr.brightspotcdn.com/dims4/default/7b2c997/2147483647/strip/true/crop/4183x2767+0+185/resize/260x172!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims3%2Fdefault%2Fstrip%2Ffalse%2Fcrop%2F4183x3137%20232%200%2Fresize%2F4183x3137%21%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F43%2Fb5%2F7d22196b4cd0b241b519f4cf6748%2Fshafik.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/4e6b4c7/2147483647/strip/true/crop/2667x1764+0+118/resize/260x172!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims3%2Fdefault%2Fstrip%2Ffalse%2Fcrop%2F2667x2000%20171%200%2Fresize%2F2667x2000%21%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F7a%2Ff9%2F729d0bdd42f6b3adb1ef7c69e0cc%2Fap158178301911.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/3e3a7f6/2147483647/strip/true/crop/101x60+0+0/resize/202x120!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F0e21118%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fe7%2F90%2Fd380b4bb43f7b257adeeab991e1d%2Fwlrn-logo-pbs-npr-c7c9ca-wording.png 2x",
"https://npr.brightspotcdn.com/dims4/default/ecfbe4f/2147483647/strip/true/crop/79x60+0+0/resize/132x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fwlrn%2Ffiles%2F201506%2Fpbs-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/6e37f45/2147483647/strip/true/crop/271x250+0+0/resize/108x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fa6%2Ffb%2Fac2dd39642818bf7965c2d44f28e%2Fnpr-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/00b57dd/2147483647/strip/true/crop/168x60+0+0/resize/280x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fwlrn%2Ffiles%2F201506%2Fdade_logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/dc0e593/2147483647/strip/true/crop/60x60+0+0/resize/100x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fbf%2Ffc%2F713c7dee47a698770dce1e9f7798%2Fcbp-logo-60x60.png 2x"
] |
[] |
[] |
[
""
] | null |
[
"Susan Stamberg",
"www.wlrn.org",
"susan-stamberg"
] |
2018-12-10T00:00:00
|
Biographer Linda Gordon chronicles Morath's escape from Nazi Germany, her boundary-breaking career and her marriage to playwright Arthur Miller.
|
en
|
/apple-touch-icon.png
|
WLRN
|
https://www.wlrn.org/npr-breaking-news/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
"I'm fascinated by the necessity of quick decisions," Inge Morath told me more than 30 years ago, when she came to NPR for an interview. Morath was in the business of quick decisions — as a photographer and photojournalist she was the first woman to be accepted as a full member of the Magnum photo agency.
Now, her life is the subject of a new biography by Linda Gordon. It recounts Morath's escape from Nazi Germany, her boundary-breaking career, and her marriage to playwright Arthur Miller.
Morath met Miller — and his then-wife Marilyn Monroe — in 1960 while she was taking publicity stills on the set of the film The Misfits. It was Monroe's last film, and Miller had written it for his wife.
"Inge took some very, very beautiful and sympathetic photographs of Marilyn Monroe," Gordon says. "But Miller had struck her as intensely interesting — and he was quite impressed," Gordon says.
Miller and Monroe's relationship had been on the rocks for some time. He and Morath had an affair and the two married in 1962. They were together for 40 years, until Inge's death in 2002.
In our 1987 interview, I asked Morath about whether she wished she'd paid more attention to Monroe, as Miller's first wife. In a marriage, "you have to be yourself," she said. "Even if you are the first, the second, or the third wife — if you try to take over anything, or imitate anything, I think it'd be a disaster."
"She was a woman of extraordinary self-confidence," says Gordon. "One sees that throughout her life ... self-confidence as a photographer, as a person, but also as her own sexual being."
Morath had a magnetic personality — and plenty of affairs.
"She was just a person who drew you in," says Gordon.
As a young woman, Morath had a rough time in Germany during the war.
"After Allied bombs started falling heavily on Berlin — and landing very near the munitions factory where she was a forced worker — she joined columns of hundreds, probably thousands, of people on foot just leaving Berlin," Gordon explains.
The biographer says Morath walked 455 miles to her parents in Salzburg, Austria. They were Nazi sympathizers — she was not. In Paris after the war, Morath got a job at Magnum, the elite photo agency founded by the great pioneers of photojournalism, Robert Capa and Henri Cartier-Bresson.
There, she did everything from secretarial work, to working with contact sheets, to cleaning the office, Gordon says, all the while honing her skills in photography. In 1955, she became Magnum's first full female member.
With her camera, Morath followed her passion for travel. In Spain, she wangled her way into the dressing room of the great toreador Antonio Ordóñez. Her 1954 photo shows him preparing for combat: his muscled chest is bare, and he's wearing skin-tight, sequin-embroidered pants.
It took chutzpah to get into his dressing room, where women were considered bad luck. "To get into that space she half jokingly made a completely outrageous argument," Gordon says. "She said, 'I'm wearing pants when I work, therefore I'm neither man nor woman.' "
In Seville, Morath put on a flamenco outfit and climbed up onto a chair to shoot dancers, whirling to the music in their layered red and white skirts and petticoats. "You only see these people from the waist down ..." Gordon says. "She has captured the movement — but with a camera just slow enough so that some of the picture is blurred as you see the skirts whirling around."
Outside of photography circles, Morath is known more for her marriage than for her work. "I do not like the fact that many people only know her as a wife of Arthur Miller — and, of course, the wife immediately after Marilyn Monroe — but my impression is that she was pretty copacetic about it," Gordon says.
There are trade-offs to familiarity, Morath told me in 1987. For example, when working on a portrait, she said she didn't necessarily want to meet her subject first.
There is a "wonderful element to a new meeting," she explained. Being strangers, the photographer and the subject are placed into a "sparring" position. "That's interesting," she said. "You kind of show more of yourself."
Copyright 2023 NPR. To see more, visit https://www.npr.org.
|
||
4941
|
dbpedia
|
0
| 91
|
https://www.famousfix.com/topic/inge-morath
|
en
|
Inge Morath Photos, News and Videos, Trivia and Quotes
|
[
"https://static.famousfix.com/img/logos/famousfix_logo_search.png",
"https://img4.bdbphotos.com/images/50x50/9/r/9r7j6pql4337p7lr.jpg?skj2io4l",
"https://static.famousfix.com/img/icons/down_arrow_grey.png",
"https://static.famousfix.com/img/icons/placeholder.png",
"https://static.famousfix.com/img/icons/down_arrow_grey.png",
"https://static.famousfix.com/img/icons/placeholder.png",
"https://img4.bdbphotos.com/images/50x50/q/j/qjji0xixzo53oi3x.jpg?skj2io4l",
"https://static.famousfix.com/img/icons/down_arrow_grey.png",
"https://static.famousfix.com/img/icons/placeholder.png",
"https://img4.bdbphotos.com/images/50x50/l/a/laythtc79hzmhcmt.jpg?skj2io4l",
"https://static.famousfix.com/img/icons/like_pink.png",
"https://static.famousfix.com/img/icons/down_arrow_grey.png",
"https://static.famousfix.com/img/icons/placeholder.png",
"https://img4.bdbphotos.com/images/50x50/t/e/tepgjdnnzqnbngzp.jpg?skj2io4l",
"https://static.famousfix.com/img/icons/down_arrow_grey.png",
"https://static.famousfix.com/img/icons/placeholder.png",
"https://img4.bdbphotos.com/images/50x50/d/d/dd88yi7ydz9fyd7d.jpg?skj2io4l",
"https://static.famousfix.com/img/icons/down_arrow_grey.png",
"https://static.famousfix.com/img/icons/placeholder.png",
"https://img4.bdbphotos.com/images/50x50/r/d/rd7ckfz1lpnvpzvf.jpg?skj2io4l",
"https://static.famousfix.com/img/icons/down_arrow_grey.png",
"https://static.famousfix.com/img/icons/placeholder.png",
"https://img4.bdbphotos.com/images/50x50/5/w/5w6zss6nwhahz5sh.jpg?skj2io4l",
"https://static.famousfix.com/img/icons/down_arrow_grey.png",
"https://static.famousfix.com/img/icons/placeholder.png",
"https://img4.bdbphotos.com/images/50x50/r/k/rkjeitadr403rt0i.jpg?skj2io4l",
"https://static.famousfix.com/img/icons/down_arrow_grey.png",
"https://static.famousfix.com/img/icons/placeholder.png",
"https://img4.bdbphotos.com/images/50x50/o/u/ougm1yuins6uygiu.jpg?skj2io4l",
"https://img1.bdbphotos.com/images/orig/b/p/bpn4g26gngazag6.jpg?skj2io4l",
"https://img6.bdbphotos.com/images/orig/x/5/x545erjf27xhx7j.jpg?skj2io4l",
"https://static.famousfix.com/img/icons/like_pink.png",
"https://static.famousfix.com/img/icons/down_arrow_grey.png",
"https://static.famousfix.com/img/icons/placeholder.png",
"https://img6.bdbphotos.com/images/orig/j/u/ju3mgoiv1tboio13.jpg?skj2io4l",
"https://static.famousfix.com/img/icons/pencil.png",
"https://static.famousfix.com/img/icons/pencil.png",
"https://static.famousfix.com/img/icons/loading2.gif"
] |
[] |
[] |
[
""
] | null |
[] | null |
14 August 2024... FamousFix profile for Inge Morath including biography information, wikipedia facts, photos, galleries, news, youtube videos, quotes, posters, magazine covers, trailers, links, filmography, discography and trivia.
|
https://static.famousfix.com/img/ff/favicon.ico
|
FamousFix.com
|
https://www.famousfix.com/topic/inge-morath
|
Ingeborg Hermine "Inge" Morath (May 27, 1923 – January 30, 2002) was an Austrian-born American photographer. In 1953, she joined the Magnum Photos Agency, founded by top photographers in Paris, and became a full photographer with them in 1955. In 1955, she published her first collection of photographs, a total of 30 monographs during her lifetime. Morath was also the third and last wife of playwright Arthur Miller; their daughter is screenwriter/director Rebecca Miller.
Inge Morath Photographer - Born May 27, 1923 in Graz, Austria
Died January 30, 2002 in New York City, New York, USA (cancer)
Birth Name Ingeborg Hermine Morath
Mini Bio (1) Inge Morath was born on May 27, 1923 in Graz, Austria as Ingeborg Hermine Morath. She is known for her work on Angela (1995), Love, Marilyn (2012) and American Masters (1985). She was married to Arthur Miller and Jack Ernest Lionel Birch. She died on January 30, 2002 in New York City, New York, USA.
Spouse (2)
edit
Arthur Miller (17 February 1962 - 30 January 2002) (her death) (2 children)
Jack Ernest Lionel Birch (June 1951 - 1954) (divorced)
Trivia (9)
edit
Sent to forced labor camp at Tempelhof for refusing to join the Hitler Youth, she ran away and found her way to London.
Was married to first husband, journalist Lionel Birch, for just three weeks.
Met Arthur Miller when she and other photographers from the Magnum agency were assigned to document the making of Miller's and then-wife Marilyn Monroe's film, The Misfits (1961).
She was on a crane taking photographs in the Brooklyn Navy Yard hours before going into labour with daughter Rebecca Miller.
While photographing the making of The Unforgiven (1960), she accompanied its director, John Huston, and his friends on a duck hunt. Up the river, she noticed its star, Audie Murphy, in the water, having fallen out of his boat. She stripped to her underwear, reached Murphy, who was in the last stages of exhaustion, and hauled him ashore by her bra strap while the hunt continued uninterrupted over them.
Fluent in German, French, English and Spanish.
Mother (with playwright Arthur Miller) of Rebecca Miller.
Her second child with Miller, Daniel, was born with Downs Syndrome and lived in a Roxbury, CT institution from birth. Inge visited him about once a week, but Miller never did.
Mother-in-law of actor Daniel Day-Lewis.
|
|||||
4941
|
dbpedia
|
0
| 2
|
https://archives.yale.edu/agents/people/81892
|
en
|
Morath, Inge, 1923-2002
|
[] |
[] |
[] |
[
""
] | null |
[] | null |
en
|
/favicon.ico
| null |
Dates
Existence: 1923-05-27 - 2002-01-30
Biography
Inge Morath was born in Graz, Austria, in 1923. After studying languages in Berlin, she became a translator, then a journalist and the Austrian editor for Heute, an Information Service Branch publication based in Munich. All her life, Morath would remain a prolific diarist and letter-writer. A friend of photographer Ernst Haas, she wrote articles to accompany his photographs and was invited by Robert Capa and Haas to Paris to join the newly founded Magnum agency as an editor and researcher. She began photographing in London in 1951, and joined Magnum Photos as a photographer in 1953. While working on her own first assignments, Morath also assisted Henri Cartier-Bresson during 1953-54, becoming a full member in 1955. In the following years, Morath traveled extensively in Europe, North Africa and the Middle East. Her special interest in the arts found expression in photographic essays published by a number of leading magazines. After her marriage to playwright Arthur Miller in 1962, Morath settled in New York and Connecticut. She first visited the USSR in 1965. In 1972 she studied Mandarin and obtained a visa to China, making the first of many trips to the country in 1978. Much of Morath's most important work consists of portraits, but of passers-by as well as celebrities. She was also adept at photographing places: her pictures of Boris Pasternak's home, Pushkin's library, Chekhov's house, Mao Zedong's bedroom, artists' studios and cemetery memorials are permeated with the spirit of invisible people still present. Inge Morath died in New York City on 30 January 2002.
|
||||||
4941
|
dbpedia
|
2
| 88
|
https://fstoppers.com/originals/z-photography-inge-morath-and-minolta-387095
|
en
|
A to Z of Photography: Inge Morath and Minolta
|
[
"https://www.facebook.com/tr?id=305312604074986&ev=PageView&noscript=1",
"https://cdn.fstoppers.com/styles/large-16-9/s3/lead/2019/07/6d7c5ecb0fb3f4433dbec13d1c381aee.jpg 1185w, https://cdn.fstoppers.com/styles/mlarge-16-9/s3/lead/2019/07/6d7c5ecb0fb3f4433dbec13d1c381aee.jpg 695w, https://cdn.fstoppers.com/styles/med-16-9/s3/lead/2019/07/6d7c5ecb0fb3f4433dbec13d1c381aee.jpg 480w",
"https://cdn.fstoppers.com/styles/medium/s3/media/2019/07/04/cut-away_minotla_slr_.jpg 413w, https://cdn.fstoppers.com/styles/large/s3/media/2019/07/04/cut-away_minotla_slr_.jpg 625w, https://cdn.fstoppers.com/styles/article_small/s3/media/2019/07/04/cut-away_minotla_slr_.jpg 430w, https://cdn.fstoppers.com/styles/article_med/s3/media/2019/07/04/cut-away_minotla_slr_.jpg 706w, https://cdn.fstoppers.com/styles/full/s3/media/2019/07/04/cut-away_minotla_slr_.jpg 706w",
"https://cdn.fstoppers.com/styles/medium/s3/media/2019/07/04/minolta_slr_0.jpg 536w, https://cdn.fstoppers.com/styles/large/s3/media/2019/07/04/minolta_slr_0.jpg 700w, https://cdn.fstoppers.com/styles/article_small/s3/media/2019/07/04/minolta_slr_0.jpg 475w, https://cdn.fstoppers.com/styles/article_med/s3/media/2019/07/04/minolta_slr_0.jpg 800w, https://cdn.fstoppers.com/styles/full/s3/media/2019/07/04/minolta_slr_0.jpg 925w",
"https://cdn.fstoppers.com/styles/square_medium/s3/avatars/2017/10/smith_m.jpg",
"https://cdn.fstoppers.com/styles/small-16-9/s3/lead/2022/12/img-7d4a5584.jpg",
"https://cdn.fstoppers.com/styles/small-16-9/s3/lead/2021/06/sony_amount.jpg",
"https://cdn.fstoppers.com/styles/small-16-9/s3/lead/2019/06/511e70b396cf6233775b7da1c7348d48.jpg",
"https://cdn.fstoppers.com/styles/small-16-9/s3/lead/2019/12/bbc0895202e690e4b015fda3a5ae62ee.jpg",
"https://cdn.fstoppers.com/styles/small-16-9/s3/lead/2019/06/f113428e2ed77422800309de4580672c.jpg",
"https://cdn.fstoppers.com/styles/small-16-9/s3/lead/2019/06/8e0cf5fa852faf82c5fff0f6fd19a10e.jpg",
"https://cdn.fstoppers.com/media/2014/06/fstoppers-amazon.jpg",
"https://cdn.fstoppers.com/media/2014/06/fstoppers-bh-deals.jpg",
"https://cdn.fstoppers.com/styles/small-16-9/s3/lead/2024/08/san_francisco_photography_fog_36.jpg",
"https://cdn.fstoppers.com/styles/small-16-9/s3/lead/2024/07/wave-2.jpg",
"https://cdn.fstoppers.com/styles/small-16-9/s3/lead/2024/08/self-portrait-by-christopher-malcolm-guitar-hero.jpg",
"https://cdn.fstoppers.com/styles/small-16-9/s3/lead/2024/07/how-often-should-you-update-photographer-portfolio-by-christopher-malcolm.jpg",
"https://cdn.fstoppers.com/styles/small-16-9/s3/lead/2024/07/zpsxhdr-4_0.jpg",
"https://cdn.fstoppers.com/styles/small-16-9/s3/lead/2024/07/dsc_2978_hdr-2-copy.jpg"
] |
[] |
[] |
[
""
] | null |
[
"Mike Smith",
"www.facebook.com"
] |
2019-07-12T14:00:02-04:00
|
With M we reach a significant milestone in the A to Z of Photography as this is the halfway mark. So far "Bronica and Burtynsky" and "Fujifilm" have been the most read with the "Family of Man" and "Image Stabilization and Into the Jaws of Death" languishing at the bottom of the popularity charts! Onwards then to Inge Morath and Minolta. Inge Morath Inge Morath was born in 1923
|
en
|
https://fstoppers.com/favicon.ico
|
Fstoppers
|
https://fstoppers.com/originals/z-photography-inge-morath-and-minolta-387095
|
With M we reach a significant milestone in the A to Z of Photography as this is the halfway mark. So far "Bronica and Burtynsky" and "Fujifilm" have been the most read with the "Family of Man" and "Image Stabilization and Into the Jaws of Death" languishing at the bottom of the popularity charts! Onwards then to Inge Morath and Minolta.
Inge Morath
Inge Morath was born in 1923 to Austrian parents who, as scientists, worked in various laboratories across Europe, before moving to Berlin in the late 1930s. Unlike many of her (slightly older) contemporaries, she remained in Nazi Germany during World War 2, entering Berlin University in 1941 where she studied languages learning French, English, and Romanian, to which she would later add Spanish, Russian, and Chinese. Toward the end of the war she fled back to Austria where she worked as a translator in war-torn Vienna and then as the Austrian correspondent for Heute magazine. It was here that she encountered the photographer Ernst Haas where they worked collaboratively for Heute. In 1949 they were jointly invited by Robert Capa to join the newly formed Magnum Photos in Paris where she became an editor. Here she handled the contact sheets of work submitted by their members and where her visual literacy was first developed. Remarkably, she didn't pick up a camera until 1951 and then discovered her calling.
She married British journalist Lionel Birch, moved to London, apprenticed under Simon Guttman, then editor of Picture Post, before divorcing Birch in 1953 and moving back to Paris. She presented her first work to Capa who hired her at Magnum taking on the stories the other photographers didn't want. In 1955 she became a full member of Magnum (one of the first women) subsequently traveling widely and covering assignments for the likes of Vogue, Holiday, and Paris Match (samples of her work are available at Magnum). She also covered motion picture movie sets and worked for the director John Huston. Huston later said of her:
[she] is the high priestess of photography. She has the rare ability to penetrate beyond surfaces and reveal what makes her subject tick
In 1960 she worked again for Huston on the set of The Misfits photographing Marilyn Monroe and Clark Gable and it was here that she met the playwright Arthur Miller (at the end of his marriage to Monroe). They married in 1962 and remained so until her death in 2002. She worked closer to home whilst raising a family, although still traveled including projects with Miller himself. She was an active photographer right up until her death from cancer. The Inge Morath Foundation now manages an award in her name which is "given to a woman photographer under thirty years of age, to assist in the completion of a long term documentary project." View her work because it shows a beautiful simplicity, a humanism, and a connection with its subject. In short, there is a visual poetry that takes practice and something a little bit extra. It will help you grow as a photographer.
Minolta
Minolta was founded in Osaka, Japan, in 1928 by Kazuo Tashima, marketing its first camera, the Nifcarette, in 1929. This was a folding camera, co-designed with two German engineers. The body was made in Japan, with the lenses and shutters imported from Germany, shooting 4x6.5cm exposures on 127 film. This was followed by a twin lens reflex (TLR) in 1937 (the Minolta Flex) and a 35mm rangefinder in 1947 that used the Leica 39mm screw mount. The latter was a successful camera with over 40,000 units sold during its 12 year manufacturing run.
In 1958 Minolta release their first 35mm SLR, the SR-2. The SR-mount was the first bayonet designed mount (beating Nikon's F-mount to market by one year) and was used for all of Minolta's manual focus lenses. Research and development continued apace, with the SR-3 taking an exposure meter and through the lens (TTL) metering introduced with the 1966 SR-T. Coupled with the remarkable cameras was a range of high quality Rokkor lenses which Minolta designed and manufactured.
The SR-2 was world-leading in its day and began a highly successful period for Minolta that made it, arguably, the most innovative camera manufacturer of its time. Some of the firsts (or early adoptions) included a commercially successful autofocus SLR, multimode metering, and full program mode.
This success led to a formal working partnership with Leica in 1972 who desperately needed expertise in in-camera electronics. The Leica CL, an affordable M, was the first fruits of this labor which was built by Minolta to Leica specifications. The Leica R3 followed, which was a rebadged Minolta XE-1 with Leica lens mount, viewfinder, and metering system. It was a commercial success and was followed by the Leica R4 which was an XD-11.
The 1980s saw Minolta transition to auto-focus cameras with the Maxxum range (Dynax in Europe and Alpha in Japan) and low-cost entry level 35mm models. The Maxxum 7000 is a good exemplar of the new range which switched from metal bodies, and analog controls, to plastic shells, electronic buttons, and LCD displays. With AF came a new lens mount — the A-mount — that used TTL phase-detection focusing and metering, autoexposure, and predictive focusing. The 1990s saw continued developed of the Maxxum line introducing a range of firsts such as eye-activated startup, interactive viewfinder LCD display, and wireless TTL flash control.
Their first foray into digital cameras was with the DiMage point-and-shoot and bridge camera range (of which I owned one!). In 2003 they merged with Konica in order to bolster their market position and try to push in to the professional sector occupied by Canon and Nikon. Expectation was that Konica Minolta (KM) would fully enter the digital SLR market. This didn't happen until 2005 with the Maxxum 5D and later that year KM entered a strategic partnership with Sony before entirely exiting the camera market in 2006 with all remaining assets being transferred to Sony. That year the Alpha100 was released with a succession of Minolta based cameras through to 2010 when Sony began to pivot to mirrorless. So was born the Sony A-mount and now Minolta lives on in this forlorn, abandoned, lens system that is used in Sony's SLT cameras, but since the development of the E-mount have received little attention.
For such a technologically focussed company that developed exciting camera products it was a low-profile exit. KM, however, remains an imaging company in the copier, laser printer, and digital print markets that now employs over 40,000 people worldwide and has a turnover of $10B.
Other Ms
Other M's that didn't make the cut in this article include Mamiya, Minox, Metz, Manfrotto, motion blur, multiple exposure, Migrant Mother (image), Marlboro Marine (image), Linda McCartney, Don McCullin, macro photography, Magnum, Man Ray, Sally Mann, Robert Mapplethorpe, metadata, Joel Meyerowitz, Lee Miller, mise-en-scene, Mission Heliographique, Tina Modotti, Laszlo Moholy-Nagy, MoMA, Eadweard Maybridge, and Carl Mydans.
A to Z Catchup
Alvarez-Bravo and Aperture
Bronica and Burtynsky
Central Park and Lewis Carroll
Daguerrotype and Frederick Douglass
Exposure and Harold Edgerton
Fujifilm
Family of Man
Nan Goldin and the Golden Triangle
Hyper-lapse and Horst P. Horst
Image Stabilization and Into the Jaws of Death
JPEG and William Jackson
Lenna and Leica
|
||||
4941
|
dbpedia
|
3
| 50
|
https://www.featureshoot.com/2019/02/the-extraordinary-life-of-inge-morath/
|
en
|
The Extraordinary Life of Inge Morath
|
[
"https://www.featureshoot.com/wp-content/themes/featureshoot2019/images/logo.png",
"https://i0.wp.com/www.featureshoot.com/wp-content/uploads/2019/01/PAR145703-e1546803416447.jpg?resize=620%2C460&ssl=1",
"https://i0.wp.com/www.featureshoot.com/wp-content/uploads/2019/01/NN11468266-e1546803381698.jpg?resize=620%2C961&ssl=1",
"https://i0.wp.com/www.featureshoot.com/wp-content/uploads/2019/01/NYC11273-e1546803396412.jpg?resize=620%2C935&ssl=1",
"https://i0.wp.com/www.featureshoot.com/wp-content/uploads/2019/01/Morath_cover-HR-e1546803361671.jpg?resize=620%2C715&ssl=1",
"https://www.featureshoot.com/wp-content/uploads/2020/01/Magnum-Stretetwise-3-1-scaled-275x198.jpg",
"https://www.featureshoot.com/wp-content/uploads/2023/05/Minxu-Li-275x198.jpeg",
"https://www.featureshoot.com/wp-content/uploads/2016/08/Chris-Steele-Perkins-Magnum-Photos-275x198.jpg",
"https://www.featureshoot.com/wp-content/uploads/2019/10/Dennis-Stock-2-275x198.jpg"
] |
[
"https://embeds.beehiiv.com/dd1c5d59-aee6-4fa4-a147-db08ce0ade90"
] |
[] |
[
""
] | null |
[
"Miss Rosen"
] |
2019-02-28T14:52:08+00:00
|
Inge and Ernst Haas during their first reportage for Magnum Photos Capri, Italy, 1949, photographer unknown. Venice in the rain, 1954. It was a rainy day in Venice back in…
|
en
|
/wp-content/uploads/fbrfg/apple-touch-icon.png?v=9B9lKBMgj8
|
Feature Shoot
|
https://www.featureshoot.com/2019/02/the-extraordinary-life-of-inge-morath/
|
Inge and Ernst Haas during their first reportage for Magnum Photos
Capri, Italy, 1949, photographer unknown.
Venice in the rain, 1954.
It was a rainy day in Venice back in November 1951. Inge Mörath was visiting the city with her then-husband Lionel, and was so struck by the quality of light that she phoned Robert Capa with an idea. He needed to send a Magnum photographer to capture the city as it was. Capa suggested Mörath take the pictures herself.
Mörath just so happened to take along her mother’s Contax camera, and had the store clerk load the film. Then she set a 1/50 exposure at f-stop 4, and posted up on a corner to watch the world unfold, a kaleidoscopic panorama of pedestrians and pigeons, stone streets and brick walls — and immediately knew she had found her calling.
Inge Mörath: Magnum Legacy – An Illustrated Biography by Linda Gordon (Magnum Foundation/Prestel) chronicles the illustrious photographer’s extraordinary life. Born in Austria in 1923 to a pair of traveling scientists, the family flourished under the Nazi regime, moving to Berlin in 1938. But then the war began, and nothing would ever be the same.
Morath was drafted in to the Nazi Arbeitsdienst, a labor force, and was sent to live in East Prussia on a farm. When she returned to Berlin, her brother had become a hero in the Luftwaffe after being captured by the British and spending two years at a POW camp in Egypt.
The family’s Nazi connections allowed Mörath to live in Bucharest, though she refused to join the party and attend rallies. She returned to Berlin once more, before being conscripted once again to work in a Lufthansa airplane parts factory alongside Ukranian women prisoners. Finally, in April 1945, Morath decided to leave and joined a mass exodus of refugees and retreating soldiers — just before the last bridge out of Berlin was destroyed.
The trek brought Mörath to the brink of suicide, but she persevered, and was finally reunited with her family in Salzburg, before finally returning to Vienna in 1946 — the city of her rebirth. Now 23, Mörath came of age in a city that longed to return to the joys of café society. Mörath became a member of intellectual and artistic life.
Finally free, Mörath began to blossom as the world around her transformed, and she kicked off her career as a journalist writing features for Heute and working alongside photographers such as Ernst Haas. In 1949, she traveled to Paris and felt at home in the city and with the newly established Magnum Photos. As one of the first women to join the fabled photo collective, Mörath was privy to it all.
Paris afforded Mörath 13 years of glamour and adventure as a young woman, allowing her to develop into the woman she would become: a photographer. That 1951 day in Venice had changed the course of her life, and Mörath embraced an origin story, much as she was careful about how she chose to tell the story of her life.
The imprint of the war, and its implications about the politics of her family, forever changed Mörath, and brought a sensitivity that borders on reverence to the subjects who passed before her camera. As a photographer, Mörath experienced a rebirth, a renewed connection to the world that came from traveling the world in search of all that was beautiful, elegant, and profound — the poetry of the human condition.
Mörath was a woman at home in the world, a woman who could catch the eyes of a llama traveling through Manhattan by car, as if it were simply the most reasonable thing in the world a New Yorker might behold. Hers is a world where women joyously don masks by Saul Steinberg and kibitz among themselves. It is a world where anything is possible, and in the quiet moments, the muses are heard.
A llama in Times Square, New York, 1957.
Images: ©Inge Morath/Magnum Photos
Discover More
|
||||
4941
|
dbpedia
|
0
| 13
|
https://archives.yale.edu/repositories/11/resources/941
|
en
|
Collection: Inge Morath Photographs and Papers
|
[] |
[] |
[] |
[
""
] | null |
[] | null |
en
|
/favicon.ico
| null |
Photographic material in the collection includes contact sheets, color slides, and photographic prints.
Morath's documentary photographs depict people and events in a wide range of countries, including Austria, China, England, France, Germany, India, Italy, Romania, Russia, Spain, and Tunisia, as well as throughout Mexico and the United States.
The collection includes portrait studies of public figures, including Yul Brynner, Alexander Calder, Alberto Giacometti, Dustin Hoffman, Henry Moore, Anaïs Nin, Pablo Picasso, Andrei Voznesensky, and Yevgeny Yevtushenko. It also includes projects with her longtime collaborator, artist Saul Steinberg.
Papers in the collection include story lists, captions, notebooks, general files, and publicity related chiefly to her photography. The collection also includes audiovisual material, electronic files, and artifacts.
A group of printed material accompanies the collection and consists of an incomplete set of her monographs, as well as works related to travel, languages, and other subjects.
The collection also chronicles Morath's personal life, including her marriage and family with playwright Arthur Miller, and provides ancillary documentation of his work.
In this guide to the collection, library staff chiefly retained Morath's titles and spellings, while contact sheets include authorized forms of names derived from her story lists.
Chronological arrangements within the collection reflect the image creation date, not the date the photograph was printed. Notes throughout the collection include Morath's "story numbers," when easily discerned by library staff.
Series I, Photographs, includes the bulk of photographic material created by Morath and her personal and family photographs, as well as photographs she collected by other photographers.
Series II, Papers, consists of papers that document the life and work of Morath, including story captions, notebooks, correspondence, clippings, financial records, and awards.
Series III, Photographs and Papers from the Morath-Miller Home, consists of material in the home of Morath and Arthur Miller in Roxbury, Connecticut, immediately before the Beinecke Rare Book and Manuscript Library acquired the material in 2014. It includes personal and family photographs, correspondence, writings and travel notebooks, address books, visiting cards, exhibition catalogs, publicity material, art, and ephemera.
Series IV, Audio Visual Material, consists of sound recordings, videocassettes, and films by or about Morath, and includes interviews with her and documentation of her exhibitions.
Series V, Electronic Files, chiefly consists of the electronic files created by Morath, as well as by the Inge Morath Foundation, including image files and backup files, as well as operating system and utility program files used by her.
Series VI, Objects, consists of the items Morath used as a photographer, including a camera, film canisters, and rubber ink stamps used to mark her prints, as well as other personal effects, including scarves and a suitcase.
The Inge Morath Photographs and Papers is the physical property of the Beinecke Rare Book & Manuscript Library, Yale University. Ms. Rebecca Miller, her heirs and assigns retain all commercial rights in photographs and writings by Morath. Literary rights, including copyright, of others belong to the authors or their legal heirs and assigns. For further information, consult the appropriate curator.
The Beinecke Rare Book & Manuscript Library has the limited right to authorize scholars to reproduce up to five of Ms. Morath’s images in a scholarly publication.
Any exhibition or reproduction of contact sheets or work prints by Ms. Morath requires their identification as contact sheets or work prints.
The Beinecke Rare Book & Manuscript Library will not reproduce for any purpose photographs or images identified as "Family Photographs" in boxes 509-539, 612, and 701-703.
Photographs by Ms. Morath from the "Mask series" of photographs share copyright with the Saul Steinberg Foundation, and any use thereof requires the approval of the Saul Steinberg Foundation.
|
||||||
4941
|
dbpedia
|
2
| 0
|
https://en.wikipedia.org/wiki/Inge_Morath
|
en
|
Inge Morath
|
https://en.wikipedia.org/static/favicon/wikipedia.ico
|
https://en.wikipedia.org/static/favicon/wikipedia.ico
|
[
"https://en.wikipedia.org/static/images/icons/wikipedia.png",
"https://en.wikipedia.org/static/images/mobile/copyright/wikipedia-wordmark-en.svg",
"https://en.wikipedia.org/static/images/mobile/copyright/wikipedia-tagline-en.svg",
"https://upload.wikimedia.org/wikipedia/en/thumb/2/20/Im_mrsnash.jpg/220px-Im_mrsnash.jpg",
"https://upload.wikimedia.org/wikipedia/en/thumb/3/38/Im_misfits.jpg/220px-Im_misfits.jpg",
"https://upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Text_document_with_red_question_mark.svg/40px-Text_document_with_red_question_mark.svg.png",
"https://upload.wikimedia.org/wikipedia/en/thumb/4/44/Im_bourgeois.jpg/220px-Im_bourgeois.jpg",
"https://upload.wikimedia.org/wikipedia/en/thumb/6/64/Im_cobbhoffman.jpg/220px-Im_cobbhoffman.jpg",
"https://upload.wikimedia.org/wikipedia/en/thumb/9/99/Question_book-new.svg/50px-Question_book-new.svg.png",
"https://upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png",
"https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1",
"https://en.wikipedia.org/static/images/footer/wikimedia-button.svg",
"https://en.wikipedia.org/static/images/footer/poweredby_mediawiki.svg"
] |
[] |
[] |
[
""
] | null |
[
"Contributors to Wikimedia projects"
] |
2002-12-29T20:20:47+00:00
|
en
|
/static/apple-touch/wikipedia.png
|
https://en.wikipedia.org/wiki/Inge_Morath
|
Austrian photographer (1923-2002)
Ingeborg Hermine Morath (German: [ˈɪŋəbɔrk ˈmoːraːt] ⓘ; 27 May 1923 – 30 January 2002) was an Austrian photographer.[2] In 1953, she joined the Magnum Photos Agency, founded by top photographers in Paris, and became a full photographer with the agency in 1955. Morath was the third wife of Pulitzer Prize-winning playwright Arthur Miller; their daughter is screenwriter/director Rebecca Miller.
Early years (1923–1945)
[edit]
Morath was born in Graz, Austria, to Mathilde (Wiesler) and Edgar Morath,[3] scientists whose work took them to different laboratories and universities in Europe during her childhood. Her parents had converted from Catholicism to Protestantism.[4] First educated in French-speaking schools, Morath relocated in the 1930s with her family to Darmstadt, a German intellectual center, and then to Berlin, where Morath's father directed a laboratory specializing in wood chemistry. Morath was registered at the Luisenschule near Bahnhof Friedrichstraße.[5]
Morath's first encounter with avant-garde art was the Entartete Kunst (Degenerate Art) exhibition organized by the Nazi Party in 1937, which sought to inflame public opinion against modern art. "I found a number of these paintings exciting and fell in love with Franz Marc's Blue Horse", Morath later wrote. "Only negative comments were allowed, and thus began a long period of keeping silent and concealing thoughts."[6]
After finishing high school, Morath passed the Abitur and was obliged to complete six months of service for the Reichsarbeitsdienst (Reich Labour Service) before entering Berlin University. At university, Morath studied languages. She became fluent in French, English and Romanian in addition to her native German (to these she later added Spanish, Russian and Chinese). "I studied where I could find a quiet space, in the University and the Underground stations that served as air-raid shelters. I did not join the Studentenschaft (Student Body)."[7]
Toward the end of World War II, Morath was drafted for factory service in Tempelhof, a neighbourhood of Berlin, alongside Ukrainian prisoners of war.[8]
During an attack on the factory by Russian bombers, she fled on foot to Austria. In later years, Morath refused to photograph war, preferring to work on stories that showed its consequences.[9]
Middle years (1945–1962)
[edit]
After the war, Morath worked as a translator and journalist. In 1948, she was hired by Warren Trabant, first as Vienna Correspondent and later as the Austrian editor, for Heute, an illustrated magazine published by the Office of War Information in Munich.[10] Morath encountered photographer Ernst Haas in post-war Vienna, and brought his work to Trabant's attention.[11] Working together for Heute, Morath wrote articles to accompany Haas' pictures. In 1949, Morath and Haas were invited by Robert Capa to join the newly founded Magnum Photos in Paris, where she started as an editor. Working with contact sheets sent into the Magnum office by founding member Henri Cartier-Bresson fascinated Morath. "I think that in studying his way of photographing I learned how to photograph myself, before I ever took a camera into my hand."[12]
Morath was briefly married to the British journalist Lionel Birch and relocated to London in 1951. That same year, she began to photograph during a visit to Venice. "It was instantly clear to me that from now on I would be a photographer", she wrote. "As I continued to photograph I became quite joyous. I knew that I could express the things I wanted to say by giving them form through my eyes."[13] Morath applied for an apprenticeship with Simon Guttman, who was then an editor for Picture Post and running the picture-agency Report. When Guttman asked what Morath wanted to photograph, and why, she answered that "after the isolation of Nazism I felt I had found my language in photography."[14] After Morath had spent several months working as Guttman's secretary, she had an opportunity to take photographs. She sold her first photographs - of opening nights, exhibitions, inaugurations, etc. - under the pseudonym "Egni Tharom", her name spelled backwards.[15]
Morath divorced Birch and returned to Paris to pursue a career in photography. In 1953, after Morath presented her first large picture story, on the Worker Priests of Paris, to Capa, he invited her to join Magnum as a photographer. Her first assignments were stories that did not interest "the big boys." She went to London on an early assignment to photograph the residents of Soho and Mayfair. Morath's portrait of Mrs. Eveleigh Nash, from that assignment, is among her best-known works. At Capa's suggestion, in 1953–54, Morath worked with Cartier-Bresson as a researcher and assistant. In 1955 she was invited to become a full member of Magnum Photos. During the late 1950s, Morath traveled widely, covering stories in Europe, the Middle East, Africa, the United States, and South America, for such publications as Holiday, Paris Match, and Vogue.[16] In 1955 she published Guerre à la Tristesse, photographs of Spain, with Robert Delpire, followed by De la Perse à l'Iran, photographs of Iran, in 1958. Morath published more than thirty monographs during her lifetime.
Like many Magnum members, Morath worked as a stills photographer on numerous motion picture sets. Having met director John Huston while she was living in London, Morath worked on several of his films. Huston's Moulin Rouge (1952) was one of Morath's earliest assignments, and her first time working in a film studio. When Morath confessed to Huston that she had only one roll of color film to work with and asked for his help, Huston bought three more rolls for her, and occasionally waved to her to indicate the right moments to step in with her camera.[17] Huston later wrote of Morath that she "is a high priestess of photography. She has the rare ability to penetrate beyond surfaces and reveal what makes her subject tick."[18]
In 1959, while photographing the making of The Unforgiven, starring Audrey Hepburn, Burt Lancaster, and Audie Murphy, Morath accompanied Huston and his friends duck hunting on a mountain lake outside Durango, Mexico. Photographing the excursion, Morath saw through her telephoto lens that Murphy's companion had capsized their boat 350 yd (320 m) from shore. She could see that Murphy was stunned, and the men were struggling. A skilled swimmer, Morath swam out, stripped down and used her bra straps to haul the two men ashore .[19]
Morath worked again with Huston in 1960 on the set of The Misfits, a film featuring Marilyn Monroe, Clark Gable and Montgomery Clift, with a screenplay by Arthur Miller. Magnum Photos had been given exclusive rights to photograph the making of the movie, and Morath and Cartier-Bresson were the first of nine photographers to work on location outside Reno, Nevada during the process.[20][21] Morath met Miller while working on The Misfits.
Later years (1962–2002)
[edit]
Morath married Arthur Miller on 17 February 1962 and relocated permanently to the United States. Miller and Morath's first child, Rebecca, was born in September 1962. The couple's second child, Daniel, was born in 1966 with Down syndrome and was institutionalized shortly after his birth.[22] Rebecca Miller is a film director, actress, and writer who is married to the actor Daniel Day-Lewis.
After re-locating to the United States, during the 1960s and 1970s Morath worked closer to home, raising a family with Miller and working with him on several projects. Their first collaboration was the book In Russia (1969), which, together with Chinese Encounters (1979), described their travels and meetings in the Soviet Union and the People's Republic of China. In the Country, published in 1977, was an intimate look at their immediate surroundings. For both Miller, who had lived much of his life in New York City, and Morath, who had come to the US from Europe, the Connecticut countryside offered a fresh encounter with America.
Reflecting on the importance of Morath's linguistic gifts, Miller wrote that "travel with her was a privilege because [alone] I would never been able to penetrate that way."[23] In their travels Morath translated for Miller, while his literary work was the entrée for Morath to encounter an international artistic elite. The Austrian photographer Kurt Kaindl, her long-time colleague, noted that "their cooperation develop[ed] without outward pressure and is solely motivated by their common interest in the people and the respective cultural sphere, a situation that corresponds to Inge Morath's working style, since she generally feels inhibited by assignments."[24]
Morath sought out, befriended, and photographed artists and writers. During the 1950s she photographed artists for Robert Delpire's magazine L'Oeil, including Jean Arp and Alberto Giacometti. She met the artist Saul Steinberg in 1958. When she went to his home to make a portrait, Steinberg came to the door wearing a mask which he had fashioned from a paper bag. Over a period of several years, they collaborated on a series of portraits, inviting individuals and groups of people to pose for Morath wearing Steinberg's masks. Another long-term project was Morath's documentation of many of the most important productions of Arthur Miller's plays.
Some of Morath's signal achievements are in portraiture, including posed images of celebrities as well as fleeting images of anonymous passersby. Her pictures of Boris Pasternak's home, Pushkin's library, Chekhov's house, Mao Zedong's bedroom, as well as artists' studios and cemetery memorials, are permeated with the spirit of invisible people still present. The writer Philip Roth, whom Morath photographed in 1965, described her as "the most engaging, sprightly, seemingly harmless voyeur I know. If you're one of her subjects, you hardly know your guard is down and your secret recorded until it's too late. She is a tender intruder with an invisible camera."[18]
As the scope of her projects grew, Morath prepared extensively by studying the language, art, and literature of a country to encounter its culture fully. Although photography was the primary means through which Morath found expression, it was but one of her skills. In addition to the many languages in which she was fluent, Morath was also a prolific diary and letter-writer; her dual gift for words and pictures made her unusual among her colleagues. Morath wrote extensively, and often amusingly, about her photographic subjects. Although she rarely published these texts during her lifetime, posthumous publications have focused upon this aspect of her work. They have brought together her photographs with journal writings, caption notes, and other archival materials relating to her various projects.
During the 1980s and 1990s, Morath continued to pursue both assignments and independent projects. The film Copyright by Inge Morath was made by German filmmaker Sabine Eckhard in 1992, and was one of several films selected for a presentation of Magnum Films at the Berlin International Film Festival in 2007. Eckhard filmed Morath at home and in her studio, and in New York and Paris with her colleagues, including Cartier-Bresson, Elliott Erwitt and others. In 2002, working with film director Regina Strassegger, Morath fulfilled a long-held wish to revisit the lands of her ancestors, along the borderlands of Styria and Slovenia. This mountainous region, once part of the Austro-Hungarian Empire, had become the faultline between two conflicting ideologies after World War II and until 1991, when attempts at rapprochement led to conflict on both sides of the border. The book Last Journey (2002), and Strasseger's film Grenz Räume (Border Space, 2002), document Morath's visits to her homeland during the final years of her life.
Death
[edit]
Morath Miller died of cancer on January 30, 2002, at the age of 78.[2]
Honors and legacy
[edit]
1983 State of Michigan Senate Resolution NO 295; Tribute to Inge Morath.[citation needed]
1984 Doctor Honoris Causa Fine Arts, University of Connecticut, Hartford, US.[citation needed]
1992 Great Austrian State Prize for Photography.[citation needed]
2002, members of Magnum Photos established the Inge Morath Award in honor of their colleague as an annual award. It is administered by the Inge Morath Foundation, and is given to a woman photographer under the age of 30, to support her work towards the completion of a long-term project.[citation needed]
2003, her family established the Inge Morath Foundation to preserve and share her legacy.[citation needed]
Since 2012 Salzburg, Austria has an "Inge-Morath-Platz" in tribute to the photographer. It is also the location of the Fotohof, a photographic institution which has collaborated with her since the beginning of the 1980s [25]
Solo exhibitions
[edit]
1964 Inge Morath: Photographs, Gallery 104, Art Institute of Chicago, Illinois, US.
1979 Inge Morath: Photographs of China, Grand Rapids Art Museum, Michigan, US.
1984 Salesman in Beijing, Hong Kong Theatre Festival.
1988 Retrospective, Union of Photojournalists, Moscow, Russia; Sala del Canal Museum, Madrid, Spain; Rupertinum Museum, Salzburg, Austria.
1989 Portraits, Burden Gallery, Aperture Foundation, New York, New York, US; Norwich Cathedral, Norwich, UK; American Cultural Center, Brussels, Belgium.
1991 Portraits, Kolbe Museum Berlin, Germany; Rupertinum Museum Salzburg, Austria
1992/94 Retrospective, Neue Galerie Linz, Austria ;America House, Frankfurt, Germany; Hardenberg Gallery, Velbert, Germany; Galerie Fotogramma, Milano, Italy; Royal Photographic Society, Bath, UK; Smith Gallery and Museum, Stirling, UK; America House, Berlin, Germany; Hradcin Gallery, Prague, Czech Republic.
1994 Spain in the fifties, Spanish Institute, New York, US
1995 Spain in the fifties, Museo de Arte Contemporaneo, Madrid, Spain; Museo de Navarra, Pamplona, Spain.
1996 Inge Morath: Danube, Neues Schauspielhaus, Berlin, Germany; Leica Gallery, New York, US; Galeria Fotoforum, Bolzano, Italy.
1996 Women to Women, Takashimaya Gallery, Tokyo, Japan
1997 Photographs 1950s to 1990s, Tokyo Museum of Photography, Tokyo, Japan
1997 Inge Morath: Danube, Keczkemet Museum, Esztergom Museum, Hungary
1997 Retrospective Kunsthal, Rotterdam, Netherlands.
1998 Celebrating 75 Years Leica Gallery, New York, US.
1998 Retrospective, Edinburgh Festival, Edinburgh, UK; Museum of Photography in Charleroi, Belgium; Municipal Gallery, Pamplona, Spain.
1998 Inge Morath: Danube, Festival of Central European Culture, London, UK; Museen d. Stadt Regensburg, Regensburg, Germany.
1999 Spain in the Fifties, Museo del Cabilde, Montevideo, Uruguay.
1999 Retrospective, Kunsthalle Wien, Austria; FNAC Etoile, Paris, France; FNAC, Barcelona, Spain.
2002 Inge Morath: New York, Galerie Fotohof, Salzburg, Austria; Stadt Passau, Europäische; Wochen, Germany ESWE Forum, Wiesbaden; Esther Woerdehoff Galerie, Paris, France; Amerikahaus Tübingen, Germany.
2002 Inge Morath: Danube, City Gallery of Russe, Russe, Bulgaria.
2003 Exposition, Henri Cartier-Bresson Foundation, Paris, France.
2004 Inge Morath: Chinese Encounters, Pingyao International Photography Festival, Pingyao, China.
2004 Inge Morath: The Road to Reno, Chicago Cultural Center, Illinois, US.
2008 Well Disposed and Trying to See: Inge Morath and Arthur Miller in China, University of Michigan Museum of Art, Ann Arbor, US.[26]
2023 Where I See Color. For Her 100th Birthday, Fotohof, Salzburg, Austria[27]
Monographs
[edit]
1955 Guerre à la Tristesse. Delpire, France.
1956 Fiesta in Pamplona. Universe Books, US.
1956 Venice Observed. Reynal & Co., US.
1958 De la Perse à l'Iran. Robert Delpire, France.
1960 Bring Forth the Children: A Journey to the Forgotten People of Europe and the Middle East. McGraw-Hill, US.
1967 Le Masque (Drawings by Saul Steinberg). Maeght Editeur, France.
1969 In Russia. Viking Press, US.
1972 In Russia Penguin. ISBN 978-0-670-02028-7
1973 East West Exercises. Simon Walker & Co., US.
1975 Grosse Photographen unserer Zeit: Inge Morath. C.J. Bucher Verlag, Switzerland.
1977 In the Country. Viking Press, US.
1979 Inge Morath: Photographs of China. Grand Rapids Art Museum, US.
1979 Chinese Encounters. with Arthur Miller. Straus & Giroux, US.
1981 Bilder aus Wien: Der Liebe Augustin. Reich Verlag, Switzerland.
1984 Salesman in Beijing. with Arthur Miller. Viking Press, US. ISBN 978-0-670-61601-5
1986 Portraits. Aperture, US. ISBN 978-0-89381-244-7
1991 Russian Journal. Aperture Foundation, US. ISBN 978-1-85619-102-9
1992 Inge Morath: Photographs 1952 to 1992. Otto Müller/Verlag, Austria.
1994 Inge Morath: Spain in the Fifties. Arte con Texto, Spain.
1995 Donau. Verlag, Austria. ISBN 978-3-7013-0916-0
1996 Woman to Woman. Magnum Photos, Japan.
1999 Inge Morath: Portraits. Verlag, Austria.
1999 Arthur Miller: Photographed by Inge Morath. FNAC, Spain.
1999 Inge Morath: Life as a Photographer. Kehayoff Books, Germany. ISBN 978-3-929078-92-3
2000 Saul Steinberg Masquerade. Viking Studio, US. ISBN 978-0-670-89425-3
2002 New York. Otto Müller/Verlag, Austria. ISBN 978-3-7013-1048-7
2003 Inge Morath: Last Journey Prestel. ISBN 978-3-7913-2773-0
2006 The Road to Reno. Steidl, Germany. ISBN 978-3-86521-203-0
2009 Inge Morath: Iran. Steidl, Germany. ISBN 978-3-86521-697-7
2009 Inge Morath: First Color. Steidl, Germany. ISBN 978-3-86521-930-5
2015 History Travels Badly. London: Fishbar. ISBN 978-0-9569959-6-4
2016 Inge Morath: On Style. Abrams, US. ISBN 978-141972234-9
2018 Inge Morath: Magnum Legacy. Prestel, US. ISBN 978-3-7913-8201-2
Secondary Literature
[edit]
2023 Kurt Kaindl: After Work. In the Home of Inge Morath.. Salzburg: FOTOHOF>EDITION. ISBN 978-3-903334-59-5
See also
[edit]
List of Austrian artists and architects
List of Austrians
List of street photographers
References
[edit]
|
||||
4941
|
dbpedia
|
3
| 46
|
https://www.kios.org/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
en
|
Biography Captures The Charisma And Confidence Of Photographer Inge Morath
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
[
"https://npr.brightspotcdn.com/dims4/default/f00565c/2147483647/strip/true/crop/359x60+0+0/resize/534x90!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F19c2fca%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F31%2Fab%2F8942b14c44e28be5d3f9207cdd63%2Fkios-banner-2.png 2x",
"https://npr.brightspotcdn.com/dims4/default/578d418/2147483647/strip/true/crop/2880x210+0+0/resize/2880x210!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F26%2Ff1%2F75b6002b45aeb4e31d2bec33d31d%2Fcover-image-2.gif 2x",
"https://npr.brightspotcdn.com/dims4/default/f00565c/2147483647/strip/true/crop/359x60+0+0/resize/534x90!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F19c2fca%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F31%2Fab%2F8942b14c44e28be5d3f9207cdd63%2Fkios-banner-2.png 2x",
"https://npr.brightspotcdn.com/dims4/default/3f8b3fd/2147483647/strip/true/crop/138x46+0+0/resize/1760x586!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fimages%2Fstations%2Flogos%2Fnpr.gif 2x",
"https://npr.brightspotcdn.com/dims4/default/ca41745/2147483647/strip/true/crop/2649x2197+0+0/resize/1760x1460!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/34a1fa0/2147483647/strip/true/crop/4254x6398+0+0/resize/1760x2648!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc11270_custom-1c7c5c1529d1972e9636027f85d3d626443469b4.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/3456d50/2147483647/strip/true/crop/4600x3112+0+0/resize/1760x1190!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc99770_custom-a05aa11ca5b645954d14fa7eb346a67cb6fc91ab.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/85e9546/2147483647/strip/true/crop/7116x4727+0+0/resize/1760x1170!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fpar36912_custom-6869805d50443fa1a3ca5b766671ce62bf0cc014.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/5989a0b/2147483647/strip/true/crop/2610x3480+0+0/resize/150x200!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2019%2F05%2F28%2Fnpr_susan_stamberg_002_vert-4eab2ba8767234629141163cc50d8107b0ea3c44.jpg",
"https://npr.brightspotcdn.com/dims4/default/6e37f45/2147483647/strip/true/crop/271x250+0+0/resize/108x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fa6%2Ffb%2Fac2dd39642818bf7965c2d44f28e%2Fnpr-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/ded85a3/2147483647/strip/true/crop/1271x488+0+0/resize/260x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fb1%2F8e%2F292faefb4e8a822e7681cf49904f%2Fops-2016-white-1.png 2x",
"https://npr.brightspotcdn.com/dims4/default/11107c4/2147483647/strip/true/crop/159x60+0+0/resize/266x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fkios%2Ffiles%2F201505%2Fapm-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/cbf30de/2147483647/strip/true/crop/68x60+0+0/resize/114x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fkios%2Ffiles%2F201505%2Fbbc-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/01c20c3/2147483647/strip/true/crop/44x60+0+0/resize/74x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fkios%2Ffiles%2F201505%2Fpri-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/41d178f/2147483647/strip/true/crop/92x55+0+0/resize/168x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fkios%2Ffiles%2F201505%2Fprx-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/c446e5b/2147483647/strip/true/crop/43x60+0+0/resize/72x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fkios%2Ffiles%2F201505%2Fcpb-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/3f3074a/2147483647/strip/true/crop/87x70+0+0/resize/124x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fkios%2Ffiles%2F202006%2Fnba_logo-06-03-20.jpg 2x"
] |
[] |
[] |
[
""
] | null |
[
"Susan Stamberg",
"www.kios.org",
"susan-stamberg"
] |
2018-12-10T00:00:00
|
Biographer Linda Gordon chronicles Morath's escape from Nazi Germany, her boundary-breaking career and her marriage to playwright Arthur Miller.
|
en
|
/apple-touch-icon.png
|
91.5 KIOS-FM Omaha Public Radio
|
https://www.kios.org/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
"I'm fascinated by the necessity of quick decisions," Inge Morath told me more than 30 years ago, when she came to NPR for an interview. Morath was in the business of quick decisions — as a photographer and photojournalist she was the first woman to be accepted as a full member of the Magnum photo agency.
Now, her life is the subject of a new biography by Linda Gordon. It recounts Morath's escape from Nazi Germany, her boundary-breaking career, and her marriage to playwright Arthur Miller.
Morath met Miller — and his then-wife Marilyn Monroe — in 1960 while she was taking publicity stills on the set of the film The Misfits. It was Monroe's last film, and Miller had written it for his wife.
"Inge took some very, very beautiful and sympathetic photographs of Marilyn Monroe," Gordon says. "But Miller had struck her as intensely interesting — and he was quite impressed," Gordon says.
Miller and Monroe's relationship had been on the rocks for some time. He and Morath had an affair and the two married in 1962. They were together for 40 years, until Inge's death in 2002.
In our 1987 interview, I asked Morath about whether she wished she'd paid more attention to Monroe, as Miller's first wife. In a marriage, "you have to be yourself," she said. "Even if you are the first, the second, or the third wife — if you try to take over anything, or imitate anything, I think it'd be a disaster."
"She was a woman of extraordinary self-confidence," says Gordon. "One sees that throughout her life ... self-confidence as a photographer, as a person, but also as her own sexual being."
Morath had a magnetic personality — and plenty of affairs.
"She was just a person who drew you in," says Gordon.
As a young woman, Morath had a rough time in Germany during the war.
"After Allied bombs started falling heavily on Berlin — and landing very near the munitions factory where she was a forced worker — she joined columns of hundreds, probably thousands, of people on foot just leaving Berlin," Gordon explains.
The biographer says Morath walked 455 miles to her parents in Salzburg, Austria. They were Nazi sympathizers — she was not. In Paris after the war, Morath got a job at Magnum, the elite photo agency founded by the great pioneers of photojournalism, Robert Capa and Henri Cartier-Bresson.
There, she did everything from secretarial work, to working with contact sheets, to cleaning the office, Gordon says, all the while honing her skills in photography. In 1955, she became Magnum's first full female member.
With her camera, Morath followed her passion for travel. In Spain, she wangled her way into the dressing room of the great toreador Antonio Ordóñez. Her 1954 photo shows him preparing for combat: his muscled chest is bare, and he's wearing skin-tight, sequin-embroidered pants.
It took chutzpah to get into his dressing room, where women were considered bad luck. "To get into that space she half jokingly made a completely outrageous argument," Gordon says. "She said, 'I'm wearing pants when I work, therefore I'm neither man nor woman.' "
In Seville, Morath put on a flamenco outfit and climbed up onto a chair to shoot dancers, whirling to the music in their layered red and white skirts and petticoats. "You only see these people from the waist down ..." Gordon says. "She has captured the movement — but with a camera just slow enough so that some of the picture is blurred as you see the skirts whirling around."
Outside of photography circles, Morath is known more for her marriage than for her work. "I do not like the fact that many people only know her as a wife of Arthur Miller — and, of course, the wife immediately after Marilyn Monroe — but my impression is that she was pretty copacetic about it," Gordon says.
There are trade-offs to familiarity, Morath told me in 1987. For example, when working on a portrait, she said she didn't necessarily want to meet her subject first.
There is a "wonderful element to a new meeting," she explained. Being strangers, the photographer and the subject are placed into a "sparring" position. "That's interesting," she said. "You kind of show more of yourself."
Copyright 2023 NPR. To see more, visit https://www.npr.org.
|
||
4941
|
dbpedia
|
2
| 92
|
https://lareviewofbooks.org/article/the-road-to-roxbury-on-linda-gordons-inge-morath-magnum-legacy
|
en
|
The Road to Roxbury: On Linda Gordon’s “Inge Morath: Magnum Legacy”
|
https://lareviewofbooks-media.azureedge.net/unsafe/1200x0/filters:format(jpeg):quality(75)/null
|
https://lareviewofbooks-media.azureedge.net/unsafe/1200x0/filters:format(jpeg):quality(75)/null
|
[
"https://lareviewofbooks-media.azureedge.net/unsafe/640x0/filters:format(jpeg):quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2Fbest-of-larb-inbox.jpg 640w, https://lareviewofbooks-media.azureedge.net/unsafe/750x0/filters:format(jpeg):quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2Fbest-of-larb-inbox.jpg 750w, https://lareviewofbooks-media.azureedge.net/unsafe/828x0/filters:format(jpeg):quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2Fbest-of-larb-inbox.jpg 828w, https://lareviewofbooks-media.azureedge.net/unsafe/1080x0/filters:format(jpeg):quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2Fbest-of-larb-inbox.jpg 1080w, https://lareviewofbooks-media.azureedge.net/unsafe/1200x0/filters:format(jpeg):quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2Fbest-of-larb-inbox.jpg 1200w, https://lareviewofbooks-media.azureedge.net/unsafe/1920x0/filters:format(jpeg):quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2Fbest-of-larb-inbox.jpg 1920w, https://lareviewofbooks-media.azureedge.net/unsafe/2048x0/filters:format(jpeg):quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2Fbest-of-larb-inbox.jpg 2048w, https://lareviewofbooks-media.azureedge.net/unsafe/3840x0/filters:format(jpeg):quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2Fbest-of-larb-inbox.jpg 3840w",
"https://lareviewofbooks-media.azureedge.net/unsafe/640x0/filters:format(jpeg):quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FLARB42_D2_Cover%20(1).jpg 640w, https://lareviewofbooks-media.azureedge.net/unsafe/750x0/filters:format(jpeg):quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FLARB42_D2_Cover%20(1).jpg 750w, https://lareviewofbooks-media.azureedge.net/unsafe/828x0/filters:format(jpeg):quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FLARB42_D2_Cover%20(1).jpg 828w, https://lareviewofbooks-media.azureedge.net/unsafe/1080x0/filters:format(jpeg):quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FLARB42_D2_Cover%20(1).jpg 1080w, https://lareviewofbooks-media.azureedge.net/unsafe/1200x0/filters:format(jpeg):quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FLARB42_D2_Cover%20(1).jpg 1200w, https://lareviewofbooks-media.azureedge.net/unsafe/1920x0/filters:format(jpeg):quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FLARB42_D2_Cover%20(1).jpg 1920w, https://lareviewofbooks-media.azureedge.net/unsafe/2048x0/filters:format(jpeg):quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FLARB42_D2_Cover%20(1).jpg 2048w, https://lareviewofbooks-media.azureedge.net/unsafe/3840x0/filters:format(jpeg):quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FLARB42_D2_Cover%20(1).jpg 3840w"
] |
[] |
[] |
[
""
] | null |
[] |
2018-12-26T20:00:15+00:00
|
Geoff Nicholson takes stock of “Inge Morath: Magnum Legacy” by Linda Gordon.
|
/icons/favicon/favicon.ico
|
Los Angeles Review of Books
|
https://lareviewofbooks.org/article/the-road-to-roxbury-on-linda-gordons-inge-morath-magnum-legacy
|
ACCORDING TO Linda Gordon’s biography of Inge Morath, once, when Morath was photographing presidential candidate Adlai Stevenson (I’m guessing in the early 1960s, though the book doesn’t specify), she got down on the floor to find a better, more unusual angle, at which point the other photographers, all male, literally walked all over her.
I suspect that if it had been a man who was on the floor they’d have been just as likely to walk all over him, but there does seem to be something thoroughly symbolic about this event. It’s also telling that, even while being walked on, Morath took some wonderfully intimate photographs of Stevenson.
By then Morath was used to being ignored and sidelined as a photographer. She said she was “mercilessly hit by Speed Graphics and blocked by bigger bodies working together.” Even at the Magnum photo agency for which she worked, on and off, in one capacity or another, from the late 1940s, she felt she received far less support than the male photographers gave to each other.
It says much for Morath’s fortitude and persistence, her ability to shrug off misfortune, that none of this stopped her from becoming a serious and significant photographer. She was accustomed to adversity, and consistently overcame it with a good deal of grace and style. Her whole life had been like that.
¤
No doubt every experience of war is unique, but Inge Morath’s was more singular than most. She was born in 1923, in Graz, Austria (her surname originally had an umlaut), to parents who were both scientists and, according to the biography, “Nazi enthusiasts.” She had a peripatetic childhood and by 1939 the family was living in Berlin. A photograph of Morath from that year shows her wearing a swastika broach at her collar, but for a while her life seems to have been surprisingly unaffected by Nazism and, then, by the war.
Graduating a year early from high school in 1940, she spent a compulsory spell in the Reichsarbeitsdienst (Reich Labor Service) — a kind of civilian national service — working first in a kindergarten, then on a farm in East Prussia, where the locals were less than receptive to a girl they saw (reasonably enough) as a privileged Berlin sophisticate. They made her milk cows and clean the pigsties.
She got through it, returned to Berlin, and enrolled in the University to study Romance languages, a course that included a semester in Bucharest. As a student she refused to join the Deutsche Studentenschaft, members of which had quite a taste for book burning. Whether this had any direct consequences is hard to say. She graduated in 1944, apparently without any problems, but possibly that earlier refusal led to her being drafted to work in an aircraft factory at Tempelhof where she labored alongside Ukrainian female prisoners of war. By then the Allies were repeatedly bombing Berlin, often hitting the factory, and when news spread that the Russian army was on its way, Morath managed to escape the city, along with others, and made the 450-mile trek to Salzburg to join members of her family who had already fled there. She saw some appalling sights along the way, bad enough to deter her from ever wanting to be a “war photographer.”
She was in poor health when she arrived in Salzburg: her digestion was wrecked for the rest of her life. On May 4, 1945, the US Army arrived; the war soon ended, though obviously not the privations. But again Morath didn’t do so badly. By 1946, she was working as a translator for the US Information Service.
At this point, she seems to have had no ambitions to be a photographer. If anything, she thought of herself as a writer, and in due course she found work as co-editor of the magazine Der Optimist, then as a reporter and Austrian editor for Heute, a magazine published by the US Information Service. There she worked with the photographer Ernst Haas on a story about Austrian prisoners returning from Russia: he did the pictures, she did the words. When Haas was invited to Paris to meet Robert Capa and other members of the Magnum photo agency, Morath went with him. And when he joined the agency as a full-fledged member, she worked for it too, though as a very poorly paid researcher, editor, and caption writer.
Magnum was (and I suspect still is) very much a boys’ club. If Morath resented this (and how could she not have?), she accepted it as the way things were. And if Magnum wasn’t egalitarian, it definitely sounds like fun. Capa was brilliantly charismatic. He cared about his staff. There were parties, days at the races, a lot of food and drink, some of it very fancy, much of it less so. Capa had a few very rich friends, and many very poor ones. One member of the social group, “an Egyptian painter,” specialized in cooking horse offal. There was also apparently a lot of sex. As Morath herself wrote, “through friendships, and also affairs, one got to know the new cultures and new languages,” though she said she only kissed Capa once.
She still seems to have had no interest in becoming a photographer. That only happened after she’d married a bisexual English journalist named Lionel Birch, whose books included Why They Join the Fascists and The Story of Beer. Perhaps being married to another writer was enough to make her want to give up on the pen, although, to be fair, she did continue to write and publish, generally words that ran alongside her pictures. The couple were on vacation in Venice, she had with her an old Contax camera given to her by her mother, and she took some moody pictures of the city in the rain. It was a life-changing moment. In a later account, she said, “this was the perfect way for me to express what I had within […] it totally satisfied me.” This new passion, unlike the marriage, lasted the rest of her life.
¤
She trained in London for a year with Simon Guttmann, a “merciless” teacher and one-time friend of Walter Benjamin, then she returned to Paris where Magnum gave her an associate membership. For the next 10 years she was a jobbing, working photographer, sometimes apprenticing (and sleeping) with Henri Cartier-Bresson and traveling to many parts of the world, including Iran, Spain, and South Africa. “Many of these jobs were implicitly marked female,” writes Gordon; a wedding, a funeral, Parisian boutiques, animals on TV. She did some straightforward commercial work, some portraiture. She befriended John Huston and worked as a set photographer on some of his movies, and by the late 1950s she’d started to work with Saul Steinberg on the wonderful “paper bag mask” series. Perhaps, all this time, she kept in mind Capa’s advice: “Just go on doing what you want to do anyway but call yourself a photojournalist.”
And then, in 1960, everything changed. She was invited to shoot on the set of Huston’s movie The Misfits, being filmed on location in Reno. The script was written by Arthur Miller, from one of his short stories, and the movie starred Clark Gable, Montgomery Clift, and Marilyn Monroe, who was then Miller’s wife.
