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swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm
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high standards
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it 's never too late to believe in your dreams . '
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rare
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moving in many directions as it searches ( vainly , i think ) for something fresh to say
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false , sitcom-worthy solutions
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harrowing and uplifting
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ego-destroying
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ugly as the shabby digital photography
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every bit as filling as the treat of the title
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cast in impossibly contrived situations
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sc2 is an autopilot hollywood concoction lacking in imagination and authentic christmas spirit ,
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contrived , awkward and filled with unintended laughs
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flowering
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` opening up ' the play more has partly closed it down .
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as lumpy as two-day old porridge
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too long , and larded with exposition , this somber cop drama ultimately feels as flat as the scruffy sands of its titular community .
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bland
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i 'm sure the filmmakers found this a remarkable and novel concept , but anybody who has ever seen an independent film can report that it is instead a cheap cliché .
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lacks in outright newness
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a flat script and a low budget
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directing with a sure and measured hand
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the film is funny , insightfully human and a delightful lark for history buffs
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which lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run
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neat
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a film of magic and whimsy for children , a heartfelt romance for teenagers and a compelling argument about death , both pro and con , for adults
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sure which is worse : the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen
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falters in its recycled aspects , implausibility , and sags in pace
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touches the heart and the funnybone thanks to the energetic and always surprising performance by rachel griffiths
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that works both as a detailed personal portrait and as a rather frightening examination of modern times
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begging for attention , giving audiences no reason to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining
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finely
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informative , intriguing , observant , often touching ... gives a human face to what 's often discussed in purely abstract terms .
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not infrequently breathtaking
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the film ... it was the unfulfilling , incongruous , `` wait a second
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's routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny
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one ca n't shake the feeling that crossroads is nothing more than an hour-and-a-half-long commercial for britney 's latest album .
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ca n't shake the feeling that crossroads is nothing more than an hour-and-a-half-long commercial for britney 's latest album
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a remarkably cohesive whole , both visually and thematically , through their consistently sensitive and often exciting treatment of an ignored people
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a terrifically entertaining specimen of spielbergian sci-fi .
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evans is ) a fascinating character , and deserves a better vehicle than this facetious smirk of a movie .
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that one in clockstoppers , a sci-fi thriller as lazy as it is interminable
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raised a few notches above kiddie fantasy pablum by allen 's astringent wit
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prove more distressing
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sensitive , smart , savvy , compelling coming-of-age drama
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trying figure out whether or not some cocky pseudo-intellectual kid has intentionally left college or was killed
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sticks rigidly to the paradigm , rarely permitting its characters more than two obvious dimensions and repeatedly placing them in contrived , well-worn situations
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a powerful though flawed movie , guaranteed to put a lump in your throat while reaffirming washington as possibly the best actor working in movies today
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is omitted nor a cliché left unsaid .
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the idea is more interesting than the screenplay , which lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run .
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expands the limits of what a film can be , taking us into the lives of women to whom we might not give a second look if we passed them on the street
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hard to quibble with a flick boasting this many genuine cackles
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add up to a moving tragedy with some buoyant human moments .
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does n't allow an earnest moment to pass without reminding audiences that it 's only a movie
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the darker elements of misogyny and unprovoked violence suffocate the illumination created by the two daughters and the sparse instances of humor meant to shine through the gloomy film noir veil
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what might have emerged as hilarious lunacy in the hands of woody allen or mel brooks ( at least during their '70s heyday ) comes across as lame and sophomoric in this debut indie feature .
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a spirit that can not be denied
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's not to like about a movie with a ` children 's ' song that includes the line ` my stepdad 's not mean , he 's just adjusting ' ?
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's contrived and predictable
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's too interested in jerking off in all its byzantine incarnations to bother pleasuring its audience
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pale , dark beauty
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hampered -- no , paralyzed -- by a self-indulgent script ... that aims for poetry and ends up sounding like satire
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such as skateboarder tony hawk or bmx rider mat hoffman , are about a half dozen young turks angling to see how many times they can work the words `` radical '' or `` suck '' into a sentence .
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significantly less charming than listening to a four-year-old with a taste for exaggeration
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as fascinating
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this intricately structured and well-realized drama that presents a fascinating glimpse of urban life and the class warfare that embroils two young men
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most purely enjoyable and satisfying evenings
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trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product
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deserves a place of honor next to nanook as a landmark in film history
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while not quite `` shrek '' or `` monsters , inc. '' , it 's not too bad .
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do well to cram earplugs in their ears and put pillowcases over their heads for 87 minutes
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is that rare animal known as ' a perfect family film
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a while , as do joan and philip 's repetitive arguments , schemes and treachery
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's apparently been forced by his kids to watch too many barney videos
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so preachy-keen and so tub-thumpingly loud it makes you feel like a chump
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this fascinating look at israel in ferment feels as immediate as the latest news footage from gaza and , because of its heightened , well-shaped dramas , twice as powerful .
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with his inescapable past and uncertain future in a very shapable but largely unfulfilling present
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but kouyate elicits strong performances from his cast , and he delivers a powerful commentary on how governments lie , no matter who runs them .
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does n't know if it wants to be a retro-refitting exercise in campy recall for older fans or a silly , nickelodeon-esque kiddie flick .
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that can be as simultaneously funny , offbeat and heartwarming ( without a thick shmear of the goo , at least )
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stopped thinking about how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights
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black-and-white
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, let alone funny
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pompous and garbled .
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goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography
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bound to appeal to women looking for a howlingly trashy time
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slim travel incognito in a ridiculous wig no respectable halloween costume shop would ever try to sell
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visual delight
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particularly impressive
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is about as humorous as watching your favorite pet get buried alive .
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sympathetic without being gullible
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would not likely be so stupid as to get
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ver wiel 's desperate attempt at wit is lost , leaving the character of critical jim two-dimensional and pointless .
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the worst thing
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a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work
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engrossing story
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most brilliant
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belongs to the marvelous verdu , a sexy slip of an earth mother who mourns her tragedies in private and embraces life in public
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the worst revenge-of-the-nerds clichés the filmmakers could dredge up
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not counting a few gross-out comedies i 've been trying to forget
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