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may not be a straightforward bio
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so intimate and sensual and funny
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swooning melodrama
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providing comic relief
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round out the square edges .
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is a filmmaker of impressive talent .
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a dark comedy that goes for sick and demented humor simply to do so .
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is an excellent choice for the walled-off but combustible hustler
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the insightful writer/director responsible for this illuminating comedy
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a love story and a murder mystery that expands into a meditation on the deep deceptions of innocence
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from one of french cinema 's master craftsmen
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looking like a bunch of talented thesps slumming it
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a film that will be best appreciated by those willing to endure its extremely languorous rhythms , waiting for happiness
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so much about the film is loopy and ludicrous ... that it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened .
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a splash
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a delightfully dour
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have thought possible
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ungainly
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will have you talking 'til the end of the year
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as before , from the incongruous but chemically perfect teaming of crystal and de niro
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real and
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one of the year 's worst cinematic tragedies
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you know it 's going to be a trip
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there 's a little violence and lots of sex in a bid to hold our attention , but it grows monotonous after a while , as do joan and philip 's repetitive arguments , schemes and treachery
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marks an encouraging new direction for la salle .
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way fears and slights
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landmark as monumental as disney 's 1937 breakthrough snow white and the seven dwarfs
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that successfully recreates both the physical setting and emotional tensions of the papin sisters
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even if you do n't know the band or the album 's songs by heart , you will enjoy seeing how both evolve
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a disappointment
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this emotional misery
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be made on the cheap
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for words , for its eccentric , accident-prone characters , and for the crazy things that keep people going in this crazy life
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-- a nice , harmless date film
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that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination
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regret
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of loss and denial and life-at-arm 's - length in the film
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image-mongering
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a deftly entertaining film
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of which mainstream audiences have rarely seen
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such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema
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a realistically terrifying movie that puts another notch
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serene , the humor wry and sprightly
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in its laid-back way
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's a very tasteful rock and roll movie .
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this cloying , voices-from-the-other-side story is hell .
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she 's pretty and she can act
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every articulate player
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fascinating ... an often intense character study about fathers and sons , loyalty and duty .
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of true inspiration
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to its last-minute , haphazard theatrical release
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rumblings
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why anyone should bother remembering it
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any more than the gorgeous piano and strings on the soundtrack can drown out the tinny self-righteousness of his voice
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slow and ponderous , but rohmer 's drama builds to an intense indoor drama about compassion , sacrifice , and christian love in the face of political corruption
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quite makes it to the boiling point , but manages to sustain a good simmer for most of its running time
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gentle and
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impossible to claim that it is `` based on a true story
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soulful nuances
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the self-serious equilibrium makes its point too well ; a movie , like life , is n't much fun without the highs and lows .
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a bland murder-on-campus
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submarine movie
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it sucked .
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credited to director abdul malik abbott and ernest ` tron ' anderson
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tens of thousands of german jewish refugees
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given relatively dry material from nijinsky 's writings to perform
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arrogant
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to escape the shackles of its own clichés to be the best espionage picture to come out in weeks
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an uncomfortable experience , but one as brave and challenging as you could possibly expect these days from american cinema .
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the plight
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sustain interest
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even when there are lulls , the emotions seem authentic , and
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a not-so-divine secrets of the ya-ya sisterhood with a hefty helping of re-fried green tomatoes .
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fessenden continues to do interesting work , and
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generational signpost
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about ten
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she 's a pretty woman
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cleverly constructed scenario
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far more entertaining than i had expected
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an equally miserable film
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it works
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a fast paced and suspenseful argentinian thriller about the shadow side of play
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the absurdity of the situation in a well-balanced fashion
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an adorably whimsical comedy
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does n't think much of its characters , its protagonist , or of us
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takes hold and grips hard .
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a timely , tongue-in-cheek profile of the corporate circus that is the recording industry in the current climate of mergers and downsizing
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shapeless inconsequential move
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begin to long for the end credits as the desert does for rain .
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actually has something interesting to say
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is an exercise in chilling style , and twohy films the sub , inside and out , with an eye on preserving a sense of mystery .
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's more enjoyable than i expected
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its sheer dynamism is infectious .
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terrific
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is an act of spiritual faith -- an eloquent , deeply felt meditation on the nature of compassion .
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it falls short
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interesting matters
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the jokes are sophomoric
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try as you might to scrutinize the ethics of kaufman 's approach , somehow it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment .
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enough to keep men
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