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a rich tale of our times , very well told with an appropriate minimum of means .
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's the prince of egypt from 1998 .
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filmed directly from a television monitor
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descends into sub-tarantino cuteness
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mixed messages ,
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the climactic hourlong cricket match
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by the power and grace of one of the greatest natural sportsmen of modern times
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the most repugnant adaptation of a classic text since roland joffé and demi moore 's the scarlet letter .
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reworks
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they will have a showdown , but ,
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this wild welsh whimsy
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of the very best movies
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might survive a screening with little harm done , except maybe for the last 15 minutes , which are as maudlin as any after-school special you can imagine .
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just when you think you are making sense of it , something happens that tells you there is no sense .
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disappoints
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a high water mark
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if you enjoy being rewarded by a script that assumes you are n't very bright
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, contrived sequels
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the wonderful acting clinic put on by spader and gyllenhaal
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complaining
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it 's a fairy tale that comes from a renowned indian film culture that allows americans to finally revel in its splendor .
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with more holes than clyde barrow 's car
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outdoes its spectacle
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a light-hearted way the romantic problems
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is a disaster of a story , full of holes and completely lacking in chills
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a wonderfully speculative character
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ends up sounding like satire
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, most humane and important holocaust movies ever made .
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an otherwise appalling , and downright creepy , subject --
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the high seas that works better the less the brain is engaged
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you 're a fan of the series
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by childlike dimness and a handful of quirks
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possibly the best actor
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recommended -- as visually bland as a dentist 's waiting room ,
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this breezy caper movie becomes a soulful , incisive meditation on the way we were , and the way we are .
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comes down to whether you can tolerate leon barlow
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politically potent
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artsy fantasy sequences --
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holds up well after two decades
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you can find humor
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make several runs to the concession stand and/or restroom and not
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nothing special and , until the final act , nothing
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a music scene that transcends culture and race
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well acted by diane lane and richard gere .
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here of a director enjoying himself immensely
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make up for an unfocused screenplay
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wondrous love story
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the pratfalls but little else
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, in spite of all that he 's witnessed , remains surprisingly idealistic
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out there !
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need all the luck they can muster just figuring out who 's who in this pretentious mess
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inconsistent , meandering , and sometimes dry plot
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a small star with big heart
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a plot as musty as one of the golden eagle 's carpets
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rated eee for excitement .
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... by the time it 's done with us , mira nair 's new movie has its audience giddy with the delight of discovery , of having been immersed in a foreign culture only to find that human nature is pretty much the same all over .
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numbing experience to watch
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memorable film
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the road paved with good intentions leads to the video store ''
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the predictable parent
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nasty journey
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is powerful and provocative .
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written and directed with brutal honesty and respect for its audience .
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, steven shainberg 's adaptation of mary gaitskill 's harrowing short story ... is a brilliantly played , deeply unsettling experience .
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has no place to go since simone is not real
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the easy emotional buttons
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feeble
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some laughs in this movie
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( a ) wonderfully loopy tale of love , longing , and voting .
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are pretty valuable
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i have returned from the beyond to warn you : this movie is 90 minutes long , and life is too short .
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intermittently good
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as dreadful
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particular , anciently demanding métier
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deep into the girls ' confusion and pain as they struggle tragically to comprehend the chasm of knowledge that 's opened between them
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of strong voices
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soderbergh 's best films
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care for its decrepit freaks beyond the promise of a reprieve from their incessant whining
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come to believe that nachtwey hates the wars he shows and empathizes with the victims he reveals
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their parents , wise folks that they are , read books
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is a subzero version of monsters , inc. , without the latter 's imagination ,
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original talent
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a gleefully
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tries for more .
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cannibal
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praise
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delivered with such conviction that it 's hard not to be carried away
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the film feels formulaic , its plot and pacing typical hollywood war-movie stuff , while the performances elicit more of a sense of deja vu than awe .
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gifted korean american stand-up
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spiteful idiots
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its social and political potential
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a waste of de niro , mcdormand and the other good actors
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captures the complicated relationships in a marching band .
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86 minutes too long
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like they were lifted from terry gilliam 's subconscious , pressed through kafka 's meat grinder and into buñuel 's casings
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've already seen city by the sea under a variety of titles
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clean-cut dahmer ( jeremy renner ) and fiendish acts that no amount of earnest textbook psychologizing can bridge .
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mctiernan 's remake may be lighter on its feet -- the sober-minded original was as graceful as a tap-dancing rhino -- but it is just as boring and as obvious .
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discoveries
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's self-defeatingly decorous
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