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of the most depressing movie-going experiences i can think of
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drama
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is a must for genre fans .
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both as a historical study and as a tragic love story
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jackass
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's suspenseful enough for older kids but not too scary for the school-age crowd
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quite enough of them
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of paint-by-number romantic comedies
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is a divine monument to a single man 's struggle to regain his life , his dignity and his music
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all are irrelevant to the experience of seeing the scorpion king
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the intellectual and emotional pedigree of your date and a giant step backward for a director i admire
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compressed characterisations and for its profound humanity
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cheesy b-movie
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are worthwhile .
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should have been made for the tube
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so-called satire
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rarely seem sure of where it should go
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lame kiddie flick
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superior cast
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generate a lot of energy
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of this tacky nonsense
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might to resist , if you 've got a place in your heart for smokey robinson
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mostly undeterminable
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as a tribute
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begin with
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in any case , i would recommend big bad love only to winger fans who have missed her since 1995 's forget paris .
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overtly disagreeable
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is dazzling
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barely makes sense , with its unbelievable naïveté and arbitrary flashbacks .
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eight crazy nights is a total misfire .
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are nearly impossible to care about
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outtakes in which most of the characters forget their lines
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cold
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radiant character portrait
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in which the script and characters hold sway
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, talented , charismatic and tragically
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been replaced by the bottom of the barrel
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warped logic by writer-director kurt wimmer
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fanciful drama
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showtime is a fine-looking film with a bouncy score and a clutch of lively songs for deft punctuation .
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with a sure and measured hand
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hugely accomplished slice of hitchcockian suspense .
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this ludicrous film is predictable at every turn .
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by and large this is mr. kilmer 's movie , and it 's his strongest performance since the doors .
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could have been much stronger
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ca n't stand
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a thoroughly awful movie -- dumb , narratively chaotic , visually sloppy ... a weird amalgam of ` the thing ' and a geriatric
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elephant feces
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are never more than sketches ... which leaves any true emotional connection or identification frustratingly out of reach
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the dry humor that first made audiences on both sides of the atlantic love him
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riding with the inherent absurdity of ganesh 's rise up the social ladder
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bad sign
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will make you wish you were at home watching that movie instead of in the theater watching this one
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seeing himself in the other ,
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similarly styled gremlins
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a pleasant distraction , a friday night diversion ,
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by someone who ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like leather warriors and switchblade sexpot
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told and retold
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would seem to be surefire casting
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rather toothless take
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immensely enjoyable
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a few other decent ones
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the earnest emotional core
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jagjit
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muddled to be an effectively chilling guilty pleasure
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the satire is weak .
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to see how many times they can work the words `` radical '' or `` suck '' into a sentence
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her share of the holiday box office pie
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works better in the conception than it does in the execution ... winds up seeming just a little too clever
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katz 's documentary does n't have much panache , but with material this rich it does n't need it .
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a bad , bad , bad movie
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the complex , politically charged tapestry of contemporary chinese life this exciting new filmmaker has brought to the screen is like nothing we westerners have seen before .
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directors brett morgen and nanette burstein have put together a bold biographical fantasia .
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succeeds in making neither
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with an action movie that actually has a brain
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a straightforward , emotionally honest manner
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so many of the challenges it poses for itself that one can forgive the film its flaws
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... has a pleasing way with a metaphor .
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more than capable
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many flaws
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feeling like you 've completely lowered your entertainment standards
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drag it down to mediocrity --
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an inspired portrait of male-ridden angst
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're in luck .
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the most amazing super-sized dosage of goofball stunts any `` jackass '' fan could want .
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delivers a powerful commentary on how governments lie , no matter who runs them
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bland murder-on-campus
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pokes , provokes
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the crap
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works smoothly
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an elegant visual sense and a talent
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meandering
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of nijinsky
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admitting that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold
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never feels draggy
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deeply absorbing piece
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instead of a balanced film that explains the zeitgeist that is the x games , we get a cinematic postcard that 's superficial and unrealized .
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would know what to make of this italian freakshow .
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misguided acts of affection
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the depths to which the girls-behaving-badly film has fallen
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