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br-e02
This cooling does not change the avocado in any way , it just delays the natural softening of the fruit until a grove like temperature (room temperature) is restored .
<NONE>
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br-e02
This happens on the grocer 's shelf or in your kitchen .
<NONE>
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br-e02
One of the most attractive things about avocados is that they do not require processing of any kind .
<NONE>
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br-e02
There is no dyeing or waxing or gassing needed .
<NONE>
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br-e02
If the temperature is controlled properly , the avocado will delay its ripening until needed .
<NONE>
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br-e02
And unlike other fruits , one cannot eat the skin of the avocado .
<NONE>
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br-e02
It is thick , much like an egg plant 's skin , so that poison sprays , if they are used , present no hazard to the consumer .
<NONE>
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br-e02
Good taste and versatility , plus safety from spray poisons would be enough to recommend the frequent use of such a fruit , even if its nutritional values were limited .
<NONE>
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br-e02
Avocados , however , are very rich in nutrients .
<NONE>
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br-e02
Their main asset is an abundance of unsaturated fatty acids , so necessary for maintaining the good health of the circulatory system .
<NONE>
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br-e02
Aside from this , the average portion contains some protein , an appreciable amount of vitamins and C - about one-tenth of the minimum daily requirement , and about a third of the official vitamin E requirement .
<NONE>
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br-e02
The B vitamins are well represented , especially thiamin and riboflavin .
<NONE>
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br-e02
Calcium , phosphorus and iron are present in worthwhile amounts , and eleven other minerals also have been found in varying trace amounts .
<NONE>
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br-e02
None of these values is destroyed , not significantly altered by refrigeration storage .
<NONE>
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br-e02
Dr. Wilson C. Grant , of the Veterans ' Administration Hospital , Coral Gables , Florida , and the University of Miami School of Medicine , set out to discover if avocados , because of their high content of unsaturated fatty acids , would reduce the cholesterol of the blood in selected patients .
<NONE>
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br-e02
The study comprised 16 male patients , ranging in age from 27 to 72 .
<NONE>
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br-e02
They were put on control diets to determine as accurately as possible , the normal cholesterol level of their blood .
<NONE>
<NONE>
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br-e02
Then they were given 1 2 to 1 - 1 2 avocados per day as a substitute for part of their dietary fat consumption .
<NONE>
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br-e04
The lyric beauties of Schubert 's Trout Quintet - its elemental rhythms and infectious melodies - make it a source of pure pleasure for almost all music listeners .
<NONE>
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
But for students of musical forms and would-be classifiers , the work presents its problems .
<NONE>
<NONE>
[ "Mais", "pour", "les", "étudiants", "des", "formes", "musicales", "et", "des", "classificateurs", "à", "la", "mode", ",", "l", "&quot;", "œuvre", "présente", "ses", "problèmes", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "student%1:18:01::", "<NONE>", "form%1:09:00::", "musical%3:01:00::", "<NONE>", "<NONE>", "classifier%1:18:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "work%1:06:00::", "present%2:42:00::", "<NONE>", "problem%1:26:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "student%1:18:01", "<NONE>", "form%1:09:00", "musical%3:01:00", "<NONE>", "<NONE>", "classifier%1:18:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "work%1:06:00", "present%2:42:00", "<NONE>", "problem%1:26:00", "<NONE>" ]
[ "<NONE>", "1", "<NONE>", "2", "<NONE>", "5", "4", "<NONE>", "6", "8", "<NONE>", "7", "7", "9", "10", "<NONE>", "11", "12", "<NONE>", "14", "<NONE>" ]
[ "<NONE>", "0.228", "<NONE>", "0.289", "<NONE>", "0.204", "0.298", "<NONE>", "0.222", "0.314", "<NONE>", "0.232", "0.180", "0.144", "0.186", "<NONE>", "0.380", "0.242", "<NONE>", "0.336", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Since it requires only five players , it would seem to fall into the category of chamber music - yet it calls for a double bass , an instrument generally regarded as symphonic .
<NONE>
<NONE>
[ "Comme", "il", "ne", "nécessite", "que", "cinq", "joueurs", ",", "il", "semble", "tomber", "dans", "la", "catégorie", "de", "la", "musique", "de", "chambre", "-", "mais", "il", "demande", "un", "double", "basse", ",", "un", "instrument", "généralement", "considéré", "comme", "symphonique", "." ]
[ "<NONE>", "<NONE>", "require%2:42:00::", "<NONE>", "only%4:02:02::", "five%3:00:00:cardinal:00", "player%1:18:02::", "<NONE>", "<NONE>", "seem%2:39:00::", "<NONE>", "fall_into%2:42:00::", "<NONE>", "category%1:14:00::", "<NONE>", "chamber_music%1:10:00::", "<NONE>", "chamber_music%1:10:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "call_for%2:42:00::", "<NONE>", "double_bass%1:06:00::", "double_bass%1:06:00::", "double_bass%1:06:00::", "<NONE>", "instrument%1:06:00::", "generally%4:02:02::", "regard_as%2:31:00::", "<NONE>", "symphonic%3:01:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "require%2:42:00", "<NONE>", "only%4:02:02", "five%3:00:00:cardinal:00", "player%1:18:02", "<NONE>", "<NONE>", "seem%2:39:00", "<NONE>", "fall_into%2:42:00", "<NONE>", "category%1:14:00", "<NONE>", "chamber_music%1:10:00", "<NONE>", "chamber_music%1:10:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "call_for%2:42:00", "<NONE>", "double_bass%1:06:00", "double_bass%1:06:00", "double_bass%1:06:00", "<NONE>", "instrument%1:06:00", "generally%4:02:02", "regard_as%2:31:00", "<NONE>", "symphonic%3:01:00", "<NONE>" ]
[ "<NONE>", "1", "2", "<NONE>", "3", "4", "5", "<NONE>", "7", "9", "<NONE>", "12", "13", "14", "<NONE>", "17", "<NONE>", "16", "<NONE>", "18", "19", "20", "21", "23", "24", "25", "25", "27", "28", "29", "30", "<NONE>", "32", "<NONE>" ]
[ "<NONE>", "0.160", "0.224", "<NONE>", "0.199", "0.239", "0.261", "<NONE>", "0.155", "0.182", "<NONE>", "0.262", "0.162", "0.220", "<NONE>", "0.190", "<NONE>", "0.372", "<NONE>", "0.208", "0.264", "0.196", "0.220", "0.197", "0.208", "0.239", "0.172", "0.188", "0.287", "0.230", "0.270", "<NONE>", "0.274", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Moreover , the piece is written in five movements , rather than the conventional four of most quintets , and this gives the opus a serenade or divertimento flavor .
<NONE>
<NONE>
[ "De", "plus", ",", "la", "pièce", "est", "écrite", "en", "cinq", "mouvements", ",", "plutôt", "que", "les", "quatre", "classiques", "de", "la", "plupart", "des", "quintets", ",", "ce", "qui", "donne", "à", "l&apos;", "opus", "une", "saveur", "de", "sérénade", "ou", "de", "divertimento", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "piece%1:10:01::", "<NONE>", "write%2:36:00::", "<NONE>", "five%3:00:00:cardinal:00", "movement%1:10:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "four%3:00:00:cardinal:00", "<NONE>", "<NONE>", "<NONE>", "most%3:00:02::", "<NONE>", "quintet%1:10:00::", "<NONE>", "<NONE>", "<NONE>", "give%2:36:01::", "<NONE>", "<NONE>", "opus%1:10:00::", "<NONE>", "<NONE>", "flavor%1:26:00::", "serenade%1:10:01::", "<NONE>", "<NONE>", "divertimento%1:10:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "piece%1:10:01", "<NONE>", "write%2:36:00", "<NONE>", "five%3:00:00:cardinal:00", "movement%1:10:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "four%3:00:00:cardinal:00", "<NONE>", "<NONE>", "<NONE>", "most%3:00:02", "<NONE>", "quintet%1:10:00", "<NONE>", "<NONE>", "<NONE>", "give%2:36:01", "<NONE>", "<NONE>", "opus%1:10:00", "<NONE>", "<NONE>", "flavor%1:26:00", "serenade%1:10:01", "<NONE>", "<NONE>", "divertimento%1:10:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "2", "3", "<NONE>", "5", "6", "7", "8", "<NONE>", "10", "11", "12", "14", "<NONE>", "15", "<NONE>", "16", "<NONE>", "17", "18", "19", "20", "21", "<NONE>", "22", "23", "24", "<NONE>", "28", "25", "26", "<NONE>", "27", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "0.132", "0.265", "<NONE>", "0.239", "0.172", "0.223", "0.260", "<NONE>", "0.230", "0.174", "0.162", "0.204", "<NONE>", "0.186", "<NONE>", "0.326", "<NONE>", "0.273", "0.132", "0.210", "0.150", "0.213", "<NONE>", "0.190", "0.282", "0.189", "<NONE>", "0.208", "0.269", "0.228", "<NONE>", "0.476", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
The many and frequent performances of the Trout serve to emphasize the dual nature of its writing .
