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when your subject is illusion versus reality , should n't the reality seem at least passably real ?
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scotland looks wonderful , the fans are often funny fanatics
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pg-13
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without sacrificing any of the cultural intrigue
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guts
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delicious , quirky movie
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faint of heart or conservative of spirit , but for the rest of us -- especially san francisco lovers
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burn the negative and the script and
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reminds you how pertinent its dynamics remain
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the tale has turned from sweet to bittersweet , and when the tears come during that final , beautiful scene , they finally feel absolutely earned
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blockbusters as patriot games can still turn out a small , personal film with an emotional wallop
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like mike shoots and scores , doing its namesake proud
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can do no wrong with jason x.
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waters it down
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audiences are advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching , but
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the gags , and the script , are a mixed bag .
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the sheer dumbness of the plot ( other than its one good idea ) and the movie 's inescapable air of sleaziness get you down .
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triple x
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work in the same vein as the brilliance of animal house
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must go to grant , who has n't lost a bit of the dry humor that first made audiences on both sides of the atlantic love him
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bite
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none of this is meaningful or memorable
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is repeated at least four times .
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big , fat , dumb
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a sloppy , amusing comedy that proceeds from a stunningly unoriginal premise
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the setting in an attempt to make the film relevant today , without fully understanding what it was that made the story relevant in the first place
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a spooky yarn of demonic doings on the high seas that works better the less the brain is engaged
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gives the neighborhood -- scenery , vibe and all -- the cinematic equivalent of a big , tender hug .
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how bad it is
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girls ca n't swim represents an engaging and intimate first feature by a talented director to watch , and it 's a worthy entry in the french coming-of-age genre
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if you liked the previous movies in the series , you 'll have a good time with this one too
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a humorless
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offers just enough sweet and traditional romantic comedy to counter the crudity .
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this charming , thought-provoking new york fest of life and love has its rewards .
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's tremendously moving
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fails to have a heart , mind or humor of its own
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meticulous talent
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written , flatly , by david kendall and directed , barely , by there 's something about mary co-writer ed decter .
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an impenetrable and insufferable ball of pseudo-philosophic twaddle
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most of the information has already appeared in one forum or another and , no matter how broomfield dresses it up , it tends to speculation , conspiracy theories or , at best , circumstantial evidence .
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he 's got as potent a topic as ever here
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if there 's no art here
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eccentric and good-naturedly aimless story
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the film has ( its ) moments
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can find humor
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that this noble warlord would be consigned to the dustbin of history
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only is entry number twenty the worst of the brosnan bunch
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want to bolt the theater in the first 10 minutes
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undone by anachronistic quick edits and occasional jarring glimpses of a modern theater audience watching the events unfold
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can not engage .
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manages to escape the shackles of its own clichés to be the best espionage picture to come out in weeks .
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irresistible , languid romanticism
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a guiltless film for nice evening out
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sodden and glum
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i 'd recommend waiting for dvd and just skipping straight to her scenes .
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maintaining the appearance of clinical objectivity
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weird , wonderful , and not necessarily for kids
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disease
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like a human volcano or an overflowing septic tank
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simply by accident
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his outstanding performance as bond in die
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anchored by splendid performances from an honored screen veteran and a sparkling newcomer who instantly transform themselves into a believable mother/daughter pair
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can take credit for most of the movie 's success .
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... pays tribute to heroes the way julia roberts hands out awards -- with phony humility barely camouflaging grotesque narcissism .
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, for a movie that tries to be smart , it 's kinda dumb .
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entirely suspenseful , extremely well-paced and ultimately ... dare i say , entertaining !
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another shameless attempt
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some very good comedic songs , strong finish
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the movie 's blatant derivativeness is one reason it 's so lackluster .
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handsome and
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a creepy , intermittently powerful study of a self-destructive man ...
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equate to being good ,
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support the premise other than fling gags at it
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feel ` stoked
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-- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity
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so vivid
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sad nonsense , this
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proves tiresome ,
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, swimming gets the details right , from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner .
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the right choice
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slummer
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oddballs
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mindless action
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an engaging storyline ,
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a long , dull procession of despair ,
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that one viewing ca n't possibly be enough
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the smartest
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the result puts a human face on derrida , and makes one of the great minds of our times interesting and accessible to people who normally could n't care less .
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raimi and his team could n't have done any better in bringing the story of spider-man to the big screen .
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spider invasion comic chiller
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plodding action sequences
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the master of disguise represents adam sandler 's latest attempt to dumb down the universe .
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sick character
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director alfonso cuaron gets vivid , convincing performances from a fine cast , and generally keeps things going at a rapid pace , occasionally using an omniscient voice-over narrator in the manner of french new wave films .
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just might turn on many people to opera , in general
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seems to elicit a chuckle
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even a story immersed in love , lust , and sin
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no amount of burning , blasting , stabbing , and shooting can hide a weak script .
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borrows a bit from the classics `` wait until dark '' and `` extremities '' ... but in terms of its style , the movie is in a class by itself
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the cast is appealing
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