Morath and Cartier-Bresson drove to Reno from New York, an 18-day road trip that seems not to have completely thrilled them. According to Gordon, “the two Parisians were most distraught about the food available on the road, their hopes raised and then dashed, for example, when a cube steak turned out to be just another hamburger.” They both took pictures along the way, sometimes of each other. Morath’s photographs from the trip appeared in book form some 46 years later, as The Road to Reno, which also included her journals.
They arrived to find the production in chaos. Huston was drunk most of the time, Monroe drugged on barbiturates and painkillers, showing up late or not at all, not knowing her lines, and attended by her acting coach, Paula Strasberg, who seems to have regarded her primary function as undermining Huston’s authority. One of the cameramen said he couldn’t film Monroe because “the eyes were gone,” and it’s interesting that the two Morath photographs of Monroe that appear in the biography both show her from the back, even though she shot plenty of others that showed the actress’s face.
Miller was suffering his own particular tortures. His marriage was in tatters, and as he dealt with that he also had to do regular rewrites of the script. He was, as one can imagine, in need of comfort, and he found it with Morath. By the time the production wrapped (not before Clark Gable had suffered a heart attack), Miller and Morath’s relationship had become serious, and they stayed together until Morath’s death in 2002.
They married in 1962, once Miller was divorced. They lived for a while in the Chelsea Hotel, then in an apartment in Manhattan, and chiefly on Miller’s 340-acre estate, a former dairy farm, in Roxbury, Connecticut, where he’d previously lived with Monroe.
Whether by choice, because of the tenor of the times, or at Miller’s insistence, Morath took on a subsidiary role in this creative cohabitation. She played the good wife, writing to Magnum that she couldn’t take on much work because “I have to take care of a husband whose superior talents often require cooking more urgently than my photography.”
She also became a mother, giving birth to two children. Her daughter, Rebecca, who went on to become a filmmaker and marry Daniel Day-Lewis, while her son, Daniel, was born with Down syndrome and was institutionalized for all of his life. None of Morath’s writings make any mention of the boy, and Miller managed the remarkable feat of writing an autobiography that completely omits mention of his son.
Whatever demands were made by Miller’s “superior talent,” Morath did continue to take photographs. She became her husband’s go-to set photographer and often photographed productions of his plays. Miller sounds like a controlling egotist, but being married to him did open some doors for Morath. When Miller was invited to interview Nelson Mandela in South Africa, Morath was there to take (what seems to me) a rather bland portrait of the great man.
As time went on, she did start to do some traveling by herself, although negotiation was still required. She said, “I cook his lunch and I can take my trips.” But whether alone or with Miller, the traveling became relentless — China, Japan, Russia, Romania, Bulgaria, Bhutan, Berlin when the wall came down. Much of it sounds incredibly grueling, though perhaps less so to somebody who had walked from Berlin to Salzburg through a war zone. And Morath’s traveling didn’t stop even after she had the diagnosis, and then the increasingly painful symptoms, of the lymphoma that killed her. There does seem to have been something obsessive about this need to be constantly in motion, though Gordon describes it simply as evidence of Morath’s “globalism.”
¤
Linda Gordon is a very generous and supportive biographer, but a good deal of special pleading is required to make Morath into the paragon Gordon evidently wants her to be. In a chapter titled “World Photographer,” she writes about the extent to which the invention of photography stoked a curiosity about, and then a further desire to photograph, the non-Western world: National Geographic magazine, established in 1888, is a synecdoche for this “ethnological” urge. Gordon naturally disapproves of this kind of thing and says, “Because the photographers were usually European, their photographs often revealed more about their imperial perspective than about their subjects, as they so often focused on the allegedly ‘primitive,’ even emphasizing what magazine readers saw as grotesque.”
This is a sustainable argument, even if claiming to know how readers “saw” those magazines seems patronizing, and it is, of course, the current wisdom. Susan Goldberg, who in 2014 became the first female and first Jewish editor of National Geographic, ran an issue on race that contained much self-flagellation about the magazine’s less than “woke” past.
There’s a more difficult and, I think, less sustainable argument, in which Gordon asserts that the work of Magnum photographers was “remarkably free of the colonialist eye, reflecting a more democratic and open-minded view of cultural differences.” I’m really not sure that Henri Cartier-Bresson’s photographs of India or China are quite so democratic and non-colonialist as this would suggest. And I’m not at all sure that Morath’s photographs taken in Iran, for example, are entirely free from the dreaded “Orientalism.”
The special pleading moves into a higher gear as Gordon describes Morath’s marriage to Miller. We’re told that when Morath moved into the Roxbury estate, “With her typical unflappability, Inge did not seem uncomfortable with any remaining Marilyn Monroe associations.” Well, unflappability might be one word for that, but I can think of others. Daughter Rebecca is quoted as saying that her mother fitted into life at Roxbury “with absolute bravery.” Gordon doesn’t question what this could possibly mean.
As for that line — “I have to take care of a husband whose superior talents often require cooking more urgently than my photography” — rarely has the phrase “Get your own damn dinner” seemed so appropriate. Clearly there’s no point in wishing that Morath was in some way a “better feminist,” but when Gordon shrugs this off and writes, “Many women lived with these contradictions, but few mastered them with so much success,” it’s hard to feel you’re getting the whole story.
But it’s Gordon’s consideration of Miller and Morath’s treatment of their son Daniel that seems simply unsupportable. It is, she says, “explained by several factors […] Most important no doubt was that in 1967 the majority of doctors advised parents to institutionalize children with Down syndrome.” No doubt? But given the couple’s wealth and connections it would surely have been possible to find doctors who took a minority view, if they’d wanted to. Things get even more difficult when we learn that Miller had a cousin, named Carl Barnett, also with Down syndrome, who had indeed been raised at home. Perhaps, and Gordon almost says this though not quite, it was the very fact of having witnessed the domestic stresses and difficulties of rearing a Down syndrome child that made Miller think he couldn’t live with such a burden. This might not be very noble, but it’s all too understandable. However, it’s the Miller-Morath’s failure even to mention the situation that’s so problematic. Were they ashamed of the boy or of themselves?
One of Morath’s assistants, according to Gordon, “surmised that Inge’s periodic unexplained absences were visits to him [Daniel] in Southbury.” Possibly so, but it’s not hard to surmise some quite different explanations. In any case, Gordon concludes, “raising Rebecca was rewarding enough to compensate for any guilt that lingered.” Spare us.
¤
These things, of course, are the stuff of biography rather than aesthetic judgment, but they do raise the question of how good the work itself was, and whether it was helped or hindered by the sacrifices Morath made and the difficulties she faced. Certain members of Magnum weren’t impressed by Morath’s photography. Gordon writes, “Some in the New York Magnum group considered her a minor photographer, producing lightweight work, a dilettante rather than a professional. Some thought her marriage to a wealthy and famous man showed that photography was not her true calling.” Gordon says this is “a recapitulation of the sexism she faced during her first years with Magnum,” and sexism is no doubt involved, but it’s more complex than that, isn’t it? Wasn’t there also envy? Having a rich spouse might in fact free you to pursue your “true calling” without having to worry about how to pay the bills. Having enough money doesn’t strike me as overwhelming evidence of dilettantism: ask William Eggleston.
Comparisons may be odious but they’re hard to avoid. In the course of that Misfits shoot, nine big-name Magnum photographers worked on the set. Personal taste obviously comes into this, and Morath’s photographs are perfectly good, but compared with those by Henri Cartier-Bresson and Eve Arnold, they seem remarkably tame. This especially applies to the photographs of Monroe. Cartier-Bresson and Arnold reveal depths that Morath doesn’t. Other views are no doubt possible.
Morath’s work, it seems to me, is very inconsistent. Her portrait of Fidel Castro is benign enough to appear in a Cuban government brochure, extolling the benefits of Cuban-style communism. The photographs of Miller’s productions just strike me as dull. On the other hand, there’s an apparently casual photograph of Louise Bourgeois with Andy Warhol at a gallery show that’s an absolute gem: capturing her intensity, his performative blankness.
In the end, the two sets of Morath’s photographs that strike me as absolutely great are, first, the photographs made in collaboration with Saul Steinberg. Subjects are elegantly posed and each has a paper bag over his or her head — a bag on which Steinberg has drawn a face that, like many masks, reveals far more than a “real” face or careful portrait ever could. The images are amusing, startling, but also strangely, perhaps surprisingly, profound. Morath’s photographs show her to be a full participant in the creations, not just the maker of a photographic record.
I’m also smitten with those pictures taken on the road to Reno. American road trip photographs are 10-a-penny, but Morath has found a way to make the subject her own. Female photographers I’ve heard talk on the subject are divided about whether there’s any such thing as a “female gaze,” still, you couldn’t mistake any of these pictures for a Robert Frank or a Garry Winogrand, and I do wonder if it was actually Morath’s discomfort with the road and with America that produced such startling results.
A passage in her journal reads:
Sirens. The turning lights of a police car. An accident. Two cars, completely battered. Out of the torn side of one of them spill the many objects a family packs for a holiday: dolls, boxing gloves, picnic tackle. Way out, remaining there senselessly and frail, a wicker baby carriage. I better go and drink some coffee. Howard Johnson, a sign says. “A landmark for hungry Americans.” I stop anyway.
I think that’s really good. Sometimes a few words are worth a thousand pictures.
¤
Geoff Nicholson is a contributing editor to the
Los Angeles Review of Books
. His latest novel,
The Miranda
|
|||
4941
|
dbpedia
|
0
| 33
|
https://www.flickr.com/photos/skorver1/albums/72157633930113488/
|
en
|
Inge Morath
|
[
"https://live.staticflickr.com/7410/8951278502_8ecb2ddc5f.jpg",
"https://live.staticflickr.com/5466/8950045463_30e0de34bd_c.jpg",
"https://live.staticflickr.com/7428/8951119222_f272e5ac08.jpg",
"https://live.staticflickr.com/5326/8951093868_457c77618f.jpg",
"https://live.staticflickr.com/2811/8949874941_29eb021716.jpg",
"https://live.staticflickr.com/3733/8949772831_72af0517f9_c.jpg",
"https://live.staticflickr.com/3686/8965742824_3bf6f3d529.jpg",
"https://live.staticflickr.com/2815/8980800247_0f87758b77_c.jpg",
"https://live.staticflickr.com/7384/8965944884_2cfd91c3bf.jpg",
"https://live.staticflickr.com/7366/8980853669_82086b7a24.jpg",
"https://live.staticflickr.com/2857/8980899735_47f0990838.jpg",
"https://live.staticflickr.com/3803/8980919101_c2114c31d1.jpg",
"https://live.staticflickr.com/3705/8982164068_7ea1bbacaf_z.jpg",
"https://live.staticflickr.com/3808/8982186874_466f34249e_z.jpg",
"https://live.staticflickr.com/5450/8982201404_09785bbc3a_c.jpg",
"https://live.staticflickr.com/2864/8982221704_ab948d15e7.jpg",
"https://live.staticflickr.com/7451/9139555296_77ac86a00c_c.jpg",
"https://live.staticflickr.com/3672/9177140305_99e54f61ef.jpg",
"https://live.staticflickr.com/7304/9177177245_7214dbf1d3.jpg",
"https://live.staticflickr.com/7426/9180694318_ac05cffbfe.jpg",
"https://live.staticflickr.com/7285/9180794896_fb9bac6e75.jpg",
"https://live.staticflickr.com/7460/9178644579_3eeb6e8060_z.jpg",
"https://live.staticflickr.com/3686/9178690473_d0d8d3ac01_z.jpg",
"https://live.staticflickr.com/7300/9181107736_a793ec400e_c.jpg",
"https://live.staticflickr.com/5507/9409567721_38cfcc4a1d.jpg"
] |
[] |
[] |
[
""
] | null |
[
"Flickr",
"www.flickr.com"
] |
2024-08-15T01:31:31.565000+00:00
|
Inge Morath was born in Graz, Austria, in 1923. After studying languages in Berlin, she became a translator, then a journalist and the Austrian editor for Heute, an Information Service Branch publication based in Munich. All her life Morath would remain a prolific diarist and letter-writer, retaining a dual gift for words and pictures that made her unusual among her colleagues.
A friend of photographer Ernst Haas, she wrote articles to accompany his photographs and was invited by Robert Capa and Haas to Paris to join the newly founded Magnum agency as an editor and researcher. She began photographing in London in 1951, and joined Magnum Photos as a photographer in 1953. While working on her own first assignments, Morath also assisted Henri Cartier-Bresson during 1953-54, becoming a full member in 1955.
In the following years, Morath traveled extensively in Europe, North Africa and the Middle East. Her special interest in the arts found expression in photographic essays published by a number of leading magazines. After her marriage to playwright Arthur Miller in 1962, Morath settled in New York and Connecticut. She first visited the USSR in 1965. In 1972 she studied Mandarin and obtained a visa to China, making the first of many trips to the country in 1978.
Morath was at ease anywhere. Some of her most important work consists of portraits, but of passers-by as well as celebrities. She was also adept at photographing places: her pictures of Boris Pasternak's home, Pushkin's library, Chekhov's house, Mao Zedong's bedroom, artists' studios and cemetery memorials are permeated with the spirit of invisible people still present. Inge Morath died in New York City on 30 January 2002.
|
en
|
https://combo.staticflickr.com/pw/favicon.ico
|
Flickr
|
https://www.flickr.com/photos/skorver1/albums/72157633930113488/
|
Inge Morath was born in Graz, Austria, in 1923. After studying languages in Berlin, she became a translator, then a journalist and the Austrian editor for Heute, an Information Service Branch publication based in Munich. All her life Morath would remain a prolific diarist and letter-writer, retaining a dual gift for words and pictures that made her unusual among her colleagues. A friend of photographer Ernst Haas, she wrote articles to accompany his photographs and was invited by Robert Capa and Haas to Paris to join the newly founded Magnum agency as an editor and researcher. She began photographing in London in 1951, and joined Magnum Photos as a photographer in 1953. While working on her own first assignments, Morath also assisted Henri Cartier-Bresson during 1953-54, becoming a full member in 1955. In the following years, Morath traveled extensively in Europe, North Africa and the Middle East. Her special interest in the arts found expression in photographic essays published by a number of leading magazines. After her marriage to playwright Arthur Miller in 1962, Morath settled in New York and Connecticut. She first visited the USSR in 1965. In 1972 she studied Mandarin and obtained a visa to China, making the first of many trips to the country in 1978. Morath was at ease anywhere. Some of her most important work consists of portraits, but of passers-by as well as celebrities. She was also adept at photographing places: her pictures of Boris Pasternak's home, Pushkin's library, Chekhov's house, Mao Zedong's bedroom, artists' studios and cemetery memorials are permeated with the spirit of invisible people still present. Inge Morath died in New York City on 30 January 2002.
read more read less
|
||||
4941
|
dbpedia
|
0
| 25
|
https://www.magnumfoundation.org/news/inge-morath-award-call-for-applications-2024
|
en
|
Open Call: 2024 Inge Morath Award — Magnum Foundation
|
http://static1.squarespace.com/static/56aa79ef9cadb6c241e3ae46/5a4fc99124a6948ca5d15f5e/65df93bfc83c8c7986b08ab2/1720631710111/Shirin_Abedi_10.jpeg?format=1500w
|
http://static1.squarespace.com/static/56aa79ef9cadb6c241e3ae46/5a4fc99124a6948ca5d15f5e/65df93bfc83c8c7986b08ab2/1720631710111/Shirin_Abedi_10.jpeg?format=1500w
|
[
"https://images.squarespace-cdn.com/content/v1/56aa79ef9cadb6c241e3ae46/1564420859475-RAZCKUC2R1BB3VYFNWGN/MagnumF_Logotype_4C_Pos-WEB.jpg",
"https://images.squarespace-cdn.com/content/v1/56aa79ef9cadb6c241e3ae46/1564420859475-RAZCKUC2R1BB3VYFNWGN/MagnumF_Logotype_4C_Pos-WEB.jpg",
"https://images.squarespace-cdn.com/content/v1/56aa79ef9cadb6c241e3ae46/8309f764-4ea6-436c-bf93-9955a22de8b9/Shirin_Abedi_10.jpeg",
"https://images.squarespace-cdn.com/content/v1/56aa79ef9cadb6c241e3ae46/1564686554986-QNINUSQ7RGIGUQRQ4KHX/MagnumF_Logotype_4C_Rev+crop.png",
"https://wageforwork.com/api/certificate?institution=cliiz0up9139230tqyi4b0p2c8"
] |
[] |
[] |
[
""
] | null |
[
"Guest User"
] |
2024-02-29T12:15:06-05:00
|
We are accepting applications for the Inge Morath Award, a $7,500 grant given to a woman or nonbinary photographer under the age of 30 to support the completion of a long-term documentary project. One finalist will also receive a $1,000 grant in support of their project. Submissions due by April 30
|
en
|
https://images.squarespace-cdn.com/content/v1/56aa79ef9cadb6c241e3ae46/1477591785145-V6O534VUJB208A94DJPI/favicon.ico?format=100w
|
Magnum Foundation
|
https://www.magnumfoundation.org/news/inge-morath-award-call-for-applications-2024
|
We are accepting applications for the Inge Morath Award, a grant given to a woman or nonbinary photographer under the age of 30 to support the completion of a long-term documentary project. The selected recipient will receive a grant of $7,500, and one finalist will also receive a $1,000 grant in support of their project.
The recipient and finalist are selected by a jury composed of Magnum Photos members, the Inge Morath Estate, and the Executive Director of the Magnum Foundation.
Inge Morath was an Austrian-born photographer who was associated with Magnum Photos for nearly fifty years. After her death in 2002, the Inge Morath Foundation was established with a limited-term mission to manage Morath’s estate and facilitate the study and appreciation of her contribution to photography. With the closure of the research space in 2014, Inge’s archive was acquired by the Beinecke Library at Yale University, and a set of Morath’s master prints by the Yale University Art Gallery, where they are now available to scholars.
Because Morath devoted much of her enthusiasm to encouraging women photographers, her colleagues at Magnum Photos established the Inge Morath Award in her honor. The award is administered by the Magnum Foundation as part of its mission to expand creativity and diversity in documentary photography, in cooperation with the Inge Morath Estate. For more about Morath’s enduring endurance and influence in a male-dominated industry, read Sumeja Tulic’s piece in the British Journal of Photography in honor of the award’s 20th anniversary.
|
||
4941
|
dbpedia
|
0
| 72
|
https://msingallsisthebest.weebly.com/timeline.html
|
en
|
Timeline
|
http://msingallsisthebest.weebly.com/uploads/5/4/4/2/54429323/5216982_orig.jpg
|
http://msingallsisthebest.weebly.com/uploads/5/4/4/2/54429323/5216982_orig.jpg
|
[
"https://msingallsisthebest.weebly.com/uploads/5/4/4/2/54429323/5216982_orig.jpg",
"https://cdn2.editmysite.com/images/site/footer/footer-toast-published-image-1.png"
] |
[] |
[] |
[
""
] | null |
[] | null |
Arthur Miller is Born | October 17, 1915 Arthur Miller was born in Manhattan. He was the second son of two Polish immigrants who were pretty well off in their life. Stock Market Crash | October...
|
Arthur Miller
|
http://msingallsisthebest.weebly.com/timeline.html
|
Arthur Miller is Born | October 17, 1915
Arthur Miller was born in Manhattan. He was the second son of two Polish immigrants who were pretty well off in their life.
Stock Market Crash | October 24, 1929
This event was devastating to the Miler family. Within two years of the crash, the family is forced to give up their business and move to Brooklyn
School Life | 1932 - 1938
Arthur Miller graduates from Brooklyn's Abraham Lincoln High School and begins work in an auto-parts warehouse in order to save money for college. He also attends New York City College night classes for a few weeks, but drops out when he is unable to keep up with both school and work.
Miller enrolls in the University of Michigan after having been denied admission twice before due to his poor grades in high school. Miller works as a reporter and night editor for the university newspaper, the Michigan Daily.
Miller receives the Hopwood Award for his first play, No Villain, and uses the prize money to help pay tuition. A revised version entitled They Too Arise wins him a $1,250 scholarship from the Theater Guild's Bureau of New Plays the following year.
Miller graduates from college and finds work writing radio plays for the Federal Theater Project in New York City. Two years later, the U.S. government cuts the Depression-era program after critics assail its leftist political leanings. An unemployed Miller accepts federal assistance.
First Marriage | August 5, 1940
Miller marries his college sweetheart, a Catholic woman named Mary Grace Slattery. Miller is unable to find a producer interested in his plays, The Half Bridge and The Golden Years. Slattery supports them both through her work as a waitress and an editor.
Work | 1940 - 1943
As the United States mobilizes to fight World War II, Miller begins work as a ship fitter's helper in the Brooklyn Navy Yard, choosing to work nights in order to write during the daytime.
Miller finds work as a screenwriter for a war film, The Story of G.I. Joe, and quits his job in the Navy Yard. Frustrated with his employers and their lack of acknowledgement for his work, Miller eventually quits the job.
The Man Who Had All the Luck | 1944
The Man Who Had All the Luck receives the Theater Guild National Award and opens on Broadway. Despite the award, the play bombs with the public and closes after only four performances. Disheartened with his repeated failures in New York, Miller considers quitting writing. In the same year Mary Slattery gives birth to the couple's first child, a daughter named Jane.
All My Sons | 1947
Miller's play All My Sons, based on a true story about a man who sold faulty machine parts to the U.S. military during World War II, becomes an instant hit. The play wins two Tony Awards and the New York Drama Critics' Circle Award, and is rated one of the ten best plays of 1947. In the same year, Miller's son Robert is born.
Death of a Salesman | 1949
Death of a Salesman opens to huge acclaim on Broadway. The play wins the Pulitzer Prize, the New York Drama Critics' Circle Award, and the Tony.
Affair with Marilyn Monroe | 1951
Miller meets actress Marilyn Monroe and they have a brief affair.
The Crucible | 1953
The Crucible opens on Broadway. The play's setting in the Salem Witch Trials provides an allegory for Senator Joseph McCarthy's ongoing persecution of suspected communists, a process that disgusts Miller.
A view from the Bridge | 1955
Miller produces two new moderately successful plays, A Memory of Two Mondays and A view from the Bridge.A View from the Bridge is based on the same story as Elia Kazan's Oscar-winning film On the Waterfront.
Second Marriage and HUAC | June 29, 1956
Miller divorces his first wife and marries Marilyn Monroe. Shortly after the marriage, Miller—who has attended party meetings, but never been a member of the Communist party—is called before the House Committee on Un-American Activities to testify. Committee chairman Francis Waters privately offers to let Miller off if he agrees to have Monroe pose with Walters for a campaign poster. Miller refuses and is questioned about his involvement with communist activities and probed for the names of other communists. Despite the pressure, Miller refuses to name names.
Contempt of Congress | May 31, 1957
A judge finds Miller guilty of contempt of Congress for refusing to name other alleged communists during his 1956 HUAC testimony.
Miller's Conviction Overturned | July 8, 1957
After a lengthy appeals trial, a judge overturns Miller's contempt conviction.
The Misfits | 1961
The Misfits, a movie written by Miller and starring Monroe, premieres. Shortly afterward, the couple divorces. Monroe dies of a drug overdose nineteen months later.
Third Marriage| February 17, 1962
Miller marries Austrian-born photographer Inge Morath, whom he met on the set ofThe Misfits. In September, Morath gives birth to their daughter Rebecca.
Two New Plays | 1964
Miller writes Incident at Vichy and After the Fall, two plays about the Holocaust. Critics assail After the Fall, calling it indulgent and exploitative of Marilyn Monroe's recent death. Miller denies any intentional similarity between the play's character and his former wife.
Presidency of PEN | 1965
Miller is elected president of PEN, an international literary organization that advocates for a free press and against censorship and oppression of writers.
Miller Rejects Son | 1966
Miller's son Daniel is born with Down Syndrome and his parents decide to commit him to an institution.
The Price | 1968
The Price, a play about two brothers dealing with the death of their father, premieres. Miller's own father died in 1966. The Price is Miller's last major Broadway success.
Miller Revival in Britain | 1985
After receiving lackluster reviews at its 1977 American premiere, The Archbishop's Ceiling opens to great acclaim in England and marks the beginning of a revival of Miller's work in that country. The play's themes reflect Miller's advocacy on behalf of censored writers in the Soviet bloc.
Miller writes Autobiography | 1987
Miller publishes his autobiography, Timebends. He also releases two plays, I Can't Remember Anything and Clara, both preoccupied with the themes of memory and remembrance.
The Ride Down Mt. Morgan | 1991
Miller's The Ride Down Mt. Morgan, a distinctly political play about the Reagan years, premieres in England.
Broken Glass | 1994
Broken Glass, a play about the Nazis' 1938 Kristallnacht attack against civilian Jews and their property, premieres.
|
||||
4941
|
dbpedia
|
1
| 45
|
https://www.wikidata.org/wiki/Q112033
|
en
|
Inge Morath
|
https://www.wikidata.org/static/favicon/wikidata.ico
|
https://www.wikidata.org/static/favicon/wikidata.ico
|
[
"https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1",
"https://www.wikidata.org/static/images/footer/wikimedia-button.svg",
"https://www.wikidata.org/static/images/footer/poweredby_mediawiki.svg"
] |
[] |
[] |
[
""
] | null |
[] | null |
Austrian photographer (1923-2002)
|
en
|
/static/apple-touch/wikidata.png
|
https://www.wikidata.org/wiki/Q112033
| ||||
4941
|
dbpedia
|
2
| 47
|
https://www.wikiwand.com/en/Inge_Morath
|
en
|
Inge Morath
|
[] |
[] |
[] |
[
""
] | null |
[] | null |
Ingeborg Hermine Morath was an Austrian photographer. In 1953, she joined the Magnum Photos Agency, founded by top photographers in Paris, and became a full photographer with the agency in 1955. Morath was the third wife of Pulitzer Prize-winning playwright Arthur Miller; their daughter is screenwriter/director Rebecca Miller.
|
en
|
Wikiwand
|
https://www.wikiwand.com/en/Inge_Morath
|
Austrian photographer (1923-2002) / From Wikipedia, the free encyclopedia
Dear Wikiwand AI, let's keep it short by simply answering these key questions:
Can you list the top facts and stats about Inge Morath?
Summarize this article for a 10 year old
SHOW ALL QUESTIONS
|
|||||
4941
|
dbpedia
|
1
| 7
|
https://www.theguardian.com/news/2002/feb/06/guardianobituaries.arts
|
en
|
The Guardian
|
[
"https://sb.scorecardresearch.com/p?c1=2&c2=6035250&cv=2.0&cj=1&cs_ucfr=0&comscorekw=Arts%2CHigher+education%2CEducation%2CInge+Morath",
"https://i.guim.co.uk/img/media/596b3bda5444c31e11599a5d57399a514eb995db/0_63_4600_2760/master/4600.jpg?width=220&dpr=1&s=none",
"https://i.guim.co.uk/img/media/d4fc14c19b161ab1a4ce9fab8d8b6b49719e176c/0_390_3450_2070/master/3450.jpg?width=220&dpr=1&s=none",
"https://i.guim.co.uk/img/media/9b7a5771d2090228322ead87c0e1dad3ad959757/0_524_3000_1800/3000.jpg?width=220&dpr=1&s=none",
"https://i.guim.co.uk/img/static/sys-images/Guardian/Pix/pictures/2014/11/25/1416917453208/US-97-Stephen-Shore-012.jpg?width=220&dpr=1&s=none",
"https://i.guim.co.uk/img/static/sys-images/Guardian/Pix/pictures/2014/9/25/1411661952164/80378fde-417e-4cc4-9934-f5b78c48059a-2060x1236.jpeg?width=220&dpr=1&s=none",
"https://i.guim.co.uk/img/static/sys-images/Guardian/Pix/pictures/2015/10/6/1444149236758/e31dec2e-04d9-4aba-bacc-9425518fe4b1-2060x1236.jpeg?width=220&dpr=1&s=none"
] |
[] |
[] |
[
""
] | null |
[
"Amanda Hopkinson",
"www.theguardian.com",
"amanda-hopkinson"
] |
2002-02-06T00:00:00
|
Classical photographer with the world in her lens.
|
en
|
the Guardian
|
https://www.theguardian.com/news/2002/feb/06/guardianobituaries.arts
|
Inge Morath, who has died of lymphatic cancer aged 78, was a photographer with two of the earliest leading photo agencies, Magnum and Report. Her stunning black and white images appeared in leading magazines, and she worked as Henri Cartier-Bresson's assistant and with artists Saul Steinberg and Louise Bourgeois. In 1962, after his divorce from Marilyn Monroe, whom she had photographed, she married the playwright Arthur Miller.
Morath was a fine photographer in the classical reportage tradition. She preferred to spend extended periods living with an individual project "to let it grow". Several developed into lasting relationships with people and places she would revisit. Occasionally, she would shoot in colour, as though to lift a particularly exotic topic or as her work in films demanded, most notably on John Huston's Moulin Rouge (1953). Although published extensively in Life, Paris Match, the Saturday Evening Post and Vogue, she gained satisfaction mainly from producing travel books, nearly always backed by touring exhibitions.
Born in Austria, to liberal Protestant parents who were both research scientists, she and her family were living in Germany when the second world war broke out. Morath was punished for refusing to join the Hitler Youth by being given forced labour at Tempelhof airport; this was exhausting and dangerous work, as it was a repeated Allied target. Her wartime experiences, and the horror and poverty she witnessed in its aftermath, left her unable to photograph war.
In 1944, Morath graduated in Romance languages at Berlin University. From the end of the war, she worked as an interpreter for the United States Information Service for five years, and then for Rot-Weiss-Rot, the Austrian radio network, where she honed her writing skills. By 1949, she was a contributor to the literary magazine Der Optimist, and the Austrian editor on Heute.
She also worked with the Austrian photographer Ernst Haas, who was based in Paris and involved in the earliest days of Magnum. Morath became a writer, researcher and intermittent desk editor, writing text captions for Haas, and for fellow Austrian Erich Lessing. In 1951, she moved to London, came into contact with Picture Post magazine, started taking her own photographs, and was briefly married (for three weeks) to one of its principal journalists, Lionel Birch.
In 1952, she undertook her photographic apprenticeship with Simon Guttman - a man almost as legendary for his cantankerous perfectionism as for his photo-agency, Report - and, from 1954, was Cartier-Bresson's assistant.
Morath and her Leica made their first lengthy foray to Spain in 1954. After Franco's death in 1975, the country's rapid development as a cutprice holiday playground spurred her further into the interior. Her insistence on travel over tourism, on making new discoveries and learning the language, led even her early European stories to reveal intimate, unexpected, and often amusing, qualities.
In her own telegram style of writing, she noted how, in 1955, the "great event was Robert Capa's inviting me to join Magnum now as a photographer on the strength of my pictures and text on French worker priests, which was three months in doing." Her travels increased, always bringing her new friends - she was as interested in peasants as in intellectuals - and her obsession with literature meant that her itineraries were always produced with reference to writers whose work she read in the original language.
Morath's first book, Guerre à la Tristesse/Fiesta In Pamplona, with text by Dominique Aubier, had been published in 1954. It was followed by Venice Observed (with Mary McCarthy, 1956), Bring Forth The Children (with Yul Brynner, 1960), Tunisia (with fellow Magnum photographer Marc Riboud and texts by Claude Roy and Paul Sebag, 1961), and From Persia To Iran (with Edouard Sablier, 1961).
She first met Arthur Miller in 1960 on the set of The Misfits, while on an assignment to document Marilyn Monroe's acting. After their marriage, Morath and Miller began to travel together, mostly eastwards, and her 1969 book, In Russia, included text by him. It was followed by My Sister Life (1973), with poems by Boris Pasternak.
Morath extended her travels to Asia, pursued eastern philosophy, taught herself Mandarin, and, in 1979, accompanied Miller to China for the staging of his Death Of A Salesman, a trip that generated two further books: Chinese Encounters (1979) and Salesman In Beijing (1984). The same eye that had gently parodied the British class system sharply perceived Mao's new social order.
From the 1980s onwards, Morath stayed home for longer periods. She made little alteration to the country house in Roxbury, Vermont, where Miller and Monroe had lived, beyond turning the heart-shaped swimming pool back into a natural lake, where she swam daily. Her long-term projects included making a book of Steinberg's masks and a reportage on Bourgeois's sculptures.
As she grew older, the couturier clothes of her Paris years were discarded in favour of those more suitable to a daily life that included yoga, swimming and gardening. She maintained her ample European cuisine, preparing goulasch for her guests while quietly keeping to a vegetarian diet herself. We would eat at a table Miller had made, under posters of Chinese calligraphy and her own favourite portraits, including the large, befurred woman with her pooch and her flunkey in Pall Mall.
She reissued earlier work on Spain and undertook a massive review of the Danube, following the river from source to mouth. In 1999, after a host of retrospective exhibitions and awards, she published her Life As A Photographer. In it, Miller commented that it was "not only a process of catching the subject's soul, but of the moment seizing Morath at the same instant".
She is survived by Miller and their daughter Rebecca, a writer and director married to the actor Daniel Day-Lewis.
|
|||||
4941
|
dbpedia
|
2
| 51
|
https://www.keranews.org/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
en
|
Biography Captures The Charisma And Confidence Of Photographer Inge Morath
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
[
"https://npr.brightspotcdn.com/dims4/default/f0e5aaa/2147483647/strip/true/crop/304x60+0+0/resize/534x106!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2Ffc3228b%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fb9%2Fc1%2F498638bc4823bba01b54979be2df%2Fkeranews-horiz.png 2x",
"https://npr.brightspotcdn.com/dims4/default/f0e5aaa/2147483647/strip/true/crop/304x60+0+0/resize/534x106!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2Ffc3228b%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fb9%2Fc1%2F498638bc4823bba01b54979be2df%2Fkeranews-horiz.png 2x",
"https://npr.brightspotcdn.com/dims4/default/3f8b3fd/2147483647/strip/true/crop/138x46+0+0/resize/1760x586!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fimages%2Fstations%2Flogos%2Fnpr.gif 2x",
"https://npr.brightspotcdn.com/dims4/default/ca41745/2147483647/strip/true/crop/2649x2197+0+0/resize/1760x1460!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/34a1fa0/2147483647/strip/true/crop/4254x6398+0+0/resize/1760x2648!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc11270_custom-1c7c5c1529d1972e9636027f85d3d626443469b4.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/3456d50/2147483647/strip/true/crop/4600x3112+0+0/resize/1760x1190!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc99770_custom-a05aa11ca5b645954d14fa7eb346a67cb6fc91ab.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/85e9546/2147483647/strip/true/crop/7116x4727+0+0/resize/1760x1170!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fpar36912_custom-6869805d50443fa1a3ca5b766671ce62bf0cc014.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/631dc97/2147483647/strip/true/crop/2610x3480+1016+0/resize/150x200!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2019%2F05%2F28%2Fnpr_susan_stamberg_002-1396c14dae397ffdb98024b702bc681642fe9da3.jpg",
"https://npr.brightspotcdn.com/dims4/default/5fd9cdf/2147483647/strip/true/crop/356x276+0+0/resize/1760x1364!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Ff0%2F6d%2F595119cf4c939ed26dc1cf9cdba1%2Fkeranewsstackedv2.png 2x",
"https://npr.brightspotcdn.com/dims4/default/eb13396/2147483647/strip/true/crop/350x69+0+0/resize/534x106!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F5d%2Fce%2Fa505e248400b93d515b881896ce4%2Fkeranews-horiz-redwhite.png 2x"
] |
[] |
[] |
[
""
] | null |
[
"Susan Stamberg",
"www.keranews.org",
"susan-stamberg"
] |
2018-12-10T00:00:00
|
Biographer Linda Gordon chronicles Morath's escape from Nazi Germany, her boundary-breaking career and her marriage to playwright Arthur Miller.
|
en
|
/apple-touch-icon.png
|
KERA News
|
https://www.keranews.org/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
"I'm fascinated by the necessity of quick decisions," Inge Morath told me more than 30 years ago, when she came to NPR for an interview. Morath was in the business of quick decisions — as a photographer and photojournalist she was the first woman to be accepted as a full member of the Magnum photo agency.
Now, her life is the subject of a new biography by Linda Gordon. It recounts Morath's escape from Nazi Germany, her boundary-breaking career, and her marriage to playwright Arthur Miller.
Morath met Miller — and his then-wife Marilyn Monroe — in 1960 while she was taking publicity stills on the set of the film The Misfits. It was Monroe's last film, and Miller had written it for his wife.
"Inge took some very, very beautiful and sympathetic photographs of Marilyn Monroe," Gordon says. "But Miller had struck her as intensely interesting — and he was quite impressed," Gordon says.
Miller and Monroe's relationship had been on the rocks for some time. He and Morath had an affair and the two married in 1962. They were together for 40 years, until Inge's death in 2002.
In our 1987 interview, I asked Morath about whether she wished she'd paid more attention to Monroe, as Miller's first wife. In a marriage, "you have to be yourself," she said. "Even if you are the first, the second, or the third wife — if you try to take over anything, or imitate anything, I think it'd be a disaster."
"She was a woman of extraordinary self-confidence," says Gordon. "One sees that throughout her life ... self-confidence as a photographer, as a person, but also as her own sexual being."
Morath had a magnetic personality — and plenty of affairs.
"She was just a person who drew you in," says Gordon.
As a young woman, Morath had a rough time in Germany during the war.
"After Allied bombs started falling heavily on Berlin — and landing very near the munitions factory where she was a forced worker — she joined columns of hundreds, probably thousands, of people on foot just leaving Berlin," Gordon explains.
The biographer says Morath walked 455 miles to her parents in Salzburg, Austria. They were Nazi sympathizers — she was not. In Paris after the war, Morath got a job at Magnum, the elite photo agency founded by the great pioneers of photojournalism, Robert Capa and Henri Cartier-Bresson.
There, she did everything from secretarial work, to working with contact sheets, to cleaning the office, Gordon says, all the while honing her skills in photography. In 1955, she became Magnum's first full female member.
With her camera, Morath followed her passion for travel. In Spain, she wangled her way into the dressing room of the great toreador Antonio Ordóñez. Her 1954 photo shows him preparing for combat: his muscled chest is bare, and he's wearing skin-tight, sequin-embroidered pants.
It took chutzpah to get into his dressing room, where women were considered bad luck. "To get into that space she half jokingly made a completely outrageous argument," Gordon says. "She said, 'I'm wearing pants when I work, therefore I'm neither man nor woman.' "
In Seville, Morath put on a flamenco outfit and climbed up onto a chair to shoot dancers, whirling to the music in their layered red and white skirts and petticoats. "You only see these people from the waist down ..." Gordon says. "She has captured the movement — but with a camera just slow enough so that some of the picture is blurred as you see the skirts whirling around."
Outside of photography circles, Morath is known more for her marriage than for her work. "I do not like the fact that many people only know her as a wife of Arthur Miller — and, of course, the wife immediately after Marilyn Monroe — but my impression is that she was pretty copacetic about it," Gordon says.
There are trade-offs to familiarity, Morath told me in 1987. For example, when working on a portrait, she said she didn't necessarily want to meet her subject first.
There is a "wonderful element to a new meeting," she explained. Being strangers, the photographer and the subject are placed into a "sparring" position. "That's interesting," she said. "You kind of show more of yourself."
Copyright 2023 NPR. To see more, visit https://www.npr.org.
|
||
4941
|
dbpedia
|
3
| 32
|
https://simple.wikipedia.org/wiki/Inge_Morath
|
en
|
Simple English Wikipedia, the free encyclopedia
|
https://simple.wikipedia.org/static/favicon/wikipedia.ico
|
https://simple.wikipedia.org/static/favicon/wikipedia.ico
|
[
"https://simple.wikipedia.org/static/images/icons/wikipedia.png",
"https://simple.wikipedia.org/static/images/mobile/copyright/wikipedia-wordmark-en.svg",
"https://simple.wikipedia.org/static/images/mobile/copyright/wikipedia-tagline-simple.svg",
"https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1",
"https://simple.wikipedia.org/static/images/footer/wikimedia-button.svg",
"https://simple.wikipedia.org/static/images/footer/poweredby_mediawiki.svg"
] |
[] |
[] |
[
""
] | null |
[
"Contributors to Wikimedia projects"
] |
2012-05-07T06:44:01+00:00
|
en
|
/static/apple-touch/wikipedia.png
|
https://simple.wikipedia.org/wiki/Inge_Morath
|
Ingeborg Morath (May 27, 1923 – January 30, 2002) was an Austrian photographer.[1] In 1953 she joined the Magnum Photos Agency. She became a full photographer with them in 1955. In 1955 she published her first collection of photographs, of a total of 30 monographs during her lifetime.
Ingeborg Morath was born in Graz, Austria. Her parents were scientists. They went to different laboratories and universities in Europe during her childhood. She first went to French-speaking schools. In the 1930s her family moved to Darmstadt, a German intellectual center. Then they moved to Berlin.
Morath's first encounter with avant-garde art was the Degenerate Art show by the Nazi party in 1937. It was supposed to make people not like modern art. "I found a number of these paintings exciting and fell in love with Franz Marc's Blue Horse", Morath later wrote.[2]
Morath went to Berlin University. At university, Morath studied languages. She learned French, English, and Romanian. Later she added Spanish, Russian and Chinese. Toward the end of World War II, Morath worked for factory service in Tempelhof, alongside Ukrainian prisoners of war. During an attack on the factory by Russian bombers, she ran on foot to Austria. In later years, Morath would not photograph war.
After the Second World War, Morath worked as a translator and journalist. In 1948, she was hired by Warren Trabant. She worked for Heute. Morath met photographer Ernst Haas in post-war Vienna. She brought his work to Trabant's attention.[3] Working together for Heute, Morath wrote articles to go along with Haas' pictures. In 1949, Morath and Haas were invited by Robert Capa to join the newly founded Magnum Photos in Paris.
Morath was briefly married to the British journalist Lionel Birch. She moved to London in 1951. That same year, she began to photograph during a visit to Venice. Morath asked for an apprenticeship with Simon Guttman. He was then an editor for Picture Post and running the picture-agency Report.
Morath divorced Birch and returned to Paris. Her first jobs were stories that did not interest "the big boys." She went to London on an early job to photograph the residents of Soho and Mayfair. Morath's portrait of Mrs. Eveleigh Nash, from that job, is among her best-known works. During the late 1950s Morath traveled widely. She covered stories in Europe, the Middle East, Africa, the United States, and South America. She worked for such publications as Holiday, Paris Match, and Vogue. In 1955 she published Guerre à la Tristesse, photographs of Spain, with Robert Delpire. This was followed by De la Perse à l'Iran, photographs of Iran, in 1958. Morath published more than thirty monographs during her lifetime.
Like many Magnum members, Morath worked as a still photographer on numerous motion picture sets. She met director John Huston while she was living in London. Huston's Moulin Rouge (1952) was one of Morath's earliest jobs. It was her first time working in a film studio.
Morath married the playwright Arthur Miller on February 17, 1962. They moved to the United States. Miller and Morath's first child, Rebecca, was born in September 1962. The couple's second child Daniel was born in 1966 with Down syndrome. He was institutionalized shortly after his birth.[4] Today Rebecca Miller is a film director, actress, and writer.
Ingeborg Morath Miller died of cancer in New York City in 2002, at the age of 78.[1]
2003, her family established the Inge Morath Foundation.
2002, members of Magnum Photos made the Inge Morath Award in honor of their colleague as an annual award. It is administered by the Inge Morath Foundation, and is given to a woman photographer under the age of 30, to support her work towards the completion of a long-term project.
1992 Great Austrian State Prize for Photography.
1984 Doctor Honoris Causa Fine Arts, University of Connecticut, Hartford, USA.
1983 State of Michigan Senate Resolution NO 295; Tribute to Inge Morath.
2008 Well Disposed and Trying to See: Inge Morath and Arthur Miller in China, University of Michigan Art Museum, Ann Arbor, USA.
2004 Inge Morath: The Road to Reno, Chicago Cultural Center, Illinois, USA.
2004 Inge Morath: Chinese Encounters, Pingyao International Photography Festival, Pingyao, China.
2003 Exposition, Henri Cartier-Bresson Foundation, Paris, France.
2002 Inge Morath: Danube, City Gallery of Russe, Russe, Bulgaria.
2002 Inge Morath: New York, Galerie Fotohof, Salzburg, Austria; Stadt Passau, Europäische; Wochen, Germany ESWE Forum, Wiesbaden; Esther Woerdehoff Galerie, Paris, France; Amerikahaus Tübingen, Germany.
1999 Retrospective, Kunsthalle Wien, Austria; FNAC Etoile, Paris, France; FNAC, Barcelona, Spain.
1999 Spain in the Fifties, Museo del Cabilde, Montevideo, Uruguay.
1998 Inge Morath: Danube, Festival of Central European Culture, London, UK; Museen d. Stadt Regensburg, Regensburg, Germany.
1998 Retrospective, Edinburgh Festival, Edinburgh, UK; Museum of Photography in Charleroi, Belgium; Municipal Gallery, Pamplona, Spain.
1998 Celebrating 75 Years Leica Gallery, New York, USA.
1997 Retrospective Kunsthal, Rotterdam, Netherlands.
1997 Inge Morath: Danube, Keczkemet Museum, Esztergom Museum, Hungary
1997 Photographs 1950s to 1990s, Tokyo Museum of Photography, Tokyo, Japan
1996 Women to Women, Takashimaya Gallery, Tokyo, Japan
1996 Inge Morath: Danube, Neues Schauspielhaus, Berlin, Germany; Leica Gallery, New York, USA; Galeria Fotoforum, Bolzano, Italy.
1995 Spain in the fifties, Museo de Arte Contemporaneo, Madrid, Spain; Museo de Navarra,Pamplona, Spain.
1994 Spain in the fifties, Spanish Institute, New York, USA
1992/94 Retrospective, Neue Galerie Linz, Austria ;America House, Frankfurt, Germany; Hardenberg Gallery, Velbert, Germany; Galerie Fotogramma, Milano, Italy; Royal Photographic Society, Bath, UK; Smith Gallery and Museum, Stirling, UK; America House, Berlin, Germany; Hradcin Gallery, Prague, Czech Republic.
1991 Portraits, Kolbe Museum Berlin, Germany; Rupertinum Museum Salzburg, Austria
1989 Portraits, Burden Gallery, Aperture Foundation, New York, New York, USA; Norwich Cathedral, Norwich, UK; American Cultural Center, Brussels, Belgium.
1988 Retrospective, Union of Photojournalists, Moscow, Russia; Sala del Canal Museum, Madrid, Spain; Rupertinum Museum, Salzburg, Austria.
1984 Salesman in Beijing, Hong Kong Theatre Festival.
1979 Inge Morath: Photographs of China, Grand Rapids Art Museum, Michigan, USA.
1964 Inge Morath: Photographs, Gallery 104, Art Institute of Chicago, Illinois, USA.
|
||||
4941
|
dbpedia
|
0
| 67
|
https://www.pinterest.com/pin/395894623476959794/
|
en
|
[] |
[] |
[] |
[
""
] | null |
[] |
2016-09-12T15:42:17+00:00
|
View New York (girls with bubbles) by Helen Levitt, sold at Photographs Evening & Day on New York 5 & 6 October 2016. Learn more about the piece and artist, and its final selling price.
|
en
|
Pinterest
|
https://www.pinterest.com/pin/helen-levitts-photographs-of-nyc-children--63543044730345452/
| |||||||
4941
|
dbpedia
|
2
| 91
|
https://www.burnmagazine.org/in-the-spotlight/2014/06/danube-revisited-the-inge-morath-truck-project/
|
en
|
Danube Revisited – The Inge Morath Truck Project
|
[
"https://www.burnmagazine.org/wp-content/uploads/2017/09/burn-logo_grey-on-white-copia-1-170x120-160x113.jpg",
"https://www.burnmagazine.org/wp-content/uploads/2017/09/burn-logo_grey-on-white-copia-1-170x120-160x113.jpg",
"https://i2.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/Screen-Shot-2014-05-22-at-5.15.18-pm.jpg?fit=1024%2C459&ssl=1",
"https://i0.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/001_Burn_Inge_0005.jpg?w=1196&h=863&ssl=1",
"https://i0.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/002_Burn_Inge_0002.jpg?w=795&h=525&ssl=1",
"https://i1.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/003_Burn_Inge_0009.jpg?w=397&h=265&ssl=1",
"https://i1.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/004_Burn_Inge_0012.jpg?w=397&h=256&ssl=1",
"https://i2.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/005_Burn_Inge_0019.jpg?w=291&h=291&crop=1&ssl=1",
"https://i1.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/006_Burn_Inge_0001.jpg?w=451&h=291&ssl=1",
"https://i2.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/007_Burn_Inge_0015.jpg?w=446&h=291&ssl=1",
"https://i2.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/008_Burn_Inge_0004.jpg?w=395&h=264&ssl=1",
"https://i0.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/009_Burn_Inge_0032.jpg?w=395&h=264&ssl=1",
"https://i2.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/010_Burn_Inge_0031.jpg?w=797&h=532&ssl=1",
"https://i0.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/011_Burn_Inge_0026.jpg?w=478&h=475&ssl=1",
"https://i0.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/012_Burn_Inge_0047.jpg?w=714&h=475&ssl=1",
"https://i0.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/013_Burn_Inge_0046.jpg?w=795&h=529&ssl=1",
"https://i0.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/014_Burn_Inge_0006.jpg?w=397&h=264&ssl=1",
"https://i1.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/015_Burn_Inge_0040.jpg?w=397&h=261&ssl=1",
"https://i2.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/016_Burn_Inge_0027.jpg?w=1196&h=1195&ssl=1",
"https://i1.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/017_Burn_Inge_0028.jpg?w=742&h=738&ssl=1",
"https://i1.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/018_Burn_Inge_0029.jpg?w=450&h=434&ssl=1",
"https://i0.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/019_Burn_Inge_0033.jpg?w=450&h=300&ssl=1",
"https://i1.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/020_Burn_Inge_0007.jpg?w=397&h=265&ssl=1",
"https://i0.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/021_Burn_Inge_0008.jpg?w=397&h=265&ssl=1",
"https://i1.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/022_Burn_Inge_0011.jpg?w=394&h=265&ssl=1",
"https://i0.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/023_Burn_Inge_0010.jpg?w=630&h=420&ssl=1",
"https://i1.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/024_Burn_Inge_0013.jpg?w=630&h=392&ssl=1",
"https://i2.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/025_Burn_Inge_0042.jpg?w=562&h=816&ssl=1",
"https://i0.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/026_Burn_Inge_0030.jpg?w=596&h=596&crop=1&ssl=1",
"https://i1.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/027_Burn_Inge_0016.jpg?w=596&h=596&crop=1&ssl=1",
"https://i2.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/028_Burn_Inge_0038.jpg?w=856&h=567&ssl=1",
"https://i0.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/029_Burn_Inge_0044.jpg?w=336&h=218&ssl=1",
"https://i1.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/030_Burn_Inge_0024.jpg?w=336&h=345&ssl=1",
"https://i0.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/031_Burn_Inge_0025.jpg?w=375&h=377&ssl=1",
"https://i2.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/032_Burn_Inge_0034.jpg?w=565&h=377&ssl=1",
"https://i1.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/033_Burn_Inge_0043.jpg?w=248&h=377&ssl=1",
"https://i0.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/034_Burn_Inge_0035.jpg?w=831&h=555&ssl=1",
"https://i0.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/035_Burn_Inge_0045.jpg?w=361&h=555&ssl=1",
"https://i1.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/036_Burn_Inge_0041.jpg?w=490&h=702&ssl=1",
"https://i2.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/037_Burn_Inge_0018.jpg?w=702&h=702&crop=1&ssl=1",
"https://i0.wp.com/www.burnmagazine.org/wp-content/uploads/2014/06/038_Burn_Inge_0003.jpg?w=1196&h=802&ssl=1"
] |
[] |
[] |
[
""
] | null |
[] |
2014-06-05T13:23:34+00:00
|
Danube Revisited The Inge Morath Truck Project “Photography is a strange phenomenon. In spite of the use of that technical instrument, the camera, no two photographers, even if they were at the sam…
|
en
|
burn magazine
|
https://www.burnmagazine.org/in-the-spotlight/2014/06/danube-revisited-the-inge-morath-truck-project/
|
Danube Revisited
The Inge Morath Truck Project
“Photography is a strange phenomenon. In spite of the use of that technical instrument, the camera, no two photographers, even if they were at the same place at the same time, come back with the same pictures. The personal vision is usually there from the beginning; result of a special chemistry of background and feelings, traditions and their rejection, of sensibility and voyeurism. You trust your eye and you cannot help but bare your soul. One’s vision finds of necessity the form suitable to express it.”
–Inge Morath, Life as a Photographer, 1999
Danube Revisited: The Inge Morath Truck Project
By Jennifer Gandin Le
Where we are born leaves an indelible mark on our bodies. The space where we first take air into our lungs is where language meets our ears, light meets our eyes, and the sensation of skin begins. No matter what follows, the place stays with us.
For pioneering Magnum photojournalist Inge Morath (1923-2002), born in Graz, Austria, the place that captured her imagination and vision was the Danube region in Eastern Europe. For nearly forty years (1958-1995), she made trips along the full length of the river, from the Black Forest to the Black Sea, and photographed the people and landscape along the river through generations of social and political change. She made her first trip along the Danube in 1958, traveling to Germany, Yugoslavia, Austria, Czechoslovakia, and Romania. Politics made Hungary, Bulgaria, and the Soviet Union inaccessible to her until the 1990s, after the fall of the Iron Curtain. In 1995, she exhibited her “Donau” project and published a book, but she continued to return to the region; the last trip she took before she died was to the land of her birth.
This July, Inge Morath’s photos of her beloved Danube region will return home.
Nine photographers — all of whom have received the Inge Morath Award, an annual prize given by Magnum Photos members to a woman photographer under 30 — will convert an 18-wheeler into a mobile gallery of her work and drive it along the Danube River, exhibiting the work in the very communities that Morath photographed.
Along the way, the women will create new work, collaborate with local female photographers in the region, and amplify the voices of existing local artists by inviting selected photographers to travel with them. “While we’re trained to be perceptive and pick up things with culture and people and photograph critically, essentially, we’re just visitors,” says Claire Martin of the project’s express mission to “support the under-represented female voice in documentary photography.” “We want people with the real voice of the region to participate in the project.”
“When I started here twelve years ago, the attention was on Inge and her history,” says John P. Jacob, director of the Inge Morath Foundation. “About halfway in, we changed the tone of the website to focus on her legacy. We asked, what can we do for those who feel her influence? It has been incredibly rewarding for us to see this project flow from that change in perspective.”
Danube Revisited’s numbers are impressive: nine photographers, three of their children, one documentary filmmaker, 24 cities and villages, 10 countries, 1,777 miles of river, and all in 35 days — especially when you consider that Morath completed her version of this journey across nearly 40 years.
“I’ve tried to put together group projects with friends before, but it’s never worked,” says Kathryn Cook, who won the Award in 2008. “This is different. There’s a lot of glue between those who have received the award.” Lurdes R. Basolí, 2010 winner, agrees. “I wouldn’t be doing this project without what we have in common — sharing this grant.” Despite the administrative challenges of organizing this project across four countries and over two years, Basolí’s faith in the project never flagged. “We built this ourselves. It was never an option to give up — we all had such deep commitment.”
A unique collaboration in a field known for its solitary work, these nine photographers will spend five weeks sharing ideas, informing each others’ work, pressing each other to grow and evolve, and supporting each other along the way.
“I’ve done collaborative projects like this with my students before, and it’s always been exciting to shoot similar situations, then look at our images together afterwards and see how our eyes are different. I’m excited to do this with these great photographers,” says Emily Schiffer, 2009 award winner. Schiffer and Cook will be traveling with their children, which was another important priority for the organizers. Their Kickstarter page drives the point home: “We are all between the ages of 31 and 41 and would love to prove that there doesn’t have to be an age or a period when women can’t create or take part in an adventure.”
Despite being the namesake for a high-profile award for female photographers, Morath herself was dismissive of the gender issue, emphasizing her photography as the important discussion. However, she and her Magnum colleague Eve Arnold were also proud of their prominence as women photographers, especially in a time when there were obvious gaps in the diversity of not only Magnum, but also the entire industry.
Claire Martin says, “We’re trying to correct the balance from the historical white male bias in documentary photography, and trying to bring it back a bit. Inge was a pioneer that way, and that’s why we’re so inspired by her. She was one of the first to put a woman’s print on work and have it publicly validated and recognized.”
Most of the award winners knew little about Morath when they applied. But through the last two years of planning Danube Revisited, Morath’s legacy has come alive for them in a new way. “As you talk with everyone who knew her, you realize that they created the award out of deep respect and love for her,” says Martin. “In creating this project, she’s become really influential to me. I think of her being the one of the first women, breaking the barriers of entrenched gender roles at the time. How challenging that must have been. How ballsy she must have been to be so defiant, such a powerhouse.”
Jessica Dimmock wonders about Morath’s own perception of her trajectory in the field. “Did she think her career would change things for women, or did she feel isolated by being a solo woman in a field driven by men? Based on the changes she was seeing in her lifetime, did she think the nine of us could exist? Would she have an idea that this many women would be drawn to this craft?”
Jennifer Gandin Le is a writer and photographer based in Austin, TX. When she’s not telling stories with words or images, she’s saving lives through her company Emotion Technology, which works with social web companies to prevent suicide and promote mental health online. When she was just 24, director Francis Ford Coppola commissioned her film adaptation of the best-selling novel The Girls’ Guide to Hunting and Fishing by Melissa Bank. Her non-fiction writing has been published in Wired Magazine, Time Out New York, BUST Magazine, and The Village Voice. Her short film, Small Changes, won the Grand Jury Prize in the 2009 Intelligent Use of Water film competition, and was screened at The Getty Center in Los Angeles. Gandin Le graduated with honors from New York University’s Tisch School of the Arts.
The Inge Morath Award was established by the members of Magnum Photos in tribute to their colleague, who was associated with Magnum for more than fifty years. The annual Inge Morath Award is given to a woman photographer under thirty years of age, to assist in the completion of a long term documentary project. The winner and finalists are selected by the photographer members of Magnum Photos and a representative of the Morath Foundation at the Magnum annual meeting. The photographers participating in Danube Revisited are nine of the past Inge Morath Award winners, who have benefited and grown as a result of the award, and wish to honor the legacy of Inge Morath by retracing her Danube journey. Each photographer brings to the project both a unique personal vision and a common appreciation for the challenges facing women photographers today.
WE ARE: Olivia Arthur, Emily Schiffer, Claire Martin, Lurdes Basoli, Kathryn Cook, Mimi Chakarova, Jessica Dimmock, Claudia Guadarrama, and Ami Vitale.
Related links
Danube Revisited: The Inge Morath Truck Project
|
|||||
4941
|
dbpedia
|
1
| 93
|
https://alchetron.com/Inge-Morath
|
en
|
Inge Morath (American Photographer) ~ Bio with [ Photos
|
[
"https://alchetron.com/cdn/private_file_1517239952900eaa7af56-1e91-4a1f-99a7-83a80c00bac.jpg",
"https://alchetron.com/cdn/inge-morath-8b856990-d88b-4167-8575-3baf99cdcee-resize-750.jpg",
"https://alchetron.com/cdn/inge-morath-c50c9e73-7a4d-45e3-96f6-abc7ed2942e-resize-750.jpg",
"https://alchetron.com/cdn/inge-morath-d76beb9f-0a03-4183-ab2d-5fddcac174b-resize-750.jpeg",
"https://alchetron.com/cdn/inge-morath-078efddb-bdf4-4404-87b9-dd61749e365-resize-750.jpeg",
"https://alchetron.com/cdn/inge-morath-1150f404-a466-4272-bf5e-5a83f91e506-resize-750.jpeg"
] |
[] |
[] |
[
""
] | null |
[] |
2017-08-18T08:30:48+00:00
|
Ingeborg Hermine Inge Morath (listen May 27, 1923 January 30, 2002) was an Austrianborn American photographer. In 1953, she joined the Magnum Photos Agency, founded by top photographers in Paris, and became a full photographer with the agency in 1955. Morath was also the third and last wife
|
en
|
/favicon.ico
|
Alchetron.com
|
https://alchetron.com/Inge-Morath
|
Early years (1923–1945)
Morath was born in Graz, Austria, to Mathilde (Wiesler) and Edgar Morath, scientists whose work took them to different laboratories and universities in Europe during her childhood. Her parents had converted from Catholicism to Protestanism. First educated in French-speaking schools, Morath relocated in the 1930s with her family to Darmstadt, a German intellectual center, and then to Berlin, where Morath's father directed a laboratory specializing in wood chemistry. Morath was registered at the Luisenschule near Bahnhof Friedrichstraße.
Morath's first encounter with avant-garde art was the Entartete Kunst (Degenerate Art) exhibition organized by the Nazi Party in 1937, which sought to inflame public opinion against modern art. "I found a number of these paintings exciting and fell in love with Franz Marc's Blue Horse", Morath later wrote. "Only negative comments were allowed, and thus began a long period of keeping silent and concealing thoughts."
After finishing high school, Morath passed the Abitur and was obliged to complete six months of service for the Reichsarbeitsdienst (Reich Labour Service) before entering Berlin University. At university, Morath studied languages. She became fluent in French, English, and Romanian in addition to her native German (to these she later added Spanish, Russian and Chinese). "I studied where I could find a quiet space, in the University and the Underground stations that served as air-raid shelters. I did not join the Studentenschaft (Student Organization)."
Toward the end of World War II, Morath was drafted for factory service in Tempelhof, a neighbourhood of Berlin, alongside Ukrainian prisoners of war. During an attack on the factory by Russian bombers, she fled on foot to Austria. In later years, Morath refused to photograph war, preferring to work on stories that showed its consequences.
Middle years (1945–1962)
After the war, Morath worked as a translator and journalist. In 1948, she was hired by Warren Trabant, first as Vienna Correspondent and later as the Austrian editor, for Heute, an illustrated magazine published by the Office of War Information in Munich. Morath encountered photographer Ernst Haas in post-war Vienna, and brought his work to Trabant's attention. Working together for Heute, Morath wrote articles to accompany Haas' pictures. In 1949, Morath and Haas were invited by Robert Capa to join the newly founded Magnum Photos in Paris, where she started as an editor. Working with contact sheets sent into the Magnum office by founding member Henri Cartier-Bresson fascinated Morath. "I think that in studying his way of photographing I learned how to photograph myself, before I ever took a camera into my hand."
Morath was briefly married to the British journalist Lionel Birch and relocated to London in 1951. That same year, she began to photograph during a visit to Venice. "It was instantly clear to me that from now on I would be a photographer", she wrote. "As I continued to photograph I became quite joyous. I knew that I could express the things I wanted to say by giving them form through my eyes." Morath applied for an apprenticeship with Simon Guttman, who was then an editor for Picture Post and running the picture-agency Report. When Guttman asked what Morath wanted to photograph, and why, she answered that "after the isolation of Nazism I felt I had found my language in photography." After Morath had spent several months working as Guttman's secretary, she had an opportunity to take photographs. She sold her first photographs - of opening nights, exhibitions, inaugurations, etc. - under the pseudonym "Egni Tharom", her name spelled backwards.
Morath divorced Birch and returned to Paris to pursue a career in photography. In 1953, after Morath presented her first large picture story, on the Worker Priests of Paris, to Capa, he invited her to join Magnum as a photographer. Her first assignments were stories that did not interest "the big boys." She went to London on an early assignment to photography the residents of Soho and Mayfair. Morath's portrait of Mrs. Eveleigh Nash, from that assignment, is among her best-known works. At Capa's suggestion, in 1953–54, Morath worked with Cartier-Bresson as a researcher and assistant. In 1955 she was invited to become a full member of Magnum Photos. During the late 1950s, Morath traveled widely, covering stories in Europe, the Middle East, Africa, the United States, and South America, for such publications as Holiday, Paris Match, and Vogue. In 1955 she published Guerre à la Tristesse, photographs of Spain, with Robert Delpire, followed by De la Perse à l'Iran, photographs of Iran, in 1958. Morath published more than thirty monographs during her lifetime.
Like many Magnum members, Morath worked as a still photographer on numerous motion picture sets. Having met director John Huston while she was living in London, Morath worked on several of his films. Huston's Moulin Rouge (1952) was one of Morath's earliest assignments, and her first time working in a film studio. When Morath confessed to Huston that she had only one roll of color film to work with and asked for his help, Huston bought three more rolls for her, and occasionally waved to her to indicate the right moments to step in with her camera. Huston later wrote of Morath that she "is a high priestess of photography. She has the rare ability to penetrate beyond surfaces and reveal what makes her subject tick."
In 1959, while photographing the making of The Unforgiven, starring Audrey Hepburn, Burt Lancaster, and Audie Murphy, Morath accompanied Huston and his friends duck hunting on a mountain lake outside Durango, Mexico. Photographing the excursion, Morath saw through her telephoto lens that Murphy and his companion had capsized their boat 350 feet from shore. She could see that Murphy, stunned, was nearly drowning. A skilled swimmer, Morath stripped to her underwear and hauled the two men ashore by her bra strap while the hunt continued uninterrupted.
Morath worked again with Huston in 1960 on the set of The Misfits, a film featuring Marilyn Monroe, Clark Gable and Montgomery Clift, with a screenplay by Arthur Miller. Magnum Photos had been given exclusive rights to photograph the making of the movie, and Morath and Cartier-Bresson were the first of nine photographers to work on location outside Reno, Nevada during the process. Morath met Miller while working on The Misfits.
Marriage and family
Morath married the playwright Arthur Miller on February 17, 1962 and relocated permanently to the United States. Miller and Morath's first child, Rebecca, was born in September 1962. The couple's second child Daniel was born in 1966 with Down syndrome and was institutionalized shortly after his birth. Today Rebecca Miller is a film director, actress, and writer.
First decade
Morath's achievements during her first decade of work as a photographer are significant. Along with Eve Arnold, she was among the first women members of Magnum Photos, which remains to this day a predominantly male organization. Many critics have written of the playful surrealism that characterizes Morath's work from this period. Morath attributed this to the long conversations she had with Cartier-Bresson during their travels in Europe and the United States. Morath's work was motivated by a fundamental humanism, shaped as much by her experience of war as by its lingering shadow over post-war Europe. In Morath's mature work, she documents the endurance of the human spirit under situations of extreme duress, as well as its manifestations of ecstasy and joy.
Later years (1962–2002)
After re-locating to the United States, during the 1960s and 1970s Morath worked closer to home, raising a family with Miller and working with him on several projects. Their first collaboration was the book In Russia (1969), which, together with Chinese Encounters (1979), described their travels and meetings in the Soviet Union and the People's Republic of China. In the Country, published in 1977, was an intimate look at their immediate surroundings. For both Miller, who had lived much of his life in New York City, and Morath, who had come to the US from Europe, the Connecticut countryside offered a fresh encounter with America.
Reflecting on the importance of Morath's linguistic gifts, Miller wrote that "travel with her was a privilege because [alone] I would never been able to penetrate that way." In their travels Morath translated for Miller, while his literary work was the entrée for Morath to encounter an international artistic elite. The Austrian photographer Kurt Kaindl, her long-time colleague, noted that "their cooperation develop[ed] without outward pressure and is solely motivated by their common interest in the people and the respective cultural sphere, a situation that corresponds to Inge Morath's working style, since she generally feels inhibited by assignments."
Morath sought out, befriended, and photographed artists and writers. During the 1950s she photographed artists for Robert Delpire's magazine L'Oeil, including Jean Arp and Alberto Giacometti. She met the artist Saul Steinberg in 1958. When she went to his home to make a portrait, Steinberg came to the door wearing a mask which he had fashioned from a paper bag. Over a period of several years, they collaborated on a series of portraits, inviting individuals and groups of people to pose for Morath wearing Steinberg's masks. Another long-term project was Morath's documentation of many of the most important productions of Arthur Miller's plays.
