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maintains your sympathy for this otherwise challenging soul by letting you share her one-room world for a while
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powerful rather than cloying
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good job
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does too much meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , hopkins looks like a drag queen .
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slapstick and unfunny tricks
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offers a trenchant critique of capitalism
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a delightful , well-crafted family film
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never lets go your emotions , taking them to surprising highs , sorrowful lows and hidden impulsive niches ... gorgeous , passionate , and at times uncommonly moving .
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miscalculates badly
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've looked like as a low-budget series on a uhf channel .
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holm does his sly , intricate magic , and iben hjelje is entirely appealing as pumpkin .
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equal laughs
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the powerful success
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it is a funny ( sometimes hilarious ) comedy with a deft sense of humor about itself , a playful spirit and a game cast
1
a soul-stirring documentary about the israeli/palestinian conflict as
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this delicate coming-of-age tale a treat
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gets bogged down by an overly sillified plot and stop-and-start pacing .
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exhibit sharp comic timing that makes the more hackneyed elements of the film easier to digest
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creepy , intermittently powerful study
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an emotionally and spiritually compelling journey
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what it is supposed to be , but ca n't really call it a work of art
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unspeakably , unbearably dull , featuring reams of flatly delivered dialogue and a heroine who comes across as both shallow and dim-witted .
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is a movie filled with unlikable , spiteful idiots ; whether or not their friendship is salvaged
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covers this territory with wit and originality , suggesting that with his fourth feature -- the first to be released in the u.s.
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ice age is consistently amusing and engrossing ...
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it puts washington , as honest working man john q. archibald , on a pedestal , then keeps lifting the pedestal higher .
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of the director , frank novak , that keeps the film grounded in an undeniable social realism
1
a touching drama about old age and grief with a tour de force performance by michel piccoli .
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, an art form at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and as emotionally grand as life .
1
lovely flakiness
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this remake of lina wertmuller 's 1975 eroti-comedy might just be the biggest husband-and-wife disaster since john and
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the film grounded in an undeniable social realism
1
the uninspired scripts , acting and direction never rise above the level of an after-school tv special
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and ( too ) short
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filmmakers david weissman and bill weber benefit enormously from the cockettes ' camera craziness -- not only did they film performances ,
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as refreshing
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will you feel after an 88-minute rip-off of the rock with action confined to slo-mo gun firing and random glass-shattering ?
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see two academy award winning actresses ( and one academy award winning actor ) succumb to appearing in this junk that 's tv sitcom material at best
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been forced by his kids to watch too many barney videos
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powerful look
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are strong
1
a surprisingly charming and even witty match for the best of hollywood 's comic-book adaptations .
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tepid genre offering
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, do n't bother .
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generates
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of you-are-there immediacy
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a clear-eyed portrait of an intensely lived time , filled with nervous energy , moral ambiguity and great uncertainties
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one not-so-small problem
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ultimately defeated the film ... it was the unfulfilling , incongruous , `` wait a second
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is the sort of low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography , complete with visible boom mikes .
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as satisfyingly odd and intriguing a tale as it was a century and a half ago
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an enormously entertaining movie
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touch you to the core in a film you will never forget -- that you should never forget
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an undeniable entertainment value
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, jackass lacks aspirations of social upheaval .
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awful
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celebrates the human spirit with such unrelenting dickensian decency that it turned me ( horrors ! )
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, it is also elevated by it -- the kind of movie that you enjoy more because you 're one of the lucky few who sought it out .
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a bad taste in your mouth and questions
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believable and heart-wrenching
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as beautifully shaped and as delicately calibrated in tone
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clever and unflinching in its comic barbs
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as generic as its title
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touching movie
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whereas oliver stone 's conspiracy thriller jfk was long , intricate , star-studded and visually flashy
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narrative and ( too ) short
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brosnan gives a portrayal as solid and as perfect as his outstanding performance as bond in die another day .
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is its low-key way of tackling what seems like done-to-death material
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about babak payami 's boldly quirky iranian drama secret ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics
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of what makes dover kosashvili 's outstanding feature debut so potent
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quirky and funny
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becomes the last thing you would expect from a film with this title or indeed from any plympton film : boring .
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followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects
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visually fascinating ... an often intense character study about fathers and sons , loyalty and duty .
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acquires an undeniable entertainment value as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover
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mckay seems embarrassed by his own invention and tries to rush through the intermediary passages , apparently hoping that the audience will not notice the glaring triteness of the plot device
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a china shop , a provocateur crashing into ideas and special-interest groups as he slaps together his own brand of liberalism
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tepid
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equally derisive clunker
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we have poignancy jostling against farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except , maybe , that it looks neat .
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a charming and evoking little ditty
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a brutal 90-minute battle sequence that does everything but issue you a dog-tag and an m-16
1
me as unusually and unimpressively fussy
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not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb
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's so fascinating you wo n't be able to look away for a second .
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's nowhere near as exciting as either
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well worthwhile
1
vulgar dialogue and a plot that crawls along at a snail 's pace
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eric schweig and graham greene both exude an air of dignity that 's perfect for the proud warrior that still lingers in the souls of these characters .
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the type of film about growing up that we do n't see often enough these days : realistic , urgent
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has never
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a splendid job
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a good fight
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a cruel but weirdly likable wasp matron
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not a stereotype is omitted nor a cliché left unsaid .
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carries us effortlessly from darkness
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a whale of a good time for both children and parents seeking christian-themed fun
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that it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened
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may be too narrow to attract crossover viewers .
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it makes even elizabeth hurley seem graceless and ugly .
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