<NONE>
<NONE>
[ "Les", "nombreuses", "et", "fréquentes", "performances", "de", "la", "Trout", "servent", "à", "souligner", "la", "double", "nature", "de", "son", "écriture", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "frequent%3:00:00::", "performance%1:04:01::", "<NONE>", "<NONE>", "<NONE>", "serve%2:42:01::", "<NONE>", "emphasize%2:32:00::", "<NONE>", "dual%3:00:00:multiple:00", "nature%1:07:01::", "<NONE>", "<NONE>", "writing%1:04:02::", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "frequent%3:00:00", "performance%1:04:01", "<NONE>", "<NONE>", "<NONE>", "serve%2:42:01", "<NONE>", "emphasize%2:32:00", "<NONE>", "dual%3:00:00:multiple:00", "nature%1:07:01", "<NONE>", "<NONE>", "writing%1:04:02", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "3", "4", "<NONE>", "<NONE>", "7", "8", "9", "10", "11", "12", "13", "<NONE>", "15", "16", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "0.272", "0.362", "<NONE>", "<NONE>", "0.434", "0.261", "0.390", "0.282", "0.198", "0.317", "0.255", "<NONE>", "0.234", "0.320", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Some renditions are of symphonic dimensions , with the contrabass given free rein .
<NONE>
<NONE>
[ "Certaines", "restitutions", "sont", "de", "dimensions", "symphoniques", ",", "la", "contrebasse", "étant", "libre", "." ]
[ "<NONE>", "rendition%1:10:00::", "<NONE>", "be%2:42:03::", "dimension%1:09:00::", "symphonic%3:01:00::", "symphonic%3:01:00::", "<NONE>", "contrabass%1:06:00::", "<NONE>", "give%2:40:05::", "<NONE>" ]
[ "<NONE>", "rendition%1:10:00", "<NONE>", "be%2:42:03", "dimension%1:09:00", "symphonic%3:01:00", "symphonic%3:01:00", "<NONE>", "contrabass%1:06:00", "<NONE>", "give%2:40:05", "<NONE>" ]
[ "<NONE>", "1", "<NONE>", "2", "5", "4", "4", "7", "9", "<NONE>", "10", "<NONE>" ]
[ "<NONE>", "0.272", "<NONE>", "0.223", "0.241", "0.356", "0.135", "0.227", "0.281", "<NONE>", "0.323", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Other interpretations present the music as an essentially intimate creation .
<NONE>
<NONE>
[ "D&apos;", "autres", "interprétations", "présentent", "la", "musique", "comme", "une", "création", "essentiellement", "intime", "." ]
[ "<NONE>", "<NONE>", "interpretation%1:04:02::", "present%2:36:00::", "<NONE>", "music%1:10:00::", "<NONE>", "<NONE>", "creation%1:06:00::", "essentially%4:02:01::", "intimate%3:00:00:friendly:01", "<NONE>" ]
[ "<NONE>", "<NONE>", "interpretation%1:04:02", "present%2:36:00", "<NONE>", "music%1:10:00", "<NONE>", "<NONE>", "creation%1:06:00", "essentially%4:02:01", "intimate%3:00:00:friendly:01", "<NONE>" ]
[ "<NONE>", "<NONE>", "1", "2", "5", "4", "<NONE>", "<NONE>", "9", "7", "8", "<NONE>" ]
[ "<NONE>", "<NONE>", "0.371", "0.317", "0.213", "0.397", "<NONE>", "<NONE>", "0.265", "0.282", "0.416", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
In these readings , the double bass is either kept discreetly in the background , or it is dressed in clown 's attire - the musical equivalent of a bull in a china shop .
<NONE>
<NONE>
[ "Dans", "ces", "lectures", ",", "la", "contrebasse", "est", "soit", "conservée", "discrètement", "à", "l&apos;", "arrière", "@-@", "plan", ",", "soit", "habillée", "en", "vêtements", "clowns", "-", "l&apos;", "équivalent", "musical", "d&apos;", "un", "taureau", "dans", "un", "magasin", "de", "porcelaine", "." ]
[ "<NONE>", "<NONE>", "reading%1:10:01::", "<NONE>", "<NONE>", "double_bass%1:06:00::", "<NONE>", "<NONE>", "keep%2:42:00::", "discreetly%4:02:00::", "<NONE>", "<NONE>", "<NONE>", "background%1:11:01::", "<NONE>", "<NONE>", "<NONE>", "dress%2:29:01::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "equivalent%1:09:00::", "musical%3:01:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "reading%1:10:01", "<NONE>", "<NONE>", "double_bass%1:06:00", "<NONE>", "<NONE>", "keep%2:42:00", "discreetly%4:02:00", "<NONE>", "<NONE>", "<NONE>", "background%1:11:01", "<NONE>", "<NONE>", "<NONE>", "dress%2:29:01", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "equivalent%1:09:00", "musical%3:01:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "1", "2", "<NONE>", "4", "6", "<NONE>", "8", "9", "10", "<NONE>", "<NONE>", "<NONE>", "13", "<NONE>", "14", "15", "18", "<NONE>", "<NONE>", "21", "<NONE>", "23", "26", "25", "<NONE>", "28", "29", "30", "31", "<NONE>", "33", "32", "34" ]
[ "<NONE>", "0.199", "0.279", "<NONE>", "0.131", "0.196", "<NONE>", "0.222", "0.245", "0.234", "<NONE>", "<NONE>", "<NONE>", "0.367", "<NONE>", "0.121", "0.221", "0.299", "<NONE>", "<NONE>", "0.355", "<NONE>", "0.216", "0.235", "0.254", "<NONE>", "0.154", "0.337", "0.204", "0.187", "<NONE>", "0.220", "0.251", "0.243" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Recently I was struck anew by the divergent approaches , when in the course of one afternoon and evening I listened to no fewer than ten different performances .
<NONE>
<NONE>
[ "Récemment", ",", "j&apos;", "ai", "été", "frappé", "de", "nouveau", "par", "les", "approches", "divergentes", ",", "lorsque", "j&apos;", "ai", "écouté", "pas", "moins", "de", "dix", "représentations", "différentes", "au", "cours", "d&apos;", "un", "après", "@-@", "midi", "et", "d&apos;", "une", "soirée", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "strike%2:37:00::", "anew%4:02:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "divergent%3:00:00:different:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "listen%2:39:00::", "no%4:02:02::", "fewer%3:00:00::", "<NONE>", "ten%3:00:00:cardinal:00", "<NONE>", "performance%1:04:01::", "different%3:00:00::", "<NONE>", "<NONE>", "one%3:00:00:cardinal:00", "<NONE>", "afternoon%1:28:00::", "<NONE>", "<NONE>", "evening%1:28:00::", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "strike%2:37:00", "anew%4:02:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "divergent%3:00:00:different:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "listen%2:39:00", "no%4:02:02", "fewer%3:00:00", "<NONE>", "ten%3:00:00:cardinal:00", "<NONE>", "performance%1:04:01", "different%3:00:00", "<NONE>", "<NONE>", "one%3:00:00:cardinal:00", "<NONE>", "afternoon%1:28:00", "<NONE>", "<NONE>", "evening%1:28:00", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "1", "2", "3", "4", "<NONE>", "<NONE>", "5", "<NONE>", "7", "<NONE>", "10", "<NONE>", "19", "20", "22", "23", "<NONE>", "25", "<NONE>", "27", "26", "<NONE>", "<NONE>", "15", "<NONE>", "16", "<NONE>", "17", "18", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "0.230", "0.160", "0.221", "0.238", "<NONE>", "<NONE>", "0.191", "<NONE>", "0.301", "<NONE>", "0.283", "<NONE>", "0.257", "0.243", "0.156", "0.249", "<NONE>", "0.276", "<NONE>", "0.266", "0.170", "<NONE>", "<NONE>", "0.138", "<NONE>", "0.340", "<NONE>", "0.313", "0.248", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
The occasion for this marathon: Angel 's long awaited reissue in its `` Great Recordings of the Century '' series of the Schnabel-Pro Arte version .
<NONE>
<NONE>
[ "L&apos;", "occasion", "de", "ce", "marathon", ":", "Angel", "s&apos;", "attend", "depuis", "longtemps", "à", "être", "rééditée", "dans", "sa", "série", "sur", "les", "&quot;", "Grands", "Enregistrements", "du", "siècle", "&quot;", "de", "la", "version", "Schnabel-", "Pro", "Arte", "." ]
[ "<NONE>", "occasion%1:16:00::", "<NONE>", "<NONE>", "marathon%1:04:00::", "marathon%1:04:00::", "group%1:03:00::", "<NONE>", "<NONE>", "awaited%3:00:00:expected:00", "long%4:02:00::", "<NONE>", "reissue%1:10:00::", "reissue%1:10:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "version%1:10:01::", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "occasion%1:16:00", "<NONE>", "<NONE>", "marathon%1:04:00", "marathon%1:04:00", "group%1:03:00", "<NONE>", "<NONE>", "awaited%3:00:00:expected:00", "long%4:02:00", "<NONE>", "reissue%1:10:00", "reissue%1:10:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "version%1:10:01", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "1", "<NONE>", "3", "4", "4", "5", "6", "<NONE>", "8", "7", "<NONE>", "9", "9", "10", "<NONE>", "<NONE>", "<NONE>", "12", "<NONE>", "<NONE>", "14", "<NONE>", "17", "<NONE>", "20", "<NONE>", "24", "22", "22", "23", "<NONE>" ]
[ "<NONE>", "0.237", "<NONE>", "0.199", "0.215", "0.202", "0.273", "0.524", "<NONE>", "0.225", "0.429", "<NONE>", "0.175", "0.232", "0.182", "<NONE>", "<NONE>", "<NONE>", "0.341", "<NONE>", "<NONE>", "0.254", "<NONE>", "0.321", "<NONE>", "0.134", "<NONE>", "0.216", "0.354", "0.256", "0.279", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Let me say at the outset that the music sounded as sparkling on the last playing as it did on the first .