Some of Morath's signal achievements are in portraiture, including posed images of celebrities as well as fleeting images of anonymous passersby. Her pictures of Boris Pasternak's home, Pushkin's library, Chekhov's house, Mao Zedong's bedroom, as well as artists' studios and cemetery memorials, are permeated with the spirit of invisible people still present. The writer Philip Roth, whom Morath photographed in 1965, described her as "the most engaging, sprightly, seemingly harmless voyeur I know. If you're one of her subjects, you hardly know your guard is down and your secret recorded until it's too late. She is a tender intruder with an invisible camera."
As the scope of her projects grew, Morath prepared extensively by studying the language, art, and literature of a country to encounter its culture fully. Although photography was the primary means through which Morath found expression, it was but one of her skills. In addition to the many languages in which she was fluent, Morath was also a prolific diary and letter-writer; her dual gift for words and pictures made her unusual among her colleagues. Morath wrote extensively, and often amusingly, about her photographic subjects. Although she rarely published these texts during her lifetime, posthumous publications have focused upon this aspect of her work. They have brought together her photographs with journal writings, caption notes, and other archival materials relating to her various projects.
During the 1980s and 1990s, Morath continued to pursue both assignments and independent projects. The film Copyright by Inge Morath was made by German filmmaker Sabine Eckhard in 1992, and was one of several films selected for a presentation of Magnum Films at the Berlin International Film Festival in 2007. Eckhard filmed Morath at home and in her studio, and in New York and Paris with her colleagues, including Cartier-Bresson, Elliott Erwitt and others. In 2002, working with film director Regina Strassegger, Morath fulfilled a long-held wish to revisit the lands of her ancestors, along the borderlands of Styria and Slovenia. This mountainous region, once part of the Austro-Hungarian Empire, had become the faultline between two conflicting ideologies after World War II and until 1991, when attempts at rapprochement led to conflict on both sides of the border. The book Last Journey (2002), and Strasseger's film Grenz Räume (Border Space, 2002), document Morath's visits to her homeland during the final years of her life.
Death
Morath Miller died of cancer in 2002, at the age of 78.
Honors and legacy
2003, her family established the Inge Morath Foundation to preserve and share her legacy.
2002, members of Magnum Photos established the Inge Morath Award in honor of their colleague as an annual award. It is administered by the Inge Morath Foundation, and is given to a woman photographer under the age of 30, to support her work towards the completion of a long-term project.
1992 Great Austrian State Prize for Photography.
1984 Doctor Honoris Causa Fine Arts, University of Connecticut, Hartford, USA.
1983 State of Michigan Senate Resolution NO 295; Tribute to Inge Morath.
Since 2012 Salzburg, Austria has an "Inge-Morath-Platz" in tribute to the photographer. It is also the location of the Fotohof, a photographic institution which has collaborated with her since the beginning of the 1980s
Quotations
"Photography is a strange phenomenon ... You trust your eye and cannot help but bare your soul.
"Inge Morath was, above all, a traveller ... [H]er approach to a story was 'to let it grow', without any apparent concern for narrative structure, trusting in her experience and interests to shape her work rather than in an editorial formula ... She unsentimentally made pictures that were guided by her relationship to a place. These relationships were invariably intimate and long-lasting; she regularly revisited the places she chose to photograph and learned the relevant language ... Similarly, her photographs of people are born of intimacy without sentimentality. It is as if the presentation of relationships takes the place of story structure, and her work is best understood as an ongoing series of observations of the life she made for herself."
Selected one-person exhibitions
2008 Well Disposed and Trying to See: Inge Morath and Arthur Miller in China, University of Michigan Art Museum, Ann Arbor, USA.
2004 Inge Morath: The Road to Reno, Chicago Cultural Center, Illinois, USA.
2004 Inge Morath: Chinese Encounters, Pingyao International Photography Festival, Pingyao, China.
2003 Exposition, Henri Cartier-Bresson Foundation, Paris, France.
2002 Inge Morath: Danube, City Gallery of Russe, Russe, Bulgaria.
2002 Inge Morath: New York, Galerie Fotohof, Salzburg, Austria; Stadt Passau, Europäische; Wochen, Germany ESWE Forum, Wiesbaden; Esther Woerdehoff Galerie, Paris, France; Amerikahaus Tübingen, Germany.
1999 Retrospective, Kunsthalle Wien, Austria; FNAC Etoile, Paris, France; FNAC, Barcelona, Spain.
1999 Spain in the Fifties, Museo del Cabilde, Montevideo, Uruguay.
1998 Inge Morath: Danube, Festival of Central European Culture, London, UK; Museen d. Stadt Regensburg, Regensburg, Germany.
1998 Retrospective, Edinburgh Festival, Edinburgh, UK; Museum of Photography in Charleroi, Belgium; Municipal Gallery, Pamplona, Spain.
1998 Celebrating 75 Years Leica Gallery, New York, USA.
1997 Retrospective Kunsthal, Rotterdam, Netherlands.
1997 Inge Morath: Danube, Keczkemet Museum, Esztergom Museum, Hungary
1997 Photographs 1950s to 1990s, Tokyo Museum of Photography, Tokyo, Japan
1996 Women to Women, Takashimaya Gallery, Tokyo, Japan
1996 Inge Morath: Danube, Neues Schauspielhaus, Berlin, Germany; Leica Gallery, New York, USA; Galeria Fotoforum, Bolzano, Italy.
1995 Spain in the fifties, Museo de Arte Contemporaneo, Madrid, Spain; Museo de Navarra,Pamplona, Spain.
1994 Spain in the fifties, Spanish Institute, New York, USA
1992/94 Retrospective, Neue Galerie Linz, Austria ;America House, Frankfurt, Germany; Hardenberg Gallery, Velbert, Germany; Galerie Fotogramma, Milano, Italy; Royal Photographic Society, Bath, UK; Smith Gallery and Museum, Stirling, UK; America House, Berlin, Germany; Hradcin Gallery, Prague, Czech Republic.
1991 Portraits, Kolbe Museum Berlin, Germany; Rupertinum Museum Salzburg, Austria
1989 Portraits, Burden Gallery, Aperture Foundation, New York, New York, USA; Norwich Cathedral, Norwich, UK; American Cultural Center, Brussels, Belgium.
1988 Retrospective, Union of Photojournalists, Moscow, Russia; Sala del Canal Museum, Madrid, Spain; Rupertinum Museum, Salzburg, Austria.
1984 Salesman in Beijing, Hong Kong Theatre Festival.
1979 Inge Morath: Photographs of China, Grand Rapids Art Museum, Michigan, USA.
1964 Inge Morath: Photographs, Gallery 104, Art Institute of Chicago, Illinois, USA.
Selected monographs
1955 Guerre à la Tristesse. Delpire, France.
1956 Fiesta in Pamplona. Universe Books, USA.
1956 Venice Observed. Reynal & Co., USA.
1958 De la Perse à l'Iran. Robert Delpire, France.
1960 Bring Forth the Children: A Journey to the Forgotten People of Europe and the Middle East. McGraw-Hill, USA.
1967 Le Masque (Drawings by Saul Steinberg). Maeght Editeur, France.
1969 In Russia. Viking Press, USA.
1972 In Russia Penguin. ISBN 978-0-670-02028-7
1973 East West Exercises. Simon Walker & Co., USA.
1975 Grosse Photographen unserer Zeit: Inge Morath. C.J. Bucher Verlag, Switzerland.
1977 In the Country. Viking Press, USA.
1979 Inge Morath: Photographs of China. Grand Rapids Art Museum, USA.
1979 Chinese Encounters. with Arthur Miller. Straus & Giroux, USA.
1981 Bilder aus Wien: Der Liebe Augustin. Reich Verlag, Switzerland.
1984 Salesman in Beijing. with Arthur Miller. Viking Press, USA. ISBN 978-0-670-61601-5
1986 Portraits. Aperture, USA. ISBN 978-0-89381-244-7
1991 Russian Journal. Aperture Foundation, USA. ISBN 978-1-85619-102-9
1992 Inge Morath: Photographs 1952 to 1992. Otto Müller/Verlag, Austria.
1994 Inge Morath: Spain in the Fifties. Arte con Texto, Spain.
1995 Donau. Verlag, Austria. ISBN 978-3-7013-0916-0
1996 Woman to Woman. Magnum Photos, Japan.
1999 Inge Morath: Portraits. Verlag, Austria.
1999 Arthur Miller: Photographed by Inge Morath. FNAC, Spain.
1999 Inge Morath: Life as a Photographer. Kehayoff Books, Germany. ISBN 978-3-929078-92-3
2000 Saul Steinberg Masquerade. Viking Studio, USA. ISBN 978-0-670-89425-3
2002 New York. Otto Müller/Verlag, Austria. ISBN 978-3-7013-1048-7
2003 Inge Morath: Last Journey Prestel. ISBN 978-3-7913-2773-0
2006 The Road to Reno. Steidl, Germany. ISBN 978-3-86521-203-0
2009 Inge Morath: Iran. Steidl, Germany. ISBN 978-3-86521-697-7
2009 Inge Morath: First Color. Steidl, Germany. ISBN 978-3-86521-930-5
2015 History Travels Badly. London: Fishbar. ISBN 978-0-9569959-6-4
|
||||
4941
|
dbpedia
|
2
| 29
|
https://english.radio.cz/austrian-slovene-border-though-eyes-inge-morath-8082584
|
en
|
The Austrian-Slovene border though the eyes of Inge Morath
|
[
"https://img.radio.cz/new-banners/en/promo-main/30_en.png",
"https://img.radio.cz/new-banners/en/promo-main/newsletter.png",
"https://img.radio.cz/new-banners/en/promo-main/vyhlidky_banner_en.png",
"https://img.radio.cz/new-banners/en/promo-main/regions.png"
] |
[] |
[] |
[
"Czech Republic",
"Radio Prague International"
] | null |
[] |
2004-01-23T00:05:00+01:00
|
The world-renowned photographer Inge Morath was born in Graz - the capital of the Austrian province of Styria. She died at the end of January 2002, but before then…
|
en
|
https://english.radio.cz/sites/default/files/favicon.ico
|
Radio Prague International
|
https://english.radio.cz/austrian-slovene-border-though-eyes-inge-morath-8082584
|
Crossover music at the opening of the exhibition "Inge Morath - Border Spaces - Last Journey." The music; modern, exploratory, with traditional Austrian and Slovene melodies. A good choice for homage to the world-renowned traveller and photographer Inge Morath who was born in Graz in 1923. Morath began her photography career in Paris in 1953 when she became a member of the photo agency Magnum and travelled all over Europe, Africa, Asia and the United States. In 1962 she married the American playwright Arthur Miller. By the 1970's Morath's pictures were being exhibited around the world. In 2001 Morath returned to the region of her childhood on the border between Austria and Slovenia. German filmmaker Imo Moscovits lives with his wife Renate, a childhood friend of Inge Morath, on the Austrian-Slovene border.
"She was so connected to this landscape, this paradise, I call it."
But for all of its exquisite beauty Inge Morath took relatively few landscape pictures. The border region between Austria and Slovenia, on the surface so similar, is one racked by painful history - families and communities torn apart when the Kingdom of Serbia, Croatia and Slovenia was carved out of the former Hapsburg empire after World War 1. Then came the rise of National Socialism, the ferocity of World War 2, and after 1945; the cold war. Filmmaker, Regina Strassiger:
"The psychological factor of this border area is something very deep. I think it is Gerhard Roth who was saying you must imagine those people who are in these areas felt like one part was just... amputated."
Emotionally reserved herself; Inge Morath was fascinated by the characters and personalities of others.
"She wanted to concentrate on people and she felt that this border area, you know these rolling, singing hills, could fall too easily into romanticism and I think, the inner relationship, what she felt, she wanted to keep for herself. And this was for a filmmaker very, very hard."
Over the last10 years with the fall of Yugoslavia and the independence of Slovenia the two regions have grown together. The armed border guards have disappeared and today crossing the border from Austria to Slovenia is literally like walking through a vineyard.
|
||||
4941
|
dbpedia
|
0
| 71
|
https://www.kidpaw.net/names/inge
|
en
|
Inge Meanings in English, Popularity, Origin
|
[
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg",
"https://www.kidpaw.net/images/default-avatar.svg"
] |
[] |
[] |
[
""
] | null |
[] | null |
Inge is a Christian Old Norse baby unisex name. Its meaning is "Of Ing". Inge name origin is Old Norse. , Baby names meaning in Urdu, Hindi
|
en
|
https://www.kidpaw.net/names/inge
|
Inge Name Meaning in English
What does the name Inge mean? What is the meaning of the name Inge, lucky number, lucky stone, origin and religion.
The name Inge is a Scandinavian baby name. In Scandinavian the meaning of the name Inge is: Feminine : Ing's protection (Ing was the Norse god of peace and fertility). Hero's daughter.
Inge Name Meaning, Origin & Details
Meaning: Of Ing Short Info: Swedish actress Ingrid Bergman was born in 1915. Details: From the name of the Old Norse god of fertility, Ing, and frior, meaning "fair" or "beautiful". Gender: For both boy and girl, unisex, transgender, neutral gender Origin: Old Norse Religion: Christian Suitable for: Unisex / Gender neutral Hardness: Easy to pronounce, Inge is a short name Uniqueness: It is a common name Short & Easy: Yes
Inge Name Lucky Number 5
Inge Name Numerology And Personality
Inge has the numerology 5. They are the people who are very adventurous and they are always trying to find new things everywhere they go. The meaning of this name is Of Ing.
Those who have the numerology number 5 are very unique too because they do not just believe in living inside the bubble rather they believe in expanding everything in life. The gender of this name Inge is Unisex. This happens because these people are visionary and they look beyond things.
The religion is Christian. These are also the people who know how they need to use their freedom and now just waste it or misuse it rather they try and make the most out of the freedom given to them. They do not take freedom as an opportunity to destroy their lives rather they choose it to make them more focused towards life.
Inge Ethnicity Distribution
Facts About Famouse People with Name Inge
Popular personalities with Inge Name.
Inge Name Wallpaper
Inge name 3D wallpaper and writing styles, Write Inge name on photo online, Inge name writing style online, Write Inge name on image online, Write Inge name pic & wallpaper, Inge 3D name wallpapers editing, Inge new wallpaper, Inge 3d name creator online, Inge name background maker, Create my name in style for Inge
See Inge Name Wallpaper ⟶
How People Search Inge
|
||||||
4941
|
dbpedia
|
2
| 13
|
https://hundredheroines.org/historical-heroines/inge-morath-2/
|
en
|
Austrian Photographer
|
http://hundredheroines.org/wp-content/uploads/2019/02/Inge-Morath.jpg
|
http://hundredheroines.org/wp-content/uploads/2019/02/Inge-Morath.jpg
|
[
"https://hundredheroines.org/wp-content/uploads/2022/07/HH-Logo-White.png",
"https://hundredheroines.org/wp-content/uploads/2022/07/HH-Logo-White.png",
"https://hundredheroines.org/wp-content/uploads/2022/07/HH-Logo-White.png",
"https://hundredheroines.org/wp-content/uploads/2023/03/ampersand-footer.jpg",
"https://hundredheroines.org/wp-content/uploads/2023/03/aim-footer.jpg",
"https://hundredheroines.org/wp-content/uploads/2023/03/heritage-fund-footer.jpg",
"https://hundredheroines.org/wp-content/uploads/2022/04/footer-postcode-lottery-BW.jpg",
"https://hundredheroines.org/wp-content/uploads/2023/08/community-fund-footer.jpg",
"https://hundredheroines.org/wp-content/uploads/2022/04/footer-your-coop-BW.jpg",
"https://hundredheroines.org/wp-content/uploads/2022/04/footer-magic-little-grants-BW.jpg",
"https://hundredheroines.org/wp-content/uploads/2022/12/GWR-Square-BW-1.jpg",
"https://hundredheroines.org/wp-content/uploads/2022/08/Rotary-Club-of-Gloucester-LOGO-Greyscale-1.png",
"https://hundredheroines.org/wp-content/uploads/2023/08/canon-footer.jpg"
] |
[] |
[] |
[
""
] | null |
[
"Gabby Kynoch"
] |
2020-12-22T22:01:28+00:00
|
Austrian photographer Inge Morath left Nazi Germany to America to become an editor and then as assistant to Henry Cartier-Bresson.
|
en
|
Hundred Heroines
|
https://hundredheroines.org/historical-heroines/inge-morath-2/
|
Inge Morath (1923-2002)
Austrian/American photographer
Born in Austria in 1923, Inge Morath was raised in Nazi Germany, from which she escaped in 1945 to Vienna and then Paris. There, she collaborated with Ernst Haas and joined the leftist bohemian set of Magnum photographers in 1953, initially as an editor and then as assistant to Henry Cartier-Bresson. Inge became a full member in 1955.
Inge was one of the first women members of Magnum Photo Agency. She was a rare combination at that time: multitalented, a linguist, an intellectual, an aesthete, an excellent writer and an exacting technician. She was already an experienced editor and reporter, having worked for magazines such as Austrian title ‘Heute’, ‘Picture Post’ and ‘Life’, but she soon became known as an intrepid photographer, willing to travel widely, and deep-dive into other cultures.
Her first assignments included documenting the campaign for women’s rights under Franco in Spain. She also was commissioned to photograph in London’s Soho and Mayfair, and the resulting 1953 portrait of the aristocrat Mrs Evelyn Nash and her solemn chauffeur is from that early assignment.
One of her most memorable shots is the striking ‘A Lama in Times Square’ from 1957, but her range was broad. From the Saul Steinberg mask portraits and those of artists and stars, to the ethnographic studies of Iran and Spain of the 50s, Gaza and later China in the 70s, she captured people and places equally; with the graphic ‘Forty-Eighth Street Window Washers, NYC’ of 1958 she evoked the city as powerfully as she did Beijing twenty years later in ‘Chang An Ave., 6:30 am’.
Inge also famously photographed Marilyn Monroe and Clarke Gable on the set of 1960 film ‘The Misfits’, the last both actors appeared in before their respective deaths. Inge was one of the first photographers to arrive on set, alongside Henri Cartier Bresson. The pair enjoyed a degree of camaraderie with the actors on set, despite high tensions owing to the diminishing relationship between Marilyn and husband, writer Arthur Miller. The pair divorced the summer after the film, and Inge went on to marry Miller in 1962.
To honour her legacy, Magnum sponsors the annual Inge Morath Award, given to a woman photographer under 30. Tamara Merino is this year’s recipient.
|
|||
4941
|
dbpedia
|
2
| 44
|
https://www.ingemorath.org/category/news/
|
en
|
Inge Morath
|
[
"https://www.ingemorath.org/wp-content/uploads/2016/02/IMF-Header.png",
"https://www.ingemorath.org/wp-content/uploads/2023/05/IngeMorath-WP-Centennial-547x576.jpg",
"https://www.ingemorath.org/wp-content/uploads/2020/07/Tamara_Merino_featured_image.jpg",
"https://www.ingemorath.org/wp-content/uploads/2020/07/Tamara_Merino_small_01-166x111.jpg",
"https://www.ingemorath.org/wp-content/uploads/2020/07/Tamara_Merino_small_03-350x234.jpg",
"https://www.ingemorath.org/wp-content/uploads/2020/07/Neha_Hirve_small_02-576x461.jpg",
"https://www.ingemorath.org/wp-content/uploads/2020/03/Zhe_Chen-featured-image-800x576.jpg",
"https://www.ingemorath.org/wp-content/uploads/2017/03/SC_MF-Logo-166x46.png",
"https://www.ingemorath.org/wp-content/uploads/2019/07/Alex_Potter_featured_image.jpg",
"https://www.ingemorath.org/wp-content/uploads/2019/07/Alex_Potter_small_news-350x233.jpg",
"https://www.ingemorath.org/wp-content/uploads/2019/07/Kimberly_Dela-Cruz_small-350x233.jpg",
"https://www.ingemorath.org/wp-content/uploads/2019/07/Tamara_Merino_small-350x233.jpg",
"https://www.ingemorath.org/wp-content/uploads/2019/07/Ioanna_Sakellaraki_small-350x350.jpg",
"https://www.ingemorath.org/wp-content/uploads/2019/02/IM2001-StojanKerbler_featured-image.png",
"https://www.ingemorath.org/wp-content/uploads/2017/03/SC_MF-Logo-166x46.png",
"https://www.ingemorath.org/wp-content/uploads/2018/07/Melissa_Spitz_featured_image.jpg",
"https://www.ingemorath.org/wp-content/uploads/2018/07/9_Spitz-350x233.jpg",
"https://www.ingemorath.org/wp-content/uploads/2018/07/15_Spitz-350x233.jpg",
"https://www.ingemorath.org/wp-content/uploads/2018/07/01_Fulford-576x467.jpg",
"https://www.ingemorath.org/wp-content/uploads/2018/07/01_Kinni-350x438.jpg",
"https://www.ingemorath.org/wp-content/uploads/2018/03/IM1955_featured_image-600x576.jpg",
"https://www.ingemorath.org/wp-content/uploads/2017/03/SC_MF-Logo-166x46.png",
"https://www.ingemorath.org/wp-content/uploads/2017/07/Johanna-Maria_Fritz_1-1-800x576.jpg",
"https://www.ingemorath.org/wp-content/uploads/2017/07/Johanna-Maria_Fritz_4-350x350.jpg",
"https://www.ingemorath.org/wp-content/uploads/2017/07/Johanna-Maria_Fritz_2-350x350.jpg",
"https://www.ingemorath.org/wp-content/uploads/2017/07/Isadora_Romero_3-350x233.jpg",
"https://www.ingemorath.org/wp-content/uploads/2017/03/NYC33899.jpg",
"https://www.ingemorath.org/wp-content/uploads/2017/03/SC_MF-Logo-166x46.png",
"https://www.ingemorath.org/wp-content/uploads/2016/07/Daniella_Zalcman_01-700x576.jpg",
"https://www.ingemorath.org/wp-content/uploads/2016/07/Daniella_Zalcman_03-350x350.jpg",
"https://www.ingemorath.org/wp-content/uploads/2016/07/Daniella_Zalcman_02-350x350.jpg",
"https://www.ingemorath.org/wp-content/uploads/2016/07/Gabriella_Demczuk-350x233.jpg",
"https://www.ingemorath.org/wp-content/uploads/2016/07/Tamara_Merino-350x234.jpg"
] |
[] |
[] |
[
""
] | null |
[
"Inge Morath Estate"
] |
2023-05-27T05:53:58-04:00
|
en
| null |
Category Archives: News
News
Inge Morath: Centennial
Inge Morath Centennial – May 27, 2023
Below are ongoing (incl. past) catalogs/exhibitions/events for Inge’s 100th birthday celebration.
Exhibitions & Book Catalogs
Title: Inge Morath: Fotografare da Venezia in poi (Photographing from Venice Onwards)
Dates: Jan 18th – June 4th, 2023
Venue: Museo di Palazzo Grimani – Venezia
Address: Rugagiuffa, 4858, 30122 Venezia VE, Italy
Press: link 1, link 2
Book: purchase here or wherever available
Title: Mask and Face. Inge Morath and Saul Steinberg
Dates: Feb 25th – June 4th, 2023
Venue: Museum der Moderne Salzburg
Address: Altstadt (Rupertinum), Wiener-Philharmoniker-Gasse 9, 5020 Salzburg, Austria
~ Special catalog produced in conjunction with exhibition
Title: Documenting Israel: Visions of 75 years [group exhibit]
Dates: April 28th – June 30th, 2023
Venue: Museum of Tolerance Jerusalem [MOTJ]
Address: link [Jerusalem, Israel]
Press release: link
Title: Inge Morath [Temporary display / pop-up exhibit]
Dates: May 15th – June 22nd, 2023 *extended*
Venue: Beinecke Rare Book & Manuscript Library [exhibition hall]
Address: 121 Wall St, New Haven, CT 06511, USA
Title: Inge Morath – Wo ich Farbe sehe / Where I See Color
Dates: May 27th – July 29th, 2023
Venue: Fotohof
Address: Inge-Morath-Platz 1-3, 5020 Salzburg, Austria
Press package: link
~ Special book catalog produced in conjunction with exhibition
Title: Inge Morath: Homage
Dates: Dec 21st, 2022 – May 1st, 2023
Venue: Kunstfoyer
Address: Maximilianstraße 53, 80538 München, Germany
3D view: link
Book: purchase here or wherever available
~ Special book catalog produced in conjunction with exhibition
Online talk
Title: The Life and Legacy of Inge Morath with Rebecca Miller
Dates: Monday, May 8th, 2023
Venue: ‘Mondays at Beinecke’ onlineRecording: link
Commemorative postage stamp: One of a kind commemorative 100th birthday postage stamp will be launched June 10th, featuring a portrait of Inge, in partnership with Austria’s official postal service [Österreichische Post Aktiengesellschaft].
Revised: May 27th, 2023 Compiled by Sana Manzoor ℅ Inge Morath Estate
Announcing the 2020 Inge Morath Award
Magnum Foundation, Magnum Photos, and the Inge Morath Estate are pleased to announce Tamara Merino as the recipient of this year’s Inge Morath Award. She will receive a $5,000 production grant to support the completion of her long-term documentary project, Underland. For the first time in the award’s history, the finalist will receive a $1,000 grant in support of their project. The finalist this year is Neha Hirve.
Tamara Merino is a documentary photographer and visual storyteller based in Chile, whose work focuses on human and socio-cultural issues and identity, all of which intersect in her documentation of subterranean communities.
Previously a finalist of the Inge Morath Award in the years 2016 and 2019, she continues to pursue this expanding body of work. She says:
Underneath the soil and away from the chaos of modern society exist hundreds subterranean communities where people still live in cave houses around the world. Though we all inhabit the globe in different ways, we all have a strong relationship with the environment that surrounds us. Each of the communities I have documented for Underland, from Australia to Spain to the United States, have its own socio-cultural, environmental, economical, and religious reasoning that leads them to live a life underground.
Tamara’s project was selected from a pool of one hundred and fourteen applications by the membership of Magnum Photos at their Annual General Meeting. Given each year to a woman photographer under the age of 30, the award honors the legacy of their colleague, Inge Morath.
As this year’s finalist, Neha Hirve is being recognized for her proposal In a light that is leaving, which tells the story of radical eco-activists in Hambach Forest fighting against the power company RWE.
Neha is an independent photographer based between Sweden and India. She focuses on the various relationships humans have to the earth, exploring the space between activism and action, interpretation and fact, and performance and reality.
Tamara and Neha’s work will be presented on Magnum Foundation’s blog in the coming months.
The Inge Morath Award, 2020 Guidelines
Visual storytellers need support now more than ever, and that’s why, we’re moving forward as scheduled with accepting proposals for the Inge Morath Award, a $5,000 grant given to a woman photographer under the age of 30 to support the completion of a long-term documentary project.
One Awardee and up to two finalists are selected by a jury composed of Magnum photographers and the Executive Director and staff of the Magnum Foundation and the Inge Morath Estate.
Inge Morath was an Austrian-born photographer who was associated with Magnum Photos for nearly fifty years. After her death in 2002, the Inge Morath Foundation was established with a limited-term mission to manage Morath’s estate and facilitate the study and appreciation of her contribution to photography. With the closure of the research space in 2014, Inge’s archive was acquired by the Beinecke Library at Yale University, and a set of Morath’s master prints by the Yale University Art Gallery, where they are now available to scholars.
Because Morath devoted much of her enthusiasm to encouraging women photographers, her colleagues at Magnum Photos established the Inge Morath Award in her honor. The Award is administered by the Magnum Foundation as part of its mission to expand creativity and diversity in documentary photography, in cooperation with the Inge Morath Estate.
Past winners of the Inge Morath Award recipients include:
Alex Potter (US, 19′), for Once a Nation, Melissa Spitz (US, 18′), for You Have Nothing to Worry About, Johanna-Maria Fritz (Germany, ‘17), for Like a Bird, Daniella Zalcman (US, ‘16), for Signs of Your Identity, Danielle Villasana (US, ’15), for A Light Inside, Shannon Jensen (US, ’14), for A Long Walk; Isadora Kosofsky (US, ’12), for Selections from “TheThree” and “This Existence;” Zhe Chen (China, ’11) for Bees; Lurdes R. Basolí (Spain, ’10) for Caracas, The City of Lost Bullets and Claire Martin (Australia, ’10) for Selections from The Downtown East Side and Slab City; Emily Schiffer (US, ’09) for Cheyenne River; Kathryn Cook (US, ’08) for Memory Denied: Turkey and the Armenian Genocide; Olivia Arthur (UK, ’07) for The Middle Distance; Jessica Dimmock (US, ’06) for The Ninth Floor; Mimi Chakarova (US, ’06) for Sex Trafficking in Eastern Europe; Claudia Guadarrama (MX, ’05) for Beforethe Limit; and Ami Vitale (US, ’02), for Kashmir.
IM Award Guidelines:
All submissions must be made online using the interface at Submittable.com.
The Award is given to a female photographer to complete a long-term documentary project. Proposals and accompanying material should present only the project for which the Award is being requested.
All applicants must be under the age of 30 on April 30th, 2020 (in other words, if April 30th is your birthday, and you’re turning 30, then you’re no longer eligible to submit a proposal).
Presentation guidelines and image specifications are noted on the Submittable page.
Submit here:
http://magnumfoundation.submittable.com/
All IM Award submissions must be received by April 30th, 2020.
Contact:
For further inquiry please contact
[email protected]
Announcing the 2019 Inge Morath Award
Magnum Foundation and Inge Morath Estate are pleased to announce Alex Potter as the recipient of this year’s Inge Morath Award, a $5,000 production grant to support the completion of a long-term documentary project.
Originally from the Midwest, Alex has been based in Yemen for several years working as an emergency nurse while pursuing her in-depth photography project, Once a Nation. She says:
In seven years, Yemen has fallen from an Arab Spring success story, a peaceful election and exchange of power, to a nearly failed state whose government is divided by tribe, geography, political affiliation, and increasingly, religion. Numerous UN-brokered deals have failed, driving the country further into crisis and famine. Having photographed in Yemen since 2012, long before other journalists rushed in to cover the war, I am uniquely equipped to tell this story.
Alex’s project was selected from a pool of ninety-five applications by the membership of Magnum Photos at their Annual General Meeting. Given each year to a woman photographer under the age of 30, the award honors the legacy of their colleague, Inge Morath.
This year’s finalists are Kimberly dela Cruz, for her proposal Death of a Nation, which follows the drug war in the Philippines, launched by President Rodrigo Duterte in 2016. Tamara Merino, for her proposal Underland, documenting communities around the world living in caves and underground dwellings; and Ioanna Sakellaraki for her proposal, The Truth is in the Soil, exploring the last generation of traditional female mourners in the Mani peninsula of Greece.
Alongside Alex and other selected applicants, their work will be presented on Magnum Foundation’s blog over the coming year.
The Inge Morath Award, 2019 Guidelines
The Inge Morath Award, 2019 Guidelines
The Magnum Foundation and the Inge Morath Estate are pleased to announce the 18th annual Inge Morath Award, a $5,000 grant given to a female photographer under the age of 30 to support the completion of a long-term documentary project. One Awardee and up to two finalists are selected by a jury composed of Magnum photographers, the Executive Director of the Magnum Foundation, and Inge Morath Estate.
Inge Morath was an Austrian-born photographer who was associated with Magnum Photos for nearly fifty years. After her death in 2002, the Inge Morath Foundation was established with a limited-term mission to manage Morath’s estate and facilitate the study and appreciation of her contribution to photography. With the closure of the research space in 2014, all ongoing activities of the estate were folded into the Legacy Program of the Magnum Foundation, New York. The Inge Morath archive was acquired by the Beinecke Library at Yale University, and a set of Morath’s master prints by the Yale University Art Gallery, where they are now available to scholars.
Because Morath devoted much of her enthusiasm to encouraging women photographers, her colleagues at Magnum Photos established the Inge Morath Award in her honor.
The Award is administered by the Magnum Foundation as part of its mission to expand creativity and diversity in documentary photography, in cooperation with the Inge Morath Estate.
Past winners of the Inge Morath Award recipients include:
Melissa Spitz (US, 18′), for You Have Nothing to Worry About,
Johanna-Maria Fritz (Germany, ‘17), for Like a Bird, Daniella Zalcman (US, ‘16), for Signs of Your Identity, Danielle Villasana (US, ’15), for A Light Inside, Shannon Jensen (US, ’14), for A Long Walk; Isadora Kosofsky (US, ’12), for Selections from “TheThree” and “This Existence;” Zhe Chen (China, ’11) for Bees; Lurdes R. Basolí (Spain, ’10) for Caracas, The City of Lost Bullets and Claire Martin (Australia, ’10) for Selections from The Downtown East Side and Slab City; Emily Schiffer (US, ’09) for Cheyenne River; Kathryn Cook (US, ’08) for Memory Denied: Turkey and the Armenian Genocide; Olivia Arthur (UK, ’07) for The Middle Distance; Jessica Dimmock (US, ’06) for The Ninth Floor; Mimi Chakarova (US, ’06) for Sex Trafficking in Eastern Europe; Claudia Guadarrama (MX, ’05) for Beforethe Limit; and Ami Vitale (US, ’02), for Kashmir.
IM Award Guidelines:
All submissions must be made online using the interface at Submittable.com.
The Award is given to a female photographer to complete a long-term documentary project. Proposals and accompanying material should present only the project for which the Award is being requested.
All applicants must be under the age of 30 on April 30th, 2019 (in other words, if April 30th is your birthday, and you’re turning 30, then you’re no longer eligible to submit a proposal).
Presentation guidelines and image specifications are given at our Submittable.com page.
Submit here: https://ingemorath.submittable.com/submit
All IM Award submissions must be received by April 30th, 2019.
Announcing the 2018 Inge Morath Award
Magnum Foundation and Inge Morath Estate are pleased to announce the recipient of the 2018 Inge Morath Award, Melissa Spitz, for her project You Have Nothing to Worry About. The Inge Morath Award is a $5,000 production grant given each year to a woman photographer under the age of 30 to support the completion of a long-term documentary project. This year’s finalists are Peyton Fulford, for her proposal Infinite Tenderness and Emily Kinni, for her proposal The Bus Stop. From a pool of 98 applications from 31 countries, Melissa, Peyton, and Emily were selected by the membership of Magnum Photos at their Annual General Meeting to honor the legacy of their colleague, Inge Morath.
Born in Missouri, Melissa Spitz received her BFA from the University of Missouri and her MFA from the Savannah College of Art and Design. She was awarded by Time Magazine in 2017 as “Instagram Photographer of the Year,” and is one of the recipients of the 2016 Flash Forward Award by The Magenta Foundation. Her work has been featured by Time Magazine, VICE, The Huffington Post and Aperture Foundation.
In her proposal, Melissa Spitz writes:
Since 2009, I have been making photographs of my mentally ill, substance-abusing mother. Her diagnoses change frequently–from alcoholism to dissociative identity disorder–and my relationship with her has been fraught with animosity for as long as I can remember. You Have Nothing to Worry About has acted like a mirror for my mother and she attributes seeing the photographs as her reason for seeking help with alcohol abuse. The project’s Instagram @nothing_to_worry_about has spurred a community of mothers and daughters discussing addiction and mental health in the home.
Peyton Fulford’s Infinite Tenderness portrays the notion of intimacy and identity among the LGBTQ+ community in the American South. In her proposal, she writes: “I am documenting the exploration of one’s body, sexuality, and gender that comes along with growing up and identifying oneself. My intention is to empower others and create an accepting space for queer kids that grow up in small towns and rural areas.”
Emily Kinni’s The Bus Stop documents recently released inmates at a bus station in the prison town of Huntsville, Texas. In her proposal, she writes: “On average there are 100 to 150 releases a day Monday through Friday. If the individual doesn’t have a family member picking them up they walk a block away to a designated Greyhound bus station and wait for their ride out of town. I have been going to this bus stop and photographing men interested in sharing their stories with me.”
Melissa, Peyton and Emily’s work, in addition to that of other select applicants, will be presented in the Inge Morath Magazine over the coming year.
Magnum Foundation is a non-profit organization that expands creativity and diversity in documentary photography, activating new audiences and ideas through the innovative use of images. Through grantmaking, mentoring, and creative collaborations, we partner with socially engaged imagemakers experimenting with new models for storytelling.
The Inge Morath Award, 2018 Guidelines
The Inge Morath Award, 2018 Guidelines
The Magnum Foundation and the Inge Morath Estate are pleased to announce the 17th annual Inge Morath Award, a $5,000 grant given to a female photographer under the age of 30 to support the completion of a long-term documentary project. One Awardee and up to two finalists are selected by a jury composed of Magnum photographers, the Executive Director of the Magnum Foundation, and Inge Morath Estate.
Inge Morath was an Austrian-born photographer who was associated with Magnum Photos for nearly fifty years. After her death in 2002, the Inge Morath Foundation was established with a limited-term mission to manage Morath’s estate and facilitate the study and appreciation of her contribution to photography. With the closure of the research space in 2014, all ongoing activities of the estate were folded into the Legacy Program of the Magnum Foundation, New York. The Inge Morath archive was acquired by the Beinecke Library at Yale University, and a set of Morath’s master prints by the Yale University Art Gallery, where they are now available to scholars.
Because Morath devoted much of her enthusiasm to encouraging women photographers, her colleagues at Magnum Photos established the Inge Morath Award in her honor.
The Award is administered by the Magnum Foundation as part of its mission to expand creativity and diversity in documentary photography, in cooperation with the Inge Morath Estate.
Past winners of the Inge Morath Award include:
Johanna-Maria Fritz (Germany, ‘17), Winner, for Like a Bird, Daniella Zalcman (US, ‘16), for Signs of Your Identity, Danielle Villasana (US, ’15), for A Light Inside, Shannon Jensen (US, ’14), for A Long Walk; Isadora Kosofsky (US, ’12), for Selections from “TheThree” and “This Existence;” Zhe Chen (China, ’11) for Bees; Lurdes R. Basolí (Spain, ’10) for Caracas, The City of Lost Bullets and Claire Martin (Australia, ’10) for Selections from The Downtown East Side and Slab City; Emily Schiffer (US, ’09) for Cheyenne River; Kathryn Cook (US, ’08) for Memory Denied: Turkey and the Armenian Genocide; Olivia Arthur (UK, ’07) for The Middle Distance; Jessica Dimmock (US, ’06) for The Ninth Floor; Mimi Chakarova (US, ’06) for Sex Trafficking in Eastern Europe; Claudia Guadarrama (MX, ’05) for Beforethe Limit; and Ami Vitale (US, ’02), for Kashmir.
IM Award Guidelines:
All submissions must be made online using the interface at Submittable.com.
The Award is given to a female photographer to complete a long-term documentary project. Proposals and accompanying material should present only the project for which the Award is being requested.
All applicants must be under the age of 30 on April 30th, 2018 (in other words, if April 30th is your birthday, and you’re turning 30, then you’re no longer eligible to submit a proposal).
Presentation guidelines and image specifications are given at our Submittable.com page.
Submit here: https://ingemorath.submittable.com/submit
All IM Award submissions must be received by April 30th, 2018.
Announcing the 2017 Inge Morath Award
We are pleased to announce the recipient of the 2017 Inge Morath Award, Johanna-Maria Fritz, for her project Like a Bird. The Inge Morath Award is a $5,000 production grant given each year to a woman photographer under the age of 30 to support the completion of a long-term documentary project. This year’s finalist is Isadora Romero, for her proposal Amazona Warmikuna. From a pool of 122 applications from over 30 countries, Johanna-Maria and Isadora were selected by the membership of Magnum Photos at their Annual General Meeting to honor the legacy of their colleague, Inge Morath.
Born in Malsch, Germany, Johanna-Maria Fritz studied photography at Neue Schule für Fotografie. She was highlighted by Time Magazine’s list “Women in Photography: 34 Voices From Around the World,” and is one of the recipients of the 2017 Feature Shoot Emerging Photography Awards. Her work has been published in Tagesspiegel, Neues Deutschland, Fluter, Zeit-online, Vice, and Interview Magazine, and she has exhibited her work internationally.
In her proposal, Johanna-Maria writes:
For Like a bird, I travelled to Palestine, Afghanistan, and the Islamic Republic of Iran. I was especially curious about the role of women in circus life and the environment the circus is based in. Thankfully I was able to get access to the female culture in conservative societies as I am myself a woman… I direct a spectator’s view to different worlds: the one of the circus as well as the society surrounding it and how the social fabric of the circus influences the outside and in turn is influenced itself.
Finalist Isadora Romero works in her home country of Ecuador. Her project Amazona Warmikuna portrays the lives of indigenous women in the Ecuadorian Amazon. Inspired by the myth of the Amazonas, from whom the region received its name, Isadora’s series is a tribute to their mystical vision of the world and their incredible strength.
Both Johanna-Maria and Isadora’s work, in addition to that of other select applicants, will be presented in the Inge Morath Magazine over the coming year.
“This year’s applicants were unusually strong, almost across the board,” says Magnum Foundation Executive Director Kristen Lubben. “That so many young women under the age of 30–and from countries around the world–already have substantial and distinctive bodies of work to share is really promising for the field as a whole. Being able to support these photographers in the completion of their long-term projects is a fitting way to honor the legacy of Inge Morath, who carved a path for herself as a celebrated photographer in the wake of WWII, working against the grain of what was expected of women at the time.”
Magnum Foundation is a non-profit organization that expands creativity and diversity in documentary photography, activating new audiences and ideas through the innovative use of images. Through grantmaking, mentoring, and creative collaborations, we partner with socially engaged imagemakers experimenting with new models for storytelling.
The Inge Morath Award, 2017 Guidelines
The Inge Morath Award, 2017 Guidelines
The Magnum Foundation and the Inge Morath Foundation are pleased to announce the 16th annual Inge Morath Award, a $5,000 grant given to a female photographer under the age of 30 to support the completion of a long-term documentary project. One Awardee and up to two finalists are selected by a jury composed of Magnum photographers, the Executive Director of the Magnum Foundation, and Inge Morath Foundation.
Inge Morath was an Austrian-born photographer who was associated with Magnum Photos for nearly fifty years. After her death in 2002, the Inge Morath Foundation was established with a limited-term mission to manage Morath’s estate and facilitate the study and appreciation of her contribution to photography. The Inge Morath archive was acquired by the Beinecke Library at Yale University, and a set of Morath’s master prints by the Yale University Art Gallery, where they are now available to scholars.
Because Morath devoted much of her enthusiasm to encouraging women photographers, her colleagues at Magnum Photos established the Inge Morath Award in her honor.
The Award is administered by the Magnum Foundation as part of its mission to expand creativity and diversity in documentary photography, in cooperation with the Inge Morath Foundation.
Past winners of the Inge Morath Award include:
Daniella Zalcman (US, ‘16), for Signs of Your Identity, Danielle Villasana (US, ’15), for A Light Inside, Shannon Jensen (US, ’14), for A Long Walk; Isadora Kosofsky (US, ’12), for Selections from “TheThree” and “This Existence;” Zhe Chen (China, ’11) for Bees; Lurdes R. Basolí (Spain, ’10) for Caracas, The City of Lost Bullets and Claire Martin (Australia, ’10) for Selections from The Downtown East Side and Slab City; Emily Schiffer (US, ’09) for Cheyenne River; Kathryn Cook (US, ’08) for Memory Denied: Turkey and the Armenian Genocide; Olivia Arthur (UK, ’07) for The Middle Distance; Jessica Dimmock (US, ’06) for The Ninth Floor; Mimi Chakarova (US, ’06) for Sex Trafficking in Eastern Europe; Claudia Guadarrama (MX, ’05) for Beforethe Limit; and Ami Vitale (US, ’02), for Kashmir.
IM Award Guidelines:
All submissions must be made online using the interface at Submittable.com.
The Award is given to a female photographer to complete a long-term documentary project. Proposals and accompanying material should present only the project for which the Award is being requested.
All applicants must be under the age of 30 on April 30th, 2017 (in other words, if April 30th is your birthday, and you’re turning 30, then you’re no longer eligible to submit a proposal).
Presentation guidelines and image specifications are given at our Submittable.com page.
Submit here: https://ingemorath.submittable.com/submit
All IM Award submissions must be received by April 30th, 2017.
2016 Inge Morath Award Announced
2016 Inge Morath Award Recipient Announced
We are pleased to announce the recipient of the 2016 Inge Morath Award, Daniella Zalcman, for her project “Signs of Your Identity.” This year’s finalists are Gabriella Demczuk (US), for her proposal “Baltimore Sings the Blues” and Tamara Merino (Chile), for her proposal “Underland.”
Each year, the winner of the Inge Morath Award is selected by the membership of Magnum Photos, Magnum Foundation, and the Inge Morath Foundation. The Award of $5,000 is given to a woman photographer under the age of 30 to support the completion of a long-term documentary project. This year, there were 114 applicants from around 30 different countries.
Kristen Lubben, Executive DIrector of the Magnum Foundation, says “Zalcman’s multiple exposure black-and-white portraits of native Canadian survivors of residential schools are layered with images that evoke the dislocation and cultural and physical violence of their shared past. We are pleased to be able to recognize Zalcman’s creative approach to addressing memory and trauma, and to support her in expanding this thoughtful and distinctive project. We join the membership of Magnum Photos and the Inge Morath Foundation in honoring Inge’s legacy through this award.”
In her successful proposal for the award, Zalcman writes that “In Canada, the United States, Australia, and New Zealand, various iterations of the Indian Residential School system were created — usually church-run boarding schools meant to forcibly assimilate indigenous children into Western culture. These students were punished for speaking their native languages or observing any indigenous traditions, routinely physically and sexually assaulted, and in some extreme instances subjected to medical experimentation and sterilization. The last residential school in Canada didn’t close until 1996. The U.S. government still operates 59 Indian Boarding Schools today. A disproportionate number of residential school survivors and their immediate family struggle with PTSD, depression, and substance abuse. I create multiple exposure portraits of former students still fighting to overcome the memories of their residential school experiences. These are the echoes of trauma that remain even as the healing process begins.”
Arabian girls سكس and الحجاب hard porn on new موقع الكتروني afdalsex.com
Born in Washington, D.C., Daniella Zalcman studied architecture at Columbia University. She is the recipient of the 2016 Foto Evidence Book Award and a multiple grantee of the Pulitzer Center on Crisis Reporting. Her work has been published in The Wall Street Journal, The New York Times, The Washington Post, TIME, CNN, BBC, National Geographic, and Der Spiegel, among others. She is an alumna of the Eddie Adams Workshop and is a member of the Boreal Collective. Daniella is currently based out of London and New York.
Gabriella Demczuk’s “Baltimore Sings the Blues” takes a closer look at the issues and changes Baltimore’s underserved communities are facing after the national attention surrounding Freddie Gray’s death.
Chilean photographer Tamara Merino’s project “Underland” documents a town called Coober Pedy in the middle of the Australian outback. It is home to 47 different nationalities of immigrants, ex-prisoners, and veterans of World War II who have decided to escape their past lives and take refuge in this remote and unique place.
The honored proposals by Zalcman, Demczuk, and Merino, as well as projects by selected other applicants, will be presented in IM Magazine over the coming year.
|
|||||||
4941
|
dbpedia
|
1
| 50
|
https://www.nhpr.org/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
en
|
Biography Captures The Charisma And Confidence Of Photographer Inge Morath
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
[
"https://npr.brightspotcdn.com/dims4/default/6441996/2147483647/strip/true/crop/272x60+0+0/resize/534x118!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F7075853%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fnhpr%2Ffiles%2F202009%2FCoBrandWebHeader_0.png 2x",
"https://npr.brightspotcdn.com/dims4/default/b0b2673/2147483647/strip/true/crop/2880x210+0+0/resize/2880x210!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Ff0%2F56%2F94eed4a246a9a96eba90466dbafc%2Fwebheader-grove.png 2x",
"https://npr.brightspotcdn.com/dims4/default/6441996/2147483647/strip/true/crop/272x60+0+0/resize/534x118!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F7075853%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fnhpr%2Ffiles%2F202009%2FCoBrandWebHeader_0.png 2x",
"https://npr.brightspotcdn.com/dims4/default/3f8b3fd/2147483647/strip/true/crop/138x46+0+0/resize/1760x586!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fimages%2Fstations%2Flogos%2Fnpr.gif 2x",
"https://npr.brightspotcdn.com/dims4/default/ca41745/2147483647/strip/true/crop/2649x2197+0+0/resize/1760x1460!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/34a1fa0/2147483647/strip/true/crop/4254x6398+0+0/resize/1760x2648!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc11270_custom-1c7c5c1529d1972e9636027f85d3d626443469b4.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/3456d50/2147483647/strip/true/crop/4600x3112+0+0/resize/1760x1190!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc99770_custom-a05aa11ca5b645954d14fa7eb346a67cb6fc91ab.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/85e9546/2147483647/strip/true/crop/7116x4727+0+0/resize/1760x1170!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fpar36912_custom-6869805d50443fa1a3ca5b766671ce62bf0cc014.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/631dc97/2147483647/strip/true/crop/2610x3480+1016+0/resize/150x200!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2019%2F05%2F28%2Fnpr_susan_stamberg_002-1396c14dae397ffdb98024b702bc681642fe9da3.jpg",
"https://npr.brightspotcdn.com/dims4/default/a1a076d/2147483647/strip/true/crop/5712x3779+0+253/resize/260x172!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fb7%2Fb4%2F4258fefb47eb92b844b531aa7719%2Fimg-1485.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/7202dfa/2147483647/strip/true/crop/714x472+0+118/resize/260x172!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc9%2F5b%2F9a00537047e9ae397616d8dfc415%2Fbrain-ryll-firefighter.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/4560411/2147483647/strip/true/crop/1920x1270+0+10/resize/260x172!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F2c%2F54%2F1b7fac4c4a9e916b03fbd2f7be52%2Fstrawbery-banke-portsmouth-nh-nhpr-photo-dt.JPG 2x",
"https://npr.brightspotcdn.com/dims4/default/f444702/2147483647/strip/true/crop/5712x3779+0+253/resize/260x172!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Feb%2F72%2Fdf4a23534f72b5ce185dc9061bf4%2Fimg-1468.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/dc68f61/2147483647/strip/true/crop/5712x3182+0+551/resize/560x312!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims3%2Fdefault%2Fstrip%2Ffalse%2Fcrop%2F5712x4284%200%200%2Fresize%2F5712x4284%21%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F3f%2F53%2F7526deca4577a7e733762bf1b179%2Fharris-detroit-rally.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/787f4f6/2147483647/strip/true/crop/909x506+0+88/resize/560x312!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims3%2Fdefault%2Fstrip%2Ffalse%2Fcrop%2F909x682%2057%200%2Fresize%2F909x682%21%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fe3%2Fd4%2F26463bfc4daea0e452d5c1393bf8%2Fgettyimages-2162457989.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/482a587/2147483647/strip/true/crop/5201x2898+0+502/resize/560x312!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims3%2Fdefault%2Fstrip%2Ffalse%2Fcrop%2F5201x3901%20648%200%2Fresize%2F5201x3901%21%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Faf%2F81%2F005a3e914705b51626fa413ee47e%2Fgettyimages-2166040502.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/1b2783e/2147483647/strip/true/crop/5277x2940+0+509/resize/560x312!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims3%2Fdefault%2Fstrip%2Ffalse%2Fcrop%2F5277x3958%200%200%2Fresize%2F5277x3958%21%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F3a%2F74%2Faecb23044910b0f714146d3520f8%2Fap24227016491972.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/d9ff8dd/2147483647/strip/true/crop/2629x1465+0+253/resize/560x312!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2024%2F03%2F26%2Fmpox1-e278aa48655b056fc46504cc0b45bff24c82a77b.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/6e37f45/2147483647/strip/true/crop/271x250+0+0/resize/108x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fa6%2Ffb%2Fac2dd39642818bf7965c2d44f28e%2Fnpr-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/296ec95/2147483647/strip/true/crop/4294x1332+0+0/resize/322x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fnhpr%2Ffiles%2F202008%2FPRX-Logo-Horizontal-White_1.png 2x",
"https://npr.brightspotcdn.com/dims4/default/36dae5d/2147483647/strip/true/crop/400x79+0+0/resize/400x80!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fnhpr%2Ffiles%2F202008%2FAmerican_Public_Media_Logo_White.png 2x",
"https://npr.brightspotcdn.com/dims4/default/9a373e1/2147483647/strip/true/crop/4646x600+0+0/resize/400x52!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fnhpr%2Ffiles%2F202009%2Fbbc_world_service_4645x600-01_1_.png 2x"
] |
[] |
[] |
[
""
] | null |
[
"Susan Stamberg",
"www.nhpr.org",
"susan-stamberg"
] |
2018-12-10T00:00:00
|
Biographer Linda Gordon chronicles Morath's escape from Nazi Germany, her boundary-breaking career and her marriage to playwright Arthur Miller.
|
en
|
/apple-touch-icon.png
|
New Hampshire Public Radio
|
https://www.nhpr.org/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
"I'm fascinated by the necessity of quick decisions," Inge Morath told me more than 30 years ago, when she came to NPR for an interview. Morath was in the business of quick decisions — as a photographer and photojournalist she was the first woman to be accepted as a full member of the Magnum photo agency.
Now, her life is the subject of a new biography by Linda Gordon. It recounts Morath's escape from Nazi Germany, her boundary-breaking career, and her marriage to playwright Arthur Miller.
Morath met Miller — and his then-wife Marilyn Monroe — in 1960 while she was taking publicity stills on the set of the film The Misfits. It was Monroe's last film, and Miller had written it for his wife.
"Inge took some very, very beautiful and sympathetic photographs of Marilyn Monroe," Gordon says. "But Miller had struck her as intensely interesting — and he was quite impressed," Gordon says.
Miller and Monroe's relationship had been on the rocks for some time. He and Morath had an affair and the two married in 1962. They were together for 40 years, until Inge's death in 2002.
In our 1987 interview, I asked Morath about whether she wished she'd paid more attention to Monroe, as Miller's first wife. In a marriage, "you have to be yourself," she said. "Even if you are the first, the second, or the third wife — if you try to take over anything, or imitate anything, I think it'd be a disaster."
"She was a woman of extraordinary self-confidence," says Gordon. "One sees that throughout her life ... self-confidence as a photographer, as a person, but also as her own sexual being."
Morath had a magnetic personality — and plenty of affairs.
"She was just a person who drew you in," says Gordon.
As a young woman, Morath had a rough time in Germany during the war.
"After Allied bombs started falling heavily on Berlin — and landing very near the munitions factory where she was a forced worker — she joined columns of hundreds, probably thousands, of people on foot just leaving Berlin," Gordon explains.
The biographer says Morath walked 455 miles to her parents in Salzburg, Austria. They were Nazi sympathizers — she was not. In Paris after the war, Morath got a job at Magnum, the elite photo agency founded by the great pioneers of photojournalism, Robert Capa and Henri Cartier-Bresson.
There, she did everything from secretarial work, to working with contact sheets, to cleaning the office, Gordon says, all the while honing her skills in photography. In 1955, she became Magnum's first full female member.
With her camera, Morath followed her passion for travel. In Spain, she wangled her way into the dressing room of the great toreador Antonio Ordóñez. Her 1954 photo shows him preparing for combat: his muscled chest is bare, and he's wearing skin-tight, sequin-embroidered pants.
It took chutzpah to get into his dressing room, where women were considered bad luck. "To get into that space she half jokingly made a completely outrageous argument," Gordon says. "She said, 'I'm wearing pants when I work, therefore I'm neither man nor woman.' "
In Seville, Morath put on a flamenco outfit and climbed up onto a chair to shoot dancers, whirling to the music in their layered red and white skirts and petticoats. "You only see these people from the waist down ..." Gordon says. "She has captured the movement — but with a camera just slow enough so that some of the picture is blurred as you see the skirts whirling around."
Outside of photography circles, Morath is known more for her marriage than for her work. "I do not like the fact that many people only know her as a wife of Arthur Miller — and, of course, the wife immediately after Marilyn Monroe — but my impression is that she was pretty copacetic about it," Gordon says.
There are trade-offs to familiarity, Morath told me in 1987. For example, when working on a portrait, she said she didn't necessarily want to meet her subject first.
There is a "wonderful element to a new meeting," she explained. Being strangers, the photographer and the subject are placed into a "sparring" position. "That's interesting," she said. "You kind of show more of yourself."
Copyright 2023 NPR. To see more, visit https://www.npr.org.
|
||
4941
|
dbpedia
|
0
| 84
|
https://issues.aperture.org/issue/20030202
|
en
|
Summer 2003
|
[
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Covers/0x600/20030202.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Spreads/0x420/24.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Spreads/0x420/9.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Spreads/0x420/33.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Covers/0x90/20030202.jpg",
"https://aperture.blob.core.windows.net/aperture20030101thumbnails/Covers/0x90/20030101.jpg",
"https://aperture.blob.core.windows.net/aperture20030303thumbnails/Covers/0x90/20030303.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/0_1.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/0_2.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/1.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/2.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/3.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/4.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/5.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/6.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/7.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/8.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/9.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/10.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/11.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/12.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/13.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/14.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/15.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/16.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/17.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/18.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/19.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/20.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/21.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/22.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/23.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/24.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/25.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/26.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/27.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/28.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/29.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/30.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/31.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/32.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/33.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/34.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/35.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/36.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/37.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/38.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/39.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/40.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/41.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/42.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/43.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/44.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/45.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/46.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/47.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/48.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/49.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/50.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/51.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/52.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/53.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/54.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/55.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/56.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/57.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/58.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/59.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/60.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/61.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/62.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/63.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/64.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/65.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/66.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/67.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/68.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/69.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/70.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/71.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/72.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/73.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/74.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/75.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/76.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/77.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/78.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/79.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/80.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/81.jpg",
"https://aperture.blob.core.windows.net/aperture20030202thumbnails/Pages/0x90/82.jpg"
] |
[] |
[] |
[
""
] | null |
[
"Diana C. Stoll",
"Larry Towell",
"Fred Ritchin"
] | null |
Explore the full Summer 2003 issue of Aperture. Browse featured articles, preview selected issue contents, and more.
|
en
|
Aperture | The Complete Archive
|
https://issues.aperture.org/issue/20030202
| ||||||
4941
|
dbpedia
|
2
| 25
|
https://www.ibdb.com/broadway-cast-staff/inge-morath-86802
|
en
|
Inge Morath – Broadway Cast & Staff
|
https://s.ibdb.com/favicon.ico
|
https://s.ibdb.com/favicon.ico
|
[
"https://s.ibdb.com/Images/ibdb_logo_full.png",
"https://s.ibdb.com/Images/ibdb_logo_white.png",
"https://s.ibdb.com/Images/stub/people.svg",
"https://s.ibdb.com/Images/ibdb_logo_full.png",
"https://s.ibdb.com/Images/logo-league.svg"
] |
[] |
[] |
[
""
] | null |
[
"The Broadway League"
] | null |
Inge Morath is credited as Photographer.
|
en
|
https://s.ibdb.com/favicon.ico
| null | ||||
4941
|
dbpedia
|
2
| 33
|
https://www.facebook.com/wonderzofphotography/posts/inge-morath-1923-2002-died-17-years-ago-the-austrian-born-photographer-was-one-o/550526995466150/
|
en
|
Facebook
|
[] |
[] |
[] |
[
""
] | null |
[] | null |
de
|
https://static.xx.fbcdn.net/rsrc.php/yT/r/aGT3gskzWBf.ico
| null | |||||||
4941
|
dbpedia
|
3
| 90
|
https://cosmopolis.ch/inge-morath-hommage/
|
en
|
Inge Morath. Hommage
|
[
"https://cosmopolis.ch/wp-content/uploads/2023/02/inge-morath-hommage.jpg",
"https://cosmopolis.ch/wp-content/uploads/2023/02/inge-morath-hommage.jpg"
] |
[] |
[] |
[
""
] | null |
[] | null |
en
|
https://cosmopolis.ch/inge-morath-hommage/
|
Inge Morath (1923-2002) studied photography with Ernst Haas in Vienna, Simon Guttmann in London and Henri Cartier-Bresson in Paris. She was the first female photographer to become a full member of MAGNUM Photos, the legendary agency for high-quality photo journalism, dominated by men until today.
The bilingual book in English and German Inge Morath. Hommage (Amazon.com, Amazon.co.uk, Amazon.fr, Amazon.de) is published on the occasion of the photographer’s centenary and in conjunction with the exhibition Inge Morath. Hommage at Kunstfoyer der Versicherungskammer Kulturstiftung in Munich from December 21, 2022 until May 1, 2023.
The exhibition and the catalogue are the work of the curators Anna-Patricia Kahn and Isabel Siben, conceived in collaboration with the Inge Morath Estate. In Munich, you can discover some 170 photographs by the outstanding artist. The catalogue features 212 illustrations (duotone and color), a foreword by Rebecca Miller, the daughter of photographer Inge Morath and playwright Arthur Miller, as well as Inge Morath’s autobiographical lecture “I Trust My Eyes” (Ich traue meinen Augen) held in German in Berlin on October 9, 1994; the English translation was written by the photographer herself.
Biography of Inge Morath
Inge Morath was born in Graz and kept her Austrian accent all her life. Her parents, Mathilde (Wiesler) and Edgar Morath were scientists whose work took them to different laboratories and universities in Europe during her childhood. Her parents had converted from Catholicism (dominant in Austria) to Protestantism.
Educated in French-speaking schools, Inge Morath and her family relocated first to Darmstadt in the 1930s, and then to Berlin, where her father directed a laboratory specializing in wood chemistry, and her mother worked as his assistant.
Inge Morath’s first encounter with avant-garde art was at the Entartete Kunst (Degenerate Art) exhibition organized by the Nazi party (NSDAP) in 1937, which toured all over Germany because the NSDAP sought to inflame public opinion against modern art. “I found a number of these paintings exciting and fell in love with Franz Marc’s Blue Horse,” Inge Morath stated in her 1994 lecture “I Trust My Eyes“. She added: “Only negative comments were allowed, and thus began a long period of keeping silent and concealing thoughts.”
After six months of Reich Labor Service (Reichsarbeitsdienst), she entered Berlin University where she studied languages. In addition to her mother tongue, German, she became fluent in French, English and Romanian as well as, later, Spanish, Russian and Mandarin.
In her lecture, Inge Morath mentions that her three cousins were killed, each on a different front, within a relatively short period of time. They had been the dear playmates of her youth, and during their vacations in Austria, she had fallen in love, alternately, with two of them. Her father, a fighter pilot in World War I, was drafted into the reserve of the Air Force. Her brother was shot down during one of his first flights in his fighter-bomber by the English over the Mediterranean and remained on the “Missing” list until news came that he was in a prisoner of war camp in Egypt. Her mother continued to work in a laboratory.
After the Second World War, Inge Morath worked as a translator and journalist. In 1948, she was hired by Warren Trabant for Heute, an illustrated magazine published by the U.S. Office of War Information in Munich.
Inge Morath had encountered photographer Ernst Haas in Vienna and brought his work to Trabant’s attention. Working together for Heute, Inge wrote articles to accompany Haas’ pictures. In 1949, she and Haas were invited by Robert Capa to join the newly-founded Magnum Photos agency in Paris, where she started as an editor. Fascinated to be able to work with contact sheets by Magnum founding member Henri Cartier-Bresson , she wrote in “I Trust My Eyes”: “I think that in studying his way of photographing I learned how to photograph myself before I ever took a camera into my hand.”
Inge Morath was briefly married to the British journalist Lionel Birch and relocated to London in 1951. That same year, she began to photograph during a visit to Venice. In her 1994 lecture she wrote: “It was instantly clear to me that from now on I would be a photographer, I finally had found my language. As I continued to photograph, I became quite joyous, I knew that I could express the things I wanted to say by giving them form through my eyes. I remembered what Henri Cartier-Bresson had written somewhere: ‘A good photograph is made when the inner vision behind the closed eye corresponds with the vision of the open one behind the viewfinder in the moment of pressing the button.’” Morath divorced Birch and returned to Paris to pursue a career in photography.
In London, Inge Morath was on the lookout for someone who could teach her more about photography. She approached Simon Guttmann, once the director of the famous German photoagency Dephot, the first to practise the idea of the photo essay. Among the photographers who had worked for Guttmann at the time was Robert Capa—but she did not know that yet. In 1942 or 1943, Simon Guttmann had arrived in England and become adviser to the best English illustrated magazine of the time, Picture Post. He also founded his own agency, Report. Inge Morath said in her 1994 lecture that she approached Simon Guttmann to become his assistant. She showed him three contact sheets of her first films taken in Venice. He looked at them, not making the slightest commentary. Then he asked: “What do you want to photograph and why?” She mumbled something to the effect that she was mostly interested in people, in the variety of their lives, and she added that she was certain that after the life in the isolation of Nazism and war she felt she had found her language in photography, or at least the best way to express what she felt she had to say. He told her that she could start to work with him.
Inge Morath spent several weeks typing Simon Guttmann’s letters. On Saturdays, she answered his phone and dropped coins in his gas heater to heat his shaving water, things his strict Judaism forbade him to do on the Sabbath. Occasionally, she swept the rooms, careful not to topple over any of the piles of newspapers on the floor. “When are you going to teach me how to photograph?” she finally ventured to ask. “That’s exactly what I am doing,” he answered impatiently. “Why don’t you really pay attention to what I say in my letters? I only gave you the ones addressed to editors or photographers to type. Everything you can learn about photography and how to make a picture story is in them.” And he was right, Inge Morath said in her lecture.
Robert Capa was the most generous of all photographers, Inge Morath stated in her 1994 lecture. He for instance sent her to London to do a story on the set of Moulin Rouge, a film John Huston was directing in Shepherds Bush Studios. Originally, Capa meant to do this story himself. When he passed it on to her, he warned, “You’d better be good.” Inge Morath said that she had never been in a film studio before. John Huston noticed her bewilderment and decided to be of help, organized her three film rolls (because she had only arrived with one, rare to find at the time). It worked out fine, and Inge Morath even got a couple of double pages in several European magazines.
At Robert Capa’s suggestion, in 1953–54, she worked with Henri Cartier-Bresson as a researcher and assistant; in 1954, Robert Capa was killed by a landmine in Vietnam. In 1955, Inge Morath was invited to become a full member of Magnum Photos. During the late 1950s, she travelled widely, covering stories in Europe, the Middle East, Africa, the United States and South America for publications such as Holiday, Paris Match and Vogue. In 1955, together with Robert Delpire, Inge Morath published Guerre à la Tristesse, photographs of Spain. In 1958 followed the photo book De la Perse à l’Iran, photographs of Iran.
Like many other Magnum members, Inge Morath worked as a still photographer on numerous motion picture sets, including on several films directed by John Huston, whom she had met while living in London, and portrayed in many photographs durig her career. Notably in 1960, Inge Morath was on the set of The Misfits, a blockbuster picture featuring Marilyn Monroe, Clark Gable and Montgomery Clift, based on a screenplay by Arthur Miller, then Marilyn Monroe’s husband. Following the divorce of the famous couple, Inge Morath became the playwright’s third wife on February 17, 1962. They remained married until her death in 2002.
Many critics have written of the element of playful surrealism that characterizes Inge Morath’s work during her first decade as a photographer. It was motivated by a fundamental humanism, shaped as much by the experience of the Second World War as by its lingering shadow over post-war Europe.
According to the catalogue Inge Morath. Hommage (Amazon.com, Amazon.co.uk, Amazon.fr, Amazon.de), this motivation grows, in Morath’s mature work, into a motif as she documents the endurance of the human spirit under situations of extreme duress as well as its manifestations of ecstasy and joy.
Ingeborg Morath Miller died of cancer in 2002, at the age of 78. In honour of their colleague, the members of Magnum Photos established the Inge Morath Award in 2002. The Award is administered by the Inge Morath Foundation in cooperation with the Magnum Foundation, New York. The Inge Morath archive was acquired by the Beinecke Library at Yale University in 2014, and the material is open for research.
This and much more can be found in: Inge Morath. Hommage. Edited by Anna-Patricia Kahn and Isabel Siben. With a foreword by Rebecca Miller, the daughter of photographer Inge Morath and playwright Arthur Miller. English/German edition, Schirmer/Mosel Verlag, December 2022, 280 pages with 200 illustrations, 24 x 31 cm. Order the book from Amazon.com, Amazon.co.uk, Amazon.fr, Amazon.de.
