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other than fling gags at it
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while there 's likely very little crossover appeal to those without much interest in the elizabethans ( as well as rank frustration from those in the know about rubbo 's dumbed-down tactics ) , much ado about something is an amicable endeavor .
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some of the unsung heroes of 20th century
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enters a realm where few non-porn films venture , and comes across as darkly funny , energetic , and surprisingly gentle
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this new zealand coming-of-age movie is n't really about anything .
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do little to salvage this filmmaker 's flailing reputation .
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's a funny little movie with clever dialogue and likeable characters .
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if you 're not deeply touched by this movie
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two signs that m. night shyamalan 's debut feature sucked up all he has to give to the mystic genres of cinema
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this is a truly , truly bad movie .
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bittersweet comedy/drama full of life , hand gestures , and some really adorable italian guys .
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max pokes , provokes , takes expressionistic license and hits a nerve ...
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embodies the transformation of his character completely .
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was fundamentally unknowable even to his closest friends
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a string of ensemble cast romances recently
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there is greatness here .
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elling '' manages to do all three quite well , making it one of the year 's most enjoyable releases
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the charm of the first movie is still there , and the story feels like the logical , unforced continuation of the careers of a pair of spy kids
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had , lost , and got back
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is also a work of deft and subtle poetry
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be viewed as pure composition and form --
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end up trying to drown yourself in a lake afterwards
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fails in making this character understandable , in getting under her skin , in exploring motivation ... well before the end , the film grows as dull as its characters , about whose fate it is hard to care .
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the charm of satin rouge
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's the kind of movie that , aside from robert altman , spike lee , the coen brothers and a few others , our moviemakers do n't make often enough
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asks nothing of the audience other than to sit back and enjoy a couple of great actors hamming it up
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deserve a passing grade ( even on a curve )
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a thoughtful movie ,
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abstract approach
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well , it probably wo n't have you swinging from the trees hooting it 's praises , but
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documentary to make the stones weep -- as shameful as it
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little more than preliminary notes for a science-fiction horror film
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, shot in artful , watery tones of blue , green and brown .
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are remarkable
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change watching such a character
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in a ridiculous wig no respectable halloween costume shop would ever try to sell
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often-funny drama
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home movie '' is a sweet treasure and something well worth your time .
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is more than a movie .
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less the product of loving , well integrated homage and more like a mere excuse for the wan , thinly sketched story
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of charm
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worn-out
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that you and they were in another movie
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of him wheedling reluctant witnesses and pointing his camera through the smeared windshield of his rental car
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in between the icy stunts , the actors spout hilarious dialogue about following your dream and ` just letting the mountain tell you what to do . '
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of cliches that the talented cast generally
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created a beautiful canvas
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a radiant character portrait
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there 's a casual intelligence that permeates the script
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might just be better suited to a night in the living room than a night at the movies
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the boho art-house crowd
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hong kong master john woo
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it , offering fine acting moments and pungent insights
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rather less than the sum of its underventilated père-fils confrontations .
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seagal
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deem it necessary to document all this emotional misery
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save oleander 's uninspired story
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it is ok for a movie to be something of a sitcom apparatus ,
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the humanity of its people
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sadly --
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good-looking
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the barbarism of ` ethnic cleansing
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itself is small and shriveled
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both grant and hoult carry the movie because they are believable as people -- flawed , assured of the wrong things , and scared to admit how much they may really need the company of others .
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would n't make trouble every day any better .
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a depressing story
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used my two hours better watching being john malkovich again
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appropriately
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's a diverting enough hour-and-a-half for the family audience
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be funny , uplifting and moving , sometimes
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leaves us wondering less about its ideas and more about its characterization of hitler and the contrived nature of its provocative conclusion
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unstinting
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poignant and wryly amusing film
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in treading the line between sappy and sanguine
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a thin notion
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ghetto
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could have given audiences the time of day by concentrating on the elements of a revealing alienation among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation .
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gets very ugly , very fast
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is little else to recommend `` never again . ''
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trailer trash cinema so uncool the only thing missing is the `` gadzooks ! ''
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troubled
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what 's so striking about jolie 's performance
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shoots and scores
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supremely
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more measured or polished production
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nair 's cast is so large it 's altman-esque , but she deftly spins the multiple stories in a vibrant and intoxicating fashion .
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, stuart little 2 manages sweetness largely without stickiness .
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trash cinema
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a brilliant , absurd collection of vignettes that , in their own idiosyncratic way , sum up the strange horror of life in the new millennium .
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a holy fool
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similarly ill-timed
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a fully engaged supporting cast
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muddled and derivative
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goes on for the 110 minutes of `` panic room ''
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spontaneous creativity and
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gets vivid , convincing performances
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'll end up moved
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flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , delicious dialogue and
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a rude black comedy
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to go around , with music and laughter
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