<NONE>
<NONE>
[ "Permettez", "@-@", "moi", "de", "dire", "d&apos;", "entrée", "de", "jeu", "que", "la", "musique", "a", "semblé", "étincelante", "au", "dernier", "concert", "comme", "elle", "l&apos;", "a", "fait", "sur", "la", "première", "." ]
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br-e04
Whether considered alone or in relation to other editions , COLH 40 is a document of prime importance .
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br-e04
Artur Schnabel was one of the greatest Schubert-Beethoven-Mozart players of all time , and any commentary of his on this repertory is valuable .
<NONE>
<NONE>
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br-e04
But Schnabel was a great teacher in addition to being a great performer , and the fact that four of the ten versions I listened to are by Schnabel pupils (Clifford Curzon , Frank Glazer , Adrian Aeschbacher , and Victor Babin) also sheds light on the master 's pedagogical skills .
<NONE>
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br-e04
Certain pianistic traits are common to all five Schnabelian renditions , most notably the `` Schnabel trill '' (which differs from the conventional trill in that the two notes are struck simultaneously).
<NONE>
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br-e04
But the most impressive testimony to Schnabel 's distinction as a teacher is reflected by the individuality which marks each student 's approach as distinctly his own .
<NONE>
<NONE>
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br-e04
Schnabel 's emphasis on structural clarity , his innate rhythmic vibrancy , and impetuous intensity all tend to stamp his reading as a symphonic one .
<NONE>
<NONE>
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br-e04
Yet no detail was too small to receive attention from this master , and as a result the playing here has humor , delicacy , and radiant humanity .
<NONE>
<NONE>
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[ "<NONE>", "<NONE>", "no%3:00:00", "detail%1:09:00", "<NONE>", "be%2:42:03", "<NONE>", "small%3:00:00", "<NONE>", "<NONE>", "<NONE>", "attention%1:04:01", "<NONE>", "<NONE>", "master%1:18:00", "<NONE>", "<NONE>", "<NONE>", "result%1:19:00", "<NONE>", "playing%1:04:01", "here%4:02:02", "have%2:42:00", "<NONE>", "humor%1:07:01", "<NONE>", "<NONE>", "delicacy%1:07:00", "<NONE>", "<NONE>", "humanity%1:07:00", "radiant%3:00:00:bright:00", "<NONE>" ]
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[ "<NONE>", "<NONE>", "0.208", "0.277", "<NONE>", "0.191", "<NONE>", "0.260", "<NONE>", "0.206", "<NONE>", "0.328", "<NONE>", "0.206", "0.303", "<NONE>", "<NONE>", "<NONE>", "0.246", "0.169", "0.329", "0.310", "0.290", "<NONE>", "0.322", "0.195", "<NONE>", "0.354", "0.193", "<NONE>", "0.254", "0.309", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
This is a serious minded interpretation , but it is never strait-laced .
<NONE>
<NONE>
[ "Il", "s&apos;", "agit", "d&apos;", "une", "interprétation", "sérieuse", ",", "mais", "elle", "n&apos;", "est", "jamais", "lacée", "." ]
[ "<NONE>", "be%2:42:03::", "<NONE>", "<NONE>", "<NONE>", "interpretation%1:04:02::", "<NONE>", "serious%3:00:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "never%4:02:00::", "straitlaced%3:00:00:proper:00", "straitlaced%3:00:00:proper:00" ]
[ "<NONE>", "be%2:42:03", "<NONE>", "<NONE>", "<NONE>", "interpretation%1:04:02", "<NONE>", "serious%3:00:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "never%4:02:00", "straitlaced%3:00:00:proper:00", "straitlaced%3:00:00:proper:00" ]
[ "<NONE>", "1", "<NONE>", "<NONE>", "2", "5", "<NONE>", "3", "7", "<NONE>", "<NONE>", "<NONE>", "10", "11", "11" ]
[ "<NONE>", "0.223", "<NONE>", "<NONE>", "0.171", "0.237", "<NONE>", "0.194", "0.310", "<NONE>", "<NONE>", "<NONE>", "0.328", "0.239", "0.233" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
And although Schnabel 's pianism bristles with excitement , it is meticulously faithful to Schubert 's dynamic markings and phrase indications .
<NONE>
<NONE>
[ "Et", "bien", "que", "le", "pianisme", "de", "Schnabel", "fasse", "preuve", "d&apos;", "excitation", ",", "il", "est", "méticuleusement", "fidèle", "aux", "marques", "dynamiques", "et", "aux", "indications", "de", "phrases", "de", "Schubert", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "pianism%1:10:00::", "<NONE>", "person%1:03:00::", "<NONE>", "<NONE>", "<NONE>", "excitement%1:04:00::", "<NONE>", "<NONE>", "be%2:42:03::", "meticulously%4:02:00::", "faithful%3:00:00:accurate:00", "<NONE>", "<NONE>", "marking%1:07:00::", "dynamic%3:00:00::", "<NONE>", "<NONE>", "phrase%1:10:01::", "<NONE>", "<NONE>", "person%1:03:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "pianism%1:10:00", "<NONE>", "person%1:03:00", "<NONE>", "<NONE>", "<NONE>", "excitement%1:04:00", "<NONE>", "<NONE>", "be%2:42:03", "meticulously%4:02:00", "faithful%3:00:00:accurate:00", "<NONE>", "<NONE>", "marking%1:07:00", "dynamic%3:00:00", "<NONE>", "<NONE>", "phrase%1:10:01", "<NONE>", "<NONE>", "person%1:03:00", "<NONE>" ]
[ "<NONE>", "1", "<NONE>", "<NONE>", "4", "<NONE>", "2", "3", "<NONE>", "<NONE>", "7", "8", "9", "10", "11", "12", "<NONE>", "13", "17", "16", "18", "<NONE>", "19", "<NONE>", "<NONE>", "14", "15" ]
[ "<NONE>", "0.259", "<NONE>", "<NONE>", "0.278", "<NONE>", "0.379", "0.437", "<NONE>", "<NONE>", "0.318", "0.189", "0.140", "0.159", "0.250", "0.289", "<NONE>", "0.185", "0.237", "0.176", "0.222", "<NONE>", "0.287", "<NONE>", "<NONE>", "0.3", "0.498" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
The piano performance on this Trout is one that really demands a search for superlatives .
<NONE>
<NONE>
[ "La", "performance", "du", "piano", "sur", "cette", "Trout", "est", "celle", "qui", "exige", "vraiment", "une", "recherche", "de", "superlatifs", "." ]
[ "be%2:42:03::", "performance%1:04:01::", "piano%1:06:00::", "<NONE>", "<NONE>", "<NONE>", "person%1:03:00::", "<NONE>", "one%3:00:00:cardinal:00", "<NONE>", "demand%2:42:00::", "really%4:02:03::", "<NONE>", "search%1:04:00::", "<NONE>", "superlative%1:10:00::", "<NONE>" ]
[ "be%2:42:03", "performance%1:04:01", "piano%1:06:00", "<NONE>", "<NONE>", "<NONE>", "person%1:03:00", "<NONE>", "one%3:00:00:cardinal:00", "<NONE>", "demand%2:42:00", "really%4:02:03", "<NONE>", "search%1:04:00", "<NONE>", "superlative%1:10:00", "<NONE>" ]
[ "6", "2", "1", "<NONE>", "<NONE>", "4", "5", "<NONE>", "7", "8", "10", "9", "<NONE>", "12", "<NONE>", "14", "<NONE>" ]
[ "0.161", "0.264", "0.383", "<NONE>", "<NONE>", "0.249", "0.414", "<NONE>", "0.253", "0.157", "0.253", "0.193", "<NONE>", "0.277", "<NONE>", "0.324", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
About the Pro Arte 's contribution I am less happy .
<NONE>
<NONE>
[ "À", "propos", "de", "la", "contribution", "de", "Pro", "Arte", ",", "je", "suis", "moins", "heureux", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "contribution%1:04:02::", "<NONE>", "<NONE>", "group%1:03:00::", "<NONE>", "<NONE>", "<NONE>", "less%4:02:00::", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "contribution%1:04:02", "<NONE>", "<NONE>", "group%1:03:00", "<NONE>", "<NONE>", "<NONE>", "less%4:02:00", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "5", "<NONE>", "<NONE>", "3", "4", "<NONE>", "6", "8", "9", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "0.313", "<NONE>", "<NONE>", "0.332", "0.576", "<NONE>", "0.220", "0.330", "0.381", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
I , for one , rather regret that Schnabel did n't collaborate with the Budapest Quartet , whose rugged , athletic playing was a good deal closer to this pianist 's interpretative outlook than the style of the Belgian group .