This exhibition catalogue is published in conjunction with the exhibition Inge Morath. Hommage at Kunstfoyer der Versicherungskammer Kulturstiftung in Munich from December 21, 2022 until May 1, 2023.
P.S. added on February 10, 2023: since 1996, Inge Morath’s daughter Rebecca Miller is married to actor Daniel Day-Lewis who, therefore, was Inge Morath’s son-in-law.
For a better reading, quotations and partial quotations from the book about the outstanding female photographer Inge Morath are not always put between quotation marks.
Book review added on February 9, 2023 at 20:08 German time.
|
|||||||
4941
|
dbpedia
|
1
| 66
|
https://www.mainepublic.org/npr-news/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
en
|
Biography Captures The Charisma And Confidence Of Photographer Inge Morath
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
[
"https://npr.brightspotcdn.com/dims4/default/10342b7/2147483647/strip/true/crop/210x60+0+0/resize/420x120!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F4106b29%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc4%2F64%2F785d32bc4ce498d52f91ea0a2877%2Fmaine-public-white-logo-eit-2100x600.png 2x",
"https://npr.brightspotcdn.com/dims4/default/7eece03/2147483647/strip/true/crop/2880x210+0+0/resize/2880x210!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6c%2Fed%2Fd3584ca8427e9f090c672bcf2e65%2Fheader-image-2024-2880x210-2.png 2x",
"https://npr.brightspotcdn.com/dims4/default/10342b7/2147483647/strip/true/crop/210x60+0+0/resize/420x120!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F4106b29%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc4%2F64%2F785d32bc4ce498d52f91ea0a2877%2Fmaine-public-white-logo-eit-2100x600.png 2x",
"https://npr.brightspotcdn.com/dims4/default/3f8b3fd/2147483647/strip/true/crop/138x46+0+0/resize/1760x586!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fimages%2Fstations%2Flogos%2Fnpr.gif 2x",
"https://npr.brightspotcdn.com/dims4/default/ca41745/2147483647/strip/true/crop/2649x2197+0+0/resize/1760x1460!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/34a1fa0/2147483647/strip/true/crop/4254x6398+0+0/resize/1760x2648!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc11270_custom-1c7c5c1529d1972e9636027f85d3d626443469b4.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/3456d50/2147483647/strip/true/crop/4600x3112+0+0/resize/1760x1190!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc99770_custom-a05aa11ca5b645954d14fa7eb346a67cb6fc91ab.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/85e9546/2147483647/strip/true/crop/7116x4727+0+0/resize/1760x1170!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fpar36912_custom-6869805d50443fa1a3ca5b766671ce62bf0cc014.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/631dc97/2147483647/strip/true/crop/2610x3480+1016+0/resize/150x200!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2019%2F05%2F28%2Fnpr_susan_stamberg_002-1396c14dae397ffdb98024b702bc681642fe9da3.jpg",
"https://npr.brightspotcdn.com/dims4/default/96cb9e8/2147483647/strip/true/crop/1080x1080+0+0/resize/1760x1760!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F3b%2Fea%2Fe150319c4380adb2f37317722ff9%2Fspanish-instagram-square.png 2x",
"https://npr.brightspotcdn.com/dims4/default/10342b7/2147483647/strip/true/crop/210x60+0+0/resize/420x120!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F4106b29%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc4%2F64%2F785d32bc4ce498d52f91ea0a2877%2Fmaine-public-white-logo-eit-2100x600.png 2x",
"https://npr.brightspotcdn.com/dims4/default/58cc501/2147483647/strip/true/crop/65x60+0+0/resize/108x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fa0%2F24%2F3c81011942abac78fe739335db0e%2Fnpr-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/a169872/2147483647/strip/true/crop/67x60+0+0/resize/112x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fmpbn%2Ffiles%2F201911%2FPBS_online_horz_white__NEW.png 2x",
"https://npr.brightspotcdn.com/dims4/default/42b2b15/2147483647/strip/true/crop/68x60+0+0/resize/114x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fa8%2F69%2Fad0496ff428faa4662661aa8b9c3%2Fbbc-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/670f18c/2147483647/strip/true/crop/40x40+0+0/resize/80x80!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F02%2F83%2Fba54fb924645a6f4b30d1b12b69c%2Finstagram-logo-40-pixels-square.png 2x",
"https://npr.brightspotcdn.com/dims4/default/f45a54a/2147483647/strip/true/crop/40x40+0+0/resize/80x80!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F5a%2F3c%2F2959acc74d24af6201c0426bc554%2Fyoutube-logo-40-pixels-square.png 2x",
"https://npr.brightspotcdn.com/dims4/default/6cdde9f/2147483647/strip/true/crop/35x35+0+0/resize/70x70!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Ff3%2F03%2Fe25a7e424d84ae6c06c048e6db5e%2Ffb-f-logo-white-72.png 2x",
"https://npr.brightspotcdn.com/dims4/default/5e90015/2147483647/strip/true/crop/43x34+0+0/resize/86x68!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F66%2F1b%2Fc8d7912b4d3294844aadb83f61a0%2Fin-white-34px-r.png 2x",
"https://npr.brightspotcdn.com/dims4/default/e3bf0e9/2147483647/strip/true/crop/40x40+0+0/resize/80x80!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F83%2Fa3%2Fba08ac8443fbbd5f091e4929969e%2Ftiktok-logo-40-pixels-square.png 2x",
"https://npr.brightspotcdn.com/dims4/default/e992fef/2147483647/strip/true/crop/40x40+0+0/resize/80x80!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F1d%2F79%2F5ddaf864453a9b0616a82c87e5a7%2Fthreads-logo-40x40.png 2x"
] |
[] |
[] |
[
""
] | null |
[
"Susan Stamberg",
"www.mainepublic.org",
"susan-stamberg"
] |
2018-12-10T00:00:00
|
Biographer Linda Gordon chronicles Morath's escape from Nazi Germany, her boundary-breaking career and her marriage to playwright Arthur Miller.
|
en
|
/apple-touch-icon.png
|
Maine Public
|
https://www.mainepublic.org/npr-news/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
"I'm fascinated by the necessity of quick decisions," Inge Morath told me more than 30 years ago, when she came to NPR for an interview. Morath was in the business of quick decisions — as a photographer and photojournalist she was the first woman to be accepted as a full member of the Magnum photo agency.
Now, her life is the subject of a new biography by Linda Gordon. It recounts Morath's escape from Nazi Germany, her boundary-breaking career, and her marriage to playwright Arthur Miller.
Morath met Miller — and his then-wife Marilyn Monroe — in 1960 while she was taking publicity stills on the set of the film The Misfits. It was Monroe's last film, and Miller had written it for his wife.
"Inge took some very, very beautiful and sympathetic photographs of Marilyn Monroe," Gordon says. "But Miller had struck her as intensely interesting — and he was quite impressed," Gordon says.
Miller and Monroe's relationship had been on the rocks for some time. He and Morath had an affair and the two married in 1962. They were together for 40 years, until Inge's death in 2002.
In our 1987 interview, I asked Morath about whether she wished she'd paid more attention to Monroe, as Miller's first wife. In a marriage, "you have to be yourself," she said. "Even if you are the first, the second, or the third wife — if you try to take over anything, or imitate anything, I think it'd be a disaster."
"She was a woman of extraordinary self-confidence," says Gordon. "One sees that throughout her life ... self-confidence as a photographer, as a person, but also as her own sexual being."
Morath had a magnetic personality — and plenty of affairs.
"She was just a person who drew you in," says Gordon.
As a young woman, Morath had a rough time in Germany during the war.
"After Allied bombs started falling heavily on Berlin — and landing very near the munitions factory where she was a forced worker — she joined columns of hundreds, probably thousands, of people on foot just leaving Berlin," Gordon explains.
The biographer says Morath walked 455 miles to her parents in Salzburg, Austria. They were Nazi sympathizers — she was not. In Paris after the war, Morath got a job at Magnum, the elite photo agency founded by the great pioneers of photojournalism, Robert Capa and Henri Cartier-Bresson.
There, she did everything from secretarial work, to working with contact sheets, to cleaning the office, Gordon says, all the while honing her skills in photography. In 1955, she became Magnum's first full female member.
With her camera, Morath followed her passion for travel. In Spain, she wangled her way into the dressing room of the great toreador Antonio Ordóñez. Her 1954 photo shows him preparing for combat: his muscled chest is bare, and he's wearing skin-tight, sequin-embroidered pants.
It took chutzpah to get into his dressing room, where women were considered bad luck. "To get into that space she half jokingly made a completely outrageous argument," Gordon says. "She said, 'I'm wearing pants when I work, therefore I'm neither man nor woman.' "
In Seville, Morath put on a flamenco outfit and climbed up onto a chair to shoot dancers, whirling to the music in their layered red and white skirts and petticoats. "You only see these people from the waist down ..." Gordon says. "She has captured the movement — but with a camera just slow enough so that some of the picture is blurred as you see the skirts whirling around."
Outside of photography circles, Morath is known more for her marriage than for her work. "I do not like the fact that many people only know her as a wife of Arthur Miller — and, of course, the wife immediately after Marilyn Monroe — but my impression is that she was pretty copacetic about it," Gordon says.
There are trade-offs to familiarity, Morath told me in 1987. For example, when working on a portrait, she said she didn't necessarily want to meet her subject first.
There is a "wonderful element to a new meeting," she explained. Being strangers, the photographer and the subject are placed into a "sparring" position. "That's interesting," she said. "You kind of show more of yourself."
Copyright 2023 NPR. To see more, visit https://www.npr.org.
|
||
4941
|
dbpedia
|
1
| 89
|
https://www.photoeye.com/bookstore/citation/PX325
|
en
|
Inge Morath: An Illustrated Biography. Photographs by Inge Morath. Text by Linda Gordon. Foreword by Andrew Lewin. 9783791382012
|
[
"https://images.cache.photoeye.com/global/images/photo-eye_logo_bookstore.png",
"https://www.photoeye.com/images/photo-eye_logo_black.png",
"https://www.photoeye.com/images/x-social-icon.svg",
"https://www.photoeye.com/images/x-social-icon.svg",
"https://www.photoeye.com/images/x-social-icon.svg"
] |
[] |
[] |
[
"photography bookstore",
"photo-eye",
"photoeye",
"photography",
"photo book",
"photobook",
"photo bookstore",
"book store",
"gallery",
"out-of-print",
"out of print",
"Reuben Wu",
"Julie Blackmon",
"Nick Brandt",
"Mitch Dobrowner",
"Maggie Taylor",
"Linda Connor",
"Mark Klett",
"Terri Weifenbach",
"Tom Chambers",
"David Gibson",
"Edward Ranney",
"Photographer's Showcase",
"photo-eye Gallery Santa Fe"
] | null |
[
"Rixon Reed"
] | null |
An illustrated biography of one of the 20th century's greatest photographers, this book looks at the life and work of Inge Morath. The late playwright Arthur Miller, speaking of his wife Inge Morath, said She made poetry out of people and their places over half a century. Morath's curiosity, compassion, and bravery show vividly in this biography featuring stunning images from every stage of her career. Biographer Linda Gordon presents Morath traveling across the globe, often as a woman alone, quietly but firmly defying the conventions for what was appropriate for women at the time. Her photographs show her cosmopolitanism, which arose from her love of literature, her fluency in many languages, and her revulsion against Hitler's Germany, where she spent her teenage years. Her respect for all the world's cultures, from Spain to Iran to China, made her a kind of visual ethnographer. One of the first women to join the Magnum collective, Morath was a superb portraitist, particularly drawn to artists, such as painter Saul Steinberg, sculptor Louise Bourgeois, and writer Boris Pasternak. She worked mainly in black-and-white but also used color film exquisitely, even early in her career. Through Magnum assignments to document film sets she met Arthur Miller and their subsequent marriage lasted for forty years. Despite a variety of subject matter, Morath's work is unified by an intimacy and comfort with the world's many cultures. Truly a citizen of the world, her images are simultaneously universal and personal.
|
en
|
/images/apple-touch-icon.png
| null |
An illustrated biography of one of the 20th century's greatest photographers, this book looks at the life and work of Inge Morath.
The late playwright Arthur Miller, speaking of his wife Inge Morath, said "She made poetry out of people and their places over half a century." Morath's curiosity, compassion, and bravery show vividly in this biography featuring stunning images from every stage of her career. Biographer Linda Gordon presents Morath traveling across the globe, often as a woman alone, quietly but firmly defying the conventions for what was appropriate for women at the time. Her photographs show her cosmopolitanism, which arose from her love of literature, her fluency in many languages, and her revulsion against Hitler's Germany, where she spent her teenage years. Her respect for all the world's cultures, from Spain to Iran to China, made her a kind of visual ethnographer. One of the first women to join the Magnum collective, Morath was a superb portraitist, particularly drawn to artists, such as painter Saul Steinberg, sculptor Louise Bourgeois, and writer Boris Pasternak. She worked mainly in black-and-white but also used color film exquisitely, even early in her career. Through Magnum assignments to document film sets she met Arthur Miller and their subsequent marriage lasted for forty years. Despite a variety of subject matter, Morath's work is unified by an intimacy and comfort with the world's many cultures. Truly a citizen of the world, her images are simultaneously universal and personal.
|
|||||
4941
|
dbpedia
|
0
| 1
|
https://playbill.com/article/inge-morath-photographer-and-wife-of-arthur-miller-dead-at-78-com-103705
|
en
|
Inge Morath, Photographer and Wife of Arthur Miller, Dead at 78
|
[
"https://sb.scorecardresearch.com/p?c1=2&c2=33044428&cv=3.1&cj=1",
"https://www.facebook.com/tr?id=925349244281937&ev=PageView&noscript=1",
"https://pixel.quantserve.com/pixel/p-d4EOGSLZ4snXA.gif",
"https://assets.playbill.com/site/main-logo-trimmed_2023-03-27-021655_agag.png",
"https://assets.playbill.com/site/Playbill-P-Logo-1-5-line_2023-03-27-021704_bzom.png",
"https://cdn.playbill.com/ad-block-logo.png"
] |
[] |
[] |
[
""
] | null |
[] |
2002-01-31T01:00:00-05:00
|
Inge Morath, the photographer wife of playwright Arthur Miller, died of lymphoma Jan. 30 in Manhattan, according to The New York Times.
|
en
|
Playbill
|
https://playbill.com/article/inge-morath-photographer-and-wife-of-arthur-miller-dead-at-78-com-103705
|
Inge Morath, the photographer wife of playwright Arthur Miller, died of lymphoma Jan. 30 in Manhattan, according to The New York Times.
Ms. Morath's photographs — posed shots, candids, celebrities, passersby, environments, interiors — appeared in a wide variety of international newspapers, magazines and publications over the years. She took a memorable shot of Miller and his then-wife Marilyn Monroe in 1960, The Times reported. Ms. Morath and Miller were married two years later.
According to the Magnum Photos website, Ms. Morath was born in Graz, Austria. Her parents were scientists and took her on their many European assignments. After studying languages in Berlin, she became a translator, then a journalist and the Austrian editor for Heute, an Information Service Branch publication based in Munich.
The photographer was a lifelong diary writer and letter writer. She wrote articles, as well, and became an editor at the Magnum Agency. She began photographing in London in 1951, and assisted Henri Cartier-Bresson as a researcher in 1953-54.
A world traveler, she was especially interested in the arts and world cultures. After her marriage to Miller, she settled in New York and Connecticut. She spoke Chinese and made a number of trips to China, where she photographed an array of subjects. Her photographs appear in the nonfiction account of the Chinese debut of Miller's play, Death of a Salesman, "Salesman in Beijing" (1984). Her selected published works include "Bring Forth the Children" (1960), "In Russia" (1969), "Inge Morath" (1975) "Country Life" (1977), "Chinese Encounters" (1979), "Portraits" (1986), "Russian Journal" (1991), "Inge Morath: Portraits" (1999), "Inge Morath: My Life as a Photographer" (1999). Miller survives his wife, as does Miller and Ms. Morath's daughter, Rebecca, and grandson.
A site called www.ingemorath.net is currently under construction.
|
|||||
4941
|
dbpedia
|
3
| 53
|
https://www.wrur.org/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
en
|
Biography Captures The Charisma And Confidence Of Photographer Inge Morath
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
[
"https://npr.brightspotcdn.com/dims4/default/add4ae7/2147483647/strip/true/crop/63x60+0+0/resize/126x120!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F170334a%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F79%2F08%2F27e2df2547cea74358bd6ecf74a2%2Fthe-route-logo-web-square.png 2x",
"https://npr.brightspotcdn.com/dims4/default/6a222d3/2147483647/strip/true/crop/2880x210+0+0/resize/2880x210!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F07%2F40%2Fe5d129334a09887d6c350ed92118%2Ftherouteorg-top-banner-teal.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/add4ae7/2147483647/strip/true/crop/63x60+0+0/resize/126x120!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F170334a%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F79%2F08%2F27e2df2547cea74358bd6ecf74a2%2Fthe-route-logo-web-square.png 2x",
"https://npr.brightspotcdn.com/dims4/default/3f8b3fd/2147483647/strip/true/crop/138x46+0+0/resize/1760x586!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fimages%2Fstations%2Flogos%2Fnpr.gif 2x",
"https://npr.brightspotcdn.com/dims4/default/ca41745/2147483647/strip/true/crop/2649x2197+0+0/resize/1760x1460!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/34a1fa0/2147483647/strip/true/crop/4254x6398+0+0/resize/1760x2648!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc11270_custom-1c7c5c1529d1972e9636027f85d3d626443469b4.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/3456d50/2147483647/strip/true/crop/4600x3112+0+0/resize/1760x1190!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc99770_custom-a05aa11ca5b645954d14fa7eb346a67cb6fc91ab.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/85e9546/2147483647/strip/true/crop/7116x4727+0+0/resize/1760x1170!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fpar36912_custom-6869805d50443fa1a3ca5b766671ce62bf0cc014.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/631dc97/2147483647/strip/true/crop/2610x3480+1016+0/resize/150x200!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2019%2F05%2F28%2Fnpr_susan_stamberg_002-1396c14dae397ffdb98024b702bc681642fe9da3.jpg",
"https://npr.brightspotcdn.com/dims4/default/a214bd0/2147483647/strip/true/crop/693x192+0+0/resize/360x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fb0%2Fc5%2Fb235805942f486debec86587323c%2Fwxxi-white.png 2x",
"https://npr.brightspotcdn.com/dims4/default/d1f543d/2147483647/strip/true/crop/210x60+0+0/resize/350x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fwrur%2Ffiles%2F201508%2FUR_logo_web.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/6e37f45/2147483647/strip/true/crop/271x250+0+0/resize/108x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fa6%2Ffb%2Fac2dd39642818bf7965c2d44f28e%2Fnpr-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/ca0f706/2147483647/strip/true/crop/159x60+0+0/resize/266x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fwrur%2Ffiles%2F201508%2Fapm-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/6423602/2147483647/strip/true/crop/68x60+0+0/resize/114x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fwrur%2Ffiles%2F201508%2Fbbc-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/6421d33/2147483647/strip/true/crop/84x50+0+0/resize/168x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Ff9%2F35%2Fc63a8982454e932a4c4cefed5e31%2Fprx2.png 2x"
] |
[] |
[] |
[
""
] | null |
[
"Susan Stamberg",
"www.wrur.org",
"susan-stamberg"
] |
2018-12-10T00:00:00
|
Biographer Linda Gordon chronicles Morath's escape from Nazi Germany, her boundary-breaking career and her marriage to playwright Arthur Miller.
|
en
|
WRUR
|
https://www.wrur.org/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
"I'm fascinated by the necessity of quick decisions," Inge Morath told me more than 30 years ago, when she came to NPR for an interview. Morath was in the business of quick decisions — as a photographer and photojournalist she was the first woman to be accepted as a full member of the Magnum photo agency.
Now, her life is the subject of a new biography by Linda Gordon. It recounts Morath's escape from Nazi Germany, her boundary-breaking career, and her marriage to playwright Arthur Miller.
Morath met Miller — and his then-wife Marilyn Monroe — in 1960 while she was taking publicity stills on the set of the film The Misfits. It was Monroe's last film, and Miller had written it for his wife.
"Inge took some very, very beautiful and sympathetic photographs of Marilyn Monroe," Gordon says. "But Miller had struck her as intensely interesting — and he was quite impressed," Gordon says.
Miller and Monroe's relationship had been on the rocks for some time. He and Morath had an affair and the two married in 1962. They were together for 40 years, until Inge's death in 2002.
In our 1987 interview, I asked Morath about whether she wished she'd paid more attention to Monroe, as Miller's first wife. In a marriage, "you have to be yourself," she said. "Even if you are the first, the second, or the third wife — if you try to take over anything, or imitate anything, I think it'd be a disaster."
"She was a woman of extraordinary self-confidence," says Gordon. "One sees that throughout her life ... self-confidence as a photographer, as a person, but also as her own sexual being."
Morath had a magnetic personality — and plenty of affairs.
"She was just a person who drew you in," says Gordon.
As a young woman, Morath had a rough time in Germany during the war.
"After Allied bombs started falling heavily on Berlin — and landing very near the munitions factory where she was a forced worker — she joined columns of hundreds, probably thousands, of people on foot just leaving Berlin," Gordon explains.
The biographer says Morath walked 455 miles to her parents in Salzburg, Austria. They were Nazi sympathizers — she was not. In Paris after the war, Morath got a job at Magnum, the elite photo agency founded by the great pioneers of photojournalism, Robert Capa and Henri Cartier-Bresson.
There, she did everything from secretarial work, to working with contact sheets, to cleaning the office, Gordon says, all the while honing her skills in photography. In 1955, she became Magnum's first full female member.
With her camera, Morath followed her passion for travel. In Spain, she wangled her way into the dressing room of the great toreador Antonio Ordóñez. Her 1954 photo shows him preparing for combat: his muscled chest is bare, and he's wearing skin-tight, sequin-embroidered pants.
It took chutzpah to get into his dressing room, where women were considered bad luck. "To get into that space she half jokingly made a completely outrageous argument," Gordon says. "She said, 'I'm wearing pants when I work, therefore I'm neither man nor woman.' "
In Seville, Morath put on a flamenco outfit and climbed up onto a chair to shoot dancers, whirling to the music in their layered red and white skirts and petticoats. "You only see these people from the waist down ..." Gordon says. "She has captured the movement — but with a camera just slow enough so that some of the picture is blurred as you see the skirts whirling around."
Outside of photography circles, Morath is known more for her marriage than for her work. "I do not like the fact that many people only know her as a wife of Arthur Miller — and, of course, the wife immediately after Marilyn Monroe — but my impression is that she was pretty copacetic about it," Gordon says.
There are trade-offs to familiarity, Morath told me in 1987. For example, when working on a portrait, she said she didn't necessarily want to meet her subject first.
There is a "wonderful element to a new meeting," she explained. Being strangers, the photographer and the subject are placed into a "sparring" position. "That's interesting," she said. "You kind of show more of yourself."
Copyright 2023 NPR. To see more, visit https://www.npr.org.
|
|||
4941
|
dbpedia
|
2
| 48
|
https://www.wopa-plus.com/en/stamps/product/%26pid%3D81862
|
en
|
Worldwide Stamps, Coins Banknotes and Accessories for Collectors
|
[
"https://wopaplus-images.s3.amazonaws.com/flags/flagEn.png",
"https://wopaplus-images.s3.amazonaws.com/icons/3bars.png",
"https://wopaplus-images.s3.amazonaws.com/crests/x40/AT.png",
"https://wopaplus-images.s3.amazonaws.com/products/560x/AT81862.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/560x/AT81862.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT73225.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT72933.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT71722.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT71724.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT72940.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT73227.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT71653.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT72520.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT73248.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT72518.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT73223.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT73246.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/RO71717.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/GI91714.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/GG71733.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT71724.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT71722.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/LI71771.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/FO71781.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/GB89995.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/PT91485.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/RO92456.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/IM90013.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT71653.jpg",
"https://wopaplus-images.s3.amazonaws.com/banners/280x/ES92105.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT86624.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT85975.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT85973.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT85972.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT85970.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT85968.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT85967.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT86622.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT85332.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT85330.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT85328.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT85326.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT85324.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT85322.jpg",
"https://wopaplus-images.s3.amazonaws.com/products/140x140/AT84858.jpg",
"https://wopaplus-images.s3.amazonaws.com/icons/logo_sm_ft_fb.png",
"https://wopaplus-images.s3.amazonaws.com/icons/logo_sm_ft_twit.png",
"https://wopaplus-images.s3.amazonaws.com/icons/logo_sm_ft_ig.png"
] |
[] |
[] |
[
""
] | null |
[] | null |
en
|
/favicon-32x32.png
| null |
About 100th Birthday of Inge Morath
Inge Morath, one of the most renowned Austrian photographers, would have celebrated her 100th birthday on 27 May.
She was born in Graz in 1923 and grew up in Germany. She studied languages and journalism in Berlin, and after the war she worked as a journalist and translator in Salzburg and Vienna. She wrote articles on pictures by the photographer Ernst Haas for the Magnum photo agency, and in the 1950s she began taking photographs herself and became one of the first female photographers to work for the Magnum agency.
On the set of the film "Misfits" she met the American writer Arthur Miller, who was still married to the leading actress Marilyn Monroe at the time. Her marriage to Miller, which took place in 1962, lasted until her death in 2002 in New York. Inge Morath is best known for her portraits of well-known contemporary celebrities, but she also travelled extensively and created photographic travelogues and pictorial reports of everyday scenes.
|
||||||
4941
|
dbpedia
|
0
| 10
|
https://www.independent.co.uk/news/obituaries/inge-morath-9272632.html
|
en
|
Inge Morath
|
[
"https://static.independent.co.uk/static-assets/images/newsletter/breaking-news/breaking-news-thumb.png",
"https://www.independent.co.uk/img/icons/google.svg"
] |
[] |
[] |
[
"Internal"
] | null |
[
"The Independent"
] |
2002-02-05T00:00:00+00:00
|
Ingeborg Mörath (Inge Morath), photographer: born Graz, Austria 27 May 1923; married first Lionel Birch (marriage dissolved), second 1962 Arthur Miller (one daughter); died New York 30 January 2002.
|
en
|
/img/shortcut-icons/favicon.ico
|
The Independent
|
https://www.independent.co.uk/news/obituaries/inge-morath-9272632.html
|
Ingeborg Mörath (Inge Morath), photographer: born Graz, Austria 27 May 1923; married first Lionel Birch (marriage dissolved), second 1962 Arthur Miller (one daughter); died New York 30 January 2002.
Inge Morath was one of the most admired photographers of her generation.
A "photojournalist" with the Magnum agency and married from 1962 to the playwright Arthur Miller, Morath photographed artists and writers, landscapes and events, and had an occasional comic, rather Gothic, streak. Her output in various photographic genres was immense. Among the images many find most memorable are those of ordinary people, caught apparently realistically, and always sympathetically. Just as Miller had shown that tragedy is not the preserve of princes, Morath always gave her subjects dignity.
In recent years, exhibitions of her work, both as an individual artist and in association with colleagues in Magnum, have been held in many cities. In Spain, where she had photographed early in her career, it is now realised that she captured aspects of Spanish life otherwise unrecorded, a comment which might also be made of the life of rural Connecticut which she photographed in the 1960s. In 1999 she was awarded the Grand Austrian State Award, the first photographer to be so honoured.
Ingeborg Morath was born in Graz, Austria, in 1923, but her family moved to Germany when she was a child. While a student at the university in Berlin, where she studied romance languages, she was drafted to work in the aircraft factory at Tempelhof, but in the closing stages of the Second World War, with the city in ruins and the Red Army approaching, she escaped during an air-raid and made her way on foot back to Austria.
Fluent in French, Spanish, and Italian, as well as Romanian and English, Morath was a child of the high intellectual and artistic culture of Central Europe, a proud heritage almost destroyed by the Nazis. As a survivor of events in which many of her friends suffered, she regarded her happy upbringing as a special gift.
In immediate post-war Austria, she worked for a time as translator and editor in the Information Services Branch of the American forces in Salzburg and, later, Vienna. Having attended courses in journalism, she provided occasional short plays and articles for illustrated magazines, notably Wiener Illustrierte, and became the Austrian editor of Heute, published in Munich.
It was the heyday of Life, on whose innovative combination of words and images Morath and her friends modelled their work, and she first took up occasional photography because there were no sources of supply. When the group's work came to the attention of Robert Capa, he invited them to join Magnum, the photographers' co-operative he had founded in Paris. As Morath wrote later:
I started to write texts for the photographs sent to the Paris office by the then members of Magnum from all kinds of countries, Cartier-Bresson from the Orient, George Rodgers from Africa, David Seymour from Greece, &c. I started to accompany different photographers on assignments for which I had also done the preparatory research, and later edited their contact sheets. I think it is from this work that I learned the most.
In 1951 she moved to London, having married an English journalist, Lionel Birch, and it was there, having received her professional training with Simon Guttmann, that her first photographic work appeared under the pseudonymn "Egni Tarom". But the marriage was not a success, post-war London seemed stifling and insular, and in 1953 Morath returned to sunny Paris, where she became research assistant to Henri Cartier-Bresson.
By 1955 she was a full member of Magnum, being sent on assignments in Europe, Africa, the Middle East, Asia, and the United States. It was from Cartier-Bresson that she learned to call herself a "photojournalist". As he had advised Capa,
Watch out what label they put on you . . . Just go on doing what you want to do anyway but call yourself a photojournalist, which puts you into direct contact with everything that is going on in the world.
Morath first met Arthur Miller in 1960 while she was on assignment from Magnum. The film The Misfits, written by Miller, directed by John Huston and starring Marilyn Monroe, Clark Gable and Montgomery Clift, was then being shot in Reno, Nevada, under the eyes of the world's media, who were fascinated by the dramas taking place off the set.
Among the photographs taken by Morath was a sequence of dreamy shots of Monroe in a black ball gown, her eyes half shut, dancing alone in the open air among the fallen leaves, and hugging a tree. (A few years ago, when Morath was in London, we passed a fashionable clothes shop in which one of these myth-making images was being used as an advertisement, and she immediately alerted Magnum to claim the copyright fee.)
After Morath and Miller were married in 1962 (Miller's marriage to Monroe had ended the year before), she made her home in Roxbury, Connecticut, in a house with a garden which she loved, a pond where she swam most days, books everywhere, and a kitchen table where, for nearly 40 years, she offered warm friendship, and wonderful talk. Miller and she co-operated on a number of books, notably In Russia (1969) and Chinese Encounters (1979), records of their expeditions together, in which he supplied the text and she the illustrations. But, while sharing fully in Miller's life in the theatre, she never allowed herself to be patronised or assumed to be the keeper of the diary.
Adventurous, independent, and never encumbered with needless luggage, she travelled extensively for most of her life. Always at ease, and quick to strike up conversations with the people she encountered, she concealed careful planning behind her apparent ingenuousness. Before going to Russia she learned the language, and latterly she carried a little book to keep up her skill in Chinese, another language she had learned as part of her professional preparations.
Aware that the presence of the observer can change the event being photographed, she usually preferred to work with a tiny camera which she kept in her handbag. Even on public occasions when everyone knew who she was and why she was there, she could momentarily make herself, if not quite invisible, at least smaller than she actually was, liable to slip to the ground or appear unexpectedly somewhere else in a room, in order to catch an instant.
Slim and graceful, and ready to fill any odd moment with yoga exercises, Inge Morath was probably happiest when curled up on the floor among her family and her friends. She continued working until illness claimed her.
|
||||
4941
|
dbpedia
|
3
| 45
|
https://www.joeedelman.com/inge-morath
|
en
|
Inge Morath: Capturing Cultures & Lives
|
[
"https://www.joeedelman.com/wp-content/uploads/2022/12/joeedelman_logo_2023_310px.png",
"https://www.joeedelman.com/wp-content/uploads/2022/12/joeedelman_logo_2023_310px.png",
"https://www.joeedelman.com/wp-content/uploads/2024/02/cropped-joe_avatar-1.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_feature-image.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/PhotoQuote_1-19-2024_Inge-Morath-400x400.jpg 400w, https://www.joeedelman.com/wp-content/uploads/2024/01/PhotoQuote_1-19-2024_Inge-Morath-1200x1200.jpg 1200w, https://www.joeedelman.com/wp-content/uploads/2024/01/PhotoQuote_1-19-2024_Inge-Morath-1536x1536.jpg 1536w, https://www.joeedelman.com/wp-content/uploads/2024/01/PhotoQuote_1-19-2024_Inge-Morath.jpg 1600w",
"https://www.joeedelman.com/wp-content/uploads/2024/01/PhotoQuote_1-19-2024_Inge-Morath-400x400.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_books1.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_books1.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_books2.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_books2.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_books3.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_books3.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_books4.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_books4.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_books5.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_books5.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_books6.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_books6.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_books7.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_books7.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_books8.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/morath-inge_books8.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/02/cropped-joe_avatar-1.jpg",
"https://www.joeedelman.com/wp-content/uploads/2021/04/social_red_instagram.png",
"https://www.joeedelman.com/wp-content/uploads/2021/04/social_red_facebook.png",
"https://www.joeedelman.com/wp-content/uploads/2021/04/social_red_youtube.png",
"https://www.joeedelman.com/wp-content/uploads/2021/04/social_red_linkedin.png",
"https://www.joeedelman.com/wp-content/uploads/2023/10/social_red_x_b.png",
"https://www.joeedelman.com/wp-content/uploads/2021/04/social_red_pinterest.png",
"https://www.joeedelman.com/wp-content/uploads/2024/05/social_red_tiktok.png",
"https://www.joeedelman.com/wp-content/uploads/2024/05/social_red_threads.png",
"https://www.joeedelman.com/wp-content/uploads/2024/05/social_red_bluesky.png",
"https://www.joeedelman.com/wp-content/uploads/2024/02/cropped-joe_avatar-1.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/06/featured_images-widget_cameraclubs2024.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/06/featured_images-widget_makeupartists2024.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/06/featured_images-widget_makeupartists2024.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/03/widget_togknowledge24free.png",
"https://www.joeedelman.com/wp-content/uploads/2024/03/widget_togknowledge24free.png",
"https://www.joeedelman.com/wp-content/uploads/2021/01/TOGCHAT220_Podcast-Cover-390x220.jpg 390w, https://www.joeedelman.com/wp-content/uploads/2021/01/TOGCHAT220_Podcast-Cover-350x197.jpg 350w, https://www.joeedelman.com/wp-content/uploads/2021/01/TOGCHAT220_Podcast-Cover-1600x900.jpg 1600w, https://www.joeedelman.com/wp-content/uploads/2021/01/TOGCHAT220_Podcast-Cover-1536x864.jpg 1536w, https://www.joeedelman.com/wp-content/uploads/2021/01/TOGCHAT220_Podcast-Cover-2048x1152.jpg 2048w",
"https://www.joeedelman.com/wp-content/uploads/2021/01/TOGCHAT220_Podcast-Cover-390x220.jpg",
"https://www.joeedelman.com/wp-content/uploads/2017/02/conventions.jpg 1920w, https://www.joeedelman.com/wp-content/uploads/2017/02/conventions-350x197.jpg 350w, https://www.joeedelman.com/wp-content/uploads/2017/02/conventions-1600x900.jpg 1600w",
"https://www.joeedelman.com/wp-content/uploads/2017/02/conventions.jpg",
"https://www.joeedelman.com/wp-content/uploads/2017/10/joe_edelman100117_0022.jpg 1200w, https://www.joeedelman.com/wp-content/uploads/2017/10/joe_edelman100117_0022-350x197.jpg 350w",
"https://www.joeedelman.com/wp-content/uploads/2017/10/joe_edelman100117_0022.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/featured_images_sb_unique-hairstyle-portraitb.jpg 2000w, https://www.joeedelman.com/wp-content/uploads/2024/01/featured_images_sb_unique-hairstyle-portraitb-400x209.jpg 400w, https://www.joeedelman.com/wp-content/uploads/2024/01/featured_images_sb_unique-hairstyle-portraitb-1200x628.jpg 1200w, https://www.joeedelman.com/wp-content/uploads/2024/01/featured_images_sb_unique-hairstyle-portraitb-1536x804.jpg 1536w",
"https://www.joeedelman.com/wp-content/uploads/2024/01/featured_images_sb_unique-hairstyle-portraitb.jpg",
"https://www.joeedelman.com/wp-content/uploads/claire120517_0088-1.jpg 1200w, https://www.joeedelman.com/wp-content/uploads/claire120517_0088-1-350x197.jpg 350w",
"https://www.joeedelman.com/wp-content/uploads/claire120517_0088-1.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/02/widget_gear24.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/02/widget_gear24.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/02/widget_teach24.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/02/widget_teach24.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/06/turner-pete_feature-image.jpg 2000w, https://www.joeedelman.com/wp-content/uploads/2024/06/turner-pete_feature-image-400x209.jpg 400w, https://www.joeedelman.com/wp-content/uploads/2024/06/turner-pete_feature-image-1200x628.jpg 1200w, https://www.joeedelman.com/wp-content/uploads/2024/06/turner-pete_feature-image-1536x804.jpg 1536w",
"https://www.joeedelman.com/wp-content/uploads/2024/06/turner-pete_feature-image.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/adler-lindsay_feature-image.jpg 2000w, https://www.joeedelman.com/wp-content/uploads/2024/01/adler-lindsay_feature-image-400x209.jpg 400w, https://www.joeedelman.com/wp-content/uploads/2024/01/adler-lindsay_feature-image-1200x628.jpg 1200w, https://www.joeedelman.com/wp-content/uploads/2024/01/adler-lindsay_feature-image-1536x804.jpg 1536w",
"https://www.joeedelman.com/wp-content/uploads/2024/01/adler-lindsay_feature-image.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/05/tenneson-joyce_feature-image.jpg 2000w, https://www.joeedelman.com/wp-content/uploads/2024/05/tenneson-joyce_feature-image-400x209.jpg 400w, https://www.joeedelman.com/wp-content/uploads/2024/05/tenneson-joyce_feature-image-1200x628.jpg 1200w, https://www.joeedelman.com/wp-content/uploads/2024/05/tenneson-joyce_feature-image-1536x804.jpg 1536w",
"https://www.joeedelman.com/wp-content/uploads/2024/05/tenneson-joyce_feature-image.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/07/bailey-david_feature-image.jpg 2000w, https://www.joeedelman.com/wp-content/uploads/2024/07/bailey-david_feature-image-400x209.jpg 400w, https://www.joeedelman.com/wp-content/uploads/2024/07/bailey-david_feature-image-1200x628.jpg 1200w, https://www.joeedelman.com/wp-content/uploads/2024/07/bailey-david_feature-image-1536x804.jpg 1536w",
"https://www.joeedelman.com/wp-content/uploads/2024/07/bailey-david_feature-image.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/ronis-willy_feature-image.jpg 2000w, https://www.joeedelman.com/wp-content/uploads/2024/01/ronis-willy_feature-image-400x209.jpg 400w, https://www.joeedelman.com/wp-content/uploads/2024/01/ronis-willy_feature-image-1200x628.jpg 1200w, https://www.joeedelman.com/wp-content/uploads/2024/01/ronis-willy_feature-image-1536x804.jpg 1536w",
"https://www.joeedelman.com/wp-content/uploads/2024/01/ronis-willy_feature-image.jpg",
"https://www.joeedelman.com/wp-content/uploads/2023/12/maisel-jay_feature-image.jpg 2000w, https://www.joeedelman.com/wp-content/uploads/2023/12/maisel-jay_feature-image-400x209.jpg 400w, https://www.joeedelman.com/wp-content/uploads/2023/12/maisel-jay_feature-image-1200x628.jpg 1200w, https://www.joeedelman.com/wp-content/uploads/2023/12/maisel-jay_feature-image-1536x804.jpg 1536w",
"https://www.joeedelman.com/wp-content/uploads/2023/12/maisel-jay_feature-image.jpg",
"https://www.joeedelman.com/wp-content/uploads/2024/01/majoli-alex_feature-image.jpg 2000w, https://www.joeedelman.com/wp-content/uploads/2024/01/majoli-alex_feature-image-400x209.jpg 400w, https://www.joeedelman.com/wp-content/uploads/2024/01/majoli-alex_feature-image-1200x628.jpg 1200w, https://www.joeedelman.com/wp-content/uploads/2024/01/majoli-alex_feature-image-1536x804.jpg 1536w",
"https://www.joeedelman.com/wp-content/uploads/2024/01/majoli-alex_feature-image.jpg",
"https://www.joeedelman.com/wp-content/uploads/2023/12/mapplethorpe-robert_feature-image.jpg 2000w, https://www.joeedelman.com/wp-content/uploads/2023/12/mapplethorpe-robert_feature-image-400x209.jpg 400w, https://www.joeedelman.com/wp-content/uploads/2023/12/mapplethorpe-robert_feature-image-1200x628.jpg 1200w, https://www.joeedelman.com/wp-content/uploads/2023/12/mapplethorpe-robert_feature-image-1536x804.jpg 1536w",
"https://www.joeedelman.com/wp-content/uploads/2023/12/mapplethorpe-robert_feature-image.jpg"
] |
[
"https://www.youtube.com/embed/6Z3oCMh3R-E?feature=oembed",
"https://www.youtube.com/embed/94P2rZcFiLg?feature=oembed"
] |
[] |
[
""
] | null |
[
"Joe Edelman",
"www.facebook.com"
] |
2024-01-18T22:10:56-05:00
|
Inge Morath [1923 - 2002] was an Austrian photographer who roamed the world, weaving black & white and color tapestries of humanity.
|
en
|
Joe Edelman
|
https://www.joeedelman.com/inge-morath
|
Photography Quotes From Inge Morath
📸 Did you know?
Beyond her photographic talents, Morath was fluent in seven languages, including French, German, Italian, and Russian. This allowed her to seamlessly connect with subjects from diverse backgrounds and build trust during her travels and projects.
Videos about Inge Morath
📸 Did you know?
Before finding her calling in photography, Morath briefly pursued a career in film editing. This early exposure to cinematic storytelling subtly influenced her photographic compositions and narratives, evident in her dramatic framing and evocative use of light.
Photography Books: Inge Morath
Links to books are Amazon Affiliate Links, which help to support this website without any additional cost to you.
📸 Did you know?
In contrast to the glamorous subjects she sometimes photographed, Morath valued simplicity and genuine connections. She often dressed modestly and embraced a down-to-earth approach, forging her own path in the often-glamorized world of photography.
Biography of Inge Morath
Early Life and Educational Background
Inge Morath, born on May 27, 1923, in Graz, Austria, was one of the first women to join the prestigious Magnum Photos agency and became a major figure in 20th-century photography.
Growing up in Austria during a time of significant political upheaval, Morath’s early life was marked by the turmoil of World War II. These experiences would deeply influence her photographic work.
She initially studied languages in Berlin, where she was required to perform mandatory factory service during the war. These early experiences and her extensive travels through Europe in her youth contributed to her global perspective and interest in diverse cultures.
Career Beginnings
After the war, Morath moved to London, where she began working as an editor and translator for various publications. It was during this period that she developed a keen interest in photography.
She moved to Paris in 1948, where she met Henri Cartier-Bresson, one of the founders of Magnum Photos. Cartier-Bresson became a mentor to Morath, encouraging her to pursue photography seriously.
Joining Magnum Photos
In 1951, Morath began working as an assistant and researcher at Magnum Photos in Paris. Her talent for photography quickly became apparent, and she began undertaking her photographic projects.
In 1953, she became a full member of Magnum, a significant achievement, especially considering the male-dominated world of photojournalism at the time.
Photographic Style and Approach
Morath’s photographic style is characterized by its humanistic approach. She had a keen eye for capturing everyday life’s intimate and candid moments.
Her work often focused on people’s ordinary lives, exploring themes such as culture, art, and the human experience in various parts of the world.
Significant Projects and Travels
Throughout her career, Morath traveled extensively, photographing in countries such as Spain, Morocco, Russia, Iran, and China. One of her significant projects includes her documentation of the Danube River, capturing life along its banks.
Her travels to Iran in the 1950s resulted in a comprehensive body of work that portrayed the country’s culture and landscape with sensitivity and depth.
Portraits of Artists and Celebrities
In addition to her documentary work, Morath was known for her portraits of artists, writers, and celebrities. She photographed figures such as Marilyn Monroe, Arthur Miller (whom she later married), and Pablo Picasso.
Her portraits are celebrated for their intimacy and the ability to reveal the personality of her subjects.
Exhibitions and Publications
Morath’s work has been exhibited in galleries and museums around the world. She published several books of her photographs, contributing to her reputation as a leading photographer of her time.
Her publications, showcasing her diverse subjects and travels, reflect her curiosity and engagement with the world.
Marriage and Personal Life
In 1962, Morath married playwright Arthur Miller, and they had a daughter, Rebecca. Her marriage to Miller introduced her to a new artistic circle, but she continued to pursue her photographic career with dedication and passion.
Later Career and Legacy
In her later years, Morath continued to photograph, though she also dedicated time to her family and personal life.
She passed away on January 30, 2002, leaving behind a rich legacy as a photographer.
Inge Morath’s career spanned over five decades, during which she created a body of work that is both artistically significant and historically important.
Her photographs offer a compassionate and insightful view into the lives and cultures she encountered. As one of the pioneering female photographers in the world of photojournalism, her legacy continues to inspire and influence photographers and photojournalists globally.
|
|||||
4941
|
dbpedia
|
2
| 3
|
https://playbill.com/article/inge-morath-photographer-and-wife-of-arthur-miller-dead-at-78-com-103705
|
en
|
Inge Morath, Photographer and Wife of Arthur Miller, Dead at 78
|
[
"https://sb.scorecardresearch.com/p?c1=2&c2=33044428&cv=3.1&cj=1",
"https://www.facebook.com/tr?id=925349244281937&ev=PageView&noscript=1",
"https://pixel.quantserve.com/pixel/p-d4EOGSLZ4snXA.gif",
"https://assets.playbill.com/site/main-logo-trimmed_2023-03-27-021655_agag.png",
"https://assets.playbill.com/site/Playbill-P-Logo-1-5-line_2023-03-27-021704_bzom.png",
"https://cdn.playbill.com/ad-block-logo.png"
] |
[] |
[] |
[
""
] | null |
[] |
2002-01-31T01:00:00-05:00
|
Inge Morath, the photographer wife of playwright Arthur Miller, died of lymphoma Jan. 30 in Manhattan, according to The New York Times.
|
en
|
Playbill
|
https://playbill.com/article/inge-morath-photographer-and-wife-of-arthur-miller-dead-at-78-com-103705
|
Inge Morath, the photographer wife of playwright Arthur Miller, died of lymphoma Jan. 30 in Manhattan, according to The New York Times.
Ms. Morath's photographs — posed shots, candids, celebrities, passersby, environments, interiors — appeared in a wide variety of international newspapers, magazines and publications over the years. She took a memorable shot of Miller and his then-wife Marilyn Monroe in 1960, The Times reported. Ms. Morath and Miller were married two years later.
According to the Magnum Photos website, Ms. Morath was born in Graz, Austria. Her parents were scientists and took her on their many European assignments. After studying languages in Berlin, she became a translator, then a journalist and the Austrian editor for Heute, an Information Service Branch publication based in Munich.
The photographer was a lifelong diary writer and letter writer. She wrote articles, as well, and became an editor at the Magnum Agency. She began photographing in London in 1951, and assisted Henri Cartier-Bresson as a researcher in 1953-54.
A world traveler, she was especially interested in the arts and world cultures. After her marriage to Miller, she settled in New York and Connecticut. She spoke Chinese and made a number of trips to China, where she photographed an array of subjects. Her photographs appear in the nonfiction account of the Chinese debut of Miller's play, Death of a Salesman, "Salesman in Beijing" (1984). Her selected published works include "Bring Forth the Children" (1960), "In Russia" (1969), "Inge Morath" (1975) "Country Life" (1977), "Chinese Encounters" (1979), "Portraits" (1986), "Russian Journal" (1991), "Inge Morath: Portraits" (1999), "Inge Morath: My Life as a Photographer" (1999). Miller survives his wife, as does Miller and Ms. Morath's daughter, Rebecca, and grandson.
A site called www.ingemorath.net is currently under construction.
|
|||||
4941
|
dbpedia
|
3
| 44
|
https://www.imdb.com/name/nm1269547/
|
en
|
Inge Morath
|
[
"https://fls-na.amazon.com/1/batch/1/OP/A1EVAM02EL8SFB:136-5249775-9333949:M3Z0B476EH1VDC87MT9D$uedata=s:%2Fuedata%2Fuedata%3Fstaticb%26id%3DM3Z0B476EH1VDC87MT9D:0",
"https://m.media-amazon.com/images/M/MV5BMzMwMDVkNDYtMWQ0MC00MTQ2LWE0NWUtNmE5ZGVjNGY3ZGJjXkEyXkFqcGdeQXVyMTMxMTY0OTQ@._V1_QL75_UY133_CR1,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BNTJlZTgyYjEtN2Y4Mi00MDU4LTliNzAtZmU1N2Y3YmNhOWQwXkEyXkFqcGdeQXVyMjkyMDI4NTQ@._V1_QL75_UY133_CR5,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BMzc3MzYzMGMtMWM1My00NWRkLTgyNmEtZWQ1NWVjNGZjNTZkXkEyXkFqcGdeQXVyNTE0MDY4Mjk@._V1_QL75_UX90_CR0,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BNDI2MDUzYjctYjRlZi00OTE2LWJjNWQtZDcxMmI2YTA0NDg1XkEyXkFqcGdeQXVyMzU0NzkwMDg@._V1_QL75_UX90_CR0,3,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BMzc3MzYzMGMtMWM1My00NWRkLTgyNmEtZWQ1NWVjNGZjNTZkXkEyXkFqcGdeQXVyNTE0MDY4Mjk@._V1_QL75_UX90_CR0,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BMTQ3ODc5ODQ0NV5BMl5BanBnXkFtZTgwNzM1MjUzMDI@._V1_QL75_UX90_CR0,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BMzMwMDVkNDYtMWQ0MC00MTQ2LWE0NWUtNmE5ZGVjNGY3ZGJjXkEyXkFqcGdeQXVyMTMxMTY0OTQ@._V1_QL75_UY133_CR1,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BNTJlZTgyYjEtN2Y4Mi00MDU4LTliNzAtZmU1N2Y3YmNhOWQwXkEyXkFqcGdeQXVyMjkyMDI4NTQ@._V1_QL75_UY133_CR5,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BNDI2MDUzYjctYjRlZi00OTE2LWJjNWQtZDcxMmI2YTA0NDg1XkEyXkFqcGdeQXVyMzU0NzkwMDg@._V1_QL75_UX90_CR0,3,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BMWU0MDVhMjktODIzMC00NTk2LWI3OTctY2Q0NmY2ZDBhNjNjXkEyXkFqcGdeQXVyMTQ4NDkxNTk4._V1_QL75_UY133_CR2,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BNDg2MTI3N2QtZGI4Yy00ZDEyLTk1Y2MtOGI2ZDEwMWViZGE4XkEyXkFqcGdeQXVyNjkwOTQ4MDE@._V1_QL75_UY133_CR2,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BNDJlOGRjMTctNzVjMi00NjBkLWIxN2ItNzk4NmQ1MDg2MjM4XkEyXkFqcGdeQXVyMTU0OTc4MjA2._V1_QL75_UX90_CR0,1,90,133_.jpg",
"https://m.media-amazon.com/images/G/01/IMDb/Mobile/DesktopQRCode-png.png",
"https://fls-na.amazon.com/1/batch/1/OP/A1EVAM02EL8SFB:136-5249775-9333949:M3Z0B476EH1VDC87MT9D$uedata=s:%2Fuedata%2Fuedata%3Fnoscript%26id%3DM3Z0B476EH1VDC87MT9D:0"
] |
[] |
[] |
[
"Inge Morath"
] | null |
[
"IMDb"
] | null |
Inge Morath. Camera and Electrical Department: Personal Velocity: Three Portraits. Inge Morath was born on 27 May 1923 in Graz, Austria. She is known for Personal Velocity: Three Portraits (2002), Angela und der Engel (1995) and Love, Marilyn (2012). She was married to Arthur Miller and Jack Ernest Lionel Birch. She died on 30 January 2002 in New York City, New York, USA.
|
en
|
IMDb
|
https://www.imdb.com/name/nm1269547/
|
While photographing the making of Denen man nicht vergibt (1960), she accompanied its director, John Huston, and his friends on a duck hunt. Up the river, she noticed its star, Audie Murphy, in the water, having fallen out of his boat. She stripped to her underwear, reached Murphy, who was in the last stages of exhaustion, and hauled him ashore by her bra strap while the hunt continued uninterrupted over them.
|
|||||
4941
|
dbpedia
|
0
| 11
|
https://www.liliums-compendium.co.uk/post/inge-morath-gifted-gallery
|
en
|
Inge Morath - Gifted Gallery
|
[
"https://static.wixstatic.com/media/6fc0d6_be6f21374dec4f9b9ba9f2826eb0e2e3~mv2_d_1950_1302_s_2.jpg/v1/fill/w_288,h_192,al_c,q_80,usm_0.66_1.00_0.01,blur_2,enc_auto/6fc0d6_be6f21374dec4f9b9ba9f2826eb0e2e3~mv2_d_1950_1302_s_2.jpg",
"https://static.wixstatic.com/media/6fc0d6_10b04f50863f482980d96c985a4ec13c~mv2.webp/v1/fill/w_147,h_110,al_c,q_80,usm_0.66_1.00_0.01,blur_2,enc_auto/6fc0d6_10b04f50863f482980d96c985a4ec13c~mv2.webp",
"https://static.wixstatic.com/media/6fc0d6_acbbb59bb56b4312a51d66ea087d7315~mv2.jpg/v1/fill/w_147,h_98,al_c,q_80,usm_0.66_1.00_0.01,blur_2,enc_auto/6fc0d6_acbbb59bb56b4312a51d66ea087d7315~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_7f9bcef659494020a30210ce081b4dac~mv2.jpg/v1/fill/w_336,h_250,al_c,q_30,blur_30/6fc0d6_7f9bcef659494020a30210ce081b4dac~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_7f9bcef659494020a30210ce081b4dac~mv2.jpg/v1/fill/w_433,h_323,fp_0.50_0.50,q_90/6fc0d6_7f9bcef659494020a30210ce081b4dac~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_e52fa6dea1d7440d801c525678e731fa~mv2.webp",
"https://static.wixstatic.com/media/6fc0d6_e52fa6dea1d7440d801c525678e731fa~mv2.webp",
"https://static.wixstatic.com/media/6fc0d6_cbcbf0a87c7242d99e1faa2046bb588e~mv2.jpeg/v1/fill/w_246,h_250,al_c,q_30,blur_30/6fc0d6_cbcbf0a87c7242d99e1faa2046bb588e~mv2.jpeg",
"https://static.wixstatic.com/media/6fc0d6_cbcbf0a87c7242d99e1faa2046bb588e~mv2.jpeg/v1/fill/w_318,h_323,fp_0.50_0.50,q_90/6fc0d6_cbcbf0a87c7242d99e1faa2046bb588e~mv2.jpeg",
"https://static.wixstatic.com/media/6fc0d6_06ced11b8202470590405ce29a322299~mv2.jpeg/v1/fill/w_446,h_250,al_c,q_30,blur_30/6fc0d6_06ced11b8202470590405ce29a322299~mv2.jpeg",
"https://static.wixstatic.com/media/6fc0d6_06ced11b8202470590405ce29a322299~mv2.jpeg/v1/fill/w_536,h_300,fp_0.50_0.50,q_90/6fc0d6_06ced11b8202470590405ce29a322299~mv2.jpeg",
"https://static.wixstatic.com/media/6fc0d6_80f2ddcb37124a038a6c1edc0e88c191~mv2.jpg/v1/fill/w_377,h_250,al_c,q_30,blur_30/6fc0d6_80f2ddcb37124a038a6c1edc0e88c191~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_80f2ddcb37124a038a6c1edc0e88c191~mv2.jpg/v1/fill/w_488,h_324,fp_0.50_0.50,q_90/6fc0d6_80f2ddcb37124a038a6c1edc0e88c191~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_359ccd7e24e64c719bd0b1cfb88cd195~mv2.jpg/v1/fill/w_375,h_250,al_c,q_30,blur_30/6fc0d6_359ccd7e24e64c719bd0b1cfb88cd195~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_359ccd7e24e64c719bd0b1cfb88cd195~mv2.jpg/v1/fill/w_487,h_324,fp_0.50_0.50,q_90/6fc0d6_359ccd7e24e64c719bd0b1cfb88cd195~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_ecb5ac7c0de84312999689eb2caec457~mv2.jpg/v1/fill/w_375,h_250,al_c,q_30,blur_30/6fc0d6_ecb5ac7c0de84312999689eb2caec457~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_ecb5ac7c0de84312999689eb2caec457~mv2.jpg/v1/fill/w_506,h_337,fp_0.50_0.50,q_90/6fc0d6_ecb5ac7c0de84312999689eb2caec457~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_6183e663821843a893c27354ef0b15bc~mv2.jpg/v1/fill/w_145,h_250,al_c,q_30,blur_30/6fc0d6_6183e663821843a893c27354ef0b15bc~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_6183e663821843a893c27354ef0b15bc~mv2.jpg/v1/fill/w_195,h_337,fp_0.50_0.50,q_90/6fc0d6_6183e663821843a893c27354ef0b15bc~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_9d73a53b90da4c439443c7731e91d707~mv2.jpg/v1/fill/w_200,h_250,al_c,q_30,blur_30/6fc0d6_9d73a53b90da4c439443c7731e91d707~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_9d73a53b90da4c439443c7731e91d707~mv2.jpg/v1/fill/w_269,h_337,fp_0.50_0.50,q_90/6fc0d6_9d73a53b90da4c439443c7731e91d707~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_0c255e21144a42bf986fd701ce2d4b21~mv2.jpg/v1/fill/w_384,h_250,al_c,q_30,blur_30/6fc0d6_0c255e21144a42bf986fd701ce2d4b21~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_0c255e21144a42bf986fd701ce2d4b21~mv2.jpg/v1/fill/w_490,h_319,fp_0.50_0.50,q_90/6fc0d6_0c255e21144a42bf986fd701ce2d4b21~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_8af0d091cfc54cc39af647a12ebfdcfb~mv2.jpg/v1/fill/w_379,h_250,al_c,q_30,blur_30/6fc0d6_8af0d091cfc54cc39af647a12ebfdcfb~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_8af0d091cfc54cc39af647a12ebfdcfb~mv2.jpg/v1/fill/w_485,h_319,fp_0.50_0.50,q_90/6fc0d6_8af0d091cfc54cc39af647a12ebfdcfb~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_45956817e89c438f9ff51f0555169326~mv2.jpg/v1/fill/w_445,h_250,al_c,q_30,blur_30/6fc0d6_45956817e89c438f9ff51f0555169326~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_45956817e89c438f9ff51f0555169326~mv2.jpg/v1/fill/w_504,h_283,fp_0.50_0.50,q_90/6fc0d6_45956817e89c438f9ff51f0555169326~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_60adf4fb73e54c41a5aa91e5aec1569f~mv2.jpg/v1/fill/w_161,h_250,al_c,q_30,blur_30/6fc0d6_60adf4fb73e54c41a5aa91e5aec1569f~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_60adf4fb73e54c41a5aa91e5aec1569f~mv2.jpg/v1/fill/w_182,h_283,fp_0.50_0.50,q_90/6fc0d6_60adf4fb73e54c41a5aa91e5aec1569f~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_dd12488b4197436490e6f11ac04c338d~mv2.webp",
"https://static.wixstatic.com/media/6fc0d6_dd12488b4197436490e6f11ac04c338d~mv2.webp",
"https://static.wixstatic.com/media/6fc0d6_0f8e54b64840413dba5e66f619a44d56~mv2.jpg/v1/fill/w_373,h_250,al_c,q_30,blur_30/6fc0d6_0f8e54b64840413dba5e66f619a44d56~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_0f8e54b64840413dba5e66f619a44d56~mv2.jpg/v1/fill/w_514,h_344,fp_0.50_0.50,q_90/6fc0d6_0f8e54b64840413dba5e66f619a44d56~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_013059d0d5af4f6a9cd736bc8cfe2319~mv2.jpg/v1/fill/w_163,h_250,al_c,q_30,blur_30/6fc0d6_013059d0d5af4f6a9cd736bc8cfe2319~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_013059d0d5af4f6a9cd736bc8cfe2319~mv2.jpg/v1/fill/w_225,h_344,fp_0.50_0.50,q_90/6fc0d6_013059d0d5af4f6a9cd736bc8cfe2319~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_83545af02a13407d9dbb3ba68a00c78f~mv2.webp",
"https://static.wixstatic.com/media/6fc0d6_83545af02a13407d9dbb3ba68a00c78f~mv2.webp",
"https://static.wixstatic.com/media/6fc0d6_a36d8452fcc3455da0903fc64ab67031~mv2.webp",
"https://static.wixstatic.com/media/6fc0d6_a36d8452fcc3455da0903fc64ab67031~mv2.webp",
"https://static.wixstatic.com/media/6fc0d6_5953e42b6a614e5fb52d155cca893797~mv2.jpg/v1/fill/w_378,h_250,al_c,q_30,blur_30/6fc0d6_5953e42b6a614e5fb52d155cca893797~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_5953e42b6a614e5fb52d155cca893797~mv2.jpg/v1/fill/w_511,h_338,fp_0.50_0.50,q_90/6fc0d6_5953e42b6a614e5fb52d155cca893797~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_4939e13124b046dea53c44e659ec4470~mv2.jpg/v1/fill/w_163,h_250,al_c,q_30,blur_30/6fc0d6_4939e13124b046dea53c44e659ec4470~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_4939e13124b046dea53c44e659ec4470~mv2.jpg/v1/fill/w_221,h_338,fp_0.50_0.50,q_90/6fc0d6_4939e13124b046dea53c44e659ec4470~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_28ab78416c7e489fafb5de7ec20f13d0~mv2.jpg/v1/fill/w_175,h_250,al_c,q_30,blur_30/6fc0d6_28ab78416c7e489fafb5de7ec20f13d0~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_28ab78416c7e489fafb5de7ec20f13d0~mv2.jpg/v1/fill/w_238,h_338,fp_0.50_0.50,q_90/6fc0d6_28ab78416c7e489fafb5de7ec20f13d0~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_e8b91bd3ba0044f999d3e25e7ac29ff5~mv2.jpg/v1/fill/w_384,h_250,al_c,q_30,blur_30/6fc0d6_e8b91bd3ba0044f999d3e25e7ac29ff5~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_e8b91bd3ba0044f999d3e25e7ac29ff5~mv2.jpg/v1/fill/w_547,h_356,fp_0.50_0.50,q_90/6fc0d6_e8b91bd3ba0044f999d3e25e7ac29ff5~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_beb3af38d995406a8c51c3af2398ab62~mv2.jpg/v1/fill/w_301,h_250,al_c,q_30,blur_30/6fc0d6_beb3af38d995406a8c51c3af2398ab62~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_beb3af38d995406a8c51c3af2398ab62~mv2.jpg/v1/fill/w_428,h_356,fp_0.50_0.50,q_90/6fc0d6_beb3af38d995406a8c51c3af2398ab62~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_23a1642cb8644382acc6a2781370b043~mv2.png/v1/fill/w_381,h_250,al_c,blur_30/6fc0d6_23a1642cb8644382acc6a2781370b043~mv2.png",
"https://static.wixstatic.com/media/6fc0d6_23a1642cb8644382acc6a2781370b043~mv2.png/v1/fill/w_493,h_324,fp_0.50_0.50/6fc0d6_23a1642cb8644382acc6a2781370b043~mv2.png",
"https://static.wixstatic.com/media/6fc0d6_0fc7176d86ae4b8394290956124a59ca~mv2.jpeg/v1/fill/w_372,h_250,al_c,q_30,blur_30/6fc0d6_0fc7176d86ae4b8394290956124a59ca~mv2.jpeg",
"https://static.wixstatic.com/media/6fc0d6_0fc7176d86ae4b8394290956124a59ca~mv2.jpeg/v1/fill/w_482,h_324,fp_0.50_0.50,q_90/6fc0d6_0fc7176d86ae4b8394290956124a59ca~mv2.jpeg",
"https://static.wixstatic.com/media/6fc0d6_2dd74c4803e14eb7b0407b871d8e1920~mv2.jpg/v1/fill/w_375,h_250,al_c,q_30,blur_30/6fc0d6_2dd74c4803e14eb7b0407b871d8e1920~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_2dd74c4803e14eb7b0407b871d8e1920~mv2.jpg/v1/fill/w_389,h_260,fp_0.50_0.50,q_90/6fc0d6_2dd74c4803e14eb7b0407b871d8e1920~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_1d09a36f15dd4173a079f7a8292fe405~mv2.jpg/v1/fill/w_176,h_249,al_c,q_30,blur_30/6fc0d6_1d09a36f15dd4173a079f7a8292fe405~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_1d09a36f15dd4173a079f7a8292fe405~mv2.jpg/v1/fill/w_183,h_260,fp_0.50_0.50,q_90/6fc0d6_1d09a36f15dd4173a079f7a8292fe405~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_8a03201aefb24664b339900b611caa1f~mv2.jpg/v1/fill/w_382,h_250,al_c,q_30,blur_30/6fc0d6_8a03201aefb24664b339900b611caa1f~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_8a03201aefb24664b339900b611caa1f~mv2.jpg/v1/fill/w_398,h_260,fp_0.50_0.50,q_90/6fc0d6_8a03201aefb24664b339900b611caa1f~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_fe6ad20457004b97864b8487c716cbc9~mv2.jpg/v1/fill/w_159,h_250,al_c,q_30,blur_30/6fc0d6_fe6ad20457004b97864b8487c716cbc9~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_fe6ad20457004b97864b8487c716cbc9~mv2.jpg/v1/fill/w_217,h_340,fp_0.50_0.50,q_90/6fc0d6_fe6ad20457004b97864b8487c716cbc9~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_d8700fdf241e4affb390f43431904a0b~mv2.jpg/v1/fill/w_166,h_250,al_c,q_30,blur_30/6fc0d6_d8700fdf241e4affb390f43431904a0b~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_d8700fdf241e4affb390f43431904a0b~mv2.jpg/v1/fill/w_225,h_340,fp_0.50_0.50,q_90/6fc0d6_d8700fdf241e4affb390f43431904a0b~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_0427a6fdfe684d31afe363f32ad38b81~mv2.jpg/v1/fill/w_388,h_250,al_c,q_30,blur_30/6fc0d6_0427a6fdfe684d31afe363f32ad38b81~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_0427a6fdfe684d31afe363f32ad38b81~mv2.jpg/v1/fill/w_528,h_340,fp_0.50_0.50,q_90/6fc0d6_0427a6fdfe684d31afe363f32ad38b81~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_f3d74e8528cd4f278a7619afdf9e3725~mv2.jpg/v1/fill/w_250,h_250,al_c,q_30,blur_30/6fc0d6_f3d74e8528cd4f278a7619afdf9e3725~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_f3d74e8528cd4f278a7619afdf9e3725~mv2.jpg/v1/fill/w_281,h_281,fp_0.50_0.50,q_90/6fc0d6_f3d74e8528cd4f278a7619afdf9e3725~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_27fc5ed3a2684928ba18c3b3b1186c7a~mv2.jpg/v1/fill/w_363,h_250,al_c,q_30,blur_30/6fc0d6_27fc5ed3a2684928ba18c3b3b1186c7a~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_27fc5ed3a2684928ba18c3b3b1186c7a~mv2.jpg/v1/fill/w_408,h_281,fp_0.50_0.50,q_90/6fc0d6_27fc5ed3a2684928ba18c3b3b1186c7a~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_4004476925404b53814174f158168f04~mv2.jpg/v1/fill/w_250,h_250,al_c,q_30,blur_30/6fc0d6_4004476925404b53814174f158168f04~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_4004476925404b53814174f158168f04~mv2.jpg/v1/fill/w_282,h_281,fp_0.50_0.50,q_90/6fc0d6_4004476925404b53814174f158168f04~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_c022d05e3a0049e4b4500d8c06b21899~mv2.jpg/v1/fill/w_380,h_250,al_c,q_30,blur_30/6fc0d6_c022d05e3a0049e4b4500d8c06b21899~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_c022d05e3a0049e4b4500d8c06b21899~mv2.jpg/v1/fill/w_494,h_325,fp_0.50_0.50,q_90/6fc0d6_c022d05e3a0049e4b4500d8c06b21899~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_91df9ee691c1484ea93e75121f9ace7f~mv2.jpg/v1/fill/w_370,h_250,al_c,q_30,blur_30/6fc0d6_91df9ee691c1484ea93e75121f9ace7f~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_91df9ee691c1484ea93e75121f9ace7f~mv2.jpg/v1/fill/w_481,h_325,fp_0.50_0.50,q_90/6fc0d6_91df9ee691c1484ea93e75121f9ace7f~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_ffdac5d3b16f4a7ca51e8b172753278f~mv2.jpg/v1/fill/w_376,h_250,al_c,q_30,blur_30/6fc0d6_ffdac5d3b16f4a7ca51e8b172753278f~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_ffdac5d3b16f4a7ca51e8b172753278f~mv2.jpg/v1/fill/w_459,h_305,fp_0.50_0.50,q_90/6fc0d6_ffdac5d3b16f4a7ca51e8b172753278f~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_648ef25d4108407e94745b158fdc5d78~mv2.jpg/v1/fill/w_250,h_250,al_c,q_30,blur_30/6fc0d6_648ef25d4108407e94745b158fdc5d78~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_648ef25d4108407e94745b158fdc5d78~mv2.jpg/v1/fill/w_305,h_305,fp_0.50_0.50,q_90/6fc0d6_648ef25d4108407e94745b158fdc5d78~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_83101fafdcd34f4986ee0b3825bac2b4~mv2.jpg/v1/fill/w_168,h_250,al_c,q_30,blur_30/6fc0d6_83101fafdcd34f4986ee0b3825bac2b4~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_83101fafdcd34f4986ee0b3825bac2b4~mv2.jpg/v1/fill/w_206,h_305,fp_0.50_0.50,q_90/6fc0d6_83101fafdcd34f4986ee0b3825bac2b4~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_ea9dac078f3249b8a5bb8a85e4cfe2c5~mv2.jpg/v1/fill/w_164,h_250,al_c,q_30,blur_30/6fc0d6_ea9dac078f3249b8a5bb8a85e4cfe2c5~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_ea9dac078f3249b8a5bb8a85e4cfe2c5~mv2.jpg/v1/fill/w_174,h_265,fp_0.50_0.50,q_90/6fc0d6_ea9dac078f3249b8a5bb8a85e4cfe2c5~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_a7405fce5d264d4fa0110ebbde09674e~mv2.jpg/v1/fill/w_375,h_250,al_c,q_30,blur_30/6fc0d6_a7405fce5d264d4fa0110ebbde09674e~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_a7405fce5d264d4fa0110ebbde09674e~mv2.jpg/v1/fill/w_397,h_265,fp_0.50_0.50,q_90/6fc0d6_a7405fce5d264d4fa0110ebbde09674e~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_9539946f489b4217afb56c86765f98f4~mv2.jpg/v1/fill/w_376,h_250,al_c,q_30,blur_30/6fc0d6_9539946f489b4217afb56c86765f98f4~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_9539946f489b4217afb56c86765f98f4~mv2.jpg/v1/fill/w_399,h_265,fp_0.50_0.50,q_90/6fc0d6_9539946f489b4217afb56c86765f98f4~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_a4d1ef617c6746aea57ca4db3a92fc57~mv2.jpg/v1/fill/w_360,h_250,al_c,q_30,blur_30/6fc0d6_a4d1ef617c6746aea57ca4db3a92fc57~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_a4d1ef617c6746aea57ca4db3a92fc57~mv2.jpg/v1/fill/w_393,h_272,fp_0.50_0.50,q_90/6fc0d6_a4d1ef617c6746aea57ca4db3a92fc57~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_71e41cff69ec4db08e9aef46dab7f4e2~mv2.jpg/v1/fill/w_164,h_250,al_c,q_30,blur_30/6fc0d6_71e41cff69ec4db08e9aef46dab7f4e2~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_71e41cff69ec4db08e9aef46dab7f4e2~mv2.jpg/v1/fill/w_178,h_272,fp_0.50_0.50,q_90/6fc0d6_71e41cff69ec4db08e9aef46dab7f4e2~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_104c72bfa52041e4a81d43c21ea4898e~mv2.jpg/v1/fill/w_366,h_250,al_c,q_30,blur_30/6fc0d6_104c72bfa52041e4a81d43c21ea4898e~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_104c72bfa52041e4a81d43c21ea4898e~mv2.jpg/v1/fill/w_399,h_272,fp_0.50_0.50,q_90/6fc0d6_104c72bfa52041e4a81d43c21ea4898e~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_00f1241ab6194965a3d8e51886761167~mv2.jpg/v1/fill/w_172,h_250,al_c,q_30,blur_30/6fc0d6_00f1241ab6194965a3d8e51886761167~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_00f1241ab6194965a3d8e51886761167~mv2.jpg/v1/fill/w_180,h_261,fp_0.50_0.50,q_90/6fc0d6_00f1241ab6194965a3d8e51886761167~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_0329d2c030c14a529d8fba2dd9de3b24~mv2.jpg/v1/fill/w_378,h_250,al_c,q_30,blur_30/6fc0d6_0329d2c030c14a529d8fba2dd9de3b24~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_0329d2c030c14a529d8fba2dd9de3b24~mv2.jpg/v1/fill/w_394,h_261,fp_0.50_0.50,q_90/6fc0d6_0329d2c030c14a529d8fba2dd9de3b24~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_3da527b46a934bce929ca6983c7bd4d0~mv2.jpg/v1/fill/w_379,h_250,al_c,q_30,blur_30/6fc0d6_3da527b46a934bce929ca6983c7bd4d0~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_3da527b46a934bce929ca6983c7bd4d0~mv2.jpg/v1/fill/w_396,h_261,fp_0.50_0.50,q_90/6fc0d6_3da527b46a934bce929ca6983c7bd4d0~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_aa28b6ac83554638bc16b67c263591ce~mv2.jpg/v1/fill/w_375,h_250,al_c,q_30,blur_30/6fc0d6_aa28b6ac83554638bc16b67c263591ce~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_aa28b6ac83554638bc16b67c263591ce~mv2.jpg/v1/fill/w_492,h_328,fp_0.50_0.50,q_90/6fc0d6_aa28b6ac83554638bc16b67c263591ce~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_f4cc86f25bde4b1d9caf8e9758b92834~mv2.jpg/v1/fill/w_369,h_250,al_c,q_30,blur_30/6fc0d6_f4cc86f25bde4b1d9caf8e9758b92834~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_f4cc86f25bde4b1d9caf8e9758b92834~mv2.jpg/v1/fill/w_483,h_328,fp_0.50_0.50,q_90/6fc0d6_f4cc86f25bde4b1d9caf8e9758b92834~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_e99bc5d021934cd7a125362725d89091~mv2.jpg/v1/fill/w_377,h_250,al_c,q_30,blur_30/6fc0d6_e99bc5d021934cd7a125362725d89091~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_e99bc5d021934cd7a125362725d89091~mv2.jpg/v1/fill/w_493,h_327,fp_0.50_0.50,q_90/6fc0d6_e99bc5d021934cd7a125362725d89091~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_1d5b1e53373f486c8ea2900ca949ee4b~mv2.jpg/v1/fill/w_368,h_250,al_c,q_30,blur_30/6fc0d6_1d5b1e53373f486c8ea2900ca949ee4b~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_1d5b1e53373f486c8ea2900ca949ee4b~mv2.jpg/v1/fill/w_482,h_327,fp_0.50_0.50,q_90/6fc0d6_1d5b1e53373f486c8ea2900ca949ee4b~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_fc05fa4bc2d943d488b4b9aebb5d190f~mv2.jpg/v1/fill/w_166,h_250,al_c,q_30,blur_30/6fc0d6_fc05fa4bc2d943d488b4b9aebb5d190f~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_fc05fa4bc2d943d488b4b9aebb5d190f~mv2.jpg/v1/fill/w_178,h_268,fp_0.50_0.50,q_90/6fc0d6_fc05fa4bc2d943d488b4b9aebb5d190f~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_6829d2e69a8643289c3e838312af7dae~mv2.jpg/v1/fill/w_500,h_250,al_c,q_30,blur_30/6fc0d6_6829d2e69a8643289c3e838312af7dae~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_6829d2e69a8643289c3e838312af7dae~mv2.jpg/v1/fill/w_536,h_268,fp_0.50_0.50,q_90/6fc0d6_6829d2e69a8643289c3e838312af7dae~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_040042b9149f4a1d9a8f624fdd81cba2~mv2.jpg/v1/fill/w_237,h_250,al_c,q_30,blur_30/6fc0d6_040042b9149f4a1d9a8f624fdd81cba2~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_040042b9149f4a1d9a8f624fdd81cba2~mv2.jpg/v1/fill/w_256,h_268,fp_0.50_0.50,q_90/6fc0d6_040042b9149f4a1d9a8f624fdd81cba2~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_876be1cc72294ec5bc78ecb617889a38~mv2.jpg/v1/fill/w_369,h_250,al_c,q_30,blur_30/6fc0d6_876be1cc72294ec5bc78ecb617889a38~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_876be1cc72294ec5bc78ecb617889a38~mv2.jpg/v1/fill/w_443,h_300,fp_0.50_0.50,q_90/6fc0d6_876be1cc72294ec5bc78ecb617889a38~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_27c485c2eeda418aa9ee68958f136528~mv2.jpg/v1/fill/w_211,h_250,al_c,q_30,blur_30/6fc0d6_27c485c2eeda418aa9ee68958f136528~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_27c485c2eeda418aa9ee68958f136528~mv2.jpg/v1/fill/w_411,h_487,al_c,q_90/6fc0d6_27c485c2eeda418aa9ee68958f136528~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_3821eab076a545b3a285ab9d01fb455d~mv2.jpg/v1/fill/w_206,h_250,al_c,q_30,blur_30/6fc0d6_3821eab076a545b3a285ab9d01fb455d~mv2.jpg",
"https://static.wixstatic.com/media/6fc0d6_3821eab076a545b3a285ab9d01fb455d~mv2.jpg/v1/fill/w_401,h_487,al_c,q_90/6fc0d6_3821eab076a545b3a285ab9d01fb455d~mv2.jpg"
] |
[] |
[] |
[
""
] | null |
[
"Lilium"
] |
2024-07-24T18:53:17.974000+00:00
|
Ingeborg Hermine Morath, born 27 May 1923, was an Austrian photographer. In 1953, she joined the Magnum Photos Agency, founded by top photographers in Paris, and became a full photographer with the agency in 1955.After studying languages in Berlin, she became a translator, then a journalist and the Austrian editor for Heute, an Information Service Branch publication based in Munich. All her life, Morath would remain a prolific diarist and letter-writer.She began to photograph during a visit to V
|
en
|
https://static.parastorage.com/client/pfavico.ico
|
Liliums-compendium
|
https://www.liliums-compendium.co.uk/post/inge-morath-gifted-gallery
|
Ingeborg Hermine Morath, born 27 May 1923, was an Austrian photographer. In 1953, she joined the Magnum Photos Agency, founded by top photographers in Paris, and became a full photographer with the agency in 1955.
