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's muy loco , but no more ridiculous
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the duration of the film 's shooting schedule waiting to scream
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at leading lives of sexy intrigue
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more compelling
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hiss
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the characters are complex and quirky , but entirely believable as the remarkable ensemble cast brings them to life .
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always keeping the balance between the fantastic and the believable
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dim-witted and
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new zealand coming-of-age movie
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have to admit i walked out of runteldat
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so much crypt mist in the brain
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... get a sense of good intentions derailed by a failure to seek and strike just the right tone .
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loud , chaotic and
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imaginative flight
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his sly , intricate magic
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into a gross-out monster movie with effects that are more silly than scary
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clever , amusing and unpredictable
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should come with the warning `` for serious film buffs only ! ''
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there , done that ... a thousand times already
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's definitely an improvement on the first blade , since it does n't take itself so deadly seriously
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cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash
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gory as the scenes of torture and self-mutilation
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charming , funny and beautifully crafted import
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a cartoon ?
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like some like it
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all three women deliver remarkable performances .
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crude
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, heartwarming yarn
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beautiful ,
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, the french-produced `` read my lips '' is a movie that understands characters must come first .
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lackadaisical plotting and mindless action
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skins is heartfelt and achingly real .
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is compelling enough ,
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of suspense , intriguing characters and bizarre bank robberies , plus a heavy dose of father-and-son dynamics
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over with
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if the real-life story is genuinely inspirational
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has always been part of for the most part wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses and parker 's creative interference
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psychedelic devices , special effects and backgrounds ,
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a cold , calculated exercise
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, the movie is busy contriving false , sitcom-worthy solutions to their problems .
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a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half
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if you 're not , you 'll still have a good time . ''
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chilling and heart-warming
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a scary , action-packed chiller
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most plain , unimaginative romantic comedies i
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, it has some special qualities and the soulful gravity of crudup 's anchoring performance .
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the heart as well as
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sly , sophisticated and surprising .
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is a great deal of fun
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what a bewilderingly brilliant and entertaining movie
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the first mistake
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wobbly
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aimed mainly at little kids but with plenty of entertainment value to keep grown-ups from squirming in their seats
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believe that something so short could be so flabby
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the adventures of direct-to-video nash
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energy and excitement
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turn a larky chase movie into an emotionally satisfying exploration of the very human need to be somebody , and to belong to somebody .
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leaves a bitter taste
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there 's never a dull moment in the giant spider invasion comic chiller
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that the pocket monster movie franchise is nearly ready to keel over
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it 's an effort to watch this movie
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is its most immediate and most obvious pleasure
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of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand
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gaping enough to pilot
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easy sanctimony , formulaic thrills and
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that will stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why
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pinnacle
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does little here
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- kids-cute sentimentality by a warmth that is n't faked and
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implicitly acknowledges and celebrates the glorious chicanery and self-delusion of this most american of businesses , and for that reason it may be the most oddly honest hollywood document of all .
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already-shallow
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solid base
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a paunchy midsection , several plodding action sequences and a wickedly undramatic central theme
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impeccable comic timing , raffish charm and piercing intellect
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a strangely stirring experience that finds warmth in the coldest environment and makes each crumb of emotional comfort
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easily the most thoughtful fictional examination of the root causes of anti-semitism ever seen on screen .
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, unlike those in moulin rouge , are crisp and purposeful without overdoing it
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crack a smile at
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will leave you wanting to abandon the theater .
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all it amounts to is a mildly funny , sometimes tedious , ultimately insignificant film
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herzog simply runs out of ideas
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captures the moment when a woman 's life , out of a deep-seated , emotional need , is about to turn onto a different path
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it has its faults
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allows his cast members to make creative contributions to the story and dialogue .
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about cleverness , wit or any other kind of intelligent humor
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a film that should be relegated to a dark video store corner is somehow making its way instead to theaters .
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succeeds with its dark , delicate treatment of these characters and its unerring respect for them
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lush , all-enveloping movie experience
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my seat trying to sneak out of the theater
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the strange horror
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crisp and purposeful
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the film boasts at least a few good ideas and features some decent performances , but the result is disappointing
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leaden as the movie sputters to its inevitable tragic conclusion
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( seagal 's ) strenuous attempt
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daft by half ... but supremely good natured .
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, the movie is a disaster .
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there 's plenty to impress about e.t.
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to the most crucial lip-reading sequence
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you get the impression that writer and director burr steers knows the territory ... but his sense of humor has yet to lose the smug self-satisfaction usually associated with the better private schools .
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clever and unflinching in its comic barbs , slap her is a small but rewarding comedy that takes aim at contemporary southern adolescence and never lets up .
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