<NONE>
<NONE>
[ "Pour", "ma", "part", ",", "je", "regrette", "que", "Schnabel", "ait", "collaboré", "avec", "le", "Quatuor", "de", "Budapest", ",", "dont", "le", "jeu", "sportif", "et", "rude", "était", "bien", "plus", "proche", "de", "cette", "perspective", "interprétative", "des", "pianistes", "que", "du", "style", "du", "groupe", "belge", "." ]
[ "<NONE>", "one%3:00:00:cardinal:00", "<NONE>", "<NONE>", "<NONE>", "regret%2:37:00::", "rather%4:02:04::", "person%1:03:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "group%1:03:00::", "<NONE>", "group%1:03:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "playing%1:04:01::", "athletic%3:00:00:active:01", "rugged%3:00:00::", "<NONE>", "be%2:42:03::", "good_deal%1:23:00::", "close%3:00:02::", "<NONE>", "<NONE>", "<NONE>", "interpretative%3:00:00:instructive:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "style%1:07:00::", "<NONE>", "group%1:03:00::", "<NONE>" ]
[ "<NONE>", "one%3:00:00:cardinal:00", "<NONE>", "<NONE>", "<NONE>", "regret%2:37:00", "rather%4:02:04", "person%1:03:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "group%1:03:00", "<NONE>", "group%1:03:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "playing%1:04:01", "athletic%3:00:00:active:01", "rugged%3:00:00", "<NONE>", "be%2:42:03", "good_deal%1:23:00", "close%3:00:02", "<NONE>", "<NONE>", "<NONE>", "interpretative%3:00:00:instructive:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "style%1:07:00", "<NONE>", "group%1:03:00", "<NONE>" ]
[ "<NONE>", "3", "<NONE>", "<NONE>", "<NONE>", "6", "5", "8", "<NONE>", "9", "12", "<NONE>", "15", "<NONE>", "14", "<NONE>", "17", "<NONE>", "<NONE>", "21", "20", "18", "<NONE>", "22", "25", "26", "27", "28", "<NONE>", "31", "<NONE>", "30", "<NONE>", "33", "<NONE>", "35", "<NONE>", "39", "<NONE>" ]
[ "<NONE>", "0.225", "<NONE>", "<NONE>", "<NONE>", "0.234", "0.198", "0.391", "<NONE>", "0.205", "0.185", "<NONE>", "0.342", "<NONE>", "0.334", "<NONE>", "0.228", "<NONE>", "<NONE>", "0.205", "0.178", "0.197", "<NONE>", "0.142", "0.154", "0.267", "0.177", "0.203", "<NONE>", "0.341", "<NONE>", "0.309", "<NONE>", "0.162", "<NONE>", "0.194", "<NONE>", "0.219", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
From a technical standpoint , the string playing is good , but the Pro Arte people fail to enter into the spirit of things here .
<NONE>
<NONE>
[ "D&apos;", "un", "point", "de", "vue", "technique", ",", "le", "jeu", "de", "ficelle", "est", "bon", ",", "mais", "les", "Pro", "Arte", "n&apos;", "entrent", "pas", "dans", "l&apos;", "esprit", "des", "choses", "ici", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "standpoint%1:09:00::", "<NONE>", "technical%3:01:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "string%1:06:05::", "be%2:42:03::", "good%3:00:01::", "<NONE>", "<NONE>", "<NONE>", "people%1:14:00::", "group%1:03:00::", "<NONE>", "fail%2:41:02::", "<NONE>", "<NONE>", "<NONE>", "spirit%1:26:00::", "<NONE>", "thing%1:09:00::", "here%4:02:02::", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "standpoint%1:09:00", "<NONE>", "technical%3:01:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "string%1:06:05", "be%2:42:03", "good%3:00:01", "<NONE>", "<NONE>", "<NONE>", "people%1:14:00", "group%1:03:00", "<NONE>", "fail%2:41:02", "<NONE>", "<NONE>", "<NONE>", "spirit%1:26:00", "<NONE>", "thing%1:09:00", "here%4:02:02", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "3", "<NONE>", "2", "<NONE>", "5", "<NONE>", "<NONE>", "6", "8", "9", "<NONE>", "11", "<NONE>", "15", "14", "<NONE>", "16", "19", "<NONE>", "<NONE>", "21", "<NONE>", "23", "24", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "0.200", "<NONE>", "0.320", "<NONE>", "0.148", "<NONE>", "<NONE>", "0.363", "0.182", "0.282", "<NONE>", "0.295", "<NONE>", "0.300", "0.3", "<NONE>", "0.267", "0.190", "<NONE>", "<NONE>", "0.291", "<NONE>", "0.243", "0.281", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
The violinist , in particular , is very indulgent with swoops and slides , and his tone is pinched and edgy .
<NONE>
<NONE>
[ "Le", "violoniste", ",", "en", "particulier", ",", "est", "très", "indulgent", "avec", "des", "balançoires", "et", "des", "diapositives", ",", "et", "son", "ton", "est", "pincé", "et", "tourbillonné", "." ]
[ "<NONE>", "violinist%1:18:00::", "violinist%1:18:00::", "<NONE>", "particular%1:09:00::", "<NONE>", "<NONE>", "be%2:42:03::", "indulgent%3:00:00::", "<NONE>", "<NONE>", "swoop%1:10:00::", "<NONE>", "<NONE>", "slide%1:10:00::", "<NONE>", "<NONE>", "<NONE>", "tone%1:07:01::", "<NONE>", "pinched%3:00:00:high:03", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "violinist%1:18:00", "violinist%1:18:00", "<NONE>", "particular%1:09:00", "<NONE>", "<NONE>", "be%2:42:03", "indulgent%3:00:00", "<NONE>", "<NONE>", "swoop%1:10:00", "<NONE>", "<NONE>", "slide%1:10:00", "<NONE>", "<NONE>", "<NONE>", "tone%1:07:01", "<NONE>", "pinched%3:00:00:high:03", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "1", "1", "3", "4", "<NONE>", "<NONE>", "6", "8", "9", "<NONE>", "10", "11", "<NONE>", "12", "13", "14", "15", "16", "<NONE>", "18", "19", "21", "<NONE>" ]
[ "<NONE>", "0.349", "0.118", "0.161", "0.244", "<NONE>", "<NONE>", "0.183", "0.236", "0.237", "<NONE>", "0.236", "0.216", "<NONE>", "0.331", "0.137", "0.209", "0.184", "0.363", "<NONE>", "0.344", "0.260", "0.314", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
The twenty-five year old recording offers rather faded string tone , but the balance between the instruments is good and the transfer is very quiet .
<NONE>
<NONE>
[ "L&apos;", "enregistrement", ",", "qui", "date", "de", "25", "ans", ",", "offre", "un", "ton", "de", "ficelle", "plutôt", "ombragé", ",", "mais", "l&apos;", "équilibre", "entre", "les", "instruments", "est", "bon", "et", "le", "transfert", "est", "très", "calme", "." ]
[ "<NONE>", "<NONE>", "recording%1:06:00::", "<NONE>", "<NONE>", "old%3:00:02::", "twenty-five%3:00:00:cardinal:00", "year%1:28:01::", "<NONE>", "offer%2:40:02::", "<NONE>", "tone%1:07:01::", "<NONE>", "string%1:06:05::", "<NONE>", "faded%3:00:00:decreased:00", "<NONE>", "<NONE>", "<NONE>", "balance%1:21:00::", "<NONE>", "<NONE>", "instrument%1:06:00::", "<NONE>", "good%3:00:01::", "<NONE>", "<NONE>", "transfer%1:04:03::", "<NONE>", "<NONE>", "quiet%3:00:01::", "<NONE>" ]
[ "<NONE>", "<NONE>", "recording%1:06:00", "<NONE>", "<NONE>", "old%3:00:02", "twenty-five%3:00:00:cardinal:00", "year%1:28:01", "<NONE>", "offer%2:40:02", "<NONE>", "tone%1:07:01", "<NONE>", "string%1:06:05", "<NONE>", "faded%3:00:00:decreased:00", "<NONE>", "<NONE>", "<NONE>", "balance%1:21:00", "<NONE>", "<NONE>", "instrument%1:06:00", "<NONE>", "good%3:00:01", "<NONE>", "<NONE>", "transfer%1:04:03", "<NONE>", "<NONE>", "quiet%3:00:01", "<NONE>" ]
[ "<NONE>", "<NONE>", "4", "<NONE>", "<NONE>", "3", "1", "2", "<NONE>", "5", "<NONE>", "9", "<NONE>", "8", "<NONE>", "7", "<NONE>", "11", "<NONE>", "13", "14", "<NONE>", "16", "<NONE>", "18", "19", "<NONE>", "21", "<NONE>", "<NONE>", "24", "25" ]
[ "<NONE>", "<NONE>", "0.271", "<NONE>", "<NONE>", "0.217", "0.176", "0.243", "<NONE>", "0.244", "<NONE>", "0.194", "<NONE>", "0.297", "<NONE>", "0.222", "<NONE>", "0.266", "<NONE>", "0.269", "0.204", "<NONE>", "0.296", "<NONE>", "0.291", "0.244", "<NONE>", "0.282", "<NONE>", "<NONE>", "0.324", "0.347" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
There is a break in continuity just before the fourth variation in the `` Forellen '' movement , and I suspect that this is due to imperfect splicing between sides of the original SPs .