After studying languages in Berlin, she became a translator, then a journalist and the Austrian editor for Heute, an Information Service Branch publication based in Munich. All her life, Morath would remain a prolific diarist and letter-writer.
She began to photograph during a visit to Venice. "It was instantly clear to me that from now on I would be a photographer", she wrote. "As I continued to photograph I became quite joyous. I knew that I could express the things I wanted to say by giving them form through my eyes." Morath applied for an apprenticeship with Simon Guttman, who was then an editor for Picture Post and running the picture-agency Report. After Morath had spent several months working as Guttman's secretary, she had an opportunity to take photographs. She sold her first photographs - of opening nights, exhibitions, inaugurations, etc. - under the pseudonym "Egni Tharom", her name spelled backwards.
A friend of photographer Ernst Haas, she wrote articles to accompany his photographs and was invited by Robert Capa and Haas to Paris to join the newly founded Magnum agency as an editor and researcher. She began photographing in London in 1951, and joined Magnum Photos as a photographer in 1953. While working on her own first assignments, Morath also assisted Henri Cartier-Bresson during 1953-54, becoming a full member in 1955.
Robert Capa
Henri Cartier-Bresson
Ernst Haas
Photography by Ernst Haas
In the following years, Morath traveled extensively in Europe, North Africa and the Middle East. Her special interest in the arts found expression in photographic essays published by a number of leading magazines. After her marriage to playwright Arthur Miller in 1962, Morath settled in New York and Connecticut. She first visited the USSR in 1965. In 1972 she studied Mandarin and obtained a visa to China, making the first of many trips to the country in 1978.
Some of her most important work consists of portraits as well as candid street photography. She was also adept at photographing places: her pictures of Boris Pasternak’s home, Pushkin’s library, Chekhov’s house, Mao Zedong’s bedroom, artists’ studios and cemetery memorials.
Inge Morath died in New York City on 30 January 2002, aged 78. The book Last Journey (2002), and Strasseger's film Grenz Räume (Border Space, 2002), document Morath's visits to her homeland during the final years of her life.
Reading Recommendations & Content Considerations
Inge Morath Inge Morath
|
||||
4941
|
dbpedia
|
1
| 9
|
https://simple.wikipedia.org/wiki/Inge_Morath
|
en
|
Simple English Wikipedia, the free encyclopedia
|
https://simple.wikipedia.org/static/favicon/wikipedia.ico
|
https://simple.wikipedia.org/static/favicon/wikipedia.ico
|
[
"https://simple.wikipedia.org/static/images/icons/wikipedia.png",
"https://simple.wikipedia.org/static/images/mobile/copyright/wikipedia-wordmark-en.svg",
"https://simple.wikipedia.org/static/images/mobile/copyright/wikipedia-tagline-simple.svg",
"https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1",
"https://simple.wikipedia.org/static/images/footer/wikimedia-button.svg",
"https://simple.wikipedia.org/static/images/footer/poweredby_mediawiki.svg"
] |
[] |
[] |
[
""
] | null |
[
"Contributors to Wikimedia projects"
] |
2012-05-07T06:44:01+00:00
|
en
|
/static/apple-touch/wikipedia.png
|
https://simple.wikipedia.org/wiki/Inge_Morath
|
Ingeborg Morath (May 27, 1923 – January 30, 2002) was an Austrian photographer.[1] In 1953 she joined the Magnum Photos Agency. She became a full photographer with them in 1955. In 1955 she published her first collection of photographs, of a total of 30 monographs during her lifetime.
Ingeborg Morath was born in Graz, Austria. Her parents were scientists. They went to different laboratories and universities in Europe during her childhood. She first went to French-speaking schools. In the 1930s her family moved to Darmstadt, a German intellectual center. Then they moved to Berlin.
Morath's first encounter with avant-garde art was the Degenerate Art show by the Nazi party in 1937. It was supposed to make people not like modern art. "I found a number of these paintings exciting and fell in love with Franz Marc's Blue Horse", Morath later wrote.[2]
Morath went to Berlin University. At university, Morath studied languages. She learned French, English, and Romanian. Later she added Spanish, Russian and Chinese. Toward the end of World War II, Morath worked for factory service in Tempelhof, alongside Ukrainian prisoners of war. During an attack on the factory by Russian bombers, she ran on foot to Austria. In later years, Morath would not photograph war.
After the Second World War, Morath worked as a translator and journalist. In 1948, she was hired by Warren Trabant. She worked for Heute. Morath met photographer Ernst Haas in post-war Vienna. She brought his work to Trabant's attention.[3] Working together for Heute, Morath wrote articles to go along with Haas' pictures. In 1949, Morath and Haas were invited by Robert Capa to join the newly founded Magnum Photos in Paris.
Morath was briefly married to the British journalist Lionel Birch. She moved to London in 1951. That same year, she began to photograph during a visit to Venice. Morath asked for an apprenticeship with Simon Guttman. He was then an editor for Picture Post and running the picture-agency Report.
Morath divorced Birch and returned to Paris. Her first jobs were stories that did not interest "the big boys." She went to London on an early job to photograph the residents of Soho and Mayfair. Morath's portrait of Mrs. Eveleigh Nash, from that job, is among her best-known works. During the late 1950s Morath traveled widely. She covered stories in Europe, the Middle East, Africa, the United States, and South America. She worked for such publications as Holiday, Paris Match, and Vogue. In 1955 she published Guerre à la Tristesse, photographs of Spain, with Robert Delpire. This was followed by De la Perse à l'Iran, photographs of Iran, in 1958. Morath published more than thirty monographs during her lifetime.
Like many Magnum members, Morath worked as a still photographer on numerous motion picture sets. She met director John Huston while she was living in London. Huston's Moulin Rouge (1952) was one of Morath's earliest jobs. It was her first time working in a film studio.
Morath married the playwright Arthur Miller on February 17, 1962. They moved to the United States. Miller and Morath's first child, Rebecca, was born in September 1962. The couple's second child Daniel was born in 1966 with Down syndrome. He was institutionalized shortly after his birth.[4] Today Rebecca Miller is a film director, actress, and writer.
Ingeborg Morath Miller died of cancer in New York City in 2002, at the age of 78.[1]
2003, her family established the Inge Morath Foundation.
2002, members of Magnum Photos made the Inge Morath Award in honor of their colleague as an annual award. It is administered by the Inge Morath Foundation, and is given to a woman photographer under the age of 30, to support her work towards the completion of a long-term project.
1992 Great Austrian State Prize for Photography.
1984 Doctor Honoris Causa Fine Arts, University of Connecticut, Hartford, USA.
1983 State of Michigan Senate Resolution NO 295; Tribute to Inge Morath.
2008 Well Disposed and Trying to See: Inge Morath and Arthur Miller in China, University of Michigan Art Museum, Ann Arbor, USA.
2004 Inge Morath: The Road to Reno, Chicago Cultural Center, Illinois, USA.
2004 Inge Morath: Chinese Encounters, Pingyao International Photography Festival, Pingyao, China.
2003 Exposition, Henri Cartier-Bresson Foundation, Paris, France.
2002 Inge Morath: Danube, City Gallery of Russe, Russe, Bulgaria.
2002 Inge Morath: New York, Galerie Fotohof, Salzburg, Austria; Stadt Passau, Europäische; Wochen, Germany ESWE Forum, Wiesbaden; Esther Woerdehoff Galerie, Paris, France; Amerikahaus Tübingen, Germany.
1999 Retrospective, Kunsthalle Wien, Austria; FNAC Etoile, Paris, France; FNAC, Barcelona, Spain.
1999 Spain in the Fifties, Museo del Cabilde, Montevideo, Uruguay.
1998 Inge Morath: Danube, Festival of Central European Culture, London, UK; Museen d. Stadt Regensburg, Regensburg, Germany.
1998 Retrospective, Edinburgh Festival, Edinburgh, UK; Museum of Photography in Charleroi, Belgium; Municipal Gallery, Pamplona, Spain.
1998 Celebrating 75 Years Leica Gallery, New York, USA.
1997 Retrospective Kunsthal, Rotterdam, Netherlands.
1997 Inge Morath: Danube, Keczkemet Museum, Esztergom Museum, Hungary
1997 Photographs 1950s to 1990s, Tokyo Museum of Photography, Tokyo, Japan
1996 Women to Women, Takashimaya Gallery, Tokyo, Japan
1996 Inge Morath: Danube, Neues Schauspielhaus, Berlin, Germany; Leica Gallery, New York, USA; Galeria Fotoforum, Bolzano, Italy.
1995 Spain in the fifties, Museo de Arte Contemporaneo, Madrid, Spain; Museo de Navarra,Pamplona, Spain.
1994 Spain in the fifties, Spanish Institute, New York, USA
1992/94 Retrospective, Neue Galerie Linz, Austria ;America House, Frankfurt, Germany; Hardenberg Gallery, Velbert, Germany; Galerie Fotogramma, Milano, Italy; Royal Photographic Society, Bath, UK; Smith Gallery and Museum, Stirling, UK; America House, Berlin, Germany; Hradcin Gallery, Prague, Czech Republic.
1991 Portraits, Kolbe Museum Berlin, Germany; Rupertinum Museum Salzburg, Austria
1989 Portraits, Burden Gallery, Aperture Foundation, New York, New York, USA; Norwich Cathedral, Norwich, UK; American Cultural Center, Brussels, Belgium.
1988 Retrospective, Union of Photojournalists, Moscow, Russia; Sala del Canal Museum, Madrid, Spain; Rupertinum Museum, Salzburg, Austria.
1984 Salesman in Beijing, Hong Kong Theatre Festival.
1979 Inge Morath: Photographs of China, Grand Rapids Art Museum, Michigan, USA.
1964 Inge Morath: Photographs, Gallery 104, Art Institute of Chicago, Illinois, USA.
|
||||
4941
|
dbpedia
|
2
| 49
|
https://www.nhpr.org/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
en
|
Biography Captures The Charisma And Confidence Of Photographer Inge Morath
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
[
"https://npr.brightspotcdn.com/dims4/default/6441996/2147483647/strip/true/crop/272x60+0+0/resize/534x118!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F7075853%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fnhpr%2Ffiles%2F202009%2FCoBrandWebHeader_0.png 2x",
"https://npr.brightspotcdn.com/dims4/default/b0b2673/2147483647/strip/true/crop/2880x210+0+0/resize/2880x210!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Ff0%2F56%2F94eed4a246a9a96eba90466dbafc%2Fwebheader-grove.png 2x",
"https://npr.brightspotcdn.com/dims4/default/6441996/2147483647/strip/true/crop/272x60+0+0/resize/534x118!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F7075853%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fnhpr%2Ffiles%2F202009%2FCoBrandWebHeader_0.png 2x",
"https://npr.brightspotcdn.com/dims4/default/3f8b3fd/2147483647/strip/true/crop/138x46+0+0/resize/1760x586!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fimages%2Fstations%2Flogos%2Fnpr.gif 2x",
"https://npr.brightspotcdn.com/dims4/default/ca41745/2147483647/strip/true/crop/2649x2197+0+0/resize/1760x1460!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/34a1fa0/2147483647/strip/true/crop/4254x6398+0+0/resize/1760x2648!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc11270_custom-1c7c5c1529d1972e9636027f85d3d626443469b4.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/3456d50/2147483647/strip/true/crop/4600x3112+0+0/resize/1760x1190!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc99770_custom-a05aa11ca5b645954d14fa7eb346a67cb6fc91ab.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/85e9546/2147483647/strip/true/crop/7116x4727+0+0/resize/1760x1170!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fpar36912_custom-6869805d50443fa1a3ca5b766671ce62bf0cc014.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/631dc97/2147483647/strip/true/crop/2610x3480+1016+0/resize/150x200!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2019%2F05%2F28%2Fnpr_susan_stamberg_002-1396c14dae397ffdb98024b702bc681642fe9da3.jpg",
"https://npr.brightspotcdn.com/dims4/default/a1a076d/2147483647/strip/true/crop/5712x3779+0+253/resize/260x172!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fb7%2Fb4%2F4258fefb47eb92b844b531aa7719%2Fimg-1485.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/7202dfa/2147483647/strip/true/crop/714x472+0+118/resize/260x172!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fc9%2F5b%2F9a00537047e9ae397616d8dfc415%2Fbrain-ryll-firefighter.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/4560411/2147483647/strip/true/crop/1920x1270+0+10/resize/260x172!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F2c%2F54%2F1b7fac4c4a9e916b03fbd2f7be52%2Fstrawbery-banke-portsmouth-nh-nhpr-photo-dt.JPG 2x",
"https://npr.brightspotcdn.com/dims4/default/f444702/2147483647/strip/true/crop/5712x3779+0+253/resize/260x172!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Feb%2F72%2Fdf4a23534f72b5ce185dc9061bf4%2Fimg-1468.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/dc68f61/2147483647/strip/true/crop/5712x3182+0+551/resize/560x312!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims3%2Fdefault%2Fstrip%2Ffalse%2Fcrop%2F5712x4284%200%200%2Fresize%2F5712x4284%21%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F3f%2F53%2F7526deca4577a7e733762bf1b179%2Fharris-detroit-rally.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/787f4f6/2147483647/strip/true/crop/909x506+0+88/resize/560x312!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims3%2Fdefault%2Fstrip%2Ffalse%2Fcrop%2F909x682%2057%200%2Fresize%2F909x682%21%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fe3%2Fd4%2F26463bfc4daea0e452d5c1393bf8%2Fgettyimages-2162457989.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/482a587/2147483647/strip/true/crop/5201x2898+0+502/resize/560x312!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims3%2Fdefault%2Fstrip%2Ffalse%2Fcrop%2F5201x3901%20648%200%2Fresize%2F5201x3901%21%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Faf%2F81%2F005a3e914705b51626fa413ee47e%2Fgettyimages-2166040502.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/1b2783e/2147483647/strip/true/crop/5277x2940+0+509/resize/560x312!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims3%2Fdefault%2Fstrip%2Ffalse%2Fcrop%2F5277x3958%200%200%2Fresize%2F5277x3958%21%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F3a%2F74%2Faecb23044910b0f714146d3520f8%2Fap24227016491972.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/d9ff8dd/2147483647/strip/true/crop/2629x1465+0+253/resize/560x312!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2024%2F03%2F26%2Fmpox1-e278aa48655b056fc46504cc0b45bff24c82a77b.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/6e37f45/2147483647/strip/true/crop/271x250+0+0/resize/108x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fa6%2Ffb%2Fac2dd39642818bf7965c2d44f28e%2Fnpr-logo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/296ec95/2147483647/strip/true/crop/4294x1332+0+0/resize/322x100!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fnhpr%2Ffiles%2F202008%2FPRX-Logo-Horizontal-White_1.png 2x",
"https://npr.brightspotcdn.com/dims4/default/36dae5d/2147483647/strip/true/crop/400x79+0+0/resize/400x80!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fnhpr%2Ffiles%2F202008%2FAmerican_Public_Media_Logo_White.png 2x",
"https://npr.brightspotcdn.com/dims4/default/9a373e1/2147483647/strip/true/crop/4646x600+0+0/resize/400x52!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fnhpr%2Ffiles%2F202009%2Fbbc_world_service_4645x600-01_1_.png 2x"
] |
[] |
[] |
[
""
] | null |
[
"Susan Stamberg",
"www.nhpr.org",
"susan-stamberg"
] |
2018-12-10T00:00:00
|
Biographer Linda Gordon chronicles Morath's escape from Nazi Germany, her boundary-breaking career and her marriage to playwright Arthur Miller.
|
en
|
/apple-touch-icon.png
|
New Hampshire Public Radio
|
https://www.nhpr.org/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
"I'm fascinated by the necessity of quick decisions," Inge Morath told me more than 30 years ago, when she came to NPR for an interview. Morath was in the business of quick decisions — as a photographer and photojournalist she was the first woman to be accepted as a full member of the Magnum photo agency.
Now, her life is the subject of a new biography by Linda Gordon. It recounts Morath's escape from Nazi Germany, her boundary-breaking career, and her marriage to playwright Arthur Miller.
Morath met Miller — and his then-wife Marilyn Monroe — in 1960 while she was taking publicity stills on the set of the film The Misfits. It was Monroe's last film, and Miller had written it for his wife.
"Inge took some very, very beautiful and sympathetic photographs of Marilyn Monroe," Gordon says. "But Miller had struck her as intensely interesting — and he was quite impressed," Gordon says.
Miller and Monroe's relationship had been on the rocks for some time. He and Morath had an affair and the two married in 1962. They were together for 40 years, until Inge's death in 2002.
In our 1987 interview, I asked Morath about whether she wished she'd paid more attention to Monroe, as Miller's first wife. In a marriage, "you have to be yourself," she said. "Even if you are the first, the second, or the third wife — if you try to take over anything, or imitate anything, I think it'd be a disaster."
"She was a woman of extraordinary self-confidence," says Gordon. "One sees that throughout her life ... self-confidence as a photographer, as a person, but also as her own sexual being."
Morath had a magnetic personality — and plenty of affairs.
"She was just a person who drew you in," says Gordon.
As a young woman, Morath had a rough time in Germany during the war.
"After Allied bombs started falling heavily on Berlin — and landing very near the munitions factory where she was a forced worker — she joined columns of hundreds, probably thousands, of people on foot just leaving Berlin," Gordon explains.
The biographer says Morath walked 455 miles to her parents in Salzburg, Austria. They were Nazi sympathizers — she was not. In Paris after the war, Morath got a job at Magnum, the elite photo agency founded by the great pioneers of photojournalism, Robert Capa and Henri Cartier-Bresson.
There, she did everything from secretarial work, to working with contact sheets, to cleaning the office, Gordon says, all the while honing her skills in photography. In 1955, she became Magnum's first full female member.
With her camera, Morath followed her passion for travel. In Spain, she wangled her way into the dressing room of the great toreador Antonio Ordóñez. Her 1954 photo shows him preparing for combat: his muscled chest is bare, and he's wearing skin-tight, sequin-embroidered pants.
It took chutzpah to get into his dressing room, where women were considered bad luck. "To get into that space she half jokingly made a completely outrageous argument," Gordon says. "She said, 'I'm wearing pants when I work, therefore I'm neither man nor woman.' "
In Seville, Morath put on a flamenco outfit and climbed up onto a chair to shoot dancers, whirling to the music in their layered red and white skirts and petticoats. "You only see these people from the waist down ..." Gordon says. "She has captured the movement — but with a camera just slow enough so that some of the picture is blurred as you see the skirts whirling around."
Outside of photography circles, Morath is known more for her marriage than for her work. "I do not like the fact that many people only know her as a wife of Arthur Miller — and, of course, the wife immediately after Marilyn Monroe — but my impression is that she was pretty copacetic about it," Gordon says.
There are trade-offs to familiarity, Morath told me in 1987. For example, when working on a portrait, she said she didn't necessarily want to meet her subject first.
There is a "wonderful element to a new meeting," she explained. Being strangers, the photographer and the subject are placed into a "sparring" position. "That's interesting," she said. "You kind of show more of yourself."
Copyright 2023 NPR. To see more, visit https://www.npr.org.
|
||
4941
|
dbpedia
|
3
| 52
|
https://themarilynreport.com/2023/05/27/inge-morath-at-100-photographer-who-followed-in-marilyns-path/
|
en
|
Inge Morath at 100: Photographer Who Followed in Marilyn’s Path
|
[
"https://themarilynreport.com/wp-content/uploads/2023/05/incollage_20230526_170846934.jpg?w=1024&h=576",
"https://themarilynreport.com/wp-content/uploads/2023/05/ingemorath100_v-contentxl-e1685205489302.jpg?w=1140",
"https://themarilynreport.com/wp-content/uploads/2023/05/incollage_20230527_172302160-e1685204650976.jpg?w=1140",
"https://themarilynreport.com/wp-content/uploads/2023/05/51gsox9-szl-e1685204890971.jpg?w=1140",
"https://themarilynreport.com/wp-content/uploads/2023/05/20230527_175104-e1685206805833.jpg?w=1140",
"https://themarilynreport.com/wp-content/uploads/2023/05/20230527_175014-e1685206981970.jpg?w=1140",
"https://themarilynreport.com/wp-content/uploads/2023/05/20230527_175042-e1685207410571.jpg?w=1140",
"https://themarilynreport.com/wp-content/uploads/2023/05/s-l1600-1-e1685207641151.jpg?w=1140",
"https://themarilynreport.com/wp-content/uploads/2023/05/1685208346625.jpg?w=1140",
"https://themarilynreport.com/wp-content/uploads/2020/06/cropped-bookcoverpreview3front.jpg?w=50",
"https://themarilynreport.com/wp-content/uploads/2020/06/cropped-bookcoverpreview3front.jpg?w=50",
"https://pixel.wp.com/b.gif?v=noscript"
] |
[] |
[] |
[
""
] | null |
[] |
2023-05-27T00:00:00
|
Inge Morath, one of the Magnum agency’s leading photographers, who documented the shooting of The Misfits in 1960 - and later became Arthur Miller’s third wife - was born 100 years ago today (she died in 2002.) Writing for the Magnum Photos website, Marigold Warner explores Morath's creative legacy. (You can read more of my…
|
en
|
The Marilyn Report
|
https://themarilynreport.com/2023/05/27/inge-morath-at-100-photographer-who-followed-in-marilyns-path/
|
Inge Morath, one of the Magnum agency’s leading photographers, who documented the shooting of The Misfits in 1960 – and later became Arthur Miller’s third wife – was born 100 years ago today (she died in 2002.) Writing for the Magnum Photos website, Marigold Warner explores Morath’s creative legacy. (You can read more of my posts about Inge’s photography and encounters with Marilyn here and at the ES Updates Archive, while my review of the documentary, Arthur Miller: Writer, may also be of interest.)
“Born in Graz, Austria, a century ago on May 27, 1923, Morath lived in several countries throughout her life … She grew up in the shadow of Nazi Germany, and her first encounter with modern art was in 1937 at the notorious Entartete Kunst exhibition organized by the Nazi Party in Munich, consisting of 650 pieces of ‘Degenerate Art’.
The works were captioned with labels denouncing their moral and aesthetic value, in order to ‘educate’ the public on the ‘art of decay’. For 14-year-old Morath, the exhibition had quite the opposite effect … she later described her photographic practice as ‘a search for inner truth.’
In 1945, a Russian air raid forced Morath to flee Germany by foot. She had moved to Berlin to study linguistics, but was drafted to work at a munitions factory alongside Ukrainian prisoners of war. Morath, 22 at the time, joined thousands of refugees, walking 455 miles to her parents’ home in Salzburg, Austria. The journey took almost a week, and at one point it drove her to the brink of suicide.
Morath wouldn’t become a photographer for another decade, but when she did, she refused to photograph war … A prolific diarist throughout her life, Morath began working as a journalist after the war. She became the Austrian editor for Heute, a publication based in Munich, which is where she worked alongside the photographer Ernst Haas.
In writing articles to accompany his images, Morath began to develop an affinity for working with words and pictures, and in 1949 she joined the newly formed Magnum Photos as an editor. There, she became enamored by contact sheets sent in by Henri Cartier-Bresson … She borrowed her first husband’s (the British journalist Lionel Birch) camera, and the results were impressive. ‘It was instantly clear to me that from now on I would be a photographer,’ she wrote.
In the following years, Morath continued to work on photo stories, eventually moving to Paris, where she assisted Cartier-Bresson. In 1953, after presenting her first long-form story about the ‘worker-priests’ of Paris, she was officially invited to join Magnum as a photographer. Two years later, aged 33, she became the first woman to be a full member.
She traveled extensively in Europe, North Africa and the Middle East, and became known as a sensitive, clever and elegant image-maker — whether it was shooting fashion editorials, passers-by on the street, or sitting with world-renowned artists. She was an early pioneer of colour photography, a talented technician, and an experienced editor.
Morath once spoke about the challenges she encountered: ‘Being one of the then rather rare women photographers … was often difficult for the simple reason that nobody felt one was serious … I certainly do not think that I got the same forceful male brotherhood support the men got.’ But, according to her daughter, ‘she just got on with it … She never felt sorry for herself,’ says Rebecca Miller. ‘She was aware that there were always people who had it harder than she did.’
A significant part of Morath’s archive is her work as a film stills photographer. In 1960, alongside Cartier-Bresson and seven other Magnum photographers, she was commissioned to shoot on set for The Misfits, a blockbuster film starring Marilyn Monroe, Clark Gable and Montgomery Clift, with a screenplay by Arthur Miller.
At the time, Miller was married to Monroe, his second wife, but their relationship was falling apart. In a text written in 2004 and published in Inge Morath: Road to Reno (2006), Miller recalls first meeting with Morath: ‘When she pointed the camera she felt a certain responsibility for what it was looking at. Her pictures of Marilyn are particularly empathic and touching as she caught Marilyn’s anguish beneath her celebrity, the pain as well as her joy in life.’ Following his divorce from Monroe, Miller and Morath married on 17 February 1962.
The couple collaborated on several projects together, including the book In Russia (1969) and Chinese Encounters (1979), which documented their travels through the Soviet Union and the People’s Republic of China. Morath was disciplined and prepared extensively by studying the language, art and literature of the country she was working in. Miller later wrote that to ‘travel with her was a privilege because [alone] I would never have been able to penetrate that way.’
Miller’s literary network provided Morath with incredible access to artists. Some of her most iconic images are of renowned artists and celebrities, including Louise Bourgeois, Saul Steinberg, Audrey Hepburn and Alberto Giacometti … Morath and Miller were together for 40 years until her death. They settled in Roxbury, Connecticut, where they raised their daughter, Rebecca Miller.
In looking back at her mother’s archive, Miller recognizes how so much of her work intersected with key events of the 20th century … Driven by curiosity and empathy, even in the face of hardship, Morath was always searching for beauty — her photographs are proof of this pursuit. And in the beauty that emanates from her images, Morath’s spirit lives on.”
|
|||||
4941
|
dbpedia
|
3
| 29
|
http://www.pixelpress.org/contents/ingemorath/ingemorath_home.html
|
en
|
Remembering Inge Morath
|
[
"http://www.pixelpress.org/contents/ingemorath/ingemorath_pixs/title_ingemorath.gif",
"http://www.pixelpress.org/contents/ingemorath/ingemorath_pixs/img_ingearthur.jpg",
"http://www.pixelpress.org/contents/ingemorath/ingemorath_pixs/caption_home.gif",
"http://www.pixelpress.org/contents/ingemorath/ingemorath_pixs/background_dkgrey.gif",
"http://www.pixelpress.org/contents/ingemorath/ingemorath_pixs/but_continue_off.gif",
"http://www.pixelpress.org/contents/ingemorath/ingemorath_pixs/but_continue_off.gif"
] |
[] |
[] |
[
""
] | null |
[] | null | null |
Inge Morath, who died too soon last week at the age of seventy-eight, was a subtle and evocative photographer who used her camera as a means of celebrating what she respected and valued: civilization, artistic achievement, the splendor of women, the significance of place.
Born in Austria between the two world wars, Morath studied languages as a young woman. She loved words and set her course to be a writer and editor. However, the Second World War's gruesome power intervened and would mark Morath for life. Like other millions, she became displaced, but through her wanderings in a torn-up Europe she unexpectedly found joy in photography.
In Paris after the war, Morath met and joined up with an eclectic group of young photographers all men- who would later found Magnum Photos. Morath started as an editor, but soon afterward surprised them all with a set of photographs she took in Spain as a lark. After this, Morath used the camera as a tool for exploring her passions. The results were a compelling series of books beginning in the 1950s with Guerre à la tristesse (War On Sadness), Fiesta in Pampelona and De à la Perse l¹Iran (From Persia to Iran).
Morath was a European by birth and breath, but her 1964 marriage to American playwright Arthur Miller turned America into her home. Her collaborations with Miller, the 1967 In Russia ,the 1977 In the Country and the 1979 Chinese Encounters, gave her the opportunity to fuse the two expressions she cared most about, images and words, into one.
Morath remained a keen student: she was already fluent in German, French, English and Spanish yet studied in-depth the cultures she photographed, even learning difficult languages like Mandarin and Russian. A shrewd observer of people and their quirks, she loved to photograph those whose work she admired: through the years she made hundreds of portraits of artists the world over, an unmatched photographic compendium of arts and letters in the twentieth century. She also used photography to express an idiosyncratic sense of humor: look, for instance, at the marvelous series of mask images she made with Saul Steinberg. And while she had a knack for making photographs which could have immediate impact, such as her well-known shot of Mrs. Eveleigh Nash, Morath¹s real gift as a photographer her curiosity and spirit- shine in the portraits of places she worked on for so many years. These, like all of her photographs, reveal their depth and complexity to us, over time, with nuanced grace.
Esther SAMRA
|
||||||||
4941
|
dbpedia
|
0
| 0
|
https://www.magnumphotos.com/photographer/inge-morath/
|
en
|
Inge Morath • Photographer Profile • Magnum Photos
|
[
"https://www.magnumphotos.com/wp-content/themes/template/res/img/logo-filled.svg",
"https://www.magnumphotos.com/wp-content/uploads/2024/07/NYC11245_.jpg",
"https://www.magnumphotos.com/wp-content/uploads/2024/07/DSCF4005-3.jpg",
"https://www.magnumphotos.com/wp-content/uploads/2024/07/NN11518399_-1.jpg",
"https://www.magnumphotos.com/wp-content/uploads/2024/02/nn11538104-teaser-story-big.jpg",
"https://www.magnumphotos.com/wp-content/themes/template/res/img/logo-filled.svg",
"https://www.magnumphotos.com/wp-content/themes/template/res/img/logo-mobile.svg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par121294-photographer-big.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par121294-photographer-big.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par208914-photographer-small.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par208914-photographer-small.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nn11426463-photographer-small.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nn11426463-photographer-small.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par22792-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par22815-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11270-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11297-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par22826-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc1910-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par36863-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11273-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11581-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc19088-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par36841-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc19512-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11607-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par129854-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11357-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc32669-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc36142-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11411-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11441-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par22891-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par36899-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par22894-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par36912-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11505-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc292-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/lon6731-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par36851-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc46198-photographer-featured.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/05/cortex/nyc11273-teaser-featured-height.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/05/cortex/nyc11273-teaser-featured-height.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2019/12/cortex/par243313-teaser-five.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2018/06/cortex/nyc11355-teaser-five.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2019/02/cortex/nyc29110-teaser-five.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2017/04/cortex/par127220-teaser-five.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2017/06/cortex/nyc43627-teaser-five.jpg",
"https://www.magnumphotos.com/wp-content/themes/template/res/img/social-instagram-white.svg",
"https://www.magnumphotos.com/wp-content/themes/template/res/img/social-fb-white.svg",
"https://www.magnumphotos.com/wp-content/themes/template/res/img/social-twitter-white.svg",
"https://analytics.twitter.com/i/adsct?txn_id=nvjzw&p_id=Twitter&tw_sale_amount=0&tw_order_quantity=0",
"https://t.co/i/adsct?txn_id=nvjzw&p_id=Twitter&tw_sale_amount=0&tw_order_quantity=0"
] |
[] |
[] |
[
""
] | null |
[
"Enri Canaj"
] |
2016-05-04T09:20:05+00:00
|
Inge Morath began photographing in London in 1951, and joined Magnum Photos as a photographer in 1953, becoming a full member in 1955.
|
en
|
/wp-content/themes/template/res/img/favicons/apple-touch-icon-57x57.png
|
Magnum Photos
|
https://www.magnumphotos.com/photographer/inge-morath/
|
Inge Morath was born in Graz, Austria, in 1923. After studying languages in Berlin, she became a translator, then a journalist and the Austrian editor for Heute, an Information Service Branch publication based in Munich. All her life, Morath would remain a prolific diarist and letter-writer, retaining a dual gift for words and pictures that made her unusual among her colleagues.
A friend of photographer Ernst Haas, she wrote articles to accompany his photographs and was invited by Robert Capa and Haas to Paris to join the newly founded Magnum agency as an editor. She began photographing in London in 1951, and joined Magnum Photos as a photographer in 1953. While working on her own first assignments, Morath also assisted Henri Cartier-Bresson during 1953–54. She became a full Magnum member in 1955.
In the following years, Morath traveled extensively in Europe, North Africa and the Middle East. Her special interest in the arts found expression in photographic essays published by a number of leading magazines. After her marriage to playwright Arthur Miller in 1962, Morath settled in New York and Connecticut. She first visited the USSR in 1965. In 1972, she studied Mandarin and obtained a visa to China, making the first of many trips to the country in 1978.
Morath was at ease anywhere. Some of her most important work consists of portraits, but of passers-by as well as celebrities. She was also adept at photographing places: her pictures of Boris Pasternak’s home, Pushkin’s library, Chekhov’s house, Mao Zedong’s bedroom, artists’ studios and cemetery memorials are permeated with the spirit of invisible people still present.
Inge Morath died in New York City on January 30, 2002.
|
||||
4941
|
dbpedia
|
3
| 91
|
https://www.artsy.net/artist/inge-morath
|
en
|
Inge Morath - Artworks for Sale & More
|
https://d7hftxdivxxvm.cloudfront.net?height=630&quality=80&resize_to=fill&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FJGbStg0qP2kqWIDi8T1PJA%2Flarge.jpg&width=1200
|
https://d7hftxdivxxvm.cloudfront.net?height=630&quality=80&resize_to=fill&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FJGbStg0qP2kqWIDi8T1PJA%2Flarge.jpg&width=1200
|
[
"https://d7hftxdivxxvm.cloudfront.net?height=320&quality=80&resize_to=fill&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FJGbStg0qP2kqWIDi8T1PJA%2Flarger.jpg&width=767",
"https://d7hftxdivxxvm.cloudfront.net?height=367&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FJGbStg0qP2kqWIDi8T1PJA%2Flarger.jpg&width=245",
"https://d7hftxdivxxvm.cloudfront.net?height=294&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FdWtHDlY5Z2CHKiUXujcbcQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=674&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FzzhDY4985NxC12kpOlecQg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=317&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FY9Uu66n-njlFLPXe1-vgRQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=664&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F816ZCBIqTxpIOW06cz4cZQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=674&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2Fu_UuVB1eL4CDUserTdOzOw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=674&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FRfRy2v1mBx1ddHoWhwmYOg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=292&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FyOAgN2pZJSmEcsdvQpsrBw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=292&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2Ffm3FgnIKnaxXj2Tx3UiN8A%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=542&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FuZn2PdpRcgXlKi6FmagCgw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=292&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FwBqNYu1qiLrpvKnaAwO0fg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=644&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FboT5OOmgXuoZ9OvBwIkfWw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=644&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FDfoOdtl1krqhx2DlUJCd1A%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=294&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FNgyQ_Rzk_N5MYHmmN0ln1g%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=609&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FZr_9nIZWfTnS--eisyq5QA%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=298&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FXqhRKFo9gXrdajuD54WsWQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=684&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FAbseWMCaql41Ic8G2F4aIw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=281&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FgHAuAbB5h6oi5iYBlVZaxg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=311&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FoTmD8ETl-DK-i32VSPdlWw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=695&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FE82ZBP9f5_tYOn1LgzCsvg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=290&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FPpqsha6JHIU2AG4-ZuuiqA%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=292&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FZUDRZBDVfyrePxzqw0IQ_g%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=664&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F1Ypejgko98F59_OyWOWxuw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=664&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FXj8Xw3aJ-gEhtIVosJz2qg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=294&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FMgZCjL051ng_9JvN1Dn9sQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=292&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FcLGHovaac1yfwjnHQhU-AQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=298&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2Frvv5AHui7qiVZmMDfZgahA%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=654&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FgbD8TgEJkX-zEPjyNeDWiw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=674&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FHP6mldm2RvBMZUs1HbEisA%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=298&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FL-ramBOSNwlhGinYbi8Waw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=684&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F29Dcj0Do5Pipf3wIiYdFhw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=294&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FdWtHDlY5Z2CHKiUXujcbcQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=684&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FAbseWMCaql41Ic8G2F4aIw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=695&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FE82ZBP9f5_tYOn1LgzCsvg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=674&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FRfRy2v1mBx1ddHoWhwmYOg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=292&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2Ffm3FgnIKnaxXj2Tx3UiN8A%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=294&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FMgZCjL051ng_9JvN1Dn9sQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=292&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FcLGHovaac1yfwjnHQhU-AQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=654&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FgbD8TgEJkX-zEPjyNeDWiw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=294&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FNgyQ_Rzk_N5MYHmmN0ln1g%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=298&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FL-ramBOSNwlhGinYbi8Waw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=298&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FXqhRKFo9gXrdajuD54WsWQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=317&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FY9Uu66n-njlFLPXe1-vgRQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=281&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FgHAuAbB5h6oi5iYBlVZaxg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=664&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F816ZCBIqTxpIOW06cz4cZQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=290&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FPpqsha6JHIU2AG4-ZuuiqA%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=664&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F1Ypejgko98F59_OyWOWxuw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=542&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FuZn2PdpRcgXlKi6FmagCgw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=644&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FboT5OOmgXuoZ9OvBwIkfWw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=674&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FHP6mldm2RvBMZUs1HbEisA%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=684&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F29Dcj0Do5Pipf3wIiYdFhw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=674&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FzzhDY4985NxC12kpOlecQg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=311&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FoTmD8ETl-DK-i32VSPdlWw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=674&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2Fu_UuVB1eL4CDUserTdOzOw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=292&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FZUDRZBDVfyrePxzqw0IQ_g%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=292&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FyOAgN2pZJSmEcsdvQpsrBw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=664&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FXj8Xw3aJ-gEhtIVosJz2qg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=292&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FwBqNYu1qiLrpvKnaAwO0fg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=298&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2Frvv5AHui7qiVZmMDfZgahA%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=644&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FDfoOdtl1krqhx2DlUJCd1A%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=609&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FZr_9nIZWfTnS--eisyq5QA%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=294&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FdWtHDlY5Z2CHKiUXujcbcQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=317&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FY9Uu66n-njlFLPXe1-vgRQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=664&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F816ZCBIqTxpIOW06cz4cZQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=674&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FRfRy2v1mBx1ddHoWhwmYOg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=542&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FuZn2PdpRcgXlKi6FmagCgw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=644&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FDfoOdtl1krqhx2DlUJCd1A%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=298&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FL-ramBOSNwlhGinYbi8Waw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=298&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FXqhRKFo9gXrdajuD54WsWQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=281&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FgHAuAbB5h6oi5iYBlVZaxg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=311&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FoTmD8ETl-DK-i32VSPdlWw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=290&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FPpqsha6JHIU2AG4-ZuuiqA%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=292&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FZUDRZBDVfyrePxzqw0IQ_g%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=664&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FXj8Xw3aJ-gEhtIVosJz2qg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=292&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FcLGHovaac1yfwjnHQhU-AQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=654&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FgbD8TgEJkX-zEPjyNeDWiw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=609&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FZr_9nIZWfTnS--eisyq5QA%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=674&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FzzhDY4985NxC12kpOlecQg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=695&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FE82ZBP9f5_tYOn1LgzCsvg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=292&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FyOAgN2pZJSmEcsdvQpsrBw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=292&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2Ffm3FgnIKnaxXj2Tx3UiN8A%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=294&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FMgZCjL051ng_9JvN1Dn9sQ%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=644&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FboT5OOmgXuoZ9OvBwIkfWw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=294&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FNgyQ_Rzk_N5MYHmmN0ln1g%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=684&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F29Dcj0Do5Pipf3wIiYdFhw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=684&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FAbseWMCaql41Ic8G2F4aIw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=674&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2Fu_UuVB1eL4CDUserTdOzOw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=664&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F1Ypejgko98F59_OyWOWxuw%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=292&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FwBqNYu1qiLrpvKnaAwO0fg%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=298&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2Frvv5AHui7qiVZmMDfZgahA%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?height=674&quality=80&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FHP6mldm2RvBMZUs1HbEisA%2Flarger.jpg&width=445",
"https://d7hftxdivxxvm.cloudfront.net?quality=80&resize_to=width&src=https%3A%2F%2Ffiles.artsy.net%2Fimages%2Funiversal-footer_april-14_cropped.jpg&width=725",
"https://d7hftxdivxxvm.cloudfront.net?quality=80&resize_to=width&src=https%3A%2F%2Ffiles.artsy.net%2Fimages%2Funiversal-footer_april-14_cropped.jpg&width=1220"
] |
[] |
[] |
[
""
] | null |
[] | null |
Discover and purchase Inge Morath’s artworks, available for sale. Browse our selection of paintings, prints, and sculptures by the artist, and find art you love.
|
en
|
https://d1s2w0upia4e9w.cloudfront.net/images/favicon.ico
|
Artsy
|
https://www.artsy.net/artist/inge-morath
|
Get the app, get the art.
Get the app, and find the art you love.
Get the app, and artworks tailored to you.
Get the app, and discover works our curators love.
Get the app, and keep up with your favorite artists
Get the app, and be alerted about new artworks.
Get the app, and stay connected with galleries.
Get the app, and build your art world profile.
Get the app, and keep track of your collection.
Get the app, and keep track of artists’ markets.
|
||
4941
|
dbpedia
|
1
| 88
|
https://www.1854.photography/2017/03/danube-revisited-the-inge-morath-truck-project-goes-on-show/
|
en
|
Danube Revisited: The Inge Morath Truck Project goes on show
|
[
"https://www.1854.photography/wp-content/themes/thevoux-wp-child/assets/img/header/BJP_Logo.png",
"https://www.1854.photography/wp-content/uploads/BJP-Logo-Standard-Black-on-White.png",
"https://www.1854.photography/wp-content/uploads/2017/03/FFF_DR_Arthur_In-and-out-of-love_2_print-1024x768.jpg",
"https://www.1854.photography/wp-content/uploads/2017/03/FFF_DR_Dimmock_untitled_3_print-1024x682.jpg",
"https://www.1854.photography/wp-content/uploads/2017/03/FFF_DR_Cook_The-Black-Forest_2_print-812x1024.jpg",
"https://www.1854.photography/wp-content/uploads/2017/03/FFF_DR_Morath_2_print-1024x667.jpg",
"https://www.1854.photography/wp-content/uploads/2022/09/15-Depoorter-680x400.jpg",
"https://www.1854.photography/wp-content/uploads/2021/08/inge-morath-bjp-04-680x400.jpg",
"https://www.1854.photography/wp-content/uploads/2018/06/ShiftingSands4.jpg",
"https://www.1854.photography/wp-content/uploads/BJP-Logo-Standard-Black-on-White.png",
"https://www.facebook.com/tr?id=473714806349872&ev=PageView&noscript=1&eid=47371480634987240926b11-601b-47cc-92d1-0745514ada3a&cd%5Btags%5D=Danube+Revisited%2C+Fotografie+Forum+Frankfurt%2C+Inge+Morath+Award%2C+Inge+Morath+Foundation%2C+Inge+Morath+Truck+Project%2C+Olivia+Arthur&cd%5Bpost_category%5D=Awards%2C+BJP%2C+Documentary%2C+Exhibition&cd%5Bpage_title%5D=Danube+Revisited%3A+The+Inge+Morath+Truck+Project+goes+on+show&cd%5Bpost_type%5D=post&cd%5Bpost_id%5D=15187&cd%5Bplugin%5D=PixelYourSite&cd%5Bevent_url%5D=www.1854.photography%2F2017%2F03%2Fdanube-revisited-the-inge-morath-truck-project-goes-on-show%2F&cd%5Buser_role%5D=guest"
] |
[] |
[] |
[
""
] | null |
[
"Gemma Padley",
"British Journal of Photography",
"Sumeja Tulic",
"Diane Smyth"
] |
2017-03-10T13:51:07+00:00
|
During her life, she encouraged photographers to realise their photographic ambitions. In death, the former Magnum photographer’s legacy lives on in the Inge Morath Foundation, established in 2003 – a year after her death – to preserve her archive. Central to the foundation is the Inge Morath Award, a $5000 grant designed to help women…
|
en
|
1854 Photography
|
https://www.1854.photography/2017/03/danube-revisited-the-inge-morath-truck-project-goes-on-show/
|
During her life, she encouraged photographers to realise their photographic ambitions. In death, the former Magnum photographer’s legacy lives on in the Inge Morath Foundation, established in 2003 – a year after her death – to preserve her archive. Central to the foundation is the Inge Morath Award, a $5000 grant designed to help women photographers under the age of 30 finish a long-term documentary project.
“When Inge died, Larry Towell and a group of Magnum photographers created the award in her memory,” John Jacob, director at the foundation, told BJP in an article first published in our April 2014 ‘Women Only’ issue. “The Inge Morath Foundation co-administers the award, but it’s very much driven by the Magnum Foundation.”
Every year, Jacob and a jury of Magnum photographers name an overall winner and up to two finalists. Entrants submit between 40 and 60 images from an ongoing personal project. “Each year we look at 80 to 100 submissions and then select a number to present to the Magnum photographers at their AGM,” explains Jacob.
“There was hope the award would bring the work of women photographers to Magnum’s attention – photographers it might otherwise not be aware of. The award has helped women practitioners achieve a greater level of prominence; the most obvious example is Olivia Arthur, who started out as an Inge Morath Award winner and went on to become a member of Magnum.”
This year, Arthur will embark on a six-week roadtrip along the Danube with eight other Inge Morath Award winners, retracing the route the Austrian photographer once travelled from the south of Germany through countries including Austria, Hungary and Bulgaria.
During the trip, which is supported by the Magnum Foundation, they will show Morath’s photographs alongside their own new shots in a converted truck that will serve as a portable exhibition space. They also plan to run workshops for local women along the way.
“The idea behind Danube Revisited: The Inge Morath Truck Project is to take Inge’s work back to the area in which it was created, to make our own work, and to engage with women photographers we meet,” says Arthur, who won the award in 2007 for The Middle Distance, a project that looks at cultural differences between women who live on the border between Europe and Asia.
“I met three other winners during a group exhibition at Photohof in Salzburg two years ago – Lurdes R Basoli, Claire Martin and Emily Schiffer,” she continues. “We talked about doing a roadtrip together and discovered that Inge had made a trip along the Danube.
“After much discussion we decided to embark on a trip of our own, with as many of the other winners as possible. We’re all roughly the same age and have a good energy, so it was a case of, ‘Let’s take this energy and do something with it’. The project is about engaging people and bringing them together.”
On the project’s website [www.danuberevisited.com], the collective writes that each photographer will bring “a unique personal vision and a common appreciation for the challenges facing women photographers today”.
Morath knew something of the difficulties of working in an industry largely dominated by men. Along with Eve Arnold, she was one of only two female members at Magnum in the 1950s and was often given fashion and beauty shoots, or assignments with more ‘feminine’ stories– the Duchess of Marlborough and Lola de Vilato (the sister of Pablo Picasso), and one titled American Girls in Paris.
Arthur says some of the same issues remain, but argues that the extent to which it impedes depends on the kind of work you envisage doing. “For my work, being a woman has been helpful,” she explains.
“You gain a kind of access that is not necessarily available to men – people let down their guard. Of course there is some pigeonholing, and you tend to get asked to do certain obvious stories about women and children, but I personally wouldn’t complain because, if anything, I’ve pigeonholed myself.
“If I were shooting in conflict zones and editors called me up to cover stories about women and children, then maybe I’d get annoyed, but I know what my work is about.”
Arthur was an emerging photographer when she won the award and says it was invaluable in terms of confidence and financial support. “I had just moved to London after finishing my residency at Fabrica in Italy, and I was unestablished,” she says.
“Winning the award was a big step. A year later I applied to Magnum and was accepted as a nominee [in 2008].”
Jessica Dimmock, who won the Inge Morath Award in 2006, is also taking part in the road trip. Like Arthur, she has only praise for the prize.
“Winning the award was a big show of support for my first project, The Ninth Floor [which documents heroin users living in a former millionaire’s apartment in New York]. It was great to be able to say:‘I’m an Inge Morath Award winner’.”
The VII Photo member believes that, overall, the situation for female photojournalists and documentary photographers is positive, although some entrenched attitudes do remain. “It’s tough, but some women have proved that if you are determined, you will get the work,” she says
“A more subtle and hard-to-reach issue concerns war stories, which have a very privileged place in our media – and rightly so as they’re incredibly important, but they’re not the only important stories.
“One of the ways that a young photojournalist makes their mark is to go to war, and it’s often young males who do this – not always, but often,” she continues. “Very important images are coming out of these places, but I sometimes feel it’s hard to get the message about other types of stories through.
“The Inge Morath Award provides an opportunity to get to the same level, and reach the same audience, by highlighting the importance of those other stories. Ultimately, you have to find the kind of image-maker you are. It takes time to find your photographic voice.”
|
|||||
4941
|
dbpedia
|
2
| 32
|
https://ingemorath.submittable.com/
|
en
|
Inge Morath Estate Submission Manager
|
[
"https://images.submittable.com/s3/publisher-files.submittable.com/8444/submit-header.jpg?height=220&v=1520865084&signature=GuLO0hHZZ%2bccr5TPkulsq4iMjtUzjAlvk457LBKCVHU%3d",
"https://googleads.g.doubleclick.net/pagead/viewthroughconversion/1021033299/?value=0&guid=ON&script=0"
] |
[] |
[] |
[
""
] | null |
[] | null |
Inge Morath Estate Submission Manager Powered By Submittable - Accept and Curate Digital Content
|
en
|
/favicon.ico
| null |
Inge Morath Award 2019
*scroll down for submit button*
About the Award
The Magnum Foundation and the Inge Morath Estate are pleased to announce the 18th annual Inge Morath Award, a $5,000 grant given to a female photographer under the age of 30 to support the completion of a long-term documentary project. One Awardee and up to two finalists are selected by a jury composed of Magnum photographers, the Executive Director of the Magnum Foundation, and Inge Morath Estate.
Inge Morath was an Austrian-born photographer who was associated with Magnum Photos for nearly fifty years. After her death in 2002, the Inge Morath Foundation was established with a limited-term mission to manage Morath’s estate and facilitate the study and appreciation of her contribution to photography. With the closure of the research space in 2014, all ongoing activities of the estate were folded into the Legacy Program of the Magnum Foundation, New York. The Inge Morath archive was acquired by the Beinecke Library at Yale University, and a set of Morath’s master prints by the Yale University Art Gallery, where they are now available to scholars.
Because Morath devoted much of her enthusiasm to encouraging women photographers, her colleagues at Magnum Photos established the Inge Morath Award in her honor.
The Award is administered by the Magnum Foundation as part of its mission to expand creativity and diversity in documentary photography, in cooperation with the Inge Morath Estate.
Past recipients of the Inge Morath Award include:
Melissa Spitz (US, 18'), for You Have Nothing to Worry About, Johanna-Maria Fritz (Germany, ‘17), for Like a Bird, Daniella Zalcman (US, ‘16), for Signs of Your Identity, Danielle Villasana (US, '15), for A Light Inside, Shannon Jensen (US, '14), for A Long Walk; Isadora Kosofsky (US, '12), for Selections from “TheThree” and “This Existence;” Zhe Chen (China, '11) for Bees; Lurdes R. Basolí (Spain, '10) for Caracas, The City of Lost Bulletsand Claire Martin (Australia, '10) for Selections from The Downtown East Side and Slab City; Emily Schiffer (US, '09) for Cheyenne River; Kathryn Cook (US, '08) for Memory Denied: Turkey and the Armenian Genocide; Olivia Arthur (UK, '07) for The Middle Distance; Jessica Dimmock (US, '06) for The Ninth Floor; Mimi Chakarova (US, '06) for Sex Trafficking in Eastern Europe; Claudia Guadarrama (MX, '05) for Before the Limit; and Ami Vitale (US, '02), for Kashmir.
Deadline:
All proposals must be submitted by April 30th, 2019.
Announcement of Winner:
The recipient of the Inge Morath Award will be announced on the web sites of Magnum Foundation and Inge Morath Estate in July, 2019.
Fine Print:
All submissions must consist of work done solely by the submitting photographer.
Photographers represented by Magnum Photos and their immediate relatives are not eligible.
IM Award recipient and finalists grant the Magnum Foundation a license to reproduce, display and distribute their submissions solely in connection with the administration and judging of the Inge Morath Award, including on the Magnum Foundation website and the Inge Morath Estate website.
IM Award recipient agree that any future publication, exhibition or display of the funded project shall credit the Inge Morath Estate and the Magnum Foundation.
Upon completion of the funded project, a final (digital) copy must be provided to the Magnum Foundation. The Foundation, in furtherance of its charitable purposes, may, in the future, (1) display the project on its website and make it available for display on the website of the Inge Morath Estate; and (2) publicly display the project (or excepts from it) in connection with exhibitions or promotional materials related to the Inge Morath Award. The Foundation will credit the artist as the author and copyright holder of her photographs.
IM Award recipients may be required to provide additional identifying information prior to receiving payment.
Note:
We will not be accepting submissions by mail. For further inquiry please contact us.
|
|||||
4941
|
dbpedia
|
2
| 24
|
https://www.kqed.org/pop/108008/meet-the-groundbreaking-photographer-who-escaped-nazi-germany-and-married-arthur-miller
|
en
|
Meet the Groundbreaking Photographer Who Escaped Nazi Germany and Married Arthur Miller
|
[
"https://cdn.kqed.org/wp-content/uploads/2024/07/Nav-News-Elections@2x.png",
"https://cdn.kqed.org/wp-content/uploads/2024/05/Nav-Radio-Podcasts-On-Our-Watch@2x.jpg",
"https://cdn.kqed.org/wp-content/uploads/2024/05/Nav-Video-TV-Beyond-The-Menu@2x.jpg",
"https://cdn.kqed.org/wp-content/uploads/2024/05/Nav-Events-Past@2x.jpg",
"https://cdn.kqed.org/wp-content/uploads/2024/05/Nav-Support-Legacy-Challenge@2x.jpg",
"https://cdn.kqed.org/wp-content/uploads/2024/07/Nav-News-Elections@2x.png",
"https://cdn.kqed.org/wp-content/uploads/2024/05/Nav-Radio-Podcasts-On-Our-Watch@2x.jpg",
"https://cdn.kqed.org/wp-content/uploads/2024/05/Nav-Video-TV-Beyond-The-Menu@2x.jpg",
"https://cdn.kqed.org/wp-content/uploads/2024/05/Nav-Events-Past@2x.jpg",
"https://cdn.kqed.org/wp-content/uploads/2024/05/Nav-Support-Legacy-Challenge@2x.jpg",
"https://ww2.kqed.org/app/uploads/sites/12/2018/12/GettyImages-80552175-520x372.jpg",
"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/12/61jU7omiHgL._SX258_BO1204203200_.jpg",
"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Biography+Captures+The+Charisma+And+Confidence+Of+Photographer+Inge+Morath&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)",
"https://cdn.kqed.org/wp-content/uploads/2023/02/Arts-Culture-Newsletter-Signup-Mobile@2x.jpg",
"https://cdn.kqed.org/wp-content/uploads/2023/02/Arts-Culture-Newsletter-Signup-Desktop@1x.jpg"
] |
[
"//www.youtube.com/embed/N3FCU3keGc4"
] |
[] |
[
""
] | null |
[
"KQED Pop"
] |
2018-12-10T17:48:49-08:00
|
An impressive new biography about Inge Morath is a close look at her fascinating life and career.
|
en
|
/favicon.ico
|
https://www.kqed.org/pop/108008/meet-the-groundbreaking-photographer-who-escaped-nazi-germany-and-married-arthur-miller
|
"I'm fascinated by the necessity of quick decisions," Inge Morath told me more than 30 years ago, when she came to NPR for an interview. Morath was in the business of quick decisions—as a photographer and photojournalist she was the first woman to be accepted as a full member of the Magnum photo agency.
Now, her life is the subject of a new biography by Linda Gordon. It recounts Morath's escape from Nazi Germany, her boundary-breaking career, and her marriage to playwright Arthur Miller.
Morath met Miller—and his then-wife Marilyn Monroe—in 1960 while she was taking publicity stills on the set of the film The Misfits. It was Monroe's last film, and Miller had written it for his wife.
"Inge took some very, very beautiful and sympathetic photographs of Marilyn Monroe," Gordon says. "But Miller had struck her as intensely interesting—and he was quite impressed," Gordon says.
Miller and Monroe's relationship had been on the rocks for some time. He and Morath had an affair and the two married in 1962. They were together for 40 years, until Inge's death in 2002.
In our 1987 interview, I asked Morath about whether she wished she'd paid more attention to Monroe, as Miller's first wife. In a marriage, "you have to be yourself," she said. "Even if you are the first, the second, or the third wife—if you try to take over anything, or imitate anything, I think it'd be a disaster."
"She was a woman of extraordinary self-confidence," says Gordon. "One sees that throughout her life ... self-confidence as a photographer, as a person, but also as her own sexual being."
Morath had a magnetic personality—and plenty of affairs.
