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it 's funny , as the old saying goes , because it 's true .
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wonderful creatures
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it does sustain an enjoyable level of ridiculousness
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smart , steamy mix
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comes from the heart .
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truly distinctive and a deeply pertinent film
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this self-deprecating , biting and witty feature
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finds a way to make j.k. rowling 's marvelous series into a deadly bore .
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effective enough
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's to realize that as far as these shootings are concerned , something is rotten in the state of california
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peels layers
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on a dime in the tries-so-hard-to-be-cool `` clockstoppers
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fill the after-school slot at shopping mall theaters across the country
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negligible work
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unimaginatively
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, i enjoyed it just as much !
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their own immaturity
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always the prettiest pictures that tell the best story
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one scene after another in this supposedly funny movie falls to the floor with a sickening thud .
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was ushered in by the full monty and is still straining to produce another smash
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funny in its observation of just how much more grueling and time-consuming the illusion of work is than actual work
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have bitterly forsaken
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around this movie directionless
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he 's making dog day afternoon with a cause
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fat
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works smoothly under the direction of spielberg , who does a convincing impersonation here of a director enjoying himself immensely
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with drama , romance , tragedy , bravery , political intrigue , partisans and sabotage
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relentlessly nasty
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a teenybopper ed wood film , replete with the pubescent scandalous innuendo
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has little to do with the story , which becomes something about how lame it is to try and evade your responsibilities and that you should never , ever , leave a large dog alone with a toddler
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handsome and sophisticated approach to the workplace romantic comedy .
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as searching for a quarter in a giant pile of elephant feces ... positively dreadful
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surprising romance
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purposeless
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a lovably old-school hollywood confection .
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as far as art is concerned , it 's mission accomplished
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is that it 's actually watchable
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drowns in sap .
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nightmare
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the most surprising thing
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roman polanski 's autobiographical gesture at redemption is better than ` shindler 's list ' - it is more than merely a holocaust movie
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's so muddled and derivative that few will bother thinking it all through
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it 's weird , wonderful , and not necessarily for kids .
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the film a celluloid litmus test for the intellectual and emotional pedigree of your date and a giant step backward for a director i admire
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with such provocative material
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would be terrific to read about
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tear-drenched
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significantly better
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conjured up more coming-of-age stories
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feature but something far more stylish and cerebral -- and , hence , more chillingly effective .
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reality shows -- reality shows for god 's sake !
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delightfully against the grain
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a really good premise
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is twice as bestial but half as funny .
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riveting documentary .
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in enough clever and unexpected
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warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal .
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most entertaining bonds
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the film occasionally tries the viewer 's patience with slow pacing and a main character who sometimes defies sympathy , but it ultimately satisfies with its moving story .
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does n't get the job done , running off the limited chemistry created by ralph fiennes and jennifer lopez
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friends
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cheap-looking version of candid camera staged for the marquis de sade set
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except that the chelsea hotel today is populated by whiny , pathetic , starving and untalented artistes
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so much more
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fast and funny , an action cartoon that 's suspenseful enough for older kids but not too scary for the school-age crowd
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distinguished
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ups
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knows how to tell us about people
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filled with raw emotions conveying despair and love
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crass and insulting homage
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with great sympathy and intelligence
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a remake ) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic
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sit through , enjoy on a certain level
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will have been discovered , indulged in and rejected as boring before i see this piece of crap again
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the best kind
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funniness
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suffocate
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an unforgettable look at morality , family , and social expectation through the prism of that omnibus tradition called marriage .
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turns numbingly dull-witted and disquietingly creepy
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the sometimes murky , always brooding look of i
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naturalistic
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does its best to work us over , with second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and the lush scenery of the cotswolds .
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feels contrived
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to surprise us with plot twists
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has a bigger-name cast
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not a schlocky creature feature but something far more stylish and cerebral -- and , hence , more chillingly effective .
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appeal to those without much interest in the elizabethans
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more interesting
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thoroughly enjoyed themselves
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entertaining film
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that tears welled up in my eyes both times
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film to watch
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the movie has a script ( by paul pender ) made of wood , and it 's relentlessly folksy , a procession of stagy set pieces stacked with binary oppositions
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an entertaining , if ultimately minor , thriller .
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cleaner
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the high standards of performance
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that ` alabama ' manages to be pleasant in spite of its predictability and occasional slowness is due primarily to the perkiness of witherspoon ( who is always a joy to watch , even when her material is not first-rate ) ...
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makes you realize that deep inside righteousness can be found a tough beauty
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it 's kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers .
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is long on glamour and short on larger moralistic consequences ,
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