<NONE>
<NONE>
[ "Il", "y", "a", "une", "rupture", "dans", "la", "continuité", "juste", "avant", "la", "quatrième", "variation", "dans", "le", "mouvement", "de", "rotation", "de", "la", "chaîne", "Forellen", ",", "et", "je", "soupçonne", "que", "cela", "est", "dû", "à", "une", "épissure", "imparfaite", "entre", "les", "côtés", "des", "SP", "originaux", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "be%2:42:04::", "break%1:11:00::", "<NONE>", "<NONE>", "continuity%1:26:00::", "just%4:02:04::", "<NONE>", "<NONE>", "fourth%3:00:00:ordinal:00", "variation%1:10:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "suspect%2:32:00::", "<NONE>", "<NONE>", "<NONE>", "be_due%2:42:00::", "<NONE>", "<NONE>", "splicing%1:06:00::", "imperfect%3:00:00::", "<NONE>", "side%1:15:02::", "<NONE>", "<NONE>", "<NONE>", "original%1:06:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "be%2:42:04", "break%1:11:00", "<NONE>", "<NONE>", "continuity%1:26:00", "just%4:02:04", "<NONE>", "<NONE>", "fourth%3:00:00:ordinal:00", "variation%1:10:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "suspect%2:32:00", "<NONE>", "<NONE>", "<NONE>", "be_due%2:42:00", "<NONE>", "<NONE>", "splicing%1:06:00", "imperfect%3:00:00", "<NONE>", "side%1:15:02", "<NONE>", "<NONE>", "<NONE>", "original%1:06:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "1", "3", "4", "<NONE>", "5", "6", "7", "<NONE>", "9", "10", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "15", "<NONE>", "<NONE>", "13", "14", "<NONE>", "18", "19", "20", "21", "22", "<NONE>", "24", "<NONE>", "25", "27", "26", "28", "29", "<NONE>", "<NONE>", "33", "32", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "0.166", "0.244", "0.193", "<NONE>", "0.306", "0.173", "0.306", "<NONE>", "0.239", "0.252", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "0.384", "<NONE>", "<NONE>", "0.457", "0.393", "<NONE>", "0.167", "0.199", "0.370", "0.143", "0.213", "<NONE>", "0.208", "<NONE>", "0.168", "0.252", "0.305", "0.302", "0.303", "<NONE>", "<NONE>", "0.215", "0.232", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Turning to the more modern versions , Curzon 's (London) offers the most sophisticated keyboard work .
<NONE>
<NONE>
[ "En", "ce", "qui", "concerne", "les", "versions", "les", "plus", "modernes", ",", "Curzon", "et", "ses", "partenaires", "London)", "offrent", "le", "travail", "de", "clavier", "le", "plus", "sophistiqué", "." ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "2", "<NONE>", "5", "<NONE>", "4", "6", "7", "8", "<NONE>", "9", "9", "10", "<NONE>", "15", "<NONE>", "14", "<NONE>", "12", "13", "<NONE>" ]
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br-e04
Every detail in his interpretation has been beautifully thought out , and of these I would especially cite the delicious landler touch the pianist brings to the fifth variation (an obvious indication that he is playing with Viennese musicians), and the gossamer shading throughout .
<NONE>
<NONE>
[ "Tous", "les", "détails", "dans", "son", "interprétation", "a", "été", "magnifiquement", "réfléchi", ",", "et", "de", "ceux", "@-@", "ci", "je", "citerai", "en", "particulier", "le", "délicieux", "landler", "touche", "le", "pianiste", "apporte", "à", "la", "cinquième", "variation", "du", "rythme", ",", "une", "indication", "évidente", "qu&apos;", "il", "joue", "avec", "le", "musicien", "viennois", ",", "et", "le", "parasitisme", "du", "parrain", "tout", "au", "long", "." ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Some of Curzon 's playing strikes me as finicky , however .
<NONE>
<NONE>
[ "Quelques", "@-@", "uns", "des", "joueurs", "de", "Curzon", "me", "frappent", "cependant", "avec", "autant", "de", "finesse", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "person%1:03:00::", "<NONE>", "strike%2:37:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "finicky%3:00:00:fastidious:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "person%1:03:00", "<NONE>", "strike%2:37:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "finicky%3:00:00:fastidious:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "3", "<NONE>", "2", "<NONE>", "5", "<NONE>", "7", "<NONE>", "<NONE>", "8", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "0.342", "<NONE>", "0.378", "<NONE>", "0.193", "<NONE>", "0.337", "<NONE>", "<NONE>", "0.231", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Why , for example , does he favor two tempos , rather than one , for the third movement ?
<NONE>
<NONE>
[ "Pourquoi", ",", "par", "exemple", ",", "favorise", "@-@", "t", "@-@", "il", "deux", "tempos", ",", "plutôt", "qu&apos;", "un", ",", "pour", "le", "troisième", "mouvement", "?" ]
[ "<NONE>", "<NONE>", "for_example%4:02:00::", "for_example%4:02:00::", "<NONE>", "<NONE>", "favor%2:41:00::", "<NONE>", "<NONE>", "<NONE>", "two%3:00:00:cardinal:00", "tempo%1:28:01::", "<NONE>", "rather%4:02:02::", "<NONE>", "<NONE>", "one%3:00:00:cardinal:00", "<NONE>", "<NONE>", "third%3:00:00:ordinal:00", "movement%1:10:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "for_example%4:02:00", "for_example%4:02:00", "<NONE>", "<NONE>", "favor%2:41:00", "<NONE>", "<NONE>", "<NONE>", "two%3:00:00:cardinal:00", "tempo%1:28:01", "<NONE>", "rather%4:02:02", "<NONE>", "<NONE>", "one%3:00:00:cardinal:00", "<NONE>", "<NONE>", "third%3:00:00:ordinal:00", "movement%1:10:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "2", "3", "<NONE>", "5", "7", "<NONE>", "<NONE>", "6", "8", "9", "<NONE>", "11", "<NONE>", "<NONE>", "13", "15", "16", "17", "18", "19" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
The assisting musicians from the Vienna Octet are somewhat lacking in expertise , but their contribution is rustic and appealing .
<NONE>
<NONE>
[ "Les", "musiciens", "de", "l&apos;", "Octet", "de", "Vienne", "manquent", "un", "peu", "d&apos;", "expertise", ",", "mais", "leur", "contribution", "est", "rustique", "et", "attrayante", "." ]
[ "<NONE>", "<NONE>", "assist%2:41:00::", "<NONE>", "group%1:03:00::", "<NONE>", "group%1:03:00::", "<NONE>", "lacking%3:00:00:inadequate:00", "somewhat%4:02:01::", "<NONE>", "expertise%1:09:00::", "<NONE>", "<NONE>", "<NONE>", "contribution%1:04:02::", "<NONE>", "rustic%3:00:00:provincial:00", "<NONE>", "appealing%3:00:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "assist%2:41:00", "<NONE>", "group%1:03:00", "<NONE>", "group%1:03:00", "<NONE>", "lacking%3:00:00:inadequate:00", "somewhat%4:02:01", "<NONE>", "expertise%1:09:00", "<NONE>", "<NONE>", "<NONE>", "contribution%1:04:02", "<NONE>", "rustic%3:00:00:provincial:00", "<NONE>", "appealing%3:00:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "1", "<NONE>", "6", "<NONE>", "5", "<NONE>", "9", "8", "<NONE>", "11", "<NONE>", "13", "14", "15", "<NONE>", "17", "18", "19", "<NONE>" ]
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br-e04
(Special compliments to the double bass playing of Johann Krumpp:
<NONE>
<NONE>
[ "Des", "compliments", "spéciaux", "au", "double", "basse", "de", "Johann", "Krumpp:" ]
[ "<NONE>", "<NONE>", "compliment%1:10:00::", "<NONE>", "playing%1:04:01::", "double_bass%1:06:00::", "<NONE>", "person%1:03:00::", "person%1:03:00::" ]
[ "<NONE>", "<NONE>", "compliment%1:10:00", "<NONE>", "playing%1:04:01", "double_bass%1:06:00", "<NONE>", "person%1:03:00", "person%1:03:00" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
his scrawny , tottering sound adds a delightful hilarity to the performance .)
<NONE>
<NONE>
[ "son", "scrawny", ",", "le", "son", "totalisant", "ajoute", "une", "hilarité", "délicieuse", "à", "la", "performance", ".", ")" ]
[ "<NONE>", "scrawny%3:00:00:thin:03", "<NONE>", "<NONE>", "tottering%3:00:00:unsteady:00", "tottering%3:00:00:unsteady:00", "add%2:40:00::", "<NONE>", "hilarity%1:12:00::", "delightful%3:00:00:pleasing:00", "<NONE>", "<NONE>", "performance%1:04:01::", "<NONE>", "<NONE>" ]
[ "<NONE>", "scrawny%3:00:00:thin:03", "<NONE>", "<NONE>", "tottering%3:00:00:unsteady:00", "tottering%3:00:00:unsteady:00", "add%2:40:00", "<NONE>", "hilarity%1:12:00", "delightful%3:00:00:pleasing:00", "<NONE>", "<NONE>", "performance%1:04:01", "<NONE>", "<NONE>" ]
[ "<NONE>", "1", "2", "<NONE>", "3", "3", "5", "<NONE>", "8", "7", "9", "10", "11", "12", "12" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
The Glazer-Fine Arts edition (Concert-Disc) is a model of lucidity and organization .
<NONE>
<NONE>
[ "The", "Glazer-", "Fine", "Arts", "edition", "Concert-Disc)", "est", "un", "modèle", "de", "lucidité", "et", "d&apos;", "organisation", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "edition%1:14:00::", "<NONE>", "be%2:42:02::", "<NONE>", "model%1:09:01::", "<NONE>", "lucidity%1:07:00::", "<NONE>", "<NONE>", "organization%1:09:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "edition%1:14:00", "<NONE>", "be%2:42:02", "<NONE>", "model%1:09:01", "<NONE>", "lucidity%1:07:00", "<NONE>", "<NONE>", "organization%1:09:00", "<NONE>" ]
[ "<NONE>", "1", "1", "2", "3", "4", "5", "<NONE>", "7", "<NONE>", "9", "10", "<NONE>", "11", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
It is , moreover , a perfectly integrated ensemble effort .
<NONE>
<NONE>
[ "Il", "s&apos;", "agit", "en", "outre", "d&apos;", "un", "effort", "d&apos;", "ensemble", "parfaitement", "intégré", "." ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "3", "<NONE>", "5", "9", "<NONE>", "8", "6", "7", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
But having lived with the disc for some time now , I find the performance less exciting than either Schnabel 's or Fleisher 's (whose superb performance with the Budapest Quartet has still to be recorded) and a good deal less filled with humor than Curzon 's .