"She was just a person who drew you in," says Gordon.
As a young woman, Morath had a rough time in Germany during the war.
"After Allied bombs started falling heavily on Berlin—and landing very near the munitions factory where she was a forced worker—she joined columns of hundreds, probably thousands, of people on foot just leaving Berlin," Gordon explains.
The biographer says Morath walked 455 miles to her parents in Salzburg, Austria. They were Nazi sympathizers—she was not. In Paris after the war, Morath got a job at Magnum, the elite photo agency founded by the great pioneers of photojournalism, Robert Capa and Henri Cartier-Bresson.
There, she did everything from secretarial work, to working with contact sheets, to cleaning the office, Gordon says, all the while honing her skills in photography. In 1955, she became Magnum's first full female member.
With her camera, Morath followed her passion for travel. In Spain, she wangled her way into the dressing room of the great toreador Antonio Ordóñez. Her 1954 photo shows him preparing for combat: his muscled chest is bare, and he's wearing skin-tight, sequin-embroidered pants.
It took chutzpah to get into his dressing room, where women were considered bad luck. "To get into that space she half jokingly made a completely outrageous argument," Gordon says. "She said, 'I'm wearing pants when I work, therefore I'm neither man nor woman.' "
In Seville, Morath put on a flamenco outfit and climbed up onto a chair to shoot dancers, whirling to the music in their layered red and white skirts and petticoats. "You only see these people from the waist down ..." Gordon says. "She has captured the movement—but with a camera just slow enough so that some of the picture is blurred as you see the skirts whirling around."
Outside of photography circles, Morath is known more for her marriage than for her work. "I do not like the fact that many people only know her as a wife of Arthur Miller—and, of course, the wife immediately after Marilyn Monroe—but my impression is that she was pretty copacetic about it," Gordon says.
There are trade-offs to familiarity, Morath told me in 1987. For example, when working on a portrait, she said she didn't necessarily want to meet her subject first.
There is a "wonderful element to a new meeting," she explained. Being strangers, the photographer and the subject are placed into a "sparring" position. "That's interesting," she said. "You kind of show more of yourself."
Copyright 2018 NPR. To see more, visit https://www.npr.org.
|
|||||
4941
|
dbpedia
|
0
| 85
|
https://www.famousbirthdays.com/people/inge-morath.html
|
en
|
Inge Morath - Trivia, Family, Bio
|
[
"https://www.famousbirthdays.com/faces/morath-inge-image.jpg",
"https://www.famousbirthdays.com/thumbnails/van-nordheim-jack-medium.jpg",
"https://www.famousbirthdays.com/thumbnails/beeston-lauren-medium.jpg",
"https://www.famousbirthdays.com/thumbnails/auerbacher-inge-medium.jpg",
"https://www.famousbirthdays.com/pages/images/thumbnails/gemini_2.jpg",
"https://www.famousbirthdays.com/thumbnails/miller-arthur-medium.jpg",
"https://www.famousbirthdays.com/thumbnails/murphy-audie-medium.jpg",
"https://www.famousbirthdays.com/thumbnails/huston-john-medium.jpg",
"https://www.famousbirthdays.com/thumbnails/miller-rebecca-medium.jpg",
"https://www.famousbirthdays.com/thumbnails/beckham-kordell-medium.jpg",
"https://www.famousbirthdays.com/thumbnails/clark-kat-medium.jpg",
"https://www.famousbirthdays.com/thumbnails/rivera-lexi-medium.jpg",
"https://www.famousbirthdays.com/thumbnails/trump-donald-medium.jpg"
] |
[] |
[] |
[
""
] | null |
[] | null |
Inge Morath: her birthday, what she did before fame, her family life, fun trivia facts, popularity rankings, and more.
|
en
|
/favicon.ico
|
Famous Birthdays
|
https://www.famousbirthdays.com/people/inge-morath.html
|
About
Renowned Austrian photographer and photojournalist. Frequently collaborated with film director John Huston.
Before Fame
She was a translator and a journalist following World War II. She was instrumental in bringing Ernst Haas into the public eye.
Trivia
She photographed the sets of many popular Hollywood films, including "Moulin Rouge" from 1952, "The Unforgiven" from 1959, and "The Misfits" from 1960.
Family Life
She was the daughter of Austrian scientists and lived all over Europe during her childhood years. She was married to the renowned playwright, Arthur Miller, from 1962 until her death. She and Miller were the parents of future screenwriter and director Rebecca Miller.
Associated With
|
||||
4941
|
dbpedia
|
3
| 48
|
https://kids.kiddle.co/Inge_Morath
|
en
|
Inge Morath facts for kids
|
[
"https://kids.kiddle.co/images/wk/kids-robot.svg",
"https://kids.kiddle.co/images/wk/kids-search-engine.svg",
"https://kids.kiddle.co/images/thumb/2/20/Im_mrsnash.jpg/300px-Im_mrsnash.jpg",
"https://kids.kiddle.co/images/thumb/6/64/Im_cobbhoffman.jpg/120px-Im_cobbhoffman.jpg",
"https://kids.kiddle.co/images/thumb/5/5f/Kids_robot.svg/60px-Kids_robot.svg.png",
"https://kids.kiddle.co/images/wk/kids-search-engine.svg"
] |
[] |
[] |
[
""
] | null |
[] | null |
Learn Inge Morath facts for kids
|
en
|
/images/wk/favicon-16x16.png
|
https://kids.kiddle.co/Inge_Morath
|
Ingeborg Morath (May 27, 1923 – January 30, 2002) was an Austrian photographer. In 1953 she joined the Magnum Photos Agency. She became a full photographer with them in 1955. In 1955 she published her first collection of photographs, of a total of 30 monographs during her lifetime.
Biography
Early years (1923-1945)
Ingeborg Morath was born in Graz, Austria. Her parents were scientists. They went to different laboratories and universities in Europe during her childhood. She first went to French-speaking schools. In the 1930s her family moved to Darmstadt, a German intellectual center. Then they moved to Berlin.
Morath's first encounter with avant-garde art was the Degenerate Art show by the Nazi party in 1937. It was supposed to make people not like modern art. "I found a number of these paintings exciting and fell in love with Franz Marc's Blue Horse", Morath later wrote.
Morath went to Berlin University. At university, Morath studied languages. She learned French, English, and Romanian. Later she added Spanish, Russian and Chinese. Toward the end of World War II, Morath worked for factory service in Tempelhof, alongside Ukrainian prisoners of war. During an attack on the factory by Russian bombers, she ran on foot to Austria. In later years, Morath would not photograph war.
Middle Years (1945-1962)
After the Second World War, Morath worked as a translator and journalist. In 1948, she was hired by Warren Trabant. She worked for Heute. Morath met photographer Ernst Haas in post-war Vienna. She brought his work to Trabant's attention. Working together for Heute, Morath wrote articles to go along with Haas' pictures. In 1949, Morath and Haas were invited by Robert Capa to join the newly founded Magnum Photos in Paris.
Morath was briefly married to the British journalist Lionel Birch. She moved to London in 1951. That same year, she began to photograph during a visit to Venice. Morath asked for an apprenticeship with Simon Guttman. He was then an editor for Picture Post and running the picture-agency Report.
Morath divorced Birch and returned to Paris. Her first jobs were stories that did not interest "the big boys." She went to London on an early job to photograph the residents of Soho and Mayfair. Morath's portrait of Mrs. Eveleigh Nash, from that job, is among her best-known works. During the late 1950s Morath traveled widely. She covered stories in Europe, the Middle East, Africa, the United States, and South America. She worked for such publications as Holiday, Paris Match, and Vogue. In 1955 she published Guerre à la Tristesse, photographs of Spain, with Robert Delpire. This was followed by De la Perse à l'Iran, photographs of Iran, in 1958. Morath published more than thirty monographs during her lifetime.
Like many Magnum members, Morath worked as a still photographer on numerous motion picture sets. She met director John Huston while she was living in London. Huston's Moulin Rouge (1952) was one of Morath's earliest jobs. It was her first time working in a film studio.
Marriage and family
Morath married the playwright Arthur Miller on February 17, 1962. They moved to the United States. Miller and Morath's first child, Rebecca, was born in September 1962. The couple's second child Daniel was born in 1966 with Down syndrome. He was institutionalized shortly after his birth. Today Rebecca Miller is a film director, actress, and writer.
Death
Ingeborg Morath Miller died of cancer in New York City in 2002, at the age of 78.
Honors and legacy
2003, her family established the Inge Morath Foundation.
2002, members of Magnum Photos made the Inge Morath Award in honor of their colleague as an annual award. It is administered by the Inge Morath Foundation, and is given to a woman photographer under the age of 30, to support her work towards the completion of a long-term project.
1992 Great Austrian State Prize for Photography.
1984 Doctor Honoris Causa Fine Arts, University of Connecticut, Hartford, USA.
1983 State of Michigan Senate Resolution NO 295; Tribute to Inge Morath.
Selected One-Person Exhibitions
2008 Well Disposed and Trying to See: Inge Morath and Arthur Miller in China, University of Michigan Art Museum, Ann Arbor, USA.
2004 Inge Morath: The Road to Reno, Chicago Cultural Center, Illinois, USA.
2004 Inge Morath: Chinese Encounters, Pingyao International Photography Festival, Pingyao, China.
2003 Exposition, Henri Cartier-Bresson Foundation, Paris, France.
2002 Inge Morath: Danube, City Gallery of Russe, Russe, Bulgaria.
2002 Inge Morath: New York, Galerie Fotohof, Salzburg, Austria; Stadt Passau, Europäische; Wochen, Germany ESWE Forum, Wiesbaden; Esther Woerdehoff Galerie, Paris, France; Amerikahaus Tübingen, Germany.
1999 Retrospective, Kunsthalle Wien, Austria; FNAC Etoile, Paris, France; FNAC, Barcelona, Spain.
1999 Spain in the Fifties, Museo del Cabilde, Montevideo, Uruguay.
1998 Inge Morath: Danube, Festival of Central European Culture, London, UK; Museen d. Stadt Regensburg, Regensburg, Germany.
1998 Retrospective, Edinburgh Festival, Edinburgh, UK; Museum of Photography in Charleroi, Belgium; Municipal Gallery, Pamplona, Spain.
1998 Celebrating 75 Years Leica Gallery, New York, USA.
1997 Retrospective Kunsthal, Rotterdam, Netherlands.
1997 Inge Morath: Danube, Keczkemet Museum, Esztergom Museum, Hungary
1997 Photographs 1950s to 1990s, Tokyo Museum of Photography, Tokyo, Japan
1996 Women to Women, Takashimaya Gallery, Tokyo, Japan
1996 Inge Morath: Danube, Neues Schauspielhaus, Berlin, Germany; Leica Gallery, New York, USA; Galeria Fotoforum, Bolzano, Italy.
1995 Spain in the fifties, Museo de Arte Contemporaneo, Madrid, Spain; Museo de Navarra,Pamplona, Spain.
1994 Spain in the fifties, Spanish Institute, New York, USA
1992/94 Retrospective, Neue Galerie Linz, Austria ;America House, Frankfurt, Germany; Hardenberg Gallery, Velbert, Germany; Galerie Fotogramma, Milano, Italy; Royal Photographic Society, Bath, UK; Smith Gallery and Museum, Stirling, UK; America House, Berlin, Germany; Hradcin Gallery, Prague, Czech Republic.
1991 Portraits, Kolbe Museum Berlin, Germany; Rupertinum Museum Salzburg, Austria
1989 Portraits, Burden Gallery, Aperture Foundation, New York, New York, USA; Norwich Cathedral, Norwich, UK; American Cultural Center, Brussels, Belgium.
1988 Retrospective, Union of Photojournalists, Moscow, Russia; Sala del Canal Museum, Madrid, Spain; Rupertinum Museum, Salzburg, Austria.
1984 Salesman in Beijing, Hong Kong Theatre Festival.
1979 Inge Morath: Photographs of China, Grand Rapids Art Museum, Michigan, USA.
1964 Inge Morath: Photographs, Gallery 104, Art Institute of Chicago, Illinois, USA.
Selected Monographs
1999 Arthur Miller: Photographed by Inge Morath. FNAC, Spain.
1999 Inge Morath: Portraits. Verlag, Austria.
1996 Woman to Woman. Magnum Photos, Japan.
1994 Inge Morath: Spain in the Fifties. Arte con Texto, Spain.
1992 Inge Morath: Photographs 1952 to 1992. Otto Müller/Verlag, Austria.
1981 Bilder aus Wien: Der Liebe Augustin. Reich Verlag, Switzerland.
1979 Chinese Encounters. with Arthur Miller. Straus & Giroux, USA.
1979 Inge Morath: Photographs of China. Grand Rapids Art Museum, USA.
1977 In the Country. Viking Press, USA.
1975 Grosse Photographen unserer Zeit: Inge Morath. C.J. Bucher Verlag, Switzerland.
1973 East West Exercises. Simon Walker & Co., USA.
1969 In Russia. Viking Press, USA.
1967 Le Masque (Drawings by Saul Steinberg). Maeght Editeur, France.
1960 Bring Forth the Children: A Journey to the Forgotten People of Europe and the Middle East. McGraw-Hill, USA.
1958 De la Perse à l'Iran. Robert Delpire, France.
1956 Venice Observed. Reynal & Co., USA.
1956 Fiesta in Pamplona. Universe Books, USA.
1955 Guerre à la Tristesse. Robert Delpire, France.
Images for kids
Actor Dustin Hoffman with Lee J. Cobb, who originated the role of Willy Loman in Arthur Miller's Death of a Salesman, 1965
See also
|
|||||
4941
|
dbpedia
|
1
| 51
|
https://www.facebook.com/IngeMorath/
|
en
|
Facebook
|
https://static.xx.fbcdn.net/rsrc.php/yv/r/B8BxsscfVBr.ico
|
https://static.xx.fbcdn.net/rsrc.php/yv/r/B8BxsscfVBr.ico
|
[
"https://facebook.com/security/hsts-pixel.gif?c=3.2"
] |
[] |
[] |
[
""
] | null |
[] | null |
Sieh dir auf Facebook Beiträge, Fotos und vieles mehr an.
|
de
|
https://static.xx.fbcdn.net/rsrc.php/yv/r/B8BxsscfVBr.ico
|
https://www.facebook.com/login/
| ||||
4941
|
dbpedia
|
2
| 53
|
https://ffoto.com/products/llamaintimessquareingemorath
|
en
|
Llama in Times Square
|
http://ffoto.com/cdn/shop/products/FFOTOIMAGE_Inge-Morath_SBG-MAG-IM-0006-C_Llama-in-Times-Square_1957_1024x1024.jpg?v=1533237032
|
http://ffoto.com/cdn/shop/products/FFOTOIMAGE_Inge-Morath_SBG-MAG-IM-0006-C_Llama-in-Times-Square_1957_1024x1024.jpg?v=1533237032
|
[
"https://ffoto.com/cdn/shop/files/FFOTO-logo-web-header_x320.png?v=1613761649",
"https://ffoto.com/cdn/shop/files/FFOTO-logo-web-header_x160.png?v=1613761649",
"https://ffoto.com/cdn/shop/products/FFOTOIMAGE_Inge-Morath_SBG-MAG-IM-0006-C_Llama-in-Times-Square_1957_1050x.jpg?v=1533237032",
"https://ffoto.com/cdn/shop/products/FFOTOIMAGE_Inge-Morath_SBG-MAG-IM-0006-C_Llama-in-Times-Square_1957_1050x.jpg?v=1533237032",
"https://cdn.shopify.com/s/files/1/0022/9644/7041/files/Ships-from-Canada.png",
"https://cdn.shopify.com/s/files/1/0022/9644/7041/files/Ffoto-AIPAD.png?5204",
"https://cdn.shopify.com/s/files/1/0022/9644/7041/files/AGAC_Papier17_long_1.jpg?v=1587741513"
] |
[] |
[] |
[
""
] | null |
[] | null |
Inge Morath's most important work consists of portraits, but of passers-by as well as celebrities. She was also adept at photographing places. Buy Inge Morath photos at FFOTO, the best place to buy photographs online. Collect with confidence from our selection of museum-quality historical and contemporary fine art and documentary photography.
|
en
|
//ffoto.com/cdn/shop/files/FF-button-BLK-01_favicon_32x32.png?v=1613763663
|
FFOTO
|
https://ffoto.com/products/llamaintimessquareingemorath
|
Inge Morath was born in Graz, Austria, in 1923. After studying languages in Berlin, she became a translator, then a journalist and the Austrian editor for Heute, an Information Service Branch publication based in Munich. All her life Morath would remain a prolific diarist and letter-writer, retaining a dual gift for words and pictures that made her unusual among her colleagues.
A friend of photographer Ernst Haas, she wrote articles to accompany his photographs and was invited by Robert Capa and Haas to Paris to join the newly founded Magnum agency as an editor and researcher. She began photographing in London in 1951, and joined Magnum Photos as a photographer in 1953. While working on her own first assignments, Morath also assisted Henri Cartier-Bresson during 1953-54, becoming a full member in 1955.
In the following years, Morath traveled extensively in Europe, North Africa and the Middle East. Her special interest in the arts found expression in photographic essays published by a number of leading magazines. After her marriage to playwright Arthur Miller in 1962, Morath settled in New York and Connecticut. She first visited the USSR in 1965. In 1972 she studied Mandarin and obtained a visa to China, making the first of many trips to the country in 1978.
Morath was at ease anywhere. Some of her most important work consists of portraits, but of passers-by as well as celebrities. She was also adept at photographing places: her pictures of Boris Pasternak's home, Pushkin's library, Chekhov's house, Mao Zedong's bedroom, artists' studios and cemetery memorials are permeated with the spirit of invisible people still present. Inge Morath died in New York City on 30 January 2002.
- Source: Magnum Photos
Read our blog post about Inge Morath HERE.
|
||
4941
|
dbpedia
|
2
| 45
|
https://www.imdb.com/name/nm1269547/
|
en
|
Inge Morath
|
[
"https://fls-na.amazon.com/1/batch/1/OP/A1EVAM02EL8SFB:142-0780026-6215437:BTRNN1DJPW7A43PRGHN8$uedata=s:%2Fuedata%2Fuedata%3Fstaticb%26id%3DBTRNN1DJPW7A43PRGHN8:0",
"https://m.media-amazon.com/images/M/MV5BMzMwMDVkNDYtMWQ0MC00MTQ2LWE0NWUtNmE5ZGVjNGY3ZGJjXkEyXkFqcGdeQXVyMTMxMTY0OTQ@._V1_QL75_UY133_CR1,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BNTJlZTgyYjEtN2Y4Mi00MDU4LTliNzAtZmU1N2Y3YmNhOWQwXkEyXkFqcGdeQXVyMjkyMDI4NTQ@._V1_QL75_UY133_CR5,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BMzc3MzYzMGMtMWM1My00NWRkLTgyNmEtZWQ1NWVjNGZjNTZkXkEyXkFqcGdeQXVyNTE0MDY4Mjk@._V1_QL75_UX90_CR0,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BNDI2MDUzYjctYjRlZi00OTE2LWJjNWQtZDcxMmI2YTA0NDg1XkEyXkFqcGdeQXVyMzU0NzkwMDg@._V1_QL75_UX90_CR0,3,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BMzc3MzYzMGMtMWM1My00NWRkLTgyNmEtZWQ1NWVjNGZjNTZkXkEyXkFqcGdeQXVyNTE0MDY4Mjk@._V1_QL75_UX90_CR0,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BMTQ3ODc5ODQ0NV5BMl5BanBnXkFtZTgwNzM1MjUzMDI@._V1_QL75_UX90_CR0,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BMzMwMDVkNDYtMWQ0MC00MTQ2LWE0NWUtNmE5ZGVjNGY3ZGJjXkEyXkFqcGdeQXVyMTMxMTY0OTQ@._V1_QL75_UY133_CR1,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BNTJlZTgyYjEtN2Y4Mi00MDU4LTliNzAtZmU1N2Y3YmNhOWQwXkEyXkFqcGdeQXVyMjkyMDI4NTQ@._V1_QL75_UY133_CR5,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BNDI2MDUzYjctYjRlZi00OTE2LWJjNWQtZDcxMmI2YTA0NDg1XkEyXkFqcGdeQXVyMzU0NzkwMDg@._V1_QL75_UX90_CR0,3,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BMWU0MDVhMjktODIzMC00NTk2LWI3OTctY2Q0NmY2ZDBhNjNjXkEyXkFqcGdeQXVyMTQ4NDkxNTk4._V1_QL75_UY133_CR2,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BNDg2MTI3N2QtZGI4Yy00ZDEyLTk1Y2MtOGI2ZDEwMWViZGE4XkEyXkFqcGdeQXVyNjkwOTQ4MDE@._V1_QL75_UY133_CR2,0,90,133_.jpg",
"https://m.media-amazon.com/images/M/MV5BNDJlOGRjMTctNzVjMi00NjBkLWIxN2ItNzk4NmQ1MDg2MjM4XkEyXkFqcGdeQXVyMTU0OTc4MjA2._V1_QL75_UX90_CR0,1,90,133_.jpg",
"https://m.media-amazon.com/images/G/01/IMDb/Mobile/DesktopQRCode-png.png",
"https://fls-na.amazon.com/1/batch/1/OP/A1EVAM02EL8SFB:142-0780026-6215437:BTRNN1DJPW7A43PRGHN8$uedata=s:%2Fuedata%2Fuedata%3Fnoscript%26id%3DBTRNN1DJPW7A43PRGHN8:0"
] |
[] |
[] |
[
"Inge Morath"
] | null |
[
"IMDb"
] | null |
Inge Morath. Camera and Electrical Department: Personal Velocity: Three Portraits. Inge Morath was born on 27 May 1923 in Graz, Austria. She is known for Personal Velocity: Three Portraits (2002), Angela und der Engel (1995) and Love, Marilyn (2012). She was married to Arthur Miller and Jack Ernest Lionel Birch. She died on 30 January 2002 in New York City, New York, USA.
|
en
|
IMDb
|
https://www.imdb.com/name/nm1269547/
|
While photographing the making of Denen man nicht vergibt (1960), she accompanied its director, John Huston, and his friends on a duck hunt. Up the river, she noticed its star, Audie Murphy, in the water, having fallen out of his boat. She stripped to her underwear, reached Murphy, who was in the last stages of exhaustion, and hauled him ashore by her bra strap while the hunt continued uninterrupted over them.
|
|||||
4941
|
dbpedia
|
1
| 10
|
https://www.latimes.com/archives/la-xpm-2002-feb-02-me-morath2-story.html
|
en
|
Inge Morath, 78; Magnum Portrait Photographer
|
https://ca-times.brightspotcdn.com/dims4/default/64e287b/2147483647/strip/true/crop/2400x1260+0+0/resize/1200x630!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fdf%2F45%2F57d858144a2a88575fa2b03080bb%2Flatlogo-ss.jpg
|
https://ca-times.brightspotcdn.com/dims4/default/64e287b/2147483647/strip/true/crop/2400x1260+0+0/resize/1200x630!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fdf%2F45%2F57d858144a2a88575fa2b03080bb%2Flatlogo-ss.jpg
|
[
"https://ca-times.brightspotcdn.com/dims4/default/1a9557a/2147483647/strip/true/crop/667x446+0+277/resize/320x214!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fed%2Fcf%2F172c42c84d6dbef3ccdf252f8935%2Fimg-1157-1.jpg 320w,https://ca-times.brightspotcdn.com/dims4/default/09c4925/2147483647/strip/true/crop/667x446+0+277/resize/568x380!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fed%2Fcf%2F172c42c84d6dbef3ccdf252f8935%2Fimg-1157-1.jpg 568w,https://ca-times.brightspotcdn.com/dims4/default/bd0b020/2147483647/strip/true/crop/667x446+0+277/resize/768x514!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fed%2Fcf%2F172c42c84d6dbef3ccdf252f8935%2Fimg-1157-1.jpg 768w,https://ca-times.brightspotcdn.com/dims4/default/6744efc/2147483647/strip/true/crop/667x446+0+277/resize/1024x685!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fed%2Fcf%2F172c42c84d6dbef3ccdf252f8935%2Fimg-1157-1.jpg 1024w",
"https://ca-times.brightspotcdn.com/dims4/default/bdbce3d/2147483647/strip/true/crop/4168x2787+0+13/resize/320x214!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fca%2Fd4%2F6dd9d8f4473fb1b259ceb1911ee4%2Foscars-governors-awards.JPEG 320w,https://ca-times.brightspotcdn.com/dims4/default/4292406/2147483647/strip/true/crop/4168x2787+0+13/resize/568x380!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fca%2Fd4%2F6dd9d8f4473fb1b259ceb1911ee4%2Foscars-governors-awards.JPEG 568w,https://ca-times.brightspotcdn.com/dims4/default/af5c3ac/2147483647/strip/true/crop/4168x2787+0+13/resize/768x514!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fca%2Fd4%2F6dd9d8f4473fb1b259ceb1911ee4%2Foscars-governors-awards.JPEG 768w,https://ca-times.brightspotcdn.com/dims4/default/c0071b0/2147483647/strip/true/crop/4168x2787+0+13/resize/1024x685!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fca%2Fd4%2F6dd9d8f4473fb1b259ceb1911ee4%2Foscars-governors-awards.JPEG 1024w",
"https://ca-times.brightspotcdn.com/dims4/default/49611de/2147483647/strip/true/crop/3143x2102+0+117/resize/320x214!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fde%2F1c%2F8d252cc84c16966c7a3f11b5ec38%2Fcarrie-coon-envelope.jpg 320w,https://ca-times.brightspotcdn.com/dims4/default/b21cd43/2147483647/strip/true/crop/3143x2102+0+117/resize/568x380!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fde%2F1c%2F8d252cc84c16966c7a3f11b5ec38%2Fcarrie-coon-envelope.jpg 568w,https://ca-times.brightspotcdn.com/dims4/default/b64911a/2147483647/strip/true/crop/3143x2102+0+117/resize/768x514!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fde%2F1c%2F8d252cc84c16966c7a3f11b5ec38%2Fcarrie-coon-envelope.jpg 768w,https://ca-times.brightspotcdn.com/dims4/default/37fa7fe/2147483647/strip/true/crop/3143x2102+0+117/resize/1024x685!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fde%2F1c%2F8d252cc84c16966c7a3f11b5ec38%2Fcarrie-coon-envelope.jpg 1024w",
"https://ca-times.brightspotcdn.com/dims4/default/4c9e9c0/2147483647/strip/true/crop/1125x1125+438+0/resize/100x100!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fb0%2F41%2F31f32f9ce12def3a1d100ae47f16%2Fimg-535f0e80-turbine-la-bio-elaine-woo",
"https://ca-times.brightspotcdn.com/dims4/default/a5245af/2147483647/strip/true/crop/3498x2332+0+0/resize/110x73!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fb0%2F57%2F4ea590aa4263948eb11a686d4c1c%2Fla-premiere-of-murder-mystery-48058.jpg 110w,https://ca-times.brightspotcdn.com/dims4/default/24779c1/2147483647/strip/true/crop/3498x2332+0+0/resize/180x120!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fb0%2F57%2F4ea590aa4263948eb11a686d4c1c%2Fla-premiere-of-murder-mystery-48058.jpg 180w,https://ca-times.brightspotcdn.com/dims4/default/8af1daa/2147483647/strip/true/crop/3498x2332+0+0/resize/320x213!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fb0%2F57%2F4ea590aa4263948eb11a686d4c1c%2Fla-premiere-of-murder-mystery-48058.jpg 320w,https://ca-times.brightspotcdn.com/dims4/default/71caabd/2147483647/strip/true/crop/3498x2332+0+0/resize/568x379!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fb0%2F57%2F4ea590aa4263948eb11a686d4c1c%2Fla-premiere-of-murder-mystery-48058.jpg 568w,https://ca-times.brightspotcdn.com/dims4/default/de73c5e/2147483647/strip/true/crop/3498x2332+0+0/resize/768x512!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fb0%2F57%2F4ea590aa4263948eb11a686d4c1c%2Fla-premiere-of-murder-mystery-48058.jpg 768w,https://ca-times.brightspotcdn.com/dims4/default/cbf7f53/2147483647/strip/true/crop/3498x2332+0+0/resize/840x560!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fb0%2F57%2F4ea590aa4263948eb11a686d4c1c%2Fla-premiere-of-murder-mystery-48058.jpg 840w",
"https://ca-times.brightspotcdn.com/dims4/default/23031d9/2147483647/strip/true/crop/3126x2084+0+75/resize/110x73!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F5a%2F6b%2F4c57d143492cb2c71e6d1363f6aa%2F2024-tcm-classic-film-festival-pulp-fiction-95436.jpg 110w,https://ca-times.brightspotcdn.com/dims4/default/ac52afa/2147483647/strip/true/crop/3126x2084+0+75/resize/180x120!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F5a%2F6b%2F4c57d143492cb2c71e6d1363f6aa%2F2024-tcm-classic-film-festival-pulp-fiction-95436.jpg 180w,https://ca-times.brightspotcdn.com/dims4/default/e4bc1bb/2147483647/strip/true/crop/3126x2084+0+75/resize/320x213!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F5a%2F6b%2F4c57d143492cb2c71e6d1363f6aa%2F2024-tcm-classic-film-festival-pulp-fiction-95436.jpg 320w,https://ca-times.brightspotcdn.com/dims4/default/0233cb3/2147483647/strip/true/crop/3126x2084+0+75/resize/568x379!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F5a%2F6b%2F4c57d143492cb2c71e6d1363f6aa%2F2024-tcm-classic-film-festival-pulp-fiction-95436.jpg 568w,https://ca-times.brightspotcdn.com/dims4/default/a8db18e/2147483647/strip/true/crop/3126x2084+0+75/resize/768x512!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F5a%2F6b%2F4c57d143492cb2c71e6d1363f6aa%2F2024-tcm-classic-film-festival-pulp-fiction-95436.jpg 768w,https://ca-times.brightspotcdn.com/dims4/default/656160a/2147483647/strip/true/crop/3126x2084+0+75/resize/840x560!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F5a%2F6b%2F4c57d143492cb2c71e6d1363f6aa%2F2024-tcm-classic-film-festival-pulp-fiction-95436.jpg 840w",
"https://ca-times.brightspotcdn.com/dims4/default/868adf0/2147483647/strip/true/crop/3500x2333+0+0/resize/110x73!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fb4%2F63%2F60eaf3144412aba8ae1c0e41de6d%2F2019-rock-and-roll-hall-of-fame-induction-ceremony-arrivals-21054.jpg 110w,https://ca-times.brightspotcdn.com/dims4/default/61ba4eb/2147483647/strip/true/crop/3500x2333+0+0/resize/180x120!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fb4%2F63%2F60eaf3144412aba8ae1c0e41de6d%2F2019-rock-and-roll-hall-of-fame-induction-ceremony-arrivals-21054.jpg 180w,https://ca-times.brightspotcdn.com/dims4/default/89d83de/2147483647/strip/true/crop/3500x2333+0+0/resize/320x213!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fb4%2F63%2F60eaf3144412aba8ae1c0e41de6d%2F2019-rock-and-roll-hall-of-fame-induction-ceremony-arrivals-21054.jpg 320w,https://ca-times.brightspotcdn.com/dims4/default/1bc4b8e/2147483647/strip/true/crop/3500x2333+0+0/resize/568x379!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fb4%2F63%2F60eaf3144412aba8ae1c0e41de6d%2F2019-rock-and-roll-hall-of-fame-induction-ceremony-arrivals-21054.jpg 568w,https://ca-times.brightspotcdn.com/dims4/default/e9e7780/2147483647/strip/true/crop/3500x2333+0+0/resize/768x512!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fb4%2F63%2F60eaf3144412aba8ae1c0e41de6d%2F2019-rock-and-roll-hall-of-fame-induction-ceremony-arrivals-21054.jpg 768w,https://ca-times.brightspotcdn.com/dims4/default/e80ab3c/2147483647/strip/true/crop/3500x2333+0+0/resize/840x560!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fb4%2F63%2F60eaf3144412aba8ae1c0e41de6d%2F2019-rock-and-roll-hall-of-fame-induction-ceremony-arrivals-21054.jpg 840w",
"https://ca-times.brightspotcdn.com/dims4/default/cd4b7a4/2147483647/strip/true/crop/8255x5503+0+0/resize/110x73!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F92%2F60%2Fc10b8a914425b1339fe750162849%2Fhttps-delivery-gettyimages.com%2Fdownloads%2F1466379198 110w,https://ca-times.brightspotcdn.com/dims4/default/bc37d1a/2147483647/strip/true/crop/8255x5503+0+0/resize/180x120!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F92%2F60%2Fc10b8a914425b1339fe750162849%2Fhttps-delivery-gettyimages.com%2Fdownloads%2F1466379198 180w,https://ca-times.brightspotcdn.com/dims4/default/50f6056/2147483647/strip/true/crop/8255x5503+0+0/resize/320x213!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F92%2F60%2Fc10b8a914425b1339fe750162849%2Fhttps-delivery-gettyimages.com%2Fdownloads%2F1466379198 320w,https://ca-times.brightspotcdn.com/dims4/default/e271e10/2147483647/strip/true/crop/8255x5503+0+0/resize/568x379!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F92%2F60%2Fc10b8a914425b1339fe750162849%2Fhttps-delivery-gettyimages.com%2Fdownloads%2F1466379198 568w,https://ca-times.brightspotcdn.com/dims4/default/debc759/2147483647/strip/true/crop/8255x5503+0+0/resize/768x512!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F92%2F60%2Fc10b8a914425b1339fe750162849%2Fhttps-delivery-gettyimages.com%2Fdownloads%2F1466379198 768w,https://ca-times.brightspotcdn.com/dims4/default/2739383/2147483647/strip/true/crop/8255x5503+0+0/resize/840x560!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F92%2F60%2Fc10b8a914425b1339fe750162849%2Fhttps-delivery-gettyimages.com%2Fdownloads%2F1466379198 840w",
"https://ca-times.brightspotcdn.com/a6/d6/eea0f1094fb281dbea09e0aa79cd/art-caltimes-trademark-3x.png"
] |
[] |
[] |
[
""
] | null |
[
"ELAINE WOO",
"www.latimes.com"
] |
2002-02-02T00:00:00
|
Photographer Inge Morath, whose artistry elevated portraits of the famous as well as images of foreign cultures and sights as commonplace as a person at a piano, died Wednesday of lymphomic cancer at a New York City hospital.
|
en
|
/apple-touch-icon.png
|
Los Angeles Times
|
https://www.latimes.com/archives/la-xpm-2002-feb-02-me-morath2-story.html
|
Photographer Inge Morath, whose artistry elevated portraits of the famous as well as images of foreign cultures and sights as commonplace as a person at a piano, died Wednesday of lymphomic cancer at a New York City hospital. One of the first women admitted to the international photo agency Magnum, she was 78.
Best known as a portraitist whose works hang in the permanent collections of many museums, Morath photographed notables as diverse as Jean Cocteau, Alexander Solzhenitsyn, Eleanor Roosevelt and Marilyn Monroe.
She married one of her subjects, playwright Arthur Miller, after his divorce from Monroe. She and Miller collaborated on several books during their nearly 40-year marriage.
Among her most famous shots is one of Monroe in a black cocktail dress, lost in thought and kicking up leaves in the Nevada desert. She traveled through Iran in the 1950s, cloaking her cameras beneath a chador, and talked her way into a Spanish matador’s dressing room before a crucial fight, armed only with her Leica and straightforward charm.
“She has a brilliant sense of place, of the surprising couched in the commonplace, whether it be Africa or Russia or New England,” Ralph Pomeroy wrote in the book “Contemporary Photographers.”
Morath was born in Graz, Austria, the daughter of two scientists. She grew up in Berlin during the rise of Hitler and studied Romance languages in college. After World War II started and she refused to join the Nazi student movement, she had to leave school and assemble plane parts at a Berlin factory while bombs rained down.
When the Russians entered Berlin, she joined a stream of refugees out of the city and walked to Salzburg to find out if her parents were still alive. She found them, but nearly died in the process.
After the war, Morath moved to London and married British journalist Lionel Birch. She also began to learn photography from Simon Guttman, art editor of Picture Post.
By 1953 she had divorced Birch and was working at Magnum’s Paris office with Robert Capa and Henri Cartier-Bresson, two of the founding members of the cooperative that was turning photojournalism into art.
Her first job was editing contact sheets for various members, but particularly for Cartier-Bresson. He taught her to look at images upside-down, as painters do, to judge their composition.
From Capa she learned that a photo “comes from inside.” This was an important discovery, she said, “because I was ashamed to speak German after the war, a millstone of guilt, so a picture was like daring to say ‘love.’”
She joined Magnum as a full-fledged member in 1955. She and Eve Arnold became the first women admitted to the intensely macho club.
“A lot of them did say, ‘Here comes a woman, how dare she take pictures,’” she recalled. “But I was very single-minded then and I didn’t give a damn what the others thought.”
In time, she proved she was as tough and resourceful as the others.
In Spain to photograph the running of the bulls, she won rare permission to enter a famous matador’s dressing room. It was considered bad luck for a woman to see the fighter before the fight, but she convinced him that when she was taking pictures she was not looking at him “with womanly eyes” but doing a job.
In Iran in the 1950s, she was allowed to photograph Muslim men at ritual exercises after winning their favor with gifts of Polaroid shots.
During Ramadan, she sneaked inside a grand mosque to photograph the worshiping men, prostrate on the floor. One man sat up and alerted the others, who began throwing stones at her. Fortunately, she said, “there weren’t too many [stones] on the floor there ... and I just got out very fast.”
Unlike Cartier-Bresson, who clicked his shutter at a decisive moment in the action, Morath often waited until the drama passed and her subject was at ease. A well-known portrait of Cocteau shows the natty poet, artist and filmmaker nearly reclining on a ledge near a fireplace, distractedly pointing his finger one way and looking another. The shot came after a period of antic posing nearly everywhere else in the room. “It is so him,” Morath recalled many years later, “because he is almost in flight, already on to the next thing.”
Her moxie would be unquestioned after an event in early 1959. She had been assigned to shoot the filming of John Huston’s “The Unforgiven” in Mexico. She was with the director on a duck hunting trip to Durango when she spotted two men struggling in a nearby lake. One of the men was the movie’s star, World War II hero Audie Murphy. Stripped to her underwear, Morath plunged in and towed Murphy back to land by her bra strap. In thanks he gave her the watch he had carried throughout the war.
In 1961, Magnum sent Morath to the location of another Huston film, “The Misfits.” Written by Miller, the movie starred Clark Gable, Montgomery Clift and Monroe.
Her famous shot of Monroe caught the actress reciting lines to herself when she thought no one was looking. Of all the famous shots of the 1950s icon, many seem exploitative, but Morath’s focus is elsewhere. “I liked her,” Morath said. “I liked that kind of dreamy quality she sometimes had.”
Monroe, according to Miller, took to the photographer immediately, “appreciating her kindness and the absence--remarkable in a photographer--of all aggression. She doted a little on the pictures Inge Morath had taken of her, sensing real affection in them.”
Morath said she took little more than a professional interest in Miller then. But he had noticed the “slender, noble-looking young woman with bobbed hair and European accent, who seemed,” he wrote in his 1987 memoir, ‘both shy and strong at the same time.” After his marriage to Monroe disintegrated, he married Morath in 1962.
They traveled extensively together and turned some of their experiences into the books “In Russia” (1969) and “Chinese Encounters” (1979), for which Morath spent four years learning Mandarin. When Morath wanted to stay closer to home to raise their daughter, Rebecca, he wrote and she photographed “In the Country” (1977), about rural Connecticut.
Morath, who lived in New York and Roxbury, Conn., is survived by her husband, their daughter and a grandson.
|
||
4941
|
dbpedia
|
1
| 47
|
https://www.wmagazine.com/gallery/marilyn-monroe-arthur-miller-inge-morath-photographs
|
en
|
Marilyn Monroe, Arthur Miller, and Inge Morath: Revealing Photographs From Inside the Growing Love Triangle on the Set of The Misfits
|
[
"https://imgix.bustle.com/wmag/2018/03/20/5ab1449017f09c08a6221258_PAR30986.jpg?w=414&h=273&fit=crop&crop=faces&q=50&dpr=2",
"https://imgix.bustle.com/wmag/2018/03/20/5ab144a4ee5aad06d1becfc0_NYC19512.jpg?w=374&h=256&fit=crop&crop=faces&q=50&dpr=2",
"https://imgix.bustle.com/wmag/2018/03/20/5ab14485a9d61f03bce3e3a5_PAR408105.jpg?w=374&h=253&fit=crop&crop=faces&q=50&dpr=2",
"https://imgix.bustle.com/wmag/2018/03/20/5ab1448a8f35206e675d7cfe_PAR31803.jpg?w=374&h=252&fit=crop&crop=faces&q=50&dpr=2",
"https://imgix.bustle.com/wmag/2018/03/20/5ab1449017f09c08a6221258_PAR30986.jpg?w=374&h=247&fit=crop&crop=faces&q=50&dpr=2",
"https://imgix.bustle.com/wmag/2018/03/20/5ab14495c238cf7aeeee32a5_NYC27258.jpg?w=374&h=561&fit=crop&crop=faces&q=50&dpr=2",
"https://imgix.bustle.com/wmag/2018/03/20/5ab1449d17f09c08a622125a_NYC27257.jpg?w=374&h=556&fit=crop&crop=faces&q=50&dpr=2",
"https://imgix.bustle.com/uploads/image/2024/8/6/af6532c5/artweek-2024_selects-77.jpg?w=160&h=160&fit=crop&crop=focalpoint&q=50&fp-x=0.4672&fp-y=0.5604&dpr=2",
"https://imgix.bustle.com/uploads/image/2024/8/1/70b7e4de/lede.jpg?w=160&h=160&fit=crop&crop=focalpoint&q=50&fp-x=0.4872&fp-y=0.503&dpr=2",
"https://pixel.quantserve.com/pixel/p-xPmcrFNGfHkBg.gif",
"https://sb.scorecardresearch.comp?c1=2&c2=17519299&v=3.9.1&cj=1",
"https://www.facebook.com/tr?id=1636673763227734&ev=PageView&noscript=1"
] |
[] |
[] |
[
""
] | null |
[
"Fan Zhong"
] |
2018-03-20T21:21:37+00:00
|
In 1960, the icon and the writer's marriage was falling apart on the set of their film 'The Misfits'. The woman Miller would marry next was there with her camera to capture it all.
|
en
|
/favicon.ico
|
W Magazine
|
https://www.wmagazine.com/gallery/marilyn-monroe-arthur-miller-inge-morath-photographs
|
In Arthur Miller: Writer, the HBO documentary which aired Monday night, the late playwright’s daughter Rebecca Miller, who directed the film, says via voiceover, “I felt I was the only filmmaker that he would let close enough to really see what he was like.” Rebecca, who is of course married to Daniel Day-Lewis, may have been the filmmaker who captured Miller so casually and off-guard, but her mother, the great Magnum photographer Inge Morath, kept an astute lens on Miller for the 40 years they were married, before Morath died in 2002. When they first met on the set of the film The Misfits, which John Huston directed from Miller’s screenplay, the writer was still married to his second wife, Marilyn Monroe. It was a relationship that blew hot and cold, from infatuation to despair, as things tend to go with Monroe. By the time the drama starring her and Clark Gable began shooting in Reno in 1960, the marriage was falling apart. There, with her camera, was the Austrian photographer Morath. She was in Nevada with her colleague Henri Cartier-Bresson after a road trip across America; she already knew John Huston from her work on his movieMoulin Rouge, and he trusted her. As Miller recalled, “Inge took comparatively few pictures. When she pointed the camera she felt a certain responsibility for what it was looking at. Her pictures of Marilyn are particularly empathic and touching as she caught Marilyn’s anguish beneath her celebrity, the pain as well as her joy in life.” That Morath, whose documentation of midcentury American style is collected in the Magnum book Inge Morath: On Style, went on to marry Miller in 1962, not long after he separated from Monroe, is for sure a fascinating, juicy asterisk to these photographs—but the pictures tell the real story.
|
||||
4941
|
dbpedia
|
0
| 70
|
https://health.wusf.usf.edu/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
en
|
Biography Captures The Charisma And Confidence Of Photographer Inge Morath
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
https://npr.brightspotcdn.com/dims4/default/f88ef45/2147483647/strip/true/crop/2649x1391+0+403/resize/1200x630!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg
|
[
"https://npr.brightspotcdn.com/dims4/default/42d4b03/2147483647/strip/true/crop/282x60+0+0/resize/534x114!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F76a7fab%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fd4%2Fba%2F934998f94fed95a1135124e5c914%2Fhnf-website-without-logos-wt-bgtm.png 2x",
"https://npr.brightspotcdn.com/dims4/default/42d4b03/2147483647/strip/true/crop/282x60+0+0/resize/534x114!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims4%2Fdefault%2F76a7fab%2F2147483647%2Fresize%2Fx60%2Fquality%2F90%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fd4%2Fba%2F934998f94fed95a1135124e5c914%2Fhnf-website-without-logos-wt-bgtm.png 2x",
"https://npr.brightspotcdn.com/dims4/default/3f8b3fd/2147483647/strip/true/crop/138x46+0+0/resize/1760x586!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fimages%2Fstations%2Flogos%2Fnpr.gif 2x",
"https://npr.brightspotcdn.com/dims4/default/ca41745/2147483647/strip/true/crop/2649x2197+0+0/resize/1760x1460!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F07%2Fap_681191163624_custom-7b886cffbe7960dbba14b330126d44548afeb02c.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/34a1fa0/2147483647/strip/true/crop/4254x6398+0+0/resize/1760x2648!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc11270_custom-1c7c5c1529d1972e9636027f85d3d626443469b4.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/3456d50/2147483647/strip/true/crop/4600x3112+0+0/resize/1760x1190!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fnyc99770_custom-a05aa11ca5b645954d14fa7eb346a67cb6fc91ab.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/85e9546/2147483647/strip/true/crop/7116x4727+0+0/resize/1760x1170!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2018%2F12%2F08%2Fpar36912_custom-6869805d50443fa1a3ca5b766671ce62bf0cc014.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/5989a0b/2147483647/strip/true/crop/2610x3480+0+0/resize/150x200!/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2019%2F05%2F28%2Fnpr_susan_stamberg_002_vert-4eab2ba8767234629141163cc50d8107b0ea3c44.jpg",
"https://npr.brightspotcdn.com/dims4/default/bec124f/2147483647/strip/true/crop/1080x608+0+0/resize/1760x990!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F81%2F12%2F7a178ff6435fb7c75eed949c1864%2Fgrowing-up-with-guns-series-16-x-9-text.png 2x",
"https://npr.brightspotcdn.com/dims4/default/6b775c2/2147483647/strip/true/crop/1760x990+0+0/resize/1760x990!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fe0%2Fb9%2F053fafa74d42ae61c91763b02aee%2Fprice-of-pain-promo.png 2x",
"https://npr.brightspotcdn.com/dims4/default/26cda48/2147483647/strip/true/crop/1366x768+0+0/resize/1760x990!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F6a%2F25%2F75f1fc044f49a00ffd4702c4d826%2F10.png 2x",
"https://npr.brightspotcdn.com/dims4/default/f2aafd5/2147483647/strip/true/crop/3441x3036+0+0/resize/1760x1552!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F37%2F28%2Fcc5f5fab4844b48750a29dade108%2Funequal-shots-covid-v1-03-033121.png 2x",
"https://npr.brightspotcdn.com/dims4/default/50200e0/2147483647/strip/true/crop/385x255+34+0/resize/260x172!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F46%2Fb2%2F49fd567d40abb8a072a7f71f83fb%2Fhealth-in-a-heartbeat-logo.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/e0f74f9/2147483647/strip/true/crop/1490x986+135+0/resize/260x172!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Ffb%2Fb4%2F28f29c814ee8ba943eddc1502b96%2Flouis-virelli-and-kathryn-varn-discuss-abortion.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/cb1a0ba/2147483647/strip/true/crop/1024x677+0+3/resize/260x172!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F87%2Fc2%2Febb1060047f7bb68099f05c8491c%2Fap23171023350201.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/79171ee/2147483647/strip/true/crop/901x596+35+0/resize/260x172!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F47%2Fd4%2F1f9f23a44a4e894430e7224327ff%2Fmedica-bills.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/091c2a5/2147483647/strip/true/crop/5712x3779+0+253/resize/260x172!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims3%2Fdefault%2Fstrip%2Ffalse%2Fcrop%2F5712x4284%200%200%2Fresize%2F5712x4284%21%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F3f%2F53%2F7526deca4577a7e733762bf1b179%2Fharris-detroit-rally.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/d943f68/2147483647/strip/true/crop/909x601+0+40/resize/260x172!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims3%2Fdefault%2Fstrip%2Ffalse%2Fcrop%2F909x682%2057%200%2Fresize%2F909x682%21%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fe3%2Fd4%2F26463bfc4daea0e452d5c1393bf8%2Fgettyimages-2162457989.jpg 2x",
"https://npr.brightspotcdn.com/dims4/default/65bc3b7/2147483647/strip/true/crop/5201x3441+0+230/resize/260x172!/quality/90/?url=https%3A%2F%2Fnpr.brightspotcdn.com%2Fdims3%2Fdefault%2Fstrip%2Ffalse%2Fcrop%2F5201x3901%20648%200%2Fresize%2F5201x3901%21%2F%3Furl%3Dhttp%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Faf%2F81%2F005a3e914705b51626fa413ee47e%2Fgettyimages-2166040502.jpg 2x"
] |
[] |
[] |
[
""
] | null |
[
"Susan Stamberg",
"health.wusf.usf.edu",
"susan-stamberg"
] |
2018-12-10T00:00:00
|
Biographer Linda Gordon chronicles Morath's escape from Nazi Germany, her boundary-breaking career and her marriage to playwright Arthur Miller.
|
en
|
Health News Florida
|
https://health.wusf.usf.edu/2018-12-10/biography-captures-the-charisma-and-confidence-of-photographer-inge-morath
|
"I'm fascinated by the necessity of quick decisions," Inge Morath told me more than 30 years ago, when she came to NPR for an interview. Morath was in the business of quick decisions — as a photographer and photojournalist she was the first woman to be accepted as a full member of the Magnum photo agency.
Now, her life is the subject of a new biography by Linda Gordon. It recounts Morath's escape from Nazi Germany, her boundary-breaking career, and her marriage to playwright Arthur Miller.
Morath met Miller — and his then-wife Marilyn Monroe — in 1960 while she was taking publicity stills on the set of the film The Misfits. It was Monroe's last film, and Miller had written it for his wife.
"Inge took some very, very beautiful and sympathetic photographs of Marilyn Monroe," Gordon says. "But Miller had struck her as intensely interesting — and he was quite impressed," Gordon says.
Miller and Monroe's relationship had been on the rocks for some time. He and Morath had an affair and the two married in 1962. They were together for 40 years, until Inge's death in 2002.
In our 1987 interview, I asked Morath about whether she wished she'd paid more attention to Monroe, as Miller's first wife. In a marriage, "you have to be yourself," she said. "Even if you are the first, the second, or the third wife — if you try to take over anything, or imitate anything, I think it'd be a disaster."
"She was a woman of extraordinary self-confidence," says Gordon. "One sees that throughout her life ... self-confidence as a photographer, as a person, but also as her own sexual being."
Morath had a magnetic personality — and plenty of affairs.
"She was just a person who drew you in," says Gordon.
As a young woman, Morath had a rough time in Germany during the war.
"After Allied bombs started falling heavily on Berlin — and landing very near the munitions factory where she was a forced worker — she joined columns of hundreds, probably thousands, of people on foot just leaving Berlin," Gordon explains.
The biographer says Morath walked 455 miles to her parents in Salzburg, Austria. They were Nazi sympathizers — she was not. In Paris after the war, Morath got a job at Magnum, the elite photo agency founded by the great pioneers of photojournalism, Robert Capa and Henri Cartier-Bresson.
There, she did everything from secretarial work, to working with contact sheets, to cleaning the office, Gordon says, all the while honing her skills in photography. In 1955, she became Magnum's first full female member.
With her camera, Morath followed her passion for travel. In Spain, she wangled her way into the dressing room of the great toreador Antonio Ordóñez. Her 1954 photo shows him preparing for combat: his muscled chest is bare, and he's wearing skin-tight, sequin-embroidered pants.
It took chutzpah to get into his dressing room, where women were considered bad luck. "To get into that space she half jokingly made a completely outrageous argument," Gordon says. "She said, 'I'm wearing pants when I work, therefore I'm neither man nor woman.' "
In Seville, Morath put on a flamenco outfit and climbed up onto a chair to shoot dancers, whirling to the music in their layered red and white skirts and petticoats. "You only see these people from the waist down ..." Gordon says. "She has captured the movement — but with a camera just slow enough so that some of the picture is blurred as you see the skirts whirling around."
Outside of photography circles, Morath is known more for her marriage than for her work. "I do not like the fact that many people only know her as a wife of Arthur Miller — and, of course, the wife immediately after Marilyn Monroe — but my impression is that she was pretty copacetic about it," Gordon says.
There are trade-offs to familiarity, Morath told me in 1987. For example, when working on a portrait, she said she didn't necessarily want to meet her subject first.
There is a "wonderful element to a new meeting," she explained. Being strangers, the photographer and the subject are placed into a "sparring" position. "That's interesting," she said. "You kind of show more of yourself."
Copyright 2023 NPR. To see more, visit https://www.npr.org.
|
|||
4941
|
dbpedia
|
0
| 27
|
https://playbill.com/person/inge-morath-vault-0000001691
|
en
|
Inge Morath (Photographer)
|
[
"https://sb.scorecardresearch.com/p?c1=2&c2=33044428&cv=3.1&cj=1",
"https://www.facebook.com/tr?id=925349244281937&ev=PageView&noscript=1",
"https://pixel.quantserve.com/pixel/p-d4EOGSLZ4snXA.gif",
"https://assets.playbill.com/site/main-logo-trimmed_2023-03-27-021655_agag.png",
"https://assets.playbill.com/site/Playbill-P-Logo-1-5-line_2023-03-27-021704_bzom.png",
"https://assets.playbill.com/playbill-covers/_bspTableThumb/388301262b21c0af1374c5e6eb0c5c6c-The-Crucible-Playbill-02-02.jpg",
"https://assets.playbill.com/playbill-covers/_bspTableThumb/b04a024a0324e78e495d9dd124ff5bdb-death-of-a-salesman-playbill-1984-04-web.jpg",
"https://assets.playbill.com/playbill-covers/_bspTableThumb/5b508d6778fa591b69247b1efabdf861-Pal-Joey-Playbill-06-76.jpg",
"https://assets.playbill.com/playbill-covers/_bspTableThumb/3536779fb16c42ed0da9ba703528745c-death-of-a-salesman-playbill-1975-06-web.jpg",
"https://cdn.playbill.com/ad-block-logo.png"
] |
[] |
[] |
[
""
] | null |
[] |
2019-12-16T11:34:00-05:00
|
en
|
Playbill
|
https://playbill.com/person/inge-morath-vault-0000001691
|
Blocking belongs
on the stage,
not on websites.
Our website is made possible by
displaying online advertisements to our visitors.
|
||||||
4941
|
dbpedia
|
2
| 28
|
https://artdeadline.com/ops/magnum-foundation/
|
en
|
2024 Inge Morath Award
|
[
"https://artdeadline.com/wp-content/uploads/2024/05/top-banner7.gif",
"https://artdeadline.com/wp-content/uploads/company_logos/2021/12/magnum.jpg",
"https://artdeadline.com/wp-content/uploads/2021/11/1-facebook.jpg",
"https://artdeadline.com/wp-content/uploads/2021/11/1-instagram.jpg",
"https://artdeadline.com/wp-content/uploads/2023/07/twitter-x.jpg",
"https://artdeadline.com/wp-content/uploads/2021/11/1-a2a.jpg",
"https://artdeadline.com/wp-content/uploads/2023/07/threads.jpg",
"https://artdeadline.com/wp-content/uploads/2021/03/upbar2.gif",
"https://artdeadline.com/wp-content/uploads/2021/03/logonet4NEW.gif",
"https://artdeadline.com/wp-content/uploads/2021/03/bar7.gif"
] |
[] |
[] |
[
""
] | null |
[] | null |
en
| null |
Opportunity Description
International Deadline: April 30, 2024 – The Magnum Foundation and the Inge Morath Estate are pleased to announce the 23rd annual Inge Morath Award, a $7,500 grant given to a woman or nonbinary photographer under the age of 30 to support the completion of a long-term documentary project. One finalist will also receive a $1,000 grant in support of their project.
Inge Morath was an Austrian-born photographer who was associated with Magnum Photos for nearly fifty years. After her death in 2002, the Inge Morath Foundation was established with a limited-term mission to manage Morath’s estate and facilitate the study and appreciation of her contribution to photography. With the closure of the research space in 2014, the Inge Morath archive was acquired by the Beinecke Library at Yale University, and a set of Morath’s master prints by the Yale University Art Gallery, where they are now available to scholars.
ELIGIBILITY
The Award is open to any photographer that identifies as a woman or nonbinary.
All submissions must consist of work done solely by the submitting photographer. IM Award recipient and finalist grant the Magnum Foundation a license to reproduce, display and distribute their submissions solely in connection with the administration and judging of the Inge Morath Award, including on the Magnum Foundation website and the Inge Morath Estate website. IM Award recipient agree that any future publication, exhibition or display of the funded project shall credit the Inge Morath Estate and the Magnum Foundation. Recipient(s) may be required to provide additional identifying information prior to receiving payment.
Upon completion of the funded project, a final (digital) copy must be provided to the Magnum Foundation. The Foundation, in furtherance of its charitable purposes, may, in the future, (1) display the project on its website and make it available for display on the website of the Inge Morath Estate; and (2) publicly display the project (or excepts from it) in connection with exhibitions or promotional materials related to the Inge Morath Award. The Foundation will credit the artist as the author and copyright holder of her photographs.
Photographers represented by Magnum Photos and their immediate relatives are not eligible. Employees and members of the Magnum Foundation, Magnum Photos and Inge Morath Estate are ineligible to apply for this grant.
JURY
The recipient and finalist are selected by a jury composed of Magnum photographers, the Executive Director of the Magnum Foundation, and Inge Morath Estate.
AWARDS
$7,500 grant given to a woman or nonbinary photographer under the age of 30 to support the completion of a long-term documentary project. One finalist will also receive a $1,000 grant in support of their project.
APPLY ONLINE – No Fee
For further inquiry please contact Inge Morath Award, Grant Manager as shown on website.
About:
Magnum Foundation is a nonprofit organization that expands creativity and diversity in documentary photography, activating new audiences and ideas through the innovative use of images. Through grant making and mentorship, Magnum Foundation supports a global network of social justice and human rights-focused photographers and experiments with new models for storytelling.
Magnum Foundation
59 East 4th Street
New York, NY 10003
t: 212.219.124
|
|||||||
4941
|
dbpedia
|
1
| 92
|
https://artblart.com/2009/03/03/photographic-prize-the-magnum-foundation-and-the-inge-morath-foundation-announce-the-sixth-annual-inge-morath-award/
|
en
|
Photographic prize: the Magnum Foundation and the Inge Morath Foundation announce the sixth annual Inge Morath Award
|
[
"https://artblart.com/wp-content/uploads/2024/01/art-blart-1000dpi-2023-elongated-handwriting-dakota-2-1.jpg?w=958",
"https://artblart.com/wp-content/uploads/2009/03/inge-morath-regensburg-1999.jpg?w=840",
"https://artblart.com/wp-content/uploads/2009/03/inge-morath-visitor-in-the-metropolitan-museum-web.jpg?w=840",
"https://artblart.com/wp-content/uploads/2009/03/Inge-Morath-Window-washer-1958-WEB.jpg?w=840",
"https://artblart.com/wp-content/uploads/2009/03/inge-morath-mrs.-eveleigh-nash-london-1953-web.jpg?w=840",
"https://0.gravatar.com/avatar/f384bf11cf949724fe73393333c648a387ef3c1a907f68121cb19e1e0981a5a9?s=42&d=identicon&r=G",
"https://0.gravatar.com/avatar/f384bf11cf949724fe73393333c648a387ef3c1a907f68121cb19e1e0981a5a9?s=49&d=identicon&r=G",
"https://0.gravatar.com/avatar/f384bf11cf949724fe73393333c648a387ef3c1a907f68121cb19e1e0981a5a9?s=64&d=identicon&r=G",
"https://artblart.files.wordpress.com/2023/12/australian-artists-and-exhibitions-3.jpg",
"https://artblart.files.wordpress.com/2023/12/international-artists-and-exhibitions-3.jpg",
"https://artblart.files.wordpress.com/2023/12/artblart-pinterest-3.jpg",
"https://artblart.files.wordpress.com/2023/12/follow-on-x-2.jpg",
"https://artblart.files.wordpress.com/2021/04/plume-b-front.jpg",
"https://artblart.files.wordpress.com/2021/04/port1-front.jpg",
"https://artblart.com/wp-content/uploads/2021/02/cropped-art-blart-logo.jpg?w=50",
"https://artblart.com/wp-content/uploads/2021/02/cropped-art-blart-logo.jpg?w=50",
"https://pixel.wp.com/b.gif?v=noscript"
] |
[] |
[] |
[
""
] | null |
[
"Dr Marcus Bunyan",
"Author Dr Marcus Bunyan"
] |
2009-03-03T00:00:00
|
March 2009 "To take pictures had become a necessity and I did not want to forgo it for anything." ~ Inge Morath Inge Morath (American born Austria, 1923-2002) From the series about Regensburg Museums 1999 Gelatin silver print The Magnum Foundation and the Inge Morath Foundation announce the sixth annual Inge…
|
en
|
Art Blart _ art and cultural memory archive
|
https://artblart.com/2009/03/03/photographic-prize-the-magnum-foundation-and-the-inge-morath-foundation-announce-the-sixth-annual-inge-morath-award/
|
March 2009
“To take pictures had become a necessity and I did not want to forgo it for anything.”
~ Inge Morath
Inge Morath (American born Austria, 1923-2002)
From the series about Regensburg Museums
1999
Gelatin silver print
The Magnum Foundation and the Inge Morath Foundation announce the sixth annual Inge Morath Award. The annual prize of $5,000 is awarded by the Magnum Foundation to a female documentary photographer under the age of 30, to support the completion of a long-term project. One award winner and up to two finalists are selected by a jury composed of Magnum photographers.
Inge Morath was an Austrian-born photographer who was associated with Magnum Photos for nearly fifty years. After her death in 2002, the Inge Morath Foundation was established to manage Morath’s estate and facilitate the study and appreciation of her contribution to photography.
Because Morath devoted much of her enthusiasm to encouraging women photographers, her colleagues at Magnum Photos established the Inge Morath Award in her honour. The Award is now given by the Magnum Foundation as part of its mission of supporting new generations of socially-conscious documentary photographers, and is administered by the Magnum Foundation in collaboration with the Inge Morath Foundation.
Past winners of the Inge Morath Award include: Kathryn Cook (US, ’08) for Memory Denied: Turkey and the Armenian Genocide; Olivia Arthur (UK, ’07) for The Middle Distance; Jessica Dimmock (US, ’06) for The Ninth Floor; Mimi Chakarova (US, ’06) for Sex Trafficking in Eastern Europe; Claudia Guadarrama (MX, ’05) for Before the Limit; and Ami Vitale (US, ’02), for Kashmir.
Text from The Inge Morath Foundation website
Inge Morath (American born Austria, 1923-2002)
Visitor in the Metropolitan Museum
1958
Gelatin silver print
Inge Morath (American born Austria, 1923-2002)
Window washer
1958
Gelatin silver print
“I have photographed since 1952 and worked with Magnum Photos since 1953, first out of Paris, later out of New York. I am usually labeled as a photojournalist, as are all members of Magnum. I am quoting Henri Cartier-Bresson’s explanation for this: He wrote to John Szarkowski in answer to an essay in which Szarkowski stated that Cartier-Bresson labels himself as a photojournalist.
“May I tell you the reason for this label? As well as the name of its inventor? It was Robert Capa. When I had my first show in the Museum of Modern Art in New York in 1948 he warned me: ‘watch out what label they put on you. If you become known as a surrealist […] then you will be considered precious and confidential. Just go on doing what you want to do anyway but call yourself a photojournalist, which puts you into direct contact with everything that is going on in the world.'”
It is in this understanding that we have been working as a group and yet everyone following their own way of seeing. The power of photography resides no doubt partly in the tenacity with which it pushes whoever gets seriously involved with it to contribute in an immeasurable number of forms his own vision to enrich the sensibility and perception of the world around him.
[In the 1950s] the burden of the already photographed was considerably less than now. There was little of the feeling of being a latecomer who has to overwhelm the huge existing body of the photographic oeuvre – which, in photography as in painting and literature, necessarily leads first to the adoption and then rejection of an elected model, until one’s own work is felt to be equal or superior, consequently original.
Photography is a strange phenomenon. In spite of the use of that technical instrument, the camera, no two photographers, even if they were at the same place at the same time, come back with the same pictures. The personal vision is usually there from the beginning; result of a special chemistry of background and feelings, traditions and their rejection, of sensibility and voyeurism. You trust your eye and you cannot help but bare your soul. One’s vision finds of necessity the form suitable to express it.”
Inge Morath, Life as a Photographer, 1999
Text from The Inge Morath Foundation website
Inge Morath (American born Austria, 1923-2002)
Mrs. Eveleigh Nash, London, 1953
1953
Gelatin silver print
LIKE ART BLART ON FACEBOOK
|
|||||
4941
|
dbpedia
|
2
| 90
|
https://longexposureimages.wordpress.com/2020/05/11/mondays-photography-inspiration-inge-morath/
|
en
|
Monday’s Photography Inspiration – Inge Morath
|
[
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par22792-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par22815-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11297-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11581-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc19512-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11607-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par22826-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc1910-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/par36863-overlay.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/04/cortex/nyc11273-overlay.jpg",
"https://longexposureimages.wordpress.com/wp-content/uploads/2020/05/pamela-amenou-image-1.jpg",
"https://longexposureimages.wordpress.com/wp-content/uploads/2020/05/pamela-amenou-image-4.jpg",
"https://longexposureimages.wordpress.com/wp-content/uploads/2020/05/pamela-amenou-image-3.jpg?w=400",
"https://longexposureimages.wordpress.com/wp-content/uploads/2022/01/image.jpg?w=50",
"https://longexposureimages.wordpress.com/wp-content/uploads/2022/01/image.jpg?w=50",
"https://pixel.wp.com/b.gif?v=noscript"
] |
[] |
[] |
[
""
] | null |
[] |
2020-05-11T00:00:00
|
"Photography is a strange phenomenon. You trust your eye and you cannot help but bare your soul. One's vision finds of necessity the form suitable to express it." - Inge Morath Inge Morath was born in Graz, Austria, in 1923. First educated in French-speaking schools, Morath relocated in the 1930s with her family to Darmstadt,…
|
en
|
Photography & Vision
|
https://longexposureimages.wordpress.com/2020/05/11/mondays-photography-inspiration-inge-morath/
|
“Photography is a strange phenomenon. You trust your eye and you cannot help but bare your soul. One’s vision finds of necessity the form suitable to express it.” – Inge Morath
Inge Morath was born in Graz, Austria, in 1923. First educated in French-speaking schools, Morath relocated in the 1930s with her family to Darmstadt, a German intellectual center, and then to Berlin, where Morath’s father directed a laboratory specializing in wood chemistry. Morath was registered at the Luisenschule near Bahnhof Friedrichstraße.
Morath’s first encounter with avant-garde art was the Entartete Kunst (Degenerate Art) exhibition organized by the Nazi Party in 1937, which sought to inflame public opinion against modern art. “I found a number of these paintings exciting and fell in love with Franz Marc’s Blue Horse“, Morath later wrote. “Only negative comments were allowed, and thus began a long period of keeping silent and concealing thoughts.”
