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, that 's a liability .
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a step down
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an irresistible blend
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is a fun and funky look into an artificial creation in a world that thrives on artificiality .
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entertaining comedy
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ke
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else who may , for whatever reason , be thinking about going to see this movie
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without placing their parents in a coma-like state
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this properly intense , claustrophobic tale of obsessive love
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to rush to the theater for this one
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my eyelids ... getting
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the performances are so overstated
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is hugely overwritten ,
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threadbare standbys
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although frailty fits into a classic genre , in its script and execution it is a remarkably original work .
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a fascinating , dark thriller
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anything approaching even a vague reason to sit through it all
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faithful to melville 's plotline
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can not guess why the cast and crew did n't sign a pact to burn the negative and the script and pretend the whole thing never existed .
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it has considerable charm .
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a whale of a good time
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is one that any art-house moviegoer is likely to find compelling .
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squeeze the action and our emotions into the all-too-familiar dramatic arc of the holocaust escape story
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the director at his most sparkling
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the predominantly amateur cast is painful to watch , so stilted and unconvincing are the performances .
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gets too cloying thanks to the actors ' perfect comic timing and sweet , genuine chemistry .
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a fine job
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, howard 's film is really a series of strung-together moments , with all the spaces in between filled with fantasies , daydreams , memories and one fantastic visual trope after another .
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is always watchable .
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've got to admire ... the intensity with which he 's willing to express his convictions
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the production values are of the highest and the performances attractive without being memorable .
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be said to squander jennifer love hewitt
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the fat
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with the exception of mccoist , the players do n't have a clue on the park .
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counting a few gross-out comedies i 've been trying to forget
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try to balance pointed , often incisive satire and unabashed sweetness , with results that are sometimes bracing , sometimes baffling and quite often , and in unexpected ways , touching
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so muddled , repetitive and ragged that it says far less about the horrifying historical reality than about the filmmaker 's characteristic style .
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with indoctrinated prejudice
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thrills , too many flashbacks and a choppy ending
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great , has solid acting and a neat premise
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an attempt to do something different over actually pulling it off
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beautiful , self-satisfied
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will amuse or entertain them
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generates an enormous feeling of empathy for its characters
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brutally honest and told with humor and poignancy , which makes its message resonate .
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it 's too long
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moaning about their cruel fate
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into a roll that could have otherwise been bland and run of the mill
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steven shainberg 's adaptation of mary gaitskill 's harrowing short story ... is a brilliantly played , deeply unsettling experience .
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intense experience
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excite
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one of mr. chabrol 's subtlest works
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is so engagingly messing around like slob city reductions of damon runyon crooks
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awesome work :
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there 's a lot of tooth in roger dodger .
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sustain laughs
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like a travel-agency video
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, implausible
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run through its otherwise comic narrative .
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is actually a compelling look at a young woman 's tragic odyssey .
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with more character development this might have been an eerie thriller ; with better payoffs , it could have been a thinking man 's monster movie .
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's one of the few ` cool ' actors who never seems aware of his own coolness .
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some problems
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nohe 's documentary about the event is sympathetic without being gullible : he is n't blind to the silliness , but also captures moments of spontaneous creativity and authentic co-operative interaction .
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we 're looking back at a tattered and ugly past with rose-tinted glasses
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the fact that the ` best part ' of the movie comes from a 60-second homage to one of demme 's good films does n't bode well for the rest of it .
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first film something of a sleeper success
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let the earnestness of its execution and skill of its cast take you down a familiar road with a few twists
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a thoroughly entertaining comedy that
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assert
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it 's so bad
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the sentimental script has problems , but the actors pick up the slack .
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has none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , or even `` indecent proposal '' , and feels more like lyne 's stolid remake of `` lolita '' .
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about as overbearing and over-the-top as the family
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kouyate elicits strong performances from his cast ,
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a fascinating glimpse into an insular world that gives the lie to many clichés and showcases a group of dedicated artists .
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unless one considers cliched dialogue and perverse escapism a source of high hilarity
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unabashed sweetness
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too many scenarios in which the hero might have an opportunity to triumphantly sermonize
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the story is far-flung , illogical , and plain stupid .
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to make j.k. rowling 's marvelous series into a deadly bore
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doubt it
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the attraction between these two marginal characters is complex from the start -- and , refreshingly , stays that way .
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what punk rock music
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the life out of whatever idealism american moviemaking ever had
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psychopathic
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this hastily mounted production exists only to capitalize on hopkins ' inclination to play hannibal lecter again , even though harris has no immediate inclination to provide a fourth book .
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in the world devastated by war , famine and poverty and documented the cruelty and suffering he has found with an devastating , eloquent clarity
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we are forced to reflect that its visual imagination is breathtaking
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another cool crime movie
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's a terrible movie in every regard , and utterly painful to watch .
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those exceedingly rare films in which the talk alone is enough to keep us
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good to speak about other than the fact that it is relatively short
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being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams
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throws away the goodwill the first half of his movie generates by orchestrating a finale that is impenetrable and dull .
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such a flat , plodding picture
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british comedy .
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the martial arts master to top form
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audacity
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on this screenplay
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