<NONE>
<NONE>
[ "Mais", "ayant", "vécu", "avec", "le", "disque", "pendant", "un", "certain", "temps", ",", "je", "trouve", "la", "performance", "moins", "excitante", "que", "Schnabel", "et", "Fleisher", ",", "dont", "la", "superbe", "performance", "avec", "le", "Quatuor", "de", "Budapest", "n&apos;", "a", "pas", "encore", "été", "relancée", ")", "et", "beaucoup", "moins", "rempli", "d&apos;", "humour", "que", "Curzon", "." ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Aeschbacher 's work is very much akin to Schnabel 's , but the sound on his Decca disc is dated , and you will have a hard time locating a copy of it .
<NONE>
<NONE>
[ "Le", "travail", "d&apos;", "Aeschbacher", "est", "très", "proche", "de", "celui", "de", "Schnabel", ",", "mais", "le", "son", "sur", "son", "disque", "Decca", "est", "daté", ",", "et", "vous", "aurez", "de", "la", "difficulté", "à", "en", "trouver", "une", "copie", "." ]
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br-e04
The Hephzibah Menuhin-Amadeus Quartet (Angel) and Victor Babin-Festival Quartet (RCA Victor) editions give us superlative string playing (both in symphonic style) crippled by unimaginative piano playing .
<NONE>
<NONE>
[ "Les", "éditions", "Hephzibah", "Menuhin-Amadeus", "Quartet", "et", "Victor", "Babin-", "Festival", "Quartet", ",", "de", "concert", "avec", "le", "Victor)", ",", "nous", "offrent", "des", "jeux", "de", "ficelle", "superlatifs", ",", "à", "la", "fois", "en", "style", "symphonique", ",", "paralysés", "par", "un", "jeu", "de", "piano", "inimaginatif", "." ]
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br-e04
(Babin has acquired some of Schnabel 's keyboard manner , but his playing is of limited insight .)
<NONE>
<NONE>
[ "Il", "a", "acquis", "quelques", "@-@", "uns", "des", "claviers", "de", "Schnabel", ",", "mais", "son", "jeu", "n&apos;", "est", "pas", "très", "perspicace", ".", ")" ]
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[ "<NONE>", "<NONE>", "acquire%2:40:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "keyboard%1:06:01", "<NONE>", "person%1:03:00", "<NONE>", "<NONE>", "<NONE>", "playing%1:04:01", "<NONE>", "<NONE>", "<NONE>", "limited%3:00:00", "insight%1:12:00", "<NONE>", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Badura-Skoda-Vienna Konzerthaus (Westminster) and Demus-Schubert Quartet (Deutsche Grammophon) are both warm toned , pleasantly lyrical , but rather slack and tensionless .
<NONE>
<NONE>
[ "Badura-Skoda-Vienna", "Konzerthaus", "rythme", "Westminster)", "et", "Demus-Schubert", "Quartet", ",", "Deutsche", "Grammophon)", "sont", "à", "la", "fois", "chauds", "et", "agréablement", "lyriques", ",", "mais", "plutôt", "dédaignés", "et", "tendus", "." ]
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br-e04
Helmut Roloff , playing with a group of musicians from the Bayreuth Ensemble , gives a sturdy reading , in much the same vein as that of the last mentioned pianists .
<NONE>
<NONE>
[ "Helmut", "Roloff", ",", "jouant", "avec", "un", "groupe", "de", "musiciens", "du", "Bayreuth", "Ensemble", ",", "donne", "une", "lecture", "robuste", ",", "dans", "la", "même", "veine", "que", "celle", "des", "derniers", "pianistes", "mentionnés", "." ]
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br-e04
Telefunken has accorded him beautiful sound , and this bargain-priced disc (it sells for $ 2.98) is worthy of consideration .
<NONE>
<NONE>
[ "Telefunken", "lui", "a", "accordé", "un", "beau", "son", ",", "et", "ce", "disque", "à", "prix", "d&apos;", "aubaine", "qu&apos;", "il", "vend", "à", "2,98", "$", ")", "mérite", "considération", "." ]
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br-e04
Returning once again to the Schnabel reissue , I am beguiled anew by the magnificence of this pianist 's musical penetration .
<NONE>
<NONE>
[ "En", "revenant", "une", "fois", "de", "plus", "à", "la", "réédition", "de", "Schnabel", ",", "je", "suis", "de", "nouveau", "frappé", "par", "la", "magnificence", "de", "cette", "pénétration", "musicale", "pianiste", "." ]
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br-e04
Here is truly a `` Great Recording of the Century '' , and its greatness is by no means diminished by the fact that it is not quite perfect .
<NONE>
<NONE>
[ "C&apos;", "est", "vraiment", "un", "&quot;", "grand", "enregistrement", "du", "siècle", "&quot;", ",", "et", "sa", "grandeur", "n&apos;", "est", "nullement", "diminuée", "par", "le", "fait", "qu&apos;", "elle", "n&apos;", "est", "pas", "tout", "à", "fait", "parfaite", "." ]
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br-e04
This recording surely belongs in everyone 's collection .
<NONE>
<NONE>
[ "Cet", "enregistrement", "fait", "sûrement", "partie", "de", "la", "collection", "de", "tout", "le", "monde", "." ]
[ "<NONE>", "recording%1:06:00::", "belong%2:42:06::", "surely%4:02:00::", "<NONE>", "<NONE>", "<NONE>", "collection%1:14:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "recording%1:06:00", "belong%2:42:06", "surely%4:02:00", "<NONE>", "<NONE>", "<NONE>", "collection%1:14:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "1", "3", "2", "<NONE>", "<NONE>", "5", "7", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "6" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Must records always sound like records ?
<NONE>
<NONE>
[ "Les", "documents", "doivent", "@-@", "ils", "toujours", "ressembler", "à", "des", "documents", "?" ]
[ "<NONE>", "record%1:06:00::", "<NONE>", "<NONE>", "<NONE>", "always%4:02:00::", "sound%2:39:00::", "<NONE>", "<NONE>", "record%1:06:00::", "<NONE>" ]
[ "<NONE>", "record%1:06:00", "<NONE>", "<NONE>", "<NONE>", "always%4:02:00", "sound%2:39:00", "<NONE>", "<NONE>", "record%1:06:00", "<NONE>" ]
[ "<NONE>", "1", "0", "<NONE>", "<NONE>", "2", "3", "<NONE>", "<NONE>", "5", "6" ]
[ "<NONE>", "0.441", "0.276", "<NONE>", "<NONE>", "0.279", "0.396", "<NONE>", "<NONE>", "0.458", "0.323" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
From the beginning of commercial recording , new discs purported to be indistinguishable from The Real Thing have regularly been put in circulation .
<NONE>
<NONE>
[ "Depuis", "le", "début", "de", "l&apos;", "enregistrement", "commercial", ",", "de", "nouveaux", "disques", "supposés", "impossibles", "à", "distinguer", "de", "The", "Real", "Thing", "ont", "été", "régulièrement", "mis", "en", "circulation", "." ]
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br-e04
Seen in perspective , many of these releases have a genuine claim to be milestones .
<NONE>
<NONE>
[ "Considérés", "dans", "leur", "contexte", ",", "bon", "nombre", "de", "ces", "communiqués", "prétendent", "sincèrement", "être", "des", "jalons", "." ]
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br-e04
Although lacking absolute verisimilitude , they supply the ear and the imagination with all necessary materials for re-creation of the original .
<NONE>
<NONE>
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br-e04
On the basis of what they give us we can know how the young Caruso sang , appreciate the distinctive qualities of Parsifal under Karl Muck 's baton , or sense the type of ensemble Toscanini created in his years with the New York Philharmonic .
<NONE>
<NONE>
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br-e04
Since the concept of high fidelity became important some dozen years ago , the claims of technical improvements have multiplied tenfold .
<NONE>
<NONE>
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br-e04
In many cases the revolutionary production has offered no more than sensational effects:
<NONE>
<NONE>
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br-e04
the first hearing was fascinating and the second disillusioning as the gap between sound and substance became clearer .
<NONE>
<NONE>
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br-e04
Other innovations with better claims to musical interest survived rehearing to acquire in time the status of classics .
<NONE>
<NONE>
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br-e04
If we return to them today , we have no difficulty spotting their weaknesses but we find them still pleasing .
<NONE>
<NONE>
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br-e04
Records sound like records because they provide a different sort of experience than live music .
<NONE>
<NONE>
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br-e04
This difference is made up of many factors .
<NONE>
<NONE>
[ "Cette", "différence", "est", "composée", "de", "nombreux", "facteurs", "." ]
[ "<NONE>", "difference%1:07:00::", "<NONE>", "make_up%2:42:00::", "<NONE>", "many%3:00:00::", "factor%1:11:00::", "<NONE>" ]
[ "<NONE>", "difference%1:07:00", "<NONE>", "make_up%2:42:00", "<NONE>", "many%3:00:00", "factor%1:11:00", "<NONE>" ]
[ "<NONE>", "1", "<NONE>", "3", "<NONE>", "6", "7", "<NONE>" ]
[ "<NONE>", "0.423", "<NONE>", "0.246", "<NONE>", "0.332", "0.375", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Some of them are obvious , such as the fact that we associate recorded and live music with our responses and behavior in different types of environments and social settings .