After finishing high school, Morath passed the Abitur and was obliged to complete six months of service for the Reichsarbeitsdienst (Reich Labour Service) before entering Berlin University. At university, Morath studied languages. She became fluent in French, English and Romanian in addition to her native German. To these she later added Spanish, Russian and Chinese. “I studied where I could find a quiet space, in the University and the Underground stations that served as air-raid shelters. I did not join the Studentenschaft (Student Body).”
Toward the end of World War II, Morath was drafted for factory service in Tempelhof, a neighbourhood of Berlin, alongside Ukrainian prisoners of war. During an attack on the factory by Russian bombers, she fled on foot to Austria. In later years, Morath refused to photograph war, preferring to work on stories that showed its consequences.
After studying languages in Berlin, she became a translator, then a journalist and the Austrian editor for Heute, an Information Service Branch publication based in Munich. All her life, Morath would remain a prolific diarist and letter-writer, retaining a dual gift for words and pictures that made her unusual among her colleagues.
A friend of photographer Ernst Haas, she wrote articles to accompany his photographs and was invited by Robert Capa and Haas to Paris to join the newly founded Magnum agency as an editor and researcher. She became a full member in 1955.
She began photographing in London in 1951, and joined Magnum Photos as a photographer in 1953. While working on her own first assignments, Morath also assisted Henri Cartier-Bresson during 1953-54, becoming a full member in 1955.
Like many Magnum members, Morath worked as a still photographer on numerous motion picture sets. Having met director John Huston while she was living in London, Morath worked on several of his films. Huston’s Moulin Rouge (1952) was one of Morath’s earliest assignments, and her first time working in a film studio. When Morath confessed to Huston that she had only one roll of color film to work with and asked for his help, Huston bought three more rolls for her, and occasionally waved to her to indicate the right moments to step in with her camera. Huston later wrote of Morath that she “is a high priestess of photography. She has the rare ability to penetrate beyond surfaces and reveal what makes her subject tick.”
In the following years, Morath traveled extensively in Europe, North Africa and the Middle East. Her special interest in the arts found expression in photographic essays published by a number of leading magazines. After her marriage to playwright Arthur Miller in 1962, Morath settled in New York and Connecticut. She first visited the USSR in 1965. In 1972 she studied Mandarin and obtained a visa to China, making the first of many trips to the country in 1978.
Morath was at ease anywhere. Some of her most important work consists of portraits, but of passers-by as well as celebrities. She was also adept at photographing places: her pictures of Boris Pasternak’s home, Pushkin’s library, Chekhov’s house, Mao Zedong’s bedroom, artists’ studios and cemetery memorials are permeated with the spirit of invisible people still present. Inge Morath died in New York City on 30 January 2002.
|
|||||
4941
|
dbpedia
|
0
| 89
|
https://the-jh-movie-collection-official.fandom.com/wiki/2002
|
en
|
2002
|
https://static.wikia.nocookie.net/the-jh-movie-collection-official/images/e/e6/Site-logo.png/revision/latest?cb=20210714135828
|
https://static.wikia.nocookie.net/the-jh-movie-collection-official/images/e/e6/Site-logo.png/revision/latest?cb=20210714135828
|
[
"https://static.wikia.nocookie.net/the-jh-movie-collection-official/images/e/e6/Site-logo.png/revision/latest?cb=20210714135828",
"https://static.wikia.nocookie.net/6a181c72-e8bf-419b-b4db-18fd56a0eb60",
"https://static.wikia.nocookie.net/6c42ce6a-b205-41f5-82c6-5011721932e7",
"https://static.wikia.nocookie.net/464fc70a-5090-490b-b47e-0759e89c263f",
"https://static.wikia.nocookie.net/f7bb9d33-4f9a-4faa-88fe-2a0bd8138668"
] |
[] |
[] |
[
""
] | null |
[
"Contributors to The JH Movie Collection's Official Wiki"
] |
2024-07-29T22:27:06+00:00
|
Template:Year dab Template:Year nav Template:C21 year in topic Template:Year article header 2002 was designated as the International Year of Ecotourism and the International Year of Mountains. January 1 The Open Skies mutual surveillance treaty, initially signed in 1992, officially enters into...
|
en
|
/skins-ucp/mw139/common/favicon.ico
|
The JH Movie Collection's Official Wiki
|
https://the-jh-movie-collection-official.fandom.com/wiki/2002
|
Template:Year dab Template:Year nav Template:C21 year in topic Template:Year article header
2002 was designated as the International Year of Ecotourism and the International Year of Mountains.[1][2]
Events[]
January[]
January 1
The Open Skies mutual surveillance treaty, initially signed in 1992, officially enters into force.[3]
The Euro is officially introduced in the Eurozone countries.[4] The former currencies of all the countries that use the Euro ceased to be legal tender on February 28.[5]
January 17 – Mount Nyiragongo erupts in the Democratic Republic of the Congo, displacing an estimated 400,000 people.
January 18 – The Sierra Leone Civil War comes to a conclusion with the defeat of the Revolutionary United Front by government forces.[6]
February[]
February 6 – Queen Elizabeth II of the Commonwealth Realms celebrates her Golden Jubilee, marking 50 years since her accession to the thrones of the United Kingdom, Canada, Australia and New Zealand.[7]
February 8–24 – The 2002 Winter Olympics are held in Salt Lake City, Utah.[8]
February 12 – The trial of Slobodan Milošević, the former president of Yugoslavia, begins at the International Criminal Tribunal for the former Yugoslavia in The Hague.[9]
February 19 – NASA's 2001 Mars Odyssey space probe begins to map the surface of Mars using its thermal emission imaging system.[10]
February 22 – UNITA guerrilla leader Jonas Savimbi is killed in clashes against government troops led by Angolan President José Eduardo dos Santos in Moxico Province, Angola.[11] His death leads to the end of the Angolan Civil War on April 4.[12]
March[]
March 1 – The Envisat environmental satellite is launched, with its purpose being the recording of information on environmental change.[13]
March 27 – A Palestinian suicide bomber kills 30 people and injures 140 others at a hotel in Netanya, Israel,[14] triggering Operation Defensive Shield, a large-scale counter-terrorism operation in the West Bank, two days later.[15]
April[]
April 2 – Israeli forces besiege the Church of the Nativity in Bethlehem, when militants took shelter there. The siege would last for 38 days.[16]
April 9 – The Funeral of Queen Elizabeth The Queen Mother takes place at Westminster Abbey, London.
April 15 – Air China Flight 129 crashes into a hillside during heavy rain and fog near Busan, South Korea, killing 129 people.[17]
April 25 – South African Mark Shuttleworth blasts off from the Baikonur Cosmodrome on the Soyuz TM-34, becoming the first African space tourist.[18]
May[]
May 12 – Buran, the Russian equivalent to the Space Shuttle, is destroyed in a storm at Baikonur.[19]
May 20 – East Timor regains its independence after 2-and-a-half years of United Nations administration and 26 years of occupation by Indonesia since 1975.[20]
May 24 – In Moscow, United States President George W. Bush and Russian President Vladimir Putin sign the Strategic Offensive Reductions Treaty to replace the Anti-Ballistic Missile Treaty of 1972 and the START II Treaty of 1993.[21]
May 25 – A Boeing 747 operating as China Airlines Flight 611 breaks up and crashes in the Taiwan Strait, killing all 225 passengers and crew on board.
May 26 – A penumbral lunar eclipse was visible in eastern Asia, Australia, Pacific, western Americas. The penumbral lunar eclipse had a penumbral magnitude of 0.68933, umbral magnitude of -0.28877, was the 66th lunar eclipse of Lunar Saros 111 (descending node).
May 31 – June 30 – The 2002 FIFA World Cup takes place in South Korea and Japan;[22] which is ultimately won by Brazil.[23]
June[]
June 4 – 2002 FIFA World Cup: The South Koreans achieve their first ever FIFA World Cup match victory (not the whole tournament). South Korea had never won a World Cup match before.[24]
June 6 – An object with an estimated diameter of 10 meters collides with Earth over the Mediterranean and detonates in mid-air.[25]
June 10
A large annular solar eclipse covered over 99% of the Sun, creating a dramatic spectacle for observers in a narrow path at most 13 km wide; it lasted just 23 seconds at the point of maximum eclipse. It was seen from Australasia, across the Pacific and the Mexico coast, and was the 35th solar eclipse of Solar Saros 137.
The first direct electronic communication experiment between the nervous systems of two humans is carried out by Kevin Warwick in the United Kingdom.[26]
June 13 – Afghanistan changes its official longform name to the Transitional Islamic State of Afghanistan.[27][28]
June 24 – A passenger train collides with a freight train in Dodoma Region, Tanzania, killing 281 people, making it the worst rail accident in African history.[29]
June 29 – Second Battle of Yeonpyeong: During the 2002 FIFA World Cup in South Korea and Japan, two North Korean patrol boats cross a contested border in between the two Koreas and attack two South Korean Chamsuri-class patrol boats.[30]
June 30 – 2002 FIFA World Cup: Template:Fb beats Template:Fb-rt 2–0 in the 2002 FIFA World Cup Final with Ronaldo scoring the two goals; Brazil's captain Cafu, who becomes the first player to appear in three successive World Cup finals, accepts the trophy on behalf of the team.[31]
July[]
July 1
The Rome Statute comes into force, thereby establishing the International Criminal Court.[32]
A Russian passenger jet and cargo plane collide over the town of Überlingen, Germany, killing 71 people.[33]
July 9 – The Organisation of African Unity is disbanded and replaced by the African Union.[34]
23 July–28 July – World Youth Day 2002
July 27 – Sknyliv air show disaster: 77 people are killed and 543 injured when a fighter jet crashes into spectators during an aerobatics presentation at Sknyliv airfield near Lviv, Ukraine. It is the deadliest air show accident in history.
August[]
August 26 – Earth Summit 2002 begins in Johannesburg, South Africa, aimed at discussing sustainable development by the United Nations.[35]
September[]
September 10 – Switzerland joins the United Nations as the 190th member state after rejecting a place in 1986.[36]
September 19 – General Robert Guéï leads an army mutiny in an attempt to overthrow Ivory Coast President Laurent Gbagbo, resulting in civil war.[37]
September 25 – The Vitim event, a possible bolide impact, occurs in Irkutsk Oblast, Russia.[38]
September 26 – The Senegalese passenger ferry MV Le Joola capsizes in a storm off the coast of the Gambia, killing 1,863 people.[39]
September 27 – East Timor is admitted to the United Nations as the 191st member state;[40] it also changes its official longform name from "Democratic Republic of East Timor" to "Democratic Republic of Timor-Leste".
October[]
October 12 – Jemaah Islamiyah militants detonate multiple bombs in two nightclubs in Kuta, Indonesia, killing 202 people and injuring over 300 in the worst terrorist act in Indonesia's history.[41]
October 23–25 – Chechen rebels take control of the Nord-Ost theatre in Moscow and hold the audience hostage. At least 170 people are killed following a Russian attempt to subdue the militants.[42]
November[]
November – Severe acute respiratory syndrome (SARS) pandemic begins in Guangdong Province of China.[43]
November 7 – A sovereignty referendum is held in Gibraltar. The people reject Spanish sovereignty.[44]
November 8 – The United Nations Security Council unanimously adopts Resolution 1441, forcing Iraq to either disarm or face "serious consequences".[45] Iraq agrees to the terms of the resolution on November 13.[45]
November 16 – The first case of Severe acute respiratory syndrome (SARS), a zoonosis caused by a coronavirus, is recorded in Guangdong, China.
November 19 – Prestige oil spill: Greek oil tanker Template:MV splits in half off the coast of Galicia after spilling an estimated 17.8M US gallons (420,000 bbl) in the worst environmental disaster in the history of the Iberian Peninsula.
November 25 – U.S. President George W. Bush signs the Homeland Security Act into law, establishing the Department of Homeland Security, in the largest U.S. government reorganization since the creation of the Department of Defense in 1947.[46] Following a several month-long transitional period, it commences operations the following year.
November 28 – 2002 Mombasa attacks: Suicide bombers blow up an Israeli-owned hotel in Mombasa, Kenya, but their colleagues failed in their attempt to bring down an Arkia Israel Airlines charter flight with surface-to-air-missiles.
December[]
December 23 – A U.S. MQ-1 Predator is shot down by an Iraqi MiG-25 in the first combat engagement between a drone and conventional aircraft.[47]
Births[]
January–April[]
January 17 – Samuel, American-South Korean singer[48]
February 9 – Jalen Green, American basketball player[49]
February 5 – Davis Cleveland, American actor[50]
April 8 – Skai Jackson, American actress[51]
April 16 – Sadie Sink, American actress[52]
April 19 – Loren Gray, American singer-songwriter and social media personality[53]
May–August[]
May 18 – Alina Zagitova, Russian figure skater[54]
June 2 – Madison Hu, American actress
July 11 – Amad Diallo, Ivorian footballer[55]
July 21 – Rika Kihira, Japanese figure skater
July 22 – Prince Felix of Denmark[56]
September–December[]
September 6 – Asher Angel, American actor[57]
September 8 – Gaten Matarazzo, American actor[58]
September 17 – Zinaida Kupriyanovich, Belarusian singer and presenter
September 27 – Jenna Ortega, American actress[59]
September 30
Levi Miller, Australian actor[60]
Maddie Ziegler, American dancer
October 6 – Cleopatra Stratan, Moldovan singer
October 12 – Iris Apatow, American actress
October 26 – Julian Dennison, New Zealand actor
October 29 – Ruel, Australian singer-songwriter[61]
October 31 – Ansu Fati, Spanish footballer
November 20 – Madisyn Shipman, American actress
November 25 – Emilio Osorio, Mexican actor and singer
December 17 – Stefania Liberakakis, Greek-Dutch singer and actress
December 23 – Finn Wolfhard, Canadian actor and musician
Deaths[]
Further information: [[::Category:2002 deaths]]
Template:BD ToC
January[]
Main article(s): Deaths in January 2002
January 6 – Sanya Dharmasakti, 12th Prime Minister of Thailand (b. 1907)
January 8 – Alexander Prokhorov, Russian Nobel physicist (b. 1916)
January 10 – John Buscema, American comic book artist (b. 1927)
January 11 – Henri Verneuil, French filmmaker and playwright (b. 1920)
January 12 – Cyrus Vance, American politician, 59th United States Secretary of State (b. 1917)
January 13
Ted Demme, American director and producer (b. 1963)
Gregorio Fuentes, Cuban fisherman (b. 1897)
January 16 – Ron Taylor, American actor (b. 1952)
January 17 – Camilo José Cela, Spanish writer (b. 1916)[62]
January 18 – Celso Daniel, Brazilian politician (b. 1951)
January 19
Martti Miettunen, 2-Time Prime Minister of Finland (b. 1907)
Vavá, Brazilian footballer (b. 1934)
January 21 – Peggy Lee, American singer and actress (b. 1920)
January 22 – Jack Shea, American speed skater (b. 1910)
January 23
Pierre Bourdieu, French sociologist (b. 1930)
Robert Nozick, American philosopher (b. 1938)
January 28 – Astrid Lindgren, Swedish children's book author (b. 1907)[63]
January 30 – Inge Morath, Austrian-born American photographer (b. 1923)
January 31 – Gabby Gabreski, Polish-American fighter ace (b. 1919)
February[]
Main article(s): Deaths in February 2002
February 1
Hildegard Knef, German actress (b. 1925)
Daniel Pearl, American journalist (b. 1963)
February 4
Agatha Barbara, 3rd President of Malta (b. 1923)[64]
Count Sigvard Bernadotte of Wisborg (b. 1907)
George Nader, American actor (b. 1921)
February 6 – Max Perutz, Austrian-born Nobel molecular biologist (b. 1914)
February 8
Ong Teng Cheong, 5th President of Singapore (b. 1936)
Esther Afua Ocloo, Ghanaian entrepreneur and pioneer of microlending (b. 1919)
Zizinho, Brazilian football player (b. 1921)
February 9 – Princess Margaret, Countess of Snowdon (b. 1930)
February 10 – Traudl Junge, German private secretary of Adolf Hitler (b. 1920)
February 12 – John Eriksen, Danish footballer (b. 1957)
February 13 – Waylon Jennings, American country music singer (b. 1937)
February 14 – Nándor Hidegkuti, Hungarian footballer (b. 1922)
February 15 – Kevin Smith, New Zealand actor (b. 1963)
February 19 – Sylvia Rivera, American transgender activist (b. 1951)
February 22
Chuck Jones, American animator (b. 1912)
Jonas Savimbi, Angolan rebel and political leader (b. 1934)
February 26 – Lawrence Tierney, American actor (b. 1919)
February 27 – Spike Milligan, British-Irish comedian (b. 1918)[65]
March[]
Main article(s): Deaths in March 2002
March 9 – Irene Worth, American actress (b. 1916)
March 11 – James Tobin, American Nobel economist (b. 1918)
March 12 – Spyros Kyprianou, 2nd President of Cyprus (b. 1932)
March 13 – Hans-Georg Gadamer, German philosopher (b. 1900)
March 20 – Ibn al-Khattab, Saudi guerrilla (b. 1969)
March 24 – César Milstein, Argentine Nobel biochemist (b. 1927)
March 27
Milton Berle, American comedian (b. 1908)
Dudley Moore, English pianist, comedian, and actor (b. 1935)
Billy Wilder, Polish-American film screenwriter and director (b. 1906)
March 30 – Queen Elizabeth The Queen Mother (b. 1900)
April[]
Main article(s): Deaths in April 2002
April 1 – Simo Häyhä, Finnish sniper (b. 1905)
April 2 – Jack Kruschen, Canadian actor (b. 1922)
April 5 – Layne Staley, American singer (b. 1967)
April 7 – John Agar, American actor (b. 1921)
April 8 – María Félix, Mexican actress (b. 1914)
April 15 – Byron White, American athlete and Supreme Court Justice (b. 1917)
April 16
Ramiro de León Carpio, 31st President of Guatemala (b. 1942)
Robert Urich, American actor (b. 1946)
April 18 – Thor Heyerdahl, Norwegian explorer (b. 1914)
April 22
Linda Lovelace, American pornographic actress (b. 1949)
Victor Weisskopf, Austrian-American theoretical physicist (b. 1908)
April 25 – Lisa Lopes, American rapper (b. 1971)
April 27 – George Alec Effinger, American author (b. 1947)
April 28
Ruth Handler, American businesswoman (b. 1916)
Lou Thesz, American professional wrestler (b. 1916)
May[]
Main article(s): Deaths in May 2002
May 3 – Muhammad Haji Ibrahim Egal, 2-Time Prime Minister of Somalia (b. 1928)
May 5 – Hugo Banzer, Bolivian politician, 51st President of Bolivia (b. 1926)
May 6 – Pim Fortuyn, Dutch politician, author and professor (b. 1948)[66]
May 11 – Joseph Bonanno, Italian-born gangster (b. 1905)[67]
May 13 – Valeriy Lobanovskyi, Ukrainian football manager (b. 1939)
May 17 – László Kubala, Hungarian footballer (b. 1927)
May 18 – Davey Boy Smith, British professional wrestler (b. 1962)
May 19 – John Gorton, 19th Prime Minister of Australia (b. 1911)
May 20 – Stephen Jay Gould, American paleontologist and author (b. 1941)
May 21 – Niki de Saint Phalle, French artist (b. 1930)
May 23 – Sam Snead, American professional golfer (b. 1912)
May 24 – Susie Garrett, American actress (b. 1929)
May 26 – Mamo Wolde, Ethiopian runner (b. 1932)
May 28 – Napoleon Beazley, juvenile convicted murderer (b. 1976)
June[]
Main article(s): Deaths in June 2002
June 4 – Fernando Belaúnde Terry, Peruvian politician, 2-Time President of Peru (b. 1912)
June 5 – Dee Dee Ramone, American bassist (b. 1951)
June 6 – Robbin Crosby, American rock guitarist (b. 1959)
June 7 – Lilian, Princess of Réthy, Belgian princess (b. 1916)
June 10 – John Gotti, American gangster (b. 1940)
June 15 – Choi Hong Hi, Korean martial artist (b. 1918)
June 17 – Willie Davenport, American track and field athlete (b. 1943)
June 24 – Pierre Werner, Luxembourgian politician, 19th and 21st Prime Minister of Luxembourg (b. 1913)
June 25 – Jean Corbeil, Canadian politician (b. 1934)
June 27 – John Entwistle, English bassist (b. 1944)
June 29 – Rosemary Clooney, American singer and actress (b. 1928)
July[]
Main article(s): Deaths in July 2002
July 2 – Ray Brown, American bassist (b. 1926)
July 5
Katy Jurado, Mexican actress (b. 1924)
Ted Williams, American baseball player (b. 1918)
July 6
Dhirubhai Ambani, Indian businessman (b. 1932)
John Frankenheimer, American film director (b. 1930)
July 8 – Ward Kimball, American cartoonist (b. 1914)
July 9 – Rod Steiger, American actor (b. 1925)[68]
July 13 – Yousuf Karsh, Turkish-born photographer (b. 1908)
July 14 – Joaquín Balaguer, Dominican politician, 41st, 45th and 49th President of the Dominican Republic (b. 1906)
July 16 – John Cocke, American computer scientist (b. 1925)
July 17 – Joseph Luns, Dutch politician and diplomat, 5th Secretary General of NATO (b. 1911)
July 19
Alan Lomax, American folklorist and musicologist (b. 1915)
Vladimir Vasyutin, Soviet cosmonaut (b. 1950)
July 23 – Chaim Potok, American author and rabbi (b. 1929)[69]
July 28 – Archer Martin, English Nobel chemist (b. 1910)
August[]
Main article(s): Deaths in August 2002
August 3 – Carmen Silvera, English actress (b. 1922)
August 5 – Josh Ryan Evans, American actor (b. 1982)
August 6 – Edsger W. Dijkstra, Dutch computer scientist (b. 1930)[70]
August 10
Kristen Nygaard, Norwegian computer scientist (b. 1926)
Eugene Odum, American biologist (b. 1913)
August 14
Peter R. Hunt, English film director (b. 1925)
Dave Williams, American musician (b. 1972)
August 16
Jeff Corey, American actor (b. 1914)
Abu Nidal, Palestinian militant (b. 1937)[71]
August 19 – Eduardo Chillida, Spanish Basque sculptor (b. 1924)
August 24 – Cornelis Johannes van Houten, Dutch astronomer (b. 1920)
August 30
Zaid ibn Shaker, 3-Time Prime Minister of Jordan (b. 1934)
J. Lee Thompson, English film director (b. 1914)
August 31
Lionel Hampton, American musician (b. 1908)
George Porter, English Nobel chemist (b. 1920)
September[]
Main article(s): Deaths in September 2002
September 4 – Jerome Biffle, American athlete (b. 1928)
September 5 – David Todd Wilkinson, American cosmologist (b. 1935)
September 7 – Erma Franklin, American singer (b. 1938)
September 11
Kim Hunter, American actress (b. 1922)
Johnny Unitas, American football player (b. 1933)
September 16 – Nguyễn Văn Thuận, Vietnamese cardinal (b. 1928)
September 18 – Bob Hayes, American athlete (b. 1942)
September 19 – Robert Guéï, Ivorian military ruler (b. 1941)[72]
September 20 – Sergei Bodrov Jr., Russian actor (b. 1971)
September 22 – Mickey Newbury, American singer-songwriter (b. 1940)
October[]
Main article(s): Deaths in October 2002
October 4 – André Delvaux, Belgian film director (b. 1926)
October 6 – Prince Claus of the Netherlands, prince consort of the Netherlands (b. 1926)[73]
October 9 – Aileen Wuornos, American serial killer (b. 1956)
October 10 – Teresa Graves, American actress and comedian (b. 1948)
October 12
Ray Conniff, American musician and bandleader (b. 1916)
Audrey Mestre, French freediver (b. 1974)
Nozomi Momoi, Japanese AV idol (b. 1977)
October 13 – Stephen E. Ambrose, American historian and biographer (b. 1936)
October 17 – Aileen Riggin, American swimmer and diver (b. 1906)[74]
October 18 – Nikolay Rukavishnikov, Russian cosmonaut (b. 1932)
October 19 – Manuel Álvarez Bravo, Mexican photographer (b. 1902)
October 20 – Bernard Fresson, French actor (b. 1931)
October 22 – Geraldine of Albania, Queen consort of Albania (b. 1915)
October 23 – Richard Helms, American academic and author (b. 1913)
October 24 – Harry Hay, American gay rights activist, communist and labor advocate (b. 1912)
October 25
Richard Harris, Irish actor (b. 1930)
René Thom, French mathematician (b. 1923)
October 28 – Margaret Booth, American film editor (b. 1898)
October 30 – Jam Master Jay, American Hip-Hop DJ (b. 1965)[75]
October 31 – Michail Stasinopoulos, 1st President of Greece (b. 1903)
November[]
Main article(s): Deaths in November 2002
November 2
Lo Lieh, Hong Kong actor (b. 1939)
Charles Sheffield, English-American mathematician (b. 1935)
November 3
Lonnie Donegan, British skiffle musician (b. 1931)[76]
Jonathan Harris, American actor (b. 1914)
November 4 – Antonio Margheriti, Italian filmmaker (b. 1930)
November 9 – Eusebio Tejera, Uruguayan footballer (b. 1922)
November 12 – Károly Doncsecz, Slovenian potter (b. 1918)
November 13 – Juan Alberto Schiaffino, Italian-Uruguayan footballer (b. 1925)
November 14 – Eddie Bracken, American actor (b. 1915)[77]
November 15 – Sohn Kee-Chung, Korean Olympic athlete (b. 1912)
November 17 – Abba Eban, Israeli politician and diplomat, 3rd Foreign Minister of Israel (b. 1915)[78]
November 18 – James Coburn, American actor (b. 1928)[79]
November 21 – Norihito, Prince Takamado (b. 1954)[80]
November 23 – Roberto Matta, Chilean artist (b. 1911)[81]
November 24 – John Rawls, American political theorist (b. 1921)[82]
November 25 – Karel Reisz, Czech-born British filmmaker (b. 1926)[83]
December[]
Main article(s): Deaths in December 2002
December 1
Bernard Blossac, French fashion illustrator (b. 1917)
December 2
Ivan Illich, Austrian philosopher and Catholic priest (b. 1926)
Mal Waldron, American jazz pianist, composer, and arranger (b. 1925)
December 3 – Glenn Quinn, Irish actor (b. 1970)
December 5 – Ne Win, Burmese military commander, 4th President of Burma (b. 1910)
December 12
Dee Brown, American novelist and historian (b. 1908)[84]
Brad Dexter, American actor and film producer (b. 1917)
December 17 – Mahmoud Fayad, Egyptian weightlifter (b. 1925)
December 18 – Ray Hnatyshyn, Canadian statesman, 24th Governor General of Canada (b. 1934)
December 20 – Grote Reber, American astronomer (b. 1911)
December 21 – José Hierro, Spanish poet (b. 1922)
December 22
Desmond Hoyte, Guyanese politician, 3rd Prime Minister and 4th President of Guyana (b. 1929)
Joe Strummer, English musician (b. 1952)
December 24 – Tita Merello, Argentinian actress and singer (b. 1904)
December 25 – Gabriel Almond, American political scientist (b. 1911)
December 26 – Herb Ritts, American photographer (b. 1952)
December 27 – George Roy Hill, American film director (b. 1921)
December 30 – Mary Brian, American actress (b. 1906)
Nobel Prizes[]
Chemistry – John B. Fenn and Koichi Tanaka, Kurt Wüthrich
Economics – Daniel Kahneman and Vernon L. Smith
Literature – Imre Kertész
Peace – Jimmy Carter
Physics – Raymond Davis Jr. and Masatoshi Koshiba, Riccardo Giacconi
Physiology or Medicine – Sydney Brenner, H. Robert Horvitz, and John E. Sulston
References[]
[]
|
||
4941
|
dbpedia
|
3
| 33
|
https://www.artbook.com/9788836643165.html
|
en
|
Inge Morath: Her Life and Photographs - ARTBOOK
|
[
"https://www.facebook.com/tr?id=861678317621500&ev=PageView&noscript=1",
"https://s.turbifycdn.com/aah/artbook/thomas-mailaender-the-night-climbers-of-cambridge-171.jpg",
"https://s.turbifycdn.com/aah/artbook/inge-morath-her-life-and-photographs-97.jpg",
"https://s.turbifycdn.com/aah/artbook/inge-morath-her-life-and-photographs-98.jpg",
"https://s.turbifycdn.com/aah/artbook/life-dances-on-robert-frank-in-dialogue-30.jpg",
"https://s.turbifycdn.com/aah/artbook/catherine-opie-genre-gender-portraiture-29.jpg",
"https://s.turbifycdn.com/aah/artbook/jacques-henri-lartigue-the-proof-of-color-24.jpg",
"https://s.turbifycdn.com/aah/artbook/robert-frank-the-lines-of-my-hand-135.jpg",
"https://s.turbifycdn.com/aah/artbook/robert-frank-red-table-green-tree-from-the-window-by-the-window-50.jpg",
"https://s.turbifycdn.com/aah/artbook/robert-frank-seven-stories-50.jpg",
"https://s.turbifycdn.com/aah/artbook/robert-frank-hold-still-keep-going-228.jpg",
"https://s.turbifycdn.com/aah/artbook/robert-frank-london-wales-187.jpg",
"https://s.turbifycdn.com/aah/artbook/robert-frank-visual-diaries-56.jpg",
"https://s.turbifycdn.com/aah/artbook/toiletalex-paperprager-26.jpg",
"https://s.turbifycdn.com/aah/artbook/neal-slavin-when-two-or-more-are-gathered-together-58.jpg",
"https://s.turbifycdn.com/aah/artbook/luke-gilford-national-anthem-29.jpg",
"https://s.turbifycdn.com/aah/artbook/inge-morath-her-life-and-photographs-99.jpg",
"https://sep.turbifycdn.com/ty/cdn/artbook/IconInstagramArtbook.png",
"https://sep.turbifycdn.com/ty/cdn/artbook/IconfacebookArtbook.png",
"https://sep.turbifycdn.com/ty/cdn/artbook/IconTwitterArtbook.png",
"https://sep.turbifycdn.com/ty/cdn/artbook/IconYoutubeArtbook.png",
"https://turbifycdn.com/ty/cdn/artbook/Artbook_Icon_logo_white_500.png"
] |
[] |
[] |
[
""
] | null |
[] | null |
This book provides a survey of the work of Austrian-born American photographer Inge Morath (19232002). Surviving the Allied bombing of the Berlin factory where she worked, Morath, originally a journalist, became one of the woman photographers to join the Magnum agency. A formidable intellectual and diversely talented, Morath eventually established herself as a photographer with an unsentimental and direct approach, and also become an early pioneer and champion of color photography. This volume gathers more than 150 photographs and documents that delineate the main phases of Morath's career, emphasizing the humanitarian empathy that characterized all of her production. Included here are some of Morath's most influential reportages, from her portrayal of Venice to her gorgeous images of the Danube river; and images taken in countries ranging from Spain to Russia, from Iran to China, to Romania, the US and her native Austria.
|
https://sep.turbifycdn.com/ty/cdn/artbook/faviconnew2.ico
|
https://www.artbook.com/9788836643165.html
|
Inge Morath: Her Life and Photographs
Published by Silvana Editoriale.
Edited by Marco Minuz.
Surveying the unsentimental work of an early pioneer of color photography
This book provides a survey of the work of Austrian-born American photographer Inge Morath (19232002). Surviving the Allied bombing of the Berlin factory where she worked, Morath, originally a journalist, became one of the woman photographers to join the Magnum agency.
A formidable intellectual and diversely talented, Morath eventually established herself as a photographer with an unsentimental and direct approach, and also become an early pioneer and champion of color photography.
This volume gathers more than 150 photographs and documents that delineate the main phases of Moraths career, emphasizing the humanitarian empathy that characterized all of her production. Included here are some of Moraths most influential reportages, from her portrayal of Venice to her gorgeous images of the Danube river; and images taken in countries ranging from Spain to Russia, from Iran to China, to Romania, the US and her native Austria.
|
||||||
4941
|
dbpedia
|
0
| 82
|
http://www.artnet.fr/galeries/magnum-photos/artiste-inge-morath/
|
en
|
[] |
[] |
[] |
[
""
] | null |
[] | null | null | ||||||||||
4941
|
dbpedia
|
3
| 38
|
https://www.forphotographersonly.com/post/magnum---the-inge-morath-award-2024
|
en
|
Magnum / The Inge Morath Award 2024
|
[
"https://static.wixstatic.com/media/dd5806_2ce2ae9752f24b6393ee7b510ea89bb8~mv2.jpg/v1/fill/w_147,h_147,al_c,q_80,usm_0.66_1.00_0.01,blur_2,enc_auto/dd5806_2ce2ae9752f24b6393ee7b510ea89bb8~mv2.jpg",
"https://static.wixstatic.com/media/dd5806_9d1a880744a2449584807628d76db290~mv2.png/v1/crop/x_0,y_157,w_600,h_274/fill/w_54,h_25,al_c,q_85,usm_0.66_1.00_0.01,blur_3,enc_auto/Copia%2520de%2520Only_Artist-Perfil_edited_edited.png"
] |
[] |
[] |
[
""
] | null |
[
"forphotographersonly"
] |
2024-03-18T23:00:00+00:00
|
• Magnum Foundation• Deadline: April 30th, 2024• Prize: $7,500 Grant• Eligibility: Woman or Nonbinary Photographer• Entry Fees: Free• REGISTRATION: CLOSED, Click HERE For More Opportunities •Applications are presently open for the prestigious Inge Morath Award, which aims to assist a female or nonbinary photographer under the age of 30 in realizing a substantial documentary project. The selected awardee will receive a grant of $7,500, while an additional $1,000 grant will be awarded to one final
|
en
|
ForPhotographersOnly
|
https://www.forphotographersonly.com/post/magnum-the-inge-morath-award-2024
|
For Photographers Only is not responsible for any inconvenience you may have with the contests promoted on the page.
For Photographers Only is limited to collecting, sharing and promoting contests and prizes from around the world.
Each contest has its own basic rules of participation. For any questions we recommend reviewing the Contest Disclaimer on each page.
For Photographers Onlyutilizes cookies to track your interactions. By clicking accept button or any other area of this page, you agree to the use of such cookies. For more info on how cookies are used, please click this link.
We Do Not Sell Your Data.
Read our Terms & Condition and our Privacy Policy
© 2023 For Photographers Only
Partner:
|
|||||
4941
|
dbpedia
|
2
| 23
|
https://www.magnumfoundation.org/news/inge-morath-award-call-for-applications-2021
|
en
|
2021 Inge Morath Award: Call for Applications — Magnum Foundation
|
http://static1.squarespace.com/static/56aa79ef9cadb6c241e3ae46/5a4fc99124a6948ca5d15f5e/60467a0a510b9f368108545b/1646677452863/09_Schiffer.jpg?format=1500w
|
http://static1.squarespace.com/static/56aa79ef9cadb6c241e3ae46/5a4fc99124a6948ca5d15f5e/60467a0a510b9f368108545b/1646677452863/09_Schiffer.jpg?format=1500w
|
[
"https://images.squarespace-cdn.com/content/v1/56aa79ef9cadb6c241e3ae46/1564420859475-RAZCKUC2R1BB3VYFNWGN/MagnumF_Logotype_4C_Pos-WEB.jpg",
"https://images.squarespace-cdn.com/content/v1/56aa79ef9cadb6c241e3ae46/1564420859475-RAZCKUC2R1BB3VYFNWGN/MagnumF_Logotype_4C_Pos-WEB.jpg",
"https://images.squarespace-cdn.com/content/v1/56aa79ef9cadb6c241e3ae46/1615231551513-DH6Z54KE43MAFOUG5C3Z/09_Schiffer.jpg",
"https://images.squarespace-cdn.com/content/v1/56aa79ef9cadb6c241e3ae46/1564686554986-QNINUSQ7RGIGUQRQ4KHX/MagnumF_Logotype_4C_Rev+crop.png",
"https://wageforwork.com/api/certificate?institution=cliiz0up9139230tqyi4b0p2c8"
] |
[] |
[] |
[
""
] | null |
[
"Guest User"
] |
2021-03-15T12:07:09-04:00
|
We are accepting applications for the Inge Morath Award, a $5,000 grant given to an emerging or early career female photographer under the age of 30 to support the completion of a long-term documentary project. One finalist will also receive a $1,000 grant in support of their project. Submissions d
|
en
|
https://images.squarespace-cdn.com/content/v1/56aa79ef9cadb6c241e3ae46/1477591785145-V6O534VUJB208A94DJPI/favicon.ico?format=100w
|
Magnum Foundation
|
https://www.magnumfoundation.org/news/inge-morath-award-call-for-applications-2021
|
We are accepting applications for the Inge Morath Award, a $5,000 grant given to a woman photographer under the age of 30 to support the completion of a long-term documentary project. One finalist will also receive a $1,000 grant in support of their project.
The recipient and finalist are selected by a jury composed of Magnum photographers, the Executive Director of the Magnum Foundation, and the Inge Morath Estate.
Inge Morath was an Austrian-born photographer who was associated with Magnum Photos for nearly fifty years. After her death in 2002, the Inge Morath Foundation was established with a limited-term mission to manage Morath’s estate and facilitate the study and appreciation of her contribution to photography. With the closure of the research space in 2014, Inge’s archive was acquired by the Beinecke Library at Yale University, and a set of Morath’s master prints by the Yale University Art Gallery, where they are now available to scholars.
Because Morath devoted much of her enthusiasm to encouraging women photographers, her colleagues at Magnum Photos established the Inge Morath Award in her honor. The Award is administered by the Magnum Foundation as part of its mission to expand creativity and diversity in documentary photography, in cooperation with the Inge Morath Estate.
|
||
4941
|
dbpedia
|
2
| 35
|
https://lens.blogs.nytimes.com/2016/10/26/what-inge-morath-saw-a-unique-sense-of-style/
|
en
|
What Inge Morath Saw: A Unique Sense of Style
|
[
"https://static01.nyt.com/images/2016/10/26/blogs/26-lens-inge-slide-V20T/26-lens-inge-slide-V20T-superJumbo.jpg",
"https://static01.nyt.com/images/2018/01/18/blogs/18-lens-orr-slide-E6Y2/18-lens-orr-slide-E6Y2-mediumThreeByTwo440.jpg",
"https://static01.nyt.com/images/2018/01/18/blogs/18-lens-crimea-slide-YZTV/18-lens-crimea-slide-YZTV-mediumThreeByTwo440.jpg",
"https://static01.nyt.com/images/2018/01/16/blogs/16-lens-barrio-slide-S5OL/16-lens-barrio-slide-S5OL-mediumThreeByTwo440.jpg",
"https://static01.nyt.com/images/2018/01/11/blogs/12-lens-mlk-album-slide-CQGN/12-lens-mlk-album-slide-CQGN-mediumThreeByTwo440.jpg",
"https://static01.nyt.com/images/2018/01/11/blogs/11-lens-mara-slide-KKMI/11-lens-mara-slide-KKMI-mediumThreeByTwo440.jpg",
"https://static01.nyt.com/images/2018/01/10/blogs/10-lens-bankuti-slide-BA8B/10-lens-bankuti-slide-BA8B-mediumThreeByTwo440-v2.jpg",
"https://static01.nyt.com/images/2016/10/26/blogs/26-lens-inge-slide-V20T/26-lens-inge-slide-V20T-superJumbo.jpg",
"https://static01.nyt.com/images/2016/10/25/blogs/26-lens-inge-embed/26-lens-inge-embed-blog480.jpg",
"https://static01.nyt.com/images/2018/01/18/blogs/18-lens-orr-slide-E6Y2/18-lens-orr-slide-E6Y2-mediumThreeByTwo440.jpg",
"https://static01.nyt.com/images/2018/01/18/blogs/18-lens-crimea-slide-YZTV/18-lens-crimea-slide-YZTV-mediumThreeByTwo440.jpg",
"https://static01.nyt.com/images/2018/01/16/blogs/16-lens-barrio-slide-S5OL/16-lens-barrio-slide-S5OL-mediumThreeByTwo440.jpg",
"https://static01.nyt.com/images/2018/01/11/blogs/12-lens-mlk-album-slide-CQGN/12-lens-mlk-album-slide-CQGN-mediumThreeByTwo440.jpg",
"https://static01.nyt.com/images/2017/06/23/blogs/20170623-WIP-slide-FEF5/20170623-WIP-slide-FEF5-superJumbo.jpg",
"https://static01.nyt.com/images/2017/06/16/blogs/20170616-WIP-slide-GG77/20170616-WIP-slide-GG77-superJumbo.jpg",
"https://static01.nyt.com/images/2017/06/09/blogs/20170609-WIP-slide-0PYS/20170609-WIP-slide-0PYS-superJumbo.jpg",
"https://static01.nyt.com/images/2017/06/02/blogs/20170601-WIP-slide-S39T/20170601-WIP-slide-S39T-superJumbo.jpg"
] |
[] |
[] |
[
"Morath Inge",
"Fashion and Apparel",
"Photography",
"Balenciaga (Fashion Label)",
"Showcase",
"Uncategorized"
] | null |
[
"Kerri MacDonald",
"lens.blogs.nytimes.com",
"kerri-macdonald"
] |
2016-10-26T00:00:00
|
The photographer Inge Morath, who was also the wife of Arthur Miller, had an eye for style — on the street and on film sets, at galas and on runways.
|
en
|
Lens Blog
|
https://archive.nytimes.com/lens.blogs.nytimes.com/2016/10/26/what-inge-morath-saw-a-unique-sense-of-style/
|
Inge Morath was not a fashion photographer. But Ms. Morath, a Magnum Photos photographer, captured — and demonstrated — a rich sense of style. Her poetic and somewhat theatrical depiction of elegance is the centerpiece of a new book, “Inge Morath: On Style,” with an introduction by Justine Picardie (Abrams).
Ms. Morath, one of the two first female photographers with Magnum, had an eye for style — on the street and on film sets, at galas and on runways.
Her foundation spent five years scanning her archive to build a rich collection of images that fall into this category. For the most part, the book features photographs she took in the early years of her career, in England, France and the United States in the 1950s and 1960s.
Rather than clothing, the book concerns itself with “demeanor and expression of self,” John P. Jacob, the book’s editor, wrote in the afterword. “More precisely, it is concerned with the social relations of appearance.”
Ms. Morath, who died in 2002 at age 78, was living in Berlin when World War II broke out. Her experiences during the war influenced her own way of life.
“I do think that the attitude toward beautiful things in her really came from having had nothing for a period of time,” said her daughter, the director and writer Rebecca Miller. “It’s a certain kind of appreciation of lovely things that she had that was particular to her time.”
Lovely things abound in this collection: rich and exuberant scenes from a ball in Vienna; a sophisticated “French” Sunday morning; models posing with well-coiffed canine companions. In Ms. Morath’s portraiture, there is drama and depth. But there are candid moments, too.
“The feeling of sensual joy — just being alive — is really in those pictures,” Ms. Miller said.
Ms. Morath worked as a researcher for Henri Cartier-Bresson before she joined Magnum. She traveled widely throughout her career, and worked on books with her husband, the playwright Arthur Miller. She was a poetic photographer, but she had a way with language, too: She spoke seven languages in addition to her native German.
Ms. Miller suspects that her mother’s humanistic approach to her subjects gave her an advantage when photographing certain people. “She would just make people feel at home and soft inside, and so they were able to kind of let go,” she said.
One of those people was the designer Cristóbal Balenciaga. Ms. Morath began wearing Balenciaga after the Magnum photographer Robert Capa suggested that she begin dressing “like a lady.” A decade later, she photographed the fiercely private couturier at his home near Paris. In 1965, The New York Times Magazine reported that “the most enthusiastic of Balenciaga’s recent clients is Inge Morath (Mrs. Arthur Miller).”
Along with her Balenciaga collection, Ms. Morath owned dozens of silk shirts in different hues, gifts from “a Spanish count,” Ms. Miller said. The shirts were lost in a fire, but some of the Balenciaga pieces went to the Metropolitan Museum of Art for a 1973 retrospective on the designer.
Despite her mother’s own fashion sense — and her years spent photographing those in the limelight — Ms. Morath didn’t live a notably lavish lifestyle, her daughter said. When it came to fashion, she purchased pieces that would last. “Even to the end of her life, she would buy one or two really nice things,” Ms. Miller said. “She bought Jil Sander suits in the last year.”
And as a photographer, Ms. Miller said, her mother could “go on any mission that she was sent on and exist on a couple of apples and sleep on the floor. That wasn’t hard for her, as much as she was a very elegant woman.”
|
|||||
4941
|
dbpedia
|
1
| 60
|
https://www.tiktok.com/%40zachdobsonphoto/video/7227964877053185322
|
en
|
Make Your Day
|
[] |
[] |
[] |
[
""
] | null |
[] | null |
en
| null | ||||||||
4941
|
dbpedia
|
3
| 96
|
https://aestheticamagazine.com/an-extraordinary-narrative/
|
en
|
An Extraordinary Narrative
|
[
"https://aestheticamagazine.com/wp-content/banners/lg-header-15-aug-2024.gif",
"https://aestheticamagazine.com/wp-content/banners/lg-header-15-aug-2024.gif",
"https://aestheticamagazine.com/wp-content/themes/aesthetica-2017/assets/images/aesthetica_logo.svg",
"https://aestheticamagazine.com/wp-content/themes/aesthetica-2017/assets/images/aesthetica_logo.svg",
"https://aestheticamagazine.com/wp-content/uploads/2018/11/031-31.NYC99756031-750x540.jpg",
"https://aestheticamagazine.com/wp-content/uploads/2018/11/031-31.NYC99756031-750x540.jpg",
"http://www.aestheticamagazine.com/wp-content/uploads/2018/11/2-3-960x540.jpg",
"http://www.aestheticamagazine.com/wp-content/uploads/2018/11/2-3-960x540.jpg",
"https://aestheticamagazine.com/wp-content/uploads/2015/12/PAR465212-300x225.jpg",
"https://aestheticamagazine.com/wp-content/uploads/2015/12/PAR465212-300x225.jpg",
"https://aestheticamagazine.com/wp-content/uploads/2020/05/image-asset-300x225.png",
"https://aestheticamagazine.com/wp-content/uploads/2020/05/image-asset-300x225.png"
] |
[] |
[] |
[
""
] | null |
[
"Eleanor Sutherland"
] |
2018-11-29T17:12:23+00:00
|
A publication by Prestel Publishing and Magnum Photos surveys the extraordinary career and striking images of photographer Inge Morath.
|
en
|
https://aestheticamagazine.com/wp-content/themes/aesthetica-2017/assets/images/favicon.ico
|
Aesthetica Magazine
|
https://aestheticamagazine.com/an-extraordinary-narrative/
|
The first woman to join the Magnum collective, photographer Inge Morath (1923-2002) forged an extraordinary career. Travelling across the globe to capture scenes of life in Spain, Iran, China and beyond, she became a purveyor of personal and universal stories.
This influential journey is highlighted in Linda Gordon’s Inge Morath: An Illustrated Biography, a book featuring black-and-white and colour images from throughout her career. As late playwright Arthur Miller notes: “She made poetry out of people and their places over half a century.”
The book is published by Prestel Publishing and Magnum Foundation. Find out more here.
|
||||
4941
|
dbpedia
|
0
| 94
|
https://nickhernbooksblog.com/2015/03/31/leave-me-my-name-richard-eyre-on-the-importance-of-arthur-miller/
|
en
|
‘Leave me my name’: Richard Eyre on the importance of Arthur Miller
|
[
"https://nickhernbooksblog.com/wp-content/uploads/2015/03/eyre-richard-cropped.jpg?w=204&h=300",
"https://nickhernbooksblog.com/wp-content/uploads/2015/03/antony-sher-death-of-a-salesman-rehearsal-photos-2015-photo-by-ellie-kurttz-rsc-700-700x455.jpg?w=300&h=195",
"https://nickhernbooksblog.com/wp-content/uploads/2015/01/9-phoebe-fox-catherine-mark-strong-eddie-and-nicola-walker-beatrice-in-a-view-from-the-bridge-1-c2a9-jan-versweyveld.jpg?w=300&h=200",
"https://nickhernbooksblog.com/wp-content/uploads/2015/03/whatdoiknow.jpg?w=199&h=300",
"https://nickhernbooksblog.com/i/rss/red-large.png",
"https://secure.gravatar.com/blavatar/2111f53206f4a816226552e526031a1243058168e1e4eaf50d1cd5632fd1237a?s=50&d=https%3A%2F%2Fs2.wp.com%2Fi%2Flogo%2Fwpcom-gray-white.png",
"https://secure.gravatar.com/blavatar/2111f53206f4a816226552e526031a1243058168e1e4eaf50d1cd5632fd1237a?s=50&d=https%3A%2F%2Fs2.wp.com%2Fi%2Flogo%2Fwpcom-gray-white.png",
"https://pixel.wp.com/b.gif?v=noscript"
] |
[] |
[] |
[
""
] | null |
[] |
2015-03-31T00:00:00
|
Richard Eyre directed the first Broadway revival of Arthur Miller's The Crucible. With several major productions of Miller's work opening in this, his centenary year, it's a time to reflect on why plays such as Death of a Salesman, A View from the Bridge and The Crucible speak so urgently to us today. Here, in…
|
en
|
https://secure.gravatar.com/blavatar/2111f53206f4a816226552e526031a1243058168e1e4eaf50d1cd5632fd1237a?s=32
|
The Play Ground
|
https://nickhernbooksblog.com/2015/03/31/leave-me-my-name-richard-eyre-on-the-importance-of-arthur-miller/
|
Richard Eyre directed the first Broadway revival of Arthur Miller’s The Crucible. With several major productions of Miller’s work opening in this, his centenary year, it’s a time to reflect on why plays such as Death of a Salesman, A View from the Bridge and The Crucible speak so urgently to us today. Here, in an article written shortly after the playwright’s death in 2005 and reproduced in What Do I Know? People, Politics and the Arts, Eyre recalls Miller’s wit and humanity… and what happened on the first night of Death of a Salesman.
A large part of my luck over the past twenty years was getting to know Arthur Miller, so when I heard in interviews—or was asked myself—the question ‘Will Arthur Miller be remembered as the man who married Marilyn Monroe?’ I felt a mixture of despair and indignation. The motives of the questioners—a mixture of prurience and envy—were, curiously enough, the same as the House Un-American Activities Committee when they summoned Arthur Miller to appear in front of their committee. I asked Arthur about it some years ago. ‘I knew perfectly well why they had subpoenaed me,’ he said, ‘it was because I was engaged to Marilyn Monroe. Had I not been, they’d never have thought of me. They’d been through the writers long before and they’d never touched me. Once I became famous as her possible husband, this was a great possibility for publicity. When I got to Washington, preparing to appear before that committee, my lawyer received a message from the chairman saying that if it could be arranged that he could have a picture, a photograph taken with Marilyn, he would cancel the whole hearing. I mean, the cynicism of this thing was so total, it was asphyxiating.’
The question that lurked then—and lurks now—is this: why would the world’s most attractive woman want to go out with a writer? There are at least four good reasons I can think of:
By 1956, when he married Marilyn Monroe, Arthur Miller had written four of the best plays in the English language, two of them indelible classics that will be performed in a hundred years’ time.
He was a figure of great moral and intellectual stature, who was unafraid of taking a stand on political issues and enduring obloquy for doing so.
He was wonderful company—a great, a glorious, raconteur. I asked him once what happened on the first night of Death of a Salesman when it opened on the road in Philadelphia. He must have told the story a thousand times but he repeated it, pausing, seeming to search for half-buried details, as if it was the first time: ‘The play ended and there was a dead silence and I remember being in the back of the house with Kazan and nothing happened. The people didn’t get up either. Then one or two got up and picked up their coats. Some of them sat down again. It was chaos. Then somebody clapped and then the house fell apart and they kept applauding for God knows how long and… I remember an old man being helped up the aisle, who turned out to be Bernard Gimbel, who ran one of the biggest department-store chains in the United States who was literally unable really to navigate, they were helping him up the aisle. And it turned out that he had been swept away by the play and the next day he issued an order that no one in his stores—I don’t know, eight or ten stores all over the United States—was to be fired for being overage!’ And with this he laughed, a deep husky bass chortle, shaking his head as if the memory were as fresh as last week.
He was a deeply attractive man: tall, almost hulking, broad-shouldered, square-jawed, with the most beautiful large, strong but tender hands. There was nothing evasive or small-minded about him.
As he aged he became both more monumental but more approachable, his great body not so much bent as folded over. And if you were lucky enough to spend time with him and Inge Morath (the Magnum photographer to whom he was married for forty years after his divorce from Marilyn Monroe), you would be capsized by the warmth, wit and humanity of the pair of them.
It’s been surprising for me—and sometimes shocking—to discover that my high opinion of Arthur Miller was often not held by those who consider themselves the curators of American theatre. I read a discussion in the New York Times a few years ago between three theatre critics about the differences between British and American theatre:
first critic. Arthur Miller is celebrated there.
second critic. It’s Death of a Salesman, for crying out loud. He’s so cynical about American culture and American politics. The English love that.
first critic. Though Death of a Salesman was not a smash when it first opened in London.
third critic. It’s also his earnestness.
If we continue to admire Arthur Miller, it’s because we have the virtuous habit of treating his plays as contemporaneous and find that they speak to us today not because of their ‘earnestness’ but because they are serious—that’s to say they’re about something. They have energy and poetry and wit and an ambition to make theatre matter. What’s more, they use sinewy and passionate language with unembarrassed enthusiasm, which is always attractive to British actors and audiences weaned on Shakespeare.
In 1950, at a time when British theatre was toying with a phoney poetic drama—the plays of T.S. Eliot and Christopher Fry—there was real poetry on the American stage in the plays of Arthur Miller (and Tennessee Williams), or, to be exact, the poetry of reality: plays about life lived on the streets of Brooklyn and New Orleans by working-class people foundering on the edges of gentility and resonating with metaphors of the American Dream and the American Nightmare.
The Depression of the late twenties provided Arthur’s sentimental education: the family business was destroyed, and the family was reduced to relative poverty. I talked to him once about it as we walked in the shadow of the pillars of the Brooklyn Bridge looking out over the East River. ‘America,’ he said, ‘was promises, and the Crash was a broken promise in the deepest sense. I think the Americans in general live on the edge of a cliff, they’re waiting for the other shoe to drop. I don’t care who they are. It’s part of the vitality of the country, maybe. That they’re always working against this disaster that’s about to happen.’
He wrote with heat and heart and his work was felt in Britain like a distant and disturbing forest fire—a fire that did much to ignite British writers who followed, like John Osborne, Harold Pinter and Arnold Wesker; and later Edward Bond, David Storey and Trevor Griffiths; and later still David Edgar, Mike Leigh, David Hare. What they found in Miller was a visceral power, an appeal to the senses beyond and below rational thought and an ambition to deal with big subjects.
His plays are about the difficulty and the possibility of people—usually men—taking control of their own lives, ‘that moment when, in my eyes, a man differentiates himself from every other man, that moment when out of a sky full of stars he fixes on one star.’ His heroes—salesmen, dockers, policemen, farmers—all seek a sort of salvation in asserting their singularity, their self, their ‘name’. They redeem their dignity, even if it’s by suicide. Willy Loman cries out ‘I am not a dime a dozen, I am Willy Loman…!’, Eddie Carbone in A View from the Bridge, broken and destroyed by sexual guilt and public shame, bellows: ‘I want my name’, and John Proctor in The Crucible, in refusing the calumny of condemning his fellow citizens, declaims ‘How may I live without my name? I have given you my soul; leave me my name!’ In nothing does Miller show his Americanism more than in the assertion of the right and necessity of the individual to own his own life—and, beyond that, how you reconcile the individual with society. In short, how you live your life.
If there was a touch of the evangelist in his writing, his message was this: there is such a thing as society, and art ought to be used to change it. Though it’s hard to argue that art saves lives, feeds the hungry or sways votes, Death of a Salesman comes as close as any writer can get to art as a balm for social concern. When I saw the New York revival five or six years ago [the 1999 Broadway revival starring Brian Dennehy], I came out of the theatre behind a young girl and her dad, and she said to him ‘It was like looking at the Grand Canyon.’
A few years ago I directed the first production of The Crucible on Broadway since its opening nearly fifty years previously [Eyre’s production opened at the Virginia Theatre on 7 March 2002]. He loved our production and was closely involved with rehearsals. I never got over the joy and pride of sitting beside Arthur as this great play unfolded in front of us while he beamed and muttered: ‘It’s damned good stuff, this.’ We performed it shortly after the Patriot Act had been introduced. Everyone who saw it said it was ‘timely’. What did they mean exactly? That it was timeless.
‘There are things which he stretched, but mainly he told the truth,’ is what Huckleberry Finn said of the author of Tom Sawyer. And the same could be said of Arthur Miller, which is perhaps why it’s not a coincidence that my enthusiasm for his writing came at the same time as my discovery of the genius of Mark Twain. And it’s not a surprise that what Arthur Miller said of Mark Twain could just has well have been said about him:
‘He somehow managed—despite a steady underlying seriousness which few writers have matched—to step round the pit of self-importance and to keep his membership of the ordinary human race in the front of his mind and his writing.’
This article is published in What Do I Know? People Politics and the Arts by Richard Eyre, published by Nick Hern Books.
To buy your copy at a 20% discount – no voucher code required – click here.
Photograph of Richard Eyre by John Haynes.
|
||||
4941
|
dbpedia
|
1
| 37
|
https://www.lempertz.com/en/catalogues/artist-index/detail/morath-inge.html
|
en
|
Sell & Buy Works, prices, biography
|
[
"https://www.lempertz.com/typo3conf/ext/lempertz_base/Resources/Public/Icons/Flags/de.png",
"https://www.lempertz.com/typo3conf/ext/lempertz_base/Resources/Public/Images/auktionshaus.svg",
"https://www.lempertz.com/lempertz_api/images/smedium/1058-103-Inge-Morath-Ms-Eveleigh-Na.jpg",
"https://www.lempertz.com/lempertz_api/images/smedium/837-160-Inge-Morath-Encounter-on-Ti.jpg",
"https://www.lempertz.com/lempertz_api/images/smedium/1154-558-Inge-Morath-Saul-Steinberg-.jpg",
"https://www.lempertz.com/lempertz_api/images/smedium/1031-129-Inge-Morath-Miss-Eveleigh-N.jpg",
"https://www.lempertz.com/lempertz_api/images/smedium/970-802-Inge-Morath-MS-EVELEIGH-NAS.jpg",
"https://www.lempertz.com/lempertz_api/images/smedium/1133-124-Inge-Morath-Mrs-Eveleigh-N.jpg",
"https://www.lempertz.com/lempertz_api/images/smedium/970-801-Inge-Morath-LAMA-BEGEGNUNG.jpg",
"https://www.lempertz.com/lempertz_api/images/smedium/854-205-Inge-Morath-Zwei-junge-Frau.jpg",
"https://www.lempertz.com/lempertz_api/images/smedium/988-88-Inge-Morath-Navalcan-Brides.jpg",
"https://www.lempertz.com/lempertz_api/images/smedium/1133-125-Inge-Morath-Dancer-Feria-i.jpg",
"https://www.lempertz.com/lempertz_api/images/smedium/941-110-Inge-Morath-GLORIA-VANDERBI.jpg",
"https://www.lempertz.com/lempertz_api/images/smedium/959-89-Inge-Morath-PARIS.jpg",
"https://www.lempertz.com/lempertz_api/images/smedium/959-88-Inge-Morath-DANCER-FERIA-I.jpg",
"https://www.lempertz.com/typo3conf/ext/lempertz_base/Resources/Public/Images/logo-w.svg",
"https://www.lempertz.com/typo3conf/ext/lempertz_base/Resources/Public/Images/auktionshaus.svg"
] |
[] |
[] |
[
""
] | null |
[
"Auktionshaus Lempertz"
] |
2020-02-24T00:00:00
|
Inge Morath - Works, prices, biography – Find out everything about Inge Morath & sell or buy works by this artist in our auction house.
|
en
|
/typo3conf/ext/lempertz_base/Resources/Public/Icons/Favicons/apple-touch-icon.png
|
https://www.lempertz.com/en/catalogues/artist-index/detail/morath-inge.html
|
Through contact with the photographer Ernst Haas, the trained translator Morath began working as a content writer for the "Magnum" photography agency in the early 1950s. She started taking photographs herself in 1951 and became a full member of the group in 1951. She took many photographs whilst travelling in Europe, China, North Africa and the Near East, but she also made portraits, snapshots and celebrity pictures – for example of Marilyn Monroe. She married the author Arthur Miller in 1962.
|
|||||
4941
|
dbpedia
|
2
| 19
|
https://themarilynreport.com/2023/05/27/inge-morath-at-100-photographer-who-followed-in-marilyns-path/
|
en
|
Inge Morath at 100: Photographer Who Followed in Marilyn’s Path
|
[
"https://themarilynreport.com/wp-content/uploads/2023/05/incollage_20230526_170846934.jpg?w=1024&h=576",
"https://themarilynreport.com/wp-content/uploads/2023/05/ingemorath100_v-contentxl-e1685205489302.jpg?w=1140",
"https://themarilynreport.com/wp-content/uploads/2023/05/incollage_20230527_172302160-e1685204650976.jpg?w=1140",
"https://themarilynreport.com/wp-content/uploads/2023/05/51gsox9-szl-e1685204890971.jpg?w=1140",
"https://themarilynreport.com/wp-content/uploads/2023/05/20230527_175104-e1685206805833.jpg?w=1140",
"https://themarilynreport.com/wp-content/uploads/2023/05/20230527_175014-e1685206981970.jpg?w=1140",
"https://themarilynreport.com/wp-content/uploads/2023/05/20230527_175042-e1685207410571.jpg?w=1140",
"https://themarilynreport.com/wp-content/uploads/2023/05/s-l1600-1-e1685207641151.jpg?w=1140",
"https://themarilynreport.com/wp-content/uploads/2023/05/1685208346625.jpg?w=1140",
"https://themarilynreport.com/wp-content/uploads/2020/06/cropped-bookcoverpreview3front.jpg?w=50",
"https://themarilynreport.com/wp-content/uploads/2020/06/cropped-bookcoverpreview3front.jpg?w=50",
"https://pixel.wp.com/b.gif?v=noscript"
] |
[] |
[] |
[
""
] | null |
[] |
2023-05-27T00:00:00
|
Inge Morath, one of the Magnum agency’s leading photographers, who documented the shooting of The Misfits in 1960 - and later became Arthur Miller’s third wife - was born 100 years ago today (she died in 2002.) Writing for the Magnum Photos website, Marigold Warner explores Morath's creative legacy. (You can read more of my…
|
en
|
The Marilyn Report
|
https://themarilynreport.com/2023/05/27/inge-morath-at-100-photographer-who-followed-in-marilyns-path/
|
Inge Morath, one of the Magnum agency’s leading photographers, who documented the shooting of The Misfits in 1960 – and later became Arthur Miller’s third wife – was born 100 years ago today (she died in 2002.) Writing for the Magnum Photos website, Marigold Warner explores Morath’s creative legacy. (You can read more of my posts about Inge’s photography and encounters with Marilyn here and at the ES Updates Archive, while my review of the documentary, Arthur Miller: Writer, may also be of interest.)
“Born in Graz, Austria, a century ago on May 27, 1923, Morath lived in several countries throughout her life … She grew up in the shadow of Nazi Germany, and her first encounter with modern art was in 1937 at the notorious Entartete Kunst exhibition organized by the Nazi Party in Munich, consisting of 650 pieces of ‘Degenerate Art’.
The works were captioned with labels denouncing their moral and aesthetic value, in order to ‘educate’ the public on the ‘art of decay’. For 14-year-old Morath, the exhibition had quite the opposite effect … she later described her photographic practice as ‘a search for inner truth.’
In 1945, a Russian air raid forced Morath to flee Germany by foot. She had moved to Berlin to study linguistics, but was drafted to work at a munitions factory alongside Ukrainian prisoners of war. Morath, 22 at the time, joined thousands of refugees, walking 455 miles to her parents’ home in Salzburg, Austria. The journey took almost a week, and at one point it drove her to the brink of suicide.
Morath wouldn’t become a photographer for another decade, but when she did, she refused to photograph war … A prolific diarist throughout her life, Morath began working as a journalist after the war. She became the Austrian editor for Heute, a publication based in Munich, which is where she worked alongside the photographer Ernst Haas.
In writing articles to accompany his images, Morath began to develop an affinity for working with words and pictures, and in 1949 she joined the newly formed Magnum Photos as an editor. There, she became enamored by contact sheets sent in by Henri Cartier-Bresson … She borrowed her first husband’s (the British journalist Lionel Birch) camera, and the results were impressive. ‘It was instantly clear to me that from now on I would be a photographer,’ she wrote.
In the following years, Morath continued to work on photo stories, eventually moving to Paris, where she assisted Cartier-Bresson. In 1953, after presenting her first long-form story about the ‘worker-priests’ of Paris, she was officially invited to join Magnum as a photographer. Two years later, aged 33, she became the first woman to be a full member.
She traveled extensively in Europe, North Africa and the Middle East, and became known as a sensitive, clever and elegant image-maker — whether it was shooting fashion editorials, passers-by on the street, or sitting with world-renowned artists. She was an early pioneer of colour photography, a talented technician, and an experienced editor.
Morath once spoke about the challenges she encountered: ‘Being one of the then rather rare women photographers … was often difficult for the simple reason that nobody felt one was serious … I certainly do not think that I got the same forceful male brotherhood support the men got.’ But, according to her daughter, ‘she just got on with it … She never felt sorry for herself,’ says Rebecca Miller. ‘She was aware that there were always people who had it harder than she did.’
A significant part of Morath’s archive is her work as a film stills photographer. In 1960, alongside Cartier-Bresson and seven other Magnum photographers, she was commissioned to shoot on set for The Misfits, a blockbuster film starring Marilyn Monroe, Clark Gable and Montgomery Clift, with a screenplay by Arthur Miller.
At the time, Miller was married to Monroe, his second wife, but their relationship was falling apart. In a text written in 2004 and published in Inge Morath: Road to Reno (2006), Miller recalls first meeting with Morath: ‘When she pointed the camera she felt a certain responsibility for what it was looking at. Her pictures of Marilyn are particularly empathic and touching as she caught Marilyn’s anguish beneath her celebrity, the pain as well as her joy in life.’ Following his divorce from Monroe, Miller and Morath married on 17 February 1962.
The couple collaborated on several projects together, including the book In Russia (1969) and Chinese Encounters (1979), which documented their travels through the Soviet Union and the People’s Republic of China. Morath was disciplined and prepared extensively by studying the language, art and literature of the country she was working in. Miller later wrote that to ‘travel with her was a privilege because [alone] I would never have been able to penetrate that way.’
Miller’s literary network provided Morath with incredible access to artists. Some of her most iconic images are of renowned artists and celebrities, including Louise Bourgeois, Saul Steinberg, Audrey Hepburn and Alberto Giacometti … Morath and Miller were together for 40 years until her death. They settled in Roxbury, Connecticut, where they raised their daughter, Rebecca Miller.
