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that proceeds
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better at fingering problems than finding solutions
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fashioning an engrossing entertainment out
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that stalls in its lackluster gear of emotional blandness
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e.t. works because its flabbergasting principals , 14-year-old robert macnaughton , 6-year-old drew barrymore and 10-year-old henry thomas , convince us of the existence of the wise , wizened visitor from a faraway planet .
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addition to gluing you to the edge of your seat
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a ponderous and pretentious endeavor
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engrossing and infectiously enthusiastic
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at least terribly monotonous
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is almost guaranteed that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half
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genuine spontaneity
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mixes in as much humor as pathos
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plumbs uncharted depths of stupidity , incoherence and sub-sophomoric sexual banter
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creates a portrait of two strong men in conflict , inextricably entwined through family history , each seeing himself in the other , neither liking what he sees
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a visionary
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about one in three gags in white 's intermittently wise script hits its mark ; the rest are padding unashamedly appropriated from the teen-exploitation playbook
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also features terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters and a rather dull , unimaginative car chase .
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mostly works because of the universal themes , earnest performances ... and excellent use of music by india 's popular gulzar and jagjit singh .
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admire this film for its harsh objectivity and refusal to seek our tears , our sympathies
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toss logic and science into what is essentially a `` dungeons and dragons '' fantasy with modern military weaponry
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seems as funny as it did in analyze this , not even joe viterelli as de niro 's right-hand goombah .
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upscale
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of credible gender-provoking philosophy
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who are trying to make their way through this tragedy
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very thrilling
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pulled from a tear-stained vintage shirley temple script
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crafted but emotionally cold , a puzzle whose intricate construction one can admire but is difficult to connect with on any deeper level .
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this smart
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tensions
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to perfect use in the breathtakingly beautiful outer-space documentary space station 3d
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good documentary
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it is as uncompromising as it is nonjudgmental , and makes clear that a prostitute can be as lonely and needy as any of the clients .
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contains a few big laughs but many more that graze the funny bone or miss it altogether , in part because the consciously dumbed-down approach wears thin
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, all-enveloping movie experience
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too many pointless situations
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it 's a drag how nettelbeck sees working women -- or at least this working woman -- for whom she shows little understanding .
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though it 's not very well shot or composed or edited , the score is too insistent and the dialogue is frequently overwrought and crudely literal
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slow death
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we get an ugly , mean-spirited lashing out by an adult who 's apparently been forced by his kids to watch too many barney videos .
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as perfect as his outstanding performance as bond in die
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string
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boring , pretentious waste
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better acting and a hilarious kenneth branagh
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major waste
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the otherwise good-naturedness of mr. deeds , with its embrace of sheer goofiness and cameos of less - than-likely new york celebrities
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had gone a tad less for grit and a lot more for intelligibility
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gets vivid , convincing performances from a fine cast , and generally keeps things going at a rapid pace , occasionally using an omniscient voice-over narrator in the manner of french new wave films
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about half of them are funny , a few are sexy and none are useful in telling the story , which is paper-thin and decidedly unoriginal .
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also captures moments of spontaneous creativity and authentic co-operative interaction
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uninspired preachy and clichéd war
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to classify as it is hard to resist
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of bad writing , bad direction and bad acting -- the trifecta of badness
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who , exactly , is fighting whom here ?
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an uncluttered , resonant gem that relays its universal points without lectures or confrontations
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perfect as his outstanding performance as bond in die
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droning house music
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is too calm and thoughtful for agitprop , and the thinness of its characterizations makes it a failure as straight drama
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had a bad run in the market or a costly divorce , because there is no earthly reason other than money why this distinguished actor would stoop so low
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would reach for a barf bag
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seems as funny
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this colorful bio-pic
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this makes it not only a detailed historical document , but an engaging and moving portrait of a subculture
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a compelling , gut-clutching piece
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is not as terrible as the synergistic impulse that created it
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it 's not even a tv special you 'd bother watching past the second commercial break
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it 's fitting that a movie as artificial and soulless as the country bears owes its genesis to an animatronic display at disneyland .
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( fiji diver rusi vulakoro and the married couple howard and michelle hall ) show us the world they love and make
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writer and director otar iosseliani 's pleasant tale about a factory worker who escapes for a holiday in venice
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are n't too many films that can be as simultaneously funny , offbeat and heartwarming ( without a thick shmear of the goo , at least )
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13 conversations about one thing '' is an intelligent flick that examines many different ideas from happiness to guilt in an intriguing bit of storytelling .
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amazingly evocative film from three decades ago
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assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic , and retains an extraordinary faith in the ability of images to communicate the truth of the world around him .
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a core of flimsy -- or , worse yet , nonexistent -- ideas
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its opening
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as an intense political and psychological thriller
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completely awful iranian drama ...
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i am highly amused by the idea that we have come to a point in society where it has been deemed important enough to make a film in which someone has to be hired to portray richard dawson .
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a breath
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and good intentions
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make an alluring backdrop for this sensuous and spirited tale of a prim widow who finds an unlikely release in belly-dancing clubs .
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a remarkably cohesive whole ,
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making this queen a thoroughly modern maiden
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feels contrived ,
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car-wreck
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has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced
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boredom to the point of collapse , turning into a black hole of dullness
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these self-styled athletes have banged their brains into the ground so frequently and furiously , their capacity to explain themselves has gone the same way as their natural instinct for self-preservation
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astonishingly skillful and moving ... it could become a historically significant work as well as a masterfully made one
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tried-and-true
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is a no-surprise series of explosions and violence while banderas looks like he 's not trying to laugh at how bad it
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mtv schmucks
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the fantastic
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sensual , funny and , in the end , very touching
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their lack
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human nature is a goofball movie , in the way that malkovich was , but it tries too hard
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it magic
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might have been saved if the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek )
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that rare movie that works on any number of levels -- as a film of magic and whimsy for children , a heartfelt romance for teenagers and a compelling argument about death , both pro and con , for adults
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walk away without anyone truly knowing your identity
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is omitted nor a cliché left unsaid
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