<NONE>
<NONE>
[ "Certains", "d&apos;", "entre", "eux", "sont", "évidents", ",", "comme", "le", "fait", "que", "nous", "associons", "la", "musique", "enregistrée", "et", "la", "musique", "en", "direct", "à", "nos", "réponses", "et", "à", "notre", "comportement", "dans", "différents", "types", "d&apos;", "environnements", "et", "de", "contextes", "sociaux", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "be%2:42:03::", "<NONE>", "<NONE>", "such%3:00:00:much:00", "<NONE>", "fact%1:09:01::", "<NONE>", "<NONE>", "associate%2:31:00::", "<NONE>", "music%1:10:00::", "recorded%3:00:00::", "<NONE>", "<NONE>", "<NONE>", "live%3:00:02::", "<NONE>", "<NONE>", "<NONE>", "response%1:04:01::", "<NONE>", "<NONE>", "<NONE>", "behavior%1:04:00::", "<NONE>", "different%3:00:00::", "type%1:09:00::", "<NONE>", "environment%1:26:00::", "<NONE>", "setting%1:26:00::", "<NONE>", "social%3:01:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "be%2:42:03", "<NONE>", "<NONE>", "such%3:00:00:much:00", "<NONE>", "fact%1:09:01", "<NONE>", "<NONE>", "associate%2:31:00", "<NONE>", "music%1:10:00", "recorded%3:00:00", "<NONE>", "<NONE>", "<NONE>", "live%3:00:02", "<NONE>", "<NONE>", "<NONE>", "response%1:04:01", "<NONE>", "<NONE>", "<NONE>", "behavior%1:04:00", "<NONE>", "different%3:00:00", "type%1:09:00", "<NONE>", "environment%1:26:00", "<NONE>", "setting%1:26:00", "<NONE>", "social%3:01:00", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
(Music often sounds best to me when I can dress informally and sit in something more comfortable than a theatre seat .)
<NONE>
<NONE>
[ "Je", "peux", "m&apos;", "habiller", "de", "façon", "informelle", "et", "m&apos;", "asseoir", "dans", "quelque", "chose", "de", "plus", "confortable", "qu&apos;", "un", "siège", "de", "théâtre", ".", ")" ]
[ "<NONE>", "<NONE>", "<NONE>", "dress%2:29:00::", "<NONE>", "<NONE>", "informally%4:02:00::", "<NONE>", "<NONE>", "sit%2:35:00::", "<NONE>", "<NONE>", "<NONE>", "more%4:02:00::", "<NONE>", "comfortable%3:00:00::", "<NONE>", "<NONE>", "seat%1:15:01::", "<NONE>", "theatre%1:06:00::", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "dress%2:29:00", "<NONE>", "<NONE>", "informally%4:02:00", "<NONE>", "<NONE>", "sit%2:35:00", "<NONE>", "<NONE>", "<NONE>", "more%4:02:00", "<NONE>", "comfortable%3:00:00", "<NONE>", "<NONE>", "seat%1:15:01", "<NONE>", "theatre%1:06:00", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "9", "<NONE>", "<NONE>", "10", "<NONE>", "<NONE>", "12", "13", "<NONE>", "14", "15", "<NONE>", "16", "<NONE>", "18", "20", "<NONE>", "19", "21", "21" ]
[ "<NONE>", "<NONE>", "<NONE>", "0.283", "<NONE>", "<NONE>", "0.294", "<NONE>", "<NONE>", "0.254", "0.219", "<NONE>", "0.465", "0.283", "<NONE>", "0.293", "<NONE>", "0.167", "0.217", "<NONE>", "0.337", "0.235", "0.364" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
From the technical standpoint , records differ from live music to the degree that they fail to convey the true color , texture , complexity , range , intensity , pulse , and pitch of the original .
<NONE>
<NONE>
[ "Du", "point", "de", "vue", "technique", ",", "les", "enregistrements", "diffèrent", "de", "la", "musique", "en", "direct", "au", "point", "qu&apos;", "ils", "ne", "transmettent", "pas", "la", "vraie", "couleur", ",", "la", "texture", ",", "la", "complexité", ",", "la", "portée", ",", "l&apos;", "intensité", ",", "le", "pouls", "et", "le", "ton", "de", "l&apos;", "original", "." ]
[ "<NONE>", "<NONE>", "standpoint%1:09:00::", "<NONE>", "technical%3:01:00::", "<NONE>", "<NONE>", "record%1:06:00::", "differ%2:42:00::", "<NONE>", "<NONE>", "<NONE>", "music%1:10:00::", "live%3:00:02::", "<NONE>", "degree%1:26:01::", "<NONE>", "<NONE>", "<NONE>", "convey%2:32:00::", "<NONE>", "<NONE>", "true%3:00:00::", "color%1:07:02::", "<NONE>", "texture%1:07:02::", "<NONE>", "<NONE>", "<NONE>", "complexity%1:07:00::", "<NONE>", "<NONE>", "range%1:07:00::", "<NONE>", "<NONE>", "intensity%1:07:00::", "<NONE>", "<NONE>", "pulse%1:11:01::", "<NONE>", "<NONE>", "pitch%1:07:00::", "<NONE>", "<NONE>", "original%1:06:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "standpoint%1:09:00", "<NONE>", "technical%3:01:00", "<NONE>", "<NONE>", "record%1:06:00", "differ%2:42:00", "<NONE>", "<NONE>", "<NONE>", "music%1:10:00", "live%3:00:02", "<NONE>", "degree%1:26:01", "<NONE>", "<NONE>", "<NONE>", "convey%2:32:00", "<NONE>", "<NONE>", "true%3:00:00", "color%1:07:02", "<NONE>", "texture%1:07:02", "<NONE>", "<NONE>", "<NONE>", "complexity%1:07:00", "<NONE>", "<NONE>", "range%1:07:00", "<NONE>", "<NONE>", "intensity%1:07:00", "<NONE>", "<NONE>", "pulse%1:11:01", "<NONE>", "<NONE>", "pitch%1:07:00", "<NONE>", "<NONE>", "original%1:06:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "3", "<NONE>", "2", "<NONE>", "<NONE>", "5", "6", "7", "<NONE>", "<NONE>", "9", "8", "<NONE>", "12", "13", "<NONE>", "<NONE>", "17", "18", "<NONE>", "19", "20", "<NONE>", "22", "<NONE>", "<NONE>", "<NONE>", "24", "<NONE>", "<NONE>", "26", "27", "<NONE>", "28", "29", "<NONE>", "30", "32", "<NONE>", "33", "<NONE>", "35", "36", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Any alteration of one of these factors is distortion , although we generally use that word only for effects so pronounced that they can be stated quantitatively on the basis of standard tests .
<NONE>
<NONE>
[ "Toute", "modification", "de", "l&apos;", "un", "de", "ces", "facteurs", "est", "une", "distorsion", ",", "bien", "que", "nous", "n&apos;", "utilisions", "généralement", "ce", "terme", "que", "pour", "des", "effets", "tellement", "prononcés", "qu&apos;", "ils", "peuvent", "être", "exprimés", "quantitativement", "sur", "la", "base", "de", "tests", "standard", "." ]
[ "<NONE>", "<NONE>", "alteration%1:11:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "factor%1:11:00::", "<NONE>", "<NONE>", "distortion%1:11:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "use%2:34:02::", "<NONE>", "<NONE>", "word%1:10:00::", "<NONE>", "<NONE>", "<NONE>", "effect%1:19:00::", "<NONE>", "pronounced%3:00:00:noticeable:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "state%2:32:01::", "quantitatively%4:02:00::", "<NONE>", "basis%1:24:00::", "<NONE>", "<NONE>", "test%1:04:02::", "standard%3:00:01::", "<NONE>" ]
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[ "7", "<NONE>", "1", "<NONE>", "3", "4", "5", "6", "<NONE>", "<NONE>", "8", "<NONE>", "10", "<NONE>", "<NONE>", "11", "13", "<NONE>", "14", "15", "<NONE>", "<NONE>", "17", "18", "<NONE>", "20", "21", "<NONE>", "23", "<NONE>", "25", "26", "27", "29", "<NONE>", "<NONE>", "32", "31", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Yet it is the accumulation of distortion , the fitting together of fractional bits until the total reaches the threshold of our awareness , that makes records sound like records .
<NONE>
<NONE>
[ "Pourtant", ",", "c&apos;", "est", "l&apos;", "accumulation", "de", "la", "distorsion", ",", "l&apos;", "assemblage", "de", "bits", "fractionnels", "jusqu&apos;", "à", "ce", "que", "le", "total", "atteigne", "le", "seuil", "de", "notre", "conscience", ",", "qui", "fait", "que", "les", "enregistrements", "sont", "des", "enregistrements", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "accumulation%1:14:00::", "<NONE>", "<NONE>", "distortion%1:11:00::", "<NONE>", "<NONE>", "fit%2:30:02::", "<NONE>", "<NONE>", "fractional%3:00:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "total%1:06:00::", "reach%2:32:00::", "<NONE>", "threshold%1:09:00::", "<NONE>", "<NONE>", "awareness%1:09:00::", "<NONE>", "<NONE>", "make%2:30:00::", "<NONE>", "<NONE>", "record%1:06:00::", "<NONE>", "sound%2:39:00::", "record%1:06:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "accumulation%1:14:00", "<NONE>", "<NONE>", "distortion%1:11:00", "<NONE>", "<NONE>", "fit%2:30:02", "<NONE>", "<NONE>", "fractional%3:00:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "total%1:06:00", "reach%2:32:00", "<NONE>", "threshold%1:09:00", "<NONE>", "<NONE>", "awareness%1:09:00", "<NONE>", "<NONE>", "make%2:30:00", "<NONE>", "<NONE>", "record%1:06:00", "<NONE>", "sound%2:39:00", "record%1:06:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "2", "4", "5", "<NONE>", "6", "<NONE>", "8", "9", "11", "<NONE>", "12", "<NONE>", "14", "<NONE>", "<NONE>", "15", "16", "17", "18", "19", "<NONE>", "<NONE>", "22", "<NONE>", "24", "25", "<NONE>", "<NONE>", "26", "<NONE>", "27", "29", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
The sound may be good; but if you know The Real Thing , you know that what you are hearing is only a clever imitation .