In looking back at her mother’s archive, Miller recognizes how so much of her work intersected with key events of the 20th century … Driven by curiosity and empathy, even in the face of hardship, Morath was always searching for beauty — her photographs are proof of this pursuit. And in the beauty that emanates from her images, Morath’s spirit lives on.”
|
|||||
4941
|
dbpedia
|
3
| 55
|
https://www.yahoo.com/news/inge-morath-pioneering-documentary-photographer-slideshow-wp-215724567.html
|
en
|
Inge Morath, pioneering documentary photographer
|
https://s.yimg.com/ny/api/res/1.2/KHNSX4J4ELzdNoFM1UUKsg--/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyMDA7aD03OTA-/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/4247e1dc432fadcdbac617c9a0addfee
|
https://s.yimg.com/ny/api/res/1.2/KHNSX4J4ELzdNoFM1UUKsg--/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyMDA7aD03OTA-/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/4247e1dc432fadcdbac617c9a0addfee
|
[
"https://www.yahoo.com/_td_api/beacon/info?beaconType=noJSenabled&bucket=news-US-en-US-def%2Cseamless&code=pageRender&device=desktop&lang=en-US&pageName=deeplink®ion=US&rid=41kikb9jbqmm9&site=news&t=1723685577915",
"https://s.yimg.com/ny/api/res/1.2/FEnB.lEm84QOv5G9cxLXMQ--/YXBwaWQ9aGlnaGxhbmRlcjt3PTI1NDtoPTYw/https://s.yimg.com/cv/apiv2/hlogos/yahoo_NEWS_Light.png",
"https://s.yimg.com/ny/api/res/1.2/G1o.NE6bPVkWu5VfGPnHtQ--/YXBwaWQ9aGlnaGxhbmRlcjt3PTgwO2g9ODA-/https://s.yimg.com/os/creatr-uploaded-images/2019-09/8f3d5840-de21-11e9-b1ff-d0c82203fdeb",
"https://s.yimg.com/ny/api/res/1.2/GBm8JTNndIdQxCX70mwuJw--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYzMg--/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/4247e1dc432fadcdbac617c9a0addfee",
"https://s.yimg.com/ny/api/res/1.2/72e6mulAzSzbXAL9jrgTAw--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTY0Mg--/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/a790c43adad4ba8e8b667f07272d3343",
"https://s.yimg.com/ny/api/res/1.2/72e6mulAzSzbXAL9jrgTAw--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTY0Mg--/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/a790c43adad4ba8e8b667f07272d3343",
"https://s.yimg.com/ny/api/res/1.2/58W3vTpcLpX.SDzid0Kbzw--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTY0OQ--/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/f45474985bb9846f7e3fe1c3c55dbe13",
"https://s.yimg.com/ny/api/res/1.2/58W3vTpcLpX.SDzid0Kbzw--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTY0OQ--/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/f45474985bb9846f7e3fe1c3c55dbe13",
"https://s.yimg.com/ny/api/res/1.2/X_UfRPodkpK2lFIMSOrqvQ--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTE0ODc-/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/d475ca17ccf0a17a803ae33f4ee84119",
"https://s.yimg.com/ny/api/res/1.2/X_UfRPodkpK2lFIMSOrqvQ--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTE0ODc-/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/d475ca17ccf0a17a803ae33f4ee84119",
"https://s.yimg.com/ny/api/res/1.2/_.uTwqmirBH2dUSamyDy.w--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTE0NDQ-/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/02a479f08f71afe35b39fa8aacf31922",
"https://s.yimg.com/ny/api/res/1.2/_.uTwqmirBH2dUSamyDy.w--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTE0NDQ-/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/02a479f08f71afe35b39fa8aacf31922",
"https://s.yimg.com/ny/api/res/1.2/gD2k.6_kEtT8O2wx7m3FBQ--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYzOA--/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/7fdd4d8fe627ad0569e6883d59e19c4e",
"https://s.yimg.com/ny/api/res/1.2/gD2k.6_kEtT8O2wx7m3FBQ--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYzOA--/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/7fdd4d8fe627ad0569e6883d59e19c4e",
"https://s.yimg.com/ny/api/res/1.2/z6z.ECwRFh53_jsK.Do4og--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTE0Njk-/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/f5fa529e6a3f967d6400c31cd537296d",
"https://s.yimg.com/ny/api/res/1.2/z6z.ECwRFh53_jsK.Do4og--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTE0Njk-/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/f5fa529e6a3f967d6400c31cd537296d",
"https://s.yimg.com/ny/api/res/1.2/kN59Mdi2mqUuqdqpuLm6AQ--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYzMg--/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/f8d879272399ccd52439fbd9a562b7b2",
"https://s.yimg.com/ny/api/res/1.2/kN59Mdi2mqUuqdqpuLm6AQ--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYzMg--/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/f8d879272399ccd52439fbd9a562b7b2",
"https://s.yimg.com/ny/api/res/1.2/m6wKgwCUpk9ngfhPo__5oQ--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTY0NA--/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/7292f303e5f9dc44b22efc3a85da0f16",
"https://s.yimg.com/ny/api/res/1.2/m6wKgwCUpk9ngfhPo__5oQ--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTY0NA--/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/7292f303e5f9dc44b22efc3a85da0f16",
"https://s.yimg.com/ny/api/res/1.2/Kbz00md1QekvwdT_mawOlQ--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTE0NDg-/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/ff0099ab5c9cda84e17db962acc86b23",
"https://s.yimg.com/ny/api/res/1.2/Kbz00md1QekvwdT_mawOlQ--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTE0NDg-/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/ff0099ab5c9cda84e17db962acc86b23",
"https://s.yimg.com/ny/api/res/1.2/xIcf_oxXxjhI7ccdrY3Vdg--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTExMDc-/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/b23564f932b7596b670a4331d118405e",
"https://s.yimg.com/ny/api/res/1.2/xIcf_oxXxjhI7ccdrY3Vdg--/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTExMDc-/https://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/b23564f932b7596b670a4331d118405e",
"https://sb.scorecardresearch.com/p?c1=2&c2=7241469&c5=1197618800&c7=https%3A%2F%2Fwww.yahoo.com%2Fnews%2Finge-morath-pioneering-documentary-photographer-slideshow-wp-215724567.html&c14=-1"
] |
[] |
[] |
[
""
] | null |
[
"Yahoo News Photo Staff"
] |
2018-11-13T21:57:24+00:00
|
Austrian-born American photographer Inge Morath survived adolescence in Nazi Germany and the trauma of barely surviving World War II, using her camera as a way to enter worlds that were closed to most women. One of the first women to join Magnum Photos in 1953, she worked closely with Robert Capa and Henri Cartier-Bresson. Morath traveled the globe, often alone, quietly but firmly defying the conventions for what was appropriate for women at the time.
|
en
|
https://s.yimg.com/rz/l/favicon.ico
|
Yahoo News
|
https://www.yahoo.com/news/inge-morath-pioneering-documentary-photographer-slideshow-wp-215724567.html
|
“I am a traveler with a camera through whose viewfinder I have been looking at the world and the faces of its people for more than forty years.” — Inge Morath
Austrian-born American photographer Inge Morath survived adolescence in Nazi Germany and the trauma of barely surviving World War II, using her camera as a way to enter worlds that were closed to most women. One of the first women to join Magnum Photos in 1953, she worked closely with Robert Capa and Henri Cartier-Bresson. Morath traveled the globe, often alone, quietly but firmly defying the conventions for what was appropriate for women at the time. Her photographs show her cosmopolitanism, love of literature and fluency in many languages. Morath’s work is unified by an intimacy and comfort with her subjects. Her respect for the various cultures she documented made her what biographer Linda Gordon calls a “visual ethnographer.” Truly a citizen of the world, she had a rare ability to see, simultaneously, the universal and the personal.
Morath was a superb portraitist, and was particularly drawn to artist subjects — such as painter Saul Steinberg, sculptor Louise Bourgeois and writer Boris Pasternak. She worked mainly using black-and-white film but also used color film exquisitely, even early in her career. Through a Magnum assignment to document Marilyn Monroe and “The Misfits” film set, she met famous playwright Arthur Miller, and their subsequent marriage lasted for forty years. Speaking of his wife, Miller said, “She made poetry out of people and their places over half a century.”
The first full-length biography about her, Inge Morath: An Illustrated Biography by Linda Gordon, is available now. (Prestel/Magnum Foundation).
|
||
4941
|
dbpedia
|
2
| 58
|
https://cosmopolis.ch/inge-morath-hommage/
|
en
|
Inge Morath. Hommage
|
[
"https://cosmopolis.ch/wp-content/uploads/2023/02/inge-morath-hommage.jpg",
"https://cosmopolis.ch/wp-content/uploads/2023/02/inge-morath-hommage.jpg"
] |
[] |
[] |
[
""
] | null |
[] | null |
en
|
https://cosmopolis.ch/inge-morath-hommage/
|
Inge Morath (1923-2002) studied photography with Ernst Haas in Vienna, Simon Guttmann in London and Henri Cartier-Bresson in Paris. She was the first female photographer to become a full member of MAGNUM Photos, the legendary agency for high-quality photo journalism, dominated by men until today.
The bilingual book in English and German Inge Morath. Hommage (Amazon.com, Amazon.co.uk, Amazon.fr, Amazon.de) is published on the occasion of the photographer’s centenary and in conjunction with the exhibition Inge Morath. Hommage at Kunstfoyer der Versicherungskammer Kulturstiftung in Munich from December 21, 2022 until May 1, 2023.
The exhibition and the catalogue are the work of the curators Anna-Patricia Kahn and Isabel Siben, conceived in collaboration with the Inge Morath Estate. In Munich, you can discover some 170 photographs by the outstanding artist. The catalogue features 212 illustrations (duotone and color), a foreword by Rebecca Miller, the daughter of photographer Inge Morath and playwright Arthur Miller, as well as Inge Morath’s autobiographical lecture “I Trust My Eyes” (Ich traue meinen Augen) held in German in Berlin on October 9, 1994; the English translation was written by the photographer herself.
Biography of Inge Morath
Inge Morath was born in Graz and kept her Austrian accent all her life. Her parents, Mathilde (Wiesler) and Edgar Morath were scientists whose work took them to different laboratories and universities in Europe during her childhood. Her parents had converted from Catholicism (dominant in Austria) to Protestantism.
Educated in French-speaking schools, Inge Morath and her family relocated first to Darmstadt in the 1930s, and then to Berlin, where her father directed a laboratory specializing in wood chemistry, and her mother worked as his assistant.
Inge Morath’s first encounter with avant-garde art was at the Entartete Kunst (Degenerate Art) exhibition organized by the Nazi party (NSDAP) in 1937, which toured all over Germany because the NSDAP sought to inflame public opinion against modern art. “I found a number of these paintings exciting and fell in love with Franz Marc’s Blue Horse,” Inge Morath stated in her 1994 lecture “I Trust My Eyes“. She added: “Only negative comments were allowed, and thus began a long period of keeping silent and concealing thoughts.”
After six months of Reich Labor Service (Reichsarbeitsdienst), she entered Berlin University where she studied languages. In addition to her mother tongue, German, she became fluent in French, English and Romanian as well as, later, Spanish, Russian and Mandarin.
In her lecture, Inge Morath mentions that her three cousins were killed, each on a different front, within a relatively short period of time. They had been the dear playmates of her youth, and during their vacations in Austria, she had fallen in love, alternately, with two of them. Her father, a fighter pilot in World War I, was drafted into the reserve of the Air Force. Her brother was shot down during one of his first flights in his fighter-bomber by the English over the Mediterranean and remained on the “Missing” list until news came that he was in a prisoner of war camp in Egypt. Her mother continued to work in a laboratory.
After the Second World War, Inge Morath worked as a translator and journalist. In 1948, she was hired by Warren Trabant for Heute, an illustrated magazine published by the U.S. Office of War Information in Munich.
Inge Morath had encountered photographer Ernst Haas in Vienna and brought his work to Trabant’s attention. Working together for Heute, Inge wrote articles to accompany Haas’ pictures. In 1949, she and Haas were invited by Robert Capa to join the newly-founded Magnum Photos agency in Paris, where she started as an editor. Fascinated to be able to work with contact sheets by Magnum founding member Henri Cartier-Bresson , she wrote in “I Trust My Eyes”: “I think that in studying his way of photographing I learned how to photograph myself before I ever took a camera into my hand.”
Inge Morath was briefly married to the British journalist Lionel Birch and relocated to London in 1951. That same year, she began to photograph during a visit to Venice. In her 1994 lecture she wrote: “It was instantly clear to me that from now on I would be a photographer, I finally had found my language. As I continued to photograph, I became quite joyous, I knew that I could express the things I wanted to say by giving them form through my eyes. I remembered what Henri Cartier-Bresson had written somewhere: ‘A good photograph is made when the inner vision behind the closed eye corresponds with the vision of the open one behind the viewfinder in the moment of pressing the button.’” Morath divorced Birch and returned to Paris to pursue a career in photography.
In London, Inge Morath was on the lookout for someone who could teach her more about photography. She approached Simon Guttmann, once the director of the famous German photoagency Dephot, the first to practise the idea of the photo essay. Among the photographers who had worked for Guttmann at the time was Robert Capa—but she did not know that yet. In 1942 or 1943, Simon Guttmann had arrived in England and become adviser to the best English illustrated magazine of the time, Picture Post. He also founded his own agency, Report. Inge Morath said in her 1994 lecture that she approached Simon Guttmann to become his assistant. She showed him three contact sheets of her first films taken in Venice. He looked at them, not making the slightest commentary. Then he asked: “What do you want to photograph and why?” She mumbled something to the effect that she was mostly interested in people, in the variety of their lives, and she added that she was certain that after the life in the isolation of Nazism and war she felt she had found her language in photography, or at least the best way to express what she felt she had to say. He told her that she could start to work with him.
Inge Morath spent several weeks typing Simon Guttmann’s letters. On Saturdays, she answered his phone and dropped coins in his gas heater to heat his shaving water, things his strict Judaism forbade him to do on the Sabbath. Occasionally, she swept the rooms, careful not to topple over any of the piles of newspapers on the floor. “When are you going to teach me how to photograph?” she finally ventured to ask. “That’s exactly what I am doing,” he answered impatiently. “Why don’t you really pay attention to what I say in my letters? I only gave you the ones addressed to editors or photographers to type. Everything you can learn about photography and how to make a picture story is in them.” And he was right, Inge Morath said in her lecture.
Robert Capa was the most generous of all photographers, Inge Morath stated in her 1994 lecture. He for instance sent her to London to do a story on the set of Moulin Rouge, a film John Huston was directing in Shepherds Bush Studios. Originally, Capa meant to do this story himself. When he passed it on to her, he warned, “You’d better be good.” Inge Morath said that she had never been in a film studio before. John Huston noticed her bewilderment and decided to be of help, organized her three film rolls (because she had only arrived with one, rare to find at the time). It worked out fine, and Inge Morath even got a couple of double pages in several European magazines.
At Robert Capa’s suggestion, in 1953–54, she worked with Henri Cartier-Bresson as a researcher and assistant; in 1954, Robert Capa was killed by a landmine in Vietnam. In 1955, Inge Morath was invited to become a full member of Magnum Photos. During the late 1950s, she travelled widely, covering stories in Europe, the Middle East, Africa, the United States and South America for publications such as Holiday, Paris Match and Vogue. In 1955, together with Robert Delpire, Inge Morath published Guerre à la Tristesse, photographs of Spain. In 1958 followed the photo book De la Perse à l’Iran, photographs of Iran.
Like many other Magnum members, Inge Morath worked as a still photographer on numerous motion picture sets, including on several films directed by John Huston, whom she had met while living in London, and portrayed in many photographs durig her career. Notably in 1960, Inge Morath was on the set of The Misfits, a blockbuster picture featuring Marilyn Monroe, Clark Gable and Montgomery Clift, based on a screenplay by Arthur Miller, then Marilyn Monroe’s husband. Following the divorce of the famous couple, Inge Morath became the playwright’s third wife on February 17, 1962. They remained married until her death in 2002.
Many critics have written of the element of playful surrealism that characterizes Inge Morath’s work during her first decade as a photographer. It was motivated by a fundamental humanism, shaped as much by the experience of the Second World War as by its lingering shadow over post-war Europe.
According to the catalogue Inge Morath. Hommage (Amazon.com, Amazon.co.uk, Amazon.fr, Amazon.de), this motivation grows, in Morath’s mature work, into a motif as she documents the endurance of the human spirit under situations of extreme duress as well as its manifestations of ecstasy and joy.
Ingeborg Morath Miller died of cancer in 2002, at the age of 78. In honour of their colleague, the members of Magnum Photos established the Inge Morath Award in 2002. The Award is administered by the Inge Morath Foundation in cooperation with the Magnum Foundation, New York. The Inge Morath archive was acquired by the Beinecke Library at Yale University in 2014, and the material is open for research.
This and much more can be found in: Inge Morath. Hommage. Edited by Anna-Patricia Kahn and Isabel Siben. With a foreword by Rebecca Miller, the daughter of photographer Inge Morath and playwright Arthur Miller. English/German edition, Schirmer/Mosel Verlag, December 2022, 280 pages with 200 illustrations, 24 x 31 cm. Order the book from Amazon.com, Amazon.co.uk, Amazon.fr, Amazon.de.
This exhibition catalogue is published in conjunction with the exhibition Inge Morath. Hommage at Kunstfoyer der Versicherungskammer Kulturstiftung in Munich from December 21, 2022 until May 1, 2023.
P.S. added on February 10, 2023: since 1996, Inge Morath’s daughter Rebecca Miller is married to actor Daniel Day-Lewis who, therefore, was Inge Morath’s son-in-law.
For a better reading, quotations and partial quotations from the book about the outstanding female photographer Inge Morath are not always put between quotation marks.
Book review added on February 9, 2023 at 20:08 German time.
|
|||||||
4941
|
dbpedia
|
3
| 43
|
https://artdeadline.com/ops/magnum-foundation/
|
en
|
2024 Inge Morath Award
|
[
"https://artdeadline.com/wp-content/uploads/2024/05/top-banner7.gif",
"https://artdeadline.com/wp-content/uploads/company_logos/2021/12/magnum.jpg",
"https://artdeadline.com/wp-content/uploads/2021/11/1-facebook.jpg",
"https://artdeadline.com/wp-content/uploads/2021/11/1-instagram.jpg",
"https://artdeadline.com/wp-content/uploads/2023/07/twitter-x.jpg",
"https://artdeadline.com/wp-content/uploads/2021/11/1-a2a.jpg",
"https://artdeadline.com/wp-content/uploads/2023/07/threads.jpg",
"https://artdeadline.com/wp-content/uploads/2021/03/upbar2.gif",
"https://artdeadline.com/wp-content/uploads/2021/03/logonet4NEW.gif",
"https://artdeadline.com/wp-content/uploads/2021/03/bar7.gif"
] |
[] |
[] |
[
""
] | null |
[] | null |
en
| null |
Opportunity Description
International Deadline: April 30, 2024 – The Magnum Foundation and the Inge Morath Estate are pleased to announce the 23rd annual Inge Morath Award, a $7,500 grant given to a woman or nonbinary photographer under the age of 30 to support the completion of a long-term documentary project. One finalist will also receive a $1,000 grant in support of their project.
Inge Morath was an Austrian-born photographer who was associated with Magnum Photos for nearly fifty years. After her death in 2002, the Inge Morath Foundation was established with a limited-term mission to manage Morath’s estate and facilitate the study and appreciation of her contribution to photography. With the closure of the research space in 2014, the Inge Morath archive was acquired by the Beinecke Library at Yale University, and a set of Morath’s master prints by the Yale University Art Gallery, where they are now available to scholars.
ELIGIBILITY
The Award is open to any photographer that identifies as a woman or nonbinary.
All submissions must consist of work done solely by the submitting photographer. IM Award recipient and finalist grant the Magnum Foundation a license to reproduce, display and distribute their submissions solely in connection with the administration and judging of the Inge Morath Award, including on the Magnum Foundation website and the Inge Morath Estate website. IM Award recipient agree that any future publication, exhibition or display of the funded project shall credit the Inge Morath Estate and the Magnum Foundation. Recipient(s) may be required to provide additional identifying information prior to receiving payment.
Upon completion of the funded project, a final (digital) copy must be provided to the Magnum Foundation. The Foundation, in furtherance of its charitable purposes, may, in the future, (1) display the project on its website and make it available for display on the website of the Inge Morath Estate; and (2) publicly display the project (or excepts from it) in connection with exhibitions or promotional materials related to the Inge Morath Award. The Foundation will credit the artist as the author and copyright holder of her photographs.
Photographers represented by Magnum Photos and their immediate relatives are not eligible. Employees and members of the Magnum Foundation, Magnum Photos and Inge Morath Estate are ineligible to apply for this grant.
JURY
The recipient and finalist are selected by a jury composed of Magnum photographers, the Executive Director of the Magnum Foundation, and Inge Morath Estate.
AWARDS
$7,500 grant given to a woman or nonbinary photographer under the age of 30 to support the completion of a long-term documentary project. One finalist will also receive a $1,000 grant in support of their project.
APPLY ONLINE – No Fee
For further inquiry please contact Inge Morath Award, Grant Manager as shown on website.
About:
Magnum Foundation is a nonprofit organization that expands creativity and diversity in documentary photography, activating new audiences and ideas through the innovative use of images. Through grant making and mentorship, Magnum Foundation supports a global network of social justice and human rights-focused photographers and experiments with new models for storytelling.
Magnum Foundation
59 East 4th Street
New York, NY 10003
t: 212.219.124
|
|||||||
4941
|
dbpedia
|
2
| 5
|
https://www.magnumphotos.com/theory-and-practice/inge-morath-in-commemoration/
|
en
|
Inge Morath Remembered
|
[
"https://www.magnumphotos.com/wp-content/themes/template/res/img/logo-filled.svg",
"https://www.magnumphotos.com/wp-content/uploads/2024/07/NYC11245_.jpg",
"https://www.magnumphotos.com/wp-content/uploads/2024/07/DSCF4005-3.jpg",
"https://www.magnumphotos.com/wp-content/uploads/2024/07/NN11518399_-1.jpg",
"https://www.magnumphotos.com/wp-content/uploads/2024/02/nn11538104-teaser-story-big.jpg",
"https://www.magnumphotos.com/wp-content/themes/template/res/img/logo-filled.svg",
"https://www.magnumphotos.com/wp-content/themes/template/res/img/logo-mobile.svg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/PAR22842-1280x850.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/NYC33899-1280x833.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/PAR22792-1280x853.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/NYC11273-1280x1931.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/NYC11581-1280x1897.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/NYC11611-1280x873.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/NYC99777-1280x854.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/NYC11398-1280x1882.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/PAR281871-1280x838.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/PAR41456-1280x1949.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/NYC19512-1280x876.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/NYC92291-1280x857.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/NYC17203-1280x1897.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/NYC43516-1280x832.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/PAR88042-1280x1924.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/NYC11508-1280x825.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/NYC15405-1280x868.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/HUNTER-107x80.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2023/05/NN11531248-180x277.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2022/05/NYC151414-180x271.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2020/06/cortex/nn11622094-scaled-180x270.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2018/07/cortex/par42074-teaser-medium-width.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2017/05/cortex/par119378-teaser-medium-width.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2017/06/cortex/nyc16377-teaser-medium-width.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2017/07/cortex/nn11505468-teaser-medium-width.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2017/06/cortex/nyc43627-teaser-medium-width.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2016/10/cortex/nyc148473-teaser-medium-width.jpg",
"https://content.magnumphotos.com/wp-content/uploads/2018/12/affiliate/Screen-Shot-2018-11-08-at-11.15.04-2-overlay-product-teaser.png",
"https://content.magnumphotos.com/wp-content/uploads/2018/12/affiliate/Screen-Shot-2018-11-08-at-11.15.04-2-overlay-product-teaser.png",
"https://www.magnumphotos.com/wp-content/themes/template/res/img/social-instagram-white.svg",
"https://www.magnumphotos.com/wp-content/themes/template/res/img/social-fb-white.svg",
"https://www.magnumphotos.com/wp-content/themes/template/res/img/social-twitter-white.svg",
"https://analytics.twitter.com/i/adsct?txn_id=nvjzw&p_id=Twitter&tw_sale_amount=0&tw_order_quantity=0",
"https://t.co/i/adsct?txn_id=nvjzw&p_id=Twitter&tw_sale_amount=0&tw_order_quantity=0"
] |
[] |
[] |
[
""
] | null |
[
"beth.jones@magnumphotos.com",
"Enri Canaj"
] |
2023-05-26T11:58:06+00:00
|
Marigold Warner recalls the life and work of the first woman to join Magnum as a full member, who was born 100 years ago on May 27, 1923.
|
en
|
/wp-content/themes/template/res/img/favicons/apple-touch-icon-57x57.png
|
Magnum Photos
|
https://www.magnumphotos.com/theory-and-practice/inge-morath-in-commemoration/
|
In 1945, a Russian air raid forced Inge Morath to flee Germany by foot. She had moved to Berlin to study linguistics, but was drafted to work at a munitions factory alongside Ukrainian prisoners of war. Morath, 22 at the time, joined thousands of refugees, walking 455 miles to her parents home in Salzburg, Austria — an arduous journey that drove her to the brink of suicide.
Morath wouldn’t become a photographer for another decade, but when she did, she refused to photograph war. “Her experience of the tremendous ugliness of what human beings can do to each other marked her for the rest of her life,” says Rebecca Miller, remembering her mother’s legacy on the event of her centenary. “It also made her really appreciate what art can do, which is sort of to make sense of life, to find coherence in an image that seems chaotic.”
Born in Graz, Austria, a century ago on May 27, 1923, Morath lived in several countries throughout her life. Her parents were Nazi sympathizers, and as scientists their work took them to labs and universities all over Europe. She grew up in the shadow of Nazi Germany, and her first encounter with modern art was in 1937 at the notorious Entartete Kunst exhibition organized by the Nazi Party in Munich, consisting of 650 pieces of ‘Degenerate Art’.
The works were captioned with labels denouncing their moral and aesthetic value, in order to “educate” the public on the “art of decay”. For 14-year-old Morath, the exhibition had quite the opposite effect: “I found a number of these paintings exciting and fell in love with Franz Marc’s Blue Horse,” Morath wrote. “Only negative comments were allowed, and thus began a long period of keeping silent and concealing thoughts.” Far from being frivolous or decadent, for Morath art was essential; she later described her photographic practice as “a search for inner truth.”
After high school, Morath moved to Berlin to study languages and became a translator. She had a unique gift for linguistics, and by the end of her life she was fluent in German, French, English, Romanian, Mandarin, Spanish and Russian. A prolific diarist throughout her life, Morath began working as a journalist after the war. She became the Austrian editor for Heute, a publication based in Munich, which is where she worked alongside the photographer Ernst Haas.
In writing articles to accompany his images, Morath began to develop an affinity for working with words and pictures, and in 1949 she joined the newly formed Magnum Photos as an editor. There, she became enamored by contact sheets sent in by Henri Cartier-Bresson. “In studying his way of photographing I learned how to photograph myself, before I ever took a camera into my hand,” she wrote.
Morath eventually picked up a camera in 1951 in Venice. A brief period of rainfall had passed, and a gorgeous afternoon light flooded the city’s rain-soaked streets. Morath was captivated. She called up Robert Capa, urging him to send a photographer to capture the incredible light. Understandably, Capa responded by telling her it was too late to send a photographer, and that she should take the images herself. So she did.
She borrowed her first husband’s (the British journalist Lionel Birch) camera, and the results were impressive. “It was instantly clear to me that from now on I would be a photographer,” she wrote. In the following years Morath continued to work on photo stories, eventually moving to Paris, where she assisted Cartier-Bresson. In 1953, after presenting her first long-form story about the ‘worker-priests’ of Paris, she was officially invited to join Magnum as a photographer. Two years later, aged 33, she became the first woman to be a full member.
She traveled extensively in Europe, North Africa and the Middle East, and became known as a sensitive, clever and elegant image-maker — whether it was shooting fashion editorials, passers-by on the street, or sitting with world-renowned artists. She was an early pioneer of color photography (evidenced in the exhibition, Where I See Color, which opens today, May 27, and runs until July 29 at Fotohof in Salzburg, Austria), a talented technician, and an experienced editor. And her six years working with Saul Steinberg on Mask Series has been described as “one of the most quizzical and fascinating artistic collaborations between a photographer and a cartoonist in history.”
Still, some critics argue that her accomplishments have been overlooked. John P. Jacob is the Smithsonian Museum’s McEvoy Family Curator for Photography, and the founding director of the Inge Morath Foundation. “I came to understand that Morath’s work had been undervalued on its own terms,” he says. Morath worked in the company of great men — Ernst Haas, Robert Capa, Henri Cartier-Bresson — who she jokingly referred to as ‘the boy’s club’.
“The evaluation of her work has suffered from misguided comparisons,” says Jacob. “The failure of some critics to see more in her work than the shadows of her better-known male colleagues veils a sexism that is endemic to both the practice and the study of photography.”
Morath once spoke about the challenges she encountered: “Being one of the then rather rare women photographers… was often difficult for the simple reason that nobody felt one was serious… I certainly do not think that I got the same forceful male brotherhood support the men got.” But, according to her daughter, “she just got on with it… She never felt sorry for herself,” says Miller. “She was aware that there were always people who had it harder than she did.”
Morath always remained positive in the face of adversity, whether it was political or personal. As a colleague, Morath was “an empathic explorer,” says Susan Meisalas, who joined Magnum in 1976. Meisalas remembers sitting beside Morath at Magnum meetings: “[She would be] whispering ideas or laughing about how serious we all were as we faced the challenges of keeping our extended ‘family’ together.”
She was also humble. Anna-Patricia Kahn, whose Zurich gallery CLAIRbyKahn represents Morath’s photographs, recognized this quality in the markings that Morath had scrawled across her own contact sheets. Kahn has curated numerous shows from Morath’s archive over the last 15 years, including a recent retrospective at Versicherungskammer Kulturstiftung, as well as a group exhibition currently on show in Israel.
“She was an amazing editor,” says Kahn. “She had enough humility to be able to look into her own work and to see what is good and what is less good. And I think this is an exceptional quality for an artist in general.”
Morath’s archive is vast — “like a big treasure,” says Kahn. “Whenever you dig into it, you find something new.” Following her death in 2002, her family established the Inge Morath Foundation, to look after the physical archive until its eventual acquisition by the Beinecke Library at Yale University in 2014. Morath’s negatives, and a set of her contact sheets and caption books, remain actively in use at Magnum Photos, where she is still represented.
Today, her legacy is continued by the Inge Morath Estate , which coordinates exhibitions, publications and events, and the Inge Morath Award, established by the members of Magnum Photos in tribute to their colleague. Funded by the photographers, the annual $7500 grant is given to a woman or nonbinary photographer under the age of 30, in partnership with Magnum Foundation.
A significant part of Morath’s archive is her work as a film stills photographer. In 1960, alongside Cartier-Bresson and seven other Magnum photographers, she was commissioned to shoot on set for The Misfits, a blockbuster film starring Marilyn Monroe, Clark Gable and Montgomery Clift, with a screenplay by Arthur Miller.
At the time, Miller was married to Monroe, his second wife, but their relationship was falling apart. In a text written in 2004 and published in Inge Morath: Road to Reno (2006), Miller recalls first meeting with Morath: “When she pointed the camera she felt a certain responsibility for what it was looking at. Her pictures of Marilyn are particularly empathic and touching as she caught Marilyn’s anguish beneath her celebrity, the pain as well as her joy in life.” Following his divorce from Monroe, Miller and Morath married on 17 February 1962.
The couple collaborated on several projects together, including the book In Russia (1969) and Chinese Encounters (1979), which documented their travels through the Soviet Union and the People’s Republic of China. Morath was disciplined and prepared extensively by studying the language, art and literature of the country she was working in. Miller later wrote that to “travel with her was a privilege because [alone] I would never have been able to penetrate that way.”
Miller’s literary network provided Morath with incredible access to artists. Some of her most iconic images are of renowned artists and celebrities, including Louise Bourgeois, Saul Steinberg, Audrey Hepburn and Alberto Giacometti. She also became known for photographing spaces, including Boris Pasternak’s home, for example, Pushkin’s library, Chekhov’s house, and Mao Zedong’s bedroom.
Morath and Miller were together for 40 years until her death. They settled in Roxbury, Connecticut, where they raised their daughter, Rebecca Miller. In looking back at her mother’s archive, Miller recognizes how so much of her work intersected with key events of the 20th century. There is one particular story that resonates with her, which she recounted during an online talk celebrating her mother’s centenary. Morath was living in Berlin in her early 20s, and had just purchased a bunch of violets from an old lady on the street. Suddenly, an air raid struck.
“For some reason, she held the violets over her head as she ran down the street, as if they were going to protect her from the bombs that were falling,” says Miller. “To me, that is so classic of my mother, because they were something that was beautiful, that might protect her… She thought of art as a protection from violence and ugliness.”
Driven by curiosity and empathy, even in the face of hardship, Morath was always searching for beauty — her photographs are proof of this pursuit. And in the beauty that emanates from her images, Morath’s spirit lives on.
|
||||
4941
|
dbpedia
|
3
| 34
|
https://artlantern.net/inge-morath-photographer/
|
en
|
Inge Morath: Photographer
|
[
"https://artlantern.net/wp-content/uploads/2023/07/imageedit_56_7489828650.png",
"https://artlantern.net/wp-content/uploads/2020/11/Inge-Morath-300x197.png",
"https://artlantern.net/wp-content/uploads/2020/11/Inge-Morath-300x197.png",
"https://artlantern.net/wp-content/uploads/2020/11/A-couple-300x204.jpg",
"https://artlantern.net/wp-content/uploads/2020/11/A-couple-300x204.jpg",
"https://artlantern.net/wp-content/uploads/2020/11/Inge-Morath-and-husband-Arthur-Miller-300x205.jpg",
"https://artlantern.net/wp-content/uploads/2020/11/Inge-Morath-and-husband-Arthur-Miller-300x205.jpg",
"https://artlantern.net/wp-content/uploads/2020/11/Inge-and-Ernst-Haas-during-their-first-reportage-trip-for-Magnum-Capri-Italy-1949-photographer-unknown-300x222.jpg",
"https://artlantern.net/wp-content/uploads/2020/11/Inge-and-Ernst-Haas-during-their-first-reportage-trip-for-Magnum-Capri-Italy-1949-photographer-unknown-300x222.jpg",
"https://artlantern.net/wp-content/uploads/2020/11/David-under-water-street-art-in-Florence-by-Blub.web_-150x150.jpg",
"https://artlantern.net/wp-content/uploads/2020/11/David-under-water-street-art-in-Florence-by-Blub.web_-150x150.jpg",
"https://artlantern.net/wp-content/uploads/2020/11/Katharina-Grosse.-It-Wasnt-Us-150x150.jpg",
"https://artlantern.net/wp-content/uploads/2020/11/Katharina-Grosse.-It-Wasnt-Us-150x150.jpg"
] |
[] |
[] |
[
""
] | null |
[
"Art Lantern"
] |
2020-11-03T06:46:33+00:00
|
by Graziella Colombo A hundred and fifty shots by Inge Morath, all in rigorous black and white, are exhibited at the Diocesan Museum in Milan and will remain there until November 1, 2020. It’s a vast retrospective, enriched with original documents, dedicated to the first woman photographer admitted to the Magnum Agency. She joined Magnum
|
en
|
Art Lantern - The Independent Voice of the Visual arts
|
https://artlantern.net/inge-morath-photographer/
|
by Graziella Colombo
A hundred and fifty shots by Inge Morath, all in rigorous black and white, are exhibited at the Diocesan Museum in Milan and will remain there until November 1, 2020. It’s a vast retrospective, enriched with original documents, dedicated to the first woman photographer admitted to the Magnum Agency. She joined Magnum as an editor, becoming a full photographer in 1955. Magnum was founded in 1947 by Robert Capa, Henry Cartier-Bresson and David Seymour.
Born in Graz, Austria, in 1923, Morath died in New York in 2002 after an intense and extraordinary life. Polyglot, exuberant, inquiring and determined, she was a collaborator on magazines such as LIFE, Paris-Match, Vogue, was a tireless traveller, always ready ‘with a suitcase in hand’ to document reality around the world, capturing every aspect of it in a frank way, with naturalness and sensitivity. She always placed people at the centre of attention, whether they were ordinary or famous, because, as she wrote, “I am more attracted to the human element than the abstract.” The exhibition at the Diocesan Museum includes reports of her many travels to Europe, Russia, the Middle East, China and of course the United States, where she lived after her marriage to the playwright Arthur Miller in 1962.
A large space has been given to the portrait, a recurring theme in Morath’s career. This section, with the series of portraits of Pablo Picasso, Philip Roth, Allen Ginsberg, Pablo Neruda, Audrey Hepburn, Arthur Miller and others is one of the most beautiful and interesting. The photos, taken in the 1950s and 60s, express an intense and deep relationship with the subjects, immortalised in serious and absorbed poses, or more spontaneously in everyday life. Most famous is the image of a beautiful Marilyn Monroe, who is dancing in the shade of a tree on the set of The Misfits in 1960, the year in which Morath met Arthur Miller, who was still married to the actress.
Another section concentrates on ‘masked’ portraits. Born from the collaboration with the designer Saul Steinberg, the series shows several photos from New York in the 1960s portraying people in masks with clothes complementing the masks. The photos are funny and ironic and I think it is true that, after all, we often wear masks, depending on the places and situations in which we find ourselves, revealing different attitudes and behaviors.
In 1957 she photographed a llama with its head outside the window of a car near Times Square in New York. The picture was part of a project dedicated to animals employed on movie sets and has become iconic.
Italy is also represented in the exhibition with photos dedicated to Venice from 1955. Here Morath has chosen to capture moments of daily life in poorer, less visited environments of the lagoon city. A choice that certainly reflects the reality of the time, though I would have liked to have seen some photos highlighting the wonder of such a unique city as Venice.
Beyond pure photographic technique, I think a photo should convey an emotion and be able to involve the observer, making him or her a part of the immortalized moment. Morath has always studied and deepened the different languages and cultures of the places she visited in her travels in order to better express her emotional closeness and to transmit this through her images. Surely this is one of her merits. She wrote, “I loved the people. They let me photograph them, but also they wanted me to listen to them, to tell me what they knew, so that we told their story together.”
This show at the Diocesan Museum in Milan is certainly an exhibition for photography fans, but above all pays homage to a woman, journalist and photographer, who made her work her passion. The show is a fitting tribute to the role, the value, the intelligence and the many skills of all women.
Volume 35 no. 1 September / October 2020
|
|||||
4941
|
dbpedia
|
2
| 97
|
https://arthur.io/art/inge-morath/arthur-miller-marilyn-monroe
|
en
|
Arthur.io • A Digital Museum
|
https://arthur.io/favicon.ico
|
https://arthur.io/favicon.ico
|
[
"https://arthur.io/img/art/jpg/000173450dde9dd9e/inge-morath/arthur-miller-marilyn-monroe/large/inge-morath--arthur-miller-marilyn-monroe.jpg",
"https://arthur.io/img/art/jpg/000173450dde9dd9e/inge-morath/arthur-miller-marilyn-monroe/small/inge-morath--arthur-miller-marilyn-monroe.jpg",
"https://arthur.io/img/art/jpg/000173450dd95bdf2/inge-morath/self-portrait-jerusalem-1958/thumb/inge-morath--self-portrait-jerusalem-1958.jpg",
"https://arthur.io/img/art/jpg/000173450dd8ac96f/inge-morath/saul-steinberg-with-nose-mask/thumb/inge-morath--saul-steinberg-with-nose-mask.jpg",
"https://arthur.io/img/art/jpg/000173450dd8bb9b5/inge-morath/photographer-henri-cartier-bresson-blere-france-1953/thumb/inge-morath--photographer-henri-cartier-bresson-blere-france-1953.jpg",
"https://arthur.io/img/art/jpg/000173450dd8fb9fc/inge-morath/shop-window-madison-ave-manhattan-new-york-city-1/thumb/inge-morath--shop-window-madison-ave-manhattan-new-york-city-1.jpg",
"https://arthur.io/img/art/jpg/000173450dd92ca44/inge-morath/shop-window-madison-ave-manhattan-new-york-city/thumb/inge-morath--shop-window-madison-ave-manhattan-new-york-city.jpg",
"https://arthur.io/img/art/jpg/000173450dde3da8d/inge-morath/arthur-miller-and-his-daughter-rebecca-roxbury-usa/thumb/inge-morath--arthur-miller-and-his-daughter-rebecca-roxbury-usa.jpg",
"https://arthur.io/img/art/jpg/000173450dd8b8ad7/inge-morath/henri-cartier-bresson/thumb/inge-morath--henri-cartier-bresson.jpg",
"https://arthur.io/img/art/jpg/000173450dd877b22/inge-morath/marilyn-monroe/thumb/inge-morath--marilyn-monroe.jpg",
"https://arthur.io/img/art/jpg/000173450dd910b6e/inge-morath/artist-jean-arp-with-one-of-his-sculptures-behind-him-paris-france/thumb/inge-morath--artist-jean-arp-with-one-of-his-sculptures-behind-him-paris-france.jpg",
"https://arthur.io/img/art/jpg/000173450dd910bbb/inge-morath/sculptor-louise-bourgeois-in-an-upper-westside-coffee-shop-new-york-ci/thumb/inge-morath--sculptor-louise-bourgeois-in-an-upper-westside-coffee-shop-new-york-ci.jpg",
"https://arthur.io/img/art/jpg/000173450dd7e7c09/inge-morath/self-portrait/thumb/inge-morath--self-portrait.jpg",
"https://arthur.io/img/art/jpg/000173450dde9bc58/inge-morath/norman-mailer/thumb/inge-morath--norman-mailer.jpg"
] |
[] |
[] |
[
""
] | null |
[] | null |
Arthur is a digital museum.
|
en
|
/favicon.ico
|
Arthur
|
https://arthur.io/art/inge-morath/arthur-miller-marilyn-monroe
| |||
4941
|
dbpedia
|
1
| 95
|
https://lfi-online.de/en/stories/inge-morath-a-woman-of-intent-20407.html
|
en
|
A Woman of Intent
|
[
"https://lfi-online.de/static/svg/lfi-logo.svg",
"https://lfi-online.de/webfile/img/8510531/Inge-Morath-Marilyn-Monroe-am-Set-von-The-Misfits-Reno-Nevada-USA-1960-Magnum-Photos-Fotohof-Archiv-Kopie.jpg?x=800&y=800",
"https://lfi-online.de/webfile/img/8510531/Inge-Morath-Marilyn-Monroe-am-Set-von-The-Misfits-Reno-Nevada-USA-1960-Magnum-Photos-Fotohof-Archiv-Kopie.jpg?x=800&y=800",
"https://lfi-online.de/webfile/img/8510532/Inge-Morath-14-Juli-Bastille-Paris-1953-Magnum-Photos-Sammlung-Museum-der-Moderne-Salzburg.jpg?x=800&y=800",
"https://lfi-online.de/webfile/img/8510533/Inge_Morath_A_lama_in_Times_Square_NY_1957_Morath_Magnum_MMS.jpg?x=800&y=800",
"https://lfi-online.de/webfile/img/1002498/cover.jpg?x=800&y=800",
"https://lfi-online.de/webfile/img/7787222/bio-350x522.jpg?x=600&y=6000",
"https://lfi-online.de/webfile/img/8510531/Inge-Morath-Marilyn-Monroe-am-Set-von-The-Misfits-Reno-Nevada-USA-1960-Magnum-Photos-Fotohof-Archiv-Kopie.jpg?x=800&y=800",
"https://lfi-online.de/webfile/img/8510532/Inge-Morath-14-Juli-Bastille-Paris-1953-Magnum-Photos-Sammlung-Museum-der-Moderne-Salzburg.jpg?x=800&y=800",
"https://lfi-online.de/webfile/img/8510533/Inge_Morath_A_lama_in_Times_Square_NY_1957_Morath_Magnum_MMS.jpg?x=800&y=800",
"https://lfi-online.de/static/svg/lfi-logo.svg"
] |
[] |
[] |
[
"Exhibitions",
"Photographers",
"Black and White"
] | null |
[
"LFI - Leica Fotografie International"
] |
2023-12-06T00:00:00
|
The exhibition ‘Inge Morath – Photographs 1944–1998’ continues at the Photography Forum of the Aachen City Region until 17 December 2023.
|
en
|
/apple-touch-icon.png
|
LFI
|
https://lfi-online.de/en/stories/inge-morath-a-woman-of-intent-20407.html
|
Born on 27 May 1923 in Graz, Austria. After studying Romance languages in Berlin and Bucharest, she worked as a journalist for print media and radio stations. Her first forays into the field of photography were as a picture editor for Simon Guttmann in London. Her friendship with Ernst Haas led to an encounter with Robert Capa. In 1953, she was accepted into the Magnum agency. This was quickly followed by her first solo exhibition in 1956, along with several book publications. Her travels took her across Europe, Africa, the Orient, the USA, USSR, China, Japan, Thailand and Cambodia, with frequent publications of her reportages in international magazines. Inge Morath passed away in New York on 30 January 2002.
Every year since 2002, the Inge Morath Foundation together with the Magnum agency awards a grant designed to support female young photographers. More
|
||||
4941
|
dbpedia
|
1
| 83
|
http://onlinecollection.nationalgallery.ie/people/6481/inge-morath%3Bjsessionid%3D0B366A3A3500EEE65A81827459F6F97D/objects
|
en
|
Objects – Inge Morath – Artists – National Gallery of Ireland
|
[
"http://onlinecollection.nationalgallery.ie/internal/media/logodispatcher/small.jpg;jsessionid=6851FD3935ABD356A70F9CFC66D53533",
"http://onlinecollection.nationalgallery.ie/internal/media/dispatcher/38982/resize%3Aformat%3Dpostagestamp;jsessionid=6851FD3935ABD356A70F9CFC66D53533",
"http://onlinecollection.nationalgallery.ie/internal/media/dispatcher/38981/resize%3Aformat%3Dpostagestamp;jsessionid=6851FD3935ABD356A70F9CFC66D53533",
"http://onlinecollection.nationalgallery.ie/internal/media/dispatcher/38885/resize%3Aformat%3Dpostagestamp;jsessionid=6851FD3935ABD356A70F9CFC66D53533",
"http://onlinecollection.nationalgallery.ie/internal/media/dispatcher/38886/resize%3Aformat%3Dpostagestamp;jsessionid=6851FD3935ABD356A70F9CFC66D53533",
"http://onlinecollection.nationalgallery.ie/internal/media/dispatcher/38887/resize%3Aformat%3Dpostagestamp;jsessionid=6851FD3935ABD356A70F9CFC66D53533",
"http://onlinecollection.nationalgallery.ie/internal/media/dispatcher/38888/resize%3Aformat%3Dpostagestamp;jsessionid=6851FD3935ABD356A70F9CFC66D53533"
] |
[] |
[] |
[
""
] | null |
[] | null |
en
| null |
Artist Info
Inge Morath
Inge Morath was born in Graz, Austria, in 1923. After studying languages in Berlin, she became a translator, then a journalist and the Austrian editor for Heute, an Information Service Branch publication based in Munich. All her life Morath would remain a prolific diarist and letter-writer, retaining a dual gift for words and pictures that made her unusual among her colleagues.
Inge Morath, 1956. Photographer unknown.
A friend of photographer Ernst Haas, she wrote articles to accompany his photographs and was invited by Robert Capa and Haas to Paris to join the newly founded Magnum agency as an editor. She began photographing in London in 1951, and assisted Henri Cartier-Bresson as a researcher in 1953-54. In 1955, after working for two years as a photographer, she became a Magnum member.
In the following years, Morath travelled extensively in Europe, North Africa and the Middle East. Her special interest in the arts found expression in photographic essays published by a number of leading magazines. After her marriage to playwright Arthur Miller in 1962, Morath settled in New York and Connecticut. She first visited the USSR in 1965. In 1972 she studied Mandarin and obtained a visa to China, making the first of many trips to the country in 1978.
Morath was at ease anywhere. Some of her most important work consists of portraits, but of passers-by as well as celebrities. She was also adept at photographing places: her pictures of Boris Pasternak’s home, Pushkin’s library, Chekhov’s house, Mao Zedong’s bedroom, artists’ studios and cemetery memorials are permeated with the spirit of invisible people still present. Inge Morath died in New York City on 30 January 2002.
|
|||||||
4941
|
dbpedia
|
0
| 20
|
https://www.encyclopedia.com/women/dictionaries-thesauruses-pictures-and-press-releases/morath-inge-1923-2002
|
en
|
Morath, Inge (1923–2002)
|
[
"https://www.encyclopedia.com/themes/custom/trustme/images/header-logo.jpg"
] |
[] |
[] |
[
"Morath",
"Inge (1923–2002)Austrian-born photographer. Born Inge Mörath",
"May 27",
"1923",
"in Graz",
"Austria; died Jan 30",
"2002",
"in New York",
"NY; graduate of University of Berlin",
"1944; dau. of scientists; m. Arthur Miller (playwright)",
"1962; children: Rebecca Miller (b. 1962",
"filmmaker and painter)."
] | null |
[] | null |
Morath, Inge (1923–2002)Austrian-born photographer. Born Inge Mörath, May 27, 1923, in Graz, Austria; died Jan 30, 2002, in New York, NY; graduate of University of Berlin, 1944; dau. of scientists; m. Arthur Miller (playwright), 1962; children: Rebecca Miller (b. 1962, filmmaker and painter). Source for information on Morath, Inge (1923–2002): Dictionary of Women Worldwide: 25,000 Women Through the Ages dictionary.
|
en
|
/sites/default/files/favicon.ico
|
https://www.encyclopedia.com/women/dictionaries-thesauruses-pictures-and-press-releases/morath-inge-1923-2002
|
Citation styles
Encyclopedia.com gives you the ability to cite reference entries and articles according to common styles from the Modern Language Association (MLA), The Chicago Manual of Style, and the American Psychological Association (APA).
Within the “Cite this article” tool, pick a style to see how all available information looks when formatted according to that style. Then, copy and paste the text into your bibliography or works cited list.
Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia.com cannot guarantee each citation it generates. Therefore, it’s best to use Encyclopedia.com citations as a starting point before checking the style against your school or publication’s requirements and the most-recent information available at these sites:
Notes:
|
|||||
4941
|
dbpedia
|
2
| 39
|
https://www.independent.co.uk/news/obituaries/inge-morath-9272632.html
|
en
|
Inge Morath
|
[
"https://static.independent.co.uk/static-assets/images/newsletter/breaking-news/breaking-news-thumb.png",
"https://www.independent.co.uk/img/icons/google.svg"
] |
[] |
[] |
[
"Internal"
] | null |
[
"The Independent"
] |
2002-02-05T00:00:00+00:00
|
Ingeborg Mörath (Inge Morath), photographer: born Graz, Austria 27 May 1923; married first Lionel Birch (marriage dissolved), second 1962 Arthur Miller (one daughter); died New York 30 January 2002.
|
en
|
/img/shortcut-icons/favicon.ico
|
The Independent
|
https://www.independent.co.uk/news/obituaries/inge-morath-9272632.html
|
Ingeborg Mörath (Inge Morath), photographer: born Graz, Austria 27 May 1923; married first Lionel Birch (marriage dissolved), second 1962 Arthur Miller (one daughter); died New York 30 January 2002.
Inge Morath was one of the most admired photographers of her generation.
A "photojournalist" with the Magnum agency and married from 1962 to the playwright Arthur Miller, Morath photographed artists and writers, landscapes and events, and had an occasional comic, rather Gothic, streak. Her output in various photographic genres was immense. Among the images many find most memorable are those of ordinary people, caught apparently realistically, and always sympathetically. Just as Miller had shown that tragedy is not the preserve of princes, Morath always gave her subjects dignity.
In recent years, exhibitions of her work, both as an individual artist and in association with colleagues in Magnum, have been held in many cities. In Spain, where she had photographed early in her career, it is now realised that she captured aspects of Spanish life otherwise unrecorded, a comment which might also be made of the life of rural Connecticut which she photographed in the 1960s. In 1999 she was awarded the Grand Austrian State Award, the first photographer to be so honoured.
Ingeborg Morath was born in Graz, Austria, in 1923, but her family moved to Germany when she was a child. While a student at the university in Berlin, where she studied romance languages, she was drafted to work in the aircraft factory at Tempelhof, but in the closing stages of the Second World War, with the city in ruins and the Red Army approaching, she escaped during an air-raid and made her way on foot back to Austria.
Fluent in French, Spanish, and Italian, as well as Romanian and English, Morath was a child of the high intellectual and artistic culture of Central Europe, a proud heritage almost destroyed by the Nazis. As a survivor of events in which many of her friends suffered, she regarded her happy upbringing as a special gift.
In immediate post-war Austria, she worked for a time as translator and editor in the Information Services Branch of the American forces in Salzburg and, later, Vienna. Having attended courses in journalism, she provided occasional short plays and articles for illustrated magazines, notably Wiener Illustrierte, and became the Austrian editor of Heute, published in Munich.
It was the heyday of Life, on whose innovative combination of words and images Morath and her friends modelled their work, and she first took up occasional photography because there were no sources of supply. When the group's work came to the attention of Robert Capa, he invited them to join Magnum, the photographers' co-operative he had founded in Paris. As Morath wrote later:
I started to write texts for the photographs sent to the Paris office by the then members of Magnum from all kinds of countries, Cartier-Bresson from the Orient, George Rodgers from Africa, David Seymour from Greece, &c. I started to accompany different photographers on assignments for which I had also done the preparatory research, and later edited their contact sheets. I think it is from this work that I learned the most.
In 1951 she moved to London, having married an English journalist, Lionel Birch, and it was there, having received her professional training with Simon Guttmann, that her first photographic work appeared under the pseudonymn "Egni Tarom". But the marriage was not a success, post-war London seemed stifling and insular, and in 1953 Morath returned to sunny Paris, where she became research assistant to Henri Cartier-Bresson.
By 1955 she was a full member of Magnum, being sent on assignments in Europe, Africa, the Middle East, Asia, and the United States. It was from Cartier-Bresson that she learned to call herself a "photojournalist". As he had advised Capa,
Watch out what label they put on you . . . Just go on doing what you want to do anyway but call yourself a photojournalist, which puts you into direct contact with everything that is going on in the world.
Morath first met Arthur Miller in 1960 while she was on assignment from Magnum. The film The Misfits, written by Miller, directed by John Huston and starring Marilyn Monroe, Clark Gable and Montgomery Clift, was then being shot in Reno, Nevada, under the eyes of the world's media, who were fascinated by the dramas taking place off the set.
Among the photographs taken by Morath was a sequence of dreamy shots of Monroe in a black ball gown, her eyes half shut, dancing alone in the open air among the fallen leaves, and hugging a tree. (A few years ago, when Morath was in London, we passed a fashionable clothes shop in which one of these myth-making images was being used as an advertisement, and she immediately alerted Magnum to claim the copyright fee.)
After Morath and Miller were married in 1962 (Miller's marriage to Monroe had ended the year before), she made her home in Roxbury, Connecticut, in a house with a garden which she loved, a pond where she swam most days, books everywhere, and a kitchen table where, for nearly 40 years, she offered warm friendship, and wonderful talk. Miller and she co-operated on a number of books, notably In Russia (1969) and Chinese Encounters (1979), records of their expeditions together, in which he supplied the text and she the illustrations. But, while sharing fully in Miller's life in the theatre, she never allowed herself to be patronised or assumed to be the keeper of the diary.
Adventurous, independent, and never encumbered with needless luggage, she travelled extensively for most of her life. Always at ease, and quick to strike up conversations with the people she encountered, she concealed careful planning behind her apparent ingenuousness. Before going to Russia she learned the language, and latterly she carried a little book to keep up her skill in Chinese, another language she had learned as part of her professional preparations.
Aware that the presence of the observer can change the event being photographed, she usually preferred to work with a tiny camera which she kept in her handbag. Even on public occasions when everyone knew who she was and why she was there, she could momentarily make herself, if not quite invisible, at least smaller than she actually was, liable to slip to the ground or appear unexpectedly somewhere else in a room, in order to catch an instant.
Slim and graceful, and ready to fill any odd moment with yoga exercises, Inge Morath was probably happiest when curled up on the floor among her family and her friends. She continued working until illness claimed her.
|
||||
4941
|
dbpedia
|
0
| 77
|
https://suntimes.co.uk/product/sunday-times-magazine-june-30th-2002/
|
en
|
Sunday Times Magazine June 30th 2002 – Suntimes.co.uk
|
[
"https://suntimes.co.uk/wp-content/uploads/2021/01/2021-01-29_084492-1-416x518.jpg",
"https://suntimes.co.uk/wp-content/uploads/2021/01/2021-01-29_084492-2-416x535.jpg",
"https://suntimes.co.uk/wp-content/uploads/2020/05/s-l1600-16-e1701209954887-324x324.jpg 324w, https://suntimes.co.uk/wp-content/uploads/2020/05/s-l1600-16-e1701209954887-150x150.jpg 150w, https://suntimes.co.uk/wp-content/uploads/2020/05/s-l1600-16-e1701209954887-100x100.jpg 100w",
"https://suntimes.co.uk/wp-content/uploads/2020/05/s-l1600-16-e1701209954887-324x324.jpg",
"https://suntimes.co.uk/wp-content/uploads/2020/05/s-l1600-27-324x324.jpg 324w, https://suntimes.co.uk/wp-content/uploads/2020/05/s-l1600-27-150x150.jpg 150w, https://suntimes.co.uk/wp-content/uploads/2020/05/s-l1600-27-100x100.jpg 100w",
"https://suntimes.co.uk/wp-content/uploads/2020/05/s-l1600-27-324x324.jpg",
"https://suntimes.co.uk/wp-content/uploads/2020/05/s-l1600-15-e1705872420517-324x324.jpg 324w, https://suntimes.co.uk/wp-content/uploads/2020/05/s-l1600-15-e1705872420517-150x150.jpg 150w, https://suntimes.co.uk/wp-content/uploads/2020/05/s-l1600-15-e1705872420517-100x100.jpg 100w",
"https://suntimes.co.uk/wp-content/uploads/2020/05/s-l1600-15-e1705872420517-324x324.jpg",
"https://suntimes.co.uk/wp-content/uploads/2021/01/2021-01-29_075751-1-324x324.jpg",
"https://suntimes.co.uk/wp-content/uploads/2021/01/2021-01-29_075751-1-324x324.jpg",
"https://suntimes.co.uk/wp-content/uploads/2021/01/2021-01-31_002759-1-324x324.jpg",
"https://suntimes.co.uk/wp-content/uploads/2021/01/2021-01-31_002759-1-324x324.jpg",
"https://suntimes.co.uk/wp-content/plugins/social-media-widget/images/cutout/64/facebook.png",
"https://suntimes.co.uk/wp-content/plugins/social-media-widget/images/cutout/64/facebook.png",
"https://suntimes.co.uk/wp-content/plugins/social-media-widget/images/cutout/64/twitter.png",
"https://suntimes.co.uk/wp-content/plugins/social-media-widget/images/cutout/64/twitter.png",
"https://suntimes.co.uk/wp-content/plugins/social-media-widget/images/cutout/64/instagram.png",
"https://suntimes.co.uk/wp-content/plugins/social-media-widget/images/cutout/64/instagram.png",
"https://suntimes.co.uk/wp-content/uploads/2021/01/2021-01-29_084492-1-324x324.jpg",
"https://suntimes.co.uk/wp-content/uploads/2021/01/2021-01-29_084492-1-324x324.jpg"
] |
[] |
[] |
[
""
] | null |
[] | null |
en
|
https://suntimes.co.uk/product/sunday-times-magazine-june-30th-2002/
|
Sunday Times Magazine June 30th 2002
Are you sitting comfortably? – Exclusive – Steven Spielberg tells his story and it’s no fairy tale
Portraits of a lady – Monroe, Gable and strange Scenes of New York seen through the lens of Magnum’s Inge Morath
Murder she wrote – for bestselling crime author and forensic expert Kathy Reichs, death is all in a day’s work
Scarred for life – Does a drug that cures acne have devastating side effects?
72 pages – Please see photographs for contents
Description
Sunday Times Magazine June 30th 2002
Are you sitting comfortably? – Exclusive – Steven Spielberg tells his story and it’s no fairy tale
Portraits of a lady – Monroe, Gable and strange Scenes of New York seen through the lens of Magnum’s Inge Morath
Murder she wrote – for bestselling crime author and forensic expert Kathy Reichs, death is all in a day’s work
Scarred for life – Does a drug that cures acne have devastating side effects?
72 pages – Please see photographs for contents
All our magazines are first editions. The photographs shown are those of the copy for sale
|
|||||||
4941
|
dbpedia
|
3
| 59
|
https://www.santafenewmexican.com/pasatiempo/art/camera-in-hand-a-new-biography-of-inge-morath/article_de32cf9f-6710-5f0e-a1e6-284ae303545f.html
|
en
|
Camera in hand: A new biography of Inge Morath
|
[
"https://api.pymx5.com/v1/sites/track?event_type=PAGE_VIEW&noscript=1",
"https://bloximages.newyork1.vip.townnews.com/santafenewmexican.com/content/tncms/custom/image/c60bb8a6-68aa-11e7-95c7-8f0af3bc9785.png?resize=150%2C31 150w, https://bloximages.newyork1.vip.townnews.com/santafenewmexican.com/content/tncms/custom/image/c60bb8a6-68aa-11e7-95c7-8f0af3bc9785.png?resize=200%2C41 200w, https://bloximages.newyork1.vip.townnews.com/santafenewmexican.com/content/tncms/custom/image/c60bb8a6-68aa-11e7-95c7-8f0af3bc9785.png?resize=225%2C46 225w, https://bloximages.newyork1.vip.townnews.com/santafenewmexican.com/content/tncms/custom/image/c60bb8a6-68aa-11e7-95c7-8f0af3bc9785.png?resize=300%2C62 300w, https://bloximages.newyork1.vip.townnews.com/santafenewmexican.com/content/tncms/custom/image/c60bb8a6-68aa-11e7-95c7-8f0af3bc9785.png?resize=400%2C82 400w, https://bloximages.newyork1.vip.townnews.com/santafenewmexican.com/content/tncms/custom/image/c60bb8a6-68aa-11e7-95c7-8f0af3bc9785.png 540w",
"https://bloximages.newyork1.vip.townnews.com/santafenewmexican.com/content/tncms/assets/v3/editorial/e/fb/efb6fa69-d94e-571e-bf03-417d1ac51b12/5c1bcab5400c7.image.jpg?resize=400%2C693",
"https://bloximages.newyork1.vip.townnews.com/santafenewmexican.com/content/tncms/assets/v3/editorial/e/fb/efb6fa69-d94e-571e-bf03-417d1ac51b12/5c1bcab5400c7.image.jpg?resize=289%2C500",
"https://bloximages.newyork1.vip.townnews.com/santafenewmexican.com/content/tncms/assets/v3/media/6/16/616f8b94-501e-11ef-a145-43ba451d73d3/66abafc88bbe1.image.png",
"https://bloximages.newyork1.vip.townnews.com/santafenewmexican.com/content/tncms/custom/image/fc044264-a4e0-11e5-9ffc-8714206022f4.png?resize=150%2C17 150w, https://bloximages.newyork1.vip.townnews.com/santafenewmexican.com/content/tncms/custom/image/fc044264-a4e0-11e5-9ffc-8714206022f4.png?resize=200%2C23 200w, https://bloximages.newyork1.vip.townnews.com/santafenewmexican.com/content/tncms/custom/image/fc044264-a4e0-11e5-9ffc-8714206022f4.png?resize=225%2C26 225w, https://bloximages.newyork1.vip.townnews.com/santafenewmexican.com/content/tncms/custom/image/fc044264-a4e0-11e5-9ffc-8714206022f4.png 300w",
"https://www.santafenewmexican.com/pasatiempo/art/camera-in-hand-a-new-biography-of-inge-morath/{{image}}"
] |
[] |
[] |
[
"local",
"michael abatemarco",
"ernst haas",
"lionel birch",
"linda gordon",
"henri cartier-bresson",
"edouard sablier",
"robert capa",
"inge morath",
"inge morath: an illustrated biography"
] | null |
[
"Michael Abatemarco"
] |
2018-12-21T05:00:00-07:00
|
Linda Gordon’s lively and engaging read, Inge Morath: An Illustrated Biography, is a chronological narrative of Morath’s photography.
|
en
|
https://www.santafenewmexican.com/content/tncms/site/icon.ico
|
Santa Fe New Mexican
|
https://www.santafenewmexican.com/pasatiempo/art/camera-in-hand-a-new-biography-of-inge-morath/article_de32cf9f-6710-5f0e-a1e6-284ae303545f.html
| |||||
4941
|
dbpedia
|
1
| 40
|
http://www2.arnes.si/~sggaler/exhibitions/inge-morath/index-eng.htm
|
en
|
Inge Morath
|
[
"http://www2.arnes.si/~sggaler/image/kot-sivi1.gif",
"http://www2.arnes.si/~sggaler/ikone/znak%20copy-cb.jpg",
"http://www2.arnes.si/~sggaler/image/logocopy.jpg",
"http://www2.arnes.si/~sggaler/image/kot-sivi2b.gif",
"http://www2.arnes.si/~sggaler/ikone/exhibit-anim2.gif",
"http://www2.arnes.si/~sggaler/image/kot-sivi2.gif",
"http://www2.arnes.si/~sggaler/image/gumb.jpg",
"http://www2.arnes.si/~sggaler/image/gumb.jpg",
"http://www2.arnes.si/~sggaler/image/polkrog-orange.jpg",
"http://www2.arnes.si/~sggaler/image/back-orange-slim.jpg",
"http://www2.arnes.si/~sggaler/image/shadow.jpg",
"http://www2.arnes.si/~sggaler/exhibitions/inge-morath/fant.jpg",
"http://www2.arnes.si/~sggaler/exhibitions/inge-morath/postaja.jpg",
"http://www2.arnes.si/~sggaler/exhibitions/inge-morath/kerbler-stojan2.JPG",
"http://www2.arnes.si/~sggaler/exhibitions/inge-morath/kerbler-stojan1.jpg",
"http://www2.arnes.si/~sggaler/exhibitions/inge-morath/branko-lenart2.jpg",
"http://www2.arnes.si/~sggaler/exhibitions/inge-morath/branko-lenart.JPG",
"http://www2.arnes.si/~sggaler/exhibitions/inge-morath/inge-arthur2.JPG"
] |
[] |
[] |
[
""
] | null |
[] | null | null |
Inge Morath: (1923 Graz - 2002 New York) Border.Areas - Last Journey
World famous photographer Inge Morath, who died at the end of January 2002, journeyed through the borderland between southern Styria and Slovenia searching for clues to her own origins and the interaction of history, daily life and culture in the border area.
Born in Graz in 1923, photographer Inge Morath embarked on a special journey through the borderland between southern Austria and Slovenia. Her project for Graz 2003 entitled "Border.Areas" became a trip through time on a number of different levels - geographical, autobiographical, historical and cultural - with the multi-faceted photographer herself as linking element.
(from left) Inge Morath (detail): Boy with an mushroom, Conductor, train Dravograd - Maribor
The photographers last project before her death in January 2002 is based on an idea by Regina Strassegger and dedicated to many features of this special border which exists since 1919. For Morath, who in her varied photographic work (including jobs with international magazines such as Magnum, Life, Paris Match and Vogue), always tried to capture human aspects and everyday life rather than spectacular events, it was also a search for her own roots.
"I have a secret longing for this stretch of land on the border - lets do something." This wish uttered by Morath in autumn 1999 during her first encounter with film-maker and journalist Regina Strassegger in Vienna has now become reality. Strassegger describes the complex outcome as a "photo-cinematic journey of discovery that follows seasons and life cycles, back and forth between here and there, rural and urban, commonplace and special. The results will be featured in a film (film script and direction: Regina Strassegger), a book (Prestel Verlag) and an exhibition of some 120 examples of Moraths photography.
For the globe-trotter Morath, this project was also a trip through her own past, to the home of her ancestors and a house in the vineyards that had been a life-long friend.
Her mothers family, Wiesler-Morath, originated from what used to be "Lower Styria", now Slovenia, and the area was full of memories for Morath: "When I was a child and walked for days through the vineyards and hillsides with my grandfather, and we found shells from a period thousands of years ago when this land was an ocean, I felt like I was on a submarine taking a trip around the world."
This, however, is also an area with historical and political implications: traumatic years during two World Wars, expulsion, fascism, communism and finally the metamorphoses of the present have all marked the area and its inhabitants.
The exhibition of Moraths borderland photography will be opened on the first anniversary of her death on 30 January 2003 in Graz (Künstlerhaus), and will then go on an international tour to New York, Budapest, Slovenj Gradec, Ljubljana and other cities.
The film will be shown on 3sat and ORF TV; German- and English-language premieres are scheduled in Graz and New York.
Idea and concept: Regina Strassegger
Realisation: Regina Strassegger (book and film); Kurt Kaindl, Brigitte Blüml (exhibition design)
A project by Graz 2003 - Cultural Capital of Europe, in cooperation with 3sat
|