<NONE>
<NONE>
[ "Le", "son", "peut", "être", "bon", ",", "mais", "si", "vous", "connaissez", "The", "Real", "Thing", ",", "vous", "savez", "que", "ce", "que", "vous", "entendez", "n&apos;", "est", "qu&apos;", "une", "imitation", "intelligente", "." ]
[ "<NONE>", "sound%1:07:00::", "<NONE>", "be%2:42:03::", "good%3:00:01::", "good%3:00:01::", "<NONE>", "<NONE>", "<NONE>", "know%2:31:03::", "<NONE>", "real_thing%1:07:00::", "real_thing%1:07:00::", "<NONE>", "<NONE>", "know%2:31:02::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "hear%2:39:00::", "be%2:42:03::", "only%4:02:02::", "<NONE>", "<NONE>", "<NONE>", "imitation%1:06:00::", "<NONE>" ]
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[ "<NONE>", "1", "<NONE>", "3", "4", "4", "5", "6", "7", "8", "9", "10", "11", "12", "13", "14", "15", "<NONE>", "16", "17", "19", "20", "21", "<NONE>", "<NONE>", "<NONE>", "24", "<NONE>" ]
[ "<NONE>", "0.303", "<NONE>", "0.233", "0.290", "0.212", "0.244", "0.209", "0.203", "0.314", "0.308", "0.393", "0.267", "0.185", "0.212", "0.291", "0.237", "<NONE>", "0.209", "0.198", "0.220", "0.187", "0.184", "<NONE>", "<NONE>", "<NONE>", "0.261", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Command 's new Brahms Second is a major effort to make a record that sounds like a real orchestra rather than a copy of one .
<NONE>
<NONE>
[ "Le", "nouveau", "Brahms", "Second", "de", "Command", "est", "un", "effort", "majeur", "pour", "faire", "un", "disque", "qui", "ressemble", "à", "un", "véritable", "orchestre", "plutôt", "qu&apos;", "à", "une", "copie", "d&apos;", "un", "." ]
[ "<NONE>", "<NONE>", "person%1:03:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "be%2:42:03::", "<NONE>", "major%3:00:06::", "<NONE>", "<NONE>", "make%2:36:00::", "record%1:06:00::", "<NONE>", "sound%2:39:00::", "<NONE>", "<NONE>", "real%3:00:00:serious:00", "orchestra%1:14:00::", "rather%4:02:02::", "<NONE>", "<NONE>", "<NONE>", "copy%1:06:00::", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "person%1:03:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "be%2:42:03", "<NONE>", "major%3:00:06", "<NONE>", "<NONE>", "make%2:36:00", "record%1:06:00", "<NONE>", "sound%2:39:00", "<NONE>", "<NONE>", "real%3:00:00:serious:00", "orchestra%1:14:00", "rather%4:02:02", "<NONE>", "<NONE>", "<NONE>", "copy%1:06:00", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "3", "4", "<NONE>", "<NONE>", "1", "5", "<NONE>", "7", "<NONE>", "9", "10", "12", "13", "14", "15", "16", "17", "18", "19", "20", "<NONE>", "<NONE>", "22", "<NONE>", "<NONE>", "24" ]
[ "<NONE>", "<NONE>", "0.27", "0.208", "<NONE>", "<NONE>", "0.382", "0.186", "<NONE>", "0.226", "<NONE>", "0.205", "0.190", "0.263", "0.199", "0.293", "0.236", "0.171", "0.246", "0.303", "0.257", "0.144", "<NONE>", "<NONE>", "0.287", "<NONE>", "<NONE>", "0.179" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-e04
Like the recent Scheherazade from London (High Fidelity , Sept. 1961), it is successful because emphasis has been placed on good musical and engineering practices rather than on creating sensational effects .
<NONE>
<NONE>
[ "Comme", "la", "récente", "Scheherazade", "de", "Londres", ",", "High", "Fidelity", ",", "septembre", "1961", ",", "elle", "réussit", "parce", "que", "l&apos;", "accent", "a", "été", "mis", "sur", "les", "bonnes", "pratiques", "musicales", "et", "d&apos;", "ingénierie", "plutôt", "que", "sur", "la", "création", "d&apos;", "effets", "sensationnels", "." ]
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br-e04
Because of this , only those with truly fine equipment will be able to appreciate the exact degree of the engineers ' triumph .
<NONE>
<NONE>
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br-e04
The easiest way to describe this release is to say that it reproduces an interesting and effective Steinberg performance with minimal alteration of its musical values .
<NONE>
<NONE>
[ "La", "façon", "la", "plus", "simple", "de", "décrire", "cette", "sortie", "est", "de", "dire", "qu&apos;", "elle", "reproduit", "une", "performance", "Steinberg", "intéressante", "et", "efficace", "avec", "une", "modification", "minimale", "de", "ses", "valeurs", "musicales", "." ]
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br-e04
The engineering as such never obtrudes upon your consciousness .
<NONE>
<NONE>
[ "L&apos;", "ingénierie", "en", "tant", "que", "telle", "ne", "fait", "jamais", "partie", "de", "votre", "conscience", "." ]
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br-e04
The effect of the recording is very open and natural , with the frequency emphasis exactly what you would expect from a live performance .
<NONE>
<NONE>
[ "L&apos;", "effet", "de", "l&apos;", "enregistrement", "est", "très", "ouvert", "et", "naturel", ",", "avec", "l&apos;", "accent", "sur", "la", "fréquence", "exactement", "ce", "que", "vous", "attendez", "d&apos;", "une", "performance", "en", "direct", "." ]
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br-e04
This absence of peaky highs and beefed-up bass not only produces greater fidelity , but it eliminates listener fatigue .
<NONE>
<NONE>
[ "Cette", "absence", "d&apos;", "anticyclones", "et", "de", "basses", "perlées", "non", "seulement", "produit", "une", "plus", "grande", "fidélité", ",", "mais", "élimine", "la", "fatigue", "des", "auditeurs", "." ]
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br-e04
A contributing factor is the perspective , the uniform aesthetic distance which is maintained .
<NONE>
<NONE>
[ "Un", "facteur", "contributif", "est", "la", "perspective", ",", "la", "distance", "esthétique", "uniforme", "qui", "est", "maintenue", "." ]
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br-e04
The orchestra is far enough away from you that you miss the bow scrapes , valve clicks , and other noises incidental to playing .
<NONE>
<NONE>
[ "L&apos;", "orchestre", "est", "assez", "loin", "de", "vous", "que", "vous", "manquez", "les", "morceaux", "de", "proue", ",", "les", "clics", "de", "clics", "et", "d&apos;", "autres", "bruits", "accessoires", "au", "jeu", "." ]
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br-e04
Yet you feel the orchestra is near at hand , and the individual instruments have the same firm presence associated with listening from a good seat in an acoustically perfect hall .
<NONE>
<NONE>
[ "Pourtant", ",", "vous", "avez", "l&apos;", "impression", "que", "l&apos;", "orchestre", "est", "proche", "et", "que", "les", "instruments", "individuels", "ont", "la", "même", "présence", "ferme", "associée", "à", "l&apos;", "écoute", "d&apos;", "un", "bon", "siège", "dans", "une", "salle", "acoustiquement", "parfaite", "." ]
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br-e04
Command has achieved the ideal amount of reverberation .
<NONE>
<NONE>
[ "Le", "commandement", "a", "atteint", "le", "niveau", "idéal", "de", "réverbération", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "achieve%2:41:00::", "<NONE>", "amount%1:07:00::", "ideal%3:01:00::", "<NONE>", "reverberation%1:07:00::", "<NONE>" ]
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br-e04
The music is always allowed the living space needed to attain its full sonority; yet the hall never intrudes as a quasi performer .
<NONE>
<NONE>
[ "La", "musique", "est", "toujours", "autorisée", "l&apos;", "espace", "de", "vie", "nécessaire", "pour", "atteindre", "sa", "pleine", "sonorité", ";", "pourtant", ",", "la", "salle", "ne", "s&apos;", "immisce", "jamais", "comme", "un", "quasi", "@-@", "interprète", "." ]
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br-e04
The timbre remains that of the instruments unclouded by resonance .
<NONE>
<NONE>
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br-e04
All of this would be wasted , of course , if the performance lacked authority and musical distinction .
<NONE>
<NONE>
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br-e04
For me it has more of both elements than the majority of its competitors .
<NONE>
<NONE>
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br-e04
Steinberg seems to have gone directly back to the score , discounting tradition , and has built his performance on the intention to reproduce as faithfully as possible exactly what Brahms set down on paper .
<NONE>
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br-e04
Those accustomed to broader , more romantic statements of the symphony can be expected to react strongly when they hear this one .
<NONE>
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br-e04
Without losing the distinctive undertow of Brahmsian rhythm , the pacing is firm and the over-all performance has a tightly knit quality that makes for maximum cumulative effect .
<NONE>
<NONE>
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